{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026page=7","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026page=6","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026page=8","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026page=5083"},"meta":{"pages":{"current_page":7,"next_page":8,"prev_page":6,"total_pages":5083,"limit_value":10,"offset_value":60,"total_count":50830,"first_page?":false,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_1852_c06_c17","type":"File","attributes":{"title":"17. Genealogy Letters to RLD","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1852_c06_c17#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1852_c06_c17","ref_ssm":["wvmturhc_repositories_2_resources_1852_c06_c17"],"id":"wvmturhc_repositories_2_resources_1852_c06_c17","ead_ssi":"wvmturhc_repositories_2_resources_1852","_root_":"wvmturhc_repositories_2_resources_1852","_nest_parent_":"wvmturhc_repositories_2_resources_1852_c06","parent_ssi":"wvmturhc_repositories_2_resources_1852_c06","parent_ssim":["wvmturhc_repositories_2_resources_1852","wvmturhc_repositories_2_resources_1852_c06"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1852","wvmturhc_repositories_2_resources_1852_c06"],"parent_unittitles_ssm":["Russell L. Davisson, Politician, Papers","Series 6. Genealogy Records B"],"parent_unittitles_tesim":["Russell L. Davisson, Politician, Papers","Series 6. Genealogy Records B"],"text":["Russell L. Davisson, Politician, Papers","Series 6. Genealogy Records B","17. Genealogy Letters to RLD","Box 3","Folder 35"],"title_filing_ssi":"17. Genealogy Letters to RLD","title_ssm":["17. Genealogy Letters to RLD"],"title_tesim":["17. Genealogy Letters to RLD"],"unitdate_inclusive_ssm":["1977–2003"],"normalized_date_ssm":["1977/2003"],"normalized_title_ssm":["17. Genealogy Letters to RLD"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Russell L. Davisson, Politician, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":82,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. 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Davisson, Politician, Papers","Genealogy","Welfare - Mingo County.","No special access restriction applies.","Papers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).","Series include:","Series 1. Biographical Information, 2005 (box 1, Folder 1a) \nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b) \nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6) \nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10) \nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18) \nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47) \nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55) \nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b) \nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18) \nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6) \nSeries 11. Travel, undated (box 4, folders 41-44) \nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59) \nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61) \nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2) \nSeries 15. Certificate, 2004 (box 5, folder 3) \nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5) \nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)","This series includes an autobiography written by Russell L. Davisson.","This series includes correspondence from Governor Arch Moore to Davisson.","This series includes records regarding investigation into the welfare program of Mingo County. The files contain sworn depositions of those involved, contemporary newspaper accounts, and letters from other politicians concerning the controversy.","This series includes a photocopy of the work, \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison.","This series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.","This series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.","This series includes genealogical records pertaining specifically to Lost Creek, Harrison County, WV.","This series includes inauguration invitations (Arch Moore and Richard Nixon), publications on various topics (including Richard Nixon's inauguration and election), and assorted correspondence.","This series includes page proofs, manuscript excerpts, and other material pertaining to \"The Davissons\" by Russell L. Davisson.","This series includes assorted publications, including a copy of Richard Nixon's Presidential nomination acceptance speech, other political works, and various historical works.","This series includes postcards and pamphlets from a trip to China and a trip to Brussels.","This series includes maps of locations in the United States, Europe, and China.","This series includes political car plates and business cards from China.","This series consists of assorted photographs, including a signed photograph of Russell L. Davisson and Richard Nixon, a portrait of Governor Cecil B. Underwood, and the Davisson Cemetary and other historical sites related to the Davisson family.","This series consists of a Certificate of Appreciation from George Washington's Mount Vernon.","This series consists of various issues of the newsletter, \"Mountain Messenger,\" and of the newsletter of the Washington County Genealogical Society.","This series includes a copy of \"Early Genealogy of the Davisson Family\" on two microfilm reels.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-","English"],"unitid_tesim":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852"],"normalized_title_ssm":["Russell L. Davisson, Politician, Papers"],"collection_title_tesim":["Russell L. Davisson, Politician, Papers"],"collection_ssim":["Russell L. Davisson, Politician, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Davisson, Russell Lee, 1922-"],"creator_ssim":["Davisson, Russell Lee, 1922-"],"creator_persname_ssim":["Davisson, Russell Lee, 1922-"],"creators_ssim":["Davisson, Russell Lee, 1922-"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Genealogy","Welfare - Mingo County."],"access_subjects_ssm":["Genealogy","Welfare - Mingo County."],"has_online_content_ssim":["false"],"extent_ssm":["4 Linear Feet Summary: 3 ft. 11 1/2 in. (3 document cases, 5 in. each); (1 document case, 2 1/2 in.); (2 records cartons, 15 in. each)"],"extent_tesim":["4 Linear Feet Summary: 3 ft. 11 1/2 in. (3 document cases, 5 in. each); (1 document case, 2 1/2 in.); (2 records cartons, 15 in. each)"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Russell L. Davisson, Politician, Papers, A\u0026amp;M 3472, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Russell L. Davisson, Politician, Papers, A\u0026M 3472, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003c/p\u003e\n","\u003cp\u003eSeries 1. Biographical Information, 2005 (box 1, Folder 1a) \u003clb\u003e\u003c/lb\u003e\nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b) \u003clb\u003e\u003c/lb\u003e\nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6) \u003clb\u003e\u003c/lb\u003e\nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10) \u003clb\u003e\u003c/lb\u003e\nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18) \u003clb\u003e\u003c/lb\u003e\nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47) \u003clb\u003e\u003c/lb\u003e\nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55) \u003clb\u003e\u003c/lb\u003e\nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b) \u003clb\u003e\u003c/lb\u003e\nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18) \u003clb\u003e\u003c/lb\u003e\nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6) \u003clb\u003e\u003c/lb\u003e\nSeries 11. Travel, undated (box 4, folders 41-44) \u003clb\u003e\u003c/lb\u003e\nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59) \u003clb\u003e\u003c/lb\u003e\nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61) \u003clb\u003e\u003c/lb\u003e\nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2) \u003clb\u003e\u003c/lb\u003e\nSeries 15. Certificate, 2004 (box 5, folder 3) \u003clb\u003e\u003c/lb\u003e\nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5) \u003clb\u003e\u003c/lb\u003e\nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e","\u003cp\u003eThis series includes an autobiography written by Russell L. Davisson.\u003c/p\u003e","\u003cp\u003eThis series includes correspondence from Governor Arch Moore to Davisson.\u003c/p\u003e","\u003cp\u003eThis series includes records regarding investigation into the welfare program of Mingo County. The files contain sworn depositions of those involved, contemporary newspaper accounts, and letters from other politicians concerning the controversy.\u003c/p\u003e","\u003cp\u003eThis series includes a photocopy of the work, \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison.\u003c/p\u003e","\u003cp\u003eThis series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.\u003c/p\u003e","\u003cp\u003eThis series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.\u003c/p\u003e","\u003cp\u003eThis series includes genealogical records pertaining specifically to Lost Creek, Harrison County, WV.\u003c/p\u003e","\u003cp\u003eThis series includes inauguration invitations (Arch Moore and Richard Nixon), publications on various topics (including Richard Nixon's inauguration and election), and assorted correspondence.\u003c/p\u003e","\u003cp\u003eThis series includes page proofs, manuscript excerpts, and other material pertaining to \"The Davissons\" by Russell L. Davisson.\u003c/p\u003e","\u003cp\u003eThis series includes assorted publications, including a copy of Richard Nixon's Presidential nomination acceptance speech, other political works, and various historical works.\u003c/p\u003e","\u003cp\u003eThis series includes postcards and pamphlets from a trip to China and a trip to Brussels.\u003c/p\u003e","\u003cp\u003eThis series includes maps of locations in the United States, Europe, and China.\u003c/p\u003e","\u003cp\u003eThis series includes political car plates and business cards from China.\u003c/p\u003e","\u003cp\u003eThis series consists of assorted photographs, including a signed photograph of Russell L. Davisson and Richard Nixon, a portrait of Governor Cecil B. Underwood, and the Davisson Cemetary and other historical sites related to the Davisson family.\u003c/p\u003e","\u003cp\u003eThis series consists of a Certificate of Appreciation from George Washington's Mount Vernon.\u003c/p\u003e","\u003cp\u003eThis series consists of various issues of the newsletter, \"Mountain Messenger,\" and of the newsletter of the Washington County Genealogical Society.\u003c/p\u003e","\u003cp\u003eThis series includes a copy of \"Early Genealogy of the Davisson Family\" on two microfilm reels.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).","Series include:","Series 1. Biographical Information, 2005 (box 1, Folder 1a) \nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b) \nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6) \nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10) \nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18) \nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47) \nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55) \nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b) \nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18) \nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6) \nSeries 11. Travel, undated (box 4, folders 41-44) \nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59) \nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61) \nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2) \nSeries 15. Certificate, 2004 (box 5, folder 3) \nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5) \nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)","This series includes an autobiography written by Russell L. Davisson.","This series includes correspondence from Governor Arch Moore to Davisson.","This series includes records regarding investigation into the welfare program of Mingo County. The files contain sworn depositions of those involved, contemporary newspaper accounts, and letters from other politicians concerning the controversy.","This series includes a photocopy of the work, \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison.","This series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.","This series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.","This series includes genealogical records pertaining specifically to Lost Creek, Harrison County, WV.","This series includes inauguration invitations (Arch Moore and Richard Nixon), publications on various topics (including Richard Nixon's inauguration and election), and assorted correspondence.","This series includes page proofs, manuscript excerpts, and other material pertaining to \"The Davissons\" by Russell L. Davisson.","This series includes assorted publications, including a copy of Richard Nixon's Presidential nomination acceptance speech, other political works, and various historical works.","This series includes postcards and pamphlets from a trip to China and a trip to Brussels.","This series includes maps of locations in the United States, Europe, and China.","This series includes political car plates and business cards from China.","This series consists of assorted photographs, including a signed photograph of Russell L. Davisson and Richard Nixon, a portrait of Governor Cecil B. Underwood, and the Davisson Cemetary and other historical sites related to the Davisson family.","This series consists of a Certificate of Appreciation from George Washington's Mount Vernon.","This series consists of various issues of the newsletter, \"Mountain Messenger,\" and of the newsletter of the Washington County Genealogical Society.","This series includes a copy of \"Early Genealogy of the Davisson Family\" on two microfilm reels."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b58e0d0847733239cec6066aace5060d\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-"],"famname_ssim":["Davison family - genealogy.","Davison family - Genealogy"],"persname_ssim":["Davisson, Russell Lee, 1922-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":235,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:07:24.091Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1852_c06_c17"}},{"id":"viu_repositories_3_resources_1675_c10_c90","type":"File","attributes":{"title":"17 Items - Faulkner and Yoknapatawpha Conference Materials - 10124-b","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1675_c10_c90#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1675_c10_c90","ref_ssm":["viu_repositories_3_resources_1675_c10_c90"],"id":"viu_repositories_3_resources_1675_c10_c90","ead_ssi":"viu_repositories_3_resources_1675","_root_":"viu_repositories_3_resources_1675","_nest_parent_":"viu_repositories_3_resources_1675_c10","parent_ssi":"viu_repositories_3_resources_1675_c10","parent_ssim":["viu_repositories_3_resources_1675","viu_repositories_3_resources_1675_c10"],"parent_ids_ssim":["viu_repositories_3_resources_1675","viu_repositories_3_resources_1675_c10"],"parent_unittitles_ssm":["William Faulkner Collection","Series X: Adaptations and Third-Party Works Based on William Faulkner Publications"],"parent_unittitles_tesim":["William Faulkner Collection","Series X: Adaptations and Third-Party Works Based on William Faulkner Publications"],"text":["William Faulkner Collection","Series X: Adaptations and Third-Party Works Based on William Faulkner Publications","17 Items - Faulkner and Yoknapatawpha Conference Materials - 10124-b","box 204","folder 8"],"title_filing_ssi":"17 Items - Faulkner and Yoknapatawpha Conference Materials - 10124-b","title_ssm":["17 Items - Faulkner and Yoknapatawpha Conference Materials - 10124-b"],"title_tesim":["17 Items - Faulkner and Yoknapatawpha Conference Materials - 10124-b"],"unitdate_inclusive_ssm":["1976-1997"],"normalized_date_ssm":["1976/1997"],"normalized_title_ssm":["17 Items - Faulkner and Yoknapatawpha Conference Materials - 10124-b"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["William Faulkner Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3346,"parent_access_restrict_tesm":["This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","We are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026."],"parent_access_terms_tesm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials. ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. "],"date_range_isim":[1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"containers_ssim":["box 204","folder 8"],"_nest_path_":"/components#9/components#89","timestamp":"2026-06-06T07:07:28.695Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1675","ead_ssi":"viu_repositories_3_resources_1675","_root_":"viu_repositories_3_resources_1675","_nest_parent_":"viu_repositories_3_resources_1675","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1675.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/196837","title_filing_ssi":"Faulkner, William, Collection","title_ssm":["William Faulkner Collection"],"title_tesim":["William Faulkner Collection"],"unitdate_ssm":["1824-2006"],"unitdate_inclusive_ssm":["1824-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675"],"text":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675","William Faulkner Collection","Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century","This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","We are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026.","Material pertaining to individual student records is restricted in accordance with the Family Education Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","The William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature. William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book, Soldier's Pay , in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of The Sound and the Fury in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962. ","Source: Materials within the collection. ","This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This material contains offensive and harmful language and imagery, including references to outdated terminology for Black individuals, references or imagery involving racism, and references or imagery involving sexual assault, domestic violence, or crimes based on gender or sexual orientation.","This collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.","The William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.","In this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.","Absalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936","While original order has been prioritized in the arrangement of Series IV, specific folders related to William Faulkner have been pulled from the rest of Albert Erskine's materials within MSS 10280-d and 10280-e for Subseries A. For ease of researcher use, these materials were pulled so that all of William Faulkner's publication records would be together, and so that the remaining materials within 10280-d and 10280-e relating to other authors would not be included within the William Faulkner collection.","Series III of the William Faulkner Collection contains the personal papers, files, belongings, and related realia of William Faulkner. Materials in the collection range in date from 1824 to 2003 and are divided into eight subseries: William Faulkner's working papers related to his literary works, drawings made by Faulkner, his childhood ephemera and student records, military and flight records, family papers, honors and awards, belongings and related realia, and reminiscences or accounts of William Faulkner. ","Many of William Faulkner's student and family records differ in the spelling of his last name due to changes made over time by family members and by Faulkner himself. For this reason, Faulkner's student and childhood records will often refer to him as \"William Falkner.\" William Faulkner's family papers are also listed as \"Faulkner/Falkner Family Papers\" for this reason. ","The Faulkner/Falkner Family Papers are divided into smaller sub-subseries based on the order in which they would fall within Faulkner's family tree and arranged chronologically within each. The first sub-subseries is comprised of Faulkner's extended family, grandparents, parents, and siblings, including John Wesley Thompson, William Clark Falkner, John Wesley Thompson Falkner, Alabama Falkner McLean, Murry Falkner, Maud Butler Falkner, Murry Falkner II, John Wesley Thompson Falkner/Faulkner III, and Dean Swift Falkner. The second sub-subseries within the Faulkner/Falkner Family subseries includes papers belonging to William Faulkner's wife, Estelle Oldham Faulkner, and the Oldham family. The third sub-subseries includes papers belonging to Estelle's son from her first marriage to Cornell Franklin and William Faulkner's stepson, Malcolm Argyle Franklin. Included with Malcolm Argyle Franklin's papers is a small amount of material once belonging to William F. Fielden, which was originally acquired with and has been kept with Franklin's papers. Next, within the subseries are the papers once belonging to William and Estelle Faulkner's daughter Jill Faulkner Summers and the Summers family.","Series IV of the William Faulkner Collection contains William Faulkner's publication records. Materials in the collection range in date from 1924 to 1986 and are divided into three subseries based on record provenance. The first subseries is comprised of records relating to the original publication of Faulkner's works from Random House, Inc., and Albert Erskine. The second subseries is made up of records from Noel Polk, a Faulkner scholar and editor who worked on posthumous editions and publications of Faulkner's writings. The third and last subseries, Subseries C, contains all publishing-related records not from Random House, Albert Erskine, or Noel Polk. Prominent individuals whose publishing-related correspondence and records are featured in this subseries include William Faulkner's literary agents Harold Ober and Morton Goldman.  ","Series V of the William Faulkner collection contains William Faulkner's business and legal records. Materials within the series range in date from 1922 to 2006 and are divided into four subseries, the first of which includes William Faulkner's contracts and agreements, including a copy of Faulkner's will and legal agreements pertaining to his work and property carried out by his daughter, Jill Faulkner Summers, after his death in 1962. The second subseries includes all papers from William Faulkner's literary agent, Harold Ober, with the exception of Ober's papers relating to William Faulkner's publishing records, which are included in Series IV. Subseries C contains records relating to William Faulkner's cultural diplomacy work and travel. These records include papers gifted to the University of Virginia by Hal Howland, an employee of the United States Foreign Service/State Department. Subseries C additionally contains records and correspondence relating to William Faulkner's work with the People to People diplomatic program, given as part of a gift from Joseph Blotner, scholar and biographer of William Faulkner. The final subseries in Series V contains records pertaining to the William Faulkner Foundation. Whenever possible, the original order of each of the previous MSS numbers within Series V has been prioritized in the arrangement of the series.","Series VI of the William Faulkner collection contains photographs and portraits of and pertaining to William Faulkner. The photographs and portraits in this series range in date from 1898 to 2005 and cover a wide range of accession numbers, one of these being Faulkner's original deposit, MSS 6074. Materials within Series VI have been arranged in order of their original accession number to emphasize their provenance and chronologically therein.","Series VII of the William Faulkner collection includes press and publicity materials related to William Faulkner. Materials within the series range in date from 1922 to 2005 and are divided into three subseries. The first subseries consists of news clippings and press coverage articles about William Faulkner, many of which were gifted by Linton Massey and Jill Faulkner Summers. The second subseries contains William Faulkner's publicity films and audio recordings of Faulkner reading his works. The final subseries includes ephemera relating to William Faulkner's publicity films. Within each of these three subseries, materials are arranged chronologically.","Series VIII of the William Faulkner collection contains materials from Faulkner's time working at the University of Virginia, where he was the university's Writer-in-Residence from 1957 to 1958, Consultant on American Literature to the Alderman Library, now Shannon Library, from around 1958 to 1961, and Balch Lecturer in American Literature from 1961 to 1962. The series is divided into three subseries: Audio Recordings from Talks and Lectures, Ephemera Related to Faulkner's Tenure, and Exhibitions about Faulkner at the Library. Materials are then arranged chronologically within each subseries.","Series IX of the William Faulkner collection contains the materials of scholars of William Faulkner and collectors of Faulkner's archival and manuscript materials. Original Faulkner materials collected by some of these individuals, such as Joseph Blotner and Linton R. Massey, have been arranged and integrated into other series of the collection, but materials related specifically to their collecting work and scholarship are included in this series. Materials within this series are organized into subseries based on the corresponding scholar/collector names, which have been arranged in alphabetical order by last name.","Series X of the William Faulkner collection includes typescripts and ephemera from adaptations of William Faulkner works for theatre, film, and television. Materials within Series X are arranged in chronological order.","This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials. ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. ","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission.","Because of the assembled nature of these photographs, copyright status varies across the series. Reproduction rights for photographs marked \"for reference use only\" are not owned by the University of Virginia. Copyright is assumed to be held by the original creator of individual items in the series; the University of Virginia is not authorized to grant permission to publish or reproduce these items. Researchers are responsible for securing permission to publish or reproduce photographs from the rights holders.","Albert and Shirley Small Special Collections Library","Faulkner, William, 1897-1962","Materials primarily in English, with some publications in French and German."],"unitid_tesim":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675"],"normalized_title_ssm":["William Faulkner Collection"],"collection_title_tesim":["William Faulkner Collection"],"collection_ssim":["William Faulkner Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Faulkner, William, 1897-1962"],"creator_ssim":["Faulkner, William, 1897-1962"],"creator_persname_ssim":["Faulkner, William, 1897-1962"],"creators_ssim":["Faulkner, William, 1897-1962"],"access_terms_ssm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials. ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. "],"access_subjects_ssim":["Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century"],"access_subjects_ssm":["Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century"],"has_online_content_ssim":["false"],"extent_ssm":["115 Cubic Feet"],"extent_tesim":["115 Cubic Feet"],"genreform_ssim":["American literature--Southern States","American fiction--20th Century"],"date_range_isim":[1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.\u003c/p\u003e\n","\u003cp\u003eWe are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026.\u003c/p\u003e","\u003cp\u003eMaterial pertaining to individual student records is restricted in accordance with the Family Education Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","We are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026.","Material pertaining to individual student records is restricted in accordance with the Family Education Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records."],"bioghist_html_tesm":["\u003cp\u003eThe William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature. William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book, \u003cemph render=\"italic\"\u003e\u003ctitle\u003eSoldier's Pay\u003c/title\u003e\u003c/emph\u003e, in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of \u003ctitle\u003e\u003cemph render=\"italic\"\u003eThe Sound and the Fury\u003c/emph\u003e\u003c/title\u003e in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962. \u003c/p\u003e\n","\u003cp\u003eSource: Materials within the collection. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature. William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book, Soldier's Pay , in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of The Sound and the Fury in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962. ","Source: Materials within the collection. "],"odd_html_tesm":["\u003cp\u003eThis material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThis material contains offensive and harmful language and imagery, including references to outdated terminology for Black individuals, references or imagery involving racism, and references or imagery involving sexual assault, domestic violence, or crimes based on gender or sexual orientation.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Content Warning"],"odd_tesim":["This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This material contains offensive and harmful language and imagery, including references to outdated terminology for Black individuals, references or imagery involving racism, and references or imagery involving sexual assault, domestic violence, or crimes based on gender or sexual orientation."],"prefercite_html_tesm":["\u003cp\u003eMSS 16807 William Faulkner collection, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16807 William Faulkner collection, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThis collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.\u003c/p\u003e","\u003cp\u003eThe William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.\u003c/p\u003e","\u003cp\u003eIn this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.\u003c/p\u003e","\u003cp\u003eAbsalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936\u003c/p\u003e","\u003cp\u003eWhile original order has been prioritized in the arrangement of Series IV, specific folders related to William Faulkner have been pulled from the rest of Albert Erskine's materials within MSS 10280-d and 10280-e for Subseries A. For ease of researcher use, these materials were pulled so that all of William Faulkner's publication records would be together, and so that the remaining materials within 10280-d and 10280-e relating to other authors would not be included within the William Faulkner collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["This collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.","The William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.","In this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.","Absalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936","While original order has been prioritized in the arrangement of Series IV, specific folders related to William Faulkner have been pulled from the rest of Albert Erskine's materials within MSS 10280-d and 10280-e for Subseries A. For ease of researcher use, these materials were pulled so that all of William Faulkner's publication records would be together, and so that the remaining materials within 10280-d and 10280-e relating to other authors would not be included within the William Faulkner collection."],"scopecontent_html_tesm":["\u003cp\u003eSeries III of the William Faulkner Collection contains the personal papers, files, belongings, and related realia of William Faulkner. Materials in the collection range in date from 1824 to 2003 and are divided into eight subseries: William Faulkner's working papers related to his literary works, drawings made by Faulkner, his childhood ephemera and student records, military and flight records, family papers, honors and awards, belongings and related realia, and reminiscences or accounts of William Faulkner. \u003c/p\u003e\n","\u003cp\u003eMany of William Faulkner's student and family records differ in the spelling of his last name due to changes made over time by family members and by Faulkner himself. For this reason, Faulkner's student and childhood records will often refer to him as \"William Falkner.\" William Faulkner's family papers are also listed as \"Faulkner/Falkner Family Papers\" for this reason. \u003c/p\u003e","\u003cp\u003eThe Faulkner/Falkner Family Papers are divided into smaller sub-subseries based on the order in which they would fall within Faulkner's family tree and arranged chronologically within each. The first sub-subseries is comprised of Faulkner's extended family, grandparents, parents, and siblings, including John Wesley Thompson, William Clark Falkner, John Wesley Thompson Falkner, Alabama Falkner McLean, Murry Falkner, Maud Butler Falkner, Murry Falkner II, John Wesley Thompson Falkner/Faulkner III, and Dean Swift Falkner. The second sub-subseries within the Faulkner/Falkner Family subseries includes papers belonging to William Faulkner's wife, Estelle Oldham Faulkner, and the Oldham family. The third sub-subseries includes papers belonging to Estelle's son from her first marriage to Cornell Franklin and William Faulkner's stepson, Malcolm Argyle Franklin. Included with Malcolm Argyle Franklin's papers is a small amount of material once belonging to William F. Fielden, which was originally acquired with and has been kept with Franklin's papers. Next, within the subseries are the papers once belonging to William and Estelle Faulkner's daughter Jill Faulkner Summers and the Summers family.\u003c/p\u003e","\u003cp\u003eSeries IV of the William Faulkner Collection contains William Faulkner's publication records. Materials in the collection range in date from 1924 to 1986 and are divided into three subseries based on record provenance. The first subseries is comprised of records relating to the original publication of Faulkner's works from Random House, Inc., and Albert Erskine. The second subseries is made up of records from Noel Polk, a Faulkner scholar and editor who worked on posthumous editions and publications of Faulkner's writings. The third and last subseries, Subseries C, contains all publishing-related records not from Random House, Albert Erskine, or Noel Polk. Prominent individuals whose publishing-related correspondence and records are featured in this subseries include William Faulkner's literary agents Harold Ober and Morton Goldman.  \u003c/p\u003e","\u003cp\u003eSeries V of the William Faulkner collection contains William Faulkner's business and legal records. Materials within the series range in date from 1922 to 2006 and are divided into four subseries, the first of which includes William Faulkner's contracts and agreements, including a copy of Faulkner's will and legal agreements pertaining to his work and property carried out by his daughter, Jill Faulkner Summers, after his death in 1962. The second subseries includes all papers from William Faulkner's literary agent, Harold Ober, with the exception of Ober's papers relating to William Faulkner's publishing records, which are included in Series IV. Subseries C contains records relating to William Faulkner's cultural diplomacy work and travel. These records include papers gifted to the University of Virginia by Hal Howland, an employee of the United States Foreign Service/State Department. Subseries C additionally contains records and correspondence relating to William Faulkner's work with the People to People diplomatic program, given as part of a gift from Joseph Blotner, scholar and biographer of William Faulkner. The final subseries in Series V contains records pertaining to the William Faulkner Foundation. Whenever possible, the original order of each of the previous MSS numbers within Series V has been prioritized in the arrangement of the series.\u003c/p\u003e","\u003cp\u003eSeries VI of the William Faulkner collection contains photographs and portraits of and pertaining to William Faulkner. The photographs and portraits in this series range in date from 1898 to 2005 and cover a wide range of accession numbers, one of these being Faulkner's original deposit, MSS 6074. Materials within Series VI have been arranged in order of their original accession number to emphasize their provenance and chronologically therein.\u003c/p\u003e","\u003cp\u003eSeries VII of the William Faulkner collection includes press and publicity materials related to William Faulkner. Materials within the series range in date from 1922 to 2005 and are divided into three subseries. The first subseries consists of news clippings and press coverage articles about William Faulkner, many of which were gifted by Linton Massey and Jill Faulkner Summers. The second subseries contains William Faulkner's publicity films and audio recordings of Faulkner reading his works. The final subseries includes ephemera relating to William Faulkner's publicity films. Within each of these three subseries, materials are arranged chronologically.\u003c/p\u003e","\u003cp\u003eSeries VIII of the William Faulkner collection contains materials from Faulkner's time working at the University of Virginia, where he was the university's Writer-in-Residence from 1957 to 1958, Consultant on American Literature to the Alderman Library, now Shannon Library, from around 1958 to 1961, and Balch Lecturer in American Literature from 1961 to 1962. The series is divided into three subseries: Audio Recordings from Talks and Lectures, Ephemera Related to Faulkner's Tenure, and Exhibitions about Faulkner at the Library. Materials are then arranged chronologically within each subseries.\u003c/p\u003e","\u003cp\u003eSeries IX of the William Faulkner collection contains the materials of scholars of William Faulkner and collectors of Faulkner's archival and manuscript materials. Original Faulkner materials collected by some of these individuals, such as Joseph Blotner and Linton R. Massey, have been arranged and integrated into other series of the collection, but materials related specifically to their collecting work and scholarship are included in this series. Materials within this series are organized into subseries based on the corresponding scholar/collector names, which have been arranged in alphabetical order by last name.\u003c/p\u003e","\u003cp\u003eSeries X of the William Faulkner collection includes typescripts and ephemera from adaptations of William Faulkner works for theatre, film, and television. Materials within Series X are arranged in chronological order.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Series III of the William Faulkner Collection contains the personal papers, files, belongings, and related realia of William Faulkner. Materials in the collection range in date from 1824 to 2003 and are divided into eight subseries: William Faulkner's working papers related to his literary works, drawings made by Faulkner, his childhood ephemera and student records, military and flight records, family papers, honors and awards, belongings and related realia, and reminiscences or accounts of William Faulkner. ","Many of William Faulkner's student and family records differ in the spelling of his last name due to changes made over time by family members and by Faulkner himself. For this reason, Faulkner's student and childhood records will often refer to him as \"William Falkner.\" William Faulkner's family papers are also listed as \"Faulkner/Falkner Family Papers\" for this reason. ","The Faulkner/Falkner Family Papers are divided into smaller sub-subseries based on the order in which they would fall within Faulkner's family tree and arranged chronologically within each. The first sub-subseries is comprised of Faulkner's extended family, grandparents, parents, and siblings, including John Wesley Thompson, William Clark Falkner, John Wesley Thompson Falkner, Alabama Falkner McLean, Murry Falkner, Maud Butler Falkner, Murry Falkner II, John Wesley Thompson Falkner/Faulkner III, and Dean Swift Falkner. The second sub-subseries within the Faulkner/Falkner Family subseries includes papers belonging to William Faulkner's wife, Estelle Oldham Faulkner, and the Oldham family. The third sub-subseries includes papers belonging to Estelle's son from her first marriage to Cornell Franklin and William Faulkner's stepson, Malcolm Argyle Franklin. Included with Malcolm Argyle Franklin's papers is a small amount of material once belonging to William F. Fielden, which was originally acquired with and has been kept with Franklin's papers. Next, within the subseries are the papers once belonging to William and Estelle Faulkner's daughter Jill Faulkner Summers and the Summers family.","Series IV of the William Faulkner Collection contains William Faulkner's publication records. Materials in the collection range in date from 1924 to 1986 and are divided into three subseries based on record provenance. The first subseries is comprised of records relating to the original publication of Faulkner's works from Random House, Inc., and Albert Erskine. The second subseries is made up of records from Noel Polk, a Faulkner scholar and editor who worked on posthumous editions and publications of Faulkner's writings. The third and last subseries, Subseries C, contains all publishing-related records not from Random House, Albert Erskine, or Noel Polk. Prominent individuals whose publishing-related correspondence and records are featured in this subseries include William Faulkner's literary agents Harold Ober and Morton Goldman.  ","Series V of the William Faulkner collection contains William Faulkner's business and legal records. Materials within the series range in date from 1922 to 2006 and are divided into four subseries, the first of which includes William Faulkner's contracts and agreements, including a copy of Faulkner's will and legal agreements pertaining to his work and property carried out by his daughter, Jill Faulkner Summers, after his death in 1962. The second subseries includes all papers from William Faulkner's literary agent, Harold Ober, with the exception of Ober's papers relating to William Faulkner's publishing records, which are included in Series IV. Subseries C contains records relating to William Faulkner's cultural diplomacy work and travel. These records include papers gifted to the University of Virginia by Hal Howland, an employee of the United States Foreign Service/State Department. Subseries C additionally contains records and correspondence relating to William Faulkner's work with the People to People diplomatic program, given as part of a gift from Joseph Blotner, scholar and biographer of William Faulkner. The final subseries in Series V contains records pertaining to the William Faulkner Foundation. Whenever possible, the original order of each of the previous MSS numbers within Series V has been prioritized in the arrangement of the series.","Series VI of the William Faulkner collection contains photographs and portraits of and pertaining to William Faulkner. The photographs and portraits in this series range in date from 1898 to 2005 and cover a wide range of accession numbers, one of these being Faulkner's original deposit, MSS 6074. Materials within Series VI have been arranged in order of their original accession number to emphasize their provenance and chronologically therein.","Series VII of the William Faulkner collection includes press and publicity materials related to William Faulkner. Materials within the series range in date from 1922 to 2005 and are divided into three subseries. The first subseries consists of news clippings and press coverage articles about William Faulkner, many of which were gifted by Linton Massey and Jill Faulkner Summers. The second subseries contains William Faulkner's publicity films and audio recordings of Faulkner reading his works. The final subseries includes ephemera relating to William Faulkner's publicity films. Within each of these three subseries, materials are arranged chronologically.","Series VIII of the William Faulkner collection contains materials from Faulkner's time working at the University of Virginia, where he was the university's Writer-in-Residence from 1957 to 1958, Consultant on American Literature to the Alderman Library, now Shannon Library, from around 1958 to 1961, and Balch Lecturer in American Literature from 1961 to 1962. The series is divided into three subseries: Audio Recordings from Talks and Lectures, Ephemera Related to Faulkner's Tenure, and Exhibitions about Faulkner at the Library. Materials are then arranged chronologically within each subseries.","Series IX of the William Faulkner collection contains the materials of scholars of William Faulkner and collectors of Faulkner's archival and manuscript materials. Original Faulkner materials collected by some of these individuals, such as Joseph Blotner and Linton R. Massey, have been arranged and integrated into other series of the collection, but materials related specifically to their collecting work and scholarship are included in this series. Materials within this series are organized into subseries based on the corresponding scholar/collector names, which have been arranged in alphabetical order by last name.","Series X of the William Faulkner collection includes typescripts and ephemera from adaptations of William Faulkner works for theatre, film, and television. Materials within Series X are arranged in chronological order."],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials. \u003c/p\u003e\n","\u003cp\u003ePermissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing\u003c/p\u003e\n","\u003cp\u003ePlease note that W.W. Norton holds copyright to all of Faulkner's published works.\u003c/p\u003e\n","\u003cp\u003eIf you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000\u003c/p\u003e\n","\u003cp\u003eFor permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026amp; Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com\u003c/p\u003e\n","\u003cp\u003eFor permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156\u003c/p\u003e\n","\u003cp\u003ePhotocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. \u003c/p\u003e","\u003cp\u003ePhotocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission.\u003c/p\u003e","\u003cp\u003eBecause of the assembled nature of these photographs, copyright status varies across the series. Reproduction rights for photographs marked \"for reference use only\" are not owned by the University of Virginia. Copyright is assumed to be held by the original creator of individual items in the series; the University of Virginia is not authorized to grant permission to publish or reproduce these items. Researchers are responsible for securing permission to publish or reproduce photographs from the rights holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials. ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. ","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission.","Because of the assembled nature of these photographs, copyright status varies across the series. Reproduction rights for photographs marked \"for reference use only\" are not owned by the University of Virginia. Copyright is assumed to be held by the original creator of individual items in the series; the University of Virginia is not authorized to grant permission to publish or reproduce these items. Researchers are responsible for securing permission to publish or reproduce photographs from the rights holders."],"names_ssim":["Albert and Shirley Small Special Collections Library","Faulkner, William, 1897-1962"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Faulkner, William, 1897-1962"],"language_ssim":["Materials primarily in English, with some publications in French and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3366,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-06T07:07:28.695Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1675_c10_c90"}},{"id":"vilxw_repositories_5_resources_616_c02_c179","type":"File","attributes":{"title":"17 South Main Street, McCrum's Drug, by Joseph Geitner","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_616_c02_c179#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_616_c02_c179","ref_ssm":["vilxw_repositories_5_resources_616_c02_c179"],"id":"vilxw_repositories_5_resources_616_c02_c179","ead_ssi":"vilxw_repositories_5_resources_616","_root_":"vilxw_repositories_5_resources_616","_nest_parent_":"vilxw_repositories_5_resources_616_c02","parent_ssi":"vilxw_repositories_5_resources_616_c02","parent_ssim":["vilxw_repositories_5_resources_616","vilxw_repositories_5_resources_616_c02"],"parent_ids_ssim":["vilxw_repositories_5_resources_616","vilxw_repositories_5_resources_616_c02"],"parent_unittitles_ssm":["Student Architectural papers collection","Original papers"],"parent_unittitles_tesim":["Student Architectural papers collection","Original papers"],"text":["Student Architectural papers collection","Original papers","17 South Main Street, McCrum's Drug, by Joseph Geitner","Box 4","folder 41"],"title_filing_ssi":"17 South Main Street, McCrum's Drug, by Joseph Geitner","title_ssm":["17 South Main Street, McCrum's Drug, by Joseph Geitner"],"title_tesim":["17 South Main Street, McCrum's Drug, by Joseph Geitner"],"unitdate_other_ssim":["1990 April"],"normalized_date_ssm":["1990"],"normalized_title_ssm":["17 South Main Street, McCrum's Drug, by Joseph Geitner"],"component_level_isim":[2],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["Student Architectural papers collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":728,"parent_access_restrict_tesm":["This collection is open for research use."],"date_range_isim":[1990],"containers_ssim":["Box 4","folder 41"],"_nest_path_":"/components#1/components#178","timestamp":"2026-05-20T22:14:48.388Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_616","ead_ssi":"vilxw_repositories_5_resources_616","_root_":"vilxw_repositories_5_resources_616","_nest_parent_":"vilxw_repositories_5_resources_616","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_616.xml","title_filing_ssi":"Student Architectural papers collection","title_ssm":["Student Architectural papers collection"],"title_tesim":["Student Architectural papers collection"],"unitdate_ssm":["1960 January 6 - 2011 December 13"],"unitdate_inclusive_ssm":["1960 January 6 - 2011 December 13"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["WLU.RG.38","/repositories/5/resources/616"],"text":["WLU.RG.38","/repositories/5/resources/616","Student Architectural papers collection","Lexington (Va.)","Virginia -- Rockbridge County","Architecture","This collection is open for research use.","These student architecture papers were done for Art classes at Washington and Lee, mostly taught by Prof. Pam Simpson. The papers include homes and buildings in Lexington and other places in Rockbridge County, Virginia. Included in the papers are deed tracings, social and architectural history, maps and photographs. Prof. Simpson and Royster Lyle published the book, The Architecture of Historic Lexington in 1977. This book and these papers are an invaluable resource for researchers.","Paxton house","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","Building earlier Carnegie Library and McCormick Library, and later Williams School, and then Huntley Hall.","The building was later the Ruscio Center for Global Learning with additions.","The other student authors are Amy Bohutinsky, Sarah Feinberg, Sarah Saalfield, Catherine Ruth Fetton, and Ginger Baker.","The other student authors are Tofer Harrison, Alex McManimen, Ashley Marano, Patrick Mickler, and Travis Winfrey.","This record group contains papers and projects created by students as part of their coursework, such as honors theses and capstone papers.","203-205 1/2 Huffman's Nationwide, Buck's Barbershop, Tom's Taxi; 207-211 McCoy house; 215 Tomlinson house; 217 State Farm Insurance; 221 Andre Studio; 223 Flower Center.","Includes Denmark west of Lexington, Decatur north of Lexington, Cornwall east of Lexington, and Springfield south of Lexington.","Motels included are the Black and White log cabins in Fairfield, Lee-Way, Buffalo Creek, and Stevesville Drive-In.","Houses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).","Includes information of Pres. George H. Denny, Prof. David C. Humphreys, Theodore Carl Link, William Henry Reid, the W\u0026L Power plant, and W\u0026L Reid Hall.","Earlier this building was the Carnegie Library, then McCormick Library, later Williams School, and then Huntley Hall.","Includes Cedar Hill, Paxton house at Glen Maury, and the Dickinson house named Savernake.","Includes 707 South Main Street, 116 North Main and Jefferson Streets, South Main, and 107 North Main Streets.","Houses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students","Sheridan, John, 1847 - 1929","English"],"unitid_tesim":["WLU.RG.38","/repositories/5/resources/616"],"normalized_title_ssm":["Student Architectural papers collection"],"collection_title_tesim":["Student Architectural papers collection"],"collection_ssim":["Student Architectural papers collection"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"geogname_ssm":["Lexington (Va.)","Virginia -- Rockbridge County"],"geogname_ssim":["Lexington (Va.)","Virginia -- Rockbridge County"],"creator_ssm":["Washington and Lee University--Students"],"creator_ssim":["Washington and Lee University--Students"],"creator_corpname_ssim":["Washington and Lee University--Students"],"creators_ssim":["Washington and Lee University--Students"],"places_ssim":["Lexington (Va.)","Virginia -- Rockbridge County"],"acqinfo_ssim":["Gift of W\u0026L Prof. Pam Simpson."],"access_subjects_ssim":["Architecture"],"access_subjects_ssm":["Architecture"],"has_online_content_ssim":["false"],"extent_ssm":["18.50 Linear Feet"],"extent_tesim":["18.50 Linear Feet"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eThese student architecture papers were done for Art classes at Washington and Lee, mostly taught by Prof. Pam Simpson. The papers include homes and buildings in Lexington and other places in Rockbridge County, Virginia. Included in the papers are deed tracings, social and architectural history, maps and photographs. Prof. Simpson and Royster Lyle published the book, The Architecture of Historic Lexington in 1977. This book and these papers are an invaluable resource for researchers.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["These student architecture papers were done for Art classes at Washington and Lee, mostly taught by Prof. Pam Simpson. The papers include homes and buildings in Lexington and other places in Rockbridge County, Virginia. Included in the papers are deed tracings, social and architectural history, maps and photographs. Prof. Simpson and Royster Lyle published the book, The Architecture of Historic Lexington in 1977. This book and these papers are an invaluable resource for researchers."],"odd_html_tesm":["\u003cp\u003ePaxton house\u003c/p\u003e","\u003cp\u003eThe Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,\u003c/p\u003e","\u003cp\u003eThe Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,\u003c/p\u003e","\u003cp\u003eBuilding earlier Carnegie Library and McCormick Library, and later Williams School, and then Huntley Hall.\u003c/p\u003e","\u003cp\u003eThe building was later the Ruscio Center for Global Learning with additions.\u003c/p\u003e","\u003cp\u003eThe other student authors are Amy Bohutinsky, Sarah Feinberg, Sarah Saalfield, Catherine Ruth Fetton, and Ginger Baker.\u003c/p\u003e","\u003cp\u003eThe other student authors are Tofer Harrison, Alex McManimen, Ashley Marano, Patrick Mickler, and Travis Winfrey.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General"],"odd_tesim":["Paxton house","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","Building earlier Carnegie Library and McCormick Library, and later Williams School, and then Huntley Hall.","The building was later the Ruscio Center for Global Learning with additions.","The other student authors are Amy Bohutinsky, Sarah Feinberg, Sarah Saalfield, Catherine Ruth Fetton, and Ginger Baker.","The other student authors are Tofer Harrison, Alex McManimen, Ashley Marano, Patrick Mickler, and Travis Winfrey."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Student Architectural Papers Collection (RG 38), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Student Architectural Papers Collection (RG 38), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA"],"scopecontent_html_tesm":["\u003cp\u003eThis record group contains papers and projects created by students as part of their coursework, such as honors theses and capstone papers.\u003c/p\u003e","\u003cp\u003e203-205 1/2 Huffman's Nationwide, Buck's Barbershop, Tom's Taxi; 207-211 McCoy house; 215 Tomlinson house; 217 State Farm Insurance; 221 Andre Studio; 223 Flower Center.\u003c/p\u003e","\u003cp\u003eIncludes Denmark west of Lexington, Decatur north of Lexington, Cornwall east of Lexington, and Springfield south of Lexington.\u003c/p\u003e","\u003cp\u003eMotels included are the Black and White log cabins in Fairfield, Lee-Way, Buffalo Creek, and Stevesville Drive-In.\u003c/p\u003e","\u003cp\u003eHouses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).\u003c/p\u003e","\u003cp\u003eIncludes information of Pres. George H. Denny, Prof. David C. Humphreys, Theodore Carl Link, William Henry Reid, the W\u0026amp;L Power plant, and W\u0026amp;L Reid Hall.\u003c/p\u003e","\u003cp\u003eEarlier this building was the Carnegie Library, then McCormick Library, later Williams School, and then Huntley Hall.\u003c/p\u003e","\u003cp\u003eIncludes Cedar Hill, Paxton house at Glen Maury, and the Dickinson house named Savernake.\u003c/p\u003e","\u003cp\u003eIncludes 707 South Main Street, 116 North Main and Jefferson Streets, South Main, and 107 North Main Streets.\u003c/p\u003e","\u003cp\u003eHouses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This record group contains papers and projects created by students as part of their coursework, such as honors theses and capstone papers.","203-205 1/2 Huffman's Nationwide, Buck's Barbershop, Tom's Taxi; 207-211 McCoy house; 215 Tomlinson house; 217 State Farm Insurance; 221 Andre Studio; 223 Flower Center.","Includes Denmark west of Lexington, Decatur north of Lexington, Cornwall east of Lexington, and Springfield south of Lexington.","Motels included are the Black and White log cabins in Fairfield, Lee-Way, Buffalo Creek, and Stevesville Drive-In.","Houses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).","Includes information of Pres. George H. Denny, Prof. David C. Humphreys, Theodore Carl Link, William Henry Reid, the W\u0026L Power plant, and W\u0026L Reid Hall.","Earlier this building was the Carnegie Library, then McCormick Library, later Williams School, and then Huntley Hall.","Includes Cedar Hill, Paxton house at Glen Maury, and the Dickinson house named Savernake.","Includes 707 South Main Street, 116 North Main and Jefferson Streets, South Main, and 107 North Main Streets.","Houses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road)."],"userestrict_heading_ssm":["Conditions Governing Use"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students","Sheridan, John, 1847 - 1929"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students"],"persname_ssim":["Sheridan, John, 1847 - 1929"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1048,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:14:48.388Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_616_c02_c179"}},{"id":"vilxw_repositories_5_resources_616_c01_c191","type":"File","attributes":{"title":"17 South Main street, McCrum's Drug store, by Joseph Geitner","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_616_c01_c191#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_616_c01_c191","ref_ssm":["vilxw_repositories_5_resources_616_c01_c191"],"id":"vilxw_repositories_5_resources_616_c01_c191","ead_ssi":"vilxw_repositories_5_resources_616","_root_":"vilxw_repositories_5_resources_616","_nest_parent_":"vilxw_repositories_5_resources_616_c01","parent_ssi":"vilxw_repositories_5_resources_616_c01","parent_ssim":["vilxw_repositories_5_resources_616","vilxw_repositories_5_resources_616_c01"],"parent_ids_ssim":["vilxw_repositories_5_resources_616","vilxw_repositories_5_resources_616_c01"],"parent_unittitles_ssm":["Student Architectural papers collection","User Access Copies"],"parent_unittitles_tesim":["Student Architectural papers collection","User Access Copies"],"text":["Student Architectural papers collection","User Access Copies","17 South Main street, McCrum's Drug store, by Joseph Geitner","Box 6","folder 35"],"title_filing_ssi":"17 South Main street, McCrum's Drug store, by Joseph Geitner","title_ssm":["17 South Main street, McCrum's Drug store, by Joseph Geitner"],"title_tesim":["17 South Main street, McCrum's Drug store, by Joseph Geitner"],"unitdate_other_ssim":["1990 April 6"],"normalized_date_ssm":["1990"],"normalized_title_ssm":["17 South Main street, McCrum's Drug store, by Joseph Geitner"],"component_level_isim":[2],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["Student Architectural papers collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":192,"parent_access_restrict_tesm":["This collection is open for research use."],"date_range_isim":[1990],"containers_ssim":["Box 6","folder 35"],"_nest_path_":"/components#0/components#190","timestamp":"2026-05-20T22:14:48.388Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_616","ead_ssi":"vilxw_repositories_5_resources_616","_root_":"vilxw_repositories_5_resources_616","_nest_parent_":"vilxw_repositories_5_resources_616","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_616.xml","title_filing_ssi":"Student Architectural papers collection","title_ssm":["Student Architectural papers collection"],"title_tesim":["Student Architectural papers collection"],"unitdate_ssm":["1960 January 6 - 2011 December 13"],"unitdate_inclusive_ssm":["1960 January 6 - 2011 December 13"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["WLU.RG.38","/repositories/5/resources/616"],"text":["WLU.RG.38","/repositories/5/resources/616","Student Architectural papers collection","Lexington (Va.)","Virginia -- Rockbridge County","Architecture","This collection is open for research use.","These student architecture papers were done for Art classes at Washington and Lee, mostly taught by Prof. Pam Simpson. The papers include homes and buildings in Lexington and other places in Rockbridge County, Virginia. Included in the papers are deed tracings, social and architectural history, maps and photographs. Prof. Simpson and Royster Lyle published the book, The Architecture of Historic Lexington in 1977. This book and these papers are an invaluable resource for researchers.","Paxton house","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","Building earlier Carnegie Library and McCormick Library, and later Williams School, and then Huntley Hall.","The building was later the Ruscio Center for Global Learning with additions.","The other student authors are Amy Bohutinsky, Sarah Feinberg, Sarah Saalfield, Catherine Ruth Fetton, and Ginger Baker.","The other student authors are Tofer Harrison, Alex McManimen, Ashley Marano, Patrick Mickler, and Travis Winfrey.","This record group contains papers and projects created by students as part of their coursework, such as honors theses and capstone papers.","203-205 1/2 Huffman's Nationwide, Buck's Barbershop, Tom's Taxi; 207-211 McCoy house; 215 Tomlinson house; 217 State Farm Insurance; 221 Andre Studio; 223 Flower Center.","Includes Denmark west of Lexington, Decatur north of Lexington, Cornwall east of Lexington, and Springfield south of Lexington.","Motels included are the Black and White log cabins in Fairfield, Lee-Way, Buffalo Creek, and Stevesville Drive-In.","Houses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).","Includes information of Pres. George H. Denny, Prof. David C. Humphreys, Theodore Carl Link, William Henry Reid, the W\u0026L Power plant, and W\u0026L Reid Hall.","Earlier this building was the Carnegie Library, then McCormick Library, later Williams School, and then Huntley Hall.","Includes Cedar Hill, Paxton house at Glen Maury, and the Dickinson house named Savernake.","Includes 707 South Main Street, 116 North Main and Jefferson Streets, South Main, and 107 North Main Streets.","Houses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students","Sheridan, John, 1847 - 1929","English"],"unitid_tesim":["WLU.RG.38","/repositories/5/resources/616"],"normalized_title_ssm":["Student Architectural papers collection"],"collection_title_tesim":["Student Architectural papers collection"],"collection_ssim":["Student Architectural papers collection"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"geogname_ssm":["Lexington (Va.)","Virginia -- Rockbridge County"],"geogname_ssim":["Lexington (Va.)","Virginia -- Rockbridge County"],"creator_ssm":["Washington and Lee University--Students"],"creator_ssim":["Washington and Lee University--Students"],"creator_corpname_ssim":["Washington and Lee University--Students"],"creators_ssim":["Washington and Lee University--Students"],"places_ssim":["Lexington (Va.)","Virginia -- Rockbridge County"],"acqinfo_ssim":["Gift of W\u0026L Prof. Pam Simpson."],"access_subjects_ssim":["Architecture"],"access_subjects_ssm":["Architecture"],"has_online_content_ssim":["false"],"extent_ssm":["18.50 Linear Feet"],"extent_tesim":["18.50 Linear Feet"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eThese student architecture papers were done for Art classes at Washington and Lee, mostly taught by Prof. Pam Simpson. The papers include homes and buildings in Lexington and other places in Rockbridge County, Virginia. Included in the papers are deed tracings, social and architectural history, maps and photographs. Prof. Simpson and Royster Lyle published the book, The Architecture of Historic Lexington in 1977. This book and these papers are an invaluable resource for researchers.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["These student architecture papers were done for Art classes at Washington and Lee, mostly taught by Prof. Pam Simpson. The papers include homes and buildings in Lexington and other places in Rockbridge County, Virginia. Included in the papers are deed tracings, social and architectural history, maps and photographs. Prof. Simpson and Royster Lyle published the book, The Architecture of Historic Lexington in 1977. This book and these papers are an invaluable resource for researchers."],"odd_html_tesm":["\u003cp\u003ePaxton house\u003c/p\u003e","\u003cp\u003eThe Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,\u003c/p\u003e","\u003cp\u003eThe Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,\u003c/p\u003e","\u003cp\u003eBuilding earlier Carnegie Library and McCormick Library, and later Williams School, and then Huntley Hall.\u003c/p\u003e","\u003cp\u003eThe building was later the Ruscio Center for Global Learning with additions.\u003c/p\u003e","\u003cp\u003eThe other student authors are Amy Bohutinsky, Sarah Feinberg, Sarah Saalfield, Catherine Ruth Fetton, and Ginger Baker.\u003c/p\u003e","\u003cp\u003eThe other student authors are Tofer Harrison, Alex McManimen, Ashley Marano, Patrick Mickler, and Travis Winfrey.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General"],"odd_tesim":["Paxton house","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","Building earlier Carnegie Library and McCormick Library, and later Williams School, and then Huntley Hall.","The building was later the Ruscio Center for Global Learning with additions.","The other student authors are Amy Bohutinsky, Sarah Feinberg, Sarah Saalfield, Catherine Ruth Fetton, and Ginger Baker.","The other student authors are Tofer Harrison, Alex McManimen, Ashley Marano, Patrick Mickler, and Travis Winfrey."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Student Architectural Papers Collection (RG 38), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Student Architectural Papers Collection (RG 38), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA"],"scopecontent_html_tesm":["\u003cp\u003eThis record group contains papers and projects created by students as part of their coursework, such as honors theses and capstone papers.\u003c/p\u003e","\u003cp\u003e203-205 1/2 Huffman's Nationwide, Buck's Barbershop, Tom's Taxi; 207-211 McCoy house; 215 Tomlinson house; 217 State Farm Insurance; 221 Andre Studio; 223 Flower Center.\u003c/p\u003e","\u003cp\u003eIncludes Denmark west of Lexington, Decatur north of Lexington, Cornwall east of Lexington, and Springfield south of Lexington.\u003c/p\u003e","\u003cp\u003eMotels included are the Black and White log cabins in Fairfield, Lee-Way, Buffalo Creek, and Stevesville Drive-In.\u003c/p\u003e","\u003cp\u003eHouses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).\u003c/p\u003e","\u003cp\u003eIncludes information of Pres. George H. Denny, Prof. David C. Humphreys, Theodore Carl Link, William Henry Reid, the W\u0026amp;L Power plant, and W\u0026amp;L Reid Hall.\u003c/p\u003e","\u003cp\u003eEarlier this building was the Carnegie Library, then McCormick Library, later Williams School, and then Huntley Hall.\u003c/p\u003e","\u003cp\u003eIncludes Cedar Hill, Paxton house at Glen Maury, and the Dickinson house named Savernake.\u003c/p\u003e","\u003cp\u003eIncludes 707 South Main Street, 116 North Main and Jefferson Streets, South Main, and 107 North Main Streets.\u003c/p\u003e","\u003cp\u003eHouses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This record group contains papers and projects created by students as part of their coursework, such as honors theses and capstone papers.","203-205 1/2 Huffman's Nationwide, Buck's Barbershop, Tom's Taxi; 207-211 McCoy house; 215 Tomlinson house; 217 State Farm Insurance; 221 Andre Studio; 223 Flower Center.","Includes Denmark west of Lexington, Decatur north of Lexington, Cornwall east of Lexington, and Springfield south of Lexington.","Motels included are the Black and White log cabins in Fairfield, Lee-Way, Buffalo Creek, and Stevesville Drive-In.","Houses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).","Includes information of Pres. George H. Denny, Prof. David C. Humphreys, Theodore Carl Link, William Henry Reid, the W\u0026L Power plant, and W\u0026L Reid Hall.","Earlier this building was the Carnegie Library, then McCormick Library, later Williams School, and then Huntley Hall.","Includes Cedar Hill, Paxton house at Glen Maury, and the Dickinson house named Savernake.","Includes 707 South Main Street, 116 North Main and Jefferson Streets, South Main, and 107 North Main Streets.","Houses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road)."],"userestrict_heading_ssm":["Conditions Governing Use"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students","Sheridan, John, 1847 - 1929"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students"],"persname_ssim":["Sheridan, John, 1847 - 1929"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1048,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:14:48.388Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_616_c01_c191"}},{"id":"virmu_repositories_2_resources_355_c01_c4082","type":"File","attributes":{"title":"17th-Century Chinese Porcelain from the Butler Family Collection – Correspondence","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_355_c01_c4082#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_355_c01_c4082","ref_ssm":["virmu_repositories_2_resources_355_c01_c4082"],"id":"virmu_repositories_2_resources_355_c01_c4082","ead_ssi":"virmu_repositories_2_resources_355","_root_":"virmu_repositories_2_resources_355","_nest_parent_":"virmu_repositories_2_resources_355_c01","parent_ssi":"virmu_repositories_2_resources_355_c01","parent_ssim":["virmu_repositories_2_resources_355","virmu_repositories_2_resources_355_c01"],"parent_ids_ssim":["virmu_repositories_2_resources_355","virmu_repositories_2_resources_355_c01"],"parent_unittitles_ssm":["Records of the Exhibitions Department (RG-23)","Series 1: Exhibition Files"],"parent_unittitles_tesim":["Records of the Exhibitions Department (RG-23)","Series 1: Exhibition Files"],"text":["Records of the Exhibitions Department (RG-23)","Series 1: Exhibition Files","17th-Century Chinese Porcelain from the Butler Family Collection – Correspondence","English","box RG-23 Box 14","folder RG23.01.0.4081"],"title_filing_ssi":"17th-Century Chinese Porcelain from the Butler Family Collection – Correspondence","title_ssm":["17th-Century Chinese Porcelain from the Butler Family Collection – Correspondence"],"title_tesim":["17th-Century Chinese Porcelain from the Butler Family Collection – Correspondence"],"unitdate_other_ssim":["1987-1992"],"normalized_date_ssm":["1987/1992"],"normalized_title_ssm":["17th-Century Chinese Porcelain from the Butler Family Collection – Correspondence"],"component_level_isim":[2],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Records of the Exhibitions Department (RG-23)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":4083,"parent_access_restrict_tesm":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.","Series 3 (Collections Management) is restricted as they contain sensitive information about acquisitions, insurance, security, and other issues related to the museum's art collection. "],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1987,1988,1989,1990,1991,1992],"language_ssim":["English"],"containers_ssim":["box RG-23 Box 14","folder RG23.01.0.4081"],"_nest_path_":"/components#0/components#4081","timestamp":"2026-05-21T03:19:09.876Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_355","ead_ssi":"virmu_repositories_2_resources_355","_root_":"virmu_repositories_2_resources_355","_nest_parent_":"virmu_repositories_2_resources_355","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_355.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/355","title_filing_ssi":"Exhibitions Department (RG-23)","title_ssm":["Records of the Exhibitions Department (RG-23)"],"title_tesim":["Records of the Exhibitions Department (RG-23)"],"unitdate_ssm":["1936-2015 [minimally processed; subject to change]"],"unitdate_inclusive_ssm":["1936-2015 [minimally processed; subject to change]"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG-23","/repositories/2/resources/355"],"text":["RG-23","/repositories/2/resources/355","Records of the Exhibitions Department (RG-23)","The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.","Series 3 (Collections Management) is restricted as they contain sensitive information about acquisitions, insurance, security, and other issues related to the museum's art collection. ","The collection is organized into 4 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series. The collection is minimally processed, so folder arrangement, titles, or dates are subject to change if additional processing occurs.","Series 1 Exhibition Files, 1936-2012, undated Series 2 Exhibitions Management, 1936-2015, undated Series 3 Collections Management, 1977-2004, undated [RESTRICTED] Series 4 Galleries, 1977-2004, undated","Many of the museum's exhibitions have published catalogs, which can be found in the Library's catalog Pandora or in the Archives Catalog Collection (PB-01) . ","For each exhibition held at the museum, the Archives has a vertical file which may include announcements, clippings, press releases, brochures, reviews, invitations, small exhibition catalogs, and other ephemeral material. "," Some early exhibition records are found in the Archives Director's Correspondence (RG-01) and curators often created their own exhibition records which are found in the Archives Curatorial Collection (RG-03) .","The collection was transferred from the Exhibitions Department through periodic deposits.","This collection was originally processed from June through August 2011, and then reprocessed in 2016. During processing, non-permanent materials such as copies of meeting minutes, routine correspondence, copies of invoices, departmental budgetary information, and declined exhibition proposals were destroyed according to VMFA's Records Retention and Disposition Schedule. Periodicals, books, and exhibition catalogs were transferred to the Library's collection. All files before 1980 were rehoused in new archivally sound folders. Original folder titles were generally retained, when provided.","The collection's inclusive dates are 1936-2015, with the bulk of the material dating from 1979-2004. The collection is comprised of correspondence, exhibition schedules, budgets, grant applications, photographs, object lists, notes, collection statements, planning documents, project files, policies, loan arrangements and decisions, and other materials.","This series is comprised of information regarding exhibitions that were held at the VMFA. Files may include correspondence, schedules, contracts, photographs and slides, installation drawings and procedures, label and catalog text, budgets and invoices, insurance, venue information, and publicity.","Entry card with tear-off for back of work; catalog; announcement","Copies of checklists, shipping lists and prices (for sale); exhibition circulated by Art Institute of Chicago","Catalog; packing list with values, 2 different ones","Prospectus of season, 1937-1937; large typed, spring bound copy of annotated text for inaugural exhibition catalog containing: catalog of paintings in the Museum, budget materials for exhibition, timeline of early Museum, all types of exhibition materials, gallery layout and drawings","Invitation; copy of Strause Collection catalog; 1936-37 prospectus of program; 1958 letter between Muriel Christison \u0026 Oscar Lang of Minneapolis re: Strause exhibition","Entry blank; prospectus/rules; catalog/ invitation/mailing label; submission tag; generic letter for Virginia photo clubs or possibly for shops to request submissions","Invitation; catalog; inventories from the exhibition; catalog copy; copy of foreword (typed); letter from Margaret May Dashiell who loaned items; lots of correspondence from all over the country; lists of sponsors","Extensive correspondence regarding memorial committee and its purchase of a memorial; his works; and fundraising efforts; Colt was treasurer. The Committee also paid off all of the debts for Walker's illness, donations coming from across the country. Thank you letters in alpha order, hundreds of them, plus originals from donators; a few have copies of bookplates attached; original loan requests and replies; original Christmas card with Walker print of a home in Connecticut (1931) and a memorial card that he created in 1936","Invitation; catalog; list of paintings from Burch and Schulze with dimensions","Invitation; list of pieces to be shipped from Shearwater Pottery, with coding to indicate glazes","Copies of inventories, plus amendment, text; mainly correspondence regarding loans including shipping receipts","Catalog, entry card, invitation, announcement; 1 copy of 5th catalogue (1936); Colt's notes","Correspondence with artist; catalog copy; checklists (some with prices)","1 photograph; duplicates: announcement, patron card (sent with invitation); correspondence with artist; shipping information and receipts; budget information; catalog proofs; schedules; invitation list; 1 copy of catalogue; list of sales","Invitation; copies of inventories with insurance values; single copy of catalog","Newspaper clippings; genealogical charts; typed copy of article, \"Colonel William Byrd of Westover,\" by Lucy Parke Byrd","Letters of solicitation (ex.: one to O'Keeffe); shipping/return correspondence; correspondence with jurors (including Hopper) including discussion of invited artists list; rough draft of jury selection rules; correspondence with galleries (mainly in New York City) for artists to enter competition","Invitation; card of admission; information request postcard; thank you card; entry card (regular-red); entry card (invited-orange); receipt card; announcement; rejection notification; list of 125 paintings invited and accepted; prospectus; jury memorandum; list of invited artists divided by gallery; list of deliveries for return of paintings","Hundreds of rejection forms with return shipment affirmation signed below (includes artist name and title of work)","Invitation; World's Fair circular of information; list of paintings to be included; World's Fair circular of information (8 pages); Adele Clark and Leslie Cheek on panel for southern states; reports to Colt on state committees","One copy of catalog","One copy of catalog","One copy of catalog","One copy of catalog","Catalog; letter from Anne Moncure to Colt explaining pictures; typed copy of \"History of Ambler Family\" by J.J. Ambler, 1826; list of portraits; typed copy of catalog text; 4 photographs of portraits - Katherine, William, and St. George Moncure, grandchildren of Colonel John Ambler; Mary Cary, wife of Edward Ambler; Colonel John Ambler; wife of Dr. Peterfield Trent and his two daughters","One copy of catalog; list of paintings; 1 letter","One copy of catalog","Correspondence with jurors","Correspondence with Committee of Virginia Artist Commission; correspondence with artists submitting models; rejection letter; shipping correspondence; invoices; correspondence with U.S. Department of the Interior, NPS, Fredericksburg; correspondence with Virginia Conservation Commission; Correspondence with Douglas Southall Freeman, Editor of the Richmond News Leader; correspondence with National Sculpture Society, Commission for the Arts, and Senator John Warwick Rust; loan of a portrait of Stonewall Jackson from Adler in NYC; correspondence with Leslie Cheek, the Sons of Confederate Veterans; news release; planning and invitations for the preview; correspondence with the United Daughters of the Confederacy and with Joseph Pollia, the winner","Entry card; invitation to meet the jurors; invitation to preview of models; announcement; map of site; news release; list of members of Sculptors Guild; Pollia's curriculum vitae","One copy of catalog","Invitation, catalog; text of catalog with drawings of mock-up and list of drawings","Annotated catalogs of early shows, correspondence with Mrs. Holden, shipping information","Catalog, invitation; typed biography in first person, list of paintings, curriculum vitae","Correspondence with Pan American Union in D.C.; Comisión Nacional de Bellas Artes; shipping information; correspondence with Governor; Department of State; national press (Time, New York Times, Town \u0026 Country, Antiques Magazine, Washington Post, United Press); copies of speech materials for guests at preview; letter from Emilio Pettoruti","Announcement; banner; one catalog; solo copies of invitations to preview and meet the Ambassadors at the Commonwealth Club","Inventories with sizes, values and damages noted; customs forms; shipping information; annotated catalog","Correspondence, speech copy","Correspondence with L.B. Houff at the American Federation of Arts; shipping information","Correspondence with Klapperach; Argentine government participation; New York World's Fair 1939; speech copy; foreword copy; shipping information","Shipping receipts, packing lists; lists of addresses of sponsors, lenders, press, museums, invitation lists","Correspondence with Marval, Commissioner General of Argentine government; participation; shipping information; planning information; customs and sales information","Invitation list; art critics list; memos; schedule of radio program and typed text; Commonwealth Club menu; speech texts","Inventories of paintings that would go from New York to San Francisco to Riverside Museum; correspondence with Museum about shipping; shipping receipts","Freight bills; shipping receipts, correspondence with Treasury Department; customs forms, inventories with values","Correspondence with Alexander Weddell and J. A. de Marval","Original mounted drawing by Leslie Cheek, Jr. for exhibition panels","Comments of the jury; award speech; copy of thank you letters; requests for catalogs, purchase information; publicity information; invitation lists; inventories; correspondence with artists; correspondence with jurors","Rejection letter; prospectus; \"an invitation,\"; invitation; receipt card; entry card (invited-yellow); entry card (regular-red); acceptance card; news releases; prospectus; catalog copy; comments of the committee; memos","Bound, typed list by gallery; inventories; correspondence with galleries and artists","Correspondence with jurors","One copy of catalog","Invitation; correspondence with Mrs. De Marclay","Correspondence; checklist; shipping information","One copy of catalog; gallery layout; mailer text; catalog listing; biographical text; artist's statement","Invitation; catalog; correspondence with Adele Williams; inventories; biographical information; catalog text","Invitation; catalog; correspondence with Willingham; shipping information and receipts","Invitation; one copy of catalog; correspondence with Binford and lenders; shipping information; inventories with values; shipping information; gallery correspondence; catalog text","Invitation; catalog; inventories, text copy, values, text of radio announcements/interviews; loan correspondence; galley proofs of label copy by Edward Davis","Inventory lists including insurance values; list of items by lenders; hundreds of shipping receipts","Correspondence with galleries, dealers, and collectors/lenders; catalog proof","Invitation; catalog; catalog copy, curriculum vitae; copy of Colt's introduction","Catalog; invitation; catalog copy; biographical information","Correspondence with Chrysler, Fox (curator), publicity people. Walter P. Sr. died in August of 1940, shipping and insurance information; inventories with values; opening plans; list of news and magazine articles (extensive)","Cocktail invitation; preview invitation; supper invitation; annotated proofs","Inventories; values annotated with van assignments (from NYC to Richmond \u0026 Richmond to Philadelphia); shipping and storage receipts and contracts; letter from Parke-Bernet in 1945 asking for prints as they were selling part of collection","Correspondence with Fiske Kimball, Director of Philadelphia Museum of Art re: shipping, insurance, inventories, division of cost","Inventories; radio program transcript; party list; invitations list; hostess list; timelines, schedules, memos, Leger came!","Plan \u0026 prospectus re: showing his collection in South America; correspondence with Fox and Chrysler. Executive Committee turned it down","One copy of invitation and one copy of catalog","Invitation; catalog copy and proof; inventory with values; correspondence with Concetta; shipping information; correspondence regarding publicity; correspondence re: broken statue and payment","Catalog copy; one invitation; one copy of catalog; biographical data","Invitation; correspondence with jurors; letters to publicity; correspondence with galleries; shipping information; list of awards; clippings; rejection postcard; one entry card; one catalog","Correspondence with Federal Works Agency; with institutions before (with Lyman Allyn Museum, New London, CT) and after (with Institute of Modern Art, Boston) traveling exhibition; invitation list; correspondence with Richmond Housing Authority, decision later in favor of Housing Authority in Norfolk instead of Boston","Correspondence with Riverside Museum, lenders; 1 invitation","Correspondence with Cincinnati Museum of Art, lender; installation; instructors; shipping information; news releases; invitations to college all over the state for preview; inventories; one invitation","Invitation; catalog; catalog copy; biographical information; correspondence with Hattorf","Invitation; correspondence with artist; catalog copy; 1 catalog","Invitation; catalog; correspondence with artist; biographical information; catalog copy; letters to publicity","Invitation; catalog; catalog copy; biographical information; correspondence with artist and gallery","List/receipts of items taken by Henry P. Strause from VMFA; annotated lists of items deposited at VMFA from H.P.S. for loan exhibition; numerous warehouse receipts","Pennsylvania Society catalog (1933); inventories by artist with values; correspondence; research","Invitation; research correspondence to locate miniatures (potential lenders); catalog copy","Receipts; inventories; index cards with owner's name \u0026 address (some with date stamp)","All receipts (large quantity), some with 2 copies, some with correspondence, some with shipping receipt from mail","Catalog copy; invitation list; correspondence with state planning board, 1 copy of catalog","Correspondence with Mrs. Myers, widow of the artist and Landgren, dealer for Newman; clippings, inventories with values; correspondence with Whitney, where Myers exhibition originated; correspondence with potential lenders for Newman; shipping information; insurance information; catalog copy; Invitation; annotated catalogs; Whitney catalogs; Knoedler catalog; loan/shipping receipts; invitation list; inventories with values; correspondence with publicity; catalog copy; inventories by institution","Invitation; proof of catalog; 1 copy of catalog","Correspondence with artists, both accepted and rejected; shipping information; correspondence regarding damage, (notation at bottom of letters in unusual style, coding maybe)","Bound pages from gallery trip to NYC and consequent invited artists list; correspondence with galleries; letters to invited artists; shipping information \u0026 receipts; correspondence with jury, (Charles Burchfield declined but raved about it; George Grosz declined with a beautiful signature.)","All regret letters, signed by artist/agent/owner, and returned to VMFA (hundreds of them); some with handwritten notes, (H.P. Sargeant very upset.)","Invitation; entry card (invited-yellow); entry card (regular-white); \"Good and Bad News Night\" (yellow trifold); prospectus; acceptance card; rejection card; memo for the evening; news release (3/3/42); annotated catalog with prices; correspondence with hosts; speech copy; news releases; list of artists by state; inventories; jury comments; values on inventories","Catalog; correspondence with artist; biographical information; catalog copy; 1 copy of invitation","Catalog; correspondence with artist; catalog copy; correspondence at sales; 1 copy of invitation","Invitation; first exhibition to include correspondence from Mrs. Pollard; inventories, correspondence; invitations; shipping information","Correspondence with Museum of Modern Art that was circulating exhibition; shipping information; contract; 1 copy of invitation","Correspondence; invitation; Lenox catalog; a few Mint Museum catalogs; correspondence with artist; inventories; catalog copy","Correspondence; guest lists; inventories with values; Commonwealth Club menu; catalog copy; shipping information; black and white photo of \"Boys\"","Correspondence with artist; letters from Theresa Pollak; inventories with prices; shipping information; biographical information; reimbursement request; copy of bulletin","Catalog; inventories with artist biographies (ie: partially or congenitally blind, age); correspondence with originator (Lowenstein); traveling loan contract; critics' statements","San Francisco Art Association bulletins; correspondence with artist; inventories; invitation; catalog; shipping information; catalog copy; various Artists' Guild of Washington materials (he was President)","Invitation; one copy of catalog; inventories with values and receipts","Invitation; clipping on his death; correspondence","Invitation; one copy of catalog; catalog proof; various other catalogs \u0026 announcements; correspondence with vendors; shipping information","Clipping; correspondence with lenders; shipping information","Invitation; one copy of catalog; correspondence","Correspondence with artist; inventories with values; biographical information; catalog copy; 1 copy of catalog and invitation.","Radio broadcast transcript; catalogs of other show; clippings (both from Cincinnati Museum); MFA Boston materials; catalog copy; invitation lists; correspondence; MFA Boston catalog; VMFA catalog and proof; shipping information from Boston; inventories","Correspondence; shipping information; annotated catalog; radio transcript; insurance information","Announcement (trifold); 1 catalog; correspondence; catalog proof; inventories with prices; catalog copy; jury correspondence; correspondence with publicity; shipping information; 1 invitation","Invitation; catalog proof; 1 letter","Invitation; catalog copy; correspondence with artist; inventory with prices; 1 catalog","Catalog; invitation; correspondence; research; shipping information; catalog proof; catalog copy","Article; correspondence with American Federation of Arts; inventory with values; other catalogs; loan agreement; shipping information; research; installation drawing; clipping; transcript of lecture on Chinese painting","Announcement; photographs of winners; correspondence; ArtNews issue (October 1-4) 1943; inventories with prices","Invitation; catalog; catalog copy; clipping; correspondence; research; RISD \"Museum Notes,\" 1943; shipping information","Invitation; catalog copy; correspondence; inventory with price list","Invitation; correspondence with other museums; itinerary copy; research; catalog copy; inventories with prices; shipping information","Correspondence (mainly with Metropolitan Museum of Art)","Correspondence (mainly with Metropolitan Museum of Art)","Inventories; correspondence; shipping information","Invitation; news release; correspondence; correspondence with publicity and with lender (UVirginia)","Invitation; catalog proof; other catalogs; correspondence; correspondence with lecturer; correspondence at preview; correspondence with publicity; loan correspondence \u0026 requests; shipping information; research on pieces; catalog copy; inventories; catalog; loan forms; annotated catalog; shipping receipts","Catalog; invitation; invitation list; correspondence; catalog copy; inventories with values; shipping information; insurance information","Catalog correspondence; clippings; catalog copy; speech copy; inventories with publication date; correspondence with lenders and publicity; shipping receipts later too (1956)","Prospectus; annotated catalog; catalog copy; shipping list; inventories with prices","Catalog; news releases; fact checking cards; bound copy of lists by dealer; clippings, voting information; invitation; catalog proof; timeline; prospectus copy; correspondence; artists' c.v.'s; dealer catalogues and correspondence; inventories with values; transcripts of publicity; speech notes; catalog copy; lists of accepted and invited artists (Virginia separate); shipping information and receipts; correspondence with publicity; correspondence with jury; prospectus","Catalog; correspondence with artist; biographical information; catalog copy; inventories with prices","Catalog; announcement","Announcement; catalog; invitation; catalog copy; lecturer c.v.; lists of institutions; list of works by institution; label copy; annotated catalog; inventories with prices; correspondence with institutions; correspondence with jury; shipping information","Annotated catalog; correspondence with artist; inventory; research; gallery layout diagram; price list; 1 catalog","Invitation; correspondence with Netherlands Information Bureau; other catalogs; checklists; shipping information \u0026 receipts (from before \u0026 after museums; correspondence with ambassador who spoke; lecture text; 1 copy of handwritten invitation to dinner with Governor Darden","Catalog; 1 invitation; correspondence with artist; inventories; catalog copy; price information","Invitation; catalog; catalog copy; correspondence; copies of \"Information Bulletin: Embassy of the Union of Soviet Socialist Republics\"; loan requests (including A La Vieille Russie); traveling exhibition contracts; shipping information and receipts (with before and after museums); inventories; other catalogs; price information; loan forms; annotated catalogs; original copy of \"The Schaffer Collection of Authentic Imperial Russian Art Treasures\"; correspondence with Ray Schaffer and others at ALVR regarding exhibition arrangements (no mention of Pratt) and damage to Faberge topaz vase","Catalog; correspondence with National Gallery (lender); insurance values and contracts; shipping information and receipts; gallery layout; catalog copy; research; loan requests","Correspondence from Davis, the VMFA Curator, with lenders to the exhibition with last names beginning with A-H; proof of article by Davis in Commonwealth Magazine; copy of text of article","Correspondence from Curator Davis and sometimes the Director with lenders to the exhibition with last names beginning with I-Z; copy of information releases re: survey","Correspondence with National Gallery Director (they had an exhibition at the same time); correspondence with Weddell (exhibition did not take place); copies of letters sent to the executive committee to explain decision","Copies of plan; correspondence with Weddell re: all the research that went into the aborted exhibition; correspondence with Mexican museums; Mrs. Whitman's reports on artists and museums' holdings","Correspondence with lenders \u0026 galleries; inventories with prices; shipping information and receipts (loans before and after)","Copies of labels on prints from National Gallery; inventory and instructions; shipping information (both before and after)","Civilian Open Air Art Sale announcement; copy of \"War Art: A Catalogue of Paintings Done on the War Fronts by American Artists for Life,\" including Barse Miller and Paul Sample; catalog copy; inventories; copy of \"Traveling Exhibitions,\" catalog by the AFA's National Exhibition Service; correspondence; 5 photographs of items in exhibit; copy of catalog, \"Art Exhibition by Men of the Armed Forces\"; shipping information and receipts; exhibition agreement; 1 copy of catalog","Copies of shipment return forms for paintings not chosen for 4th Biennial of Contemporary Art, many with comments, signed by artist/agent; inventory of paintings in the show","3rd Biennial prospectus (printed); 4th Biennial prospectus (typed); announcement of College Art in Virginia; prospectus copy (4th Biennial, Virginia Artists and Library bookplate); copy of Corcoran's prospectus (annotated); old 3rd Biennial prospectus (annotated); letter from Thomas Colt","Shipping information and receipts to lenders; correspondence with Worcester Art Museum and other museums; insurance values; correspondence with lenders attached","Press release copy; inventories by institution; correspondence with lenders; insurance values; shipping information and receipts; loan requests; book purchase requests","Invitation, catalog; catalog copy; correspondence; more shipping information and receipts; correspondence re: damages; annotated catalog","Loan forms and receipts","Invitation; correspondence with artists; catalog copy; inventories; annotated catalog; prices; shipping information and receipts; sales information","Correspondence with rug dealer; research; catalog copy; shipping information and receipts; annotated catalog; gallery layout; copies of things donor (H. Michaelyan) wrote; inventories with prices","Announcement/prospectus; typed press release; correspondence with artists; correspondence with jurors; invitation lists; correspondence to get more armed services men; list of entrants; catalog copy; one copy of entry card; one copy of catalog","Catalog; catalog copy; gallery layout; inventories; catalog proof; correspondence with jury","Invitation; exhibition contract; correspondence; gallery layout; invitation list; another list for even with Spanish speaking Luncheon Club; list of architects; press release copy; installation list from MOMA","Invitation; catalog; correspondence with possible lenders; lists of possible loans; ended up taking British-American Goodwill Exhibition; shipping information and receipts; inventories; budget figures","Catalog; one invitation; correspondence with author; list of invitations; 1 photograph of \"Red Still Life\"","Correspondence between curator and potential lenders; correspondence with institutions and churches","Correspondence with lender; correspondence re: damages; catalog copy; one catalog","Correspondence with lenders; correspondence re: damages (including 2 photographs)","Correspondence re: genre painting; exhibition; some from lenders, some not; some including photographs","Invitation list; correspondence with invitees to the 19th century genre preview; folder of handwritten notes re: genre; handwritten research; typed research","Correspondence with lender (DIA); inventories with values; shipping information and receipts; catalog copy","Correspondence with possible lenders (including 1 photograph from lender); research","Invitation; catalog; catalog copy; correspondence with artist (Colt is back!); inventories; sales information","Correspondence with artists; shipping information and receipts","Stenographers pad with notes from NY Gallery/dealers' visits; preliminary lists; final lists; correspondence with galleries; correspondence with invited artists; shipping information and receipts","Contracts with Budworth on shipping; correspondence with jurors; correspondence with Budworth; inventories with values and locations","Entry card: yellow (invited), regular (orange), good and bad news night (yellow-trifold), inclusion card; typed summary information; typed list of artists; teacher invitation (yellow); annotated catalog with prices; inventories by state; full catalog copy; list of Virginia artists; form letter to art teachers","Correspondence with dealers; clippings; other catalogs; correspondence with jury; award list; award letters to dealers and press","Prospectus; prospectus copy; list of recipients of entry cards and prospectus for distribution (art organizations, museums, dealers, etc.) and letters to them; letters to press; entry card copy; thank yous for sending out cards (n.b.: all lists of artists sent to/from dealers, museums, etc., were removed)","Letters confirming receipt of paintings returned, both those selected and those not; many with comments, less shipping complaints!","Hundreds of requests for entry cards","Hundreds more requests for entry cards","Invitation; catalog; invitation copy; catalog copy","Catalog; correspondence with artist; invitation copy; correspondence with Virginia World War 2 History Commission; inventory with prices; invitation list; catalog copy; letters to press; annotated catalog; correspondence with lenders","Invitation; correspondence with lender, Philadelphia Museum of Art; inventory; copy of the Richmond Times-Dispatch article; correspondence with potential lenders; copy of the Philadelphia Museum bulletin and Atwater Kent Museum bulletin","Catalog; invitation; correspondence with artist; correspondence with lenders; shipping information and receipts; inventories with values; invitation list; catalog copy, correspondence with wife Rosalie re: her photographs","Shipping receipts; catalog copy, correspondence with lenders; list of invitees; invitation","Recent Additions to the Upjohn Collection, catalog of collection; correspondence with dealer (Midtown Galleries); shipping information and receipts (both before and after); invitation","Catalog; invitation; catalog copy; catalog proof; correspondence with potential lenders; text of broadcast calling for paintings; shipping information and receipts; research (Davis)","Inventories with values; shipping information and receipts","Invitation; shipping information and receipts; inventories","Research; correspondence with furniture manufacturers; invitation copy; inventories; correspondence with Metropolitan Museum of Art and MOMA (main lenders); correspondence with Leslie Cheek, Jr. at Architectural Forum!; shipping information and receipts; catalog copy; letters to press (photograph of chair from Dubar, but not included in exhibition)","\"Notice to Virginia Artists\"; requests for entry blank; correspondence re: late entries; returned fees, etc.","Acknowledgement letters; press release; SSAL Bulletin (Summer 1947) (more of these later); inventories by state (jury picks); correspondence with artists, jurors and SSAL; breakdown of entry cards by place; lists of artists eligible for submission; entry cards of pieces bought or withdrawn; biographical notes on winners","24th Annual Convention program; catalog Virginia Art 1947; Southern Art 1947; invitation; entry card; SSAL membership blank; received card; rejection card; convention program copy; Southern art catalog copy; Virginia art catalog copy; catalog of 26th SSAL exhibition at the High; correspondence with SSAL; correspondence with jurors; list of works accepted (Virginia artists); old convention program; more SSAL bulletins; correspondence with artists re: 8 paintings that were vandalized; correspondence re: prizes; correspondence re: sales","Invitation; catalog proof; announcement from Camera Club; correspondence with artists; invitation copy; catalog copy","Correspondence with lenders; loan agreements; memo to staff re: handling of paintings; shipping information and receipts; inventories with insurance value","Correspondence with lenders by lender; inventories","Catalog; museum attendance card (9/3/47); correspondence with press; research; correspondence with lenders; shipping information and receipts; Budworth contracts; catalog copy; press releases; inventories; clippings","Invitation, American Commission brochure; shipping information and receipts; correspondence with lenders, AFA; loan forms; catalog copy; inventories with values","Shipping information and receipts; catalog of exhibition; inventories; catalog copy; research; correspondence with AFA and AFRIM; label copy","Invitation; invitation copy","Correspondence re: shipping and receipts","Correspondence with Louvre and other institutions re: original Louvre collection not being available; 5 museums trying to do alternate French exhibition from dealers/galleries and some from Louvre; unknown outcome; ArtNews was involved too; trying to use a story in lieu of a catalog","Catalog; correspondence; clippings; sale information; text of lecture","Invitation copy; catalog copy; correspondence with artists; inventories; invitation to lecture; 1 catalog; shipping information and receipts","Shipping information and receipts; correspondence with lenders; copy of Time (1/26/48), article on pages 47-48","Miscellaneous exhibition-related correspondence re: one mis-shipment to VMFA, most re: exhibition offers and programming","Index cards with lenders and item; correspondence with lenders","Correspondence with potential lenders (denials)","Catalog; correspondence with press; correspondence with Mrs. Catesby; invitation copy; correspondence with Lurçat; typed article on Jones; preview invitation lists and replies; catalog requests; radio press release copy; typescript copy of \"A Letter to A Friend on Modern Art,\" by T. Catesby Jones; typescript copies of all of his writings, incorporated into catalog; catalog copy","Prospectus; shipping information and receipts; correspondence with press; checklist with insurance values; loan requests for paintings in exhibition; list of artists to whom they sent biographical questionnaires","Prospectus; correspondence with medal winners; correspondence re: sales; list of artists by state; submission statistics by state; statistics tally sheets (one per state); correspondence with press","Copy of La Revue Moderne magazine (July 1947) from artist Wilma Prezzi who was featured in magazine but declined to submit; correspondence with artists, answering questions; comments from artists re: submission vs. invitation, etc.; shipping information and receipts; correspondence with galleries; requests for entry cards; correspondence re: Pepsi Cola Southern Regional Competition in Richmond (artists could specify that if work was not accepted, it could go to Pepsi exhibition)","Correspondence with artists; correspondence with dealers; valuation information; shipping information and receipts; lists of invited artists (by name, by agent/organization, some with annotated values)","\"Arrangements for the Jury\"; shipping information and receipts; correspondence re: jurors; correspondence with jury","Invitation; rejection card; entry card (pink); entry card – invited \u0026 acceptance card (yellow); annotated invitation (5th Biennial); prospectus copy; annotated entry cards and prospectus (5th Biennial); invitation copy; catalog copy","Rejection letter; prospectus","Signed rejection letter; receipts, some with comments - catalog request, why receipts request, or badly packed","Requests for entry cards (mainly from artists), a few with replies","Requests for entry cards (mainly from artists), a few with replies","2 photographs (lamp and manuscript); list of objects lent by The Jewish Museum in NY; correspondence with The Jewish Museum; lists with values; clipping; catalog copy","Invitation; correspondence with potential lenders and potential advisors; invitation letter; correspondence with The Jewish Museum; shipping information and receipts; clippings [no catalog made]","\"The Common Glory\" Poster Project; correspondence with Virginia Conservation Commission; exhibition information (typed); entry lists by high school; tea information; shipping information and receipts [all from Mrs. Muriel Christison]","Original pencil drawing plus blueprint copy of drawing by Leslie Cheek, Jr., for outside signpost for exhibition","Catalog; shipping information and receipts (loan from Philadelphia Museum of Art); correspondence with Philadelphia; list of Richmond artists to be added to exhibition; label copy for Richmond artists; correspondence with selected artists in exhibition; checklists from Philadelphia","Correspondence with lenders; research correspondence; lists of photographs with values","Original drawings and one blueprint copy of exhibition signage, exhibition labels, and gallery layout","Checklist (one portion circulated by MOMA); shipping information and receipts; correspondence with MOMA; membership lists cf: Virginia Chapter of AIA, Home Builders Association of Richmond, Richmond Real Estate Exchange; exhibition contract; 1 invitation; preview invitation letter; correspondence with Architectural Forum (they circulated the other portion); correspondence re: film rentals","Correspondence with dealer (Knoedler); shipping information \u0026 receipts","Invitation; correspondence; checklist with values; shipping information and receipts; exhibition construction notes; correspondence with dealers; press release copy (typed); correspondence with artists; invitation list; correspondence with lenders","Original blueprint copy of signage","Catalog; shipping information and receipts; checklists; correspondence with Colonel Anderson; correspondence with lenders; correspondence with artist","Draft exhibition schedules; correspondence with Colonel Anderson; correspondence with various organizations and institutions (including AFA)","Draft exhibition schedules; correspondence with Colonel Anderson; correspondence with various organizations and institutions (including AFA); catalogs; photographs; clippings","Shipping information and receipts; checklist; correspondence with artist","Lecture invitation; correspondence with lecturers; information regarding exhibit from American Craftsmen Educational Council; correspondence re: sales; shipping information and receipts","Correspondence with the Coin Club re: exhibition; later declined due to Colt's resignation","Correspondence with American Craftsmen Educational Council (lender); correspondence with lecturers; shipping information and receipts; exhibition information; ACEI brochure; clipping","Invitation; correspondence with vendors; checklist with values; invitation copy; shipping information and receipts","4 original drawings of lectern, information panels/stands; gallery layout, etc.","Catalog; correspondence with Canadian Embassy; correspondence with National Gallery of Canada (co-sponsor); shipping information and receipts; lecture copy; correspondence with lecturer; research; catalog copy; exhibition plan/schedule (to do); 1 copy of invitation; gallery layout","Correspondence with National Gallery of Canada; correspondence with press; correspondence with state forester (lent pine trees); research; clipping; photograph and biography of curator","Original drawing of exhibition sign","Correspondence with Virginia State Board of Education; correspondence with Southeastern Arts Association; shipping information and receipts; correspondence with education institutions (Mrs. Christison)","Form letter to Antiquarian Society members; preview invitation list; Antiquarian Society history (co-sponsor)","Original drawing of Museum information panel and traveling show panel","Invitation copy; correspondence with MOMA re: traveling exhibition; shipping information and receipts; billing information","1 drawing of Calder signs","Preview invitation, correspondence with artist; correspondence with lenders; invitation copy; correspondence with Philip Godwin and Mrs. T. Catesby Jones; research; correspondence with Archipenko; clippings (response to Richmond Times-Dispatch article mocking exhibition); Calder's handwritten invitation list [no catalog made]","Correspondence with lenders (galleries, dealers, museums, etc.); checklists; shipping information and receipts; correspondence with artists; checklists with values; press release copy","Checklists; exhibition information (typed); receipts","Photograph of books and Hurds; children's books catalog (retail); correspondence with publishers; research; clipping; correspondence with lenders; label copy; shipping information and receipts; checklists by publisher, by lender, by artist","Correspondence with lender; checklist with values; correspondence with artist; shipping information and receipts","Correspondence with lender; correspondence with publicity; research","Correspondence with lender; correspondence with publicity; label copy; shipping information and receipts","Outline of children's programs from summer workshops; research on group behavior; clipping; Richmond Film Society Program; photograph of Times Square in New York; Department of Education Annual Report copy; lots of random exhibition information copies; clippings; correspondence with educational services","Correspondence with lenders; shipping information and receipts; exhibition information (typed); correspondence with artists","1 drawing, layout for panel","1 layout and 1 piece of correspondence","1 drawing – summer sign, 1949","Exhibition offerings from galleries, institutions, etc.; AFA brochures","Exhibition schedule; invitation lists; correspondence; clippings","1949-1950 season schedule; schedules; correspondence re: possible exhibitions","Correspondence with lenders; dinner invitation list and preparation; shipping information and receipts; budget/billing information; checklist with values; research","Correspondence re: catalog; cut-out reply from VMFA Bulletin","Postcard announcement; correspondence re: catalog requests","Correspondence organized by lender with lenders; shipping information and receipts","Correspondence re: insurance; checklists by subject/person; research; shipping information and receipts; correspondence with lenders; checklists with values","Correspondence and paintings list, just as title says","Correspondence re: permission to reproduce images for catalog [originally not intended to publish catalog; did so after exhibition]","Catalog copy","Correspondence re: cost of prints ordered and made for show","Announcement; Baltimore catalog; preview invitation; 3 photographs; copies of her other catalogs (Mrs. James Ward Thorne); correspondence with Women's League Club; correspondence with lender (circulating museum AIC); budget information; checklists; shipping information and receipts; exhibition contract; correspondence with publicity; copies of various magazines (Virginia Bulletin, Virginia Women's Magazine); correspondence with PTA's","Blueprints: room installation (3 copies) and original drawing; drawing of signs; drawing of entrance details","Checklist; 8 photographs; correspondence with publicity; budget information; admission price policy; lecture and tour schedule; correspondence re: catalog including billing information","Checklist","Correspondence with Library of Congress re: loan of lithograph; shipping information and receipts","Correspondence with Block, including copies of publicity; checklists with values; shipping information and receipts","Correspondence with Block and others","3 drawings of exhibition signage","Drawing and blueprint copy of information kiosk; 1 photograph; 3 other layouts of the exhibition, including 2 didactic panel layouts by Cheek (\"Russia Before the Revolution\" and \"Imperial Jewelry of Russia\")","Correspondence on opening of show; proposed schedule; checklists by lenders; shipping information and receipts; checklists by artists; correspondence with artists; checklists with values","Checklists; shipping information and receipts; correspondence re: catalog; correspondence with publicity; research; statistics from 6th Biennial; correspondence with artists; catalog mailing list; catalog copy; loan information forms","2 excerpts from publicity (typed); correspondence with catalog essay authors; correspondence with publicity; clippings; checklists; catalog copy; requests from artists; chipping information and receipts; correspondence of James Johnson Sweeney (sole juror invited); checklist for traveling exhibition; hand-written copy of register of the paintings received","1 drawing of layout and signage; 2 small lettering drawings; 1 small catalog sign drawing","Shipping information and receipts including correspondence with artists, bills and information for crating requests; correspondence re: Richmond regional jury process for national metropolitan competition","Press release; correspondence with Sweeney; correspondence with publicity; shipping information and receipts; checklists, sales information","Sweeney's own correspondence with artists and dealers and galleries re: exhibition, including Naum Gabo and Morris Louis","Correspondence with SF MOMA; checklist from AFA; copies of publicity; shipping information and receipts; correspondence with publicity; correspondence with AFA; 1 copy of catalog","Drawing and blueprint copy of layout","Catalog copy; correspondence with lenders; shipping information and receipts (or label)","1 photograph; catalog (or label) copy; correspondence with Knoedler (lender); shipping information and receipts; 1 photograph of X-ray","Invitation lists; correspondence; radio spot information; correspondence with lenders; checklists; shipping information and receipts; press release copy; catalog copy; loan item information blank","One note on a rug cleaning","Checklists with values, by lender and by artist; label research; correspondence with lenders; installation notes; shipping information and receipts; press release copy; correspondence with other institutions including the Met where the exhibition went next","Correspondence with AFA (distributor of exhibition); shipping information and receipts; checklist; information on the photographer (non-VMFA publicity); correspondence with photographer","Photograph of Reino Aarnio soap dish for Fiat Metal, photograph of new RCA portable radio; correspondence with lenders [sold it as a big 2-3 year traveling exhibition]; shipping information and receipts; clippings (for ideas); correspondence with manufacturers from all around the USA; lots of catalogs; installation sketches; catalog copy; lists of checklists from a similar MOMA exhibition; 1 copy of preview invitation; checklists; label copy","Correspondence with Block (Post cartoonist) and Comstock (Connoisseur and Antiques magazine editor); lectures; biographical information; correspondence with publicity","Original drawing plus 2 blueprint copies of design for silver display case","Correspondence with lenders from 1940 show due to requests by an author, prompted by current Valentine show; clipping re: Valentine show; copy of 1940 catalog","Correspondence with Rogers and her agent; confusion about scheduling dates; article in Vogue about Rogers [ended up cancelling show due to high costs of insurance and shipping]","Shipping information and receipts and labels for loan of some Pratt jewels by Mrs. Joseph Davies of Washington D.C. to the 1950 Easter eggs exhibition","Catalog [loan exhibition organized by the English speaking Union]; copy of catalog; microfilm copy of NYT clipping; correspondence with ESU; copies of ESU Bulletin; checklists; press release copy; correspondence with other institutions who are borrowing; catalog/label copy; shipping information and receipts installation instructions; annotated catalog; big ESU publicity kit; correspondence to/from J. L. Blair Buck in State Board of Education, main contact and President of the ESU, Virginia Branch; original NYT clipping; correspondence to/from Brigadier J.W.F. Treadwell, VP of ESU [called it \"Operation Canvass\" to garner interest in ESU in Virginia]; billing/payment information; correspondence with British Embassy","Correspondence with Knoedler and Newhouse [photograph of painting offered but not chosen]; copy of invitation; picked Provost's painting from Knoedler – in another folder]; correspondence re: cedar trees in galleries","Circulated by MOMA; correspondence with them; packing instructions; loan agreements; loan contracts; checklists; shipping information and receipts","Group form letter; correspondence with Wedgwood \u0026 Sons; publicity information; research; checklists; correspondence with other institutions; shipping information and receipts; 1 copy of invitation; list of Wedgwood dealers in Virginia [to invite]; correspondence with Annie Reese, Director of Promotions and Hensleigh Wedgwood, President, who lectured at preview","Correspondence with various clubs; dinner party plans and invitee lists; more correspondence with Wedgwood; copy of Museum bulletin; biographical information on Hensleigh; shipping information and receipts","Shipping information and receipts; biographical information; Museum Bulletin copy; installation instructions; label information forms; correspondence with Newhouse; checklists with values","Drawing of label boards; drawing of signage","Chose 4 exhibitions from PAU to circulate; correspondence with PAW; exhibition information; checklists; shipping information and receipts","Announcement; correspondence with printers; correspondence re: sales [1st year Museum has added Architecture]; copy for all printed materials; correspondence with prizewinning artists (including Stuart Davis); correspondence re: azaleas; biographical information on jury chairman, Hermann Williams, Director of Corcoran; correspondence with publicity; clippings; copy of catalog from 1949","Prospectus; requests for blanks; letter copy re: Virginia art interest and education and businesses; correspondence with artists; correspondence with art departments; correspondence re: sales; jury comments; biographical juror information; breakdown/tally by city; correspondence with jurors","Catalog copy; checklists with prices; correspondence with artists re: blanks; shipping information and receipts; correspondence re: sales and purchases; 1 copy of catalog","4 original drawings; introductory panels, signage; layout sketches; traveling show panels","4 drawings of lighting layouts in gallery; 1 drawing of movie projector stand; 1 drawing of panels; 1 drawing of overall layout","9 photographs of Metropolitan Museum of Art objects; copy of invitation; label copy for projector room showing film on armor; other label copy; correspondence with lenders; shipping information and receipts; correspondence with Met (major lender); correspondence with lecturer (Gracey), curator of Met arms \u0026 armor","Correspondence with artist and his wife; biographical information; copy of catalog from Hollins; clippings","1 photo of Stuart Davis; biographical information; catalog copy; shipping information and receipts; checklists with values; loan agreements; correspondence with jurors; correspondence with lender; correspondence with potential jurors (Andrew Wyeth)","2 drawings: sign and panel layout","Photograph of Tsar Nicholas II and family; 2 page exhibition design write-up (color, lighting, cases); catalog copy","Memo re: Arthritis Foundation; article on Dufy; reprint of 3/51 article on Dufy; paintings information sheets; shipping information and receipts; catalog of ICA in Boston; correspondence with lenders; correspondence with Arthritis Foundation; checklists with values; correspondence with publicity; correspondence with Dufy's gallery agent","4 drawings of signs and layouts","11 photographs of layout with and without people; close-ups of panels; correspondence with lecturer; correspondence with American Institute for Graphic Arts (organizer); publicity materials from AIGA; shipping information and receipts; catalog","Dinner guest list; correspondence with Chrysler; Chrysler catalog copy; correspondence with NYT","Photograph of Chrysler; copy of Art Digest (October 15, 1951) with photograph of gallery setup; catalog copy (paintings); correspondence with publicity; shipping information and receipts; catalogs of exhibition at University of Miami Art Gallery (correspondence with University of Miami Gallery also); checklist","Checklists and hanging order; correspondence with publicity; rough layout; catalog copy; correspondence with artist; checklist with values; correspondence with AFA (organizer); AFA 1953 catalog; wonderful letters that are art!","Preview invitation; correspondence with artist and wife; checklists","Catalog; correspondence with Director of Syracuse Museum of Fine Arts (Anna Wetherill Olmsted, speaker); biographical information on her, checklist","1 drawing: installation layout","14 photographs of items; \"prize awards\" press release; correspondence with Syracuse Museum of Fine Arts; publicity information from SMFA; catalogs; catalog copy; shipping information and receipts; annotated catalogs (one size, one price)","Correspondence with various institutions and individuals re: potential exhibitions, some with catalogs and clippings; list of proposed exhibition season","Correspondence with lender (Ouriel) and gallery (Knoedler); shipping information and receipts","Various mailing lists (Bulletin, publications), some by type, some alpha; letters to other institutions offering mailings (all Miss Frances Boushall)","1 drawing of small museum truck","Layout panels for 1st Museum brochure/guide","1 drawing and 1 copy of Information \u0026 Publication Desk of Museum","Correspondence with lenders of fabrics; shipping information and receipts; some original tags; label copy; some catalogs","Correspondence re: invitation mailing (one with return address of VMFA, one with Kiwanis Club); correspondence with lenders in Los Angeles","Invitation to screening; preview invitation list to film screening","Invitation; catalog copy; checklists; Mona Lisa research; shipping information and receipts; correspondence with lenders; 1 copy of catalog; correspondence with organizer; invitation copy; installation information; correspondence with Kiwanis Club","6 blueprints for models by Panold Masters; 1 drawing of signs; 1 drawing of layout; 4 drawings of lighting; 3 drawings of niches","1 drawing of layouts, panels","Catalog copy; clippings; annotated copy of catalog of retablos from Barton Collection; shipping information and receipts; checklists; annotated copies of catalog of textiles from Barton Collection; correspondence re: damage to retablos; correspondence with institutions; correspondence with lenders","1 drawing of signs; 4 drawings of lighting; 1 drawing of details of interior; 3 drawings of layout; 1 drawing of interior","1 photograph of clock; few compliments; some receipts for library exchange","Correspondence; damage reports; receipts; memos","Correspondence with Helen Comstock (editor of Magazine Antiques and guest curator); correspondence with potential lenders (individuals and institutions)","Correspondence with WSG; clippings; shipping information","Correspondence with WSG; catalog copy; press release copy; press releases; shipping information and receipts; biographical information; checklist with prices","2 photographs of paintings; traveling checklist; correspondence with artist; clippings; press release; catalog copy; catalogs of shows in New York and Toronto; shipping information and receipts; label copy; checklist with values; correspondence with lenders; correspondence with AFA (originator)","Invitation to preview; correspondence with designer and speaker, John Van Koert; correspondence with Walker Art Center (organizer); copy of Walker invitation","Press release; publicity copies from Towle Silversmiths; press releases; copy of catalog from Walker","5 photographs (duplicates); invitation to preview; press release copy; correspondence with Fogg; copy of catalog from Detroit; label copy, checklists; shipping information and receipts; correspondence re: theft of Degas drawing","Invitation to preview; invitation to lecture; clippings; correspondence with artisans re: exhibition decoration; correspondence with other lenders; shipping information and receipts; checklists; correspondence with dressmaker/speaker (Pauline Trigère); correspondence with Metropolitan Museum's Costume Institute","Correspondence with lenders; research (list of American and English novels); shipping information and receipts; correspondence with publisher; correspondence with publicity; correspondence with Met's Costume Institute; checklists with values","6 photographs (5 paintings and Maxson Holloway, Chicago Historical Society curator); shipping information and receipts; checklists; correspondence with Chicago Historical Society (organizer); annotated catalog from CHS; correspondence with other institutions; bulletin copy; press release","Catalog; correspondence with CHS; correspondence with other lender (Broadnax)","Photograph of picture; press release; correspondence with Red Cross; clippings; invitation copy; Red Cross promotional material; press release copy","Catalog; correspondence with AFA (organizer); shipping information and receipts","Shipping information and receipts; checklists","Correspondence with members of Club; correspondence with AFA","Drawing of layout; 2 photographs of paintings not in exhibit; research; label copy; correspondence with lenders; shipping information and receipts; checklists","Correspondence with Lady Astor; checklist of gift","Catalog copy; correspondence re: opening and Governor's dinner; invitation proofs; correspondence with publicity; text of Colonel Anderson's speech","Correspondence re: opening (mainly regrets)","Correspondence with the artist","1 drawing of sign","Correspondence with Institute of Contemporary Art in Boston, organizer; lecturer is Director, James Sachs Plaut; promotional materials","Correspondence with ICA in Boston; shipping information and receipts; catalog","Invitation; photograph of painting (1952); label copy; installation instructions; shipping information and receipts; correspondence with lenders","1 clipping","Clipping; press release copy re: move of cigar store figures from Jefferson to VMFA","Lots of correspondence from different institutions; publicity; list of contacts with great comments","Correspondence with dealers, galleries, institutions; lots of publicity included; schedule of exhibitions for year, especially those from AFA","Correspondence with woman at new museum about restoring a painting","1 photograph of Leonardo's bridge; Boushall's correspondence file with publicity and others interested in our publications and exhibitions","Correspondence with dealers, galleries, institutions; lots of publicity included; schedule of exhibitions for year, especially those from AFA","Quiz sheet","7 photographs of opening, gallery and piece; 1 copy of catalog","2 drawings and 1 copy of gallery layout and entry desk","Checklist; invitation, shipping information and receipts","1 drawing of book and theme table layout","6 photographs of Goya pieces; 1 photograph of someone (with mandala); catalog copy","2 invitations (1 with checklist; 1 for loan exhibition); label copy; checklists; correspondence; correspondence with lenders; catalog requests; catalog proof; shipping information and receipts","Correspondence; label copy; cover of U.S. News \u0026 World Report (2/13/53) (looks like De Stijl); shipping information and receipts; correspondence with MOMA (organizer); checklists","Press release copy; correspondence with Netherlands Embassy; lecture copy (introductions); lecturer biographical information [Carroll L. V. Meeks, Assoc. Professor of Architecture and Art History at Yale]; correspondence with MOMA","Correspondence with jurors; correspondence with potential jurors; lists of loan requests; correspondence with lenders; correspondence with publicity; shipping information and receipts; checklists; installation memos; checklists with values","\"The Significance of African Art,\" 8 photographs of items; publication reprint of \"Warega Ivories\" by Ladislas Segy; label copy; publications from Segy Gallery on African Art; correspondence with Segy Gallery (organizer); biographical data on speaker [James Johnson Sweeney, Director of the Guggenheim in NYC]; shipping information and receipts","Correspondence with speaker; label copy; press release copy; publications from Segy Gallery","1 photograph of street scene, but it has been drawn on","Copy of 1949 catalog; 1 copy of catalog; label copy; checklists by city; catalog copy; letter from Theresa Pollak regarding the way the show is chosen and hung; correspondence with artists; annotated older biennial materials; list of purchase recommendations; schedule for jurors visit; catalogs from other institutions (state shows); shipping information and receipts; traveling evaluation checklists","Copy of 1953 prospectus; correspondence with artists (Pollard's correspondence file); list of entry cards received","Correspondence with artists re: missing checks, incomplete blanks or other issues (Gaines' file)","Information from MOMA (organizer); correspondence with MOMA; checklists; shipping information and receipts; installation memo; 1 copy of invitation to opening","2 drawings","List of loans (Baltimore Museum of Art); correspondence with BMA; correspondence with speaker [Mrs. Adelyn D. Breeskin, Director of the BMA]; installation memo; checklists; label copy; shipping information and receipts. Show had 16 year age limit!","Entry/prospectus; correspondence with American Craftsmen's Educational Council; list of regional entries; correspondence with artists; completed entries; shipping information and receipts","February 1953 issue of \"The Richmond Home Builder\"","Mayor's reception schedule; lecture copy; copy of Directory of Virginia Governmental Officials (November 1950); invitation lists and planning","1 copy of invitation; lecture copy; correspondence with potential consultants","Correspondence with Thalhimer's; press release copy; lecture copy; slide list; clippings; speaker biography","Correspondence re: parking problems and conferring police authority to the Museum's guards","\"The New Art Wind Quintet\" press release; Harp Trio photograph and program; correspondence re: New Art Wind Quintet; contract copy; Harp Trio press release copy; Philippe Entremart photo; press release copy and program; correspondence with National Music league; programs; clippings","1 photograph of Victor Guye; actually a Goya exhibition file – correspondence with lenders; shipping information and receipts; checklists","Invitation; photograph of Queen Anne teapot; \"Art in Fashion\" invitation; label copy; catalog copy; correspondence with Lipton (lender) and Lipton's dealer; correspondence with speaker","Correspondence with potential participants; interim reports; correspondence with institutions in Scandinavia; exhibition proposal (typed); correspondence with embassies, consulates, etc.; shipping information and receipts; label copy; correspondence with speaker [John Van Koert]; checklists; correspondence with publicity; correspondence with AFA (organizer); 1 copy of brief prospectus; list of itinerary","Folder is incorrectly labeled \"1967\" at Library of Virginia. 1 drawing (1953-54); ALL FROM THE 1950'S: panel copy; shipping information and receipts; clippings; Sidney Janis catalogue; 1 copy of Bulletin (11/53); 1 copy of invitation, plus 1 internal memo re: new iteration as traveling show, checklist","1953 Virginia Artists prospectus; correspondence with artists; correspondence with publicity; label copy; correspondence with Des Moines Art Center (co-sponsor); shipping information and receipts; correspondence with lenders; correspondence re: purchases; biographical information on Dwight Kirsch (curator of show and Director of DMAC)","Mailing 12/1/55, \"To Virginia Painters\"; budget information; correspondence with artists; correspondence with Dwight Kirsch; annotated catalog; catalog requests; catalog disbursement list; shipping information and receipts; copy of Kansas State College Biennial Catalog (including quote from Kirsch)","1 photograph of artist and painting (John Koos with wife and Peter Khan, head of Hampton Institute Art Department); correspondence with juror; press release; correspondence with publicity; correspondence with artists (Newell's correspondence file); biographical information on Kirsch; clippings","1 copy each of 1950 and 1954 catalogs","Catalog copy; catalog proof; suggested arrangement; label copy, checklists","1 photograph of Armand Hammer; 1 photograph of room in his house; 1 photograph of Breughel painting; 1 photograph of [Erwin] Panofsky [from Institute for Advanced Study at Princeton], lecturer; 2 press releases; correspondence with Hammer; general collection information","1 drawing of main panel layout","Correspondence with lenders and dealers, artists; shipping information and receipts","Shipping information and receipts","Registration forms for each painting; checklists by gallery and by artist","Entry cards (completed); other institutional catalogs; prospectus copy; annotated catalogs; catalog copy; 1 copy of catalog; label copy correspondence with artists; correspondence re: publicity; shipping information and receipts; correspondence with jurors","Prospectus; mailing lists; budget tracking; correspondence with jurors","6 photographs of designs; shipping information and receipts; label copy; correspondence with AFA (organizer); checklists; correspondence with Cooper Union (lender)","2 drawings of panel layouts; notes re: pre-Columbian panel layout","1 drawing of panel layout; label copy","1 drawing of 20th century gallery layout with section for Virginia rotating artists; correspondence with artists; correspondence re: purchases; shipping information and receipts; biographical information; correspondence with lenders; memos re: installation; checklists","Checklists by lender and by artist; correspondence with lenders; label copy; shipping information and receipts; copy of catalog from University of Louisville with similar exhibition","1 drawing of panels; notes re: panels for exhibition","Letter to AFA re: exhibitions; exhibition proposal for Design for Theatre","Correspondence with various people and institutions re: possible exhibitions; program schedule for 1953-54; scattered exhibition-related materials as well; correspondence re: various programs, performances and dinners; correspondence with publicity; copies of Members Bulletin for March, April \u0026 May, 1954","1 photograph of Furniture of the Old South; mainly lists, both general and for particular shows","Correspondence re: an article proposed by Gulf on the Artmobile, including a photographic assignment, to run in their company magazine Orange Disc; correspondence re: subsequent mailing of issue","Letter to Presidents of Garden Clubs, 10/11/54; correspondence re: securing funding for Waddy fountain planting each season; mailing lists","Correspondence re: arrangement to use galleries for their meetings","Membership List","Copy of The Orange Disc Magazine (March-April 1954); list of Artmobile pictures used","Drawing of new membership brochure [Not taken, too hard to reproduce]; annotated membership forms; new form copy; copies of MOMA \u0026 Walker membership forms; membership campaign materials: proposal, committee schedule, plan for calls, etc., minutes of meetings, campaign reports, membership report (statistics)","Correspondence re: special loan exhibition from permanent collection; shipping information and receipts; checklists","Correspondence re: meeting; biographical information on speakers; schedule/agenda; transcribed notes from Question \u0026 Answer session","2 photographs of mural; correspondence with Rochester Institute of Technology, where she was a student (she was a VMFA Fellowship winner); correspondence with artist","\"Endorsement of the forthcoming Artmobile\" 3/10/53; \"An Exhibition of Sculpture from Africa,\" 3/22/53; \"The Hammer Collection…\" [n.d.]; \"The VMFA has purchased 3 paintings…\" 3/24/54 (short one); copies of press releases from March/April 1952/1954","13 drawings of pedestals in various galleries; notes","1 drawing; 1 list of photographs for American 19th Century","1 drawing; 1 list of photographs for Early Near Eastern","1 drawing; 1 list of photographs for Late Italian and Spanish","1 drawing; 1 list of photographs for Roman","1 drawing; 1 list of photographs for Oriental","1 drawing; 1 list of photographs for German","1 drawing; 1 list of photographs for French 17th-18th centuries","1 drawing; 1 list of photographs for Italian, 14th \u0026 15th centuries","Just list of photographs for English 16th-17th centuries","1 drawing (English 18th-19th centuries; 3 photograph lists (medieval, American 18th century, English 18th-19th centuries","1 drawing; 1 list of photographs for American 20th century","List of photographs for Virginia Today","1 drawing (Egyptian); list of photographs for Egyptian, notes","2 drawings of text panels; notes; list of photographs for North Sculpture Hall","Photograph of Blanche Tarjus; correspondence; biographical information; program copy; programs; clippings; publicity materials from National Music League; artist fee schedule; correspondence with artists; invitation copy","Photograph of damaged jade, 2 annotated photographs (all Minneapolis); shipping information and receipts; label outlines; checklists by lender and by type; correspondence with lenders; clippings, research notes; label copy; correspondence with other potential lenders","3 panel layout drawings; 4 other layout drawings; label copy; label outlines; section color suggestions and samples; list of cases needed","1 photograph of children with eggs; tear sheets from Interiors magazine; copy of 1947 Pratt catalog; suggested publicity schedule; outline of work to be done; label copy; correspondence; press releases; research; clippings; correspondence with publicity","1 drawing; 6 photographs; blue AFA Catalog list; correspondence with AFA (organizer); label copy; checklists; shipping information and receipts; fabric and paper samples; correspondence with lenders","Correspondence with artist; biographical information; shipping information and receipts; label copy; checklists","1 drawing, 1 photograph of Karolik; catalog copy; checklist; shipping information and receipts; label copy; dimension list; correspondence with Smithsonian (organizer); correspondence with collector (Maxim Karolik); 1 copy of invitation; copy of bulletin; copy of MFA Boston Bulletin on collection (10/51)","William Kienbusch and William Zorach [2 of 3 judges] catalogs; list of purchase considerations; correspondence with artists; correspondence with galleries; shipping information and receipts; checklists","1 drawing; clippings; bulletin photograph copy; correspondence with Addison (1 letter) [Addison Gallery of American Art, Chairman of Jury was Bartlett H. Hayes, Jr., Director of Addison]","Correspondence with artists; biographical information; label copy; shipping information and receipts","1 drawing; label list","1 photograph of Charles Baker; 1 drawing; shipping information and receipts; correspondence with artists; checklists; biographical information; Davis' Fellowship application; label copy","Correspondence with artists; mailing lists of artists; requests for blanks","Correspondence with artists; requests for blanks; correspondence re: incomplete forms or missing checks; handwritten list of entries received","4 layout drawings","List of winners; copy of blank certificate; copy of green prospectus; checklists; shipping information and receipts; entry copy; catalog copy; label copy; other institutions' catalogs/prospectuses; correspondence with jurors; staff members; list of artists","Correspondence with artists; entry blank requests; shipping information and receipts","Correspondence with artists; biographical information; shipping information and receipts; label copy","Typed remarks by preview speaker [Honorable Shigenobu Shima, Minister of Japan]; list of credits for exhibition","Drawings of invitation copy; 1 photograph; checklists (organized by MOMA); correspondence; label copy; 1 copy of invitation; shipping information and receipts; correspondence with Minister of Japan (preview speaker); press release copy; correspondence with MOMA; correspondence with MIYA company (lent accessories); correspondence with Japan Society","1 drawing of panel layout; correspondence with artists; shipping information and receipts; checklist","Correspondence with Corcoran (lender); label copy; shipping information and receipts","2 photographs of ICA installation; checklists from ICA in Boston; fabric samples; correspondence with manufacturer (i.e.; lender); includes some publicity materials and catalogs; shipping information and receipts; list of items sold to staff members; ICA catalog/brochure copy; correspondence with ICA; ICA press releases; label copy; ICA catalogs (1954 \u0026 1955)","Checklist; miscellaneous correspondence; ICA news releases; fabric samples; checklists","Shipping receipts for Designs for Christmas show","List of items available for purchase; correspondence with manufacturers re: sale","3 photographs; publicity materials from Virginia Chapter of AIA; shipping information and receipts; label copy","Copies of suggested schedule","Few pieces of miscellaneous correspondence related to other exhibitions","2 photographs of Suzanne Bloch; correspondence with various music organizations; publicity materials (mainly programs); clippings; Suzanne Bloch press release copy and biographical information","Catalogs and samples of wall and paper materials","Letter solicitation (7/1/55); correspondence with studios; research; exhibition proposals (Samuel Goldwyn or Cecil B. DeMille); mailing list","Correspondence; correspondence with manufacturers (including catalogs)","Copy of the Annual Report; typed and written drafts for \"Information Services and Public Relations\" report","Press release; correspondence with publicity; clippings; mailing lists; grand opening schedules; new members' room information","Copy of letter to press (11/29/55); memo re: use of mats sent to newspapers from Rex Allyn to Cheek; 5 actual mats by Virginia Stereotype Service","1 photograph of camera; correspondence with Colonial Williamsburg (author of book on Cook); label copy; camera catalogs; checklists; shipping information and receipts; correspondence with lenders; insurance information; 1 copy of invitation; research articles","John Koenig was Guest Promotion Director; correspondence with publicity; news releases; mailing lists; clippings; copy of catalog","Bulletin copy; Bulletin proofs; correspondence with speakers","2 copies of newsletter (2/55 and 12/54); 1 piece of AFA membership publicity","Copies of 51st and 53rd programs; copy of letter to publisher of 55th (VMFA was in it)","Rex Allyn's correspondence file; correspondence with publicity; correspondence with other institutions; clippings","4 drawings; 10 photographs; copy of catalog of traveling show in São Paulo, copy of checklist and hanging order sheet; label copy; correspondence with artists; publicity; biographical information; shipping information and receipts; correspondence with publisher; press release, checklists (for traveling too); circulated by AFA","Copy of invitation to costume ball with note about asking about museum as location","AFA Newsletter, 12/55","Publicity; correspondence with Junior League about volunteers; copies of articles in The Leaguer; press releases","Publicity; copy; catalog photographs; correspondence with speakers; cards with state exhibitions on them; clippings","Publicity; copy of Bulletin; press releases","Copy of Carl Sandberg's prologue; invitation; correspondence with MOMA (circulator); copies of drawings of installation from MOMA; copy of catalog; contract; press releases; checklists; shipping information and receipts","Article copies (by Marguerite Tabb)","Correspondence with Jaycees","Correspondence","Correspondence with Society; copies of minutes","Publicity from American National Theatre and Academy","Correspondence with WRVirginia \u0026 WLEE; list of personnel","Publicity; Artmobile schedule","Correspondence with Society; publicity; schedule and financial statement of Society","Press releases (4/14/55; 4/12/55); schedule and procedure for ceremony of awards (4/29/55); press release (4/25/55); other press releases","Copy of minutes from meeting","Correspondence with printers; budget information; samples of items; purchase orders","Miscellaneous correspondence","Correspondence; summary and minutes from conference","Correspondence with Whitney Museum; correspondence with other museum directors (Leslie Cheek a sort of consultant)","Copy of letter from Rhoads to Board; correspondence with Rhoads","Correspondence re: Georg Jensen exhibition; checklists (from SITES)","Correspondence with artists; biographical information; checklists; shipping information and receipts","Invitation; correspondence with Catherwood Foundation; label copy; exhibition proposal","Press release; shipping information and receipts; correspondence with Catherwood; Catherwood publicity; checklists; label copy","1 drawing of layout; label copy; checklists; list of loans requested; shipping information and receipts; correspondence; correspondence with publicity; correspondence with lenders; 2 annotated copies of printed checklists; copy of Bulletin","1 copy of printed checklist; correspondence with lenders; request for information cards; 1 annotated copy of printed checklist","\"Caption for Watteau Mat\" and press release (1/11/52); press releases; list of loans; checklists","Correspondence with potential lenders for Fetes Galantes","Photography purchase requests; invoices","Shipping information and receipts; correspondence with lenders; clippings","Correspondence with lenders; shipping information and receipts; request for information forms; label copy","1 copy of catalog; 1 copy of Ford Times on which the show was based; checklists; correspondence; catalog copy; correspondence with Ford; copy of story for Commonwealth","2 photographs of Helen Wearstler Foht; 1 duplicate photograph of her; checklists; correspondence with artists; shipping information and receipts; label copy","Correspondence with artist and his dealer (Hammer Galleries); copy of the exhibition catalog; label copy; 1 book jacket of his (High World); insurance information; shipping information and receipts","2 photographs; checklists; shipping information \u0026 receipts; correspondence with artists; label copy","1 photograph; 1 duplicate photograph (Aubrey Bodine or O.F. Romig) [these 2 were judges, A. Aubrey Bodine of Baltimore and Orlando F. Romig of Pittsburgh]; correspondence with artists","Shipping information and receipts; correspondence; press release","1 photograph of unknown; 1 photograph of Carl Roseberg; shipping information and receipts; sales information; checklists; correspondence with artists; label copy","3 photographs; checklists; biographical information; correspondence with artists; label copy","Invitation; list of possible artists publicity/catalogs from other shows; invitation copy; mailing list; checklists; correspondence with Sculpture Center; shipping information and receipts; correspondence with artists; correspondence with lenders; label copy","4 drawings of label panels; sheet for each with list of photographs for panels","2 photographs; shipping information and receipts; correspondence with artists; checklists; sale information; biographical information; label copy","Invitation; 1 photograph of show at Corcoran; 1 drawing; also 1 drawing of Chinese gallery, press release 3/4/55; correspondence with SITES (organizer); shipping information and receipts; checklists; correspondence re: damage to a chair; label copy; correspondence with publicity; 1 copy of catalog; 1 copy of Danish Foreign Office Journal","Correspondence with lender; shipping information and receipts; checklists; George Poiret print collection exhibition catalog (rents them)","1 photograph; correspondence; clippings","Copy for theatre publications","Program for 57-58 season; copy for earlier brochure","One letter re: season's policies","2 pieces of correspondence","\"A Proposal,\" (letter 7/14/56); Dance Society meeting minutes; correspondence; budget information; mailing list","Program April 20, February 24, January 6, October 21, September 16; correspondence (1 letter); 1 copy of a mailing","Checkbook; correspondence re: taxes","1 photograph (Richard Steinway); duplicate photograph (John Langstaff); 1 photograph of John Langstaff with Berkshire Quartet; 1 duplicate photograph and 1 regular photograph of Albeneri Trio; 1 season program","1 photograph of John Langstaff; 1 duplicate photograph of Robert Conant; 2 photographs of Amadeus Quartet; 1 photograph of Alfred Deller; 1 duplicate photograph of Alfred Deller Trio; 1 photograph of Emily Frankel and Mark Ryder; correspondence; proposed relations between the 2 organizations; meeting minutes; letter drafts; program copy; publicity materials","Wishes to thank card; Davenport Carrington letter; response card; meeting minutes; program schedule; clippings; correspondence; budget information; form letter with mailing lists; promotion planning","Shipping information and receipts; correspondence","1 copy of schedule of programs and events","Correspondence from Velz (he was on Executive Committee for 1956-1957) to various people re: events; \"The Public Relations and Information Program of the Virginia Museum of Fine Arts\" paper","1 clipping (RTD 2/15/56-they got charter)","RAUC Summary Report 1949-1956; correspondence of RAUC; evening courses for adults announcement","Correspondence re: lecture on architecture of Japan","Correspondence re: fundraising drive; interoffice memos","Hundreds of photographic department purchase requests","1 copy of magazine, October 1956 issue with VMFA feature","8 drawings of alcoves; layouts; permanent installations; lists of photographs for alcoves; memos re: installation needs; photograph orders; lists of titles for information panels; correspondence re: information panel production; panel copy; budget information; information re: hanging heights in galleries; sample label paper","\"Art Reference Resources in Virginia\" questionnaire (all about art libraries); 1 piece of correspondence about putting brochures on ferries","3 photographs from Brazilian show; newspaper and magazine clippings; catalogue and clippings for 1951 Brazilian show (Children's Book Illustrations); information and press releases and correspondence for 1953 fellowships; 1950-51 fellowship information; blank application; information on Jenny-Lynn Franklin's mural; press releases for 1956-1957 fellowships","Traveling checklist and hanging order; label copy; correspondence with artist; shipping information and receipts; correspondence re: traveling exhibition; checklists; correspondence with AFA; clippings; blank loan contract; correspondence with borrower; itinerary; AFA publicity materials for show","Material from MOMA on their 25th anniversary","2 drawings of panel layouts; list of photographs used; memos; label copy; photograph order","Mailing list; copy of Bulletin; cards sent to institution for their exhibition listing in Bulletin (called \"Elsewhere in Virginia\")","Photograph of Merrill Moore; 1 photograph of Governor Stanley; biographical information on speakers; correspondence with speakers; publicity material for Merrill Moore's new book","Mailing (open house invitation); letter from Rhoads to members; renewal card, 1 photograph by Yardley; membership letter draft; correspondence between committee members; brochure proofs; previous membership requests; privilege information; budget information; brochure copy; paper samples","Brochure copy","Fashion Festival facts; Council letter (3/21/56); program; invitation copy; correspondence with Miller \u0026 Rhoads; correspondence re: Council; correspondence with Harper's Bazaar; correspondence with publicity; mailing lists; schedules; meeting minutes; annotated scripts \u0026 schedules; fabric samples; program copy","Complete reply cards; correspondence re: Council children's events; publicity materials for puppet theatre; blank reply cards","Correspondence with artists; checklists with sale prices; shipping information and receipts; biographical information; label copy; photograph purchase requests","1 photograph of \"Black Beast,\" 1 photograph of \"Croquet Player\"; correspondence with AFA (who turned down show) and ICA Boston; correspondence with publicity; shipping information and receipts (now called \"Collection Memos Receipt\"); correspondence with lenders; insurance information","Correspondence with publicity; correspondence with artists; correspondence re: preview, installation information and schedules; correspondence with lenders; shipping information and receipts; label copy; correspondence with AFA re: withdrawal; list of lenders; photograph orders","1 drawing, 27 photographs; 1 duplicate photograph (Henry Robinson Luce); label copy; correspondence; shipping information and receipts; [unlabeled: (lady) Elsie de Wolfe; Henry Dreyfuss (architect)]","3 photographs of jurors; 1 photograph of sculpture; 1 photograph of tempera painting; correspondence with jury; checklists; shipping information and receipts; clippings; dinner lists and plans; correspondence with lenders; label copy; Ben Shahn catalog; biographical information; insurance information","1963 Virginia Artists blank; shipping information and receipts; correspondence with artists; label copy; biographical information","2 drawings (1 by her, 1 by Leslie Cheek); checklist with values; correspondence with artist; shipping information and receipts","Entry cards; shipping information and receipts; sale information; correspondence with artist; insurance information; Council Preview Party gifts information (new); check stubs; list of entrants; preview mailing list for businesses","Virginia Artists jury memo (1/25/57); blank certificates (signed); traveling exhibition checklist; 1957 prospectus; label copy; copy of 1936 catalog; speech copy; Bulletin copy; annotated 1955 blank; prospectus list; entry requests; catalogs and brochures from other exhibitions; prospectus copy; catalog copy; schedule; correspondence with publicity; shipping information and receipts; correspondence with jury; clippings; certificate recommendation list; jury report; correspondence with artists; biographical information on certificate winners","Shipping information and receipts; correspondence with artists; 1 copy of catalog","Drawing of layout","3 photographs of installation (location unknown, not VMFA); correspondence with American Institute for Graphic Arts (organizer); shipping information and receipts","\"A Brief Description of the 'New World Achievement' Exhibit,\" invitation and drawing; label copy; checklists; schedules; Jamestown materials for 1957 festival; list of lenders; for letter draft; credits; musical selections; annotated invitation; correspondence with Jamestown Committee members; copy of Commission report; shipping information and receipts; invitation copy","Illustration lists for panels; label copy","2 duplicate photographs; research and information panel copy","1 photograph of a plate; correspondence with lenders; shipping information and receipts; information request forms; label samples","3 photographs; correspondence with lenders; shipping information and receipts; information request forms","Information on VMFA and Jamestown Festival","Correspondence with ESU re: speaker and other events; correspondence with embassy; clippings; invitations; speaker publicity","Checklists; shipping information and receipts; correspondence with lenders; insurance information; 1 copy of VMFA Summer Calendar","1 drawing; photograph; checklist; catalog; publicity materials from AFA (organizer); measurement lists; correspondence with AFA; correspondence with Near East College Association (co-organizer); shipping information and receipts; label copy; checklists with values","2 photographs; \"Emblem of the 1957 R.S. Reynolds Memorial Award\"; 20th century works of art catalogue from the University of Illinois-Urbana; label copy; AFA publicity materials; Reynolds Memorial Award publicity materials; correspondence with AFA; correspondence with Reynolds; correspondence with artist","1 drawing, 7 photographs, press release; checklists; label copy; shipping information and receipts; MOMA publicity materials; correspondence with MOMA; label copy; condition report","1 application; 2 memos","Council member letter (2/1/57); \"The Big Frame-Up,\" script and cast list; volunteer lists by reject type; Council proposal for buying Virginia Art; preview invitations; clippings; correspondence with and between Council members; invitation copy; prize list","1 photograph (Joseph Gilliard); correspondence with artists; invitation correspondence; checklists; biographical information; shipping information and receipts; photograph orders; label copy","Invitation, traveling exhibition checklist; label copy; shipping information and receipts; checklists; correspondence with publicity; correspondence with artists; biographical information; correspondence with AFA; catalog of other comic show in NYC; press release copy; AFA Catalog 1957-58; photograph orders","1 photograph of speaker (Rorimer); correspondence with speakers (library lecture series); list of speaker possibilities","Checklists; shipping information and receipts (re: return of traveling show)","Invitation to children's play; correspondence re: children's events, including play","Membership letters; blank application; list of dropped group members with form letter; memo re: procedure","Introduction letter (9/28/56); letter (1/15/57); menu; correspondence and planning re: Council luncheon and other meetings; list of Council programs for year; correspondence; shipping information and receipts for lecture supplies; clippings","4 photographs (Iris Nordquist?); label copy; correspondence with artists; shipping information and receipts; biographical information; checklists","An example file: instructions regarding how to do the shows, rules, etc. plus samples of forms and documents","Memos and notes re: quality of transparencies used for postcards","Correspondence re: adult photography class taught by Burris (Gordon G.), staff photographer; correspondence with manufacturers re: enlargers; equipment brochures","Correspondence and agreements re: film society showings for year","5 Remington Rand catalogs; Library and filing supplies; correspondence with other librarians (arts); correspondence with possible applicants; results of art resources surveys; list of equipment desired; list of periodicals [bunch of \"Habiliments\" material]","Label copy; checklists; correspondence; correspondence with artists; sales information; repairs, shipping information and receipts","Form letter from Rhoads to members","Correspondence and memos from McClellan \u0026 Velz (PR and publicity-related) [Richard Velz, Division Head, Administrative Division; E.T. McClellan, Public Information Head]","1 photograph (Thomas Kenneth Rowe); 4 photographs of paintings; correspondence with artists; checklists; shipping information and receipts; biographical information; clipping","Label copy; shipping information and receipts; correspondence with artists; checklists","Correspondence with lenders; label copy; shipping information and receipts (no catalog published for this one)","Preview invitation; 2 photographs; layout drawing; label copy; correspondence with ICA Boston (organizer) \u0026 Detroit Institute of Arts; correspondence with Winston; checklists; shipping info and receipts; catalog of collection at University of Michigan","7 photographs; label copy; shipping information and receipts; correspondence with artists; checklists; clippings; biographical information","1 photograph; label copy; AFA publicity materials; correspondence with lenders; shipping information \u0026 receipts; credits; correspondence with designer (Oenslager); clippings; biographical information; 1 copy of catalog; AFA brochure (1957-1958)","2 photographs; AFA materials; correspondence with AFA; label copy; shipping information and receipts","Panel layout drawing; 1 photograph; checklist; list of lenders; label copy; checklists; Carnegie press releases (organizer); correspondence with ICA Boston (circulator); correspondence with Carnegie; correspondence with lecturers; shipping information and receipts; 1 copy of catalog","Correspondence with Smithsonian; Smithsonian press release; checklist; shipping information and receipts; label copy; 1 copy of catalog","6 photographs (Barbee); 6 photographs (Lou Ponder-Rogers); checklists; correspondence with artists; shipping information and receipts; biographical information; various catalogs; label copy","6 photographs (Thomas Gorman); 6 photographs (Marilyn Downes-Bennett); shipping information and receipts; correspondence with artists; checklists; label copy","1 drawing; duplicate: invitation letter; \"Art Lending Service\"; press release; mailing list; Bulletin copy; invitation copy; copy of 1947 catalog; correspondence with artists; list of eligible artists; list of previous rotating exhibitions","1 layout drawing; 2 photographs; checklists; label copy; correspondence with Warburg; shipping information and receipts; 1 copy of invitation","Copy of invitation; miscellaneous memos","1 American classics drawing; 1 duplicate Skidmore, Owings, Merrill layout drawing; 1 copy of a gallery catalogue from New York; checklists; list of preview guests; shipping information and receipts; promotion plan; correspondence with publicity; promotion plans; press release","\"SOM Projects,\" clipped prose and labels; label copy; copy of MOMA Bulletin on SOM (Fall 1950), XVIII, 1","Folder with label on front \"William Rhodes\" scheduling events surrounding opening of new Reynolds Metals Building; correspondence with publicity; correspondence with SOM; correspondence with Reynolds; shipping information and receipts; preview plans","1 photograph (Colorado Springs Air Force Academy); 1 photograph (Frederick D. Nichols, professor at School of Architecture, UVirginia); label copy; correspondence with publicity; Reynolds Metals opening schedule; annotated press releases; clippings, correspondence with potential speakers; Bulletin; shipping receipts","5 photographs and 1 slide; correspondence with Reynolds; correspondence with publicity; correspondence with William O'Neal, lots of miscellaneous correspondence","Around 10 magazine clippings","1 photograph; clippings; press release; \"1962 American Painting\" catalog; \"The Story of Steuben Glass\" book","1 photograph (duplicate); 1 drawing of pedestal; label copy; correspondence with Steuben glass; shipping information and receipts","9 photographs; 1 drawing; 1 duplicate photograph (Dorothy Miner); label copy; correspondence with Andrew Wyeth; correspondence with lenders; correspondence with local librarians; correspondence with speaker (Dorothy Miner); 1 copy of invitation; 3 annotated copies of catalog of paintings at Knoedler; shipping information and receipts; biographical information","Documentation; correspondence and schedules for school group tours, all ages and subjects; some docent information","1 copy of November 1958 – 44:11","1 folder of press releases, VMFA Bulletin, 2 photographs, called \"News About our New General Office Building.\"","1 folder with label \"Mrs. M.B. Christison\" with opening schedule information","1 photograph (Edwin Burr Pettit – Brandeis lectures); information re: Council lecture-luncheon 1957; handouts; reservation cards; correspondence, Lecture Series schedule; correspondence with potential lecturers; clippings","Correspondence re: mailing list and press releases","Correspondence with publicity; publishers and personalities; printer","1 photograph; correspondence with publicity; correspondence with dealers; press releases, Poussin material; mailing list","Correspondence with Professor of Applied Social Research at Columbia re: public relations","1 drawing; shipping information and receipts; correspondence; label copy; correspondence with lenders; UVirginia catalog","3 drawings; 9 photographs; 1 duplicate photograph; label copy; exhibition catalog from L'Art Ancien, S.A. Zurich; correspondence with Brooklyn; shipping information and receipts; invitation copy; 1 copy of invitation; clippings; AFA materials and correspondence","\"Virginia Artists Jurying: Requested Arrangements \u0026 Operations\"; 17 photographs (1 of Perrin - labeled, 1 of Bertoia - hat, 1 of Lee – other; correspondence with potential jurors; correspondence with jurors; shipping information and receipts","1 photograph; invitation (3 copies scattered); 1 drawing; checklists; biographical information; label copy; correspondence with Aldrich; catalog correspondence; correspondence with publicity; catalog copy; shipping information and receipts; clippings","Correspondence with printer re: catalog; \"thank yous\" for exchange or gift of catalog","\"Complete Catalog\" copy; correspondence with artists; information requests; shipping information and receipts; 1 certificate (signed by Sherman Lee); clippings; correspondence with jurors; schedules; lists of entries by place; entries (completed); certificate recommendations; prospectus copy; clippings; checklists; other institutions' prospectuses; other catalogs; correspondence with publicity","1 drawing; catalog copy; 1 copy of prospectus; label copy; prospectus proof","Correspondence with winners; list of certificates; list of recommendations","15 photographs; 1 drawing; correspondence with Metropolitan Museum of Art (speaker); label copy; correspondence with Minneapolis Institute of Art (lender); checklist; shipping information and receipts","5 photographs; correspondence with potential lenders; correspondence with APVirginia; correspondence with Virginia State Bar; checklists; shipping information and receipts; label copy","Correspondence; label copy","Correspondence with the Olsen Foundation (lender); 1 copy of catalog; shipping information and receipts; checklist","12 photographs (whoever had show October 7- November 4, 1956); catalogue; research; checklists; correspondence with Olsen Foundation","Suggestion for gala fundraiser","Correspondence with VHS","Correspondence with artists re: eligibility; old Virginia artists catalogues (1953 \u0026 1955); prospectus and rules","1959 catalogue; lists of eligible artists; label copy","3 negatives, 5 photographs; correspondence with lenders (NYPL, Wadsworth, Met); checklists; chipping information and receipts","Correspondence with Virginia State Bar Association","7 small photographs (Broaddus); 5 photographs (Russi); 5 photographs – prints – (Turner); correspondence re: sales; biographical information; correspondence with artists","1 photograph (Davenport); 9 photographs (Davenport); 1 photograph (Jones); 4 photographs (Jones); checklists; label copy; correspondence with artists; biographical information; shipping information and receipts","Shipping information and receipts; request for information forms","Receipts","7 photographs (I. Moore?); 7 photographs (Lois Jacobsen); 7 photographs (Bill Gaines); 1 photograph (Jacobsen); correspondence with artists; shipping information and receipts; invitation copy; correspondence re: sales","4 photographs; 1 drawing (duplicate); duplicate: catalog list (blue); correspondence with AFA; AFA materials; clippings; biographical information on lecturer; checklist; correspondence with publicity; preview dinner plans; shipping information and receipts; 1 copy of catalogue","Correspondence with lenders; publication exchange cards; checklists; committee member list; correspondence re: catalog","2 photographs; 1 photograph (Basil Taylor); 1 duplicate photograph of unknown; 1 duplicate photograph (Alice Higgins); 1 drawing; clippings; biographical information on Sports Illustrated photographers; press releases; checklists; mailing lists; budget","Label copy; checklists","Clippings; publication exchange cards; correspondence with publicity; 1 copy each of 2 invitations; dinner seating arrangement","Correspondence with lenders","Dinner reservation list; dinner invitation (March 1960); list of patrons; budget information; invitation copy; shipping information and receipts; financial reports; correspondence with publicity; travel plans, correspondence with Basil Taylor; 1 copy each of 2 invitations; correspondence with Mellon","Research; checklists; correspondence with possible lenders; correspondence with Corcoran (organizer of Sports Illustrated exhibition); other exhibition catalogs; correspondence with Mellon; clippings; committee correspondence; label copy; correspondence with publicity; correspondence with ambassadors; invoices; issue of \"Sport \u0026 the Horse: The Chronicle,\" (4/1/60)","1 drawing of dinner arrangement; correspondence with lenders; correspondence with committee members (including Mellon); shipping information and receipts; correspondence re: catalog; travel plans; invitation copy; correspondence with lecturer; correspondence with ambassadors","3 photographs of packing Manet's \"Races at Longchamp, Paris\"; correspondence with lenders; shipping information and receipts; correspondence with Mellon; correspondence with publicity; correspondence re: damage to Manet","Shipping information and receipts; correspondence with lenders","Correspondence with Blunt (Courtauld) and with royal collection","Catalog copy; 1 letter from the Palais du Louvre","Correspondence with Mellon; correspondence with committee members; list of patrons; requests to join committee","Correspondence with Constable, consultant to exhibition (former curator, MFA Boston); Courtauld Director; Art History Professor, University of London)","Correspondence with Bourlet \u0026 Sons","Correspondence with Duveen \u0026 Walker (insurance brokers); copy of policy","Correspondence with Mellon; various lists","Correspondence with potential lenders; preliminary loan list","1 photograph of Sir Robert Walpole by Wootton; shipping information and receipts; correspondence with lenders; correspondence with Paul Mellon; handwritten list of lenders","Checklists; item cards","Budget tracking (including dinners); list of contributors; correspondence with Department of Accounts; receipts with correspondence; gala invitation copy; correspondence with publicity; correspondence with Mellon; 1 invitation; gala planning; menu copy; various ad rate cards (including Sports Illustrated); \"The Sports Illustrated Guide to Regional Marketing,\" with Sports Illustrated issue 4/18/60","1 duplicate photograph of \"Brown Horse \u0026 Spaniel\" by Stubbs; correspondence re: repair (blister) of Stubbs' painting lent by Katherine Gilbey of England","2 photographs (of Stubbs' Hambletonian, Rubbing Down receipt); correspondence with lender (Estate of the Dowager Marchioness of Londonderry); shipping information and receipts","Correspondence of the British Council","Correspondence re: catalogue","Requests for catalogue","Checklists by lenders, artists, type","Correspondence with lenders","Miscellaneous correspondence re: Sport \u0026 the Horse","Correspondence with Murray, librarian at the Witt Library, Courtauld","Catalogue copy; label copy","Over 100 plus photographs!","Correspondence with publicity; clippings","Correspondence with Mellon; suggested publicity plan; clippings, correspondence especially Basil Taylor [Librarian, Royal College of Art, London] and W.G. Constable; checklists (essentially Muriel Christison's file)","Shipping information and receipts","Completed request for information forms; packet of information on paintings from Wildenstein","Correspondence with dealers; checklists; correspondence","3 photographs of Monet's painting packed; 1 photograph of James Ward \u0026 Skewbald Stallion; correspondence with lenders; shipping information and receipts; checklists","1 duplicate photograph (Gilpin's Gulliver \u0026 Houyhnhnms); correspondence with Basil Taylor (Librarian, Royal College of Art); essentially Muriel Christison's correspondence file; biographical information; catalog copy; label copy; checklists","6 Prentiss Taylor photographs, 1 photograph of Taylor, 1 photograph of Lazaron exhibition; correspondence with artists; sale information; other catalogs; biographical information; clippings; checklists; shipping information and receipts","Prospectus copy; misfiled correspondence","Prospectus copy","1 photograph of installation; 6 slides (unlabeled); 1 copy of prospectus; correspondence re: jurors and jurying; list of certificate winners; correspondence with winners; dinner replies; other catalogs; correspondence with artists; correspondence with jurors","1 drawing; 1 copy of 20th Photographic Salon prospectus (blue); 2 posters from Virginia Art Directors Club 57th Annual Exhibition; Mariners Museum catalogs, etc. (lots of prospectuses and catalogs for similar exhibitions; entry requests; correspondence with jurors; jurying information","Checklists; notes; 1 copy of 20th Virginia Photographic Salon invitation and catalog; press release","ADP prospectus; requests for entry; mailing lists; correspondence with Camera Club \u0026 Photographic Society of America; annotated copies of 20th Virginia Salon catalog; 1 copy of PSA Journal 1960 – membership list","Sale information; checklists; correspondence with artists; insurance information; biographical information; shipping information and receipts","3 duplicate photographs of artists, 1 photograph of panel; biographical information; correspondence with artists; checklists; shipping information and receipts; correspondence with publicity","Correspondence with artists; checklists; shipping information and receipts; sales information; biographical information","\"Art Lending Service,\" generic invitation; correspondence with artists","\"Notice to Virginia Photographers,\" 1 drawing, 1 photograph of juror [Hoyt L.] Roush; prospectus copy; entry requests; checklists; annotated prospectus; information re: jurying; correspondence with jurors; correspondence with Camera Club; catalog copy; copies of 18th \u0026 19th photographic salon catalogs; lists of winners; shipping information and receipts; biographical information","20th Photographic Salon prospectus; other catalog; entry requests; prospectus copy; ADP prospectus copy; clippings; news release; 1 drawing of ADP layout (already have it)","1 drawing; 1 copy of catalog; correspondence with MOMA (organizer); MOMA materials; shipping information and receipts; label copy; checklists; contract","Two 12/1/59 press releases; 3 photographs from 1/2/60; press release; clippings; correspondence with publicity; list of attendees; correspondence with UNESCO","Correspondence with jurors; shipping information and receipts; correspondence with lenders; completed request for information forms","2 negatives of Joseph A. White (shipper) and Perry Rathbone (Director, MFA Boston); checklists; correspondence with publicity; correspondence with lenders; biographical information; list of events; 2 prints of negatives","Correspondence with lenders","Invitation copy; catalog copy; annotated Sport and the Horse invitations, programs and menus; copy of \"Brief History of Virginia Museum,\" lecture copy","Correspondence with CW's President; biographical information","Correspondence with Gibbs (President of Gibbs \u0026 Cox, Architects); biographical information","Biographical information (of Lehman Brothers, investment banking); correspondence with Lehman","Correspondence with Marshall Fredericks (accepted Carl Milles award); biographical information; correspondence with Mrs. Milles","Annual reports (1956-58, 51-55, 41-50); biographical information on Ernest Brooks (President of Foundation) and correspondence with Brooks; miscellaneous correspondence","Correspondence with Saarinen; biographical information (correspondence re: Arts in Virginia article)","Notes; correspondence with contributors; correspondence with vendors","25 photographs; 1 duplicate photograph; correspondence with lenders and directors of lending institutions; biographical information","1 copy of preview invitation; list of invitees; drafts of publicity correspondence; correspondence with governor; memos","Various checklists","More checklists","Correspondence with lenders (in alpha order of lenders)","Correspondence with potential lenders (compiled by lender)","1 letter to Director of Toledo Museum of Art","Correspondence with publicity (compiled by institution)","33 duplicate photographs; 9 new photographs; shipping information and receipts; requests for information forms","24 duplicate photographs; 4 new photographs; shipping information and receipts; requests for information forms [n.b.: some overlap between folders 8 and 9]","Shipping information and receipts with new form: \"Collection Memo \u0026 Receipt.\"","1 drawing; 3 maps of table arrangements with names; 1 letter of thanks to Miller \u0026 Rhoads","\"Virginia Artists Jurying\"; 1 photograph; completed entry blanks; prospectus copy; correspondence with artists; correspondence re: sales; shipping information and receipts; list of certificate winners; labels; budget information; correspondence with jurors; prospectus proofs; correspondence re: damages; list of invitees for collectors reception","Small bit of correspondence; prospectus copy","5 photographs; correspondence with lenders; shipping information and receipts; checklists","Press release form; SITES checklist; SITES press release, 3 photographs; collection of memos and receipts; press release copy; correspondence with venders; staff memos; checklists; clippings; shipping information and receipts; request for information forms; SITES contract","Empty folder","Correspondence with artists; correspondence re: sales; shipping information and receipts","Correspondence with artists; correspondence re: sales; shipping information and receipts","Correspondence with artists; correspondence re: sales; shipping information and receipts; biographical information; overall rotating schedule; insurance form (new that year)","3 photographs; correspondence with artists; shipping information and receipts; checklists, insurance form","Correspondence with artists; shipping information and receipts; other catalog; checklists; insurance forms","1 drawing; correspondence with publishers and booksellers; correspondence with American Institute of Graphic Arts (circulator); shipping information and receipts; label copy; insurance form","5 photographs; label copy; research, correspondence with AFA (circulator); AFA materials; checklists; exhibition contract; press releases; shipping information and receipts; 1 copy of invitation","1 photograph; 1 drawing; 1 copy of invitation; correspondence with artist (Ruth Perkins Safford); label copy; price list; invitation copy; traveling exhibition checklist","9 photographs; 1 duplicate photograph; correspondence with MOMA (organizer and circulator); label copy; shipping information and receipts; 1 copy of invitation; MOMA materials; checklists","3 photographs; shipping information and receipts; correspondence with artists; lists of all eligible artists","Label copy; correspondence with artists; correspondence with lenders; insurance form, checklists; shipping information and receipts","1 drawing; duplicate: preview invitation; AFA materials (circulator); panel copy; 1 copy of Bulletin (November 1961); checklists; label copy; exhibition contract; correspondence with AFA; shipping information and receipts; AFA informational card (1 copy); correspondence re: sales","List of private purchasers; correspondence with artists; check receipts; shipping information and receipts; signed release forms (when items were released from museum custody); checklists; \"Report of the Council Committee for the Virginia Artists' Exhibition, 1961\"; list of business purchasers","\"Art Lending Service,\" \"Release Form,\" 1 drawing, \"Artist Form,\" another \"Art Lending Service\"; correspondence; schedule; procedures","\"Virginia Artists Jurying,\" \"Collectors' Reception\" (2/24/59), \"Tax Consequencies of Gifts of Picture,\" \"List of Firms\"; correspondence; invitation copy; memos; catalog and prospectus copy for 1961 show; label copy; procedures re: sales; check receipts","1 photograph; correspondence with artist; recommendation from Cheek; biographical information","1 bound copy of \"Cross-Examination of an Art Collection\" by Fred L. Palmer; correspondence with Palmer; checklists; shipping information and receipts; list of valuations; biographical information; collection memo and receipt; insurance report form","3 pieces of correspondence re: possible Eisenstaedt exhibition","2 photographs (duplicates); research; checklists; insurance report forms; shipping information and receipts; collection memo and receipts; label copy","Panel copy; label copy","1 photograph; shipping information and receipts; correspondence with artists; insurance report forms; Virginia Artist application; checklists","Invitation; label copy; clippings; correspondence with Railey (Mrs. Howard); research; auction catalogue: Hotel Drouot, 20 November 1861; shipping information and receipts; checklists; insurance report form","5 photographs, 1 drawing; correspondence with Director, H. Bryan Caldwell; checklists; collection memo and receipts; insurance report forms; research; press release; copies of Norfolk Museum Bulletins; Norfolk materials; 1 copy of \"Hugh Gordon Miller Collection of Paintings\"; correspondence with other Norfolk staff; 1 copy of \"The Great Mace of Norfolk\"; shipping information and receipts","Fact sheet; catalog copy; list of winners; copy of speech at preview","Prospectus copy; signed endorsement of prospectus by AIA, Virginia Chapter; prospectus proof","Signed certificates of distinction; prospectus copy; correspondence with jurors; biographical information; jury instructions; fact sheet","Jury instructions; fact sheer; list of winners","Label copy; insurance report form; memos; shipping information and receipts; correspondence with artists; biographical information","2 photographs, 1 drawing; label copy; correspondence with lender; correspondence with Basil Taylor; correspondence re: insurance; shipping information and receipts; police stand information","1 drawing; label copy; police stand information; correspondence with artists; correspondence with Hayes (Director of Addison); biographical information","1 copy of catalog; 1 copy of \"Artist-Craftsmen of Western Europe\" Catalog; unsigned invitation forms from Hayes; copies of telegraph information requests; label copy; correspondence with artists; correspondence with lenders","7 photographs; 1 copy of catalog; catalog copy; correspondence re: possible purchase of Nell Blaine painting","2 photographs, invitation; correspondence re: damage; shipping information and receipts; correspondence re: insurance [other correspondence: with artists; re: catalog; with publicity; with Hayes; re: lecture; with lenders; press releases; copy of Time magazine 1/19/62 re: Yu-Ho]; 1 copy of catalog","Shipping information and receipts; correspondence with lenders; signed invitation forms; a few other catalogs","22 new photographs; 8 duplicate photographs; some correspondence re: photographs","Shipping information and receipts; correspondence with lenders; checklists; insurance report form","Invitation; correspondence with contributors to AIV and Miss Christine Alexander, former curator at the Met \u0026 now advisor on Greek art to VMFA; staff memos; label copy; checklists; correspondence re: photographic panels for exhibition","Research (including sketches by Christine Alexander); notes; label copy","Press release; checklist; label copy","41 photographs; 12 duplicate photographs; label copy; correspondence with publicity; memos","1 drawing; label copy; checklists; shipping information and receipts; correspondence with Karolik; research; collection memo and receipt; insurance report form","12 photographs; correspondence with publicity; correspondence with potential lenders; correspondence with lenders; Jamestown Festival materials; correspondence with Jamestown; label copy","8 photographs; correspondence with artists; insurance report forms; shipping information and receipts; checklists","1 photograph; 1 duplicate photograph; 1 duplicate information sheet [\"Collectors Circle,\" 4/30/62]; shipping information and receipts; information request form; correspondence with collectors; label copy; schedule of \"expert\" lecture; insurance report form; 1 copy of invitation","Label copy; memos; correspondence with potential lenders; correspondence with SITES; correspondence with various Civil War Centennial Commissions; loan contracts (SITES); checklists; SITES materials; press releases; shipping information and receipts","12 photographs, 1 sealed envelope with possible photographic material ;checklists; label copy; correspondence with artists; shipping information and receipts","14 photographs; correspondence with artist; biographical information; memos; shipping information and receipts; insurance report form; clippings; label copy","5 photographs, 10 slides (Bristow); correspondence with artist; correspondence re: sale; press release, biographical information; memos; label copy; checklists; insurance report form; shipping information and receipts","Invitation; 1 annotated copy of \"Stravinsky and the Dance,\" NYPL, 1962","7 photographs; 2 duplicate photographs; staff memos; correspondence re: preview; correspondence with lenders; correspondence with AFA (circulator); checklists; correspondence with publicity","Sample of stuffed envelope to be weighed for postage","7 photographs; duplicates: checklist, suggested press release; correspondence with SITES; SITES materials; exhibition contract; staff memos; 1 copy of SITES catalog","Correspondence with Thorne (potential Virginia Artist)","Staff memos; correspondence with potential and real lenders; checklists; collection memo and receipts; shipping information and receipts","1 copy of Saturday Review 6/18/62","Correspondence with artists; various checklists; completed applications; blank applications (1 annotated; 1 not)","Application packet; completed applications","Correspondence with Goodrich (Director of Whitney); lecture schedule (for all lecturers for chapters and affiliates)","Correspondence with Rich (Director at Worcester); proposed schedule for Rich","Correspondence with Walker (Director, National Gallery of Art, DC); proposed schedule for Walker","2 photographs [Robert Lippold, Perry Rathbone]; duplicates: loan/own letter (8/10/62); Dear Virginia Artist (1/16/63); correspondence with artists; 2 label panels; checklist of eligible artists; prospectus copy; list of awards","1 press release","\"Curator's Choice: Collectors' Opportunity\" (orange); \"$50 Hens\" (blue); \"Procedure for Party\"; label copy; staff memos; text of speech; \"rules of etiquette\"; purchase request cards","'62 ADP catalog; old prospectuses; catalog copy; staff memo","1 drawing; 1 invitation; correspondence with artists; checklists (actually price lists); insurance report form; shipping information and receipts","Press release (9/8), 16 duplicate photographs, 7 new photographs, 1 contact sheet; 1 copy of Arts in Virginia (Spring 1962); correspondence with RMWC; checklists; correspondence with publicity","Suggested press release; checklist (circulated by MOMA); shipping information and receipts; MOMA materials; label copy; correspondence with MOMA","10 photographs; 1 copy of \"Finlandia\" catalog; correspondence with SITES. Correspondence with John Rorimer (Director of the Met); correspondence with AFA; correspondence with Finnish Society of Crafts \u0026 Designs [didn't take place!]","Correspondence with Rosenwald; correspondence with Walker \u0026 Brown at NGA; work schedule; correspondence with lenders; shipping information and receipts; staff memos; list of invitees to preview dinner; collection memo and receipt; 1 copy of invitation; foreword copy","Catalog copy; catalog proofs; miscellaneous correspondence; foreword copy","Correspondence with Philadelphia Museum; shipping information and receipts; insurance report form; correspondence with Rosenwald","3 photographs; shipping information and receipts; correspondence with SITES; checklists; press release; SITES materials; contract; label copy","Annotated copies of old prospectuses and catalogs; catalog copy","Mailing lists; list of hometowns; correspondence with artists; statistics; correspondence re: sales","1963 catalog; prospectus copy; catalog copy; catalog proof","Certificate (1 signed; few unsigned), invoices (purchasers and file copies); checklists; presentation schedule; correspondence with artists","Correspondence with artists; staff memo with form letters; Council letter (5/5/65)","Memos re: visit of Carl Weinhardt, juror; various staff memos; various form letters","Letter to purchaser from 20th exhibition, receiving and handling of prospectus and works (2/19/65); jurying procedures (3/18/65); dear Virginia Artist Printmaker; various staff memos; council committee report; Council form letters; correspondence with artists; various form letters; 1 copy of 1963 prospectus","1 slide; lists of works purchased; label copy; insurance report form; shipping information and receipts","3 drawings; duplicates: invitation; 1 copy of Bulletin (September 1965); collection memo and receipts; 1 copy of catalog; correspondence with lenders; correspondence with Moore; checklists","\"Suggested Introduction,\" 2 photographs; schedule of trip; correspondence with Arnson; miscellaneous correspondence; biographical information","1 photograph; duplicates: 1 clipping (Time 9/3/65); label copy; clippings; other invitations; Dictaphone belts with Henry Moore!; other catalogs; other press releases; transcription of interview","34 new photographs; 6 duplicate photographs","Shipping information and receipts; request for information forms; checklists; correspondence; insurance report forms; 1 copy of catalog (annotated)","1 annotated copy of \"William Blake: Poet, Printer, Prophet,\" by SITES","1 photograph; duplicates: \"Suggested press release,\" \"checklist, handling instructions\"; correspondence with SITES; SITES material; correspondence with Mellon (re: loans)","Invitation; correspondence with lenders and The Blake Trust; clippings","Label copy","Label copy; checklists","3 photographs; correspondence with Mellon; checklists; collection memo and receipts; shipping information and receipts; insurance report form","7 photographs","1 photograph; correspondence with Rosenwald; correspondence with lenders; checklists; shipping information and receipts","23 photographs; 2 duplicate photographs; correspondence with artists; photograph reproduction requests","Fact sheet for Virginia Artists 1963; correspondence with artists; shipping information and receipts","Correspondence with artists; lists of works purchased","Staff memos and notes re: improvement suggestions","Correspondence with Oenslager re: possible lecture","Correspondence with museums for slides of their expansions for a lecture","\"Fact Sheet – Virginia Artists Preview Committee-1965\"; copies of Bulletins (2/63 \u0026 3/65); various fact sheets from previous Virginia shows; checklists; correspondence; staff memos; shipping information and receipts; correspondence with artists","1 photograph: declined exhibition, \"Good Design in Toys,\" sponsored by Creative Playthings of Princeton and L.A.; correspondence re: denied exhibition proposals; some correspondence with jurors","Catalog proofs; billing information; meeting minutes (Education in the Arts Committee); rough fact sheets; schedules; correspondence with artists; checklists; catalogue copy; label copy; annotated copy of ADP '64","Memo re: AIA Dinner, 3/2/66; correspondence with artists; correspondence with associations; correspondence with Virginia AIA; clippings; budget information","Duplicates: form letter from Bill Gaines (2/4/66); certificate of distinction (unsigned); reply card","3 photographs (Arthur d'Arazien); duplicates: d'Arazien's biography; 1 photograph of Edgar Kaufmann (newsprint); correspondence with jurors; biographical information; clippings; press release","Eliot Elisofon's biography; 1 duplicate photograph (Elisofon); correspondence with jurors; biographical information","1 photograph (Louis Kahn); correspondence with juror (Kahn); schedules","\"ADP Jury Schedule\"; 5 photographs; photocopy of contact sheet; comment notes; list of potential jurors; schedules; correspondence re: dinner and hosting","\"Receiving and Handling of Material\" (11/29/65, \"Procedures for Jurying\" (1/19/66); staff memos; text of Walter Robertson's speech to dinner; notes re: jury report","ADP '62, ADP '64 catalogs; prospectus proofs; 1 copy of ADP '60 \u0026 '66 catalog; 1 copy of ADP '62, '64, '66 prospectuses","ADP slide commentary, 1966; checklists of selected entries; correspondence with artists; comments; fact sheet estimates","Virginia ADP 1966: Traveling Designs, Traveling Photographs, Traveling Transparencies","2 photographs; insurance report form; correspondence with Koplin; shipping information and receipts; biographical information; checklists; 1 copy of 9/65 Bulletin; clippings; label copy","2 photographs; duplicates: 10/65 Bulletin; internal memos; shipping information and receipts; other catalog; correspondence with Jackson","12/65 Bulletin; 2 photographs; label copy; shipping information and receipts; internal memos; insurance report form; correspondence with Alexick; biographical information","1 copy of 11/65 Bulletin; biographical information; label copy; insurance report form; correspondence with Biehl, checklists","3 photographs; correspondence with Belair; shipping information and receipts; insurance report form; 1 copy of 1/66 Bulletin; internal memos","3 photographs; 2 photographs; biographical information; insurance report form; 1 copy of 2/66 Bulletin; shipping information and receipts; correspondence with Pienkowski","2 photographs; 1 photograph; 3/66 Bulletin; label copy; biographical information; shipping information and receipts; insurance report form","2 photographs; label copy; shipping information and receipts; insurance report form; checklists; correspondence with Aldreth","2 photographs; 2 photographs; insurance report form; shipping information and receipts; correspondence with Driskell; label copy","2 photographs; 2 photographs; checklists; insurance report form; shipping information and receipts; 5/66 Bulletin; correspondence with artist; label copy","2 photographs; 2 photographs; clippings; correspondence with artist; checklists; shipping information and receipts; insurance report form; 9/66 Bulletin; press releases; internal memos; label copy","2 photographs; 3 photographs; 10/66 Bulletin; correspondence with artist; shipping information and receipts; biographical information; clippings","3 photographs; label copy; clippings; correspondence with artist; insurance report form; shipping information and receipts","2 photographs; 1 photograph; correspondence with artist; insurance report form; shipping information and receipts; 12/66 Bulletin; clippings; label copy; letter to members from Leslie Cheek Jr. re: opening","2 photographs; 3 photographs; correspondence with artist; insurance report form; 1/67 Bulletin; shipping information and receipts; biographical information; clippings; label copy","2 photographs; 3 photographs; clippings; 2/67 Bulletin; correspondence with artist; insurance report form; shipping information and receipts; label copy; checklists; other brochure; blank gallery floor plan (photocopy)","Clipping; 3 photographs; insurance report form; shipping information and receipts; correspondence with artist; gallery map","2 photographs; 2 photographs; correspondence with artist; 4/67 Bulletin; insurance report form; checklists; shipping information and receipts; label copy","2 photographs; 1 photograph; correspondence with artist; biographical information; 3/67 Bulletin; clippings; checklists; shipping information and receipts; label copy","1 photograph; correspondence trying to track artist down","3 photographs; 4 photographs; 9/67 Bulletin; clippings; correspondence with artist; 1 copy of invitation; shipping information and receipts; biographical information; label copy","3 photographs; 1 photograph; correspondence with artist; clippings; label copy; 10/67 Bulletin; 1 copy of invitation; shipping information and receipts; price list (hand drawn!)","1 photograph; 3 photographs; 11/67 Bulletin; correspondence with artist; shipping information and receipts; label copy","Comparative statistics for Tut and Greek Gold; correspondence with lenders (especially MFA Boston); correspondence re: insurance; clippings; press releases; staff memos re: procedures","Lots of photographs!; 1 copy of press packet (new!)","Lots of photographs!; shipping information and receipts; correspondence with lenders; correspondence with MFA Boston and Brooklyn (2 other venues0; correspondence with Senator Byrd and other legislators re: Senate Bill S.2273 7/9/65","[essentially Mary Louise Pinckney's (Loans Registrar-Programs Division) file]; schedules; staff memos; shipping information and receipts; correspondence with MFA Boston and Brooklyn; memos re: procedures; checklists","Copy of S.2273 Senate Bill report; label copy; memos re: procedures; clippings; correspondence with lenders; shipping information and receipts; 1 copy of invitation; research, correspondence re: recovery of stolen gold","Correspondence re: catalog (with MFA Boston, Brooklyn, author Herbert Hoffmann, printer); catalog proofs; correspondence with lenders","Catalog proofs; catalog copy","1 drawing; correspondence with MFA Boston \u0026 Brooklyn; correspondence with Greek Embassy; correspondence with Department of State; correspondence with Hoffmann, author; correspondence with publicity; staff memos; correspondence re: research","Introduction; correspondence with Pat Davidson (Brooklyn/lecturer); correspondence with Hoffmann; schedules; press release","One annotated checklist","3 articles re: theft of jewelry; 1 drawing; shipping information and receipts; correspondence with lenders","Correspondence with MFA Boston \u0026 Brooklyn; correspondence re: insurance; correspondence with lenders; 1 copy of MFA Bulletin (November 1965); checklists; copies of policies","Copy of S.2273 Bill; correspondence with legislators; clippings","Checklists; correspondence","Panel copy","Label copy; checklists; clippings; correspondence with Patricia Davidson (her writings); catalog proofs","2 items","Correspondence re: shipping with security company and lenders","Correspondence with Alderman; shipping information and receipts; checklists; insurance report form; label copy; traveling exhibition checklists; press release","1 photograph (Thomas George, painter); correspondence with lender (Betty Parsons); label copy","4 photographs; label copy; correspondence with SITES","4 photographs (duplicates); 1 new photograph; other duplicates: SITES suggested press release, Joseph V. McMullan Islamic carpets catalog; 1 copy of the catalog (annotated in a few places); checklists; correspondence with the de Young, next exhibitor; shipping information and receipts; label copy; clipping; correspondence with SITES; 1 copy of Textile Museum catalog; correspondence with Textile Museum; correspondence with Kevorkian Foundation (other choice for exhibition-denied)","2 press releases; introduction; invitation; correspondence with McMullan; itinerary for visit","10 mounted photographs only if unduplicated; 8 Photographs, 2 installation photographs, 1 photograph of building, 1 photograph of artist; 1 drawing; duplicates: catalog, 1 \"Visions of Man\" invitation; checklists; shipping information and receipts; correspondence with Reynolds; label copy, 1 copy of \"Visions of Man\"","3 photographs; correspondence with Hans Beckmann (lecturer)","5 drawings; 9 photographs; 8 duplicate photographs; 1 copy of invitation; MOMA materials (circulator); correspondence with lenders; shipping information and receipts; label copy; research; correspondence with Anni \u0026 Joseph Albers; checklists; correspondence with MOMA; Gemini lithograph catalog","1 photograph (Jonathan Williams); [rest of photos are from Virginia ADP show, probably duplicates from earlier box]; correspondence with potential lecturers for Albers exhibition","1 photograph (Robert Light-speaker); pricelist; checklists; label copy; invitation list; procedures; correspondence with lecturer","1 drawing; 9 photographs; duplicates: suggested press release; checklist; 5 duplicate photographs; shipping information and receipts; correspondence with SITES; correspondence with lecturer; SITES materials; label copy; checklist","2 drawings; 20 photographs; 6 duplicate photographs (from previous folder); correspondence with SITES; SITES materials; shipping information and receipts; label copy; correspondence with lecture sites; annotated checklists; 1 copy of lecture announcement","Introduction, suggested news release, 1 duplicate photograph of Dr. Regina Soria; correspondence with Soria; clippings; itinerary; biographical information on Soria","Invoices and shipping instructions","Miscellaneous correspondence re: exhibitions","1 piece of correspondence re: exhibition schedule change","1 piece of correspondence re: addition to catalog","Press release, 1 duplicate photograph, introduction; itinerary (lecturer); biographical information; correspondence with Dimitri; label copy; clippings (typed) [1 piece of correspondence has a color drawing on bottom]","1 duplicate photograph; memo re: engagements (8/25/64); 2 press releases; 2 introductions; \"Color by Sultner-Wells\" brochure; correspondence with Sultner-Wells; clippings; 1 copy of Longwood Gardens invitation; procedures; itinerary","2 photographs; itinerary; correspondence with Sultner-Wells; 2 posters of his clippings (montages); 2 dust jacket with his photograph; copies of other press releases","4 transparencies, photographs; label copy; correspondence with next venue (Easton Academy of Arts); shipping information and receipts; correspondence with lender (Roland Gibson); checklists","Correspondence re: possible lecture series in Virginia (Blake is connected to Architectural Forum magazine)","Correspondence re: possible lecture series (Minor connected to the Met)","C.V. for Stern; correspondence with R. Stern about leave for Council series on new building (he's Head of Architectural League of NY); correspondence with other potential speakers; correspondence with Pearsalls [John and Laila] (hosts)","Introduction; correspondence re: Christmas' lecture series; itinerary; other promotional material","Correspondence with other museums that recently expanded to obtain slides for a lecture; long letter from Cheek to Robertson re: decision of Governor's committee (turned down design); list of committee members; form letter to President of affiliates asking them to write to their legislators in support of new building plan","Correspondence with Mielziner re: lecture series; correspondence with other potential lecturers; correspondence with other institutions that recently expanded re: slides","Label copy; checklists; lists of panel photographs","5 photographs of proposed floor plans (Baskervill \u0026 Son)","Slide lists; copy of talk; checklists","Insurance report forms; label copy","Label copy; checklists; insurance report forms; correspondence","Shipping information and receipts; correspondence with lenders; checklists; insurance report forms; request for information forms; correspondence re: damage of a loaned painting by Jan Stussy","1 drawing; news clipping; 1 photograph of installation; label copy; correspondence with C.V. Donovan (juror \u0026 Director of Krannert Art Museum); correspondence with publicity; copy of lecture; checklists; other artists' promotional materials","Shipping information and receipts; correspondence with lenders; information request forms","Introduction; suggested press release; 1 slide: Paul Paul Horiuchi's \"Winter Receding,\" 1964; correspondence with Donovan; itinerary; other artists' promotional material","1 drawing; 1 duplicate photograph; 7 photographs; 1 copy of the \"Jeffersonian,\" 5/13/66 with article on exhibition and pictures of Gwathmey's painting; information request forms; checklists; catalog copy; 1 copy of invitation; correspondence with lenders","Information packet","Original proposal; copies of information packet items (drawings \u0026 proposal); copy of same","\"Exhibition Materials\"; checklists; correspondence with George Stevens Productions","Various packeted materials (promotional)","Correspondence with Hollywood Museum; correspondence with Motion Picture Association; correspondence with Ford Foundation; correspondence with George Stevens Productions; correspondence with Smithsonian Institution; correspondence with Old Dominion Foundation","Lists of panels; film sequences lists","Research notebook (Gaines' handwriting?); 1 copy of catalog \"Scenery for Cinema\" at Baltimore Museum of Art, 1942 (when Leslie Cheek was Director); lists of panels; label copy","Promotional materials from film companies (i.e. Technicolor, Panavision)","8 drawings; movie production sheet with film negatives (to stay at LVA)","Life magazine 3/27/64 offprint with article on movie","Film reel labeled \"Selected Documentary Trims\"","Couldn't pull it out without ripping envelope – looks like scripts or set notes; possibly a drawing","Photographs; Newsweek reprint (1/23/67); checklists; lender lists; internal memos; correspondence with various members/visitors with questions re: exhibition; correspondence with Colonial Williamsburg Foundation (supporter of exhibition)","1 photograph; shipping information and receipts; correspondence with lenders; checklists; correspondence with publicity; internal memos","Correspondence with Toledo Museum of Art re: possible loan (denied)","Correspondence re: catalog; annotated copy of John Summerson's essay","5 photographs of packing/unpacking process; correspondence re: Smith College Museum of Art's loan of \"Portrait of the Reverend John Headley,\" including shipping information and receipts and request for information form","Correspondence re: Washington University's loan of \"Grey Children,\" including shipping information and receipts and correspondence re: damage to fram upon return","Correspondence re; Worcester Art Museum's loan of \"Mrs. Elizabeth James\" and \"William James,\" including shipping information and receipts; and request for information form","Correspondence re: Columbus Gallery of Fine Arts' loan of \"Portrait of Anne Hogarth,\" including shipping information and receipts; and request for information form","1 photograph; correspondence re: Allen Memorial Art Museum [Oberlin] \u0026 loan of \"Theodore Jacobsen,\" including shipping information and receipts and request for information form","9 photographs of packing/unpacking; correspondence re: Albright-Knox's loan of \"The Lady's Last Stake,\" including shipping information and receipts and requests for information form","2 photographs; duplicates: \"Loans to the Wm. Hogarth Exhibition\"; catalogue copy; 1 copy of catalogue; correspondence with publicity; correspondence with visitors/members re: catalogue and exhibition; clippings; 1 copy of invitation; checklists","1 envelope of Lessing Rosenwald Prints (couldn't open without ripping); duplicates: catalog; correspondence re: catalogue requests and comments; catalogue copy; checklists","Suggested press release; correspondence with Hofer (Professor at Harvard) re: lecture; internal memos; itineraries; 1 copy of bulletin","Correspondence with Mellon; catalogue copy; checklists; request for information forms; shipping information and receipts","25 photographs (see list); research; copy; internal memos; panel drawings (copies); HOGARTH PANEL PHOTOGRAPHS - 12789 Self-Portrait, 12786 Shop Card, 13313 Jane Thornhill, 12788 Pool of Bethesda, 13305 Captain Thomas Coram, 12785 Battle of the Pictures, 13304 Analysis of Beauty title page, 13306 Grave at Chiswick, 11812 Canvassing for Votes, 13311 Views Down the Thames, 11814 St. Paul's Cathedral, 12829 Beer Street, 12966 Gin Lane, 11852 Country House, 13079 Saint Martin-in-the Fields, 12970 The Four Times of the Day: Noon, 13078 Leister Square, 11816 Renelagh, 11857 Mr. and Mrs. Paul Mellon, 10890 Lessing Rosenwald, 5272 Masterpieces of American Silver, 13001 Marriage a la Mode, 13677 Philip Hofer, 13299 Sir John Summerson, 13074 George II, 13076 Robert Walpole, 13084 William Pitt, 11811 George III, 11813 Iron Forge by Wright","\"William Hogarth: His Life,\" William Hogarth: His Times,\" William Hogarth: This Exhibition\"; copy; proofs","2 photographs; 1 duplicate photograph; correspondence with Mielziner; shipping information and receipts; clippings; panel proofs; panel copy; research; internal memos; checklists; correspondence with IEF (International Exhibitions Foundation) re: traveling exhibitions","1 photograph; shipping information and receipts; correspondence with Multiples, Inc.; list of purchase considerations; label copy; checklists; panel drawings (copies)","Correspondence with National Gallery of Art DC re: pictures of J. Carter Brown","Invitation; fact sheet; 1 copy of catalog; internal memos; annotated copy of 1965 Salon des Réfusés catalog; correspondence with jurors; schedule of work for exhibition; panel proofs; list of certificate winners","Correspondence with artists; correspondence with purchasers; copies of invoices; release forms for transfer of custody","Checklists; correspondence with artists; internal memos","Catalog; list of certificate winners at Biennial; catalog copy; correspondence with Thalhimer's; internal memos; information for 1965 Salon","19 photographs; invitation; catalogue copy; other similar exhibition catalogs from other institutions; internal memos","Correspondence with artists; checklists","March '67 Bulletin; photographs; correspondence with jurors [Milton Hebald, Jack Youngerman, Jock Truman, Paul Smith]; label copy; biographical information; schedules; internal memos; correspondence with hostesses","\"Presentation of certificates\" blank certificates; artist reply card; checklists; schedule; internal memos; correspondence with artists","April '67 Bulletin, \"use of French Galleries\" memo; label copy; statistics ('67 and earlier); internal memos; correspondence with artists","Checklists; correspondence with artists","Photographs","Photographs","Gaines to artists 6/12/67; correspondence with artists; internal memos; shipping information and receipts; invoices for stored worsk; entry blanks","2 letters from Council to purchasers, Gaines letter, yellow \"Gaines-Brandt System,\" 4 photographs; checklists; internal memos; correspondence with artists; press release, 1965 and 1963 information","3 internal memos","'67 prospectus, 2 form letters (1/16/47); prospectus copy; mailing lists; annotated '65 prospectus; '70 prospectus","Correspondence; panel drawings (copies); for traveling exhibitions; [3 traveling shows: \"Treasures from the Guggenheim\"; \"Treasures from the Whitney Museum\"; \"Contemporary Watercolors.\" Also contained \"Art by Virginia Teachers\"]","1 copy of catalog (Heeramaneck Collection) by MFA Boston (annotated)","Correspondence with Heeramaneck; correspondence with Indian embassy; shipping information and receipts; correspondence with Royal Ontario Museum (who received exhibition after VMFA); correspondence with Detroit Institute of Arts (who had it before VMFA); correspondence with MFA Boston, originator; internal memos; drawings (photocopies)","1 copy of invitation; panel copy; panel proofs; correspondence with MFA Boston; correspondence with Royal Ontario Museum; shipping information and receipts; MFA materials (including checklists); internal memos","4 drawings; correspondence with Veener player for preview; clippings re: Indian music; label copy; clippings re: show","Photographs; some select, bad quality photocopies","Photographs","Panel proofs; lecture for chapters copy; correspondence with previous VMFA designer (Ariel Ballif); checklists","Suggested press release; introduction; correspondence with Gleaser (from MOMA) (lecturer for chapters); itinerary; noted speaker report form","Correspondence with potential lecturers for preview; 1 copy of invitation; Glaeser's biographical information; correspondence with Glaeser","Photographs; (envelope of photos from D.I.A. for Arts of India \u0026 Nepal exhibition); invitation to lecture; 1 copy of invitation to preview; 1 copy of invitation to Glaeser's lecture; shipping information and receipts; MOMA (originator) materials, including checklists; drawings (photocopies)","1 drawing; duplicate: preview invitation; panel copy; drawings (photocopies); correspondence with MOMA; MOMA materials, including checklists; exhibition contract; correspondence with John Hand (lecturer from National Gallery of Art DC); shipping information and receipts","Correspondence with MOMA; shipping information and receipts; internal memos","Membership list; shipping information and receipts; correspondence with dealers; price lists from dealers; panel proofs; checklists; speech copy; Collectors Circle meeting agenda; list of items purchased","Shipping information and receipts; panel proofs (annotated 1966 panels); checklists; correspondence with dealers *lots of '66 show files)","Correspondence re: borrowing Wyeth film; correspondence with Philip Hofer (Harvard) re: lecture; blank invitations for Artmobile exhibition (Wyeth \u0026 Japanese Art); clipping; internal memo re: trip to interview Wyeth for AIV article; blank floor plan","Label copy; drawing (photocopy); internal memos; radio guide copy","3 photographs; 11 duplicate photographs; checklists; internal memos; drawings (photocopies); panel proofs; panel copy; shipping information and receipts; 1 copy of Knoedler catalog \"Unpainted Pictures\" (lender); correspondence with Knoedler; correspondence with Detroit Institute of Arts (had exhibition before VMFA); clipping from TIME (3/17/67)","Panel copy; panel proofs; drawing (photocopy); internal memo: all of this re: 400 Years of Prints","1 photograph; shipping information and receipts; drawings (photocopies); panel copy; panel proofs; correspondence with lender (NGA \u0026 AIC); correspondence with Mr. \u0026 Mrs. Leigh Block; checklists; label copy","1 copy of \"Persian \u0026 Indian Miniatures from the Collection of Edwin Binney, 3rd\" from Portland; 1 copy of \"Islamic Art from the Collection of Edwin Binney, 3rd,\" from SITES; correspondence with Portland [VMFA denied exhibition]","1 internal memo re: replacement of \"Jewels\" with \"Resident Craftsmen\"","Jones article reprint; slides, 4 photographs, 5 duplicate photographs; correspondence with IEF (circulator); correspondence with Nelson-Atkins *who received exhibition after VMFA); 1 copy of lecture invitation; 1 copy of preview invitation; shipping information and receipts; panel proofs; clippings; correspondence with potential musicians; checklists; internal memos","Internal memos; correspondence with AFA (circulator); panel copy; checklists; panel proofs; drawing (photocopy)","5 duplicate photographs; 1 photograph; correspondence with MOMA (originator); exhibition contract; MOMA materials, including checklists; shipping information and receipts; MOMA circulating exhibitions catalog 1967-68; drawing (photocopy); panel proofs","Lecture invitation; clipping; internal memo; biographical information; correspondence with Smith (Director of Museum of Contemporary Crafts); correspondence re: juror (chairman) for 1967 Virginia Artists too","1 photograph; 2 new photographs; duplicate of introduction; correspondence with Slivka re: lecture at chapters/editor in chief of Craft Horizons; itinerary; biographical information","Photographs; correspondence with artist; shipping information and receipts; checklists; Bulletin photocopy","Photographs; correspondence with artist; label copy; shipping information and receipts; 1/68 Bulletin; biographical information","Photographs; shipping information and receipts; correspondence with artist; 2/68 Bulletin; label copy","Photographs; correspondence with artist; shipping information and receipts; label copy; 3/68 Bulletin","3/68 Bulletin; photographs; correspondence with artist; label copy; shipping information and receipts; internal memos; biographical information","Photographs; biographical information; shipping information and receipts; internal memos; label copy; 4/68 Bulletin; checklists; correspondence with artist","Photographs; checklists; shipping information and receipts; label copy; biographical information; correspondence with artist","9/68 Bulletin, 4 photographs; biographical information; label copy; price list (hand drawn!); shipping information and receipts; correspondence with artist; internal memos","Photographs; 10/68 Bulletin; label copy; biographical information; checklists; shipping information and receipts; correspondence with artist","Photographs; shipping information and receipts; label copy; 11/68 Bulletin; checklists; correspondence with publicity","Photographs; correspondence with artist; label copy; 12/68 Bulletin; shipping information and receipts; internal memos; correspondence re: damage to sculpture","Photographs; internal memos; label copy; shipping information and receipts; correspondence with artist; biographical information","Photographs; correspondence with artist; label copy; shipping information and receipts; 3/69 Bulletin; checklists","2/69 Bulletin; photographs; correspondence with artist; correspondence re: damage; label copy; internal memos; checklists; shipping information and receipts","44 photographs; correspondence with lecturer; shipping information and receipts; materials from Brooklyn Museum of Art (organizer); drawings (photocopies); panel lists; 1 copy of lecture invitation; 1 copy of preview invitation; correspondence with Brooklyn; checklists","Preview invitation; 1 copy of catalog; clippings; panel copy; correspondence with Brooklyn; shipping information and receipts; Brooklyn materials; panel lists; checklists; internal memos; correspondence with visitors","1 photograph; correspondence with McCoubrey (Chair of Art Department at University of Pennsylvania); his c.v.","1 photograph; correspondence with Oenslager (lecturer)","Cybis porcelain brochure; shipping information and receipts; panel proofs; exhibitors information \"lent\"; clippings; correspondence with Ruder \u0026 Finn Inc. (co-organizers); checklists; drawings (photocopies); correspondence with Cybis porcelain (co-organizer)","2 photographs; catalog; invitation; correspondence with Robert B. Widder (juror); correspondence with entrants; internal memos; slide talk lists; correspondence with juror (Morris Ketchum, Jr.)","Photographs","Invitation, catalog, '64 Architects, Designers \u0026 Photographers, '66 ADP, 3 photographs; catalog proof; checklists; catalog copy","\"Southern Exposure\" newsletter (2/68); clippings; correspondence with artists; label copy; internal memos; schedule","Checklists","\"Comparison…for 1966-68\"; internal memo","Correspondence with artists (4 winning architects mainly); list of winners","Biographical information on Ketchum and Eames, 2 photographs; 1 photograph; correspondence with jurors [Morris Ketchum, Robert Widder, Charles Eames]; internal memos; lecture copy; biographical information","Checklist","Gaines to artist (2/26/68), signed certificates; artist reply cards; correspondence with speaker; checklist","3 prospectuses; prospectus copy; schedule; internal memos","Schedule, 1/11/68 memo, 1/24/68 memo; '66 information; internal memos","Invitation; 2 photographs of 1790s Russian silver cup (\"Charka\"); shipping information and receipts; checklists; internal memos; correspondence with Hollins; panel proofs; drawings (photocopies); correspondence from alumnae; research; correspondence with silver expert; correspondence from Helen Scott Reed (our consultant)","Shipping information and receipts; panel copy \u0026 proofs; drawings (photocopies); checklists with prices; biographical information (Anna Smith- weaver)","3 photographs; AFA materials (circulator); shipping information and receipts; correspondence with Morgan State College (had exhibit before VMFA); correspondence with AFA; reprint of Rohm \u0026 Haas Reporter on \"New AA Forms in Plexiglass\" (Mar/Apr 1966); correspondence with lender, Howard Wise Gallery; 1 copy of May '68 Bulletin; clippings; drawings (photocopies); biographical information on artists; 1 copy of a Howard Wise Gallery catalog for Otto Piene (VMFA's lecturer); 1 copy of catalog; 1 copy of lecture invitation; 1 copy of preview invitation. To take place in Loan Gallery","Biographical information on Kepes; 1 photograph; correspondence with Gyorgy Kepes (organizer of Light show \u0026 original lecturer); correspondence with Piene (M.I.T.), Kepes' replacement; Piene's biographical information; 1 copy of Arts Canada (April 1968) with one of Piene's articles","Catalog; 3 photographs; correspondence with Photographs in the Fine Arts (a company); drawings (photocopies); clippings; panel proofs; checklists; packet of available exhibitions from George Eastman House; 1 copy of PSA Journal (August 1967) [Leslie Cheek was a judge]","5 photographs; 1 catalog; exhibition contract; correspondence with MOMA (circulator); shipping information and receipts; checklists; panel proofs; MOMA materials","Lecture invitation, checklist; 4 photographs; duplicates: \"A Look at Carter Collection,\" \"Vender Gives Rodin to Museum\"; clippings; correspondence with LACMA (circulator); shipping information and receipts; internal memos; exhibition contract; 1 copy of preview invitation; correspondence with Gerald Carter (collector)","1 photograph, biographical information; correspondence with Adams (Director of Cincinnati Art Museum \u0026 VMFA lecturer); 1 copy of lecture invitation; internal memos; correspondence with Reynolds (his hosts)","\"Selections from Virginia Architecture\"; panel proofs; drawing (photocopy); internal memos","1 drawing; MOMA exhibition packet, MOMA press release (6/20/67); MOMA materials (circulator); drawings (photocopies); correspondence with MOMA; shipping information and receipts; clippings; internal memos","Photographs","1 photograph; biographical information; lecture invitation; correspondence with Szarkowski (MOMA Director of Photography \u0026 VMFA lecturer); itinerary; correspondence with Bryans (his hosts)","Shipping information and receipts; panel proofs; internal memos; drawing (photocopy);","7 drawings (on graph paper-drawn by Brown herself); label copy; shipping information and receipts; checklists; 2 more prints of transparencies from envelope; correspondence with Brown; biographical information; panel copy; panel lists; drawings (photocopies)","Shipping information and receipts; request for special/specific information forms; white envelope with 5 transparencies; 2 prints of 2 of the transparences for Collector of the Year exhibition","Special/specific request for information forms","Biographical information; correspondence with Griffith re: lectures (Curator of Films, MOMA); lecturing for \"George Stevens Makes a Film\"","Shipping information and receipts; biographical information; photocopies of 2 catalogs","1 copy of Council 1967-68 membership book; internal memos; various reports (budgetary \u0026 non); correspondence, 2 slides for lecture on Council budget 66-67 season","Lecture invitation, 1 photograph; Correspondence with Dee (curator of drawings \u0026 prints at Cooper-Hewitt) re: lecture; 1 copy of January 1969 Bulletin; correspondence with hosts; biographical information","Packing list, photographs; 1 copy of catalog (cut up) of View of Florence \u0026 Tuscany by Giuseppe Zocchi, loaned by Pierpont Morgan Library","Photographs; shipping information and receipts; correspondence with IEF (circulator); correspondence with Dee re: lecture; IEF materials; drawings (photocopies); label copy; internal memos; 1 copy of America-Italy Newsletter (spring 1968); 1 copy of Pierpont invitation; 1 copy of preview invitation; correspondence re: catalogs; correspondence re: opening","Correspondence with Senator Scott from 1982 from Richard Woodward; checklists; clippings; internal memos; correspondence with Scott; shipping information and receipts; drawings (photocopies); panel proofs","Invitation; checklists; internal memos; correspondence re; filmstrip for Orientation Theatre; drawings (photocopies)","C.v., invitation, 1 photograph; correspondence with Begley (professor at School of Art, University of Iowa); internal memos; correspondence with hosts","3 photographs; 3 photographs (small one, Dr. \u0026 Mrs. George B. Green); panel copy; panel proofs; label copy; drawings (photocopies); correspondence with lender (George Green); shipping information and receipts; internal memos; correspondence with Colonial Williamsburg; research; checklists","Photographs","8 photographs; 5 new photographs; shipping information and receipts; internal memos; checklists with values; correspondence with Motherwell (juror) and correspondence with his gallery representation (Marlborough); correspondence with Frank Gallo (juror); and his representation (Gilman Gallery and Graham Gallery); request for information forms; drawings (photocopies); label copy","Checklists; list of lenders; internal memos; correspondence with lenders (including MFA Boston and AIC); shipping information and receipts","1 photograph; lecture invitation; preview invitation; correspondence with Wardell (Curator, Department of Primitive Art at AIC) re: lecture; correspondence with hosts; 1 copy of April 1969 Bulletin","Photographs","Photographs","1 drawing; other press releases; shipping information and receipts; checklists; internal memos; correspondence with MFA Boston (organizer); correspondence with AIC (lender); clippings; panel proofs; 1 copy of preview invitation; list of lenders","8 photographs; correspondence with MFA Boston; exhibition contract; internal memos; 1 copy each of The World of Peru in the United States, Three Centuries of Peruvian Silver, Master Craftsmen of Peru; Folk Art of Peru, 2,500 Years of Peruvian Art, Folk Art of Peru (longer version), Contemporary Peruvian Paintings and Sculptures","1 photograph; list of members; special request for information form; correspondence re: broken object (belonged to Stewart Bryan)","Catalog, 3 duplicate photographs, 2 new photos; internal memos; shipping information and receipts; checklists; label proofs; exhibition contract (MOMA is circulator); correspondence with MOMA; clippings; MOMA materials (including press release)","Press release (4/2/69); Kandinsky article by Johnson; wall label, Photographs; correspondence with MOMA (organizer); MOMA materials; exhibition contract; shipping information and receipts; checklists; drawings (photocopies); panel proofs","2 photographs; duplicates: invitation, 1 duplicate photograph; correspondence with potential lecturers; correspondence with Beckmann (visiting Bauhaus artist); clipping","Shipping information and receipts; panel proofs; panel copy; drawings (photocopies); special request for information forms; label proofs; label copy; checklists; correspondence with UVirginia (lender and co-organizer); correspondence from State Library (co-organizer)","4 photographs; checklists; shipping information and receipts; correspondence with O'Neal; photocopies of drawings; list of lenders; correspondence with UVirginia; correspondence with State Library; research; internal memos; correspondence with lenders","Invitation; 2 photographs, 1 transparency; catalog copy; internal memos; checklists; correspondence with lenders; correspondence with William O'Neal (guest curator)","1 photograph; introduction; correspondence re: lecture; invitation","Checklists; correspondence with lenders; correspondence with O'Neal","Checklists from dealers with prices/values; shipping information and receipts; correspondence with dealers; checklists; internal memos","Invitation, \"Suggested Remarks for Mr. Arthur Brinkley,\" 5/12/69; 1 copy of catalog; introduction; correspondence with Alloway re: lecture","Correspondence with various speakers; internal memos; schedules","Internal memos; list and schedules (entertainment, exhibitions, events, theatre, etc.)","4 invitations; 3 other invitations (Once Invisible, Alloway's lecture, Gold of Ancient America)","Internal memos; mailing lists","Green pickup cards, Gaines to Artist (7/3/69); shipping information and receipts; correspondence with artists; entry blanks; internal memos; checklists","Gaines to Purchaser invitation, purchasers; preview tearsheet (yellow), memo 4/29/69 (blue), 1969 fact sheets; checklists","Internal memos; correspondence with artists; invoices re: sales; checklists","Photographs","Memo 11/17/69, memo 11/26/69; correspondence with artists","'69 invitation, '69 salon catalogue; 1 copy of '67 invitation and catalogue; catalogue copy; 1 copy of '69 catalogue; catalogue proof","'69 fact sheet; statistics","'67 and '69 Salon catalogues; checklist; internal memos; form letter to artists from Ellyson","3 photographs; schedule; internal memos; correspondence with jurors; biographical information; correspondence with hosts; lecture invitation; correspondence with potential jurors [Bontecou agreed but then had to cancel]","Photographs; label copy; 1 copy of ADP '68 catalog; 1/70 Bulletin; biographical information on Paul Rand; correspondence with Rand; internal memos","2 slides, 18 photographs; 5 duplicate photographs; label copy","\"Receiving \u0026 Handling of Material\" memo 1/28/70, 1 photograph [Kenneth Winebrenner \"Mirror\"]; 1 copy of 1970 prospectus; entry blanks; internal memos; correspondence with artists; biographical information","1 photograph [Paul Smith looking at Castle's work from an earlier juried exhibition?]; 2/70 Bulletin; correspondence with juror [Wendell Castle]","Photographs; 1 copy of 1970 catalog (annotated); correspondence re: image of Winebrenner's mirror","1 copy of 1970 catalog (annotated); internal memos; correspondence with artists","Form letter; shipping information and receipts; correspondence with artist; checklists","1 form letter; shipping information and receipts; correspondence with artists; checklists; internal memos","Slides; duplicates; signed certificates; correspondence with winners; checklists; presentation order","Label copy; clippings; catalogue copy; checklists; internal memos; lease agreement for warehouse; drawing (photocopy); jury tokens; correspondence with artists","Prospectus, form letter from C. Ellyson; correspondence with chapters; annotated '67 prospectus; prospectus copy schedule","Memo 1/23/69, memo 1/25/67; internal memos; correspondence with 7th \u0026 Franklin; schedule","Catalog ('70 Designers); catalogue proofs; entry blanks; 1 copy of '68 ADP catalogue; catalogue copy; checklists","Annotated '70 prospectus; correspondence with juror; prospectus copy; internal memos; schedule","Entry blanks; 1 copy of '70 Craftsmen catalogue; 1 copy of '67 Artists catalogue; checklists; catalogue copy; preview invitation; label copy","Prospectus copy; schedule","Internal memos; checklists","Checklists; internal memos","Memo 9/3/69, memo 6/30/69; checklists; internal memos; fact sheets; correspondence with artists; label copy; excerpts from juror speech","Catalogue copy; checklists; 1 piece of correspondence re: catalogue","Signed certificates, reply cards, Gaines form letter; reply cards from winners; checklists; correspondence with artists","Press release 6/27/69, biographical information, 1 photograph; correspondence with potential jurors; internal memos; correspondence with juror (Peter Bunnell)","Photographs; label copy","Photographs; correspondence with artist; 3/69 Bulletin; label copy; shipping information and receipts; biographical information","4/69 Bulletin; photographs; correspondence with artist; label copy; shipping information and receipts","5/69 Bulletin; photographs; correspondence with artist; biographical information; label copy; shipping information and receipts","9/69 Bulletin, invitation; photographs; checklists; correspondence with artist; label copy; insurance report form; internal memos; biographical information","Invitation; 10/69 Bulletin, photographs; correspondence with artist; checklists; label copy","Photographs; correspondence with artist; biographical information; label copy","Photographs; correspondence with artist; label copy; biographical information; shipping information and receipts; internal memos","2/70 Bulletin; photographs; label copy; checklists; 5/69 Bulletin; invitations; correspondence with artist; internal memos re: missing print","3/70 Bulletin, photographs; correspondence with artist; internal memos; price list (hand drawn!); press release; biographical information; label copy","Invitation; 2 photographs; 3/70 Bulletin; correspondence with artist; label copy; checklists","Photographs; correspondence with artist; checklists; 4/70 Bulletin; label copy; biographical information","5/70 Bulletin, invitation, photographs; checklists; label copy; correspondence with artist; biographical information","Invitation, \"suggested stand\" drawing; 1 photograph; label copy; correspondence with artist; clippings; biographical information; checklists; 9/70 Bulletin","10/70 Bulletin; 2 photographs; label copy; clipping; internal memos; checklists; correspondence with artist; invitation","Invitation; photographs; label copy; internal memos; shipping information and receipts; correspondence re: letter of recommendation for job","Invitation, 5 photographs; 5 new photographs; 5 slides; correspondence with artist; label copy; clipping","Correspondence with potential jurors; internal memos","1 photograph of Rand, prospectus; correspondence with Rand (juror); catalog of Rand's work; research","'69 prospectus, letter Ellyson to art department 6/23/69, memo to chapters 6/23/69; copy of '68 ADP prospectus; prospectus proof; prospectus copy; internal memos; schedule","Checklists; internal memos","Checklists; fact sheets","Internal memos; checklists","Memo 7/7/70; internal memos; entry blanks; correspondence with architects; schedule; project descriptions; drawing (photocopy); lecture invitation copy; shipping information and receipts","Reply cards; internal memos; correspondence with architects","Catalogue; correspondence with architects; catalogue copy","One signed certificate; correspondence with winners","4 photographs; correspondence with juror (Romaldo Giurgola); internal memos; clipping; biographical information","Photographs; clippings","Prospectus, announcement; prospectus proof; prospectus copy; '68 annotated ADP prospectus; clipping","Entry blanks; fact sheets; internal memos; checklists","Internal memo; checklists","Correspondence with SITES; SITES materials; invitations; exhibition information; Bulletins; correspondence with other Smithsonian Institution staff","SITES catalogues, 1967-1970","Checklists; insurance report forms; correspondence with lenders (dealers); membership list","Internal memos; correspondence with lenders; checklists; shipping information and receipts; label proofs; research; budget planning; correspondence with consultants","Preview invitation; correspondence with and between consultants (Helen Scott Reed and Kathryn Buhler); catalog copy","Invitation (preview); invitation (lecture); exhibition prospectus; catalog proofs","Photographs; internal memos; clippings; catalog notes; correspondence with lenders; checklists; invitation list","Correspondence with lenders; shipping information and receipts; correspondence with various organizations","1 copy of catalog; special information form","Correspondence with Rouse (Jamestown Foundation) re: lecture; copy of lecture text","1 photograph; correspondence with Buhler (consultant) re: lecture; copy of lecture text","4 photographs; suggested press release; checklist; correspondence with IEF; label proofs; exhibition contract; IEF materials; shipping information and receipts; internal memos","7 photographs; 2 contact sheets and 1 new photo; duplicate: invitation; crawing (photocopy); internal memos; label proofs","9 photographs, 4 new photographs including 1 contact sheet; duplicates: lecture invitation; label copy; drawings (photocopies); shipping information and receipts; MOMA materials; checklists; correspondence with MOMA (circulator); exhibition contract; research; internal memos; 1 copy of preview invitation","Lecture invitation; correspondence with Fern re; lecture (Library of Congress Prints \u0026 Photos Division); internal memos","1 photograph (contact sheet); checklists; varied correspondence","Prospectus with entry cards; 2 photographs; 1 duplicate photograph; correspondence with Castle (juror, Penland School of Crafts)","1 photograph; label copy; correspondence re: item breakage; label proofs","Preview invitation; chipping information; correspondence with lenders; internal memos; 1 copy of catalogue; clippings","Correspondence with lenders; request for information forms; 1 copy of Art Gallery Magazine (12/69); 1 copy of TIME (6/1/70), reason unknown, no more receipts kept in these files","2 contact sheets; correspondence with Peter Selz (UC Berkeley, juror); correspondence with lenders; internal memos (including correspondence re: installation of Robert Irwin's \"Disc\"); correspondence with artists re: their Vietnam War protest","Internal memos; catalogue copy; label copy; research; 1 copy of catalogue (damaged)","1 photograph (1966 show); photographs of works not in show (Krushenick, Warhol, Ruscha); copies of '62 and '66 show information; correspondence with lenders; shipping information; checklists","Label copy; checklists; panel copy; mailing and invitation lists; lender lists","Photographs (VMFA copies)","Photographs (originals)","Lecture invitation; 1 duplicate photograph; correspondence with Selz (juror) re: exhibition and lecture; biographical information; invitation copy","Correspondence with IEF; exhibition contract; internal memos; correspondence with Paul Tishman (collector whose works comprise show); correspondence with High Museum (earlier venue); IEF materials","Photographs; internal memos; correspondence with High and with UT Austin (earlier venues); correspondence with IEF; shipping information","Checklists; IEF materials; research; panel copy","Photographs","Photographs","Photographs","5 photographs; 3 duplicate photographs","7 photographs; 8 duplicate photographs","11 photographs; 3 duplicate photographs","5 photographs; 9 duplicate photographs","9 photographs; 8 duplicate photographs","15 photographs; 4 duplicate photographs","12 photographs; 2 duplicate photographs","1 duplicate photographs","7 photographs; 4 duplicate photographs","2 drawings; duplicates: loan exhibition announcement; invitation; 40 slides; 1 copy of High's brochure; internal memos; NGA brochures; IEF materials; correspondence re: possible speakers; correspondence with Tishman; copy of 9/70 Bulletin; slide list [see end of box]","5 photographs; checklist; internal memos re: this traveling exhibition SP-19 [loans from 4 major NY galleries, distributed by State Services Division]; correspondence with dealers/lenders; 1 copy of 10/70 Bulletin","Catalog (Edgeworth \u0026 VMFA); 1 photograph; audio (reel) tape \"J.[oel] Aldred – tapestries – 71/2 ips\" [Canadian broadcaster]; 1 copy of invitation; catalogue: Hommage à Jean Lurçat, Rothmans, ca. 1966; another Rothmans' catalogue ca. 1964","1 copy of catalog; 1 copy of black tie reception invitation","Internal memos; correspondence with Rothmans of Pall Mall Canada; correspondence with House of Edgeworth (co-sponsors); planning re: previous receptions, etc.","6 photographs","Black tie reception invitation; other invitations (non-VMFA)","Checklist (contemporary French tapestries); checklists (various, including hommage à Jean Lurçat); invitation lists; staff working lists","Notes on the Rothmans Collection; Rothmans press release; Contemporary French Tapestry; research; clippings; copies of other's letters to/from Lurçat [speech by Madame Denise Majorel, 2 clippings]; Lurçat letters (3/29/48 \u0026 12/24/47)","3 photographs; 9 duplicate photographs","Photographs","Photographs [overlap between these 2 folders]","8 duplicate photographs","8 photographs; 9 duplicate photographs","1 catalog for July/August program with catalog card application [1969]","Lists of speakers; internal memos; biographical information; correspondence with speakers; report from Museum Entertainment Committee","VM 1969-1970 events; lists of events; calendars; internal memos; schedules including exhibition, theatre, mailings, events, etc.; 1 copy of Theatre schedule card","Internal memos","Catalog; 4 photographs; 23 new photographs; exhibition contract (Mat is circulator); research; correspondence with Met; internal memos; shipping information and receipts","Mailing, 16 duplicate photographs; 7 new photos; correspondence with Baltimore Museum of Art (circulator); checklists; BMA materials; press release; internal memos; research; 1 copy of catalog (annotated)","4 new photographs; 7 duplicate photographs","1 new photograph; 4 duplicate photographs; correspondence with Norton Simon; clippings; checklists; internal memos; copy of Henry Moore annotated transcript from '63; label and panel copy; information sheets on paintings; 1 copy of invitation; shipping information and receipts","2 photographs; correspondence with collectors; checklists; drawings (photocopies); research, photocopy of Vogue article (4/15/60) on Colin","Correspondence with lenders; shipping information and receipts","Correspondence with lenders; internal memos","Preview invitation; correspondence with lenders; internal memos","Correspondence with potential lenders","Reminder card; invitation; checklists; research; lender lists; label copy; request for information forms; clippings; shipping information and receipts; mailing lists","33 new photographs","3 new photographs; 13 duplicate photos","5 new photographs; 10 duplicate photographs","5 new photographs; 10 duplicate photographs","2 new photographs; 10 duplicate photographs","Correspondence with lenders who gave no initial response","Correspondence with lenders re: return of works; internal memos; mailing lists; form letters","Copies of AIV articles from which loan list was gathered, annotated (probably for label/panel/catalog use)","Checklist; suggested press release, invitation, 4 duplicate photographs; 14 new photographs; 2 AFA folders of materials; internal memos; 1 copy of catalog","Shipping information; correspondence with AFA; correspondence with Smith College Museum of Art Director","Wall label; clippings; correspondence with MOMA (circulator); MOMA materials (including press release and checklist); 1 copy of MOMA members' newsletter (Spring 1970); correspondence with Peter Bunnell (photograph curator at MOMA \u0026 organizer); drawings; internal memos; exhibition contract","Invitation; 1 copy of September 1971 Bulletin; internal memos; mailing list","Prospectus; correspondence with artists; internal memos; checklists; schedules; 1 copy of October 1971 Bulletin; 1 annotated copy of Virginia Photographers '69 catalog; 1 copy of '71 catalog","Internal memos; correspondence with lenders re: potential loans; correspondence with lenders; correspondence re: extension of exhibition; correspondence with Robert Koch (speaker); correspondence with publicity","Invitation; poster; 1 duplicate photograph; 4 new photographs, 7 slides; notes; research; information request forms; 1 copy of November 1971 Bulletin; panel copy; clippings; 1 copy of December 1971 Bulletin","1 copy of November 1971 Bulletin; 1 copy of the January 1972 Antique Monthly","1 copy of the January 1972 Antique Monthly","Catalog copy","Catalog copy","Blank copy of information form","6 drawings (photocopies) of lighting schemes","3 photographs (items from Lewis Collection from some catalog); checklists; loan lists; mailing lists; internal memos; panel/catalog copy","Blank request for information forms","Checklist for catalog","Checklist for catalog","Checklist for catalog","Transparencies, 91 photographs","Empty folder","Label copy; internal memos; scripts; notes","Special object information forms","Special object information forms","Invitation; special object information forms","Correspondence with AFA; 1 copy of 1969-70 AFA Catalog","Correspondence with various institutions (museums, universities, organizations); internal memos; promotional materials","Correspondence with IEF; exhibition information sheets","1 press release from Howard University","Correspondence with various institutions (museums, universities, organizations); promotional materials","2 invitations, 2 catalogs (1969 \u0026 1971 for both shows); congratulations letter; pink salon des refuses card; prospectus; 1 contact sheet; schedule; internal memos; correspondence with juror (Thomas Hess); list of buyers; committee lists; correspondence with 7th \u0026 Franklin building owners (where judging was done); 1 drawing (photocopy)","16 photographs; duplicates: 6 photographs, prospectus; correspondence with Thalhimer's; internal memos; fact sheets; correspondence with artists; clippings; label copy; checklists; 1 copy of catalogue; 1 copy of May 1971 Bulletin; copies of certificate winners' entry blanks","Photographs; 1 copy of catalog; 1 copy of prospectus; lease agreement for 7th \u0026 Franklin Building","Photographs","Photographs","Correspondence with potential speakers","Memo 3/16/71, 5/71 Bulletin; fact sheets; internal memos; correspondence with artists; correspondence with 7th \u0026 Franklin; schedule; clipping; checklists","Internal memos; checklists","Catalogue; internal memos; catalog copy; correspondence with artist","Signed certificates; entry blanks; 1 copy of catalogue; correspondence with winners; checklists; internal memos","2 photographs; correspondence with artists; internal memos; schedules; correspondence with juror","Slides; photographs; checklists","Release forms; invoices; preview invitation list; fact sheets; checklists; internal memos; '71 invitation; correspondence with artists","Annotated catalogs; correspondence with purchasers; correspondence with artists; purchase information cards","Memo 9/8/71; correspondence with artists; label copy; internal memos","1 copy of '71 prospectus; 1 copy of '60 catalogue; correspondence with juror (Harry Callahan); fact sheets; research/biographical information","Photographs; '69 and '71 prospectuses","Prospectus copy; correspondence with artist","Fact sheets; internal memos; checklists; entry blanks","Internal memos; correspondence with artists; checklists","\"Guidelines for Preparing Panels,\" memo 3/19/71; dinner invitation copy; internal memos; project descriptions; correspondence with designers; schedule; catalog copy; AIID Virginia Chapter Directory 70-71; correspondence with Virginia AID; entry blanks; 1 copy of dinner invitation with reply card","Correspondence with winners","1 photograph; slides; correspondence with juror (Sarah Tomerlin Lee-former Editor of House Beautiful); schedule; internal memos","2 new photographs; 9 duplicate photographs","Signed certificates; entry blanks; label copy; biographical information; correspondence with juror (Henry Wolf); correspondence with potential jurors; internal memos; reception invitation list; checklists; correspondence with artists; fact sheets","Catalogue ('72); catalogue copy","14 new photographs; 2 duplicate photographs; catalogue","Prospectus; prospectus copy; annotated '68 prospectus copy","Form letter from Ellyson, prospectus; annotated '69 prospectus; correspondence with artists: re: prospectus, prospectus copy","Catalogue; fact sheets; shipping information and receipts","Reply cards; correspondence with artists; internal memos; checklists","Letter 4/8/71; fact sheets for printmakers","Catalogue; catalogue copy; checklists","Signed certificates; correspondence with winners; checklists","1 copy of '71 catalogue; checklists; catalogue copy; internal memos","Prospectus; prospectus copy; correspondence with designers","Copy of Art Directors Club prospectus","Internal memos; correspondence with artists; 1 copy of catalogue; reply cards","Entry cards; shipping information and receipts; internal memos; fact sheets; checklists; correspondence with artists; 1 signed certificate; label copy","Photographs; internal memo","Catalogue; catalogue copy; catalogue proofs; label copy","Signed certificate; correspondence with winners","5 new photographs; 8 duplicate photographs","Annotated '67 prospectus; prospectus copy; blank mailing labels","Label copy; correspondence with artist; clipping; 12/70 Bulletin; checklists","Invitation; photographs; label copy; internal memos; correspondence with artist; invitation list; biographical information 1/71 Bulletin; Robinson House exhibition checklist","Invitation; photographs; checklists; internal memos; label copy; biographical information; correspondence with artist; \"Art Now: New York,\" Vol. 2, no. 10; installation sketches by Jackson; 2/71 Bulletin; Robinson House checklist","3/71 Bulletin; 2 photographs; 7 slides; Robinson House exhibition checklist; internal memos; correspondence with artist; label copy; biographical information","3/71 Bulletin, 1 photograph; clippings; correspondence with artist; internal memos; label copy; Robinson House exhibition checklist; invitation list","3 photographs; internal memos; correspondence with artist; label copy; biographical information; Robinson House exhibition checklist; 4/71 Bulletin; invitation list","1 slide, invitation; 4 photographs; internal memos and correspondence with artist re: damaged works; biographical information; label copy; correspondence with artist; clippings; checklist; 5/73 Bulletin; shipping information and receipts","Invitation, 9/71 Bulletin, 2 duplicate slides; 2 photographs; 3 slides; label copy; correspondence with artist; invitation list","10/71 Bulletin, invitation; 4 photographs; biographical information; correspondence with artist; label copy; checklists","Photographs; 3 slides; invitation list; 1 copy of invitation; correspondence with artist; internal memos; biographical information; checklists; label copy; 11/71 Bulletin","2 photographs; 3 slides; label copy; price list (hand drawn!); correspondence with artist; biographical information; 12/71 Bulletin","2 photographs; 3 slides; invitation; label copy; biographical information; correspondence with artist; Robinson House exhibition; checklist; 12/71 Bulletin","Invitation, 1 slide; 1 new slide; 1/72 Bulletin; label copy; biographical information; checklists; internal memos; correspondence with artists","1 photograph; \"Masterpieces of Early American Furniture, Antiques (11/70), invitation, \"The U.S. Department of State Americana Fund…\"; correspondence with possible collectors; research, correspondence with Clement E. Conger, Collector of the Year 1972 (Chairman of Special Fine Arts Committee for acquisition of furnishings for the Department of State); internal memos; clippings; biographical information; press releases; clippings; checklists layout (typed)","Photographs; 1 drawing; drawing (typed!); clippings; label copy","Photographs","6 photographs; duplicates: 8 photographs, invitation; drawings (photocopies); correspondence with Mourot; research; internal memos; checklists; clippings; label copy","Prospectus; internal memos; correspondence with artists; reception guest list","Invitation, poster, MOMA information sheet, \"Modern Museum Offers Works…\"; 13 photographs; memos; correspondence with MOMA (circulator); shipping information and receipts; checklists, 1 poster","Internal memos; correspondence with lenders; research; clippings; catalog copy; 1 copy of May 1972 Bulletin; clippings; shipping information and receipts","Catalogue copy","Catalogue copy","Catalogue copy","Catalogue copy","Catalogue copy","Correspondence with Muller; list of tentative loans","9 photographs; 1 duplicate photograph","1 new photograph; 1 duplicate photograph; correspondence with the AIC; request for information form","2 duplicate photographs; correspondence with Princeton; request for information form","1 duplicate photograph; correspondence with Atkins; request for information form","1 duplicate photograph; correspondence with Fogg; request for information form","1 duplicate photograph; correspondence with Meadows Museum; request for information form","2 photographs; 6 duplicate photographs; correspondence with Met; request for information form","4 duplicate photographs; correspondence with MFA Boston; request for information form; internal memos; insurance certificate","6 duplicate photographs; correspondence with NGA; request for information form","2 duplicate photographs; correspondence with RISD; request for information form","3 duplicate photographs; correspondence with Thaw; request for information form. invitation; photographs","1 photograph; correspondence with Worcester; shipping information and receipts; request for information form; correspondence re: insurance","1 photograph; correspondence re; photograph orders and framing for our pieces; request for information forms","16 new photographs; 4 duplicate photographs","18 new photographs; 6 duplicate photographs","Request for information form; piece of box from printer","Checklists; lists of loans; shipping lists; mailing lists","One piece of correspondence","5 new photographs; 1 duplicate photograph","8 new photographs","Correspondence with lenders who denied loan request","Checklist, wall label, press release, 7 photographs; 2 contact sheet strips; materials from MOMA (circulator); correspondence with MOMA; internal memos; label copy; drawings (photocopies); 1 [misfiled] mock-up of Goya Catalogue cover","Checklist, 2 photographs; 4 new photographs, 2 invitations, members' preview postcard and special reception in envelope; \"Gund Collection of Western Art,\" 1970; internal memos; correspondence with Gund; correspondence with lenders; clippings; \"American Western Art: a Personal Narrative.\"","Photographs","Invitation; correspondence with Gund Museum; internal memos; research; checklists; blank request for information forms; correspondence with lenders; lists of movies; Gund Collection materials","4 photographs with labels, 5th=#15494, Carl Kauba, b. 1865, \"Indian\", Gilt Bronze, Collection Bobby Chandler; loan request; information sheets with small photos stapled to them (left in folder); correspondence with lenders; checklists; research","1 catalog; 1 contact sheet strip; internal memos; label copy; 1 copy of invitation; correspondence with AIA, Richmond Chapter","Invitation, 2 layout designs by Lipton, 6 photos; 27 new photos; correspondence with MIT (circulator); internal memos; correspondence with Marlborough Gallery (organizer); panel drawing (photocopy); checklists; correspondence with Lipton; label copy; research","2 invitations, \"An Exhibition of Sculpture and Drawings by Gaston Lachaise,\" 2 photographs; 9 new photos; correspondence with Lachaise Foundation and [Felix] Landau Galleries (organizer); internal memos; checklists with prices; shipping information and receipts; drawing (photocopy); clippings","1 photograph; correspondence with MOMA re: possible exhibitions, including Otto Frei exhibition [unsure if declined or not]","Checklist; 1 photograph; internal memos; clippings; list of items sold or rented","1 piece of correspondence re: lecture offer declined","Correspondence with Bernard Danenberg Galleries re: possible showing","Correspondence with AFA","Correspondence with Advertising Trade Publications, Inc.","Correspondence with the IEF","Correspondence with Maritime Museum in Newport News and Philadelphia","\"Project background \u0026 history,\" \"Bonniers introduces 9 incredible toys,\" 8 photos; 1 drawing; internal memos; correspondence with Bonnier International Design (organizer); correspondence with Ruder \u0026 Finn (circulators); Bonnier materials (including tear sheets); 1 copy of New York (9/11/72)","Proposals and materials from: George Eastman House, National Association of Women Artists, Rice University, California Arts Commission, Haus Rucker Company; MFA Houston, St. Paul Art Center, Fran Grace, Walter Art Center","Proposals and materials from: Japan Cultural Society, MOMA, Museum of the Confederacy, J.B. Speed, Library of Congress, Appalachian Corridor, SITES, Renwick Gallery, Asian Theatre Artists, NGA, Sculpture Center, International Museum of Photography, Oakland","1 photograph; correspondence with Smith (juror, Museum of Contemporary Crafts); biographical information","Catalogs, prospectus, 1 photograph; correspondence with Wolf (juror; Trahey Wolf Advertising, Inc.); biographical information","Correspondence with AFA; 1971-1972 catalog","Correspondence with institutions; artists; galleries and others (including materials)","Invitation, 2 slides; invitation list; correspondence with artist; clippings; label copy; 2/72 Bulletin","Invitation; 4 slides; 5 photographs; biographical information; label copy; correspondence with artist; 3/72 Bulletin; checklists","Invitation, 4/72 Bulletin; 1 slide; correspondence with artist; internal memos; label copy; checklists; biographical information","4/73 Bulletin, 1 slide, invitation; 1 negative; 1 photograph; 12/69 Bulletin; label copy; shipping information and receipts; biographical information; checklists correspondence with artist","5/72 Bulletin, invitation; 1 photograph; 4 slides; correspondence with artist; label copy; checklists; biographical information","Invitation, 1 photograph; 4 slides; label copy; 9/72 Bulletin; correspondence with artist; checklist; shipping information and receipts","Invitation, 4 photographs; 1 slide; shipping information and receipts; checklists; biographical information; 10/72 Bulletin; label copy; correspondence with artist","Invitation; 1 photograph; 4 slides; checklists; shipping information and receipts; correspondence with artist; label copy; biographical information","Label copy; correspondence with artist; 11/72 Bulletin; checklists; shipping information and receipts","\"1972-73 Robinson House One-Man Exhibitions\" List; internal memos; schedules","1 photograph; 4 slides; label copy; 1/73 Bulletin; correspondence with artist; internal memos; checklists; shipping information and receipts","1 slide, invitation, 2 photographs; 1 new photograph; label copy; 1/73 Bulletin; correspondence with artist; shipping information and receipts","Invitation, 2/73 Bulletin; 2 photographs; checklists; biographical information; internal memos; correspondence with artist; transportation request form; label copy","Invitation, 3 photographs; 3 new photographs; 3 slides; biographical information; shipping information and receipts; checklists; correspondence with artist; transparencies request form; internal memos; label copy; 3/73 Bulletin","'72 Honor Awards Program, Virginia AIA Chapter; concealed ID form; catalogue; internal memos; prospectus copy; Virginia Chapter AIA materials; 1 copy of prospectus; catalogue copy","Correspondence with juror (Hugh Jacobsen)","2 photographs (Paul Smith); entry blanks; correspondence with artists; reception guest list; drawing (photocopy); internal memos; 1 copy of catalogue; correspondence with juror (Paul Smith)","Internal memos; checklists; fact sheets; shipping information and receipts; entry blanks","Purchase cards; annotated catalogues ('73); invoices; checklists; correspondence with purchasers; correspondence with artists; shipping information and receipts; release forms","Slides; 7 new photographs; 3 duplicate photographs","Letter (9/12/73); entry blanks; reception invitation list; shipping information and receipts; correspondence with artists; internal memos; correspondence with winners","1 copy of catalogue; catalogue copy; internal memos; checklists","Schedule; prospectus copy","Correspondence with artists; internal memos; fact sheets; checklists","Checklists; correspondence with artists","2 invitations, 8 duplicate photographs; 9 new photos; internal memos; checklists with values; correspondence with Blumkas (Mr. and Mrs. Leopold); research; correspondence re: complete loss of Gothic velvet tapestry due to water damage","7 photographs; correspondence with MOMA (circulator); checklists; internal memos; MOMA materials (including wall label, press release)","3 photographs; internal memos; panel layout notes; Accession Committee meeting minutes copies (to look at new accessions)","Invitation; photographs; label copy; drawing (photocopy)","Photographs; duplicates; 2 invitations; invitation copy; internal memos; correspondence with Whitney (circulator); Whitney materials; label copy; 1 copy of \"Edward Hopper: Selections from the Hopper Bequest,\" published by Whitney; 1 copy of 3/73 Bulletin","5 photographs; label copy; correspondence with lenders; request for information form; internal memos; correspondence re: Bernard Martin \"copying\" Alfred Newman's photograph of Hopper re: possible copyright infringement","Catalog; 2 photographs; 1 copy of prospectus; internal memos; label copy; list of designers; correspondence with AIID","Invitation, 10 photographs; internal memos; label copy; invitation copy; mailing lists","Catalog, invitation, 1 photograph; 2 slides, 1 new photograph; internal memos; correspondence with artists; label copy; 1 copy of prospectus; checklists; clippings","5/73 bulletin; shipping information and receipts; correspondence with artists; internal memos; correspondence with Thalhimer's re: display; label copy; checklists; fact sheets","1 copy of catalogue; catalogue copy; checklists; internal m emos; prospectus copy","Signed certificates; correspondence with winners","Correspondence with juror (William Seitz); biographical information","28 photographs","Memo (2/28/73); printmakers card; letter (3/22/73); internal memos","Reply cards; correspondence with artists; internal memos; checklists","1 photograph; duplicates, certificates; juror biographical information (William Pahlmann); correspondence with juror; internal memos; fact sheets; checklists; correspondence with artists; entry blanks","Prospectus (1 copy); AID Virginia Chapter '70-'71 directory; prospectus copy; catalogue (1 copy); checklists; correspondence with NSID","Photographs","3 photographs; 1 duplicate photograph; label copy; entry blank; correspondence with Solomon; biographical information; shipping information and receipts; 11/73 Bulletin","Invitation, 2 duplicate photographs, 10/73 Bulletin; 1 new photograph; label copy; correspondence with Beer; biographical information; checklists","2 photographs; internal memos; correspondence with juror (Nathan Lyons); biographical information","Photographs","Entry blank; correspondence with Dougherty","1 photograph; 1 new photograph; 9/73 Bulletin; correspondence with Davenport; entry blank; biographical information; clipping","Invitation, 2 photographs; 7 new photographs; correspondence with Lewises; drawing (photocopy); internal memos, 1 copy of May '72 W\u0026L Alumni Bulletin","7 photographs; press release; internal memos; materials from Museum of Primitive Art (organizer); clippings; catalog copy","Invitation; catalog; internal memos; correspondence with prospective jurors; 1 photocopy of prospectus; mailing list; article by Nathan Lyon (juror); clipping; NEA grant materials","Press release, 3 photographs, checklist; correspondence with IEF (circulator); IEF materials; internal memos","Research; checklists; catalog copy; mailing lists for catalogs [all materials Blaine-related]","3 clippings, 3 invitations; 7 photographs; internal memos; correspondence with Blaine; mailing lists; catalog copy (Blaine)","Nell Blaine at the Poindexter Gallery, 1972, catalogue folder; 2 new photographs; research; other catalogs; mailing lists; request for information forms; checklists; price lists; internal memos; correspondence with Boston University (Beal co-organizer); correspondence with Poindexter Gallery (Blaine co-organizer); correspondence with Lawrence Campbell (essay writer; Art Students' league); correspondence with lenders; correspondence with artists; catalog copy (Beal)","Photographs; 1 copy of Blaine catalog; list of Beal color transparencies returned","Correspondence with artist and purchasers re: sale of paintings (including copies of checks, etc.); checklists; price lists [all material related to Blaine]","1 drawing by Blaine; correspondence with Boston University, Poindexter Gallery, Blaine, Campbell, lenders; internal memos; 1 copy of Blaine catalog; clippings; loan agreement forms; other catalog (Beal); research; label copy; checklists","Correspondence with AFA; 1972-73 catalog; 1973-74 listing in new 8 ½ X 11 format (unbound)","2 copies of 67-68 catalog; correspondence with AFA; 2 copies of 68-69 catalog; clippings","Correspondence re: possible prison art show","Correspondence with Ruder and Finn","Clippings; research; SITE materials, correspondence with various institutions (museums, galleries, organizations); IEF materials; various catalogs [most of material from late 60s]","Clippings; research; SITE materials, correspondence with various institutions (museums, galleries, organizations); IEF materials; various catalogs [most of material from late 60s]","Material re; possible exhibition of Cecil Beaton as well as Samuel Kirk \u0026 Son","Material re: possible exhibition of Cecil Beaton, as well as for Sir Jacob Epstein, and others","Correspondence re: Objects: USA (collection of S.C. Johnson \u0026 Son, organized by Lee Nordness Gallery); correspondence with various other institutions; various catalogs from late 1960s","Correspondence with various institutions; various catalogs from 1973","Correspondence with various institutions; various catalogs from late 1960s; early 1970s]","Correspondence; internal memos","1 copy of 66-67 catalog; 2 copies of 68-69 catalog; correspondence with MOMA; MOMA materials; clippings; internal memos","1 clipping on Peggy Guggenheim","Correspondence with Multiples, Inc. gallery; internal memo","Eastman House materials","Correspondence with SITES; 1972 catalogs; SITES materials; various SI bulletins; 1 catalog (French playbills)","Correspondence with IEF; IEF materials","Correspondence with IEF; IEF materials","Correspondence with MOMA; MOMA materials, 1 copy of catalog","1 piece of correspondence with Hirschl \u0026 Adler","Internal memos; correspondence with \"Curators of Art for Corporate Collections\" [actually called Danese Design]","Correspondence with IEF; IEF materials","Correspondence with Art professor at Mary Baldwin","Correspondence with Asia House Gallery; checklist; internal memo [not shown]","Correspondence with Whitney and Aldrich Museum of Contemporary Art","Correspondence with Museum of Fine Arts, St. Petersburg; internal memos","Internal memos; correspondence with Multiples, Inc.","Letter from Claiborne to members (10/24/73); 1 copy of invitation; label copy","Internal memos; checklists","Catalog, invitation, 6 photographs; 1 new photograph; 1 copy of Virginia Designers 1970 catalog; internal memos; mailing list; catalog copy; correspondence with Federal Council on the Arts \u0026 Humanities (speaker, Lani Lattin); schecklists","Members special film program card, 2 photographs; 1 new photograph; 1 copy of Wildenstein catalog; research; correspondence with Bakwin; correspondence with members; internal memos; 1 copy of invitation; 1 copy of catalog","Invitation, reply card; 1 photograph; 1 copy of Craftsmen's Biennial 2 (VCU) prospectus; 1 copy of Virginia Craftsmen 1970 catalog; 1 copy of 74 catalog; 1 copy of 74 prospectus; internal memos; mailing list; research","Invitation, 11 photographs; 4 new photographs; 1 copy of catalog \"Walter Gropius: Buildings, Plans, Projects, 1906-1969\"; correspondence; 1 copy of \"Portrait of an idea: Rosenthal Studio-Line\"; correspondence with IEF; IEF materials; exhibition contract; 1 drawing (photocopy); internal memos","VMFA exhibition SP-28; internal memos; checklist; label copy","Clippings; 1 copy of Commonwealth: the Magazine of Virginia (5/74)","2 preview invitations, lecture card, brochure; photographs; label copy","3 photographs; 1 new photograph","Announcement; 3 transparencies; 4 drawings of \"Project: Folk Art\"; correspondence with Whitney (circulator; organizer); internal memos; correspondence with Ruder and Finn; label copy; correspondence with Philip Morris (sponsor); research; invitation copy; brochure copy; Whitney materials; preview mailing list; 1 copy of 4/74 Bulletin; correspondence re: posters and billboard; clipping","Invitation, \"Project: Folk Art\"; 1 photograph; internal memos; correspondence with Ruder \u0026 Finn; correspondence with Whitney; checklists, correspondence with Philip Morris; brochure copy; clipping; correspondence with publicity; correspondence with other institutions","Catalog copy","3 photographs; 2 new photographs; TV speech copy; correspondence with De Young (other venue); correspondence with Central Virginia Educational Television; verbal storyboards","Internal memos; mailing/invitation lists","1 photograph; correspondence with Whitney; correspondence with other institutions; Whitney brochures; clippings; layout drawings (photocopies); label copy","7 photographs; duplicates: transcript, announcement card; 4 dictabelts (interview with Bill Gaines); checklists; correspondence with Chermayeff; internal memos; correspondence with Philip Morris (owners of tapestries); mailing list; 1 copy of invitation; press release; drawing (photocopy)","3 photographs; correspondence with Nancy Hoffman Gallery (organizer); correspondence with lenders; checklists; request for information form; gallery materials","Catalog; photographs; catalog copy; internal memos; checklists; correspondence with lenders; blank information request form; clipping","Photographs, 2 transparencies, 1 slide; 1 copy of invitation; internal memos; clippings; exhibition design drawings (photocopy)","33 photographs; 7 transparencies; duplicates: 15 photographs","4 photographs; 1 transparency, slides; correspondence with potential lenders; correspondence with Diebenkorn; internal memos; request for information forms; checklists","4 photographs; 3 new photos, 1 transparency; correspondence with potential lenders; correspondence with lenders; correspondence with Estes (the photos he provided were for his passport!); request for information forms; checklists; research","6 photographs; 2 transparencies; correspondence with potential lenders; request for information forms; checklists; correspondence with Francis","5 photographs; 2 transparencies; correspondence with potential lenders; request for information forms; checklist; correspondence with Frankenthaler; internal memo","2 photographs; correspondence with lenders; correspondence re: damage; request for information forms; internal memos; correspondence with Hans Nemuth re: portrait of Indiana (photograph)","5 photographs; checklists; correspondence with potential lenders; request for information forms","6 photographs; 1 transparency; correspondence with potential lenders; request for information forms; checklist","5 photographs; 1 new photograph, 2 transparencies; correspondence with potential lenders; correspondence with Motherwell; checklists; request for information forms","6 photographs; 1 transparency; correspondence with potential lenders; request for information forms; checklists","5 photographs; 1 new photograph; correspondence with potential lenders; request for information forms; internal memos; checklists","5 photographs; 1 new photograph; 1 transparency; correspondence with Thiebaud; correspondence with potential lenders; request for information forms; checklists","5 photographs; 1 transparency; internal memos; correspondence with potential lenders; request for information forms; checklists","Catalog; internal memos; correspondence with Virginia AIA Awards Committee","Entry blanks; correspondence with designers; label copy; internal memos; checklists; fact sheets","1 copy of '74 catalog; catalog copy","Signed certificates; correspondence with juror (Ivan Chermayeff); clipping","Photographs","Prospectus; checklists; art directors' club materials; prospectus copy; schedule","4 photographs; correspondence with Hagan; shipping information and receipts; entry blank; label copy; 5/74 Bulletin; biographical information","Invitation; 2 photographs; 2 new photographs; 4/74 Bulletin; shipping information and receipts; biographical information; correspondence with Abbott; label copy","Invitation; 1 photograph; 1 new photograph; label copy; transportation requests; entry blanks; biographical information; correspondence with Barry; shipping information and receipts; 2/74 Bulletin","5 photographs; 1 duplicate photograph; invitations; 1/74 Bulletin; shipping information and receipts; checklists; label copy; internal memos; correspondence with Fridley","Invitation; 4 photographs; NEA booklet; 10/74 Bulletin; correspondence with NEA for Sandborn; brochure (1 copy); brochure copy; internal memos; biographical information; correspondence with Sandborn; entry blank; shipping information and receipts","2 photographs, invitations; 6 photographs; 9/74 Bulletin; correspondence with Ames; biographical information; shipping information and receipts; checklists; label copy; internal memos; entry blank","Catalog; photographs; internal memos; correspondence with artists; label copy; checklists; correspondence with Michael Graves (lecturer); correspondence with juror (Bill Newman); invitation copy; invitation list; prospectus copy; biographical information; 12/74 Bulletin","3 photographs: 1 duplicate photograph, invitations; 11/74 Bulletin; brochure; shipping information and receipts; checklists; biographical information; correspondence with Scalin; entry blank; label copy","22 photographs; 9 new photographs; internal memos; checklists","Research; checklists; internal memos; clippings; correspondence re: poster; drawings (photocopies); panel copy","Photographs","Label copy; research; checklists; correspondence with lenders; internal memos; correspondence with Comprehensive Exhibition Services (circulator); correspondence with potential lenders; blank request for information forms","8 photographs; 6 new photographs; request for information forms; internal memos; correspondence with lenders","SITES and National Art Collection Materials; internal memos; correspondence re: materials for Children's Day","1 photograph; 2 new photographs; correspondence with Delaware Art Museum (lender); 1 copy of 4/74 Bulletin; checklists; internal memos","Correspondence with IEF; IEF materials","Correspondence with potential speakers they declined","Photographs; research; biographical information; clippings, drawing (photocopy); 1 copy of 5/74 Bulletin; internal memos; correspondence with VCU (Professor Lester Van Winkle is co-organizer); correspondence with lenders; invitation list; 1 copy of invitation; checklists; correspondence from visitors","4/74 Bulletin, \"photographic resume,\" 1 photograph; 5 new photographs; correspondence with artist; biographical information","Correspondence with and materials from various institutions, galleries, and organizations; internal memos; clippings; catalog","1 photograph (William B. O'Neal, UVirginia); correspondence with potential speakers; promotional materials; internal memos","1 piece of correspondence re: questionnaire (5/2/74)","Correspondence with MOMA re: possible traveling shows","Correspondence with and materials from various institutions, organizations, and individuals re: declined exhibitions; internal memos; catalogs","Correspondence with Modern Master Tapestries, Inc. (organizing circulator) and Charles E. Slatkin, Inc. Galleries (organizing circulator); promotional materials","Signed certificates, catalog; 1 photograph; internal memo; correspondence with artists; fact sheets; invoices; checklists; clippings; shipping information and receipts","Photographs","Prospectus; prospectus copy; annotated '72 prospectus","NOVirginia invitation, jurors' statement, Lynchburg prospectus, signed certificates (NOVirginia); 10 photographs; checklists; prospectus copy; invitation copy; NOVirginia prospectus; correspondence with artists; catalog copy; Lynchburg catalog; correspondence with directors of affiliates; Lynchburg signed certificate","10 photographs; duplicates: Roanoke catalog, Roanoke invitation; correspondence with artists; Peninsula prospectus copy; Peninsula catalog copy; internal memos; Peninsula prospectus; Peninsula signed certificate; checklists; Roanoke catalog copy; clippings; correspondence with juror (Lawrence Alloway)","'75 prospectus; shipping information and receipts; annotated '73 prospectus; prospectus copy","Photographs; signed certificates, invitation; checklists; '75 catalog; correspondence with NEA re: grant; internal memos; correspondence with juror (Aaron Siskind); fact sheets; prospectus copy","Virginia Commission of the Arts and Humanities grant application","Catalog; catalog copy","1 signed certificate; correspondence with winners","Photographs; 1 copy of '75 catalog","Prospectus copy; internal memos; correspondence re: prospectus","Catalog; purchase cards; invoices; correspondence with artists; internal memos","Reply cards; checklists; correspondence with artists","Invitation, 1 photograph; shipping information and receipts; correspondence with potential jurors; correspondence with juror (Robert Buck); biographical information; schedule; internal memos; checklists; 5/75 Bulletin","Signed certificates; fact sheets; correspondence with juror (Elke Solomon); biographical information; internal memos; checklists; correspondence with artists","Photographs; prospectus; prospectus copy; 1 copy of catalogue; catalogue copy","Letter 2/9/75, purchase card; correspondence with artists; internal memos; invoices","Checklists; correspondence with artists","Invitation, 5 photographs; 1 new photograph; internal memos; invitation copy; correspondence with Mrs. Lammot DuPont Copeland [collector of the year]","1 copy of 2/75 Bulletin; internal memos; checklists (Artmobile exhibition); label copy","1 photograph; 1 copy of catalog; 1 copy of prospectus; internal memos; checklists","Photographs; checklists; label copy; catalog copy; research; invitation copy; correspondence with NC Museum of Art; internal memos; mailing list; 1 copy of invitation","2 photographs; \"1940, Remember?\" clipping; correspondence with Library of Congress Prints \u0026 Photographs Division; internal memos; research; checklists","Catalog, \"Observations on …,\" \"Collecting,\" 2 photographs; 2 new photographs; correspondence with O'Neal; checklists; internal memos; catalog copy; biographical information","4 new photographs; catalog","Catalog, 4 photographs; 4 new photographs; checklists; correspondence with Lewises; internal memos","Catalog, invitation, 6 photographs; 2 new photographs; 1 copy of prospectus; internal memos; invitation copy; correspondence with Robert Buck (juror, Director of Albright Knox)","1 internal memo","1 catalog, 5 photographs; 1 new photograph; internal memos; checklists","Invitation, 6 photographs; 6 new photographs; correspondence with University Art Gallery (Rutgers, organizer); internal memos; invitation copy; correspondence with VM Youth Guild; clipping; correspondence from visitors; 1 copy of catalog; list of books for sale at VMFA Shop","\"Art as Adornment\"; 10 photographs; internal memos; checklists; label copy; catalog copy","3 new photographs; 3 duplicate photographs; correspondence with Art Museum of South Texas (borrower)","Correspondence with Josef Albers Foundation; correspondence; internal memos","Invitation, catalog; internal memos; correspondence re: successful NEA grant; grant materials; statistics","1 photograph; internal memos; checklists; correspondence with Light Gallery (lender); correspondence with Siskind","Press release; photographs; correspondence with AFA (circulator); correspondence with Museum of Primitive Art (lender); drawing (photocopy); in use list; internal memos; correspondence with African Arts magazine; clipping","Poster, catalog, 1 photograph; 4 new photographs; correspondence with AFA; checklists; internal memos; exhibition contract; invitation copy; correspondence with African Arts; correspondence with Museum of Primitive Arts; correspondence with local TV station","\"Masterpieces of Pre-Columbian Art,\" 5 photographs; 1 new photograph; internal memos; label opy; Artmobile slide lecture copy","Correspondence with Museum of the American Indian (organizer); internal memos; clipping","Correspondence with Met (organizer); internal memos","Correspondence with Hyatt re: possible accommodations; correspondence with AAM; internal memos","3 photographs; 3 new photographs; correspondence with lenders; request for information forms; checklists; shipping information and receipts; 1 copy of invitation","3 photographs; 3 new photographs; 1 copy of brochure (\"Landscape in Photography\"); internal memos; checklists","12 photographs; brochure copy; internal memos; checklists; panel copy; press releases","Correspondence with artist; 1 copy of invitation; clipping; internal memos; press release","3 photographs; 12 new photographs; correspondence with MOMA (organizer); checklist; exhibition contract; internal memos; clipping; MOMA materials","Unsigned certificate; 2 photographs; duplicates: letter 8/1/75, 2 blank information forms","Photographs","2/75 Bulletin, invitation, 1 photograph; 2 new photographs; internal memos; correspondence with artist; shipping information and receipts; biographical information; label copy","Invitation; 2 photographs; 4 duplicate photographs, 11/14/74 memo; internal memos; label coy; blank floor plan; 1/75 Bulletin; correspondence with artists; clippings; invoices [lots of correspondence re: student show]","21 photographs; information forms; biographical information; correspondence with artists; internal memos; label copy","2 photographs; duplicates: Roanoke prospectus, Peninsula prospectus, Roanoke catalogue; clippings; correspondence with artists; prospectus copy; juror biographical information; internal memos; correspondence with jurors; NOVirginia prospectus; annotated Roanoke prospectus; checklists; signed certificates; invitation; blank certificates","Photographs; drawings (photocopies); panel copy; research; catalog copy","Checklists by object type (transferred contents of a binder)","Photographs","3 photographs; internal memos; correspondence re: events such as demos and clinics; research; correspondence with visitors; invitation copy; correspondence re: catalog; correspondence with lenders; checklists","Label copy; checklists; research","Photographs; correspondence with lenders; internal memos; correspondence with Virginia Commission of the Arts \u0026 Humanities re: special funding; checklists; research","Catalog copy; research; checklists; labels","Photographs; checklists; other lists","15 photographs; shipping information and receipts; catalog proof; checklists; catalog copy; research; lists by type","10 photographs; 2 new photographs; correspondence with Toledo Museum of Art (organizer); checklists; insurance certificate; clipping, correspondence with Steuben; 1 copy of \"Steuben: 70 Years of American Glassmaking\"; internal memos; correspondence with publicity","\"Forms in Metal\" catalogue; 1 photograph; correspondence with Museum of Contemporary Crafts (organizer); exhibition contract; Museum of Contemporary Crafts materials; internal memos; drawing (photocopy)","3 photographs, invitation, reply card; 1 copy of catalog; correspondence with Lawrence Alloway (juror); invitation copy; internal memos; correspondence with members of arts organizations coming to ceremony; guest lists","Exhibition contract; correspondence with MOMA (organizer); MOMA materials; checklist; internal memos","Checklists; correspondence with University of New Mexico (organizer); research; exhibition contract; internal memos; correspondence with Western Association of Art Museums (organizer); biographical information; drawing (photocopy)","2 photographs; correspondence with Dean Brown Foundation (curator is Carol Brown, widow) and Akron Art Institute (organizer); internal memos; biographical information; AAI materials","Correspondence with Bowdoin (organizer) [cancelled]; Bowdoin materials","3 photographs; correspondence with Israel Museum; clippings","2 photographs; correspondence with Museum of the American Indian; correspondence with Phillip Morris (connection to Museum of AI)","Catalog, prospectus; statistics; letter to members of \"Richmond Communicating Artists\"","Photographs; internal memos; VMFA materials; label copy","One press release [written by Bob Keefe] re: Reeves collection","Internal memos","Correspondence with Terry Dintenfass (organizer); internal memos","19 photographs; correspondence with Gallery Association of New York State (organizer); internal memos; checklist; correspondence with Architectural League of NY (organizer); budget materials (for fundraising); GANYS materials","Photographs; 2 slides","1 drawing; 1 photograph; duplicates: museum tear sheet; general museum and various exhibitions' label copy; catalogue or essay copy for \"The 18th Century Drama\"","Biographical information","Attendance statistics","Label copy","Fact sheet","List of music for Danish Silver exhibition","Lists of alumni in Richmond","2 drawings; Leslie Cheek Jr.'s notes","2 drawings","3 drawings","3 drawings","2 checklists of members","1 drawing; list of photographs for panels","1 drawing","\"Remarks\" 5/25/77","Internal memos; article copy; checklist; correspondence re: permission to publish images","1 transparency; catalog copy; internal memos; correspondence with lenders; research; correspondence re: transparencies; correspondence with Mariner's Museum","Internal memos; correspondence with lenders; correspondence re: transparencies; catalogue copy","Blank information forms","Catalog copy","1 photograph [Vose Galleries]; correspondence with lenders who denied loans","Catalog proofs","Correspondence with Suffolk Art League","Correspondence with Mint Museum; Mint materials","1 copy of \"The Virginia Peninsula Today,\" 11/76; speech copy","Checklists; correspondence with Met re: possible loan","Invitation lists","2 duplicate photographs; 2 new photographs; request for information forms; correspondence with potential lenders","Checklists; internal memos re: postcards for sale (correspondence with other museums' shops)","Press release (8/26/74); correspondence with Mariners Museum; internal memos; clippings; fact sheet","3 photographs","Photographs","Photographs","Request for information forms (folder 2)","Request for information forms","Internal memo; correspondence with Vose re: catalogue; Artmobile label/brochure copy","Budget information; internal memos","Artmobile label copy; Artmobile layout drawing (photocopy)","Research","Slide lists","Internal memos; Artmobile brochure; checklists; Artmobile teachers' kit; clipping","Photographs","Correspondence with potential lenders; internal memos","Correspondence","Correspondence with lenders; correspondence with Mariners Museum; checklists","Checklists","Checklists; correspondence with Mariners Museum","1 slide; 1 photograph (A. Cary Smith, portrait of the Yacht Agnes); correspondence with lenders; research; internal memos; schedule; correspondence with mariners Museum; clippings; other materials","Internal memos; invitation lists; correspondence with attendees/invitees; clipping","Correspondence and internal memos re: budget","Lists; schedule; correspondence with Mariners Museum; correspondence with film companies; internal memos","Budget information; internal memos; correspondence with Mariners Museum; correspondence with NEA; clipping; grant application","6 photographs; correspondence with NNS; 1 copy of \"3 Generations of Shipbuilding\"; NNS materials; \"Men, Ships and the Sea\"; Bring Her Home\"; label copy for publicity photographs0; \"Always Good Ships\"","Label copy","14 duplicate photographs; 2 new photographs; 1 drawing; internal memo","Invitation; invitation list; correspondence with Mariners Museum; internal memos","1 photograph; internal memos; correspondence re: cancellation of Virginia Architecture 1976 (Reality and Revival is the replacement); label copy; drawings of panels (photocopies); '76 AIA honor program","Internal memos (2)","Signed certificate; correspondence with juror (Alan Shestack); correspondence with artists; checklists; internal memos; one entry","Prospectus; photographs; 1 copy of catalog (annotated); biographical information on juror (Alan Shestack, Director of Yale University Art Gallery); checklists; catalogue copy; prospectus copy; un-annotated copy of catalog","2 photographs; internal memos; correspondence with artist","1 photograph; 1 invitation; checklists; internal memos","1977 invitation; internal memos; '77 catalogue; correspondence with NEA re: grant; '77 prospectus; correspondence with juror (Lloyd Herman)","25 slides, 9 photographs; 1 duplicate photograph; clippings; correspondence with Santa Barbara Museum of Art (organizer); internal memos; correspondence with SITES (circulator); 1 copy of catalog; labels; schedule; checklists; Santa Barbara materials, including press release and prospectus; exhibition contract","Photographs; invitation list; announcement; correspondence with artist; announcement copy; price list; entry blank, invitation (signed \u0026 22/58)","Photographs; invitation list; price list; entry blank; announcement; announcement copy; biographical information; internal memos; correspondence with artist","3 photographs; invitation list; entry blank; invitation; internal memos; clipping; biographical information; correspondence with artist","1 photograph; invitation; announcement proof; correspondence with purchasers; biographical information; checklists; invitation list; correspondence with artist","3 photographs; announcement; announcement copy; invitation; internal memos; entry card; correspondence with artist; biographical information; invitation list","3 photographs; announcement; checklists; entry blank; invitation list; correspondence with artist; invitation; biographical information","2 photographs; checklists; correspondence with artist; artists' sale terms and conditions; announcement; invitation list; biographical information; invitation; internal memos","Announcement; invitation; correspondence with artist; announcement copy; biographical information; invitation list; internal memos","Announcement, invitation; announcement copy; biographical information; entry blank; Guggenheim fellowship application; clippings; correspondence with artist; invitation list","Invitation; schedule; 1 copy of prospectus; correspondence with Thalhimer's; internal memos; statistics; correspondence with artists","Prospectus copy; label copy; jurors' statement copy; 2 copies of catalog (1 annotated; 1 not); catalogue copy; correspondence with visitor re: complaint about nude woman in painting","5 photographs; 8 duplicate photographs","Signed certificates; 1 photograph; invitation; internal memos; correspondence with artists; correspondence with juror (Suzanne Delehanty); checklists; statistics","Checklists; correspondence with Thalhimer's; correspondence with artists","Checklists; correspondence with artists","Form letter to Virginia artists from Director Peter Mooz; correspondence with purchasers; correspondence with artists; internal memos; invitation list; reply cards","Internal memos","Invoices; budget information; incident report; correspondence with artist","Invitation; clippings; poster; materials from other exhibitions","Clippings; materials from other exhibitions","Postcard; checklists; label proof; lecture; invitation copy; installation drawing [checklists from Edwin A. Ulrich Museum of Art, Wichita State University)","7 photos; 5 new photos","Correspondence with Wichita State; correspondence with Lewises; correspondence with artist; correspondence with Whitney (other venue)","Invitation, reply card, brochure; 5 photographs; 1 copy of catalogue: \"The Proctor \u0026 Gamble Company Antique English Coffee Pots: The Folger's Coffee Collection\"; correspondence; internal memos; correspondence with the Rowland Company (organized the show); correspondence with Proctor \u0026 Gamble; invitation copy","3 photographs; correspondence with lenders; clippings; internal memos; correspondence with Lewises (lenders of typewriter eraser)","Invitation, 5 photographs; 33 new photographs; clippings; internal memos; correspondence with Kreegers; checklist; drawings (photocopies); invitation list; research; label copy; invitation copy","Internal memos; specs. For A.V. presentation; presentation copy","Invitation; invitation copy","2 slides; photographs; internal memos","Photographs","Budget information; internal memos; invoices; research on Owen Cheatham Foundation","Correspondence with public; correspondence re: copyright; internal memos; publicity schedule","Internal memos; label copy; checklists; drawings (photocopies)","Label copy; internal memos; catalogue proofs; correspondence re: copyright; invitation; checklists","Internal memos re: duties \u0026 plans","Clippings; internal memo","Checklist; research of the objets d'art; Owen Cheatham catalog (1 annotated; 1 not)","40 slide set from MOMA","Clippings","1 copy of VMFA operating budget, 1976-77","2 slide lists (102 slides \u0026 40 slides); checklists; MOMA brochure re: slide set","Correspondence with speakers and hostesses","Installation instructions; internal memos; checklists; drawings (photocopies); correspondence with MOMA; MOMA materials","Correspondence with MOMA; internal memo","Checklists; correspondence with MOMA; MOMA materials","Internal memo re: related books in VMFA Shop; exhibition bibiliography","Photographs","Richmond Sinfonia program; letter from MOMA (6/20/75); exhibition contract; internal memos; correspondence with MOMA; budget information; MOMA invitation; American Art Since 1945 (1 copy of catalogue, loose)","Invitation (3 pieces); invitation list; internal memos; correspondence with MOMA; invitation copy","1 photograph; correspondence with Lewises; clipping; internal memos","Checklists (MOMA materials)","Internal memo","Internal memos and information re: Brandts' trip to Greenville to see show","MOMA materials for labels","Correspondence with MOMA re: posters","Photographs; clipping; correspondence with Mark Davis (curator at the Century Association); internal memos; checklists; label copy","Brochure (summer exhibition announcement), 1 photo; 19 slides; 3 photos; correspondence with SITES (circulator); checklists; internal memos; exhibition contract","Summer exhibition announcement; 8 slides; 9 photos; correspondence with SITES (circulator); exhibition contract; checklists; internal memos; SITES materials including SITES press release; clippings; label","2 photos; checklists; internal memo","2 photos; 5 slides; internal memos; correspondence with artist; clippings; correspondence with Bowdoin (circulator); Bowdoin materials; checklists; budget information; biographical information; research","Correspondence with various institutions; correspondence with visitors; internal memos; correspondence with publicity; materials from other exhibitions; invitation; invitation copy; installation drawing; checklist","Clippings; internal memo","Correspondence with AFA re: circulation, catalogue proof inserted in file","Internal memos; correspondence with printer re: mistake; correspondence with AFA; catalog copy; checklists; correspondence with Wiltshire","Photographs","Checklist","Slides","Invitation; catalog copy; checklist","Drawings (photocopies); internal memos; budget information; checklist","Invitation; invitation lists; internal memos; correspondence with AFA","Label copy","Label copy; correspondence with Weisgall; biographical information; checklists; research","Frames checklist; correspondence with Weisgall; March'78 Bulletin","Correspondence with Weisgall; internal memos; clipping; catalog; catalog copy; budget information","Photographs","Invitation, Richmond News Leader clipping (1/30/78); internal memos; correspondence with musicians; program copy; all re: musical program, musical scores; one copy of \"The Collecting Muse: The Nathalie \u0026 Hugo Weisgall Collection\"","Poster","Clippings","Budget information; internal memos; correspondence with Fred Hughes of Andy Warhol Enterprises; correspondence with sponsors; correspondence with Coe Kerr Gallery; correspondence with artist; correspondence with Weisman; checklists [no signatures]","Postcard (2), 7 photos; 2 new photos; clippings","1 photo; internal memos; catalog proofs; clippings; correspondence with VCU re: silk screening project; budget information; catalog copy","Correspondence with potential lenders","Photographs; slides","Correspondence with MFA Boston (lender)","Correspondence with Chrysler (lender)","\"NEW\" loan agreement form","Correspondence with Ackland (lender)","Correspondence with AIC (lender)","Correspondence with BMA (lender)","Correspondence with Phillips (lender)","Correspondence with Clark (lender)","Correspondence with Mellon (lender)","Correspondence with Met (lender)","Correspondence with NCMA (lender)","Correspondence with lender","Correspondence with various institutions; checklists; internal memos; clippings","2 invitations (6 parts total); internal memos; invitation list","Budget information; internal memos; Virginia Commission for the Arts \u0026 Humanities grant information","IPR's; internal memos (form about 1 year old for IPR)","Drawings (photocopies); checklists; internal memos","Clipping; internal memos; press release copy","Checklist (4 part)","Label proofs; label copy; 1 copy of checklist","Label proofs; **clippings inserted in folder at end**","Invitation; prospectus; internal memos; program schedule; correspondence with hostesses; schedule; correspondence with juror (Thomas Barrow, Associate Professor of Photography, U of New Mexico)","Invitation; internal memos; drawings (photocopies); correspondence with Ms. Conover Hunt-Jones (consultant); checklists; correspondence with sponsors; budget information","Internal memos","Label copy","Photocopy from a catalog for scientific instruments","LACMA press release, \"Major Silver and Mosaic Collections…\"; label copy; research; LACMA materials (circulator)","Biographical information on John Gilmore Ford","Checklist proof; checklist copy","Internal memos; IPR's; budget information","1 duplicate photo","Exhibition contract; correspondence with LACMA; internal memos","Correspondence with Gilberts; internal memos; correspondence with LACMA","Internal memos; drawings (photocopies); 1 copy of LACMA paper; correspondence with LACMA","Invitation (2 – both in 2 parts); internal memos","Correspondence with public (all wanted to know dates of show after reading Smithsonian!)","Envelope containing checklist from Ford with insurance values; 1 copy of invitation; 1 copy with catalog","Budget information; IPR's","Label copy; research","8 new photos; 2 duplicate photos; drawings (photocopies); checklists; internal memos","Clippings; label copy; invitation copy; 1 copy of Weisgall invitation","Empty folder","14 new photos","Correspondence with hostesses; correspondence with Collectors Circle members; mailing list; correspondence with Ford","2 photos; duplicates: invitation, November '78 Bulletin; 1 copy of Collectors Circle program","Internal memos","Invitation, Guggenheim press release; correspondence with lenders; correspondence with Guggenheim (circulator); drawings (photocopies); checklists; clippings; internal memos","Checklists; label copy","Budget information; slide script copy","Internal memos; correspondence with Guggenheim; schedule for Contemporary Art One-Day Symposium (2/14/79)","Label copy; loan agreements; correspondence with lender; internal memos","Checklists; script copy; catalogue copy; clippings; correspondence with visitor; copy of Guggenheim brochure; research; label copy","5 duplicate photos; 9 new photos","Exhibition summary, form letter, information questionnaire; checklists; drawings (photocopies); internal memos; correspondence with galleries re: biographical information for artists; clipping","13 slides; open house poster; catalogue; label copy","Checklists; catalog copy","Drawing (photocopy); checklists","Remarks by Woodward at press conference; clippings; remarks by Mooz at press conference","IPR's; budget information; calendar","Internal memos; meeting minutes, panel drawing (photocopy)","1 piece of correspondence with Columbus Museum of Art re: show","Empty folder","Checklists; annotated gallery guide","Agenda; family tree; IEF materials; correspondence with IEF; notes; internal memos","Correspondence with IEF; correspondence with visitors; internal memos; correspondence with corporate sponsors; schedule; correspondence with other museum locations; exhibition contract","Internal memos; invitation copy; schedules; meeting minutes; checklists","14 photos; correspondence with IEF","1 copy of bumper sticker; place card; brochure; announcement; internal memos; meeting minutes; correspondence with IEF; clipping","Invoices; IPR's; internal memos; budget information","Checklists; internal memos","Note","Invoices; internal memos; budget information","Internal memos; drawings (photocopies); correspondence with Lewises re: closing Art Nouveau facility","List of films \u0026 lecturers from IEF","Correspondence with IEF re: Duke's address; internal memo","Internal memos","Internal memos; lists of tour groups","Biography, general information, itinerary, \"Short History of Chatsworth\"; IEF materials (including press release)","Timetable; meeting minutes; proposed schedule","Agendas; notes; checklists; internal memos","IPR's; internal memos; invoices","\"A.V. Program\" script; correspondence re: school A/V program; internal memos; budget information","Budget information; internal memos; correspondence with IEF","Calendars; internal memos","Internal memos; correspondence with IEF","Internal memos; correspondence with IEF","Internal memos; correspondence with IEF; 1 copy of the \"Chatsworth Herald\"; guide for children published by VMFA","Schedule; internal memos; correspondence with IEF","Internal memos; meeting minutes","Photos; NEA reports","Correspondence with IEF; correspondence with other museums (including invitation","Internal memos; budget information","Exhibition contract; correspondence with IEF; correspondence with corporate sponsor","Internal memos; correspondence with patrons","Internal memos","Internal memos; correspondence with ESU branches; correspondence with IEF","Internal memos; correspondence with IEF","Huge final report; internal memos; budget information; back-up report information","Internal memos; correspondence with invitees; meeting minutes; correspondence with IEF","Correspondence with IEF; internal memos; correspondence with other museums","Clippings; internal memos; correspondence with publicity; TV spot script; budget information; correspondence with IEF","Weekly reports; internal memos","Price lists; internal memos; invoices; correspondence with other museums","Internal memos; drawing (photocopy)","Envelope that couldn't open without ripping","Slide lists; budget information; correspondence with other museums; correspondence with printers; internal memos; correspondence with IEF; correspondence with Duke; reports","Final report on sales; internal memos; teacher form letters \u0026 materials; group bus forms; \"docent study materials\" from Toledo Museum of Art","Internal memos","Prospectus; internal memos; statistics; correspondence with hosts; correspondence re: juror (Lasansky)","Invitation; internal memos; label copy","Internal memos; meeting minutes; annotated gallery map","Correspondence with artists whose work purchased by Museum; internal memos; '79 prospectus; '79 invitation; correspondence with D'Arcangelo (juror)","Invitations; invitation list; internal memos; invitation copy","Schedule draft","Checklists; label copy","Correspondence with visitors and inquiries about show","Clippings; internal memos; list of press kits sent","Invitation lists; correspondence with Lewises for names","List of music; sheet music","Research; 1 piece of correspondence with Yvonne Brunhammer","Program, invitation; correspondence with attendees; clipping; correspondence with speakers; internal memos; participant list; invitation lists; 1 copy of program for 1977 \"Great Collectors of American Decorative Arts\" weekend","Internal memos; correspondence with printers; printers' materials","Budget information; correspondence with lenders; checklists; research","5X7 cards per object","Photographs; photocopies of images","Checklists; clipping; label copy; research","Internal memos; correspondence with film organizations \u0026 vendors; IPR's; information and catalogs for projectors","2 invoices from shipping company","Correspondence with Gras re: insurance for French loans","Correspondence re: shipping of works","Correspondence with other museums re: possible travel","Photocopies of photographs","Photographs; internal memos; checklists; drawings (photocopies)","Invoices; catalogue copy; correspondence with Martin Battersby (essayist)","Label copy","Research","Correspondence with Brunhammer (conservateur @ Musée des Arts Décoratifs, Paris) re: French loans; checklists","Correspondence with d\"Iberville @ Museum of Decorative Arts, Montreal re: possible venue for show (denied)","Correspondence with Harris (guest curator); research; internal memos; Harris; c.v.; schedules","Photos; 1 new photo; correspondence with AIC (lender); loan agreement","Photo; correspondence with BMA; loan agreement","Correspondence with BHP","Photo; correspondence with BF; loan agreement","Correspondence with MFA, Boston","Photos; 1 transparency; correspondence with BAD; loan agreements; checklist","1 duplicate photo; correspondence with Brooklyn; internal memos; loan agreement; research","Photos; correspondence with Merklen; loan agreements; research","Photos; correspondence with Chrysler; loan agreements","Photos; correspondence with CMA; loan agreements; label","Photo; correspondence with CMG; loan agreement","Photos; correspondence with Fine Arts Museum; loan agreements","Correspondence with Haskell; loan agreement","Correspondence with LC; loan agreements","1 photo; correspondence with Lieberman; loan agreement","Photo; correspondence with Darien House, Inc.","Photos; correspondence with Macklowe; loan agreements","Photo; correspondence with McNay; loan agreement","Photos; correspondence with Maryhill; loan agreements","Photo; correspondence with Gallion","Photo; correspondence with Musée; loan agreement","Correspondence with MOMA; loan agreements","Correspondence with NARA","One negative (8 X 10); correspondence with NYPL; loan agreement","Photos; loan agreement; correspondence with Pollard","Photo; correspondence with Pratt; loan agreement","Correspondence with Reed; research","Transparency; 9 duplicate photos; correspondence with Schimmel; loan agreement","Photo; correspondence with Silverman; correspondence with Sotheby's; loan agreement","Correspondence with Sommer; research; loan agreement","Correspondence with U of CA","Empty folder","Correspondence with Vitry; loan agreement","Photos; correspondence with Wittamer de Camps; loan agreements","One photo","Two duplicate photos","Correspondence with University","Correspondence with SDSU","Correspondence with NGA","Correspondence with Musée","Correspondence with Met","Correspondence with DIA","Correspondence with Delaunay","Correspondence with Albertina","Correspondence with Gallery","1 poster; internal memos; label copy; 1 copy of brochure","Internal memos; donor lists; list of lenders; correspondence with invitees; 1 copy of invitation; correspondence re: and with Collectors' Circle","Budget information, IPR's","List of invitees; correspondence from invitees","Label copy; internal memos","1 copy of member mailing with brochure; donor lists; brochure copy","Notes","Internal memos; budget information; checklists","Internal memos; drawings (photocopies); checklists","Label copy; 1 copy of brochure; 1 copy of \"The Tidewater Guide\" (5/80)","23 photos; 1 duplicate photo; 1 copy of brochure","19 photos; internal memos; mailing lists; clippings; correspondence re: catalogue; label; correspondence with lending brochure copy; correspondence with public; drawing (photocopy); schedule; checklists; correspondence re: speaker; correspondence re: shirts","Photos; 5 duplicate photos; case design drawing","Brochure; 4/80 Bulletin; clippings; 1 copy of invitation; 5/80 Bulletin; 1 copy of mailing","Correspondence","1 piece of correspondence with Linda Connor (juror); 1 copy of catalog","28 photos [photos don't seem to be of Designers show]","Label copy; checklists; internal memos; drawings (photocopies); correspondence with publicity","Shipping information \u0026 receipts; label copy; internal memos; clippings; traveling checklists","SITE materials; label copy","Invitation; internal memos; invitation copy; checklists","1 poster; clipping","Photos; clippings; folder with photos; clippings; press releases","Internal memos; correspondence with publicity; correspondence with SITE; correspondence with hosts; correspondence with James Wines (co-founder of SITES, speaker); correspondence with BEST; list of invitees; budget information; schedules","Internal memos; schedules; correspondence with publicity; correspondence with BEST","Internal memos; invoices; correspondence with BEST; Purchase order; budget information, IPR's","Three photos; label copy; internal memos; correspondence with SITE; drawing (photocopy); schedules","Invitation; internal memos; correspondence with Milwaukee Art Center (circulator); invitation list; poster","Invoices; IPR's; budget information; correspondence with Milwaukee; internal memos","Internal memos; correspondence with Milwaukee; correspondence with Philip Morris; symposium program copy","24 photos; invitation; internal memos; Milwaukee materials; drawings (photocopies); checklists; correspondence with Milwaukee","10 photos; press release; 1 copy of catalogue; 1 poster; label copy; research; Milwaukee materials; 1 copy of 1/80 Bulletin; meeting minutes","Poster; label copy; catalog copy; clippings; research; 1 copy of Spring '77 AIV; 1 copy of 11/79 Bulletin","Invoices; internal memos; budget information; correspondence with MFA Houston (circulator); exhibition contract","Correspondence with MOMA; internal memos; correspondence with MFA Houston; copy of birth certificate (!)","4 new photos; internal memos; checklists; label copy; drawings (photocopies); schedules","Internal memos; correspondence with Bruce (Patrick Henry Bruce's son, who came to see show for 4 days, only venue he visited, lived in CA) \u0026 wife; correspondence with MFA Houston; invitation list","Shipping information and receipts; 1 copy of catalogue; correspondence re: catalogue requests; VFH grant application, internal memos","Photos; clippings; VFH materials; VFH grant application; correspondence with Mrs. John Dos Passos","Clippings; internal memos","Catalogue; label copy","Research; checklists; correspondence with Mary Ellen Stumpf (consultant); label copy","Correspondence with VFH; VFH materials; grant application; narrative; grant report; internal memos","IPR's; budget information","Correspondence with institutions lending images; internal memos; other museum catalogues; correspondence with Dos Passos; correspondence with Stumpf (consultant, VCU faculty member); correspondence with visitors","Annotated catalog; shipping information \u0026 receipts; checklists; correspondence with Dos Passos","10 photographs; research; list of invitees; clippings; internal memos; biographical information; correspondence with May Cossitt; subpoena for Pinkney for trial (!)","Correspondence with Ruder Finn (circulator); invitation copy; internal memos","IPR's; internal memos; invitation list","16 photos; internal memos; IPR's drawings (photocopies)","Invitation; internal memos; correspondence with AMEX; invitation copy; invitation list; 1 copy of brochure","\"Henri-Cartier-Bresson: Glimpses\"; clippings; research","Label copy; checklists","Invitation","Internal memos; catalog copy; research; label copy","Correspondence with Yale (organizer); correspondence with AFA (circulator); AFA materials (including checklist); research; 1 copy of brochure","Materials from other institutions","Correspondence with AFA; internal memos; exhibition contract; AFA materials","Internal memos; schedules; invitation copy; checklist","Drawing (photocopy); internal memos; correspondence with AFA; AFA checklist","Correspondence with Yale University Art Gallery","IPR's; PO's; invoices; [1 copy of poster inserted here]","Correspondence with AFA; internal memos; clipping","Invitation, postcard; 1 copy of other preview invitation; invitation lists; information sheet on one-day symposium","1 poster; correspondence with AFA (circulator); research; NEA application","Label copy; AFA checklists","Specs. For \"New Gallery Entrance\" (8/29/79) [remodeled a gallery \u0026 named it the Mottahedeh Gallery] by Hardwicke \u0026 Associates; IPR's; internal memos; label copy; invoices, P.O.'s; correspondence with Mottahedeh; budget information","Postcard, special events postcard, 8 photos; 4 new photos; NEA Grant narrative; internal memos; correspondence with AFA; correspondence with NY State Museum re: found Maria \u0026 Julian Martinez pottery; rubbing of their signature; label copy; invitation lists; IPR's; AFA checklist; budget information; exhibition contract; postcard proofs; drawing (photocopy); NEA Grant application","Two slides; invitations; internal memos; correspondence with Mint (organizer); installation drawings; checklist; correspondence re: opening","Clippings; catalog copy; Mint materials; invitation","Two duplicate photos; 3 new photos","Checklists; research","7 photos","Internal memos; checklists; correspondence with lenders; loan agreements","Invitation; internal memos; correspondence with lenders; loan agreements; correspondence re: opening; invitation list; invoices; installation drawing; exhibition contract","Invitation; correspondence; clippings; label proofs; correspondence with lenders; correspondence with media; correspondence with visitors; internal memos; loan agreements; checklists; research","6 photos; 7 duplicate photos","Internal memos; schedule; label copy; research","Internal memos; IPR's; budget information; invoices","One slide; 13 photos; 3 duplicate photos; correspondence with one lender","Checklist; label copy; internal memos; lecture copy; research; checklist copy","Invitation; research; internal memos; correspondence with lenders; loan agreements; correspondence with media","IPR's; invoices; internal memos","Checklists; research; list of lenders","Internal memos; checklist copy; label copy; research","Correspondence with lenders; correspondence with visitors; internal memos","Installation drawing; internal memos; checklists; label copy","Internal memos; budget information; invoices; shipping information","Invitation copy; internal memos; correspondence with lender; notes; 1 copy of invitation; 1 copy of Collectors' Circle program","IPR's; invoices; correspondence with printer; research; internal memos","Schedule; correspondence re: carpet","Label copy; checklists","Ibsen \u0026 Munch brochure, press release, poster; 4 slides; photographs; clippings; internal memos; 1 copy of checklist","Internal memos; correspondence correspondence with artists; incident report re: warehouse alarm","Internal memos; correspondence; research/notes on show idea [fascinating committee work/proposals on how to revise Virginia artists shows] [mainly Woodward, Burke, Farago]","Proposals; form letters; notes","Advanced purchase program proposal; form letters; notes; invitation","Notes (Pinkney Near); research","Catalog copy; photocopies of photos","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","1 photo; correspondence with lender; loan agreements; research","1 photo; correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Mailing lists; correspondence","Internal memos; invitation list","Invitation, 5 photos, slides; correspondence with visitors; internal memos; checklists; correspondence; clippings; drawing (installation); correspondence with lender; invitation list; IPR's; budget information; notes; research","Clippings","Invoices; research; correspondence with lenders; 1 copy of catalogue","Correspondence with lenders; research","1 invoice; research","Research","10 photos; correspondence with lenders; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Slides; 1 reel to reel audiotape","Correspondence with HHK; internal memos; correspondence with other institutions","Invoices; IPR's; internal memos","Correspondence with Attorney General; exhibition contract; facilities report","Two photos (not in exhibit); museum mailings; clippings; label copy; internal memos","Mailing, 1 photo; 12 new photos; internal memos; proposals, HHK materials; mailing copy; schedules; notes","Photos; checklists; internal memos; catalog copy; label copy","Slides; label proofs","Correspondence with Portland Art Association of Portland Art Museum (organizer); internal memos; exhibition contract","Four photos; shipping info \u0026 receipts; internal memos; correspondence with other institutions [mainly Allentown Art Museum]; invoices; notes; IPR's; research","Internal memos; purchase orders; correspondence with other institutions; research","\"Why We Commemorate\" by Armenian National Committee, invitation; 1 transparency; one copy of brochure; schedules; label copy; internal memos; clippings; Portland Art Museum materials; invoices; IPR's; correspondence with Turkish ambassador; Allentown materials; notes; checklists; correspondence with Binney","Invitation list; 1 copy of invitation","10 slides; 'Scribbler' Twombly clipping, mailing card; 3 photos; label copy; checklists; clippings; DIA Art Foundation materials (organizer); invoices; catalog copy","Internal memos; correspondence with Newport Harbor Art Museum (organizer); correspondence with speaker; correspondence with visitors; drawings (installation); exhibition contract; correspondence re: rescheduling","Slides; 6 photos; 12 duplicate photos; duplicates: mailing card, 2 clippings","Slides","Checklists; label copy; catalog copy","Notes; internal memos; drawing (installation); checklists; correspondence with Delaware Art Museum (Collection home)","Label copy; catalog copy; research","Mailing brochure, catalog; slides; 3 transparencies; 19 photographs; 1 negative; 6 duplicate photos; internal memos; press release; label proofs; clippings; Delaware materials","One photo; research; notes","Invoices; IPR's; check requests; internal memos; correspondence with vendors","Internal memos; clippings; correspondence with Delaware Art Museum; correspondence with lender; correspondence with visitors; correspondence with other institutions","Clippings; bulletin; internal memos; correspondence re: publications; catalog copy; label proofs; mailing brochure copy","6 photos (duplicate in Folder 20); 1 internal memo","Notes; research","Notes; checklists; loan agreements","Checklists","Correspondence; notes","Correspondence with Office of Attorney General; exhibition contract drafts; internal memos","Exhibition contract; internal memos; correspondence with DIA","Exhibition contract; budget information; correspondence with Philbrook; internal memos; loose material \u0026 notes re: 18th century prints of antiquity/archaeology","Photos; correspondence; internal memos; budget information; notes; schedule","Internal memos; IPR's","Internal memos; IPR's; \"Publicity Outline\" report","Schedules","\"A Loan Exhibition on Display at the Virginia Museum\"; internal memos","1 piece of correspondence with Fine Arts Museums of San Francisco","Correspondence; budget information; internal memos","Internal memos; budget info [info re: Council Anniversary Fund]; notes","Symposium brochure, 2 transparencies; 2 new transparencies","Correspondence with lender (Frank Raysor); internal memos","Notes; research","Correspondence with lender (NGA); checklists","Correspondence with lender (MFA Boston); checklists","6 photos; label copy; checklists; brochure copy; loan agreements; correspondence with lender (Raysor); research","Correspondence with PAFA (organizer) [Pennsylvania Academy of Fine Arts]; clippings; internal memos; invitation; PAFA materials","24 slides; negatives; 4 photos; 4 transparencies; 1 duplicate transparency; clippings; 1 poster","Correspondence with PAFA; invoices; IPR's; internal memos; 2 envelopes of material: 1) 14 photos, 2 duplicate photos; 2) 5 photos","6 photos; 10 duplicate photos; exhibition proposal from PAFA; envelope of PAFA materials","Internal memos; notes; guest list for opening","Invitation; internal memos; guest lists; notes","Internal memos; mailings; correspondence with speakers; script copy; correspondence with PAFA; schedules","One annotated copy of catalog; checklists; notes","Catalog proofs; notes","Correspondence with visitors; correspondence with lenders; correspondence with PAFA; internal memos; exhibition contract","Invitation, catalog; correspondence with PAFA; invoices; internal memos; invitation copy; checklists; label copy","Schedule of payments; consultants; responsibilities","Correspondence with Donaldson; c.v.; notes; research; writings; drafts","Correspondence with Donaldson; c.v.; notes; research; writings; drafts","Correspondence with Corn; c.v.; notes","Correspondence with Wood; c.v.; notes","Correspondence with Davis; obituary and correspondence with wife after his death in 3/81; c.v.; notes; brochure for his book \"Intellectual Life in the Colored South\"","Correspondence with Williams; c.v.; notes","Checklists","One internal memo","One piece of correspondence with Robert Zimmerman (Baltimore Museum of Art); 2 blank travel vouchers with Zimmerman's signature \u0026 55#","Budget information; 2 invoices from Cumberland Art Conservation Center (Nashville)","Correspondence with Atlantic Van Lines; notes","Budget information; clippings \u0026 press materials related to Greek Vases","One internal memo re: promotion budget","One piece of correspondence with prospective intern; one index card with name","Correspondence with one musician; notes; scores; one internal memo re: NEA grant (denied); \"Writing Realistic Grant Budgets\" from Museum News","Interim report for NEH Grant","Correspondence with NEH; copy of grant administrator guidelines","Correspondence with Tormey re: advertising project for Philip Morris","Two blank requests; 1 complete request","Photos; [note: not all included in final exhibition]","Correspondence with various companies re: slide set duplication; invoices","Correspondence with various institutions re: potential bookings","Correspondence with institutions who declined a potential booking; internal memos","Clippings; one internal memo re: TVA","Correspondence with Coggins (Southern painting collector); correspondence with Berry-Hill Galleries re: exhibition of Coffins' collection","Correspondence with Wolfe re: possible lecture","List of proposed programs; [collection of internal memos from David Griffith inserted here]","Correspondence with American Heritage Publishing re: catalog; proofs; one internal memos \u0026 1 piece of correspondence re: Philip Morris","Brochure copy; internal memos; copies of other children's brochures","One phone message","Loan agreement; correspondence with lender (MESDA); artist worksheet","Loan agreement; correspondence with lender (Charleston Museum is lender); artist worksheet","Loan agreement; correspondence with lender (MESDA); notes; artist worksheet","Loan agreement; correspondence with lender (Muscarelle); conservation report; memo re: treatment; artist worksheet","One photo; loan agreement; correspondence with lender (Brodnax \u0026 Associates); artist worksheet","One photo; loan agreement; correspondence with lender (Brodnax \u0026 Associates); artist worksheet","Research; conservation report; artist worksheet","Correspondence with Wintherthur; artist worksheet; conservation reports","Loan agreement; correspondence with Club (lender); conservation bill","Correspondence with lender (Maria Tabb); artist worksheet; receipt","Correspondence with lender (NPG); research","Loan agreement; correspondence with VHS; research","Three photos; loan agreement; correspondence with NYPL","Loan agreement; copy of accession card","One photo; loan agreement; research; correspondence with Andrew Christian; condition report; artist worksheet","Correspondence with lender; artist worksheet; research","Correspondence with lender (Colonial Williamsburg)","Correspondence with lender (Pennsylvania Academy of Fine Arts); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","1 duplicate slide; correspondence with lender (Mordecai Square Historical Society); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","One photo; correspondence with lender (St. John's Lutheran Church, Charleston); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","13 slides; correspondence with lender (Hunter Museum of Art); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Two photos; correspondence with Cheekwood re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","One photo; correspondence with Tulane re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","7 photos; correspondence with Ulrich re: damage; loan agreements; condition reports","Four photos; correspondence with Valentine re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","One photo; correspondence with VHS re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","One photo; shipping information and receipts; condition logsheet; correspondence; loan agreements","One photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","One photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Four photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","5 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","6 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; 1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos, 1 slide, 1 duplicate transparency; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","11 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","5 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; 1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","10 photos; 1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","6 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","6 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 photo; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 photo; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","2 photos; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 photo; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","2 photos; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 slide; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Two photos; condition logs; shipping information \u0026 receipts; loan agreements; correspondence","Invoices from Atlantic Van Lines","List of lenders; correspondence; Request for Travel Authorization forms; shipping information \u0026 receipts","Invoices; correspondence; internal memos","Clippings; correspondence; internal memos; shipping information","Correspondence; checklists; shipping information","Exhibition agreement; request for travel authorizations; correspondence; shipping information; loose pages – budget information 1 copy of catalogue; checklists; forms; correspondence","Checklists; correspondence with Tabb, Brockenbrough \u0026 Ragland","Invoices; purchase orders","Invoices; checklists; budget information","Invoices; checklists; budget information","Internal memo; receipts","Internal memos; checklists; correspondence","Correspondence; budget information; internal memos; invoices; budget reports; checklists","Checklists; correspondence; invitations; internal memos; NEA Grant draft; correspondence re: opening; correspondence with Philip Morris","Internal memos; correspondence; request for travel authorization; invoices; itineraries","45 slides; correspondence with Richmond Conservation Studio (reports) – Cleo Mullins; notes; loose notes: checklists, correspondence; notes","Three of the exhibition agreements","Two photos; artist's work sheet","Correspondence with Briggs re: reproduction","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; 2 slides; correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 duplicate photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Selected bibliography copy","SEMC's 2nd annual meeting materials; Charleston materials; correspondence; request for travel funds","Correspondence with other institutions; checklists","Agenda; list of registrants","Agenda; list of registrants; notes; research copy; checklists","Agenda; list of registrants; notes; research copy; checklists","Agenda; list of registrants; notes; research copy; checklists","Agenda; list of registrants; notes; research copy; checklists","Correspondence re: ball and other programming; photocopies of pictures","Correspondence \u0026 research re: possible trips","Notes","Correspondence re: books to sell in shop; loose papers re: guest curators","Schedule of payment; responsibilities","Biographical information; research; correspondence","Biographical information; research; correspondence; research","Biographical information; research; correspondence; research","Biographical information; research; correspondence; research","Biographical information; research; correspondence; research","Budget information","Exhibition contract; internal memos; correspondence with MOMA","Exhibition contract; internal memos; correspondence","Exhibition contract; internal memos; correspondence","Exhibition contract; internal memos; correspondence","Exhibition contract; internal memos; correspondence","16 photos; invitations; correspondence","Internal memos; correspondence; budget information; IPR's; invitation copy; checklists; calendars","Correspondence; internal memos; invitation list; invoices","Clippings; correspondence; internal memos; correspondence with Forbes","Internal memos; correspondence with Forbes; IPR's; budget information; Kip Forbes' biographical information","Internal memos; checks; correspondence re: tapes","Internal memos \u0026 correspondence re: Acoustiguide","Research; Acoustiguide script","One photo; invoices; IPR's; internal memos","IPR's; correspondence with Forbes; checklists","Notes; internal memos; correspondence with Forbes; copy of 1947 Pratt announcement","Two photos","Internal memos","IPR; note","Research; program proposals; press release","Blank travel reimbursement vouchers with SSN's; meeting notes","Correspondence with Forbes mainly (also Council, conservator)","6 photos; 2 duplicate photos; guest book for visitors; correspondence from visitors; 1 copy of TVA \"Gin Game\" program; internal memos; research; clippings; IPR's; invoices; correspondence with Forbes","Weekly reports; Acoustiguide; cost reports; attendance reports","Article copy; loose book dust jacket","Checklist copy; checklist proof; loose bulletins, plus 1 piece of correspondence","Label copy; research","Label copy; label proofs","Correspondence with Forbes; correspondence with Acoustiguide; label copy; research","One photo; correspondence with CINOA; internal memos; correspondence with visitors; label copy; checklists with insurance values; clippings, invitation copy; schedules; installation drawing; budget information; correspondence re: opening; research; invoices","Internal memos","Three photos; publications catalog","Catalog copy","Correspondence with CINOA; foreword copy; checklists; internal memos","Correspondence with CINOA; internal memos","Correspondence with CINOA; clippings; notes; internal memos","Correspondence with CINOA; exhibition contract; notes; photocopies of photos of exhibition at Metropolitan Museum of Art","24 duplicate photos; 10 new photos","Correspondence; internal memos; invoices; notes; checklists [correspondence only with Kimbell]","Correspondence with Hunts; Collectors Circle invitation; clippins; checklists; internal memos","One photo; \"Ancient Art Shows Shifting Images\"; clippings; Kimbell materials, 1 copy of poster; attendance figures","Outline; correspondence with speaker; itineraries; invoices; internal memos","Two photos; copy of a review; correspondence with Kimbell; internal memos; Mayo essay copy; correspondence with Mayo; essay; reviews","Invitation; invitation copy; mailing lists; internal memos","13 slides; condition reports; correspondence with Getty conservator; correspondence with Kimbell; internal memos; research","Attendance figures","Correspondence with Kimbell; internal memos; checklists","2 photos; 19 photos; 3 drawings; checklists; purchase orders; internal memos; panel copy; label copy; correspondence with other institutions; invoices","Five duplicate postcards; correspondence with SITES (organizer); SITES material","Symposium brochure; correspondence with other institutions; correspondence with SITES; internal memos","Correspondence with Calouste Gulbenkian Museum (lender); internal memos; correspondence with IEF (organizer); IEF materials; correspondence with Lewises","Drawings (photocopies); correspondence; internal memos; checklists; label copy","Grant application (NEA); clippings; internal memos; IEF materials (including press release \u0026 fact sheet)","Exhibition contract; correspondence with Gulbenkian \u0026 IEF; internal memos","Label copy; label proofs; checklists","Correspondence between Ernst and Brown regarding being collector of the year (he declined); correspondence from Anne, which includes copies of correspondence between Lothar Griesbach (\"who edited Kirchner's Diary of Davos\") and Ernst regarding paintings the Fischers acquired before collecting Expressionists","Correspondence in the late 1970s between Pinkney and Ernst regarding his collection, including photocopies of pictures of the house taken when PN went to Frankfurt in 1976; correspondence in the mid 1980s between Pinkney and Anne regarding the museum","Typeset copy of Fred Brandt's interview with Mrs. Fischer, 32 pages","Typeset and annotated copy of Fred Brandt's interview with Simon and Fischer, 18 pages","Internal memos and correspondence regarding exhibition, including Anne to Fred, Perrot, and others","Internal memos and correspondence regarding exhibition, including Anne to Fred; correspondence between Simon and you regarding loan forms, checklist accuracy, and one photocopy of a handwritten document detailing the ownership of the collection","Internal memos and correspondence regarding the exhibition catalog","List of 27 questions for Fred's interview with Mrs. Fischer, in various forms; includes some of Fred's notes","Invitation","1 photo","Catalog","9 photos","Budget information; invoices; notes; correspondence \u0026 contracts for M.H. de Young (San Francisco) and Kimbell; notes; correspondence and invoices for author's contract","Budget information; internal memos","Correspondence; invoices; contracts for MOMA design \u0026 labor","Notes; internal memos; check requests","Brochure; internal memos; correspondence with de Young; brochure copy; Kimbell materials; 1 copy of brochure","Internal memos; correspondence with de Young; brochure copy; Kimbell materials; 1 copy of brochure","Internal memos; contract copy; correspondence with institutions; checklists","Internal memos; notes; installation drawing (copy)","Internal memos; label copy","Internal memos; attendance figures","Correspondence re: insurance","Internal memos; correspondence with Colin Morris; contract","Invoices; check requests; correspondence with institutions; internal memos","Brochure, press packet; Kimbell materials; invoices","Internal memos; correspondence with press; author C.V.'s; correspondence with authors; catalogue copy","Budget information; NEA report; internal memos","Label proofs","Internal memos; budget information; invoices; check requests; reports; catalogue copy (including checklist)","Photographs; correspondence with Trust for Museum Exhibitions (organizer); catalog copy (including checklist); 1 annotated copy of catalog","Checklists; correspondence with Trust for Museum Exhibitions; drawing (copy)","Correspondence with Trust; internal memos; correspondence re: Federal Indemnity Act; J.B. Speed materials","Internal memos; budget information; schedule","Contract; correspondence with Trust","Press release; press packet; label proofs; label copy; old correspondence with Cheek re: possible exhibition of his early Theatre drawings in 1987; internal memos; TVA materials; notes","Label proofs; clipping","Checklists; internal memos; clippings","Correspondence from visitors; internal memo re: opening","Invitation; checklist","Correspondence with IEF (circulator); contract; internal memos","Correspondence with Chester Beatty Library (organizer); correspondence with IEF; internal memos","Research","Empty folder","Five photos; IEF materials; research; installation drawing (copy); checklists; budget information; correspondence with IEF","Three photos; educational packet; SITES materials (circulator) including checklists; actual labels; internal memos; installation drawing (copy); invoices; study guide; 1 copy of brochure; 1 copy of mailing","Contract; correspondence with SITES; correspondence with Attorney General","Loan agreements; correspondence with lenders","Smithsonian mailer; internal memos; notes; clippings; correspondence; budget information; correspondence with SITES","SITES materials","8 photos; internal memos; invoices; correspondence with Craft Museum; brochure, \"Philip Morris and the Arts'; press release; craft materials","Internal memos; checklists; Craft Museum materials","Correspondence with Craft Museum; contract; invoices; internal memos","Internal memos; checklists; notes","Internal memos; correspondence with Mount Holyoke College Art Museum (organizer)","Internal memos; correspondence with Mount Holyoke; internal memos; invoices; correspondence with Attorney General; 1 copy of brochure","Internal memos; correspondence with Mount Holyoke; Mount Holyoke materials","One photo; internal memos; incident report; hygrometer readings; correspondence with lenders; correspondence with Art Gallery of Ontario (organizer); hygrometer information; piece of fabric; press kit; clippings; correspondence with Glasgow Library","Internal memo re: attendance; check copy","Internal memos; notes; correspondence with Glasgow","Contracts; internal memos; correspondence with institutions; correspondence with Attorney General; invoices","Drawings (copies); checklists; Ontario materials","Internal memos; correspondence with Ontario","Ontario materials","Checklists; Ontario materials; correspondence with Glasgow; budget information","1 photo; 1 new photo; invoices; budget information; correspondence; internal memos; 1 copy of Sept/Oct '88 Bulletin; checklists; clippings; drawings","Budget information; invitation; internal memo; label copy","Contract; correspondence with Center for African Art (organizer); correspondence with Attorney General","Catalog copy; catalog proofs; correspondence with Center for African Art","Research; article","Research; article","Research (copy of catalog article)","Label coy; research; correspondence with Center for African Art","Press release; CFAA materials; checklists","Label copy","13 photos; 2 duplicate photos","Clipping; internal memos; contract drafts; invoices; Bulletin copy; exhibition contracts","Correspondence","Correspondence","Correspondence","Two photos; contract drafts; press releases; correspondence with Attorney General","9 slides; 8 photos; drawings; invoices; correspondence with IMA [Indiana Museum of Art] (organizer); exhibition contract; catalog copy; checklists; press releases; internal memos; research; correspondence with Attorney General; 1 catalog/brochure","Checklists; notes; internal memos; correspondence with IMA; IMA materials","Label copy","21 slides; 1 transparency; 29 photos; other institutions' materials; correspondence with Philbrook (organizer); internal memos; Philbrook materials; checklists; label copy; mailing lists; Philbrook press packets; press releases","Contract; correspondence with Philbrook; internal memos","Correspondence with Philbrook; internal memos; budget information","6 photos; duplicates: brochure, invitation; media kit; internal memos; High Museum materials; Studio Museum poster; American Museum Association 1987 catalog; drawings; research","Checklists; label copy","Notes; label copy; label proofs","Internal memos","6 photos; press release (Philbrook); checklists; correspondence with AMA","Internal memos; correspondence with other institutions","Exhibition contract; correspondence with AFA \u0026 AMA","1 clipping; budget information","Internal memos; contract; correspondence; checklists","Contract; correspondence with Denver Art Museum (organizer); correspondence with Attorney General","Postcard mailing; 3 photos; internal memos; exhibition contract; drawings; 1 copy of 1990 Un/Common Ground prospectus","Contract; correspondence with Southeastern Center for Contemporary Art; AVirginia brochure","Internal memos; checklists; correspondence with SCCA; label copy; clippings; SCCA materials","1 copy of catalog; internal memos; checklists [George Cruger show]","Correspondence with Names Project; internal memos; media materials","One photo; internal memos; correspondence with Menil Collection; press releases; label copy; drawings; invoices; exhibition contract; checklists","Correspondence with Menil; label copy; internal memos; drawings; checklists, research","2 photos; checklists; label copy; internal memos; correspondence with Virginia Dept. of Education; artwork permission forms","Internal memos; invoices; correspondence with Philadelphia Museum of Art (lender)","7 photos; internal memos; invoices; label copy; press releases; budget information correspondence with Carter Collections' curator; correspondence with speaker","Internal memos; correspondence with Carter Collection; security system specs and drawings","Correspondence with MOCA Chicago (lender); label copy; internal memos; research","Internal memos; correspondence with BEST; checklists","Correspondence with AFA; drawings; AFA materials checklists; invoices; clipping","Mailing lists","Clippings; correspondence; research","Correspondence; correspondence with AFA; AFA materials","Label copy","Correspondence with AFA; research re: African dance","Correspondence; checklists; invoice","Internal memos; correspondence with AFA; correspondence with videographer and contract","Internal memos; research; events listing","Internal memos; correspondence with AFA","Internal memos; contract; budget information; invoices; correspondence with AFA","Notes; internal memos","Checklists; correspondence with AFA","Checklists; label copy","Checklists; correspondence with AFA","Checklists","Checklists","Empty folder","Clippings","Clipping","Label copy","Brochure; correspondence; budget information; drawings; mailing list","Internal memos; correspondence with LACMA (organizer); brochure copy","Correspondence with LACMS; contract; correspondence with Attorney General; research; budget information; correspondence with David Foundation","Two photos; internal memos; press release; checklist; correspondence with LACMA; correspondence with David Foundation","MIT mailer; internal memos; clipping; budget information","Contract; correspondence with MIT list Visual Arts Center (organizer); correspondence with Attorney General; internal memos","MIT materials (including checklist); correspondence with MIT; internal memos","Correspondence with MIT; internal memos","Two photos; 4 slides; internal memos; budget information; notes; checklist; drawings","Internal memos; checklists; correspondence with Laguna Art Museum (organizer); Laguna materials (including press release, clippings)","Correspondence with Laguna; contract; internal memos; correspondence with Attorney General","Checklist; correspondence with AIA; internal memos; correspondence with architects","Correspondence with Baskervill \u0026 Son; internal memos; checklists; label copy","Internal memos; correspondence with St. Catherine's (lender); checklists","Internal memos; budget information; label copy; catalog copy; invitation copy; clippings; biographical information; checklists","Internal memos; checklists; label copy; correspondence with Council; 1 copy of catalog","Label copy; checklists; internal memos","Checklists; notes; catalog proofs","Internal memos; budget information","Internal memos; checklists; label proofs; drawings; invitations","Internal memos; schedules; clippings; prospectus; press release; checklist proofs; drawings","Internal memos; budget information; correspondence with lenders","Internal memos","Press release; internal memos; invoices; mailer; contract; budget information","Panel \u0026 label copy \u0026 proofs; drawings","Internal memos; invoices; checklists; correspondence with lenders; budget information; clippings","Internal memos; press release; DIA materials (organizer); budget information; drawings; contract","Internal memos; correspondence with DIA; invoices; correspondence with Attorney General; checklists","Internal memos; correspondence with DIA; checklists","Exhibition contract; correspondence with DIA","Three photos; duplicates: clipping; clippings; internal memos; checklist; exhibition contract; invoices; correspondence with LACMA (organizer); 1 copy of Councillor (Spring '90)","Budget information; correspondence with LACMA","Clippings; internal memos","Internal memos","Mailing list for gala","Correspondence with LACMA; checklist","Mailers; internal memos; correspondence with LACMA; correspondence with lenders; LACMA materials; internal memos","Checklists","Checklists","Internal memos; drawings; schedules; correspondence with LACMA","Panel and label proofs","Label copy","Invoices; internal memos; layouts; meeting reports","Correspondence with Albemarle Farms; internal memos; clippings; invoices; press release; correspondence with Kluges; correspondence with conservator; drawings","Internal memos; clippings; correspondence with Philbrook; shipping information; budget information; drawings","Internal memos; drawings","Internal memos; checklists; correspondence with Virginia Department of Education","Guest book; notes; press release; drawings; invitation; clippings; internal memos; hygrometer readings; contract; correspondence with National Trust for Exhibitions (organizer)","Correspondence with Trust for Museum Exhibitions; internal memos; mailing list","Internal memos; drawings; sales records; script copy; correspondence","Usage statistics; tour schedules; internal memos; correspondence","Invitation; correspondence with Trust for Museum Exhibitions; 1 copy of CMA brochure; Acoustiguide materials (contract, usage statistics, correspondence); budget information; notes; internal memos; hygrometer readings; clippings; tour statistics","Publications' materials (including schedules \u0026 drafts \u0026 copy); internal memos; 1 copy of honor roll card","Correspondence with Trust for Museum Exhibitions; correspondence with lenders; internal memo","Internal memos; correspondence with Trust; drawings; checklists","Contracts; correspondence with Trust; internal memos","Internal memos; correspondence with Trust; scripts; narrator biographical information; tour lists","27 slides; press release; drawings; invoices; label proofs; correspondence with Walter Art Center (organizer); Walker materials; internal memos; brochure","Internal memos; correspondence with Walker; Walker materials","Exhibition contract; internal memos; correspondence with Walker; checklists; invoices","Slides; internal memos; label copy; invitation copy; Art Services International materials; correspondence with Terra (another venue); correspondence with ASI; notes; budget information; correspondence with Maier; checklists; research; contract; 1 copy of invitation","Internal memos; budget information","2 photos; label copy; correspondence with Royal Collection; hygrometer readings; attendance figures; clippings; drawings; budget information; contract; correspondence","Internal memos; correspondence; correspondence with Embassy; 1 copy of invitation; correspondence with Kimbell (another venue); correspondence with Royal Collection","Invoices; internal memos; correspondence","Empty folder","Photographs; internal memos; invoices; correspondence with Royal Collection; hygrometer readings; checklists","Correspondence with Royal Collection; checklists; internal memos; label proofs","Xeroxes of photos","Correspondence with Royal Collection; label copy","Contracts; internal memos; correspondence with Kimbell; correspondence with Royal Collection","Invoices; internal memos; correspondence; correspondence with Royal Collection; checklists","Internal memos; label copy","Panel and label proofs; checklists; internal memos","Internal memos; George Eastman House materials (organizer); correspondence with GEH; invoices; exhibition contract","30 slides; 6 duplicate slides; invitations; exhibition contract; internal memos; correspondence with Dallas (organizer); checklists; Dallas materials","Internal memos; drawings","Drawings; internal memos; correspondence with Dallas; checklists; label copy","Internal memos; correspondence with Dallas; checklists; publications copy","Brochure; internal memos; press releases; invitations; clippings; publications copy","Internal memos; checklists; other institutions' materials","High Museum press kit; brochure; docent training packet; 5 ¼\" floppy with labels","Internal memos; label copy; correspondence with institutions","Panel \u0026 label proofs \u0026 copy","Internal memos; panel \u0026 label proofs; press release; correspondence with Virginia Department of Education; checklists","Internal memos; layout","One slide; duplicates: brochure, checklists, 2 summaries; St. Petersburg Museum of Fine Arts press kit; press release; internal memos; exhibition contract; correspondence with St. Petersburg; correspondence with Attorney General","Budget information; drawings; internal memos; correspondence with St. Petersburg; research; label proofs \u0026 copy","Correspondence with St. Petersburg; invitation; internal memos; correspondence with Belmont","Internal memos; brochure; invitation; St. Petersburg materials; research","Label \u0026 panel proofs \u0026 copy; correspondence; invoice","Internal memos; checklists; label \u0026 panel proofs \u0026 copy","Internal memos; correspondence with sponsor; label \u0026 panel proofs; other catalogs; research","One photo; catalog; NSAL materials; research, correspondence with NSAL; internal memos; checklists; loan agreements; 1 copy of \"The Luxury of Tears\" – winning stories from NSAL competition; publications copy","Panel, label \u0026 catalog proofs \u0026 copy","Four photos; invoices; internal memos; correspondence with Rijksdienst; loan agreement","Three photos; internal memos; correspondence with Rijksdienst; label proofs","Correspondence with UVirginia re: possible showing; drawing","Checklists; drawing; catalog copy","Internal memos; Bayly label proofs; drawings; correspondence with Bayly; checklists","Clippings; internal memos; notes; invoices; panel copy; checklists; research","Invitation; internal memos; invoices; budget information; contract; layouts; correspondence with other institutions; exhibition proposal","1989 catalogue; checklists; label proofs; drawings; correspondence with Council","Brochure; guidelines; internal memos; drawing; invitation","Checklist","Checklists; internal memos","Correspondence with Council; drawings","Checklists; internal memos; correspondence with Council","Six photos; internal memos; layouts; checklists; brochure","Brochure; 40 slides, photographs; internal memos; drawings; correspondence with Trust for Museum Exhibitions (circulator); checklists; Trust for Museum Exhibitions materials; Trust press kit; panel \u0026 label proofs; exhibition contract","Internal memos; correspondence with Trust; invoices","Invoices; internal memos; correspondence with Trust; clippings; checklists","Exhibition contract; invoices; internal memos","This series is comprised of information regarding general exhibition management. Information may include correspondence, exhibition schedules and programming, long term planning, potential partnerships with other organizations, exhibition committees, couriers, grant applications, protection of artwork, collectors, and reports. Files on potential exhibitions conceived by the museum but never presented are also included.","This series is comprised of information on gallery renovations, installations, reinstallations, fire suppression studies and hazard analyses, storage policies, and other related buildings and grounds files.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Virginia Museum of Fine Arts -- Exhibitions","Virginia Museum of Fine Arts -- Art collections","English \n. "],"unitid_tesim":["RG-23","/repositories/2/resources/355"],"normalized_title_ssm":["Records of the Exhibitions Department (RG-23)"],"collection_title_tesim":["Records of the Exhibitions Department (RG-23)"],"collection_ssim":["Records of the Exhibitions Department (RG-23)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Virginia Museum of Fine Arts"],"creator_ssim":["Virginia Museum of Fine Arts"],"creator_corpname_ssim":["Virginia Museum of Fine Arts"],"creators_ssim":["Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"has_online_content_ssim":["false"],"extent_ssm":["193.0 Linear Feet 265 boxes"],"extent_tesim":["193.0 Linear Feet 265 boxes"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. \u003c/p\u003e\n","\u003cp\u003eAs custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.\u003c/p\u003e\n","\u003cp\u003eSeries 3 (Collections Management) is restricted as they contain sensitive information about acquisitions, insurance, security, and other issues related to the museum's art collection. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.","Series 3 (Collections Management) is restricted as they contain sensitive information about acquisitions, insurance, security, and other issues related to the museum's art collection. "],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 4 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series. The collection is minimally processed, so folder arrangement, titles, or dates are subject to change if additional processing occurs.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 1\u003c/label\u003e\n \u003citem\u003eExhibition Files, 1936-2012, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 2\u003c/label\u003e\n \u003citem\u003eExhibitions Management, 1936-2015, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 3\u003c/label\u003e\n \u003citem\u003eCollections Management, 1977-2004, undated [RESTRICTED]\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 4\u003c/label\u003e\n \u003citem\u003eGalleries, 1977-2004, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 4 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series. The collection is minimally processed, so folder arrangement, titles, or dates are subject to change if additional processing occurs.","Series 1 Exhibition Files, 1936-2012, undated Series 2 Exhibitions Management, 1936-2015, undated Series 3 Collections Management, 1977-2004, undated [RESTRICTED] Series 4 Galleries, 1977-2004, undated"],"bibliography_html_tesm":["\u003cbibref\u003eMany of the museum's exhibitions have published catalogs, which can be found in the Library's catalog \u003ca href=\"http://www.pandora.vmfa.museum/\"\u003ePandora\u003c/a\u003e or in the Archives \u003ca href=\"https://archives.vmfa.museum/repositories/2/resources/57\"\u003eCatalog Collection (PB-01)\u003c/a\u003e. \u003c/bibref\u003e","\u003cbibref\u003eFor each exhibition held at the museum, the Archives has a vertical file which may include announcements, clippings, press releases, brochures, reviews, invitations, small exhibition catalogs, and other ephemeral material. \u003c/bibref\u003e","\u003cbibref\u003e Some early exhibition records are found in the Archives \u003ca href=\"https://archives.vmfa.museum/repositories/2/resources/44\"\u003eDirector's Correspondence (RG-01)\u003c/a\u003e and curators often created their own exhibition records which are found in the Archives \u003ca href=\"https://archives.vmfa.museum/repositories/2/resources/24\"\u003eCuratorial Collection (RG-03)\u003c/a\u003e.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library and Archives"],"bibliography_tesim":["Many of the museum's exhibitions have published catalogs, which can be found in the Library's catalog Pandora or in the Archives Catalog Collection (PB-01) . ","For each exhibition held at the museum, the Archives has a vertical file which may include announcements, clippings, press releases, brochures, reviews, invitations, small exhibition catalogs, and other ephemeral material. "," Some early exhibition records are found in the Archives Director's Correspondence (RG-01) and curators often created their own exhibition records which are found in the Archives Curatorial Collection (RG-03) ."],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred from the Exhibitions Department through periodic deposits.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was transferred from the Exhibitions Department through periodic deposits."],"prefercite_html_tesm":["\u003cp\u003eRecords of the Exhibitions Department (RG-23). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Records of the Exhibitions Department (RG-23). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThis collection was originally processed from June through August 2011, and then reprocessed in 2016. During processing, non-permanent materials such as copies of meeting minutes, routine correspondence, copies of invoices, departmental budgetary information, and declined exhibition proposals were destroyed according to VMFA's Records Retention and Disposition Schedule. Periodicals, books, and exhibition catalogs were transferred to the Library's collection. All files before 1980 were rehoused in new archivally sound folders. Original folder titles were generally retained, when provided.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was originally processed from June through August 2011, and then reprocessed in 2016. During processing, non-permanent materials such as copies of meeting minutes, routine correspondence, copies of invoices, departmental budgetary information, and declined exhibition proposals were destroyed according to VMFA's Records Retention and Disposition Schedule. Periodicals, books, and exhibition catalogs were transferred to the Library's collection. All files before 1980 were rehoused in new archivally sound folders. Original folder titles were generally retained, when provided."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1936-2015, with the bulk of the material dating from 1979-2004. The collection is comprised of correspondence, exhibition schedules, budgets, grant applications, photographs, object lists, notes, collection statements, planning documents, project files, policies, loan arrangements and decisions, and other materials.\u003c/p\u003e","\u003cp\u003eThis series is comprised of information regarding exhibitions that were held at the VMFA. Files may include correspondence, schedules, contracts, photographs and slides, installation drawings and procedures, label and catalog text, budgets and invoices, insurance, venue information, and publicity.\u003c/p\u003e","\u003cp\u003eEntry card with tear-off for back of work; catalog; announcement\u003c/p\u003e","\u003cp\u003eCopies of checklists, shipping lists and prices (for sale); exhibition circulated by Art Institute of Chicago\u003c/p\u003e","\u003cp\u003eCatalog; packing list with values, 2 different ones\u003c/p\u003e","\u003cp\u003eProspectus of season, 1937-1937; large typed, spring bound copy of annotated text for inaugural exhibition catalog containing: catalog of paintings in the Museum, budget materials for exhibition, timeline of early Museum, all types of exhibition materials, gallery layout and drawings\u003c/p\u003e","\u003cp\u003eInvitation; copy of Strause Collection catalog; 1936-37 prospectus of program; 1958 letter between Muriel Christison \u0026amp; Oscar Lang of Minneapolis re: Strause exhibition\u003c/p\u003e","\u003cp\u003eEntry blank; prospectus/rules; catalog/ invitation/mailing label; submission tag; generic letter for Virginia photo clubs or possibly for shops to request submissions\u003c/p\u003e","\u003cp\u003eInvitation; catalog; inventories from the exhibition; catalog copy; copy of foreword (typed); letter from Margaret May Dashiell who loaned items; lots of correspondence from all over the country; lists of sponsors\u003c/p\u003e","\u003cp\u003eExtensive correspondence regarding memorial committee and its purchase of a memorial; his works; and fundraising efforts; Colt was treasurer. The Committee also paid off all of the debts for Walker's illness, donations coming from across the country. Thank you letters in alpha order, hundreds of them, plus originals from donators; a few have copies of bookplates attached; original loan requests and replies; original Christmas card with Walker print of a home in Connecticut (1931) and a memorial card that he created in 1936\u003c/p\u003e","\u003cp\u003eInvitation; catalog; list of paintings from Burch and Schulze with dimensions\u003c/p\u003e","\u003cp\u003eInvitation; list of pieces to be shipped from Shearwater Pottery, with coding to indicate glazes\u003c/p\u003e","\u003cp\u003eCopies of inventories, plus amendment, text; mainly correspondence regarding loans including shipping receipts\u003c/p\u003e","\u003cp\u003eCatalog, entry card, invitation, announcement; 1 copy of 5th catalogue (1936); Colt's notes\u003c/p\u003e","\u003cp\u003eCorrespondence with artist; catalog copy; checklists (some with prices)\u003c/p\u003e","\u003cp\u003e1 photograph; duplicates: announcement, patron card (sent with invitation); correspondence with artist; shipping information and receipts; budget information; catalog proofs; schedules; invitation list; 1 copy of catalogue; list of sales\u003c/p\u003e","\u003cp\u003eInvitation; copies of inventories with insurance values; single copy of catalog\u003c/p\u003e","\u003cp\u003eNewspaper clippings; genealogical charts; typed copy of article, \"Colonel William Byrd of Westover,\" by Lucy Parke Byrd\u003c/p\u003e","\u003cp\u003eLetters of solicitation (ex.: one to O'Keeffe); shipping/return correspondence; correspondence with jurors (including Hopper) including discussion of invited artists list; rough draft of jury selection rules; correspondence with galleries (mainly in New York City) for artists to enter competition\u003c/p\u003e","\u003cp\u003eInvitation; card of admission; information request postcard; thank you card; entry card (regular-red); entry card (invited-orange); receipt card; announcement; rejection notification; list of 125 paintings invited and accepted; prospectus; jury memorandum; list of invited artists divided by gallery; list of deliveries for return of paintings\u003c/p\u003e","\u003cp\u003eHundreds of rejection forms with return shipment affirmation signed below (includes artist name and title of work)\u003c/p\u003e","\u003cp\u003eInvitation; World's Fair circular of information; list of paintings to be included; World's Fair circular of information (8 pages); Adele Clark and Leslie Cheek on panel for southern states; reports to Colt on state committees\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eCatalog; letter from Anne Moncure to Colt explaining pictures; typed copy of \"History of Ambler Family\" by J.J. Ambler, 1826; list of portraits; typed copy of catalog text; 4 photographs of portraits - Katherine, William, and St. George Moncure, grandchildren of Colonel John Ambler; Mary Cary, wife of Edward Ambler; Colonel John Ambler; wife of Dr. Peterfield Trent and his two daughters\u003c/p\u003e","\u003cp\u003eOne copy of catalog; list of paintings; 1 letter\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with jurors\u003c/p\u003e","\u003cp\u003eCorrespondence with Committee of Virginia Artist Commission; correspondence with artists submitting models; rejection letter; shipping correspondence; invoices; correspondence with U.S. Department of the Interior, NPS, Fredericksburg; correspondence with Virginia Conservation Commission; Correspondence with Douglas Southall Freeman, Editor of the Richmond News Leader; correspondence with National Sculpture Society, Commission for the Arts, and Senator John Warwick Rust; loan of a portrait of Stonewall Jackson from Adler in NYC; correspondence with Leslie Cheek, the Sons of Confederate Veterans; news release; planning and invitations for the preview; correspondence with the United Daughters of the Confederacy and with Joseph Pollia, the winner\u003c/p\u003e","\u003cp\u003eEntry card; invitation to meet the jurors; invitation to preview of models; announcement; map of site; news release; list of members of Sculptors Guild; Pollia's curriculum vitae\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eInvitation, catalog; text of catalog with drawings of mock-up and list of drawings\u003c/p\u003e","\u003cp\u003eAnnotated catalogs of early shows, correspondence with Mrs. Holden, shipping information\u003c/p\u003e","\u003cp\u003eCatalog, invitation; typed biography in first person, list of paintings, curriculum vitae\u003c/p\u003e","\u003cp\u003eCorrespondence with Pan American Union in D.C.; Comisión Nacional de Bellas Artes; shipping information; correspondence with Governor; Department of State; national press (Time, New York Times, Town \u0026amp; Country, Antiques Magazine, Washington Post, United Press); copies of speech materials for guests at preview; letter from Emilio Pettoruti\u003c/p\u003e","\u003cp\u003eAnnouncement; banner; one catalog; solo copies of invitations to preview and meet the Ambassadors at the Commonwealth Club\u003c/p\u003e","\u003cp\u003eInventories with sizes, values and damages noted; customs forms; shipping information; annotated catalog\u003c/p\u003e","\u003cp\u003eCorrespondence, speech copy\u003c/p\u003e","\u003cp\u003eCorrespondence with L.B. Houff at the American Federation of Arts; shipping information\u003c/p\u003e","\u003cp\u003eCorrespondence with Klapperach; Argentine government participation; New York World's Fair 1939; speech copy; foreword copy; shipping information\u003c/p\u003e","\u003cp\u003eShipping receipts, packing lists; lists of addresses of sponsors, lenders, press, museums, invitation lists\u003c/p\u003e","\u003cp\u003eCorrespondence with Marval, Commissioner General of Argentine government; participation; shipping information; planning information; customs and sales information\u003c/p\u003e","\u003cp\u003eInvitation list; art critics list; memos; schedule of radio program and typed text; Commonwealth Club menu; speech texts\u003c/p\u003e","\u003cp\u003eInventories of paintings that would go from New York to San Francisco to Riverside Museum; correspondence with Museum about shipping; shipping receipts\u003c/p\u003e","\u003cp\u003eFreight bills; shipping receipts, correspondence with Treasury Department; customs forms, inventories with values\u003c/p\u003e","\u003cp\u003eCorrespondence with Alexander Weddell and J. A. de Marval\u003c/p\u003e","\u003cp\u003eOriginal mounted drawing by Leslie Cheek, Jr. for exhibition panels\u003c/p\u003e","\u003cp\u003eComments of the jury; award speech; copy of thank you letters; requests for catalogs, purchase information; publicity information; invitation lists; inventories; correspondence with artists; correspondence with jurors\u003c/p\u003e","\u003cp\u003eRejection letter; prospectus; \"an invitation,\"; invitation; receipt card; entry card (invited-yellow); entry card (regular-red); acceptance card; news releases; prospectus; catalog copy; comments of the committee; memos\u003c/p\u003e","\u003cp\u003eBound, typed list by gallery; inventories; correspondence with galleries and artists\u003c/p\u003e","\u003cp\u003eCorrespondence with jurors\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with Mrs. De Marclay\u003c/p\u003e","\u003cp\u003eCorrespondence; checklist; shipping information\u003c/p\u003e","\u003cp\u003eOne copy of catalog; gallery layout; mailer text; catalog listing; biographical text; artist's statement\u003c/p\u003e","\u003cp\u003eInvitation; catalog; correspondence with Adele Williams; inventories; biographical information; catalog text\u003c/p\u003e","\u003cp\u003eInvitation; catalog; correspondence with Willingham; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation; one copy of catalog; correspondence with Binford and lenders; shipping information; inventories with values; shipping information; gallery correspondence; catalog text\u003c/p\u003e","\u003cp\u003eInvitation; catalog; inventories, text copy, values, text of radio announcements/interviews; loan correspondence; galley proofs of label copy by Edward Davis\u003c/p\u003e","\u003cp\u003eInventory lists including insurance values; list of items by lenders; hundreds of shipping receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with galleries, dealers, and collectors/lenders; catalog proof\u003c/p\u003e","\u003cp\u003eInvitation; catalog; catalog copy, curriculum vitae; copy of Colt's introduction\u003c/p\u003e","\u003cp\u003eCatalog; invitation; catalog copy; biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence with Chrysler, Fox (curator), publicity people. Walter P. Sr. died in August of 1940, shipping and insurance information; inventories with values; opening plans; list of news and magazine articles (extensive)\u003c/p\u003e","\u003cp\u003eCocktail invitation; preview invitation; supper invitation; annotated proofs\u003c/p\u003e","\u003cp\u003eInventories; values annotated with van assignments (from NYC to Richmond \u0026amp; Richmond to Philadelphia); shipping and storage receipts and contracts; letter from Parke-Bernet in 1945 asking for prints as they were selling part of collection\u003c/p\u003e","\u003cp\u003eCorrespondence with Fiske Kimball, Director of Philadelphia Museum of Art re: shipping, insurance, inventories, division of cost\u003c/p\u003e","\u003cp\u003eInventories; radio program transcript; party list; invitations list; hostess list; timelines, schedules, memos, Leger came!\u003c/p\u003e","\u003cp\u003ePlan \u0026amp; prospectus re: showing his collection in South America; correspondence with Fox and Chrysler. Executive Committee turned it down\u003c/p\u003e","\u003cp\u003eOne copy of invitation and one copy of catalog\u003c/p\u003e","\u003cp\u003eInvitation; catalog copy and proof; inventory with values; correspondence with Concetta; shipping information; correspondence regarding publicity; correspondence re: broken statue and payment\u003c/p\u003e","\u003cp\u003eCatalog copy; one invitation; one copy of catalog; biographical data\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with jurors; letters to publicity; correspondence with galleries; shipping information; list of awards; clippings; rejection postcard; one entry card; one catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with Federal Works Agency; with institutions before (with Lyman Allyn Museum, New London, CT) and after (with Institute of Modern Art, Boston) traveling exhibition; invitation list; correspondence with Richmond Housing Authority, decision later in favor of Housing Authority in Norfolk instead of Boston\u003c/p\u003e","\u003cp\u003eCorrespondence with Riverside Museum, lenders; 1 invitation\u003c/p\u003e","\u003cp\u003eCorrespondence with Cincinnati Museum of Art, lender; installation; instructors; shipping information; news releases; invitations to college all over the state for preview; inventories; one invitation\u003c/p\u003e","\u003cp\u003eInvitation; catalog; catalog copy; biographical information; correspondence with Hattorf\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with artist; catalog copy; 1 catalog\u003c/p\u003e","\u003cp\u003eInvitation; catalog; correspondence with artist; biographical information; catalog copy; letters to publicity\u003c/p\u003e","\u003cp\u003eInvitation; catalog; catalog copy; biographical information; correspondence with artist and gallery\u003c/p\u003e","\u003cp\u003eList/receipts of items taken by Henry P. Strause from VMFA; annotated lists of items deposited at VMFA from H.P.S. for loan exhibition; numerous warehouse receipts\u003c/p\u003e","\u003cp\u003ePennsylvania Society catalog (1933); inventories by artist with values; correspondence; research\u003c/p\u003e","\u003cp\u003eInvitation; research correspondence to locate miniatures (potential lenders); catalog copy\u003c/p\u003e","\u003cp\u003eReceipts; inventories; index cards with owner's name \u0026amp; address (some with date stamp)\u003c/p\u003e","\u003cp\u003eAll receipts (large quantity), some with 2 copies, some with correspondence, some with shipping receipt from mail\u003c/p\u003e","\u003cp\u003eCatalog copy; invitation list; correspondence with state planning board, 1 copy of catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with Mrs. Myers, widow of the artist and Landgren, dealer for Newman; clippings, inventories with values; correspondence with Whitney, where Myers exhibition originated; correspondence with potential lenders for Newman; shipping information; insurance information; catalog copy; Invitation; annotated catalogs; Whitney catalogs; Knoedler catalog; loan/shipping receipts; invitation list; inventories with values; correspondence with publicity; catalog copy; inventories by institution\u003c/p\u003e","\u003cp\u003eInvitation; proof of catalog; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with artists, both accepted and rejected; shipping information; correspondence regarding damage, (notation at bottom of letters in unusual style, coding maybe)\u003c/p\u003e","\u003cp\u003eBound pages from gallery trip to NYC and consequent invited artists list; correspondence with galleries; letters to invited artists; shipping information \u0026amp; receipts; correspondence with jury, (Charles Burchfield declined but raved about it; George Grosz declined with a beautiful signature.)\u003c/p\u003e","\u003cp\u003eAll regret letters, signed by artist/agent/owner, and returned to VMFA (hundreds of them); some with handwritten notes, (H.P. Sargeant very upset.)\u003c/p\u003e","\u003cp\u003eInvitation; entry card (invited-yellow); entry card (regular-white); \"Good and Bad News Night\" (yellow trifold); prospectus; acceptance card; rejection card; memo for the evening; news release (3/3/42); annotated catalog with prices; correspondence with hosts; speech copy; news releases; list of artists by state; inventories; jury comments; values on inventories\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with artist; biographical information; catalog copy; 1 copy of invitation\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with artist; catalog copy; correspondence at sales; 1 copy of invitation\u003c/p\u003e","\u003cp\u003eInvitation; first exhibition to include correspondence from Mrs. Pollard; inventories, correspondence; invitations; shipping information\u003c/p\u003e","\u003cp\u003eCorrespondence with Museum of Modern Art that was circulating exhibition; shipping information; contract; 1 copy of invitation\u003c/p\u003e","\u003cp\u003eCorrespondence; invitation; Lenox catalog; a few Mint Museum catalogs; correspondence with artist; inventories; catalog copy\u003c/p\u003e","\u003cp\u003eCorrespondence; guest lists; inventories with values; Commonwealth Club menu; catalog copy; shipping information; black and white photo of \"Boys\"\u003c/p\u003e","\u003cp\u003eCorrespondence with artist; letters from Theresa Pollak; inventories with prices; shipping information; biographical information; reimbursement request; copy of bulletin\u003c/p\u003e","\u003cp\u003eCatalog; inventories with artist biographies (ie: partially or congenitally blind, age); correspondence with originator (Lowenstein); traveling loan contract; critics' statements\u003c/p\u003e","\u003cp\u003eSan Francisco Art Association bulletins; correspondence with artist; inventories; invitation; catalog; shipping information; catalog copy; various Artists' Guild of Washington materials (he was President)\u003c/p\u003e","\u003cp\u003eInvitation; one copy of catalog; inventories with values and receipts\u003c/p\u003e","\u003cp\u003eInvitation; clipping on his death; correspondence\u003c/p\u003e","\u003cp\u003eInvitation; one copy of catalog; catalog proof; various other catalogs \u0026amp; announcements; correspondence with vendors; shipping information\u003c/p\u003e","\u003cp\u003eClipping; correspondence with lenders; shipping information\u003c/p\u003e","\u003cp\u003eInvitation; one copy of catalog; correspondence\u003c/p\u003e","\u003cp\u003eCorrespondence with artist; inventories with values; biographical information; catalog copy; 1 copy of catalog and invitation.\u003c/p\u003e","\u003cp\u003eRadio broadcast transcript; catalogs of other show; clippings (both from Cincinnati Museum); MFA Boston materials; catalog copy; invitation lists; correspondence; MFA Boston catalog; VMFA catalog and proof; shipping information from Boston; inventories\u003c/p\u003e","\u003cp\u003eCorrespondence; shipping information; annotated catalog; radio transcript; insurance information\u003c/p\u003e","\u003cp\u003eAnnouncement (trifold); 1 catalog; correspondence; catalog proof; inventories with prices; catalog copy; jury correspondence; correspondence with publicity; shipping information; 1 invitation\u003c/p\u003e","\u003cp\u003eInvitation; catalog proof; 1 letter\u003c/p\u003e","\u003cp\u003eInvitation; catalog copy; correspondence with artist; inventory with prices; 1 catalog\u003c/p\u003e","\u003cp\u003eCatalog; invitation; correspondence; research; shipping information; catalog proof; catalog copy\u003c/p\u003e","\u003cp\u003eArticle; correspondence with American Federation of Arts; inventory with values; other catalogs; loan agreement; shipping information; research; installation drawing; clipping; transcript of lecture on Chinese painting\u003c/p\u003e","\u003cp\u003eAnnouncement; photographs of winners; correspondence; ArtNews issue (October 1-4) 1943; inventories with prices\u003c/p\u003e","\u003cp\u003eInvitation; catalog; catalog copy; clipping; correspondence; research; RISD \"Museum Notes,\" 1943; shipping information\u003c/p\u003e","\u003cp\u003eInvitation; catalog copy; correspondence; inventory with price list\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with other museums; itinerary copy; research; catalog copy; inventories with prices; shipping information\u003c/p\u003e","\u003cp\u003eCorrespondence (mainly with Metropolitan Museum of Art)\u003c/p\u003e","\u003cp\u003eCorrespondence (mainly with Metropolitan Museum of Art)\u003c/p\u003e","\u003cp\u003eInventories; correspondence; shipping information\u003c/p\u003e","\u003cp\u003eInvitation; news release; correspondence; correspondence with publicity and with lender (UVirginia)\u003c/p\u003e","\u003cp\u003eInvitation; catalog proof; other catalogs; correspondence; correspondence with lecturer; correspondence at preview; correspondence with publicity; loan correspondence \u0026amp; requests; shipping information; research on pieces; catalog copy; inventories; catalog; loan forms; annotated catalog; shipping receipts\u003c/p\u003e","\u003cp\u003eCatalog; invitation; invitation list; correspondence; catalog copy; inventories with values; shipping information; insurance information\u003c/p\u003e","\u003cp\u003eCatalog correspondence; clippings; catalog copy; speech copy; inventories with publication date; correspondence with lenders and publicity; shipping receipts later too (1956)\u003c/p\u003e","\u003cp\u003eProspectus; annotated catalog; catalog copy; shipping list; inventories with prices\u003c/p\u003e","\u003cp\u003eCatalog; news releases; fact checking cards; bound copy of lists by dealer; clippings, voting information; invitation; catalog proof; timeline; prospectus copy; correspondence; artists' c.v.'s; dealer catalogues and correspondence; inventories with values; transcripts of publicity; speech notes; catalog copy; lists of accepted and invited artists (Virginia separate); shipping information and receipts; correspondence with publicity; correspondence with jury; prospectus\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with artist; biographical information; catalog copy; inventories with prices\u003c/p\u003e","\u003cp\u003eCatalog; announcement\u003c/p\u003e","\u003cp\u003eAnnouncement; catalog; invitation; catalog copy; lecturer c.v.; lists of institutions; list of works by institution; label copy; annotated catalog; inventories with prices; correspondence with institutions; correspondence with jury; shipping information\u003c/p\u003e","\u003cp\u003eAnnotated catalog; correspondence with artist; inventory; research; gallery layout diagram; price list; 1 catalog\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with Netherlands Information Bureau; other catalogs; checklists; shipping information \u0026amp; receipts (from before \u0026amp; after museums; correspondence with ambassador who spoke; lecture text; 1 copy of handwritten invitation to dinner with Governor Darden\u003c/p\u003e","\u003cp\u003eCatalog; 1 invitation; correspondence with artist; inventories; catalog copy; price information\u003c/p\u003e","\u003cp\u003eInvitation; catalog; catalog copy; correspondence; copies of \"Information Bulletin: Embassy of the Union of Soviet Socialist Republics\"; loan requests (including A La Vieille Russie); traveling exhibition contracts; shipping information and receipts (with before and after museums); inventories; other catalogs; price information; loan forms; annotated catalogs; original copy of \"The Schaffer Collection of Authentic Imperial Russian Art Treasures\"; correspondence with Ray Schaffer and others at ALVR regarding exhibition arrangements (no mention of Pratt) and damage to Faberge topaz vase\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with National Gallery (lender); insurance values and contracts; shipping information and receipts; gallery layout; catalog copy; research; loan requests\u003c/p\u003e","\u003cp\u003eCorrespondence from Davis, the VMFA Curator, with lenders to the exhibition with last names beginning with A-H; proof of article by Davis in Commonwealth Magazine; copy of text of article\u003c/p\u003e","\u003cp\u003eCorrespondence from Curator Davis and sometimes the Director with lenders to the exhibition with last names beginning with I-Z; copy of information releases re: survey\u003c/p\u003e","\u003cp\u003eCorrespondence with National Gallery Director (they had an exhibition at the same time); correspondence with Weddell (exhibition did not take place); copies of letters sent to the executive committee to explain decision\u003c/p\u003e","\u003cp\u003eCopies of plan; correspondence with Weddell re: all the research that went into the aborted exhibition; correspondence with Mexican museums; Mrs. Whitman's reports on artists and museums' holdings\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders \u0026amp; galleries; inventories with prices; shipping information and receipts (loans before and after)\u003c/p\u003e","\u003cp\u003eCopies of labels on prints from National Gallery; inventory and instructions; shipping information (both before and after)\u003c/p\u003e","\u003cp\u003eCivilian Open Air Art Sale announcement; copy of \"War Art: A Catalogue of Paintings Done on the War Fronts by American Artists for Life,\" including Barse Miller and Paul Sample; catalog copy; inventories; copy of \"Traveling Exhibitions,\" catalog by the AFA's National Exhibition Service; correspondence; 5 photographs of items in exhibit; copy of catalog, \"Art Exhibition by Men of the Armed Forces\"; shipping information and receipts; exhibition agreement; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eCopies of shipment return forms for paintings not chosen for 4th Biennial of Contemporary Art, many with comments, signed by artist/agent; inventory of paintings in the show\u003c/p\u003e","\u003cp\u003e3rd Biennial prospectus (printed); 4th Biennial prospectus (typed); announcement of College Art in Virginia; prospectus copy (4th Biennial, Virginia Artists and Library bookplate); copy of Corcoran's prospectus (annotated); old 3rd Biennial prospectus (annotated); letter from Thomas Colt\u003c/p\u003e","\u003cp\u003eShipping information and receipts to lenders; correspondence with Worcester Art Museum and other museums; insurance values; correspondence with lenders attached\u003c/p\u003e","\u003cp\u003ePress release copy; inventories by institution; correspondence with lenders; insurance values; shipping information and receipts; loan requests; book purchase requests\u003c/p\u003e","\u003cp\u003eInvitation, catalog; catalog copy; correspondence; more shipping information and receipts; correspondence re: damages; annotated catalog\u003c/p\u003e","\u003cp\u003eLoan forms and receipts\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with artists; catalog copy; inventories; annotated catalog; prices; shipping information and receipts; sales information\u003c/p\u003e","\u003cp\u003eCorrespondence with rug dealer; research; catalog copy; shipping information and receipts; annotated catalog; gallery layout; copies of things donor (H. Michaelyan) wrote; inventories with prices\u003c/p\u003e","\u003cp\u003eAnnouncement/prospectus; typed press release; correspondence with artists; correspondence with jurors; invitation lists; correspondence to get more armed services men; list of entrants; catalog copy; one copy of entry card; one copy of catalog\u003c/p\u003e","\u003cp\u003eCatalog; catalog copy; gallery layout; inventories; catalog proof; correspondence with jury\u003c/p\u003e","\u003cp\u003eInvitation; exhibition contract; correspondence; gallery layout; invitation list; another list for even with Spanish speaking Luncheon Club; list of architects; press release copy; installation list from MOMA\u003c/p\u003e","\u003cp\u003eInvitation; catalog; correspondence with possible lenders; lists of possible loans; ended up taking British-American Goodwill Exhibition; shipping information and receipts; inventories; budget figures\u003c/p\u003e","\u003cp\u003eCatalog; one invitation; correspondence with author; list of invitations; 1 photograph of \"Red Still Life\"\u003c/p\u003e","\u003cp\u003eCorrespondence between curator and potential lenders; correspondence with institutions and churches\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; correspondence re: damages; catalog copy; one catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; correspondence re: damages (including 2 photographs)\u003c/p\u003e","\u003cp\u003eCorrespondence re: genre painting; exhibition; some from lenders, some not; some including photographs\u003c/p\u003e","\u003cp\u003eInvitation list; correspondence with invitees to the 19th century genre preview; folder of handwritten notes re: genre; handwritten research; typed research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (DIA); inventories with values; shipping information and receipts; catalog copy\u003c/p\u003e","\u003cp\u003eCorrespondence with possible lenders (including 1 photograph from lender); research\u003c/p\u003e","\u003cp\u003eInvitation; catalog; catalog copy; correspondence with artist (Colt is back!); inventories; sales information\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eStenographers pad with notes from NY Gallery/dealers' visits; preliminary lists; final lists; correspondence with galleries; correspondence with invited artists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eContracts with Budworth on shipping; correspondence with jurors; correspondence with Budworth; inventories with values and locations\u003c/p\u003e","\u003cp\u003eEntry card: yellow (invited), regular (orange), good and bad news night (yellow-trifold), inclusion card; typed summary information; typed list of artists; teacher invitation (yellow); annotated catalog with prices; inventories by state; full catalog copy; list of Virginia artists; form letter to art teachers\u003c/p\u003e","\u003cp\u003eCorrespondence with dealers; clippings; other catalogs; correspondence with jury; award list; award letters to dealers and press\u003c/p\u003e","\u003cp\u003eProspectus; prospectus copy; list of recipients of entry cards and prospectus for distribution (art organizations, museums, dealers, etc.) and letters to them; letters to press; entry card copy; thank yous for sending out cards (n.b.: all lists of artists sent to/from dealers, museums, etc., were removed)\u003c/p\u003e","\u003cp\u003eLetters confirming receipt of paintings returned, both those selected and those not; many with comments, less shipping complaints!\u003c/p\u003e","\u003cp\u003eHundreds of requests for entry cards\u003c/p\u003e","\u003cp\u003eHundreds more requests for entry cards\u003c/p\u003e","\u003cp\u003eInvitation; catalog; invitation copy; catalog copy\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with artist; invitation copy; correspondence with Virginia World War 2 History Commission; inventory with prices; invitation list; catalog copy; letters to press; annotated catalog; correspondence with lenders\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with lender, Philadelphia Museum of Art; inventory; copy of the Richmond Times-Dispatch article; correspondence with potential lenders; copy of the Philadelphia Museum bulletin and Atwater Kent Museum bulletin\u003c/p\u003e","\u003cp\u003eCatalog; invitation; correspondence with artist; correspondence with lenders; shipping information and receipts; inventories with values; invitation list; catalog copy, correspondence with wife Rosalie re: her photographs\u003c/p\u003e","\u003cp\u003eShipping receipts; catalog copy, correspondence with lenders; list of invitees; invitation\u003c/p\u003e","\u003cp\u003eRecent Additions to the Upjohn Collection, catalog of collection; correspondence with dealer (Midtown Galleries); shipping information and receipts (both before and after); invitation\u003c/p\u003e","\u003cp\u003eCatalog; invitation; catalog copy; catalog proof; correspondence with potential lenders; text of broadcast calling for paintings; shipping information and receipts; research (Davis)\u003c/p\u003e","\u003cp\u003eInventories with values; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation; shipping information and receipts; inventories\u003c/p\u003e","\u003cp\u003eResearch; correspondence with furniture manufacturers; invitation copy; inventories; correspondence with Metropolitan Museum of Art and MOMA (main lenders); correspondence with Leslie Cheek, Jr. at Architectural Forum!; shipping information and receipts; catalog copy; letters to press (photograph of chair from Dubar, but not included in exhibition)\u003c/p\u003e","\u003cp\u003e\"Notice to Virginia Artists\"; requests for entry blank; correspondence re: late entries; returned fees, etc.\u003c/p\u003e","\u003cp\u003eAcknowledgement letters; press release; SSAL Bulletin (Summer 1947) (more of these later); inventories by state (jury picks); correspondence with artists, jurors and SSAL; breakdown of entry cards by place; lists of artists eligible for submission; entry cards of pieces bought or withdrawn; biographical notes on winners\u003c/p\u003e","\u003cp\u003e24th Annual Convention program; catalog Virginia Art 1947; Southern Art 1947; invitation; entry card; SSAL membership blank; received card; rejection card; convention program copy; Southern art catalog copy; Virginia art catalog copy; catalog of 26th SSAL exhibition at the High; correspondence with SSAL; correspondence with jurors; list of works accepted (Virginia artists); old convention program; more SSAL bulletins; correspondence with artists re: 8 paintings that were vandalized; correspondence re: prizes; correspondence re: sales\u003c/p\u003e","\u003cp\u003eInvitation; catalog proof; announcement from Camera Club; correspondence with artists; invitation copy; catalog copy\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; loan agreements; memo to staff re: handling of paintings; shipping information and receipts; inventories with insurance value\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders by lender; inventories\u003c/p\u003e","\u003cp\u003eCatalog; museum attendance card (9/3/47); correspondence with press; research; correspondence with lenders; shipping information and receipts; Budworth contracts; catalog copy; press releases; inventories; clippings\u003c/p\u003e","\u003cp\u003eInvitation, American Commission brochure; shipping information and receipts; correspondence with lenders, AFA; loan forms; catalog copy; inventories with values\u003c/p\u003e","\u003cp\u003eShipping information and receipts; catalog of exhibition; inventories; catalog copy; research; correspondence with AFA and AFRIM; label copy\u003c/p\u003e","\u003cp\u003eInvitation; invitation copy\u003c/p\u003e","\u003cp\u003eCorrespondence re: shipping and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with Louvre and other institutions re: original Louvre collection not being available; 5 museums trying to do alternate French exhibition from dealers/galleries and some from Louvre; unknown outcome; ArtNews was involved too; trying to use a story in lieu of a catalog\u003c/p\u003e","\u003cp\u003eCatalog; correspondence; clippings; sale information; text of lecture\u003c/p\u003e","\u003cp\u003eInvitation copy; catalog copy; correspondence with artists; inventories; invitation to lecture; 1 catalog; shipping information and receipts\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders; copy of Time (1/26/48), article on pages 47-48\u003c/p\u003e","\u003cp\u003eMiscellaneous exhibition-related correspondence re: one mis-shipment to VMFA, most re: exhibition offers and programming\u003c/p\u003e","\u003cp\u003eIndex cards with lenders and item; correspondence with lenders\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders (denials)\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with press; correspondence with Mrs. Catesby; invitation copy; correspondence with Lurçat; typed article on Jones; preview invitation lists and replies; catalog requests; radio press release copy; typescript copy of \"A Letter to A Friend on Modern Art,\" by T. Catesby Jones; typescript copies of all of his writings, incorporated into catalog; catalog copy\u003c/p\u003e","\u003cp\u003eProspectus; shipping information and receipts; correspondence with press; checklist with insurance values; loan requests for paintings in exhibition; list of artists to whom they sent biographical questionnaires\u003c/p\u003e","\u003cp\u003eProspectus; correspondence with medal winners; correspondence re: sales; list of artists by state; submission statistics by state; statistics tally sheets (one per state); correspondence with press\u003c/p\u003e","\u003cp\u003eCopy of La Revue Moderne magazine (July 1947) from artist Wilma Prezzi who was featured in magazine but declined to submit; correspondence with artists, answering questions; comments from artists re: submission vs. invitation, etc.; shipping information and receipts; correspondence with galleries; requests for entry cards; correspondence re: Pepsi Cola Southern Regional Competition in Richmond (artists could specify that if work was not accepted, it could go to Pepsi exhibition)\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; correspondence with dealers; valuation information; shipping information and receipts; lists of invited artists (by name, by agent/organization, some with annotated values)\u003c/p\u003e","\u003cp\u003e\"Arrangements for the Jury\"; shipping information and receipts; correspondence re: jurors; correspondence with jury\u003c/p\u003e","\u003cp\u003eInvitation; rejection card; entry card (pink); entry card – invited \u0026amp; acceptance card (yellow); annotated invitation (5th Biennial); prospectus copy; annotated entry cards and prospectus (5th Biennial); invitation copy; catalog copy\u003c/p\u003e","\u003cp\u003eRejection letter; prospectus\u003c/p\u003e","\u003cp\u003eSigned rejection letter; receipts, some with comments - catalog request, why receipts request, or badly packed\u003c/p\u003e","\u003cp\u003eRequests for entry cards (mainly from artists), a few with replies\u003c/p\u003e","\u003cp\u003eRequests for entry cards (mainly from artists), a few with replies\u003c/p\u003e","\u003cp\u003e2 photographs (lamp and manuscript); list of objects lent by The Jewish Museum in NY; correspondence with The Jewish Museum; lists with values; clipping; catalog copy\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with potential lenders and potential advisors; invitation letter; correspondence with The Jewish Museum; shipping information and receipts; clippings [no catalog made]\u003c/p\u003e","\u003cp\u003e\"The Common Glory\" Poster Project; correspondence with Virginia Conservation Commission; exhibition information (typed); entry lists by high school; tea information; shipping information and receipts [all from Mrs. Muriel Christison]\u003c/p\u003e","\u003cp\u003eOriginal pencil drawing plus blueprint copy of drawing by Leslie Cheek, Jr., for outside signpost for exhibition\u003c/p\u003e","\u003cp\u003eCatalog; shipping information and receipts (loan from Philadelphia Museum of Art); correspondence with Philadelphia; list of Richmond artists to be added to exhibition; label copy for Richmond artists; correspondence with selected artists in exhibition; checklists from Philadelphia\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; research correspondence; lists of photographs with values\u003c/p\u003e","\u003cp\u003eOriginal drawings and one blueprint copy of exhibition signage, exhibition labels, and gallery layout\u003c/p\u003e","\u003cp\u003eChecklist (one portion circulated by MOMA); shipping information and receipts; correspondence with MOMA; membership lists cf: Virginia Chapter of AIA, Home Builders Association of Richmond, Richmond Real Estate Exchange; exhibition contract; 1 invitation; preview invitation letter; correspondence with Architectural Forum (they circulated the other portion); correspondence re: film rentals\u003c/p\u003e","\u003cp\u003eCorrespondence with dealer (Knoedler); shipping information \u0026amp; receipts\u003c/p\u003e","\u003cp\u003eInvitation; correspondence; checklist with values; shipping information and receipts; exhibition construction notes; correspondence with dealers; press release copy (typed); correspondence with artists; invitation list; correspondence with lenders\u003c/p\u003e","\u003cp\u003eOriginal blueprint copy of signage\u003c/p\u003e","\u003cp\u003eCatalog; shipping information and receipts; checklists; correspondence with Colonel Anderson; correspondence with lenders; correspondence with artist\u003c/p\u003e","\u003cp\u003eDraft exhibition schedules; correspondence with Colonel Anderson; correspondence with various organizations and institutions (including AFA)\u003c/p\u003e","\u003cp\u003eDraft exhibition schedules; correspondence with Colonel Anderson; correspondence with various organizations and institutions (including AFA); catalogs; photographs; clippings\u003c/p\u003e","\u003cp\u003eShipping information and receipts; checklist; correspondence with artist\u003c/p\u003e","\u003cp\u003eLecture invitation; correspondence with lecturers; information regarding exhibit from American Craftsmen Educational Council; correspondence re: sales; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with the Coin Club re: exhibition; later declined due to Colt's resignation\u003c/p\u003e","\u003cp\u003eCorrespondence with American Craftsmen Educational Council (lender); correspondence with lecturers; shipping information and receipts; exhibition information; ACEI brochure; clipping\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with vendors; checklist with values; invitation copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003e4 original drawings of lectern, information panels/stands; gallery layout, etc.\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with Canadian Embassy; correspondence with National Gallery of Canada (co-sponsor); shipping information and receipts; lecture copy; correspondence with lecturer; research; catalog copy; exhibition plan/schedule (to do); 1 copy of invitation; gallery layout\u003c/p\u003e","\u003cp\u003eCorrespondence with National Gallery of Canada; correspondence with press; correspondence with state forester (lent pine trees); research; clipping; photograph and biography of curator\u003c/p\u003e","\u003cp\u003eOriginal drawing of exhibition sign\u003c/p\u003e","\u003cp\u003eCorrespondence with Virginia State Board of Education; correspondence with Southeastern Arts Association; shipping information and receipts; correspondence with education institutions (Mrs. Christison)\u003c/p\u003e","\u003cp\u003eForm letter to Antiquarian Society members; preview invitation list; Antiquarian Society history (co-sponsor)\u003c/p\u003e","\u003cp\u003eOriginal drawing of Museum information panel and traveling show panel\u003c/p\u003e","\u003cp\u003eInvitation copy; correspondence with MOMA re: traveling exhibition; shipping information and receipts; billing information\u003c/p\u003e","\u003cp\u003e1 drawing of Calder signs\u003c/p\u003e","\u003cp\u003ePreview invitation, correspondence with artist; correspondence with lenders; invitation copy; correspondence with Philip Godwin and Mrs. T. Catesby Jones; research; correspondence with Archipenko; clippings (response to Richmond Times-Dispatch article mocking exhibition); Calder's handwritten invitation list [no catalog made]\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders (galleries, dealers, museums, etc.); checklists; shipping information and receipts; correspondence with artists; checklists with values; press release copy\u003c/p\u003e","\u003cp\u003eChecklists; exhibition information (typed); receipts\u003c/p\u003e","\u003cp\u003ePhotograph of books and Hurds; children's books catalog (retail); correspondence with publishers; research; clipping; correspondence with lenders; label copy; shipping information and receipts; checklists by publisher, by lender, by artist\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; checklist with values; correspondence with artist; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; correspondence with publicity; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; correspondence with publicity; label copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003eOutline of children's programs from summer workshops; research on group behavior; clipping; Richmond Film Society Program; photograph of Times Square in New York; Department of Education Annual Report copy; lots of random exhibition information copies; clippings; correspondence with educational services\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; shipping information and receipts; exhibition information (typed); correspondence with artists\u003c/p\u003e","\u003cp\u003e1 drawing, layout for panel\u003c/p\u003e","\u003cp\u003e1 layout and 1 piece of correspondence\u003c/p\u003e","\u003cp\u003e1 drawing – summer sign, 1949\u003c/p\u003e","\u003cp\u003eExhibition offerings from galleries, institutions, etc.; AFA brochures\u003c/p\u003e","\u003cp\u003eExhibition schedule; invitation lists; correspondence; clippings\u003c/p\u003e","\u003cp\u003e1949-1950 season schedule; schedules; correspondence re: possible exhibitions\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; dinner invitation list and preparation; shipping information and receipts; budget/billing information; checklist with values; research\u003c/p\u003e","\u003cp\u003eCorrespondence re: catalog; cut-out reply from VMFA Bulletin\u003c/p\u003e","\u003cp\u003ePostcard announcement; correspondence re: catalog requests\u003c/p\u003e","\u003cp\u003eCorrespondence organized by lender with lenders; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence re: insurance; checklists by subject/person; research; shipping information and receipts; correspondence with lenders; checklists with values\u003c/p\u003e","\u003cp\u003eCorrespondence and paintings list, just as title says\u003c/p\u003e","\u003cp\u003eCorrespondence re: permission to reproduce images for catalog [originally not intended to publish catalog; did so after exhibition]\u003c/p\u003e","\u003cp\u003eCatalog copy\u003c/p\u003e","\u003cp\u003eCorrespondence re: cost of prints ordered and made for show\u003c/p\u003e","\u003cp\u003eAnnouncement; Baltimore catalog; preview invitation; 3 photographs; copies of her other catalogs (Mrs. James Ward Thorne); correspondence with Women's League Club; correspondence with lender (circulating museum AIC); budget information; checklists; shipping information and receipts; exhibition contract; correspondence with publicity; copies of various magazines (Virginia Bulletin, Virginia Women's Magazine); correspondence with PTA's\u003c/p\u003e","\u003cp\u003eBlueprints: room installation (3 copies) and original drawing; drawing of signs; drawing of entrance details\u003c/p\u003e","\u003cp\u003eChecklist; 8 photographs; correspondence with publicity; budget information; admission price policy; lecture and tour schedule; correspondence re: catalog including billing information\u003c/p\u003e","\u003cp\u003eChecklist\u003c/p\u003e","\u003cp\u003eCorrespondence with Library of Congress re: loan of lithograph; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with Block, including copies of publicity; checklists with values; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with Block and others\u003c/p\u003e","\u003cp\u003e3 drawings of exhibition signage\u003c/p\u003e","\u003cp\u003eDrawing and blueprint copy of information kiosk; 1 photograph; 3 other layouts of the exhibition, including 2 didactic panel layouts by Cheek (\"Russia Before the Revolution\" and \"Imperial Jewelry of Russia\")\u003c/p\u003e","\u003cp\u003eCorrespondence on opening of show; proposed schedule; checklists by lenders; shipping information and receipts; checklists by artists; correspondence with artists; checklists with values\u003c/p\u003e","\u003cp\u003eChecklists; shipping information and receipts; correspondence re: catalog; correspondence with publicity; research; statistics from 6th Biennial; correspondence with artists; catalog mailing list; catalog copy; loan information forms\u003c/p\u003e","\u003cp\u003e2 excerpts from publicity (typed); correspondence with catalog essay authors; correspondence with publicity; clippings; checklists; catalog copy; requests from artists; chipping information and receipts; correspondence of James Johnson Sweeney (sole juror invited); checklist for traveling exhibition; hand-written copy of register of the paintings received\u003c/p\u003e","\u003cp\u003e1 drawing of layout and signage; 2 small lettering drawings; 1 small catalog sign drawing\u003c/p\u003e","\u003cp\u003eShipping information and receipts including correspondence with artists, bills and information for crating requests; correspondence re: Richmond regional jury process for national metropolitan competition\u003c/p\u003e","\u003cp\u003ePress release; correspondence with Sweeney; correspondence with publicity; shipping information and receipts; checklists, sales information\u003c/p\u003e","\u003cp\u003eSweeney's own correspondence with artists and dealers and galleries re: exhibition, including Naum Gabo and Morris Louis\u003c/p\u003e","\u003cp\u003eCorrespondence with SF MOMA; checklist from AFA; copies of publicity; shipping information and receipts; correspondence with publicity; correspondence with AFA; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eDrawing and blueprint copy of layout\u003c/p\u003e","\u003cp\u003eCatalog copy; correspondence with lenders; shipping information and receipts (or label)\u003c/p\u003e","\u003cp\u003e1 photograph; catalog (or label) copy; correspondence with Knoedler (lender); shipping information and receipts; 1 photograph of X-ray\u003c/p\u003e","\u003cp\u003eInvitation lists; correspondence; radio spot information; correspondence with lenders; checklists; shipping information and receipts; press release copy; catalog copy; loan item information blank\u003c/p\u003e","\u003cp\u003eOne note on a rug cleaning\u003c/p\u003e","\u003cp\u003eChecklists with values, by lender and by artist; label research; correspondence with lenders; installation notes; shipping information and receipts; press release copy; correspondence with other institutions including the Met where the exhibition went next\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA (distributor of exhibition); shipping information and receipts; checklist; information on the photographer (non-VMFA publicity); correspondence with photographer\u003c/p\u003e","\u003cp\u003ePhotograph of Reino Aarnio soap dish for Fiat Metal, photograph of new RCA portable radio; correspondence with lenders [sold it as a big 2-3 year traveling exhibition]; shipping information and receipts; clippings (for ideas); correspondence with manufacturers from all around the USA; lots of catalogs; installation sketches; catalog copy; lists of checklists from a similar MOMA exhibition; 1 copy of preview invitation; checklists; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with Block (Post cartoonist) and Comstock (Connoisseur and Antiques magazine editor); lectures; biographical information; correspondence with publicity\u003c/p\u003e","\u003cp\u003eOriginal drawing plus 2 blueprint copies of design for silver display case\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders from 1940 show due to requests by an author, prompted by current Valentine show; clipping re: Valentine show; copy of 1940 catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with Rogers and her agent; confusion about scheduling dates; article in Vogue about Rogers [ended up cancelling show due to high costs of insurance and shipping]\u003c/p\u003e","\u003cp\u003eShipping information and receipts and labels for loan of some Pratt jewels by Mrs. Joseph Davies of Washington D.C. to the 1950 Easter eggs exhibition\u003c/p\u003e","\u003cp\u003eCatalog [loan exhibition organized by the English speaking Union]; copy of catalog; microfilm copy of NYT clipping; correspondence with ESU; copies of ESU Bulletin; checklists; press release copy; correspondence with other institutions who are borrowing; catalog/label copy; shipping information and receipts installation instructions; annotated catalog; big ESU publicity kit; correspondence to/from J. L. Blair Buck in State Board of Education, main contact and President of the ESU, Virginia Branch; original NYT clipping; correspondence to/from Brigadier J.W.F. Treadwell, VP of ESU [called it \"Operation Canvass\" to garner interest in ESU in Virginia]; billing/payment information; correspondence with British Embassy\u003c/p\u003e","\u003cp\u003eCorrespondence with Knoedler and Newhouse [photograph of painting offered but not chosen]; copy of invitation; picked Provost's painting from Knoedler – in another folder]; correspondence re: cedar trees in galleries\u003c/p\u003e","\u003cp\u003eCirculated by MOMA; correspondence with them; packing instructions; loan agreements; loan contracts; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eGroup form letter; correspondence with Wedgwood \u0026amp; Sons; publicity information; research; checklists; correspondence with other institutions; shipping information and receipts; 1 copy of invitation; list of Wedgwood dealers in Virginia [to invite]; correspondence with Annie Reese, Director of Promotions and Hensleigh Wedgwood, President, who lectured at preview\u003c/p\u003e","\u003cp\u003eCorrespondence with various clubs; dinner party plans and invitee lists; more correspondence with Wedgwood; copy of Museum bulletin; biographical information on Hensleigh; shipping information and receipts\u003c/p\u003e","\u003cp\u003eShipping information and receipts; biographical information; Museum Bulletin copy; installation instructions; label information forms; correspondence with Newhouse; checklists with values\u003c/p\u003e","\u003cp\u003eDrawing of label boards; drawing of signage\u003c/p\u003e","\u003cp\u003eChose 4 exhibitions from PAU to circulate; correspondence with PAW; exhibition information; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eAnnouncement; correspondence with printers; correspondence re: sales [1st year Museum has added Architecture]; copy for all printed materials; correspondence with prizewinning artists (including Stuart Davis); correspondence re: azaleas; biographical information on jury chairman, Hermann Williams, Director of Corcoran; correspondence with publicity; clippings; copy of catalog from 1949\u003c/p\u003e","\u003cp\u003eProspectus; requests for blanks; letter copy re: Virginia art interest and education and businesses; correspondence with artists; correspondence with art departments; correspondence re: sales; jury comments; biographical juror information; breakdown/tally by city; correspondence with jurors\u003c/p\u003e","\u003cp\u003eCatalog copy; checklists with prices; correspondence with artists re: blanks; shipping information and receipts; correspondence re: sales and purchases; 1 copy of catalog\u003c/p\u003e","\u003cp\u003e4 original drawings; introductory panels, signage; layout sketches; traveling show panels\u003c/p\u003e","\u003cp\u003e4 drawings of lighting layouts in gallery; 1 drawing of movie projector stand; 1 drawing of panels; 1 drawing of overall layout\u003c/p\u003e","\u003cp\u003e9 photographs of Metropolitan Museum of Art objects; copy of invitation; label copy for projector room showing film on armor; other label copy; correspondence with lenders; shipping information and receipts; correspondence with Met (major lender); correspondence with lecturer (Gracey), curator of Met arms \u0026amp; armor\u003c/p\u003e","\u003cp\u003eCorrespondence with artist and his wife; biographical information; copy of catalog from Hollins; clippings\u003c/p\u003e","\u003cp\u003e1 photo of Stuart Davis; biographical information; catalog copy; shipping information and receipts; checklists with values; loan agreements; correspondence with jurors; correspondence with lender; correspondence with potential jurors (Andrew Wyeth)\u003c/p\u003e","\u003cp\u003e2 drawings: sign and panel layout\u003c/p\u003e","\u003cp\u003ePhotograph of Tsar Nicholas II and family; 2 page exhibition design write-up (color, lighting, cases); catalog copy\u003c/p\u003e","\u003cp\u003eMemo re: Arthritis Foundation; article on Dufy; reprint of 3/51 article on Dufy; paintings information sheets; shipping information and receipts; catalog of ICA in Boston; correspondence with lenders; correspondence with Arthritis Foundation; checklists with values; correspondence with publicity; correspondence with Dufy's gallery agent\u003c/p\u003e","\u003cp\u003e4 drawings of signs and layouts\u003c/p\u003e","\u003cp\u003e11 photographs of layout with and without people; close-ups of panels; correspondence with lecturer; correspondence with American Institute for Graphic Arts (organizer); publicity materials from AIGA; shipping information and receipts; catalog\u003c/p\u003e","\u003cp\u003eDinner guest list; correspondence with Chrysler; Chrysler catalog copy; correspondence with NYT\u003c/p\u003e","\u003cp\u003ePhotograph of Chrysler; copy of Art Digest (October 15, 1951) with photograph of gallery setup; catalog copy (paintings); correspondence with publicity; shipping information and receipts; catalogs of exhibition at University of Miami Art Gallery (correspondence with University of Miami Gallery also); checklist\u003c/p\u003e","\u003cp\u003eChecklists and hanging order; correspondence with publicity; rough layout; catalog copy; correspondence with artist; checklist with values; correspondence with AFA (organizer); AFA 1953 catalog; wonderful letters that are art!\u003c/p\u003e","\u003cp\u003ePreview invitation; correspondence with artist and wife; checklists\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with Director of Syracuse Museum of Fine Arts (Anna Wetherill Olmsted, speaker); biographical information on her, checklist\u003c/p\u003e","\u003cp\u003e1 drawing: installation layout\u003c/p\u003e","\u003cp\u003e14 photographs of items; \"prize awards\" press release; correspondence with Syracuse Museum of Fine Arts; publicity information from SMFA; catalogs; catalog copy; shipping information and receipts; annotated catalogs (one size, one price)\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions and individuals re: potential exhibitions, some with catalogs and clippings; list of proposed exhibition season\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (Ouriel) and gallery (Knoedler); shipping information and receipts\u003c/p\u003e","\u003cp\u003eVarious mailing lists (Bulletin, publications), some by type, some alpha; letters to other institutions offering mailings (all Miss Frances Boushall)\u003c/p\u003e","\u003cp\u003e1 drawing of small museum truck\u003c/p\u003e","\u003cp\u003eLayout panels for 1st Museum brochure/guide\u003c/p\u003e","\u003cp\u003e1 drawing and 1 copy of Information \u0026amp; Publication Desk of Museum\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders of fabrics; shipping information and receipts; some original tags; label copy; some catalogs\u003c/p\u003e","\u003cp\u003eCorrespondence re: invitation mailing (one with return address of VMFA, one with Kiwanis Club); correspondence with lenders in Los Angeles\u003c/p\u003e","\u003cp\u003eInvitation to screening; preview invitation list to film screening\u003c/p\u003e","\u003cp\u003eInvitation; catalog copy; checklists; Mona Lisa research; shipping information and receipts; correspondence with lenders; 1 copy of catalog; correspondence with organizer; invitation copy; installation information; correspondence with Kiwanis Club\u003c/p\u003e","\u003cp\u003e6 blueprints for models by Panold Masters; 1 drawing of signs; 1 drawing of layout; 4 drawings of lighting; 3 drawings of niches\u003c/p\u003e","\u003cp\u003e1 drawing of layouts, panels\u003c/p\u003e","\u003cp\u003eCatalog copy; clippings; annotated copy of catalog of retablos from Barton Collection; shipping information and receipts; checklists; annotated copies of catalog of textiles from Barton Collection; correspondence re: damage to retablos; correspondence with institutions; correspondence with lenders\u003c/p\u003e","\u003cp\u003e1 drawing of signs; 4 drawings of lighting; 1 drawing of details of interior; 3 drawings of layout; 1 drawing of interior\u003c/p\u003e","\u003cp\u003e1 photograph of clock; few compliments; some receipts for library exchange\u003c/p\u003e","\u003cp\u003eCorrespondence; damage reports; receipts; memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Helen Comstock (editor of Magazine Antiques and guest curator); correspondence with potential lenders (individuals and institutions)\u003c/p\u003e","\u003cp\u003eCorrespondence with WSG; clippings; shipping information\u003c/p\u003e","\u003cp\u003eCorrespondence with WSG; catalog copy; press release copy; press releases; shipping information and receipts; biographical information; checklist with prices\u003c/p\u003e","\u003cp\u003e2 photographs of paintings; traveling checklist; correspondence with artist; clippings; press release; catalog copy; catalogs of shows in New York and Toronto; shipping information and receipts; label copy; checklist with values; correspondence with lenders; correspondence with AFA (originator)\u003c/p\u003e","\u003cp\u003eInvitation to preview; correspondence with designer and speaker, John Van Koert; correspondence with Walker Art Center (organizer); copy of Walker invitation\u003c/p\u003e","\u003cp\u003ePress release; publicity copies from Towle Silversmiths; press releases; copy of catalog from Walker\u003c/p\u003e","\u003cp\u003e5 photographs (duplicates); invitation to preview; press release copy; correspondence with Fogg; copy of catalog from Detroit; label copy, checklists; shipping information and receipts; correspondence re: theft of Degas drawing\u003c/p\u003e","\u003cp\u003eInvitation to preview; invitation to lecture; clippings; correspondence with artisans re: exhibition decoration; correspondence with other lenders; shipping information and receipts; checklists; correspondence with dressmaker/speaker (Pauline Trigère); correspondence with Metropolitan Museum's Costume Institute\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; research (list of American and English novels); shipping information and receipts; correspondence with publisher; correspondence with publicity; correspondence with Met's Costume Institute; checklists with values\u003c/p\u003e","\u003cp\u003e6 photographs (5 paintings and Maxson Holloway, Chicago Historical Society curator); shipping information and receipts; checklists; correspondence with Chicago Historical Society (organizer); annotated catalog from CHS; correspondence with other institutions; bulletin copy; press release\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with CHS; correspondence with other lender (Broadnax)\u003c/p\u003e","\u003cp\u003ePhotograph of picture; press release; correspondence with Red Cross; clippings; invitation copy; Red Cross promotional material; press release copy\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with AFA (organizer); shipping information and receipts\u003c/p\u003e","\u003cp\u003eShipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with members of Club; correspondence with AFA\u003c/p\u003e","\u003cp\u003eDrawing of layout; 2 photographs of paintings not in exhibit; research; label copy; correspondence with lenders; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with Lady Astor; checklist of gift\u003c/p\u003e","\u003cp\u003eCatalog copy; correspondence re: opening and Governor's dinner; invitation proofs; correspondence with publicity; text of Colonel Anderson's speech\u003c/p\u003e","\u003cp\u003eCorrespondence re: opening (mainly regrets)\u003c/p\u003e","\u003cp\u003eCorrespondence with the artist\u003c/p\u003e","\u003cp\u003e1 drawing of sign\u003c/p\u003e","\u003cp\u003eCorrespondence with Institute of Contemporary Art in Boston, organizer; lecturer is Director, James Sachs Plaut; promotional materials\u003c/p\u003e","\u003cp\u003eCorrespondence with ICA in Boston; shipping information and receipts; catalog\u003c/p\u003e","\u003cp\u003eInvitation; photograph of painting (1952); label copy; installation instructions; shipping information and receipts; correspondence with lenders\u003c/p\u003e","\u003cp\u003e1 clipping\u003c/p\u003e","\u003cp\u003eClipping; press release copy re: move of cigar store figures from Jefferson to VMFA\u003c/p\u003e","\u003cp\u003eLots of correspondence from different institutions; publicity; list of contacts with great comments\u003c/p\u003e","\u003cp\u003eCorrespondence with dealers, galleries, institutions; lots of publicity included; schedule of exhibitions for year, especially those from AFA\u003c/p\u003e","\u003cp\u003eCorrespondence with woman at new museum about restoring a painting\u003c/p\u003e","\u003cp\u003e1 photograph of Leonardo's bridge; Boushall's correspondence file with publicity and others interested in our publications and exhibitions\u003c/p\u003e","\u003cp\u003eCorrespondence with dealers, galleries, institutions; lots of publicity included; schedule of exhibitions for year, especially those from AFA\u003c/p\u003e","\u003cp\u003eQuiz sheet\u003c/p\u003e","\u003cp\u003e7 photographs of opening, gallery and piece; 1 copy of catalog\u003c/p\u003e","\u003cp\u003e2 drawings and 1 copy of gallery layout and entry desk\u003c/p\u003e","\u003cp\u003eChecklist; invitation, shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 drawing of book and theme table layout\u003c/p\u003e","\u003cp\u003e6 photographs of Goya pieces; 1 photograph of someone (with mandala); catalog copy\u003c/p\u003e","\u003cp\u003e2 invitations (1 with checklist; 1 for loan exhibition); label copy; checklists; correspondence; correspondence with lenders; catalog requests; catalog proof; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence; label copy; cover of U.S. News \u0026amp; World Report (2/13/53) (looks like De Stijl); shipping information and receipts; correspondence with MOMA (organizer); checklists\u003c/p\u003e","\u003cp\u003ePress release copy; correspondence with Netherlands Embassy; lecture copy (introductions); lecturer biographical information [Carroll L. V. Meeks, Assoc. Professor of Architecture and Art History at Yale]; correspondence with MOMA\u003c/p\u003e","\u003cp\u003eCorrespondence with jurors; correspondence with potential jurors; lists of loan requests; correspondence with lenders; correspondence with publicity; shipping information and receipts; checklists; installation memos; checklists with values\u003c/p\u003e","\u003cp\u003e\"The Significance of African Art,\" 8 photographs of items; publication reprint of \"Warega Ivories\" by Ladislas Segy; label copy; publications from Segy Gallery on African Art; correspondence with Segy Gallery (organizer); biographical data on speaker [James Johnson Sweeney, Director of the Guggenheim in NYC]; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with speaker; label copy; press release copy; publications from Segy Gallery\u003c/p\u003e","\u003cp\u003e1 photograph of street scene, but it has been drawn on\u003c/p\u003e","\u003cp\u003eCopy of 1949 catalog; 1 copy of catalog; label copy; checklists by city; catalog copy; letter from Theresa Pollak regarding the way the show is chosen and hung; correspondence with artists; annotated older biennial materials; list of purchase recommendations; schedule for jurors visit; catalogs from other institutions (state shows); shipping information and receipts; traveling evaluation checklists\u003c/p\u003e","\u003cp\u003eCopy of 1953 prospectus; correspondence with artists (Pollard's correspondence file); list of entry cards received\u003c/p\u003e","\u003cp\u003eCorrespondence with artists re: missing checks, incomplete blanks or other issues (Gaines' file)\u003c/p\u003e","\u003cp\u003eInformation from MOMA (organizer); correspondence with MOMA; checklists; shipping information and receipts; installation memo; 1 copy of invitation to opening\u003c/p\u003e","\u003cp\u003e2 drawings\u003c/p\u003e","\u003cp\u003eList of loans (Baltimore Museum of Art); correspondence with BMA; correspondence with speaker [Mrs. Adelyn D. Breeskin, Director of the BMA]; installation memo; checklists; label copy; shipping information and receipts. Show had 16 year age limit!\u003c/p\u003e","\u003cp\u003eEntry/prospectus; correspondence with American Craftsmen's Educational Council; list of regional entries; correspondence with artists; completed entries; shipping information and receipts\u003c/p\u003e","\u003cp\u003eFebruary 1953 issue of \"The Richmond Home Builder\"\u003c/p\u003e","\u003cp\u003eMayor's reception schedule; lecture copy; copy of Directory of Virginia Governmental Officials (November 1950); invitation lists and planning\u003c/p\u003e","\u003cp\u003e1 copy of invitation; lecture copy; correspondence with potential consultants\u003c/p\u003e","\u003cp\u003eCorrespondence with Thalhimer's; press release copy; lecture copy; slide list; clippings; speaker biography\u003c/p\u003e","\u003cp\u003eCorrespondence re: parking problems and conferring police authority to the Museum's guards\u003c/p\u003e","\u003cp\u003e\"The New Art Wind Quintet\" press release; Harp Trio photograph and program; correspondence re: New Art Wind Quintet; contract copy; Harp Trio press release copy; Philippe Entremart photo; press release copy and program; correspondence with National Music league; programs; clippings\u003c/p\u003e","\u003cp\u003e1 photograph of Victor Guye; actually a Goya exhibition file – correspondence with lenders; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003eInvitation; photograph of Queen Anne teapot; \"Art in Fashion\" invitation; label copy; catalog copy; correspondence with Lipton (lender) and Lipton's dealer; correspondence with speaker\u003c/p\u003e","\u003cp\u003eCorrespondence with potential participants; interim reports; correspondence with institutions in Scandinavia; exhibition proposal (typed); correspondence with embassies, consulates, etc.; shipping information and receipts; label copy; correspondence with speaker [John Van Koert]; checklists; correspondence with publicity; correspondence with AFA (organizer); 1 copy of brief prospectus; list of itinerary\u003c/p\u003e","\u003cp\u003eFolder is incorrectly labeled \"1967\" at Library of Virginia. 1 drawing (1953-54); ALL FROM THE 1950'S: panel copy; shipping information and receipts; clippings; Sidney Janis catalogue; 1 copy of Bulletin (11/53); 1 copy of invitation, plus 1 internal memo re: new iteration as traveling show, checklist\u003c/p\u003e","\u003cp\u003e1953 Virginia Artists prospectus; correspondence with artists; correspondence with publicity; label copy; correspondence with Des Moines Art Center (co-sponsor); shipping information and receipts; correspondence with lenders; correspondence re: purchases; biographical information on Dwight Kirsch (curator of show and Director of DMAC)\u003c/p\u003e","\u003cp\u003eMailing 12/1/55, \"To Virginia Painters\"; budget information; correspondence with artists; correspondence with Dwight Kirsch; annotated catalog; catalog requests; catalog disbursement list; shipping information and receipts; copy of Kansas State College Biennial Catalog (including quote from Kirsch)\u003c/p\u003e","\u003cp\u003e1 photograph of artist and painting (John Koos with wife and Peter Khan, head of Hampton Institute Art Department); correspondence with juror; press release; correspondence with publicity; correspondence with artists (Newell's correspondence file); biographical information on Kirsch; clippings\u003c/p\u003e","\u003cp\u003e1 copy each of 1950 and 1954 catalogs\u003c/p\u003e","\u003cp\u003eCatalog copy; catalog proof; suggested arrangement; label copy, checklists\u003c/p\u003e","\u003cp\u003e1 photograph of Armand Hammer; 1 photograph of room in his house; 1 photograph of Breughel painting; 1 photograph of [Erwin] Panofsky [from Institute for Advanced Study at Princeton], lecturer; 2 press releases; correspondence with Hammer; general collection information\u003c/p\u003e","\u003cp\u003e1 drawing of main panel layout\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders and dealers, artists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eShipping information and receipts\u003c/p\u003e","\u003cp\u003eRegistration forms for each painting; checklists by gallery and by artist\u003c/p\u003e","\u003cp\u003eEntry cards (completed); other institutional catalogs; prospectus copy; annotated catalogs; catalog copy; 1 copy of catalog; label copy correspondence with artists; correspondence re: publicity; shipping information and receipts; correspondence with jurors\u003c/p\u003e","\u003cp\u003eProspectus; mailing lists; budget tracking; correspondence with jurors\u003c/p\u003e","\u003cp\u003e6 photographs of designs; shipping information and receipts; label copy; correspondence with AFA (organizer); checklists; correspondence with Cooper Union (lender)\u003c/p\u003e","\u003cp\u003e2 drawings of panel layouts; notes re: pre-Columbian panel layout\u003c/p\u003e","\u003cp\u003e1 drawing of panel layout; label copy\u003c/p\u003e","\u003cp\u003e1 drawing of 20th century gallery layout with section for Virginia rotating artists; correspondence with artists; correspondence re: purchases; shipping information and receipts; biographical information; correspondence with lenders; memos re: installation; checklists\u003c/p\u003e","\u003cp\u003eChecklists by lender and by artist; correspondence with lenders; label copy; shipping information and receipts; copy of catalog from University of Louisville with similar exhibition\u003c/p\u003e","\u003cp\u003e1 drawing of panels; notes re: panels for exhibition\u003c/p\u003e","\u003cp\u003eLetter to AFA re: exhibitions; exhibition proposal for Design for Theatre\u003c/p\u003e","\u003cp\u003eCorrespondence with various people and institutions re: possible exhibitions; program schedule for 1953-54; scattered exhibition-related materials as well; correspondence re: various programs, performances and dinners; correspondence with publicity; copies of Members Bulletin for March, April \u0026amp; May, 1954\u003c/p\u003e","\u003cp\u003e1 photograph of Furniture of the Old South; mainly lists, both general and for particular shows\u003c/p\u003e","\u003cp\u003eCorrespondence re: an article proposed by Gulf on the Artmobile, including a photographic assignment, to run in their company magazine Orange Disc; correspondence re: subsequent mailing of issue\u003c/p\u003e","\u003cp\u003eLetter to Presidents of Garden Clubs, 10/11/54; correspondence re: securing funding for Waddy fountain planting each season; mailing lists\u003c/p\u003e","\u003cp\u003eCorrespondence re: arrangement to use galleries for their meetings\u003c/p\u003e","\u003cp\u003eMembership List\u003c/p\u003e","\u003cp\u003eCopy of The Orange Disc Magazine (March-April 1954); list of Artmobile pictures used\u003c/p\u003e","\u003cp\u003eDrawing of new membership brochure [Not taken, too hard to reproduce]; annotated membership forms; new form copy; copies of MOMA \u0026amp; Walker membership forms; membership campaign materials: proposal, committee schedule, plan for calls, etc., minutes of meetings, campaign reports, membership report (statistics)\u003c/p\u003e","\u003cp\u003eCorrespondence re: special loan exhibition from permanent collection; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence re: meeting; biographical information on speakers; schedule/agenda; transcribed notes from Question \u0026amp; Answer session\u003c/p\u003e","\u003cp\u003e2 photographs of mural; correspondence with Rochester Institute of Technology, where she was a student (she was a VMFA Fellowship winner); correspondence with artist\u003c/p\u003e","\u003cp\u003e\"Endorsement of the forthcoming Artmobile\" 3/10/53; \"An Exhibition of Sculpture from Africa,\" 3/22/53; \"The Hammer Collection…\" [n.d.]; \"The VMFA has purchased 3 paintings…\" 3/24/54 (short one); copies of press releases from March/April 1952/1954\u003c/p\u003e","\u003cp\u003e13 drawings of pedestals in various galleries; notes\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for American 19th Century\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for Early Near Eastern\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for Late Italian and Spanish\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for Roman\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for Oriental\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for German\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for French 17th-18th centuries\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for Italian, 14th \u0026amp; 15th centuries\u003c/p\u003e","\u003cp\u003eJust list of photographs for English 16th-17th centuries\u003c/p\u003e","\u003cp\u003e1 drawing (English 18th-19th centuries; 3 photograph lists (medieval, American 18th century, English 18th-19th centuries\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for American 20th century\u003c/p\u003e","\u003cp\u003eList of photographs for Virginia Today\u003c/p\u003e","\u003cp\u003e1 drawing (Egyptian); list of photographs for Egyptian, notes\u003c/p\u003e","\u003cp\u003e2 drawings of text panels; notes; list of photographs for North Sculpture Hall\u003c/p\u003e","\u003cp\u003ePhotograph of Blanche Tarjus; correspondence; biographical information; program copy; programs; clippings; publicity materials from National Music League; artist fee schedule; correspondence with artists; invitation copy\u003c/p\u003e","\u003cp\u003ePhotograph of damaged jade, 2 annotated photographs (all Minneapolis); shipping information and receipts; label outlines; checklists by lender and by type; correspondence with lenders; clippings, research notes; label copy; correspondence with other potential lenders\u003c/p\u003e","\u003cp\u003e3 panel layout drawings; 4 other layout drawings; label copy; label outlines; section color suggestions and samples; list of cases needed\u003c/p\u003e","\u003cp\u003e1 photograph of children with eggs; tear sheets from Interiors magazine; copy of 1947 Pratt catalog; suggested publicity schedule; outline of work to be done; label copy; correspondence; press releases; research; clippings; correspondence with publicity\u003c/p\u003e","\u003cp\u003e1 drawing; 6 photographs; blue AFA Catalog list; correspondence with AFA (organizer); label copy; checklists; shipping information and receipts; fabric and paper samples; correspondence with lenders\u003c/p\u003e","\u003cp\u003eCorrespondence with artist; biographical information; shipping information and receipts; label copy; checklists\u003c/p\u003e","\u003cp\u003e1 drawing, 1 photograph of Karolik; catalog copy; checklist; shipping information and receipts; label copy; dimension list; correspondence with Smithsonian (organizer); correspondence with collector (Maxim Karolik); 1 copy of invitation; copy of bulletin; copy of MFA Boston Bulletin on collection (10/51)\u003c/p\u003e","\u003cp\u003eWilliam Kienbusch and William Zorach [2 of 3 judges] catalogs; list of purchase considerations; correspondence with artists; correspondence with galleries; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003e1 drawing; clippings; bulletin photograph copy; correspondence with Addison (1 letter) [Addison Gallery of American Art, Chairman of Jury was Bartlett H. Hayes, Jr., Director of Addison]\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; biographical information; label copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 drawing; label list\u003c/p\u003e","\u003cp\u003e1 photograph of Charles Baker; 1 drawing; shipping information and receipts; correspondence with artists; checklists; biographical information; Davis' Fellowship application; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; mailing lists of artists; requests for blanks\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; requests for blanks; correspondence re: incomplete forms or missing checks; handwritten list of entries received\u003c/p\u003e","\u003cp\u003e4 layout drawings\u003c/p\u003e","\u003cp\u003eList of winners; copy of blank certificate; copy of green prospectus; checklists; shipping information and receipts; entry copy; catalog copy; label copy; other institutions' catalogs/prospectuses; correspondence with jurors; staff members; list of artists\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; entry blank requests; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; biographical information; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003eTyped remarks by preview speaker [Honorable Shigenobu Shima, Minister of Japan]; list of credits for exhibition\u003c/p\u003e","\u003cp\u003eDrawings of invitation copy; 1 photograph; checklists (organized by MOMA); correspondence; label copy; 1 copy of invitation; shipping information and receipts; correspondence with Minister of Japan (preview speaker); press release copy; correspondence with MOMA; correspondence with MIYA company (lent accessories); correspondence with Japan Society\u003c/p\u003e","\u003cp\u003e1 drawing of panel layout; correspondence with artists; shipping information and receipts; checklist\u003c/p\u003e","\u003cp\u003eCorrespondence with Corcoran (lender); label copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003e2 photographs of ICA installation; checklists from ICA in Boston; fabric samples; correspondence with manufacturer (i.e.; lender); includes some publicity materials and catalogs; shipping information and receipts; list of items sold to staff members; ICA catalog/brochure copy; correspondence with ICA; ICA press releases; label copy; ICA catalogs (1954 \u0026amp; 1955)\u003c/p\u003e","\u003cp\u003eChecklist; miscellaneous correspondence; ICA news releases; fabric samples; checklists\u003c/p\u003e","\u003cp\u003eShipping receipts for Designs for Christmas show\u003c/p\u003e","\u003cp\u003eList of items available for purchase; correspondence with manufacturers re: sale\u003c/p\u003e","\u003cp\u003e3 photographs; publicity materials from Virginia Chapter of AIA; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003eCopies of suggested schedule\u003c/p\u003e","\u003cp\u003eFew pieces of miscellaneous correspondence related to other exhibitions\u003c/p\u003e","\u003cp\u003e2 photographs of Suzanne Bloch; correspondence with various music organizations; publicity materials (mainly programs); clippings; Suzanne Bloch press release copy and biographical information\u003c/p\u003e","\u003cp\u003eCatalogs and samples of wall and paper materials\u003c/p\u003e","\u003cp\u003eLetter solicitation (7/1/55); correspondence with studios; research; exhibition proposals (Samuel Goldwyn or Cecil B. DeMille); mailing list\u003c/p\u003e","\u003cp\u003eCorrespondence; correspondence with manufacturers (including catalogs)\u003c/p\u003e","\u003cp\u003eCopy of the Annual Report; typed and written drafts for \"Information Services and Public Relations\" report\u003c/p\u003e","\u003cp\u003ePress release; correspondence with publicity; clippings; mailing lists; grand opening schedules; new members' room information\u003c/p\u003e","\u003cp\u003eCopy of letter to press (11/29/55); memo re: use of mats sent to newspapers from Rex Allyn to Cheek; 5 actual mats by Virginia Stereotype Service\u003c/p\u003e","\u003cp\u003e1 photograph of camera; correspondence with Colonial Williamsburg (author of book on Cook); label copy; camera catalogs; checklists; shipping information and receipts; correspondence with lenders; insurance information; 1 copy of invitation; research articles\u003c/p\u003e","\u003cp\u003eJohn Koenig was Guest Promotion Director; correspondence with publicity; news releases; mailing lists; clippings; copy of catalog\u003c/p\u003e","\u003cp\u003eBulletin copy; Bulletin proofs; correspondence with speakers\u003c/p\u003e","\u003cp\u003e2 copies of newsletter (2/55 and 12/54); 1 piece of AFA membership publicity\u003c/p\u003e","\u003cp\u003eCopies of 51st and 53rd programs; copy of letter to publisher of 55th (VMFA was in it)\u003c/p\u003e","\u003cp\u003eRex Allyn's correspondence file; correspondence with publicity; correspondence with other institutions; clippings\u003c/p\u003e","\u003cp\u003e4 drawings; 10 photographs; copy of catalog of traveling show in São Paulo, copy of checklist and hanging order sheet; label copy; correspondence with artists; publicity; biographical information; shipping information and receipts; correspondence with publisher; press release, checklists (for traveling too); circulated by AFA\u003c/p\u003e","\u003cp\u003eCopy of invitation to costume ball with note about asking about museum as location\u003c/p\u003e","\u003cp\u003eAFA Newsletter, 12/55\u003c/p\u003e","\u003cp\u003ePublicity; correspondence with Junior League about volunteers; copies of articles in The Leaguer; press releases\u003c/p\u003e","\u003cp\u003ePublicity; copy; catalog photographs; correspondence with speakers; cards with state exhibitions on them; clippings\u003c/p\u003e","\u003cp\u003ePublicity; copy of Bulletin; press releases\u003c/p\u003e","\u003cp\u003eCopy of Carl Sandberg's prologue; invitation; correspondence with MOMA (circulator); copies of drawings of installation from MOMA; copy of catalog; contract; press releases; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eArticle copies (by Marguerite Tabb)\u003c/p\u003e","\u003cp\u003eCorrespondence with Jaycees\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence with Society; copies of minutes\u003c/p\u003e","\u003cp\u003ePublicity from American National Theatre and Academy\u003c/p\u003e","\u003cp\u003eCorrespondence with WRVirginia \u0026amp; WLEE; list of personnel\u003c/p\u003e","\u003cp\u003ePublicity; Artmobile schedule\u003c/p\u003e","\u003cp\u003eCorrespondence with Society; publicity; schedule and financial statement of Society\u003c/p\u003e","\u003cp\u003ePress releases (4/14/55; 4/12/55); schedule and procedure for ceremony of awards (4/29/55); press release (4/25/55); other press releases\u003c/p\u003e","\u003cp\u003eCopy of minutes from meeting\u003c/p\u003e","\u003cp\u003eCorrespondence with printers; budget information; samples of items; purchase orders\u003c/p\u003e","\u003cp\u003eMiscellaneous correspondence\u003c/p\u003e","\u003cp\u003eCorrespondence; summary and minutes from conference\u003c/p\u003e","\u003cp\u003eCorrespondence with Whitney Museum; correspondence with other museum directors (Leslie Cheek a sort of consultant)\u003c/p\u003e","\u003cp\u003eCopy of letter from Rhoads to Board; correspondence with Rhoads\u003c/p\u003e","\u003cp\u003eCorrespondence re: Georg Jensen exhibition; checklists (from SITES)\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; biographical information; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with Catherwood Foundation; label copy; exhibition proposal\u003c/p\u003e","\u003cp\u003ePress release; shipping information and receipts; correspondence with Catherwood; Catherwood publicity; checklists; label copy\u003c/p\u003e","\u003cp\u003e1 drawing of layout; label copy; checklists; list of loans requested; shipping information and receipts; correspondence; correspondence with publicity; correspondence with lenders; 2 annotated copies of printed checklists; copy of Bulletin\u003c/p\u003e","\u003cp\u003e1 copy of printed checklist; correspondence with lenders; request for information cards; 1 annotated copy of printed checklist\u003c/p\u003e","\u003cp\u003e\"Caption for Watteau Mat\" and press release (1/11/52); press releases; list of loans; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders for Fetes Galantes\u003c/p\u003e","\u003cp\u003ePhotography purchase requests; invoices\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; shipping information and receipts; request for information forms; label copy\u003c/p\u003e","\u003cp\u003e1 copy of catalog; 1 copy of Ford Times on which the show was based; checklists; correspondence; catalog copy; correspondence with Ford; copy of story for Commonwealth\u003c/p\u003e","\u003cp\u003e2 photographs of Helen Wearstler Foht; 1 duplicate photograph of her; checklists; correspondence with artists; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with artist and his dealer (Hammer Galleries); copy of the exhibition catalog; label copy; 1 book jacket of his (High World); insurance information; shipping information and receipts\u003c/p\u003e","\u003cp\u003e2 photographs; checklists; shipping information \u0026amp; receipts; correspondence with artists; label copy\u003c/p\u003e","\u003cp\u003e1 photograph; 1 duplicate photograph (Aubrey Bodine or O.F. Romig) [these 2 were judges, A. Aubrey Bodine of Baltimore and Orlando F. Romig of Pittsburgh]; correspondence with artists\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence; press release\u003c/p\u003e","\u003cp\u003e1 photograph of unknown; 1 photograph of Carl Roseberg; shipping information and receipts; sales information; checklists; correspondence with artists; label copy\u003c/p\u003e","\u003cp\u003e3 photographs; checklists; biographical information; correspondence with artists; label copy\u003c/p\u003e","\u003cp\u003eInvitation; list of possible artists publicity/catalogs from other shows; invitation copy; mailing list; checklists; correspondence with Sculpture Center; shipping information and receipts; correspondence with artists; correspondence with lenders; label copy\u003c/p\u003e","\u003cp\u003e4 drawings of label panels; sheet for each with list of photographs for panels\u003c/p\u003e","\u003cp\u003e2 photographs; shipping information and receipts; correspondence with artists; checklists; sale information; biographical information; label copy\u003c/p\u003e","\u003cp\u003eInvitation; 1 photograph of show at Corcoran; 1 drawing; also 1 drawing of Chinese gallery, press release 3/4/55; correspondence with SITES (organizer); shipping information and receipts; checklists; correspondence re: damage to a chair; label copy; correspondence with publicity; 1 copy of catalog; 1 copy of Danish Foreign Office Journal\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; shipping information and receipts; checklists; George Poiret print collection exhibition catalog (rents them)\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence; clippings\u003c/p\u003e","\u003cp\u003eCopy for theatre publications\u003c/p\u003e","\u003cp\u003eProgram for 57-58 season; copy for earlier brochure\u003c/p\u003e","\u003cp\u003eOne letter re: season's policies\u003c/p\u003e","\u003cp\u003e2 pieces of correspondence\u003c/p\u003e","\u003cp\u003e\"A Proposal,\" (letter 7/14/56); Dance Society meeting minutes; correspondence; budget information; mailing list\u003c/p\u003e","\u003cp\u003eProgram April 20, February 24, January 6, October 21, September 16; correspondence (1 letter); 1 copy of a mailing\u003c/p\u003e","\u003cp\u003eCheckbook; correspondence re: taxes\u003c/p\u003e","\u003cp\u003e1 photograph (Richard Steinway); duplicate photograph (John Langstaff); 1 photograph of John Langstaff with Berkshire Quartet; 1 duplicate photograph and 1 regular photograph of Albeneri Trio; 1 season program\u003c/p\u003e","\u003cp\u003e1 photograph of John Langstaff; 1 duplicate photograph of Robert Conant; 2 photographs of Amadeus Quartet; 1 photograph of Alfred Deller; 1 duplicate photograph of Alfred Deller Trio; 1 photograph of Emily Frankel and Mark Ryder; correspondence; proposed relations between the 2 organizations; meeting minutes; letter drafts; program copy; publicity materials\u003c/p\u003e","\u003cp\u003eWishes to thank card; Davenport Carrington letter; response card; meeting minutes; program schedule; clippings; correspondence; budget information; form letter with mailing lists; promotion planning\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence\u003c/p\u003e","\u003cp\u003e1 copy of schedule of programs and events\u003c/p\u003e","\u003cp\u003eCorrespondence from Velz (he was on Executive Committee for 1956-1957) to various people re: events; \"The Public Relations and Information Program of the Virginia Museum of Fine Arts\" paper\u003c/p\u003e","\u003cp\u003e1 clipping (RTD 2/15/56-they got charter)\u003c/p\u003e","\u003cp\u003eRAUC Summary Report 1949-1956; correspondence of RAUC; evening courses for adults announcement\u003c/p\u003e","\u003cp\u003eCorrespondence re: lecture on architecture of Japan\u003c/p\u003e","\u003cp\u003eCorrespondence re: fundraising drive; interoffice memos\u003c/p\u003e","\u003cp\u003eHundreds of photographic department purchase requests\u003c/p\u003e","\u003cp\u003e1 copy of magazine, October 1956 issue with VMFA feature\u003c/p\u003e","\u003cp\u003e8 drawings of alcoves; layouts; permanent installations; lists of photographs for alcoves; memos re: installation needs; photograph orders; lists of titles for information panels; correspondence re: information panel production; panel copy; budget information; information re: hanging heights in galleries; sample label paper\u003c/p\u003e","\u003cp\u003e\"Art Reference Resources in Virginia\" questionnaire (all about art libraries); 1 piece of correspondence about putting brochures on ferries\u003c/p\u003e","\u003cp\u003e3 photographs from Brazilian show; newspaper and magazine clippings; catalogue and clippings for 1951 Brazilian show (Children's Book Illustrations); information and press releases and correspondence for 1953 fellowships; 1950-51 fellowship information; blank application; information on Jenny-Lynn Franklin's mural; press releases for 1956-1957 fellowships\u003c/p\u003e","\u003cp\u003eTraveling checklist and hanging order; label copy; correspondence with artist; shipping information and receipts; correspondence re: traveling exhibition; checklists; correspondence with AFA; clippings; blank loan contract; correspondence with borrower; itinerary; AFA publicity materials for show\u003c/p\u003e","\u003cp\u003eMaterial from MOMA on their 25th anniversary\u003c/p\u003e","\u003cp\u003e2 drawings of panel layouts; list of photographs used; memos; label copy; photograph order\u003c/p\u003e","\u003cp\u003eMailing list; copy of Bulletin; cards sent to institution for their exhibition listing in Bulletin (called \"Elsewhere in Virginia\")\u003c/p\u003e","\u003cp\u003ePhotograph of Merrill Moore; 1 photograph of Governor Stanley; biographical information on speakers; correspondence with speakers; publicity material for Merrill Moore's new book\u003c/p\u003e","\u003cp\u003eMailing (open house invitation); letter from Rhoads to members; renewal card, 1 photograph by Yardley; membership letter draft; correspondence between committee members; brochure proofs; previous membership requests; privilege information; budget information; brochure copy; paper samples\u003c/p\u003e","\u003cp\u003eBrochure copy\u003c/p\u003e","\u003cp\u003eFashion Festival facts; Council letter (3/21/56); program; invitation copy; correspondence with Miller \u0026amp; Rhoads; correspondence re: Council; correspondence with Harper's Bazaar; correspondence with publicity; mailing lists; schedules; meeting minutes; annotated scripts \u0026amp; schedules; fabric samples; program copy\u003c/p\u003e","\u003cp\u003eComplete reply cards; correspondence re: Council children's events; publicity materials for puppet theatre; blank reply cards\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; checklists with sale prices; shipping information and receipts; biographical information; label copy; photograph purchase requests\u003c/p\u003e","\u003cp\u003e1 photograph of \"Black Beast,\" 1 photograph of \"Croquet Player\"; correspondence with AFA (who turned down show) and ICA Boston; correspondence with publicity; shipping information and receipts (now called \"Collection Memos Receipt\"); correspondence with lenders; insurance information\u003c/p\u003e","\u003cp\u003eCorrespondence with publicity; correspondence with artists; correspondence re: preview, installation information and schedules; correspondence with lenders; shipping information and receipts; label copy; correspondence with AFA re: withdrawal; list of lenders; photograph orders\u003c/p\u003e","\u003cp\u003e1 drawing, 27 photographs; 1 duplicate photograph (Henry Robinson Luce); label copy; correspondence; shipping information and receipts; [unlabeled: (lady) Elsie de Wolfe; Henry Dreyfuss (architect)]\u003c/p\u003e","\u003cp\u003e3 photographs of jurors; 1 photograph of sculpture; 1 photograph of tempera painting; correspondence with jury; checklists; shipping information and receipts; clippings; dinner lists and plans; correspondence with lenders; label copy; Ben Shahn catalog; biographical information; insurance information\u003c/p\u003e","\u003cp\u003e1963 Virginia Artists blank; shipping information and receipts; correspondence with artists; label copy; biographical information\u003c/p\u003e","\u003cp\u003e2 drawings (1 by her, 1 by Leslie Cheek); checklist with values; correspondence with artist; shipping information and receipts\u003c/p\u003e","\u003cp\u003eEntry cards; shipping information and receipts; sale information; correspondence with artist; insurance information; Council Preview Party gifts information (new); check stubs; list of entrants; preview mailing list for businesses\u003c/p\u003e","\u003cp\u003eVirginia Artists jury memo (1/25/57); blank certificates (signed); traveling exhibition checklist; 1957 prospectus; label copy; copy of 1936 catalog; speech copy; Bulletin copy; annotated 1955 blank; prospectus list; entry requests; catalogs and brochures from other exhibitions; prospectus copy; catalog copy; schedule; correspondence with publicity; shipping information and receipts; correspondence with jury; clippings; certificate recommendation list; jury report; correspondence with artists; biographical information on certificate winners\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with artists; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eDrawing of layout\u003c/p\u003e","\u003cp\u003e3 photographs of installation (location unknown, not VMFA); correspondence with American Institute for Graphic Arts (organizer); shipping information and receipts\u003c/p\u003e","\u003cp\u003e\"A Brief Description of the 'New World Achievement' Exhibit,\" invitation and drawing; label copy; checklists; schedules; Jamestown materials for 1957 festival; list of lenders; for letter draft; credits; musical selections; annotated invitation; correspondence with Jamestown Committee members; copy of Commission report; shipping information and receipts; invitation copy\u003c/p\u003e","\u003cp\u003eIllustration lists for panels; label copy\u003c/p\u003e","\u003cp\u003e2 duplicate photographs; research and information panel copy\u003c/p\u003e","\u003cp\u003e1 photograph of a plate; correspondence with lenders; shipping information and receipts; information request forms; label samples\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with lenders; shipping information and receipts; information request forms\u003c/p\u003e","\u003cp\u003eInformation on VMFA and Jamestown Festival\u003c/p\u003e","\u003cp\u003eCorrespondence with ESU re: speaker and other events; correspondence with embassy; clippings; invitations; speaker publicity\u003c/p\u003e","\u003cp\u003eChecklists; shipping information and receipts; correspondence with lenders; insurance information; 1 copy of VMFA Summer Calendar\u003c/p\u003e","\u003cp\u003e1 drawing; photograph; checklist; catalog; publicity materials from AFA (organizer); measurement lists; correspondence with AFA; correspondence with Near East College Association (co-organizer); shipping information and receipts; label copy; checklists with values\u003c/p\u003e","\u003cp\u003e2 photographs; \"Emblem of the 1957 R.S. Reynolds Memorial Award\"; 20th century works of art catalogue from the University of Illinois-Urbana; label copy; AFA publicity materials; Reynolds Memorial Award publicity materials; correspondence with AFA; correspondence with Reynolds; correspondence with artist\u003c/p\u003e","\u003cp\u003e1 drawing, 7 photographs, press release; checklists; label copy; shipping information and receipts; MOMA publicity materials; correspondence with MOMA; label copy; condition report\u003c/p\u003e","\u003cp\u003e1 application; 2 memos\u003c/p\u003e","\u003cp\u003eCouncil member letter (2/1/57); \"The Big Frame-Up,\" script and cast list; volunteer lists by reject type; Council proposal for buying Virginia Art; preview invitations; clippings; correspondence with and between Council members; invitation copy; prize list\u003c/p\u003e","\u003cp\u003e1 photograph (Joseph Gilliard); correspondence with artists; invitation correspondence; checklists; biographical information; shipping information and receipts; photograph orders; label copy\u003c/p\u003e","\u003cp\u003eInvitation, traveling exhibition checklist; label copy; shipping information and receipts; checklists; correspondence with publicity; correspondence with artists; biographical information; correspondence with AFA; catalog of other comic show in NYC; press release copy; AFA Catalog 1957-58; photograph orders\u003c/p\u003e","\u003cp\u003e1 photograph of speaker (Rorimer); correspondence with speakers (library lecture series); list of speaker possibilities\u003c/p\u003e","\u003cp\u003eChecklists; shipping information and receipts (re: return of traveling show)\u003c/p\u003e","\u003cp\u003eInvitation to children's play; correspondence re: children's events, including play\u003c/p\u003e","\u003cp\u003eMembership letters; blank application; list of dropped group members with form letter; memo re: procedure\u003c/p\u003e","\u003cp\u003eIntroduction letter (9/28/56); letter (1/15/57); menu; correspondence and planning re: Council luncheon and other meetings; list of Council programs for year; correspondence; shipping information and receipts for lecture supplies; clippings\u003c/p\u003e","\u003cp\u003e4 photographs (Iris Nordquist?); label copy; correspondence with artists; shipping information and receipts; biographical information; checklists\u003c/p\u003e","\u003cp\u003eAn example file: instructions regarding how to do the shows, rules, etc. plus samples of forms and documents\u003c/p\u003e","\u003cp\u003eMemos and notes re: quality of transparencies used for postcards\u003c/p\u003e","\u003cp\u003eCorrespondence re: adult photography class taught by Burris (Gordon G.), staff photographer; correspondence with manufacturers re: enlargers; equipment brochures\u003c/p\u003e","\u003cp\u003eCorrespondence and agreements re: film society showings for year\u003c/p\u003e","\u003cp\u003e5 Remington Rand catalogs; Library and filing supplies; correspondence with other librarians (arts); correspondence with possible applicants; results of art resources surveys; list of equipment desired; list of periodicals [bunch of \"Habiliments\" material]\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; correspondence; correspondence with artists; sales information; repairs, shipping information and receipts\u003c/p\u003e","\u003cp\u003eForm letter from Rhoads to members\u003c/p\u003e","\u003cp\u003eCorrespondence and memos from McClellan \u0026amp; Velz (PR and publicity-related) [Richard Velz, Division Head, Administrative Division; E.T. McClellan, Public Information Head]\u003c/p\u003e","\u003cp\u003e1 photograph (Thomas Kenneth Rowe); 4 photographs of paintings; correspondence with artists; checklists; shipping information and receipts; biographical information; clipping\u003c/p\u003e","\u003cp\u003eLabel copy; shipping information and receipts; correspondence with artists; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; label copy; shipping information and receipts (no catalog published for this one)\u003c/p\u003e","\u003cp\u003ePreview invitation; 2 photographs; layout drawing; label copy; correspondence with ICA Boston (organizer) \u0026amp; Detroit Institute of Arts; correspondence with Winston; checklists; shipping info and receipts; catalog of collection at University of Michigan\u003c/p\u003e","\u003cp\u003e7 photographs; label copy; shipping information and receipts; correspondence with artists; checklists; clippings; biographical information\u003c/p\u003e","\u003cp\u003e1 photograph; label copy; AFA publicity materials; correspondence with lenders; shipping information \u0026amp; receipts; credits; correspondence with designer (Oenslager); clippings; biographical information; 1 copy of catalog; AFA brochure (1957-1958)\u003c/p\u003e","\u003cp\u003e2 photographs; AFA materials; correspondence with AFA; label copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003ePanel layout drawing; 1 photograph; checklist; list of lenders; label copy; checklists; Carnegie press releases (organizer); correspondence with ICA Boston (circulator); correspondence with Carnegie; correspondence with lecturers; shipping information and receipts; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with Smithsonian; Smithsonian press release; checklist; shipping information and receipts; label copy; 1 copy of catalog\u003c/p\u003e","\u003cp\u003e6 photographs (Barbee); 6 photographs (Lou Ponder-Rogers); checklists; correspondence with artists; shipping information and receipts; biographical information; various catalogs; label copy\u003c/p\u003e","\u003cp\u003e6 photographs (Thomas Gorman); 6 photographs (Marilyn Downes-Bennett); shipping information and receipts; correspondence with artists; checklists; label copy\u003c/p\u003e","\u003cp\u003e1 drawing; duplicate: invitation letter; \"Art Lending Service\"; press release; mailing list; Bulletin copy; invitation copy; copy of 1947 catalog; correspondence with artists; list of eligible artists; list of previous rotating exhibitions\u003c/p\u003e","\u003cp\u003e1 layout drawing; 2 photographs; checklists; label copy; correspondence with Warburg; shipping information and receipts; 1 copy of invitation\u003c/p\u003e","\u003cp\u003eCopy of invitation; miscellaneous memos\u003c/p\u003e","\u003cp\u003e1 American classics drawing; 1 duplicate Skidmore, Owings, Merrill layout drawing; 1 copy of a gallery catalogue from New York; checklists; list of preview guests; shipping information and receipts; promotion plan; correspondence with publicity; promotion plans; press release\u003c/p\u003e","\u003cp\u003e\"SOM Projects,\" clipped prose and labels; label copy; copy of MOMA Bulletin on SOM (Fall 1950), XVIII, 1\u003c/p\u003e","\u003cp\u003eFolder with label on front \"William Rhodes\" scheduling events surrounding opening of new Reynolds Metals Building; correspondence with publicity; correspondence with SOM; correspondence with Reynolds; shipping information and receipts; preview plans\u003c/p\u003e","\u003cp\u003e1 photograph (Colorado Springs Air Force Academy); 1 photograph (Frederick D. Nichols, professor at School of Architecture, UVirginia); label copy; correspondence with publicity; Reynolds Metals opening schedule; annotated press releases; clippings, correspondence with potential speakers; Bulletin; shipping receipts\u003c/p\u003e","\u003cp\u003e5 photographs and 1 slide; correspondence with Reynolds; correspondence with publicity; correspondence with William O'Neal, lots of miscellaneous correspondence\u003c/p\u003e","\u003cp\u003eAround 10 magazine clippings\u003c/p\u003e","\u003cp\u003e1 photograph; clippings; press release; \"1962 American Painting\" catalog; \"The Story of Steuben Glass\" book\u003c/p\u003e","\u003cp\u003e1 photograph (duplicate); 1 drawing of pedestal; label copy; correspondence with Steuben glass; shipping information and receipts\u003c/p\u003e","\u003cp\u003e9 photographs; 1 drawing; 1 duplicate photograph (Dorothy Miner); label copy; correspondence with Andrew Wyeth; correspondence with lenders; correspondence with local librarians; correspondence with speaker (Dorothy Miner); 1 copy of invitation; 3 annotated copies of catalog of paintings at Knoedler; shipping information and receipts; biographical information\u003c/p\u003e","\u003cp\u003eDocumentation; correspondence and schedules for school group tours, all ages and subjects; some docent information\u003c/p\u003e","\u003cp\u003e1 copy of November 1958 – 44:11\u003c/p\u003e","\u003cp\u003e1 folder of press releases, VMFA Bulletin, 2 photographs, called \"News About our New General Office Building.\"\u003c/p\u003e","\u003cp\u003e1 folder with label \"Mrs. M.B. Christison\" with opening schedule information\u003c/p\u003e","\u003cp\u003e1 photograph (Edwin Burr Pettit – Brandeis lectures); information re: Council lecture-luncheon 1957; handouts; reservation cards; correspondence, Lecture Series schedule; correspondence with potential lecturers; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence re: mailing list and press releases\u003c/p\u003e","\u003cp\u003eCorrespondence with publicity; publishers and personalities; printer\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with publicity; correspondence with dealers; press releases, Poussin material; mailing list\u003c/p\u003e","\u003cp\u003eCorrespondence with Professor of Applied Social Research at Columbia re: public relations\u003c/p\u003e","\u003cp\u003e1 drawing; shipping information and receipts; correspondence; label copy; correspondence with lenders; UVirginia catalog\u003c/p\u003e","\u003cp\u003e3 drawings; 9 photographs; 1 duplicate photograph; label copy; exhibition catalog from L'Art Ancien, S.A. Zurich; correspondence with Brooklyn; shipping information and receipts; invitation copy; 1 copy of invitation; clippings; AFA materials and correspondence\u003c/p\u003e","\u003cp\u003e\"Virginia Artists Jurying: Requested Arrangements \u0026amp; Operations\"; 17 photographs (1 of Perrin - labeled, 1 of Bertoia - hat, 1 of Lee – other; correspondence with potential jurors; correspondence with jurors; shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 photograph; invitation (3 copies scattered); 1 drawing; checklists; biographical information; label copy; correspondence with Aldrich; catalog correspondence; correspondence with publicity; catalog copy; shipping information and receipts; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence with printer re: catalog; \"thank yous\" for exchange or gift of catalog\u003c/p\u003e","\u003cp\u003e\"Complete Catalog\" copy; correspondence with artists; information requests; shipping information and receipts; 1 certificate (signed by Sherman Lee); clippings; correspondence with jurors; schedules; lists of entries by place; entries (completed); certificate recommendations; prospectus copy; clippings; checklists; other institutions' prospectuses; other catalogs; correspondence with publicity\u003c/p\u003e","\u003cp\u003e1 drawing; catalog copy; 1 copy of prospectus; label copy; prospectus proof\u003c/p\u003e","\u003cp\u003eCorrespondence with winners; list of certificates; list of recommendations\u003c/p\u003e","\u003cp\u003e15 photographs; 1 drawing; correspondence with Metropolitan Museum of Art (speaker); label copy; correspondence with Minneapolis Institute of Art (lender); checklist; shipping information and receipts\u003c/p\u003e","\u003cp\u003e5 photographs; correspondence with potential lenders; correspondence with APVirginia; correspondence with Virginia State Bar; checklists; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with the Olsen Foundation (lender); 1 copy of catalog; shipping information and receipts; checklist\u003c/p\u003e","\u003cp\u003e12 photographs (whoever had show October 7- November 4, 1956); catalogue; research; checklists; correspondence with Olsen Foundation\u003c/p\u003e","\u003cp\u003eSuggestion for gala fundraiser\u003c/p\u003e","\u003cp\u003eCorrespondence with VHS\u003c/p\u003e","\u003cp\u003eCorrespondence with artists re: eligibility; old Virginia artists catalogues (1953 \u0026amp; 1955); prospectus and rules\u003c/p\u003e","\u003cp\u003e1959 catalogue; lists of eligible artists; label copy\u003c/p\u003e","\u003cp\u003e3 negatives, 5 photographs; correspondence with lenders (NYPL, Wadsworth, Met); checklists; chipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with Virginia State Bar Association\u003c/p\u003e","\u003cp\u003e7 small photographs (Broaddus); 5 photographs (Russi); 5 photographs – prints – (Turner); correspondence re: sales; biographical information; correspondence with artists\u003c/p\u003e","\u003cp\u003e1 photograph (Davenport); 9 photographs (Davenport); 1 photograph (Jones); 4 photographs (Jones); checklists; label copy; correspondence with artists; biographical information; shipping information and receipts\u003c/p\u003e","\u003cp\u003eShipping information and receipts; request for information forms\u003c/p\u003e","\u003cp\u003eReceipts\u003c/p\u003e","\u003cp\u003e7 photographs (I. Moore?); 7 photographs (Lois Jacobsen); 7 photographs (Bill Gaines); 1 photograph (Jacobsen); correspondence with artists; shipping information and receipts; invitation copy; correspondence re: sales\u003c/p\u003e","\u003cp\u003e4 photographs; 1 drawing (duplicate); duplicate: catalog list (blue); correspondence with AFA; AFA materials; clippings; biographical information on lecturer; checklist; correspondence with publicity; preview dinner plans; shipping information and receipts; 1 copy of catalogue\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; publication exchange cards; checklists; committee member list; correspondence re: catalog\u003c/p\u003e","\u003cp\u003e2 photographs; 1 photograph (Basil Taylor); 1 duplicate photograph of unknown; 1 duplicate photograph (Alice Higgins); 1 drawing; clippings; biographical information on Sports Illustrated photographers; press releases; checklists; mailing lists; budget\u003c/p\u003e","\u003cp\u003eLabel copy; checklists\u003c/p\u003e","\u003cp\u003eClippings; publication exchange cards; correspondence with publicity; 1 copy each of 2 invitations; dinner seating arrangement\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders\u003c/p\u003e","\u003cp\u003eDinner reservation list; dinner invitation (March 1960); list of patrons; budget information; invitation copy; shipping information and receipts; financial reports; correspondence with publicity; travel plans, correspondence with Basil Taylor; 1 copy each of 2 invitations; correspondence with Mellon\u003c/p\u003e","\u003cp\u003eResearch; checklists; correspondence with possible lenders; correspondence with Corcoran (organizer of Sports Illustrated exhibition); other exhibition catalogs; correspondence with Mellon; clippings; committee correspondence; label copy; correspondence with publicity; correspondence with ambassadors; invoices; issue of \"Sport \u0026amp; the Horse: The Chronicle,\" (4/1/60)\u003c/p\u003e","\u003cp\u003e1 drawing of dinner arrangement; correspondence with lenders; correspondence with committee members (including Mellon); shipping information and receipts; correspondence re: catalog; travel plans; invitation copy; correspondence with lecturer; correspondence with ambassadors\u003c/p\u003e","\u003cp\u003e3 photographs of packing Manet's \"Races at Longchamp, Paris\"; correspondence with lenders; shipping information and receipts; correspondence with Mellon; correspondence with publicity; correspondence re: damage to Manet\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders\u003c/p\u003e","\u003cp\u003eCorrespondence with Blunt (Courtauld) and with royal collection\u003c/p\u003e","\u003cp\u003eCatalog copy; 1 letter from the Palais du Louvre\u003c/p\u003e","\u003cp\u003eCorrespondence with Mellon; correspondence with committee members; list of patrons; requests to join committee\u003c/p\u003e","\u003cp\u003eCorrespondence with Constable, consultant to exhibition (former curator, MFA Boston); Courtauld Director; Art History Professor, University of London)\u003c/p\u003e","\u003cp\u003eCorrespondence with Bourlet \u0026amp; Sons\u003c/p\u003e","\u003cp\u003eCorrespondence with Duveen \u0026amp; Walker (insurance brokers); copy of policy\u003c/p\u003e","\u003cp\u003eCorrespondence with Mellon; various lists\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders; preliminary loan list\u003c/p\u003e","\u003cp\u003e1 photograph of Sir Robert Walpole by Wootton; shipping information and receipts; correspondence with lenders; correspondence with Paul Mellon; handwritten list of lenders\u003c/p\u003e","\u003cp\u003eChecklists; item cards\u003c/p\u003e","\u003cp\u003eBudget tracking (including dinners); list of contributors; correspondence with Department of Accounts; receipts with correspondence; gala invitation copy; correspondence with publicity; correspondence with Mellon; 1 invitation; gala planning; menu copy; various ad rate cards (including Sports Illustrated); \"The Sports Illustrated Guide to Regional Marketing,\" with Sports Illustrated issue 4/18/60\u003c/p\u003e","\u003cp\u003e1 duplicate photograph of \"Brown Horse \u0026amp; Spaniel\" by Stubbs; correspondence re: repair (blister) of Stubbs' painting lent by Katherine Gilbey of England\u003c/p\u003e","\u003cp\u003e2 photographs (of Stubbs' Hambletonian, Rubbing Down receipt); correspondence with lender (Estate of the Dowager Marchioness of Londonderry); shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence of the British Council\u003c/p\u003e","\u003cp\u003eCorrespondence re: catalogue\u003c/p\u003e","\u003cp\u003eRequests for catalogue\u003c/p\u003e","\u003cp\u003eChecklists by lenders, artists, type\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders\u003c/p\u003e","\u003cp\u003eMiscellaneous correspondence re: Sport \u0026amp; the Horse\u003c/p\u003e","\u003cp\u003eCorrespondence with Murray, librarian at the Witt Library, Courtauld\u003c/p\u003e","\u003cp\u003eCatalogue copy; label copy\u003c/p\u003e","\u003cp\u003eOver 100 plus photographs!\u003c/p\u003e","\u003cp\u003eCorrespondence with publicity; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence with Mellon; suggested publicity plan; clippings, correspondence especially Basil Taylor [Librarian, Royal College of Art, London] and W.G. Constable; checklists (essentially Muriel Christison's file)\u003c/p\u003e","\u003cp\u003eShipping information and receipts\u003c/p\u003e","\u003cp\u003eCompleted request for information forms; packet of information on paintings from Wildenstein\u003c/p\u003e","\u003cp\u003eCorrespondence with dealers; checklists; correspondence\u003c/p\u003e","\u003cp\u003e3 photographs of Monet's painting packed; 1 photograph of James Ward \u0026amp; Skewbald Stallion; correspondence with lenders; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003e1 duplicate photograph (Gilpin's Gulliver \u0026amp; Houyhnhnms); correspondence with Basil Taylor (Librarian, Royal College of Art); essentially Muriel Christison's correspondence file; biographical information; catalog copy; label copy; checklists\u003c/p\u003e","\u003cp\u003e6 Prentiss Taylor photographs, 1 photograph of Taylor, 1 photograph of Lazaron exhibition; correspondence with artists; sale information; other catalogs; biographical information; clippings; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eProspectus copy; misfiled correspondence\u003c/p\u003e","\u003cp\u003eProspectus copy\u003c/p\u003e","\u003cp\u003e1 photograph of installation; 6 slides (unlabeled); 1 copy of prospectus; correspondence re: jurors and jurying; list of certificate winners; correspondence with winners; dinner replies; other catalogs; correspondence with artists; correspondence with jurors\u003c/p\u003e","\u003cp\u003e1 drawing; 1 copy of 20th Photographic Salon prospectus (blue); 2 posters from Virginia Art Directors Club 57th Annual Exhibition; Mariners Museum catalogs, etc. (lots of prospectuses and catalogs for similar exhibitions; entry requests; correspondence with jurors; jurying information\u003c/p\u003e","\u003cp\u003eChecklists; notes; 1 copy of 20th Virginia Photographic Salon invitation and catalog; press release\u003c/p\u003e","\u003cp\u003eADP prospectus; requests for entry; mailing lists; correspondence with Camera Club \u0026amp; Photographic Society of America; annotated copies of 20th Virginia Salon catalog; 1 copy of PSA Journal 1960 – membership list\u003c/p\u003e","\u003cp\u003eSale information; checklists; correspondence with artists; insurance information; biographical information; shipping information and receipts\u003c/p\u003e","\u003cp\u003e3 duplicate photographs of artists, 1 photograph of panel; biographical information; correspondence with artists; checklists; shipping information and receipts; correspondence with publicity\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; checklists; shipping information and receipts; sales information; biographical information\u003c/p\u003e","\u003cp\u003e\"Art Lending Service,\" generic invitation; correspondence with artists\u003c/p\u003e","\u003cp\u003e\"Notice to Virginia Photographers,\" 1 drawing, 1 photograph of juror [Hoyt L.] Roush; prospectus copy; entry requests; checklists; annotated prospectus; information re: jurying; correspondence with jurors; correspondence with Camera Club; catalog copy; copies of 18th \u0026amp; 19th photographic salon catalogs; lists of winners; shipping information and receipts; biographical information\u003c/p\u003e","\u003cp\u003e20th Photographic Salon prospectus; other catalog; entry requests; prospectus copy; ADP prospectus copy; clippings; news release; 1 drawing of ADP layout (already have it)\u003c/p\u003e","\u003cp\u003e1 drawing; 1 copy of catalog; correspondence with MOMA (organizer); MOMA materials; shipping information and receipts; label copy; checklists; contract\u003c/p\u003e","\u003cp\u003eTwo 12/1/59 press releases; 3 photographs from 1/2/60; press release; clippings; correspondence with publicity; list of attendees; correspondence with UNESCO\u003c/p\u003e","\u003cp\u003eCorrespondence with jurors; shipping information and receipts; correspondence with lenders; completed request for information forms\u003c/p\u003e","\u003cp\u003e2 negatives of Joseph A. White (shipper) and Perry Rathbone (Director, MFA Boston); checklists; correspondence with publicity; correspondence with lenders; biographical information; list of events; 2 prints of negatives\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders\u003c/p\u003e","\u003cp\u003eInvitation copy; catalog copy; annotated Sport and the Horse invitations, programs and menus; copy of \"Brief History of Virginia Museum,\" lecture copy\u003c/p\u003e","\u003cp\u003eCorrespondence with CW's President; biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence with Gibbs (President of Gibbs \u0026amp; Cox, Architects); biographical information\u003c/p\u003e","\u003cp\u003eBiographical information (of Lehman Brothers, investment banking); correspondence with Lehman\u003c/p\u003e","\u003cp\u003eCorrespondence with Marshall Fredericks (accepted Carl Milles award); biographical information; correspondence with Mrs. Milles\u003c/p\u003e","\u003cp\u003eAnnual reports (1956-58, 51-55, 41-50); biographical information on Ernest Brooks (President of Foundation) and correspondence with Brooks; miscellaneous correspondence\u003c/p\u003e","\u003cp\u003eCorrespondence with Saarinen; biographical information (correspondence re: Arts in Virginia article)\u003c/p\u003e","\u003cp\u003eNotes; correspondence with contributors; correspondence with vendors\u003c/p\u003e","\u003cp\u003e25 photographs; 1 duplicate photograph; correspondence with lenders and directors of lending institutions; biographical information\u003c/p\u003e","\u003cp\u003e1 copy of preview invitation; list of invitees; drafts of publicity correspondence; correspondence with governor; memos\u003c/p\u003e","\u003cp\u003eVarious checklists\u003c/p\u003e","\u003cp\u003eMore checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders (in alpha order of lenders)\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders (compiled by lender)\u003c/p\u003e","\u003cp\u003e1 letter to Director of Toledo Museum of Art\u003c/p\u003e","\u003cp\u003eCorrespondence with publicity (compiled by institution)\u003c/p\u003e","\u003cp\u003e33 duplicate photographs; 9 new photographs; shipping information and receipts; requests for information forms\u003c/p\u003e","\u003cp\u003e24 duplicate photographs; 4 new photographs; shipping information and receipts; requests for information forms [n.b.: some overlap between folders 8 and 9]\u003c/p\u003e","\u003cp\u003eShipping information and receipts with new form: \"Collection Memo \u0026amp; Receipt.\"\u003c/p\u003e","\u003cp\u003e1 drawing; 3 maps of table arrangements with names; 1 letter of thanks to Miller \u0026amp; Rhoads\u003c/p\u003e","\u003cp\u003e\"Virginia Artists Jurying\"; 1 photograph; completed entry blanks; prospectus copy; correspondence with artists; correspondence re: sales; shipping information and receipts; list of certificate winners; labels; budget information; correspondence with jurors; prospectus proofs; correspondence re: damages; list of invitees for collectors reception\u003c/p\u003e","\u003cp\u003eSmall bit of correspondence; prospectus copy\u003c/p\u003e","\u003cp\u003e5 photographs; correspondence with lenders; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003ePress release form; SITES checklist; SITES press release, 3 photographs; collection of memos and receipts; press release copy; correspondence with venders; staff memos; checklists; clippings; shipping information and receipts; request for information forms; SITES contract\u003c/p\u003e","\u003cp\u003eEmpty folder\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; correspondence re: sales; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; correspondence re: sales; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; correspondence re: sales; shipping information and receipts; biographical information; overall rotating schedule; insurance form (new that year)\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with artists; shipping information and receipts; checklists, insurance form\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; shipping information and receipts; other catalog; checklists; insurance forms\u003c/p\u003e","\u003cp\u003e1 drawing; correspondence with publishers and booksellers; correspondence with American Institute of Graphic Arts (circulator); shipping information and receipts; label copy; insurance form\u003c/p\u003e","\u003cp\u003e5 photographs; label copy; research, correspondence with AFA (circulator); AFA materials; checklists; exhibition contract; press releases; shipping information and receipts; 1 copy of invitation\u003c/p\u003e","\u003cp\u003e1 photograph; 1 drawing; 1 copy of invitation; correspondence with artist (Ruth Perkins Safford); label copy; price list; invitation copy; traveling exhibition checklist\u003c/p\u003e","\u003cp\u003e9 photographs; 1 duplicate photograph; correspondence with MOMA (organizer and circulator); label copy; shipping information and receipts; 1 copy of invitation; MOMA materials; checklists\u003c/p\u003e","\u003cp\u003e3 photographs; shipping information and receipts; correspondence with artists; lists of all eligible artists\u003c/p\u003e","\u003cp\u003eLabel copy; correspondence with artists; correspondence with lenders; insurance form, checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 drawing; duplicate: preview invitation; AFA materials (circulator); panel copy; 1 copy of Bulletin (November 1961); checklists; label copy; exhibition contract; correspondence with AFA; shipping information and receipts; AFA informational card (1 copy); correspondence re: sales\u003c/p\u003e","\u003cp\u003eList of private purchasers; correspondence with artists; check receipts; shipping information and receipts; signed release forms (when items were released from museum custody); checklists; \"Report of the Council Committee for the Virginia Artists' Exhibition, 1961\"; list of business purchasers\u003c/p\u003e","\u003cp\u003e\"Art Lending Service,\" \"Release Form,\" 1 drawing, \"Artist Form,\" another \"Art Lending Service\"; correspondence; schedule; procedures\u003c/p\u003e","\u003cp\u003e\"Virginia Artists Jurying,\" \"Collectors' Reception\" (2/24/59), \"Tax Consequencies of Gifts of Picture,\" \"List of Firms\"; correspondence; invitation copy; memos; catalog and prospectus copy for 1961 show; label copy; procedures re: sales; check receipts\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with artist; recommendation from Cheek; biographical information\u003c/p\u003e","\u003cp\u003e1 bound copy of \"Cross-Examination of an Art Collection\" by Fred L. Palmer; correspondence with Palmer; checklists; shipping information and receipts; list of valuations; biographical information; collection memo and receipt; insurance report form\u003c/p\u003e","\u003cp\u003e3 pieces of correspondence re: possible Eisenstaedt exhibition\u003c/p\u003e","\u003cp\u003e2 photographs (duplicates); research; checklists; insurance report forms; shipping information and receipts; collection memo and receipts; label copy\u003c/p\u003e","\u003cp\u003ePanel copy; label copy\u003c/p\u003e","\u003cp\u003e1 photograph; shipping information and receipts; correspondence with artists; insurance report forms; Virginia Artist application; checklists\u003c/p\u003e","\u003cp\u003eInvitation; label copy; clippings; correspondence with Railey (Mrs. Howard); research; auction catalogue: Hotel Drouot, 20 November 1861; shipping information and receipts; checklists; insurance report form\u003c/p\u003e","\u003cp\u003e5 photographs, 1 drawing; correspondence with Director, H. Bryan Caldwell; checklists; collection memo and receipts; insurance report forms; research; press release; copies of Norfolk Museum Bulletins; Norfolk materials; 1 copy of \"Hugh Gordon Miller Collection of Paintings\"; correspondence with other Norfolk staff; 1 copy of \"The Great Mace of Norfolk\"; shipping information and receipts\u003c/p\u003e","\u003cp\u003eFact sheet; catalog copy; list of winners; copy of speech at preview\u003c/p\u003e","\u003cp\u003eProspectus copy; signed endorsement of prospectus by AIA, Virginia Chapter; prospectus proof\u003c/p\u003e","\u003cp\u003eSigned certificates of distinction; prospectus copy; correspondence with jurors; biographical information; jury instructions; fact sheet\u003c/p\u003e","\u003cp\u003eJury instructions; fact sheer; list of winners\u003c/p\u003e","\u003cp\u003eLabel copy; insurance report form; memos; shipping information and receipts; correspondence with artists; biographical information\u003c/p\u003e","\u003cp\u003e2 photographs, 1 drawing; label copy; correspondence with lender; correspondence with Basil Taylor; correspondence re: insurance; shipping information and receipts; police stand information\u003c/p\u003e","\u003cp\u003e1 drawing; label copy; police stand information; correspondence with artists; correspondence with Hayes (Director of Addison); biographical information\u003c/p\u003e","\u003cp\u003e1 copy of catalog; 1 copy of \"Artist-Craftsmen of Western Europe\" Catalog; unsigned invitation forms from Hayes; copies of telegraph information requests; label copy; correspondence with artists; correspondence with lenders\u003c/p\u003e","\u003cp\u003e7 photographs; 1 copy of catalog; catalog copy; correspondence re: possible purchase of Nell Blaine painting\u003c/p\u003e","\u003cp\u003e2 photographs, invitation; correspondence re: damage; shipping information and receipts; correspondence re: insurance [other correspondence: with artists; re: catalog; with publicity; with Hayes; re: lecture; with lenders; press releases; copy of Time magazine 1/19/62 re: Yu-Ho]; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders; signed invitation forms; a few other catalogs\u003c/p\u003e","\u003cp\u003e22 new photographs; 8 duplicate photographs; some correspondence re: photographs\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders; checklists; insurance report form\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with contributors to AIV and Miss Christine Alexander, former curator at the Met \u0026amp; now advisor on Greek art to VMFA; staff memos; label copy; checklists; correspondence re: photographic panels for exhibition\u003c/p\u003e","\u003cp\u003eResearch (including sketches by Christine Alexander); notes; label copy\u003c/p\u003e","\u003cp\u003ePress release; checklist; label copy\u003c/p\u003e","\u003cp\u003e41 photographs; 12 duplicate photographs; label copy; correspondence with publicity; memos\u003c/p\u003e","\u003cp\u003e1 drawing; label copy; checklists; shipping information and receipts; correspondence with Karolik; research; collection memo and receipt; insurance report form\u003c/p\u003e","\u003cp\u003e12 photographs; correspondence with publicity; correspondence with potential lenders; correspondence with lenders; Jamestown Festival materials; correspondence with Jamestown; label copy\u003c/p\u003e","\u003cp\u003e8 photographs; correspondence with artists; insurance report forms; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003e1 photograph; 1 duplicate photograph; 1 duplicate information sheet [\"Collectors Circle,\" 4/30/62]; shipping information and receipts; information request form; correspondence with collectors; label copy; schedule of \"expert\" lecture; insurance report form; 1 copy of invitation\u003c/p\u003e","\u003cp\u003eLabel copy; memos; correspondence with potential lenders; correspondence with SITES; correspondence with various Civil War Centennial Commissions; loan contracts (SITES); checklists; SITES materials; press releases; shipping information and receipts\u003c/p\u003e","\u003cp\u003e12 photographs, 1 sealed envelope with possible photographic material ;checklists; label copy; correspondence with artists; shipping information and receipts\u003c/p\u003e","\u003cp\u003e14 photographs; correspondence with artist; biographical information; memos; shipping information and receipts; insurance report form; clippings; label copy\u003c/p\u003e","\u003cp\u003e5 photographs, 10 slides (Bristow); correspondence with artist; correspondence re: sale; press release, biographical information; memos; label copy; checklists; insurance report form; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation; 1 annotated copy of \"Stravinsky and the Dance,\" NYPL, 1962\u003c/p\u003e","\u003cp\u003e7 photographs; 2 duplicate photographs; staff memos; correspondence re: preview; correspondence with lenders; correspondence with AFA (circulator); checklists; correspondence with publicity\u003c/p\u003e","\u003cp\u003eSample of stuffed envelope to be weighed for postage\u003c/p\u003e","\u003cp\u003e7 photographs; duplicates: checklist, suggested press release; correspondence with SITES; SITES materials; exhibition contract; staff memos; 1 copy of SITES catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with Thorne (potential Virginia Artist)\u003c/p\u003e","\u003cp\u003eStaff memos; correspondence with potential and real lenders; checklists; collection memo and receipts; shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 copy of Saturday Review 6/18/62\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; various checklists; completed applications; blank applications (1 annotated; 1 not)\u003c/p\u003e","\u003cp\u003eApplication packet; completed applications\u003c/p\u003e","\u003cp\u003eCorrespondence with Goodrich (Director of Whitney); lecture schedule (for all lecturers for chapters and affiliates)\u003c/p\u003e","\u003cp\u003eCorrespondence with Rich (Director at Worcester); proposed schedule for Rich\u003c/p\u003e","\u003cp\u003eCorrespondence with Walker (Director, National Gallery of Art, DC); proposed schedule for Walker\u003c/p\u003e","\u003cp\u003e2 photographs [Robert Lippold, Perry Rathbone]; duplicates: loan/own letter (8/10/62); Dear Virginia Artist (1/16/63); correspondence with artists; 2 label panels; checklist of eligible artists; prospectus copy; list of awards\u003c/p\u003e","\u003cp\u003e1 press release\u003c/p\u003e","\u003cp\u003e\"Curator's Choice: Collectors' Opportunity\" (orange); \"$50 Hens\" (blue); \"Procedure for Party\"; label copy; staff memos; text of speech; \"rules of etiquette\"; purchase request cards\u003c/p\u003e","\u003cp\u003e'62 ADP catalog; old prospectuses; catalog copy; staff memo\u003c/p\u003e","\u003cp\u003e1 drawing; 1 invitation; correspondence with artists; checklists (actually price lists); insurance report form; shipping information and receipts\u003c/p\u003e","\u003cp\u003ePress release (9/8), 16 duplicate photographs, 7 new photographs, 1 contact sheet; 1 copy of Arts in Virginia (Spring 1962); correspondence with RMWC; checklists; correspondence with publicity\u003c/p\u003e","\u003cp\u003eSuggested press release; checklist (circulated by MOMA); shipping information and receipts; MOMA materials; label copy; correspondence with MOMA\u003c/p\u003e","\u003cp\u003e10 photographs; 1 copy of \"Finlandia\" catalog; correspondence with SITES. Correspondence with John Rorimer (Director of the Met); correspondence with AFA; correspondence with Finnish Society of Crafts \u0026amp; Designs [didn't take place!]\u003c/p\u003e","\u003cp\u003eCorrespondence with Rosenwald; correspondence with Walker \u0026amp; Brown at NGA; work schedule; correspondence with lenders; shipping information and receipts; staff memos; list of invitees to preview dinner; collection memo and receipt; 1 copy of invitation; foreword copy\u003c/p\u003e","\u003cp\u003eCatalog copy; catalog proofs; miscellaneous correspondence; foreword copy\u003c/p\u003e","\u003cp\u003eCorrespondence with Philadelphia Museum; shipping information and receipts; insurance report form; correspondence with Rosenwald\u003c/p\u003e","\u003cp\u003e3 photographs; shipping information and receipts; correspondence with SITES; checklists; press release; SITES materials; contract; label copy\u003c/p\u003e","\u003cp\u003eAnnotated copies of old prospectuses and catalogs; catalog copy\u003c/p\u003e","\u003cp\u003eMailing lists; list of hometowns; correspondence with artists; statistics; correspondence re: sales\u003c/p\u003e","\u003cp\u003e1963 catalog; prospectus copy; catalog copy; catalog proof\u003c/p\u003e","\u003cp\u003eCertificate (1 signed; few unsigned), invoices (purchasers and file copies); checklists; presentation schedule; correspondence with artists\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; staff memo with form letters; Council letter (5/5/65)\u003c/p\u003e","\u003cp\u003eMemos re: visit of Carl Weinhardt, juror; various staff memos; various form letters\u003c/p\u003e","\u003cp\u003eLetter to purchaser from 20th exhibition, receiving and handling of prospectus and works (2/19/65); jurying procedures (3/18/65); dear Virginia Artist Printmaker; various staff memos; council committee report; Council form letters; correspondence with artists; various form letters; 1 copy of 1963 prospectus\u003c/p\u003e","\u003cp\u003e1 slide; lists of works purchased; label copy; insurance report form; shipping information and receipts\u003c/p\u003e","\u003cp\u003e3 drawings; duplicates: invitation; 1 copy of Bulletin (September 1965); collection memo and receipts; 1 copy of catalog; correspondence with lenders; correspondence with Moore; checklists\u003c/p\u003e","\u003cp\u003e\"Suggested Introduction,\" 2 photographs; schedule of trip; correspondence with Arnson; miscellaneous correspondence; biographical information\u003c/p\u003e","\u003cp\u003e1 photograph; duplicates: 1 clipping (Time 9/3/65); label copy; clippings; other invitations; Dictaphone belts with Henry Moore!; other catalogs; other press releases; transcription of interview\u003c/p\u003e","\u003cp\u003e34 new photographs; 6 duplicate photographs\u003c/p\u003e","\u003cp\u003eShipping information and receipts; request for information forms; checklists; correspondence; insurance report forms; 1 copy of catalog (annotated)\u003c/p\u003e","\u003cp\u003e1 annotated copy of \"William Blake: Poet, Printer, Prophet,\" by SITES\u003c/p\u003e","\u003cp\u003e1 photograph; duplicates: \"Suggested press release,\" \"checklist, handling instructions\"; correspondence with SITES; SITES material; correspondence with Mellon (re: loans)\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with lenders and The Blake Trust; clippings\u003c/p\u003e","\u003cp\u003eLabel copy\u003c/p\u003e","\u003cp\u003eLabel copy; checklists\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with Mellon; checklists; collection memo and receipts; shipping information and receipts; insurance report form\u003c/p\u003e","\u003cp\u003e7 photographs\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Rosenwald; correspondence with lenders; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003e23 photographs; 2 duplicate photographs; correspondence with artists; photograph reproduction requests\u003c/p\u003e","\u003cp\u003eFact sheet for Virginia Artists 1963; correspondence with artists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; lists of works purchased\u003c/p\u003e","\u003cp\u003eStaff memos and notes re: improvement suggestions\u003c/p\u003e","\u003cp\u003eCorrespondence with Oenslager re: possible lecture\u003c/p\u003e","\u003cp\u003eCorrespondence with museums for slides of their expansions for a lecture\u003c/p\u003e","\u003cp\u003e\"Fact Sheet – Virginia Artists Preview Committee-1965\"; copies of Bulletins (2/63 \u0026amp; 3/65); various fact sheets from previous Virginia shows; checklists; correspondence; staff memos; shipping information and receipts; correspondence with artists\u003c/p\u003e","\u003cp\u003e1 photograph: declined exhibition, \"Good Design in Toys,\" sponsored by Creative Playthings of Princeton and L.A.; correspondence re: denied exhibition proposals; some correspondence with jurors\u003c/p\u003e","\u003cp\u003eCatalog proofs; billing information; meeting minutes (Education in the Arts Committee); rough fact sheets; schedules; correspondence with artists; checklists; catalogue copy; label copy; annotated copy of ADP '64\u003c/p\u003e","\u003cp\u003eMemo re: AIA Dinner, 3/2/66; correspondence with artists; correspondence with associations; correspondence with Virginia AIA; clippings; budget information\u003c/p\u003e","\u003cp\u003eDuplicates: form letter from Bill Gaines (2/4/66); certificate of distinction (unsigned); reply card\u003c/p\u003e","\u003cp\u003e3 photographs (Arthur d'Arazien); duplicates: d'Arazien's biography; 1 photograph of Edgar Kaufmann (newsprint); correspondence with jurors; biographical information; clippings; press release\u003c/p\u003e","\u003cp\u003eEliot Elisofon's biography; 1 duplicate photograph (Elisofon); correspondence with jurors; biographical information\u003c/p\u003e","\u003cp\u003e1 photograph (Louis Kahn); correspondence with juror (Kahn); schedules\u003c/p\u003e","\u003cp\u003e\"ADP Jury Schedule\"; 5 photographs; photocopy of contact sheet; comment notes; list of potential jurors; schedules; correspondence re: dinner and hosting\u003c/p\u003e","\u003cp\u003e\"Receiving and Handling of Material\" (11/29/65, \"Procedures for Jurying\" (1/19/66); staff memos; text of Walter Robertson's speech to dinner; notes re: jury report\u003c/p\u003e","\u003cp\u003eADP '62, ADP '64 catalogs; prospectus proofs; 1 copy of ADP '60 \u0026amp; '66 catalog; 1 copy of ADP '62, '64, '66 prospectuses\u003c/p\u003e","\u003cp\u003eADP slide commentary, 1966; checklists of selected entries; correspondence with artists; comments; fact sheet estimates\u003c/p\u003e","\u003cp\u003eVirginia ADP 1966: Traveling Designs, Traveling Photographs, Traveling Transparencies\u003c/p\u003e","\u003cp\u003e2 photographs; insurance report form; correspondence with Koplin; shipping information and receipts; biographical information; checklists; 1 copy of 9/65 Bulletin; clippings; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; duplicates: 10/65 Bulletin; internal memos; shipping information and receipts; other catalog; correspondence with Jackson\u003c/p\u003e","\u003cp\u003e12/65 Bulletin; 2 photographs; label copy; shipping information and receipts; internal memos; insurance report form; correspondence with Alexick; biographical information\u003c/p\u003e","\u003cp\u003e1 copy of 11/65 Bulletin; biographical information; label copy; insurance report form; correspondence with Biehl, checklists\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with Belair; shipping information and receipts; insurance report form; 1 copy of 1/66 Bulletin; internal memos\u003c/p\u003e","\u003cp\u003e3 photographs; 2 photographs; biographical information; insurance report form; 1 copy of 2/66 Bulletin; shipping information and receipts; correspondence with Pienkowski\u003c/p\u003e","\u003cp\u003e2 photographs; 1 photograph; 3/66 Bulletin; label copy; biographical information; shipping information and receipts; insurance report form\u003c/p\u003e","\u003cp\u003e2 photographs; label copy; shipping information and receipts; insurance report form; checklists; correspondence with Aldreth\u003c/p\u003e","\u003cp\u003e2 photographs; 2 photographs; insurance report form; shipping information and receipts; correspondence with Driskell; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; 2 photographs; checklists; insurance report form; shipping information and receipts; 5/66 Bulletin; correspondence with artist; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; 2 photographs; clippings; correspondence with artist; checklists; shipping information and receipts; insurance report form; 9/66 Bulletin; press releases; internal memos; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; 3 photographs; 10/66 Bulletin; correspondence with artist; shipping information and receipts; biographical information; clippings\u003c/p\u003e","\u003cp\u003e3 photographs; label copy; clippings; correspondence with artist; insurance report form; shipping information and receipts\u003c/p\u003e","\u003cp\u003e2 photographs; 1 photograph; correspondence with artist; insurance report form; shipping information and receipts; 12/66 Bulletin; clippings; label copy; letter to members from Leslie Cheek Jr. re: opening\u003c/p\u003e","\u003cp\u003e2 photographs; 3 photographs; correspondence with artist; insurance report form; 1/67 Bulletin; shipping information and receipts; biographical information; clippings; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; 3 photographs; clippings; 2/67 Bulletin; correspondence with artist; insurance report form; shipping information and receipts; label copy; checklists; other brochure; blank gallery floor plan (photocopy)\u003c/p\u003e","\u003cp\u003eClipping; 3 photographs; insurance report form; shipping information and receipts; correspondence with artist; gallery map\u003c/p\u003e","\u003cp\u003e2 photographs; 2 photographs; correspondence with artist; 4/67 Bulletin; insurance report form; checklists; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; 1 photograph; correspondence with artist; biographical information; 3/67 Bulletin; clippings; checklists; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence trying to track artist down\u003c/p\u003e","\u003cp\u003e3 photographs; 4 photographs; 9/67 Bulletin; clippings; correspondence with artist; 1 copy of invitation; shipping information and receipts; biographical information; label copy\u003c/p\u003e","\u003cp\u003e3 photographs; 1 photograph; correspondence with artist; clippings; label copy; 10/67 Bulletin; 1 copy of invitation; shipping information and receipts; price list (hand drawn!)\u003c/p\u003e","\u003cp\u003e1 photograph; 3 photographs; 11/67 Bulletin; correspondence with artist; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003eComparative statistics for Tut and Greek Gold; correspondence with lenders (especially MFA Boston); correspondence re: insurance; clippings; press releases; staff memos re: procedures\u003c/p\u003e","\u003cp\u003eLots of photographs!; 1 copy of press packet (new!)\u003c/p\u003e","\u003cp\u003eLots of photographs!; shipping information and receipts; correspondence with lenders; correspondence with MFA Boston and Brooklyn (2 other venues0; correspondence with Senator Byrd and other legislators re: Senate Bill S.2273 7/9/65\u003c/p\u003e","\u003cp\u003e[essentially Mary Louise Pinckney's (Loans Registrar-Programs Division) file]; schedules; staff memos; shipping information and receipts; correspondence with MFA Boston and Brooklyn; memos re: procedures; checklists\u003c/p\u003e","\u003cp\u003eCopy of S.2273 Senate Bill report; label copy; memos re: procedures; clippings; correspondence with lenders; shipping information and receipts; 1 copy of invitation; research, correspondence re: recovery of stolen gold\u003c/p\u003e","\u003cp\u003eCorrespondence re: catalog (with MFA Boston, Brooklyn, author Herbert Hoffmann, printer); catalog proofs; correspondence with lenders\u003c/p\u003e","\u003cp\u003eCatalog proofs; catalog copy\u003c/p\u003e","\u003cp\u003e1 drawing; correspondence with MFA Boston \u0026amp; Brooklyn; correspondence with Greek Embassy; correspondence with Department of State; correspondence with Hoffmann, author; correspondence with publicity; staff memos; correspondence re: research\u003c/p\u003e","\u003cp\u003eIntroduction; correspondence with Pat Davidson (Brooklyn/lecturer); correspondence with Hoffmann; schedules; press release\u003c/p\u003e","\u003cp\u003eOne annotated checklist\u003c/p\u003e","\u003cp\u003e3 articles re: theft of jewelry; 1 drawing; shipping information and receipts; correspondence with lenders\u003c/p\u003e","\u003cp\u003eCorrespondence with MFA Boston \u0026amp; Brooklyn; correspondence re: insurance; correspondence with lenders; 1 copy of MFA Bulletin (November 1965); checklists; copies of policies\u003c/p\u003e","\u003cp\u003eCopy of S.2273 Bill; correspondence with legislators; clippings\u003c/p\u003e","\u003cp\u003eChecklists; correspondence\u003c/p\u003e","\u003cp\u003ePanel copy\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; clippings; correspondence with Patricia Davidson (her writings); catalog proofs\u003c/p\u003e","\u003cp\u003e2 items\u003c/p\u003e","\u003cp\u003eCorrespondence re: shipping with security company and lenders\u003c/p\u003e","\u003cp\u003eCorrespondence with Alderman; shipping information and receipts; checklists; insurance report form; label copy; traveling exhibition checklists; press release\u003c/p\u003e","\u003cp\u003e1 photograph (Thomas George, painter); correspondence with lender (Betty Parsons); label copy\u003c/p\u003e","\u003cp\u003e4 photographs; label copy; correspondence with SITES\u003c/p\u003e","\u003cp\u003e4 photographs (duplicates); 1 new photograph; other duplicates: SITES suggested press release, Joseph V. McMullan Islamic carpets catalog; 1 copy of the catalog (annotated in a few places); checklists; correspondence with the de Young, next exhibitor; shipping information and receipts; label copy; clipping; correspondence with SITES; 1 copy of Textile Museum catalog; correspondence with Textile Museum; correspondence with Kevorkian Foundation (other choice for exhibition-denied)\u003c/p\u003e","\u003cp\u003e2 press releases; introduction; invitation; correspondence with McMullan; itinerary for visit\u003c/p\u003e","\u003cp\u003e10 mounted photographs only if unduplicated; 8 Photographs, 2 installation photographs, 1 photograph of building, 1 photograph of artist; 1 drawing; duplicates: catalog, 1 \"Visions of Man\" invitation; checklists; shipping information and receipts; correspondence with Reynolds; label copy, 1 copy of \"Visions of Man\"\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with Hans Beckmann (lecturer)\u003c/p\u003e","\u003cp\u003e5 drawings; 9 photographs; 8 duplicate photographs; 1 copy of invitation; MOMA materials (circulator); correspondence with lenders; shipping information and receipts; label copy; research; correspondence with Anni \u0026amp; Joseph Albers; checklists; correspondence with MOMA; Gemini lithograph catalog\u003c/p\u003e","\u003cp\u003e1 photograph (Jonathan Williams); [rest of photos are from Virginia ADP show, probably duplicates from earlier box]; correspondence with potential lecturers for Albers exhibition\u003c/p\u003e","\u003cp\u003e1 photograph (Robert Light-speaker); pricelist; checklists; label copy; invitation list; procedures; correspondence with lecturer\u003c/p\u003e","\u003cp\u003e1 drawing; 9 photographs; duplicates: suggested press release; checklist; 5 duplicate photographs; shipping information and receipts; correspondence with SITES; correspondence with lecturer; SITES materials; label copy; checklist\u003c/p\u003e","\u003cp\u003e2 drawings; 20 photographs; 6 duplicate photographs (from previous folder); correspondence with SITES; SITES materials; shipping information and receipts; label copy; correspondence with lecture sites; annotated checklists; 1 copy of lecture announcement\u003c/p\u003e","\u003cp\u003eIntroduction, suggested news release, 1 duplicate photograph of Dr. Regina Soria; correspondence with Soria; clippings; itinerary; biographical information on Soria\u003c/p\u003e","\u003cp\u003eInvoices and shipping instructions\u003c/p\u003e","\u003cp\u003eMiscellaneous correspondence re: exhibitions\u003c/p\u003e","\u003cp\u003e1 piece of correspondence re: exhibition schedule change\u003c/p\u003e","\u003cp\u003e1 piece of correspondence re: addition to catalog\u003c/p\u003e","\u003cp\u003ePress release, 1 duplicate photograph, introduction; itinerary (lecturer); biographical information; correspondence with Dimitri; label copy; clippings (typed) [1 piece of correspondence has a color drawing on bottom]\u003c/p\u003e","\u003cp\u003e1 duplicate photograph; memo re: engagements (8/25/64); 2 press releases; 2 introductions; \"Color by Sultner-Wells\" brochure; correspondence with Sultner-Wells; clippings; 1 copy of Longwood Gardens invitation; procedures; itinerary\u003c/p\u003e","\u003cp\u003e2 photographs; itinerary; correspondence with Sultner-Wells; 2 posters of his clippings (montages); 2 dust jacket with his photograph; copies of other press releases\u003c/p\u003e","\u003cp\u003e4 transparencies, photographs; label copy; correspondence with next venue (Easton Academy of Arts); shipping information and receipts; correspondence with lender (Roland Gibson); checklists\u003c/p\u003e","\u003cp\u003eCorrespondence re: possible lecture series in Virginia (Blake is connected to Architectural Forum magazine)\u003c/p\u003e","\u003cp\u003eCorrespondence re: possible lecture series (Minor connected to the Met)\u003c/p\u003e","\u003cp\u003eC.V. for Stern; correspondence with R. Stern about leave for Council series on new building (he's Head of Architectural League of NY); correspondence with other potential speakers; correspondence with Pearsalls [John and Laila] (hosts)\u003c/p\u003e","\u003cp\u003eIntroduction; correspondence re: Christmas' lecture series; itinerary; other promotional material\u003c/p\u003e","\u003cp\u003eCorrespondence with other museums that recently expanded to obtain slides for a lecture; long letter from Cheek to Robertson re: decision of Governor's committee (turned down design); list of committee members; form letter to President of affiliates asking them to write to their legislators in support of new building plan\u003c/p\u003e","\u003cp\u003eCorrespondence with Mielziner re: lecture series; correspondence with other potential lecturers; correspondence with other institutions that recently expanded re: slides\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; lists of panel photographs\u003c/p\u003e","\u003cp\u003e5 photographs of proposed floor plans (Baskervill \u0026amp; Son)\u003c/p\u003e","\u003cp\u003eSlide lists; copy of talk; checklists\u003c/p\u003e","\u003cp\u003eInsurance report forms; label copy\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; insurance report forms; correspondence\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders; checklists; insurance report forms; request for information forms; correspondence re: damage of a loaned painting by Jan Stussy\u003c/p\u003e","\u003cp\u003e1 drawing; news clipping; 1 photograph of installation; label copy; correspondence with C.V. Donovan (juror \u0026amp; Director of Krannert Art Museum); correspondence with publicity; copy of lecture; checklists; other artists' promotional materials\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders; information request forms\u003c/p\u003e","\u003cp\u003eIntroduction; suggested press release; 1 slide: Paul Paul Horiuchi's \"Winter Receding,\" 1964; correspondence with Donovan; itinerary; other artists' promotional material\u003c/p\u003e","\u003cp\u003e1 drawing; 1 duplicate photograph; 7 photographs; 1 copy of the \"Jeffersonian,\" 5/13/66 with article on exhibition and pictures of Gwathmey's painting; information request forms; checklists; catalog copy; 1 copy of invitation; correspondence with lenders\u003c/p\u003e","\u003cp\u003eInformation packet\u003c/p\u003e","\u003cp\u003eOriginal proposal; copies of information packet items (drawings \u0026amp; proposal); copy of same\u003c/p\u003e","\u003cp\u003e\"Exhibition Materials\"; checklists; correspondence with George Stevens Productions\u003c/p\u003e","\u003cp\u003eVarious packeted materials (promotional)\u003c/p\u003e","\u003cp\u003eCorrespondence with Hollywood Museum; correspondence with Motion Picture Association; correspondence with Ford Foundation; correspondence with George Stevens Productions; correspondence with Smithsonian Institution; correspondence with Old Dominion Foundation\u003c/p\u003e","\u003cp\u003eLists of panels; film sequences lists\u003c/p\u003e","\u003cp\u003eResearch notebook (Gaines' handwriting?); 1 copy of catalog \"Scenery for Cinema\" at Baltimore Museum of Art, 1942 (when Leslie Cheek was Director); lists of panels; label copy\u003c/p\u003e","\u003cp\u003ePromotional materials from film companies (i.e. Technicolor, Panavision)\u003c/p\u003e","\u003cp\u003e8 drawings; movie production sheet with film negatives (to stay at LVA)\u003c/p\u003e","\u003cp\u003eLife magazine 3/27/64 offprint with article on movie\u003c/p\u003e","\u003cp\u003eFilm reel labeled \"Selected Documentary Trims\"\u003c/p\u003e","\u003cp\u003eCouldn't pull it out without ripping envelope – looks like scripts or set notes; possibly a drawing\u003c/p\u003e","\u003cp\u003ePhotographs; Newsweek reprint (1/23/67); checklists; lender lists; internal memos; correspondence with various members/visitors with questions re: exhibition; correspondence with Colonial Williamsburg Foundation (supporter of exhibition)\u003c/p\u003e","\u003cp\u003e1 photograph; shipping information and receipts; correspondence with lenders; checklists; correspondence with publicity; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Toledo Museum of Art re: possible loan (denied)\u003c/p\u003e","\u003cp\u003eCorrespondence re: catalog; annotated copy of John Summerson's essay\u003c/p\u003e","\u003cp\u003e5 photographs of packing/unpacking process; correspondence re: Smith College Museum of Art's loan of \"Portrait of the Reverend John Headley,\" including shipping information and receipts and request for information form\u003c/p\u003e","\u003cp\u003eCorrespondence re: Washington University's loan of \"Grey Children,\" including shipping information and receipts and correspondence re: damage to fram upon return\u003c/p\u003e","\u003cp\u003eCorrespondence re; Worcester Art Museum's loan of \"Mrs. Elizabeth James\" and \"William James,\" including shipping information and receipts; and request for information form\u003c/p\u003e","\u003cp\u003eCorrespondence re: Columbus Gallery of Fine Arts' loan of \"Portrait of Anne Hogarth,\" including shipping information and receipts; and request for information form\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence re: Allen Memorial Art Museum [Oberlin] \u0026amp; loan of \"Theodore Jacobsen,\" including shipping information and receipts and request for information form\u003c/p\u003e","\u003cp\u003e9 photographs of packing/unpacking; correspondence re: Albright-Knox's loan of \"The Lady's Last Stake,\" including shipping information and receipts and requests for information form\u003c/p\u003e","\u003cp\u003e2 photographs; duplicates: \"Loans to the Wm. Hogarth Exhibition\"; catalogue copy; 1 copy of catalogue; correspondence with publicity; correspondence with visitors/members re: catalogue and exhibition; clippings; 1 copy of invitation; checklists\u003c/p\u003e","\u003cp\u003e1 envelope of Lessing Rosenwald Prints (couldn't open without ripping); duplicates: catalog; correspondence re: catalogue requests and comments; catalogue copy; checklists\u003c/p\u003e","\u003cp\u003eSuggested press release; correspondence with Hofer (Professor at Harvard) re: lecture; internal memos; itineraries; 1 copy of bulletin\u003c/p\u003e","\u003cp\u003eCorrespondence with Mellon; catalogue copy; checklists; request for information forms; shipping information and receipts\u003c/p\u003e","\u003cp\u003e25 photographs (see list); research; copy; internal memos; panel drawings (copies); HOGARTH PANEL PHOTOGRAPHS - 12789 Self-Portrait, 12786 Shop Card, 13313 Jane Thornhill, 12788 Pool of Bethesda, 13305 Captain Thomas Coram, 12785 Battle of the Pictures, 13304 Analysis of Beauty title page, 13306 Grave at Chiswick, 11812 Canvassing for Votes, 13311 Views Down the Thames, 11814 St. Paul's Cathedral, 12829 Beer Street, 12966 Gin Lane, 11852 Country House, 13079 Saint Martin-in-the Fields, 12970 The Four Times of the Day: Noon, 13078 Leister Square, 11816 Renelagh, 11857 Mr. and Mrs. Paul Mellon, 10890 Lessing Rosenwald, 5272 Masterpieces of American Silver, 13001 Marriage a la Mode, 13677 Philip Hofer, 13299 Sir John Summerson, 13074 George II, 13076 Robert Walpole, 13084 William Pitt, 11811 George III, 11813 Iron Forge by Wright\u003c/p\u003e","\u003cp\u003e\"William Hogarth: His Life,\" William Hogarth: His Times,\" William Hogarth: This Exhibition\"; copy; proofs\u003c/p\u003e","\u003cp\u003e2 photographs; 1 duplicate photograph; correspondence with Mielziner; shipping information and receipts; clippings; panel proofs; panel copy; research; internal memos; checklists; correspondence with IEF (International Exhibitions Foundation) re: traveling exhibitions\u003c/p\u003e","\u003cp\u003e1 photograph; shipping information and receipts; correspondence with Multiples, Inc.; list of purchase considerations; label copy; checklists; panel drawings (copies)\u003c/p\u003e","\u003cp\u003eCorrespondence with National Gallery of Art DC re: pictures of J. Carter Brown\u003c/p\u003e","\u003cp\u003eInvitation; fact sheet; 1 copy of catalog; internal memos; annotated copy of 1965 Salon des Réfusés catalog; correspondence with jurors; schedule of work for exhibition; panel proofs; list of certificate winners\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; correspondence with purchasers; copies of invoices; release forms for transfer of custody\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with artists; internal memos\u003c/p\u003e","\u003cp\u003eCatalog; list of certificate winners at Biennial; catalog copy; correspondence with Thalhimer's; internal memos; information for 1965 Salon\u003c/p\u003e","\u003cp\u003e19 photographs; invitation; catalogue copy; other similar exhibition catalogs from other institutions; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; checklists\u003c/p\u003e","\u003cp\u003eMarch '67 Bulletin; photographs; correspondence with jurors [Milton Hebald, Jack Youngerman, Jock Truman, Paul Smith]; label copy; biographical information; schedules; internal memos; correspondence with hostesses\u003c/p\u003e","\u003cp\u003e\"Presentation of certificates\" blank certificates; artist reply card; checklists; schedule; internal memos; correspondence with artists\u003c/p\u003e","\u003cp\u003eApril '67 Bulletin, \"use of French Galleries\" memo; label copy; statistics ('67 and earlier); internal memos; correspondence with artists\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with artists\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eGaines to artists 6/12/67; correspondence with artists; internal memos; shipping information and receipts; invoices for stored worsk; entry blanks\u003c/p\u003e","\u003cp\u003e2 letters from Council to purchasers, Gaines letter, yellow \"Gaines-Brandt System,\" 4 photographs; checklists; internal memos; correspondence with artists; press release, 1965 and 1963 information\u003c/p\u003e","\u003cp\u003e3 internal memos\u003c/p\u003e","\u003cp\u003e'67 prospectus, 2 form letters (1/16/47); prospectus copy; mailing lists; annotated '65 prospectus; '70 prospectus\u003c/p\u003e","\u003cp\u003eCorrespondence; panel drawings (copies); for traveling exhibitions; [3 traveling shows: \"Treasures from the Guggenheim\"; \"Treasures from the Whitney Museum\"; \"Contemporary Watercolors.\" Also contained \"Art by Virginia Teachers\"]\u003c/p\u003e","\u003cp\u003e1 copy of catalog (Heeramaneck Collection) by MFA Boston (annotated)\u003c/p\u003e","\u003cp\u003eCorrespondence with Heeramaneck; correspondence with Indian embassy; shipping information and receipts; correspondence with Royal Ontario Museum (who received exhibition after VMFA); correspondence with Detroit Institute of Arts (who had it before VMFA); correspondence with MFA Boston, originator; internal memos; drawings (photocopies)\u003c/p\u003e","\u003cp\u003e1 copy of invitation; panel copy; panel proofs; correspondence with MFA Boston; correspondence with Royal Ontario Museum; shipping information and receipts; MFA materials (including checklists); internal memos\u003c/p\u003e","\u003cp\u003e4 drawings; correspondence with Veener player for preview; clippings re: Indian music; label copy; clippings re: show\u003c/p\u003e","\u003cp\u003ePhotographs; some select, bad quality photocopies\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePanel proofs; lecture for chapters copy; correspondence with previous VMFA designer (Ariel Ballif); checklists\u003c/p\u003e","\u003cp\u003eSuggested press release; introduction; correspondence with Gleaser (from MOMA) (lecturer for chapters); itinerary; noted speaker report form\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lecturers for preview; 1 copy of invitation; Glaeser's biographical information; correspondence with Glaeser\u003c/p\u003e","\u003cp\u003ePhotographs; (envelope of photos from D.I.A. for Arts of India \u0026amp; Nepal exhibition); invitation to lecture; 1 copy of invitation to preview; 1 copy of invitation to Glaeser's lecture; shipping information and receipts; MOMA (originator) materials, including checklists; drawings (photocopies)\u003c/p\u003e","\u003cp\u003e1 drawing; duplicate: preview invitation; panel copy; drawings (photocopies); correspondence with MOMA; MOMA materials, including checklists; exhibition contract; correspondence with John Hand (lecturer from National Gallery of Art DC); shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA; shipping information and receipts; internal memos\u003c/p\u003e","\u003cp\u003eMembership list; shipping information and receipts; correspondence with dealers; price lists from dealers; panel proofs; checklists; speech copy; Collectors Circle meeting agenda; list of items purchased\u003c/p\u003e","\u003cp\u003eShipping information and receipts; panel proofs (annotated 1966 panels); checklists; correspondence with dealers *lots of '66 show files)\u003c/p\u003e","\u003cp\u003eCorrespondence re: borrowing Wyeth film; correspondence with Philip Hofer (Harvard) re: lecture; blank invitations for Artmobile exhibition (Wyeth \u0026amp; Japanese Art); clipping; internal memo re: trip to interview Wyeth for AIV article; blank floor plan\u003c/p\u003e","\u003cp\u003eLabel copy; drawing (photocopy); internal memos; radio guide copy\u003c/p\u003e","\u003cp\u003e3 photographs; 11 duplicate photographs; checklists; internal memos; drawings (photocopies); panel proofs; panel copy; shipping information and receipts; 1 copy of Knoedler catalog \"Unpainted Pictures\" (lender); correspondence with Knoedler; correspondence with Detroit Institute of Arts (had exhibition before VMFA); clipping from TIME (3/17/67)\u003c/p\u003e","\u003cp\u003ePanel copy; panel proofs; drawing (photocopy); internal memo: all of this re: 400 Years of Prints\u003c/p\u003e","\u003cp\u003e1 photograph; shipping information and receipts; drawings (photocopies); panel copy; panel proofs; correspondence with lender (NGA \u0026amp; AIC); correspondence with Mr. \u0026amp; Mrs. Leigh Block; checklists; label copy\u003c/p\u003e","\u003cp\u003e1 copy of \"Persian \u0026amp; Indian Miniatures from the Collection of Edwin Binney, 3rd\" from Portland; 1 copy of \"Islamic Art from the Collection of Edwin Binney, 3rd,\" from SITES; correspondence with Portland [VMFA denied exhibition]\u003c/p\u003e","\u003cp\u003e1 internal memo re: replacement of \"Jewels\" with \"Resident Craftsmen\"\u003c/p\u003e","\u003cp\u003eJones article reprint; slides, 4 photographs, 5 duplicate photographs; correspondence with IEF (circulator); correspondence with Nelson-Atkins *who received exhibition after VMFA); 1 copy of lecture invitation; 1 copy of preview invitation; shipping information and receipts; panel proofs; clippings; correspondence with potential musicians; checklists; internal memos\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with AFA (circulator); panel copy; checklists; panel proofs; drawing (photocopy)\u003c/p\u003e","\u003cp\u003e5 duplicate photographs; 1 photograph; correspondence with MOMA (originator); exhibition contract; MOMA materials, including checklists; shipping information and receipts; MOMA circulating exhibitions catalog 1967-68; drawing (photocopy); panel proofs\u003c/p\u003e","\u003cp\u003eLecture invitation; clipping; internal memo; biographical information; correspondence with Smith (Director of Museum of Contemporary Crafts); correspondence re: juror (chairman) for 1967 Virginia Artists too\u003c/p\u003e","\u003cp\u003e1 photograph; 2 new photographs; duplicate of introduction; correspondence with Slivka re: lecture at chapters/editor in chief of Craft Horizons; itinerary; biographical information\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; shipping information and receipts; checklists; Bulletin photocopy\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; label copy; shipping information and receipts; 1/68 Bulletin; biographical information\u003c/p\u003e","\u003cp\u003ePhotographs; shipping information and receipts; correspondence with artist; 2/68 Bulletin; label copy\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; shipping information and receipts; label copy; 3/68 Bulletin\u003c/p\u003e","\u003cp\u003e3/68 Bulletin; photographs; correspondence with artist; label copy; shipping information and receipts; internal memos; biographical information\u003c/p\u003e","\u003cp\u003ePhotographs; biographical information; shipping information and receipts; internal memos; label copy; 4/68 Bulletin; checklists; correspondence with artist\u003c/p\u003e","\u003cp\u003ePhotographs; checklists; shipping information and receipts; label copy; biographical information; correspondence with artist\u003c/p\u003e","\u003cp\u003e9/68 Bulletin, 4 photographs; biographical information; label copy; price list (hand drawn!); shipping information and receipts; correspondence with artist; internal memos\u003c/p\u003e","\u003cp\u003ePhotographs; 10/68 Bulletin; label copy; biographical information; checklists; shipping information and receipts; correspondence with artist\u003c/p\u003e","\u003cp\u003ePhotographs; shipping information and receipts; label copy; 11/68 Bulletin; checklists; correspondence with publicity\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; label copy; 12/68 Bulletin; shipping information and receipts; internal memos; correspondence re: damage to sculpture\u003c/p\u003e","\u003cp\u003ePhotographs; internal memos; label copy; shipping information and receipts; correspondence with artist; biographical information\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; label copy; shipping information and receipts; 3/69 Bulletin; checklists\u003c/p\u003e","\u003cp\u003e2/69 Bulletin; photographs; correspondence with artist; correspondence re: damage; label copy; internal memos; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003e44 photographs; correspondence with lecturer; shipping information and receipts; materials from Brooklyn Museum of Art (organizer); drawings (photocopies); panel lists; 1 copy of lecture invitation; 1 copy of preview invitation; correspondence with Brooklyn; checklists\u003c/p\u003e","\u003cp\u003ePreview invitation; 1 copy of catalog; clippings; panel copy; correspondence with Brooklyn; shipping information and receipts; Brooklyn materials; panel lists; checklists; internal memos; correspondence with visitors\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with McCoubrey (Chair of Art Department at University of Pennsylvania); his c.v.\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Oenslager (lecturer)\u003c/p\u003e","\u003cp\u003eCybis porcelain brochure; shipping information and receipts; panel proofs; exhibitors information \"lent\"; clippings; correspondence with Ruder \u0026amp; Finn Inc. (co-organizers); checklists; drawings (photocopies); correspondence with Cybis porcelain (co-organizer)\u003c/p\u003e","\u003cp\u003e2 photographs; catalog; invitation; correspondence with Robert B. Widder (juror); correspondence with entrants; internal memos; slide talk lists; correspondence with juror (Morris Ketchum, Jr.)\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eInvitation, catalog, '64 Architects, Designers \u0026amp; Photographers, '66 ADP, 3 photographs; catalog proof; checklists; catalog copy\u003c/p\u003e","\u003cp\u003e\"Southern Exposure\" newsletter (2/68); clippings; correspondence with artists; label copy; internal memos; schedule\u003c/p\u003e","\u003cp\u003eChecklists\u003c/p\u003e","\u003cp\u003e\"Comparison…for 1966-68\"; internal memo\u003c/p\u003e","\u003cp\u003eCorrespondence with artists (4 winning architects mainly); list of winners\u003c/p\u003e","\u003cp\u003eBiographical information on Ketchum and Eames, 2 photographs; 1 photograph; correspondence with jurors [Morris Ketchum, Robert Widder, Charles Eames]; internal memos; lecture copy; biographical information\u003c/p\u003e","\u003cp\u003eChecklist\u003c/p\u003e","\u003cp\u003eGaines to artist (2/26/68), signed certificates; artist reply cards; correspondence with speaker; checklist\u003c/p\u003e","\u003cp\u003e3 prospectuses; prospectus copy; schedule; internal memos\u003c/p\u003e","\u003cp\u003eSchedule, 1/11/68 memo, 1/24/68 memo; '66 information; internal memos\u003c/p\u003e","\u003cp\u003eInvitation; 2 photographs of 1790s Russian silver cup (\"Charka\"); shipping information and receipts; checklists; internal memos; correspondence with Hollins; panel proofs; drawings (photocopies); correspondence from alumnae; research; correspondence with silver expert; correspondence from Helen Scott Reed (our consultant)\u003c/p\u003e","\u003cp\u003eShipping information and receipts; panel copy \u0026amp; proofs; drawings (photocopies); checklists with prices; biographical information (Anna Smith- weaver)\u003c/p\u003e","\u003cp\u003e3 photographs; AFA materials (circulator); shipping information and receipts; correspondence with Morgan State College (had exhibit before VMFA); correspondence with AFA; reprint of Rohm \u0026amp; Haas Reporter on \"New AA Forms in Plexiglass\" (Mar/Apr 1966); correspondence with lender, Howard Wise Gallery; 1 copy of May '68 Bulletin; clippings; drawings (photocopies); biographical information on artists; 1 copy of a Howard Wise Gallery catalog for Otto Piene (VMFA's lecturer); 1 copy of catalog; 1 copy of lecture invitation; 1 copy of preview invitation. To take place in Loan Gallery\u003c/p\u003e","\u003cp\u003eBiographical information on Kepes; 1 photograph; correspondence with Gyorgy Kepes (organizer of Light show \u0026amp; original lecturer); correspondence with Piene (M.I.T.), Kepes' replacement; Piene's biographical information; 1 copy of Arts Canada (April 1968) with one of Piene's articles\u003c/p\u003e","\u003cp\u003eCatalog; 3 photographs; correspondence with Photographs in the Fine Arts (a company); drawings (photocopies); clippings; panel proofs; checklists; packet of available exhibitions from George Eastman House; 1 copy of PSA Journal (August 1967) [Leslie Cheek was a judge]\u003c/p\u003e","\u003cp\u003e5 photographs; 1 catalog; exhibition contract; correspondence with MOMA (circulator); shipping information and receipts; checklists; panel proofs; MOMA materials\u003c/p\u003e","\u003cp\u003eLecture invitation, checklist; 4 photographs; duplicates: \"A Look at Carter Collection,\" \"Vender Gives Rodin to Museum\"; clippings; correspondence with LACMA (circulator); shipping information and receipts; internal memos; exhibition contract; 1 copy of preview invitation; correspondence with Gerald Carter (collector)\u003c/p\u003e","\u003cp\u003e1 photograph, biographical information; correspondence with Adams (Director of Cincinnati Art Museum \u0026amp; VMFA lecturer); 1 copy of lecture invitation; internal memos; correspondence with Reynolds (his hosts)\u003c/p\u003e","\u003cp\u003e\"Selections from Virginia Architecture\"; panel proofs; drawing (photocopy); internal memos\u003c/p\u003e","\u003cp\u003e1 drawing; MOMA exhibition packet, MOMA press release (6/20/67); MOMA materials (circulator); drawings (photocopies); correspondence with MOMA; shipping information and receipts; clippings; internal memos\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e1 photograph; biographical information; lecture invitation; correspondence with Szarkowski (MOMA Director of Photography \u0026amp; VMFA lecturer); itinerary; correspondence with Bryans (his hosts)\u003c/p\u003e","\u003cp\u003eShipping information and receipts; panel proofs; internal memos; drawing (photocopy);\u003c/p\u003e","\u003cp\u003e7 drawings (on graph paper-drawn by Brown herself); label copy; shipping information and receipts; checklists; 2 more prints of transparencies from envelope; correspondence with Brown; biographical information; panel copy; panel lists; drawings (photocopies)\u003c/p\u003e","\u003cp\u003eShipping information and receipts; request for special/specific information forms; white envelope with 5 transparencies; 2 prints of 2 of the transparences for Collector of the Year exhibition\u003c/p\u003e","\u003cp\u003eSpecial/specific request for information forms\u003c/p\u003e","\u003cp\u003eBiographical information; correspondence with Griffith re: lectures (Curator of Films, MOMA); lecturing for \"George Stevens Makes a Film\"\u003c/p\u003e","\u003cp\u003eShipping information and receipts; biographical information; photocopies of 2 catalogs\u003c/p\u003e","\u003cp\u003e1 copy of Council 1967-68 membership book; internal memos; various reports (budgetary \u0026amp; non); correspondence, 2 slides for lecture on Council budget 66-67 season\u003c/p\u003e","\u003cp\u003eLecture invitation, 1 photograph; Correspondence with Dee (curator of drawings \u0026amp; prints at Cooper-Hewitt) re: lecture; 1 copy of January 1969 Bulletin; correspondence with hosts; biographical information\u003c/p\u003e","\u003cp\u003ePacking list, photographs; 1 copy of catalog (cut up) of View of Florence \u0026amp; Tuscany by Giuseppe Zocchi, loaned by Pierpont Morgan Library\u003c/p\u003e","\u003cp\u003ePhotographs; shipping information and receipts; correspondence with IEF (circulator); correspondence with Dee re: lecture; IEF materials; drawings (photocopies); label copy; internal memos; 1 copy of America-Italy Newsletter (spring 1968); 1 copy of Pierpont invitation; 1 copy of preview invitation; correspondence re: catalogs; correspondence re: opening\u003c/p\u003e","\u003cp\u003eCorrespondence with Senator Scott from 1982 from Richard Woodward; checklists; clippings; internal memos; correspondence with Scott; shipping information and receipts; drawings (photocopies); panel proofs\u003c/p\u003e","\u003cp\u003eInvitation; checklists; internal memos; correspondence re; filmstrip for Orientation Theatre; drawings (photocopies)\u003c/p\u003e","\u003cp\u003eC.v., invitation, 1 photograph; correspondence with Begley (professor at School of Art, University of Iowa); internal memos; correspondence with hosts\u003c/p\u003e","\u003cp\u003e3 photographs; 3 photographs (small one, Dr. \u0026amp; Mrs. George B. Green); panel copy; panel proofs; label copy; drawings (photocopies); correspondence with lender (George Green); shipping information and receipts; internal memos; correspondence with Colonial Williamsburg; research; checklists\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e8 photographs; 5 new photographs; shipping information and receipts; internal memos; checklists with values; correspondence with Motherwell (juror) and correspondence with his gallery representation (Marlborough); correspondence with Frank Gallo (juror); and his representation (Gilman Gallery and Graham Gallery); request for information forms; drawings (photocopies); label copy\u003c/p\u003e","\u003cp\u003eChecklists; list of lenders; internal memos; correspondence with lenders (including MFA Boston and AIC); shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 photograph; lecture invitation; preview invitation; correspondence with Wardell (Curator, Department of Primitive Art at AIC) re: lecture; correspondence with hosts; 1 copy of April 1969 Bulletin\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e1 drawing; other press releases; shipping information and receipts; checklists; internal memos; correspondence with MFA Boston (organizer); correspondence with AIC (lender); clippings; panel proofs; 1 copy of preview invitation; list of lenders\u003c/p\u003e","\u003cp\u003e8 photographs; correspondence with MFA Boston; exhibition contract; internal memos; 1 copy each of The World of Peru in the United States, Three Centuries of Peruvian Silver, Master Craftsmen of Peru; Folk Art of Peru, 2,500 Years of Peruvian Art, Folk Art of Peru (longer version), Contemporary Peruvian Paintings and Sculptures\u003c/p\u003e","\u003cp\u003e1 photograph; list of members; special request for information form; correspondence re: broken object (belonged to Stewart Bryan)\u003c/p\u003e","\u003cp\u003eCatalog, 3 duplicate photographs, 2 new photos; internal memos; shipping information and receipts; checklists; label proofs; exhibition contract (MOMA is circulator); correspondence with MOMA; clippings; MOMA materials (including press release)\u003c/p\u003e","\u003cp\u003ePress release (4/2/69); Kandinsky article by Johnson; wall label, Photographs; correspondence with MOMA (organizer); MOMA materials; exhibition contract; shipping information and receipts; checklists; drawings (photocopies); panel proofs\u003c/p\u003e","\u003cp\u003e2 photographs; duplicates: invitation, 1 duplicate photograph; correspondence with potential lecturers; correspondence with Beckmann (visiting Bauhaus artist); clipping\u003c/p\u003e","\u003cp\u003eShipping information and receipts; panel proofs; panel copy; drawings (photocopies); special request for information forms; label proofs; label copy; checklists; correspondence with UVirginia (lender and co-organizer); correspondence from State Library (co-organizer)\u003c/p\u003e","\u003cp\u003e4 photographs; checklists; shipping information and receipts; correspondence with O'Neal; photocopies of drawings; list of lenders; correspondence with UVirginia; correspondence with State Library; research; internal memos; correspondence with lenders\u003c/p\u003e","\u003cp\u003eInvitation; 2 photographs, 1 transparency; catalog copy; internal memos; checklists; correspondence with lenders; correspondence with William O'Neal (guest curator)\u003c/p\u003e","\u003cp\u003e1 photograph; introduction; correspondence re: lecture; invitation\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with lenders; correspondence with O'Neal\u003c/p\u003e","\u003cp\u003eChecklists from dealers with prices/values; shipping information and receipts; correspondence with dealers; checklists; internal memos\u003c/p\u003e","\u003cp\u003eInvitation, \"Suggested Remarks for Mr. Arthur Brinkley,\" 5/12/69; 1 copy of catalog; introduction; correspondence with Alloway re: lecture\u003c/p\u003e","\u003cp\u003eCorrespondence with various speakers; internal memos; schedules\u003c/p\u003e","\u003cp\u003eInternal memos; list and schedules (entertainment, exhibitions, events, theatre, etc.)\u003c/p\u003e","\u003cp\u003e4 invitations; 3 other invitations (Once Invisible, Alloway's lecture, Gold of Ancient America)\u003c/p\u003e","\u003cp\u003eInternal memos; mailing lists\u003c/p\u003e","\u003cp\u003eGreen pickup cards, Gaines to Artist (7/3/69); shipping information and receipts; correspondence with artists; entry blanks; internal memos; checklists\u003c/p\u003e","\u003cp\u003eGaines to Purchaser invitation, purchasers; preview tearsheet (yellow), memo 4/29/69 (blue), 1969 fact sheets; checklists\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with artists; invoices re: sales; checklists\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eMemo 11/17/69, memo 11/26/69; correspondence with artists\u003c/p\u003e","\u003cp\u003e'69 invitation, '69 salon catalogue; 1 copy of '67 invitation and catalogue; catalogue copy; 1 copy of '69 catalogue; catalogue proof\u003c/p\u003e","\u003cp\u003e'69 fact sheet; statistics\u003c/p\u003e","\u003cp\u003e'67 and '69 Salon catalogues; checklist; internal memos; form letter to artists from Ellyson\u003c/p\u003e","\u003cp\u003e3 photographs; schedule; internal memos; correspondence with jurors; biographical information; correspondence with hosts; lecture invitation; correspondence with potential jurors [Bontecou agreed but then had to cancel]\u003c/p\u003e","\u003cp\u003ePhotographs; label copy; 1 copy of ADP '68 catalog; 1/70 Bulletin; biographical information on Paul Rand; correspondence with Rand; internal memos\u003c/p\u003e","\u003cp\u003e2 slides, 18 photographs; 5 duplicate photographs; label copy\u003c/p\u003e","\u003cp\u003e\"Receiving \u0026amp; Handling of Material\" memo 1/28/70, 1 photograph [Kenneth Winebrenner \"Mirror\"]; 1 copy of 1970 prospectus; entry blanks; internal memos; correspondence with artists; biographical information\u003c/p\u003e","\u003cp\u003e1 photograph [Paul Smith looking at Castle's work from an earlier juried exhibition?]; 2/70 Bulletin; correspondence with juror [Wendell Castle]\u003c/p\u003e","\u003cp\u003ePhotographs; 1 copy of 1970 catalog (annotated); correspondence re: image of Winebrenner's mirror\u003c/p\u003e","\u003cp\u003e1 copy of 1970 catalog (annotated); internal memos; correspondence with artists\u003c/p\u003e","\u003cp\u003eForm letter; shipping information and receipts; correspondence with artist; checklists\u003c/p\u003e","\u003cp\u003e1 form letter; shipping information and receipts; correspondence with artists; checklists; internal memos\u003c/p\u003e","\u003cp\u003eSlides; duplicates; signed certificates; correspondence with winners; checklists; presentation order\u003c/p\u003e","\u003cp\u003eLabel copy; clippings; catalogue copy; checklists; internal memos; lease agreement for warehouse; drawing (photocopy); jury tokens; correspondence with artists\u003c/p\u003e","\u003cp\u003eProspectus, form letter from C. Ellyson; correspondence with chapters; annotated '67 prospectus; prospectus copy schedule\u003c/p\u003e","\u003cp\u003eMemo 1/23/69, memo 1/25/67; internal memos; correspondence with 7th \u0026amp; Franklin; schedule\u003c/p\u003e","\u003cp\u003eCatalog ('70 Designers); catalogue proofs; entry blanks; 1 copy of '68 ADP catalogue; catalogue copy; checklists\u003c/p\u003e","\u003cp\u003eAnnotated '70 prospectus; correspondence with juror; prospectus copy; internal memos; schedule\u003c/p\u003e","\u003cp\u003eEntry blanks; 1 copy of '70 Craftsmen catalogue; 1 copy of '67 Artists catalogue; checklists; catalogue copy; preview invitation; label copy\u003c/p\u003e","\u003cp\u003eProspectus copy; schedule\u003c/p\u003e","\u003cp\u003eInternal memos; checklists\u003c/p\u003e","\u003cp\u003eChecklists; internal memos\u003c/p\u003e","\u003cp\u003eMemo 9/3/69, memo 6/30/69; checklists; internal memos; fact sheets; correspondence with artists; label copy; excerpts from juror speech\u003c/p\u003e","\u003cp\u003eCatalogue copy; checklists; 1 piece of correspondence re: catalogue\u003c/p\u003e","\u003cp\u003eSigned certificates, reply cards, Gaines form letter; reply cards from winners; checklists; correspondence with artists\u003c/p\u003e","\u003cp\u003ePress release 6/27/69, biographical information, 1 photograph; correspondence with potential jurors; internal memos; correspondence with juror (Peter Bunnell)\u003c/p\u003e","\u003cp\u003ePhotographs; label copy\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; 3/69 Bulletin; label copy; shipping information and receipts; biographical information\u003c/p\u003e","\u003cp\u003e4/69 Bulletin; photographs; correspondence with artist; label copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003e5/69 Bulletin; photographs; correspondence with artist; biographical information; label copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003e9/69 Bulletin, invitation; photographs; checklists; correspondence with artist; label copy; insurance report form; internal memos; biographical information\u003c/p\u003e","\u003cp\u003eInvitation; 10/69 Bulletin, photographs; correspondence with artist; checklists; label copy\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; biographical information; label copy\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; label copy; biographical information; shipping information and receipts; internal memos\u003c/p\u003e","\u003cp\u003e2/70 Bulletin; photographs; label copy; checklists; 5/69 Bulletin; invitations; correspondence with artist; internal memos re: missing print\u003c/p\u003e","\u003cp\u003e3/70 Bulletin, photographs; correspondence with artist; internal memos; price list (hand drawn!); press release; biographical information; label copy\u003c/p\u003e","\u003cp\u003eInvitation; 2 photographs; 3/70 Bulletin; correspondence with artist; label copy; checklists\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; checklists; 4/70 Bulletin; label copy; biographical information\u003c/p\u003e","\u003cp\u003e5/70 Bulletin, invitation, photographs; checklists; label copy; correspondence with artist; biographical information\u003c/p\u003e","\u003cp\u003eInvitation, \"suggested stand\" drawing; 1 photograph; label copy; correspondence with artist; clippings; biographical information; checklists; 9/70 Bulletin\u003c/p\u003e","\u003cp\u003e10/70 Bulletin; 2 photographs; label copy; clipping; internal memos; checklists; correspondence with artist; invitation\u003c/p\u003e","\u003cp\u003eInvitation; photographs; label copy; internal memos; shipping information and receipts; correspondence re: letter of recommendation for job\u003c/p\u003e","\u003cp\u003eInvitation, 5 photographs; 5 new photographs; 5 slides; correspondence with artist; label copy; clipping\u003c/p\u003e","\u003cp\u003eCorrespondence with potential jurors; internal memos\u003c/p\u003e","\u003cp\u003e1 photograph of Rand, prospectus; correspondence with Rand (juror); catalog of Rand's work; research\u003c/p\u003e","\u003cp\u003e'69 prospectus, letter Ellyson to art department 6/23/69, memo to chapters 6/23/69; copy of '68 ADP prospectus; prospectus proof; prospectus copy; internal memos; schedule\u003c/p\u003e","\u003cp\u003eChecklists; internal memos\u003c/p\u003e","\u003cp\u003eChecklists; fact sheets\u003c/p\u003e","\u003cp\u003eInternal memos; checklists\u003c/p\u003e","\u003cp\u003eMemo 7/7/70; internal memos; entry blanks; correspondence with architects; schedule; project descriptions; drawing (photocopy); lecture invitation copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003eReply cards; internal memos; correspondence with architects\u003c/p\u003e","\u003cp\u003eCatalogue; correspondence with architects; catalogue copy\u003c/p\u003e","\u003cp\u003eOne signed certificate; correspondence with winners\u003c/p\u003e","\u003cp\u003e4 photographs; correspondence with juror (Romaldo Giurgola); internal memos; clipping; biographical information\u003c/p\u003e","\u003cp\u003ePhotographs; clippings\u003c/p\u003e","\u003cp\u003eProspectus, announcement; prospectus proof; prospectus copy; '68 annotated ADP prospectus; clipping\u003c/p\u003e","\u003cp\u003eEntry blanks; fact sheets; internal memos; checklists\u003c/p\u003e","\u003cp\u003eInternal memo; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with SITES; SITES materials; invitations; exhibition information; Bulletins; correspondence with other Smithsonian Institution staff\u003c/p\u003e","\u003cp\u003eSITES catalogues, 1967-1970\u003c/p\u003e","\u003cp\u003eChecklists; insurance report forms; correspondence with lenders (dealers); membership list\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with lenders; checklists; shipping information and receipts; label proofs; research; budget planning; correspondence with consultants\u003c/p\u003e","\u003cp\u003ePreview invitation; correspondence with and between consultants (Helen Scott Reed and Kathryn Buhler); catalog copy\u003c/p\u003e","\u003cp\u003eInvitation (preview); invitation (lecture); exhibition prospectus; catalog proofs\u003c/p\u003e","\u003cp\u003ePhotographs; internal memos; clippings; catalog notes; correspondence with lenders; checklists; invitation list\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; shipping information and receipts; correspondence with various organizations\u003c/p\u003e","\u003cp\u003e1 copy of catalog; special information form\u003c/p\u003e","\u003cp\u003eCorrespondence with Rouse (Jamestown Foundation) re: lecture; copy of lecture text\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Buhler (consultant) re: lecture; copy of lecture text\u003c/p\u003e","\u003cp\u003e4 photographs; suggested press release; checklist; correspondence with IEF; label proofs; exhibition contract; IEF materials; shipping information and receipts; internal memos\u003c/p\u003e","\u003cp\u003e7 photographs; 2 contact sheets and 1 new photo; duplicate: invitation; crawing (photocopy); internal memos; label proofs\u003c/p\u003e","\u003cp\u003e9 photographs, 4 new photographs including 1 contact sheet; duplicates: lecture invitation; label copy; drawings (photocopies); shipping information and receipts; MOMA materials; checklists; correspondence with MOMA (circulator); exhibition contract; research; internal memos; 1 copy of preview invitation\u003c/p\u003e","\u003cp\u003eLecture invitation; correspondence with Fern re; lecture (Library of Congress Prints \u0026amp; Photos Division); internal memos\u003c/p\u003e","\u003cp\u003e1 photograph (contact sheet); checklists; varied correspondence\u003c/p\u003e","\u003cp\u003eProspectus with entry cards; 2 photographs; 1 duplicate photograph; correspondence with Castle (juror, Penland School of Crafts)\u003c/p\u003e","\u003cp\u003e1 photograph; label copy; correspondence re: item breakage; label proofs\u003c/p\u003e","\u003cp\u003ePreview invitation; chipping information; correspondence with lenders; internal memos; 1 copy of catalogue; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; request for information forms; 1 copy of Art Gallery Magazine (12/69); 1 copy of TIME (6/1/70), reason unknown, no more receipts kept in these files\u003c/p\u003e","\u003cp\u003e2 contact sheets; correspondence with Peter Selz (UC Berkeley, juror); correspondence with lenders; internal memos (including correspondence re: installation of Robert Irwin's \"Disc\"); correspondence with artists re: their Vietnam War protest\u003c/p\u003e","\u003cp\u003eInternal memos; catalogue copy; label copy; research; 1 copy of catalogue (damaged)\u003c/p\u003e","\u003cp\u003e1 photograph (1966 show); photographs of works not in show (Krushenick, Warhol, Ruscha); copies of '62 and '66 show information; correspondence with lenders; shipping information; checklists\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; panel copy; mailing and invitation lists; lender lists\u003c/p\u003e","\u003cp\u003ePhotographs (VMFA copies)\u003c/p\u003e","\u003cp\u003ePhotographs (originals)\u003c/p\u003e","\u003cp\u003eLecture invitation; 1 duplicate photograph; correspondence with Selz (juror) re: exhibition and lecture; biographical information; invitation copy\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; exhibition contract; internal memos; correspondence with Paul Tishman (collector whose works comprise show); correspondence with High Museum (earlier venue); IEF materials\u003c/p\u003e","\u003cp\u003ePhotographs; internal memos; correspondence with High and with UT Austin (earlier venues); correspondence with IEF; shipping information\u003c/p\u003e","\u003cp\u003eChecklists; IEF materials; research; panel copy\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e5 photographs; 3 duplicate photographs\u003c/p\u003e","\u003cp\u003e7 photographs; 8 duplicate photographs\u003c/p\u003e","\u003cp\u003e11 photographs; 3 duplicate photographs\u003c/p\u003e","\u003cp\u003e5 photographs; 9 duplicate photographs\u003c/p\u003e","\u003cp\u003e9 photographs; 8 duplicate photographs\u003c/p\u003e","\u003cp\u003e15 photographs; 4 duplicate photographs\u003c/p\u003e","\u003cp\u003e12 photographs; 2 duplicate photographs\u003c/p\u003e","\u003cp\u003e1 duplicate photographs\u003c/p\u003e","\u003cp\u003e7 photographs; 4 duplicate photographs\u003c/p\u003e","\u003cp\u003e2 drawings; duplicates: loan exhibition announcement; invitation; 40 slides; 1 copy of High's brochure; internal memos; NGA brochures; IEF materials; correspondence re: possible speakers; correspondence with Tishman; copy of 9/70 Bulletin; slide list [see end of box]\u003c/p\u003e","\u003cp\u003e5 photographs; checklist; internal memos re: this traveling exhibition SP-19 [loans from 4 major NY galleries, distributed by State Services Division]; correspondence with dealers/lenders; 1 copy of 10/70 Bulletin\u003c/p\u003e","\u003cp\u003eCatalog (Edgeworth \u0026amp; VMFA); 1 photograph; audio (reel) tape \"J.[oel] Aldred – tapestries – 71/2 ips\" [Canadian broadcaster]; 1 copy of invitation; catalogue: Hommage à Jean Lurçat, Rothmans, ca. 1966; another Rothmans' catalogue ca. 1964\u003c/p\u003e","\u003cp\u003e1 copy of catalog; 1 copy of black tie reception invitation\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Rothmans of Pall Mall Canada; correspondence with House of Edgeworth (co-sponsors); planning re: previous receptions, etc.\u003c/p\u003e","\u003cp\u003e6 photographs\u003c/p\u003e","\u003cp\u003eBlack tie reception invitation; other invitations (non-VMFA)\u003c/p\u003e","\u003cp\u003eChecklist (contemporary French tapestries); checklists (various, including hommage à Jean Lurçat); invitation lists; staff working lists\u003c/p\u003e","\u003cp\u003eNotes on the Rothmans Collection; Rothmans press release; Contemporary French Tapestry; research; clippings; copies of other's letters to/from Lurçat [speech by Madame Denise Majorel, 2 clippings]; Lurçat letters (3/29/48 \u0026amp; 12/24/47)\u003c/p\u003e","\u003cp\u003e3 photographs; 9 duplicate photographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs [overlap between these 2 folders]\u003c/p\u003e","\u003cp\u003e8 duplicate photographs\u003c/p\u003e","\u003cp\u003e8 photographs; 9 duplicate photographs\u003c/p\u003e","\u003cp\u003e1 catalog for July/August program with catalog card application [1969]\u003c/p\u003e","\u003cp\u003eLists of speakers; internal memos; biographical information; correspondence with speakers; report from Museum Entertainment Committee\u003c/p\u003e","\u003cp\u003eVM 1969-1970 events; lists of events; calendars; internal memos; schedules including exhibition, theatre, mailings, events, etc.; 1 copy of Theatre schedule card\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eCatalog; 4 photographs; 23 new photographs; exhibition contract (Mat is circulator); research; correspondence with Met; internal memos; shipping information and receipts\u003c/p\u003e","\u003cp\u003eMailing, 16 duplicate photographs; 7 new photos; correspondence with Baltimore Museum of Art (circulator); checklists; BMA materials; press release; internal memos; research; 1 copy of catalog (annotated)\u003c/p\u003e","\u003cp\u003e4 new photographs; 7 duplicate photographs\u003c/p\u003e","\u003cp\u003e1 new photograph; 4 duplicate photographs; correspondence with Norton Simon; clippings; checklists; internal memos; copy of Henry Moore annotated transcript from '63; label and panel copy; information sheets on paintings; 1 copy of invitation; shipping information and receipts\u003c/p\u003e","\u003cp\u003e2 photographs; correspondence with collectors; checklists; drawings (photocopies); research, photocopy of Vogue article (4/15/60) on Colin\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; internal memos\u003c/p\u003e","\u003cp\u003ePreview invitation; correspondence with lenders; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders\u003c/p\u003e","\u003cp\u003eReminder card; invitation; checklists; research; lender lists; label copy; request for information forms; clippings; shipping information and receipts; mailing lists\u003c/p\u003e","\u003cp\u003e33 new photographs\u003c/p\u003e","\u003cp\u003e3 new photographs; 13 duplicate photos\u003c/p\u003e","\u003cp\u003e5 new photographs; 10 duplicate photographs\u003c/p\u003e","\u003cp\u003e5 new photographs; 10 duplicate photographs\u003c/p\u003e","\u003cp\u003e2 new photographs; 10 duplicate photographs\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders who gave no initial response\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders re: return of works; internal memos; mailing lists; form letters\u003c/p\u003e","\u003cp\u003eCopies of AIV articles from which loan list was gathered, annotated (probably for label/panel/catalog use)\u003c/p\u003e","\u003cp\u003eChecklist; suggested press release, invitation, 4 duplicate photographs; 14 new photographs; 2 AFA folders of materials; internal memos; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eShipping information; correspondence with AFA; correspondence with Smith College Museum of Art Director\u003c/p\u003e","\u003cp\u003eWall label; clippings; correspondence with MOMA (circulator); MOMA materials (including press release and checklist); 1 copy of MOMA members' newsletter (Spring 1970); correspondence with Peter Bunnell (photograph curator at MOMA \u0026amp; organizer); drawings; internal memos; exhibition contract\u003c/p\u003e","\u003cp\u003eInvitation; 1 copy of September 1971 Bulletin; internal memos; mailing list\u003c/p\u003e","\u003cp\u003eProspectus; correspondence with artists; internal memos; checklists; schedules; 1 copy of October 1971 Bulletin; 1 annotated copy of Virginia Photographers '69 catalog; 1 copy of '71 catalog\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with lenders re: potential loans; correspondence with lenders; correspondence re: extension of exhibition; correspondence with Robert Koch (speaker); correspondence with publicity\u003c/p\u003e","\u003cp\u003eInvitation; poster; 1 duplicate photograph; 4 new photographs, 7 slides; notes; research; information request forms; 1 copy of November 1971 Bulletin; panel copy; clippings; 1 copy of December 1971 Bulletin\u003c/p\u003e","\u003cp\u003e1 copy of November 1971 Bulletin; 1 copy of the January 1972 Antique Monthly\u003c/p\u003e","\u003cp\u003e1 copy of the January 1972 Antique Monthly\u003c/p\u003e","\u003cp\u003eCatalog copy\u003c/p\u003e","\u003cp\u003eCatalog copy\u003c/p\u003e","\u003cp\u003eBlank copy of information form\u003c/p\u003e","\u003cp\u003e6 drawings (photocopies) of lighting schemes\u003c/p\u003e","\u003cp\u003e3 photographs (items from Lewis Collection from some catalog); checklists; loan lists; mailing lists; internal memos; panel/catalog copy\u003c/p\u003e","\u003cp\u003eBlank request for information forms\u003c/p\u003e","\u003cp\u003eChecklist for catalog\u003c/p\u003e","\u003cp\u003eChecklist for catalog\u003c/p\u003e","\u003cp\u003eChecklist for catalog\u003c/p\u003e","\u003cp\u003eTransparencies, 91 photographs\u003c/p\u003e","\u003cp\u003eEmpty folder\u003c/p\u003e","\u003cp\u003eLabel copy; internal memos; scripts; notes\u003c/p\u003e","\u003cp\u003eSpecial object information forms\u003c/p\u003e","\u003cp\u003eSpecial object information forms\u003c/p\u003e","\u003cp\u003eInvitation; special object information forms\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA; 1 copy of 1969-70 AFA Catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions (museums, universities, organizations); internal memos; promotional materials\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; exhibition information sheets\u003c/p\u003e","\u003cp\u003e1 press release from Howard University\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions (museums, universities, organizations); promotional materials\u003c/p\u003e","\u003cp\u003e2 invitations, 2 catalogs (1969 \u0026amp; 1971 for both shows); congratulations letter; pink salon des refuses card; prospectus; 1 contact sheet; schedule; internal memos; correspondence with juror (Thomas Hess); list of buyers; committee lists; correspondence with 7th \u0026amp; Franklin building owners (where judging was done); 1 drawing (photocopy)\u003c/p\u003e","\u003cp\u003e16 photographs; duplicates: 6 photographs, prospectus; correspondence with Thalhimer's; internal memos; fact sheets; correspondence with artists; clippings; label copy; checklists; 1 copy of catalogue; 1 copy of May 1971 Bulletin; copies of certificate winners' entry blanks\u003c/p\u003e","\u003cp\u003ePhotographs; 1 copy of catalog; 1 copy of prospectus; lease agreement for 7th \u0026amp; Franklin Building\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eCorrespondence with potential speakers\u003c/p\u003e","\u003cp\u003eMemo 3/16/71, 5/71 Bulletin; fact sheets; internal memos; correspondence with artists; correspondence with 7th \u0026amp; Franklin; schedule; clipping; checklists\u003c/p\u003e","\u003cp\u003eInternal memos; checklists\u003c/p\u003e","\u003cp\u003eCatalogue; internal memos; catalog copy; correspondence with artist\u003c/p\u003e","\u003cp\u003eSigned certificates; entry blanks; 1 copy of catalogue; correspondence with winners; checklists; internal memos\u003c/p\u003e","\u003cp\u003e2 photographs; correspondence with artists; internal memos; schedules; correspondence with juror\u003c/p\u003e","\u003cp\u003eSlides; photographs; checklists\u003c/p\u003e","\u003cp\u003eRelease forms; invoices; preview invitation list; fact sheets; checklists; internal memos; '71 invitation; correspondence with artists\u003c/p\u003e","\u003cp\u003eAnnotated catalogs; correspondence with purchasers; correspondence with artists; purchase information cards\u003c/p\u003e","\u003cp\u003eMemo 9/8/71; correspondence with artists; label copy; internal memos\u003c/p\u003e","\u003cp\u003e1 copy of '71 prospectus; 1 copy of '60 catalogue; correspondence with juror (Harry Callahan); fact sheets; research/biographical information\u003c/p\u003e","\u003cp\u003ePhotographs; '69 and '71 prospectuses\u003c/p\u003e","\u003cp\u003eProspectus copy; correspondence with artist\u003c/p\u003e","\u003cp\u003eFact sheets; internal memos; checklists; entry blanks\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with artists; checklists\u003c/p\u003e","\u003cp\u003e\"Guidelines for Preparing Panels,\" memo 3/19/71; dinner invitation copy; internal memos; project descriptions; correspondence with designers; schedule; catalog copy; AIID Virginia Chapter Directory 70-71; correspondence with Virginia AID; entry blanks; 1 copy of dinner invitation with reply card\u003c/p\u003e","\u003cp\u003eCorrespondence with winners\u003c/p\u003e","\u003cp\u003e1 photograph; slides; correspondence with juror (Sarah Tomerlin Lee-former Editor of House Beautiful); schedule; internal memos\u003c/p\u003e","\u003cp\u003e2 new photographs; 9 duplicate photographs\u003c/p\u003e","\u003cp\u003eSigned certificates; entry blanks; label copy; biographical information; correspondence with juror (Henry Wolf); correspondence with potential jurors; internal memos; reception invitation list; checklists; correspondence with artists; fact sheets\u003c/p\u003e","\u003cp\u003eCatalogue ('72); catalogue copy\u003c/p\u003e","\u003cp\u003e14 new photographs; 2 duplicate photographs; catalogue\u003c/p\u003e","\u003cp\u003eProspectus; prospectus copy; annotated '68 prospectus copy\u003c/p\u003e","\u003cp\u003eForm letter from Ellyson, prospectus; annotated '69 prospectus; correspondence with artists: re: prospectus, prospectus copy\u003c/p\u003e","\u003cp\u003eCatalogue; fact sheets; shipping information and receipts\u003c/p\u003e","\u003cp\u003eReply cards; correspondence with artists; internal memos; checklists\u003c/p\u003e","\u003cp\u003eLetter 4/8/71; fact sheets for printmakers\u003c/p\u003e","\u003cp\u003eCatalogue; catalogue copy; checklists\u003c/p\u003e","\u003cp\u003eSigned certificates; correspondence with winners; checklists\u003c/p\u003e","\u003cp\u003e1 copy of '71 catalogue; checklists; catalogue copy; internal memos\u003c/p\u003e","\u003cp\u003eProspectus; prospectus copy; correspondence with designers\u003c/p\u003e","\u003cp\u003eCopy of Art Directors Club prospectus\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with artists; 1 copy of catalogue; reply cards\u003c/p\u003e","\u003cp\u003eEntry cards; shipping information and receipts; internal memos; fact sheets; checklists; correspondence with artists; 1 signed certificate; label copy\u003c/p\u003e","\u003cp\u003ePhotographs; internal memo\u003c/p\u003e","\u003cp\u003eCatalogue; catalogue copy; catalogue proofs; label copy\u003c/p\u003e","\u003cp\u003eSigned certificate; correspondence with winners\u003c/p\u003e","\u003cp\u003e5 new photographs; 8 duplicate photographs\u003c/p\u003e","\u003cp\u003eAnnotated '67 prospectus; prospectus copy; blank mailing labels\u003c/p\u003e","\u003cp\u003eLabel copy; correspondence with artist; clipping; 12/70 Bulletin; checklists\u003c/p\u003e","\u003cp\u003eInvitation; photographs; label copy; internal memos; correspondence with artist; invitation list; biographical information 1/71 Bulletin; Robinson House exhibition checklist\u003c/p\u003e","\u003cp\u003eInvitation; photographs; checklists; internal memos; label copy; biographical information; correspondence with artist; \"Art Now: New York,\" Vol. 2, no. 10; installation sketches by Jackson; 2/71 Bulletin; Robinson House checklist\u003c/p\u003e","\u003cp\u003e3/71 Bulletin; 2 photographs; 7 slides; Robinson House exhibition checklist; internal memos; correspondence with artist; label copy; biographical information\u003c/p\u003e","\u003cp\u003e3/71 Bulletin, 1 photograph; clippings; correspondence with artist; internal memos; label copy; Robinson House exhibition checklist; invitation list\u003c/p\u003e","\u003cp\u003e3 photographs; internal memos; correspondence with artist; label copy; biographical information; Robinson House exhibition checklist; 4/71 Bulletin; invitation list\u003c/p\u003e","\u003cp\u003e1 slide, invitation; 4 photographs; internal memos and correspondence with artist re: damaged works; biographical information; label copy; correspondence with artist; clippings; checklist; 5/73 Bulletin; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation, 9/71 Bulletin, 2 duplicate slides; 2 photographs; 3 slides; label copy; correspondence with artist; invitation list\u003c/p\u003e","\u003cp\u003e10/71 Bulletin, invitation; 4 photographs; biographical information; correspondence with artist; label copy; checklists\u003c/p\u003e","\u003cp\u003ePhotographs; 3 slides; invitation list; 1 copy of invitation; correspondence with artist; internal memos; biographical information; checklists; label copy; 11/71 Bulletin\u003c/p\u003e","\u003cp\u003e2 photographs; 3 slides; label copy; price list (hand drawn!); correspondence with artist; biographical information; 12/71 Bulletin\u003c/p\u003e","\u003cp\u003e2 photographs; 3 slides; invitation; label copy; biographical information; correspondence with artist; Robinson House exhibition; checklist; 12/71 Bulletin\u003c/p\u003e","\u003cp\u003eInvitation, 1 slide; 1 new slide; 1/72 Bulletin; label copy; biographical information; checklists; internal memos; correspondence with artists\u003c/p\u003e","\u003cp\u003e1 photograph; \"Masterpieces of Early American Furniture, Antiques (11/70), invitation, \"The U.S. Department of State Americana Fund…\"; correspondence with possible collectors; research, correspondence with Clement E. Conger, Collector of the Year 1972 (Chairman of Special Fine Arts Committee for acquisition of furnishings for the Department of State); internal memos; clippings; biographical information; press releases; clippings; checklists layout (typed)\u003c/p\u003e","\u003cp\u003ePhotographs; 1 drawing; drawing (typed!); clippings; label copy\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e6 photographs; duplicates: 8 photographs, invitation; drawings (photocopies); correspondence with Mourot; research; internal memos; checklists; clippings; label copy\u003c/p\u003e","\u003cp\u003eProspectus; internal memos; correspondence with artists; reception guest list\u003c/p\u003e","\u003cp\u003eInvitation, poster, MOMA information sheet, \"Modern Museum Offers Works…\"; 13 photographs; memos; correspondence with MOMA (circulator); shipping information and receipts; checklists, 1 poster\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with lenders; research; clippings; catalog copy; 1 copy of May 1972 Bulletin; clippings; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCatalogue copy\u003c/p\u003e","\u003cp\u003eCatalogue copy\u003c/p\u003e","\u003cp\u003eCatalogue copy\u003c/p\u003e","\u003cp\u003eCatalogue copy\u003c/p\u003e","\u003cp\u003eCatalogue copy\u003c/p\u003e","\u003cp\u003eCorrespondence with Muller; list of tentative loans\u003c/p\u003e","\u003cp\u003e9 photographs; 1 duplicate photograph\u003c/p\u003e","\u003cp\u003e1 new photograph; 1 duplicate photograph; correspondence with the AIC; request for information form\u003c/p\u003e","\u003cp\u003e2 duplicate photographs; correspondence with Princeton; request for information form\u003c/p\u003e","\u003cp\u003e1 duplicate photograph; correspondence with Atkins; request for information form\u003c/p\u003e","\u003cp\u003e1 duplicate photograph; correspondence with Fogg; request for information form\u003c/p\u003e","\u003cp\u003e1 duplicate photograph; correspondence with Meadows Museum; request for information form\u003c/p\u003e","\u003cp\u003e2 photographs; 6 duplicate photographs; correspondence with Met; request for information form\u003c/p\u003e","\u003cp\u003e4 duplicate photographs; correspondence with MFA Boston; request for information form; internal memos; insurance certificate\u003c/p\u003e","\u003cp\u003e6 duplicate photographs; correspondence with NGA; request for information form\u003c/p\u003e","\u003cp\u003e2 duplicate photographs; correspondence with RISD; request for information form\u003c/p\u003e","\u003cp\u003e3 duplicate photographs; correspondence with Thaw; request for information form. invitation; photographs\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Worcester; shipping information and receipts; request for information form; correspondence re: insurance\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence re; photograph orders and framing for our pieces; request for information forms\u003c/p\u003e","\u003cp\u003e16 new photographs; 4 duplicate photographs\u003c/p\u003e","\u003cp\u003e18 new photographs; 6 duplicate photographs\u003c/p\u003e","\u003cp\u003eRequest for information form; piece of box from printer\u003c/p\u003e","\u003cp\u003eChecklists; lists of loans; shipping lists; mailing lists\u003c/p\u003e","\u003cp\u003eOne piece of correspondence\u003c/p\u003e","\u003cp\u003e5 new photographs; 1 duplicate photograph\u003c/p\u003e","\u003cp\u003e8 new photographs\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders who denied loan request\u003c/p\u003e","\u003cp\u003eChecklist, wall label, press release, 7 photographs; 2 contact sheet strips; materials from MOMA (circulator); correspondence with MOMA; internal memos; label copy; drawings (photocopies); 1 [misfiled] mock-up of Goya Catalogue cover\u003c/p\u003e","\u003cp\u003eChecklist, 2 photographs; 4 new photographs, 2 invitations, members' preview postcard and special reception in envelope; \"Gund Collection of Western Art,\" 1970; internal memos; correspondence with Gund; correspondence with lenders; clippings; \"American Western Art: a Personal Narrative.\"\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with Gund Museum; internal memos; research; checklists; blank request for information forms; correspondence with lenders; lists of movies; Gund Collection materials\u003c/p\u003e","\u003cp\u003e4 photographs with labels, 5th=#15494, Carl Kauba, b. 1865, \"Indian\", Gilt Bronze, Collection Bobby Chandler; loan request; information sheets with small photos stapled to them (left in folder); correspondence with lenders; checklists; research\u003c/p\u003e","\u003cp\u003e1 catalog; 1 contact sheet strip; internal memos; label copy; 1 copy of invitation; correspondence with AIA, Richmond Chapter\u003c/p\u003e","\u003cp\u003eInvitation, 2 layout designs by Lipton, 6 photos; 27 new photos; correspondence with MIT (circulator); internal memos; correspondence with Marlborough Gallery (organizer); panel drawing (photocopy); checklists; correspondence with Lipton; label copy; research\u003c/p\u003e","\u003cp\u003e2 invitations, \"An Exhibition of Sculpture and Drawings by Gaston Lachaise,\" 2 photographs; 9 new photos; correspondence with Lachaise Foundation and [Felix] Landau Galleries (organizer); internal memos; checklists with prices; shipping information and receipts; drawing (photocopy); clippings\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with MOMA re: possible exhibitions, including Otto Frei exhibition [unsure if declined or not]\u003c/p\u003e","\u003cp\u003eChecklist; 1 photograph; internal memos; clippings; list of items sold or rented\u003c/p\u003e","\u003cp\u003e1 piece of correspondence re: lecture offer declined\u003c/p\u003e","\u003cp\u003eCorrespondence with Bernard Danenberg Galleries re: possible showing\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA\u003c/p\u003e","\u003cp\u003eCorrespondence with Advertising Trade Publications, Inc.\u003c/p\u003e","\u003cp\u003eCorrespondence with the IEF\u003c/p\u003e","\u003cp\u003eCorrespondence with Maritime Museum in Newport News and Philadelphia\u003c/p\u003e","\u003cp\u003e\"Project background \u0026amp; history,\" \"Bonniers introduces 9 incredible toys,\" 8 photos; 1 drawing; internal memos; correspondence with Bonnier International Design (organizer); correspondence with Ruder \u0026amp; Finn (circulators); Bonnier materials (including tear sheets); 1 copy of New York (9/11/72)\u003c/p\u003e","\u003cp\u003eProposals and materials from: George Eastman House, National Association of Women Artists, Rice University, California Arts Commission, Haus Rucker Company; MFA Houston, St. Paul Art Center, Fran Grace, Walter Art Center\u003c/p\u003e","\u003cp\u003eProposals and materials from: Japan Cultural Society, MOMA, Museum of the Confederacy, J.B. Speed, Library of Congress, Appalachian Corridor, SITES, Renwick Gallery, Asian Theatre Artists, NGA, Sculpture Center, International Museum of Photography, Oakland\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Smith (juror, Museum of Contemporary Crafts); biographical information\u003c/p\u003e","\u003cp\u003eCatalogs, prospectus, 1 photograph; correspondence with Wolf (juror; Trahey Wolf Advertising, Inc.); biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA; 1971-1972 catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with institutions; artists; galleries and others (including materials)\u003c/p\u003e","\u003cp\u003eInvitation, 2 slides; invitation list; correspondence with artist; clippings; label copy; 2/72 Bulletin\u003c/p\u003e","\u003cp\u003eInvitation; 4 slides; 5 photographs; biographical information; label copy; correspondence with artist; 3/72 Bulletin; checklists\u003c/p\u003e","\u003cp\u003eInvitation, 4/72 Bulletin; 1 slide; correspondence with artist; internal memos; label copy; checklists; biographical information\u003c/p\u003e","\u003cp\u003e4/73 Bulletin, 1 slide, invitation; 1 negative; 1 photograph; 12/69 Bulletin; label copy; shipping information and receipts; biographical information; checklists correspondence with artist\u003c/p\u003e","\u003cp\u003e5/72 Bulletin, invitation; 1 photograph; 4 slides; correspondence with artist; label copy; checklists; biographical information\u003c/p\u003e","\u003cp\u003eInvitation, 1 photograph; 4 slides; label copy; 9/72 Bulletin; correspondence with artist; checklist; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation, 4 photographs; 1 slide; shipping information and receipts; checklists; biographical information; 10/72 Bulletin; label copy; correspondence with artist\u003c/p\u003e","\u003cp\u003eInvitation; 1 photograph; 4 slides; checklists; shipping information and receipts; correspondence with artist; label copy; biographical information\u003c/p\u003e","\u003cp\u003eLabel copy; correspondence with artist; 11/72 Bulletin; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003e\"1972-73 Robinson House One-Man Exhibitions\" List; internal memos; schedules\u003c/p\u003e","\u003cp\u003e1 photograph; 4 slides; label copy; 1/73 Bulletin; correspondence with artist; internal memos; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 slide, invitation, 2 photographs; 1 new photograph; label copy; 1/73 Bulletin; correspondence with artist; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation, 2/73 Bulletin; 2 photographs; checklists; biographical information; internal memos; correspondence with artist; transportation request form; label copy\u003c/p\u003e","\u003cp\u003eInvitation, 3 photographs; 3 new photographs; 3 slides; biographical information; shipping information and receipts; checklists; correspondence with artist; transparencies request form; internal memos; label copy; 3/73 Bulletin\u003c/p\u003e","\u003cp\u003e'72 Honor Awards Program, Virginia AIA Chapter; concealed ID form; catalogue; internal memos; prospectus copy; Virginia Chapter AIA materials; 1 copy of prospectus; catalogue copy\u003c/p\u003e","\u003cp\u003eCorrespondence with juror (Hugh Jacobsen)\u003c/p\u003e","\u003cp\u003e2 photographs (Paul Smith); entry blanks; correspondence with artists; reception guest list; drawing (photocopy); internal memos; 1 copy of catalogue; correspondence with juror (Paul Smith)\u003c/p\u003e","\u003cp\u003eInternal memos; checklists; fact sheets; shipping information and receipts; entry blanks\u003c/p\u003e","\u003cp\u003ePurchase cards; annotated catalogues ('73); invoices; checklists; correspondence with purchasers; correspondence with artists; shipping information and receipts; release forms\u003c/p\u003e","\u003cp\u003eSlides; 7 new photographs; 3 duplicate photographs\u003c/p\u003e","\u003cp\u003eLetter (9/12/73); entry blanks; reception invitation list; shipping information and receipts; correspondence with artists; internal memos; correspondence with winners\u003c/p\u003e","\u003cp\u003e1 copy of catalogue; catalogue copy; internal memos; checklists\u003c/p\u003e","\u003cp\u003eSchedule; prospectus copy\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; internal memos; fact sheets; checklists\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with artists\u003c/p\u003e","\u003cp\u003e2 invitations, 8 duplicate photographs; 9 new photos; internal memos; checklists with values; correspondence with Blumkas (Mr. and Mrs. Leopold); research; correspondence re: complete loss of Gothic velvet tapestry due to water damage\u003c/p\u003e","\u003cp\u003e7 photographs; correspondence with MOMA (circulator); checklists; internal memos; MOMA materials (including wall label, press release)\u003c/p\u003e","\u003cp\u003e3 photographs; internal memos; panel layout notes; Accession Committee meeting minutes copies (to look at new accessions)\u003c/p\u003e","\u003cp\u003eInvitation; photographs; label copy; drawing (photocopy)\u003c/p\u003e","\u003cp\u003ePhotographs; duplicates; 2 invitations; invitation copy; internal memos; correspondence with Whitney (circulator); Whitney materials; label copy; 1 copy of \"Edward Hopper: Selections from the Hopper Bequest,\" published by Whitney; 1 copy of 3/73 Bulletin\u003c/p\u003e","\u003cp\u003e5 photographs; label copy; correspondence with lenders; request for information form; internal memos; correspondence re: Bernard Martin \"copying\" Alfred Newman's photograph of Hopper re: possible copyright infringement\u003c/p\u003e","\u003cp\u003eCatalog; 2 photographs; 1 copy of prospectus; internal memos; label copy; list of designers; correspondence with AIID\u003c/p\u003e","\u003cp\u003eInvitation, 10 photographs; internal memos; label copy; invitation copy; mailing lists\u003c/p\u003e","\u003cp\u003eCatalog, invitation, 1 photograph; 2 slides, 1 new photograph; internal memos; correspondence with artists; label copy; 1 copy of prospectus; checklists; clippings\u003c/p\u003e","\u003cp\u003e5/73 bulletin; shipping information and receipts; correspondence with artists; internal memos; correspondence with Thalhimer's re: display; label copy; checklists; fact sheets\u003c/p\u003e","\u003cp\u003e1 copy of catalogue; catalogue copy; checklists; internal m emos; prospectus copy\u003c/p\u003e","\u003cp\u003eSigned certificates; correspondence with winners\u003c/p\u003e","\u003cp\u003eCorrespondence with juror (William Seitz); biographical information\u003c/p\u003e","\u003cp\u003e28 photographs\u003c/p\u003e","\u003cp\u003eMemo (2/28/73); printmakers card; letter (3/22/73); internal memos\u003c/p\u003e","\u003cp\u003eReply cards; correspondence with artists; internal memos; checklists\u003c/p\u003e","\u003cp\u003e1 photograph; duplicates, certificates; juror biographical information (William Pahlmann); correspondence with juror; internal memos; fact sheets; checklists; correspondence with artists; entry blanks\u003c/p\u003e","\u003cp\u003eProspectus (1 copy); AID Virginia Chapter '70-'71 directory; prospectus copy; catalogue (1 copy); checklists; correspondence with NSID\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e3 photographs; 1 duplicate photograph; label copy; entry blank; correspondence with Solomon; biographical information; shipping information and receipts; 11/73 Bulletin\u003c/p\u003e","\u003cp\u003eInvitation, 2 duplicate photographs, 10/73 Bulletin; 1 new photograph; label copy; correspondence with Beer; biographical information; checklists\u003c/p\u003e","\u003cp\u003e2 photographs; internal memos; correspondence with juror (Nathan Lyons); biographical information\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eEntry blank; correspondence with Dougherty\u003c/p\u003e","\u003cp\u003e1 photograph; 1 new photograph; 9/73 Bulletin; correspondence with Davenport; entry blank; biographical information; clipping\u003c/p\u003e","\u003cp\u003eInvitation, 2 photographs; 7 new photographs; correspondence with Lewises; drawing (photocopy); internal memos, 1 copy of May '72 W\u0026amp;L Alumni Bulletin\u003c/p\u003e","\u003cp\u003e7 photographs; press release; internal memos; materials from Museum of Primitive Art (organizer); clippings; catalog copy\u003c/p\u003e","\u003cp\u003eInvitation; catalog; internal memos; correspondence with prospective jurors; 1 photocopy of prospectus; mailing list; article by Nathan Lyon (juror); clipping; NEA grant materials\u003c/p\u003e","\u003cp\u003ePress release, 3 photographs, checklist; correspondence with IEF (circulator); IEF materials; internal memos\u003c/p\u003e","\u003cp\u003eResearch; checklists; catalog copy; mailing lists for catalogs [all materials Blaine-related]\u003c/p\u003e","\u003cp\u003e3 clippings, 3 invitations; 7 photographs; internal memos; correspondence with Blaine; mailing lists; catalog copy (Blaine)\u003c/p\u003e","\u003cp\u003eNell Blaine at the Poindexter Gallery, 1972, catalogue folder; 2 new photographs; research; other catalogs; mailing lists; request for information forms; checklists; price lists; internal memos; correspondence with Boston University (Beal co-organizer); correspondence with Poindexter Gallery (Blaine co-organizer); correspondence with Lawrence Campbell (essay writer; Art Students' league); correspondence with lenders; correspondence with artists; catalog copy (Beal)\u003c/p\u003e","\u003cp\u003ePhotographs; 1 copy of Blaine catalog; list of Beal color transparencies returned\u003c/p\u003e","\u003cp\u003eCorrespondence with artist and purchasers re: sale of paintings (including copies of checks, etc.); checklists; price lists [all material related to Blaine]\u003c/p\u003e","\u003cp\u003e1 drawing by Blaine; correspondence with Boston University, Poindexter Gallery, Blaine, Campbell, lenders; internal memos; 1 copy of Blaine catalog; clippings; loan agreement forms; other catalog (Beal); research; label copy; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA; 1972-73 catalog; 1973-74 listing in new 8 ½ X 11 format (unbound)\u003c/p\u003e","\u003cp\u003e2 copies of 67-68 catalog; correspondence with AFA; 2 copies of 68-69 catalog; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence re: possible prison art show\u003c/p\u003e","\u003cp\u003eCorrespondence with Ruder and Finn\u003c/p\u003e","\u003cp\u003eClippings; research; SITE materials, correspondence with various institutions (museums, galleries, organizations); IEF materials; various catalogs [most of material from late 60s]\u003c/p\u003e","\u003cp\u003eClippings; research; SITE materials, correspondence with various institutions (museums, galleries, organizations); IEF materials; various catalogs [most of material from late 60s]\u003c/p\u003e","\u003cp\u003eMaterial re; possible exhibition of Cecil Beaton as well as Samuel Kirk \u0026amp; Son\u003c/p\u003e","\u003cp\u003eMaterial re: possible exhibition of Cecil Beaton, as well as for Sir Jacob Epstein, and others\u003c/p\u003e","\u003cp\u003eCorrespondence re: Objects: USA (collection of S.C. Johnson \u0026amp; Son, organized by Lee Nordness Gallery); correspondence with various other institutions; various catalogs from late 1960s\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions; various catalogs from 1973\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions; various catalogs from late 1960s; early 1970s]\u003c/p\u003e","\u003cp\u003eCorrespondence; internal memos\u003c/p\u003e","\u003cp\u003e1 copy of 66-67 catalog; 2 copies of 68-69 catalog; correspondence with MOMA; MOMA materials; clippings; internal memos\u003c/p\u003e","\u003cp\u003e1 clipping on Peggy Guggenheim\u003c/p\u003e","\u003cp\u003eCorrespondence with Multiples, Inc. gallery; internal memo\u003c/p\u003e","\u003cp\u003eEastman House materials\u003c/p\u003e","\u003cp\u003eCorrespondence with SITES; 1972 catalogs; SITES materials; various SI bulletins; 1 catalog (French playbills)\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; IEF materials\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; IEF materials\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA; MOMA materials, 1 copy of catalog\u003c/p\u003e","\u003cp\u003e1 piece of correspondence with Hirschl \u0026amp; Adler\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with \"Curators of Art for Corporate Collections\" [actually called Danese Design]\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; IEF materials\u003c/p\u003e","\u003cp\u003eCorrespondence with Art professor at Mary Baldwin\u003c/p\u003e","\u003cp\u003eCorrespondence with Asia House Gallery; checklist; internal memo [not shown]\u003c/p\u003e","\u003cp\u003eCorrespondence with Whitney and Aldrich Museum of Contemporary Art\u003c/p\u003e","\u003cp\u003eCorrespondence with Museum of Fine Arts, St. Petersburg; internal memos\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Multiples, Inc.\u003c/p\u003e","\u003cp\u003eLetter from Claiborne to members (10/24/73); 1 copy of invitation; label copy\u003c/p\u003e","\u003cp\u003eInternal memos; checklists\u003c/p\u003e","\u003cp\u003eCatalog, invitation, 6 photographs; 1 new photograph; 1 copy of Virginia Designers 1970 catalog; internal memos; mailing list; catalog copy; correspondence with Federal Council on the Arts \u0026amp; Humanities (speaker, Lani Lattin); schecklists\u003c/p\u003e","\u003cp\u003eMembers special film program card, 2 photographs; 1 new photograph; 1 copy of Wildenstein catalog; research; correspondence with Bakwin; correspondence with members; internal memos; 1 copy of invitation; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eInvitation, reply card; 1 photograph; 1 copy of Craftsmen's Biennial 2 (VCU) prospectus; 1 copy of Virginia Craftsmen 1970 catalog; 1 copy of 74 catalog; 1 copy of 74 prospectus; internal memos; mailing list; research\u003c/p\u003e","\u003cp\u003eInvitation, 11 photographs; 4 new photographs; 1 copy of catalog \"Walter Gropius: Buildings, Plans, Projects, 1906-1969\"; correspondence; 1 copy of \"Portrait of an idea: Rosenthal Studio-Line\"; correspondence with IEF; IEF materials; exhibition contract; 1 drawing (photocopy); internal memos\u003c/p\u003e","\u003cp\u003eVMFA exhibition SP-28; internal memos; checklist; label copy\u003c/p\u003e","\u003cp\u003eClippings; 1 copy of Commonwealth: the Magazine of Virginia (5/74)\u003c/p\u003e","\u003cp\u003e2 preview invitations, lecture card, brochure; photographs; label copy\u003c/p\u003e","\u003cp\u003e3 photographs; 1 new photograph\u003c/p\u003e","\u003cp\u003eAnnouncement; 3 transparencies; 4 drawings of \"Project: Folk Art\"; correspondence with Whitney (circulator; organizer); internal memos; correspondence with Ruder and Finn; label copy; correspondence with Philip Morris (sponsor); research; invitation copy; brochure copy; Whitney materials; preview mailing list; 1 copy of 4/74 Bulletin; correspondence re: posters and billboard; clipping\u003c/p\u003e","\u003cp\u003eInvitation, \"Project: Folk Art\"; 1 photograph; internal memos; correspondence with Ruder \u0026amp; Finn; correspondence with Whitney; checklists, correspondence with Philip Morris; brochure copy; clipping; correspondence with publicity; correspondence with other institutions\u003c/p\u003e","\u003cp\u003eCatalog copy\u003c/p\u003e","\u003cp\u003e3 photographs; 2 new photographs; TV speech copy; correspondence with De Young (other venue); correspondence with Central Virginia Educational Television; verbal storyboards\u003c/p\u003e","\u003cp\u003eInternal memos; mailing/invitation lists\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Whitney; correspondence with other institutions; Whitney brochures; clippings; layout drawings (photocopies); label copy\u003c/p\u003e","\u003cp\u003e7 photographs; duplicates: transcript, announcement card; 4 dictabelts (interview with Bill Gaines); checklists; correspondence with Chermayeff; internal memos; correspondence with Philip Morris (owners of tapestries); mailing list; 1 copy of invitation; press release; drawing (photocopy)\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with Nancy Hoffman Gallery (organizer); correspondence with lenders; checklists; request for information form; gallery materials\u003c/p\u003e","\u003cp\u003eCatalog; photographs; catalog copy; internal memos; checklists; correspondence with lenders; blank information request form; clipping\u003c/p\u003e","\u003cp\u003ePhotographs, 2 transparencies, 1 slide; 1 copy of invitation; internal memos; clippings; exhibition design drawings (photocopy)\u003c/p\u003e","\u003cp\u003e33 photographs; 7 transparencies; duplicates: 15 photographs\u003c/p\u003e","\u003cp\u003e4 photographs; 1 transparency, slides; correspondence with potential lenders; correspondence with Diebenkorn; internal memos; request for information forms; checklists\u003c/p\u003e","\u003cp\u003e4 photographs; 3 new photos, 1 transparency; correspondence with potential lenders; correspondence with lenders; correspondence with Estes (the photos he provided were for his passport!); request for information forms; checklists; research\u003c/p\u003e","\u003cp\u003e6 photographs; 2 transparencies; correspondence with potential lenders; request for information forms; checklists; correspondence with Francis\u003c/p\u003e","\u003cp\u003e5 photographs; 2 transparencies; correspondence with potential lenders; request for information forms; checklist; correspondence with Frankenthaler; internal memo\u003c/p\u003e","\u003cp\u003e2 photographs; correspondence with lenders; correspondence re: damage; request for information forms; internal memos; correspondence with Hans Nemuth re: portrait of Indiana (photograph)\u003c/p\u003e","\u003cp\u003e5 photographs; checklists; correspondence with potential lenders; request for information forms\u003c/p\u003e","\u003cp\u003e6 photographs; 1 transparency; correspondence with potential lenders; request for information forms; checklist\u003c/p\u003e","\u003cp\u003e5 photographs; 1 new photograph, 2 transparencies; correspondence with potential lenders; correspondence with Motherwell; checklists; request for information forms\u003c/p\u003e","\u003cp\u003e6 photographs; 1 transparency; correspondence with potential lenders; request for information forms; checklists\u003c/p\u003e","\u003cp\u003e5 photographs; 1 new photograph; correspondence with potential lenders; request for information forms; internal memos; checklists\u003c/p\u003e","\u003cp\u003e5 photographs; 1 new photograph; 1 transparency; correspondence with Thiebaud; correspondence with potential lenders; request for information forms; checklists\u003c/p\u003e","\u003cp\u003e5 photographs; 1 transparency; internal memos; correspondence with potential lenders; request for information forms; checklists\u003c/p\u003e","\u003cp\u003eCatalog; internal memos; correspondence with Virginia AIA Awards Committee\u003c/p\u003e","\u003cp\u003eEntry blanks; correspondence with designers; label copy; internal memos; checklists; fact sheets\u003c/p\u003e","\u003cp\u003e1 copy of '74 catalog; catalog copy\u003c/p\u003e","\u003cp\u003eSigned certificates; correspondence with juror (Ivan Chermayeff); clipping\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eProspectus; checklists; art directors' club materials; prospectus copy; schedule\u003c/p\u003e","\u003cp\u003e4 photographs; correspondence with Hagan; shipping information and receipts; entry blank; label copy; 5/74 Bulletin; biographical information\u003c/p\u003e","\u003cp\u003eInvitation; 2 photographs; 2 new photographs; 4/74 Bulletin; shipping information and receipts; biographical information; correspondence with Abbott; label copy\u003c/p\u003e","\u003cp\u003eInvitation; 1 photograph; 1 new photograph; label copy; transportation requests; entry blanks; biographical information; correspondence with Barry; shipping information and receipts; 2/74 Bulletin\u003c/p\u003e","\u003cp\u003e5 photographs; 1 duplicate photograph; invitations; 1/74 Bulletin; shipping information and receipts; checklists; label copy; internal memos; correspondence with Fridley\u003c/p\u003e","\u003cp\u003eInvitation; 4 photographs; NEA booklet; 10/74 Bulletin; correspondence with NEA for Sandborn; brochure (1 copy); brochure copy; internal memos; biographical information; correspondence with Sandborn; entry blank; shipping information and receipts\u003c/p\u003e","\u003cp\u003e2 photographs, invitations; 6 photographs; 9/74 Bulletin; correspondence with Ames; biographical information; shipping information and receipts; checklists; label copy; internal memos; entry blank\u003c/p\u003e","\u003cp\u003eCatalog; photographs; internal memos; correspondence with artists; label copy; checklists; correspondence with Michael Graves (lecturer); correspondence with juror (Bill Newman); invitation copy; invitation list; prospectus copy; biographical information; 12/74 Bulletin\u003c/p\u003e","\u003cp\u003e3 photographs: 1 duplicate photograph, invitations; 11/74 Bulletin; brochure; shipping information and receipts; checklists; biographical information; correspondence with Scalin; entry blank; label copy\u003c/p\u003e","\u003cp\u003e22 photographs; 9 new photographs; internal memos; checklists\u003c/p\u003e","\u003cp\u003eResearch; checklists; internal memos; clippings; correspondence re: poster; drawings (photocopies); panel copy\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eLabel copy; research; checklists; correspondence with lenders; internal memos; correspondence with Comprehensive Exhibition Services (circulator); correspondence with potential lenders; blank request for information forms\u003c/p\u003e","\u003cp\u003e8 photographs; 6 new photographs; request for information forms; internal memos; correspondence with lenders\u003c/p\u003e","\u003cp\u003eSITES and National Art Collection Materials; internal memos; correspondence re: materials for Children's Day\u003c/p\u003e","\u003cp\u003e1 photograph; 2 new photographs; correspondence with Delaware Art Museum (lender); 1 copy of 4/74 Bulletin; checklists; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; IEF materials\u003c/p\u003e","\u003cp\u003eCorrespondence with potential speakers they declined\u003c/p\u003e","\u003cp\u003ePhotographs; research; biographical information; clippings, drawing (photocopy); 1 copy of 5/74 Bulletin; internal memos; correspondence with VCU (Professor Lester Van Winkle is co-organizer); correspondence with lenders; invitation list; 1 copy of invitation; checklists; correspondence from visitors\u003c/p\u003e","\u003cp\u003e4/74 Bulletin, \"photographic resume,\" 1 photograph; 5 new photographs; correspondence with artist; biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence with and materials from various institutions, galleries, and organizations; internal memos; clippings; catalog\u003c/p\u003e","\u003cp\u003e1 photograph (William B. O'Neal, UVirginia); correspondence with potential speakers; promotional materials; internal memos\u003c/p\u003e","\u003cp\u003e1 piece of correspondence re: questionnaire (5/2/74)\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA re: possible traveling shows\u003c/p\u003e","\u003cp\u003eCorrespondence with and materials from various institutions, organizations, and individuals re: declined exhibitions; internal memos; catalogs\u003c/p\u003e","\u003cp\u003eCorrespondence with Modern Master Tapestries, Inc. (organizing circulator) and Charles E. Slatkin, Inc. Galleries (organizing circulator); promotional materials\u003c/p\u003e","\u003cp\u003eSigned certificates, catalog; 1 photograph; internal memo; correspondence with artists; fact sheets; invoices; checklists; clippings; shipping information and receipts\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eProspectus; prospectus copy; annotated '72 prospectus\u003c/p\u003e","\u003cp\u003eNOVirginia invitation, jurors' statement, Lynchburg prospectus, signed certificates (NOVirginia); 10 photographs; checklists; prospectus copy; invitation copy; NOVirginia prospectus; correspondence with artists; catalog copy; Lynchburg catalog; correspondence with directors of affiliates; Lynchburg signed certificate\u003c/p\u003e","\u003cp\u003e10 photographs; duplicates: Roanoke catalog, Roanoke invitation; correspondence with artists; Peninsula prospectus copy; Peninsula catalog copy; internal memos; Peninsula prospectus; Peninsula signed certificate; checklists; Roanoke catalog copy; clippings; correspondence with juror (Lawrence Alloway)\u003c/p\u003e","\u003cp\u003e'75 prospectus; shipping information and receipts; annotated '73 prospectus; prospectus copy\u003c/p\u003e","\u003cp\u003ePhotographs; signed certificates, invitation; checklists; '75 catalog; correspondence with NEA re: grant; internal memos; correspondence with juror (Aaron Siskind); fact sheets; prospectus copy\u003c/p\u003e","\u003cp\u003eVirginia Commission of the Arts and Humanities grant application\u003c/p\u003e","\u003cp\u003eCatalog; catalog copy\u003c/p\u003e","\u003cp\u003e1 signed certificate; correspondence with winners\u003c/p\u003e","\u003cp\u003ePhotographs; 1 copy of '75 catalog\u003c/p\u003e","\u003cp\u003eProspectus copy; internal memos; correspondence re: prospectus\u003c/p\u003e","\u003cp\u003eCatalog; purchase cards; invoices; correspondence with artists; internal memos\u003c/p\u003e","\u003cp\u003eReply cards; checklists; correspondence with artists\u003c/p\u003e","\u003cp\u003eInvitation, 1 photograph; shipping information and receipts; correspondence with potential jurors; correspondence with juror (Robert Buck); biographical information; schedule; internal memos; checklists; 5/75 Bulletin\u003c/p\u003e","\u003cp\u003eSigned certificates; fact sheets; correspondence with juror (Elke Solomon); biographical information; internal memos; checklists; correspondence with artists\u003c/p\u003e","\u003cp\u003ePhotographs; prospectus; prospectus copy; 1 copy of catalogue; catalogue copy\u003c/p\u003e","\u003cp\u003eLetter 2/9/75, purchase card; correspondence with artists; internal memos; invoices\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with artists\u003c/p\u003e","\u003cp\u003eInvitation, 5 photographs; 1 new photograph; internal memos; invitation copy; correspondence with Mrs. Lammot DuPont Copeland [collector of the year]\u003c/p\u003e","\u003cp\u003e1 copy of 2/75 Bulletin; internal memos; checklists (Artmobile exhibition); label copy\u003c/p\u003e","\u003cp\u003e1 photograph; 1 copy of catalog; 1 copy of prospectus; internal memos; checklists\u003c/p\u003e","\u003cp\u003ePhotographs; checklists; label copy; catalog copy; research; invitation copy; correspondence with NC Museum of Art; internal memos; mailing list; 1 copy of invitation\u003c/p\u003e","\u003cp\u003e2 photographs; \"1940, Remember?\" clipping; correspondence with Library of Congress Prints \u0026amp; Photographs Division; internal memos; research; checklists\u003c/p\u003e","\u003cp\u003eCatalog, \"Observations on …,\" \"Collecting,\" 2 photographs; 2 new photographs; correspondence with O'Neal; checklists; internal memos; catalog copy; biographical information\u003c/p\u003e","\u003cp\u003e4 new photographs; catalog\u003c/p\u003e","\u003cp\u003eCatalog, 4 photographs; 4 new photographs; checklists; correspondence with Lewises; internal memos\u003c/p\u003e","\u003cp\u003eCatalog, invitation, 6 photographs; 2 new photographs; 1 copy of prospectus; internal memos; invitation copy; correspondence with Robert Buck (juror, Director of Albright Knox)\u003c/p\u003e","\u003cp\u003e1 internal memo\u003c/p\u003e","\u003cp\u003e1 catalog, 5 photographs; 1 new photograph; internal memos; checklists\u003c/p\u003e","\u003cp\u003eInvitation, 6 photographs; 6 new photographs; correspondence with University Art Gallery (Rutgers, organizer); internal memos; invitation copy; correspondence with VM Youth Guild; clipping; correspondence from visitors; 1 copy of catalog; list of books for sale at VMFA Shop\u003c/p\u003e","\u003cp\u003e\"Art as Adornment\"; 10 photographs; internal memos; checklists; label copy; catalog copy\u003c/p\u003e","\u003cp\u003e3 new photographs; 3 duplicate photographs; correspondence with Art Museum of South Texas (borrower)\u003c/p\u003e","\u003cp\u003eCorrespondence with Josef Albers Foundation; correspondence; internal memos\u003c/p\u003e","\u003cp\u003eInvitation, catalog; internal memos; correspondence re: successful NEA grant; grant materials; statistics\u003c/p\u003e","\u003cp\u003e1 photograph; internal memos; checklists; correspondence with Light Gallery (lender); correspondence with Siskind\u003c/p\u003e","\u003cp\u003ePress release; photographs; correspondence with AFA (circulator); correspondence with Museum of Primitive Art (lender); drawing (photocopy); in use list; internal memos; correspondence with African Arts magazine; clipping\u003c/p\u003e","\u003cp\u003ePoster, catalog, 1 photograph; 4 new photographs; correspondence with AFA; checklists; internal memos; exhibition contract; invitation copy; correspondence with African Arts; correspondence with Museum of Primitive Arts; correspondence with local TV station\u003c/p\u003e","\u003cp\u003e\"Masterpieces of Pre-Columbian Art,\" 5 photographs; 1 new photograph; internal memos; label opy; Artmobile slide lecture copy\u003c/p\u003e","\u003cp\u003eCorrespondence with Museum of the American Indian (organizer); internal memos; clipping\u003c/p\u003e","\u003cp\u003eCorrespondence with Met (organizer); internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Hyatt re: possible accommodations; correspondence with AAM; internal memos\u003c/p\u003e","\u003cp\u003e3 photographs; 3 new photographs; correspondence with lenders; request for information forms; checklists; shipping information and receipts; 1 copy of invitation\u003c/p\u003e","\u003cp\u003e3 photographs; 3 new photographs; 1 copy of brochure (\"Landscape in Photography\"); internal memos; checklists\u003c/p\u003e","\u003cp\u003e12 photographs; brochure copy; internal memos; checklists; panel copy; press releases\u003c/p\u003e","\u003cp\u003eCorrespondence with artist; 1 copy of invitation; clipping; internal memos; press release\u003c/p\u003e","\u003cp\u003e3 photographs; 12 new photographs; correspondence with MOMA (organizer); checklist; exhibition contract; internal memos; clipping; MOMA materials\u003c/p\u003e","\u003cp\u003eUnsigned certificate; 2 photographs; duplicates: letter 8/1/75, 2 blank information forms\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e2/75 Bulletin, invitation, 1 photograph; 2 new photographs; internal memos; correspondence with artist; shipping information and receipts; biographical information; label copy\u003c/p\u003e","\u003cp\u003eInvitation; 2 photographs; 4 duplicate photographs, 11/14/74 memo; internal memos; label coy; blank floor plan; 1/75 Bulletin; correspondence with artists; clippings; invoices [lots of correspondence re: student show]\u003c/p\u003e","\u003cp\u003e21 photographs; information forms; biographical information; correspondence with artists; internal memos; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; duplicates: Roanoke prospectus, Peninsula prospectus, Roanoke catalogue; clippings; correspondence with artists; prospectus copy; juror biographical information; internal memos; correspondence with jurors; NOVirginia prospectus; annotated Roanoke prospectus; checklists; signed certificates; invitation; blank certificates\u003c/p\u003e","\u003cp\u003ePhotographs; drawings (photocopies); panel copy; research; catalog copy\u003c/p\u003e","\u003cp\u003eChecklists by object type (transferred contents of a binder)\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e3 photographs; internal memos; correspondence re: events such as demos and clinics; research; correspondence with visitors; invitation copy; correspondence re: catalog; correspondence with lenders; checklists\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; research\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with lenders; internal memos; correspondence with Virginia Commission of the Arts \u0026amp; Humanities re: special funding; checklists; research\u003c/p\u003e","\u003cp\u003eCatalog copy; research; checklists; labels\u003c/p\u003e","\u003cp\u003ePhotographs; checklists; other lists\u003c/p\u003e","\u003cp\u003e15 photographs; shipping information and receipts; catalog proof; checklists; catalog copy; research; lists by type\u003c/p\u003e","\u003cp\u003e10 photographs; 2 new photographs; correspondence with Toledo Museum of Art (organizer); checklists; insurance certificate; clipping, correspondence with Steuben; 1 copy of \"Steuben: 70 Years of American Glassmaking\"; internal memos; correspondence with publicity\u003c/p\u003e","\u003cp\u003e\"Forms in Metal\" catalogue; 1 photograph; correspondence with Museum of Contemporary Crafts (organizer); exhibition contract; Museum of Contemporary Crafts materials; internal memos; drawing (photocopy)\u003c/p\u003e","\u003cp\u003e3 photographs, invitation, reply card; 1 copy of catalog; correspondence with Lawrence Alloway (juror); invitation copy; internal memos; correspondence with members of arts organizations coming to ceremony; guest lists\u003c/p\u003e","\u003cp\u003eExhibition contract; correspondence with MOMA (organizer); MOMA materials; checklist; internal memos\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with University of New Mexico (organizer); research; exhibition contract; internal memos; correspondence with Western Association of Art Museums (organizer); biographical information; drawing (photocopy)\u003c/p\u003e","\u003cp\u003e2 photographs; correspondence with Dean Brown Foundation (curator is Carol Brown, widow) and Akron Art Institute (organizer); internal memos; biographical information; AAI materials\u003c/p\u003e","\u003cp\u003eCorrespondence with Bowdoin (organizer) [cancelled]; Bowdoin materials\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with Israel Museum; clippings\u003c/p\u003e","\u003cp\u003e2 photographs; correspondence with Museum of the American Indian; correspondence with Phillip Morris (connection to Museum of AI)\u003c/p\u003e","\u003cp\u003eCatalog, prospectus; statistics; letter to members of \"Richmond Communicating Artists\"\u003c/p\u003e","\u003cp\u003ePhotographs; internal memos; VMFA materials; label copy\u003c/p\u003e","\u003cp\u003eOne press release [written by Bob Keefe] re: Reeves collection\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Terry Dintenfass (organizer); internal memos\u003c/p\u003e","\u003cp\u003e19 photographs; correspondence with Gallery Association of New York State (organizer); internal memos; checklist; correspondence with Architectural League of NY (organizer); budget materials (for fundraising); GANYS materials\u003c/p\u003e","\u003cp\u003ePhotographs; 2 slides\u003c/p\u003e","\u003cp\u003e1 drawing; 1 photograph; duplicates: museum tear sheet; general museum and various exhibitions' label copy; catalogue or essay copy for \"The 18th Century Drama\"\u003c/p\u003e","\u003cp\u003eBiographical information\u003c/p\u003e","\u003cp\u003eAttendance statistics\u003c/p\u003e","\u003cp\u003eLabel copy\u003c/p\u003e","\u003cp\u003eFact sheet\u003c/p\u003e","\u003cp\u003eList of music for Danish Silver exhibition\u003c/p\u003e","\u003cp\u003eLists of alumni in Richmond\u003c/p\u003e","\u003cp\u003e2 drawings; Leslie Cheek Jr.'s notes\u003c/p\u003e","\u003cp\u003e2 drawings\u003c/p\u003e","\u003cp\u003e3 drawings\u003c/p\u003e","\u003cp\u003e3 drawings\u003c/p\u003e","\u003cp\u003e2 checklists of members\u003c/p\u003e","\u003cp\u003e1 drawing; list of photographs for panels\u003c/p\u003e","\u003cp\u003e1 drawing\u003c/p\u003e","\u003cp\u003e\"Remarks\" 5/25/77\u003c/p\u003e","\u003cp\u003eInternal memos; article copy; checklist; correspondence re: permission to publish images\u003c/p\u003e","\u003cp\u003e1 transparency; catalog copy; internal memos; correspondence with lenders; research; correspondence re: transparencies; correspondence with Mariner's Museum\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with lenders; correspondence re: transparencies; catalogue copy\u003c/p\u003e","\u003cp\u003eBlank information forms\u003c/p\u003e","\u003cp\u003eCatalog copy\u003c/p\u003e","\u003cp\u003e1 photograph [Vose Galleries]; correspondence with lenders who denied loans\u003c/p\u003e","\u003cp\u003eCatalog proofs\u003c/p\u003e","\u003cp\u003eCorrespondence with Suffolk Art League\u003c/p\u003e","\u003cp\u003eCorrespondence with Mint Museum; Mint materials\u003c/p\u003e","\u003cp\u003e1 copy of \"The Virginia Peninsula Today,\" 11/76; speech copy\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with Met re: possible loan\u003c/p\u003e","\u003cp\u003eInvitation lists\u003c/p\u003e","\u003cp\u003e2 duplicate photographs; 2 new photographs; request for information forms; correspondence with potential lenders\u003c/p\u003e","\u003cp\u003eChecklists; internal memos re: postcards for sale (correspondence with other museums' shops)\u003c/p\u003e","\u003cp\u003ePress release (8/26/74); correspondence with Mariners Museum; internal memos; clippings; fact sheet\u003c/p\u003e","\u003cp\u003e3 photographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eRequest for information forms (folder 2)\u003c/p\u003e","\u003cp\u003eRequest for information forms\u003c/p\u003e","\u003cp\u003eInternal memo; correspondence with Vose re: catalogue; Artmobile label/brochure copy\u003c/p\u003e","\u003cp\u003eBudget information; internal memos\u003c/p\u003e","\u003cp\u003eArtmobile label copy; Artmobile layout drawing (photocopy)\u003c/p\u003e","\u003cp\u003eResearch\u003c/p\u003e","\u003cp\u003eSlide lists\u003c/p\u003e","\u003cp\u003eInternal memos; Artmobile brochure; checklists; Artmobile teachers' kit; clipping\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; correspondence with Mariners Museum; checklists\u003c/p\u003e","\u003cp\u003eChecklists\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with Mariners Museum\u003c/p\u003e","\u003cp\u003e1 slide; 1 photograph (A. Cary Smith, portrait of the Yacht Agnes); correspondence with lenders; research; internal memos; schedule; correspondence with mariners Museum; clippings; other materials\u003c/p\u003e","\u003cp\u003eInternal memos; invitation lists; correspondence with attendees/invitees; clipping\u003c/p\u003e","\u003cp\u003eCorrespondence and internal memos re: budget\u003c/p\u003e","\u003cp\u003eLists; schedule; correspondence with Mariners Museum; correspondence with film companies; internal memos\u003c/p\u003e","\u003cp\u003eBudget information; internal memos; correspondence with Mariners Museum; correspondence with NEA; clipping; grant application\u003c/p\u003e","\u003cp\u003e6 photographs; correspondence with NNS; 1 copy of \"3 Generations of Shipbuilding\"; NNS materials; \"Men, Ships and the Sea\"; Bring Her Home\"; label copy for publicity photographs0; \"Always Good Ships\"\u003c/p\u003e","\u003cp\u003eLabel copy\u003c/p\u003e","\u003cp\u003e14 duplicate photographs; 2 new photographs; 1 drawing; 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internal memos; '77 catalogue; correspondence with NEA re: grant; '77 prospectus; correspondence with juror (Lloyd Herman)\u003c/p\u003e","\u003cp\u003e25 slides, 9 photographs; 1 duplicate photograph; clippings; correspondence with Santa Barbara Museum of Art (organizer); internal memos; correspondence with SITES (circulator); 1 copy of catalog; labels; schedule; checklists; Santa Barbara materials, including press release and prospectus; exhibition contract\u003c/p\u003e","\u003cp\u003ePhotographs; invitation list; announcement; correspondence with artist; announcement copy; price list; entry blank, invitation (signed \u0026amp; 22/58)\u003c/p\u003e","\u003cp\u003ePhotographs; invitation list; price list; entry blank; announcement; announcement copy; biographical information; internal memos; correspondence with artist\u003c/p\u003e","\u003cp\u003e3 photographs; invitation list; entry blank; invitation; internal memos; clipping; biographical information; correspondence with artist\u003c/p\u003e","\u003cp\u003e1 photograph; invitation; announcement proof; correspondence with purchasers; biographical information; checklists; invitation list; correspondence with artist\u003c/p\u003e","\u003cp\u003e3 photographs; announcement; announcement copy; invitation; internal memos; entry card; correspondence with artist; biographical information; invitation list\u003c/p\u003e","\u003cp\u003e3 photographs; announcement; checklists; entry blank; invitation list; correspondence with artist; invitation; biographical information\u003c/p\u003e","\u003cp\u003e2 photographs; checklists; correspondence with artist; artists' sale terms and conditions; announcement; invitation list; biographical information; invitation; internal memos\u003c/p\u003e","\u003cp\u003eAnnouncement; invitation; correspondence with artist; announcement copy; biographical information; invitation list; internal memos\u003c/p\u003e","\u003cp\u003eAnnouncement, invitation; announcement copy; biographical information; entry blank; Guggenheim fellowship application; clippings; correspondence with artist; invitation list\u003c/p\u003e","\u003cp\u003eInvitation; schedule; 1 copy of prospectus; correspondence with Thalhimer's; internal memos; statistics; correspondence with artists\u003c/p\u003e","\u003cp\u003eProspectus copy; label copy; jurors' statement copy; 2 copies of catalog (1 annotated; 1 not); catalogue copy; correspondence with visitor re: complaint about nude woman in painting\u003c/p\u003e","\u003cp\u003e5 photographs; 8 duplicate photographs\u003c/p\u003e","\u003cp\u003eSigned certificates; 1 photograph; invitation; internal memos; correspondence with artists; correspondence with juror (Suzanne Delehanty); checklists; statistics\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with Thalhimer's; correspondence with artists\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with artists\u003c/p\u003e","\u003cp\u003eForm letter to Virginia artists from Director Peter Mooz; correspondence with purchasers; correspondence with artists; internal memos; invitation list; reply cards\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eInvoices; budget information; incident report; correspondence with artist\u003c/p\u003e","\u003cp\u003eInvitation; clippings; poster; materials from other exhibitions\u003c/p\u003e","\u003cp\u003eClippings; materials from other exhibitions\u003c/p\u003e","\u003cp\u003ePostcard; checklists; label proof; lecture; invitation copy; installation drawing [checklists from Edwin A. Ulrich Museum of Art, Wichita State University)\u003c/p\u003e","\u003cp\u003e7 photos; 5 new photos\u003c/p\u003e","\u003cp\u003eCorrespondence with Wichita State; correspondence with Lewises; correspondence with artist; correspondence with Whitney (other venue)\u003c/p\u003e","\u003cp\u003eInvitation, reply card, brochure; 5 photographs; 1 copy of catalogue: \"The Proctor \u0026amp; Gamble Company Antique English Coffee Pots: The Folger's Coffee Collection\"; correspondence; internal memos; correspondence with the Rowland Company (organized the show); correspondence with Proctor \u0026amp; Gamble; invitation copy\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with lenders; clippings; internal memos; correspondence with Lewises (lenders of typewriter eraser)\u003c/p\u003e","\u003cp\u003eInvitation, 5 photographs; 33 new photographs; clippings; internal memos; correspondence with Kreegers; checklist; drawings (photocopies); invitation list; research; label copy; invitation copy\u003c/p\u003e","\u003cp\u003eInternal memos; specs. For A.V. presentation; presentation copy\u003c/p\u003e","\u003cp\u003eInvitation; invitation copy\u003c/p\u003e","\u003cp\u003e2 slides; photographs; internal memos\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eBudget information; internal memos; invoices; research on Owen Cheatham Foundation\u003c/p\u003e","\u003cp\u003eCorrespondence with public; correspondence re: copyright; internal memos; publicity schedule\u003c/p\u003e","\u003cp\u003eInternal memos; label copy; checklists; drawings (photocopies)\u003c/p\u003e","\u003cp\u003eLabel copy; internal memos; catalogue proofs; correspondence re: copyright; invitation; checklists\u003c/p\u003e","\u003cp\u003eInternal memos re: duties \u0026amp; plans\u003c/p\u003e","\u003cp\u003eClippings; internal memo\u003c/p\u003e","\u003cp\u003eChecklist; research of the objets d'art; Owen Cheatham catalog (1 annotated; 1 not)\u003c/p\u003e","\u003cp\u003e40 slide set from MOMA\u003c/p\u003e","\u003cp\u003eClippings\u003c/p\u003e","\u003cp\u003e1 copy of VMFA operating budget, 1976-77\u003c/p\u003e","\u003cp\u003e2 slide lists (102 slides \u0026amp; 40 slides); checklists; MOMA brochure re: slide set\u003c/p\u003e","\u003cp\u003eCorrespondence with speakers and hostesses\u003c/p\u003e","\u003cp\u003eInstallation instructions; internal memos; checklists; drawings (photocopies); correspondence with MOMA; MOMA materials\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA; internal memo\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with MOMA; MOMA materials\u003c/p\u003e","\u003cp\u003eInternal memo re: related books in VMFA Shop; exhibition bibiliography\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eRichmond Sinfonia program; letter from MOMA (6/20/75); exhibition contract; internal memos; correspondence with MOMA; budget information; MOMA invitation; American Art Since 1945 (1 copy of catalogue, loose)\u003c/p\u003e","\u003cp\u003eInvitation (3 pieces); invitation list; internal memos; correspondence with MOMA; invitation copy\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Lewises; clipping; internal memos\u003c/p\u003e","\u003cp\u003eChecklists (MOMA materials)\u003c/p\u003e","\u003cp\u003eInternal memo\u003c/p\u003e","\u003cp\u003eInternal memos and information re: Brandts' trip to Greenville to see show\u003c/p\u003e","\u003cp\u003eMOMA materials for labels\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA re: posters\u003c/p\u003e","\u003cp\u003ePhotographs; clipping; correspondence with Mark Davis (curator at the Century Association); internal memos; checklists; label copy\u003c/p\u003e","\u003cp\u003eBrochure (summer exhibition announcement), 1 photo; 19 slides; 3 photos; correspondence with SITES (circulator); checklists; internal memos; exhibition contract\u003c/p\u003e","\u003cp\u003eSummer exhibition announcement; 8 slides; 9 photos; correspondence with SITES (circulator); exhibition contract; checklists; internal memos; SITES materials including SITES press release; clippings; label\u003c/p\u003e","\u003cp\u003e2 photos; checklists; internal memo\u003c/p\u003e","\u003cp\u003e2 photos; 5 slides; internal memos; correspondence with artist; clippings; correspondence with Bowdoin (circulator); Bowdoin materials; checklists; budget information; biographical information; research\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions; correspondence with visitors; internal memos; correspondence with publicity; materials from other exhibitions; invitation; invitation copy; installation drawing; checklist\u003c/p\u003e","\u003cp\u003eClippings; internal memo\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA re: circulation, catalogue proof inserted in file\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with printer re: mistake; correspondence with AFA; catalog copy; checklists; correspondence with Wiltshire\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eChecklist\u003c/p\u003e","\u003cp\u003eSlides\u003c/p\u003e","\u003cp\u003eInvitation; catalog copy; checklist\u003c/p\u003e","\u003cp\u003eDrawings (photocopies); internal memos; 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correspondence with sponsors; correspondence with Coe Kerr Gallery; correspondence with artist; correspondence with Weisman; checklists [no signatures]\u003c/p\u003e","\u003cp\u003ePostcard (2), 7 photos; 2 new photos; clippings\u003c/p\u003e","\u003cp\u003e1 photo; internal memos; catalog proofs; clippings; correspondence with VCU re: silk screening project; budget information; catalog copy\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders\u003c/p\u003e","\u003cp\u003ePhotographs; slides\u003c/p\u003e","\u003cp\u003eCorrespondence with MFA Boston (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with Chrysler (lender)\u003c/p\u003e","\u003cp\u003e\"NEW\" loan agreement form\u003c/p\u003e","\u003cp\u003eCorrespondence with Ackland (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with AIC (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with BMA (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with Phillips (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with Clark (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with Mellon (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with Met (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with NCMA (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with lender\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions; checklists; internal memos; clippings\u003c/p\u003e","\u003cp\u003e2 invitations (6 parts total); internal memos; invitation list\u003c/p\u003e","\u003cp\u003eBudget information; internal memos; Virginia Commission for the Arts \u0026amp; Humanities grant information\u003c/p\u003e","\u003cp\u003eIPR's; internal memos (form about 1 year old for IPR)\u003c/p\u003e","\u003cp\u003eDrawings (photocopies); checklists; internal memos\u003c/p\u003e","\u003cp\u003eClipping; internal memos; press release copy\u003c/p\u003e","\u003cp\u003eChecklist (4 part)\u003c/p\u003e","\u003cp\u003eLabel proofs; label copy; 1 copy of checklist\u003c/p\u003e","\u003cp\u003eLabel proofs; **clippings inserted in folder at end**\u003c/p\u003e","\u003cp\u003eInvitation; prospectus; internal memos; program schedule; correspondence with hostesses; schedule; correspondence with juror (Thomas Barrow, Associate Professor of Photography, U of New Mexico)\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; drawings (photocopies); correspondence with Ms. Conover Hunt-Jones (consultant); checklists; correspondence with sponsors; budget information\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eLabel copy\u003c/p\u003e","\u003cp\u003ePhotocopy from a catalog for scientific instruments\u003c/p\u003e","\u003cp\u003eLACMA press release, \"Major Silver and Mosaic Collections…\"; label copy; research; LACMA materials (circulator)\u003c/p\u003e","\u003cp\u003eBiographical information on John Gilmore Ford\u003c/p\u003e","\u003cp\u003eChecklist proof; checklist copy\u003c/p\u003e","\u003cp\u003eInternal memos; IPR's; budget information\u003c/p\u003e","\u003cp\u003e1 duplicate photo\u003c/p\u003e","\u003cp\u003eExhibition contract; correspondence with LACMA; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Gilberts; internal memos; correspondence with LACMA\u003c/p\u003e","\u003cp\u003eInternal memos; drawings (photocopies); 1 copy of LACMA paper; correspondence with LACMA\u003c/p\u003e","\u003cp\u003eInvitation (2 – both in 2 parts); internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with public (all wanted to know dates of show after reading Smithsonian!)\u003c/p\u003e","\u003cp\u003eEnvelope containing checklist from Ford with insurance values; 1 copy of invitation; 1 copy with catalog\u003c/p\u003e","\u003cp\u003eBudget information; IPR's\u003c/p\u003e","\u003cp\u003eLabel copy; research\u003c/p\u003e","\u003cp\u003e8 new photos; 2 duplicate photos; drawings (photocopies); checklists; internal memos\u003c/p\u003e","\u003cp\u003eClippings; label copy; invitation copy; 1 copy of Weisgall invitation\u003c/p\u003e","\u003cp\u003eEmpty folder\u003c/p\u003e","\u003cp\u003e14 new photos\u003c/p\u003e","\u003cp\u003eCorrespondence with hostesses; correspondence with Collectors Circle members; mailing list; correspondence with Ford\u003c/p\u003e","\u003cp\u003e2 photos; duplicates: invitation, November '78 Bulletin; 1 copy of Collectors Circle program\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eInvitation, Guggenheim press release; correspondence with lenders; correspondence with Guggenheim (circulator); drawings (photocopies); checklists; clippings; internal memos\u003c/p\u003e","\u003cp\u003eChecklists; label copy\u003c/p\u003e","\u003cp\u003eBudget information; slide script copy\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Guggenheim; schedule for Contemporary Art One-Day Symposium (2/14/79)\u003c/p\u003e","\u003cp\u003eLabel copy; loan agreements; correspondence with lender; internal memos\u003c/p\u003e","\u003cp\u003eChecklists; script copy; catalogue copy; clippings; correspondence with visitor; copy of Guggenheim brochure; research; label copy\u003c/p\u003e","\u003cp\u003e5 duplicate photos; 9 new photos\u003c/p\u003e","\u003cp\u003eExhibition summary, form letter, information questionnaire; checklists; drawings (photocopies); internal memos; correspondence with galleries re: biographical information for artists; clipping\u003c/p\u003e","\u003cp\u003e13 slides; open house poster; catalogue; label copy\u003c/p\u003e","\u003cp\u003eChecklists; catalog copy\u003c/p\u003e","\u003cp\u003eDrawing (photocopy); checklists\u003c/p\u003e","\u003cp\u003eRemarks by Woodward at press conference; clippings; remarks by Mooz at press conference\u003c/p\u003e","\u003cp\u003eIPR's; budget information; calendar\u003c/p\u003e","\u003cp\u003eInternal memos; meeting minutes, panel drawing (photocopy)\u003c/p\u003e","\u003cp\u003e1 piece of correspondence with Columbus Museum of Art re: show\u003c/p\u003e","\u003cp\u003eEmpty folder\u003c/p\u003e","\u003cp\u003eChecklists; annotated gallery guide\u003c/p\u003e","\u003cp\u003eAgenda; family tree; IEF materials; correspondence with IEF; notes; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; correspondence with visitors; internal memos; correspondence with corporate sponsors; schedule; correspondence with other museum locations; exhibition contract\u003c/p\u003e","\u003cp\u003eInternal memos; invitation copy; schedules; meeting minutes; checklists\u003c/p\u003e","\u003cp\u003e14 photos; correspondence with IEF\u003c/p\u003e","\u003cp\u003e1 copy of bumper sticker; place card; brochure; announcement; internal memos; meeting minutes; correspondence with IEF; clipping\u003c/p\u003e","\u003cp\u003eInvoices; IPR's; internal memos; budget information\u003c/p\u003e","\u003cp\u003eChecklists; internal memos\u003c/p\u003e","\u003cp\u003eNote\u003c/p\u003e","\u003cp\u003eInvoices; internal memos; budget information\u003c/p\u003e","\u003cp\u003eInternal memos; drawings (photocopies); correspondence with Lewises re: closing Art Nouveau facility\u003c/p\u003e","\u003cp\u003eList of films \u0026amp; lecturers from IEF\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF re: Duke's address; internal memo\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eInternal memos; lists of tour groups\u003c/p\u003e","\u003cp\u003eBiography, general information, itinerary, \"Short History of Chatsworth\"; IEF materials (including press release)\u003c/p\u003e","\u003cp\u003eTimetable; meeting minutes; proposed schedule\u003c/p\u003e","\u003cp\u003eAgendas; notes; checklists; internal memos\u003c/p\u003e","\u003cp\u003eIPR's; internal memos; invoices\u003c/p\u003e","\u003cp\u003e\"A.V. Program\" script; correspondence re: school A/V program; internal memos; budget information\u003c/p\u003e","\u003cp\u003eBudget information; internal memos; correspondence with IEF\u003c/p\u003e","\u003cp\u003eCalendars; internal memos\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with IEF\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with IEF\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with IEF; 1 copy of the \"Chatsworth Herald\"; guide for children published by VMFA\u003c/p\u003e","\u003cp\u003eSchedule; internal memos; correspondence with IEF\u003c/p\u003e","\u003cp\u003eInternal memos; meeting minutes\u003c/p\u003e","\u003cp\u003ePhotos; NEA reports\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; correspondence with other museums (including invitation\u003c/p\u003e","\u003cp\u003eInternal memos; budget information\u003c/p\u003e","\u003cp\u003eExhibition contract; correspondence with IEF; correspondence with corporate sponsor\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with patrons\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with ESU branches; correspondence with IEF\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with IEF\u003c/p\u003e","\u003cp\u003eHuge final report; internal memos; budget information; back-up report information\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with invitees; meeting minutes; correspondence with IEF\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; internal memos; correspondence with other museums\u003c/p\u003e","\u003cp\u003eClippings; internal memos; correspondence with publicity; TV spot script; budget information; correspondence with IEF\u003c/p\u003e","\u003cp\u003eWeekly reports; internal memos\u003c/p\u003e","\u003cp\u003ePrice lists; internal memos; invoices; correspondence with other museums\u003c/p\u003e","\u003cp\u003eInternal memos; drawing (photocopy)\u003c/p\u003e","\u003cp\u003eEnvelope that couldn't open without ripping\u003c/p\u003e","\u003cp\u003eSlide lists; budget information; correspondence with other museums; correspondence with printers; internal memos; correspondence with IEF; correspondence with Duke; reports\u003c/p\u003e","\u003cp\u003eFinal report on sales; internal memos; teacher form letters \u0026amp; materials; group bus forms; \"docent study materials\" from Toledo Museum of Art\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eProspectus; internal memos; statistics; correspondence with hosts; correspondence re: juror (Lasansky)\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; label copy\u003c/p\u003e","\u003cp\u003eInternal memos; meeting minutes; annotated gallery map\u003c/p\u003e","\u003cp\u003eCorrespondence with artists whose work purchased by Museum; internal memos; '79 prospectus; '79 invitation; correspondence with D'Arcangelo (juror)\u003c/p\u003e","\u003cp\u003eInvitations; invitation list; internal memos; invitation copy\u003c/p\u003e","\u003cp\u003eSchedule draft\u003c/p\u003e","\u003cp\u003eChecklists; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with visitors and inquiries about show\u003c/p\u003e","\u003cp\u003eClippings; internal memos; list of press kits sent\u003c/p\u003e","\u003cp\u003eInvitation lists; correspondence with Lewises for names\u003c/p\u003e","\u003cp\u003eList of music; sheet music\u003c/p\u003e","\u003cp\u003eResearch; 1 piece of correspondence with Yvonne Brunhammer\u003c/p\u003e","\u003cp\u003eProgram, invitation; correspondence with attendees; clipping; correspondence with speakers; internal memos; participant list; invitation lists; 1 copy of program for 1977 \"Great Collectors of American Decorative Arts\" weekend\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with printers; printers' materials\u003c/p\u003e","\u003cp\u003eBudget information; correspondence with lenders; checklists; research\u003c/p\u003e","\u003cp\u003e5X7 cards per object\u003c/p\u003e","\u003cp\u003ePhotographs; photocopies of images\u003c/p\u003e","\u003cp\u003eChecklists; clipping; label copy; research\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with film organizations \u0026amp; vendors; IPR's; information and catalogs for projectors\u003c/p\u003e","\u003cp\u003e2 invoices from shipping company\u003c/p\u003e","\u003cp\u003eCorrespondence with Gras re: insurance for French loans\u003c/p\u003e","\u003cp\u003eCorrespondence re: shipping of works\u003c/p\u003e","\u003cp\u003eCorrespondence with other museums re: possible travel\u003c/p\u003e","\u003cp\u003ePhotocopies of photographs\u003c/p\u003e","\u003cp\u003ePhotographs; internal memos; checklists; drawings (photocopies)\u003c/p\u003e","\u003cp\u003eInvoices; catalogue copy; correspondence with Martin Battersby (essayist)\u003c/p\u003e","\u003cp\u003eLabel copy\u003c/p\u003e","\u003cp\u003eResearch\u003c/p\u003e","\u003cp\u003eCorrespondence with Brunhammer (conservateur @ Musée des Arts Décoratifs, Paris) re: French loans; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with d\"Iberville @ Museum of Decorative Arts, Montreal re: possible venue for show (denied)\u003c/p\u003e","\u003cp\u003eCorrespondence with Harris (guest curator); research; internal memos; Harris; c.v.; schedules\u003c/p\u003e","\u003cp\u003ePhotos; 1 new photo; correspondence with AIC (lender); loan agreement\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with BMA; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with BHP\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with BF; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with MFA, Boston\u003c/p\u003e","\u003cp\u003ePhotos; 1 transparency; correspondence with BAD; loan agreements; checklist\u003c/p\u003e","\u003cp\u003e1 duplicate photo; correspondence with Brooklyn; internal memos; loan agreement; research\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with Merklen; loan agreements; research\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with Chrysler; loan agreements\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with CMA; loan agreements; label\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with CMG; loan agreement\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with Fine Arts Museum; loan agreements\u003c/p\u003e","\u003cp\u003eCorrespondence with Haskell; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with LC; loan agreements\u003c/p\u003e","\u003cp\u003e1 photo; correspondence with Lieberman; loan agreement\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with Darien House, Inc.\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with Macklowe; loan agreements\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with McNay; loan agreement\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with Maryhill; loan agreements\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with Gallion\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with Musée; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA; loan agreements\u003c/p\u003e","\u003cp\u003eCorrespondence with NARA\u003c/p\u003e","\u003cp\u003eOne negative (8 X 10); correspondence with NYPL; loan agreement\u003c/p\u003e","\u003cp\u003ePhotos; loan agreement; correspondence with Pollard\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with Pratt; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with Reed; research\u003c/p\u003e","\u003cp\u003eTransparency; 9 duplicate photos; correspondence with Schimmel; loan agreement\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with Silverman; correspondence with Sotheby's; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with Sommer; research; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with U of CA\u003c/p\u003e","\u003cp\u003eEmpty folder\u003c/p\u003e","\u003cp\u003eCorrespondence with Vitry; loan agreement\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with Wittamer de Camps; loan agreements\u003c/p\u003e","\u003cp\u003eOne photo\u003c/p\u003e","\u003cp\u003eTwo duplicate photos\u003c/p\u003e","\u003cp\u003eCorrespondence with University\u003c/p\u003e","\u003cp\u003eCorrespondence with SDSU\u003c/p\u003e","\u003cp\u003eCorrespondence with NGA\u003c/p\u003e","\u003cp\u003eCorrespondence with Musée\u003c/p\u003e","\u003cp\u003eCorrespondence with Met\u003c/p\u003e","\u003cp\u003eCorrespondence with DIA\u003c/p\u003e","\u003cp\u003eCorrespondence with Delaunay\u003c/p\u003e","\u003cp\u003eCorrespondence with Albertina\u003c/p\u003e","\u003cp\u003eCorrespondence with Gallery\u003c/p\u003e","\u003cp\u003e1 poster; internal memos; label copy; 1 copy of brochure\u003c/p\u003e","\u003cp\u003eInternal memos; donor lists; list of lenders; correspondence with invitees; 1 copy of invitation; correspondence re: and with Collectors' Circle\u003c/p\u003e","\u003cp\u003eBudget information, IPR's\u003c/p\u003e","\u003cp\u003eList of invitees; correspondence from invitees\u003c/p\u003e","\u003cp\u003eLabel copy; internal memos\u003c/p\u003e","\u003cp\u003e1 copy of member mailing with brochure; donor lists; brochure copy\u003c/p\u003e","\u003cp\u003eNotes\u003c/p\u003e","\u003cp\u003eInternal memos; budget information; checklists\u003c/p\u003e","\u003cp\u003eInternal memos; drawings (photocopies); checklists\u003c/p\u003e","\u003cp\u003eLabel copy; 1 copy of brochure; 1 copy of \"The Tidewater Guide\" (5/80)\u003c/p\u003e","\u003cp\u003e23 photos; 1 duplicate photo; 1 copy of brochure\u003c/p\u003e","\u003cp\u003e19 photos; internal memos; mailing lists; clippings; correspondence re: catalogue; label; correspondence with lending brochure copy; correspondence with public; drawing (photocopy); schedule; checklists; correspondence re: speaker; correspondence re: shirts\u003c/p\u003e","\u003cp\u003ePhotos; 5 duplicate photos; case design drawing\u003c/p\u003e","\u003cp\u003eBrochure; 4/80 Bulletin; clippings; 1 copy of invitation; 5/80 Bulletin; 1 copy of mailing\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003e1 piece of correspondence with Linda Connor (juror); 1 copy of catalog\u003c/p\u003e","\u003cp\u003e28 photos [photos don't seem to be of Designers show]\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; internal memos; drawings (photocopies); correspondence with publicity\u003c/p\u003e","\u003cp\u003eShipping information \u0026amp; receipts; label copy; internal memos; clippings; traveling checklists\u003c/p\u003e","\u003cp\u003eSITE materials; label copy\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; invitation copy; checklists\u003c/p\u003e","\u003cp\u003e1 poster; clipping\u003c/p\u003e","\u003cp\u003ePhotos; clippings; folder with photos; clippings; press releases\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with publicity; correspondence with SITE; correspondence with hosts; correspondence with James Wines (co-founder of SITES, speaker); correspondence with BEST; list of invitees; budget information; schedules\u003c/p\u003e","\u003cp\u003eInternal memos; schedules; correspondence with publicity; correspondence with BEST\u003c/p\u003e","\u003cp\u003eInternal memos; invoices; correspondence with BEST; Purchase order; budget information, IPR's\u003c/p\u003e","\u003cp\u003eThree photos; label copy; internal memos; correspondence with SITE; drawing (photocopy); schedules\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; correspondence with Milwaukee Art Center (circulator); invitation list; poster\u003c/p\u003e","\u003cp\u003eInvoices; IPR's; budget information; correspondence with Milwaukee; internal memos\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Milwaukee; correspondence with Philip Morris; symposium program copy\u003c/p\u003e","\u003cp\u003e24 photos; invitation; internal memos; Milwaukee materials; drawings (photocopies); checklists; correspondence with Milwaukee\u003c/p\u003e","\u003cp\u003e10 photos; press release; 1 copy of catalogue; 1 poster; label copy; research; Milwaukee materials; 1 copy of 1/80 Bulletin; meeting minutes\u003c/p\u003e","\u003cp\u003ePoster; label copy; catalog copy; clippings; research; 1 copy of Spring '77 AIV; 1 copy of 11/79 Bulletin\u003c/p\u003e","\u003cp\u003eInvoices; internal memos; budget information; correspondence with MFA Houston (circulator); exhibition contract\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA; internal memos; correspondence with MFA Houston; copy of birth certificate (!)\u003c/p\u003e","\u003cp\u003e4 new photos; internal memos; checklists; label copy; drawings (photocopies); schedules\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Bruce (Patrick Henry Bruce's son, who came to see show for 4 days, only venue he visited, lived in CA) \u0026amp; wife; correspondence with MFA Houston; invitation list\u003c/p\u003e","\u003cp\u003eShipping information and receipts; 1 copy of catalogue; correspondence re: catalogue requests; VFH grant application, internal memos\u003c/p\u003e","\u003cp\u003ePhotos; clippings; VFH materials; VFH grant application; correspondence with Mrs. John Dos Passos\u003c/p\u003e","\u003cp\u003eClippings; internal memos\u003c/p\u003e","\u003cp\u003eCatalogue; label copy\u003c/p\u003e","\u003cp\u003eResearch; checklists; correspondence with Mary Ellen Stumpf (consultant); label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with VFH; VFH materials; grant application; narrative; grant report; internal memos\u003c/p\u003e","\u003cp\u003eIPR's; budget information\u003c/p\u003e","\u003cp\u003eCorrespondence with institutions lending images; internal memos; other museum catalogues; correspondence with Dos Passos; correspondence with Stumpf (consultant, VCU faculty member); correspondence with visitors\u003c/p\u003e","\u003cp\u003eAnnotated catalog; shipping information \u0026amp; receipts; checklists; correspondence with Dos Passos\u003c/p\u003e","\u003cp\u003e10 photographs; research; list of invitees; clippings; internal memos; biographical information; correspondence with May Cossitt; subpoena for Pinkney for trial (!)\u003c/p\u003e","\u003cp\u003eCorrespondence with Ruder Finn (circulator); invitation copy; internal memos\u003c/p\u003e","\u003cp\u003eIPR's; internal memos; invitation list\u003c/p\u003e","\u003cp\u003e16 photos; internal memos; IPR's drawings (photocopies)\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; correspondence with AMEX; invitation copy; invitation list; 1 copy of brochure\u003c/p\u003e","\u003cp\u003e\"Henri-Cartier-Bresson: Glimpses\"; clippings; research\u003c/p\u003e","\u003cp\u003eLabel copy; checklists\u003c/p\u003e","\u003cp\u003eInvitation\u003c/p\u003e","\u003cp\u003eInternal memos; catalog copy; research; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with Yale (organizer); correspondence with AFA (circulator); AFA materials (including checklist); research; 1 copy of brochure\u003c/p\u003e","\u003cp\u003eMaterials from other institutions\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA; internal memos; exhibition contract; AFA materials\u003c/p\u003e","\u003cp\u003eInternal memos; schedules; invitation copy; checklist\u003c/p\u003e","\u003cp\u003eDrawing (photocopy); internal memos; correspondence with AFA; AFA checklist\u003c/p\u003e","\u003cp\u003eCorrespondence with Yale University Art Gallery\u003c/p\u003e","\u003cp\u003eIPR's; PO's; invoices; [1 copy of poster inserted here]\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA; internal memos; clipping\u003c/p\u003e","\u003cp\u003eInvitation, postcard; 1 copy of other preview invitation; invitation lists; information sheet on one-day symposium\u003c/p\u003e","\u003cp\u003e1 poster; correspondence with AFA (circulator); research; NEA application\u003c/p\u003e","\u003cp\u003eLabel copy; AFA checklists\u003c/p\u003e","\u003cp\u003eSpecs. For \"New Gallery Entrance\" (8/29/79) [remodeled a gallery \u0026amp; named it the Mottahedeh Gallery] by Hardwicke \u0026amp; Associates; IPR's; internal memos; label copy; invoices, P.O.'s; correspondence with Mottahedeh; budget information\u003c/p\u003e","\u003cp\u003ePostcard, special events postcard, 8 photos; 4 new photos; NEA Grant narrative; internal memos; correspondence with AFA; correspondence with NY State Museum re: found Maria \u0026amp; Julian Martinez pottery; rubbing of their signature; label copy; invitation lists; IPR's; AFA checklist; budget information; exhibition contract; postcard proofs; drawing (photocopy); NEA Grant application\u003c/p\u003e","\u003cp\u003eTwo slides; invitations; internal memos; correspondence with Mint (organizer); installation drawings; checklist; correspondence re: opening\u003c/p\u003e","\u003cp\u003eClippings; catalog copy; Mint materials; invitation\u003c/p\u003e","\u003cp\u003eTwo duplicate photos; 3 new photos\u003c/p\u003e","\u003cp\u003eChecklists; research\u003c/p\u003e","\u003cp\u003e7 photos\u003c/p\u003e","\u003cp\u003eInternal memos; checklists; correspondence with lenders; loan agreements\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; correspondence with lenders; loan agreements; correspondence re: opening; invitation list; invoices; installation drawing; exhibition contract\u003c/p\u003e","\u003cp\u003eInvitation; correspondence; clippings; label proofs; correspondence with lenders; correspondence with media; correspondence with visitors; internal memos; loan agreements; checklists; research\u003c/p\u003e","\u003cp\u003e6 photos; 7 duplicate photos\u003c/p\u003e","\u003cp\u003eInternal memos; schedule; label copy; research\u003c/p\u003e","\u003cp\u003eInternal memos; IPR's; budget information; invoices\u003c/p\u003e","\u003cp\u003eOne slide; 13 photos; 3 duplicate photos; correspondence with one lender\u003c/p\u003e","\u003cp\u003eChecklist; label copy; internal memos; lecture copy; research; checklist copy\u003c/p\u003e","\u003cp\u003eInvitation; research; internal memos; correspondence with lenders; loan agreements; correspondence with media\u003c/p\u003e","\u003cp\u003eIPR's; invoices; internal memos\u003c/p\u003e","\u003cp\u003eChecklists; research; list of lenders\u003c/p\u003e","\u003cp\u003eInternal memos; checklist copy; label copy; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; correspondence with visitors; internal memos\u003c/p\u003e","\u003cp\u003eInstallation drawing; internal memos; checklists; label copy\u003c/p\u003e","\u003cp\u003eInternal memos; budget information; invoices; shipping information\u003c/p\u003e","\u003cp\u003eInvitation copy; internal memos; correspondence with lender; notes; 1 copy of invitation; 1 copy of Collectors' Circle program\u003c/p\u003e","\u003cp\u003eIPR's; invoices; correspondence with printer; research; internal memos\u003c/p\u003e","\u003cp\u003eSchedule; correspondence re: carpet\u003c/p\u003e","\u003cp\u003eLabel copy; checklists\u003c/p\u003e","\u003cp\u003eIbsen \u0026amp; Munch brochure, press release, poster; 4 slides; photographs; clippings; internal memos; 1 copy of checklist\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence correspondence with artists; incident report re: warehouse alarm\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence; research/notes on show idea [fascinating committee work/proposals on how to revise Virginia artists shows] [mainly Woodward, Burke, Farago]\u003c/p\u003e","\u003cp\u003eProposals; form letters; notes\u003c/p\u003e","\u003cp\u003eAdvanced purchase program proposal; form letters; notes; invitation\u003c/p\u003e","\u003cp\u003eNotes (Pinkney Near); research\u003c/p\u003e","\u003cp\u003eCatalog copy; photocopies of photos\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003e1 photo; correspondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003e1 photo; correspondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eMailing lists; correspondence\u003c/p\u003e","\u003cp\u003eInternal memos; invitation list\u003c/p\u003e","\u003cp\u003eInvitation, 5 photos, slides; correspondence with visitors; internal memos; checklists; correspondence; clippings; drawing (installation); correspondence with lender; invitation list; IPR's; budget information; notes; research\u003c/p\u003e","\u003cp\u003eClippings\u003c/p\u003e","\u003cp\u003eInvoices; research; correspondence with lenders; 1 copy of catalogue\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; research\u003c/p\u003e","\u003cp\u003e1 invoice; research\u003c/p\u003e","\u003cp\u003eResearch\u003c/p\u003e","\u003cp\u003e10 photos; correspondence with lenders; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eSlides; 1 reel to reel audiotape\u003c/p\u003e","\u003cp\u003eCorrespondence with HHK; internal memos; correspondence with other institutions\u003c/p\u003e","\u003cp\u003eInvoices; IPR's; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Attorney General; exhibition contract; facilities report\u003c/p\u003e","\u003cp\u003eTwo photos (not in exhibit); museum mailings; clippings; label copy; internal memos\u003c/p\u003e","\u003cp\u003eMailing, 1 photo; 12 new photos; internal memos; proposals, HHK materials; mailing copy; schedules; notes\u003c/p\u003e","\u003cp\u003ePhotos; checklists; internal memos; catalog copy; label copy\u003c/p\u003e","\u003cp\u003eSlides; label proofs\u003c/p\u003e","\u003cp\u003eCorrespondence with Portland Art Association of Portland Art Museum (organizer); internal memos; exhibition contract\u003c/p\u003e","\u003cp\u003eFour photos; shipping info \u0026amp; receipts; internal memos; correspondence with other institutions [mainly Allentown Art Museum]; invoices; notes; IPR's; research\u003c/p\u003e","\u003cp\u003eInternal memos; purchase orders; correspondence with other institutions; research\u003c/p\u003e","\u003cp\u003e\"Why We Commemorate\" by Armenian National Committee, invitation; 1 transparency; one copy of brochure; schedules; label copy; internal memos; clippings; Portland Art Museum materials; invoices; IPR's; correspondence with Turkish ambassador; Allentown materials; notes; checklists; correspondence with Binney\u003c/p\u003e","\u003cp\u003eInvitation list; 1 copy of invitation\u003c/p\u003e","\u003cp\u003e10 slides; 'Scribbler' Twombly clipping, mailing card; 3 photos; label copy; checklists; clippings; DIA Art Foundation materials (organizer); invoices; catalog copy\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Newport Harbor Art Museum (organizer); correspondence with speaker; correspondence with visitors; drawings (installation); exhibition contract; correspondence re: rescheduling\u003c/p\u003e","\u003cp\u003eSlides; 6 photos; 12 duplicate photos; duplicates: mailing card, 2 clippings\u003c/p\u003e","\u003cp\u003eSlides\u003c/p\u003e","\u003cp\u003eChecklists; label copy; catalog copy\u003c/p\u003e","\u003cp\u003eNotes; internal memos; drawing (installation); checklists; correspondence with Delaware Art Museum (Collection home)\u003c/p\u003e","\u003cp\u003eLabel copy; catalog copy; research\u003c/p\u003e","\u003cp\u003eMailing brochure, catalog; slides; 3 transparencies; 19 photographs; 1 negative; 6 duplicate photos; internal memos; press release; label proofs; clippings; Delaware materials\u003c/p\u003e","\u003cp\u003eOne photo; research; notes\u003c/p\u003e","\u003cp\u003eInvoices; IPR's; check requests; internal memos; correspondence with vendors\u003c/p\u003e","\u003cp\u003eInternal memos; clippings; correspondence with Delaware Art Museum; correspondence with lender; correspondence with visitors; correspondence with other institutions\u003c/p\u003e","\u003cp\u003eClippings; bulletin; internal memos; correspondence re: publications; catalog copy; label proofs; mailing brochure copy\u003c/p\u003e","\u003cp\u003e6 photos (duplicate in Folder 20); 1 internal memo\u003c/p\u003e","\u003cp\u003eNotes; research\u003c/p\u003e","\u003cp\u003eNotes; checklists; loan agreements\u003c/p\u003e","\u003cp\u003eChecklists\u003c/p\u003e","\u003cp\u003eCorrespondence; notes\u003c/p\u003e","\u003cp\u003eCorrespondence with Office of Attorney General; exhibition contract drafts; internal memos\u003c/p\u003e","\u003cp\u003eExhibition contract; internal memos; correspondence with DIA\u003c/p\u003e","\u003cp\u003eExhibition contract; budget information; correspondence with Philbrook; internal memos; loose material \u0026amp; notes re: 18th century prints of antiquity/archaeology\u003c/p\u003e","\u003cp\u003ePhotos; correspondence; internal memos; budget information; notes; schedule\u003c/p\u003e","\u003cp\u003eInternal memos; IPR's\u003c/p\u003e","\u003cp\u003eInternal memos; IPR's; \"Publicity Outline\" report\u003c/p\u003e","\u003cp\u003eSchedules\u003c/p\u003e","\u003cp\u003e\"A Loan Exhibition on Display at the Virginia Museum\"; internal memos\u003c/p\u003e","\u003cp\u003e1 piece of correspondence with Fine Arts Museums of San Francisco\u003c/p\u003e","\u003cp\u003eCorrespondence; budget information; internal memos\u003c/p\u003e","\u003cp\u003eInternal memos; budget info [info re: Council Anniversary Fund]; notes\u003c/p\u003e","\u003cp\u003eSymposium brochure, 2 transparencies; 2 new transparencies\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (Frank Raysor); internal memos\u003c/p\u003e","\u003cp\u003eNotes; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (NGA); checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (MFA Boston); checklists\u003c/p\u003e","\u003cp\u003e6 photos; label copy; checklists; brochure copy; loan agreements; correspondence with lender (Raysor); research\u003c/p\u003e","\u003cp\u003eCorrespondence with PAFA (organizer) [Pennsylvania Academy of Fine Arts]; clippings; internal memos; invitation; PAFA materials\u003c/p\u003e","\u003cp\u003e24 slides; negatives; 4 photos; 4 transparencies; 1 duplicate transparency; clippings; 1 poster\u003c/p\u003e","\u003cp\u003eCorrespondence with PAFA; invoices; IPR's; internal memos; 2 envelopes of material: 1) 14 photos, 2 duplicate photos; 2) 5 photos\u003c/p\u003e","\u003cp\u003e6 photos; 10 duplicate photos; exhibition proposal from PAFA; envelope of PAFA materials\u003c/p\u003e","\u003cp\u003eInternal memos; notes; guest list for opening\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; guest lists; notes\u003c/p\u003e","\u003cp\u003eInternal memos; mailings; correspondence with speakers; script copy; correspondence with PAFA; schedules\u003c/p\u003e","\u003cp\u003eOne annotated copy of catalog; checklists; notes\u003c/p\u003e","\u003cp\u003eCatalog proofs; notes\u003c/p\u003e","\u003cp\u003eCorrespondence with visitors; correspondence with lenders; correspondence with PAFA; internal memos; exhibition contract\u003c/p\u003e","\u003cp\u003eInvitation, catalog; correspondence with PAFA; invoices; internal memos; invitation copy; checklists; label copy\u003c/p\u003e","\u003cp\u003eSchedule of payments; consultants; responsibilities\u003c/p\u003e","\u003cp\u003eCorrespondence with Donaldson; c.v.; notes; research; writings; drafts\u003c/p\u003e","\u003cp\u003eCorrespondence with Donaldson; c.v.; notes; research; writings; drafts\u003c/p\u003e","\u003cp\u003eCorrespondence with Corn; c.v.; notes\u003c/p\u003e","\u003cp\u003eCorrespondence with Wood; c.v.; notes\u003c/p\u003e","\u003cp\u003eCorrespondence with Davis; obituary and correspondence with wife after his death in 3/81; c.v.; notes; brochure for his book \"Intellectual Life in the Colored South\"\u003c/p\u003e","\u003cp\u003eCorrespondence with Williams; c.v.; notes\u003c/p\u003e","\u003cp\u003eChecklists\u003c/p\u003e","\u003cp\u003eOne internal memo\u003c/p\u003e","\u003cp\u003eOne piece of correspondence with Robert Zimmerman (Baltimore Museum of Art); 2 blank travel vouchers with Zimmerman's signature \u0026amp; 55#\u003c/p\u003e","\u003cp\u003eBudget information; 2 invoices from Cumberland Art Conservation Center (Nashville)\u003c/p\u003e","\u003cp\u003eCorrespondence with Atlantic Van Lines; notes\u003c/p\u003e","\u003cp\u003eBudget information; clippings \u0026amp; press materials related to Greek Vases\u003c/p\u003e","\u003cp\u003eOne internal memo re: promotion budget\u003c/p\u003e","\u003cp\u003eOne piece of correspondence with prospective intern; one index card with name\u003c/p\u003e","\u003cp\u003eCorrespondence with one musician; notes; scores; one internal memo re: NEA grant (denied); \"Writing Realistic Grant Budgets\" from Museum News\u003c/p\u003e","\u003cp\u003eInterim report for NEH Grant\u003c/p\u003e","\u003cp\u003eCorrespondence with NEH; copy of grant administrator guidelines\u003c/p\u003e","\u003cp\u003eCorrespondence with Tormey re: advertising project for Philip Morris\u003c/p\u003e","\u003cp\u003eTwo blank requests; 1 complete request\u003c/p\u003e","\u003cp\u003ePhotos; [note: not all included in final exhibition]\u003c/p\u003e","\u003cp\u003eCorrespondence with various companies re: slide set duplication; invoices\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions re: potential bookings\u003c/p\u003e","\u003cp\u003eCorrespondence with institutions who declined a potential booking; internal memos\u003c/p\u003e","\u003cp\u003eClippings; one internal memo re: TVA\u003c/p\u003e","\u003cp\u003eCorrespondence with Coggins (Southern painting collector); correspondence with Berry-Hill Galleries re: exhibition of Coffins' collection\u003c/p\u003e","\u003cp\u003eCorrespondence with Wolfe re: possible lecture\u003c/p\u003e","\u003cp\u003eList of proposed programs; [collection of internal memos from David Griffith inserted here]\u003c/p\u003e","\u003cp\u003eCorrespondence with American Heritage Publishing re: catalog; proofs; one internal memos \u0026amp; 1 piece of correspondence re: Philip Morris\u003c/p\u003e","\u003cp\u003eBrochure copy; internal memos; copies of other children's brochures\u003c/p\u003e","\u003cp\u003eOne phone message\u003c/p\u003e","\u003cp\u003eLoan agreement; correspondence with lender (MESDA); artist worksheet\u003c/p\u003e","\u003cp\u003eLoan agreement; correspondence with lender (Charleston Museum is lender); artist worksheet\u003c/p\u003e","\u003cp\u003eLoan agreement; correspondence with lender (MESDA); notes; artist worksheet\u003c/p\u003e","\u003cp\u003eLoan agreement; correspondence with lender (Muscarelle); conservation report; memo re: treatment; artist worksheet\u003c/p\u003e","\u003cp\u003eOne photo; loan agreement; correspondence with lender (Brodnax \u0026amp; Associates); artist worksheet\u003c/p\u003e","\u003cp\u003eOne photo; loan agreement; correspondence with lender (Brodnax \u0026amp; Associates); artist worksheet\u003c/p\u003e","\u003cp\u003eResearch; conservation report; artist worksheet\u003c/p\u003e","\u003cp\u003eCorrespondence with Wintherthur; artist worksheet; conservation reports\u003c/p\u003e","\u003cp\u003eLoan agreement; correspondence with Club (lender); conservation bill\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (Maria Tabb); artist worksheet; receipt\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (NPG); research\u003c/p\u003e","\u003cp\u003eLoan agreement; correspondence with VHS; research\u003c/p\u003e","\u003cp\u003eThree photos; loan agreement; correspondence with NYPL\u003c/p\u003e","\u003cp\u003eLoan agreement; copy of accession card\u003c/p\u003e","\u003cp\u003eOne photo; loan agreement; research; correspondence with Andrew Christian; condition report; artist worksheet\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (Colonial Williamsburg)\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (Pennsylvania Academy of Fine Arts); artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003e1 duplicate slide; correspondence with lender (Mordecai Square Historical Society); artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eOne photo; correspondence with lender (St. John's Lutheran Church, Charleston); artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003e13 slides; correspondence with lender (Hunter Museum of Art); artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eTwo photos; correspondence with Cheekwood re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center\u003c/p\u003e","\u003cp\u003eOne photo; correspondence with Tulane re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center\u003c/p\u003e","\u003cp\u003e7 photos; correspondence with Ulrich re: damage; loan agreements; condition reports\u003c/p\u003e","\u003cp\u003eFour photos; correspondence with Valentine re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center\u003c/p\u003e","\u003cp\u003eOne photo; correspondence with VHS re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center\u003c/p\u003e","\u003cp\u003eOne photo; shipping information and receipts; condition logsheet; correspondence; loan agreements\u003c/p\u003e","\u003cp\u003eOne photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003eOne photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003eShipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003eFour photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003e1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003e1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003e1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003e1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003e1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003e1 photo; shipping information and receipts; condition logsheet; 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invitations; correspondence\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence; budget information; IPR's; invitation copy; checklists; calendars\u003c/p\u003e","\u003cp\u003eCorrespondence; internal memos; invitation list; invoices\u003c/p\u003e","\u003cp\u003eClippings; correspondence; internal memos; correspondence with Forbes\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Forbes; IPR's; budget information; Kip Forbes' biographical information\u003c/p\u003e","\u003cp\u003eInternal memos; checks; correspondence re: tapes\u003c/p\u003e","\u003cp\u003eInternal memos \u0026amp; correspondence re: Acoustiguide\u003c/p\u003e","\u003cp\u003eResearch; Acoustiguide script\u003c/p\u003e","\u003cp\u003eOne photo; invoices; IPR's; internal memos\u003c/p\u003e","\u003cp\u003eIPR's; correspondence with Forbes; checklists\u003c/p\u003e","\u003cp\u003eNotes; internal memos; correspondence with Forbes; copy of 1947 Pratt announcement\u003c/p\u003e","\u003cp\u003eTwo photos\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eIPR; note\u003c/p\u003e","\u003cp\u003eResearch; program proposals; press release\u003c/p\u003e","\u003cp\u003eBlank travel reimbursement vouchers with SSN's; meeting notes\u003c/p\u003e","\u003cp\u003eCorrespondence with Forbes mainly (also Council, conservator)\u003c/p\u003e","\u003cp\u003e6 photos; 2 duplicate photos; guest book for visitors; correspondence from visitors; 1 copy of TVA \"Gin Game\" program; internal memos; research; clippings; IPR's; invoices; correspondence with Forbes\u003c/p\u003e","\u003cp\u003eWeekly reports; Acoustiguide; cost reports; attendance reports\u003c/p\u003e","\u003cp\u003eArticle copy; loose book dust jacket\u003c/p\u003e","\u003cp\u003eChecklist copy; checklist proof; loose bulletins, plus 1 piece of correspondence\u003c/p\u003e","\u003cp\u003eLabel copy; research\u003c/p\u003e","\u003cp\u003eLabel copy; label proofs\u003c/p\u003e","\u003cp\u003eCorrespondence with Forbes; correspondence with Acoustiguide; label copy; research\u003c/p\u003e","\u003cp\u003eOne photo; correspondence with CINOA; internal memos; correspondence with visitors; label copy; checklists with insurance values; clippings, invitation copy; schedules; installation drawing; budget information; correspondence re: opening; research; invoices\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eThree photos; publications catalog\u003c/p\u003e","\u003cp\u003eCatalog copy\u003c/p\u003e","\u003cp\u003eCorrespondence with CINOA; foreword copy; checklists; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with CINOA; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with CINOA; clippings; notes; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with CINOA; exhibition contract; notes; photocopies of photos of exhibition at Metropolitan Museum of Art\u003c/p\u003e","\u003cp\u003e24 duplicate photos; 10 new photos\u003c/p\u003e","\u003cp\u003eCorrespondence; internal memos; invoices; notes; checklists [correspondence only with Kimbell]\u003c/p\u003e","\u003cp\u003eCorrespondence with Hunts; Collectors Circle invitation; clippins; checklists; internal memos\u003c/p\u003e","\u003cp\u003eOne photo; \"Ancient Art Shows Shifting Images\"; clippings; Kimbell materials, 1 copy of poster; attendance figures\u003c/p\u003e","\u003cp\u003eOutline; correspondence with speaker; itineraries; invoices; internal memos\u003c/p\u003e","\u003cp\u003eTwo photos; copy of a review; correspondence with Kimbell; internal memos; Mayo essay copy; correspondence with Mayo; essay; reviews\u003c/p\u003e","\u003cp\u003eInvitation; invitation copy; mailing lists; internal memos\u003c/p\u003e","\u003cp\u003e13 slides; condition reports; correspondence with Getty conservator; correspondence with Kimbell; internal memos; research\u003c/p\u003e","\u003cp\u003eAttendance figures\u003c/p\u003e","\u003cp\u003eCorrespondence with Kimbell; internal memos; checklists\u003c/p\u003e","\u003cp\u003e2 photos; 19 photos; 3 drawings; checklists; purchase orders; internal memos; panel copy; label copy; correspondence with other institutions; 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correspondence in the mid 1980s between Pinkney and Anne regarding the museum\u003c/p\u003e","\u003cp\u003eTypeset copy of Fred Brandt's interview with Mrs. Fischer, 32 pages\u003c/p\u003e","\u003cp\u003eTypeset and annotated copy of Fred Brandt's interview with Simon and Fischer, 18 pages\u003c/p\u003e","\u003cp\u003eInternal memos and correspondence regarding exhibition, including Anne to Fred, Perrot, and others\u003c/p\u003e","\u003cp\u003eInternal memos and correspondence regarding exhibition, including Anne to Fred; correspondence between Simon and you regarding loan forms, checklist accuracy, and one photocopy of a handwritten document detailing the ownership of the collection\u003c/p\u003e","\u003cp\u003eInternal memos and correspondence regarding the exhibition catalog\u003c/p\u003e","\u003cp\u003eList of 27 questions for Fred's interview with Mrs. Fischer, in various forms; includes some of Fred's notes\u003c/p\u003e","\u003cp\u003eInvitation\u003c/p\u003e","\u003cp\u003e1 photo\u003c/p\u003e","\u003cp\u003eCatalog\u003c/p\u003e","\u003cp\u003e9 photos\u003c/p\u003e","\u003cp\u003eBudget information; 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checklists; budget information; correspondence with IEF\u003c/p\u003e","\u003cp\u003eThree photos; educational packet; SITES materials (circulator) including checklists; actual labels; internal memos; installation drawing (copy); invoices; study guide; 1 copy of brochure; 1 copy of mailing\u003c/p\u003e","\u003cp\u003eContract; correspondence with SITES; correspondence with Attorney General\u003c/p\u003e","\u003cp\u003eLoan agreements; correspondence with lenders\u003c/p\u003e","\u003cp\u003eSmithsonian mailer; internal memos; notes; clippings; correspondence; budget information; correspondence with SITES\u003c/p\u003e","\u003cp\u003eSITES materials\u003c/p\u003e","\u003cp\u003e8 photos; internal memos; invoices; correspondence with Craft Museum; brochure, \"Philip Morris and the Arts'; press release; craft materials\u003c/p\u003e","\u003cp\u003eInternal memos; checklists; Craft Museum materials\u003c/p\u003e","\u003cp\u003eCorrespondence with Craft Museum; contract; invoices; internal memos\u003c/p\u003e","\u003cp\u003eInternal memos; 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checklists; Ontario materials\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Ontario\u003c/p\u003e","\u003cp\u003eOntario materials\u003c/p\u003e","\u003cp\u003eChecklists; Ontario materials; correspondence with Glasgow; budget information\u003c/p\u003e","\u003cp\u003e1 photo; 1 new photo; invoices; budget information; correspondence; internal memos; 1 copy of Sept/Oct '88 Bulletin; checklists; clippings; drawings\u003c/p\u003e","\u003cp\u003eBudget information; invitation; internal memo; label copy\u003c/p\u003e","\u003cp\u003eContract; correspondence with Center for African Art (organizer); correspondence with Attorney General\u003c/p\u003e","\u003cp\u003eCatalog copy; catalog proofs; correspondence with Center for African Art\u003c/p\u003e","\u003cp\u003eResearch; article\u003c/p\u003e","\u003cp\u003eResearch; article\u003c/p\u003e","\u003cp\u003eResearch (copy of catalog article)\u003c/p\u003e","\u003cp\u003eLabel coy; research; correspondence with Center for African Art\u003c/p\u003e","\u003cp\u003ePress release; 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correspondence with Philbrook (organizer); internal memos; Philbrook materials; checklists; label copy; mailing lists; Philbrook press packets; press releases\u003c/p\u003e","\u003cp\u003eContract; correspondence with Philbrook; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Philbrook; internal memos; budget information\u003c/p\u003e","\u003cp\u003e6 photos; duplicates: brochure, invitation; media kit; internal memos; High Museum materials; Studio Museum poster; American Museum Association 1987 catalog; drawings; research\u003c/p\u003e","\u003cp\u003eChecklists; label copy\u003c/p\u003e","\u003cp\u003eNotes; label copy; label proofs\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003e6 photos; press release (Philbrook); checklists; correspondence with AMA\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with other institutions\u003c/p\u003e","\u003cp\u003eExhibition contract; correspondence with AFA \u0026amp; AMA\u003c/p\u003e","\u003cp\u003e1 clipping; 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Information may include correspondence, exhibition schedules and programming, long term planning, potential partnerships with other organizations, exhibition committees, couriers, grant applications, protection of artwork, collectors, and reports. 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1936-2015, with the bulk of the material dating from 1979-2004. The collection is comprised of correspondence, exhibition schedules, budgets, grant applications, photographs, object lists, notes, collection statements, planning documents, project files, policies, loan arrangements and decisions, and other materials.","This series is comprised of information regarding exhibitions that were held at the VMFA. Files may include correspondence, schedules, contracts, photographs and slides, installation drawings and procedures, label and catalog text, budgets and invoices, insurance, venue information, and publicity.","Entry card with tear-off for back of work; catalog; announcement","Copies of checklists, shipping lists and prices (for sale); exhibition circulated by Art Institute of Chicago","Catalog; packing list with values, 2 different ones","Prospectus of season, 1937-1937; large typed, spring bound copy of annotated text for inaugural exhibition catalog containing: catalog of paintings in the Museum, budget materials for exhibition, timeline of early Museum, all types of exhibition materials, gallery layout and drawings","Invitation; copy of Strause Collection catalog; 1936-37 prospectus of program; 1958 letter between Muriel Christison \u0026 Oscar Lang of Minneapolis re: Strause exhibition","Entry blank; prospectus/rules; catalog/ invitation/mailing label; submission tag; generic letter for Virginia photo clubs or possibly for shops to request submissions","Invitation; catalog; inventories from the exhibition; catalog copy; copy of foreword (typed); letter from Margaret May Dashiell who loaned items; lots of correspondence from all over the country; lists of sponsors","Extensive correspondence regarding memorial committee and its purchase of a memorial; his works; and fundraising efforts; Colt was treasurer. The Committee also paid off all of the debts for Walker's illness, donations coming from across the country. Thank you letters in alpha order, hundreds of them, plus originals from donators; a few have copies of bookplates attached; original loan requests and replies; original Christmas card with Walker print of a home in Connecticut (1931) and a memorial card that he created in 1936","Invitation; catalog; list of paintings from Burch and Schulze with dimensions","Invitation; list of pieces to be shipped from Shearwater Pottery, with coding to indicate glazes","Copies of inventories, plus amendment, text; mainly correspondence regarding loans including shipping receipts","Catalog, entry card, invitation, announcement; 1 copy of 5th catalogue (1936); Colt's notes","Correspondence with artist; catalog copy; checklists (some with prices)","1 photograph; duplicates: announcement, patron card (sent with invitation); correspondence with artist; shipping information and receipts; budget information; catalog proofs; schedules; invitation list; 1 copy of catalogue; list of sales","Invitation; copies of inventories with insurance values; single copy of catalog","Newspaper clippings; genealogical charts; typed copy of article, \"Colonel William Byrd of Westover,\" by Lucy Parke Byrd","Letters of solicitation (ex.: one to O'Keeffe); shipping/return correspondence; correspondence with jurors (including Hopper) including discussion of invited artists list; rough draft of jury selection rules; correspondence with galleries (mainly in New York City) for artists to enter competition","Invitation; card of admission; information request postcard; thank you card; entry card (regular-red); entry card (invited-orange); receipt card; announcement; rejection notification; list of 125 paintings invited and accepted; prospectus; jury memorandum; list of invited artists divided by gallery; list of deliveries for return of paintings","Hundreds of rejection forms with return shipment affirmation signed below (includes artist name and title of work)","Invitation; World's Fair circular of information; list of paintings to be included; World's Fair circular of information (8 pages); Adele Clark and Leslie Cheek on panel for southern states; reports to Colt on state committees","One copy of catalog","One copy of catalog","One copy of catalog","One copy of catalog","Catalog; letter from Anne Moncure to Colt explaining pictures; typed copy of \"History of Ambler Family\" by J.J. Ambler, 1826; list of portraits; typed copy of catalog text; 4 photographs of portraits - Katherine, William, and St. George Moncure, grandchildren of Colonel John Ambler; Mary Cary, wife of Edward Ambler; Colonel John Ambler; wife of Dr. Peterfield Trent and his two daughters","One copy of catalog; list of paintings; 1 letter","One copy of catalog","Correspondence with jurors","Correspondence with Committee of Virginia Artist Commission; correspondence with artists submitting models; rejection letter; shipping correspondence; invoices; correspondence with U.S. Department of the Interior, NPS, Fredericksburg; correspondence with Virginia Conservation Commission; Correspondence with Douglas Southall Freeman, Editor of the Richmond News Leader; correspondence with National Sculpture Society, Commission for the Arts, and Senator John Warwick Rust; loan of a portrait of Stonewall Jackson from Adler in NYC; correspondence with Leslie Cheek, the Sons of Confederate Veterans; news release; planning and invitations for the preview; correspondence with the United Daughters of the Confederacy and with Joseph Pollia, the winner","Entry card; invitation to meet the jurors; invitation to preview of models; announcement; map of site; news release; list of members of Sculptors Guild; Pollia's curriculum vitae","One copy of catalog","Invitation, catalog; text of catalog with drawings of mock-up and list of drawings","Annotated catalogs of early shows, correspondence with Mrs. Holden, shipping information","Catalog, invitation; typed biography in first person, list of paintings, curriculum vitae","Correspondence with Pan American Union in D.C.; Comisión Nacional de Bellas Artes; shipping information; correspondence with Governor; Department of State; national press (Time, New York Times, Town \u0026 Country, Antiques Magazine, Washington Post, United Press); copies of speech materials for guests at preview; letter from Emilio Pettoruti","Announcement; banner; one catalog; solo copies of invitations to preview and meet the Ambassadors at the Commonwealth Club","Inventories with sizes, values and damages noted; customs forms; shipping information; annotated catalog","Correspondence, speech copy","Correspondence with L.B. Houff at the American Federation of Arts; shipping information","Correspondence with Klapperach; Argentine government participation; New York World's Fair 1939; speech copy; foreword copy; shipping information","Shipping receipts, packing lists; lists of addresses of sponsors, lenders, press, museums, invitation lists","Correspondence with Marval, Commissioner General of Argentine government; participation; shipping information; planning information; customs and sales information","Invitation list; art critics list; memos; schedule of radio program and typed text; Commonwealth Club menu; speech texts","Inventories of paintings that would go from New York to San Francisco to Riverside Museum; correspondence with Museum about shipping; shipping receipts","Freight bills; shipping receipts, correspondence with Treasury Department; customs forms, inventories with values","Correspondence with Alexander Weddell and J. A. de Marval","Original mounted drawing by Leslie Cheek, Jr. for exhibition panels","Comments of the jury; award speech; copy of thank you letters; requests for catalogs, purchase information; publicity information; invitation lists; inventories; correspondence with artists; correspondence with jurors","Rejection letter; prospectus; \"an invitation,\"; invitation; receipt card; entry card (invited-yellow); entry card (regular-red); acceptance card; news releases; prospectus; catalog copy; comments of the committee; memos","Bound, typed list by gallery; inventories; correspondence with galleries and artists","Correspondence with jurors","One copy of catalog","Invitation; correspondence with Mrs. De Marclay","Correspondence; checklist; shipping information","One copy of catalog; gallery layout; mailer text; catalog listing; biographical text; artist's statement","Invitation; catalog; correspondence with Adele Williams; inventories; biographical information; catalog text","Invitation; catalog; correspondence with Willingham; shipping information and receipts","Invitation; one copy of catalog; correspondence with Binford and lenders; shipping information; inventories with values; shipping information; gallery correspondence; catalog text","Invitation; catalog; inventories, text copy, values, text of radio announcements/interviews; loan correspondence; galley proofs of label copy by Edward Davis","Inventory lists including insurance values; list of items by lenders; hundreds of shipping receipts","Correspondence with galleries, dealers, and collectors/lenders; catalog proof","Invitation; catalog; catalog copy, curriculum vitae; copy of Colt's introduction","Catalog; invitation; catalog copy; biographical information","Correspondence with Chrysler, Fox (curator), publicity people. Walter P. Sr. died in August of 1940, shipping and insurance information; inventories with values; opening plans; list of news and magazine articles (extensive)","Cocktail invitation; preview invitation; supper invitation; annotated proofs","Inventories; values annotated with van assignments (from NYC to Richmond \u0026 Richmond to Philadelphia); shipping and storage receipts and contracts; letter from Parke-Bernet in 1945 asking for prints as they were selling part of collection","Correspondence with Fiske Kimball, Director of Philadelphia Museum of Art re: shipping, insurance, inventories, division of cost","Inventories; radio program transcript; party list; invitations list; hostess list; timelines, schedules, memos, Leger came!","Plan \u0026 prospectus re: showing his collection in South America; correspondence with Fox and Chrysler. Executive Committee turned it down","One copy of invitation and one copy of catalog","Invitation; catalog copy and proof; inventory with values; correspondence with Concetta; shipping information; correspondence regarding publicity; correspondence re: broken statue and payment","Catalog copy; one invitation; one copy of catalog; biographical data","Invitation; correspondence with jurors; letters to publicity; correspondence with galleries; shipping information; list of awards; clippings; rejection postcard; one entry card; one catalog","Correspondence with Federal Works Agency; with institutions before (with Lyman Allyn Museum, New London, CT) and after (with Institute of Modern Art, Boston) traveling exhibition; invitation list; correspondence with Richmond Housing Authority, decision later in favor of Housing Authority in Norfolk instead of Boston","Correspondence with Riverside Museum, lenders; 1 invitation","Correspondence with Cincinnati Museum of Art, lender; installation; instructors; shipping information; news releases; invitations to college all over the state for preview; inventories; one invitation","Invitation; catalog; catalog copy; biographical information; correspondence with Hattorf","Invitation; correspondence with artist; catalog copy; 1 catalog","Invitation; catalog; correspondence with artist; biographical information; catalog copy; letters to publicity","Invitation; catalog; catalog copy; biographical information; correspondence with artist and gallery","List/receipts of items taken by Henry P. Strause from VMFA; annotated lists of items deposited at VMFA from H.P.S. for loan exhibition; numerous warehouse receipts","Pennsylvania Society catalog (1933); inventories by artist with values; correspondence; research","Invitation; research correspondence to locate miniatures (potential lenders); catalog copy","Receipts; inventories; index cards with owner's name \u0026 address (some with date stamp)","All receipts (large quantity), some with 2 copies, some with correspondence, some with shipping receipt from mail","Catalog copy; invitation list; correspondence with state planning board, 1 copy of catalog","Correspondence with Mrs. Myers, widow of the artist and Landgren, dealer for Newman; clippings, inventories with values; correspondence with Whitney, where Myers exhibition originated; correspondence with potential lenders for Newman; shipping information; insurance information; catalog copy; Invitation; annotated catalogs; Whitney catalogs; Knoedler catalog; loan/shipping receipts; invitation list; inventories with values; correspondence with publicity; catalog copy; inventories by institution","Invitation; proof of catalog; 1 copy of catalog","Correspondence with artists, both accepted and rejected; shipping information; correspondence regarding damage, (notation at bottom of letters in unusual style, coding maybe)","Bound pages from gallery trip to NYC and consequent invited artists list; correspondence with galleries; letters to invited artists; shipping information \u0026 receipts; correspondence with jury, (Charles Burchfield declined but raved about it; George Grosz declined with a beautiful signature.)","All regret letters, signed by artist/agent/owner, and returned to VMFA (hundreds of them); some with handwritten notes, (H.P. Sargeant very upset.)","Invitation; entry card (invited-yellow); entry card (regular-white); \"Good and Bad News Night\" (yellow trifold); prospectus; acceptance card; rejection card; memo for the evening; news release (3/3/42); annotated catalog with prices; correspondence with hosts; speech copy; news releases; list of artists by state; inventories; jury comments; values on inventories","Catalog; correspondence with artist; biographical information; catalog copy; 1 copy of invitation","Catalog; correspondence with artist; catalog copy; correspondence at sales; 1 copy of invitation","Invitation; first exhibition to include correspondence from Mrs. Pollard; inventories, correspondence; invitations; shipping information","Correspondence with Museum of Modern Art that was circulating exhibition; shipping information; contract; 1 copy of invitation","Correspondence; invitation; Lenox catalog; a few Mint Museum catalogs; correspondence with artist; inventories; catalog copy","Correspondence; guest lists; inventories with values; Commonwealth Club menu; catalog copy; shipping information; black and white photo of \"Boys\"","Correspondence with artist; letters from Theresa Pollak; inventories with prices; shipping information; biographical information; reimbursement request; copy of bulletin","Catalog; inventories with artist biographies (ie: partially or congenitally blind, age); correspondence with originator (Lowenstein); traveling loan contract; critics' statements","San Francisco Art Association bulletins; correspondence with artist; inventories; invitation; catalog; shipping information; catalog copy; various Artists' Guild of Washington materials (he was President)","Invitation; one copy of catalog; inventories with values and receipts","Invitation; clipping on his death; correspondence","Invitation; one copy of catalog; catalog proof; various other catalogs \u0026 announcements; correspondence with vendors; shipping information","Clipping; correspondence with lenders; shipping information","Invitation; one copy of catalog; correspondence","Correspondence with artist; inventories with values; biographical information; catalog copy; 1 copy of catalog and invitation.","Radio broadcast transcript; catalogs of other show; clippings (both from Cincinnati Museum); MFA Boston materials; catalog copy; invitation lists; correspondence; MFA Boston catalog; VMFA catalog and proof; shipping information from Boston; inventories","Correspondence; shipping information; annotated catalog; radio transcript; insurance information","Announcement (trifold); 1 catalog; correspondence; catalog proof; inventories with prices; catalog copy; jury correspondence; correspondence with publicity; shipping information; 1 invitation","Invitation; catalog proof; 1 letter","Invitation; catalog copy; correspondence with artist; inventory with prices; 1 catalog","Catalog; invitation; correspondence; research; shipping information; catalog proof; catalog copy","Article; correspondence with American Federation of Arts; inventory with values; other catalogs; loan agreement; shipping information; research; installation drawing; clipping; transcript of lecture on Chinese painting","Announcement; photographs of winners; correspondence; ArtNews issue (October 1-4) 1943; inventories with prices","Invitation; catalog; catalog copy; clipping; correspondence; research; RISD \"Museum Notes,\" 1943; shipping information","Invitation; catalog copy; correspondence; inventory with price list","Invitation; correspondence with other museums; itinerary copy; research; catalog copy; inventories with prices; shipping information","Correspondence (mainly with Metropolitan Museum of Art)","Correspondence (mainly with Metropolitan Museum of Art)","Inventories; correspondence; shipping information","Invitation; news release; correspondence; correspondence with publicity and with lender (UVirginia)","Invitation; catalog proof; other catalogs; correspondence; correspondence with lecturer; correspondence at preview; correspondence with publicity; loan correspondence \u0026 requests; shipping information; research on pieces; catalog copy; inventories; catalog; loan forms; annotated catalog; shipping receipts","Catalog; invitation; invitation list; correspondence; catalog copy; inventories with values; shipping information; insurance information","Catalog correspondence; clippings; catalog copy; speech copy; inventories with publication date; correspondence with lenders and publicity; shipping receipts later too (1956)","Prospectus; annotated catalog; catalog copy; shipping list; inventories with prices","Catalog; news releases; fact checking cards; bound copy of lists by dealer; clippings, voting information; invitation; catalog proof; timeline; prospectus copy; correspondence; artists' c.v.'s; dealer catalogues and correspondence; inventories with values; transcripts of publicity; speech notes; catalog copy; lists of accepted and invited artists (Virginia separate); shipping information and receipts; correspondence with publicity; correspondence with jury; prospectus","Catalog; correspondence with artist; biographical information; catalog copy; inventories with prices","Catalog; announcement","Announcement; catalog; invitation; catalog copy; lecturer c.v.; lists of institutions; list of works by institution; label copy; annotated catalog; inventories with prices; correspondence with institutions; correspondence with jury; shipping information","Annotated catalog; correspondence with artist; inventory; research; gallery layout diagram; price list; 1 catalog","Invitation; correspondence with Netherlands Information Bureau; other catalogs; checklists; shipping information \u0026 receipts (from before \u0026 after museums; correspondence with ambassador who spoke; lecture text; 1 copy of handwritten invitation to dinner with Governor Darden","Catalog; 1 invitation; correspondence with artist; inventories; catalog copy; price information","Invitation; catalog; catalog copy; correspondence; copies of \"Information Bulletin: Embassy of the Union of Soviet Socialist Republics\"; loan requests (including A La Vieille Russie); traveling exhibition contracts; shipping information and receipts (with before and after museums); inventories; other catalogs; price information; loan forms; annotated catalogs; original copy of \"The Schaffer Collection of Authentic Imperial Russian Art Treasures\"; correspondence with Ray Schaffer and others at ALVR regarding exhibition arrangements (no mention of Pratt) and damage to Faberge topaz vase","Catalog; correspondence with National Gallery (lender); insurance values and contracts; shipping information and receipts; gallery layout; catalog copy; research; loan requests","Correspondence from Davis, the VMFA Curator, with lenders to the exhibition with last names beginning with A-H; proof of article by Davis in Commonwealth Magazine; copy of text of article","Correspondence from Curator Davis and sometimes the Director with lenders to the exhibition with last names beginning with I-Z; copy of information releases re: survey","Correspondence with National Gallery Director (they had an exhibition at the same time); correspondence with Weddell (exhibition did not take place); copies of letters sent to the executive committee to explain decision","Copies of plan; correspondence with Weddell re: all the research that went into the aborted exhibition; correspondence with Mexican museums; Mrs. Whitman's reports on artists and museums' holdings","Correspondence with lenders \u0026 galleries; inventories with prices; shipping information and receipts (loans before and after)","Copies of labels on prints from National Gallery; inventory and instructions; shipping information (both before and after)","Civilian Open Air Art Sale announcement; copy of \"War Art: A Catalogue of Paintings Done on the War Fronts by American Artists for Life,\" including Barse Miller and Paul Sample; catalog copy; inventories; copy of \"Traveling Exhibitions,\" catalog by the AFA's National Exhibition Service; correspondence; 5 photographs of items in exhibit; copy of catalog, \"Art Exhibition by Men of the Armed Forces\"; shipping information and receipts; exhibition agreement; 1 copy of catalog","Copies of shipment return forms for paintings not chosen for 4th Biennial of Contemporary Art, many with comments, signed by artist/agent; inventory of paintings in the show","3rd Biennial prospectus (printed); 4th Biennial prospectus (typed); announcement of College Art in Virginia; prospectus copy (4th Biennial, Virginia Artists and Library bookplate); copy of Corcoran's prospectus (annotated); old 3rd Biennial prospectus (annotated); letter from Thomas Colt","Shipping information and receipts to lenders; correspondence with Worcester Art Museum and other museums; insurance values; correspondence with lenders attached","Press release copy; inventories by institution; correspondence with lenders; insurance values; shipping information and receipts; loan requests; book purchase requests","Invitation, catalog; catalog copy; correspondence; more shipping information and receipts; correspondence re: damages; annotated catalog","Loan forms and receipts","Invitation; correspondence with artists; catalog copy; inventories; annotated catalog; prices; shipping information and receipts; sales information","Correspondence with rug dealer; research; catalog copy; shipping information and receipts; annotated catalog; gallery layout; copies of things donor (H. Michaelyan) wrote; inventories with prices","Announcement/prospectus; typed press release; correspondence with artists; correspondence with jurors; invitation lists; correspondence to get more armed services men; list of entrants; catalog copy; one copy of entry card; one copy of catalog","Catalog; catalog copy; gallery layout; inventories; catalog proof; correspondence with jury","Invitation; exhibition contract; correspondence; gallery layout; invitation list; another list for even with Spanish speaking Luncheon Club; list of architects; press release copy; installation list from MOMA","Invitation; catalog; correspondence with possible lenders; lists of possible loans; ended up taking British-American Goodwill Exhibition; shipping information and receipts; inventories; budget figures","Catalog; one invitation; correspondence with author; list of invitations; 1 photograph of \"Red Still Life\"","Correspondence between curator and potential lenders; correspondence with institutions and churches","Correspondence with lender; correspondence re: damages; catalog copy; one catalog","Correspondence with lenders; correspondence re: damages (including 2 photographs)","Correspondence re: genre painting; exhibition; some from lenders, some not; some including photographs","Invitation list; correspondence with invitees to the 19th century genre preview; folder of handwritten notes re: genre; handwritten research; typed research","Correspondence with lender (DIA); inventories with values; shipping information and receipts; catalog copy","Correspondence with possible lenders (including 1 photograph from lender); research","Invitation; catalog; catalog copy; correspondence with artist (Colt is back!); inventories; sales information","Correspondence with artists; shipping information and receipts","Stenographers pad with notes from NY Gallery/dealers' visits; preliminary lists; final lists; correspondence with galleries; correspondence with invited artists; shipping information and receipts","Contracts with Budworth on shipping; correspondence with jurors; correspondence with Budworth; inventories with values and locations","Entry card: yellow (invited), regular (orange), good and bad news night (yellow-trifold), inclusion card; typed summary information; typed list of artists; teacher invitation (yellow); annotated catalog with prices; inventories by state; full catalog copy; list of Virginia artists; form letter to art teachers","Correspondence with dealers; clippings; other catalogs; correspondence with jury; award list; award letters to dealers and press","Prospectus; prospectus copy; list of recipients of entry cards and prospectus for distribution (art organizations, museums, dealers, etc.) and letters to them; letters to press; entry card copy; thank yous for sending out cards (n.b.: all lists of artists sent to/from dealers, museums, etc., were removed)","Letters confirming receipt of paintings returned, both those selected and those not; many with comments, less shipping complaints!","Hundreds of requests for entry cards","Hundreds more requests for entry cards","Invitation; catalog; invitation copy; catalog copy","Catalog; correspondence with artist; invitation copy; correspondence with Virginia World War 2 History Commission; inventory with prices; invitation list; catalog copy; letters to press; annotated catalog; correspondence with lenders","Invitation; correspondence with lender, Philadelphia Museum of Art; inventory; copy of the Richmond Times-Dispatch article; correspondence with potential lenders; copy of the Philadelphia Museum bulletin and Atwater Kent Museum bulletin","Catalog; invitation; correspondence with artist; correspondence with lenders; shipping information and receipts; inventories with values; invitation list; catalog copy, correspondence with wife Rosalie re: her photographs","Shipping receipts; catalog copy, correspondence with lenders; list of invitees; invitation","Recent Additions to the Upjohn Collection, catalog of collection; correspondence with dealer (Midtown Galleries); shipping information and receipts (both before and after); invitation","Catalog; invitation; catalog copy; catalog proof; correspondence with potential lenders; text of broadcast calling for paintings; shipping information and receipts; research (Davis)","Inventories with values; shipping information and receipts","Invitation; shipping information and receipts; inventories","Research; correspondence with furniture manufacturers; invitation copy; inventories; correspondence with Metropolitan Museum of Art and MOMA (main lenders); correspondence with Leslie Cheek, Jr. at Architectural Forum!; shipping information and receipts; catalog copy; letters to press (photograph of chair from Dubar, but not included in exhibition)","\"Notice to Virginia Artists\"; requests for entry blank; correspondence re: late entries; returned fees, etc.","Acknowledgement letters; press release; SSAL Bulletin (Summer 1947) (more of these later); inventories by state (jury picks); correspondence with artists, jurors and SSAL; breakdown of entry cards by place; lists of artists eligible for submission; entry cards of pieces bought or withdrawn; biographical notes on winners","24th Annual Convention program; catalog Virginia Art 1947; Southern Art 1947; invitation; entry card; SSAL membership blank; received card; rejection card; convention program copy; Southern art catalog copy; Virginia art catalog copy; catalog of 26th SSAL exhibition at the High; correspondence with SSAL; correspondence with jurors; list of works accepted (Virginia artists); old convention program; more SSAL bulletins; correspondence with artists re: 8 paintings that were vandalized; correspondence re: prizes; correspondence re: sales","Invitation; catalog proof; announcement from Camera Club; correspondence with artists; invitation copy; catalog copy","Correspondence with lenders; loan agreements; memo to staff re: handling of paintings; shipping information and receipts; inventories with insurance value","Correspondence with lenders by lender; inventories","Catalog; museum attendance card (9/3/47); correspondence with press; research; correspondence with lenders; shipping information and receipts; Budworth contracts; catalog copy; press releases; inventories; clippings","Invitation, American Commission brochure; shipping information and receipts; correspondence with lenders, AFA; loan forms; catalog copy; inventories with values","Shipping information and receipts; catalog of exhibition; inventories; catalog copy; research; correspondence with AFA and AFRIM; label copy","Invitation; invitation copy","Correspondence re: shipping and receipts","Correspondence with Louvre and other institutions re: original Louvre collection not being available; 5 museums trying to do alternate French exhibition from dealers/galleries and some from Louvre; unknown outcome; ArtNews was involved too; trying to use a story in lieu of a catalog","Catalog; correspondence; clippings; sale information; text of lecture","Invitation copy; catalog copy; correspondence with artists; inventories; invitation to lecture; 1 catalog; shipping information and receipts","Shipping information and receipts; correspondence with lenders; copy of Time (1/26/48), article on pages 47-48","Miscellaneous exhibition-related correspondence re: one mis-shipment to VMFA, most re: exhibition offers and programming","Index cards with lenders and item; correspondence with lenders","Correspondence with potential lenders (denials)","Catalog; correspondence with press; correspondence with Mrs. Catesby; invitation copy; correspondence with Lurçat; typed article on Jones; preview invitation lists and replies; catalog requests; radio press release copy; typescript copy of \"A Letter to A Friend on Modern Art,\" by T. Catesby Jones; typescript copies of all of his writings, incorporated into catalog; catalog copy","Prospectus; shipping information and receipts; correspondence with press; checklist with insurance values; loan requests for paintings in exhibition; list of artists to whom they sent biographical questionnaires","Prospectus; correspondence with medal winners; correspondence re: sales; list of artists by state; submission statistics by state; statistics tally sheets (one per state); correspondence with press","Copy of La Revue Moderne magazine (July 1947) from artist Wilma Prezzi who was featured in magazine but declined to submit; correspondence with artists, answering questions; comments from artists re: submission vs. invitation, etc.; shipping information and receipts; correspondence with galleries; requests for entry cards; correspondence re: Pepsi Cola Southern Regional Competition in Richmond (artists could specify that if work was not accepted, it could go to Pepsi exhibition)","Correspondence with artists; correspondence with dealers; valuation information; shipping information and receipts; lists of invited artists (by name, by agent/organization, some with annotated values)","\"Arrangements for the Jury\"; shipping information and receipts; correspondence re: jurors; correspondence with jury","Invitation; rejection card; entry card (pink); entry card – invited \u0026 acceptance card (yellow); annotated invitation (5th Biennial); prospectus copy; annotated entry cards and prospectus (5th Biennial); invitation copy; catalog copy","Rejection letter; prospectus","Signed rejection letter; receipts, some with comments - catalog request, why receipts request, or badly packed","Requests for entry cards (mainly from artists), a few with replies","Requests for entry cards (mainly from artists), a few with replies","2 photographs (lamp and manuscript); list of objects lent by The Jewish Museum in NY; correspondence with The Jewish Museum; lists with values; clipping; catalog copy","Invitation; correspondence with potential lenders and potential advisors; invitation letter; correspondence with The Jewish Museum; shipping information and receipts; clippings [no catalog made]","\"The Common Glory\" Poster Project; correspondence with Virginia Conservation Commission; exhibition information (typed); entry lists by high school; tea information; shipping information and receipts [all from Mrs. Muriel Christison]","Original pencil drawing plus blueprint copy of drawing by Leslie Cheek, Jr., for outside signpost for exhibition","Catalog; shipping information and receipts (loan from Philadelphia Museum of Art); correspondence with Philadelphia; list of Richmond artists to be added to exhibition; label copy for Richmond artists; correspondence with selected artists in exhibition; checklists from Philadelphia","Correspondence with lenders; research correspondence; lists of photographs with values","Original drawings and one blueprint copy of exhibition signage, exhibition labels, and gallery layout","Checklist (one portion circulated by MOMA); shipping information and receipts; correspondence with MOMA; membership lists cf: Virginia Chapter of AIA, Home Builders Association of Richmond, Richmond Real Estate Exchange; exhibition contract; 1 invitation; preview invitation letter; correspondence with Architectural Forum (they circulated the other portion); correspondence re: film rentals","Correspondence with dealer (Knoedler); shipping information \u0026 receipts","Invitation; correspondence; checklist with values; shipping information and receipts; exhibition construction notes; correspondence with dealers; press release copy (typed); correspondence with artists; invitation list; correspondence with lenders","Original blueprint copy of signage","Catalog; shipping information and receipts; checklists; correspondence with Colonel Anderson; correspondence with lenders; correspondence with artist","Draft exhibition schedules; correspondence with Colonel Anderson; correspondence with various organizations and institutions (including AFA)","Draft exhibition schedules; correspondence with Colonel Anderson; correspondence with various organizations and institutions (including AFA); catalogs; photographs; clippings","Shipping information and receipts; checklist; correspondence with artist","Lecture invitation; correspondence with lecturers; information regarding exhibit from American Craftsmen Educational Council; correspondence re: sales; shipping information and receipts","Correspondence with the Coin Club re: exhibition; later declined due to Colt's resignation","Correspondence with American Craftsmen Educational Council (lender); correspondence with lecturers; shipping information and receipts; exhibition information; ACEI brochure; clipping","Invitation; correspondence with vendors; checklist with values; invitation copy; shipping information and receipts","4 original drawings of lectern, information panels/stands; gallery layout, etc.","Catalog; correspondence with Canadian Embassy; correspondence with National Gallery of Canada (co-sponsor); shipping information and receipts; lecture copy; correspondence with lecturer; research; catalog copy; exhibition plan/schedule (to do); 1 copy of invitation; gallery layout","Correspondence with National Gallery of Canada; correspondence with press; correspondence with state forester (lent pine trees); research; clipping; photograph and biography of curator","Original drawing of exhibition sign","Correspondence with Virginia State Board of Education; correspondence with Southeastern Arts Association; shipping information and receipts; correspondence with education institutions (Mrs. Christison)","Form letter to Antiquarian Society members; preview invitation list; Antiquarian Society history (co-sponsor)","Original drawing of Museum information panel and traveling show panel","Invitation copy; correspondence with MOMA re: traveling exhibition; shipping information and receipts; billing information","1 drawing of Calder signs","Preview invitation, correspondence with artist; correspondence with lenders; invitation copy; correspondence with Philip Godwin and Mrs. T. Catesby Jones; research; correspondence with Archipenko; clippings (response to Richmond Times-Dispatch article mocking exhibition); Calder's handwritten invitation list [no catalog made]","Correspondence with lenders (galleries, dealers, museums, etc.); checklists; shipping information and receipts; correspondence with artists; checklists with values; press release copy","Checklists; exhibition information (typed); receipts","Photograph of books and Hurds; children's books catalog (retail); correspondence with publishers; research; clipping; correspondence with lenders; label copy; shipping information and receipts; checklists by publisher, by lender, by artist","Correspondence with lender; checklist with values; correspondence with artist; shipping information and receipts","Correspondence with lender; correspondence with publicity; research","Correspondence with lender; correspondence with publicity; label copy; shipping information and receipts","Outline of children's programs from summer workshops; research on group behavior; clipping; Richmond Film Society Program; photograph of Times Square in New York; Department of Education Annual Report copy; lots of random exhibition information copies; clippings; correspondence with educational services","Correspondence with lenders; shipping information and receipts; exhibition information (typed); correspondence with artists","1 drawing, layout for panel","1 layout and 1 piece of correspondence","1 drawing – summer sign, 1949","Exhibition offerings from galleries, institutions, etc.; AFA brochures","Exhibition schedule; invitation lists; correspondence; clippings","1949-1950 season schedule; schedules; correspondence re: possible exhibitions","Correspondence with lenders; dinner invitation list and preparation; shipping information and receipts; budget/billing information; checklist with values; research","Correspondence re: catalog; cut-out reply from VMFA Bulletin","Postcard announcement; correspondence re: catalog requests","Correspondence organized by lender with lenders; shipping information and receipts","Correspondence re: insurance; checklists by subject/person; research; shipping information and receipts; correspondence with lenders; checklists with values","Correspondence and paintings list, just as title says","Correspondence re: permission to reproduce images for catalog [originally not intended to publish catalog; did so after exhibition]","Catalog copy","Correspondence re: cost of prints ordered and made for show","Announcement; Baltimore catalog; preview invitation; 3 photographs; copies of her other catalogs (Mrs. James Ward Thorne); correspondence with Women's League Club; correspondence with lender (circulating museum AIC); budget information; checklists; shipping information and receipts; exhibition contract; correspondence with publicity; copies of various magazines (Virginia Bulletin, Virginia Women's Magazine); correspondence with PTA's","Blueprints: room installation (3 copies) and original drawing; drawing of signs; drawing of entrance details","Checklist; 8 photographs; correspondence with publicity; budget information; admission price policy; lecture and tour schedule; correspondence re: catalog including billing information","Checklist","Correspondence with Library of Congress re: loan of lithograph; shipping information and receipts","Correspondence with Block, including copies of publicity; checklists with values; shipping information and receipts","Correspondence with Block and others","3 drawings of exhibition signage","Drawing and blueprint copy of information kiosk; 1 photograph; 3 other layouts of the exhibition, including 2 didactic panel layouts by Cheek (\"Russia Before the Revolution\" and \"Imperial Jewelry of Russia\")","Correspondence on opening of show; proposed schedule; checklists by lenders; shipping information and receipts; checklists by artists; correspondence with artists; checklists with values","Checklists; shipping information and receipts; correspondence re: catalog; correspondence with publicity; research; statistics from 6th Biennial; correspondence with artists; catalog mailing list; catalog copy; loan information forms","2 excerpts from publicity (typed); correspondence with catalog essay authors; correspondence with publicity; clippings; checklists; catalog copy; requests from artists; chipping information and receipts; correspondence of James Johnson Sweeney (sole juror invited); checklist for traveling exhibition; hand-written copy of register of the paintings received","1 drawing of layout and signage; 2 small lettering drawings; 1 small catalog sign drawing","Shipping information and receipts including correspondence with artists, bills and information for crating requests; correspondence re: Richmond regional jury process for national metropolitan competition","Press release; correspondence with Sweeney; correspondence with publicity; shipping information and receipts; checklists, sales information","Sweeney's own correspondence with artists and dealers and galleries re: exhibition, including Naum Gabo and Morris Louis","Correspondence with SF MOMA; checklist from AFA; copies of publicity; shipping information and receipts; correspondence with publicity; correspondence with AFA; 1 copy of catalog","Drawing and blueprint copy of layout","Catalog copy; correspondence with lenders; shipping information and receipts (or label)","1 photograph; catalog (or label) copy; correspondence with Knoedler (lender); shipping information and receipts; 1 photograph of X-ray","Invitation lists; correspondence; radio spot information; correspondence with lenders; checklists; shipping information and receipts; press release copy; catalog copy; loan item information blank","One note on a rug cleaning","Checklists with values, by lender and by artist; label research; correspondence with lenders; installation notes; shipping information and receipts; press release copy; correspondence with other institutions including the Met where the exhibition went next","Correspondence with AFA (distributor of exhibition); shipping information and receipts; checklist; information on the photographer (non-VMFA publicity); correspondence with photographer","Photograph of Reino Aarnio soap dish for Fiat Metal, photograph of new RCA portable radio; correspondence with lenders [sold it as a big 2-3 year traveling exhibition]; shipping information and receipts; clippings (for ideas); correspondence with manufacturers from all around the USA; lots of catalogs; installation sketches; catalog copy; lists of checklists from a similar MOMA exhibition; 1 copy of preview invitation; checklists; label copy","Correspondence with Block (Post cartoonist) and Comstock (Connoisseur and Antiques magazine editor); lectures; biographical information; correspondence with publicity","Original drawing plus 2 blueprint copies of design for silver display case","Correspondence with lenders from 1940 show due to requests by an author, prompted by current Valentine show; clipping re: Valentine show; copy of 1940 catalog","Correspondence with Rogers and her agent; confusion about scheduling dates; article in Vogue about Rogers [ended up cancelling show due to high costs of insurance and shipping]","Shipping information and receipts and labels for loan of some Pratt jewels by Mrs. Joseph Davies of Washington D.C. to the 1950 Easter eggs exhibition","Catalog [loan exhibition organized by the English speaking Union]; copy of catalog; microfilm copy of NYT clipping; correspondence with ESU; copies of ESU Bulletin; checklists; press release copy; correspondence with other institutions who are borrowing; catalog/label copy; shipping information and receipts installation instructions; annotated catalog; big ESU publicity kit; correspondence to/from J. L. Blair Buck in State Board of Education, main contact and President of the ESU, Virginia Branch; original NYT clipping; correspondence to/from Brigadier J.W.F. Treadwell, VP of ESU [called it \"Operation Canvass\" to garner interest in ESU in Virginia]; billing/payment information; correspondence with British Embassy","Correspondence with Knoedler and Newhouse [photograph of painting offered but not chosen]; copy of invitation; picked Provost's painting from Knoedler – in another folder]; correspondence re: cedar trees in galleries","Circulated by MOMA; correspondence with them; packing instructions; loan agreements; loan contracts; checklists; shipping information and receipts","Group form letter; correspondence with Wedgwood \u0026 Sons; publicity information; research; checklists; correspondence with other institutions; shipping information and receipts; 1 copy of invitation; list of Wedgwood dealers in Virginia [to invite]; correspondence with Annie Reese, Director of Promotions and Hensleigh Wedgwood, President, who lectured at preview","Correspondence with various clubs; dinner party plans and invitee lists; more correspondence with Wedgwood; copy of Museum bulletin; biographical information on Hensleigh; shipping information and receipts","Shipping information and receipts; biographical information; Museum Bulletin copy; installation instructions; label information forms; correspondence with Newhouse; checklists with values","Drawing of label boards; drawing of signage","Chose 4 exhibitions from PAU to circulate; correspondence with PAW; exhibition information; checklists; shipping information and receipts","Announcement; correspondence with printers; correspondence re: sales [1st year Museum has added Architecture]; copy for all printed materials; correspondence with prizewinning artists (including Stuart Davis); correspondence re: azaleas; biographical information on jury chairman, Hermann Williams, Director of Corcoran; correspondence with publicity; clippings; copy of catalog from 1949","Prospectus; requests for blanks; letter copy re: Virginia art interest and education and businesses; correspondence with artists; correspondence with art departments; correspondence re: sales; jury comments; biographical juror information; breakdown/tally by city; correspondence with jurors","Catalog copy; checklists with prices; correspondence with artists re: blanks; shipping information and receipts; correspondence re: sales and purchases; 1 copy of catalog","4 original drawings; introductory panels, signage; layout sketches; traveling show panels","4 drawings of lighting layouts in gallery; 1 drawing of movie projector stand; 1 drawing of panels; 1 drawing of overall layout","9 photographs of Metropolitan Museum of Art objects; copy of invitation; label copy for projector room showing film on armor; other label copy; correspondence with lenders; shipping information and receipts; correspondence with Met (major lender); correspondence with lecturer (Gracey), curator of Met arms \u0026 armor","Correspondence with artist and his wife; biographical information; copy of catalog from Hollins; clippings","1 photo of Stuart Davis; biographical information; catalog copy; shipping information and receipts; checklists with values; loan agreements; correspondence with jurors; correspondence with lender; correspondence with potential jurors (Andrew Wyeth)","2 drawings: sign and panel layout","Photograph of Tsar Nicholas II and family; 2 page exhibition design write-up (color, lighting, cases); catalog copy","Memo re: Arthritis Foundation; article on Dufy; reprint of 3/51 article on Dufy; paintings information sheets; shipping information and receipts; catalog of ICA in Boston; correspondence with lenders; correspondence with Arthritis Foundation; checklists with values; correspondence with publicity; correspondence with Dufy's gallery agent","4 drawings of signs and layouts","11 photographs of layout with and without people; close-ups of panels; correspondence with lecturer; correspondence with American Institute for Graphic Arts (organizer); publicity materials from AIGA; shipping information and receipts; catalog","Dinner guest list; correspondence with Chrysler; Chrysler catalog copy; correspondence with NYT","Photograph of Chrysler; copy of Art Digest (October 15, 1951) with photograph of gallery setup; catalog copy (paintings); correspondence with publicity; shipping information and receipts; catalogs of exhibition at University of Miami Art Gallery (correspondence with University of Miami Gallery also); checklist","Checklists and hanging order; correspondence with publicity; rough layout; catalog copy; correspondence with artist; checklist with values; correspondence with AFA (organizer); AFA 1953 catalog; wonderful letters that are art!","Preview invitation; correspondence with artist and wife; checklists","Catalog; correspondence with Director of Syracuse Museum of Fine Arts (Anna Wetherill Olmsted, speaker); biographical information on her, checklist","1 drawing: installation layout","14 photographs of items; \"prize awards\" press release; correspondence with Syracuse Museum of Fine Arts; publicity information from SMFA; catalogs; catalog copy; shipping information and receipts; annotated catalogs (one size, one price)","Correspondence with various institutions and individuals re: potential exhibitions, some with catalogs and clippings; list of proposed exhibition season","Correspondence with lender (Ouriel) and gallery (Knoedler); shipping information and receipts","Various mailing lists (Bulletin, publications), some by type, some alpha; letters to other institutions offering mailings (all Miss Frances Boushall)","1 drawing of small museum truck","Layout panels for 1st Museum brochure/guide","1 drawing and 1 copy of Information \u0026 Publication Desk of Museum","Correspondence with lenders of fabrics; shipping information and receipts; some original tags; label copy; some catalogs","Correspondence re: invitation mailing (one with return address of VMFA, one with Kiwanis Club); correspondence with lenders in Los Angeles","Invitation to screening; preview invitation list to film screening","Invitation; catalog copy; checklists; Mona Lisa research; shipping information and receipts; correspondence with lenders; 1 copy of catalog; correspondence with organizer; invitation copy; installation information; correspondence with Kiwanis Club","6 blueprints for models by Panold Masters; 1 drawing of signs; 1 drawing of layout; 4 drawings of lighting; 3 drawings of niches","1 drawing of layouts, panels","Catalog copy; clippings; annotated copy of catalog of retablos from Barton Collection; shipping information and receipts; checklists; annotated copies of catalog of textiles from Barton Collection; correspondence re: damage to retablos; correspondence with institutions; correspondence with lenders","1 drawing of signs; 4 drawings of lighting; 1 drawing of details of interior; 3 drawings of layout; 1 drawing of interior","1 photograph of clock; few compliments; some receipts for library exchange","Correspondence; damage reports; receipts; memos","Correspondence with Helen Comstock (editor of Magazine Antiques and guest curator); correspondence with potential lenders (individuals and institutions)","Correspondence with WSG; clippings; shipping information","Correspondence with WSG; catalog copy; press release copy; press releases; shipping information and receipts; biographical information; checklist with prices","2 photographs of paintings; traveling checklist; correspondence with artist; clippings; press release; catalog copy; catalogs of shows in New York and Toronto; shipping information and receipts; label copy; checklist with values; correspondence with lenders; correspondence with AFA (originator)","Invitation to preview; correspondence with designer and speaker, John Van Koert; correspondence with Walker Art Center (organizer); copy of Walker invitation","Press release; publicity copies from Towle Silversmiths; press releases; copy of catalog from Walker","5 photographs (duplicates); invitation to preview; press release copy; correspondence with Fogg; copy of catalog from Detroit; label copy, checklists; shipping information and receipts; correspondence re: theft of Degas drawing","Invitation to preview; invitation to lecture; clippings; correspondence with artisans re: exhibition decoration; correspondence with other lenders; shipping information and receipts; checklists; correspondence with dressmaker/speaker (Pauline Trigère); correspondence with Metropolitan Museum's Costume Institute","Correspondence with lenders; research (list of American and English novels); shipping information and receipts; correspondence with publisher; correspondence with publicity; correspondence with Met's Costume Institute; checklists with values","6 photographs (5 paintings and Maxson Holloway, Chicago Historical Society curator); shipping information and receipts; checklists; correspondence with Chicago Historical Society (organizer); annotated catalog from CHS; correspondence with other institutions; bulletin copy; press release","Catalog; correspondence with CHS; correspondence with other lender (Broadnax)","Photograph of picture; press release; correspondence with Red Cross; clippings; invitation copy; Red Cross promotional material; press release copy","Catalog; correspondence with AFA (organizer); shipping information and receipts","Shipping information and receipts; checklists","Correspondence with members of Club; correspondence with AFA","Drawing of layout; 2 photographs of paintings not in exhibit; research; label copy; correspondence with lenders; shipping information and receipts; checklists","Correspondence with Lady Astor; checklist of gift","Catalog copy; correspondence re: opening and Governor's dinner; invitation proofs; correspondence with publicity; text of Colonel Anderson's speech","Correspondence re: opening (mainly regrets)","Correspondence with the artist","1 drawing of sign","Correspondence with Institute of Contemporary Art in Boston, organizer; lecturer is Director, James Sachs Plaut; promotional materials","Correspondence with ICA in Boston; shipping information and receipts; catalog","Invitation; photograph of painting (1952); label copy; installation instructions; shipping information and receipts; correspondence with lenders","1 clipping","Clipping; press release copy re: move of cigar store figures from Jefferson to VMFA","Lots of correspondence from different institutions; publicity; list of contacts with great comments","Correspondence with dealers, galleries, institutions; lots of publicity included; schedule of exhibitions for year, especially those from AFA","Correspondence with woman at new museum about restoring a painting","1 photograph of Leonardo's bridge; Boushall's correspondence file with publicity and others interested in our publications and exhibitions","Correspondence with dealers, galleries, institutions; lots of publicity included; schedule of exhibitions for year, especially those from AFA","Quiz sheet","7 photographs of opening, gallery and piece; 1 copy of catalog","2 drawings and 1 copy of gallery layout and entry desk","Checklist; invitation, shipping information and receipts","1 drawing of book and theme table layout","6 photographs of Goya pieces; 1 photograph of someone (with mandala); catalog copy","2 invitations (1 with checklist; 1 for loan exhibition); label copy; checklists; correspondence; correspondence with lenders; catalog requests; catalog proof; shipping information and receipts","Correspondence; label copy; cover of U.S. News \u0026 World Report (2/13/53) (looks like De Stijl); shipping information and receipts; correspondence with MOMA (organizer); checklists","Press release copy; correspondence with Netherlands Embassy; lecture copy (introductions); lecturer biographical information [Carroll L. V. Meeks, Assoc. Professor of Architecture and Art History at Yale]; correspondence with MOMA","Correspondence with jurors; correspondence with potential jurors; lists of loan requests; correspondence with lenders; correspondence with publicity; shipping information and receipts; checklists; installation memos; checklists with values","\"The Significance of African Art,\" 8 photographs of items; publication reprint of \"Warega Ivories\" by Ladislas Segy; label copy; publications from Segy Gallery on African Art; correspondence with Segy Gallery (organizer); biographical data on speaker [James Johnson Sweeney, Director of the Guggenheim in NYC]; shipping information and receipts","Correspondence with speaker; label copy; press release copy; publications from Segy Gallery","1 photograph of street scene, but it has been drawn on","Copy of 1949 catalog; 1 copy of catalog; label copy; checklists by city; catalog copy; letter from Theresa Pollak regarding the way the show is chosen and hung; correspondence with artists; annotated older biennial materials; list of purchase recommendations; schedule for jurors visit; catalogs from other institutions (state shows); shipping information and receipts; traveling evaluation checklists","Copy of 1953 prospectus; correspondence with artists (Pollard's correspondence file); list of entry cards received","Correspondence with artists re: missing checks, incomplete blanks or other issues (Gaines' file)","Information from MOMA (organizer); correspondence with MOMA; checklists; shipping information and receipts; installation memo; 1 copy of invitation to opening","2 drawings","List of loans (Baltimore Museum of Art); correspondence with BMA; correspondence with speaker [Mrs. Adelyn D. Breeskin, Director of the BMA]; installation memo; checklists; label copy; shipping information and receipts. Show had 16 year age limit!","Entry/prospectus; correspondence with American Craftsmen's Educational Council; list of regional entries; correspondence with artists; completed entries; shipping information and receipts","February 1953 issue of \"The Richmond Home Builder\"","Mayor's reception schedule; lecture copy; copy of Directory of Virginia Governmental Officials (November 1950); invitation lists and planning","1 copy of invitation; lecture copy; correspondence with potential consultants","Correspondence with Thalhimer's; press release copy; lecture copy; slide list; clippings; speaker biography","Correspondence re: parking problems and conferring police authority to the Museum's guards","\"The New Art Wind Quintet\" press release; Harp Trio photograph and program; correspondence re: New Art Wind Quintet; contract copy; Harp Trio press release copy; Philippe Entremart photo; press release copy and program; correspondence with National Music league; programs; clippings","1 photograph of Victor Guye; actually a Goya exhibition file – correspondence with lenders; shipping information and receipts; checklists","Invitation; photograph of Queen Anne teapot; \"Art in Fashion\" invitation; label copy; catalog copy; correspondence with Lipton (lender) and Lipton's dealer; correspondence with speaker","Correspondence with potential participants; interim reports; correspondence with institutions in Scandinavia; exhibition proposal (typed); correspondence with embassies, consulates, etc.; shipping information and receipts; label copy; correspondence with speaker [John Van Koert]; checklists; correspondence with publicity; correspondence with AFA (organizer); 1 copy of brief prospectus; list of itinerary","Folder is incorrectly labeled \"1967\" at Library of Virginia. 1 drawing (1953-54); ALL FROM THE 1950'S: panel copy; shipping information and receipts; clippings; Sidney Janis catalogue; 1 copy of Bulletin (11/53); 1 copy of invitation, plus 1 internal memo re: new iteration as traveling show, checklist","1953 Virginia Artists prospectus; correspondence with artists; correspondence with publicity; label copy; correspondence with Des Moines Art Center (co-sponsor); shipping information and receipts; correspondence with lenders; correspondence re: purchases; biographical information on Dwight Kirsch (curator of show and Director of DMAC)","Mailing 12/1/55, \"To Virginia Painters\"; budget information; correspondence with artists; correspondence with Dwight Kirsch; annotated catalog; catalog requests; catalog disbursement list; shipping information and receipts; copy of Kansas State College Biennial Catalog (including quote from Kirsch)","1 photograph of artist and painting (John Koos with wife and Peter Khan, head of Hampton Institute Art Department); correspondence with juror; press release; correspondence with publicity; correspondence with artists (Newell's correspondence file); biographical information on Kirsch; clippings","1 copy each of 1950 and 1954 catalogs","Catalog copy; catalog proof; suggested arrangement; label copy, checklists","1 photograph of Armand Hammer; 1 photograph of room in his house; 1 photograph of Breughel painting; 1 photograph of [Erwin] Panofsky [from Institute for Advanced Study at Princeton], lecturer; 2 press releases; correspondence with Hammer; general collection information","1 drawing of main panel layout","Correspondence with lenders and dealers, artists; shipping information and receipts","Shipping information and receipts","Registration forms for each painting; checklists by gallery and by artist","Entry cards (completed); other institutional catalogs; prospectus copy; annotated catalogs; catalog copy; 1 copy of catalog; label copy correspondence with artists; correspondence re: publicity; shipping information and receipts; correspondence with jurors","Prospectus; mailing lists; budget tracking; correspondence with jurors","6 photographs of designs; shipping information and receipts; label copy; correspondence with AFA (organizer); checklists; correspondence with Cooper Union (lender)","2 drawings of panel layouts; notes re: pre-Columbian panel layout","1 drawing of panel layout; label copy","1 drawing of 20th century gallery layout with section for Virginia rotating artists; correspondence with artists; correspondence re: purchases; shipping information and receipts; biographical information; correspondence with lenders; memos re: installation; checklists","Checklists by lender and by artist; correspondence with lenders; label copy; shipping information and receipts; copy of catalog from University of Louisville with similar exhibition","1 drawing of panels; notes re: panels for exhibition","Letter to AFA re: exhibitions; exhibition proposal for Design for Theatre","Correspondence with various people and institutions re: possible exhibitions; program schedule for 1953-54; scattered exhibition-related materials as well; correspondence re: various programs, performances and dinners; correspondence with publicity; copies of Members Bulletin for March, April \u0026 May, 1954","1 photograph of Furniture of the Old South; mainly lists, both general and for particular shows","Correspondence re: an article proposed by Gulf on the Artmobile, including a photographic assignment, to run in their company magazine Orange Disc; correspondence re: subsequent mailing of issue","Letter to Presidents of Garden Clubs, 10/11/54; correspondence re: securing funding for Waddy fountain planting each season; mailing lists","Correspondence re: arrangement to use galleries for their meetings","Membership List","Copy of The Orange Disc Magazine (March-April 1954); list of Artmobile pictures used","Drawing of new membership brochure [Not taken, too hard to reproduce]; annotated membership forms; new form copy; copies of MOMA \u0026 Walker membership forms; membership campaign materials: proposal, committee schedule, plan for calls, etc., minutes of meetings, campaign reports, membership report (statistics)","Correspondence re: special loan exhibition from permanent collection; shipping information and receipts; checklists","Correspondence re: meeting; biographical information on speakers; schedule/agenda; transcribed notes from Question \u0026 Answer session","2 photographs of mural; correspondence with Rochester Institute of Technology, where she was a student (she was a VMFA Fellowship winner); correspondence with artist","\"Endorsement of the forthcoming Artmobile\" 3/10/53; \"An Exhibition of Sculpture from Africa,\" 3/22/53; \"The Hammer Collection…\" [n.d.]; \"The VMFA has purchased 3 paintings…\" 3/24/54 (short one); copies of press releases from March/April 1952/1954","13 drawings of pedestals in various galleries; notes","1 drawing; 1 list of photographs for American 19th Century","1 drawing; 1 list of photographs for Early Near Eastern","1 drawing; 1 list of photographs for Late Italian and Spanish","1 drawing; 1 list of photographs for Roman","1 drawing; 1 list of photographs for Oriental","1 drawing; 1 list of photographs for German","1 drawing; 1 list of photographs for French 17th-18th centuries","1 drawing; 1 list of photographs for Italian, 14th \u0026 15th centuries","Just list of photographs for English 16th-17th centuries","1 drawing (English 18th-19th centuries; 3 photograph lists (medieval, American 18th century, English 18th-19th centuries","1 drawing; 1 list of photographs for American 20th century","List of photographs for Virginia Today","1 drawing (Egyptian); list of photographs for Egyptian, notes","2 drawings of text panels; notes; list of photographs for North Sculpture Hall","Photograph of Blanche Tarjus; correspondence; biographical information; program copy; programs; clippings; publicity materials from National Music League; artist fee schedule; correspondence with artists; invitation copy","Photograph of damaged jade, 2 annotated photographs (all Minneapolis); shipping information and receipts; label outlines; checklists by lender and by type; correspondence with lenders; clippings, research notes; label copy; correspondence with other potential lenders","3 panel layout drawings; 4 other layout drawings; label copy; label outlines; section color suggestions and samples; list of cases needed","1 photograph of children with eggs; tear sheets from Interiors magazine; copy of 1947 Pratt catalog; suggested publicity schedule; outline of work to be done; label copy; correspondence; press releases; research; clippings; correspondence with publicity","1 drawing; 6 photographs; blue AFA Catalog list; correspondence with AFA (organizer); label copy; checklists; shipping information and receipts; fabric and paper samples; correspondence with lenders","Correspondence with artist; biographical information; shipping information and receipts; label copy; checklists","1 drawing, 1 photograph of Karolik; catalog copy; checklist; shipping information and receipts; label copy; dimension list; correspondence with Smithsonian (organizer); correspondence with collector (Maxim Karolik); 1 copy of invitation; copy of bulletin; copy of MFA Boston Bulletin on collection (10/51)","William Kienbusch and William Zorach [2 of 3 judges] catalogs; list of purchase considerations; correspondence with artists; correspondence with galleries; shipping information and receipts; checklists","1 drawing; clippings; bulletin photograph copy; correspondence with Addison (1 letter) [Addison Gallery of American Art, Chairman of Jury was Bartlett H. Hayes, Jr., Director of Addison]","Correspondence with artists; biographical information; label copy; shipping information and receipts","1 drawing; label list","1 photograph of Charles Baker; 1 drawing; shipping information and receipts; correspondence with artists; checklists; biographical information; Davis' Fellowship application; label copy","Correspondence with artists; mailing lists of artists; requests for blanks","Correspondence with artists; requests for blanks; correspondence re: incomplete forms or missing checks; handwritten list of entries received","4 layout drawings","List of winners; copy of blank certificate; copy of green prospectus; checklists; shipping information and receipts; entry copy; catalog copy; label copy; other institutions' catalogs/prospectuses; correspondence with jurors; staff members; list of artists","Correspondence with artists; entry blank requests; shipping information and receipts","Correspondence with artists; biographical information; shipping information and receipts; label copy","Typed remarks by preview speaker [Honorable Shigenobu Shima, Minister of Japan]; list of credits for exhibition","Drawings of invitation copy; 1 photograph; checklists (organized by MOMA); correspondence; label copy; 1 copy of invitation; shipping information and receipts; correspondence with Minister of Japan (preview speaker); press release copy; correspondence with MOMA; correspondence with MIYA company (lent accessories); correspondence with Japan Society","1 drawing of panel layout; correspondence with artists; shipping information and receipts; checklist","Correspondence with Corcoran (lender); label copy; shipping information and receipts","2 photographs of ICA installation; checklists from ICA in Boston; fabric samples; correspondence with manufacturer (i.e.; lender); includes some publicity materials and catalogs; shipping information and receipts; list of items sold to staff members; ICA catalog/brochure copy; correspondence with ICA; ICA press releases; label copy; ICA catalogs (1954 \u0026 1955)","Checklist; miscellaneous correspondence; ICA news releases; fabric samples; checklists","Shipping receipts for Designs for Christmas show","List of items available for purchase; correspondence with manufacturers re: sale","3 photographs; publicity materials from Virginia Chapter of AIA; shipping information and receipts; label copy","Copies of suggested schedule","Few pieces of miscellaneous correspondence related to other exhibitions","2 photographs of Suzanne Bloch; correspondence with various music organizations; publicity materials (mainly programs); clippings; Suzanne Bloch press release copy and biographical information","Catalogs and samples of wall and paper materials","Letter solicitation (7/1/55); correspondence with studios; research; exhibition proposals (Samuel Goldwyn or Cecil B. DeMille); mailing list","Correspondence; correspondence with manufacturers (including catalogs)","Copy of the Annual Report; typed and written drafts for \"Information Services and Public Relations\" report","Press release; correspondence with publicity; clippings; mailing lists; grand opening schedules; new members' room information","Copy of letter to press (11/29/55); memo re: use of mats sent to newspapers from Rex Allyn to Cheek; 5 actual mats by Virginia Stereotype Service","1 photograph of camera; correspondence with Colonial Williamsburg (author of book on Cook); label copy; camera catalogs; checklists; shipping information and receipts; correspondence with lenders; insurance information; 1 copy of invitation; research articles","John Koenig was Guest Promotion Director; correspondence with publicity; news releases; mailing lists; clippings; copy of catalog","Bulletin copy; Bulletin proofs; correspondence with speakers","2 copies of newsletter (2/55 and 12/54); 1 piece of AFA membership publicity","Copies of 51st and 53rd programs; copy of letter to publisher of 55th (VMFA was in it)","Rex Allyn's correspondence file; correspondence with publicity; correspondence with other institutions; clippings","4 drawings; 10 photographs; copy of catalog of traveling show in São Paulo, copy of checklist and hanging order sheet; label copy; correspondence with artists; publicity; biographical information; shipping information and receipts; correspondence with publisher; press release, checklists (for traveling too); circulated by AFA","Copy of invitation to costume ball with note about asking about museum as location","AFA Newsletter, 12/55","Publicity; correspondence with Junior League about volunteers; copies of articles in The Leaguer; press releases","Publicity; copy; catalog photographs; correspondence with speakers; cards with state exhibitions on them; clippings","Publicity; copy of Bulletin; press releases","Copy of Carl Sandberg's prologue; invitation; correspondence with MOMA (circulator); copies of drawings of installation from MOMA; copy of catalog; contract; press releases; checklists; shipping information and receipts","Article copies (by Marguerite Tabb)","Correspondence with Jaycees","Correspondence","Correspondence with Society; copies of minutes","Publicity from American National Theatre and Academy","Correspondence with WRVirginia \u0026 WLEE; list of personnel","Publicity; Artmobile schedule","Correspondence with Society; publicity; schedule and financial statement of Society","Press releases (4/14/55; 4/12/55); schedule and procedure for ceremony of awards (4/29/55); press release (4/25/55); other press releases","Copy of minutes from meeting","Correspondence with printers; budget information; samples of items; purchase orders","Miscellaneous correspondence","Correspondence; summary and minutes from conference","Correspondence with Whitney Museum; correspondence with other museum directors (Leslie Cheek a sort of consultant)","Copy of letter from Rhoads to Board; correspondence with Rhoads","Correspondence re: Georg Jensen exhibition; checklists (from SITES)","Correspondence with artists; biographical information; checklists; shipping information and receipts","Invitation; correspondence with Catherwood Foundation; label copy; exhibition proposal","Press release; shipping information and receipts; correspondence with Catherwood; Catherwood publicity; checklists; label copy","1 drawing of layout; label copy; checklists; list of loans requested; shipping information and receipts; correspondence; correspondence with publicity; correspondence with lenders; 2 annotated copies of printed checklists; copy of Bulletin","1 copy of printed checklist; correspondence with lenders; request for information cards; 1 annotated copy of printed checklist","\"Caption for Watteau Mat\" and press release (1/11/52); press releases; list of loans; checklists","Correspondence with potential lenders for Fetes Galantes","Photography purchase requests; invoices","Shipping information and receipts; correspondence with lenders; clippings","Correspondence with lenders; shipping information and receipts; request for information forms; label copy","1 copy of catalog; 1 copy of Ford Times on which the show was based; checklists; correspondence; catalog copy; correspondence with Ford; copy of story for Commonwealth","2 photographs of Helen Wearstler Foht; 1 duplicate photograph of her; checklists; correspondence with artists; shipping information and receipts; label copy","Correspondence with artist and his dealer (Hammer Galleries); copy of the exhibition catalog; label copy; 1 book jacket of his (High World); insurance information; shipping information and receipts","2 photographs; checklists; shipping information \u0026 receipts; correspondence with artists; label copy","1 photograph; 1 duplicate photograph (Aubrey Bodine or O.F. Romig) [these 2 were judges, A. Aubrey Bodine of Baltimore and Orlando F. Romig of Pittsburgh]; correspondence with artists","Shipping information and receipts; correspondence; press release","1 photograph of unknown; 1 photograph of Carl Roseberg; shipping information and receipts; sales information; checklists; correspondence with artists; label copy","3 photographs; checklists; biographical information; correspondence with artists; label copy","Invitation; list of possible artists publicity/catalogs from other shows; invitation copy; mailing list; checklists; correspondence with Sculpture Center; shipping information and receipts; correspondence with artists; correspondence with lenders; label copy","4 drawings of label panels; sheet for each with list of photographs for panels","2 photographs; shipping information and receipts; correspondence with artists; checklists; sale information; biographical information; label copy","Invitation; 1 photograph of show at Corcoran; 1 drawing; also 1 drawing of Chinese gallery, press release 3/4/55; correspondence with SITES (organizer); shipping information and receipts; checklists; correspondence re: damage to a chair; label copy; correspondence with publicity; 1 copy of catalog; 1 copy of Danish Foreign Office Journal","Correspondence with lender; shipping information and receipts; checklists; George Poiret print collection exhibition catalog (rents them)","1 photograph; correspondence; clippings","Copy for theatre publications","Program for 57-58 season; copy for earlier brochure","One letter re: season's policies","2 pieces of correspondence","\"A Proposal,\" (letter 7/14/56); Dance Society meeting minutes; correspondence; budget information; mailing list","Program April 20, February 24, January 6, October 21, September 16; correspondence (1 letter); 1 copy of a mailing","Checkbook; correspondence re: taxes","1 photograph (Richard Steinway); duplicate photograph (John Langstaff); 1 photograph of John Langstaff with Berkshire Quartet; 1 duplicate photograph and 1 regular photograph of Albeneri Trio; 1 season program","1 photograph of John Langstaff; 1 duplicate photograph of Robert Conant; 2 photographs of Amadeus Quartet; 1 photograph of Alfred Deller; 1 duplicate photograph of Alfred Deller Trio; 1 photograph of Emily Frankel and Mark Ryder; correspondence; proposed relations between the 2 organizations; meeting minutes; letter drafts; program copy; publicity materials","Wishes to thank card; Davenport Carrington letter; response card; meeting minutes; program schedule; clippings; correspondence; budget information; form letter with mailing lists; promotion planning","Shipping information and receipts; correspondence","1 copy of schedule of programs and events","Correspondence from Velz (he was on Executive Committee for 1956-1957) to various people re: events; \"The Public Relations and Information Program of the Virginia Museum of Fine Arts\" paper","1 clipping (RTD 2/15/56-they got charter)","RAUC Summary Report 1949-1956; correspondence of RAUC; evening courses for adults announcement","Correspondence re: lecture on architecture of Japan","Correspondence re: fundraising drive; interoffice memos","Hundreds of photographic department purchase requests","1 copy of magazine, October 1956 issue with VMFA feature","8 drawings of alcoves; layouts; permanent installations; lists of photographs for alcoves; memos re: installation needs; photograph orders; lists of titles for information panels; correspondence re: information panel production; panel copy; budget information; information re: hanging heights in galleries; sample label paper","\"Art Reference Resources in Virginia\" questionnaire (all about art libraries); 1 piece of correspondence about putting brochures on ferries","3 photographs from Brazilian show; newspaper and magazine clippings; catalogue and clippings for 1951 Brazilian show (Children's Book Illustrations); information and press releases and correspondence for 1953 fellowships; 1950-51 fellowship information; blank application; information on Jenny-Lynn Franklin's mural; press releases for 1956-1957 fellowships","Traveling checklist and hanging order; label copy; correspondence with artist; shipping information and receipts; correspondence re: traveling exhibition; checklists; correspondence with AFA; clippings; blank loan contract; correspondence with borrower; itinerary; AFA publicity materials for show","Material from MOMA on their 25th anniversary","2 drawings of panel layouts; list of photographs used; memos; label copy; photograph order","Mailing list; copy of Bulletin; cards sent to institution for their exhibition listing in Bulletin (called \"Elsewhere in Virginia\")","Photograph of Merrill Moore; 1 photograph of Governor Stanley; biographical information on speakers; correspondence with speakers; publicity material for Merrill Moore's new book","Mailing (open house invitation); letter from Rhoads to members; renewal card, 1 photograph by Yardley; membership letter draft; correspondence between committee members; brochure proofs; previous membership requests; privilege information; budget information; brochure copy; paper samples","Brochure copy","Fashion Festival facts; Council letter (3/21/56); program; invitation copy; correspondence with Miller \u0026 Rhoads; correspondence re: Council; correspondence with Harper's Bazaar; correspondence with publicity; mailing lists; schedules; meeting minutes; annotated scripts \u0026 schedules; fabric samples; program copy","Complete reply cards; correspondence re: Council children's events; publicity materials for puppet theatre; blank reply cards","Correspondence with artists; checklists with sale prices; shipping information and receipts; biographical information; label copy; photograph purchase requests","1 photograph of \"Black Beast,\" 1 photograph of \"Croquet Player\"; correspondence with AFA (who turned down show) and ICA Boston; correspondence with publicity; shipping information and receipts (now called \"Collection Memos Receipt\"); correspondence with lenders; insurance information","Correspondence with publicity; correspondence with artists; correspondence re: preview, installation information and schedules; correspondence with lenders; shipping information and receipts; label copy; correspondence with AFA re: withdrawal; list of lenders; photograph orders","1 drawing, 27 photographs; 1 duplicate photograph (Henry Robinson Luce); label copy; correspondence; shipping information and receipts; [unlabeled: (lady) Elsie de Wolfe; Henry Dreyfuss (architect)]","3 photographs of jurors; 1 photograph of sculpture; 1 photograph of tempera painting; correspondence with jury; checklists; shipping information and receipts; clippings; dinner lists and plans; correspondence with lenders; label copy; Ben Shahn catalog; biographical information; insurance information","1963 Virginia Artists blank; shipping information and receipts; correspondence with artists; label copy; biographical information","2 drawings (1 by her, 1 by Leslie Cheek); checklist with values; correspondence with artist; shipping information and receipts","Entry cards; shipping information and receipts; sale information; correspondence with artist; insurance information; Council Preview Party gifts information (new); check stubs; list of entrants; preview mailing list for businesses","Virginia Artists jury memo (1/25/57); blank certificates (signed); traveling exhibition checklist; 1957 prospectus; label copy; copy of 1936 catalog; speech copy; Bulletin copy; annotated 1955 blank; prospectus list; entry requests; catalogs and brochures from other exhibitions; prospectus copy; catalog copy; schedule; correspondence with publicity; shipping information and receipts; correspondence with jury; clippings; certificate recommendation list; jury report; correspondence with artists; biographical information on certificate winners","Shipping information and receipts; correspondence with artists; 1 copy of catalog","Drawing of layout","3 photographs of installation (location unknown, not VMFA); correspondence with American Institute for Graphic Arts (organizer); shipping information and receipts","\"A Brief Description of the 'New World Achievement' Exhibit,\" invitation and drawing; label copy; checklists; schedules; Jamestown materials for 1957 festival; list of lenders; for letter draft; credits; musical selections; annotated invitation; correspondence with Jamestown Committee members; copy of Commission report; shipping information and receipts; invitation copy","Illustration lists for panels; label copy","2 duplicate photographs; research and information panel copy","1 photograph of a plate; correspondence with lenders; shipping information and receipts; information request forms; label samples","3 photographs; correspondence with lenders; shipping information and receipts; information request forms","Information on VMFA and Jamestown Festival","Correspondence with ESU re: speaker and other events; correspondence with embassy; clippings; invitations; speaker publicity","Checklists; shipping information and receipts; correspondence with lenders; insurance information; 1 copy of VMFA Summer Calendar","1 drawing; photograph; checklist; catalog; publicity materials from AFA (organizer); measurement lists; correspondence with AFA; correspondence with Near East College Association (co-organizer); shipping information and receipts; label copy; checklists with values","2 photographs; \"Emblem of the 1957 R.S. Reynolds Memorial Award\"; 20th century works of art catalogue from the University of Illinois-Urbana; label copy; AFA publicity materials; Reynolds Memorial Award publicity materials; correspondence with AFA; correspondence with Reynolds; correspondence with artist","1 drawing, 7 photographs, press release; checklists; label copy; shipping information and receipts; MOMA publicity materials; correspondence with MOMA; label copy; condition report","1 application; 2 memos","Council member letter (2/1/57); \"The Big Frame-Up,\" script and cast list; volunteer lists by reject type; Council proposal for buying Virginia Art; preview invitations; clippings; correspondence with and between Council members; invitation copy; prize list","1 photograph (Joseph Gilliard); correspondence with artists; invitation correspondence; checklists; biographical information; shipping information and receipts; photograph orders; label copy","Invitation, traveling exhibition checklist; label copy; shipping information and receipts; checklists; correspondence with publicity; correspondence with artists; biographical information; correspondence with AFA; catalog of other comic show in NYC; press release copy; AFA Catalog 1957-58; photograph orders","1 photograph of speaker (Rorimer); correspondence with speakers (library lecture series); list of speaker possibilities","Checklists; shipping information and receipts (re: return of traveling show)","Invitation to children's play; correspondence re: children's events, including play","Membership letters; blank application; list of dropped group members with form letter; memo re: procedure","Introduction letter (9/28/56); letter (1/15/57); menu; correspondence and planning re: Council luncheon and other meetings; list of Council programs for year; correspondence; shipping information and receipts for lecture supplies; clippings","4 photographs (Iris Nordquist?); label copy; correspondence with artists; shipping information and receipts; biographical information; checklists","An example file: instructions regarding how to do the shows, rules, etc. plus samples of forms and documents","Memos and notes re: quality of transparencies used for postcards","Correspondence re: adult photography class taught by Burris (Gordon G.), staff photographer; correspondence with manufacturers re: enlargers; equipment brochures","Correspondence and agreements re: film society showings for year","5 Remington Rand catalogs; Library and filing supplies; correspondence with other librarians (arts); correspondence with possible applicants; results of art resources surveys; list of equipment desired; list of periodicals [bunch of \"Habiliments\" material]","Label copy; checklists; correspondence; correspondence with artists; sales information; repairs, shipping information and receipts","Form letter from Rhoads to members","Correspondence and memos from McClellan \u0026 Velz (PR and publicity-related) [Richard Velz, Division Head, Administrative Division; E.T. McClellan, Public Information Head]","1 photograph (Thomas Kenneth Rowe); 4 photographs of paintings; correspondence with artists; checklists; shipping information and receipts; biographical information; clipping","Label copy; shipping information and receipts; correspondence with artists; checklists","Correspondence with lenders; label copy; shipping information and receipts (no catalog published for this one)","Preview invitation; 2 photographs; layout drawing; label copy; correspondence with ICA Boston (organizer) \u0026 Detroit Institute of Arts; correspondence with Winston; checklists; shipping info and receipts; catalog of collection at University of Michigan","7 photographs; label copy; shipping information and receipts; correspondence with artists; checklists; clippings; biographical information","1 photograph; label copy; AFA publicity materials; correspondence with lenders; shipping information \u0026 receipts; credits; correspondence with designer (Oenslager); clippings; biographical information; 1 copy of catalog; AFA brochure (1957-1958)","2 photographs; AFA materials; correspondence with AFA; label copy; shipping information and receipts","Panel layout drawing; 1 photograph; checklist; list of lenders; label copy; checklists; Carnegie press releases (organizer); correspondence with ICA Boston (circulator); correspondence with Carnegie; correspondence with lecturers; shipping information and receipts; 1 copy of catalog","Correspondence with Smithsonian; Smithsonian press release; checklist; shipping information and receipts; label copy; 1 copy of catalog","6 photographs (Barbee); 6 photographs (Lou Ponder-Rogers); checklists; correspondence with artists; shipping information and receipts; biographical information; various catalogs; label copy","6 photographs (Thomas Gorman); 6 photographs (Marilyn Downes-Bennett); shipping information and receipts; correspondence with artists; checklists; label copy","1 drawing; duplicate: invitation letter; \"Art Lending Service\"; press release; mailing list; Bulletin copy; invitation copy; copy of 1947 catalog; correspondence with artists; list of eligible artists; list of previous rotating exhibitions","1 layout drawing; 2 photographs; checklists; label copy; correspondence with Warburg; shipping information and receipts; 1 copy of invitation","Copy of invitation; miscellaneous memos","1 American classics drawing; 1 duplicate Skidmore, Owings, Merrill layout drawing; 1 copy of a gallery catalogue from New York; checklists; list of preview guests; shipping information and receipts; promotion plan; correspondence with publicity; promotion plans; press release","\"SOM Projects,\" clipped prose and labels; label copy; copy of MOMA Bulletin on SOM (Fall 1950), XVIII, 1","Folder with label on front \"William Rhodes\" scheduling events surrounding opening of new Reynolds Metals Building; correspondence with publicity; correspondence with SOM; correspondence with Reynolds; shipping information and receipts; preview plans","1 photograph (Colorado Springs Air Force Academy); 1 photograph (Frederick D. Nichols, professor at School of Architecture, UVirginia); label copy; correspondence with publicity; Reynolds Metals opening schedule; annotated press releases; clippings, correspondence with potential speakers; Bulletin; shipping receipts","5 photographs and 1 slide; correspondence with Reynolds; correspondence with publicity; correspondence with William O'Neal, lots of miscellaneous correspondence","Around 10 magazine clippings","1 photograph; clippings; press release; \"1962 American Painting\" catalog; \"The Story of Steuben Glass\" book","1 photograph (duplicate); 1 drawing of pedestal; label copy; correspondence with Steuben glass; shipping information and receipts","9 photographs; 1 drawing; 1 duplicate photograph (Dorothy Miner); label copy; correspondence with Andrew Wyeth; correspondence with lenders; correspondence with local librarians; correspondence with speaker (Dorothy Miner); 1 copy of invitation; 3 annotated copies of catalog of paintings at Knoedler; shipping information and receipts; biographical information","Documentation; correspondence and schedules for school group tours, all ages and subjects; some docent information","1 copy of November 1958 – 44:11","1 folder of press releases, VMFA Bulletin, 2 photographs, called \"News About our New General Office Building.\"","1 folder with label \"Mrs. M.B. Christison\" with opening schedule information","1 photograph (Edwin Burr Pettit – Brandeis lectures); information re: Council lecture-luncheon 1957; handouts; reservation cards; correspondence, Lecture Series schedule; correspondence with potential lecturers; clippings","Correspondence re: mailing list and press releases","Correspondence with publicity; publishers and personalities; printer","1 photograph; correspondence with publicity; correspondence with dealers; press releases, Poussin material; mailing list","Correspondence with Professor of Applied Social Research at Columbia re: public relations","1 drawing; shipping information and receipts; correspondence; label copy; correspondence with lenders; UVirginia catalog","3 drawings; 9 photographs; 1 duplicate photograph; label copy; exhibition catalog from L'Art Ancien, S.A. Zurich; correspondence with Brooklyn; shipping information and receipts; invitation copy; 1 copy of invitation; clippings; AFA materials and correspondence","\"Virginia Artists Jurying: Requested Arrangements \u0026 Operations\"; 17 photographs (1 of Perrin - labeled, 1 of Bertoia - hat, 1 of Lee – other; correspondence with potential jurors; correspondence with jurors; shipping information and receipts","1 photograph; invitation (3 copies scattered); 1 drawing; checklists; biographical information; label copy; correspondence with Aldrich; catalog correspondence; correspondence with publicity; catalog copy; shipping information and receipts; clippings","Correspondence with printer re: catalog; \"thank yous\" for exchange or gift of catalog","\"Complete Catalog\" copy; correspondence with artists; information requests; shipping information and receipts; 1 certificate (signed by Sherman Lee); clippings; correspondence with jurors; schedules; lists of entries by place; entries (completed); certificate recommendations; prospectus copy; clippings; checklists; other institutions' prospectuses; other catalogs; correspondence with publicity","1 drawing; catalog copy; 1 copy of prospectus; label copy; prospectus proof","Correspondence with winners; list of certificates; list of recommendations","15 photographs; 1 drawing; correspondence with Metropolitan Museum of Art (speaker); label copy; correspondence with Minneapolis Institute of Art (lender); checklist; shipping information and receipts","5 photographs; correspondence with potential lenders; correspondence with APVirginia; correspondence with Virginia State Bar; checklists; shipping information and receipts; label copy","Correspondence; label copy","Correspondence with the Olsen Foundation (lender); 1 copy of catalog; shipping information and receipts; checklist","12 photographs (whoever had show October 7- November 4, 1956); catalogue; research; checklists; correspondence with Olsen Foundation","Suggestion for gala fundraiser","Correspondence with VHS","Correspondence with artists re: eligibility; old Virginia artists catalogues (1953 \u0026 1955); prospectus and rules","1959 catalogue; lists of eligible artists; label copy","3 negatives, 5 photographs; correspondence with lenders (NYPL, Wadsworth, Met); checklists; chipping information and receipts","Correspondence with Virginia State Bar Association","7 small photographs (Broaddus); 5 photographs (Russi); 5 photographs – prints – (Turner); correspondence re: sales; biographical information; correspondence with artists","1 photograph (Davenport); 9 photographs (Davenport); 1 photograph (Jones); 4 photographs (Jones); checklists; label copy; correspondence with artists; biographical information; shipping information and receipts","Shipping information and receipts; request for information forms","Receipts","7 photographs (I. Moore?); 7 photographs (Lois Jacobsen); 7 photographs (Bill Gaines); 1 photograph (Jacobsen); correspondence with artists; shipping information and receipts; invitation copy; correspondence re: sales","4 photographs; 1 drawing (duplicate); duplicate: catalog list (blue); correspondence with AFA; AFA materials; clippings; biographical information on lecturer; checklist; correspondence with publicity; preview dinner plans; shipping information and receipts; 1 copy of catalogue","Correspondence with lenders; publication exchange cards; checklists; committee member list; correspondence re: catalog","2 photographs; 1 photograph (Basil Taylor); 1 duplicate photograph of unknown; 1 duplicate photograph (Alice Higgins); 1 drawing; clippings; biographical information on Sports Illustrated photographers; press releases; checklists; mailing lists; budget","Label copy; checklists","Clippings; publication exchange cards; correspondence with publicity; 1 copy each of 2 invitations; dinner seating arrangement","Correspondence with lenders","Dinner reservation list; dinner invitation (March 1960); list of patrons; budget information; invitation copy; shipping information and receipts; financial reports; correspondence with publicity; travel plans, correspondence with Basil Taylor; 1 copy each of 2 invitations; correspondence with Mellon","Research; checklists; correspondence with possible lenders; correspondence with Corcoran (organizer of Sports Illustrated exhibition); other exhibition catalogs; correspondence with Mellon; clippings; committee correspondence; label copy; correspondence with publicity; correspondence with ambassadors; invoices; issue of \"Sport \u0026 the Horse: The Chronicle,\" (4/1/60)","1 drawing of dinner arrangement; correspondence with lenders; correspondence with committee members (including Mellon); shipping information and receipts; correspondence re: catalog; travel plans; invitation copy; correspondence with lecturer; correspondence with ambassadors","3 photographs of packing Manet's \"Races at Longchamp, Paris\"; correspondence with lenders; shipping information and receipts; correspondence with Mellon; correspondence with publicity; correspondence re: damage to Manet","Shipping information and receipts; correspondence with lenders","Correspondence with Blunt (Courtauld) and with royal collection","Catalog copy; 1 letter from the Palais du Louvre","Correspondence with Mellon; correspondence with committee members; list of patrons; requests to join committee","Correspondence with Constable, consultant to exhibition (former curator, MFA Boston); Courtauld Director; Art History Professor, University of London)","Correspondence with Bourlet \u0026 Sons","Correspondence with Duveen \u0026 Walker (insurance brokers); copy of policy","Correspondence with Mellon; various lists","Correspondence with potential lenders; preliminary loan list","1 photograph of Sir Robert Walpole by Wootton; shipping information and receipts; correspondence with lenders; correspondence with Paul Mellon; handwritten list of lenders","Checklists; item cards","Budget tracking (including dinners); list of contributors; correspondence with Department of Accounts; receipts with correspondence; gala invitation copy; correspondence with publicity; correspondence with Mellon; 1 invitation; gala planning; menu copy; various ad rate cards (including Sports Illustrated); \"The Sports Illustrated Guide to Regional Marketing,\" with Sports Illustrated issue 4/18/60","1 duplicate photograph of \"Brown Horse \u0026 Spaniel\" by Stubbs; correspondence re: repair (blister) of Stubbs' painting lent by Katherine Gilbey of England","2 photographs (of Stubbs' Hambletonian, Rubbing Down receipt); correspondence with lender (Estate of the Dowager Marchioness of Londonderry); shipping information and receipts","Correspondence of the British Council","Correspondence re: catalogue","Requests for catalogue","Checklists by lenders, artists, type","Correspondence with lenders","Miscellaneous correspondence re: Sport \u0026 the Horse","Correspondence with Murray, librarian at the Witt Library, Courtauld","Catalogue copy; label copy","Over 100 plus photographs!","Correspondence with publicity; clippings","Correspondence with Mellon; suggested publicity plan; clippings, correspondence especially Basil Taylor [Librarian, Royal College of Art, London] and W.G. Constable; checklists (essentially Muriel Christison's file)","Shipping information and receipts","Completed request for information forms; packet of information on paintings from Wildenstein","Correspondence with dealers; checklists; correspondence","3 photographs of Monet's painting packed; 1 photograph of James Ward \u0026 Skewbald Stallion; correspondence with lenders; shipping information and receipts; checklists","1 duplicate photograph (Gilpin's Gulliver \u0026 Houyhnhnms); correspondence with Basil Taylor (Librarian, Royal College of Art); essentially Muriel Christison's correspondence file; biographical information; catalog copy; label copy; checklists","6 Prentiss Taylor photographs, 1 photograph of Taylor, 1 photograph of Lazaron exhibition; correspondence with artists; sale information; other catalogs; biographical information; clippings; checklists; shipping information and receipts","Prospectus copy; misfiled correspondence","Prospectus copy","1 photograph of installation; 6 slides (unlabeled); 1 copy of prospectus; correspondence re: jurors and jurying; list of certificate winners; correspondence with winners; dinner replies; other catalogs; correspondence with artists; correspondence with jurors","1 drawing; 1 copy of 20th Photographic Salon prospectus (blue); 2 posters from Virginia Art Directors Club 57th Annual Exhibition; Mariners Museum catalogs, etc. (lots of prospectuses and catalogs for similar exhibitions; entry requests; correspondence with jurors; jurying information","Checklists; notes; 1 copy of 20th Virginia Photographic Salon invitation and catalog; press release","ADP prospectus; requests for entry; mailing lists; correspondence with Camera Club \u0026 Photographic Society of America; annotated copies of 20th Virginia Salon catalog; 1 copy of PSA Journal 1960 – membership list","Sale information; checklists; correspondence with artists; insurance information; biographical information; shipping information and receipts","3 duplicate photographs of artists, 1 photograph of panel; biographical information; correspondence with artists; checklists; shipping information and receipts; correspondence with publicity","Correspondence with artists; checklists; shipping information and receipts; sales information; biographical information","\"Art Lending Service,\" generic invitation; correspondence with artists","\"Notice to Virginia Photographers,\" 1 drawing, 1 photograph of juror [Hoyt L.] Roush; prospectus copy; entry requests; checklists; annotated prospectus; information re: jurying; correspondence with jurors; correspondence with Camera Club; catalog copy; copies of 18th \u0026 19th photographic salon catalogs; lists of winners; shipping information and receipts; biographical information","20th Photographic Salon prospectus; other catalog; entry requests; prospectus copy; ADP prospectus copy; clippings; news release; 1 drawing of ADP layout (already have it)","1 drawing; 1 copy of catalog; correspondence with MOMA (organizer); MOMA materials; shipping information and receipts; label copy; checklists; contract","Two 12/1/59 press releases; 3 photographs from 1/2/60; press release; clippings; correspondence with publicity; list of attendees; correspondence with UNESCO","Correspondence with jurors; shipping information and receipts; correspondence with lenders; completed request for information forms","2 negatives of Joseph A. White (shipper) and Perry Rathbone (Director, MFA Boston); checklists; correspondence with publicity; correspondence with lenders; biographical information; list of events; 2 prints of negatives","Correspondence with lenders","Invitation copy; catalog copy; annotated Sport and the Horse invitations, programs and menus; copy of \"Brief History of Virginia Museum,\" lecture copy","Correspondence with CW's President; biographical information","Correspondence with Gibbs (President of Gibbs \u0026 Cox, Architects); biographical information","Biographical information (of Lehman Brothers, investment banking); correspondence with Lehman","Correspondence with Marshall Fredericks (accepted Carl Milles award); biographical information; correspondence with Mrs. Milles","Annual reports (1956-58, 51-55, 41-50); biographical information on Ernest Brooks (President of Foundation) and correspondence with Brooks; miscellaneous correspondence","Correspondence with Saarinen; biographical information (correspondence re: Arts in Virginia article)","Notes; correspondence with contributors; correspondence with vendors","25 photographs; 1 duplicate photograph; correspondence with lenders and directors of lending institutions; biographical information","1 copy of preview invitation; list of invitees; drafts of publicity correspondence; correspondence with governor; memos","Various checklists","More checklists","Correspondence with lenders (in alpha order of lenders)","Correspondence with potential lenders (compiled by lender)","1 letter to Director of Toledo Museum of Art","Correspondence with publicity (compiled by institution)","33 duplicate photographs; 9 new photographs; shipping information and receipts; requests for information forms","24 duplicate photographs; 4 new photographs; shipping information and receipts; requests for information forms [n.b.: some overlap between folders 8 and 9]","Shipping information and receipts with new form: \"Collection Memo \u0026 Receipt.\"","1 drawing; 3 maps of table arrangements with names; 1 letter of thanks to Miller \u0026 Rhoads","\"Virginia Artists Jurying\"; 1 photograph; completed entry blanks; prospectus copy; correspondence with artists; correspondence re: sales; shipping information and receipts; list of certificate winners; labels; budget information; correspondence with jurors; prospectus proofs; correspondence re: damages; list of invitees for collectors reception","Small bit of correspondence; prospectus copy","5 photographs; correspondence with lenders; shipping information and receipts; checklists","Press release form; SITES checklist; SITES press release, 3 photographs; collection of memos and receipts; press release copy; correspondence with venders; staff memos; checklists; clippings; shipping information and receipts; request for information forms; SITES contract","Empty folder","Correspondence with artists; correspondence re: sales; shipping information and receipts","Correspondence with artists; correspondence re: sales; shipping information and receipts","Correspondence with artists; correspondence re: sales; shipping information and receipts; biographical information; overall rotating schedule; insurance form (new that year)","3 photographs; correspondence with artists; shipping information and receipts; checklists, insurance form","Correspondence with artists; shipping information and receipts; other catalog; checklists; insurance forms","1 drawing; correspondence with publishers and booksellers; correspondence with American Institute of Graphic Arts (circulator); shipping information and receipts; label copy; insurance form","5 photographs; label copy; research, correspondence with AFA (circulator); AFA materials; checklists; exhibition contract; press releases; shipping information and receipts; 1 copy of invitation","1 photograph; 1 drawing; 1 copy of invitation; correspondence with artist (Ruth Perkins Safford); label copy; price list; invitation copy; traveling exhibition checklist","9 photographs; 1 duplicate photograph; correspondence with MOMA (organizer and circulator); label copy; shipping information and receipts; 1 copy of invitation; MOMA materials; checklists","3 photographs; shipping information and receipts; correspondence with artists; lists of all eligible artists","Label copy; correspondence with artists; correspondence with lenders; insurance form, checklists; shipping information and receipts","1 drawing; duplicate: preview invitation; AFA materials (circulator); panel copy; 1 copy of Bulletin (November 1961); checklists; label copy; exhibition contract; correspondence with AFA; shipping information and receipts; AFA informational card (1 copy); correspondence re: sales","List of private purchasers; correspondence with artists; check receipts; shipping information and receipts; signed release forms (when items were released from museum custody); checklists; \"Report of the Council Committee for the Virginia Artists' Exhibition, 1961\"; list of business purchasers","\"Art Lending Service,\" \"Release Form,\" 1 drawing, \"Artist Form,\" another \"Art Lending Service\"; correspondence; schedule; procedures","\"Virginia Artists Jurying,\" \"Collectors' Reception\" (2/24/59), \"Tax Consequencies of Gifts of Picture,\" \"List of Firms\"; correspondence; invitation copy; memos; catalog and prospectus copy for 1961 show; label copy; procedures re: sales; check receipts","1 photograph; correspondence with artist; recommendation from Cheek; biographical information","1 bound copy of \"Cross-Examination of an Art Collection\" by Fred L. Palmer; correspondence with Palmer; checklists; shipping information and receipts; list of valuations; biographical information; collection memo and receipt; insurance report form","3 pieces of correspondence re: possible Eisenstaedt exhibition","2 photographs (duplicates); research; checklists; insurance report forms; shipping information and receipts; collection memo and receipts; label copy","Panel copy; label copy","1 photograph; shipping information and receipts; correspondence with artists; insurance report forms; Virginia Artist application; checklists","Invitation; label copy; clippings; correspondence with Railey (Mrs. Howard); research; auction catalogue: Hotel Drouot, 20 November 1861; shipping information and receipts; checklists; insurance report form","5 photographs, 1 drawing; correspondence with Director, H. Bryan Caldwell; checklists; collection memo and receipts; insurance report forms; research; press release; copies of Norfolk Museum Bulletins; Norfolk materials; 1 copy of \"Hugh Gordon Miller Collection of Paintings\"; correspondence with other Norfolk staff; 1 copy of \"The Great Mace of Norfolk\"; shipping information and receipts","Fact sheet; catalog copy; list of winners; copy of speech at preview","Prospectus copy; signed endorsement of prospectus by AIA, Virginia Chapter; prospectus proof","Signed certificates of distinction; prospectus copy; correspondence with jurors; biographical information; jury instructions; fact sheet","Jury instructions; fact sheer; list of winners","Label copy; insurance report form; memos; shipping information and receipts; correspondence with artists; biographical information","2 photographs, 1 drawing; label copy; correspondence with lender; correspondence with Basil Taylor; correspondence re: insurance; shipping information and receipts; police stand information","1 drawing; label copy; police stand information; correspondence with artists; correspondence with Hayes (Director of Addison); biographical information","1 copy of catalog; 1 copy of \"Artist-Craftsmen of Western Europe\" Catalog; unsigned invitation forms from Hayes; copies of telegraph information requests; label copy; correspondence with artists; correspondence with lenders","7 photographs; 1 copy of catalog; catalog copy; correspondence re: possible purchase of Nell Blaine painting","2 photographs, invitation; correspondence re: damage; shipping information and receipts; correspondence re: insurance [other correspondence: with artists; re: catalog; with publicity; with Hayes; re: lecture; with lenders; press releases; copy of Time magazine 1/19/62 re: Yu-Ho]; 1 copy of catalog","Shipping information and receipts; correspondence with lenders; signed invitation forms; a few other catalogs","22 new photographs; 8 duplicate photographs; some correspondence re: photographs","Shipping information and receipts; correspondence with lenders; checklists; insurance report form","Invitation; correspondence with contributors to AIV and Miss Christine Alexander, former curator at the Met \u0026 now advisor on Greek art to VMFA; staff memos; label copy; checklists; correspondence re: photographic panels for exhibition","Research (including sketches by Christine Alexander); notes; label copy","Press release; checklist; label copy","41 photographs; 12 duplicate photographs; label copy; correspondence with publicity; memos","1 drawing; label copy; checklists; shipping information and receipts; correspondence with Karolik; research; collection memo and receipt; insurance report form","12 photographs; correspondence with publicity; correspondence with potential lenders; correspondence with lenders; Jamestown Festival materials; correspondence with Jamestown; label copy","8 photographs; correspondence with artists; insurance report forms; shipping information and receipts; checklists","1 photograph; 1 duplicate photograph; 1 duplicate information sheet [\"Collectors Circle,\" 4/30/62]; shipping information and receipts; information request form; correspondence with collectors; label copy; schedule of \"expert\" lecture; insurance report form; 1 copy of invitation","Label copy; memos; correspondence with potential lenders; correspondence with SITES; correspondence with various Civil War Centennial Commissions; loan contracts (SITES); checklists; SITES materials; press releases; shipping information and receipts","12 photographs, 1 sealed envelope with possible photographic material ;checklists; label copy; correspondence with artists; shipping information and receipts","14 photographs; correspondence with artist; biographical information; memos; shipping information and receipts; insurance report form; clippings; label copy","5 photographs, 10 slides (Bristow); correspondence with artist; correspondence re: sale; press release, biographical information; memos; label copy; checklists; insurance report form; shipping information and receipts","Invitation; 1 annotated copy of \"Stravinsky and the Dance,\" NYPL, 1962","7 photographs; 2 duplicate photographs; staff memos; correspondence re: preview; correspondence with lenders; correspondence with AFA (circulator); checklists; correspondence with publicity","Sample of stuffed envelope to be weighed for postage","7 photographs; duplicates: checklist, suggested press release; correspondence with SITES; SITES materials; exhibition contract; staff memos; 1 copy of SITES catalog","Correspondence with Thorne (potential Virginia Artist)","Staff memos; correspondence with potential and real lenders; checklists; collection memo and receipts; shipping information and receipts","1 copy of Saturday Review 6/18/62","Correspondence with artists; various checklists; completed applications; blank applications (1 annotated; 1 not)","Application packet; completed applications","Correspondence with Goodrich (Director of Whitney); lecture schedule (for all lecturers for chapters and affiliates)","Correspondence with Rich (Director at Worcester); proposed schedule for Rich","Correspondence with Walker (Director, National Gallery of Art, DC); proposed schedule for Walker","2 photographs [Robert Lippold, Perry Rathbone]; duplicates: loan/own letter (8/10/62); Dear Virginia Artist (1/16/63); correspondence with artists; 2 label panels; checklist of eligible artists; prospectus copy; list of awards","1 press release","\"Curator's Choice: Collectors' Opportunity\" (orange); \"$50 Hens\" (blue); \"Procedure for Party\"; label copy; staff memos; text of speech; \"rules of etiquette\"; purchase request cards","'62 ADP catalog; old prospectuses; catalog copy; staff memo","1 drawing; 1 invitation; correspondence with artists; checklists (actually price lists); insurance report form; shipping information and receipts","Press release (9/8), 16 duplicate photographs, 7 new photographs, 1 contact sheet; 1 copy of Arts in Virginia (Spring 1962); correspondence with RMWC; checklists; correspondence with publicity","Suggested press release; checklist (circulated by MOMA); shipping information and receipts; MOMA materials; label copy; correspondence with MOMA","10 photographs; 1 copy of \"Finlandia\" catalog; correspondence with SITES. Correspondence with John Rorimer (Director of the Met); correspondence with AFA; correspondence with Finnish Society of Crafts \u0026 Designs [didn't take place!]","Correspondence with Rosenwald; correspondence with Walker \u0026 Brown at NGA; work schedule; correspondence with lenders; shipping information and receipts; staff memos; list of invitees to preview dinner; collection memo and receipt; 1 copy of invitation; foreword copy","Catalog copy; catalog proofs; miscellaneous correspondence; foreword copy","Correspondence with Philadelphia Museum; shipping information and receipts; insurance report form; correspondence with Rosenwald","3 photographs; shipping information and receipts; correspondence with SITES; checklists; press release; SITES materials; contract; label copy","Annotated copies of old prospectuses and catalogs; catalog copy","Mailing lists; list of hometowns; correspondence with artists; statistics; correspondence re: sales","1963 catalog; prospectus copy; catalog copy; catalog proof","Certificate (1 signed; few unsigned), invoices (purchasers and file copies); checklists; presentation schedule; correspondence with artists","Correspondence with artists; staff memo with form letters; Council letter (5/5/65)","Memos re: visit of Carl Weinhardt, juror; various staff memos; various form letters","Letter to purchaser from 20th exhibition, receiving and handling of prospectus and works (2/19/65); jurying procedures (3/18/65); dear Virginia Artist Printmaker; various staff memos; council committee report; Council form letters; correspondence with artists; various form letters; 1 copy of 1963 prospectus","1 slide; lists of works purchased; label copy; insurance report form; shipping information and receipts","3 drawings; duplicates: invitation; 1 copy of Bulletin (September 1965); collection memo and receipts; 1 copy of catalog; correspondence with lenders; correspondence with Moore; checklists","\"Suggested Introduction,\" 2 photographs; schedule of trip; correspondence with Arnson; miscellaneous correspondence; biographical information","1 photograph; duplicates: 1 clipping (Time 9/3/65); label copy; clippings; other invitations; Dictaphone belts with Henry Moore!; other catalogs; other press releases; transcription of interview","34 new photographs; 6 duplicate photographs","Shipping information and receipts; request for information forms; checklists; correspondence; insurance report forms; 1 copy of catalog (annotated)","1 annotated copy of \"William Blake: Poet, Printer, Prophet,\" by SITES","1 photograph; duplicates: \"Suggested press release,\" \"checklist, handling instructions\"; correspondence with SITES; SITES material; correspondence with Mellon (re: loans)","Invitation; correspondence with lenders and The Blake Trust; clippings","Label copy","Label copy; checklists","3 photographs; correspondence with Mellon; checklists; collection memo and receipts; shipping information and receipts; insurance report form","7 photographs","1 photograph; correspondence with Rosenwald; correspondence with lenders; checklists; shipping information and receipts","23 photographs; 2 duplicate photographs; correspondence with artists; photograph reproduction requests","Fact sheet for Virginia Artists 1963; correspondence with artists; shipping information and receipts","Correspondence with artists; lists of works purchased","Staff memos and notes re: improvement suggestions","Correspondence with Oenslager re: possible lecture","Correspondence with museums for slides of their expansions for a lecture","\"Fact Sheet – Virginia Artists Preview Committee-1965\"; copies of Bulletins (2/63 \u0026 3/65); various fact sheets from previous Virginia shows; checklists; correspondence; staff memos; shipping information and receipts; correspondence with artists","1 photograph: declined exhibition, \"Good Design in Toys,\" sponsored by Creative Playthings of Princeton and L.A.; correspondence re: denied exhibition proposals; some correspondence with jurors","Catalog proofs; billing information; meeting minutes (Education in the Arts Committee); rough fact sheets; schedules; correspondence with artists; checklists; catalogue copy; label copy; annotated copy of ADP '64","Memo re: AIA Dinner, 3/2/66; correspondence with artists; correspondence with associations; correspondence with Virginia AIA; clippings; budget information","Duplicates: form letter from Bill Gaines (2/4/66); certificate of distinction (unsigned); reply card","3 photographs (Arthur d'Arazien); duplicates: d'Arazien's biography; 1 photograph of Edgar Kaufmann (newsprint); correspondence with jurors; biographical information; clippings; press release","Eliot Elisofon's biography; 1 duplicate photograph (Elisofon); correspondence with jurors; biographical information","1 photograph (Louis Kahn); correspondence with juror (Kahn); schedules","\"ADP Jury Schedule\"; 5 photographs; photocopy of contact sheet; comment notes; list of potential jurors; schedules; correspondence re: dinner and hosting","\"Receiving and Handling of Material\" (11/29/65, \"Procedures for Jurying\" (1/19/66); staff memos; text of Walter Robertson's speech to dinner; notes re: jury report","ADP '62, ADP '64 catalogs; prospectus proofs; 1 copy of ADP '60 \u0026 '66 catalog; 1 copy of ADP '62, '64, '66 prospectuses","ADP slide commentary, 1966; checklists of selected entries; correspondence with artists; comments; fact sheet estimates","Virginia ADP 1966: Traveling Designs, Traveling Photographs, Traveling Transparencies","2 photographs; insurance report form; correspondence with Koplin; shipping information and receipts; biographical information; checklists; 1 copy of 9/65 Bulletin; clippings; label copy","2 photographs; duplicates: 10/65 Bulletin; internal memos; shipping information and receipts; other catalog; correspondence with Jackson","12/65 Bulletin; 2 photographs; label copy; shipping information and receipts; internal memos; insurance report form; correspondence with Alexick; biographical information","1 copy of 11/65 Bulletin; biographical information; label copy; insurance report form; correspondence with Biehl, checklists","3 photographs; correspondence with Belair; shipping information and receipts; insurance report form; 1 copy of 1/66 Bulletin; internal memos","3 photographs; 2 photographs; biographical information; insurance report form; 1 copy of 2/66 Bulletin; shipping information and receipts; correspondence with Pienkowski","2 photographs; 1 photograph; 3/66 Bulletin; label copy; biographical information; shipping information and receipts; insurance report form","2 photographs; label copy; shipping information and receipts; insurance report form; checklists; correspondence with Aldreth","2 photographs; 2 photographs; insurance report form; shipping information and receipts; correspondence with Driskell; label copy","2 photographs; 2 photographs; checklists; insurance report form; shipping information and receipts; 5/66 Bulletin; correspondence with artist; label copy","2 photographs; 2 photographs; clippings; correspondence with artist; checklists; shipping information and receipts; insurance report form; 9/66 Bulletin; press releases; internal memos; label copy","2 photographs; 3 photographs; 10/66 Bulletin; correspondence with artist; shipping information and receipts; biographical information; clippings","3 photographs; label copy; clippings; correspondence with artist; insurance report form; shipping information and receipts","2 photographs; 1 photograph; correspondence with artist; insurance report form; shipping information and receipts; 12/66 Bulletin; clippings; label copy; letter to members from Leslie Cheek Jr. re: opening","2 photographs; 3 photographs; correspondence with artist; insurance report form; 1/67 Bulletin; shipping information and receipts; biographical information; clippings; label copy","2 photographs; 3 photographs; clippings; 2/67 Bulletin; correspondence with artist; insurance report form; shipping information and receipts; label copy; checklists; other brochure; blank gallery floor plan (photocopy)","Clipping; 3 photographs; insurance report form; shipping information and receipts; correspondence with artist; gallery map","2 photographs; 2 photographs; correspondence with artist; 4/67 Bulletin; insurance report form; checklists; shipping information and receipts; label copy","2 photographs; 1 photograph; correspondence with artist; biographical information; 3/67 Bulletin; clippings; checklists; shipping information and receipts; label copy","1 photograph; correspondence trying to track artist down","3 photographs; 4 photographs; 9/67 Bulletin; clippings; correspondence with artist; 1 copy of invitation; shipping information and receipts; biographical information; label copy","3 photographs; 1 photograph; correspondence with artist; clippings; label copy; 10/67 Bulletin; 1 copy of invitation; shipping information and receipts; price list (hand drawn!)","1 photograph; 3 photographs; 11/67 Bulletin; correspondence with artist; shipping information and receipts; label copy","Comparative statistics for Tut and Greek Gold; correspondence with lenders (especially MFA Boston); correspondence re: insurance; clippings; press releases; staff memos re: procedures","Lots of photographs!; 1 copy of press packet (new!)","Lots of photographs!; shipping information and receipts; correspondence with lenders; correspondence with MFA Boston and Brooklyn (2 other venues0; correspondence with Senator Byrd and other legislators re: Senate Bill S.2273 7/9/65","[essentially Mary Louise Pinckney's (Loans Registrar-Programs Division) file]; schedules; staff memos; shipping information and receipts; correspondence with MFA Boston and Brooklyn; memos re: procedures; checklists","Copy of S.2273 Senate Bill report; label copy; memos re: procedures; clippings; correspondence with lenders; shipping information and receipts; 1 copy of invitation; research, correspondence re: recovery of stolen gold","Correspondence re: catalog (with MFA Boston, Brooklyn, author Herbert Hoffmann, printer); catalog proofs; correspondence with lenders","Catalog proofs; catalog copy","1 drawing; correspondence with MFA Boston \u0026 Brooklyn; correspondence with Greek Embassy; correspondence with Department of State; correspondence with Hoffmann, author; correspondence with publicity; staff memos; correspondence re: research","Introduction; correspondence with Pat Davidson (Brooklyn/lecturer); correspondence with Hoffmann; schedules; press release","One annotated checklist","3 articles re: theft of jewelry; 1 drawing; shipping information and receipts; correspondence with lenders","Correspondence with MFA Boston \u0026 Brooklyn; correspondence re: insurance; correspondence with lenders; 1 copy of MFA Bulletin (November 1965); checklists; copies of policies","Copy of S.2273 Bill; correspondence with legislators; clippings","Checklists; correspondence","Panel copy","Label copy; checklists; clippings; correspondence with Patricia Davidson (her writings); catalog proofs","2 items","Correspondence re: shipping with security company and lenders","Correspondence with Alderman; shipping information and receipts; checklists; insurance report form; label copy; traveling exhibition checklists; press release","1 photograph (Thomas George, painter); correspondence with lender (Betty Parsons); label copy","4 photographs; label copy; correspondence with SITES","4 photographs (duplicates); 1 new photograph; other duplicates: SITES suggested press release, Joseph V. McMullan Islamic carpets catalog; 1 copy of the catalog (annotated in a few places); checklists; correspondence with the de Young, next exhibitor; shipping information and receipts; label copy; clipping; correspondence with SITES; 1 copy of Textile Museum catalog; correspondence with Textile Museum; correspondence with Kevorkian Foundation (other choice for exhibition-denied)","2 press releases; introduction; invitation; correspondence with McMullan; itinerary for visit","10 mounted photographs only if unduplicated; 8 Photographs, 2 installation photographs, 1 photograph of building, 1 photograph of artist; 1 drawing; duplicates: catalog, 1 \"Visions of Man\" invitation; checklists; shipping information and receipts; correspondence with Reynolds; label copy, 1 copy of \"Visions of Man\"","3 photographs; correspondence with Hans Beckmann (lecturer)","5 drawings; 9 photographs; 8 duplicate photographs; 1 copy of invitation; MOMA materials (circulator); correspondence with lenders; shipping information and receipts; label copy; research; correspondence with Anni \u0026 Joseph Albers; checklists; correspondence with MOMA; Gemini lithograph catalog","1 photograph (Jonathan Williams); [rest of photos are from Virginia ADP show, probably duplicates from earlier box]; correspondence with potential lecturers for Albers exhibition","1 photograph (Robert Light-speaker); pricelist; checklists; label copy; invitation list; procedures; correspondence with lecturer","1 drawing; 9 photographs; duplicates: suggested press release; checklist; 5 duplicate photographs; shipping information and receipts; correspondence with SITES; correspondence with lecturer; SITES materials; label copy; checklist","2 drawings; 20 photographs; 6 duplicate photographs (from previous folder); correspondence with SITES; SITES materials; shipping information and receipts; label copy; correspondence with lecture sites; annotated checklists; 1 copy of lecture announcement","Introduction, suggested news release, 1 duplicate photograph of Dr. Regina Soria; correspondence with Soria; clippings; itinerary; biographical information on Soria","Invoices and shipping instructions","Miscellaneous correspondence re: exhibitions","1 piece of correspondence re: exhibition schedule change","1 piece of correspondence re: addition to catalog","Press release, 1 duplicate photograph, introduction; itinerary (lecturer); biographical information; correspondence with Dimitri; label copy; clippings (typed) [1 piece of correspondence has a color drawing on bottom]","1 duplicate photograph; memo re: engagements (8/25/64); 2 press releases; 2 introductions; \"Color by Sultner-Wells\" brochure; correspondence with Sultner-Wells; clippings; 1 copy of Longwood Gardens invitation; procedures; itinerary","2 photographs; itinerary; correspondence with Sultner-Wells; 2 posters of his clippings (montages); 2 dust jacket with his photograph; copies of other press releases","4 transparencies, photographs; label copy; correspondence with next venue (Easton Academy of Arts); shipping information and receipts; correspondence with lender (Roland Gibson); checklists","Correspondence re: possible lecture series in Virginia (Blake is connected to Architectural Forum magazine)","Correspondence re: possible lecture series (Minor connected to the Met)","C.V. for Stern; correspondence with R. Stern about leave for Council series on new building (he's Head of Architectural League of NY); correspondence with other potential speakers; correspondence with Pearsalls [John and Laila] (hosts)","Introduction; correspondence re: Christmas' lecture series; itinerary; other promotional material","Correspondence with other museums that recently expanded to obtain slides for a lecture; long letter from Cheek to Robertson re: decision of Governor's committee (turned down design); list of committee members; form letter to President of affiliates asking them to write to their legislators in support of new building plan","Correspondence with Mielziner re: lecture series; correspondence with other potential lecturers; correspondence with other institutions that recently expanded re: slides","Label copy; checklists; lists of panel photographs","5 photographs of proposed floor plans (Baskervill \u0026 Son)","Slide lists; copy of talk; checklists","Insurance report forms; label copy","Label copy; checklists; insurance report forms; correspondence","Shipping information and receipts; correspondence with lenders; checklists; insurance report forms; request for information forms; correspondence re: damage of a loaned painting by Jan Stussy","1 drawing; news clipping; 1 photograph of installation; label copy; correspondence with C.V. Donovan (juror \u0026 Director of Krannert Art Museum); correspondence with publicity; copy of lecture; checklists; other artists' promotional materials","Shipping information and receipts; correspondence with lenders; information request forms","Introduction; suggested press release; 1 slide: Paul Paul Horiuchi's \"Winter Receding,\" 1964; correspondence with Donovan; itinerary; other artists' promotional material","1 drawing; 1 duplicate photograph; 7 photographs; 1 copy of the \"Jeffersonian,\" 5/13/66 with article on exhibition and pictures of Gwathmey's painting; information request forms; checklists; catalog copy; 1 copy of invitation; correspondence with lenders","Information packet","Original proposal; copies of information packet items (drawings \u0026 proposal); copy of same","\"Exhibition Materials\"; checklists; correspondence with George Stevens Productions","Various packeted materials (promotional)","Correspondence with Hollywood Museum; correspondence with Motion Picture Association; correspondence with Ford Foundation; correspondence with George Stevens Productions; correspondence with Smithsonian Institution; correspondence with Old Dominion Foundation","Lists of panels; film sequences lists","Research notebook (Gaines' handwriting?); 1 copy of catalog \"Scenery for Cinema\" at Baltimore Museum of Art, 1942 (when Leslie Cheek was Director); lists of panels; label copy","Promotional materials from film companies (i.e. Technicolor, Panavision)","8 drawings; movie production sheet with film negatives (to stay at LVA)","Life magazine 3/27/64 offprint with article on movie","Film reel labeled \"Selected Documentary Trims\"","Couldn't pull it out without ripping envelope – looks like scripts or set notes; possibly a drawing","Photographs; Newsweek reprint (1/23/67); checklists; lender lists; internal memos; correspondence with various members/visitors with questions re: exhibition; correspondence with Colonial Williamsburg Foundation (supporter of exhibition)","1 photograph; shipping information and receipts; correspondence with lenders; checklists; correspondence with publicity; internal memos","Correspondence with Toledo Museum of Art re: possible loan (denied)","Correspondence re: catalog; annotated copy of John Summerson's essay","5 photographs of packing/unpacking process; correspondence re: Smith College Museum of Art's loan of \"Portrait of the Reverend John Headley,\" including shipping information and receipts and request for information form","Correspondence re: Washington University's loan of \"Grey Children,\" including shipping information and receipts and correspondence re: damage to fram upon return","Correspondence re; Worcester Art Museum's loan of \"Mrs. Elizabeth James\" and \"William James,\" including shipping information and receipts; and request for information form","Correspondence re: Columbus Gallery of Fine Arts' loan of \"Portrait of Anne Hogarth,\" including shipping information and receipts; and request for information form","1 photograph; correspondence re: Allen Memorial Art Museum [Oberlin] \u0026 loan of \"Theodore Jacobsen,\" including shipping information and receipts and request for information form","9 photographs of packing/unpacking; correspondence re: Albright-Knox's loan of \"The Lady's Last Stake,\" including shipping information and receipts and requests for information form","2 photographs; duplicates: \"Loans to the Wm. Hogarth Exhibition\"; catalogue copy; 1 copy of catalogue; correspondence with publicity; correspondence with visitors/members re: catalogue and exhibition; clippings; 1 copy of invitation; checklists","1 envelope of Lessing Rosenwald Prints (couldn't open without ripping); duplicates: catalog; correspondence re: catalogue requests and comments; catalogue copy; checklists","Suggested press release; correspondence with Hofer (Professor at Harvard) re: lecture; internal memos; itineraries; 1 copy of bulletin","Correspondence with Mellon; catalogue copy; checklists; request for information forms; shipping information and receipts","25 photographs (see list); research; copy; internal memos; panel drawings (copies); HOGARTH PANEL PHOTOGRAPHS - 12789 Self-Portrait, 12786 Shop Card, 13313 Jane Thornhill, 12788 Pool of Bethesda, 13305 Captain Thomas Coram, 12785 Battle of the Pictures, 13304 Analysis of Beauty title page, 13306 Grave at Chiswick, 11812 Canvassing for Votes, 13311 Views Down the Thames, 11814 St. Paul's Cathedral, 12829 Beer Street, 12966 Gin Lane, 11852 Country House, 13079 Saint Martin-in-the Fields, 12970 The Four Times of the Day: Noon, 13078 Leister Square, 11816 Renelagh, 11857 Mr. and Mrs. Paul Mellon, 10890 Lessing Rosenwald, 5272 Masterpieces of American Silver, 13001 Marriage a la Mode, 13677 Philip Hofer, 13299 Sir John Summerson, 13074 George II, 13076 Robert Walpole, 13084 William Pitt, 11811 George III, 11813 Iron Forge by Wright","\"William Hogarth: His Life,\" William Hogarth: His Times,\" William Hogarth: This Exhibition\"; copy; proofs","2 photographs; 1 duplicate photograph; correspondence with Mielziner; shipping information and receipts; clippings; panel proofs; panel copy; research; internal memos; checklists; correspondence with IEF (International Exhibitions Foundation) re: traveling exhibitions","1 photograph; shipping information and receipts; correspondence with Multiples, Inc.; list of purchase considerations; label copy; checklists; panel drawings (copies)","Correspondence with National Gallery of Art DC re: pictures of J. Carter Brown","Invitation; fact sheet; 1 copy of catalog; internal memos; annotated copy of 1965 Salon des Réfusés catalog; correspondence with jurors; schedule of work for exhibition; panel proofs; list of certificate winners","Correspondence with artists; correspondence with purchasers; copies of invoices; release forms for transfer of custody","Checklists; correspondence with artists; internal memos","Catalog; list of certificate winners at Biennial; catalog copy; correspondence with Thalhimer's; internal memos; information for 1965 Salon","19 photographs; invitation; catalogue copy; other similar exhibition catalogs from other institutions; internal memos","Correspondence with artists; checklists","March '67 Bulletin; photographs; correspondence with jurors [Milton Hebald, Jack Youngerman, Jock Truman, Paul Smith]; label copy; biographical information; schedules; internal memos; correspondence with hostesses","\"Presentation of certificates\" blank certificates; artist reply card; checklists; schedule; internal memos; correspondence with artists","April '67 Bulletin, \"use of French Galleries\" memo; label copy; statistics ('67 and earlier); internal memos; correspondence with artists","Checklists; correspondence with artists","Photographs","Photographs","Gaines to artists 6/12/67; correspondence with artists; internal memos; shipping information and receipts; invoices for stored worsk; entry blanks","2 letters from Council to purchasers, Gaines letter, yellow \"Gaines-Brandt System,\" 4 photographs; checklists; internal memos; correspondence with artists; press release, 1965 and 1963 information","3 internal memos","'67 prospectus, 2 form letters (1/16/47); prospectus copy; mailing lists; annotated '65 prospectus; '70 prospectus","Correspondence; panel drawings (copies); for traveling exhibitions; [3 traveling shows: \"Treasures from the Guggenheim\"; \"Treasures from the Whitney Museum\"; \"Contemporary Watercolors.\" Also contained \"Art by Virginia Teachers\"]","1 copy of catalog (Heeramaneck Collection) by MFA Boston (annotated)","Correspondence with Heeramaneck; correspondence with Indian embassy; shipping information and receipts; correspondence with Royal Ontario Museum (who received exhibition after VMFA); correspondence with Detroit Institute of Arts (who had it before VMFA); correspondence with MFA Boston, originator; internal memos; drawings (photocopies)","1 copy of invitation; panel copy; panel proofs; correspondence with MFA Boston; correspondence with Royal Ontario Museum; shipping information and receipts; MFA materials (including checklists); internal memos","4 drawings; correspondence with Veener player for preview; clippings re: Indian music; label copy; clippings re: show","Photographs; some select, bad quality photocopies","Photographs","Panel proofs; lecture for chapters copy; correspondence with previous VMFA designer (Ariel Ballif); checklists","Suggested press release; introduction; correspondence with Gleaser (from MOMA) (lecturer for chapters); itinerary; noted speaker report form","Correspondence with potential lecturers for preview; 1 copy of invitation; Glaeser's biographical information; correspondence with Glaeser","Photographs; (envelope of photos from D.I.A. for Arts of India \u0026 Nepal exhibition); invitation to lecture; 1 copy of invitation to preview; 1 copy of invitation to Glaeser's lecture; shipping information and receipts; MOMA (originator) materials, including checklists; drawings (photocopies)","1 drawing; duplicate: preview invitation; panel copy; drawings (photocopies); correspondence with MOMA; MOMA materials, including checklists; exhibition contract; correspondence with John Hand (lecturer from National Gallery of Art DC); shipping information and receipts","Correspondence with MOMA; shipping information and receipts; internal memos","Membership list; shipping information and receipts; correspondence with dealers; price lists from dealers; panel proofs; checklists; speech copy; Collectors Circle meeting agenda; list of items purchased","Shipping information and receipts; panel proofs (annotated 1966 panels); checklists; correspondence with dealers *lots of '66 show files)","Correspondence re: borrowing Wyeth film; correspondence with Philip Hofer (Harvard) re: lecture; blank invitations for Artmobile exhibition (Wyeth \u0026 Japanese Art); clipping; internal memo re: trip to interview Wyeth for AIV article; blank floor plan","Label copy; drawing (photocopy); internal memos; radio guide copy","3 photographs; 11 duplicate photographs; checklists; internal memos; drawings (photocopies); panel proofs; panel copy; shipping information and receipts; 1 copy of Knoedler catalog \"Unpainted Pictures\" (lender); correspondence with Knoedler; correspondence with Detroit Institute of Arts (had exhibition before VMFA); clipping from TIME (3/17/67)","Panel copy; panel proofs; drawing (photocopy); internal memo: all of this re: 400 Years of Prints","1 photograph; shipping information and receipts; drawings (photocopies); panel copy; panel proofs; correspondence with lender (NGA \u0026 AIC); correspondence with Mr. \u0026 Mrs. Leigh Block; checklists; label copy","1 copy of \"Persian \u0026 Indian Miniatures from the Collection of Edwin Binney, 3rd\" from Portland; 1 copy of \"Islamic Art from the Collection of Edwin Binney, 3rd,\" from SITES; correspondence with Portland [VMFA denied exhibition]","1 internal memo re: replacement of \"Jewels\" with \"Resident Craftsmen\"","Jones article reprint; slides, 4 photographs, 5 duplicate photographs; correspondence with IEF (circulator); correspondence with Nelson-Atkins *who received exhibition after VMFA); 1 copy of lecture invitation; 1 copy of preview invitation; shipping information and receipts; panel proofs; clippings; correspondence with potential musicians; checklists; internal memos","Internal memos; correspondence with AFA (circulator); panel copy; checklists; panel proofs; drawing (photocopy)","5 duplicate photographs; 1 photograph; correspondence with MOMA (originator); exhibition contract; MOMA materials, including checklists; shipping information and receipts; MOMA circulating exhibitions catalog 1967-68; drawing (photocopy); panel proofs","Lecture invitation; clipping; internal memo; biographical information; correspondence with Smith (Director of Museum of Contemporary Crafts); correspondence re: juror (chairman) for 1967 Virginia Artists too","1 photograph; 2 new photographs; duplicate of introduction; correspondence with Slivka re: lecture at chapters/editor in chief of Craft Horizons; itinerary; biographical information","Photographs; correspondence with artist; shipping information and receipts; checklists; Bulletin photocopy","Photographs; correspondence with artist; label copy; shipping information and receipts; 1/68 Bulletin; biographical information","Photographs; shipping information and receipts; correspondence with artist; 2/68 Bulletin; label copy","Photographs; correspondence with artist; shipping information and receipts; label copy; 3/68 Bulletin","3/68 Bulletin; photographs; correspondence with artist; label copy; shipping information and receipts; internal memos; biographical information","Photographs; biographical information; shipping information and receipts; internal memos; label copy; 4/68 Bulletin; checklists; correspondence with artist","Photographs; checklists; shipping information and receipts; label copy; biographical information; correspondence with artist","9/68 Bulletin, 4 photographs; biographical information; label copy; price list (hand drawn!); shipping information and receipts; correspondence with artist; internal memos","Photographs; 10/68 Bulletin; label copy; biographical information; checklists; shipping information and receipts; correspondence with artist","Photographs; shipping information and receipts; label copy; 11/68 Bulletin; checklists; correspondence with publicity","Photographs; correspondence with artist; label copy; 12/68 Bulletin; shipping information and receipts; internal memos; correspondence re: damage to sculpture","Photographs; internal memos; label copy; shipping information and receipts; correspondence with artist; biographical information","Photographs; correspondence with artist; label copy; shipping information and receipts; 3/69 Bulletin; checklists","2/69 Bulletin; photographs; correspondence with artist; correspondence re: damage; label copy; internal memos; checklists; shipping information and receipts","44 photographs; correspondence with lecturer; shipping information and receipts; materials from Brooklyn Museum of Art (organizer); drawings (photocopies); panel lists; 1 copy of lecture invitation; 1 copy of preview invitation; correspondence with Brooklyn; checklists","Preview invitation; 1 copy of catalog; clippings; panel copy; correspondence with Brooklyn; shipping information and receipts; Brooklyn materials; panel lists; checklists; internal memos; correspondence with visitors","1 photograph; correspondence with McCoubrey (Chair of Art Department at University of Pennsylvania); his c.v.","1 photograph; correspondence with Oenslager (lecturer)","Cybis porcelain brochure; shipping information and receipts; panel proofs; exhibitors information \"lent\"; clippings; correspondence with Ruder \u0026 Finn Inc. (co-organizers); checklists; drawings (photocopies); correspondence with Cybis porcelain (co-organizer)","2 photographs; catalog; invitation; correspondence with Robert B. Widder (juror); correspondence with entrants; internal memos; slide talk lists; correspondence with juror (Morris Ketchum, Jr.)","Photographs","Invitation, catalog, '64 Architects, Designers \u0026 Photographers, '66 ADP, 3 photographs; catalog proof; checklists; catalog copy","\"Southern Exposure\" newsletter (2/68); clippings; correspondence with artists; label copy; internal memos; schedule","Checklists","\"Comparison…for 1966-68\"; internal memo","Correspondence with artists (4 winning architects mainly); list of winners","Biographical information on Ketchum and Eames, 2 photographs; 1 photograph; correspondence with jurors [Morris Ketchum, Robert Widder, Charles Eames]; internal memos; lecture copy; biographical information","Checklist","Gaines to artist (2/26/68), signed certificates; artist reply cards; correspondence with speaker; checklist","3 prospectuses; prospectus copy; schedule; internal memos","Schedule, 1/11/68 memo, 1/24/68 memo; '66 information; internal memos","Invitation; 2 photographs of 1790s Russian silver cup (\"Charka\"); shipping information and receipts; checklists; internal memos; correspondence with Hollins; panel proofs; drawings (photocopies); correspondence from alumnae; research; correspondence with silver expert; correspondence from Helen Scott Reed (our consultant)","Shipping information and receipts; panel copy \u0026 proofs; drawings (photocopies); checklists with prices; biographical information (Anna Smith- weaver)","3 photographs; AFA materials (circulator); shipping information and receipts; correspondence with Morgan State College (had exhibit before VMFA); correspondence with AFA; reprint of Rohm \u0026 Haas Reporter on \"New AA Forms in Plexiglass\" (Mar/Apr 1966); correspondence with lender, Howard Wise Gallery; 1 copy of May '68 Bulletin; clippings; drawings (photocopies); biographical information on artists; 1 copy of a Howard Wise Gallery catalog for Otto Piene (VMFA's lecturer); 1 copy of catalog; 1 copy of lecture invitation; 1 copy of preview invitation. To take place in Loan Gallery","Biographical information on Kepes; 1 photograph; correspondence with Gyorgy Kepes (organizer of Light show \u0026 original lecturer); correspondence with Piene (M.I.T.), Kepes' replacement; Piene's biographical information; 1 copy of Arts Canada (April 1968) with one of Piene's articles","Catalog; 3 photographs; correspondence with Photographs in the Fine Arts (a company); drawings (photocopies); clippings; panel proofs; checklists; packet of available exhibitions from George Eastman House; 1 copy of PSA Journal (August 1967) [Leslie Cheek was a judge]","5 photographs; 1 catalog; exhibition contract; correspondence with MOMA (circulator); shipping information and receipts; checklists; panel proofs; MOMA materials","Lecture invitation, checklist; 4 photographs; duplicates: \"A Look at Carter Collection,\" \"Vender Gives Rodin to Museum\"; clippings; correspondence with LACMA (circulator); shipping information and receipts; internal memos; exhibition contract; 1 copy of preview invitation; correspondence with Gerald Carter (collector)","1 photograph, biographical information; correspondence with Adams (Director of Cincinnati Art Museum \u0026 VMFA lecturer); 1 copy of lecture invitation; internal memos; correspondence with Reynolds (his hosts)","\"Selections from Virginia Architecture\"; panel proofs; drawing (photocopy); internal memos","1 drawing; MOMA exhibition packet, MOMA press release (6/20/67); MOMA materials (circulator); drawings (photocopies); correspondence with MOMA; shipping information and receipts; clippings; internal memos","Photographs","1 photograph; biographical information; lecture invitation; correspondence with Szarkowski (MOMA Director of Photography \u0026 VMFA lecturer); itinerary; correspondence with Bryans (his hosts)","Shipping information and receipts; panel proofs; internal memos; drawing (photocopy);","7 drawings (on graph paper-drawn by Brown herself); label copy; shipping information and receipts; checklists; 2 more prints of transparencies from envelope; correspondence with Brown; biographical information; panel copy; panel lists; drawings (photocopies)","Shipping information and receipts; request for special/specific information forms; white envelope with 5 transparencies; 2 prints of 2 of the transparences for Collector of the Year exhibition","Special/specific request for information forms","Biographical information; correspondence with Griffith re: lectures (Curator of Films, MOMA); lecturing for \"George Stevens Makes a Film\"","Shipping information and receipts; biographical information; photocopies of 2 catalogs","1 copy of Council 1967-68 membership book; internal memos; various reports (budgetary \u0026 non); correspondence, 2 slides for lecture on Council budget 66-67 season","Lecture invitation, 1 photograph; Correspondence with Dee (curator of drawings \u0026 prints at Cooper-Hewitt) re: lecture; 1 copy of January 1969 Bulletin; correspondence with hosts; biographical information","Packing list, photographs; 1 copy of catalog (cut up) of View of Florence \u0026 Tuscany by Giuseppe Zocchi, loaned by Pierpont Morgan Library","Photographs; shipping information and receipts; correspondence with IEF (circulator); correspondence with Dee re: lecture; IEF materials; drawings (photocopies); label copy; internal memos; 1 copy of America-Italy Newsletter (spring 1968); 1 copy of Pierpont invitation; 1 copy of preview invitation; correspondence re: catalogs; correspondence re: opening","Correspondence with Senator Scott from 1982 from Richard Woodward; checklists; clippings; internal memos; correspondence with Scott; shipping information and receipts; drawings (photocopies); panel proofs","Invitation; checklists; internal memos; correspondence re; filmstrip for Orientation Theatre; drawings (photocopies)","C.v., invitation, 1 photograph; correspondence with Begley (professor at School of Art, University of Iowa); internal memos; correspondence with hosts","3 photographs; 3 photographs (small one, Dr. \u0026 Mrs. George B. Green); panel copy; panel proofs; label copy; drawings (photocopies); correspondence with lender (George Green); shipping information and receipts; internal memos; correspondence with Colonial Williamsburg; research; checklists","Photographs","8 photographs; 5 new photographs; shipping information and receipts; internal memos; checklists with values; correspondence with Motherwell (juror) and correspondence with his gallery representation (Marlborough); correspondence with Frank Gallo (juror); and his representation (Gilman Gallery and Graham Gallery); request for information forms; drawings (photocopies); label copy","Checklists; list of lenders; internal memos; correspondence with lenders (including MFA Boston and AIC); shipping information and receipts","1 photograph; lecture invitation; preview invitation; correspondence with Wardell (Curator, Department of Primitive Art at AIC) re: lecture; correspondence with hosts; 1 copy of April 1969 Bulletin","Photographs","Photographs","1 drawing; other press releases; shipping information and receipts; checklists; internal memos; correspondence with MFA Boston (organizer); correspondence with AIC (lender); clippings; panel proofs; 1 copy of preview invitation; list of lenders","8 photographs; correspondence with MFA Boston; exhibition contract; internal memos; 1 copy each of The World of Peru in the United States, Three Centuries of Peruvian Silver, Master Craftsmen of Peru; Folk Art of Peru, 2,500 Years of Peruvian Art, Folk Art of Peru (longer version), Contemporary Peruvian Paintings and Sculptures","1 photograph; list of members; special request for information form; correspondence re: broken object (belonged to Stewart Bryan)","Catalog, 3 duplicate photographs, 2 new photos; internal memos; shipping information and receipts; checklists; label proofs; exhibition contract (MOMA is circulator); correspondence with MOMA; clippings; MOMA materials (including press release)","Press release (4/2/69); Kandinsky article by Johnson; wall label, Photographs; correspondence with MOMA (organizer); MOMA materials; exhibition contract; shipping information and receipts; checklists; drawings (photocopies); panel proofs","2 photographs; duplicates: invitation, 1 duplicate photograph; correspondence with potential lecturers; correspondence with Beckmann (visiting Bauhaus artist); clipping","Shipping information and receipts; panel proofs; panel copy; drawings (photocopies); special request for information forms; label proofs; label copy; checklists; correspondence with UVirginia (lender and co-organizer); correspondence from State Library (co-organizer)","4 photographs; checklists; shipping information and receipts; correspondence with O'Neal; photocopies of drawings; list of lenders; correspondence with UVirginia; correspondence with State Library; research; internal memos; correspondence with lenders","Invitation; 2 photographs, 1 transparency; catalog copy; internal memos; checklists; correspondence with lenders; correspondence with William O'Neal (guest curator)","1 photograph; introduction; correspondence re: lecture; invitation","Checklists; correspondence with lenders; correspondence with O'Neal","Checklists from dealers with prices/values; shipping information and receipts; correspondence with dealers; checklists; internal memos","Invitation, \"Suggested Remarks for Mr. Arthur Brinkley,\" 5/12/69; 1 copy of catalog; introduction; correspondence with Alloway re: lecture","Correspondence with various speakers; internal memos; schedules","Internal memos; list and schedules (entertainment, exhibitions, events, theatre, etc.)","4 invitations; 3 other invitations (Once Invisible, Alloway's lecture, Gold of Ancient America)","Internal memos; mailing lists","Green pickup cards, Gaines to Artist (7/3/69); shipping information and receipts; correspondence with artists; entry blanks; internal memos; checklists","Gaines to Purchaser invitation, purchasers; preview tearsheet (yellow), memo 4/29/69 (blue), 1969 fact sheets; checklists","Internal memos; correspondence with artists; invoices re: sales; checklists","Photographs","Memo 11/17/69, memo 11/26/69; correspondence with artists","'69 invitation, '69 salon catalogue; 1 copy of '67 invitation and catalogue; catalogue copy; 1 copy of '69 catalogue; catalogue proof","'69 fact sheet; statistics","'67 and '69 Salon catalogues; checklist; internal memos; form letter to artists from Ellyson","3 photographs; schedule; internal memos; correspondence with jurors; biographical information; correspondence with hosts; lecture invitation; correspondence with potential jurors [Bontecou agreed but then had to cancel]","Photographs; label copy; 1 copy of ADP '68 catalog; 1/70 Bulletin; biographical information on Paul Rand; correspondence with Rand; internal memos","2 slides, 18 photographs; 5 duplicate photographs; label copy","\"Receiving \u0026 Handling of Material\" memo 1/28/70, 1 photograph [Kenneth Winebrenner \"Mirror\"]; 1 copy of 1970 prospectus; entry blanks; internal memos; correspondence with artists; biographical information","1 photograph [Paul Smith looking at Castle's work from an earlier juried exhibition?]; 2/70 Bulletin; correspondence with juror [Wendell Castle]","Photographs; 1 copy of 1970 catalog (annotated); correspondence re: image of Winebrenner's mirror","1 copy of 1970 catalog (annotated); internal memos; correspondence with artists","Form letter; shipping information and receipts; correspondence with artist; checklists","1 form letter; shipping information and receipts; correspondence with artists; checklists; internal memos","Slides; duplicates; signed certificates; correspondence with winners; checklists; presentation order","Label copy; clippings; catalogue copy; checklists; internal memos; lease agreement for warehouse; drawing (photocopy); jury tokens; correspondence with artists","Prospectus, form letter from C. Ellyson; correspondence with chapters; annotated '67 prospectus; prospectus copy schedule","Memo 1/23/69, memo 1/25/67; internal memos; correspondence with 7th \u0026 Franklin; schedule","Catalog ('70 Designers); catalogue proofs; entry blanks; 1 copy of '68 ADP catalogue; catalogue copy; checklists","Annotated '70 prospectus; correspondence with juror; prospectus copy; internal memos; schedule","Entry blanks; 1 copy of '70 Craftsmen catalogue; 1 copy of '67 Artists catalogue; checklists; catalogue copy; preview invitation; label copy","Prospectus copy; schedule","Internal memos; checklists","Checklists; internal memos","Memo 9/3/69, memo 6/30/69; checklists; internal memos; fact sheets; correspondence with artists; label copy; excerpts from juror speech","Catalogue copy; checklists; 1 piece of correspondence re: catalogue","Signed certificates, reply cards, Gaines form letter; reply cards from winners; checklists; correspondence with artists","Press release 6/27/69, biographical information, 1 photograph; correspondence with potential jurors; internal memos; correspondence with juror (Peter Bunnell)","Photographs; label copy","Photographs; correspondence with artist; 3/69 Bulletin; label copy; shipping information and receipts; biographical information","4/69 Bulletin; photographs; correspondence with artist; label copy; shipping information and receipts","5/69 Bulletin; photographs; correspondence with artist; biographical information; label copy; shipping information and receipts","9/69 Bulletin, invitation; photographs; checklists; correspondence with artist; label copy; insurance report form; internal memos; biographical information","Invitation; 10/69 Bulletin, photographs; correspondence with artist; checklists; label copy","Photographs; correspondence with artist; biographical information; label copy","Photographs; correspondence with artist; label copy; biographical information; shipping information and receipts; internal memos","2/70 Bulletin; photographs; label copy; checklists; 5/69 Bulletin; invitations; correspondence with artist; internal memos re: missing print","3/70 Bulletin, photographs; correspondence with artist; internal memos; price list (hand drawn!); press release; biographical information; label copy","Invitation; 2 photographs; 3/70 Bulletin; correspondence with artist; label copy; checklists","Photographs; correspondence with artist; checklists; 4/70 Bulletin; label copy; biographical information","5/70 Bulletin, invitation, photographs; checklists; label copy; correspondence with artist; biographical information","Invitation, \"suggested stand\" drawing; 1 photograph; label copy; correspondence with artist; clippings; biographical information; checklists; 9/70 Bulletin","10/70 Bulletin; 2 photographs; label copy; clipping; internal memos; checklists; correspondence with artist; invitation","Invitation; photographs; label copy; internal memos; shipping information and receipts; correspondence re: letter of recommendation for job","Invitation, 5 photographs; 5 new photographs; 5 slides; correspondence with artist; label copy; clipping","Correspondence with potential jurors; internal memos","1 photograph of Rand, prospectus; correspondence with Rand (juror); catalog of Rand's work; research","'69 prospectus, letter Ellyson to art department 6/23/69, memo to chapters 6/23/69; copy of '68 ADP prospectus; prospectus proof; prospectus copy; internal memos; schedule","Checklists; internal memos","Checklists; fact sheets","Internal memos; checklists","Memo 7/7/70; internal memos; entry blanks; correspondence with architects; schedule; project descriptions; drawing (photocopy); lecture invitation copy; shipping information and receipts","Reply cards; internal memos; correspondence with architects","Catalogue; correspondence with architects; catalogue copy","One signed certificate; correspondence with winners","4 photographs; correspondence with juror (Romaldo Giurgola); internal memos; clipping; biographical information","Photographs; clippings","Prospectus, announcement; prospectus proof; prospectus copy; '68 annotated ADP prospectus; clipping","Entry blanks; fact sheets; internal memos; checklists","Internal memo; checklists","Correspondence with SITES; SITES materials; invitations; exhibition information; Bulletins; correspondence with other Smithsonian Institution staff","SITES catalogues, 1967-1970","Checklists; insurance report forms; correspondence with lenders (dealers); membership list","Internal memos; correspondence with lenders; checklists; shipping information and receipts; label proofs; research; budget planning; correspondence with consultants","Preview invitation; correspondence with and between consultants (Helen Scott Reed and Kathryn Buhler); catalog copy","Invitation (preview); invitation (lecture); exhibition prospectus; catalog proofs","Photographs; internal memos; clippings; catalog notes; correspondence with lenders; checklists; invitation list","Correspondence with lenders; shipping information and receipts; correspondence with various organizations","1 copy of catalog; special information form","Correspondence with Rouse (Jamestown Foundation) re: lecture; copy of lecture text","1 photograph; correspondence with Buhler (consultant) re: lecture; copy of lecture text","4 photographs; suggested press release; checklist; correspondence with IEF; label proofs; exhibition contract; IEF materials; shipping information and receipts; internal memos","7 photographs; 2 contact sheets and 1 new photo; duplicate: invitation; crawing (photocopy); internal memos; label proofs","9 photographs, 4 new photographs including 1 contact sheet; duplicates: lecture invitation; label copy; drawings (photocopies); shipping information and receipts; MOMA materials; checklists; correspondence with MOMA (circulator); exhibition contract; research; internal memos; 1 copy of preview invitation","Lecture invitation; correspondence with Fern re; lecture (Library of Congress Prints \u0026 Photos Division); internal memos","1 photograph (contact sheet); checklists; varied correspondence","Prospectus with entry cards; 2 photographs; 1 duplicate photograph; correspondence with Castle (juror, Penland School of Crafts)","1 photograph; label copy; correspondence re: item breakage; label proofs","Preview invitation; chipping information; correspondence with lenders; internal memos; 1 copy of catalogue; clippings","Correspondence with lenders; request for information forms; 1 copy of Art Gallery Magazine (12/69); 1 copy of TIME (6/1/70), reason unknown, no more receipts kept in these files","2 contact sheets; correspondence with Peter Selz (UC Berkeley, juror); correspondence with lenders; internal memos (including correspondence re: installation of Robert Irwin's \"Disc\"); correspondence with artists re: their Vietnam War protest","Internal memos; catalogue copy; label copy; research; 1 copy of catalogue (damaged)","1 photograph (1966 show); photographs of works not in show (Krushenick, Warhol, Ruscha); copies of '62 and '66 show information; correspondence with lenders; shipping information; checklists","Label copy; checklists; panel copy; mailing and invitation lists; lender lists","Photographs (VMFA copies)","Photographs (originals)","Lecture invitation; 1 duplicate photograph; correspondence with Selz (juror) re: exhibition and lecture; biographical information; invitation copy","Correspondence with IEF; exhibition contract; internal memos; correspondence with Paul Tishman (collector whose works comprise show); correspondence with High Museum (earlier venue); IEF materials","Photographs; internal memos; correspondence with High and with UT Austin (earlier venues); correspondence with IEF; shipping information","Checklists; IEF materials; research; panel copy","Photographs","Photographs","Photographs","5 photographs; 3 duplicate photographs","7 photographs; 8 duplicate photographs","11 photographs; 3 duplicate photographs","5 photographs; 9 duplicate photographs","9 photographs; 8 duplicate photographs","15 photographs; 4 duplicate photographs","12 photographs; 2 duplicate photographs","1 duplicate photographs","7 photographs; 4 duplicate photographs","2 drawings; duplicates: loan exhibition announcement; invitation; 40 slides; 1 copy of High's brochure; internal memos; NGA brochures; IEF materials; correspondence re: possible speakers; correspondence with Tishman; copy of 9/70 Bulletin; slide list [see end of box]","5 photographs; checklist; internal memos re: this traveling exhibition SP-19 [loans from 4 major NY galleries, distributed by State Services Division]; correspondence with dealers/lenders; 1 copy of 10/70 Bulletin","Catalog (Edgeworth \u0026 VMFA); 1 photograph; audio (reel) tape \"J.[oel] Aldred – tapestries – 71/2 ips\" [Canadian broadcaster]; 1 copy of invitation; catalogue: Hommage à Jean Lurçat, Rothmans, ca. 1966; another Rothmans' catalogue ca. 1964","1 copy of catalog; 1 copy of black tie reception invitation","Internal memos; correspondence with Rothmans of Pall Mall Canada; correspondence with House of Edgeworth (co-sponsors); planning re: previous receptions, etc.","6 photographs","Black tie reception invitation; other invitations (non-VMFA)","Checklist (contemporary French tapestries); checklists (various, including hommage à Jean Lurçat); invitation lists; staff working lists","Notes on the Rothmans Collection; Rothmans press release; Contemporary French Tapestry; research; clippings; copies of other's letters to/from Lurçat [speech by Madame Denise Majorel, 2 clippings]; Lurçat letters (3/29/48 \u0026 12/24/47)","3 photographs; 9 duplicate photographs","Photographs","Photographs [overlap between these 2 folders]","8 duplicate photographs","8 photographs; 9 duplicate photographs","1 catalog for July/August program with catalog card application [1969]","Lists of speakers; internal memos; biographical information; correspondence with speakers; report from Museum Entertainment Committee","VM 1969-1970 events; lists of events; calendars; internal memos; schedules including exhibition, theatre, mailings, events, etc.; 1 copy of Theatre schedule card","Internal memos","Catalog; 4 photographs; 23 new photographs; exhibition contract (Mat is circulator); research; correspondence with Met; internal memos; shipping information and receipts","Mailing, 16 duplicate photographs; 7 new photos; correspondence with Baltimore Museum of Art (circulator); checklists; BMA materials; press release; internal memos; research; 1 copy of catalog (annotated)","4 new photographs; 7 duplicate photographs","1 new photograph; 4 duplicate photographs; correspondence with Norton Simon; clippings; checklists; internal memos; copy of Henry Moore annotated transcript from '63; label and panel copy; information sheets on paintings; 1 copy of invitation; shipping information and receipts","2 photographs; correspondence with collectors; checklists; drawings (photocopies); research, photocopy of Vogue article (4/15/60) on Colin","Correspondence with lenders; shipping information and receipts","Correspondence with lenders; internal memos","Preview invitation; correspondence with lenders; internal memos","Correspondence with potential lenders","Reminder card; invitation; checklists; research; lender lists; label copy; request for information forms; clippings; shipping information and receipts; mailing lists","33 new photographs","3 new photographs; 13 duplicate photos","5 new photographs; 10 duplicate photographs","5 new photographs; 10 duplicate photographs","2 new photographs; 10 duplicate photographs","Correspondence with lenders who gave no initial response","Correspondence with lenders re: return of works; internal memos; mailing lists; form letters","Copies of AIV articles from which loan list was gathered, annotated (probably for label/panel/catalog use)","Checklist; suggested press release, invitation, 4 duplicate photographs; 14 new photographs; 2 AFA folders of materials; internal memos; 1 copy of catalog","Shipping information; correspondence with AFA; correspondence with Smith College Museum of Art Director","Wall label; clippings; correspondence with MOMA (circulator); MOMA materials (including press release and checklist); 1 copy of MOMA members' newsletter (Spring 1970); correspondence with Peter Bunnell (photograph curator at MOMA \u0026 organizer); drawings; internal memos; exhibition contract","Invitation; 1 copy of September 1971 Bulletin; internal memos; mailing list","Prospectus; correspondence with artists; internal memos; checklists; schedules; 1 copy of October 1971 Bulletin; 1 annotated copy of Virginia Photographers '69 catalog; 1 copy of '71 catalog","Internal memos; correspondence with lenders re: potential loans; correspondence with lenders; correspondence re: extension of exhibition; correspondence with Robert Koch (speaker); correspondence with publicity","Invitation; poster; 1 duplicate photograph; 4 new photographs, 7 slides; notes; research; information request forms; 1 copy of November 1971 Bulletin; panel copy; clippings; 1 copy of December 1971 Bulletin","1 copy of November 1971 Bulletin; 1 copy of the January 1972 Antique Monthly","1 copy of the January 1972 Antique Monthly","Catalog copy","Catalog copy","Blank copy of information form","6 drawings (photocopies) of lighting schemes","3 photographs (items from Lewis Collection from some catalog); checklists; loan lists; mailing lists; internal memos; panel/catalog copy","Blank request for information forms","Checklist for catalog","Checklist for catalog","Checklist for catalog","Transparencies, 91 photographs","Empty folder","Label copy; internal memos; scripts; notes","Special object information forms","Special object information forms","Invitation; special object information forms","Correspondence with AFA; 1 copy of 1969-70 AFA Catalog","Correspondence with various institutions (museums, universities, organizations); internal memos; promotional materials","Correspondence with IEF; exhibition information sheets","1 press release from Howard University","Correspondence with various institutions (museums, universities, organizations); promotional materials","2 invitations, 2 catalogs (1969 \u0026 1971 for both shows); congratulations letter; pink salon des refuses card; prospectus; 1 contact sheet; schedule; internal memos; correspondence with juror (Thomas Hess); list of buyers; committee lists; correspondence with 7th \u0026 Franklin building owners (where judging was done); 1 drawing (photocopy)","16 photographs; duplicates: 6 photographs, prospectus; correspondence with Thalhimer's; internal memos; fact sheets; correspondence with artists; clippings; label copy; checklists; 1 copy of catalogue; 1 copy of May 1971 Bulletin; copies of certificate winners' entry blanks","Photographs; 1 copy of catalog; 1 copy of prospectus; lease agreement for 7th \u0026 Franklin Building","Photographs","Photographs","Correspondence with potential speakers","Memo 3/16/71, 5/71 Bulletin; fact sheets; internal memos; correspondence with artists; correspondence with 7th \u0026 Franklin; schedule; clipping; checklists","Internal memos; checklists","Catalogue; internal memos; catalog copy; correspondence with artist","Signed certificates; entry blanks; 1 copy of catalogue; correspondence with winners; checklists; internal memos","2 photographs; correspondence with artists; internal memos; schedules; correspondence with juror","Slides; photographs; checklists","Release forms; invoices; preview invitation list; fact sheets; checklists; internal memos; '71 invitation; correspondence with artists","Annotated catalogs; correspondence with purchasers; correspondence with artists; purchase information cards","Memo 9/8/71; correspondence with artists; label copy; internal memos","1 copy of '71 prospectus; 1 copy of '60 catalogue; correspondence with juror (Harry Callahan); fact sheets; research/biographical information","Photographs; '69 and '71 prospectuses","Prospectus copy; correspondence with artist","Fact sheets; internal memos; checklists; entry blanks","Internal memos; correspondence with artists; checklists","\"Guidelines for Preparing Panels,\" memo 3/19/71; dinner invitation copy; internal memos; project descriptions; correspondence with designers; schedule; catalog copy; AIID Virginia Chapter Directory 70-71; correspondence with Virginia AID; entry blanks; 1 copy of dinner invitation with reply card","Correspondence with winners","1 photograph; slides; correspondence with juror (Sarah Tomerlin Lee-former Editor of House Beautiful); schedule; internal memos","2 new photographs; 9 duplicate photographs","Signed certificates; entry blanks; label copy; biographical information; correspondence with juror (Henry Wolf); correspondence with potential jurors; internal memos; reception invitation list; checklists; correspondence with artists; fact sheets","Catalogue ('72); catalogue copy","14 new photographs; 2 duplicate photographs; catalogue","Prospectus; prospectus copy; annotated '68 prospectus copy","Form letter from Ellyson, prospectus; annotated '69 prospectus; correspondence with artists: re: prospectus, prospectus copy","Catalogue; fact sheets; shipping information and receipts","Reply cards; correspondence with artists; internal memos; checklists","Letter 4/8/71; fact sheets for printmakers","Catalogue; catalogue copy; checklists","Signed certificates; correspondence with winners; checklists","1 copy of '71 catalogue; checklists; catalogue copy; internal memos","Prospectus; prospectus copy; correspondence with designers","Copy of Art Directors Club prospectus","Internal memos; correspondence with artists; 1 copy of catalogue; reply cards","Entry cards; shipping information and receipts; internal memos; fact sheets; checklists; correspondence with artists; 1 signed certificate; label copy","Photographs; internal memo","Catalogue; catalogue copy; catalogue proofs; label copy","Signed certificate; correspondence with winners","5 new photographs; 8 duplicate photographs","Annotated '67 prospectus; prospectus copy; blank mailing labels","Label copy; correspondence with artist; clipping; 12/70 Bulletin; checklists","Invitation; photographs; label copy; internal memos; correspondence with artist; invitation list; biographical information 1/71 Bulletin; Robinson House exhibition checklist","Invitation; photographs; checklists; internal memos; label copy; biographical information; correspondence with artist; \"Art Now: New York,\" Vol. 2, no. 10; installation sketches by Jackson; 2/71 Bulletin; Robinson House checklist","3/71 Bulletin; 2 photographs; 7 slides; Robinson House exhibition checklist; internal memos; correspondence with artist; label copy; biographical information","3/71 Bulletin, 1 photograph; clippings; correspondence with artist; internal memos; label copy; Robinson House exhibition checklist; invitation list","3 photographs; internal memos; correspondence with artist; label copy; biographical information; Robinson House exhibition checklist; 4/71 Bulletin; invitation list","1 slide, invitation; 4 photographs; internal memos and correspondence with artist re: damaged works; biographical information; label copy; correspondence with artist; clippings; checklist; 5/73 Bulletin; shipping information and receipts","Invitation, 9/71 Bulletin, 2 duplicate slides; 2 photographs; 3 slides; label copy; correspondence with artist; invitation list","10/71 Bulletin, invitation; 4 photographs; biographical information; correspondence with artist; label copy; checklists","Photographs; 3 slides; invitation list; 1 copy of invitation; correspondence with artist; internal memos; biographical information; checklists; label copy; 11/71 Bulletin","2 photographs; 3 slides; label copy; price list (hand drawn!); correspondence with artist; biographical information; 12/71 Bulletin","2 photographs; 3 slides; invitation; label copy; biographical information; correspondence with artist; Robinson House exhibition; checklist; 12/71 Bulletin","Invitation, 1 slide; 1 new slide; 1/72 Bulletin; label copy; biographical information; checklists; internal memos; correspondence with artists","1 photograph; \"Masterpieces of Early American Furniture, Antiques (11/70), invitation, \"The U.S. Department of State Americana Fund…\"; correspondence with possible collectors; research, correspondence with Clement E. Conger, Collector of the Year 1972 (Chairman of Special Fine Arts Committee for acquisition of furnishings for the Department of State); internal memos; clippings; biographical information; press releases; clippings; checklists layout (typed)","Photographs; 1 drawing; drawing (typed!); clippings; label copy","Photographs","6 photographs; duplicates: 8 photographs, invitation; drawings (photocopies); correspondence with Mourot; research; internal memos; checklists; clippings; label copy","Prospectus; internal memos; correspondence with artists; reception guest list","Invitation, poster, MOMA information sheet, \"Modern Museum Offers Works…\"; 13 photographs; memos; correspondence with MOMA (circulator); shipping information and receipts; checklists, 1 poster","Internal memos; correspondence with lenders; research; clippings; catalog copy; 1 copy of May 1972 Bulletin; clippings; shipping information and receipts","Catalogue copy","Catalogue copy","Catalogue copy","Catalogue copy","Catalogue copy","Correspondence with Muller; list of tentative loans","9 photographs; 1 duplicate photograph","1 new photograph; 1 duplicate photograph; correspondence with the AIC; request for information form","2 duplicate photographs; correspondence with Princeton; request for information form","1 duplicate photograph; correspondence with Atkins; request for information form","1 duplicate photograph; correspondence with Fogg; request for information form","1 duplicate photograph; correspondence with Meadows Museum; request for information form","2 photographs; 6 duplicate photographs; correspondence with Met; request for information form","4 duplicate photographs; correspondence with MFA Boston; request for information form; internal memos; insurance certificate","6 duplicate photographs; correspondence with NGA; request for information form","2 duplicate photographs; correspondence with RISD; request for information form","3 duplicate photographs; correspondence with Thaw; request for information form. invitation; photographs","1 photograph; correspondence with Worcester; shipping information and receipts; request for information form; correspondence re: insurance","1 photograph; correspondence re; photograph orders and framing for our pieces; request for information forms","16 new photographs; 4 duplicate photographs","18 new photographs; 6 duplicate photographs","Request for information form; piece of box from printer","Checklists; lists of loans; shipping lists; mailing lists","One piece of correspondence","5 new photographs; 1 duplicate photograph","8 new photographs","Correspondence with lenders who denied loan request","Checklist, wall label, press release, 7 photographs; 2 contact sheet strips; materials from MOMA (circulator); correspondence with MOMA; internal memos; label copy; drawings (photocopies); 1 [misfiled] mock-up of Goya Catalogue cover","Checklist, 2 photographs; 4 new photographs, 2 invitations, members' preview postcard and special reception in envelope; \"Gund Collection of Western Art,\" 1970; internal memos; correspondence with Gund; correspondence with lenders; clippings; \"American Western Art: a Personal Narrative.\"","Photographs","Invitation; correspondence with Gund Museum; internal memos; research; checklists; blank request for information forms; correspondence with lenders; lists of movies; Gund Collection materials","4 photographs with labels, 5th=#15494, Carl Kauba, b. 1865, \"Indian\", Gilt Bronze, Collection Bobby Chandler; loan request; information sheets with small photos stapled to them (left in folder); correspondence with lenders; checklists; research","1 catalog; 1 contact sheet strip; internal memos; label copy; 1 copy of invitation; correspondence with AIA, Richmond Chapter","Invitation, 2 layout designs by Lipton, 6 photos; 27 new photos; correspondence with MIT (circulator); internal memos; correspondence with Marlborough Gallery (organizer); panel drawing (photocopy); checklists; correspondence with Lipton; label copy; research","2 invitations, \"An Exhibition of Sculpture and Drawings by Gaston Lachaise,\" 2 photographs; 9 new photos; correspondence with Lachaise Foundation and [Felix] Landau Galleries (organizer); internal memos; checklists with prices; shipping information and receipts; drawing (photocopy); clippings","1 photograph; correspondence with MOMA re: possible exhibitions, including Otto Frei exhibition [unsure if declined or not]","Checklist; 1 photograph; internal memos; clippings; list of items sold or rented","1 piece of correspondence re: lecture offer declined","Correspondence with Bernard Danenberg Galleries re: possible showing","Correspondence with AFA","Correspondence with Advertising Trade Publications, Inc.","Correspondence with the IEF","Correspondence with Maritime Museum in Newport News and Philadelphia","\"Project background \u0026 history,\" \"Bonniers introduces 9 incredible toys,\" 8 photos; 1 drawing; internal memos; correspondence with Bonnier International Design (organizer); correspondence with Ruder \u0026 Finn (circulators); Bonnier materials (including tear sheets); 1 copy of New York (9/11/72)","Proposals and materials from: George Eastman House, National Association of Women Artists, Rice University, California Arts Commission, Haus Rucker Company; MFA Houston, St. Paul Art Center, Fran Grace, Walter Art Center","Proposals and materials from: Japan Cultural Society, MOMA, Museum of the Confederacy, J.B. Speed, Library of Congress, Appalachian Corridor, SITES, Renwick Gallery, Asian Theatre Artists, NGA, Sculpture Center, International Museum of Photography, Oakland","1 photograph; correspondence with Smith (juror, Museum of Contemporary Crafts); biographical information","Catalogs, prospectus, 1 photograph; correspondence with Wolf (juror; Trahey Wolf Advertising, Inc.); biographical information","Correspondence with AFA; 1971-1972 catalog","Correspondence with institutions; artists; galleries and others (including materials)","Invitation, 2 slides; invitation list; correspondence with artist; clippings; label copy; 2/72 Bulletin","Invitation; 4 slides; 5 photographs; biographical information; label copy; correspondence with artist; 3/72 Bulletin; checklists","Invitation, 4/72 Bulletin; 1 slide; correspondence with artist; internal memos; label copy; checklists; biographical information","4/73 Bulletin, 1 slide, invitation; 1 negative; 1 photograph; 12/69 Bulletin; label copy; shipping information and receipts; biographical information; checklists correspondence with artist","5/72 Bulletin, invitation; 1 photograph; 4 slides; correspondence with artist; label copy; checklists; biographical information","Invitation, 1 photograph; 4 slides; label copy; 9/72 Bulletin; correspondence with artist; checklist; shipping information and receipts","Invitation, 4 photographs; 1 slide; shipping information and receipts; checklists; biographical information; 10/72 Bulletin; label copy; correspondence with artist","Invitation; 1 photograph; 4 slides; checklists; shipping information and receipts; correspondence with artist; label copy; biographical information","Label copy; correspondence with artist; 11/72 Bulletin; checklists; shipping information and receipts","\"1972-73 Robinson House One-Man Exhibitions\" List; internal memos; schedules","1 photograph; 4 slides; label copy; 1/73 Bulletin; correspondence with artist; internal memos; checklists; shipping information and receipts","1 slide, invitation, 2 photographs; 1 new photograph; label copy; 1/73 Bulletin; correspondence with artist; shipping information and receipts","Invitation, 2/73 Bulletin; 2 photographs; checklists; biographical information; internal memos; correspondence with artist; transportation request form; label copy","Invitation, 3 photographs; 3 new photographs; 3 slides; biographical information; shipping information and receipts; checklists; correspondence with artist; transparencies request form; internal memos; label copy; 3/73 Bulletin","'72 Honor Awards Program, Virginia AIA Chapter; concealed ID form; catalogue; internal memos; prospectus copy; Virginia Chapter AIA materials; 1 copy of prospectus; catalogue copy","Correspondence with juror (Hugh Jacobsen)","2 photographs (Paul Smith); entry blanks; correspondence with artists; reception guest list; drawing (photocopy); internal memos; 1 copy of catalogue; correspondence with juror (Paul Smith)","Internal memos; checklists; fact sheets; shipping information and receipts; entry blanks","Purchase cards; annotated catalogues ('73); invoices; checklists; correspondence with purchasers; correspondence with artists; shipping information and receipts; release forms","Slides; 7 new photographs; 3 duplicate photographs","Letter (9/12/73); entry blanks; reception invitation list; shipping information and receipts; correspondence with artists; internal memos; correspondence with winners","1 copy of catalogue; catalogue copy; internal memos; checklists","Schedule; prospectus copy","Correspondence with artists; internal memos; fact sheets; checklists","Checklists; correspondence with artists","2 invitations, 8 duplicate photographs; 9 new photos; internal memos; checklists with values; correspondence with Blumkas (Mr. and Mrs. Leopold); research; correspondence re: complete loss of Gothic velvet tapestry due to water damage","7 photographs; correspondence with MOMA (circulator); checklists; internal memos; MOMA materials (including wall label, press release)","3 photographs; internal memos; panel layout notes; Accession Committee meeting minutes copies (to look at new accessions)","Invitation; photographs; label copy; drawing (photocopy)","Photographs; duplicates; 2 invitations; invitation copy; internal memos; correspondence with Whitney (circulator); Whitney materials; label copy; 1 copy of \"Edward Hopper: Selections from the Hopper Bequest,\" published by Whitney; 1 copy of 3/73 Bulletin","5 photographs; label copy; correspondence with lenders; request for information form; internal memos; correspondence re: Bernard Martin \"copying\" Alfred Newman's photograph of Hopper re: possible copyright infringement","Catalog; 2 photographs; 1 copy of prospectus; internal memos; label copy; list of designers; correspondence with AIID","Invitation, 10 photographs; internal memos; label copy; invitation copy; mailing lists","Catalog, invitation, 1 photograph; 2 slides, 1 new photograph; internal memos; correspondence with artists; label copy; 1 copy of prospectus; checklists; clippings","5/73 bulletin; shipping information and receipts; correspondence with artists; internal memos; correspondence with Thalhimer's re: display; label copy; checklists; fact sheets","1 copy of catalogue; catalogue copy; checklists; internal m emos; prospectus copy","Signed certificates; correspondence with winners","Correspondence with juror (William Seitz); biographical information","28 photographs","Memo (2/28/73); printmakers card; letter (3/22/73); internal memos","Reply cards; correspondence with artists; internal memos; checklists","1 photograph; duplicates, certificates; juror biographical information (William Pahlmann); correspondence with juror; internal memos; fact sheets; checklists; correspondence with artists; entry blanks","Prospectus (1 copy); AID Virginia Chapter '70-'71 directory; prospectus copy; catalogue (1 copy); checklists; correspondence with NSID","Photographs","3 photographs; 1 duplicate photograph; label copy; entry blank; correspondence with Solomon; biographical information; shipping information and receipts; 11/73 Bulletin","Invitation, 2 duplicate photographs, 10/73 Bulletin; 1 new photograph; label copy; correspondence with Beer; biographical information; checklists","2 photographs; internal memos; correspondence with juror (Nathan Lyons); biographical information","Photographs","Entry blank; correspondence with Dougherty","1 photograph; 1 new photograph; 9/73 Bulletin; correspondence with Davenport; entry blank; biographical information; clipping","Invitation, 2 photographs; 7 new photographs; correspondence with Lewises; drawing (photocopy); internal memos, 1 copy of May '72 W\u0026L Alumni Bulletin","7 photographs; press release; internal memos; materials from Museum of Primitive Art (organizer); clippings; catalog copy","Invitation; catalog; internal memos; correspondence with prospective jurors; 1 photocopy of prospectus; mailing list; article by Nathan Lyon (juror); clipping; NEA grant materials","Press release, 3 photographs, checklist; correspondence with IEF (circulator); IEF materials; internal memos","Research; checklists; catalog copy; mailing lists for catalogs [all materials Blaine-related]","3 clippings, 3 invitations; 7 photographs; internal memos; correspondence with Blaine; mailing lists; catalog copy (Blaine)","Nell Blaine at the Poindexter Gallery, 1972, catalogue folder; 2 new photographs; research; other catalogs; mailing lists; request for information forms; checklists; price lists; internal memos; correspondence with Boston University (Beal co-organizer); correspondence with Poindexter Gallery (Blaine co-organizer); correspondence with Lawrence Campbell (essay writer; Art Students' league); correspondence with lenders; correspondence with artists; catalog copy (Beal)","Photographs; 1 copy of Blaine catalog; list of Beal color transparencies returned","Correspondence with artist and purchasers re: sale of paintings (including copies of checks, etc.); checklists; price lists [all material related to Blaine]","1 drawing by Blaine; correspondence with Boston University, Poindexter Gallery, Blaine, Campbell, lenders; internal memos; 1 copy of Blaine catalog; clippings; loan agreement forms; other catalog (Beal); research; label copy; checklists","Correspondence with AFA; 1972-73 catalog; 1973-74 listing in new 8 ½ X 11 format (unbound)","2 copies of 67-68 catalog; correspondence with AFA; 2 copies of 68-69 catalog; clippings","Correspondence re: possible prison art show","Correspondence with Ruder and Finn","Clippings; research; SITE materials, correspondence with various institutions (museums, galleries, organizations); IEF materials; various catalogs [most of material from late 60s]","Clippings; research; SITE materials, correspondence with various institutions (museums, galleries, organizations); IEF materials; various catalogs [most of material from late 60s]","Material re; possible exhibition of Cecil Beaton as well as Samuel Kirk \u0026 Son","Material re: possible exhibition of Cecil Beaton, as well as for Sir Jacob Epstein, and others","Correspondence re: Objects: USA (collection of S.C. Johnson \u0026 Son, organized by Lee Nordness Gallery); correspondence with various other institutions; various catalogs from late 1960s","Correspondence with various institutions; various catalogs from 1973","Correspondence with various institutions; various catalogs from late 1960s; early 1970s]","Correspondence; internal memos","1 copy of 66-67 catalog; 2 copies of 68-69 catalog; correspondence with MOMA; MOMA materials; clippings; internal memos","1 clipping on Peggy Guggenheim","Correspondence with Multiples, Inc. gallery; internal memo","Eastman House materials","Correspondence with SITES; 1972 catalogs; SITES materials; various SI bulletins; 1 catalog (French playbills)","Correspondence with IEF; IEF materials","Correspondence with IEF; IEF materials","Correspondence with MOMA; MOMA materials, 1 copy of catalog","1 piece of correspondence with Hirschl \u0026 Adler","Internal memos; correspondence with \"Curators of Art for Corporate Collections\" [actually called Danese Design]","Correspondence with IEF; IEF materials","Correspondence with Art professor at Mary Baldwin","Correspondence with Asia House Gallery; checklist; internal memo [not shown]","Correspondence with Whitney and Aldrich Museum of Contemporary Art","Correspondence with Museum of Fine Arts, St. Petersburg; internal memos","Internal memos; correspondence with Multiples, Inc.","Letter from Claiborne to members (10/24/73); 1 copy of invitation; label copy","Internal memos; checklists","Catalog, invitation, 6 photographs; 1 new photograph; 1 copy of Virginia Designers 1970 catalog; internal memos; mailing list; catalog copy; correspondence with Federal Council on the Arts \u0026 Humanities (speaker, Lani Lattin); schecklists","Members special film program card, 2 photographs; 1 new photograph; 1 copy of Wildenstein catalog; research; correspondence with Bakwin; correspondence with members; internal memos; 1 copy of invitation; 1 copy of catalog","Invitation, reply card; 1 photograph; 1 copy of Craftsmen's Biennial 2 (VCU) prospectus; 1 copy of Virginia Craftsmen 1970 catalog; 1 copy of 74 catalog; 1 copy of 74 prospectus; internal memos; mailing list; research","Invitation, 11 photographs; 4 new photographs; 1 copy of catalog \"Walter Gropius: Buildings, Plans, Projects, 1906-1969\"; correspondence; 1 copy of \"Portrait of an idea: Rosenthal Studio-Line\"; correspondence with IEF; IEF materials; exhibition contract; 1 drawing (photocopy); internal memos","VMFA exhibition SP-28; internal memos; checklist; label copy","Clippings; 1 copy of Commonwealth: the Magazine of Virginia (5/74)","2 preview invitations, lecture card, brochure; photographs; label copy","3 photographs; 1 new photograph","Announcement; 3 transparencies; 4 drawings of \"Project: Folk Art\"; correspondence with Whitney (circulator; organizer); internal memos; correspondence with Ruder and Finn; label copy; correspondence with Philip Morris (sponsor); research; invitation copy; brochure copy; Whitney materials; preview mailing list; 1 copy of 4/74 Bulletin; correspondence re: posters and billboard; clipping","Invitation, \"Project: Folk Art\"; 1 photograph; internal memos; correspondence with Ruder \u0026 Finn; correspondence with Whitney; checklists, correspondence with Philip Morris; brochure copy; clipping; correspondence with publicity; correspondence with other institutions","Catalog copy","3 photographs; 2 new photographs; TV speech copy; correspondence with De Young (other venue); correspondence with Central Virginia Educational Television; verbal storyboards","Internal memos; mailing/invitation lists","1 photograph; correspondence with Whitney; correspondence with other institutions; Whitney brochures; clippings; layout drawings (photocopies); label copy","7 photographs; duplicates: transcript, announcement card; 4 dictabelts (interview with Bill Gaines); checklists; correspondence with Chermayeff; internal memos; correspondence with Philip Morris (owners of tapestries); mailing list; 1 copy of invitation; press release; drawing (photocopy)","3 photographs; correspondence with Nancy Hoffman Gallery (organizer); correspondence with lenders; checklists; request for information form; gallery materials","Catalog; photographs; catalog copy; internal memos; checklists; correspondence with lenders; blank information request form; clipping","Photographs, 2 transparencies, 1 slide; 1 copy of invitation; internal memos; clippings; exhibition design drawings (photocopy)","33 photographs; 7 transparencies; duplicates: 15 photographs","4 photographs; 1 transparency, slides; correspondence with potential lenders; correspondence with Diebenkorn; internal memos; request for information forms; checklists","4 photographs; 3 new photos, 1 transparency; correspondence with potential lenders; correspondence with lenders; correspondence with Estes (the photos he provided were for his passport!); request for information forms; checklists; research","6 photographs; 2 transparencies; correspondence with potential lenders; request for information forms; checklists; correspondence with Francis","5 photographs; 2 transparencies; correspondence with potential lenders; request for information forms; checklist; correspondence with Frankenthaler; internal memo","2 photographs; correspondence with lenders; correspondence re: damage; request for information forms; internal memos; correspondence with Hans Nemuth re: portrait of Indiana (photograph)","5 photographs; checklists; correspondence with potential lenders; request for information forms","6 photographs; 1 transparency; correspondence with potential lenders; request for information forms; checklist","5 photographs; 1 new photograph, 2 transparencies; correspondence with potential lenders; correspondence with Motherwell; checklists; request for information forms","6 photographs; 1 transparency; correspondence with potential lenders; request for information forms; checklists","5 photographs; 1 new photograph; correspondence with potential lenders; request for information forms; internal memos; checklists","5 photographs; 1 new photograph; 1 transparency; correspondence with Thiebaud; correspondence with potential lenders; request for information forms; checklists","5 photographs; 1 transparency; internal memos; correspondence with potential lenders; request for information forms; checklists","Catalog; internal memos; correspondence with Virginia AIA Awards Committee","Entry blanks; correspondence with designers; label copy; internal memos; checklists; fact sheets","1 copy of '74 catalog; catalog copy","Signed certificates; correspondence with juror (Ivan Chermayeff); clipping","Photographs","Prospectus; checklists; art directors' club materials; prospectus copy; schedule","4 photographs; correspondence with Hagan; shipping information and receipts; entry blank; label copy; 5/74 Bulletin; biographical information","Invitation; 2 photographs; 2 new photographs; 4/74 Bulletin; shipping information and receipts; biographical information; correspondence with Abbott; label copy","Invitation; 1 photograph; 1 new photograph; label copy; transportation requests; entry blanks; biographical information; correspondence with Barry; shipping information and receipts; 2/74 Bulletin","5 photographs; 1 duplicate photograph; invitations; 1/74 Bulletin; shipping information and receipts; checklists; label copy; internal memos; correspondence with Fridley","Invitation; 4 photographs; NEA booklet; 10/74 Bulletin; correspondence with NEA for Sandborn; brochure (1 copy); brochure copy; internal memos; biographical information; correspondence with Sandborn; entry blank; shipping information and receipts","2 photographs, invitations; 6 photographs; 9/74 Bulletin; correspondence with Ames; biographical information; shipping information and receipts; checklists; label copy; internal memos; entry blank","Catalog; photographs; internal memos; correspondence with artists; label copy; checklists; correspondence with Michael Graves (lecturer); correspondence with juror (Bill Newman); invitation copy; invitation list; prospectus copy; biographical information; 12/74 Bulletin","3 photographs: 1 duplicate photograph, invitations; 11/74 Bulletin; brochure; shipping information and receipts; checklists; biographical information; correspondence with Scalin; entry blank; label copy","22 photographs; 9 new photographs; internal memos; checklists","Research; checklists; internal memos; clippings; correspondence re: poster; drawings (photocopies); panel copy","Photographs","Label copy; research; checklists; correspondence with lenders; internal memos; correspondence with Comprehensive Exhibition Services (circulator); correspondence with potential lenders; blank request for information forms","8 photographs; 6 new photographs; request for information forms; internal memos; correspondence with lenders","SITES and National Art Collection Materials; internal memos; correspondence re: materials for Children's Day","1 photograph; 2 new photographs; correspondence with Delaware Art Museum (lender); 1 copy of 4/74 Bulletin; checklists; internal memos","Correspondence with IEF; IEF materials","Correspondence with potential speakers they declined","Photographs; research; biographical information; clippings, drawing (photocopy); 1 copy of 5/74 Bulletin; internal memos; correspondence with VCU (Professor Lester Van Winkle is co-organizer); correspondence with lenders; invitation list; 1 copy of invitation; checklists; correspondence from visitors","4/74 Bulletin, \"photographic resume,\" 1 photograph; 5 new photographs; correspondence with artist; biographical information","Correspondence with and materials from various institutions, galleries, and organizations; internal memos; clippings; catalog","1 photograph (William B. O'Neal, UVirginia); correspondence with potential speakers; promotional materials; internal memos","1 piece of correspondence re: questionnaire (5/2/74)","Correspondence with MOMA re: possible traveling shows","Correspondence with and materials from various institutions, organizations, and individuals re: declined exhibitions; internal memos; catalogs","Correspondence with Modern Master Tapestries, Inc. (organizing circulator) and Charles E. Slatkin, Inc. Galleries (organizing circulator); promotional materials","Signed certificates, catalog; 1 photograph; internal memo; correspondence with artists; fact sheets; invoices; checklists; clippings; shipping information and receipts","Photographs","Prospectus; prospectus copy; annotated '72 prospectus","NOVirginia invitation, jurors' statement, Lynchburg prospectus, signed certificates (NOVirginia); 10 photographs; checklists; prospectus copy; invitation copy; NOVirginia prospectus; correspondence with artists; catalog copy; Lynchburg catalog; correspondence with directors of affiliates; Lynchburg signed certificate","10 photographs; duplicates: Roanoke catalog, Roanoke invitation; correspondence with artists; Peninsula prospectus copy; Peninsula catalog copy; internal memos; Peninsula prospectus; Peninsula signed certificate; checklists; Roanoke catalog copy; clippings; correspondence with juror (Lawrence Alloway)","'75 prospectus; shipping information and receipts; annotated '73 prospectus; prospectus copy","Photographs; signed certificates, invitation; checklists; '75 catalog; correspondence with NEA re: grant; internal memos; correspondence with juror (Aaron Siskind); fact sheets; prospectus copy","Virginia Commission of the Arts and Humanities grant application","Catalog; catalog copy","1 signed certificate; correspondence with winners","Photographs; 1 copy of '75 catalog","Prospectus copy; internal memos; correspondence re: prospectus","Catalog; purchase cards; invoices; correspondence with artists; internal memos","Reply cards; checklists; correspondence with artists","Invitation, 1 photograph; shipping information and receipts; correspondence with potential jurors; correspondence with juror (Robert Buck); biographical information; schedule; internal memos; checklists; 5/75 Bulletin","Signed certificates; fact sheets; correspondence with juror (Elke Solomon); biographical information; internal memos; checklists; correspondence with artists","Photographs; prospectus; prospectus copy; 1 copy of catalogue; catalogue copy","Letter 2/9/75, purchase card; correspondence with artists; internal memos; invoices","Checklists; correspondence with artists","Invitation, 5 photographs; 1 new photograph; internal memos; invitation copy; correspondence with Mrs. Lammot DuPont Copeland [collector of the year]","1 copy of 2/75 Bulletin; internal memos; checklists (Artmobile exhibition); label copy","1 photograph; 1 copy of catalog; 1 copy of prospectus; internal memos; checklists","Photographs; checklists; label copy; catalog copy; research; invitation copy; correspondence with NC Museum of Art; internal memos; mailing list; 1 copy of invitation","2 photographs; \"1940, Remember?\" clipping; correspondence with Library of Congress Prints \u0026 Photographs Division; internal memos; research; checklists","Catalog, \"Observations on …,\" \"Collecting,\" 2 photographs; 2 new photographs; correspondence with O'Neal; checklists; internal memos; catalog copy; biographical information","4 new photographs; catalog","Catalog, 4 photographs; 4 new photographs; checklists; correspondence with Lewises; internal memos","Catalog, invitation, 6 photographs; 2 new photographs; 1 copy of prospectus; internal memos; invitation copy; correspondence with Robert Buck (juror, Director of Albright Knox)","1 internal memo","1 catalog, 5 photographs; 1 new photograph; internal memos; checklists","Invitation, 6 photographs; 6 new photographs; correspondence with University Art Gallery (Rutgers, organizer); internal memos; invitation copy; correspondence with VM Youth Guild; clipping; correspondence from visitors; 1 copy of catalog; list of books for sale at VMFA Shop","\"Art as Adornment\"; 10 photographs; internal memos; checklists; label copy; catalog copy","3 new photographs; 3 duplicate photographs; correspondence with Art Museum of South Texas (borrower)","Correspondence with Josef Albers Foundation; correspondence; internal memos","Invitation, catalog; internal memos; correspondence re: successful NEA grant; grant materials; statistics","1 photograph; internal memos; checklists; correspondence with Light Gallery (lender); correspondence with Siskind","Press release; photographs; correspondence with AFA (circulator); correspondence with Museum of Primitive Art (lender); drawing (photocopy); in use list; internal memos; correspondence with African Arts magazine; clipping","Poster, catalog, 1 photograph; 4 new photographs; correspondence with AFA; checklists; internal memos; exhibition contract; invitation copy; correspondence with African Arts; correspondence with Museum of Primitive Arts; correspondence with local TV station","\"Masterpieces of Pre-Columbian Art,\" 5 photographs; 1 new photograph; internal memos; label opy; Artmobile slide lecture copy","Correspondence with Museum of the American Indian (organizer); internal memos; clipping","Correspondence with Met (organizer); internal memos","Correspondence with Hyatt re: possible accommodations; correspondence with AAM; internal memos","3 photographs; 3 new photographs; correspondence with lenders; request for information forms; checklists; shipping information and receipts; 1 copy of invitation","3 photographs; 3 new photographs; 1 copy of brochure (\"Landscape in Photography\"); internal memos; checklists","12 photographs; brochure copy; internal memos; checklists; panel copy; press releases","Correspondence with artist; 1 copy of invitation; clipping; internal memos; press release","3 photographs; 12 new photographs; correspondence with MOMA (organizer); checklist; exhibition contract; internal memos; clipping; MOMA materials","Unsigned certificate; 2 photographs; duplicates: letter 8/1/75, 2 blank information forms","Photographs","2/75 Bulletin, invitation, 1 photograph; 2 new photographs; internal memos; correspondence with artist; shipping information and receipts; biographical information; label copy","Invitation; 2 photographs; 4 duplicate photographs, 11/14/74 memo; internal memos; label coy; blank floor plan; 1/75 Bulletin; correspondence with artists; clippings; invoices [lots of correspondence re: student show]","21 photographs; information forms; biographical information; correspondence with artists; internal memos; label copy","2 photographs; duplicates: Roanoke prospectus, Peninsula prospectus, Roanoke catalogue; clippings; correspondence with artists; prospectus copy; juror biographical information; internal memos; correspondence with jurors; NOVirginia prospectus; annotated Roanoke prospectus; checklists; signed certificates; invitation; blank certificates","Photographs; drawings (photocopies); panel copy; research; catalog copy","Checklists by object type (transferred contents of a binder)","Photographs","3 photographs; internal memos; correspondence re: events such as demos and clinics; research; correspondence with visitors; invitation copy; correspondence re: catalog; correspondence with lenders; checklists","Label copy; checklists; research","Photographs; correspondence with lenders; internal memos; correspondence with Virginia Commission of the Arts \u0026 Humanities re: special funding; checklists; research","Catalog copy; research; checklists; labels","Photographs; checklists; other lists","15 photographs; shipping information and receipts; catalog proof; checklists; catalog copy; research; lists by type","10 photographs; 2 new photographs; correspondence with Toledo Museum of Art (organizer); checklists; insurance certificate; clipping, correspondence with Steuben; 1 copy of \"Steuben: 70 Years of American Glassmaking\"; internal memos; correspondence with publicity","\"Forms in Metal\" catalogue; 1 photograph; correspondence with Museum of Contemporary Crafts (organizer); exhibition contract; Museum of Contemporary Crafts materials; internal memos; drawing (photocopy)","3 photographs, invitation, reply card; 1 copy of catalog; correspondence with Lawrence Alloway (juror); invitation copy; internal memos; correspondence with members of arts organizations coming to ceremony; guest lists","Exhibition contract; correspondence with MOMA (organizer); MOMA materials; checklist; internal memos","Checklists; correspondence with University of New Mexico (organizer); research; exhibition contract; internal memos; correspondence with Western Association of Art Museums (organizer); biographical information; drawing (photocopy)","2 photographs; correspondence with Dean Brown Foundation (curator is Carol Brown, widow) and Akron Art Institute (organizer); internal memos; biographical information; AAI materials","Correspondence with Bowdoin (organizer) [cancelled]; Bowdoin materials","3 photographs; correspondence with Israel Museum; clippings","2 photographs; correspondence with Museum of the American Indian; correspondence with Phillip Morris (connection to Museum of AI)","Catalog, prospectus; statistics; letter to members of \"Richmond Communicating Artists\"","Photographs; internal memos; VMFA materials; label copy","One press release [written by Bob Keefe] re: Reeves collection","Internal memos","Correspondence with Terry Dintenfass (organizer); internal memos","19 photographs; correspondence with Gallery Association of New York State (organizer); internal memos; checklist; correspondence with Architectural League of NY (organizer); budget materials (for fundraising); GANYS materials","Photographs; 2 slides","1 drawing; 1 photograph; duplicates: museum tear sheet; general museum and various exhibitions' label copy; catalogue or essay copy for \"The 18th Century Drama\"","Biographical information","Attendance statistics","Label copy","Fact sheet","List of music for Danish Silver exhibition","Lists of alumni in Richmond","2 drawings; Leslie Cheek Jr.'s notes","2 drawings","3 drawings","3 drawings","2 checklists of members","1 drawing; list of photographs for panels","1 drawing","\"Remarks\" 5/25/77","Internal memos; article copy; checklist; correspondence re: permission to publish images","1 transparency; catalog copy; internal memos; correspondence with lenders; research; correspondence re: transparencies; correspondence with Mariner's Museum","Internal memos; correspondence with lenders; correspondence re: transparencies; catalogue copy","Blank information forms","Catalog copy","1 photograph [Vose Galleries]; correspondence with lenders who denied loans","Catalog proofs","Correspondence with Suffolk Art League","Correspondence with Mint Museum; Mint materials","1 copy of \"The Virginia Peninsula Today,\" 11/76; speech copy","Checklists; correspondence with Met re: possible loan","Invitation lists","2 duplicate photographs; 2 new photographs; request for information forms; correspondence with potential lenders","Checklists; internal memos re: postcards for sale (correspondence with other museums' shops)","Press release (8/26/74); correspondence with Mariners Museum; internal memos; clippings; fact sheet","3 photographs","Photographs","Photographs","Request for information forms (folder 2)","Request for information forms","Internal memo; correspondence with Vose re: catalogue; Artmobile label/brochure copy","Budget information; internal memos","Artmobile label copy; Artmobile layout drawing (photocopy)","Research","Slide lists","Internal memos; Artmobile brochure; checklists; Artmobile teachers' kit; clipping","Photographs","Correspondence with potential lenders; internal memos","Correspondence","Correspondence with lenders; correspondence with Mariners Museum; checklists","Checklists","Checklists; correspondence with Mariners Museum","1 slide; 1 photograph (A. Cary Smith, portrait of the Yacht Agnes); correspondence with lenders; research; internal memos; schedule; correspondence with mariners Museum; clippings; other materials","Internal memos; invitation lists; correspondence with attendees/invitees; clipping","Correspondence and internal memos re: budget","Lists; schedule; correspondence with Mariners Museum; correspondence with film companies; internal memos","Budget information; internal memos; correspondence with Mariners Museum; correspondence with NEA; clipping; grant application","6 photographs; correspondence with NNS; 1 copy of \"3 Generations of Shipbuilding\"; NNS materials; \"Men, Ships and the Sea\"; Bring Her Home\"; label copy for publicity photographs0; \"Always Good Ships\"","Label copy","14 duplicate photographs; 2 new photographs; 1 drawing; internal memo","Invitation; invitation list; correspondence with Mariners Museum; internal memos","1 photograph; internal memos; correspondence re: cancellation of Virginia Architecture 1976 (Reality and Revival is the replacement); label copy; drawings of panels (photocopies); '76 AIA honor program","Internal memos (2)","Signed certificate; correspondence with juror (Alan Shestack); correspondence with artists; checklists; internal memos; one entry","Prospectus; photographs; 1 copy of catalog (annotated); biographical information on juror (Alan Shestack, Director of Yale University Art Gallery); checklists; catalogue copy; prospectus copy; un-annotated copy of catalog","2 photographs; internal memos; correspondence with artist","1 photograph; 1 invitation; checklists; internal memos","1977 invitation; internal memos; '77 catalogue; correspondence with NEA re: grant; '77 prospectus; correspondence with juror (Lloyd Herman)","25 slides, 9 photographs; 1 duplicate photograph; clippings; correspondence with Santa Barbara Museum of Art (organizer); internal memos; correspondence with SITES (circulator); 1 copy of catalog; labels; schedule; checklists; Santa Barbara materials, including press release and prospectus; exhibition contract","Photographs; invitation list; announcement; correspondence with artist; announcement copy; price list; entry blank, invitation (signed \u0026 22/58)","Photographs; invitation list; price list; entry blank; announcement; announcement copy; biographical information; internal memos; correspondence with artist","3 photographs; invitation list; entry blank; invitation; internal memos; clipping; biographical information; correspondence with artist","1 photograph; invitation; announcement proof; correspondence with purchasers; biographical information; checklists; invitation list; correspondence with artist","3 photographs; announcement; announcement copy; invitation; internal memos; entry card; correspondence with artist; biographical information; invitation list","3 photographs; announcement; checklists; entry blank; invitation list; correspondence with artist; invitation; biographical information","2 photographs; checklists; correspondence with artist; artists' sale terms and conditions; announcement; invitation list; biographical information; invitation; internal memos","Announcement; invitation; correspondence with artist; announcement copy; biographical information; invitation list; internal memos","Announcement, invitation; announcement copy; biographical information; entry blank; Guggenheim fellowship application; clippings; correspondence with artist; invitation list","Invitation; schedule; 1 copy of prospectus; correspondence with Thalhimer's; internal memos; statistics; correspondence with artists","Prospectus copy; label copy; jurors' statement copy; 2 copies of catalog (1 annotated; 1 not); catalogue copy; correspondence with visitor re: complaint about nude woman in painting","5 photographs; 8 duplicate photographs","Signed certificates; 1 photograph; invitation; internal memos; correspondence with artists; correspondence with juror (Suzanne Delehanty); checklists; statistics","Checklists; correspondence with Thalhimer's; correspondence with artists","Checklists; correspondence with artists","Form letter to Virginia artists from Director Peter Mooz; correspondence with purchasers; correspondence with artists; internal memos; invitation list; reply cards","Internal memos","Invoices; budget information; incident report; correspondence with artist","Invitation; clippings; poster; materials from other exhibitions","Clippings; materials from other exhibitions","Postcard; checklists; label proof; lecture; invitation copy; installation drawing [checklists from Edwin A. Ulrich Museum of Art, Wichita State University)","7 photos; 5 new photos","Correspondence with Wichita State; correspondence with Lewises; correspondence with artist; correspondence with Whitney (other venue)","Invitation, reply card, brochure; 5 photographs; 1 copy of catalogue: \"The Proctor \u0026 Gamble Company Antique English Coffee Pots: The Folger's Coffee Collection\"; correspondence; internal memos; correspondence with the Rowland Company (organized the show); correspondence with Proctor \u0026 Gamble; invitation copy","3 photographs; correspondence with lenders; clippings; internal memos; correspondence with Lewises (lenders of typewriter eraser)","Invitation, 5 photographs; 33 new photographs; clippings; internal memos; correspondence with Kreegers; checklist; drawings (photocopies); invitation list; research; label copy; invitation copy","Internal memos; specs. For A.V. presentation; presentation copy","Invitation; invitation copy","2 slides; photographs; internal memos","Photographs","Budget information; internal memos; invoices; research on Owen Cheatham Foundation","Correspondence with public; correspondence re: copyright; internal memos; publicity schedule","Internal memos; label copy; checklists; drawings (photocopies)","Label copy; internal memos; catalogue proofs; correspondence re: copyright; invitation; checklists","Internal memos re: duties \u0026 plans","Clippings; internal memo","Checklist; research of the objets d'art; Owen Cheatham catalog (1 annotated; 1 not)","40 slide set from MOMA","Clippings","1 copy of VMFA operating budget, 1976-77","2 slide lists (102 slides \u0026 40 slides); checklists; MOMA brochure re: slide set","Correspondence with speakers and hostesses","Installation instructions; internal memos; checklists; drawings (photocopies); correspondence with MOMA; MOMA materials","Correspondence with MOMA; internal memo","Checklists; correspondence with MOMA; MOMA materials","Internal memo re: related books in VMFA Shop; exhibition bibiliography","Photographs","Richmond Sinfonia program; letter from MOMA (6/20/75); exhibition contract; internal memos; correspondence with MOMA; budget information; MOMA invitation; American Art Since 1945 (1 copy of catalogue, loose)","Invitation (3 pieces); invitation list; internal memos; correspondence with MOMA; invitation copy","1 photograph; correspondence with Lewises; clipping; internal memos","Checklists (MOMA materials)","Internal memo","Internal memos and information re: Brandts' trip to Greenville to see show","MOMA materials for labels","Correspondence with MOMA re: posters","Photographs; clipping; correspondence with Mark Davis (curator at the Century Association); internal memos; checklists; label copy","Brochure (summer exhibition announcement), 1 photo; 19 slides; 3 photos; correspondence with SITES (circulator); checklists; internal memos; exhibition contract","Summer exhibition announcement; 8 slides; 9 photos; correspondence with SITES (circulator); exhibition contract; checklists; internal memos; SITES materials including SITES press release; clippings; label","2 photos; checklists; internal memo","2 photos; 5 slides; internal memos; correspondence with artist; clippings; correspondence with Bowdoin (circulator); Bowdoin materials; checklists; budget information; biographical information; research","Correspondence with various institutions; correspondence with visitors; internal memos; correspondence with publicity; materials from other exhibitions; invitation; invitation copy; installation drawing; checklist","Clippings; internal memo","Correspondence with AFA re: circulation, catalogue proof inserted in file","Internal memos; correspondence with printer re: mistake; correspondence with AFA; catalog copy; checklists; correspondence with Wiltshire","Photographs","Checklist","Slides","Invitation; catalog copy; checklist","Drawings (photocopies); internal memos; budget information; checklist","Invitation; invitation lists; internal memos; correspondence with AFA","Label copy","Label copy; correspondence with Weisgall; biographical information; checklists; research","Frames checklist; correspondence with Weisgall; March'78 Bulletin","Correspondence with Weisgall; internal memos; clipping; catalog; catalog copy; budget information","Photographs","Invitation, Richmond News Leader clipping (1/30/78); internal memos; correspondence with musicians; program copy; all re: musical program, musical scores; one copy of \"The Collecting Muse: The Nathalie \u0026 Hugo Weisgall Collection\"","Poster","Clippings","Budget information; internal memos; correspondence with Fred Hughes of Andy Warhol Enterprises; correspondence with sponsors; correspondence with Coe Kerr Gallery; correspondence with artist; correspondence with Weisman; checklists [no signatures]","Postcard (2), 7 photos; 2 new photos; clippings","1 photo; internal memos; catalog proofs; clippings; correspondence with VCU re: silk screening project; budget information; catalog copy","Correspondence with potential lenders","Photographs; slides","Correspondence with MFA Boston (lender)","Correspondence with Chrysler (lender)","\"NEW\" loan agreement form","Correspondence with Ackland (lender)","Correspondence with AIC (lender)","Correspondence with BMA (lender)","Correspondence with Phillips (lender)","Correspondence with Clark (lender)","Correspondence with Mellon (lender)","Correspondence with Met (lender)","Correspondence with NCMA (lender)","Correspondence with lender","Correspondence with various institutions; checklists; internal memos; clippings","2 invitations (6 parts total); internal memos; invitation list","Budget information; internal memos; Virginia Commission for the Arts \u0026 Humanities grant information","IPR's; internal memos (form about 1 year old for IPR)","Drawings (photocopies); checklists; internal memos","Clipping; internal memos; press release copy","Checklist (4 part)","Label proofs; label copy; 1 copy of checklist","Label proofs; **clippings inserted in folder at end**","Invitation; prospectus; internal memos; program schedule; correspondence with hostesses; schedule; correspondence with juror (Thomas Barrow, Associate Professor of Photography, U of New Mexico)","Invitation; internal memos; drawings (photocopies); correspondence with Ms. Conover Hunt-Jones (consultant); checklists; correspondence with sponsors; budget information","Internal memos","Label copy","Photocopy from a catalog for scientific instruments","LACMA press release, \"Major Silver and Mosaic Collections…\"; label copy; research; LACMA materials (circulator)","Biographical information on John Gilmore Ford","Checklist proof; checklist copy","Internal memos; IPR's; budget information","1 duplicate photo","Exhibition contract; correspondence with LACMA; internal memos","Correspondence with Gilberts; internal memos; correspondence with LACMA","Internal memos; drawings (photocopies); 1 copy of LACMA paper; correspondence with LACMA","Invitation (2 – both in 2 parts); internal memos","Correspondence with public (all wanted to know dates of show after reading Smithsonian!)","Envelope containing checklist from Ford with insurance values; 1 copy of invitation; 1 copy with catalog","Budget information; IPR's","Label copy; research","8 new photos; 2 duplicate photos; drawings (photocopies); checklists; internal memos","Clippings; label copy; invitation copy; 1 copy of Weisgall invitation","Empty folder","14 new photos","Correspondence with hostesses; correspondence with Collectors Circle members; mailing list; correspondence with Ford","2 photos; duplicates: invitation, November '78 Bulletin; 1 copy of Collectors Circle program","Internal memos","Invitation, Guggenheim press release; correspondence with lenders; correspondence with Guggenheim (circulator); drawings (photocopies); checklists; clippings; internal memos","Checklists; label copy","Budget information; slide script copy","Internal memos; correspondence with Guggenheim; schedule for Contemporary Art One-Day Symposium (2/14/79)","Label copy; loan agreements; correspondence with lender; internal memos","Checklists; script copy; catalogue copy; clippings; correspondence with visitor; copy of Guggenheim brochure; research; label copy","5 duplicate photos; 9 new photos","Exhibition summary, form letter, information questionnaire; checklists; drawings (photocopies); internal memos; correspondence with galleries re: biographical information for artists; clipping","13 slides; open house poster; catalogue; label copy","Checklists; catalog copy","Drawing (photocopy); checklists","Remarks by Woodward at press conference; clippings; remarks by Mooz at press conference","IPR's; budget information; calendar","Internal memos; meeting minutes, panel drawing (photocopy)","1 piece of correspondence with Columbus Museum of Art re: show","Empty folder","Checklists; annotated gallery guide","Agenda; family tree; IEF materials; correspondence with IEF; notes; internal memos","Correspondence with IEF; correspondence with visitors; internal memos; correspondence with corporate sponsors; schedule; correspondence with other museum locations; exhibition contract","Internal memos; invitation copy; schedules; meeting minutes; checklists","14 photos; correspondence with IEF","1 copy of bumper sticker; place card; brochure; announcement; internal memos; meeting minutes; correspondence with IEF; clipping","Invoices; IPR's; internal memos; budget information","Checklists; internal memos","Note","Invoices; internal memos; budget information","Internal memos; drawings (photocopies); correspondence with Lewises re: closing Art Nouveau facility","List of films \u0026 lecturers from IEF","Correspondence with IEF re: Duke's address; internal memo","Internal memos","Internal memos; lists of tour groups","Biography, general information, itinerary, \"Short History of Chatsworth\"; IEF materials (including press release)","Timetable; meeting minutes; proposed schedule","Agendas; notes; checklists; internal memos","IPR's; internal memos; invoices","\"A.V. Program\" script; correspondence re: school A/V program; internal memos; budget information","Budget information; internal memos; correspondence with IEF","Calendars; internal memos","Internal memos; correspondence with IEF","Internal memos; correspondence with IEF","Internal memos; correspondence with IEF; 1 copy of the \"Chatsworth Herald\"; guide for children published by VMFA","Schedule; internal memos; correspondence with IEF","Internal memos; meeting minutes","Photos; NEA reports","Correspondence with IEF; correspondence with other museums (including invitation","Internal memos; budget information","Exhibition contract; correspondence with IEF; correspondence with corporate sponsor","Internal memos; correspondence with patrons","Internal memos","Internal memos; correspondence with ESU branches; correspondence with IEF","Internal memos; correspondence with IEF","Huge final report; internal memos; budget information; back-up report information","Internal memos; correspondence with invitees; meeting minutes; correspondence with IEF","Correspondence with IEF; internal memos; correspondence with other museums","Clippings; internal memos; correspondence with publicity; TV spot script; budget information; correspondence with IEF","Weekly reports; internal memos","Price lists; internal memos; invoices; correspondence with other museums","Internal memos; drawing (photocopy)","Envelope that couldn't open without ripping","Slide lists; budget information; correspondence with other museums; correspondence with printers; internal memos; correspondence with IEF; correspondence with Duke; reports","Final report on sales; internal memos; teacher form letters \u0026 materials; group bus forms; \"docent study materials\" from Toledo Museum of Art","Internal memos","Prospectus; internal memos; statistics; correspondence with hosts; correspondence re: juror (Lasansky)","Invitation; internal memos; label copy","Internal memos; meeting minutes; annotated gallery map","Correspondence with artists whose work purchased by Museum; internal memos; '79 prospectus; '79 invitation; correspondence with D'Arcangelo (juror)","Invitations; invitation list; internal memos; invitation copy","Schedule draft","Checklists; label copy","Correspondence with visitors and inquiries about show","Clippings; internal memos; list of press kits sent","Invitation lists; correspondence with Lewises for names","List of music; sheet music","Research; 1 piece of correspondence with Yvonne Brunhammer","Program, invitation; correspondence with attendees; clipping; correspondence with speakers; internal memos; participant list; invitation lists; 1 copy of program for 1977 \"Great Collectors of American Decorative Arts\" weekend","Internal memos; correspondence with printers; printers' materials","Budget information; correspondence with lenders; checklists; research","5X7 cards per object","Photographs; photocopies of images","Checklists; clipping; label copy; research","Internal memos; correspondence with film organizations \u0026 vendors; IPR's; information and catalogs for projectors","2 invoices from shipping company","Correspondence with Gras re: insurance for French loans","Correspondence re: shipping of works","Correspondence with other museums re: possible travel","Photocopies of photographs","Photographs; internal memos; checklists; drawings (photocopies)","Invoices; catalogue copy; correspondence with Martin Battersby (essayist)","Label copy","Research","Correspondence with Brunhammer (conservateur @ Musée des Arts Décoratifs, Paris) re: French loans; checklists","Correspondence with d\"Iberville @ Museum of Decorative Arts, Montreal re: possible venue for show (denied)","Correspondence with Harris (guest curator); research; internal memos; Harris; c.v.; schedules","Photos; 1 new photo; correspondence with AIC (lender); loan agreement","Photo; correspondence with BMA; loan agreement","Correspondence with BHP","Photo; correspondence with BF; loan agreement","Correspondence with MFA, Boston","Photos; 1 transparency; correspondence with BAD; loan agreements; checklist","1 duplicate photo; correspondence with Brooklyn; internal memos; loan agreement; research","Photos; correspondence with Merklen; loan agreements; research","Photos; correspondence with Chrysler; loan agreements","Photos; correspondence with CMA; loan agreements; label","Photo; correspondence with CMG; loan agreement","Photos; correspondence with Fine Arts Museum; loan agreements","Correspondence with Haskell; loan agreement","Correspondence with LC; loan agreements","1 photo; correspondence with Lieberman; loan agreement","Photo; correspondence with Darien House, Inc.","Photos; correspondence with Macklowe; loan agreements","Photo; correspondence with McNay; loan agreement","Photos; correspondence with Maryhill; loan agreements","Photo; correspondence with Gallion","Photo; correspondence with Musée; loan agreement","Correspondence with MOMA; loan agreements","Correspondence with NARA","One negative (8 X 10); correspondence with NYPL; loan agreement","Photos; loan agreement; correspondence with Pollard","Photo; correspondence with Pratt; loan agreement","Correspondence with Reed; research","Transparency; 9 duplicate photos; correspondence with Schimmel; loan agreement","Photo; correspondence with Silverman; correspondence with Sotheby's; loan agreement","Correspondence with Sommer; research; loan agreement","Correspondence with U of CA","Empty folder","Correspondence with Vitry; loan agreement","Photos; correspondence with Wittamer de Camps; loan agreements","One photo","Two duplicate photos","Correspondence with University","Correspondence with SDSU","Correspondence with NGA","Correspondence with Musée","Correspondence with Met","Correspondence with DIA","Correspondence with Delaunay","Correspondence with Albertina","Correspondence with Gallery","1 poster; internal memos; label copy; 1 copy of brochure","Internal memos; donor lists; list of lenders; correspondence with invitees; 1 copy of invitation; correspondence re: and with Collectors' Circle","Budget information, IPR's","List of invitees; correspondence from invitees","Label copy; internal memos","1 copy of member mailing with brochure; donor lists; brochure copy","Notes","Internal memos; budget information; checklists","Internal memos; drawings (photocopies); checklists","Label copy; 1 copy of brochure; 1 copy of \"The Tidewater Guide\" (5/80)","23 photos; 1 duplicate photo; 1 copy of brochure","19 photos; internal memos; mailing lists; clippings; correspondence re: catalogue; label; correspondence with lending brochure copy; correspondence with public; drawing (photocopy); schedule; checklists; correspondence re: speaker; correspondence re: shirts","Photos; 5 duplicate photos; case design drawing","Brochure; 4/80 Bulletin; clippings; 1 copy of invitation; 5/80 Bulletin; 1 copy of mailing","Correspondence","1 piece of correspondence with Linda Connor (juror); 1 copy of catalog","28 photos [photos don't seem to be of Designers show]","Label copy; checklists; internal memos; drawings (photocopies); correspondence with publicity","Shipping information \u0026 receipts; label copy; internal memos; clippings; traveling checklists","SITE materials; label copy","Invitation; internal memos; invitation copy; checklists","1 poster; clipping","Photos; clippings; folder with photos; clippings; press releases","Internal memos; correspondence with publicity; correspondence with SITE; correspondence with hosts; correspondence with James Wines (co-founder of SITES, speaker); correspondence with BEST; list of invitees; budget information; schedules","Internal memos; schedules; correspondence with publicity; correspondence with BEST","Internal memos; invoices; correspondence with BEST; Purchase order; budget information, IPR's","Three photos; label copy; internal memos; correspondence with SITE; drawing (photocopy); schedules","Invitation; internal memos; correspondence with Milwaukee Art Center (circulator); invitation list; poster","Invoices; IPR's; budget information; correspondence with Milwaukee; internal memos","Internal memos; correspondence with Milwaukee; correspondence with Philip Morris; symposium program copy","24 photos; invitation; internal memos; Milwaukee materials; drawings (photocopies); checklists; correspondence with Milwaukee","10 photos; press release; 1 copy of catalogue; 1 poster; label copy; research; Milwaukee materials; 1 copy of 1/80 Bulletin; meeting minutes","Poster; label copy; catalog copy; clippings; research; 1 copy of Spring '77 AIV; 1 copy of 11/79 Bulletin","Invoices; internal memos; budget information; correspondence with MFA Houston (circulator); exhibition contract","Correspondence with MOMA; internal memos; correspondence with MFA Houston; copy of birth certificate (!)","4 new photos; internal memos; checklists; label copy; drawings (photocopies); schedules","Internal memos; correspondence with Bruce (Patrick Henry Bruce's son, who came to see show for 4 days, only venue he visited, lived in CA) \u0026 wife; correspondence with MFA Houston; invitation list","Shipping information and receipts; 1 copy of catalogue; correspondence re: catalogue requests; VFH grant application, internal memos","Photos; clippings; VFH materials; VFH grant application; correspondence with Mrs. John Dos Passos","Clippings; internal memos","Catalogue; label copy","Research; checklists; correspondence with Mary Ellen Stumpf (consultant); label copy","Correspondence with VFH; VFH materials; grant application; narrative; grant report; internal memos","IPR's; budget information","Correspondence with institutions lending images; internal memos; other museum catalogues; correspondence with Dos Passos; correspondence with Stumpf (consultant, VCU faculty member); correspondence with visitors","Annotated catalog; shipping information \u0026 receipts; checklists; correspondence with Dos Passos","10 photographs; research; list of invitees; clippings; internal memos; biographical information; correspondence with May Cossitt; subpoena for Pinkney for trial (!)","Correspondence with Ruder Finn (circulator); invitation copy; internal memos","IPR's; internal memos; invitation list","16 photos; internal memos; IPR's drawings (photocopies)","Invitation; internal memos; correspondence with AMEX; invitation copy; invitation list; 1 copy of brochure","\"Henri-Cartier-Bresson: Glimpses\"; clippings; research","Label copy; checklists","Invitation","Internal memos; catalog copy; research; label copy","Correspondence with Yale (organizer); correspondence with AFA (circulator); AFA materials (including checklist); research; 1 copy of brochure","Materials from other institutions","Correspondence with AFA; internal memos; exhibition contract; AFA materials","Internal memos; schedules; invitation copy; checklist","Drawing (photocopy); internal memos; correspondence with AFA; AFA checklist","Correspondence with Yale University Art Gallery","IPR's; PO's; invoices; [1 copy of poster inserted here]","Correspondence with AFA; internal memos; clipping","Invitation, postcard; 1 copy of other preview invitation; invitation lists; information sheet on one-day symposium","1 poster; correspondence with AFA (circulator); research; NEA application","Label copy; AFA checklists","Specs. For \"New Gallery Entrance\" (8/29/79) [remodeled a gallery \u0026 named it the Mottahedeh Gallery] by Hardwicke \u0026 Associates; IPR's; internal memos; label copy; invoices, P.O.'s; correspondence with Mottahedeh; budget information","Postcard, special events postcard, 8 photos; 4 new photos; NEA Grant narrative; internal memos; correspondence with AFA; correspondence with NY State Museum re: found Maria \u0026 Julian Martinez pottery; rubbing of their signature; label copy; invitation lists; IPR's; AFA checklist; budget information; exhibition contract; postcard proofs; drawing (photocopy); NEA Grant application","Two slides; invitations; internal memos; correspondence with Mint (organizer); installation drawings; checklist; correspondence re: opening","Clippings; catalog copy; Mint materials; invitation","Two duplicate photos; 3 new photos","Checklists; research","7 photos","Internal memos; checklists; correspondence with lenders; loan agreements","Invitation; internal memos; correspondence with lenders; loan agreements; correspondence re: opening; invitation list; invoices; installation drawing; exhibition contract","Invitation; correspondence; clippings; label proofs; correspondence with lenders; correspondence with media; correspondence with visitors; internal memos; loan agreements; checklists; research","6 photos; 7 duplicate photos","Internal memos; schedule; label copy; research","Internal memos; IPR's; budget information; invoices","One slide; 13 photos; 3 duplicate photos; correspondence with one lender","Checklist; label copy; internal memos; lecture copy; research; checklist copy","Invitation; research; internal memos; correspondence with lenders; loan agreements; correspondence with media","IPR's; invoices; internal memos","Checklists; research; list of lenders","Internal memos; checklist copy; label copy; research","Correspondence with lenders; correspondence with visitors; internal memos","Installation drawing; internal memos; checklists; label copy","Internal memos; budget information; invoices; shipping information","Invitation copy; internal memos; correspondence with lender; notes; 1 copy of invitation; 1 copy of Collectors' Circle program","IPR's; invoices; correspondence with printer; research; internal memos","Schedule; correspondence re: carpet","Label copy; checklists","Ibsen \u0026 Munch brochure, press release, poster; 4 slides; photographs; clippings; internal memos; 1 copy of checklist","Internal memos; correspondence correspondence with artists; incident report re: warehouse alarm","Internal memos; correspondence; research/notes on show idea [fascinating committee work/proposals on how to revise Virginia artists shows] [mainly Woodward, Burke, Farago]","Proposals; form letters; notes","Advanced purchase program proposal; form letters; notes; invitation","Notes (Pinkney Near); research","Catalog copy; photocopies of photos","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","1 photo; correspondence with lender; loan agreements; research","1 photo; correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Mailing lists; correspondence","Internal memos; invitation list","Invitation, 5 photos, slides; correspondence with visitors; internal memos; checklists; correspondence; clippings; drawing (installation); correspondence with lender; invitation list; IPR's; budget information; notes; research","Clippings","Invoices; research; correspondence with lenders; 1 copy of catalogue","Correspondence with lenders; research","1 invoice; research","Research","10 photos; correspondence with lenders; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Slides; 1 reel to reel audiotape","Correspondence with HHK; internal memos; correspondence with other institutions","Invoices; IPR's; internal memos","Correspondence with Attorney General; exhibition contract; facilities report","Two photos (not in exhibit); museum mailings; clippings; label copy; internal memos","Mailing, 1 photo; 12 new photos; internal memos; proposals, HHK materials; mailing copy; schedules; notes","Photos; checklists; internal memos; catalog copy; label copy","Slides; label proofs","Correspondence with Portland Art Association of Portland Art Museum (organizer); internal memos; exhibition contract","Four photos; shipping info \u0026 receipts; internal memos; correspondence with other institutions [mainly Allentown Art Museum]; invoices; notes; IPR's; research","Internal memos; purchase orders; correspondence with other institutions; research","\"Why We Commemorate\" by Armenian National Committee, invitation; 1 transparency; one copy of brochure; schedules; label copy; internal memos; clippings; Portland Art Museum materials; invoices; IPR's; correspondence with Turkish ambassador; Allentown materials; notes; checklists; correspondence with Binney","Invitation list; 1 copy of invitation","10 slides; 'Scribbler' Twombly clipping, mailing card; 3 photos; label copy; checklists; clippings; DIA Art Foundation materials (organizer); invoices; catalog copy","Internal memos; correspondence with Newport Harbor Art Museum (organizer); correspondence with speaker; correspondence with visitors; drawings (installation); exhibition contract; correspondence re: rescheduling","Slides; 6 photos; 12 duplicate photos; duplicates: mailing card, 2 clippings","Slides","Checklists; label copy; catalog copy","Notes; internal memos; drawing (installation); checklists; correspondence with Delaware Art Museum (Collection home)","Label copy; catalog copy; research","Mailing brochure, catalog; slides; 3 transparencies; 19 photographs; 1 negative; 6 duplicate photos; internal memos; press release; label proofs; clippings; Delaware materials","One photo; research; notes","Invoices; IPR's; check requests; internal memos; correspondence with vendors","Internal memos; clippings; correspondence with Delaware Art Museum; correspondence with lender; correspondence with visitors; correspondence with other institutions","Clippings; bulletin; internal memos; correspondence re: publications; catalog copy; label proofs; mailing brochure copy","6 photos (duplicate in Folder 20); 1 internal memo","Notes; research","Notes; checklists; loan agreements","Checklists","Correspondence; notes","Correspondence with Office of Attorney General; exhibition contract drafts; internal memos","Exhibition contract; internal memos; correspondence with DIA","Exhibition contract; budget information; correspondence with Philbrook; internal memos; loose material \u0026 notes re: 18th century prints of antiquity/archaeology","Photos; correspondence; internal memos; budget information; notes; schedule","Internal memos; IPR's","Internal memos; IPR's; \"Publicity Outline\" report","Schedules","\"A Loan Exhibition on Display at the Virginia Museum\"; internal memos","1 piece of correspondence with Fine Arts Museums of San Francisco","Correspondence; budget information; internal memos","Internal memos; budget info [info re: Council Anniversary Fund]; notes","Symposium brochure, 2 transparencies; 2 new transparencies","Correspondence with lender (Frank Raysor); internal memos","Notes; research","Correspondence with lender (NGA); checklists","Correspondence with lender (MFA Boston); checklists","6 photos; label copy; checklists; brochure copy; loan agreements; correspondence with lender (Raysor); research","Correspondence with PAFA (organizer) [Pennsylvania Academy of Fine Arts]; clippings; internal memos; invitation; PAFA materials","24 slides; negatives; 4 photos; 4 transparencies; 1 duplicate transparency; clippings; 1 poster","Correspondence with PAFA; invoices; IPR's; internal memos; 2 envelopes of material: 1) 14 photos, 2 duplicate photos; 2) 5 photos","6 photos; 10 duplicate photos; exhibition proposal from PAFA; envelope of PAFA materials","Internal memos; notes; guest list for opening","Invitation; internal memos; guest lists; notes","Internal memos; mailings; correspondence with speakers; script copy; correspondence with PAFA; schedules","One annotated copy of catalog; checklists; notes","Catalog proofs; notes","Correspondence with visitors; correspondence with lenders; correspondence with PAFA; internal memos; exhibition contract","Invitation, catalog; correspondence with PAFA; invoices; internal memos; invitation copy; checklists; label copy","Schedule of payments; consultants; responsibilities","Correspondence with Donaldson; c.v.; notes; research; writings; drafts","Correspondence with Donaldson; c.v.; notes; research; writings; drafts","Correspondence with Corn; c.v.; notes","Correspondence with Wood; c.v.; notes","Correspondence with Davis; obituary and correspondence with wife after his death in 3/81; c.v.; notes; brochure for his book \"Intellectual Life in the Colored South\"","Correspondence with Williams; c.v.; notes","Checklists","One internal memo","One piece of correspondence with Robert Zimmerman (Baltimore Museum of Art); 2 blank travel vouchers with Zimmerman's signature \u0026 55#","Budget information; 2 invoices from Cumberland Art Conservation Center (Nashville)","Correspondence with Atlantic Van Lines; notes","Budget information; clippings \u0026 press materials related to Greek Vases","One internal memo re: promotion budget","One piece of correspondence with prospective intern; one index card with name","Correspondence with one musician; notes; scores; one internal memo re: NEA grant (denied); \"Writing Realistic Grant Budgets\" from Museum News","Interim report for NEH Grant","Correspondence with NEH; copy of grant administrator guidelines","Correspondence with Tormey re: advertising project for Philip Morris","Two blank requests; 1 complete request","Photos; [note: not all included in final exhibition]","Correspondence with various companies re: slide set duplication; invoices","Correspondence with various institutions re: potential bookings","Correspondence with institutions who declined a potential booking; internal memos","Clippings; one internal memo re: TVA","Correspondence with Coggins (Southern painting collector); correspondence with Berry-Hill Galleries re: exhibition of Coffins' collection","Correspondence with Wolfe re: possible lecture","List of proposed programs; [collection of internal memos from David Griffith inserted here]","Correspondence with American Heritage Publishing re: catalog; proofs; one internal memos \u0026 1 piece of correspondence re: Philip Morris","Brochure copy; internal memos; copies of other children's brochures","One phone message","Loan agreement; correspondence with lender (MESDA); artist worksheet","Loan agreement; correspondence with lender (Charleston Museum is lender); artist worksheet","Loan agreement; correspondence with lender (MESDA); notes; artist worksheet","Loan agreement; correspondence with lender (Muscarelle); conservation report; memo re: treatment; artist worksheet","One photo; loan agreement; correspondence with lender (Brodnax \u0026 Associates); artist worksheet","One photo; loan agreement; correspondence with lender (Brodnax \u0026 Associates); artist worksheet","Research; conservation report; artist worksheet","Correspondence with Wintherthur; artist worksheet; conservation reports","Loan agreement; correspondence with Club (lender); conservation bill","Correspondence with lender (Maria Tabb); artist worksheet; receipt","Correspondence with lender (NPG); research","Loan agreement; correspondence with VHS; research","Three photos; loan agreement; correspondence with NYPL","Loan agreement; copy of accession card","One photo; loan agreement; research; correspondence with Andrew Christian; condition report; artist worksheet","Correspondence with lender; artist worksheet; research","Correspondence with lender (Colonial Williamsburg)","Correspondence with lender (Pennsylvania Academy of Fine Arts); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","1 duplicate slide; correspondence with lender (Mordecai Square Historical Society); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","One photo; correspondence with lender (St. John's Lutheran Church, Charleston); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","13 slides; correspondence with lender (Hunter Museum of Art); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Two photos; correspondence with Cheekwood re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","One photo; correspondence with Tulane re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","7 photos; correspondence with Ulrich re: damage; loan agreements; condition reports","Four photos; correspondence with Valentine re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","One photo; correspondence with VHS re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","One photo; shipping information and receipts; condition logsheet; correspondence; loan agreements","One photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","One photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Four photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","5 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","6 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; 1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos, 1 slide, 1 duplicate transparency; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","11 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","5 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; 1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","10 photos; 1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","6 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","6 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 photo; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 photo; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","2 photos; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 photo; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","2 photos; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 slide; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Two photos; condition logs; shipping information \u0026 receipts; loan agreements; correspondence","Invoices from Atlantic Van Lines","List of lenders; correspondence; Request for Travel Authorization forms; shipping information \u0026 receipts","Invoices; correspondence; internal memos","Clippings; correspondence; internal memos; shipping information","Correspondence; checklists; shipping information","Exhibition agreement; request for travel authorizations; correspondence; shipping information; loose pages – budget information 1 copy of catalogue; checklists; forms; correspondence","Checklists; correspondence with Tabb, Brockenbrough \u0026 Ragland","Invoices; purchase orders","Invoices; checklists; budget information","Invoices; checklists; budget information","Internal memo; receipts","Internal memos; checklists; correspondence","Correspondence; budget information; internal memos; invoices; budget reports; checklists","Checklists; correspondence; invitations; internal memos; NEA Grant draft; correspondence re: opening; correspondence with Philip Morris","Internal memos; correspondence; request for travel authorization; invoices; itineraries","45 slides; correspondence with Richmond Conservation Studio (reports) – Cleo Mullins; notes; loose notes: checklists, correspondence; notes","Three of the exhibition agreements","Two photos; artist's work sheet","Correspondence with Briggs re: reproduction","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; 2 slides; correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 duplicate photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Selected bibliography copy","SEMC's 2nd annual meeting materials; Charleston materials; correspondence; request for travel funds","Correspondence with other institutions; checklists","Agenda; list of registrants","Agenda; list of registrants; notes; research copy; checklists","Agenda; list of registrants; notes; research copy; checklists","Agenda; list of registrants; notes; research copy; checklists","Agenda; list of registrants; notes; research copy; checklists","Correspondence re: ball and other programming; photocopies of pictures","Correspondence \u0026 research re: possible trips","Notes","Correspondence re: books to sell in shop; loose papers re: guest curators","Schedule of payment; responsibilities","Biographical information; research; correspondence","Biographical information; research; correspondence; research","Biographical information; research; correspondence; research","Biographical information; research; correspondence; research","Biographical information; research; correspondence; research","Budget information","Exhibition contract; internal memos; correspondence with MOMA","Exhibition contract; internal memos; correspondence","Exhibition contract; internal memos; correspondence","Exhibition contract; internal memos; correspondence","Exhibition contract; internal memos; correspondence","16 photos; invitations; correspondence","Internal memos; correspondence; budget information; IPR's; invitation copy; checklists; calendars","Correspondence; internal memos; invitation list; invoices","Clippings; correspondence; internal memos; correspondence with Forbes","Internal memos; correspondence with Forbes; IPR's; budget information; Kip Forbes' biographical information","Internal memos; checks; correspondence re: tapes","Internal memos \u0026 correspondence re: Acoustiguide","Research; Acoustiguide script","One photo; invoices; IPR's; internal memos","IPR's; correspondence with Forbes; checklists","Notes; internal memos; correspondence with Forbes; copy of 1947 Pratt announcement","Two photos","Internal memos","IPR; note","Research; program proposals; press release","Blank travel reimbursement vouchers with SSN's; meeting notes","Correspondence with Forbes mainly (also Council, conservator)","6 photos; 2 duplicate photos; guest book for visitors; correspondence from visitors; 1 copy of TVA \"Gin Game\" program; internal memos; research; clippings; IPR's; invoices; correspondence with Forbes","Weekly reports; Acoustiguide; cost reports; attendance reports","Article copy; loose book dust jacket","Checklist copy; checklist proof; loose bulletins, plus 1 piece of correspondence","Label copy; research","Label copy; label proofs","Correspondence with Forbes; correspondence with Acoustiguide; label copy; research","One photo; correspondence with CINOA; internal memos; correspondence with visitors; label copy; checklists with insurance values; clippings, invitation copy; schedules; installation drawing; budget information; correspondence re: opening; research; invoices","Internal memos","Three photos; publications catalog","Catalog copy","Correspondence with CINOA; foreword copy; checklists; internal memos","Correspondence with CINOA; internal memos","Correspondence with CINOA; clippings; notes; internal memos","Correspondence with CINOA; exhibition contract; notes; photocopies of photos of exhibition at Metropolitan Museum of Art","24 duplicate photos; 10 new photos","Correspondence; internal memos; invoices; notes; checklists [correspondence only with Kimbell]","Correspondence with Hunts; Collectors Circle invitation; clippins; checklists; internal memos","One photo; \"Ancient Art Shows Shifting Images\"; clippings; Kimbell materials, 1 copy of poster; attendance figures","Outline; correspondence with speaker; itineraries; invoices; internal memos","Two photos; copy of a review; correspondence with Kimbell; internal memos; Mayo essay copy; correspondence with Mayo; essay; reviews","Invitation; invitation copy; mailing lists; internal memos","13 slides; condition reports; correspondence with Getty conservator; correspondence with Kimbell; internal memos; research","Attendance figures","Correspondence with Kimbell; internal memos; checklists","2 photos; 19 photos; 3 drawings; checklists; purchase orders; internal memos; panel copy; label copy; correspondence with other institutions; invoices","Five duplicate postcards; correspondence with SITES (organizer); SITES material","Symposium brochure; correspondence with other institutions; correspondence with SITES; internal memos","Correspondence with Calouste Gulbenkian Museum (lender); internal memos; correspondence with IEF (organizer); IEF materials; correspondence with Lewises","Drawings (photocopies); correspondence; internal memos; checklists; label copy","Grant application (NEA); clippings; internal memos; IEF materials (including press release \u0026 fact sheet)","Exhibition contract; correspondence with Gulbenkian \u0026 IEF; internal memos","Label copy; label proofs; checklists","Correspondence between Ernst and Brown regarding being collector of the year (he declined); correspondence from Anne, which includes copies of correspondence between Lothar Griesbach (\"who edited Kirchner's Diary of Davos\") and Ernst regarding paintings the Fischers acquired before collecting Expressionists","Correspondence in the late 1970s between Pinkney and Ernst regarding his collection, including photocopies of pictures of the house taken when PN went to Frankfurt in 1976; correspondence in the mid 1980s between Pinkney and Anne regarding the museum","Typeset copy of Fred Brandt's interview with Mrs. Fischer, 32 pages","Typeset and annotated copy of Fred Brandt's interview with Simon and Fischer, 18 pages","Internal memos and correspondence regarding exhibition, including Anne to Fred, Perrot, and others","Internal memos and correspondence regarding exhibition, including Anne to Fred; correspondence between Simon and you regarding loan forms, checklist accuracy, and one photocopy of a handwritten document detailing the ownership of the collection","Internal memos and correspondence regarding the exhibition catalog","List of 27 questions for Fred's interview with Mrs. Fischer, in various forms; includes some of Fred's notes","Invitation","1 photo","Catalog","9 photos","Budget information; invoices; notes; correspondence \u0026 contracts for M.H. de Young (San Francisco) and Kimbell; notes; correspondence and invoices for author's contract","Budget information; internal memos","Correspondence; invoices; contracts for MOMA design \u0026 labor","Notes; internal memos; check requests","Brochure; internal memos; correspondence with de Young; brochure copy; Kimbell materials; 1 copy of brochure","Internal memos; correspondence with de Young; brochure copy; Kimbell materials; 1 copy of brochure","Internal memos; contract copy; correspondence with institutions; checklists","Internal memos; notes; installation drawing (copy)","Internal memos; label copy","Internal memos; attendance figures","Correspondence re: insurance","Internal memos; correspondence with Colin Morris; contract","Invoices; check requests; correspondence with institutions; internal memos","Brochure, press packet; Kimbell materials; invoices","Internal memos; correspondence with press; author C.V.'s; correspondence with authors; catalogue copy","Budget information; NEA report; internal memos","Label proofs","Internal memos; budget information; invoices; check requests; reports; catalogue copy (including checklist)","Photographs; correspondence with Trust for Museum Exhibitions (organizer); catalog copy (including checklist); 1 annotated copy of catalog","Checklists; correspondence with Trust for Museum Exhibitions; drawing (copy)","Correspondence with Trust; internal memos; correspondence re: Federal Indemnity Act; J.B. Speed materials","Internal memos; budget information; schedule","Contract; correspondence with Trust","Press release; press packet; label proofs; label copy; old correspondence with Cheek re: possible exhibition of his early Theatre drawings in 1987; internal memos; TVA materials; notes","Label proofs; clipping","Checklists; internal memos; clippings","Correspondence from visitors; internal memo re: opening","Invitation; checklist","Correspondence with IEF (circulator); contract; internal memos","Correspondence with Chester Beatty Library (organizer); correspondence with IEF; internal memos","Research","Empty folder","Five photos; IEF materials; research; installation drawing (copy); checklists; budget information; correspondence with IEF","Three photos; educational packet; SITES materials (circulator) including checklists; actual labels; internal memos; installation drawing (copy); invoices; study guide; 1 copy of brochure; 1 copy of mailing","Contract; correspondence with SITES; correspondence with Attorney General","Loan agreements; correspondence with lenders","Smithsonian mailer; internal memos; notes; clippings; correspondence; budget information; correspondence with SITES","SITES materials","8 photos; internal memos; invoices; correspondence with Craft Museum; brochure, \"Philip Morris and the Arts'; press release; craft materials","Internal memos; checklists; Craft Museum materials","Correspondence with Craft Museum; contract; invoices; internal memos","Internal memos; checklists; notes","Internal memos; correspondence with Mount Holyoke College Art Museum (organizer)","Internal memos; correspondence with Mount Holyoke; internal memos; invoices; correspondence with Attorney General; 1 copy of brochure","Internal memos; correspondence with Mount Holyoke; Mount Holyoke materials","One photo; internal memos; incident report; hygrometer readings; correspondence with lenders; correspondence with Art Gallery of Ontario (organizer); hygrometer information; piece of fabric; press kit; clippings; correspondence with Glasgow Library","Internal memo re: attendance; check copy","Internal memos; notes; correspondence with Glasgow","Contracts; internal memos; correspondence with institutions; correspondence with Attorney General; invoices","Drawings (copies); checklists; Ontario materials","Internal memos; correspondence with Ontario","Ontario materials","Checklists; Ontario materials; correspondence with Glasgow; budget information","1 photo; 1 new photo; invoices; budget information; correspondence; internal memos; 1 copy of Sept/Oct '88 Bulletin; checklists; clippings; drawings","Budget information; invitation; internal memo; label copy","Contract; correspondence with Center for African Art (organizer); correspondence with Attorney General","Catalog copy; catalog proofs; correspondence with Center for African Art","Research; article","Research; article","Research (copy of catalog article)","Label coy; research; correspondence with Center for African Art","Press release; CFAA materials; checklists","Label copy","13 photos; 2 duplicate photos","Clipping; internal memos; contract drafts; invoices; Bulletin copy; exhibition contracts","Correspondence","Correspondence","Correspondence","Two photos; contract drafts; press releases; correspondence with Attorney General","9 slides; 8 photos; drawings; invoices; correspondence with IMA [Indiana Museum of Art] (organizer); exhibition contract; catalog copy; checklists; press releases; internal memos; research; correspondence with Attorney General; 1 catalog/brochure","Checklists; notes; internal memos; correspondence with IMA; IMA materials","Label copy","21 slides; 1 transparency; 29 photos; other institutions' materials; correspondence with Philbrook (organizer); internal memos; Philbrook materials; checklists; label copy; mailing lists; Philbrook press packets; press releases","Contract; correspondence with Philbrook; internal memos","Correspondence with Philbrook; internal memos; budget information","6 photos; duplicates: brochure, invitation; media kit; internal memos; High Museum materials; Studio Museum poster; American Museum Association 1987 catalog; drawings; research","Checklists; label copy","Notes; label copy; label proofs","Internal memos","6 photos; press release (Philbrook); checklists; correspondence with AMA","Internal memos; correspondence with other institutions","Exhibition contract; correspondence with AFA \u0026 AMA","1 clipping; budget information","Internal memos; contract; correspondence; checklists","Contract; correspondence with Denver Art Museum (organizer); correspondence with Attorney General","Postcard mailing; 3 photos; internal memos; exhibition contract; drawings; 1 copy of 1990 Un/Common Ground prospectus","Contract; correspondence with Southeastern Center for Contemporary Art; AVirginia brochure","Internal memos; checklists; correspondence with SCCA; label copy; clippings; SCCA materials","1 copy of catalog; internal memos; checklists [George Cruger show]","Correspondence with Names Project; internal memos; media materials","One photo; internal memos; correspondence with Menil Collection; press releases; label copy; drawings; invoices; exhibition contract; checklists","Correspondence with Menil; label copy; internal memos; drawings; checklists, research","2 photos; checklists; label copy; internal memos; correspondence with Virginia Dept. of Education; artwork permission forms","Internal memos; invoices; correspondence with Philadelphia Museum of Art (lender)","7 photos; internal memos; invoices; label copy; press releases; budget information correspondence with Carter Collections' curator; correspondence with speaker","Internal memos; correspondence with Carter Collection; security system specs and drawings","Correspondence with MOCA Chicago (lender); label copy; internal memos; research","Internal memos; correspondence with BEST; checklists","Correspondence with AFA; drawings; AFA materials checklists; invoices; clipping","Mailing lists","Clippings; correspondence; research","Correspondence; correspondence with AFA; AFA materials","Label copy","Correspondence with AFA; research re: African dance","Correspondence; checklists; invoice","Internal memos; correspondence with AFA; correspondence with videographer and contract","Internal memos; research; events listing","Internal memos; correspondence with AFA","Internal memos; contract; budget information; invoices; correspondence with AFA","Notes; internal memos","Checklists; correspondence with AFA","Checklists; label copy","Checklists; correspondence with AFA","Checklists","Checklists","Empty folder","Clippings","Clipping","Label copy","Brochure; correspondence; budget information; drawings; mailing list","Internal memos; correspondence with LACMA (organizer); brochure copy","Correspondence with LACMS; contract; correspondence with Attorney General; research; budget information; correspondence with David Foundation","Two photos; internal memos; press release; checklist; correspondence with LACMA; correspondence with David Foundation","MIT mailer; internal memos; clipping; budget information","Contract; correspondence with MIT list Visual Arts Center (organizer); correspondence with Attorney General; internal memos","MIT materials (including checklist); correspondence with MIT; internal memos","Correspondence with MIT; internal memos","Two photos; 4 slides; internal memos; budget information; notes; checklist; drawings","Internal memos; checklists; correspondence with Laguna Art Museum (organizer); Laguna materials (including press release, clippings)","Correspondence with Laguna; contract; internal memos; correspondence with Attorney General","Checklist; correspondence with AIA; internal memos; correspondence with architects","Correspondence with Baskervill \u0026 Son; internal memos; checklists; label copy","Internal memos; correspondence with St. Catherine's (lender); checklists","Internal memos; budget information; label copy; catalog copy; invitation copy; clippings; biographical information; checklists","Internal memos; checklists; label copy; correspondence with Council; 1 copy of catalog","Label copy; checklists; internal memos","Checklists; notes; catalog proofs","Internal memos; budget information","Internal memos; checklists; label proofs; drawings; invitations","Internal memos; schedules; clippings; prospectus; press release; checklist proofs; drawings","Internal memos; budget information; correspondence with lenders","Internal memos","Press release; internal memos; invoices; mailer; contract; budget information","Panel \u0026 label copy \u0026 proofs; drawings","Internal memos; invoices; checklists; correspondence with lenders; budget information; clippings","Internal memos; press release; DIA materials (organizer); budget information; drawings; contract","Internal memos; correspondence with DIA; invoices; correspondence with Attorney General; checklists","Internal memos; correspondence with DIA; checklists","Exhibition contract; correspondence with DIA","Three photos; duplicates: clipping; clippings; internal memos; checklist; exhibition contract; invoices; correspondence with LACMA (organizer); 1 copy of Councillor (Spring '90)","Budget information; correspondence with LACMA","Clippings; internal memos","Internal memos","Mailing list for gala","Correspondence with LACMA; checklist","Mailers; internal memos; correspondence with LACMA; correspondence with lenders; LACMA materials; internal memos","Checklists","Checklists","Internal memos; drawings; schedules; correspondence with LACMA","Panel and label proofs","Label copy","Invoices; internal memos; layouts; meeting reports","Correspondence with Albemarle Farms; internal memos; clippings; invoices; press release; correspondence with Kluges; correspondence with conservator; drawings","Internal memos; clippings; correspondence with Philbrook; shipping information; budget information; drawings","Internal memos; drawings","Internal memos; checklists; correspondence with Virginia Department of Education","Guest book; notes; press release; drawings; invitation; clippings; internal memos; hygrometer readings; contract; correspondence with National Trust for Exhibitions (organizer)","Correspondence with Trust for Museum Exhibitions; internal memos; mailing list","Internal memos; drawings; sales records; script copy; correspondence","Usage statistics; tour schedules; internal memos; correspondence","Invitation; correspondence with Trust for Museum Exhibitions; 1 copy of CMA brochure; Acoustiguide materials (contract, usage statistics, correspondence); budget information; notes; internal memos; hygrometer readings; clippings; tour statistics","Publications' materials (including schedules \u0026 drafts \u0026 copy); internal memos; 1 copy of honor roll card","Correspondence with Trust for Museum Exhibitions; correspondence with lenders; internal memo","Internal memos; correspondence with Trust; drawings; checklists","Contracts; correspondence with Trust; internal memos","Internal memos; correspondence with Trust; scripts; narrator biographical information; tour lists","27 slides; press release; drawings; invoices; label proofs; correspondence with Walter Art Center (organizer); Walker materials; internal memos; brochure","Internal memos; correspondence with Walker; Walker materials","Exhibition contract; internal memos; correspondence with Walker; checklists; invoices","Slides; internal memos; label copy; invitation copy; Art Services International materials; correspondence with Terra (another venue); correspondence with ASI; notes; budget information; correspondence with Maier; checklists; research; contract; 1 copy of invitation","Internal memos; budget information","2 photos; label copy; correspondence with Royal Collection; hygrometer readings; attendance figures; clippings; drawings; budget information; contract; correspondence","Internal memos; correspondence; correspondence with Embassy; 1 copy of invitation; correspondence with Kimbell (another venue); correspondence with Royal Collection","Invoices; internal memos; correspondence","Empty folder","Photographs; internal memos; invoices; correspondence with Royal Collection; hygrometer readings; checklists","Correspondence with Royal Collection; checklists; internal memos; label proofs","Xeroxes of photos","Correspondence with Royal Collection; label copy","Contracts; internal memos; correspondence with Kimbell; correspondence with Royal Collection","Invoices; internal memos; correspondence; correspondence with Royal Collection; checklists","Internal memos; label copy","Panel and label proofs; checklists; internal memos","Internal memos; George Eastman House materials (organizer); correspondence with GEH; invoices; exhibition contract","30 slides; 6 duplicate slides; invitations; exhibition contract; internal memos; correspondence with Dallas (organizer); checklists; Dallas materials","Internal memos; drawings","Drawings; internal memos; correspondence with Dallas; checklists; label copy","Internal memos; correspondence with Dallas; checklists; publications copy","Brochure; internal memos; press releases; invitations; clippings; publications copy","Internal memos; checklists; other institutions' materials","High Museum press kit; brochure; docent training packet; 5 ¼\" floppy with labels","Internal memos; label copy; correspondence with institutions","Panel \u0026 label proofs \u0026 copy","Internal memos; panel \u0026 label proofs; press release; correspondence with Virginia Department of Education; checklists","Internal memos; layout","One slide; duplicates: brochure, checklists, 2 summaries; St. Petersburg Museum of Fine Arts press kit; press release; internal memos; exhibition contract; correspondence with St. Petersburg; correspondence with Attorney General","Budget information; drawings; internal memos; correspondence with St. Petersburg; research; label proofs \u0026 copy","Correspondence with St. Petersburg; invitation; internal memos; correspondence with Belmont","Internal memos; brochure; invitation; St. Petersburg materials; research","Label \u0026 panel proofs \u0026 copy; correspondence; invoice","Internal memos; checklists; label \u0026 panel proofs \u0026 copy","Internal memos; correspondence with sponsor; label \u0026 panel proofs; other catalogs; research","One photo; catalog; NSAL materials; research, correspondence with NSAL; internal memos; checklists; loan agreements; 1 copy of \"The Luxury of Tears\" – winning stories from NSAL competition; publications copy","Panel, label \u0026 catalog proofs \u0026 copy","Four photos; invoices; internal memos; correspondence with Rijksdienst; loan agreement","Three photos; internal memos; correspondence with Rijksdienst; label proofs","Correspondence with UVirginia re: possible showing; drawing","Checklists; drawing; catalog copy","Internal memos; Bayly label proofs; drawings; correspondence with Bayly; checklists","Clippings; internal memos; notes; invoices; panel copy; checklists; research","Invitation; internal memos; invoices; budget information; contract; layouts; correspondence with other institutions; exhibition proposal","1989 catalogue; checklists; label proofs; drawings; correspondence with Council","Brochure; guidelines; internal memos; drawing; invitation","Checklist","Checklists; internal memos","Correspondence with Council; drawings","Checklists; internal memos; correspondence with Council","Six photos; internal memos; layouts; checklists; brochure","Brochure; 40 slides, photographs; internal memos; drawings; correspondence with Trust for Museum Exhibitions (circulator); checklists; Trust for Museum Exhibitions materials; Trust press kit; panel \u0026 label proofs; exhibition contract","Internal memos; correspondence with Trust; invoices","Invoices; internal memos; correspondence with Trust; clippings; checklists","Exhibition contract; invoices; internal memos","This series is comprised of information regarding general exhibition management. Information may include correspondence, exhibition schedules and programming, long term planning, potential partnerships with other organizations, exhibition committees, couriers, grant applications, protection of artwork, collectors, and reports. Files on potential exhibitions conceived by the museum but never presented are also included.","This series is comprised of information on gallery renovations, installations, reinstallations, fire suppression studies and hazard analyses, storage policies, and other related buildings and grounds files."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"names_coll_ssim":["Virginia Museum of Fine Arts -- Exhibitions","Virginia Museum of Fine Arts -- Art collections"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Virginia Museum of Fine Arts -- Exhibitions","Virginia Museum of Fine Arts -- Art collections"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Virginia Museum of Fine Arts -- Exhibitions","Virginia Museum of Fine Arts -- Art collections"],"language_ssim":["English \n. "],"total_component_count_is":5477,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:19:09.876Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_355_c01_c4082"}},{"id":"viu_repositories_3_resources_586_c01_c15","type":"File","attributes":{"title":"1807 Seminole Trail","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_586_c01_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_586_c01_c15","ref_ssm":["viu_repositories_3_resources_586_c01_c15"],"id":"viu_repositories_3_resources_586_c01_c15","ead_ssi":"viu_repositories_3_resources_586","_root_":"viu_repositories_3_resources_586","_nest_parent_":"viu_repositories_3_resources_586_c01","parent_ssi":"viu_repositories_3_resources_586_c01","parent_ssim":["viu_repositories_3_resources_586","viu_repositories_3_resources_586_c01"],"parent_ids_ssim":["viu_repositories_3_resources_586","viu_repositories_3_resources_586_c01"],"parent_unittitles_ssm":["Sheeran Architects records","Commercial projects"],"parent_unittitles_tesim":["Sheeran Architects records","Commercial projects"],"text":["Sheeran Architects records","Commercial projects","1807 Seminole Trail","English","Oversize_Flat_File_folder 213"],"title_filing_ssi":"1807 Seminole Trail","title_ssm":["1807 Seminole Trail"],"title_tesim":["1807 Seminole Trail"],"unitdate_inclusive_ssm":["1980s-2010"],"normalized_date_ssm":["1980/2010"],"normalized_title_ssm":["1807 Seminole Trail"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Sheeran Architects records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":16,"parent_access_terms_tesm":["Original digital media (floppy disks, zip disks, thumb drives) and born-digital files cannot be handled directly by patrons. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the request size, making them available may take some time."],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"language_ssim":["English"],"containers_ssim":["Oversize_Flat_File_folder 213"],"_nest_path_":"/components#0/components#14","timestamp":"2026-05-20T23:46:08.293Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_586","ead_ssi":"viu_repositories_3_resources_586","_root_":"viu_repositories_3_resources_586","_nest_parent_":"viu_repositories_3_resources_586","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_586.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/507","title_filing_ssi":"Sheeran Architects records","title_ssm":["Sheeran Architects records"],"title_tesim":["Sheeran Architects records"],"unitdate_ssm":["1980s-2010"],"unitdate_inclusive_ssm":["1980s-2010"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 15462","Archival Resource Key","/repositories/3/resources/586"],"text":["MSS 15462","Archival Resource Key","/repositories/3/resources/586","Sheeran Architects records","Architecture, Domestic -- Designs and plans.","Architecture -- Virginia -- Albemarle County.","Architecture -- Virginia -- Charlottesville.","Commercial buildings -- Designs and plans","Records are divided into five series: ","Sheeran Commercial projects records (2005-2008, 1.5 cubic feet) contain drawings and office files relating to 5 projects designed by the firm, and include financial records, correspondence, notes and sketches. Three projects in this series were designed by Peter Sheeran, one by John Gorman, and one possibly by Gregg Donovan. Materials are organized by project name, and then by date.","Sheeran Residential projects records (1992-2008, 6 cubic feet) contain drawings and office files relating to 28 projects designed by the firm. Thirteen projects in this series were designed by Peter Sheeran, twelve by Gregg Donovan, and three projects jointly by Sheeran and Donovan. Materials are organized by project name, and then by date.","Sheeran Public projects records (1992-2008, 0.9 cubic feet) contain drawings and office files relating to 4 projects designed by the firm, and include financial records, correspondence, notes and sketches. One project in this series was designed by Peter Sheeran, one by John Gorman, and two by Gregg Donovan. Materials are organized by project name, and then by date.","Sheeran Digital files contain correspondence, digital drawing files, construction schedules and financial records for the Sheeran Architects firm.","Sheeran Architects (1989-2010), Peter L. Sheeran, president, designed residential, commercial and public projects in the Charlottesville area, as well as projects in the Caribbean, Massachusetts and Michigan. Other members of the firm whose work is represented in these records include John Gorman, currently practicing in Charlottesville, and Gregg J. Donovan, currently practicing in New York City. John Gorman joined the firm in 1993; Gregg Donovan practiced with the firm from 2000 to 2008. The firm was dissolved when Sheeran died suddenly in March 2010. For further information, consult Sheeran's and Gorman's resumes within the collection, and websites: https://www.legacy.com/obituaries/name/peter-sheeran-obituary?pid=178367717, http://www.gormanarchitects.com/, and http://www.greggjdonovan.com/portfolio/bio/.","Donated by Donna Sheeran, 2 October 2012.","Access to digital materials may require software emulation. Special Collections staff will evaluate requests for the possibility of software emulation on a case by case basis and cannot guarantee renderability of all files.","The Sheeran Architects records (1980-2008; 9.4 cubic feet plus 250 gigabytes) include drawings and office files relating to projects by Peter L. Sheeran and members of his firm, financial records, correspondence, notes and sketches. Materials are organized by project name, and then by date. Other records included are projects dating from Sheeran's time as principal of Cleveland Sheeran Architects, AIA (1980-1989) and as project architect for Jack L. Rinehart Architect (1977-1980).","Other members of Sheeran Architects whose work is represented in these records include John Gorman and Gregg J. Donovan.","1807 Seminole Trail – unknown, 1980s-2010;\nAerial Photo map – 1990s;\nAllure Las Vegas – EDI Architecture [Britten Perkins], 2006;\nBeauMont Farm – William J. K. Hoare, landscape architect, 1991;\nBrady-Bushey Ford – unknown, 1995;\nCharlottesville-Albemarle Airport New Passenger Terminal – O'Brien Atkins, 1989;\nDeacon Residence – M. Jack Rinehart, 1977;\nEckerd Drug Project – Mullinax Wash, 1985;\nElliewood Avenue Parking Deck – Wilson and Iysiak [engineers], 1986;\nFarmington, Tap Room Parking Expansion – Johnson, Craven and Gibson, 1983;\nFair Hill-McNeeley Residence – TC2 Design, 2006;\nFederal Express \u0026 Retail Office Buildings – B. Aubrey Huffman \u0026 Assoc., 1984/2001/2005;\nGaffney Residence – Design Traditions, Atlanta, 1990s;\nG. E. Training Center – Neil Planning Group, Inc.; Bruce Bower, 1981;\nGollen Residence – Greg Davis Design, 1990s;\nHoliday Inn 29 North Charlottesville, 2nd Addition – Garland M. Gay, 1965;\nJames Residence – M. Jack Rinehart, 1974;\nKnasel Residence – Carleton Abbott and Partners, 1998-2000;\nRegion Ten Oak Ridge Club House – Harry S. Cruickshank; Keeney \u0026 Co., 2000;\nState Police Hangar – Ceco Building Systems, 2001;\nSt. Elmo Hall – Vickery, Moje, Drinkard, Oakland Architects (VMDO), 1984;\nWilliams Residence – Lafarge and Knox, 1940;\nWood Residence (Garth Gate) – Johnson, Craven and Gibson, 1894-1985","Original digital media (floppy disks, zip disks, thumb drives) and born-digital files cannot be handled directly by patrons. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the request size, making them available may take some time.","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 15462","Archival Resource Key","/repositories/3/resources/586"],"normalized_title_ssm":["Sheeran Architects records"],"collection_title_tesim":["Sheeran Architects records"],"collection_ssim":["Sheeran Architects records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["Original digital media (floppy disks, zip disks, thumb drives) and born-digital files cannot be handled directly by patrons. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the request size, making them available may take some time."],"access_subjects_ssim":["Architecture, Domestic -- Designs and plans.","Architecture -- Virginia -- Albemarle County.","Architecture -- Virginia -- Charlottesville.","Commercial buildings -- Designs and plans"],"access_subjects_ssm":["Architecture, Domestic -- Designs and plans.","Architecture -- Virginia -- Albemarle County.","Architecture -- Virginia -- Charlottesville.","Commercial buildings -- Designs and plans"],"has_online_content_ssim":["false"],"extent_ssm":["9.4 Cubic Feet 9 cubic foot boxes, 1 document box","250 Gigabytes"],"extent_tesim":["9.4 Cubic Feet 9 cubic foot boxes, 1 document box","250 Gigabytes"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"arrangement_html_tesm":["\u003cp\u003eRecords are divided into five series: \u003c/p\u003e\n","\u003cp\u003eSheeran Commercial projects records (2005-2008, 1.5 cubic feet) contain drawings and office files relating to 5 projects designed by the firm, and include financial records, correspondence, notes and sketches. Three projects in this series were designed by Peter Sheeran, one by John Gorman, and one possibly by Gregg Donovan. Materials are organized by project name, and then by date.\u003c/p\u003e\n","\u003cp\u003eSheeran Residential projects records (1992-2008, 6 cubic feet) contain drawings and office files relating to 28 projects designed by the firm. Thirteen projects in this series were designed by Peter Sheeran, twelve by Gregg Donovan, and three projects jointly by Sheeran and Donovan. Materials are organized by project name, and then by date.\u003c/p\u003e\n","\u003cp\u003eSheeran Public projects records (1992-2008, 0.9 cubic feet) contain drawings and office files relating to 4 projects designed by the firm, and include financial records, correspondence, notes and sketches. One project in this series was designed by Peter Sheeran, one by John Gorman, and two by Gregg Donovan. Materials are organized by project name, and then by date.\u003c/p\u003e\n","\u003cp\u003eSheeran Digital files contain correspondence, digital drawing files, construction schedules and financial records for the Sheeran Architects firm.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Records are divided into five series: ","Sheeran Commercial projects records (2005-2008, 1.5 cubic feet) contain drawings and office files relating to 5 projects designed by the firm, and include financial records, correspondence, notes and sketches. Three projects in this series were designed by Peter Sheeran, one by John Gorman, and one possibly by Gregg Donovan. Materials are organized by project name, and then by date.","Sheeran Residential projects records (1992-2008, 6 cubic feet) contain drawings and office files relating to 28 projects designed by the firm. Thirteen projects in this series were designed by Peter Sheeran, twelve by Gregg Donovan, and three projects jointly by Sheeran and Donovan. Materials are organized by project name, and then by date.","Sheeran Public projects records (1992-2008, 0.9 cubic feet) contain drawings and office files relating to 4 projects designed by the firm, and include financial records, correspondence, notes and sketches. One project in this series was designed by Peter Sheeran, one by John Gorman, and two by Gregg Donovan. Materials are organized by project name, and then by date.","Sheeran Digital files contain correspondence, digital drawing files, construction schedules and financial records for the Sheeran Architects firm."],"bioghist_html_tesm":["\u003cp\u003eSheeran Architects (1989-2010), Peter L. Sheeran, president, designed residential, commercial and public projects in the Charlottesville area, as well as projects in the Caribbean, Massachusetts and Michigan. Other members of the firm whose work is represented in these records include John Gorman, currently practicing in Charlottesville, and Gregg J. Donovan, currently practicing in New York City. John Gorman joined the firm in 1993; Gregg Donovan practiced with the firm from 2000 to 2008. The firm was dissolved when Sheeran died suddenly in March 2010. For further information, consult Sheeran's and Gorman's resumes within the collection, and websites: https://www.legacy.com/obituaries/name/peter-sheeran-obituary?pid=178367717, http://www.gormanarchitects.com/, and http://www.greggjdonovan.com/portfolio/bio/.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Sheeran Architects (1989-2010), Peter L. Sheeran, president, designed residential, commercial and public projects in the Charlottesville area, as well as projects in the Caribbean, Massachusetts and Michigan. Other members of the firm whose work is represented in these records include John Gorman, currently practicing in Charlottesville, and Gregg J. Donovan, currently practicing in New York City. John Gorman joined the firm in 1993; Gregg Donovan practiced with the firm from 2000 to 2008. The firm was dissolved when Sheeran died suddenly in March 2010. For further information, consult Sheeran's and Gorman's resumes within the collection, and websites: https://www.legacy.com/obituaries/name/peter-sheeran-obituary?pid=178367717, http://www.gormanarchitects.com/, and http://www.greggjdonovan.com/portfolio/bio/."],"custodhist_html_tesm":["\u003cp\u003eDonated by Donna Sheeran, 2 October 2012.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Donated by Donna Sheeran, 2 October 2012."],"phystech_html_tesm":["\u003cp\u003eAccess to digital materials may require software emulation. Special Collections staff will evaluate requests for the possibility of software emulation on a case by case basis and cannot guarantee renderability of all files.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Access"],"phystech_tesim":["Access to digital materials may require software emulation. Special Collections staff will evaluate requests for the possibility of software emulation on a case by case basis and cannot guarantee renderability of all files."],"prefercite_html_tesm":["\u003cp\u003eMSS 15462 Sheeran Architects records, Box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 15462 Sheeran Architects records, Box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Sheeran Architects records (1980-2008; 9.4 cubic feet plus 250 gigabytes) include drawings and office files relating to projects by Peter L. Sheeran and members of his firm, financial records, correspondence, notes and sketches. Materials are organized by project name, and then by date. Other records included are projects dating from Sheeran's time as principal of Cleveland Sheeran Architects, AIA (1980-1989) and as project architect for Jack L. Rinehart Architect (1977-1980).\u003c/p\u003e\n","\u003cp\u003eOther members of Sheeran Architects whose work is represented in these records include John Gorman and Gregg J. Donovan.\u003c/p\u003e","\u003cp\u003e1807 Seminole Trail – unknown, 1980s-2010;\nAerial Photo map – 1990s;\nAllure Las Vegas – EDI Architecture [Britten Perkins], 2006;\nBeauMont Farm – William J. K. Hoare, landscape architect, 1991;\nBrady-Bushey Ford – unknown, 1995;\nCharlottesville-Albemarle Airport New Passenger Terminal – O'Brien Atkins, 1989;\nDeacon Residence – M. Jack Rinehart, 1977;\nEckerd Drug Project – Mullinax Wash, 1985;\nElliewood Avenue Parking Deck – Wilson and Iysiak [engineers], 1986;\nFarmington, Tap Room Parking Expansion – Johnson, Craven and Gibson, 1983;\nFair Hill-McNeeley Residence – TC2 Design, 2006;\nFederal Express \u0026amp; Retail Office Buildings – B. Aubrey Huffman \u0026amp; Assoc., 1984/2001/2005;\nGaffney Residence – Design Traditions, Atlanta, 1990s;\nG. E. Training Center – Neil Planning Group, Inc.; Bruce Bower, 1981;\nGollen Residence – Greg Davis Design, 1990s;\nHoliday Inn 29 North Charlottesville, 2nd Addition – Garland M. Gay, 1965;\nJames Residence – M. Jack Rinehart, 1974;\nKnasel Residence – Carleton Abbott and Partners, 1998-2000;\nRegion Ten Oak Ridge Club House – Harry S. Cruickshank; Keeney \u0026amp; Co., 2000;\nState Police Hangar – Ceco Building Systems, 2001;\nSt. Elmo Hall – Vickery, Moje, Drinkard, Oakland Architects (VMDO), 1984;\nWilliams Residence – Lafarge and Knox, 1940;\nWood Residence (Garth Gate) – Johnson, Craven and Gibson, 1894-1985\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Sheeran Architects records (1980-2008; 9.4 cubic feet plus 250 gigabytes) include drawings and office files relating to projects by Peter L. Sheeran and members of his firm, financial records, correspondence, notes and sketches. Materials are organized by project name, and then by date. Other records included are projects dating from Sheeran's time as principal of Cleveland Sheeran Architects, AIA (1980-1989) and as project architect for Jack L. Rinehart Architect (1977-1980).","Other members of Sheeran Architects whose work is represented in these records include John Gorman and Gregg J. Donovan.","1807 Seminole Trail – unknown, 1980s-2010;\nAerial Photo map – 1990s;\nAllure Las Vegas – EDI Architecture [Britten Perkins], 2006;\nBeauMont Farm – William J. K. Hoare, landscape architect, 1991;\nBrady-Bushey Ford – unknown, 1995;\nCharlottesville-Albemarle Airport New Passenger Terminal – O'Brien Atkins, 1989;\nDeacon Residence – M. Jack Rinehart, 1977;\nEckerd Drug Project – Mullinax Wash, 1985;\nElliewood Avenue Parking Deck – Wilson and Iysiak [engineers], 1986;\nFarmington, Tap Room Parking Expansion – Johnson, Craven and Gibson, 1983;\nFair Hill-McNeeley Residence – TC2 Design, 2006;\nFederal Express \u0026 Retail Office Buildings – B. Aubrey Huffman \u0026 Assoc., 1984/2001/2005;\nGaffney Residence – Design Traditions, Atlanta, 1990s;\nG. E. Training Center – Neil Planning Group, Inc.; Bruce Bower, 1981;\nGollen Residence – Greg Davis Design, 1990s;\nHoliday Inn 29 North Charlottesville, 2nd Addition – Garland M. Gay, 1965;\nJames Residence – M. Jack Rinehart, 1974;\nKnasel Residence – Carleton Abbott and Partners, 1998-2000;\nRegion Ten Oak Ridge Club House – Harry S. Cruickshank; Keeney \u0026 Co., 2000;\nState Police Hangar – Ceco Building Systems, 2001;\nSt. Elmo Hall – Vickery, Moje, Drinkard, Oakland Architects (VMDO), 1984;\nWilliams Residence – Lafarge and Knox, 1940;\nWood Residence (Garth Gate) – Johnson, Craven and Gibson, 1894-1985"],"userestrict_html_tesm":["\u003cp\u003eOriginal digital media (floppy disks, zip disks, thumb drives) and born-digital files cannot be handled directly by patrons. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the request size, making them available may take some time.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Original digital media (floppy disks, zip disks, thumb drives) and born-digital files cannot be handled directly by patrons. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the request size, making them available may take some time."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":111,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:46:08.293Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_586_c01_c15"}},{"id":"wvmturhc_repositories_2_resources_6226_c08_c10_c11","type":"File","attributes":{"title":"1830 Census \u0026 Research Aids","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6226_c08_c10_c11#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eFacsimile of tables of free Negro listings from 1830 census. \"Researching Virginia's Slave and Free Negro Records\"\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6226_c08_c10_c11#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_6226_c08_c10_c11","ref_ssm":["wvmturhc_repositories_2_resources_6226_c08_c10_c11"],"id":"wvmturhc_repositories_2_resources_6226_c08_c10_c11","ead_ssi":"wvmturhc_repositories_2_resources_6226","_root_":"wvmturhc_repositories_2_resources_6226","_nest_parent_":"wvmturhc_repositories_2_resources_6226_c08_c10","parent_ssi":"wvmturhc_repositories_2_resources_6226_c08_c10","parent_ssim":["wvmturhc_repositories_2_resources_6226","wvmturhc_repositories_2_resources_6226_c08","wvmturhc_repositories_2_resources_6226_c08_c10"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_6226","wvmturhc_repositories_2_resources_6226_c08","wvmturhc_repositories_2_resources_6226_c08_c10"],"parent_unittitles_ssm":["Ancella Bickley, Historian, Research Papers regarding African-Americans","Series 8. Research Notes and Collected Materials","Series 8. Research Notes and Collected Materials--Slavery"],"parent_unittitles_tesim":["Ancella Bickley, Historian, Research Papers regarding African-Americans","Series 8. Research Notes and Collected Materials","Series 8. Research Notes and Collected Materials--Slavery"],"text":["Ancella Bickley, Historian, Research Papers regarding African-Americans","Series 8. Research Notes and Collected Materials","Series 8. Research Notes and Collected Materials--Slavery","1830 Census \u0026 Research Aids","Box 9","Folder 35","Facsimile of tables of free Negro listings from 1830 census. \"Researching Virginia's Slave and Free Negro Records\""],"title_filing_ssi":"1830 Census \u0026 Research Aids","title_ssm":["1830 Census \u0026 Research Aids"],"title_tesim":["1830 Census \u0026 Research Aids"],"unitdate_inclusive_ssm":["1930–2002"],"normalized_date_ssm":["1930/2002"],"normalized_title_ssm":["1830 Census \u0026 Research Aids"],"component_level_isim":[3],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Ancella Bickley, Historian, Research Papers regarding African-Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":362,"parent_access_restrict_tesm":["Requires signed form for box 1, folders 8, 16, and 17, since special access restriction applies due to PII."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"containers_ssim":["Box 9","Folder 35"],"scopecontent_html_tesm":["\u003cp\u003eFacsimile of tables of free Negro listings from 1830 census. \"Researching Virginia's Slave and Free Negro Records\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Facsimile of tables of free Negro listings from 1830 census. \"Researching Virginia's Slave and Free Negro Records\""],"_nest_path_":"/components#7/components#9/components#10","timestamp":"2026-06-04T15:06:42.135Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6226","ead_ssi":"wvmturhc_repositories_2_resources_6226","_root_":"wvmturhc_repositories_2_resources_6226","_nest_parent_":"wvmturhc_repositories_2_resources_6226","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6226.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/209044","title_ssm":["Ancella Bickley, Historian, Research Papers regarding African-Americans"],"title_tesim":["Ancella Bickley, Historian, Research Papers regarding African-Americans"],"unitdate_ssm":["1775-2018 (Includes facsimiles)","1970-2011"],"unitdate_bulk_ssim":["1970-2011"],"unitdate_inclusive_ssm":["1775-2018 (Includes facsimiles)"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4208","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6226"],"text":["A\u0026M 4208","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6226","Ancella Bickley, Historian, Research Papers regarding African-Americans","African American women","Slavery -- West Virginia","Education -- West Virginia","African Americans -- Segregation -- West Virginia","School integration -- West Virginia","Underground Railroad -- West Virginia","Underground Railroad -- Ohio","African American Churches -- West Virginia","African American teachers -- West Virginia","African Americans -- Education -- West Virginia","African Americans -- Genealogy","West Virginia Feminist Activist and Women's History Collection","Requires signed form for box 1, folders 8, 16, and 17, since special access restriction applies due to PII.","Dr. Ancella Radford Bickley, author, historian, and educator, grew up in segregated Huntington, West Virginia, where she was born in 1930. She graduated from Douglass High School in 1947 and went on to attend West Virginia State College, graduating magna cum laude in 1950 with a degree in English. She was the first full time black student at Marshall University and received her master's degree in English in 1954. She received her Ed.D. in English from West Virginia University in 1974. Dr. Bickley was a teacher at all educational levels and was Vice-President for Academic Affairs at West Virginia State College where she retired in 1986. She continued to research, write, and speak from her retirement home in Florida where she lived with her husband Nelson. Some of her accolades include the Mountain State Bar Association's Distinguished Citizen Award, 1978; the National Education Association's The Carter G. Woodson Memorial Award, 1980; West Virginia Woman of the Year, 1984; the West Virginia State College Alumnus of the Year, 1988; and was a Rockefeller Foundation Scholar at Marshall University in 1999.","Dr. Bickley was a prolific speaker and in addtion to the speeches, she authored many stories, plays, and articles. In 1997, she published Our Mount Vernons to identify sites significant to West Virginia black history.","With Lynda Ann Ewen, she co-edited Memphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman , published by Ohio University Press. She has written stories and articles for publications including West Virginia cultural magazine, Goldenseal . She wrote a history of the West Virginia Schools for the Colored Deaf and Blind.","Bickley, Ancella Collection. Materials relating to African-American history including annual West Virginia Conferences on Black History, 1908-1996. 3 boxes. Ms2003-182, at the West Virginia State Archives.","Marshall University Oral History Collection, Accession Number 1973/01.0064, also includes the oral history transcripts in this collection's addendum of 2017/02/09.","This collection documents the research, public service, and life of Ancella Bickley, writer, educator, speaker, and historian. Includes writings, research materials, and more, focusing on the history of African Americans in West Virginia and the black experience in West Virginia. Collected research materials are predominantly facsimiles. Printed formats include correspondence, clippings, interview transcripts, typescript writings, publications, pamphlets, ephemera, speeches, articles, military records, and more. Other formats include photographs, slides, and audiocassettes. ","Subjects include Dr. Bickley's writings, which include plays, speeches, and short stories as well as her historical books, articles and other publications; collected materials from Dr. Bickley's historical research on the history of African Americans in West Virginia; and personal papers. Her research materials include papers grouped sometimes by county, sometimes by individual, sometimes by subject. Subjects of her research include slavery, education, churches, biography and genealogy, literature, and more. Specific subjects include the Underground Railroad, James McHenry Jones, genealogy, Carter G. Woodson, Mollie Gabe, West Virginia Colored Institute/West Virginia State College, John W. Davis, black high schools, school integration, and more. Counties and their cities with specific focus include Cabell, Kanawha, and Jefferson. Some documents treating slavery and the Underground Railroad include Ohio from which Cabell County blacks, including Bickley's ancestors, migrated.","Colleagues with whom she corresponded include Judith Stitzel, Nelson Barnett, Maureen Crockett (with whom she co-wrote at least one play), and many more. Of significance is correspondence between Carter G. Woodson and his sister, Bessie Woodson Yancey; and letters and a signed photo from Alex Haley. ","Writings, research background, and drafts of Dr. Bickley's works found within the collection include: Memphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman , \"Midwifery in West Virginia\" (1990), Honoring our Past: Proceedings of the First Two Conferences on West Virginia's Black History , History of the West Virginia State Teachers' Association (1979), In Spite of Obstacles: a History of the West Virginia Schools for the Colored Deaf and Blind, 1926-1955 , Our Mount Vernons: historic register listings of sites significant to the Black history of West Virginia , a short story collection \"Turn Left at the Desert,\" ... to be black in Fayette , and plays: Two Saint Say , Mother Love , Tangled Threads (with Maureen Crockett), Wade in the Water , and seven Goldenseal articles. \nGrant applications and other documents pertaining to her work with the Humanities Council of West Virginia are included in the collection. Other documents describe her work with the Kanawha County Board of Education, EcoTheater, Berea College's Black Mountain Youth Leadership program, and various professional organizations. \nPersonal papers include material about her husband Nelson R. Bickley and his military career, diplomas, transcripts, photographs of a party she held, and more. ","Addendum of 2017/02/09 (boxes 11 and 12) includes papers of Dr. Ancella R. Bickley, with a few papers of her daughter Ancella Livers. Formats include interview transcripts, correspondence, clippings, typescript writings, publications, cassettes, and more. Most of these materials are transcripts of oral histories pertaining to a collaborative project undertaken by Dr. Bickley and Dr. Rita Wicks-Nelson about black teachers and their memories of school integration in West Virginia in affiliation with the Center for the Study of Ethnicity and Gender in Appalachia at Marshall University.","Abbreviations used in the Contents List: \nAB - Ancella Bickley \nWVSC - West Virginia State College \nNB - Nelson Bickley \nMTG - Memphis Tennessee Garrison \nJMJ - J. McHenry Jones \nNEA - National Education Association \nNCTE - National Council of Teachers of English \nMo So Lit Club - Matrons and Maids Social and Literary Club, McDowell County, WV \nUGRR - Underground Railroad \nMU - Marshall University \nWVU - West Virginia University \nCGW - Carter G. Woodson \nRW-N - Rita Wicks-Nelson","Includes civic and academic awards and honors, as well as academic milestones such as graduation and Bickley's dissertation. This series includes materials on the celebration of Bickley's retirement from West Virginia State College.","Correspondence from Marshall University regarding AB's commencement address and honorary doctorate; notes of congratulations. Guest list. Photographs of AB delivering address and with others including Soupy Sales. Letter to editor regarding racism of highlighting photograph of Soupy Sales wiping a tear during AB's speech; newspaper clippings. Commencement program. AB's speech.","Honorary Doctorate","Army Commendation Medal (Second Oak Leaf Cluster). AB's Delta Sigma Rho-Tau Kappa Alpha, Hampton Institute, initiation certificate, May 1976","Attendance, reading, scholarships, and other certificates from elementary through college","AB transcript, 1951, from MU. Transcript, WVSC.","Program for the Fourteenth Annual NEA Human and Civil Rights Awards, 1980, when AB won The Carter G. Woodson Memorial Award. Correspondence regarding the award including 2 letters from John W. Davis.","Photograph of WVSC President Thomas Cole and Ancella Bickley at her retirement; labeled \"West Virginia State College, Commencement, May 17, 1986.\"","Master of Arts degree confirmation from Marshall University","Doctor of Education degree confirmation from West Virginia University","Certificate of Appreciation from the Kiwanis Club of Huntington","Note from WVU professor Armand [Singer] regarding missing retirement celebration","Newspaper clipping re: CGW. Photographs of AB and others after a speaking engagement in Fayette County. Service Award certificate from WVSC.","Letter from Maureen Crocket to the Director of the Appalachian Festival re: Tangled Threads. Letter of recommendation from AB for Dr. Elaine Ginsberg. \"Remarks Made upon the Presentation of the 1988 Humanities Award to Ancella Radford Bickley\" by Judith Stitzel. Letter of recommendation for Dr. Bernard L. Allen for the WVU Claude Worthington Benedum Distinguished Scholar Award. Congratulatory letter for appointment [at WVSC]. Request for letter of recommendation from Marc E. Washington at MU; confirmation of receipt of letter. Request for recommendation for Elaine Ginsberg, Trinity University; verification of receipt of letter. Letter of congratulations on retirement from George Parkinson; letter of regrets from Lawrence H. Talley, West Liberty.","Materials re: WV NAACP Harpers Ferry NHP, 1994, including photographs and text of speech. Congratulatory letter for receiving the Distinguished West Virginian Award, 1986. Thank you for copy of Honoring Our Past, 1992. Many other letters and notes re: service and speeches. Request to speak at the New Employment for Women Information \u0026 Referral Center in Logan about black history. Letter from Gaston Caperton, Governor, re: appointment to the Archives and History Commission, 1991. Thank you letter for contribution to Chandler Third Base, 1992. Certificate of recognition for Outstanding Service in Support of 1993 Douglass High School Reunion. Thank you for participating in the United Way Youth Advisory Council's Youth Forum, 1993. Thank you letter re: speech at naturalized citizens ceremony from John T. Copenhaver, 1992. Certificate of appreciation and other materials including a photo re: \"Read to Me\" Day, 1999. Newspaper article re: writing about the West Virginia Schools for the Colored Deaf and Blind and cards of congratulations. Kanawha County Schools Certificate of Recognition and Appreciation, 1991.","Letter of acknowledgement to deliver commencement address and receive an honorary doctorate at MU, 1990. Newspaper clipping and tribute to Minnie Wayne Cooper, 1989. Thank you letter to Matthew Kinsolving, Kanawha County Board of Education, for plaque, 1989. Typed text of \"Remarks Made upon the Presentation of the 1988 Humanities Award to Ancella Radford Bickley.\" Newspaper clipping and congratulatory letter re: WVSC Alumna of the Year, 1988. Letter withdrawing candidacy for the Kanawha County Board of Education, 1988. Thank you letter for receiving the Humanities Foundation Award, 1988; letter of congratulations from A. James Manchin; and Dee Caperton, House of Representatives. Letter of congratulations from Herman G. Canady, Jr., for appointment to Board of Education, 1988. Program for NAACP, Charleston Branch, Annual Freedom Fund Banquet, 1988, with AB as guest speaker. The Trumpet, West Liberty State College student newspaper, with article about AB's lecture on teaching black literature, November 28, 1973. Program, newspaper clipping, flyer, and certificate of recognition for the National Council of Jewish Women, West Virginia Section, Founder's Day, 1991. Correspondence re: speaking invitations, 1991-2001. Letters of thank you for service: The Huntington Club of Negro Business and Professional Women's Clubs, Inc., 2001; Charleston Mayor, G. Kemp Melton, for Charleston Urban Renewal Authority, 1999; Conference program for \"New Approaches to the Humanities and Lifelong Learning,\" 1988, where AB received award. Newspaper clippings for awards and accomplishments. 1987-1988. Newspaper clipping \"Educator Grim on Blacks' Future\" 1985. Thank you letter from Dee Caperton, House of Delegates, for draft of book about Elizabeth Simpson Drewry, 1987. Congratulatory notes, 1988-2002. Resume, ca. 1988. Text of speech for [receiving WVSC Alumna of the Year award, 1988]","Newspaper clippings, 1994-2002. Congratulatory and thank you letters, 1984-1995. Program for Staff Recall, Federal Prison Camp, Alderson, WV, with AB as guest speaker. Program for Induction Ceremony [sic], Phi Sigma Alpha, WVSC, 1995, when AB gave speech on the UGRR. Program for Carter G. Woodson Memorial Foundation Third Annual Memorial Fundraiser Banquet, 1995, AB speaker. Program for MLK birthday event at the WV School of Osteopathic Medicine where AB spoke, 1994. Resume. Photo of the Berlin Wall, May 1963.","Newspaper clippings, 1984-2002. Congratulatory and thank you letters and certificates, 1975-2002. Program for the Fourteenth Annual NEA Human and Civil Rights Awards dinner, 1980, when AB received The Carter G. Woodson Memorial Award. Program for Academy Cultural Awareness Committee Black History Month Program, 2002, where AB presented about MTG. Invitation to reception for Oliver W. Hill Freedom Fighter Award of the Virginia State Conference NAACP, 1999, and invitation to recognition event at the U.S. Capitol. Program for St. Anthony Church and School Community Education Awards where AB received the Gregory Loebach Award, 2002. Text of speech and program for West Virginia's African-American Women of Distinction book introduction by the West Virginia Women's Commission, 2002. Program for The Education Alliance Graduates of Distinction, AB recipient, 2002; text of speech; newspaper clipping; correspondence.","Newspaper clippings, ca. 1972-2002. Congratulatory and thank you letters, certificates and other recognitions, 1975 -2002. Letter of receipt for items given to the West Virginia State College/West Virginia Black Heritage Collection, 1987. Personal note, 3/26/80, discussing various contributions to education. Photograph of AB. Program for The National Association of Negro Business and Professional Women's Clubs banquet and candlelight rededication services, 1988, where AB was the guest speaker. Program for Berkeley County Diversity Committee \"Town Meeting\" with AB conducting interactive workshops at schools, 2002. Program and sketch of AB for [her retirement] 1986. Program for PCC lecture series \"The West Virginia Experience,\" [ca. 1985]. State of WV Teaching Certificate, 1960-1965. Letter of acceptance by NB for offer of teaching positions at WVSC for both NB and AB, 1972. Letter offering employment at WVSC as Associate Professor of English, 1972. Letter to NB offering WVSC position of Director of Guidance and Placement, 1972. Letters of thanks for AB for retirement and awards, 1986. Notification of nomination for President of WVSC, 1987. Correspondence Re: NCTE Orwell conference, 1984. Notification that tapes of censorship series of programs will be housed at the New York Public Library, 1984. Program for the Danforth Associate Program, 1975, for which AB and NB were program chairs. Program for The Women's Study Club Annual Open House, 1984, when AB was named Woman of the Year. Program for \"African Americans in the Appalachian Coalfields\" at the National Mine Health \u0026 Safety Academy when AB gave a lecture, 2000.","Newspaper clippings, 1989-2000. Congratulatory and thank you letters, invitations to speak, certificates of recognition, 1985-2000. Photograph of Douglass High School Y Teens, ca. 1946, including AB. Newspaper articles re: AB as WVSC's May Queen, 1948. Issue of MU's Greenline: a Publication for Alumni and Friends of Marshall University, May-July 1990, in which AB is recognized as commencement speaker; press release; letters of congratulations. Photograph of AB and others after presentation in Morgantown, 1990. Program for WVSC National Alumni Association William L. Lonesome Alumni Awards Dinner-Dance Honoring Dr. Ancella R. Bickley, Class of 1950, 1988 Alumnus of the Year. Dunbar Rotary Club Newsletter with AB as speaker, 1988. Materials from the Second Annual Conference on West Virginia's Black History, 1989. Letter to the editor of the Charleston Gazette re: black athlete, 1988.","Retirement from WVSC, 1986, materials. Correspondence re: ceremony; letters of congratulations; newspaper clippings; photographs; program; WVSC commencement program with AB as retirement honoree.","AB's doctoral dissertation A Study of the Effects of Teaching a Unit on Black Culture to Classes of Predominantly White High School Students, 1974.","Newspaper clippings for Education Alliance Graduates of Distinction, 2002. Materials pertaining to \"From Our Front Porch: Stories about Charleston's Oldest Neighborhood, The East End\": newspaper insert; outline for Appalachian Studies Association presentation; program for play at Roosevelt Wilson High School; the play. \"Testimony of Ancella Radford Bickley, Independent Scholar from West Virginia, on behalf of The State Humanities Program Regarding FY 1989 Appropriations to the National Endowment for the Humanities before the Appropriations Subcommittee on the Interior of the Senate,\" 1988. Congratulatory letters re: selection to the Kanawha Board of Education. Newspaper clippings. Congratulations re: speech's and performance of play in Florida. Commencement program for WVSC, 1950. Text of AB honors. Newspaper clippings re: her writings. Letter of acknowledgement for participation in reading of the names of lynchings victims program, Virginia State University, 2001. News release re: production of Harvest of Dreams by the Charleston Stage Company, 2000. Correspondence re: appointment to the WVU Board of Advisors, 1989. Certificate of appreciation from the City of Beckley for contributions to black history in WV. Thank you note re: women writers, 1994. Thank you letter from James Tolbert re: participation in Black History Month program at Harper's Ferry. Overview of AB accomplishments [introduction?]. Letter acknowledging participation in Kanawha County Public Library Black History Month events, 1993; abstract of talk; resume. Thank you letter for presentation at a Affirmative Action Committee Meeting, 1994; program; brochure listing black employees. Letter acknowledging intent to speak at the WV School of Osteopathic Medicine re: unsung heroes of the Civil Rights Movement and for MLK Day, 1993. Handwritten note of appreciation for a speech. Handwritten note re: missing speech for Black History Month, with attached newspaper clipping, 1994. 1949 Yellow Jacket article with picture of AB as newspaper staff. Clipping re: AB as keynote speaker for MLK Day celebration, 1991. Letter acknowledging a reading at the College Language Association, 1993. Letter acknowledging agreement to moderate a panel on sexual harassment; flyer for the program. Congratulatory letter for receiving the MU Graduate School Distinguished Alumnus, 1993. Program for \"First Annual Forum and Family Recognition Conference\" from the West Virginia Black Family Coalition, 1992, for which Bickley was a moderator. Correspondence and program for Distinguished Graduate Student Award from MU, 1993. Newspaper clipping about the WVSC presidential inaugural ball including description of AB and NB attire, 1974. Letter from Mary Pearl Compton, WV Delegate, re: Union's Historic District. Handwritten card praising AB as a \"liquid god\" able to move among roles, 1995. Resumes.","Senate Resolution honoring AB and Lynda Ann Ewen, 2002. Certificate of recognition as a West Virginia Hero, 2002. Newspaper clippings, 1990-2002. Correspondence re: lecture at Alderson Broaddus College, 1991. Certificate of recognition from the WV National Organization of Women and two 1991 conference programs. Program for \"African-Americans in the Appalachian Coalfields,\" 2000. Letter acknowledging selection at WVSC Alumnus of the Year, 1988. The Humanities Foundation of West Virginia Award Dinner Program, 1988. Issue of People \u0026 Mountains: a Publication of the West Virginia Humanities Council, Summer 2001, with MTG interview excerpt edited by AB and Lynda Ann Ewen. Congratulatory note re: publication of Memphis Tennessee Garrison; lecture on MTG announcement, 2000. Letter from the Indiana Humanities Council re: placement on \"Always a River\" registry, 1991. Letter from Gov. Gaston Caperton recognizing appointment to the Martin Luther King, Jr. State Holiday Commission, 1989. Acknowledgement letters as a speaker, 1990-1999. Acknowledgement of receipt of Our Mount Vernons from a professor at the University of Texas at El Paso, 1997. \"Book Notes\" section of West Virginia History re: Our Mount Vernons, 1997. Letter of re: reappointment to the WV Archives and History Commission, 1997. Letter re: WV Public Radio's Cultural Diversity Radio Project, 1998. Letter re: Mistress of Ceremony for a poetry contest at WVSC, 1995. Letter acknowledging support of the WV Humanities Council programming, 1995.","Special Commendation from the U.S. Dept. of the Interior, National Park Service, for Significant Contributions to the Underground Railroad Study, 1995.","\"West Virginia: a Film History\" recognition as the Historical Advisor for the film project.","State of West Virginia Distinguished West Virginian award, 1986.","Senate Resolution honoring AB and Lynda Ann Ewen, 2002.","Includes newspaper clippings and writings by Ancella Bickley Livers (also called Cill Jr. or Cill). Also includes material by or about Nelson Bickley, Ancella Bickley's husband and prominent Charleston, West Virginia, lawyer. Formats include articles, awards and honors, military records, speeches, research notes, publications, correspondence, newspaper clippings, and more. Subjects include Nelson Bickley's military and teaching careers, his uncle Carter G. Woodson, and more.","Correspondence with James Harlow, WVU President, regarding tenure at WVU, 1969 and 1972. Army records for Nelson Bickley. Various Army regulations, blank forms, and information flyers. Correspondence and forms from the Veterans Administration. Medical records, 1956-1966","Charleston Gazette/Gazette-Mail newspaper clippings about AB and NB, 1999-2003","Text of NB's speech \"CMA's Link to the Late Carter G. Woodson, the 'Father of Negro History'\" at the Chicago Military Academy, program, and certificate of appreciation.","Text of speech given by NB at East Bank High School to Junior ROTC, regarding the benefits of military service.","Military and scholarship commendations, program from WVSC Commencement, 1948.","Military records for Nelson Bickley including his assignment as an Army ROTC instructor at WVU and difficulty of finding Negro housing. Admission to WVU College of Human Resources and Education.","Folder within 16a containing Army medical records for Nelson Bickley, 1957-1966.","Akron Beacon Journal, December 7, 1982, with article by Ancella Livers which includes brief biography.","\" Brown V. Board of Education in West Virginia\" by Nelson R. Bickley in the West Virginia Law Review , Spring 2005.","Text of speech given by NB at the WVU Law School","Correspondence with Congressman Harley Staggers, James G. Harlow, President of WVU, and others regarding Nelson Bickley's retirement. Other military records.","Invitations to the ROTC Cadet Corps Annual Military Ball and the ROTC Awards Day and Hall of Fame Induction Ceremony, 1982. Program for the ROTC Awards Day Ceremony, May 1, 1981. WVSC student newspaper The Yellow Jacket with an article about the inductees to the ROTC Hall of Fame including NB. Typed text of NB's acceptance speech about his time in the military. Newspaper with an interview with NB and Belva Clark about Carter G. Woodson, 1987. Program and text of NB speech, with AB edits, at WVSC for Veterans Day, 1992. Newspaper article regarding NB induction into the WVSC ROTC Hall of Fame.","Signed letter from Alex Haley to Colonel and Mrs. Nelson Bickley, March 1, 1973, re: the Bickleys' hospitality after a lecture.","Clippings regarding the Bickleys from The Villages Daily Sun (FL) and The Sunday News-Registe r (Wheeling, WV)","Pamphlet \"The Black Student at WVU,\" 1969/70, 1971/72, which include pictures of AB. Program for Lincoln-Douglas Banquet sponsored by Morning Star Baptist Church, February 12, 1977; includes AB as the speaker. Newspaper articles by and about Ancella Bickley, as well as Nelson. Congratulatory letter regarding AB promotion to Vice President for Administration at WVSC, July 9, 1975. Dunbar High School's publication, Kennel, Feb. 23, 1973 and May, 1974.","Letter regarding AB in WVU classroom. Newspaper article about Ancella, daughter of Ancella and Nelson. Dunbar High School's student newspaper, Kennel, Nov. 1972.","Bachelor of Arts degree confirmation from West Virginia State College","Nelson Bickley's Master of Arts degree confirmation from West Virginia University","Nellie Francisco's Bachelor of Arts in Education degree confirmation from West Virginia State College, 1938","Letter from CGW to Bessie Woodson Yancey, CGW's sister, re: funding Joan's education. Text of the poem \"The Forgotten Boys.\" Invitation to the dedication of the Carter G. Wooson School, New Orleans.","Research materials re: Belva Clark, Carter G. Woodson's niece and Nelson Bickley's mother; note of condolence; funeral program; handwritten [by Mrs. Clark?] obituary and instructions","Articles about NB. Membership certificate to Sigma Pi Phi Fraternity.","Teaching certificate for Nellie Radford Francisco, Bluefield Colored Institute, 1928.","Special Order lists. Legal case notes? Selective Service Act of 1948 memo.","Includes genealogical research material, notes, and charts in print as well as handwritten for these families, mostly from the Huntington, West Virginia area and across the Ohio River: Twyman, Spurlock, Barnett, Payne, Jones, Woodson, Wilson, Johnson, Summers, Smoot, Peters, Radford, Layne/Lane, Jones, Straham, Cabell, and Parker. Additional genealogical information is included in oral history interviews with individuals (see Interviews and Oral History Interviews series); the Others' Works series; the Biography subseries of Research Notes and Collected Materials; and other locations throughout the collections.","Documents pertaining to the Twyman Family. Facsimile of pages from The Promised Land by J. Earl Pratt [1964]. Facsimile of newspaper legal notices from T he Ironton Register , Oct. 27 and Dec. 15, 1870.","Letter from Willard H. Radford and Kim Radford regarding a reunion for the Radford-Bickley families.","Correspondence between the Bickleys and Nelson L. Barnett, Jr. regarding Allensworth (CA) State Historical Park, the Spurlock family, the Barnett-Payne-Jones family. Rededication pamphlet, October 10, 1992","Barnett family genealogy compiled by Nelson Barnett, Jr.","Various documents pertaining to Carter G. Woodson and the Barnett family connection. \"A Black History of Huntington\" by Edna Duckworth. Barnett family documents.","Family line charts, photographs, newspapers, family history for the Nelson Barnett line. Program for the First Baptist Church, Huntington, September 25, 1988. Photographs buildings designed by Carl Barnett, architect.","Transcription of Barnett family obituaries.","James and Mary Wilson family genealogy. Facsimiles of portraits. Memorial service programs. Photographs of Mary Wilson Johnson and James Johnson. Photo of family group identified later in file and on facsimile. Obituary for William O. Johnson. Family group photo. Photos of Ida and William Johnson.","Handwritten Cabell Family tree and notes on the Cabell Family in Institute. Transcription of letter from J. S. Cunningham to Governor A.I. Boreman. Facsimile of newspaper ad for sale of slave.","Handwritten notes regarding Summers Family and slaves.","Facsimile of book section and term paper about the Smoot Family written by Marcella L. Pauley Short for WVSC class.","Booklet of genealogy forms. African-American Genealogy: A Research Guide compiled by Phyllis Preston Jarrett and Helen Chambers Winston.","Typewritten history of the Smoot Family, Boone County.","Personnel record for Willard Radford. Letter, 1949, certifying marriage of Willard Radford to Lilian Angus in Cuba, 1923.","Handwritten marriage records for Radfords.","Handwritten notes from a phone conversation regarding the Straham-Parker families.","Typed \"Conversation with Nellie Redford Francisco--about 1985.\" Handwritten \"Discussion w/Henry Radford, 1/14/93.\" Radford Family genealogy. Peters Family genealogy. Newspaper articles regarding Negro education in Huntington and Kimball, 1904-1923. Cemetery lot receipts to Willard Radford. Program for Sterberger Elementary School 1999 Graduation Ceremony; Akil Livers listed as student. Funeral service program for Lily Van Sykes Kelly, 1994. Transcribed obituaries for Joseph T. Payne, 1948, and Minnie Bell Powell, 1936.","Research notes on how to do black genealogy. Black Studies: a Select Catalog of National Archives Microfilm Publications .","The Layne Family Tree and Its Branches . Handwritten tree with Twyman connection.","\"Plat Map, Mt. Pisgah Cemetery, Proctorville, Ohio\" with notes. Request for donation to the Cemetery, 2013.","Handwritten CGW family tree.","Radford family genealogy. Release of note on deed, Radford family, 1952.","This series includes two subseries, General and Black Teachers.","Includes more formal oral history interviews as well as \"discussions\" and other less structured interviews not intended for any historical publication. Formats include handwritten notes, typed notes, and transcripts of interviews as well as background in the form of correspondence and typed and handwritten corrections.","Transcript of interview with Johnnie James. Newspaper article \"THE Man…Johnny James Now Shares Life With God\"","Background research re: changes to social history and oral history.","Notes from discussion with Grover DuBose, Korean War veteran, Sept. 10, 2000.","Transcripts of interviews with black citizens of Huntington, WV; Institute, WV; Guyandotte, WV; and Black Fork, OH. Including Johnnie James, Ms. Bessie Herbert McClain, Chester A. Burris, Henry Pierce, Mildred Loar Williams, Cash Keels, James Thompson, Mrs. Araminta Miller Justice, and James Johnson.","Spiral bound notebook containing notes from oral history interviews with black soldiers, 1945-46. References to color-coded folders. Notes on soldiers' letters, 1943-45. List of themes in interviews. Follow up on specific soldiers, 2005, titled \"Negative behavior of Blk soldiers.\" Diagram of Army organization.","Research notes labeled \"Army Wives Material: Discussion with Carl \u0026 Nancy Johnson Re: Military Experiences; Carl was a Tuskegee Airman. His wife, Nancy, is white\" 2014. Annotated paper \"The WV State Capitol\" with research notes. Emails re: Kimball Wall Memorial Project, 2011. Research notes. Letter to Beverly from AB re: various researchers in the Villages, FL, 2014. Typed notes from interview with Harriet Williams, Lewisburg, WV.","Annotated transcript of oral history interviews with Mrs. Mildred Lore Williams, 1990, re: family history and Cabell County History. Annotated transcript of oral history interviews with Mrs. Bessie Herbert McClain, 1990, re: living in Huntington. Annotated transcript of oral history interviews with Mrs. Suzette Spencer, 1990, re: family and life in Huntington. Mrs. Spencer was a descendant of 37 slaves freed in the south and sent to Ohio. Transcript of oral history interview with Mr. Cash Keels, 1990, re: family history and life in Black Fork, Ohio.","Audiocassettes labeled: \"Joseph C. Peters re: Black High School Athletics - 11/2/95;\" \"Gregory Peters / Reminiscences, 9/22/95, \u0026 Ed Scott #3;\" \"MC (Ref) Edward Greer, 5/10/06;\" and \"Ed Scott / Reminiscences /Korea, 10/20/95\"","Bickley and Rita Wicks-Nelson, as Rockefeller Scholars-in-Residence at Marshall University's Center for the Study of Ethnicity and Gender in Appalachia, interviewed and recorded interviews with older black women teachers from across the state. This subseries contains transcripts of the interviews, corrected transcripts, correspondence with the subjects, and sometimes background information about them.","Typed manuscript for \"Black Education in West Virginia,\" a joint project between Ancella Bickley and Rita Wicks-Nelson. Notes regarding Mrs. T. McDaniel interview; text of interview. Correspondence regarding book on black female teachers. Research notes. Text of speech about black WV schools. List of narrators. Facsimiles of newspaper clippings \"from Mrs. Rayford's Collection\" regarding desegregation of schools, 1955-1956. Newspaper clipping of AB interview regarding MTG.","Handwritten notes of [interview with] Marian Hatcher, WVU English Dept. teacher.","Print out of web page re: Dr. Ancella Bickley and Dr. Rita Wicks-Nelson, 1999 Rockefeller Scholars-in-Residence. Project name: \"Life Experiences of Older, Black, West Virginian Women [Teachers]\"","Demographics of teachers' project. Map showing location of teachers. Narrative overview of the project. Paper \"Mosaic [sic] in Black and White: Black Teachers Remember School Integration in West Virginia\" [by] Ancella Bickley and Rita Wicks-Nelson; paper presented at the Center for the Study of Ethnicity and Gender in Appalachia, MU, 2000. Annotated paper. Draft of paper \"Changing Lives and Potential Leadership: A Study of West Virginian Women Returning to College\" [by] Rita Wicks-Nelson, Lynda Ann Ewen, ca. 1997.","Correspondence between AB and RW-N and others re: book based on teachers' oral history interviews. Paper \"Black Education in West Virginia.\" Text of paper [by AB] \"Read @ WV Sociological Assoc. Annual Mtng. WVSC - Oct. 24, 1997.\" Letter from NB, 2005, asking for addenda to West Virginia Law Review paper about Brown v. Board of Education. Research notes. \" Fullen corrected pp, AB,\" 2001. Letter requesting interview with Pearl Swann Carter, 2000.","Release form from Suzanne Slaughter, 1998","Correspondence, edits, research notes with RW-N. Book reviews from The Appalachian journal, 2005. List of women interviewed. Background and summaries for interviewees.","Research materials re: education in WV; Brown v Board of Education. Possible participants; call for participants; correspondence with participants Writing retreat brochure and correspondence. Project update to the Center for the Study of Ethnicity and Gender in Appalachia at MU. Draft of summary of results. Summary data forms and interview guide. Schedule of interviews. Letter from parent to teacher, Anna McCright. Flyer announcing talk by AB and RW-N. Luncheon flyer from the Fayette County Black Caucus.","Life stories, some annotated or edited, for Vivian Williams Fleming, Eliza Jane Campbell Dillard, Anna McCright, and Mary Montgomery.","Annotated transcript of oral history interviews with Mrs. Louise Anderson. Newspaper clipping of obituary.","Annotated transcript of oral history interviews with Mrs. Velma Bradshaw. Handwritten notes on folder.","Oral History Review article, 2001, re: school segregation. Email with list of changes to the transcript. Transcript of oral history interviews with Mrs. Pearl Swann Carter, 2001.","Annotated transcript of oral history interviews with Mrs. Florence Casey, 1997","Transcript of oral history interviews with Mrs. Ottrus Chatman, 1999. Typed and handwritten notes on the interview.","Annotated transcript of oral history interviews with Mrs. Verona Clarke, 1997.","Annotated transcript of oral history interviews with Mrs. E. Jane Dillard, 1999.","Handwritten notes on the interview. Correspondence with Mrs. Elston. Annotated transcript of oral history interviews with Mrs. Mary M. Elston, 1997.","Annotated transcript of oral history interviews with Mrs. Eunice Fleming, 1999.","Annotated transcript of oral history interviews with Mrs. Vivian Williams Fleming, 1997. Handwritten notes.","Annotated transcript of oral history interviews with Mrs. Norma Jean Fullen, 1997.","Handwritten notes. Annotated transcript of oral history interviews with Mrs. Susie Guyton, 1997.","Handwritten notes. Transcript of oral history interviews with Mrs. Willie Hise, 1999.","Typed and handwritten notes. Annotated transcript of oral history interviews with Mrs. Floristine Holland, 1998.","Handwritten notes. Transcript of oral history interviews with Mrs. B'Alma Jones, 1999.","Annotated transcript of oral history interviews with Miss Anna McCright, 1999.","Corrected transcript of oral history interviews with Mrs. Thelma McDaniel, 1999.","Letter to Mrs. McDaniel. Typed notes and pages from the interview. Letter from Norman L. Jones re: Thelma McDaniel and the Price and White families, 2001.","Annotated transcript of oral history interviews with Mrs. Edris Miller, 1998.","Annotated transcript of oral history interviews with Mrs. Mary Montgomery, 1997. Overview for Mrs. Montgomery. Letter to her. Pages of the interview with corrections. List of names and addresses for interviewees.","Annotated transcript of oral history interviews with Ms. Doris Payne, 1999.","Overview for Ruby Brown Reeler. Annotated transcript of oral history interviews with Mrs. Ruby Reeler, 1997. Handwritten transcript of a quote from the interview. Handwritten notes on the folder.","Annotated transcript of oral history interviews with Mrs. Nancie Smith Robinson, 1999.","Transcripts pages of interview with FH [Floristine Holland?] Annotated transcript of oral history interviews with Mrs. Suzanne Slaughter, 1998.","Obituary for Mary Crozier Snow, 2011. Annotated transcript of oral history interviews with Mrs. Mary Snow, 1997. Letter to Mrs. Snow with corrections, 2001.","Transcript of oral history interviews with Mrs. Fannie Ashe Thomas, 1999.","Handwritten notes. Annotated transcript of oral history interviews with Mrs. Velma Twyman, 1997. Letter to Mrs. Twyman re: corrections, 2001.","Includes books, manuscripts, facsimile pages, and other publications not written by Bickley, who was sometimes asked to provide feedback on writing. Forms of writing include family histories, poems, short stories, plays, novels, and both scholarly and popular articles. Other writers include: Sharon M. Draper, Charles Lloyd, Hannah N. Geffert, Peri Lynne Johnson, L. O'B. Thomson, Nelson L. Barnett, J. McHenry Jones, Judith Stitzel, Elizabeth Taylor Brown, and Phyllis Moore.","A Memorial to the Scott, Carter, Mumford Families and the Journey from the Hills of North Carolina to the Beautiful Ohio Shore in the Year 1844 by Edith Dove Bryant, original and one facsimile. Article \"Midwifery in West Virginia\" 1990.","My Dearest Husband: the Letters of Amacetta Laidley Summers to George W. Summers, 1842-1843 by Patricia Clark Bulla. Handwritten genealogy chart for James M. Laidley","Poem \"Old Lady Sady and the Chicken Wings\" c1992 Sharon M. Draper","My Dearest Husband: the Letters of Amacetta Laidley Summers to George W. Summers, 1842-1843 by Patricia Clark Bulla. Laidley-Summers-Quarrier family line","Manuscript for Aesculapius, Ebony by Nelson L. Barnett, M.D.","\"…Tryin' to Get Home…\": A Journal, a compendium of biographies, family histories, community histories, etc. by the John Henry Memorial Committee.","\"The Search for Larry Doby\" by Bob Stitzel in Sports Collectors Digest , December 1, 1989. Letter from Judith Stitzel critiquing short stories \"The Woman in the Lavender Hat,\" \"Hush Now Child,\" \"Sweets,\" and \"Jones.\" Manuscripts of Stitzel's stories \"My New York Yankees,\" \"Cover-Up,\" \"Hearing Aids,\" \"Unbecoming a Jew.\" Letter from Stitzel regarding order of stories.","Manuscript for book about West Virginia State College.","Correspondence with Phyllis Moore re: WV writers. Annotated stories \"It Ain't Her!,\" \"The Crossing,\" and \"On This Rock,\" short stories by AB. Photo of AB and unidentified woman. \"'Talking about home…': Yes, We Have Authors\" by Phyllis Wilson Moore.","Project overview for Greenbrier Valley African-American life. J. McHenry Jones' novel Hearts of Gold with highlighted passages and annotations. Background research materials.","Facsimile of The Jones Family by John L. Jones.","Correspondence with Hannah N. Geffert re: Black History Conference and her annotated story \"The Guns of October.\"","\"History of Lakin Hospital: Pulling for the Stars\" by Elizabeth Taylor Brown. Reviewers' comments.","The Plays of Ann Kathryn Flagg published by Amistad, Inc., Ancella Bickley, Director.","\"Black High Schools in West Virginia\" prepared by R. Charles Byers.","Writings of Peri Lynne Johnson, AB's niece, some with annotations.","Review of \"The History of Lakin State Hospital\" by Elizabeth Brown; manuscript.","Drafts and final papers written by L. O'B. Thompson who taught at WVSC.","Aesculapius, Ebony by Nelson L. Barnett. Brief biography of Carl Eugene Barnett. Facsimile of photograph of \"Reverend Nelson Barnett, Circa 1900.\"","Paper and letter of transmittal for \"The Peters Sisters: An Historical Omission\" by Norman Jordan. Research notes on the sisters: Ethel and Ada Peters.","Typewritten notes about various novels, movies, and other works. Discussion questions for some.","Inscribed play \"Day to Day: a Drama in One Act\" by Maryat Lee. Article \"'…To Will One Thing: a New Look at Theater\" [by] Maryat Lee, from Drama Review , 1983. Materials re: EcoTheater including scholarly articles.","Includes black and white historical photographs, slides, and contemporary color photographs. Additional photographs can be found throughout the collection. Most photos are black and white facsimiles of original historical photos of people and places significant to Bickley's research and publications. Subjects include educational institution buildings and students; other institution buildings; the Radford family; Bickley and Bickley with others. The contemporary color photos include ones of the memorial statues on the West Virginia Capitol grounds; Potomac State College campus; Bickley and others; and the social event A Red Hat Party celebrating women.","Photos: graduating class at Bluefield State College; Barnett School Orchestra, Huntington, with Nellie Francisco; school children at Lincoln School, Wheeling, 1912; unidentified football team; buildings at Bluefield State College and West Virginia State College.","Photos, invitation to, and follow up for a birthday celebration for AB, and a Red Hat Party to celebrate older women. Poem about AB.","Photographs of building details; street scenes; two black women [Alberta Coleman]; NB; campus, Potomac State College, buildings including Academy Hall and Duke Anthony Whitmore/Henry Louis Gates, Jr. Academic Achievement Wall.","Photos of statues on the WV State Capitol grounds: prints, proof sheet with numbered descriptions, and a CD. Annotated text to accompany photos and titled \"Statuary on the Grounds of the West Virginia State Capitol.\" Brief history of the Capitol and the state of West Virginia.","\"Honoring Our Past: 1994 Calendar\" produced by the Alliance for the Collection, Preservation and Dissemination of West Virginia's Black History. Calendar includes photos of school bands, Bluefield NAACP chapter, Hopewell barber shop in Martinsburg, and schools.","Copies of group photographs of children and a \"Special Citation Award to Mrs. Harry Gordon\"","Photo of unidentified family, 1901; restored photo and invoice for work, 2005.","Negatives and photos from AB's Red Hat Party","Variety of copies of historical photographs, most not identified, 1912-1918. Note stapled to folder removed, 10/17/1990.","1991 (3), 1993, 1994 calendar \"Honoring Our Past\" from the Alliance for the Collection, Preservation and Dissemination of West Virginia's Black History. 1971 Black History Calendar [by] Raymond W. Lowry.","Facsimiles of photographs of students at WVSC including AB in Delta Sigma Theta Sorority.","Photographs of AB and others at a presentation on CGW at Marshall University, President's Home. February 24, 1988.","Facsimile of undated photo [ca. 1942] of John W. Davis, Charles Rutherford, Austin W. Curtis, L.A. Toney, et al. On back: \"Received from Debby Jackson, Goldenseal , 4/7/1997. Picture taken during construction of Washington-Carver Camp.\"","Photo of AB with author Alice Walker at the University of Charleston, [1999]. Photo of AB with Ken Sullivan, Executive Director of the WV Humanities Council, 2002.","Includes examples of Bickley's contribution to a number of public service projects both in a professional capacity and as a citizen. Includes these formats: \nplanning documents, \ncorrespondence, \nmeeting notes, and \nagendas for these organizations: \n-Amistad, Inc., a publishing company she formed; \n-West Virginia Humanities Foundation; \n-Black Mountain Youth Leadership Program, Berea College; \n-The EcoTheater in Lewisburg, for which she served as board member; \n-National Council of Teachers of English, for which she was National Director; \n-West Virginia Archives and History Commission, of which she was a member; and \n-Marshall University colloquium on black history.","Most notable are the grant applications, programs, and correspondence from her work with the West Virginia Humanities Foundation. Bickley was President of the Board of Directors and wrote a ten-year history of the organization, 1974-1984. The files include background materials for a number of projects for which she or others received grants. For her work with the Kanawha County Board of Education, her files include research materials about minority student achievement, and documents about the Kanawha County Schools Minority Student Achievement Task Force and Maximizing Achievement of African-American Children in Kanawha County (MAAACK). Documenting her work with an organizing committee to clean up the Bethel Cemetery in Huntington, her files include calls for participants, flyers, lists of members, and more. One civic activity with no apparent formal organization includes a meeting with Governor Rockefeller to advocate for affirmative action in West Virginia government. More on Bickley's professional and community activities can be found in the Awards, Honors Series.","\"Notes from Meeting between WV SAC and Governor Rockefeller--June 13\" The SAC [Statistical Analysis Center] asked the governor to authorize another study concerning minority employment in West Virginia with the goal of supporting affirmative action and the employment of more minorities.","Humanities Scholar Resource Forms by Virginia Edwards (2/86), Judith G Stitzel, and Elayne Rapping for the project, \"Reel Visions: A Conference on Women and Film.\" \"Seminar for Professionals Scholar's Statement\" by AB. The Midwest Quarterl y article \"The Humanities in Public Conversation.\" Publication: \"The Humanities Foundation of West Virginia, 1974-1984, A Decade of Discovery\" which lists awards; AB was President of the Board of Directors.","Brochure for the 15th Year of the EcoTheater founded by Maryat Lee, 1975-1990. Letter of support fro grant to the EcoTheater, February 10, 1990. Business correspondence with members of the Board of Directors.","Notes, membership lists, and correspondence from meetings of the Bethel Memorial Park Interest Group. Various research notes regarding black WV doctors and other topics.","Invitation to Ronald Reagan's inauguration","Correspondence from Cecil H. Underwood and Earl Ray Tomblin regarding appointment to the WV Archives and History Commission, July 11, 2000-September 22, 2000.","Papers and notes from 1975 National Council of Teachers of English (NCTE) conferences when AB was National Director. List of attendees. Black history newspaper clippings. NCTE Spring Institutes programs: April 4-8 in Buffalo, New York; and April 25-29 in Santa Barbara, California. Paper by NB \"Mini-Psychological Theory about Black Americans\"","Invitation to Jimmy Carter's inauguration, January 20, 1977.","Certificate of incorporation and other legal documents for Amistad, Inc. Humanities Foundation grant application. Correspondence, agendas for Board meetings, and notes from meetings.","Correspondence with William (Bill) Turner regarding a black history colloquium at Marshall and editing a special issue the Appalachian Journal. Sojourner: Voice of the Eastern Kentucky Social Clubs , 1989.","Program for MU symposium \"Moving Toward Freedom: Slavery and Resistance.\" WV Humanities Foundation grant materials for \"Fact to Freedom: The Story of Slavery in West Virginia.\" Cost details for recreating a slave auction block. Photograph of 10th and Market in Wheeling, 1895.","Correspondence with Brucella and Norman Jordan re: the African American Heritage Family Tree Museum. Also a Humanities Council Grant, brochures, newspaper clippings, press releases. B. Jordan's curriculum vitia and job description with an appliation.","Materials supporting the proposal for WVSC's The Canty House being placed on the National Register of Historic Places.","Materials for collaboration of Kanawha County Schools Minority Student Achievement Task Force and Achieving Excellence in Learning (AEL). Maximizing Achievement of African-American Children in Kanawha County (MAACK) materials. Data on Kanawha County students.","Readings on teaching minority students, Ebonics. Maximizing Achievement of African-American Children in Kanawha County (MAACK) materials.","Notes and correspondence pertaining to the evaluation of the Black Mountain Youth Leadership Program at Berea College.","Letter from the Governor of Montana. Itineraries. Correspondence re: trip.","Matted print of D. Richardson's drawing of the WV Colored Children's Home.","This series includes eleven subseries which highlight Bickley's research on black history in West Virginia and to a smaller extent black history in general. The subseries include her work on black history for many West Virginia counties with her research being more extensive for Cabell, Jefferson, and Kanawha Counties which have their own subseries. The subseries for Research Notes and Collected Papers are: General, Biography; Cabell County, WV; Jefferson County, WV; Kanawha County, WV; Other WV Counties; Churches, Education; General; Organizations; Slavery; and the Underground Railroad.","Bickley researched a wide range of black history and black culture topics; for example, Aunt Jemima and the statue of a black boy as yard ornament, in addition to persons and events. The research provided background for her writings and was often incorporated into her works of fiction as well as historical accounts. Her papers include research notes and supporting sources on a wide range of topics with reference to black history and West Virginia black history.","Handwritten inventory of boxes with Post-it-Note \"Found AFTER boxing - This drawer-files are out of order so I don't know if it will be helpful. (Plus, my sister has horrible handwriting.\"","Post card from Mabel Hunter with Storer College Brackett Hall dorm room circled (1946). Photo of statue of Carter G. Woodson. 1850 mortality statistics for western section of Virginia. Bulletin of the West Virginia State Teachers' Association , 1940. Program for the Mountain State Bar Association, Inc. Annual Awards Banquet, June 18, 1988. Partial transcript of \"Interview with Doris Miller, Huntington, WV\" regarding house purported to be on the underground railroad. Marriage records, 1869, Trinity Church, Parkersburg. \"Reading the Names\" program at Virginia Sate University of those lynched, 1868-1935; AB read the WV names, ca. 2011. Handwritten research notes. Notes on census slave records. Proposed black history highway markers, 2001. Newspaper clipping about Huntington Tuskegee Airmen, 2009. Email from Brucella Jordan requesting a recommendation; paragraph regarding the founding of the African American Heritage Family Tree Museum, 2010. Email from David Trobridge invitation to speak at Marshall University, 2011. Facsimile of pages from the Bureau of Negro Welfare and Statistics regarding the Episcopal Church in West Virginia. Roster of Negroes serving in state and local government, ca. 1968. \"The West Virginia Medical Society [Black].\" \"Slavery in Western Virginia\" (notes for an exhibit?)","Correspondence and research notes regarding the black history of Gallipolis, Ohio. Love story by Harry Dolphis Scott, Bidwell, Ohio. Typed lists from Carter G. Woodson's Free Negro Head of Families (1830), Town of Gallipolis.","Newspaper clippings from the Herald-Dispatch, 1981. Brochure: \"Graduates of Distinction: Michael Perry, Ancella Bickley\" from the Education Alliance, 2002","Various articles regarding blues music. Multiple facsimiles of \"Bessie Smith, 1898-1937, A Short Blues Anthology,\" 1971; one with annotations.","Various articles including the legend of Jocko, subject of a lawn ornament, and a 1971 black history calendar by Raymond W. Lowry which highlights achievements.","2 nd Annual John Henry Festival, Clifftop, West Virginia: Herbs and Traditional Medicine [by] Roscoe Leonard.","Typewritten paper about spirituals","Journal, newspaper, and magazine articles about black history, Carter G. Woodson, Nelson Bickley, and the methyl isocyanate leak in Institute, 1984.","Prospective Sites Relating to Black History in Canada by William N. T. Wylie, June 1994.","Research materials regarding the holiday, Juneteenth, which celebrates the Emancipation Proclamation. Text of two speeches.","\"The Black Literary Tradition of West Virginia: A Bio-Critical Survey\" [by] Leonard J. Deutsch","The booklet (2 copies) \"History of African-American Miners in Appalachian Coal Fields: Black History Month, February, 2000\" Funeral program for Ulysses Grant Carter, teacher at Kimball High School. A Saga of Service: A History of the Mining Extension Service of West Virginia State College, 1937-1957 by Cecile M. McCormick and U.G. Carter.","Facsimiles of pages from reports from the WV Bureau of Negro Welfare and Statistics.","Correspondence and attached materials from Sara J. Sow re: blacks in Gallia County, Ohio. \"Why We Celebrate Our Culture and Church\" about churches in Lawrence County, Ohio.","Correspondence with and writings of James Fisher, Berkeley County.","Background research notes and materials about Cuba. National Geographic article \"Evolution in the Revolution: CUBA.\" Poems by or translated by Nelson A. Ossorio.","Correspondence with Joan C. Browning re: content for the Henrietta Marie exhibit; white women in the civil rights movement. Biography. Resume. Newspaper clippings; article \"Invisible Revolutionaries: White Women in Civil Rights Historiography.\" Program and other materials for the WVU panel for the Rush Holt History Conference. Commentary from John Raines re: J. Browning and David Mussat's contributions to the RDH Conference; annotated JB paper \"Religion Gave Me Power to Witness\" and David Mussat's paper \"Sticks and Stone: an Interpretation of Power and Religion in the Movement.\"","Research materials on many aspects of WV Black history including newspaper clippings, scholarly articles, meeting programs, and the text of an Odd Fellows speech.","\"Negro Coal Miners in West Virginia, 1875-1925\" from the Midwest Journal , 1954. Reprint of \"Negro Migration to the Mining Fields of West Virginia\" from the Proceedings, West Virginia Academy of Sciences , 1936.","Handwritten research notes. Research materials re: WV history. Typed notes on WV black history. 1955 newspaper article re: integration of schools.","Correspondence regarding black WV historical markers. Resignation as a Commissioner for the WV Division of Culture and History. Program for Roosevelt Junior High School Award Assembly, June 2, 2000; Bickley is on the program for the East End History Essay.","Programs for West Virginia Conference on Black History at the First Baptist Church in Charleston, April 22-23, 1988, and the Eighth Annual Conference on West Virginia's Black History at Marshall University, November 10-11, 1995","Web page print out of article about Silas Green in minstrel show.","\"Fifth U.S. Colored Infantry\" by John F. Walter, rev. 1998. Includes information on Ohio and WV blacks.","\"Negro Participants in the Fields of the Theatre and Music Plus Associated Enterprises: Period: 1920-1960\" by Dr. Douglass T. Murray. Booklet for The National [Negro] Opera [Company].","Paper titled \" School Desegregation Since Brown (1954): 30-Year Perspective\" by Franklin Parker, WVU Professor of Education, 1984. Two pages of annotated text of a speech about education of black West Virginians, [delivered at WVU]. Daily Athenaeum article re: interview Nelson Bickley about discrimination in housing in Morgantown, 1971. Program for \"The West Virginia Experience in Higher Education: an Historical Perspective\" at WVU, 1984, when AB was on a panel. Facsimile of the pamphlet \"The Black Student at WVU\" 1971-72. Correspondence from the Ohio University Press re: manuscript review of the book Memphis Tennessee Garrison by William H. Turner, 1999. \"History of DuBois High School\" from a book. Map of slave plantations in Wood County, Va. Map of Underground Railroad routes to Canada, 1898.","Email correspondence primarily between AB and her daughter Ancella Livers re: access to WWII Soldiers' letters at the New York Public Library. Email from Della [Hardman?] re: Belle Powell and Ravella Hughes.","Includes biographical material for many people of interested to Bickley. Types of material include correspondence, handwritten notes, clippings and articles, photographs, various facsimiles, and more. Subjects of research notes and collected materials include: Carter G. Woodson, Dick Pointer, Henry Louis \"Skip\" Gates, Memphis Tennessee Garrison, John Henry, Ravella Hughes, John Wesley Harris, Maude Beatrice Bell Plowden, Della Brown Taylor, Bessie Yancey, Mollie Gabe (Mary Elizabeth Johnson), Elizabeth Simpson Drewry, J. McHenry Jones, Stonewall Jackson, Gwen McMillion Bingham, and William Cathay. Additional topics include: blacks in WV literature; black women; Tuskegee Airmen including John L. Whitehead, Jr. and William Lee Hill; and black WV legislators. Biographical information is also included in the Interviews and Oral History Interviews series.","Newspaper clippings. Partial notes [speech] J. McHenry Jones including John R. Clifford, Christopher Payne, and black legislators. Pages from a 1913 Congressional hearing on \"Conditions in the Paint Creek District, West Virginia\" with conditional pardon of Dan Chain highlighted. Memo, 1/18/03, from Alfonzo Dalton regarding interview with Ben Carson who was a Republican candidate for the US President in 2016.","Letter to researcher Sean Duff, November 19, 2012, and attached information regarding J. McHenry Jones and Wheeling. Letter to researcher L. Morris Jones, May 3, 1989. Newspaper clipping of article about Hearts of Gold which was written by J. McHenry Jones (JMJ). Various versions of \"James McHenry Jones: a Monologue\" by Ancella R. Bickley. Full and partial \"J. McHenry Jones, 1859-1909.\" Text of newspaper article about JMJ's opposition to the Evans Jim Crow Bill, February 14, 1907. Research notes including Jones family history. Facsimile of pages from History of the Jones Family by John L. Jones.","Research notes on Guion Bluford (?). Ed White, sculptor, biography. Facsimile of pages from the children's book Black Stars in Orbit , [1995]","Correspondence between NB and The Association for the Study of Negro Life and History, Incorporated regarding preservation of the Carter G. Woodson house in Huntington. Correspondence between Carter G. Woodson and his sister, Bessie Woodson Yancey, regarding upkeep of the house.","Research materials on Dick Pointer, black Indian War hero, for an article for the Journal of the Greenbrier Historical Society ; the article; handwritten notes; various versions of the article. Research notes. Facsimile of a painting by S. Ross Browne, 1993.","Correspondence with Henry Louis \"Skip\" Gates, Jr. Newspaper clipping: MU Commencement.","Correspondence with Adolphus Young regarding black West Virginia women, particularly MTG.","Washington Post article \"In Quest of the Historical John Henry\" by Hank Burchard, August 24, 1969. Press release by Kyle McCormick, WV Dept. of Archives and History, 1957. WV Hillbilly , June 23, 1979, \"A Salute to John Henry.\"","Handwritten notes about John Matheus, WVSC professor; his curriculum vitae, ca. 1953; reprint of an article from the CLA Journal by him, 1972.","Research notes about Revella Hughes","Research notes about William Hill for Goldenseal article about Tuskegee Airmen.","Research on John Brown including materials from the National Parks Service's John Brown Conference, 2000; an annotated Langston Hughes' poem \"October 16;\" and \"A Psychological Examination of John Brown.\"","Two newspaper clippings: one about Fannie Cobb Carter and one about Memphis Tennessee Garrison","Obituary and other information about Major General Charles \"Jackie\" Calvin Rogers. Documents regarding the naming of a United States Army Reserve Center for him. Text of NB's speech.","Goldenseal article about John Wesley Harris. Facsimile of newspaper clipping about Maude Beatrice Bell Plowden.","Transcript of interview with AB by Ohio State University's WOSU about Della Brown Taylor [Hardman], a graduate of Garnet High School, artist, and teacher at WVSC.","Research notes. Transcript of conversation with Bruce Rogers regarding Aunt Jemima and Bruce Family history. Facsimiles of newspaper articles regarding Aunt Jemima.","Background research about the Sargent School of Physical Education; Sydney Taylor Brown who graduated from there and then WVSC; black women in the American Red Cross; and black women's service in WWII. American Legacy , Winter 1999. Research notes.","Facsimile of pages from History of the American Negro, W.Va. Edition, vol. VII, [edited] by [A. D.] Caldwell.","Print outs of web pages regarding the Tuskegee Airmen. Photograph of monument in Walterboro, SC. Newspaper clippings.","Research materials pertaining to Carter G. Woodson including: journal and magazine articles; facsimile of book pages; newspaper clippings; and a masters degree thesis. Text of speeches and programs for speeches by both AB and NB. Invitation to a reception to honor Sen. and Mrs. John F. Kennedy in Huntington, April 20, 1960.","Poems, correspondence, and other writings by Bessie Yancey, Carter G. Woodson's sister. Photocopies of journal articles and WV Collegiate Institute publications. Special Carter G. Woodson issue of Community, published by Friendship House, Winter 1970. Issue of The Journal of Negro History , July 1968.","Research materials on Mollie Gabe, also known as Mary Elizabeth Johnson, midwife from Falls Mill, Braxton County.","Research materials about John P. Parker, a former slave who was active in the UGRR in Ohio. Parker was also an inventor and a business man.","Research materials about Elizabeth Simpson Drewry, McDowell County representative to the WV House of Delegates.","Letters to Bessie W. Yancey, CGW's sister. Research materials. Poem \"The Forgotten Boys.\" Correspondence re: restoration of the CGW home. Carter G. Woodson Memorial Committee and Foundation materials. Text of speech by AB. CGW stamps. Dedication of statue of CGW. Correspondence re: Ann Eliza Riddle Woodson family property. CGW genealogy prepared by Nelson Barnett, Jr. Letter from CGW to Bessie Woodson Yancey. Text of paper \"Carter G. Woodson: the West Virginia Connection.\" Photographs of CGW and kin.","Correspondence from CGW to Bessie W. Yancey, re: house in Huntington, 1941. Book contract between Bessie W. Yancey for Echoes in the Hills and CGW's company, The Associated Publishers, 1939. Letter re: book to CGW from BWY, 1939. Letter from John W. Davis, President WVSC, to BWY, 1945, re: Nelson Bickley. Letter from BWY to Louis R. Mehlinger re: loss of two brothers, 1950. Envelope, no contents, from Joel A Rogers, 1951. Envelope, no contents, from The Associated Publishers, 1958. Photographic negative of BWY.","Research materials including newspaper clippings, correspondence, articles, and research notes on Carter G. Woodson; Bessie W. Yancey; Black History Month; restoration of the Woodson home; and the Woodson family. Annotated copy of the paper \"Carter G. Woodson: the West Virginia Connection.\" Facscimiles of Otis Woodson and CGW photos. Photo of Bessie Woodson Yancey and letter from BWY to CGW re: poetry. Edited entry for CGW from The Encyclopedia of Black America . List of WV Collegiate Institutue, 1920/21 and 1921/22. Facsimile of correspondence between CGW and BWY re: house.","Research materials on J. McHenry Jones including facsimiles of obituaries; other newspaper clippings; and transcriptions of clippings. Photo of Hazlewood Assembly Hall. Notes [speech?] on JMJ. Timeline with sources. Paper about JMJ by AB. Jones family history.","Pages copied from book The Hidden Years of Stonewall Jackson purporting that he fathered a black child. From Merle Moore.","Research materials on Tuskegee Airmen including John L. Whitehead, Jr. and William Lee Hill.","Text of a speech? \"African Americans in the West Virginia Legislature.\" Letter from C.A. Blankenship to The Negro History Bulletin adding names of Negroes who served in the WV Legislature, 1964. \"West Virginia's Black Female Legislators\" ca. 1991. Facsimile of photo with caption: \"President Harry S. Truman being shown a copy of America's first Black pictorial magazine. [There is some question which came first Color or Ebony] Left to right: Sippi Coleman, Pres. Truman, W.VA. Congressman, Dr. I.J.K. Wells Editor and Publisher of Color,\" ca. 1948. Newspaper clipping of article re: female legislators, 1998.","Facsimile of photo of \"Gabriel, Pardoned by VA Governor Tim Kaine, June 26, 2007.\" Research notes. Paper \"Major General Gwen McMillion Bingham,\" ca. 2011 with newspaper clipping. Facsimile of unidentified photograph of woman in uniform. Paper \"'Who Was William Cathay?' adapted from a piece in the St. Louis Daily Times, January 2, 1876.\" Poem \"Cathay Williams,\" 1997. Facsimile of enlarged photo of face of unidentified soldier. Summary/timeline for Cathay Williams/William Cathay.","Draft of \"Elizabeth Simpson Drewry, 1894-1979\"","Covers a wide range of topics on the history of Cabell County; Huntington, WV; and adjacent Ohio counties. Notable are Nelson Barnett's transcriptions of late 19th century Huntington newspaper articles regarding blacks. Also included are newspaper clippings, monographs, photos, biographies, and interviews about veterans, church history, education, organizations, and more.","\"References and Briefs to Miscellaneous Newspaper Articles, [June 15, 1872-October 21, 1898, and June 4, 1922-May 20, 1928]\" compiled by Nelson Barnett, Jr., 1988, from Huntington newspapers.","\"Black Veterans of World War I from Cabell County, W.Va., 1918.\" \"Past Imperfect, 1902: Articles of Interest, [Nov. 13, 1901-Dec. 31, 1901]\" compiled by Nelson Barnett, Jr. from Huntington newspapers.","\"Past-Imperfect, 1901: Articles of Interest, [Jan. 7, 1901-May 28, 1901]\" compiled by Nelson Barnett, Jr. from Huntington newspapers","Resources about blacks in Huntington and Cabell County. Includes a bibliography of Goldenseal articles about blacks. Other resources are church histories, listings of names, facsimiles of book chapters and papers, newspaper clippings, interviews, handwritten research notes, and more.","\"Progress of the Huntington Negro\" by Prof. J. W. Scott","\"A Black History of Huntington\" by Edna Duckworth, 1976. Genealogy for Edna Duckworth. \"Biohistrogenetics Project Proposal\" to the Carter G. Woodson Memorial Foundation, 1996-1997; Duckworth is listed as the visionary.","Marriage records, late 19th century, Cabell County.","Correspondence with Clara Knight. Facsimiles of Greenbottom Church, Huntington, records listing black members. Records regarding John Ball freeing his slaves, 1793. Map of Millersport, OH, 1887.","Correspondence with Bill Lindsay re: blacks in Huntington and Pocahontas County","Two newspaper clippings: one about Nellie Fransisco [sic] and AB's research about blacks on the Ohio River.","\"A Black History of Huntington\" by Edna Duckworth, [1976]. Census data for black families in Lawrence County, Ohio; 1850, 1860.","Photos of black workers in C\u0026O shop including Anderson Radford, AB's grandfather. Correspondence; transcription of newspaper articles; research notes; biographical sketches; photos of Goodes; newspaper clippings; church histories and programs; facsimiles of book pages; transcription of interviews; and bibliography.","Research notes. Photos. Paper \"Black People and the Huntington Experience.\" Project, \"A Sojourn for Truth: Revisiting Black History Along the Ohio River,\" overview. Research materials re: Huntington, Cabell County, and parts of Ohio. Transcript of interview with Suzette Spencer. \"The West Virginia Colored Children's Home\" by Ancella R. Bickley. \"Poke Patch/Black Fork, Ohio\"","Research notes on Douglass School. Typewritten notes on Douglass School, 1891-1924. Notes from conversation with Nellie Francisco. Handwritten transcription of article, 1902.","Covers research about blacks in Charlestown and Harpers Ferry as well as other locations in Jefferson County. Materials include obituaries, school histories, correspondence, cemetery records, research notes, and more about school integration, Storer College, slave collars, Fisherman's Hall, and more.","Research materials regarding blacks in Charlestown. Obituary for former slave George Jenkins in Huntington, 1917.","Paper about St. Philip's parochial school by James A. Tolbert. Materials re: Sons of Confederate Veterans tablet in Harper's Ferry. Other research materials re: Jefferson County and Charlestown.","Photos of a slave collar. Correspondence re: acquiring the collar for the Henrietta slave ship exhibit.","Correspondence with James Tolbert re: black CCC camp, McDowell County; Black History Conference; Fisherman's Hall, Charlestown, restoration; Harewood Cemetery, Jefferson County; marker for Martin Delany, Charlestown.","Research materials re: Harpers Ferry, the National Park, and Storer College.","Typewritten text of speech at Shepherd College, 2004. Transcript \"Discussion of Integration of Schools in Jefferson County: Jim Tolbert.\"","Handwritten research notes mostly re: John Brown and Harpers Ferry, ca. 2000.","Covers research about blacks in the WV Capitol, Charleston, and other locations in Kanawha County. Topics covered include slavery in the salt industry, biographies, wine cellars, and buildings. Contents include correspondence, facsimiles of documents, research papers, obituaries, newspaper clippings and more.","Research materials about slavery in West Virginia with focus on Kanawha County and the salt industry","Research materials on black attorney Thomas Gillis Nutter.","Research materials on Charleston, WV including: \"Unpublished Black History in the Early Kanawha Valley\" by William D. Wintz; \"Blacks in Charleston, West Virginia: A Survey of Their Presence in the Community and Occupational and Residential Patterns in the Early 1900s\" by Mary Johnson, WVU student. Research materials regarding Oscar Wayman Holmes, the first African American naval aviator and obituaries for C.H. James, prominent black businessman. Text of speech, \"Black People in Charleston,\" 1994.","Research materials on the Dutch Hollow wine cellars in Dunbar.","Documents regarding Samuel W. Starks and the Starks House in Charleston. Correspondence regarding its being put on the National Register of Historic Places.","Correspondence with Eugene Washington re: Phillis Wheatley School and Albert G. Brown, architect.","Excludes Cabell, Jefferson, and Kanawha Counties which have separate subseries. Includes research materials about slavery, school integration, lynching, historic homes, and more researched by Bickley for these counties: Wayne, McDowell, Harrison, Greenbrier, Hardy, Fayette, Monongalia, Upshur, Wood, and Monroe; as well as the cities of Bluefield, Buckhannon, Keystone, Weirton, Weston, and Wheeling. Research materials include photographs, correspondence, brochures, newspaper clippings, book pages, articles, interviews, and more.","Various documents regarding blacks in Wayne County, WV; the Livisay family; writings by Tim R. Massey, 1981; the Lindsey family; photograph and negatives of a photograph of a black family.","Research materials on McDowell County, WV, with focus on the towns of Keystone and Keystone. Letters and notes from Adolphus A. Young, Jr.","Program for \"Freedom Is a Struggle: Glimpses of African-American Life in the Greenbrier Valley of [West] Virginia.\" Brochure \"Black Historic Sites in Lewisburg, West Virginia.\"","Newspaper clipping about Sarah Hall, black lawyer. Facsimiles of research materials. \"The History of the Negro in McDowell County and in West Virginia Leading Up to and Including the Integration of Schools\" by Dr. Douglass T. Murray. Typewritten notes from Adolphus Young, Jr. Correspondence with Alphonso Dalton, Jr. regarding MTG and black McDowell County families","Facsimile of 1952 newspaper article regarding slaves listed in 1848 Harrison County tax book. Slave owners are listed and includes Nathan Goff.","Paper, author unidentified, regarding lynching in WV. Research materials about slaves in Greenbrier County","Correspondence regarding letter from a slave asking to be purchased by Stump family [1851]. Facsimile of letter.","Research notes and resources regarding Glenwood, historic home in Charleston. Clarksburg newspaper article of reminiscences of a former slave, Ann Freeman and others. Clarksburg newspaper article regarding Union Veterans Association.","Research materials for Fayette County including contacts list, newspaper articles, maps, facsimiles of pages from books, student research paper, church histories, handwritten research notes, and grant applications. Correspondence with and Lucille Meadows and her handwritten reminiscences.","Newspaper articles, facsimiles of historical records. Partial manuscript for To Be Black in Fayette and annotated pages. \"Black Politics in Fayette County, West Virginia, 1896-1918\" by Daniel Wright. Text of speech by Daniel Wright. Brochure titled \"Camp Washington-Carver: a Compendium of the First African-American 4-H Camp.\"","Research materials and research notes: Monongalia Blacks Speak : Women, Part II and Men, Part I, Holland family, schools. Interview with Grace Edwards Waters.","Research materials about Weirton.","Research materials about Upshur County. Facsimiles of articles written by R.H. Ralston, Sr. regarding Buckhannon's black history; newspaper clippings. \"A History of Blacks in Buckhannon: The Recollections of Harriet Warfield,\" an interview with Harriet Warfield, 1977.","Research materials regarding blacks in Wheeling. \"Wheeling's Black Population: A General Perspective\" written and presented by Darryl Clausell, Pat Dudley, with contributors Kathryn Snead and Dorothy Cooper, 1990. Correspondence with Margaret Brennan. Photo of AB, Pat Dudley, Brennan, and Annie Tanks at an Oral History Seminar in Wheeling.","Correspondence regarding Memphis Tennessee Garrison. Research materials on Gary and other McDowell County locales: newspaper clippings, Goldenseal article.","Papers by Wheeling Jesuit Students Joel Michael Coulson and Beau Conway.","Research resources regarding blacks in Fayette County, WV, including transcripts of oral history interviews with Lucille Meadows, Mrs. Turner, Charista Davis, Lula Lall Jones, Rosa Roach and Jessie Barrett; correspondence, church histories and programs. Includes Smoot family information.","Transcripts of interviews with Alease Watkins, David W. Turner, Russell Lee Matthews, and Elsie Choice Hopkins. Also, includes research notes, newspaper clippings, a grant application, facsimiles of book pages, and correspondence.","Photo of Lomax Hospital in Bluefield. Brochures for Afro-Appalachian Performance Company. Correspondence with Joseph Bundy re: history alive performances. Research materials about black Bluefield hospitals.","Correspondence with Ray Swick re: blacks in Wood County. Research notes. Correspondence with the Wood County Bicentennial Commission re: speech.","Court record for Mullens v. County Court , 1932. Facsimile of WV entry from 100 Years of Lynchings by Ralph Ginzburg. \"The Greenbrier County Lynching: a Study of West Virginian Justices\" by Ancella Bickley Livers. \"'Reading the Names,' Program at Virginia State University.\"","Research notes re: Parkersburg black history. Facsimile of letter and transcription of letter from ex-slave Isaac Fairfax to George Washington Henderson.","Letter from Charles (Charley) Goddard re: Greenbrier County history and Sharlotta Gardner contact information.","Copy of photo and negative of lynching. Photos of black children. Note from Maurice Allman, Hacker's Creek Pioneer Descendants. Transcripts of Weston Democrat articles re: 1892 lynching of Edgar Jones. Transcripts re: 1910 lynching. Research notes on these incidents. Application for the Weston Colored School to be placed on the National Register of Historical Places. Research notes re: Weston State Hospital. Correspondence re: dedication of the Central West Virginia Genealogical and Historical Library, formerly the Weston Colored School. Handwritten transcription of interview with Rahleen Gardner who attended the School. Transcript of conversation with Mrs. Joy Gilchrist, 1992.","Transcripts of interviews with Mr. Waldo Lacy and Mrs. Gladys Lacy. Facsimile of newspaper article of speech by T.J. Ferguson, 1870. Research materials on the Sumner School. History of Parkersburg from Bernie Allen. Facsimile of books pages, newspaper articles, and transcription of newspaper articles. Parkersburg Art Center brochure featuring Joseph Eldridge Dodd. Text for slide show (no slides). Typewritten outline of \"Parkersburg Study.\"","Facsimiles of newspaper articles. Correspondence with Ray Swick, Blennerhassett Island State Park. Research materials about blacks in Wood County. Research notes. \"A History of Sumner School\" written by Sally Browning, 1996. The Island Packet from the Friends of Blennerhassett Island.","Background research on blacks in Monroe County. Correspondence with Fawn Valentine and Presidents of the Monroe County Historical Society. \"Bishop Matthew W. Clair, Sr.: a Biography\" by Dr. Margaret B. Ballard, 1973.","Includes programs, bulletins, correspondence, research notes, and histories of black West Virginia churches in Fayetteville, Charleston, Charlestown, Fairmont, St. Albans, Parkersburg, Huntington, and Alderson. Also includes a history of churches and lodges in West Virginia as well as histories of the Odd Fellows, Knights of Pythias, and the Galilean Fisherman lodges. Denominations represented include African Methodist Episcopal, Episcopalian, and Baptist.","Correspondence with Lucile S. Meadows regarding help with the Second Baptist Church, Fayetteville, Centennial; racial tolerance in schools","\"125th Anniversary Journal\" First Baptist Church, February 1, 1868-February 28, 1993, Charleston, WV","Time line for black Episcopalians in WV. \"The First Hundred Years: a History of St. Philip's Episcopal Church, Charles Town.\" Research notes and sources. Humanities Foundation of WV grant application by Florita Montgomery to study the history of St. Phillips' Episcopal Church. Information on the Trinity Church in Parkersburg. Photograph including some black congregants.","1907 Weekly Bulletin of Diamond St. M.E. Church in Fairmont","Book titled Miracle on B Street Continues about St. Paul Baptist Church's (St. Albans) 131st anniversary.","Letter re: slide presentation at the Young Chapel African American Methodist Episcopal Church. Program for the 94th Church Anniversary. Handwritten time line and other notes. Booklet of photographs, text of Bickley's speech, newspaper clipping.","\"Black Churches and Lodges in West Virginia in Their Infancy, 1865-1900\" by J. Reuben Sheeler. \"History of Bright Hope Lodge #9, F.\u0026A.M. and - P.H.A. Montgomery WV.\" Facsimile of pages \"Introduction and Growth of the Grand United States Order of Odd Fellows in America.\" Notes \"Knights of Pythias of West Virginia History\" researched by James A. Tolbert. Notes about \"Grand United Order of the Galilean Fisherman\" compiled by Ann Wilson.","Email correspondence with Adrienne Belafonte re: a newspaper article about the Shiloh Baptist Church in Alderson. Clipping of the article.","Program for First Baptist Church 125th Anniversary, 1997. Program for installation of Rev. William F. Buchanan, First Baptist Church, 1988.","Includes newspaper clippings, text for presentations, correspondence, research notes, articles, commencement programs, interviews and more about state and national teachers' organizations, historically black WV colleges including West Virginia State College and West Virginia University, integration of schools, histories of specific schools, the Kanawha County textbook controversy, and more.","Newspaper articles: WV Education Association (WVEA) Executive Committee meeting, the National Education Association (NEA) and the need for minority teachers; and recommendations from the Black Caucus, WV School Journal , December 15, 1973. Photograph of Blacks in auditorium seating, ca. 1950s","Multiple facsimiles of a post card picturing Albert Long, \"Bertie\" -- Aunt Onie's Son. West Virginia State College Commencement Programs: 1948, 1950, 1951","Information sheets and travel plans for trip to Egypt, July 5, 1987, sponsored by WVSC. Passport and Visa information written on folder.","Various versions of text for a multi-media program on the history of West Virginia State College (WVSC) and Institute, WV","Letter to Edmonia Grider from Marjorie [Counts] regarding the Hilltop School, October 7, 1974.","Manuscript discussing integration and black teachers in WV, author unknown. Speech (?) regarding school integration. Research notes. Annotated speech: \"Black Education in West Virginia\" delivered in Shepherdstown.","Research materials on the integration of WV schools: facsimiles of WV newspaper articles regarding integration of schools; \"How Black Students Saw Themselves through the Decades of Change at Bluefield State College (founded in 1895) as It Changed from Predominately Black Institution to a Predominantly White Institution\" by James Worsham","Program for the Alpha Delta Chapter, Delta Sigma Theta Sorority, Inc. 19th annual Jabberwock, March 16th, 1949. Dance invitation, 1948. WVSC Commencement program, 1949. Washington Alumni Chapter banquet, 1976, to roast John W. Davis. Newspaper articles","Vocational and Educational Survey for the Kanawha County Negro Schools by Andrew H. Calloway, 1945.","Correspondence, photos, newsletter, and newspaper clippings regarding the Douglass High School (Huntington) Reunion. Notes on class of 1947. Newspaper clipping regarding NB. Photo YWCA Y-Teens, Douglas High School, Christmas, 1946.","Research notes on schools in Keyser and Piedmont, WV, including a facsimile of book pages from Howard School: a History, 1877-1955 regarding a black student strike for a better school in 1939. Notes on interview with Alberta Coleman, Piedmont, WV. Notes from interview with Opal Coates Carter, and other research notes, regarding Woolworth Fire, Charleston, WV, [ca. 1964s].","Compilation, by R. Charles Byers, of resources regarding WV black schools.","Annotated pages for \"Integration in West Virginia\"","Bulletin of West Virginia State College , Series 21, no. 1, June 1933. \"Why Choose West Virginia State College\"","Affirmative action statistics for Bluefield State College, 1984. \"Pride and Preservation: West Virginia State College\" seminars which included Alex Haley as a speaker, 1979. Newspaper article re: archives at West Virginia State College, 1979. Southern Rural Women's Network Newsletter , June, 1983. Photograph of Alex Haley with inscription and signed letter from Alex Haley to NB, 1970.","Research notes and materials for research on education in Mason County, WV","Research materials regarding the Lincoln School in Wheeling, WV","West Virginia State College Bulletin , April 1941, Series 28, No. 2. Handwritten transcription of an article in The Advocate , 1907.","Program for One Hundred Fifth Commencement, Huntington High School, 1971. Photo of AB, West Virginia State College Commencement, May 17, 1986.","Report of the Twenty-first Annual NEA Conference on Human and Civil Rights in Education , 1983, including paper by AB on the Kanawha County textbook controversy and censorship.","Facsimile of a brief historical sketch of Storer College, 1867-1891, by Kate J. Anthony, 1891.","Newspaper clippings and other sources relating to the West Virginia Seminary and College and the Hilltop Baptist Center.","\"Integration in Reverse at West Virginia State College\" by Elizabeth Duran and James A. Duran, Jr.","Correspondence, interviews, newspaper clippings, and facsimiles of photos re: WVSC's East Hall. Research notes.","WV Humanities Council grant application for a presentation on black education in Parkersburg. Research materials and notes. Handwritten and typed notes from interviews with Mrs. Dorsey, Mr. James Emondson, Mrs. Hattie Gazelle Turner, and Mrs. Elizabeth Mitchell. Particular focus on the Sumner School.","Photo slides of WVSC buildings, presidents, etc. Post cards of WVSC buildings and Institute. Note cards from a lecture. Research materials on all aspects of WVSC history.","Research materials on many aspects of WVSC history including faculty information. Includes these publications: \"ROTC in Review: 40 Years of Tradition;\" \"West Virginia State College Glee Club;\" Alumni Association, Los Angeles Chapter, Scholarship Luncheon program, 1989;","Program for Convocation and Dedication of the Harold Maceo McNeill Physical Facilities Plant, WVSC, 1999.","Letter from AB re: retirement of Justine Gutzmer; retirement announcement for Gerald Cote, Beatrice Dupass, Gutzmer, and Darthulia Jones. Facsimile of WWII death notice of Oliver Johnson to his parents and his obituary. Johnson was Gutzmer's brother.","Booklet of texts and order of ceremonies for the WVSC commencement program, 1985.","Includes background research on the Montgomery Woman's Improvement League, the West Virginia Federation of Colored Women's Clubs, Alpha Omicron Omega Chapter of the Alpha Kappa Alpha Sorority, the Mountain State Bar Association, and the West Virginia Medical Society. Research materials include a yearbook, programs, correspondence, a members list, and more.","Montgomery Woman's Improvement League Year Book , 1955-56 and 1960-61. Program for West Virginia State Federation of Colored Women's Clubs, Inc. Annual Convention, 1959. Newspaper photojournalism article regarding the College Alumni Club 50th anniversary history booklet. Program for the Annual Debutante Ball sponsored by Alpha Omicron Omega Chapter, Alpha Kappa Alpha Sorority, 1958. Correspondence with Katherine Atwater regarding resources.","Program for the Annual Meeting and Awards Banquet of the Mountain State Bar Association, 1985. List of members, 1986.","Paper titled \"The West Virginia Medical Society [Black]\" Article: \"Historically Black Medical Colleges: From Scorn to Success\" from The Boule Journal , 2004.","This subseries includes maps, research papers, newspaper clippings, letters, census data, newspaper articles, facsimiles of historical slave documents, and more. Other materials regarding slavery can be found in county subseries and the Underground Railroad Subseries.","West Virginia map. \"Number of Slaves in Counties Which Became WV\" 1850, 1860. Typescript of Historical Atlas of West Virginia by Frank S. Riddel.","Handwritten notes on John Marshall; Marshall and slavery; Marshall and Robin Spurlock, his servant. Typed observations. Resource materials.","Facsimiles of legislation and resolutions to abolish slavery; and a list of representatives at the state convention in Wheeling.","Research materials. Typewritten manuscript[s] by James Oliver Horton. Codes for occupations. Copy of newspaper article.","Newspaper clipping and multiple facsimiles of an article about a slave breeding farm in Greenup, KY.","Research materials about slaves in Ohio Valley plantations and adjacent WV counties. Photocopies of photographs of Mary and plantation sites.","Facsimiles of: newpaper slave ads; Virginia law re: Kanawha Slave Insurance Company; Dunsmore's Proclamation freeing slaves; Va. Law to send slave to Liberia; slaves in Bunker Hill; New York Times article re: slave uprising; and drawing of [Harpers Ferry]. Harpers Ferry National Historical Park Afro-American materials. \"History of Gerrardstown\" in The Berkeley Journal . Handwritten list of properties, including slave names, of Richard B. Washington, [1864]. Letter of transmittl and facsimile of bill of sale for slave, 18[4]5. Transcription of Rumsey-Polk letters re: slaves.","Handwritten research notes and research materials regarding reparations for slavery; text of NB speech; typewritten notes.","Annotated manuscript \"Compensatory Justice: Over Time and Between Groups\" by Renee A. Hill; text of introduction of a speech about reparations; newsapper clippings; web page print outs; articles.","West Virginia and Regional History Collection Newsletter with articles re: slave letters. West Virginia Then and Now article re: John Brown's letter. Research re: images of blacks in journalism. Research notes.","Facsimile of tables of free Negro listings from 1830 census. \"Researching Virginia's Slave and Free Negro Records\"","Facsimile of newspaper article, 1934, re: Mount Pisgah Church, Proctorville, OH. \"The Way It Was…\" by Betty Burcham, a history of UGRR and Mount Pisgah Church. Facsimile of will of Eliza Goode freeing Sully Smith, her husband and her slave, 1848. Facsimile of two receipts for purchase of slaves, 1852. Research notes re: Ohio slaves and fugitives to WV.","This subseries includes text of a speech made by Bickley, books, slides, photographs, brochures, post cards, correspondence, maps, and more. The materials focus on parts of Ohio across the river from Huntington as well as West Virginia. Some topics are quilt codes, abolitionists, runaway slaves, location of Underground Railroad sites, and more.","Research materials about Serena Wilson and the book Hidden in Plain View: The Secret Story of Quilts and the Underground Railroad.","Photos \"Trip to Doddridge County to visit Jaco Hill/cave - UGRR Site - w/Karen Nance, Sandra Moats, \u0026 Judy Wilinson, 6/20/01. Other research materials","Research materials on the Underground Railroad with focus on Ohio.","Brochures and post cards regarding the UGRR and the film \"Nightjohn.\" Correspondence with Margaret Brennan, organizer for the UGRR Summit in Wheeling. \"Reflections on the West Virginia UGRR Summit\" by Cathy D. Nelson; photo of AB speaking at the Summit and with Amanda Nelson and Sherry [Sowchuck].","Correspondence from Alicestyne Turley-Adams re: Underground Railroad Network Partnership.","Correspondence with Lucille Deberry and other research materials re: the UGRR, some in West Virginia.","Correspondence with Sandra Moats-Burke re: UGRR in WV counties. Exploring a Common Past: Researching and Interpreting the Underground Railroad , 1998, 2nd ed. from the National Park Service. List of UGRR sites in WV.","Photograph slides, numbered and identified. Research materials mostly about Ohio. \"Draft Proposal to Establish a National Underground Commemorative, Interpretive, and Research Center, City of Huntington, West Virginia\" 1994. Itinerary for trip to Washington to meet with Interior Dept. officials and Robert C. Byrd's staff.","Book chapter \"In Gallia and Miegs Counties\" from The Mysteries of Ohio's Underground Railroad by Wilbur Henry Siebert, 1951. Facsimile of handwritten narrative by an abolitionist, [1892]. Facsimile of letter from R. C. Rankin re: father Rev. John Rankin, 1892. Research notes on WV runaway slaves. Facsimile of letter to Daniel ? to Cyrus Little re: UGRR, 1894. Map of UGRR, 1860. Requests for copies from the Siebert papers. More facsimiles of records.","Background materials on the Underground Railroad in Ohio.","Research materials including newspaper clippings and research notes on the Underground Railroad","Research materials re: the Underground Railroad. Research notes.","Facsimiles of documents pertaining to slaves in Jefferson County, VA. Itinerary for Underground Railroad tours [Ohio?]. The Escape of Jane: a True Story of the Underground Railroad by Henry Burke \u0026 Dick Croy. Henry Robert Burke correspondence. Brochure on Henderson Hall, Wood County. Dick Croy correspondence and resume. Newspaper articles by Burke. \"Black Cultural Sites in West Virginia\" compiled by Michael Pauley and Peter Jesus, 1990","Correspondence with Sandra Moats-Burke re: UGRR. WV and county maps. Facsimile of pages from \"From the Charles River Shire, 1634-1643, to the Present Day Counties: Harrison, Doddridge, Ritchie, Wood, Pleasants and Tyler\" by Barr Wilson. Research materials on the UGRR. Research notes. \"The Anti-Slavery Movement in West Virginia,\" a speech delivered by Sandra Moats Burke.","Research materials re: quilts and the Underground Railroad, 2001-2011. Notes re: Eliza Farrow, 2005. Paper \"The UGRR Quilt Code\" by Leigh Fellner. Research notes; newspaper clipping; facsimile of web page and transcription of story in an email \"Secret Quilt Code on Exhibit until 10/6,\" 2012; and September 2012 issue of Underground Railroad Free Press.\" Mini-grant for UGRR quilts materials, 2013.","Underground Railroad: Official National Park Handbook .","Includes manuscripts and publications for books; plays and reenactor monologues; short stories; magazine and scholarly articles; and other forms of writing in both print and handwriting. Five subseries encompass the various genres of her writing. Also includes background and research materials for the subjects for her writings, both fiction and non-fiction.","Includes research materials for topics of articles. Subjects and formats treated are: encyclopedia entries in the biographical dictionary African American Architects; drafts and final versions of entries for both people and institutions for the West Virginia Encyclopedia; drafts and final versions of articles about Molly Gabe and Carter G. Woodson for Appalachian Heritage; newspaper articles for the Charleston (WV) Gazette Mail and Village Neighbors (FL) on a number of topics including George Wesley Atkinson, 10th governor of West Virginia, but especially for Black History Month and its founder Carter G. Woodson; Goldenseal articles about a Civilian Conservation Corps (CCC) camp, Jessie Moon Thomas, Edward Greer, the Charleston Women's Improvement League, Memphis Tennessee Garrison, and West Virginia's Tuskegee Airmen; contribution to a symposium on diversity and change for Appalachian youth; and a study guide for a Charleston, WV, performance of Zora Neale Hurston's Spunk.","Articles by Ancella Bickley from the Goldenseal Magazine","Correspondence regarding use of the Goldenseal article \"Camp War: Remembering CCC Company 3538-C\" in an online education guide by the WV State Museum.","Annotated manuscript and research notes for Goldenseal article \"Education and Activism in Gary: a Visit with Jessie Moon Thomas.\" Correspondence with Mrs. Thomas including notes on the Froe and Moon families.","Issue of the journal Appalachian Heritage containing AB article \"Profiles: Mollie Gabe\" by Ancilla [sic] Bickley.","\"Remembering Carter G. Woodson, the 'Father of Black History'\" in Village Neighbors , [a publication of the Village in Florida where the Bickley's resided.] Typed notes on Carter G. Woodson. Transcription of letter from Bessie Woodson Yancey, CGW's sister, including text of the poem \"If You Live in West Virginia.\" CGW black history quiz prepared for the Spicy Ladies meeting.","Typed text of autobiographical musings about friendship: likens travel in the south in 1952 to the Underground Railroad travel; and includes details about the move to Morgantown in 1966.","Correspondence with Goldenseal regarding \"Edward Greer: First Black General from West Virginia\" and potential story about 1939 black student strike in Piedmont, WV. Manuscripts for Greer article.","Correspondence and drafts of a Goldenseal article \"Lifting as We Climb\" about the Charleston Woman's Improvement League. Research materials including facsimiles of photographs. Newspaper article about Judge Irene Berger, McDowell County.","Research materials on Carl Eugene Barnett and Robert Edward Lee Washington for entries in African American Architects: A Biographical Dictionary, 1865-1945 .","Spiral bound program for A Different World: Symposium on Diversity, Change, and Appalachian Youth, 2006, where Bickley was a panelist.","Appalachian Heritage , Summer 2008, which includes \"Carter G. Woodson: the West Virginia Connection\" by Ancella Bickley","Appalachian Heritage , Special Issue: Blacks in Appalachia, 1991, which includes Bickley's \"Molly Gabe\" in the Profiles section.","Goldenseal , Winter 2011, containing AB's article \"General Edward Greer: West Virginia's First Black General.\"","Correspondence with Dreck S. Wilson re: contribution to the book Biographical Dictionary of African-American Architects, 1865-1945.","Research materials about George Wesley Atkinson, tenth governor of WV who attended Howard University. Paper titled \"West Virginia's Tenth Governor and the Black Community\" and newspaper article by AB.","Research materials re: the West Virginia Colored Orphans Home. Newspaper article written by AB. Testimonial for Fannie Cobb Carter. Research notes. Facsimiles of photos. Transcript of interview with Araminta Miller Justice. AB's paper about the Home.","Manuscript drafts and final versions for entries in the West Virginia Encyclopedia. Materials from West Virginia Humanities Council meetings re: the format and content of the Encyclopedia","Appalachian Heritage, Special Issue: Blacks in Appalachia, Fall 1991, with article by AB in the Profiles Section on Mollie Gabe.","Musings written to friends, 1996. Clipping of \"Commentary: Capable of Thinking, Working…and Paying Her Own Bills,\" 1979, Ancella Bickley Jr.","Processor-created bibliography of Ancella Bickley's writings","Includes books written, complied, or edited by Bickley, and background research materials and drafts of manuscripts. Books Bickley wrote include: a children's book, LuJay, No-Name, and the Parrot , also titled Lucia Jean, No Name, and the Parrot ; …to be black in fayette [sic]; History of the West Virginia State Teacher's Association ; and In Spite of Obstacles: a History of the West Virginia Schools for Colored Deaf and Blind . Books edited by Bickley include: Honoring Our Past: Proceedings of the First Two Conferences on West Virginia's Black History ; Memphis Tennessee Garrison: the Remarkable Story of a Black Appalachian Woman ; and Our Mount Vernons: Historic Register Listing of Sites Significant to the Black History of West Virginia .","Typed manuscripts, 1-14 parts, of 1968 oral history interview with Garrison by Bernard Cleveland, with AB notes and Post-it-Note tabs.","Draft of book introduction; correspondence; photos and negatives for book: MTG and family, Gary WV, mining, Edward O'Toole, facsimiles of photos. Facsimiles of William Garrison's obituary, letter of condolence from Agatha S. Lowe. Program for MTG celebration at Marshall. Personal notes of congratulations on book. Photograph permissions. Facsimile of deed for MTG's grandfather's property, Hollins, VA.","\"The Charleston Stage Company's Study Guide for George C. Wolfe's Adaptation of Zora Neale Hurston's Spunk \"","Honoring Our Past: Proceedings of the First Two Conferences on West Virginia's Black History edited by Joe William Trotter, Jr. and Ancella Bickley","Text and illustrations for [children's] book Lucia Jean, No Name, and the Parrot as told to Ancella. Original illustrations by S. Ross Browne.","Manuscript for \"Papers from the Conference on West Virginia's Black History, Marshall University, Huntington, West Virginia, September 1991\" Facsimile of a book chapter \"Negro Education and Integration.\" Facsimile of photograph of students at Weston Colored School.","Spiral bound The Gathering .","Our Mount Vernons: Historic Register Listings of Sites Significant to the Black History of West Virginia edited by Ancella R. Bickley.","History of the West Virginia State Teachers' Association by Ancella R. Bickley; program for The Carter G. Woodson Memorial Foundation, Inc. annual banquet, 2006; research notes on History of Negro Secondary Education in McDowell County, WV.","In Spite of Obstacles: a History of the West Virginia Schools for the Colored Deaf and Blind, 1926-1955 by Ancella Bickley.","Memphis Tennessee Garrison: the Remarkable Story of a Black Appalachian Woman edited by Ancella R. Bickley and Lynda Ann Ewen.","Our Mount Vernons: Historic Register Listings of Sites Significant to the Black History of West Virginia edited by Ancella R. Bickley. Program for Second Baptist Church in Fayetteville, 1993","Manuscript for …to be black in fayette written and compiled by Ancella R. Bickley for The Centennial Committee of the Second Baptist Church of Fayetteville, West Virginia, and The Fayette County Black Caucus.","Permissions to publish papers in Honoring Our Past: Procedures of the First Two Conferences on West Virginia's Black History .","Correspondence with Joe William Trotter. Research notes. Materials relating to the Second Annual Conference on West Virginia's Black History and a paper on James McHenry Jones. Trotter's syllabus for a seminar \"The Afro-American Experience.\" \"Blacks in West Virginia: A Critique of the Secondary Literature and Survey of Primary Sources\" by Joe W. Trotter.","Galley proof of the children's book, LuJay, No-Name, and the Parrot by Ancella R Bickley, illustrated by S. Ross Browne. Handwritten list of names.","…to be black in fayette written and compiled by Ancella R. Bickley for The Centennial Committee of the Second Baptist Church of Fayetteville, West Virginia and The Fayette County Black Caucus.","Includes full plays, skits, and historical interpreter scripts depicting characters such as: Ester from the Bible; West Virginia men and women such as Molly Gabe from Braxton County; Deborah Lacks Pullum, daughter of Henrietta Lacks; and many more. Includes manuscripts for a collaboration with Maureen Crocket in writing \"Tangled Threads: a Three Act Play\" and other plays. For \"Two Saint Say,\" a play performed at the Central Florida Community College, materials include an audition announcement, program, newspaper clipping, and correspondence. Also included is a newspaper clipping and details about Bickley's winning the Florida Senior Playwright Festival contest with \"Wade in the Water.\"","Newspaper article about the play Two Saint Say and its performance.","\"Historical Information Re: Milly, Enslaved Black Woman on Whom the Character, OAGE, in Toussaint Say Is Based\" Handwritten research notes.","Manuscript for \"Wade in the Water: a Play in One Act\" by Ancella R. Bickley. Correspondence regarding performance.","Manuscripts and notes for \"Mother Love: a Three Act Play\" by Ancella Bickley and Maureen Crockett. Annotated text.","Program for performance of Two Saint Say at the Central Florida Community College, February-March, [2008] Print of online article from the Ocala Star Banner added by processor.","Two Saint Say and AB typed comments","Annotated \"In the Name of Woman.\" Facsimile of pages from 1909 court docket book, County of Allegheny (PA) and court case upon which the play is based.","Correspondence with Maureen 'Bunny' Crockett and Bobbi (bjslake@comcast.net) regarding changes to the play Tangled Threads . Typed pages with annotations regarding black history. \"Mother Love: a Three Act Play\" by Ancella Bickley and Maureen Crockett.","Newspaper clipping for \"Villager's Work Winds Playwright Contest.\"\" Congratulatory email for selection of Wade in the Water for the Florida Senior Playwright Festival. Email commenting on inspiration for various plays. Lyrics for the spiritual \"Wade in the Water.\"","Scripts for historical interpreters for Deborah Lacks Pullum, Henrietta Lacks' daughter; and Henrietta Lacks. \"It Ain't Her: a One Act Play.\" Script for historical interpreter for Ona \"Oney\" Judge; Robert Smalls, 1839-1915; Callie House; and Percy Julian. Research notes on Dr. James Marion Sims and other projects. Program for WVU Honors College Symposium \"With a Torch in Their Souls: African Americans in the Civil War\"","Script for historical interpreter for Charles Hamilton Houston presented for the African-American Club, 2011; Gabriel; and Henrietta Lacks.","Research notes. Text of play \"And Further She Sayeth Naught.\" Text of play \"Heritage: an Historical Drama in Three Acts\" by Ancella Bickley and Maureen Crockett.","Two Saint Say: A Play in Two Acts . Auditions announcement. Correspondence regarding the production. Proposal to produce the play from the director Bobbi Jordan.","Correspondence regarding Megan Forrest, actress. Double sided card featuring photos of Ms. Forrest and a brief overview of future endeavors.","Brief plays regarding voting issues including: lack of attention to candidates and issues, campaign spending, voter assistance, pay for voting, etc. Unidentified group photograph. Handwritten dialog.","Two Saint Say: a Play in Two Acts [performed at] Central Florida Community College, Ocala, Florida, February 29-March 1, 2008.","Submission form for Wade in the Wate r for the Florida Senior Playwright Festival. Manuscript for Wade in the Water. Email update for Festival.","Manuscript for \"The Crossing,\" a play. Photocopied page regarding Mollie Gabe and her time in Braxton County.","Typed manuscript for a play Tangled Threads .","\"On This Rock,\" a play; one annotated. Handwritten notes on \"A Last Right\" and \"A Good Christian Woman.\" Recommended edits to Bickley's writing? Short stories, \"The User\" and \"Feelin' the Heat\" by Charles Lloyd.","Traditions: A Journal of West Virginia Folk Culture and Educational Awareness , 1996, which includes Bickley's \"The Baby Catcher\"","Spiral bound Two Saint Say: a Play in Two Acts by Ancella Bickley","Research and performance notes for Tangled Threads: A Three Act Play by Ancella R. Bickley and Maureen Crockett. Lists of guests who read parts, 2014. Comments from readers.","Annotated Tangled Threads , 2008.","Tangled Threads labeled \"Work Copy\"","Tangled Threads","Annotated \"I-John,\" a play.","Table of contents for Skit of Ester, 2010. Web page re: Esther. Typed page re: Haman, Mordecai, and Esther. Chapter summaries. Typed paper about Queen Vashti. Two typewritten pages from larger document. Letter to Jerome re: return of skit manuscript. Letter to Jerome re: transmittal of skit text and masks for players. Handwritten, not AB's handwriting, notes. Three \"masks,\" made from paper fans, and for 6 characters.","Includes manuscripts and edited manuscripts for many stories and a collection of short stories, Turn Left at the Desert . Bickley's stories are mostly historical character studies and include themes such as faith and community. One highlight is a critical review of Bickley's short story \"Martha,\" a part of the anthology Appalachian Love Stories .","Manuscripts: \"Gabe,\" \"Turn Left at the Desert: Verbal 'Snapshots' from a Black Community\" contents, \"Jones,\" \"The Church on the Corner,\" and \"Sister Angelica.\"","Annotated story manuscripts. \"'Jones': Manuscript Submitted for Workshop, Women Writers Conference\" and reviewed by Faith [Holsart?]","Annotated manuscript for the story \"On This Rock;\" the play Tangled Threads ; and the story \"It Ain't Her\"","Correspondence regarding writing critiques. Text of \"Mr. Adams,\" \"The Church on the Corner,\" \"Gabe,\" \"Angie's Uncle Robert,\" three versions of \"Mr. Abe Jackson,\" \"The Battle of the Bottle,\" \"DoeDoe,\" \"Addie,\" \"Lesey, Who Was Black, But Comely,\" \"The Lavender Hat,\" and \"A Day in the Park.\" AB commentary on stories.","Review of \"Martha.\" Text of \"Martha.\"","Manuscripts and notes for \"It Ain't Her,\" \"Belli: 'Momma Raised Me Up Special',\" The Battle of the Bottle,\" \"Bertha,\" \"Friends,\" and \"Martha.\"","Manuscript for stories for Turn Left at the Desert","Manuscript for stories for Turn Left at the Desert: \"It Ain't Her,\" \"Hush Now, Child\"","Excerpt from a review of AB's story, [\"Martha\"], in Appalachian Love Stories .","Short stories for Turn Left at the Desert.","Annotated manuscript for \"Bertha,\" a short story.","Appalachian Love Stories compiled and edited by James M. Gifford, Edwina Pendarvis; includes \"Martha\" by Ancella Bickley.","Parts of Turn Left at the Desert: Verbal \"Snapshots\" from a Black Community.","Handwritten beginning of a story","Handwritten pieces of writing","Typewritten contents for \"Turn Left at the Desert: Verbal 'Snapshots' from a Black Community\"","Typed manuscripts for various short stories.","Bickley was a prolific speaker; speeches cover a wide range of topics including faith, WV black history, black history and pride, West Virginia State College, education, black literature, and more. The majority of the speeches are typewritten.","Program for \"Mending an Era: a Slave Ship Speaks: the Wreck of the Henrietta Marie.\" Typed text, pages 6-7, of a speech (?) about slaves, Anderson Radford, Cassie Thomas Carter, and MTG's mother.","Text of 2 speeches about Alice Walker's novel The Color Purple: \"The Uses of Literature: 1984 \u0026 The Color Purple, Panel Discussion at the Tenth Anniversary Program of the Virginia Foundation for the Humanities,\" September, 1984; and one at Richard Bland Community College, October 7, 1985. Research notes on The Color Purple . Research notes on Alice Walker's short stories \"1955\" and \"In Love and Trouble\"","Correspondence, schedule, lecture series program with AB's lecture on the Underground Railroad. Typed notes from Guyandotte presentation 11/9/91, and the Guyandotte Civil War Days. Program for Guyandotte Civil War Days, October 12-November 4, 1992 with listing of AB lecture \"Local Black Settlement.\" List of sources by Alan Gould, Marshall University. Invitation to present at the 1993 Civil War Days.","T he West Virginia and Regional History Collection Newsletter , Summer 1989, which includes a speech by AB at an education in WV forum.","Annotated text of a speech by both AB and NB about their time at WVU. WVU program \"A Celebration: Integration of Sports on the WVU Campus\" Correspondence with Dana Brooks regarding participation","Article regarding speech about The Color Purple at the West Virginia Alliance for Women's Studies meeting. Text of paper \"Black Education in WV\" read at WVU 6/20/89 for West Virginia Day.","Text of speech about black history in West Virginia and after-dinner remarks regarding social history. Email, travel itinerary, newspaper clipping, and correspondence.","Paper about the slave ship Amistad.","Text of speech re: the Underground Railroad. Newspaper article re: decree of freedom from slavery 150 years after.","Handwritten speech to Mo So Lit Club in McDowell County regarding the history of education of blacks, April 1983. WVSC Fall Convocation program, September 8, 1983; two texts of AB's welcome.","Handwritten poem \"Scamp\" [by Paul Laurence Dunbar]. Two handwritten speeches to the WVSC student government regarding importance of citizenship and service, and the history of WVSC. Invitation to speak to the Student Government Association, April 16, 1982. Newspaper article about black newspapers. Program for the Student Government Association Annual Inauguration Dinner, April 13, 1980. Speech for the Honors Convocation, 1985. \"Remarks prepared for State Senator Marie Redd for Blk History Month-2/4/99\" regarding black history and WV black history.","Correspondence regarding invitation to speak at the West Virginia State Baptist Convention. WVSC new student orientation schedule with remarks scheduled for AB. Text of speech, 1984 and 1985, including a brief history of WVSC and Institute.","First page of WVSC Honors Convocation Speech","Program for \"Building Leadership for Educational Excellence: NEA Mid-Atlantic Regional Leadership Conference, November 1-3, 1985 - Greenbrier Hotel, White Sulphur Springs, West Virginia.\" Annotated text of speech \"A Response to the New Right's Agenda for Public Education.\" Other speeches regarding education","Annotated text, some handwritten, of speech to the Mo So Lit Club, McDowell County, WV. Program for The Matrons and Maids Social and Literary Club (Ma-So-Lit), 50th Anniversary, April 17, 1983. Program and text of introduction of Ethel O. Davie for the WVSC Graduate Dinner, 1984.","Program and text of speech for \"Rewriting History\" panel at the \"Premonitions and Perspectives from 1984: Has the Orwellian World Arrived?\" Wisconsin Intellectual Freedom 6th Annual Conference in Milwaukee, March 1-3, 1984. Program, including full text of AB's speech for a panel on \"Perspectives on Censorship: A Discussion\" at the Twenty-First Annual NEA Conference on Human and Civil Rights in Education, February 25-27, 1983. Correspondence regarding invitations to speak at these conferences.","A speech about The Color Purple possibly delivered at a Virginia Humanities Conference.","Text of speech for WVSC Convocation and an outline of speech to women students.","Speeches about Carter G. Woodson, WV black history, her life and experiences, and MLK Day.","Speeches about WV black history, historical research, community service, her life and experiences, importance of black organizations, her faith, black women, race, and black education. Programs from presentations at churches. Letter confirming appointment to the Danforth Associate Program.","Speeches about black education; being a role model; leadership; church missionary work; Martin Luther King, Jr.; taking control; the college experience; community service; honoring Alan Gould; Our Mount Vernons; and black history. Corresponence re: speaking at churches.","Speeches about Black History Month; civil rights; Kwanzaa; women's rights; Martin Luther King, Jr.; the Underground Railroad; MTG; The Color Purple; black culture; Alice Walker; Carter G. Woodson; and WV black history.","Slides for WV black history speech. Research materials on WV black institutions. First two pages of speech. Handwritten text on various institutions.","\"Go with God: Remembering All of Us…,\" Commencement address at MU, 1990. Photograph of unidentified black men singing in church. The program for the 1975 NCTE Spring Institutes: \"Teaching Minority Literatures at All Levels.\"","Text of speech, one annotated, about The Color Purple for the Virginia Foundation for the Humanities; handwritten notes.","Text of two speeches about black culture with notes for accompanying slides. Note from Charles Davis. Langston Hughes poem with Alex Haley autograph. [No slides in file.]","Booklet presented to AB after she made a speech for the Army Corps of Engineers in Huntington.","Correspondence with NEA re: participation in panel \"Perspectives on Censorship: A Discussion.\" Handwritten speech on censoring literature by blacks and women in the context of the Kanawha County textbook controversy.","Background materials, correspondence, and text of speech \"Multiculturalism in West Virginia\" at the Governor's Honors Academy.","Newspaper clipping about AB Commencement address at Marshall University, 1990. \"And Further She Sayeth Naught: a Play in Three Acts\" by Maureen \"Bunny\" Crocket and Ancella Bickley. [Speech] re: education in WV.","Text of speech about Martha Toler Spencer. Outline for [speech] about black women. Handwritten text of speech in Virginia, Longwood College, about black women. Notes.","\"Go with God: Remember All of Us\" AB's commencement address at MU, 1994.","Typed text of speech for the National Education Association.","Edited paper about the mission of West Virginia State College and changes for the future.","Items not held in the WVRHC collection which were sent to the Rare Books Curator:\n \n1969/70 edition of \"The Black Student at WVU\" \nBulletin of West Virginia State College, Series 21, no. 1, June 1933. \"Why Choose West Virginia State College\" \nBickley, A. R., Carter, G. W. M. F. I., \u0026 Marshall University, H. W. V. D. A. (1997). Our Mount Vernons: historic register listings of sites significant to the Black history of West Virginia . [Huntington, WV] : [Carter G. Woodson Memorial Foundation of Huntington and the Drinko Academy at Marshall University]. \nBooklet, \"History of African-American Miners in Appalachian Coal Fields: Black History Month, February, 2000\"","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia State College (Institute, W. Va.)","Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-","Bickley, Nelson R., 1928-2021","Woodson, Carter Godwin, 1875-1950","Garrison, Memphis Tennessee, 1890-1988","Yancey, Bessie Woodson, 1882-1958","English"],"unitid_tesim":["A\u0026M 4208","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6226"],"normalized_title_ssm":["Ancella Bickley, Historian, Research Papers regarding African-Americans"],"collection_title_tesim":["Ancella Bickley, Historian, Research Papers regarding African-Americans"],"collection_ssim":["Ancella Bickley, Historian, Research Papers regarding African-Americans"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-"],"creator_ssim":["Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-"],"creator_persname_ssim":["Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-"],"creators_ssim":["Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["African American women","Slavery -- West Virginia","Education -- West Virginia","African Americans -- Segregation -- West Virginia","School integration -- West Virginia","Underground Railroad -- West Virginia","Underground Railroad -- Ohio","African American Churches -- West Virginia","African American teachers -- West Virginia","African Americans -- Education -- West Virginia","African Americans -- Genealogy","West Virginia Feminist Activist and Women's History Collection"],"access_subjects_ssm":["African American women","Slavery -- West Virginia","Education -- West Virginia","African Americans -- Segregation -- West Virginia","School integration -- West Virginia","Underground Railroad -- West Virginia","Underground Railroad -- Ohio","African American Churches -- West Virginia","African American teachers -- West Virginia","African Americans -- Education -- West Virginia","African Americans -- Genealogy","West Virginia Feminist Activist and Women's History Collection"],"has_online_content_ssim":["false"],"extent_ssm":["13.1 Linear Feet 13 ft. 1/2 in. (9 record cartons, 15 in. each); (3 document cases, 5 in. each); (2 document cases, 2 1/2 in. each); (1 flat storage box, 1 1/2 in.)"],"extent_tesim":["13.1 Linear Feet 13 ft. 1/2 in. (9 record cartons, 15 in. each); (3 document cases, 5 in. each); (2 document cases, 2 1/2 in. each); (1 flat storage box, 1 1/2 in.)"],"date_range_isim":[1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eRequires signed form for box 1, folders 8, 16, and 17, since special access restriction applies due to PII.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Requires signed form for box 1, folders 8, 16, and 17, since special access restriction applies due to PII."],"bioghist_html_tesm":["\u003cp\u003eDr. Ancella Radford Bickley, author, historian, and educator, grew up in segregated Huntington, West Virginia, where she was born in 1930. She graduated from Douglass High School in 1947 and went on to attend West Virginia State College, graduating magna cum laude in 1950 with a degree in English. She was the first full time black student at Marshall University and received her master's degree in English in 1954. She received her Ed.D. in English from West Virginia University in 1974. Dr. Bickley was a teacher at all educational levels and was Vice-President for Academic Affairs at West Virginia State College where she retired in 1986. She continued to research, write, and speak from her retirement home in Florida where she lived with her husband Nelson. Some of her accolades include the Mountain State Bar Association's Distinguished Citizen Award, 1978; the National Education Association's The Carter G. Woodson Memorial Award, 1980; West Virginia Woman of the Year, 1984; the West Virginia State College Alumnus of the Year, 1988; and was a Rockefeller Foundation Scholar at Marshall University in 1999.\u003c/p\u003e\n","\u003cp\u003eDr. Bickley was a prolific speaker and in addtion to the speeches, she authored many stories, plays, and articles. In 1997, she published \u003ctitle\u003eOur Mount Vernons\u003c/title\u003e to identify sites significant to West Virginia black history.\u003c/p\u003e\n","\u003cp\u003eWith Lynda Ann Ewen, she co-edited \u003ctitle\u003eMemphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman\u003c/title\u003e, published by Ohio University Press. She has written stories and articles for publications including West Virginia cultural magazine, \u003ctitle\u003eGoldenseal\u003c/title\u003e. She wrote a history of the West Virginia Schools for the Colored Deaf and Blind.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Dr. Ancella Radford Bickley, author, historian, and educator, grew up in segregated Huntington, West Virginia, where she was born in 1930. She graduated from Douglass High School in 1947 and went on to attend West Virginia State College, graduating magna cum laude in 1950 with a degree in English. She was the first full time black student at Marshall University and received her master's degree in English in 1954. She received her Ed.D. in English from West Virginia University in 1974. Dr. Bickley was a teacher at all educational levels and was Vice-President for Academic Affairs at West Virginia State College where she retired in 1986. She continued to research, write, and speak from her retirement home in Florida where she lived with her husband Nelson. Some of her accolades include the Mountain State Bar Association's Distinguished Citizen Award, 1978; the National Education Association's The Carter G. Woodson Memorial Award, 1980; West Virginia Woman of the Year, 1984; the West Virginia State College Alumnus of the Year, 1988; and was a Rockefeller Foundation Scholar at Marshall University in 1999.","Dr. Bickley was a prolific speaker and in addtion to the speeches, she authored many stories, plays, and articles. In 1997, she published Our Mount Vernons to identify sites significant to West Virginia black history.","With Lynda Ann Ewen, she co-edited Memphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman , published by Ohio University Press. She has written stories and articles for publications including West Virginia cultural magazine, Goldenseal . She wrote a history of the West Virginia Schools for the Colored Deaf and Blind."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Ancella Bickley, Historian, Research Papers regarding African-Americans, A\u0026amp;M 4208, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Ancella Bickley, Historian, Research Papers regarding African-Americans, A\u0026M 4208, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eBickley, Ancella Collection. Materials relating to African-American history including annual West Virginia Conferences on Black History, 1908-1996. 3 boxes. Ms2003-182, at the West Virginia State Archives.\u003c/p\u003e\n","\u003cp\u003eMarshall University Oral History Collection, Accession Number 1973/01.0064, also includes the oral history transcripts in this collection's addendum of 2017/02/09.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Bickley, Ancella Collection. Materials relating to African-American history including annual West Virginia Conferences on Black History, 1908-1996. 3 boxes. Ms2003-182, at the West Virginia State Archives.","Marshall University Oral History Collection, Accession Number 1973/01.0064, also includes the oral history transcripts in this collection's addendum of 2017/02/09."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the research, public service, and life of Ancella Bickley, writer, educator, speaker, and historian. Includes writings, research materials, and more, focusing on the history of African Americans in West Virginia and the black experience in West Virginia. Collected research materials are predominantly facsimiles. Printed formats include correspondence, clippings, interview transcripts, typescript writings, publications, pamphlets, ephemera, speeches, articles, military records, and more. Other formats include photographs, slides, and audiocassettes. \u003c/p\u003e\n","\u003cp\u003eSubjects include Dr. Bickley's writings, which include plays, speeches, and short stories as well as her historical books, articles and other publications; collected materials from Dr. Bickley's historical research on the history of African Americans in West Virginia; and personal papers. Her research materials include papers grouped sometimes by county, sometimes by individual, sometimes by subject. Subjects of her research include slavery, education, churches, biography and genealogy, literature, and more. Specific subjects include the Underground Railroad, James McHenry Jones, genealogy, Carter G. Woodson, Mollie Gabe, West Virginia Colored Institute/West Virginia State College, John W. Davis, black high schools, school integration, and more. Counties and their cities with specific focus include Cabell, Kanawha, and Jefferson. Some documents treating slavery and the Underground Railroad include Ohio from which Cabell County blacks, including Bickley's ancestors, migrated.\u003c/p\u003e\n","\u003cp\u003eColleagues with whom she corresponded include Judith Stitzel, Nelson Barnett, Maureen Crockett (with whom she co-wrote at least one play), and many more. Of significance is correspondence between Carter G. Woodson and his sister, Bessie Woodson Yancey; and letters and a signed photo from Alex Haley. \u003c/p\u003e\n","\u003cp\u003eWritings, research background, and drafts of Dr. Bickley's works found within the collection include: \u003ctitle\u003eMemphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman\u003c/title\u003e, \"Midwifery in West Virginia\" (1990), \u003ctitle\u003eHonoring our Past: Proceedings of the First Two Conferences on West Virginia's Black History\u003c/title\u003e, \u003ctitle\u003eHistory of the West Virginia State Teachers' Association\u003c/title\u003e (1979), \u003ctitle\u003eIn Spite of Obstacles: a History of the West Virginia Schools for the Colored Deaf and Blind, 1926-1955\u003c/title\u003e, \u003ctitle\u003eOur Mount Vernons: historic register listings of sites significant to the Black history of West Virginia\u003c/title\u003e, a short story collection \"Turn Left at the Desert,\" \u003ctitle\u003e... to be black in Fayette\u003c/title\u003e, and plays: \u003ctitle\u003eTwo Saint Say\u003c/title\u003e, \u003ctitle\u003eMother Love\u003c/title\u003e, \u003ctitle\u003eTangled Threads\u003c/title\u003e (with Maureen Crockett), \u003ctitle\u003eWade in the Water\u003c/title\u003e, and seven \u003ctitle\u003eGoldenseal\u003c/title\u003e articles. \nGrant applications and other documents pertaining to her work with the Humanities Council of West Virginia are included in the collection. Other documents describe her work with the Kanawha County Board of Education, EcoTheater, Berea College's Black Mountain Youth Leadership program, and various professional organizations. \nPersonal papers include material about her husband Nelson R. Bickley and his military career, diplomas, transcripts, photographs of a party she held, and more. \u003c/p\u003e\n","\u003cp\u003eAddendum of 2017/02/09 (boxes 11 and 12) includes papers of Dr. Ancella R. Bickley, with a few papers of her daughter Ancella Livers. Formats include interview transcripts, correspondence, clippings, typescript writings, publications, cassettes, and more. Most of these materials are transcripts of oral histories pertaining to a collaborative project undertaken by Dr. Bickley and Dr. Rita Wicks-Nelson about black teachers and their memories of school integration in West Virginia in affiliation with the Center for the Study of Ethnicity and Gender in Appalachia at Marshall University.\u003c/p\u003e\n","\u003cp\u003eAbbreviations used in the Contents List:\u003clb\u003e\u003c/lb\u003e\nAB - Ancella Bickley\u003clb\u003e\u003c/lb\u003e\nWVSC - West Virginia State College\u003clb\u003e\u003c/lb\u003e\nNB - Nelson Bickley\u003clb\u003e\u003c/lb\u003e\nMTG - Memphis Tennessee Garrison\u003clb\u003e\u003c/lb\u003e\nJMJ - J. McHenry Jones\u003clb\u003e\u003c/lb\u003e\nNEA - National Education Association\u003clb\u003e\u003c/lb\u003e\nNCTE - National Council of Teachers of English\u003clb\u003e\u003c/lb\u003e\nMo So Lit Club - Matrons and Maids Social and Literary Club, McDowell County, WV\u003clb\u003e\u003c/lb\u003e\nUGRR - Underground Railroad\u003clb\u003e\u003c/lb\u003e\nMU - Marshall University\u003clb\u003e\u003c/lb\u003e\nWVU - West Virginia University\u003clb\u003e\u003c/lb\u003e\nCGW - Carter G. Woodson\u003clb\u003e\u003c/lb\u003e\nRW-N - Rita Wicks-Nelson\u003c/p\u003e","\u003cp\u003eIncludes civic and academic awards and honors, as well as academic milestones such as graduation and Bickley's dissertation. This series includes materials on the celebration of Bickley's retirement from West Virginia State College.\u003c/p\u003e","\u003cp\u003eCorrespondence from Marshall University regarding AB's commencement address and honorary doctorate; notes of congratulations. Guest list. Photographs of AB delivering address and with others including Soupy Sales. Letter to editor regarding racism of highlighting photograph of Soupy Sales wiping a tear during AB's speech; newspaper clippings. Commencement program. AB's speech.\u003c/p\u003e","\u003cp\u003eHonorary Doctorate\u003c/p\u003e","\u003cp\u003eArmy Commendation Medal (Second Oak Leaf Cluster). AB's Delta Sigma Rho-Tau Kappa Alpha, Hampton Institute, initiation certificate, May 1976\u003c/p\u003e","\u003cp\u003eAttendance, reading, scholarships, and other certificates from elementary through college\u003c/p\u003e","\u003cp\u003eAB transcript, 1951, from MU. Transcript, WVSC.\u003c/p\u003e","\u003cp\u003eProgram for the Fourteenth Annual NEA Human and Civil Rights Awards, 1980, when AB won The Carter G. Woodson Memorial Award. Correspondence regarding the award including 2 letters from John W. Davis.\u003c/p\u003e","\u003cp\u003ePhotograph of WVSC President Thomas Cole and Ancella Bickley at her retirement; labeled \"West Virginia State College, Commencement, May 17, 1986.\"\u003c/p\u003e","\u003cp\u003eMaster of Arts degree confirmation from Marshall University\u003c/p\u003e","\u003cp\u003eDoctor of Education degree confirmation from West Virginia University\u003c/p\u003e","\u003cp\u003eCertificate of Appreciation from the Kiwanis Club of Huntington\u003c/p\u003e","\u003cp\u003eNote from WVU professor Armand [Singer] regarding missing retirement celebration\u003c/p\u003e","\u003cp\u003eNewspaper clipping re: CGW. Photographs of AB and others after a speaking engagement in Fayette County. Service Award certificate from WVSC.\u003c/p\u003e","\u003cp\u003eLetter from Maureen Crocket to the Director of the Appalachian Festival re: Tangled Threads. Letter of recommendation from AB for Dr. Elaine Ginsberg. \"Remarks Made upon the Presentation of the 1988 Humanities Award to Ancella Radford Bickley\" by Judith Stitzel. Letter of recommendation for Dr. Bernard L. Allen for the WVU Claude Worthington Benedum Distinguished Scholar Award. Congratulatory letter for appointment [at WVSC]. Request for letter of recommendation from Marc E. Washington at MU; confirmation of receipt of letter. Request for recommendation for Elaine Ginsberg, Trinity University; verification of receipt of letter. Letter of congratulations on retirement from George Parkinson; letter of regrets from Lawrence H. Talley, West Liberty.\u003c/p\u003e","\u003cp\u003eMaterials re: WV NAACP Harpers Ferry NHP, 1994, including photographs and text of speech. Congratulatory letter for receiving the Distinguished West Virginian Award, 1986. Thank you for copy of Honoring Our Past, 1992. Many other letters and notes re: service and speeches. Request to speak at the New Employment for Women Information \u0026amp; Referral Center in Logan about black history. Letter from Gaston Caperton, Governor, re: appointment to the Archives and History Commission, 1991. Thank you letter for contribution to Chandler Third Base, 1992. Certificate of recognition for Outstanding Service in Support of 1993 Douglass High School Reunion. Thank you for participating in the United Way Youth Advisory Council's Youth Forum, 1993. Thank you letter re: speech at naturalized citizens ceremony from John T. Copenhaver, 1992. Certificate of appreciation and other materials including a photo re: \"Read to Me\" Day, 1999. Newspaper article re: writing about the West Virginia Schools for the Colored Deaf and Blind and cards of congratulations. Kanawha County Schools Certificate of Recognition and Appreciation, 1991.\u003c/p\u003e","\u003cp\u003eLetter of acknowledgement to deliver commencement address and receive an honorary doctorate at MU, 1990. Newspaper clipping and tribute to Minnie Wayne Cooper, 1989. Thank you letter to Matthew Kinsolving, Kanawha County Board of Education, for plaque, 1989. Typed text of \"Remarks Made upon the Presentation of the 1988 Humanities Award to Ancella Radford Bickley.\" Newspaper clipping and congratulatory letter re: WVSC Alumna of the Year, 1988. Letter withdrawing candidacy for the Kanawha County Board of Education, 1988. Thank you letter for receiving the Humanities Foundation Award, 1988; letter of congratulations from A. James Manchin; and Dee Caperton, House of Representatives. Letter of congratulations from Herman G. Canady, Jr., for appointment to Board of Education, 1988. Program for NAACP, Charleston Branch, Annual Freedom Fund Banquet, 1988, with AB as guest speaker. The Trumpet, West Liberty State College student newspaper, with article about AB's lecture on teaching black literature, November 28, 1973. Program, newspaper clipping, flyer, and certificate of recognition for the National Council of Jewish Women, West Virginia Section, Founder's Day, 1991. Correspondence re: speaking invitations, 1991-2001. Letters of thank you for service: The Huntington Club of Negro Business and Professional Women's Clubs, Inc., 2001; Charleston Mayor, G. Kemp Melton, for Charleston Urban Renewal Authority, 1999; Conference program for \"New Approaches to the Humanities and Lifelong Learning,\" 1988, where AB received award. Newspaper clippings for awards and accomplishments. 1987-1988. Newspaper clipping \"Educator Grim on Blacks' Future\" 1985. Thank you letter from Dee Caperton, House of Delegates, for draft of book about Elizabeth Simpson Drewry, 1987. Congratulatory notes, 1988-2002. Resume, ca. 1988. Text of speech for [receiving WVSC Alumna of the Year award, 1988]\u003c/p\u003e","\u003cp\u003eNewspaper clippings, 1994-2002. Congratulatory and thank you letters, 1984-1995. Program for Staff Recall, Federal Prison Camp, Alderson, WV, with AB as guest speaker. Program for Induction Ceremony [sic], Phi Sigma Alpha, WVSC, 1995, when AB gave speech on the UGRR. Program for Carter G. Woodson Memorial Foundation Third Annual Memorial Fundraiser Banquet, 1995, AB speaker. Program for MLK birthday event at the WV School of Osteopathic Medicine where AB spoke, 1994. Resume. Photo of the Berlin Wall, May 1963.\u003c/p\u003e","\u003cp\u003eNewspaper clippings, 1984-2002. Congratulatory and thank you letters and certificates, 1975-2002. Program for the Fourteenth Annual NEA Human and Civil Rights Awards dinner, 1980, when AB received The Carter G. Woodson Memorial Award. Program for Academy Cultural Awareness Committee Black History Month Program, 2002, where AB presented about MTG. Invitation to reception for Oliver W. Hill Freedom Fighter Award of the Virginia State Conference NAACP, 1999, and invitation to recognition event at the U.S. Capitol. Program for St. Anthony Church and School Community Education Awards where AB received the Gregory Loebach Award, 2002. Text of speech and program for West Virginia's African-American Women of Distinction book introduction by the West Virginia Women's Commission, 2002. Program for The Education Alliance Graduates of Distinction, AB recipient, 2002; text of speech; newspaper clipping; correspondence.\u003c/p\u003e","\u003cp\u003eNewspaper clippings, ca. 1972-2002. Congratulatory and thank you letters, certificates and other recognitions, 1975 -2002. Letter of receipt for items given to the West Virginia State College/West Virginia Black Heritage Collection, 1987. Personal note, 3/26/80, discussing various contributions to education. Photograph of AB. Program for The National Association of Negro Business and Professional Women's Clubs banquet and candlelight rededication services, 1988, where AB was the guest speaker. Program for Berkeley County Diversity Committee \"Town Meeting\" with AB conducting interactive workshops at schools, 2002. Program and sketch of AB for [her retirement] 1986. Program for PCC lecture series \"The West Virginia Experience,\" [ca. 1985]. State of WV Teaching Certificate, 1960-1965. Letter of acceptance by NB for offer of teaching positions at WVSC for both NB and AB, 1972. Letter offering employment at WVSC as Associate Professor of English, 1972. Letter to NB offering WVSC position of Director of Guidance and Placement, 1972. Letters of thanks for AB for retirement and awards, 1986. Notification of nomination for President of WVSC, 1987. Correspondence Re: NCTE Orwell conference, 1984. Notification that tapes of censorship series of programs will be housed at the New York Public Library, 1984. Program for the Danforth Associate Program, 1975, for which AB and NB were program chairs. Program for The Women's Study Club Annual Open House, 1984, when AB was named Woman of the Year. Program for \"African Americans in the Appalachian Coalfields\" at the National Mine Health \u0026amp; Safety Academy when AB gave a lecture, 2000.\u003c/p\u003e","\u003cp\u003eNewspaper clippings, 1989-2000. Congratulatory and thank you letters, invitations to speak, certificates of recognition, 1985-2000. Photograph of Douglass High School Y Teens, ca. 1946, including AB. Newspaper articles re: AB as WVSC's May Queen, 1948. Issue of MU's Greenline: a Publication for Alumni and Friends of Marshall University, May-July 1990, in which AB is recognized as commencement speaker; press release; letters of congratulations. Photograph of AB and others after presentation in Morgantown, 1990. Program for WVSC National Alumni Association William L. Lonesome Alumni Awards Dinner-Dance Honoring Dr. Ancella R. Bickley, Class of 1950, 1988 Alumnus of the Year. Dunbar Rotary Club Newsletter with AB as speaker, 1988. Materials from the Second Annual Conference on West Virginia's Black History, 1989. Letter to the editor of the Charleston Gazette re: black athlete, 1988.\u003c/p\u003e","\u003cp\u003eRetirement from WVSC, 1986, materials. Correspondence re: ceremony; letters of congratulations; newspaper clippings; photographs; program; WVSC commencement program with AB as retirement honoree.\u003c/p\u003e","\u003cp\u003eAB's doctoral dissertation A Study of the Effects of Teaching a Unit on Black Culture to Classes of Predominantly White High School Students, 1974.\u003c/p\u003e","\u003cp\u003eNewspaper clippings for Education Alliance Graduates of Distinction, 2002. Materials pertaining to \"From Our Front Porch: Stories about Charleston's Oldest Neighborhood, The East End\": newspaper insert; outline for Appalachian Studies Association presentation; program for play at Roosevelt Wilson High School; the play. \"Testimony of Ancella Radford Bickley, Independent Scholar from West Virginia, on behalf of The State Humanities Program Regarding FY 1989 Appropriations to the National Endowment for the Humanities before the Appropriations Subcommittee on the Interior of the Senate,\" 1988. Congratulatory letters re: selection to the Kanawha Board of Education. Newspaper clippings. Congratulations re: speech's and performance of play in Florida. Commencement program for WVSC, 1950. Text of AB honors. Newspaper clippings re: her writings. Letter of acknowledgement for participation in reading of the names of lynchings victims program, Virginia State University, 2001. News release re: production of Harvest of Dreams by the Charleston Stage Company, 2000. Correspondence re: appointment to the WVU Board of Advisors, 1989. Certificate of appreciation from the City of Beckley for contributions to black history in WV. Thank you note re: women writers, 1994. Thank you letter from James Tolbert re: participation in Black History Month program at Harper's Ferry. Overview of AB accomplishments [introduction?]. Letter acknowledging participation in Kanawha County Public Library Black History Month events, 1993; abstract of talk; resume. Thank you letter for presentation at a Affirmative Action Committee Meeting, 1994; program; brochure listing black employees. Letter acknowledging intent to speak at the WV School of Osteopathic Medicine re: unsung heroes of the Civil Rights Movement and for MLK Day, 1993. Handwritten note of appreciation for a speech. Handwritten note re: missing speech for Black History Month, with attached newspaper clipping, 1994. 1949 Yellow Jacket article with picture of AB as newspaper staff. Clipping re: AB as keynote speaker for MLK Day celebration, 1991. Letter acknowledging a reading at the College Language Association, 1993. Letter acknowledging agreement to moderate a panel on sexual harassment; flyer for the program. Congratulatory letter for receiving the MU Graduate School Distinguished Alumnus, 1993. Program for \"First Annual Forum and Family Recognition Conference\" from the West Virginia Black Family Coalition, 1992, for which Bickley was a moderator. Correspondence and program for Distinguished Graduate Student Award from MU, 1993. Newspaper clipping about the WVSC presidential inaugural ball including description of AB and NB attire, 1974. Letter from Mary Pearl Compton, WV Delegate, re: Union's Historic District. Handwritten card praising AB as a \"liquid god\" able to move among roles, 1995. Resumes.\u003c/p\u003e","\u003cp\u003eSenate Resolution honoring AB and Lynda Ann Ewen, 2002. Certificate of recognition as a West Virginia Hero, 2002. Newspaper clippings, 1990-2002. Correspondence re: lecture at Alderson Broaddus College, 1991. Certificate of recognition from the WV National Organization of Women and two 1991 conference programs. Program for \"African-Americans in the Appalachian Coalfields,\" 2000. Letter acknowledging selection at WVSC Alumnus of the Year, 1988. The Humanities Foundation of West Virginia Award Dinner Program, 1988. Issue of People \u0026amp; Mountains: a Publication of the West Virginia Humanities Council, Summer 2001, with MTG interview excerpt edited by AB and Lynda Ann Ewen. Congratulatory note re: publication of Memphis Tennessee Garrison; lecture on MTG announcement, 2000. Letter from the Indiana Humanities Council re: placement on \"Always a River\" registry, 1991. Letter from Gov. Gaston Caperton recognizing appointment to the Martin Luther King, Jr. State Holiday Commission, 1989. Acknowledgement letters as a speaker, 1990-1999. Acknowledgement of receipt of Our Mount Vernons from a professor at the University of Texas at El Paso, 1997. \"Book Notes\" section of West Virginia History re: Our Mount Vernons, 1997. Letter of re: reappointment to the WV Archives and History Commission, 1997. Letter re: WV Public Radio's Cultural Diversity Radio Project, 1998. Letter re: Mistress of Ceremony for a poetry contest at WVSC, 1995. Letter acknowledging support of the WV Humanities Council programming, 1995.\u003c/p\u003e","\u003cp\u003eSpecial Commendation from the U.S. Dept. of the Interior, National Park Service, for Significant Contributions to the Underground Railroad Study, 1995.\u003c/p\u003e","\u003cp\u003e\"West Virginia: a Film History\" recognition as the Historical Advisor for the film project.\u003c/p\u003e","\u003cp\u003eState of West Virginia Distinguished West Virginian award, 1986.\u003c/p\u003e","\u003cp\u003eSenate Resolution honoring AB and Lynda Ann Ewen, 2002.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings and writings by Ancella Bickley Livers (also called Cill Jr. or Cill). Also includes material by or about Nelson Bickley, Ancella Bickley's husband and prominent Charleston, West Virginia, lawyer. Formats include articles, awards and honors, military records, speeches, research notes, publications, correspondence, newspaper clippings, and more. Subjects include Nelson Bickley's military and teaching careers, his uncle Carter G. Woodson, and more.\u003c/p\u003e","\u003cp\u003eCorrespondence with James Harlow, WVU President, regarding tenure at WVU, 1969 and 1972. Army records for Nelson Bickley. Various Army regulations, blank forms, and information flyers. Correspondence and forms from the Veterans Administration. Medical records, 1956-1966\u003c/p\u003e","\u003cp\u003eCharleston Gazette/Gazette-Mail newspaper clippings about AB and NB, 1999-2003\u003c/p\u003e","\u003cp\u003eText of NB's speech \"CMA's Link to the Late Carter G. Woodson, the 'Father of Negro History'\" at the Chicago Military Academy, program, and certificate of appreciation.\u003c/p\u003e","\u003cp\u003eText of speech given by NB at East Bank High School to Junior ROTC, regarding the benefits of military service.\u003c/p\u003e","\u003cp\u003eMilitary and scholarship commendations, program from WVSC Commencement, 1948.\u003c/p\u003e","\u003cp\u003eMilitary records for Nelson Bickley including his assignment as an Army ROTC instructor at WVU and difficulty of finding Negro housing. Admission to WVU College of Human Resources and Education.\u003c/p\u003e","\u003cp\u003eFolder within 16a containing Army medical records for Nelson Bickley, 1957-1966.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eAkron Beacon Journal,\u003c/emph\u003e December 7, 1982, with article by Ancella Livers which includes brief biography.\u003c/p\u003e","\u003cp\u003e\"\u003cemph render=\"italic\"\u003eBrown V. Board of Education\u003c/emph\u003e in West Virginia\" by Nelson R. Bickley in the \u003cemph render=\"italic\"\u003eWest Virginia Law Review\u003c/emph\u003e, Spring 2005.\u003c/p\u003e","\u003cp\u003eText of speech given by NB at the WVU Law School\u003c/p\u003e","\u003cp\u003eCorrespondence with Congressman Harley Staggers, James G. Harlow, President of WVU, and others regarding Nelson Bickley's retirement. Other military records.\u003c/p\u003e","\u003cp\u003eInvitations to the ROTC Cadet Corps Annual Military Ball and the ROTC Awards Day and Hall of Fame Induction Ceremony, 1982. Program for the ROTC Awards Day Ceremony, May 1, 1981. WVSC student newspaper \u003cemph render=\"italic\"\u003eThe Yellow Jacket\u003c/emph\u003e with an article about the inductees to the ROTC Hall of Fame including NB. Typed text of NB's acceptance speech about his time in the military. Newspaper with an interview with NB and Belva Clark about Carter G. Woodson, 1987. Program and text of NB speech, with AB edits, at WVSC for Veterans Day, 1992. Newspaper article regarding NB induction into the WVSC ROTC Hall of Fame.\u003c/p\u003e","\u003cp\u003eSigned letter from Alex Haley to Colonel and Mrs. Nelson Bickley, March 1, 1973, re: the Bickleys' hospitality after a lecture.\u003c/p\u003e","\u003cp\u003eClippings regarding the Bickleys from \u003cemph render=\"italic\"\u003eThe Villages Daily Sun\u003c/emph\u003e (FL) and \u003cemph render=\"italic\"\u003eThe Sunday News-Registe\u003c/emph\u003er (Wheeling, WV)\u003c/p\u003e","\u003cp\u003ePamphlet \"The Black Student at WVU,\" 1969/70, 1971/72, which include pictures of AB. Program for Lincoln-Douglas Banquet sponsored by Morning Star Baptist Church, February 12, 1977; includes AB as the speaker. Newspaper articles by and about Ancella Bickley, as well as Nelson. Congratulatory letter regarding AB promotion to Vice President for Administration at WVSC, July 9, 1975. Dunbar High School's publication, Kennel, Feb. 23, 1973 and May, 1974.\u003c/p\u003e","\u003cp\u003eLetter regarding AB in WVU classroom. Newspaper article about Ancella, daughter of Ancella and Nelson. Dunbar High School's student newspaper, Kennel, Nov. 1972.\u003c/p\u003e","\u003cp\u003eBachelor of Arts degree confirmation from West Virginia State College\u003c/p\u003e","\u003cp\u003eNelson Bickley's Master of Arts degree confirmation from West Virginia University\u003c/p\u003e","\u003cp\u003eNellie Francisco's Bachelor of Arts in Education degree confirmation from West Virginia State College, 1938\u003c/p\u003e","\u003cp\u003eLetter from CGW to Bessie Woodson Yancey, CGW's sister, re: funding Joan's education. Text of the poem \"The Forgotten Boys.\" Invitation to the dedication of the Carter G. Wooson School, New Orleans.\u003c/p\u003e","\u003cp\u003eResearch materials re: Belva Clark, Carter G. Woodson's niece and Nelson Bickley's mother; note of condolence; funeral program; handwritten [by Mrs. Clark?] obituary and instructions\u003c/p\u003e","\u003cp\u003eArticles about NB. Membership certificate to Sigma Pi Phi Fraternity.\u003c/p\u003e","\u003cp\u003eTeaching certificate for Nellie Radford Francisco, Bluefield Colored Institute, 1928.\u003c/p\u003e","\u003cp\u003eSpecial Order lists. Legal case notes? Selective Service Act of 1948 memo.\u003c/p\u003e","\u003cp\u003eIncludes genealogical research material, notes, and charts in print as well as handwritten for these families, mostly from the Huntington, West Virginia area and across the Ohio River: Twyman, Spurlock, Barnett, Payne, Jones, Woodson, Wilson, Johnson, Summers, Smoot, Peters, Radford, Layne/Lane, Jones, Straham, Cabell, and Parker. Additional genealogical information is included in oral history interviews with individuals (see Interviews and Oral History Interviews series); the Others' Works series; the Biography subseries of Research Notes and Collected Materials; and other locations throughout the collections.\u003c/p\u003e","\u003cp\u003eDocuments pertaining to the Twyman Family. Facsimile of pages from \u003cemph render=\"italic\"\u003eThe Promised Land\u003c/emph\u003e by J. Earl Pratt [1964]. Facsimile of newspaper legal notices from T\u003cemph render=\"italic\"\u003ehe Ironton Register\u003c/emph\u003e, Oct. 27 and Dec. 15, 1870.\u003c/p\u003e","\u003cp\u003eLetter from Willard H. Radford and Kim Radford regarding a reunion for the Radford-Bickley families.\u003c/p\u003e","\u003cp\u003eCorrespondence between the Bickleys and Nelson L. Barnett, Jr. regarding Allensworth (CA) State Historical Park, the Spurlock family, the Barnett-Payne-Jones family. Rededication pamphlet, October 10, 1992\u003c/p\u003e","\u003cp\u003eBarnett family genealogy compiled by Nelson Barnett, Jr.\u003c/p\u003e","\u003cp\u003eVarious documents pertaining to Carter G. Woodson and the Barnett family connection. \"A Black History of Huntington\" by Edna Duckworth. Barnett family documents.\u003c/p\u003e","\u003cp\u003eFamily line charts, photographs, newspapers, family history for the Nelson Barnett line. Program for the First Baptist Church, Huntington, September 25, 1988. Photographs buildings designed by Carl Barnett, architect.\u003c/p\u003e","\u003cp\u003eTranscription of Barnett family obituaries.\u003c/p\u003e","\u003cp\u003eJames and Mary Wilson family genealogy. Facsimiles of portraits. Memorial service programs. Photographs of Mary Wilson Johnson and James Johnson. Photo of family group identified later in file and on facsimile. Obituary for William O. Johnson. Family group photo. Photos of Ida and William Johnson.\u003c/p\u003e","\u003cp\u003eHandwritten Cabell Family tree and notes on the Cabell Family in Institute. Transcription of letter from J. S. Cunningham to Governor A.I. Boreman. Facsimile of newspaper ad for sale of slave.\u003c/p\u003e","\u003cp\u003eHandwritten notes regarding Summers Family and slaves.\u003c/p\u003e","\u003cp\u003eFacsimile of book section and term paper about the Smoot Family written by Marcella L. Pauley Short for WVSC class.\u003c/p\u003e","\u003cp\u003eBooklet of genealogy forms. \u003cemph render=\"italic\"\u003eAfrican-American Genealogy: A Research Guide\u003c/emph\u003e compiled by Phyllis Preston Jarrett and Helen Chambers Winston.\u003c/p\u003e","\u003cp\u003eTypewritten history of the Smoot Family, Boone County.\u003c/p\u003e","\u003cp\u003ePersonnel record for Willard Radford. Letter, 1949, certifying marriage of Willard Radford to Lilian Angus in Cuba, 1923.\u003c/p\u003e","\u003cp\u003eHandwritten marriage records for Radfords.\u003c/p\u003e","\u003cp\u003eHandwritten notes from a phone conversation regarding the Straham-Parker families.\u003c/p\u003e","\u003cp\u003eTyped \"Conversation with Nellie Redford Francisco--about 1985.\" Handwritten \"Discussion w/Henry Radford, 1/14/93.\" Radford Family genealogy. Peters Family genealogy. Newspaper articles regarding Negro education in Huntington and Kimball, 1904-1923. Cemetery lot receipts to Willard Radford. Program for Sterberger Elementary School 1999 Graduation Ceremony; Akil Livers listed as student. Funeral service program for Lily Van Sykes Kelly, 1994. Transcribed obituaries for Joseph T. Payne, 1948, and Minnie Bell Powell, 1936.\u003c/p\u003e","\u003cp\u003eResearch notes on how to do black genealogy. \u003cemph render=\"italic\"\u003eBlack Studies: a Select Catalog of National Archives Microfilm Publications\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eThe Layne Family Tree and Its Branches\u003c/emph\u003e. Handwritten tree with Twyman connection.\u003c/p\u003e","\u003cp\u003e\"Plat Map, Mt. Pisgah Cemetery, Proctorville, Ohio\" with notes. Request for donation to the Cemetery, 2013.\u003c/p\u003e","\u003cp\u003eHandwritten CGW family tree.\u003c/p\u003e","\u003cp\u003eRadford family genealogy. Release of note on deed, Radford family, 1952.\u003c/p\u003e","\u003cp\u003eThis series includes two subseries, General and Black Teachers.\u003c/p\u003e","\u003cp\u003eIncludes more formal oral history interviews as well as \"discussions\" and other less structured interviews not intended for any historical publication. Formats include handwritten notes, typed notes, and transcripts of interviews as well as background in the form of correspondence and typed and handwritten corrections.\u003c/p\u003e","\u003cp\u003eTranscript of interview with Johnnie James. Newspaper article \"THE Man…Johnny James Now Shares Life With God\"\u003c/p\u003e","\u003cp\u003eBackground research re: changes to social history and oral history.\u003c/p\u003e","\u003cp\u003eNotes from discussion with Grover DuBose, Korean War veteran, Sept. 10, 2000.\u003c/p\u003e","\u003cp\u003eTranscripts of interviews with black citizens of Huntington, WV; Institute, WV; Guyandotte, WV; and Black Fork, OH. Including Johnnie James, Ms. Bessie Herbert McClain, Chester A. Burris, Henry Pierce, Mildred Loar Williams, Cash Keels, James Thompson, Mrs. Araminta Miller Justice, and James Johnson.\u003c/p\u003e","\u003cp\u003eSpiral bound notebook containing notes from oral history interviews with black soldiers, 1945-46. References to color-coded folders. Notes on soldiers' letters, 1943-45. List of themes in interviews. Follow up on specific soldiers, 2005, titled \"Negative behavior of Blk soldiers.\" Diagram of Army organization.\u003c/p\u003e","\u003cp\u003eResearch notes labeled \"Army Wives Material: Discussion with Carl \u0026amp; Nancy Johnson Re: Military Experiences; Carl was a Tuskegee Airman. His wife, Nancy, is white\" 2014. Annotated paper \"The WV State Capitol\" with research notes. Emails re: Kimball Wall Memorial Project, 2011. Research notes. Letter to Beverly from AB re: various researchers in the Villages, FL, 2014. Typed notes from interview with Harriet Williams, Lewisburg, WV.\u003c/p\u003e","\u003cp\u003eAnnotated transcript of oral history interviews with Mrs. Mildred Lore Williams, 1990, re: family history and Cabell County History. Annotated transcript of oral history interviews with Mrs. Bessie Herbert McClain, 1990, re: living in Huntington. Annotated transcript of oral history interviews with Mrs. Suzette Spencer, 1990, re: family and life in Huntington. Mrs. Spencer was a descendant of 37 slaves freed in the south and sent to Ohio. Transcript of oral history interview with Mr. Cash Keels, 1990, re: family history and life in Black Fork, Ohio.\u003c/p\u003e","\u003cp\u003eAudiocassettes labeled: \"Joseph C. Peters re: Black High School Athletics - 11/2/95;\" \"Gregory Peters / Reminiscences, 9/22/95, \u0026amp; Ed Scott #3;\" \"MC (Ref) Edward Greer, 5/10/06;\" and \"Ed Scott / Reminiscences /Korea, 10/20/95\"\u003c/p\u003e","\u003cp\u003eBickley and Rita Wicks-Nelson, as Rockefeller Scholars-in-Residence at Marshall University's Center for the Study of Ethnicity and Gender in Appalachia, interviewed and recorded interviews with older black women teachers from across the state. This subseries contains transcripts of the interviews, corrected transcripts, correspondence with the subjects, and sometimes background information about them.\u003c/p\u003e","\u003cp\u003eTyped manuscript for \"Black Education in West Virginia,\" a joint project between Ancella Bickley and Rita Wicks-Nelson. Notes regarding Mrs. T. McDaniel interview; text of interview. Correspondence regarding book on black female teachers. Research notes. Text of speech about black WV schools. List of narrators. Facsimiles of newspaper clippings \"from Mrs. Rayford's Collection\" regarding desegregation of schools, 1955-1956. Newspaper clipping of AB interview regarding MTG.\u003c/p\u003e","\u003cp\u003eHandwritten notes of [interview with] Marian Hatcher, WVU English Dept. teacher.\u003c/p\u003e","\u003cp\u003ePrint out of web page re: Dr. Ancella Bickley and Dr. Rita Wicks-Nelson, 1999 Rockefeller Scholars-in-Residence. Project name: \"Life Experiences of Older, Black, West Virginian Women [Teachers]\"\u003c/p\u003e","\u003cp\u003eDemographics of teachers' project. Map showing location of teachers. Narrative overview of the project. Paper \"Mosaic [sic] in Black and White: Black Teachers Remember School Integration in West Virginia\" [by] Ancella Bickley and Rita Wicks-Nelson; paper presented at the Center for the Study of Ethnicity and Gender in Appalachia, MU, 2000. Annotated paper. Draft of paper \"Changing Lives and Potential Leadership: A Study of West Virginian Women Returning to College\" [by] Rita Wicks-Nelson, Lynda Ann Ewen, ca. 1997.\u003c/p\u003e","\u003cp\u003eCorrespondence between AB and RW-N and others re: book based on teachers' oral history interviews. Paper \"Black Education in West Virginia.\" Text of paper [by AB] \"Read @ WV Sociological Assoc. Annual Mtng. WVSC - Oct. 24, 1997.\" Letter from NB, 2005, asking for addenda to \u003cemph render=\"italic\"\u003eWest Virginia Law Review\u003c/emph\u003e paper about \u003cemph render=\"italic\"\u003eBrown v. Board of Education. \u003c/emph\u003eResearch notes. \"\u003cemph render=\"underline\"\u003eFullen\u003c/emph\u003e corrected pp, AB,\" 2001. Letter requesting interview with Pearl Swann Carter, 2000.\u003c/p\u003e","\u003cp\u003eRelease form from Suzanne Slaughter, 1998\u003c/p\u003e","\u003cp\u003eCorrespondence, edits, research notes with RW-N. Book reviews from The Appalachian journal, 2005. List of women interviewed. Background and summaries for interviewees.\u003c/p\u003e","\u003cp\u003eResearch materials re: education in WV; \u003cemph render=\"italic\"\u003eBrown v Board of Education. \u003c/emph\u003ePossible participants; call for participants; correspondence with participants Writing retreat brochure and correspondence. Project update to the Center for the Study of Ethnicity and Gender in Appalachia at MU. Draft of summary of results. Summary data forms and interview guide. Schedule of interviews. Letter from parent to teacher, Anna McCright. Flyer announcing talk by AB and RW-N. Luncheon flyer from the Fayette County Black Caucus.\u003c/p\u003e","\u003cp\u003eLife stories, some annotated or edited, for Vivian Williams Fleming, Eliza Jane Campbell Dillard, Anna McCright, and Mary Montgomery.\u003c/p\u003e","\u003cp\u003eAnnotated transcript of oral history interviews with Mrs. Louise Anderson. Newspaper clipping of obituary.\u003c/p\u003e","\u003cp\u003eAnnotated transcript of oral history interviews with Mrs. Velma Bradshaw. Handwritten notes on folder.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eOral History Review \u003c/emph\u003earticle, 2001, re: school segregation. Email with list of changes to the transcript. Transcript of oral history interviews with Mrs. Pearl Swann Carter, 2001.\u003c/p\u003e","\u003cp\u003eAnnotated transcript of oral history interviews with Mrs. Florence Casey, 1997\u003c/p\u003e","\u003cp\u003eTranscript of oral history interviews with Mrs. Ottrus Chatman, 1999. Typed and handwritten notes on the interview.\u003c/p\u003e","\u003cp\u003eAnnotated transcript of oral history interviews with Mrs. Verona Clarke, 1997.\u003c/p\u003e","\u003cp\u003eAnnotated transcript of oral history interviews with Mrs. E. Jane Dillard, 1999.\u003c/p\u003e","\u003cp\u003eHandwritten notes on the interview. Correspondence with Mrs. Elston. Annotated transcript of oral history interviews with Mrs. Mary M. Elston, 1997.\u003c/p\u003e","\u003cp\u003eAnnotated transcript of oral history interviews with Mrs. Eunice Fleming, 1999.\u003c/p\u003e","\u003cp\u003eAnnotated transcript of oral history interviews with Mrs. Vivian Williams Fleming, 1997. Handwritten notes.\u003c/p\u003e","\u003cp\u003eAnnotated transcript of oral history interviews with Mrs. Norma Jean Fullen, 1997.\u003c/p\u003e","\u003cp\u003eHandwritten notes. Annotated transcript of oral history interviews with Mrs. Susie Guyton, 1997.\u003c/p\u003e","\u003cp\u003eHandwritten notes. Transcript of oral history interviews with Mrs. Willie Hise, 1999.\u003c/p\u003e","\u003cp\u003eTyped and handwritten notes. Annotated transcript of oral history interviews with Mrs. Floristine Holland, 1998.\u003c/p\u003e","\u003cp\u003eHandwritten notes. Transcript of oral history interviews with Mrs. B'Alma Jones, 1999.\u003c/p\u003e","\u003cp\u003eAnnotated transcript of oral history interviews with Miss Anna McCright, 1999.\u003c/p\u003e","\u003cp\u003eCorrected transcript of oral history interviews with Mrs. Thelma McDaniel, 1999.\u003c/p\u003e","\u003cp\u003eLetter to Mrs. McDaniel. Typed notes and pages from the interview. Letter from Norman L. Jones re: Thelma McDaniel and the Price and White families, 2001.\u003c/p\u003e","\u003cp\u003eAnnotated transcript of oral history interviews with Mrs. Edris Miller, 1998.\u003c/p\u003e","\u003cp\u003eAnnotated transcript of oral history interviews with Mrs. Mary Montgomery, 1997. Overview for Mrs. Montgomery. Letter to her. Pages of the interview with corrections. List of names and addresses for interviewees.\u003c/p\u003e","\u003cp\u003eAnnotated transcript of oral history interviews with Ms. Doris Payne, 1999.\u003c/p\u003e","\u003cp\u003eOverview for Ruby Brown Reeler. Annotated transcript of oral history interviews with Mrs. Ruby Reeler, 1997. Handwritten transcript of a quote from the interview. Handwritten notes on the folder.\u003c/p\u003e","\u003cp\u003eAnnotated transcript of oral history interviews with Mrs. Nancie Smith Robinson, 1999.\u003c/p\u003e","\u003cp\u003eTranscripts pages of interview with FH [Floristine Holland?] Annotated transcript of oral history interviews with Mrs. Suzanne Slaughter, 1998.\u003c/p\u003e","\u003cp\u003eObituary for Mary Crozier Snow, 2011. Annotated transcript of oral history interviews with Mrs. Mary Snow, 1997. Letter to Mrs. Snow with corrections, 2001.\u003c/p\u003e","\u003cp\u003eTranscript of oral history interviews with Mrs. Fannie Ashe Thomas, 1999.\u003c/p\u003e","\u003cp\u003eHandwritten notes. Annotated transcript of oral history interviews with Mrs. Velma Twyman, 1997. Letter to Mrs. Twyman re: corrections, 2001.\u003c/p\u003e","\u003cp\u003eIncludes books, manuscripts, facsimile pages, and other publications not written by Bickley, who was sometimes asked to provide feedback on writing. Forms of writing include family histories, poems, short stories, plays, novels, and both scholarly and popular articles. Other writers include: Sharon M. Draper, Charles Lloyd, Hannah N. Geffert, Peri Lynne Johnson, L. O'B. Thomson, Nelson L. Barnett, J. McHenry Jones, Judith Stitzel, Elizabeth Taylor Brown, and Phyllis Moore.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eA Memorial to the Scott, Carter, Mumford Families and the Journey from the Hills of North Carolina to the Beautiful Ohio Shore in the Year 1844\u003c/emph\u003e by Edith Dove Bryant, original and one facsimile. Article \"Midwifery in West Virginia\" 1990.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eMy Dearest Husband: the Letters of Amacetta Laidley Summers to George W. Summers, 1842-1843 \u003c/emph\u003eby Patricia Clark Bulla. Handwritten genealogy chart for James M. Laidley\u003c/p\u003e","\u003cp\u003ePoem \"Old Lady Sady and the Chicken Wings\" c1992 Sharon M. Draper\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eMy Dearest Husband: the Letters of Amacetta Laidley Summers to George W. Summers, 1842-1843\u003c/emph\u003e by Patricia Clark Bulla. Laidley-Summers-Quarrier family line\u003c/p\u003e","\u003cp\u003eManuscript for \u003cemph render=\"italic\"\u003eAesculapius, Ebony \u003c/emph\u003eby Nelson L. Barnett, M.D.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003e\"…Tryin' to Get Home…\": A Journal, \u003c/emph\u003ea compendium of biographies, family histories, community histories, etc. by the John Henry Memorial Committee.\u003c/p\u003e","\u003cp\u003e\"The Search for Larry Doby\" by Bob Stitzel in \u003cemph render=\"italic\"\u003eSports Collectors Digest\u003c/emph\u003e, December 1, 1989. Letter from Judith Stitzel critiquing short stories \"The Woman in the Lavender Hat,\" \"Hush Now Child,\" \"Sweets,\" and \"Jones.\" Manuscripts of Stitzel's stories \"My New York Yankees,\" \"Cover-Up,\" \"Hearing Aids,\" \"Unbecoming a Jew.\" Letter from Stitzel regarding order of stories.\u003c/p\u003e","\u003cp\u003eManuscript for book about West Virginia State College.\u003c/p\u003e","\u003cp\u003eCorrespondence with Phyllis Moore re: WV writers. Annotated stories \"It Ain't Her!,\" \"The Crossing,\" and \"On This Rock,\" short stories by AB. Photo of AB and unidentified woman. \"'Talking about home…': Yes, We Have Authors\" by Phyllis Wilson Moore.\u003c/p\u003e","\u003cp\u003eProject overview for Greenbrier Valley African-American life. J. McHenry Jones' novel \u003cemph render=\"italic\"\u003eHearts of Gold\u003c/emph\u003e with highlighted passages and annotations. Background research materials.\u003c/p\u003e","\u003cp\u003eFacsimile of \u003cemph render=\"italic\"\u003eThe Jones Family\u003c/emph\u003e by John L. Jones.\u003c/p\u003e","\u003cp\u003eCorrespondence with Hannah N. Geffert re: Black History Conference and her annotated story \"The Guns of October.\"\u003c/p\u003e","\u003cp\u003e\"History of Lakin Hospital: Pulling for the Stars\" by Elizabeth Taylor Brown. Reviewers' comments.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eThe Plays of Ann Kathryn Flagg\u003c/emph\u003e published by Amistad, Inc., Ancella Bickley, Director.\u003c/p\u003e","\u003cp\u003e\"Black High Schools in West Virginia\" prepared by R. Charles Byers.\u003c/p\u003e","\u003cp\u003eWritings of Peri Lynne Johnson, AB's niece, some with annotations.\u003c/p\u003e","\u003cp\u003eReview of \"The History of Lakin State Hospital\" by Elizabeth Brown; manuscript.\u003c/p\u003e","\u003cp\u003eDrafts and final papers written by L. O'B. Thompson who taught at WVSC.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eAesculapius, Ebony\u003c/emph\u003e by Nelson L. Barnett. Brief biography of Carl Eugene Barnett. Facsimile of photograph of \"Reverend Nelson Barnett, Circa 1900.\"\u003c/p\u003e","\u003cp\u003ePaper and letter of transmittal for \"The Peters Sisters: An Historical Omission\" by Norman Jordan. Research notes on the sisters: Ethel and Ada Peters.\u003c/p\u003e","\u003cp\u003eTypewritten notes about various novels, movies, and other works. Discussion questions for some.\u003c/p\u003e","\u003cp\u003eInscribed play \"Day to Day: a Drama in One Act\" by Maryat Lee. Article \"'…To Will One Thing: a New Look at Theater\" [by] Maryat Lee, from\u003cemph render=\"italic\"\u003e Drama Review\u003c/emph\u003e, 1983. Materials re: EcoTheater including scholarly articles.\u003c/p\u003e","\u003cp\u003eIncludes black and white historical photographs, slides, and contemporary color photographs. Additional photographs can be found throughout the collection. Most photos are black and white facsimiles of original historical photos of people and places significant to Bickley's research and publications. Subjects include educational institution buildings and students; other institution buildings; the Radford family; Bickley and Bickley with others. The contemporary color photos include ones of the memorial statues on the West Virginia Capitol grounds; Potomac State College campus; Bickley and others; and the social event A Red Hat Party celebrating women.\u003c/p\u003e","\u003cp\u003ePhotos: graduating class at Bluefield State College; Barnett School Orchestra, Huntington, with Nellie Francisco; school children at Lincoln School, Wheeling, 1912; unidentified football team; buildings at Bluefield State College and West Virginia State College.\u003c/p\u003e","\u003cp\u003ePhotos, invitation to, and follow up for a birthday celebration for AB, and a Red Hat Party to celebrate older women. Poem about AB.\u003c/p\u003e","\u003cp\u003ePhotographs of building details; street scenes; two black women [Alberta Coleman]; NB; campus, Potomac State College, buildings including Academy Hall and Duke Anthony Whitmore/Henry Louis Gates, Jr. Academic Achievement Wall.\u003c/p\u003e","\u003cp\u003ePhotos of statues on the WV State Capitol grounds: prints, proof sheet with numbered descriptions, and a CD. Annotated text to accompany photos and titled \"Statuary on the Grounds of the West Virginia State Capitol.\" Brief history of the Capitol and the state of West Virginia.\u003c/p\u003e","\u003cp\u003e\"Honoring Our Past: 1994 Calendar\" produced by the Alliance for the Collection, Preservation and Dissemination of West Virginia's Black History. Calendar includes photos of school bands, Bluefield NAACP chapter, Hopewell barber shop in Martinsburg, and schools.\u003c/p\u003e","\u003cp\u003eCopies of group photographs of children and a \"Special Citation Award to Mrs. Harry Gordon\"\u003c/p\u003e","\u003cp\u003ePhoto of unidentified family, 1901; restored photo and invoice for work, 2005.\u003c/p\u003e","\u003cp\u003eNegatives and photos from AB's Red Hat Party\u003c/p\u003e","\u003cp\u003eVariety of copies of historical photographs, most not identified, 1912-1918. Note stapled to folder removed, 10/17/1990.\u003c/p\u003e","\u003cp\u003e1991 (3), 1993, 1994 calendar \"Honoring Our Past\" from the Alliance for the Collection, Preservation and Dissemination of West Virginia's Black History. 1971 Black History Calendar [by] Raymond W. Lowry.\u003c/p\u003e","\u003cp\u003eFacsimiles of photographs of students at WVSC including AB in Delta Sigma Theta Sorority.\u003c/p\u003e","\u003cp\u003ePhotographs of AB and others at a presentation on CGW at Marshall University, President's Home. February 24, 1988.\u003c/p\u003e","\u003cp\u003eFacsimile of undated photo [ca. 1942] of John W. Davis, Charles Rutherford, Austin W. Curtis, L.A. Toney, et al. On back: \"Received from Debby Jackson, \u003cemph render=\"italic\"\u003eGoldenseal\u003c/emph\u003e, 4/7/1997. Picture taken during construction of Washington-Carver Camp.\"\u003c/p\u003e","\u003cp\u003ePhoto of AB with author Alice Walker at the University of Charleston, [1999]. Photo of AB with Ken Sullivan, Executive Director of the WV Humanities Council, 2002.\u003c/p\u003e","\u003cp\u003eIncludes examples of Bickley's contribution to a number of public service projects both in a professional capacity and as a citizen. Includes these formats: \u003clb\u003e\u003c/lb\u003e\nplanning documents, \u003clb\u003e\u003c/lb\u003e\ncorrespondence, \u003clb\u003e\u003c/lb\u003e\nmeeting notes, and \u003clb\u003e\u003c/lb\u003e\nagendas for these organizations: \u003clb\u003e\u003c/lb\u003e\n-Amistad, Inc., a publishing company she formed; \u003clb\u003e\u003c/lb\u003e\n-West Virginia Humanities Foundation; \u003clb\u003e\u003c/lb\u003e\n-Black Mountain Youth Leadership Program, Berea College; \u003clb\u003e\u003c/lb\u003e\n-The EcoTheater in Lewisburg, for which she served as board member; \u003clb\u003e\u003c/lb\u003e\n-National Council of Teachers of English, for which she was National Director; \u003clb\u003e\u003c/lb\u003e\n-West Virginia Archives and History Commission, of which she was a member; and \u003clb\u003e\u003c/lb\u003e\n-Marshall University colloquium on black history.\u003c/p\u003e\n","\u003cp\u003eMost notable are the grant applications, programs, and correspondence from her work with the West Virginia Humanities Foundation. Bickley was President of the Board of Directors and wrote a ten-year history of the organization, 1974-1984. The files include background materials for a number of projects for which she or others received grants. For her work with the Kanawha County Board of Education, her files include research materials about minority student achievement, and documents about the Kanawha County Schools Minority Student Achievement Task Force and Maximizing Achievement of African-American Children in Kanawha County (MAAACK). Documenting her work with an organizing committee to clean up the Bethel Cemetery in Huntington, her files include calls for participants, flyers, lists of members, and more. One civic activity with no apparent formal organization includes a meeting with Governor Rockefeller to advocate for affirmative action in West Virginia government. More on Bickley's professional and community activities can be found in the Awards, Honors Series.\u003c/p\u003e","\u003cp\u003e\"Notes from Meeting between WV SAC and Governor Rockefeller--June 13\" The SAC [Statistical Analysis Center] asked the governor to authorize another study concerning minority employment in West Virginia with the goal of supporting affirmative action and the employment of more minorities.\u003c/p\u003e","\u003cp\u003eHumanities Scholar Resource Forms by Virginia Edwards (2/86), Judith G Stitzel, and Elayne Rapping for the project, \"Reel Visions: A Conference on Women and Film.\" \"Seminar for Professionals Scholar's Statement\" by AB. \u003cemph render=\"italic\"\u003eThe Midwest Quarterl\u003c/emph\u003ey article \"The Humanities in Public Conversation.\" Publication: \"The Humanities Foundation of West Virginia, 1974-1984, A Decade of Discovery\" which lists awards; AB was President of the Board of Directors.\u003c/p\u003e","\u003cp\u003eBrochure for the 15th Year of the EcoTheater founded by Maryat Lee, 1975-1990. Letter of support fro grant to the EcoTheater, February 10, 1990. Business correspondence with members of the Board of Directors.\u003c/p\u003e","\u003cp\u003eNotes, membership lists, and correspondence from meetings of the Bethel Memorial Park Interest Group. Various research notes regarding black WV doctors and other topics.\u003c/p\u003e","\u003cp\u003eInvitation to Ronald Reagan's inauguration\u003c/p\u003e","\u003cp\u003eCorrespondence from Cecil H. Underwood and Earl Ray Tomblin regarding appointment to the WV Archives and History Commission, July 11, 2000-September 22, 2000.\u003c/p\u003e","\u003cp\u003ePapers and notes from 1975 National Council of Teachers of English (NCTE) conferences when AB was National Director. List of attendees. Black history newspaper clippings. NCTE Spring Institutes programs: April 4-8 in Buffalo, New York; and April 25-29 in Santa Barbara, California. Paper by NB \"Mini-Psychological Theory about Black Americans\"\u003c/p\u003e","\u003cp\u003eInvitation to Jimmy Carter's inauguration, January 20, 1977.\u003c/p\u003e","\u003cp\u003eCertificate of incorporation and other legal documents for Amistad, Inc. Humanities Foundation grant application. Correspondence, agendas for Board meetings, and notes from meetings.\u003c/p\u003e","\u003cp\u003eCorrespondence with William (Bill) Turner regarding a black history colloquium at Marshall and editing a special issue the \u003cemph render=\"italic\"\u003eAppalachian Journal.\u003c/emph\u003e \u003cemph render=\"italic\"\u003eSojourner: Voice of the Eastern Kentucky Social Clubs\u003c/emph\u003e, 1989.\u003c/p\u003e","\u003cp\u003eProgram for MU symposium \"Moving Toward Freedom: Slavery and Resistance.\" WV Humanities Foundation grant materials for \"Fact to Freedom: The Story of Slavery in West Virginia.\" Cost details for recreating a slave auction block. Photograph of 10th and Market in Wheeling, 1895.\u003c/p\u003e","\u003cp\u003eCorrespondence with Brucella and Norman Jordan re: the African American Heritage Family Tree Museum. Also a Humanities Council Grant, brochures, newspaper clippings, press releases. B. Jordan's curriculum vitia and job description with an appliation.\u003c/p\u003e","\u003cp\u003eMaterials supporting the proposal for WVSC's The Canty House being placed on the National Register of Historic Places.\u003c/p\u003e","\u003cp\u003eMaterials for collaboration of Kanawha County Schools Minority Student Achievement Task Force and Achieving Excellence in Learning (AEL). Maximizing Achievement of African-American Children in Kanawha County (MAACK) materials. Data on Kanawha County students.\u003c/p\u003e","\u003cp\u003eReadings on teaching minority students, Ebonics. Maximizing Achievement of African-American Children in Kanawha County (MAACK) materials.\u003c/p\u003e","\u003cp\u003eNotes and correspondence pertaining to the evaluation of the Black Mountain Youth Leadership Program at Berea College.\u003c/p\u003e","\u003cp\u003eLetter from the Governor of Montana. Itineraries. Correspondence re: trip.\u003c/p\u003e","\u003cp\u003eMatted print of D. Richardson's drawing of the WV Colored Children's Home.\u003c/p\u003e","\u003cp\u003eThis series includes eleven subseries which highlight Bickley's research on black history in West Virginia and to a smaller extent black history in general. The subseries include her work on black history for many West Virginia counties with her research being more extensive for Cabell, Jefferson, and Kanawha Counties which have their own subseries. The subseries for Research Notes and Collected Papers are: General, Biography; Cabell County, WV; Jefferson County, WV; Kanawha County, WV; Other WV Counties; Churches, Education; General; Organizations; Slavery; and the Underground Railroad.\u003c/p\u003e","\u003cp\u003eBickley researched a wide range of black history and black culture topics; for example, Aunt Jemima and the statue of a black boy as yard ornament, in addition to persons and events. The research provided background for her writings and was often incorporated into her works of fiction as well as historical accounts. Her papers include research notes and supporting sources on a wide range of topics with reference to black history and West Virginia black history.\u003c/p\u003e","\u003cp\u003eHandwritten inventory of boxes with Post-it-Note \"Found AFTER boxing - This drawer-files are out of order so I don't know if it will be helpful. (Plus, my sister has horrible handwriting.\"\u003c/p\u003e","\u003cp\u003ePost card from Mabel Hunter with Storer College Brackett Hall dorm room circled (1946). Photo of statue of Carter G. Woodson. 1850 mortality statistics for western section of Virginia. \u003cemph render=\"italic\"\u003eBulletin of the West Virginia State Teachers' Association\u003c/emph\u003e, 1940. Program for the Mountain State Bar Association, Inc. Annual Awards Banquet, June 18, 1988. Partial transcript of \"Interview with Doris Miller, Huntington, WV\" regarding house purported to be on the underground railroad. Marriage records, 1869, Trinity Church, Parkersburg. \"Reading the Names\" program at Virginia Sate University of those lynched, 1868-1935; AB read the WV names, ca. 2011. Handwritten research notes. Notes on census slave records. Proposed black history highway markers, 2001. Newspaper clipping about Huntington Tuskegee Airmen, 2009. Email from Brucella Jordan requesting a recommendation; paragraph regarding the founding of the African American Heritage Family Tree Museum, 2010. Email from David Trobridge invitation to speak at Marshall University, 2011. Facsimile of pages from the Bureau of Negro Welfare and Statistics regarding the Episcopal Church in West Virginia. Roster of Negroes serving in state and local government, ca. 1968. \"The West Virginia Medical Society [Black].\" \"Slavery in Western Virginia\" (notes for an exhibit?)\u003c/p\u003e","\u003cp\u003eCorrespondence and research notes regarding the black history of Gallipolis, Ohio. Love story by Harry Dolphis Scott, Bidwell, Ohio. Typed lists from Carter G. Woodson's Free Negro Head of Families (1830), Town of Gallipolis.\u003c/p\u003e","\u003cp\u003eNewspaper clippings from the Herald-Dispatch, 1981. Brochure: \"Graduates of Distinction: Michael Perry, Ancella Bickley\" from the Education Alliance, 2002\u003c/p\u003e","\u003cp\u003eVarious articles regarding blues music. Multiple facsimiles of \"Bessie Smith, 1898-1937, A Short Blues Anthology,\" 1971; one with annotations.\u003c/p\u003e","\u003cp\u003eVarious articles including the legend of Jocko, subject of a lawn ornament, and a 1971 black history calendar by Raymond W. Lowry which highlights achievements.\u003c/p\u003e","\u003cp\u003e2\u003cemph render=\"italic\"\u003end Annual John Henry Festival, Clifftop, West Virginia: Herbs and Traditional Medicine\u003c/emph\u003e[by] Roscoe Leonard.\u003c/p\u003e","\u003cp\u003eTypewritten paper about spirituals\u003c/p\u003e","\u003cp\u003eJournal, newspaper, and magazine articles about black history, Carter G. Woodson, Nelson Bickley, and the methyl isocyanate leak in Institute, 1984.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eProspective Sites Relating to Black History in Canada\u003c/emph\u003e by William N. T. Wylie, June 1994.\u003c/p\u003e","\u003cp\u003eResearch materials regarding the holiday, Juneteenth, which celebrates the Emancipation Proclamation. Text of two speeches.\u003c/p\u003e","\u003cp\u003e\"The Black Literary Tradition of West Virginia: A Bio-Critical Survey\" [by] Leonard J. Deutsch\u003c/p\u003e","\u003cp\u003eThe booklet (2 copies) \"History of African-American Miners in Appalachian Coal Fields: Black History Month, February, 2000\" Funeral program for Ulysses Grant Carter, teacher at Kimball High School. \u003cemph render=\"italic\"\u003eA Saga of Service: A History of the Mining Extension Service of West Virginia State College, 1937-1957\u003c/emph\u003e by Cecile M. McCormick and U.G. Carter.\u003c/p\u003e","\u003cp\u003eFacsimiles of pages from reports from the WV Bureau of Negro Welfare and Statistics.\u003c/p\u003e","\u003cp\u003eCorrespondence and attached materials from Sara J. Sow re: blacks in Gallia County, Ohio. \"Why We Celebrate Our Culture and Church\" about churches in Lawrence County, Ohio.\u003c/p\u003e","\u003cp\u003eCorrespondence with and writings of James Fisher, Berkeley County.\u003c/p\u003e","\u003cp\u003eBackground research notes and materials about Cuba. \u003cemph render=\"italic\"\u003eNational Geographic\u003c/emph\u003e article \"Evolution in the Revolution: CUBA.\" Poems by or translated by Nelson A. Ossorio.\u003c/p\u003e","\u003cp\u003eCorrespondence with Joan C. Browning re: content for the Henrietta Marie exhibit; white women in the civil rights movement. Biography. Resume. Newspaper clippings; article \"Invisible Revolutionaries: White Women in Civil Rights Historiography.\" Program and other materials for the WVU panel for the Rush Holt History Conference. Commentary from John Raines re: J. Browning and David Mussat's contributions to the RDH Conference; annotated JB paper \"Religion Gave Me Power to Witness\" and David Mussat's paper \"Sticks and Stone: an Interpretation of Power and Religion in the Movement.\"\u003c/p\u003e","\u003cp\u003eResearch materials on many aspects of WV Black history including newspaper clippings, scholarly articles, meeting programs, and the text of an Odd Fellows speech.\u003c/p\u003e","\u003cp\u003e\"Negro Coal Miners in West Virginia, 1875-1925\" from the \u003cemph render=\"italic\"\u003eMidwest Journal\u003c/emph\u003e, 1954. Reprint of \"Negro Migration to the Mining Fields of West Virginia\" from the \u003cemph render=\"italic\"\u003eProceedings, West Virginia Academy of Sciences\u003c/emph\u003e, 1936.\u003c/p\u003e","\u003cp\u003eHandwritten research notes. Research materials re: WV history. Typed notes on WV black history. 1955 newspaper article re: integration of schools.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding black WV historical markers. Resignation as a Commissioner for the WV Division of Culture and History. Program for Roosevelt Junior High School Award Assembly, June 2, 2000; Bickley is on the program for the East End History Essay.\u003c/p\u003e","\u003cp\u003ePrograms for West Virginia Conference on Black History at the First Baptist Church in Charleston, April 22-23, 1988, and the Eighth Annual Conference on West Virginia's Black History at Marshall University, November 10-11, 1995\u003c/p\u003e","\u003cp\u003eWeb page print out of article about Silas Green in minstrel show.\u003c/p\u003e","\u003cp\u003e\"Fifth U.S. Colored Infantry\" by John F. Walter, rev. 1998. Includes information on Ohio and WV blacks.\u003c/p\u003e","\u003cp\u003e\"Negro Participants in the Fields of the Theatre and Music Plus Associated Enterprises: Period: 1920-1960\" by Dr. Douglass T. Murray. Booklet for The National [Negro] Opera [Company].\u003c/p\u003e","\u003cp\u003ePaper titled \" School Desegregation Since \u003cemph render=\"italic\"\u003eBrown\u003c/emph\u003e (1954): 30-Year Perspective\" by Franklin Parker, WVU Professor of Education, 1984. Two pages of annotated text of a speech about education of black West Virginians, [delivered at WVU]. \u003cemph render=\"italic\"\u003eDaily Athenaeum \u003c/emph\u003earticle re: interview Nelson Bickley about discrimination in housing in Morgantown, 1971. Program for \"The West Virginia Experience in Higher Education: an Historical Perspective\" at WVU, 1984, when AB was on a panel. Facsimile of the pamphlet \"The Black Student at WVU\" 1971-72. Correspondence from the Ohio University Press re: manuscript review of the book \u003cemph render=\"italic\"\u003eMemphis Tennessee Garrison\u003c/emph\u003e by William H. Turner, 1999. \"History of DuBois High School\" from a book. Map of slave plantations in Wood County, Va. Map of Underground Railroad routes to Canada, 1898.\u003c/p\u003e","\u003cp\u003eEmail correspondence primarily between AB and her daughter Ancella Livers re: access to WWII Soldiers' letters at the New York Public Library. Email from Della [Hardman?] re: Belle Powell and Ravella Hughes.\u003c/p\u003e","\u003cp\u003eIncludes biographical material for many people of interested to Bickley. Types of material include correspondence, handwritten notes, clippings and articles, photographs, various facsimiles, and more. Subjects of research notes and collected materials include: Carter G. Woodson, Dick Pointer, Henry Louis \"Skip\" Gates, Memphis Tennessee Garrison, John Henry, Ravella Hughes, John Wesley Harris, Maude Beatrice Bell Plowden, Della Brown Taylor, Bessie Yancey, Mollie Gabe (Mary Elizabeth Johnson), Elizabeth Simpson Drewry, J. McHenry Jones, Stonewall Jackson, Gwen McMillion Bingham, and William Cathay. Additional topics include: blacks in WV literature; black women; Tuskegee Airmen including John L. Whitehead, Jr. and William Lee Hill; and black WV legislators. Biographical information is also included in the Interviews and Oral History Interviews series.\u003c/p\u003e","\u003cp\u003eNewspaper clippings. Partial notes [speech] J. McHenry Jones including John R. Clifford, Christopher Payne, and black legislators. Pages from a 1913 Congressional hearing on \"Conditions in the Paint Creek District, West Virginia\" with conditional pardon of Dan Chain highlighted. Memo, 1/18/03, from Alfonzo Dalton regarding interview with Ben Carson who was a Republican candidate for the US President in 2016.\u003c/p\u003e","\u003cp\u003eLetter to researcher Sean Duff, November 19, 2012, and attached information regarding J. McHenry Jones and Wheeling. Letter to researcher L. Morris Jones, May 3, 1989. Newspaper clipping of article about \u003cemph render=\"italic\"\u003eHearts of Gold\u003c/emph\u003e which was written by J. McHenry Jones (JMJ). Various versions of \"James McHenry Jones: a Monologue\" by Ancella R. Bickley. Full and partial \"J. McHenry Jones, 1859-1909.\" Text of newspaper article about JMJ's opposition to the Evans Jim Crow Bill, February 14, 1907. Research notes including Jones family history. Facsimile of pages from \u003cemph render=\"italic\"\u003eHistory of the Jones Family \u003c/emph\u003eby John L. Jones.\u003c/p\u003e","\u003cp\u003eResearch notes on Guion Bluford (?). Ed White, sculptor, biography. Facsimile of pages from the children's book \u003cemph render=\"italic\"\u003eBlack Stars in Orbit\u003c/emph\u003e, [1995]\u003c/p\u003e","\u003cp\u003eCorrespondence between NB and The Association for the Study of Negro Life and History, Incorporated regarding preservation of the Carter G. Woodson house in Huntington. Correspondence between Carter G. Woodson and his sister, Bessie Woodson Yancey, regarding upkeep of the house.\u003c/p\u003e","\u003cp\u003eResearch materials on Dick Pointer, black Indian War hero, for an article for the \u003cemph render=\"italic\"\u003eJournal of the Greenbrier Historical Society\u003c/emph\u003e; the article; handwritten notes; various versions of the article. Research notes. Facsimile of a painting by S. Ross Browne, 1993.\u003c/p\u003e","\u003cp\u003eCorrespondence with Henry Louis \"Skip\" Gates, Jr. Newspaper clipping: MU Commencement.\u003c/p\u003e","\u003cp\u003eCorrespondence with Adolphus Young regarding black West Virginia women, particularly MTG.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eWashington Post\u003c/emph\u003e article \"In Quest of the Historical John Henry\" by Hank Burchard, August 24, 1969. Press release by Kyle McCormick, WV Dept. of Archives and History, 1957. \u003cemph render=\"italic\"\u003eWV Hillbilly\u003c/emph\u003e, June 23, 1979, \"A Salute to John Henry.\"\u003c/p\u003e","\u003cp\u003eHandwritten notes about John Matheus, WVSC professor; his curriculum vitae, ca. 1953; reprint of an article from the \u003cemph render=\"italic\"\u003eCLA Journal\u003c/emph\u003e by him, 1972.\u003c/p\u003e","\u003cp\u003eResearch notes about Revella Hughes\u003c/p\u003e","\u003cp\u003eResearch notes about William Hill for \u003cemph render=\"italic\"\u003eGoldenseal\u003c/emph\u003e article about Tuskegee Airmen.\u003c/p\u003e","\u003cp\u003eResearch on John Brown including materials from the National Parks Service's John Brown Conference, 2000; an annotated Langston Hughes' poem \"October 16;\" and \"A Psychological Examination of John Brown.\"\u003c/p\u003e","\u003cp\u003eTwo newspaper clippings: one about Fannie Cobb Carter and one about Memphis Tennessee Garrison\u003c/p\u003e","\u003cp\u003eObituary and other information about Major General Charles \"Jackie\" Calvin Rogers. Documents regarding the naming of a United States Army Reserve Center for him. Text of NB's speech.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eGoldenseal \u003c/emph\u003earticle about John Wesley Harris. Facsimile of newspaper clipping about Maude Beatrice Bell Plowden.\u003c/p\u003e","\u003cp\u003eTranscript of interview with AB by Ohio State University's WOSU about Della Brown Taylor [Hardman], a graduate of Garnet High School, artist, and teacher at WVSC.\u003c/p\u003e","\u003cp\u003eResearch notes. Transcript of conversation with Bruce Rogers regarding Aunt Jemima and Bruce Family history. Facsimiles of newspaper articles regarding Aunt Jemima.\u003c/p\u003e","\u003cp\u003eBackground research about the Sargent School of Physical Education; Sydney Taylor Brown who graduated from there and then WVSC; black women in the American Red Cross; and black women's service in WWII. \u003cemph render=\"italic\"\u003eAmerican Legacy\u003c/emph\u003e, Winter 1999. Research notes.\u003c/p\u003e","\u003cp\u003eFacsimile of pages from \u003cemph render=\"italic\"\u003eHistory of the American Negro,\u003c/emph\u003e W.Va. Edition, vol. VII, [edited] by [A. D.] Caldwell.\u003c/p\u003e","\u003cp\u003ePrint outs of web pages regarding the Tuskegee Airmen. Photograph of monument in Walterboro, SC. Newspaper clippings.\u003c/p\u003e","\u003cp\u003eResearch materials pertaining to Carter G. Woodson including: journal and magazine articles; facsimile of book pages; newspaper clippings; and a masters degree thesis. Text of speeches and programs for speeches by both AB and NB. Invitation to a reception to honor Sen. and Mrs. John F. Kennedy in Huntington, April 20, 1960.\u003c/p\u003e","\u003cp\u003ePoems, correspondence, and other writings by Bessie Yancey, Carter G. Woodson's sister. Photocopies of journal articles and WV Collegiate Institute publications. Special Carter G. Woodson issue of \u003cemph render=\"italic\"\u003eCommunity, \u003c/emph\u003epublished by Friendship House, Winter 1970. Issue of \u003cemph render=\"italic\"\u003eThe Journal of Negro History\u003c/emph\u003e, July 1968.\u003c/p\u003e","\u003cp\u003eResearch materials on Mollie Gabe, also known as Mary Elizabeth Johnson, midwife from Falls Mill, Braxton County.\u003c/p\u003e","\u003cp\u003eResearch materials about John P. Parker, a former slave who was active in the UGRR in Ohio. Parker was also an inventor and a business man.\u003c/p\u003e","\u003cp\u003eResearch materials about Elizabeth Simpson Drewry, McDowell County representative to the WV House of Delegates.\u003c/p\u003e","\u003cp\u003eLetters to Bessie W. Yancey, CGW's sister. Research materials. Poem \"The Forgotten Boys.\" Correspondence re: restoration of the CGW home. Carter G. Woodson Memorial Committee and Foundation materials. Text of speech by AB. CGW stamps. Dedication of statue of CGW. Correspondence re: Ann Eliza Riddle Woodson family property. CGW genealogy prepared by Nelson Barnett, Jr. Letter from CGW to Bessie Woodson Yancey. Text of paper \"Carter G. Woodson: the West Virginia Connection.\" Photographs of CGW and kin.\u003c/p\u003e","\u003cp\u003eCorrespondence from CGW to Bessie W. Yancey, re: house in Huntington, 1941. Book contract between Bessie W. Yancey for \u003cemph render=\"italic\"\u003eEchoes in the Hills \u003c/emph\u003eand CGW's company, The Associated Publishers, 1939. Letter re: book to CGW from BWY, 1939. Letter from John W. Davis, President WVSC, to BWY, 1945, re: Nelson Bickley. Letter from BWY to Louis R. Mehlinger re: loss of two brothers, 1950. Envelope, no contents, from Joel A Rogers, 1951. Envelope, no contents, from The Associated Publishers, 1958. Photographic negative of BWY.\u003c/p\u003e","\u003cp\u003eResearch materials including newspaper clippings, correspondence, articles, and research notes on Carter G. Woodson; Bessie W. Yancey; Black History Month; restoration of the Woodson home; and the Woodson family. Annotated copy of the paper \"Carter G. Woodson: the West Virginia Connection.\" Facscimiles of Otis Woodson and CGW photos. Photo of Bessie Woodson Yancey and letter from BWY to CGW re: poetry. Edited entry for CGW from \u003cemph render=\"italic\"\u003eThe Encyclopedia of Black America\u003c/emph\u003e. List of WV Collegiate Institutue, 1920/21 and 1921/22. Facsimile of correspondence between CGW and BWY re: house.\u003c/p\u003e","\u003cp\u003eResearch materials on J. McHenry Jones including facsimiles of obituaries; other newspaper clippings; and transcriptions of clippings. Photo of Hazlewood Assembly Hall. Notes [speech?] on JMJ. Timeline with sources. Paper about JMJ by AB. Jones family history.\u003c/p\u003e","\u003cp\u003ePages copied from book \u003cemph render=\"italic\"\u003eThe Hidden Years of Stonewall Jackson \u003c/emph\u003epurporting that he fathered a black child. From Merle Moore.\u003c/p\u003e","\u003cp\u003eResearch materials on Tuskegee Airmen including John L. Whitehead, Jr. and William Lee Hill.\u003c/p\u003e","\u003cp\u003eText of a speech? \"African Americans in the West Virginia Legislature.\" Letter from C.A. Blankenship to \u003cemph render=\"italic\"\u003eThe Negro History Bulletin\u003c/emph\u003e adding names of Negroes who served in the WV Legislature, 1964. \"West Virginia's Black Female Legislators\" ca. 1991. Facsimile of photo with caption: \"President Harry S. Truman being shown a copy of America's first Black pictorial magazine. [There is some question which came first \u003cemph render=\"italic\"\u003eColor\u003c/emph\u003e or \u003cemph render=\"italic\"\u003eEbony]\u003c/emph\u003e Left to right: Sippi Coleman, Pres. Truman, W.VA. Congressman, Dr. I.J.K. Wells Editor and Publisher of Color,\" ca. 1948. Newspaper clipping of article re: female legislators, 1998.\u003c/p\u003e","\u003cp\u003eFacsimile of photo of \"Gabriel, Pardoned by VA Governor Tim Kaine, June 26, 2007.\" Research notes. Paper \"Major General Gwen McMillion Bingham,\" ca. 2011 with newspaper clipping. Facsimile of unidentified photograph of woman in uniform. Paper \"'Who Was William Cathay?' adapted from a piece in the St. Louis Daily Times, January 2, 1876.\" Poem \"Cathay Williams,\" 1997. Facsimile of enlarged photo of face of unidentified soldier. Summary/timeline for Cathay Williams/William Cathay.\u003c/p\u003e","\u003cp\u003eDraft of \"Elizabeth Simpson Drewry, 1894-1979\"\u003c/p\u003e","\u003cp\u003eCovers a wide range of topics on the history of Cabell County; Huntington, WV; and adjacent Ohio counties. Notable are Nelson Barnett's transcriptions of late 19th century Huntington newspaper articles regarding blacks. Also included are newspaper clippings, monographs, photos, biographies, and interviews about veterans, church history, education, organizations, and more.\u003c/p\u003e","\u003cp\u003e\"References and Briefs to Miscellaneous Newspaper Articles, [June 15, 1872-October 21, 1898, and June 4, 1922-May 20, 1928]\" compiled by Nelson Barnett, Jr., 1988, from Huntington newspapers.\u003c/p\u003e","\u003cp\u003e\"Black Veterans of World War I from Cabell County, W.Va., 1918.\" \"Past Imperfect, 1902: Articles of Interest, [Nov. 13, 1901-Dec. 31, 1901]\" compiled by Nelson Barnett, Jr. from Huntington newspapers.\u003c/p\u003e","\u003cp\u003e\"Past-Imperfect, 1901: Articles of Interest, [Jan. 7, 1901-May 28, 1901]\" compiled by Nelson Barnett, Jr. from Huntington newspapers\u003c/p\u003e","\u003cp\u003eResources about blacks in Huntington and Cabell County. Includes a bibliography of \u003cemph render=\"italic\"\u003eGoldenseal \u003c/emph\u003earticles about blacks. Other resources are church histories, listings of names, facsimiles of book chapters and papers, newspaper clippings, interviews, handwritten research notes, and more.\u003c/p\u003e","\u003cp\u003e\"Progress of the Huntington Negro\" by Prof. J. W. Scott\u003c/p\u003e","\u003cp\u003e\"A Black History of Huntington\" by Edna Duckworth, 1976. Genealogy for Edna Duckworth. \"Biohistrogenetics Project Proposal\" to the Carter G. Woodson Memorial Foundation, 1996-1997; Duckworth is listed as the visionary.\u003c/p\u003e","\u003cp\u003eMarriage records, late 19th century, Cabell County.\u003c/p\u003e","\u003cp\u003eCorrespondence with Clara Knight. Facsimiles of Greenbottom Church, Huntington, records listing black members. Records regarding John Ball freeing his slaves, 1793. Map of Millersport, OH, 1887.\u003c/p\u003e","\u003cp\u003eCorrespondence with Bill Lindsay re: blacks in Huntington and Pocahontas County\u003c/p\u003e","\u003cp\u003eTwo newspaper clippings: one about Nellie Fransisco [sic] and AB's research about blacks on the Ohio River.\u003c/p\u003e","\u003cp\u003e\"A Black History of Huntington\" by Edna Duckworth, [1976]. Census data for black families in Lawrence County, Ohio; 1850, 1860.\u003c/p\u003e","\u003cp\u003ePhotos of black workers in C\u0026amp;O shop including Anderson Radford, AB's grandfather. Correspondence; transcription of newspaper articles; research notes; biographical sketches; photos of Goodes; newspaper clippings; church histories and programs; facsimiles of book pages; transcription of interviews; and bibliography.\u003c/p\u003e","\u003cp\u003eResearch notes. Photos. Paper \"Black People and the Huntington Experience.\" Project, \"A Sojourn for Truth: Revisiting Black History Along the Ohio River,\" overview. Research materials re: Huntington, Cabell County, and parts of Ohio. Transcript of interview with Suzette Spencer. \"The West Virginia Colored Children's Home\" by Ancella R. Bickley. \"Poke Patch/Black Fork, Ohio\"\u003c/p\u003e","\u003cp\u003eResearch notes on Douglass School. Typewritten notes on Douglass School, 1891-1924. Notes from conversation with Nellie Francisco. Handwritten transcription of article, 1902.\u003c/p\u003e","\u003cp\u003eCovers research about blacks in Charlestown and Harpers Ferry as well as other locations in Jefferson County. Materials include obituaries, school histories, correspondence, cemetery records, research notes, and more about school integration, Storer College, slave collars, Fisherman's Hall, and more.\u003c/p\u003e","\u003cp\u003eResearch materials regarding blacks in Charlestown. Obituary for former slave George Jenkins in Huntington, 1917.\u003c/p\u003e","\u003cp\u003ePaper about St. Philip's parochial school by James A. Tolbert. Materials re: Sons of Confederate Veterans tablet in Harper's Ferry. Other research materials re: Jefferson County and Charlestown.\u003c/p\u003e","\u003cp\u003ePhotos of a slave collar. Correspondence re: acquiring the collar for the Henrietta slave ship exhibit.\u003c/p\u003e","\u003cp\u003eCorrespondence with James Tolbert re: black CCC camp, McDowell County; Black History Conference; Fisherman's Hall, Charlestown, restoration; Harewood Cemetery, Jefferson County; marker for Martin Delany, Charlestown.\u003c/p\u003e","\u003cp\u003eResearch materials re: Harpers Ferry, the National Park, and Storer College.\u003c/p\u003e","\u003cp\u003eTypewritten text of speech at Shepherd College, 2004. Transcript \"Discussion of Integration of Schools in Jefferson County: Jim Tolbert.\"\u003c/p\u003e","\u003cp\u003eHandwritten research notes mostly re: John Brown and Harpers Ferry, ca. 2000.\u003c/p\u003e","\u003cp\u003eCovers research about blacks in the WV Capitol, Charleston, and other locations in Kanawha County. Topics covered include slavery in the salt industry, biographies, wine cellars, and buildings. Contents include correspondence, facsimiles of documents, research papers, obituaries, newspaper clippings and more.\u003c/p\u003e","\u003cp\u003eResearch materials about slavery in West Virginia with focus on Kanawha County and the salt industry\u003c/p\u003e","\u003cp\u003eResearch materials on black attorney Thomas Gillis Nutter.\u003c/p\u003e","\u003cp\u003eResearch materials on Charleston, WV including: \"Unpublished Black History in the Early Kanawha Valley\" by William D. Wintz; \"Blacks in Charleston, West Virginia: A Survey of Their Presence in the Community and Occupational and Residential Patterns in the Early 1900s\" by Mary Johnson, WVU student. Research materials regarding Oscar Wayman Holmes, the first African American naval aviator and obituaries for C.H. James, prominent black businessman. Text of speech, \"Black People in Charleston,\" 1994.\u003c/p\u003e","\u003cp\u003eResearch materials on the Dutch Hollow wine cellars in Dunbar.\u003c/p\u003e","\u003cp\u003eDocuments regarding Samuel W. Starks and the Starks House in Charleston. Correspondence regarding its being put on the National Register of Historic Places.\u003c/p\u003e","\u003cp\u003eCorrespondence with Eugene Washington re: Phillis Wheatley School and Albert G. Brown, architect.\u003c/p\u003e","\u003cp\u003eExcludes Cabell, Jefferson, and Kanawha Counties which have separate subseries. Includes research materials about slavery, school integration, lynching, historic homes, and more researched by Bickley for these counties: Wayne, McDowell, Harrison, Greenbrier, Hardy, Fayette, Monongalia, Upshur, Wood, and Monroe; as well as the cities of Bluefield, Buckhannon, Keystone, Weirton, Weston, and Wheeling. Research materials include photographs, correspondence, brochures, newspaper clippings, book pages, articles, interviews, and more.\u003c/p\u003e","\u003cp\u003eVarious documents regarding blacks in Wayne County, WV; the Livisay family; writings by Tim R. Massey, 1981; the Lindsey family; photograph and negatives of a photograph of a black family.\u003c/p\u003e","\u003cp\u003eResearch materials on McDowell County, WV, with focus on the towns of Keystone and Keystone. Letters and notes from Adolphus A. Young, Jr.\u003c/p\u003e","\u003cp\u003eProgram for \"Freedom Is a Struggle: Glimpses of African-American Life in the Greenbrier Valley of [West] Virginia.\" Brochure \"Black Historic Sites in Lewisburg, West Virginia.\"\u003c/p\u003e","\u003cp\u003eNewspaper clipping about Sarah Hall, black lawyer. Facsimiles of research materials. \"The History of the Negro in McDowell County and in West Virginia Leading Up to and Including the Integration of Schools\" by Dr. Douglass T. Murray. Typewritten notes from Adolphus Young, Jr. Correspondence with Alphonso Dalton, Jr. regarding MTG and black McDowell County families\u003c/p\u003e","\u003cp\u003eFacsimile of 1952 newspaper article regarding slaves listed in 1848 Harrison County tax book. Slave owners are listed and includes Nathan Goff.\u003c/p\u003e","\u003cp\u003ePaper, author unidentified, regarding lynching in WV. Research materials about slaves in Greenbrier County\u003c/p\u003e","\u003cp\u003eCorrespondence regarding letter from a slave asking to be purchased by Stump family [1851]. Facsimile of letter.\u003c/p\u003e","\u003cp\u003eResearch notes and resources regarding Glenwood, historic home in Charleston. Clarksburg newspaper article of reminiscences of a former slave, Ann Freeman and others. Clarksburg newspaper article regarding Union Veterans Association.\u003c/p\u003e","\u003cp\u003eResearch materials for Fayette County including contacts list, newspaper articles, maps, facsimiles of pages from books, student research paper, church histories, handwritten research notes, and grant applications. Correspondence with and Lucille Meadows and her handwritten reminiscences.\u003c/p\u003e","\u003cp\u003eNewspaper articles, facsimiles of historical records. Partial manuscript for \u003cemph render=\"italic\"\u003eTo Be Black in Fayette \u003c/emph\u003eand annotated pages. \"Black Politics in Fayette County, West Virginia, 1896-1918\" by Daniel Wright. Text of speech by Daniel Wright. Brochure titled \"Camp Washington-Carver: a Compendium of the First African-American 4-H Camp.\"\u003c/p\u003e","\u003cp\u003eResearch materials and research notes: \u003cemph render=\"italic\"\u003eMonongalia Blacks Speak\u003c/emph\u003e: Women, Part II and Men, Part I, Holland family, schools. Interview with Grace Edwards Waters.\u003c/p\u003e","\u003cp\u003eResearch materials about Weirton.\u003c/p\u003e","\u003cp\u003eResearch materials about Upshur County. Facsimiles of articles written by R.H. Ralston, Sr. regarding Buckhannon's black history; newspaper clippings. \"A History of Blacks in Buckhannon: The Recollections of Harriet Warfield,\" an interview with Harriet Warfield, 1977.\u003c/p\u003e","\u003cp\u003eResearch materials regarding blacks in Wheeling. \"Wheeling's Black Population: A General Perspective\" written and presented by Darryl Clausell, Pat Dudley, with contributors Kathryn Snead and Dorothy Cooper, 1990. Correspondence with Margaret Brennan. Photo of AB, Pat Dudley, Brennan, and Annie Tanks at an Oral History Seminar in Wheeling.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding Memphis Tennessee Garrison. Research materials on Gary and other McDowell County locales: newspaper clippings, \u003cemph render=\"italic\"\u003eGoldenseal\u003c/emph\u003e article.\u003c/p\u003e","\u003cp\u003ePapers by Wheeling Jesuit Students Joel Michael Coulson and Beau Conway.\u003c/p\u003e","\u003cp\u003eResearch resources regarding blacks in Fayette County, WV, including transcripts of oral history interviews with Lucille Meadows, Mrs. Turner, Charista Davis, Lula Lall Jones, Rosa Roach and Jessie Barrett; correspondence, church histories and programs. Includes Smoot family information.\u003c/p\u003e","\u003cp\u003eTranscripts of interviews with Alease Watkins, David W. Turner, Russell Lee Matthews, and Elsie Choice Hopkins. Also, includes research notes, newspaper clippings, a grant application, facsimiles of book pages, and correspondence.\u003c/p\u003e","\u003cp\u003ePhoto of Lomax Hospital in Bluefield. Brochures for Afro-Appalachian Performance Company. Correspondence with Joseph Bundy re: history alive performances. Research materials about black Bluefield hospitals.\u003c/p\u003e","\u003cp\u003eCorrespondence with Ray Swick re: blacks in Wood County. Research notes. Correspondence with the Wood County Bicentennial Commission re: speech.\u003c/p\u003e","\u003cp\u003eCourt record for \u003cemph render=\"italic\"\u003eMullens v. County Court\u003c/emph\u003e, 1932. Facsimile of WV entry from \u003cemph render=\"italic\"\u003e100 Years of Lynchings\u003c/emph\u003e by Ralph Ginzburg. \"The Greenbrier County Lynching: a Study of West Virginian Justices\" by Ancella Bickley Livers. \"'Reading the Names,' Program at Virginia State University.\"\u003c/p\u003e","\u003cp\u003eResearch notes re: Parkersburg black history. Facsimile of letter and transcription of letter from ex-slave Isaac Fairfax to George Washington Henderson.\u003c/p\u003e","\u003cp\u003eLetter from Charles (Charley) Goddard re: Greenbrier County history and Sharlotta Gardner contact information.\u003c/p\u003e","\u003cp\u003eCopy of photo and negative of lynching. Photos of black children. Note from Maurice Allman, Hacker's Creek Pioneer Descendants. Transcripts of \u003cemph render=\"italic\"\u003eWeston Democrat\u003c/emph\u003e articles re: 1892 lynching of Edgar Jones. Transcripts re: 1910 lynching. Research notes on these incidents. Application for the Weston Colored School to be placed on the National Register of Historical Places. Research notes re: Weston State Hospital. Correspondence re: dedication of the Central West Virginia Genealogical and Historical Library, formerly the Weston Colored School. Handwritten transcription of interview with Rahleen Gardner who attended the School. Transcript of conversation with Mrs. Joy Gilchrist, 1992.\u003c/p\u003e","\u003cp\u003eTranscripts of interviews with Mr. Waldo Lacy and Mrs. Gladys Lacy. Facsimile of newspaper article of speech by T.J. Ferguson, 1870. Research materials on the Sumner School. History of Parkersburg from Bernie Allen. Facsimile of books pages, newspaper articles, and transcription of newspaper articles. Parkersburg Art Center brochure featuring Joseph Eldridge Dodd. Text for slide show (no slides). Typewritten outline of \"Parkersburg Study.\"\u003c/p\u003e","\u003cp\u003eFacsimiles of newspaper articles. Correspondence with Ray Swick, Blennerhassett Island State Park. Research materials about blacks in Wood County. Research notes. \"A History of Sumner School\" written by Sally Browning, 1996. \u003cemph render=\"italic\"\u003eThe Island Packet\u003c/emph\u003e from the Friends of Blennerhassett Island.\u003c/p\u003e","\u003cp\u003eBackground research on blacks in Monroe County. Correspondence with Fawn Valentine and Presidents of the Monroe County Historical Society. \"Bishop Matthew W. Clair, Sr.: a Biography\" by Dr. Margaret B. Ballard, 1973.\u003c/p\u003e","\u003cp\u003eIncludes programs, bulletins, correspondence, research notes, and histories of black West Virginia churches in Fayetteville, Charleston, Charlestown, Fairmont, St. Albans, Parkersburg, Huntington, and Alderson. Also includes a history of churches and lodges in West Virginia as well as histories of the Odd Fellows, Knights of Pythias, and the Galilean Fisherman lodges. Denominations represented include African Methodist Episcopal, Episcopalian, and Baptist.\u003c/p\u003e","\u003cp\u003eCorrespondence with Lucile S. Meadows regarding help with the Second Baptist Church, Fayetteville, Centennial; racial tolerance in schools\u003c/p\u003e","\u003cp\u003e\"125th Anniversary Journal\" First Baptist Church, February 1, 1868-February 28, 1993, Charleston, WV\u003c/p\u003e","\u003cp\u003eTime line for black Episcopalians in WV. \"The First Hundred Years: a History of St. Philip's Episcopal Church, Charles Town.\" Research notes and sources. Humanities Foundation of WV grant application by Florita Montgomery to study the history of St. Phillips' Episcopal Church. Information on the Trinity Church in Parkersburg. Photograph including some black congregants.\u003c/p\u003e","\u003cp\u003e1907 Weekly Bulletin of Diamond St. M.E. Church in Fairmont\u003c/p\u003e","\u003cp\u003eBook titled \u003cemph render=\"italic\"\u003eMiracle on B Street Continues\u003c/emph\u003e about St. Paul Baptist Church's (St. Albans) 131st anniversary.\u003c/p\u003e","\u003cp\u003eLetter re: slide presentation at the Young Chapel African American Methodist Episcopal Church. Program for the 94th Church Anniversary. Handwritten time line and other notes. Booklet of photographs, text of Bickley's speech, newspaper clipping.\u003c/p\u003e","\u003cp\u003e\"Black Churches and Lodges in West Virginia in Their Infancy, 1865-1900\" by J. Reuben Sheeler. \"History of Bright Hope Lodge #9, F.\u0026amp;A.M. and - P.H.A. Montgomery WV.\" Facsimile of pages \"Introduction and Growth of the Grand United States Order of Odd Fellows in America.\" Notes \"Knights of Pythias of West Virginia History\" researched by James A. Tolbert. Notes about \"Grand United Order of the Galilean Fisherman\" compiled by Ann Wilson.\u003c/p\u003e","\u003cp\u003eEmail correspondence with Adrienne Belafonte re: a newspaper article about the Shiloh Baptist Church in Alderson. Clipping of the article.\u003c/p\u003e","\u003cp\u003eProgram for First Baptist Church 125th Anniversary, 1997. Program for installation of Rev. William F. Buchanan, First Baptist Church, 1988.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings, text for presentations, correspondence, research notes, articles, commencement programs, interviews and more about state and national teachers' organizations, historically black WV colleges including West Virginia State College and West Virginia University, integration of schools, histories of specific schools, the Kanawha County textbook controversy, and more.\u003c/p\u003e","\u003cp\u003eNewspaper articles: WV Education Association (WVEA) Executive Committee meeting, the National Education Association (NEA) and the need for minority teachers; and recommendations from the Black Caucus, \u003cemph render=\"italic\"\u003eWV School Journal\u003c/emph\u003e, December 15, 1973. Photograph of Blacks in auditorium seating, ca. 1950s\u003c/p\u003e","\u003cp\u003eMultiple facsimiles of a post card picturing Albert Long, \"Bertie\" -- Aunt Onie's Son. West Virginia State College Commencement Programs: 1948, 1950, 1951\u003c/p\u003e","\u003cp\u003eInformation sheets and travel plans for trip to Egypt, July 5, 1987, sponsored by WVSC. Passport and Visa information written on folder.\u003c/p\u003e","\u003cp\u003eVarious versions of text for a multi-media program on the history of West Virginia State College (WVSC) and Institute, WV\u003c/p\u003e","\u003cp\u003eLetter to Edmonia Grider from Marjorie [Counts] regarding the Hilltop School, October 7, 1974.\u003c/p\u003e","\u003cp\u003eManuscript discussing integration and black teachers in WV, author unknown. Speech (?) regarding school integration. Research notes. Annotated speech: \"Black Education in West Virginia\" delivered in Shepherdstown.\u003c/p\u003e","\u003cp\u003eResearch materials on the integration of WV schools: facsimiles of WV newspaper articles regarding integration of schools; \"How Black Students Saw Themselves through the Decades of Change at Bluefield State College (founded in 1895) as It Changed from Predominately Black Institution to a Predominantly White Institution\" by James Worsham\u003c/p\u003e","\u003cp\u003eProgram for the Alpha Delta Chapter, Delta Sigma Theta Sorority, Inc. 19th annual Jabberwock, March 16th, 1949. Dance invitation, 1948. WVSC Commencement program, 1949. Washington Alumni Chapter banquet, 1976, to roast John W. Davis. Newspaper articles\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eVocational and Educational Survey for the Kanawha County Negro Schools\u003c/emph\u003e by Andrew H. Calloway, 1945.\u003c/p\u003e","\u003cp\u003eCorrespondence, photos, newsletter, and newspaper clippings regarding the Douglass High School (Huntington) Reunion. Notes on class of 1947. Newspaper clipping regarding NB. Photo YWCA Y-Teens, Douglas High School, Christmas, 1946.\u003c/p\u003e","\u003cp\u003eResearch notes on schools in Keyser and Piedmont, WV, including a facsimile of book pages from \u003cemph render=\"italic\"\u003eHoward School: a History, 1877-1955\u003c/emph\u003eregarding a black student strike for a better school in 1939. Notes on interview with Alberta Coleman, Piedmont, WV. Notes from interview with Opal Coates Carter, and other research notes, regarding Woolworth Fire, Charleston, WV, [ca. 1964s].\u003c/p\u003e","\u003cp\u003eCompilation, by R. Charles Byers, of resources regarding WV black schools.\u003c/p\u003e","\u003cp\u003eAnnotated pages for \"Integration in West Virginia\"\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eBulletin of West Virginia State College\u003c/emph\u003e, Series 21, no. 1, June 1933. \"Why Choose West Virginia State College\"\u003c/p\u003e","\u003cp\u003eAffirmative action statistics for Bluefield State College, 1984. \"Pride and Preservation: West Virginia State College\" seminars which included Alex Haley as a speaker, 1979. Newspaper article re: archives at West Virginia State College, 1979. \u003cemph render=\"italic\"\u003eSouthern Rural Women's Network Newsletter\u003c/emph\u003e, June, 1983. Photograph of Alex Haley with inscription and signed letter from Alex Haley to NB, 1970.\u003c/p\u003e","\u003cp\u003eResearch notes and materials for research on education in Mason County, WV\u003c/p\u003e","\u003cp\u003eResearch materials regarding the Lincoln School in Wheeling, WV\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eWest Virginia State College Bulletin\u003c/emph\u003e, April 1941, Series 28, No. 2. Handwritten transcription of an article in \u003cemph render=\"italic\"\u003eThe Advocate\u003c/emph\u003e, 1907.\u003c/p\u003e","\u003cp\u003eProgram for One Hundred Fifth Commencement, Huntington High School, 1971. Photo of AB, West Virginia State College Commencement, May 17, 1986.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eReport of the Twenty-first Annual NEA Conference on Human and Civil Rights in Education\u003c/emph\u003e, 1983, including paper by AB on the Kanawha County textbook controversy and censorship.\u003c/p\u003e","\u003cp\u003eFacsimile of a brief historical sketch of Storer College, 1867-1891, by Kate J. Anthony, 1891.\u003c/p\u003e","\u003cp\u003eNewspaper clippings and other sources relating to the West Virginia Seminary and College and the Hilltop Baptist Center.\u003c/p\u003e","\u003cp\u003e\"Integration in Reverse at West Virginia State College\" by Elizabeth Duran and James A. Duran, Jr.\u003c/p\u003e","\u003cp\u003eCorrespondence, interviews, newspaper clippings, and facsimiles of photos re: WVSC's East Hall. Research notes.\u003c/p\u003e","\u003cp\u003eWV Humanities Council grant application for a presentation on black education in Parkersburg. Research materials and notes. Handwritten and typed notes from interviews with Mrs. Dorsey, Mr. James Emondson, Mrs. Hattie Gazelle Turner, and Mrs. Elizabeth Mitchell. Particular focus on the Sumner School.\u003c/p\u003e","\u003cp\u003ePhoto slides of WVSC buildings, presidents, etc. Post cards of WVSC buildings and Institute. Note cards from a lecture. Research materials on all aspects of WVSC history.\u003c/p\u003e","\u003cp\u003eResearch materials on many aspects of WVSC history including faculty information. Includes these publications: \"ROTC in Review: 40 Years of Tradition;\" \"West Virginia State College Glee Club;\" Alumni Association, Los Angeles Chapter, Scholarship Luncheon program, 1989;\u003c/p\u003e","\u003cp\u003eProgram for Convocation and Dedication of the Harold Maceo McNeill Physical Facilities Plant, WVSC, 1999.\u003c/p\u003e","\u003cp\u003eLetter from AB re: retirement of Justine Gutzmer; retirement announcement for Gerald Cote, Beatrice Dupass, Gutzmer, and Darthulia Jones. Facsimile of WWII death notice of Oliver Johnson to his parents and his obituary. Johnson was Gutzmer's brother.\u003c/p\u003e","\u003cp\u003eBooklet of texts and order of ceremonies for the WVSC commencement program, 1985.\u003c/p\u003e","\u003cp\u003eIncludes background research on the Montgomery Woman's Improvement League, the West Virginia Federation of Colored Women's Clubs, Alpha Omicron Omega Chapter of the Alpha Kappa Alpha Sorority, the Mountain State Bar Association, and the West Virginia Medical Society. Research materials include a yearbook, programs, correspondence, a members list, and more.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eMontgomery Woman's Improvement League Year Book\u003c/emph\u003e, 1955-56 and 1960-61. Program for West Virginia State Federation of Colored Women's Clubs, Inc. Annual Convention, 1959. Newspaper photojournalism article regarding the College Alumni Club 50th anniversary history booklet. Program for the Annual Debutante Ball sponsored by Alpha Omicron Omega Chapter, Alpha Kappa Alpha Sorority, 1958. Correspondence with Katherine Atwater regarding resources.\u003c/p\u003e","\u003cp\u003eProgram for the Annual Meeting and Awards Banquet of the Mountain State Bar Association, 1985. List of members, 1986.\u003c/p\u003e","\u003cp\u003ePaper titled \"The West Virginia Medical Society [Black]\" Article: \"Historically Black Medical Colleges: From Scorn to Success\" from \u003cemph render=\"italic\"\u003eThe Boule Journal\u003c/emph\u003e, 2004.\u003cemph render=\"italic\"\u003e \u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eThis subseries includes maps, research papers, newspaper clippings, letters, census data, newspaper articles, facsimiles of historical slave documents, and more. Other materials regarding slavery can be found in county subseries and the Underground Railroad Subseries.\u003c/p\u003e","\u003cp\u003eWest Virginia map. \"Number of Slaves in Counties Which Became WV\" 1850, 1860. Typescript of \u003cemph render=\"italic\"\u003eHistorical Atlas of West Virginia \u003c/emph\u003eby Frank S. Riddel.\u003c/p\u003e","\u003cp\u003eHandwritten notes on John Marshall; Marshall and slavery; Marshall and Robin Spurlock, his servant. Typed observations. Resource materials.\u003c/p\u003e","\u003cp\u003eFacsimiles of legislation and resolutions to abolish slavery; and a list of representatives at the state convention in Wheeling.\u003c/p\u003e","\u003cp\u003eResearch materials. Typewritten manuscript[s] by James Oliver Horton. Codes for occupations. Copy of newspaper article.\u003c/p\u003e","\u003cp\u003eNewspaper clipping and multiple facsimiles of an article about a slave breeding farm in Greenup, KY.\u003c/p\u003e","\u003cp\u003eResearch materials about slaves in Ohio Valley plantations and adjacent WV counties. Photocopies of photographs of Mary and plantation sites.\u003c/p\u003e","\u003cp\u003eFacsimiles of: newpaper slave ads; Virginia law re: Kanawha Slave Insurance Company; Dunsmore's Proclamation freeing slaves; Va. Law to send slave to Liberia; slaves in Bunker Hill; New York Times article re: slave uprising; and drawing of [Harpers Ferry]. Harpers Ferry National Historical Park Afro-American materials. \"History of Gerrardstown\" in \u003cemph render=\"italic\"\u003eThe Berkeley Journal\u003c/emph\u003e. Handwritten list of properties, including slave names, of Richard B. Washington, [1864]. Letter of transmittl and facsimile of bill of sale for slave, 18[4]5. Transcription of Rumsey-Polk letters re: slaves.\u003c/p\u003e","\u003cp\u003eHandwritten research notes and research materials regarding reparations for slavery; text of NB speech; typewritten notes.\u003c/p\u003e","\u003cp\u003eAnnotated manuscript \"Compensatory Justice: Over Time and Between Groups\" by Renee A. Hill; text of introduction of a speech about reparations; newsapper clippings; web page print outs; articles.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eWest Virginia and Regional History Collection Newsletter \u003c/emph\u003ewith articles re: slave letters. \u003cemph render=\"italic\"\u003eWest Virginia Then and Now \u003c/emph\u003earticle re: John Brown's letter. Research re: images of blacks in journalism. Research notes.\u003c/p\u003e","\u003cp\u003eFacsimile of tables of free Negro listings from 1830 census. \"Researching Virginia's Slave and Free Negro Records\"\u003c/p\u003e","\u003cp\u003eFacsimile of newspaper article, 1934, re: Mount Pisgah Church, Proctorville, OH. \"The Way It Was…\" by Betty Burcham, a history of UGRR and Mount Pisgah Church. Facsimile of will of Eliza Goode freeing Sully Smith, her husband and her slave, 1848. Facsimile of two receipts for purchase of slaves, 1852. Research notes re: Ohio slaves and fugitives to WV.\u003c/p\u003e","\u003cp\u003eThis subseries includes text of a speech made by Bickley, books, slides, photographs, brochures, post cards, correspondence, maps, and more. The materials focus on parts of Ohio across the river from Huntington as well as West Virginia. Some topics are quilt codes, abolitionists, runaway slaves, location of Underground Railroad sites, and more.\u003c/p\u003e","\u003cp\u003eResearch materials about Serena Wilson and the book \u003cemph render=\"italic\"\u003eHidden in Plain View: The Secret Story of Quilts and the Underground Railroad.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003ePhotos \"Trip to Doddridge County to visit Jaco Hill/cave - UGRR Site - w/Karen Nance, Sandra Moats, \u0026amp; Judy Wilinson, 6/20/01. Other research materials\u003c/p\u003e","\u003cp\u003eResearch materials on the Underground Railroad with focus on Ohio.\u003c/p\u003e","\u003cp\u003eBrochures and post cards regarding the UGRR and the film \"Nightjohn.\" Correspondence with Margaret Brennan, organizer for the UGRR Summit in Wheeling. \"Reflections on the West Virginia UGRR Summit\" by Cathy D. Nelson; photo of AB speaking at the Summit and with Amanda Nelson and Sherry [Sowchuck].\u003c/p\u003e","\u003cp\u003eCorrespondence from Alicestyne Turley-Adams re: Underground Railroad Network Partnership.\u003c/p\u003e","\u003cp\u003eCorrespondence with Lucille Deberry and other research materials re: the UGRR, some in West Virginia.\u003c/p\u003e","\u003cp\u003eCorrespondence with Sandra Moats-Burke re: UGRR in WV counties. \u003cemph render=\"italic\"\u003eExploring a Common Past: Researching and Interpreting the Underground Railroad\u003c/emph\u003e, 1998, 2nd ed. from the National Park Service. List of UGRR sites in WV.\u003c/p\u003e","\u003cp\u003ePhotograph slides, numbered and identified. Research materials mostly about Ohio. \"Draft Proposal to Establish a National Underground Commemorative, Interpretive, and Research Center, City of Huntington, West Virginia\" 1994. Itinerary for trip to Washington to meet with Interior Dept. officials and Robert C. Byrd's staff.\u003c/p\u003e","\u003cp\u003eBook chapter \"In Gallia and Miegs Counties\" from \u003cemph render=\"italic\"\u003eThe Mysteries of Ohio's Underground Railroad\u003c/emph\u003e by Wilbur Henry Siebert, 1951. Facsimile of handwritten narrative by an abolitionist, [1892]. Facsimile of letter from R. C. Rankin re: father Rev. John Rankin, 1892. Research notes on WV runaway slaves. Facsimile of letter to Daniel ? to Cyrus Little re: UGRR, 1894. Map of UGRR, 1860. Requests for copies from the Siebert papers. More facsimiles of records.\u003c/p\u003e","\u003cp\u003eBackground materials on the Underground Railroad in Ohio.\u003c/p\u003e","\u003cp\u003eResearch materials including newspaper clippings and research notes on the Underground Railroad\u003c/p\u003e","\u003cp\u003eResearch materials re: the Underground Railroad. Research notes.\u003c/p\u003e","\u003cp\u003eFacsimiles of documents pertaining to slaves in Jefferson County, VA. Itinerary for Underground Railroad tours [Ohio?]. \u003cemph render=\"italic\"\u003eThe Escape of Jane: a True Story of the Underground Railroad\u003c/emph\u003e by Henry Burke \u0026amp; Dick Croy. Henry Robert Burke correspondence. Brochure on Henderson Hall, Wood County. Dick Croy correspondence and resume. Newspaper articles by Burke. \"Black Cultural Sites in West Virginia\" compiled by Michael Pauley and Peter Jesus, 1990\u003c/p\u003e","\u003cp\u003eCorrespondence with Sandra Moats-Burke re: UGRR. WV and county maps. Facsimile of pages from \"From the Charles River Shire, 1634-1643, to the Present Day Counties: Harrison, Doddridge, Ritchie, Wood, Pleasants and Tyler\" by Barr Wilson. Research materials on the UGRR. Research notes. \"The Anti-Slavery Movement in West Virginia,\" a speech delivered by Sandra Moats Burke.\u003c/p\u003e","\u003cp\u003eResearch materials re: quilts and the Underground Railroad, 2001-2011. Notes re: Eliza Farrow, 2005. Paper \"The UGRR Quilt Code\" by Leigh Fellner. Research notes; newspaper clipping; facsimile of web page and transcription of story in an email \"Secret Quilt Code on Exhibit until 10/6,\" 2012; and September 2012 issue of Underground Railroad Free Press.\" Mini-grant for UGRR quilts materials, 2013.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eUnderground Railroad: Official National Park Handbook\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eIncludes manuscripts and publications for books; plays and reenactor monologues; short stories; magazine and scholarly articles; and other forms of writing in both print and handwriting. Five subseries encompass the various genres of her writing. Also includes background and research materials for the subjects for her writings, both fiction and non-fiction.\u003c/p\u003e","\u003cp\u003eIncludes research materials for topics of articles. Subjects and formats treated are: encyclopedia entries in the biographical dictionary African American Architects; drafts and final versions of entries for both people and institutions for the West Virginia Encyclopedia; drafts and final versions of articles about Molly Gabe and Carter G. Woodson for Appalachian Heritage; newspaper articles for the Charleston (WV) Gazette Mail and Village Neighbors (FL) on a number of topics including George Wesley Atkinson, 10th governor of West Virginia, but especially for Black History Month and its founder Carter G. Woodson; Goldenseal articles about a Civilian Conservation Corps (CCC) camp, Jessie Moon Thomas, Edward Greer, the Charleston Women's Improvement League, Memphis Tennessee Garrison, and West Virginia's Tuskegee Airmen; contribution to a symposium on diversity and change for Appalachian youth; and a study guide for a Charleston, WV, performance of Zora Neale Hurston's Spunk.\u003c/p\u003e","\u003cp\u003eArticles by Ancella Bickley from the \u003cemph render=\"italic\"\u003eGoldenseal Magazine\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence regarding use of the Goldenseal article \"Camp War: Remembering CCC Company 3538-C\" in an online education guide by the WV State Museum.\u003c/p\u003e","\u003cp\u003eAnnotated manuscript and research notes for Goldenseal article \"Education and Activism in Gary: a Visit with Jessie Moon Thomas.\" Correspondence with Mrs. Thomas including notes on the Froe and Moon families.\u003c/p\u003e","\u003cp\u003eIssue of the journal \u003cemph render=\"italic\"\u003eAppalachian Heritage \u003c/emph\u003econtaining AB article \"Profiles: Mollie Gabe\" by Ancilla \u003cemph render=\"italic\"\u003e[sic] \u003c/emph\u003eBickley.\u003c/p\u003e","\u003cp\u003e\"Remembering Carter G. Woodson, the 'Father of Black History'\" in \u003cemph render=\"italic\"\u003eVillage Neighbors\u003c/emph\u003e, [a publication of the Village in Florida where the Bickley's resided.] Typed notes on Carter G. Woodson. Transcription of letter from Bessie Woodson Yancey, CGW's sister, including text of the poem \"If You Live in West Virginia.\" CGW black history quiz prepared for the Spicy Ladies meeting.\u003c/p\u003e","\u003cp\u003eTyped text of autobiographical musings about friendship: likens travel in the south in 1952 to the Underground Railroad travel; and includes details about the move to Morgantown in 1966.\u003c/p\u003e","\u003cp\u003eCorrespondence with \u003cemph render=\"italic\"\u003eGoldenseal\u003c/emph\u003e regarding \"Edward Greer: First Black General from West Virginia\" and potential story about 1939 black student strike in Piedmont, WV. Manuscripts for Greer article.\u003c/p\u003e","\u003cp\u003eCorrespondence and drafts of a \u003cemph render=\"italic\"\u003eGoldenseal\u003c/emph\u003e article \"Lifting as We Climb\" about the Charleston Woman's Improvement League. Research materials including facsimiles of photographs. Newspaper article about Judge Irene Berger, McDowell County.\u003c/p\u003e","\u003cp\u003eResearch materials on Carl Eugene Barnett and Robert Edward Lee Washington for entries in \u003cemph render=\"italic\"\u003eAfrican American Architects: A Biographical Dictionary, 1865-1945\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eSpiral bound program for\u003cemph render=\"italic\"\u003e A Different World: Symposium on Diversity, Change, and Appalachian Youth,\u003c/emph\u003e 2006, where Bickley was a panelist.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eAppalachian Heritage\u003c/emph\u003e, Summer 2008, which includes \"Carter G. Woodson: the West Virginia Connection\" by Ancella Bickley\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eAppalachian Heritage\u003c/emph\u003e, Special Issue: Blacks in Appalachia, 1991, which includes Bickley's \"Molly Gabe\" in the Profiles section.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eGoldenseal\u003c/emph\u003e, Winter 2011, containing AB's article \"General Edward Greer: West Virginia's First Black General.\"\u003c/p\u003e","\u003cp\u003eCorrespondence with Dreck S. Wilson re: contribution to the book \u003cemph render=\"italic\"\u003eBiographical Dictionary of African-American Architects, 1865-1945.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eResearch materials about George Wesley Atkinson, tenth governor of WV who attended Howard University. Paper titled \"West Virginia's Tenth Governor and the Black Community\" and newspaper article by AB.\u003c/p\u003e","\u003cp\u003eResearch materials re: the West Virginia Colored Orphans Home. Newspaper article written by AB. Testimonial for Fannie Cobb Carter. Research notes. Facsimiles of photos. Transcript of interview with Araminta Miller Justice. AB's paper about the Home.\u003c/p\u003e","\u003cp\u003eManuscript drafts and final versions for entries in the West Virginia Encyclopedia. Materials from West Virginia Humanities Council meetings re: the format and content of the Encyclopedia\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eAppalachian Heritage, Special Issue: Blacks in Appalachia, \u003c/emph\u003eFall 1991, with article by AB in the Profiles Section on Mollie Gabe.\u003c/p\u003e","\u003cp\u003eMusings written to friends, 1996. Clipping of \"Commentary: Capable of Thinking, Working…and Paying Her Own Bills,\" 1979, Ancella Bickley Jr.\u003c/p\u003e","\u003cp\u003eProcessor-created bibliography of Ancella Bickley's writings\u003c/p\u003e","\u003cp\u003eIncludes books written, complied, or edited by Bickley, and background research materials and drafts of manuscripts. Books Bickley wrote include: a children's book, \u003cemph render=\"italic\"\u003e LuJay, No-Name, and the Parrot\u003c/emph\u003e, also titled \u003cemph render=\"italic\"\u003eLucia Jean, No Name, and the Parrot\u003c/emph\u003e ; \u003cemph render=\"italic\"\u003e …to be black in fayette\u003c/emph\u003e [sic]; \u003cemph render=\"italic\"\u003e History of the West Virginia State Teacher's Association\u003c/emph\u003e; and \u003cemph render=\"italic\"\u003e In Spite of Obstacles: a History of the West Virginia Schools for Colored Deaf and Blind\u003c/emph\u003e. Books edited by Bickley include: \u003cemph render=\"italic\"\u003eHonoring Our Past: Proceedings of the First Two Conferences on West Virginia's Black History\u003c/emph\u003e; \u003cemph render=\"italic\"\u003eMemphis Tennessee Garrison: the Remarkable Story of a Black Appalachian Woman\u003c/emph\u003e; and \u003cemph render=\"italic\"\u003e Our Mount Vernons: Historic Register Listing of Sites Significant to the Black History of West Virginia\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eTyped manuscripts, 1-14 parts, of 1968 oral history interview with Garrison by Bernard Cleveland, with AB notes and Post-it-Note tabs.\u003c/p\u003e","\u003cp\u003eDraft of book introduction; correspondence; photos and negatives for book: MTG and family, Gary WV, mining, Edward O'Toole, facsimiles of photos. Facsimiles of William Garrison's obituary, letter of condolence from Agatha S. Lowe. Program for MTG celebration at Marshall. Personal notes of congratulations on book. Photograph permissions. Facsimile of deed for MTG's grandfather's property, Hollins, VA.\u003c/p\u003e","\u003cp\u003e\"The Charleston Stage Company's Study Guide for George C. Wolfe's Adaptation of Zora Neale Hurston's \u003cemph render=\"italic\"\u003eSpunk\u003c/emph\u003e\"\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eHonoring Our Past: Proceedings of the First Two Conferences on West Virginia's Black History\u003c/emph\u003e edited by Joe William Trotter, Jr. and Ancella Bickley\u003c/p\u003e","\u003cp\u003eText and illustrations for [children's] book \u003cemph render=\"italic\"\u003eLucia Jean, No Name, and the Parrot\u003c/emph\u003e as told to Ancella. Original illustrations by S. Ross Browne.\u003c/p\u003e","\u003cp\u003eManuscript for \"Papers from the Conference on West Virginia's Black History, Marshall University, Huntington, West Virginia, September 1991\" Facsimile of a book chapter \"Negro Education and Integration.\" Facsimile of photograph of students at Weston Colored School.\u003c/p\u003e","\u003cp\u003eSpiral bound \u003cemph render=\"italic\"\u003eThe Gathering\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eOur Mount Vernons: Historic Register Listings of Sites Significant to the Black History of West Virginia\u003c/emph\u003e edited by Ancella R. Bickley.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eHistory of the West Virginia State Teachers' Association\u003c/emph\u003e by Ancella R. Bickley; program for The Carter G. Woodson Memorial Foundation, Inc. annual banquet, 2006; research notes on \u003cemph render=\"italic\"\u003eHistory of Negro Secondary Education in McDowell County, WV.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eIn Spite of Obstacles: a History of the West Virginia Schools for the Colored Deaf and Blind, 1926-1955\u003c/emph\u003e by Ancella Bickley.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eMemphis Tennessee Garrison: the Remarkable Story of a Black Appalachian Woman\u003c/emph\u003e edited by Ancella R. Bickley and Lynda Ann Ewen.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eOur Mount Vernons: Historic Register Listings of Sites Significant to the Black History of West Virginia\u003c/emph\u003e edited by Ancella R. Bickley. Program for Second Baptist Church in Fayetteville, 1993\u003c/p\u003e","\u003cp\u003eManuscript for \u003cemph render=\"italic\"\u003e…to be black in fayette\u003c/emph\u003e written and compiled by Ancella R. Bickley for The Centennial Committee of the Second Baptist Church of Fayetteville, West Virginia, and The Fayette County Black Caucus.\u003c/p\u003e","\u003cp\u003ePermissions to publish papers in \u003cemph render=\"italic\"\u003eHonoring Our Past: Procedures of the First Two Conferences on West Virginia's Black History\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eCorrespondence with Joe William Trotter. Research notes. Materials relating to the Second Annual Conference on West Virginia's Black History and a paper on James McHenry Jones. Trotter's syllabus for a seminar \"The Afro-American Experience.\" \"Blacks in West Virginia: A Critique of the Secondary Literature and Survey of Primary Sources\" by Joe W. Trotter.\u003c/p\u003e","\u003cp\u003eGalley proof of the children's book, \u003cemph render=\"italic\"\u003eLuJay, No-Name, and the Parrot \u003c/emph\u003eby Ancella R Bickley, illustrated by S. Ross Browne. Handwritten list of names.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003e…to be black in fayette\u003c/emph\u003e written and compiled by Ancella R. Bickley for The Centennial Committee of the Second Baptist Church of Fayetteville, West Virginia and The Fayette County Black Caucus.\u003c/p\u003e","\u003cp\u003eIncludes full plays, skits, and historical interpreter scripts depicting characters such as: Ester from the Bible; West Virginia men and women such as Molly Gabe from Braxton County; Deborah Lacks Pullum, daughter of Henrietta Lacks; and many more. Includes manuscripts for a collaboration with Maureen Crocket in writing \"Tangled Threads: a Three Act Play\" and other plays. For \"Two Saint Say,\" a play performed at the Central Florida Community College, materials include an audition announcement, program, newspaper clipping, and correspondence. Also included is a newspaper clipping and details about Bickley's winning the Florida Senior Playwright Festival contest with \"Wade in the Water.\"\u003c/p\u003e","\u003cp\u003eNewspaper article about the play \u003cemph render=\"italic\"\u003eTwo Saint Say\u003c/emph\u003e and its performance.\u003c/p\u003e","\u003cp\u003e\"Historical Information Re: Milly, Enslaved Black Woman on Whom the Character, OAGE, in \u003cemph render=\"italic\"\u003eToussaint Say\u003c/emph\u003e Is Based\" Handwritten research notes.\u003c/p\u003e","\u003cp\u003eManuscript for \"Wade in the Water: a Play in One Act\" by Ancella R. Bickley. Correspondence regarding performance.\u003c/p\u003e","\u003cp\u003eManuscripts and notes for \"Mother Love: a Three Act Play\" by Ancella Bickley and Maureen Crockett. Annotated text.\u003c/p\u003e","\u003cp\u003eProgram for performance of \u003cemph render=\"italic\"\u003eTwo Saint Say\u003c/emph\u003e at the Central Florida Community College, February-March, [2008] Print of online article from the \u003cemph render=\"italic\"\u003eOcala Star Banner\u003c/emph\u003e added by processor.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eTwo Saint Say\u003c/emph\u003e and AB typed comments\u003c/p\u003e","\u003cp\u003eAnnotated \"In the Name of Woman.\" Facsimile of pages from 1909 court docket book, County of Allegheny (PA) and court case upon which the play is based.\u003c/p\u003e","\u003cp\u003eCorrespondence with Maureen 'Bunny' Crockett and Bobbi (bjslake@comcast.net) regarding changes to the play \u003cemph render=\"italic\"\u003eTangled Threads\u003c/emph\u003e. Typed pages with annotations regarding black history. \"Mother Love: a Three Act Play\" by Ancella Bickley and Maureen Crockett.\u003c/p\u003e","\u003cp\u003eNewspaper clipping for \"Villager's Work Winds Playwright Contest.\"\" Congratulatory email for selection of \u003cemph render=\"italic\"\u003eWade in the Water\u003c/emph\u003e for the Florida Senior Playwright Festival. Email commenting on inspiration for various plays. Lyrics for the spiritual \"Wade in the Water.\"\u003c/p\u003e","\u003cp\u003eScripts for historical interpreters for Deborah Lacks Pullum, Henrietta Lacks' daughter; and Henrietta Lacks. \"It Ain't Her: a One Act Play.\" Script for historical interpreter for Ona \"Oney\" Judge; Robert Smalls, 1839-1915; Callie House; and Percy Julian. Research notes on Dr. James Marion Sims and other projects. Program for WVU Honors College Symposium \"With a Torch in Their Souls: African Americans in the Civil War\"\u003c/p\u003e","\u003cp\u003eScript for historical interpreter for Charles Hamilton Houston presented for the African-American Club, 2011; Gabriel; and Henrietta Lacks.\u003c/p\u003e","\u003cp\u003eResearch notes. Text of play \"And Further She Sayeth Naught.\" Text of play \"Heritage: an Historical Drama in Three Acts\" by Ancella Bickley and Maureen Crockett.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eTwo Saint Say: A Play in Two Acts\u003c/emph\u003e. Auditions announcement. Correspondence regarding the production. Proposal to produce the play from the director Bobbi Jordan.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding Megan Forrest, actress. Double sided card featuring photos of Ms. Forrest and a brief overview of future endeavors.\u003c/p\u003e","\u003cp\u003eBrief plays regarding voting issues including: lack of attention to candidates and issues, campaign spending, voter assistance, pay for voting, etc. Unidentified group photograph. Handwritten dialog.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eTwo Saint Say: a Play in Two Acts \u003c/emph\u003e[performed at] Central Florida Community College, Ocala, Florida, February 29-March 1, 2008.\u003c/p\u003e","\u003cp\u003eSubmission form for \u003cemph render=\"italic\"\u003eWade in the Wate\u003c/emph\u003er for the Florida Senior Playwright Festival. Manuscript for Wade in the Water. Email update for Festival.\u003c/p\u003e","\u003cp\u003eManuscript for \"The Crossing,\" a play. Photocopied page regarding Mollie Gabe and her time in Braxton County.\u003c/p\u003e","\u003cp\u003eTyped manuscript for a play \u003cemph render=\"italic\"\u003eTangled Threads\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003e\"On This Rock,\" a play; one annotated. Handwritten notes on \"A Last Right\" and \"A Good Christian Woman.\" Recommended edits to Bickley's writing? Short stories, \"The User\" and \"Feelin' the Heat\" by Charles Lloyd.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eTraditions: A Journal of West Virginia Folk Culture and Educational Awareness\u003c/emph\u003e, 1996, which includes Bickley's \"The Baby Catcher\"\u003c/p\u003e","\u003cp\u003eSpiral bound \u003cemph render=\"italic\"\u003eTwo Saint Say: a Play in Two Acts\u003c/emph\u003e by Ancella Bickley\u003c/p\u003e","\u003cp\u003eResearch and performance notes for \u003cemph render=\"italic\"\u003eTangled Threads: A Three Act Play\u003c/emph\u003e by Ancella R. Bickley and Maureen Crockett. Lists of guests who read parts, 2014. Comments from readers.\u003c/p\u003e","\u003cp\u003eAnnotated \u003cemph render=\"italic\"\u003eTangled Threads\u003c/emph\u003e, 2008.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eTangled Threads\u003c/emph\u003e labeled \"Work Copy\"\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eTangled Threads\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eAnnotated \"I-John,\" a play.\u003c/p\u003e","\u003cp\u003eTable of contents for Skit of Ester, 2010. Web page re: Esther. Typed page re: Haman, Mordecai, and Esther. Chapter summaries. Typed paper about Queen Vashti. Two typewritten pages from larger document. Letter to Jerome re: return of skit manuscript. Letter to Jerome re: transmittal of skit text and masks for players. Handwritten, not AB's handwriting, notes. Three \"masks,\" made from paper fans, and for 6 characters.\u003c/p\u003e","\u003cp\u003eIncludes manuscripts and edited manuscripts for many stories and a collection of short stories, \u003cemph render=\"italic\"\u003eTurn Left at the Desert\u003c/emph\u003e . Bickley's stories are mostly historical character studies and include themes such as faith and community. One highlight is a critical review of Bickley's short story \"Martha,\" a part of the anthology \u003cemph render=\"italic\"\u003eAppalachian Love Stories\u003c/emph\u003e .\u003c/p\u003e","\u003cp\u003eManuscripts: \"Gabe,\" \"Turn Left at the Desert: Verbal 'Snapshots' from a Black Community\" contents, \"Jones,\" \"The Church on the Corner,\" and \"Sister Angelica.\"\u003c/p\u003e","\u003cp\u003eAnnotated story manuscripts. \"'Jones': Manuscript Submitted for Workshop, Women Writers Conference\" and reviewed by Faith [Holsart?]\u003c/p\u003e","\u003cp\u003eAnnotated manuscript for the story \"On This Rock;\" the play \u003cemph render=\"italic\"\u003eTangled Threads\u003c/emph\u003e; and the story \"It Ain't Her\"\u003c/p\u003e","\u003cp\u003eCorrespondence regarding writing critiques. Text of \"Mr. Adams,\" \"The Church on the Corner,\" \"Gabe,\" \"Angie's Uncle Robert,\" three versions of \"Mr. Abe Jackson,\" \"The Battle of the Bottle,\" \"DoeDoe,\" \"Addie,\" \"Lesey, Who Was Black, But Comely,\" \"The Lavender Hat,\" and \"A Day in the Park.\" AB commentary on stories.\u003c/p\u003e","\u003cp\u003eReview of \"Martha.\" Text of \"Martha.\"\u003c/p\u003e","\u003cp\u003eManuscripts and notes for \"It Ain't Her,\" \"Belli: 'Momma Raised Me Up Special',\" The Battle of the Bottle,\" \"Bertha,\" \"Friends,\" and \"Martha.\"\u003c/p\u003e","\u003cp\u003eManuscript for stories for Turn Left at the Desert\u003c/p\u003e","\u003cp\u003eManuscript for stories for Turn Left at the Desert: \"It Ain't Her,\" \"Hush Now, Child\"\u003c/p\u003e","\u003cp\u003eExcerpt from a review of AB's story, [\"Martha\"], in \u003cemph render=\"italic\"\u003eAppalachian Love Stories\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eShort stories for \u003cemph render=\"italic\"\u003eTurn Left at the Desert.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eAnnotated manuscript for \"Bertha,\" a short story.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eAppalachian Love Stories\u003c/emph\u003e compiled and edited by James M. Gifford, Edwina Pendarvis; includes \"Martha\" by Ancella Bickley.\u003c/p\u003e","\u003cp\u003eParts of \u003cemph render=\"italic\"\u003eTurn Left at the Desert: Verbal \"Snapshots\" from a Black Community.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eHandwritten beginning of a story\u003c/p\u003e","\u003cp\u003eHandwritten pieces of writing\u003c/p\u003e","\u003cp\u003eTypewritten contents for \"Turn Left at the Desert: Verbal 'Snapshots' from a Black Community\"\u003c/p\u003e","\u003cp\u003eTyped manuscripts for various short stories.\u003c/p\u003e","\u003cp\u003eBickley was a prolific speaker; speeches cover a wide range of topics including faith, WV black history, black history and pride, West Virginia State College, education, black literature, and more. The majority of the speeches are typewritten.\u003c/p\u003e","\u003cp\u003eProgram for \"Mending an Era: a Slave Ship Speaks: the Wreck of the Henrietta Marie.\" Typed text, pages 6-7, of a speech (?) about slaves, Anderson Radford, Cassie Thomas Carter, and MTG's mother.\u003c/p\u003e","\u003cp\u003eText of 2 speeches about Alice Walker's novel \u003cemph render=\"italic\"\u003eThe Color Purple: \u003c/emph\u003e\"The Uses of Literature: 1984 \u0026amp; The Color Purple, Panel Discussion at the Tenth Anniversary Program of the Virginia Foundation for the Humanities,\" September, 1984; and one at Richard Bland Community College, October 7, 1985. Research notes on \u003cemph render=\"italic\"\u003eThe Color Purple\u003c/emph\u003e. Research notes on Alice Walker's short stories \"1955\" and \"In Love and Trouble\"\u003c/p\u003e","\u003cp\u003eCorrespondence, schedule, lecture series program with AB's lecture on the Underground Railroad. Typed notes from Guyandotte presentation 11/9/91, and the Guyandotte Civil War Days. Program for Guyandotte Civil War Days, October 12-November 4, 1992 with listing of AB lecture \"Local Black Settlement.\" List of sources by Alan Gould, Marshall University. Invitation to present at the 1993 Civil War Days.\u003c/p\u003e","\u003cp\u003eT\u003cemph render=\"italic\"\u003ehe West Virginia and Regional History Collection Newsletter\u003c/emph\u003e, Summer 1989, which includes a speech by AB at an education in WV forum.\u003c/p\u003e","\u003cp\u003eAnnotated text of a speech by both AB and NB about their time at WVU. WVU program \"A Celebration: Integration of Sports on the WVU Campus\" Correspondence with Dana Brooks regarding participation\u003c/p\u003e","\u003cp\u003eArticle regarding speech about \u003cemph render=\"italic\"\u003eThe Color Purple\u003c/emph\u003e at the West Virginia Alliance for Women's Studies meeting. Text of paper \"Black Education in WV\" read at WVU 6/20/89 for West Virginia Day.\u003c/p\u003e","\u003cp\u003eText of speech about black history in West Virginia and after-dinner remarks regarding social history. Email, travel itinerary, newspaper clipping, and correspondence.\u003c/p\u003e","\u003cp\u003ePaper about the slave ship Amistad.\u003c/p\u003e","\u003cp\u003eText of speech re: the Underground Railroad. Newspaper article re: decree of freedom from slavery 150 years after.\u003c/p\u003e","\u003cp\u003eHandwritten speech to Mo So Lit Club in McDowell County regarding the history of education of blacks, April 1983. WVSC Fall Convocation program, September 8, 1983; two texts of AB's welcome.\u003c/p\u003e","\u003cp\u003eHandwritten poem \"Scamp\" [by Paul Laurence Dunbar]. Two handwritten speeches to the WVSC student government regarding importance of citizenship and service, and the history of WVSC. Invitation to speak to the Student Government Association, April 16, 1982. Newspaper article about black newspapers. Program for the Student Government Association Annual Inauguration Dinner, April 13, 1980. Speech for the Honors Convocation, 1985. \"Remarks prepared for State Senator Marie Redd for Blk History Month-2/4/99\" regarding black history and WV black history.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding invitation to speak at the West Virginia State Baptist Convention. WVSC new student orientation schedule with remarks scheduled for AB. Text of speech, 1984 and 1985, including a brief history of WVSC and Institute.\u003c/p\u003e","\u003cp\u003eFirst page of WVSC Honors Convocation Speech\u003c/p\u003e","\u003cp\u003eProgram for \"Building Leadership for Educational Excellence: NEA Mid-Atlantic Regional Leadership Conference, November 1-3, 1985 - Greenbrier Hotel, White Sulphur Springs, West Virginia.\" Annotated text of speech \"A Response to the New Right's Agenda for Public Education.\" Other speeches regarding education\u003c/p\u003e","\u003cp\u003eAnnotated text, some handwritten, of speech to the Mo So Lit Club, McDowell County, WV. Program for The Matrons and Maids Social and Literary Club (Ma-So-Lit), 50th Anniversary, April 17, 1983. Program and text of introduction of Ethel O. Davie for the WVSC Graduate Dinner, 1984.\u003c/p\u003e","\u003cp\u003eProgram and text of speech for \"Rewriting History\" panel at the \"Premonitions and Perspectives from 1984: Has the Orwellian World Arrived?\" Wisconsin Intellectual Freedom 6th Annual Conference in Milwaukee, March 1-3, 1984. Program, including full text of AB's speech for a panel on \"Perspectives on Censorship: A Discussion\" at the Twenty-First Annual NEA Conference on Human and Civil Rights in Education, February 25-27, 1983. Correspondence regarding invitations to speak at these conferences.\u003c/p\u003e","\u003cp\u003eA speech about \u003cemph render=\"italic\"\u003eThe Color Purple\u003c/emph\u003e possibly delivered at a Virginia Humanities Conference.\u003c/p\u003e","\u003cp\u003eText of speech for WVSC Convocation and an outline of speech to women students.\u003c/p\u003e","\u003cp\u003eSpeeches about Carter G. Woodson, WV black history, her life and experiences, and MLK Day.\u003c/p\u003e","\u003cp\u003eSpeeches about WV black history, historical research, community service, her life and experiences, importance of black organizations, her faith, black women, race, and black education. Programs from presentations at churches. Letter confirming appointment to the Danforth Associate Program.\u003c/p\u003e","\u003cp\u003eSpeeches about black education; being a role model; leadership; church missionary work; Martin Luther King, Jr.; taking control; the college experience; community service; honoring Alan Gould; Our Mount Vernons; and black history. Corresponence re: speaking at churches.\u003c/p\u003e","\u003cp\u003eSpeeches about Black History Month; civil rights; Kwanzaa; women's rights; Martin Luther King, Jr.; the Underground Railroad; MTG; The Color Purple; black culture; Alice Walker; Carter G. Woodson; and WV black history.\u003c/p\u003e","\u003cp\u003eSlides for WV black history speech. Research materials on WV black institutions. First two pages of speech. Handwritten text on various institutions.\u003c/p\u003e","\u003cp\u003e\"Go with God: Remembering All of Us…,\" Commencement address at MU, 1990. Photograph of unidentified black men singing in church. The program for the 1975 NCTE Spring Institutes: \"Teaching Minority Literatures at All Levels.\"\u003c/p\u003e","\u003cp\u003eText of speech, one annotated, about \u003cemph render=\"italic\"\u003eThe Color Purple\u003c/emph\u003e for the Virginia Foundation for the Humanities; handwritten notes.\u003c/p\u003e","\u003cp\u003eText of two speeches about black culture with notes for accompanying slides. Note from Charles Davis. Langston Hughes poem with Alex Haley autograph. [No slides in file.]\u003c/p\u003e","\u003cp\u003eBooklet presented to AB after she made a speech for the Army Corps of Engineers in Huntington.\u003c/p\u003e","\u003cp\u003eCorrespondence with NEA re: participation in panel \"Perspectives on Censorship: A Discussion.\" Handwritten speech on censoring literature by blacks and women in the context of the Kanawha County textbook controversy.\u003c/p\u003e","\u003cp\u003eBackground materials, correspondence, and text of speech \"Multiculturalism in West Virginia\" at the Governor's Honors Academy.\u003c/p\u003e","\u003cp\u003eNewspaper clipping about AB Commencement address at Marshall University, 1990. \"And Further She Sayeth Naught: a Play in Three Acts\" by Maureen \"Bunny\" Crocket and Ancella Bickley. [Speech] re: education in WV.\u003c/p\u003e","\u003cp\u003eText of speech about Martha Toler Spencer. Outline for [speech] about black women. Handwritten text of speech in Virginia, Longwood College, about black women. Notes.\u003c/p\u003e","\u003cp\u003e\"Go with God: Remember All of Us\" AB's commencement address at MU, 1994.\u003c/p\u003e","\u003cp\u003eTyped text of speech for the National Education Association.\u003c/p\u003e","\u003cp\u003eEdited paper about the mission of West Virginia State College and changes for the future.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope 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Contents"],"scopecontent_tesim":["This collection documents the research, public service, and life of Ancella Bickley, writer, educator, speaker, and historian. Includes writings, research materials, and more, focusing on the history of African Americans in West Virginia and the black experience in West Virginia. Collected research materials are predominantly facsimiles. Printed formats include correspondence, clippings, interview transcripts, typescript writings, publications, pamphlets, ephemera, speeches, articles, military records, and more. Other formats include photographs, slides, and audiocassettes. ","Subjects include Dr. Bickley's writings, which include plays, speeches, and short stories as well as her historical books, articles and other publications; collected materials from Dr. Bickley's historical research on the history of African Americans in West Virginia; and personal papers. Her research materials include papers grouped sometimes by county, sometimes by individual, sometimes by subject. Subjects of her research include slavery, education, churches, biography and genealogy, literature, and more. Specific subjects include the Underground Railroad, James McHenry Jones, genealogy, Carter G. Woodson, Mollie Gabe, West Virginia Colored Institute/West Virginia State College, John W. Davis, black high schools, school integration, and more. Counties and their cities with specific focus include Cabell, Kanawha, and Jefferson. Some documents treating slavery and the Underground Railroad include Ohio from which Cabell County blacks, including Bickley's ancestors, migrated.","Colleagues with whom she corresponded include Judith Stitzel, Nelson Barnett, Maureen Crockett (with whom she co-wrote at least one play), and many more. Of significance is correspondence between Carter G. Woodson and his sister, Bessie Woodson Yancey; and letters and a signed photo from Alex Haley. ","Writings, research background, and drafts of Dr. Bickley's works found within the collection include: Memphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman , \"Midwifery in West Virginia\" (1990), Honoring our Past: Proceedings of the First Two Conferences on West Virginia's Black History , History of the West Virginia State Teachers' Association (1979), In Spite of Obstacles: a History of the West Virginia Schools for the Colored Deaf and Blind, 1926-1955 , Our Mount Vernons: historic register listings of sites significant to the Black history of West Virginia , a short story collection \"Turn Left at the Desert,\" ... to be black in Fayette , and plays: Two Saint Say , Mother Love , Tangled Threads (with Maureen Crockett), Wade in the Water , and seven Goldenseal articles. \nGrant applications and other documents pertaining to her work with the Humanities Council of West Virginia are included in the collection. Other documents describe her work with the Kanawha County Board of Education, EcoTheater, Berea College's Black Mountain Youth Leadership program, and various professional organizations. \nPersonal papers include material about her husband Nelson R. Bickley and his military career, diplomas, transcripts, photographs of a party she held, and more. ","Addendum of 2017/02/09 (boxes 11 and 12) includes papers of Dr. Ancella R. Bickley, with a few papers of her daughter Ancella Livers. Formats include interview transcripts, correspondence, clippings, typescript writings, publications, cassettes, and more. Most of these materials are transcripts of oral histories pertaining to a collaborative project undertaken by Dr. Bickley and Dr. Rita Wicks-Nelson about black teachers and their memories of school integration in West Virginia in affiliation with the Center for the Study of Ethnicity and Gender in Appalachia at Marshall University.","Abbreviations used in the Contents List: \nAB - Ancella Bickley \nWVSC - West Virginia State College \nNB - Nelson Bickley \nMTG - Memphis Tennessee Garrison \nJMJ - J. McHenry Jones \nNEA - National Education Association \nNCTE - National Council of Teachers of English \nMo So Lit Club - Matrons and Maids Social and Literary Club, McDowell County, WV \nUGRR - Underground Railroad \nMU - Marshall University \nWVU - West Virginia University \nCGW - Carter G. Woodson \nRW-N - Rita Wicks-Nelson","Includes civic and academic awards and honors, as well as academic milestones such as graduation and Bickley's dissertation. This series includes materials on the celebration of Bickley's retirement from West Virginia State College.","Correspondence from Marshall University regarding AB's commencement address and honorary doctorate; notes of congratulations. Guest list. Photographs of AB delivering address and with others including Soupy Sales. Letter to editor regarding racism of highlighting photograph of Soupy Sales wiping a tear during AB's speech; newspaper clippings. Commencement program. AB's speech.","Honorary Doctorate","Army Commendation Medal (Second Oak Leaf Cluster). AB's Delta Sigma Rho-Tau Kappa Alpha, Hampton Institute, initiation certificate, May 1976","Attendance, reading, scholarships, and other certificates from elementary through college","AB transcript, 1951, from MU. Transcript, WVSC.","Program for the Fourteenth Annual NEA Human and Civil Rights Awards, 1980, when AB won The Carter G. Woodson Memorial Award. Correspondence regarding the award including 2 letters from John W. Davis.","Photograph of WVSC President Thomas Cole and Ancella Bickley at her retirement; labeled \"West Virginia State College, Commencement, May 17, 1986.\"","Master of Arts degree confirmation from Marshall University","Doctor of Education degree confirmation from West Virginia University","Certificate of Appreciation from the Kiwanis Club of Huntington","Note from WVU professor Armand [Singer] regarding missing retirement celebration","Newspaper clipping re: CGW. Photographs of AB and others after a speaking engagement in Fayette County. Service Award certificate from WVSC.","Letter from Maureen Crocket to the Director of the Appalachian Festival re: Tangled Threads. Letter of recommendation from AB for Dr. Elaine Ginsberg. \"Remarks Made upon the Presentation of the 1988 Humanities Award to Ancella Radford Bickley\" by Judith Stitzel. Letter of recommendation for Dr. Bernard L. Allen for the WVU Claude Worthington Benedum Distinguished Scholar Award. Congratulatory letter for appointment [at WVSC]. Request for letter of recommendation from Marc E. Washington at MU; confirmation of receipt of letter. Request for recommendation for Elaine Ginsberg, Trinity University; verification of receipt of letter. Letter of congratulations on retirement from George Parkinson; letter of regrets from Lawrence H. Talley, West Liberty.","Materials re: WV NAACP Harpers Ferry NHP, 1994, including photographs and text of speech. Congratulatory letter for receiving the Distinguished West Virginian Award, 1986. Thank you for copy of Honoring Our Past, 1992. Many other letters and notes re: service and speeches. Request to speak at the New Employment for Women Information \u0026 Referral Center in Logan about black history. Letter from Gaston Caperton, Governor, re: appointment to the Archives and History Commission, 1991. Thank you letter for contribution to Chandler Third Base, 1992. Certificate of recognition for Outstanding Service in Support of 1993 Douglass High School Reunion. Thank you for participating in the United Way Youth Advisory Council's Youth Forum, 1993. Thank you letter re: speech at naturalized citizens ceremony from John T. Copenhaver, 1992. Certificate of appreciation and other materials including a photo re: \"Read to Me\" Day, 1999. Newspaper article re: writing about the West Virginia Schools for the Colored Deaf and Blind and cards of congratulations. Kanawha County Schools Certificate of Recognition and Appreciation, 1991.","Letter of acknowledgement to deliver commencement address and receive an honorary doctorate at MU, 1990. Newspaper clipping and tribute to Minnie Wayne Cooper, 1989. Thank you letter to Matthew Kinsolving, Kanawha County Board of Education, for plaque, 1989. Typed text of \"Remarks Made upon the Presentation of the 1988 Humanities Award to Ancella Radford Bickley.\" Newspaper clipping and congratulatory letter re: WVSC Alumna of the Year, 1988. Letter withdrawing candidacy for the Kanawha County Board of Education, 1988. Thank you letter for receiving the Humanities Foundation Award, 1988; letter of congratulations from A. James Manchin; and Dee Caperton, House of Representatives. Letter of congratulations from Herman G. Canady, Jr., for appointment to Board of Education, 1988. Program for NAACP, Charleston Branch, Annual Freedom Fund Banquet, 1988, with AB as guest speaker. The Trumpet, West Liberty State College student newspaper, with article about AB's lecture on teaching black literature, November 28, 1973. Program, newspaper clipping, flyer, and certificate of recognition for the National Council of Jewish Women, West Virginia Section, Founder's Day, 1991. Correspondence re: speaking invitations, 1991-2001. Letters of thank you for service: The Huntington Club of Negro Business and Professional Women's Clubs, Inc., 2001; Charleston Mayor, G. Kemp Melton, for Charleston Urban Renewal Authority, 1999; Conference program for \"New Approaches to the Humanities and Lifelong Learning,\" 1988, where AB received award. Newspaper clippings for awards and accomplishments. 1987-1988. Newspaper clipping \"Educator Grim on Blacks' Future\" 1985. Thank you letter from Dee Caperton, House of Delegates, for draft of book about Elizabeth Simpson Drewry, 1987. Congratulatory notes, 1988-2002. Resume, ca. 1988. Text of speech for [receiving WVSC Alumna of the Year award, 1988]","Newspaper clippings, 1994-2002. Congratulatory and thank you letters, 1984-1995. Program for Staff Recall, Federal Prison Camp, Alderson, WV, with AB as guest speaker. Program for Induction Ceremony [sic], Phi Sigma Alpha, WVSC, 1995, when AB gave speech on the UGRR. Program for Carter G. Woodson Memorial Foundation Third Annual Memorial Fundraiser Banquet, 1995, AB speaker. Program for MLK birthday event at the WV School of Osteopathic Medicine where AB spoke, 1994. Resume. Photo of the Berlin Wall, May 1963.","Newspaper clippings, 1984-2002. Congratulatory and thank you letters and certificates, 1975-2002. Program for the Fourteenth Annual NEA Human and Civil Rights Awards dinner, 1980, when AB received The Carter G. Woodson Memorial Award. Program for Academy Cultural Awareness Committee Black History Month Program, 2002, where AB presented about MTG. Invitation to reception for Oliver W. Hill Freedom Fighter Award of the Virginia State Conference NAACP, 1999, and invitation to recognition event at the U.S. Capitol. Program for St. Anthony Church and School Community Education Awards where AB received the Gregory Loebach Award, 2002. Text of speech and program for West Virginia's African-American Women of Distinction book introduction by the West Virginia Women's Commission, 2002. Program for The Education Alliance Graduates of Distinction, AB recipient, 2002; text of speech; newspaper clipping; correspondence.","Newspaper clippings, ca. 1972-2002. Congratulatory and thank you letters, certificates and other recognitions, 1975 -2002. Letter of receipt for items given to the West Virginia State College/West Virginia Black Heritage Collection, 1987. Personal note, 3/26/80, discussing various contributions to education. Photograph of AB. Program for The National Association of Negro Business and Professional Women's Clubs banquet and candlelight rededication services, 1988, where AB was the guest speaker. Program for Berkeley County Diversity Committee \"Town Meeting\" with AB conducting interactive workshops at schools, 2002. Program and sketch of AB for [her retirement] 1986. Program for PCC lecture series \"The West Virginia Experience,\" [ca. 1985]. State of WV Teaching Certificate, 1960-1965. Letter of acceptance by NB for offer of teaching positions at WVSC for both NB and AB, 1972. Letter offering employment at WVSC as Associate Professor of English, 1972. Letter to NB offering WVSC position of Director of Guidance and Placement, 1972. Letters of thanks for AB for retirement and awards, 1986. Notification of nomination for President of WVSC, 1987. Correspondence Re: NCTE Orwell conference, 1984. Notification that tapes of censorship series of programs will be housed at the New York Public Library, 1984. Program for the Danforth Associate Program, 1975, for which AB and NB were program chairs. Program for The Women's Study Club Annual Open House, 1984, when AB was named Woman of the Year. Program for \"African Americans in the Appalachian Coalfields\" at the National Mine Health \u0026 Safety Academy when AB gave a lecture, 2000.","Newspaper clippings, 1989-2000. Congratulatory and thank you letters, invitations to speak, certificates of recognition, 1985-2000. Photograph of Douglass High School Y Teens, ca. 1946, including AB. Newspaper articles re: AB as WVSC's May Queen, 1948. Issue of MU's Greenline: a Publication for Alumni and Friends of Marshall University, May-July 1990, in which AB is recognized as commencement speaker; press release; letters of congratulations. Photograph of AB and others after presentation in Morgantown, 1990. Program for WVSC National Alumni Association William L. Lonesome Alumni Awards Dinner-Dance Honoring Dr. Ancella R. Bickley, Class of 1950, 1988 Alumnus of the Year. Dunbar Rotary Club Newsletter with AB as speaker, 1988. Materials from the Second Annual Conference on West Virginia's Black History, 1989. Letter to the editor of the Charleston Gazette re: black athlete, 1988.","Retirement from WVSC, 1986, materials. Correspondence re: ceremony; letters of congratulations; newspaper clippings; photographs; program; WVSC commencement program with AB as retirement honoree.","AB's doctoral dissertation A Study of the Effects of Teaching a Unit on Black Culture to Classes of Predominantly White High School Students, 1974.","Newspaper clippings for Education Alliance Graduates of Distinction, 2002. Materials pertaining to \"From Our Front Porch: Stories about Charleston's Oldest Neighborhood, The East End\": newspaper insert; outline for Appalachian Studies Association presentation; program for play at Roosevelt Wilson High School; the play. \"Testimony of Ancella Radford Bickley, Independent Scholar from West Virginia, on behalf of The State Humanities Program Regarding FY 1989 Appropriations to the National Endowment for the Humanities before the Appropriations Subcommittee on the Interior of the Senate,\" 1988. Congratulatory letters re: selection to the Kanawha Board of Education. Newspaper clippings. Congratulations re: speech's and performance of play in Florida. Commencement program for WVSC, 1950. Text of AB honors. Newspaper clippings re: her writings. Letter of acknowledgement for participation in reading of the names of lynchings victims program, Virginia State University, 2001. News release re: production of Harvest of Dreams by the Charleston Stage Company, 2000. Correspondence re: appointment to the WVU Board of Advisors, 1989. Certificate of appreciation from the City of Beckley for contributions to black history in WV. Thank you note re: women writers, 1994. Thank you letter from James Tolbert re: participation in Black History Month program at Harper's Ferry. Overview of AB accomplishments [introduction?]. Letter acknowledging participation in Kanawha County Public Library Black History Month events, 1993; abstract of talk; resume. Thank you letter for presentation at a Affirmative Action Committee Meeting, 1994; program; brochure listing black employees. Letter acknowledging intent to speak at the WV School of Osteopathic Medicine re: unsung heroes of the Civil Rights Movement and for MLK Day, 1993. Handwritten note of appreciation for a speech. Handwritten note re: missing speech for Black History Month, with attached newspaper clipping, 1994. 1949 Yellow Jacket article with picture of AB as newspaper staff. Clipping re: AB as keynote speaker for MLK Day celebration, 1991. Letter acknowledging a reading at the College Language Association, 1993. Letter acknowledging agreement to moderate a panel on sexual harassment; flyer for the program. Congratulatory letter for receiving the MU Graduate School Distinguished Alumnus, 1993. Program for \"First Annual Forum and Family Recognition Conference\" from the West Virginia Black Family Coalition, 1992, for which Bickley was a moderator. Correspondence and program for Distinguished Graduate Student Award from MU, 1993. Newspaper clipping about the WVSC presidential inaugural ball including description of AB and NB attire, 1974. Letter from Mary Pearl Compton, WV Delegate, re: Union's Historic District. Handwritten card praising AB as a \"liquid god\" able to move among roles, 1995. Resumes.","Senate Resolution honoring AB and Lynda Ann Ewen, 2002. Certificate of recognition as a West Virginia Hero, 2002. Newspaper clippings, 1990-2002. Correspondence re: lecture at Alderson Broaddus College, 1991. Certificate of recognition from the WV National Organization of Women and two 1991 conference programs. Program for \"African-Americans in the Appalachian Coalfields,\" 2000. Letter acknowledging selection at WVSC Alumnus of the Year, 1988. The Humanities Foundation of West Virginia Award Dinner Program, 1988. Issue of People \u0026 Mountains: a Publication of the West Virginia Humanities Council, Summer 2001, with MTG interview excerpt edited by AB and Lynda Ann Ewen. Congratulatory note re: publication of Memphis Tennessee Garrison; lecture on MTG announcement, 2000. Letter from the Indiana Humanities Council re: placement on \"Always a River\" registry, 1991. Letter from Gov. Gaston Caperton recognizing appointment to the Martin Luther King, Jr. State Holiday Commission, 1989. Acknowledgement letters as a speaker, 1990-1999. Acknowledgement of receipt of Our Mount Vernons from a professor at the University of Texas at El Paso, 1997. \"Book Notes\" section of West Virginia History re: Our Mount Vernons, 1997. Letter of re: reappointment to the WV Archives and History Commission, 1997. Letter re: WV Public Radio's Cultural Diversity Radio Project, 1998. Letter re: Mistress of Ceremony for a poetry contest at WVSC, 1995. Letter acknowledging support of the WV Humanities Council programming, 1995.","Special Commendation from the U.S. Dept. of the Interior, National Park Service, for Significant Contributions to the Underground Railroad Study, 1995.","\"West Virginia: a Film History\" recognition as the Historical Advisor for the film project.","State of West Virginia Distinguished West Virginian award, 1986.","Senate Resolution honoring AB and Lynda Ann Ewen, 2002.","Includes newspaper clippings and writings by Ancella Bickley Livers (also called Cill Jr. or Cill). Also includes material by or about Nelson Bickley, Ancella Bickley's husband and prominent Charleston, West Virginia, lawyer. Formats include articles, awards and honors, military records, speeches, research notes, publications, correspondence, newspaper clippings, and more. Subjects include Nelson Bickley's military and teaching careers, his uncle Carter G. Woodson, and more.","Correspondence with James Harlow, WVU President, regarding tenure at WVU, 1969 and 1972. Army records for Nelson Bickley. Various Army regulations, blank forms, and information flyers. Correspondence and forms from the Veterans Administration. Medical records, 1956-1966","Charleston Gazette/Gazette-Mail newspaper clippings about AB and NB, 1999-2003","Text of NB's speech \"CMA's Link to the Late Carter G. Woodson, the 'Father of Negro History'\" at the Chicago Military Academy, program, and certificate of appreciation.","Text of speech given by NB at East Bank High School to Junior ROTC, regarding the benefits of military service.","Military and scholarship commendations, program from WVSC Commencement, 1948.","Military records for Nelson Bickley including his assignment as an Army ROTC instructor at WVU and difficulty of finding Negro housing. Admission to WVU College of Human Resources and Education.","Folder within 16a containing Army medical records for Nelson Bickley, 1957-1966.","Akron Beacon Journal, December 7, 1982, with article by Ancella Livers which includes brief biography.","\" Brown V. Board of Education in West Virginia\" by Nelson R. Bickley in the West Virginia Law Review , Spring 2005.","Text of speech given by NB at the WVU Law School","Correspondence with Congressman Harley Staggers, James G. Harlow, President of WVU, and others regarding Nelson Bickley's retirement. Other military records.","Invitations to the ROTC Cadet Corps Annual Military Ball and the ROTC Awards Day and Hall of Fame Induction Ceremony, 1982. Program for the ROTC Awards Day Ceremony, May 1, 1981. WVSC student newspaper The Yellow Jacket with an article about the inductees to the ROTC Hall of Fame including NB. Typed text of NB's acceptance speech about his time in the military. Newspaper with an interview with NB and Belva Clark about Carter G. Woodson, 1987. Program and text of NB speech, with AB edits, at WVSC for Veterans Day, 1992. Newspaper article regarding NB induction into the WVSC ROTC Hall of Fame.","Signed letter from Alex Haley to Colonel and Mrs. Nelson Bickley, March 1, 1973, re: the Bickleys' hospitality after a lecture.","Clippings regarding the Bickleys from The Villages Daily Sun (FL) and The Sunday News-Registe r (Wheeling, WV)","Pamphlet \"The Black Student at WVU,\" 1969/70, 1971/72, which include pictures of AB. Program for Lincoln-Douglas Banquet sponsored by Morning Star Baptist Church, February 12, 1977; includes AB as the speaker. Newspaper articles by and about Ancella Bickley, as well as Nelson. Congratulatory letter regarding AB promotion to Vice President for Administration at WVSC, July 9, 1975. Dunbar High School's publication, Kennel, Feb. 23, 1973 and May, 1974.","Letter regarding AB in WVU classroom. Newspaper article about Ancella, daughter of Ancella and Nelson. Dunbar High School's student newspaper, Kennel, Nov. 1972.","Bachelor of Arts degree confirmation from West Virginia State College","Nelson Bickley's Master of Arts degree confirmation from West Virginia University","Nellie Francisco's Bachelor of Arts in Education degree confirmation from West Virginia State College, 1938","Letter from CGW to Bessie Woodson Yancey, CGW's sister, re: funding Joan's education. Text of the poem \"The Forgotten Boys.\" Invitation to the dedication of the Carter G. Wooson School, New Orleans.","Research materials re: Belva Clark, Carter G. Woodson's niece and Nelson Bickley's mother; note of condolence; funeral program; handwritten [by Mrs. Clark?] obituary and instructions","Articles about NB. Membership certificate to Sigma Pi Phi Fraternity.","Teaching certificate for Nellie Radford Francisco, Bluefield Colored Institute, 1928.","Special Order lists. Legal case notes? Selective Service Act of 1948 memo.","Includes genealogical research material, notes, and charts in print as well as handwritten for these families, mostly from the Huntington, West Virginia area and across the Ohio River: Twyman, Spurlock, Barnett, Payne, Jones, Woodson, Wilson, Johnson, Summers, Smoot, Peters, Radford, Layne/Lane, Jones, Straham, Cabell, and Parker. Additional genealogical information is included in oral history interviews with individuals (see Interviews and Oral History Interviews series); the Others' Works series; the Biography subseries of Research Notes and Collected Materials; and other locations throughout the collections.","Documents pertaining to the Twyman Family. Facsimile of pages from The Promised Land by J. Earl Pratt [1964]. Facsimile of newspaper legal notices from T he Ironton Register , Oct. 27 and Dec. 15, 1870.","Letter from Willard H. Radford and Kim Radford regarding a reunion for the Radford-Bickley families.","Correspondence between the Bickleys and Nelson L. Barnett, Jr. regarding Allensworth (CA) State Historical Park, the Spurlock family, the Barnett-Payne-Jones family. Rededication pamphlet, October 10, 1992","Barnett family genealogy compiled by Nelson Barnett, Jr.","Various documents pertaining to Carter G. Woodson and the Barnett family connection. \"A Black History of Huntington\" by Edna Duckworth. Barnett family documents.","Family line charts, photographs, newspapers, family history for the Nelson Barnett line. Program for the First Baptist Church, Huntington, September 25, 1988. Photographs buildings designed by Carl Barnett, architect.","Transcription of Barnett family obituaries.","James and Mary Wilson family genealogy. Facsimiles of portraits. Memorial service programs. Photographs of Mary Wilson Johnson and James Johnson. Photo of family group identified later in file and on facsimile. Obituary for William O. Johnson. Family group photo. Photos of Ida and William Johnson.","Handwritten Cabell Family tree and notes on the Cabell Family in Institute. Transcription of letter from J. S. Cunningham to Governor A.I. Boreman. Facsimile of newspaper ad for sale of slave.","Handwritten notes regarding Summers Family and slaves.","Facsimile of book section and term paper about the Smoot Family written by Marcella L. Pauley Short for WVSC class.","Booklet of genealogy forms. African-American Genealogy: A Research Guide compiled by Phyllis Preston Jarrett and Helen Chambers Winston.","Typewritten history of the Smoot Family, Boone County.","Personnel record for Willard Radford. Letter, 1949, certifying marriage of Willard Radford to Lilian Angus in Cuba, 1923.","Handwritten marriage records for Radfords.","Handwritten notes from a phone conversation regarding the Straham-Parker families.","Typed \"Conversation with Nellie Redford Francisco--about 1985.\" Handwritten \"Discussion w/Henry Radford, 1/14/93.\" Radford Family genealogy. Peters Family genealogy. Newspaper articles regarding Negro education in Huntington and Kimball, 1904-1923. Cemetery lot receipts to Willard Radford. Program for Sterberger Elementary School 1999 Graduation Ceremony; Akil Livers listed as student. Funeral service program for Lily Van Sykes Kelly, 1994. Transcribed obituaries for Joseph T. Payne, 1948, and Minnie Bell Powell, 1936.","Research notes on how to do black genealogy. Black Studies: a Select Catalog of National Archives Microfilm Publications .","The Layne Family Tree and Its Branches . Handwritten tree with Twyman connection.","\"Plat Map, Mt. Pisgah Cemetery, Proctorville, Ohio\" with notes. Request for donation to the Cemetery, 2013.","Handwritten CGW family tree.","Radford family genealogy. Release of note on deed, Radford family, 1952.","This series includes two subseries, General and Black Teachers.","Includes more formal oral history interviews as well as \"discussions\" and other less structured interviews not intended for any historical publication. Formats include handwritten notes, typed notes, and transcripts of interviews as well as background in the form of correspondence and typed and handwritten corrections.","Transcript of interview with Johnnie James. Newspaper article \"THE Man…Johnny James Now Shares Life With God\"","Background research re: changes to social history and oral history.","Notes from discussion with Grover DuBose, Korean War veteran, Sept. 10, 2000.","Transcripts of interviews with black citizens of Huntington, WV; Institute, WV; Guyandotte, WV; and Black Fork, OH. Including Johnnie James, Ms. Bessie Herbert McClain, Chester A. Burris, Henry Pierce, Mildred Loar Williams, Cash Keels, James Thompson, Mrs. Araminta Miller Justice, and James Johnson.","Spiral bound notebook containing notes from oral history interviews with black soldiers, 1945-46. References to color-coded folders. Notes on soldiers' letters, 1943-45. List of themes in interviews. Follow up on specific soldiers, 2005, titled \"Negative behavior of Blk soldiers.\" Diagram of Army organization.","Research notes labeled \"Army Wives Material: Discussion with Carl \u0026 Nancy Johnson Re: Military Experiences; Carl was a Tuskegee Airman. His wife, Nancy, is white\" 2014. Annotated paper \"The WV State Capitol\" with research notes. Emails re: Kimball Wall Memorial Project, 2011. Research notes. Letter to Beverly from AB re: various researchers in the Villages, FL, 2014. Typed notes from interview with Harriet Williams, Lewisburg, WV.","Annotated transcript of oral history interviews with Mrs. Mildred Lore Williams, 1990, re: family history and Cabell County History. Annotated transcript of oral history interviews with Mrs. Bessie Herbert McClain, 1990, re: living in Huntington. Annotated transcript of oral history interviews with Mrs. Suzette Spencer, 1990, re: family and life in Huntington. Mrs. Spencer was a descendant of 37 slaves freed in the south and sent to Ohio. Transcript of oral history interview with Mr. Cash Keels, 1990, re: family history and life in Black Fork, Ohio.","Audiocassettes labeled: \"Joseph C. Peters re: Black High School Athletics - 11/2/95;\" \"Gregory Peters / Reminiscences, 9/22/95, \u0026 Ed Scott #3;\" \"MC (Ref) Edward Greer, 5/10/06;\" and \"Ed Scott / Reminiscences /Korea, 10/20/95\"","Bickley and Rita Wicks-Nelson, as Rockefeller Scholars-in-Residence at Marshall University's Center for the Study of Ethnicity and Gender in Appalachia, interviewed and recorded interviews with older black women teachers from across the state. This subseries contains transcripts of the interviews, corrected transcripts, correspondence with the subjects, and sometimes background information about them.","Typed manuscript for \"Black Education in West Virginia,\" a joint project between Ancella Bickley and Rita Wicks-Nelson. Notes regarding Mrs. T. McDaniel interview; text of interview. Correspondence regarding book on black female teachers. Research notes. Text of speech about black WV schools. List of narrators. Facsimiles of newspaper clippings \"from Mrs. Rayford's Collection\" regarding desegregation of schools, 1955-1956. Newspaper clipping of AB interview regarding MTG.","Handwritten notes of [interview with] Marian Hatcher, WVU English Dept. teacher.","Print out of web page re: Dr. Ancella Bickley and Dr. Rita Wicks-Nelson, 1999 Rockefeller Scholars-in-Residence. Project name: \"Life Experiences of Older, Black, West Virginian Women [Teachers]\"","Demographics of teachers' project. Map showing location of teachers. Narrative overview of the project. Paper \"Mosaic [sic] in Black and White: Black Teachers Remember School Integration in West Virginia\" [by] Ancella Bickley and Rita Wicks-Nelson; paper presented at the Center for the Study of Ethnicity and Gender in Appalachia, MU, 2000. Annotated paper. Draft of paper \"Changing Lives and Potential Leadership: A Study of West Virginian Women Returning to College\" [by] Rita Wicks-Nelson, Lynda Ann Ewen, ca. 1997.","Correspondence between AB and RW-N and others re: book based on teachers' oral history interviews. Paper \"Black Education in West Virginia.\" Text of paper [by AB] \"Read @ WV Sociological Assoc. Annual Mtng. WVSC - Oct. 24, 1997.\" Letter from NB, 2005, asking for addenda to West Virginia Law Review paper about Brown v. Board of Education. Research notes. \" Fullen corrected pp, AB,\" 2001. Letter requesting interview with Pearl Swann Carter, 2000.","Release form from Suzanne Slaughter, 1998","Correspondence, edits, research notes with RW-N. Book reviews from The Appalachian journal, 2005. List of women interviewed. Background and summaries for interviewees.","Research materials re: education in WV; Brown v Board of Education. Possible participants; call for participants; correspondence with participants Writing retreat brochure and correspondence. Project update to the Center for the Study of Ethnicity and Gender in Appalachia at MU. Draft of summary of results. Summary data forms and interview guide. Schedule of interviews. Letter from parent to teacher, Anna McCright. Flyer announcing talk by AB and RW-N. Luncheon flyer from the Fayette County Black Caucus.","Life stories, some annotated or edited, for Vivian Williams Fleming, Eliza Jane Campbell Dillard, Anna McCright, and Mary Montgomery.","Annotated transcript of oral history interviews with Mrs. Louise Anderson. Newspaper clipping of obituary.","Annotated transcript of oral history interviews with Mrs. Velma Bradshaw. Handwritten notes on folder.","Oral History Review article, 2001, re: school segregation. Email with list of changes to the transcript. Transcript of oral history interviews with Mrs. Pearl Swann Carter, 2001.","Annotated transcript of oral history interviews with Mrs. Florence Casey, 1997","Transcript of oral history interviews with Mrs. Ottrus Chatman, 1999. Typed and handwritten notes on the interview.","Annotated transcript of oral history interviews with Mrs. Verona Clarke, 1997.","Annotated transcript of oral history interviews with Mrs. E. Jane Dillard, 1999.","Handwritten notes on the interview. Correspondence with Mrs. Elston. Annotated transcript of oral history interviews with Mrs. Mary M. Elston, 1997.","Annotated transcript of oral history interviews with Mrs. Eunice Fleming, 1999.","Annotated transcript of oral history interviews with Mrs. Vivian Williams Fleming, 1997. Handwritten notes.","Annotated transcript of oral history interviews with Mrs. Norma Jean Fullen, 1997.","Handwritten notes. Annotated transcript of oral history interviews with Mrs. Susie Guyton, 1997.","Handwritten notes. Transcript of oral history interviews with Mrs. Willie Hise, 1999.","Typed and handwritten notes. Annotated transcript of oral history interviews with Mrs. Floristine Holland, 1998.","Handwritten notes. Transcript of oral history interviews with Mrs. B'Alma Jones, 1999.","Annotated transcript of oral history interviews with Miss Anna McCright, 1999.","Corrected transcript of oral history interviews with Mrs. Thelma McDaniel, 1999.","Letter to Mrs. McDaniel. Typed notes and pages from the interview. Letter from Norman L. Jones re: Thelma McDaniel and the Price and White families, 2001.","Annotated transcript of oral history interviews with Mrs. Edris Miller, 1998.","Annotated transcript of oral history interviews with Mrs. Mary Montgomery, 1997. Overview for Mrs. Montgomery. Letter to her. Pages of the interview with corrections. List of names and addresses for interviewees.","Annotated transcript of oral history interviews with Ms. Doris Payne, 1999.","Overview for Ruby Brown Reeler. Annotated transcript of oral history interviews with Mrs. Ruby Reeler, 1997. Handwritten transcript of a quote from the interview. Handwritten notes on the folder.","Annotated transcript of oral history interviews with Mrs. Nancie Smith Robinson, 1999.","Transcripts pages of interview with FH [Floristine Holland?] Annotated transcript of oral history interviews with Mrs. Suzanne Slaughter, 1998.","Obituary for Mary Crozier Snow, 2011. Annotated transcript of oral history interviews with Mrs. Mary Snow, 1997. Letter to Mrs. Snow with corrections, 2001.","Transcript of oral history interviews with Mrs. Fannie Ashe Thomas, 1999.","Handwritten notes. Annotated transcript of oral history interviews with Mrs. Velma Twyman, 1997. Letter to Mrs. Twyman re: corrections, 2001.","Includes books, manuscripts, facsimile pages, and other publications not written by Bickley, who was sometimes asked to provide feedback on writing. Forms of writing include family histories, poems, short stories, plays, novels, and both scholarly and popular articles. Other writers include: Sharon M. Draper, Charles Lloyd, Hannah N. Geffert, Peri Lynne Johnson, L. O'B. Thomson, Nelson L. Barnett, J. McHenry Jones, Judith Stitzel, Elizabeth Taylor Brown, and Phyllis Moore.","A Memorial to the Scott, Carter, Mumford Families and the Journey from the Hills of North Carolina to the Beautiful Ohio Shore in the Year 1844 by Edith Dove Bryant, original and one facsimile. Article \"Midwifery in West Virginia\" 1990.","My Dearest Husband: the Letters of Amacetta Laidley Summers to George W. Summers, 1842-1843 by Patricia Clark Bulla. Handwritten genealogy chart for James M. Laidley","Poem \"Old Lady Sady and the Chicken Wings\" c1992 Sharon M. Draper","My Dearest Husband: the Letters of Amacetta Laidley Summers to George W. Summers, 1842-1843 by Patricia Clark Bulla. Laidley-Summers-Quarrier family line","Manuscript for Aesculapius, Ebony by Nelson L. Barnett, M.D.","\"…Tryin' to Get Home…\": A Journal, a compendium of biographies, family histories, community histories, etc. by the John Henry Memorial Committee.","\"The Search for Larry Doby\" by Bob Stitzel in Sports Collectors Digest , December 1, 1989. Letter from Judith Stitzel critiquing short stories \"The Woman in the Lavender Hat,\" \"Hush Now Child,\" \"Sweets,\" and \"Jones.\" Manuscripts of Stitzel's stories \"My New York Yankees,\" \"Cover-Up,\" \"Hearing Aids,\" \"Unbecoming a Jew.\" Letter from Stitzel regarding order of stories.","Manuscript for book about West Virginia State College.","Correspondence with Phyllis Moore re: WV writers. Annotated stories \"It Ain't Her!,\" \"The Crossing,\" and \"On This Rock,\" short stories by AB. Photo of AB and unidentified woman. \"'Talking about home…': Yes, We Have Authors\" by Phyllis Wilson Moore.","Project overview for Greenbrier Valley African-American life. J. McHenry Jones' novel Hearts of Gold with highlighted passages and annotations. Background research materials.","Facsimile of The Jones Family by John L. Jones.","Correspondence with Hannah N. Geffert re: Black History Conference and her annotated story \"The Guns of October.\"","\"History of Lakin Hospital: Pulling for the Stars\" by Elizabeth Taylor Brown. Reviewers' comments.","The Plays of Ann Kathryn Flagg published by Amistad, Inc., Ancella Bickley, Director.","\"Black High Schools in West Virginia\" prepared by R. Charles Byers.","Writings of Peri Lynne Johnson, AB's niece, some with annotations.","Review of \"The History of Lakin State Hospital\" by Elizabeth Brown; manuscript.","Drafts and final papers written by L. O'B. Thompson who taught at WVSC.","Aesculapius, Ebony by Nelson L. Barnett. Brief biography of Carl Eugene Barnett. Facsimile of photograph of \"Reverend Nelson Barnett, Circa 1900.\"","Paper and letter of transmittal for \"The Peters Sisters: An Historical Omission\" by Norman Jordan. Research notes on the sisters: Ethel and Ada Peters.","Typewritten notes about various novels, movies, and other works. Discussion questions for some.","Inscribed play \"Day to Day: a Drama in One Act\" by Maryat Lee. Article \"'…To Will One Thing: a New Look at Theater\" [by] Maryat Lee, from Drama Review , 1983. Materials re: EcoTheater including scholarly articles.","Includes black and white historical photographs, slides, and contemporary color photographs. Additional photographs can be found throughout the collection. Most photos are black and white facsimiles of original historical photos of people and places significant to Bickley's research and publications. Subjects include educational institution buildings and students; other institution buildings; the Radford family; Bickley and Bickley with others. The contemporary color photos include ones of the memorial statues on the West Virginia Capitol grounds; Potomac State College campus; Bickley and others; and the social event A Red Hat Party celebrating women.","Photos: graduating class at Bluefield State College; Barnett School Orchestra, Huntington, with Nellie Francisco; school children at Lincoln School, Wheeling, 1912; unidentified football team; buildings at Bluefield State College and West Virginia State College.","Photos, invitation to, and follow up for a birthday celebration for AB, and a Red Hat Party to celebrate older women. Poem about AB.","Photographs of building details; street scenes; two black women [Alberta Coleman]; NB; campus, Potomac State College, buildings including Academy Hall and Duke Anthony Whitmore/Henry Louis Gates, Jr. Academic Achievement Wall.","Photos of statues on the WV State Capitol grounds: prints, proof sheet with numbered descriptions, and a CD. Annotated text to accompany photos and titled \"Statuary on the Grounds of the West Virginia State Capitol.\" Brief history of the Capitol and the state of West Virginia.","\"Honoring Our Past: 1994 Calendar\" produced by the Alliance for the Collection, Preservation and Dissemination of West Virginia's Black History. Calendar includes photos of school bands, Bluefield NAACP chapter, Hopewell barber shop in Martinsburg, and schools.","Copies of group photographs of children and a \"Special Citation Award to Mrs. Harry Gordon\"","Photo of unidentified family, 1901; restored photo and invoice for work, 2005.","Negatives and photos from AB's Red Hat Party","Variety of copies of historical photographs, most not identified, 1912-1918. Note stapled to folder removed, 10/17/1990.","1991 (3), 1993, 1994 calendar \"Honoring Our Past\" from the Alliance for the Collection, Preservation and Dissemination of West Virginia's Black History. 1971 Black History Calendar [by] Raymond W. Lowry.","Facsimiles of photographs of students at WVSC including AB in Delta Sigma Theta Sorority.","Photographs of AB and others at a presentation on CGW at Marshall University, President's Home. February 24, 1988.","Facsimile of undated photo [ca. 1942] of John W. Davis, Charles Rutherford, Austin W. Curtis, L.A. Toney, et al. On back: \"Received from Debby Jackson, Goldenseal , 4/7/1997. Picture taken during construction of Washington-Carver Camp.\"","Photo of AB with author Alice Walker at the University of Charleston, [1999]. Photo of AB with Ken Sullivan, Executive Director of the WV Humanities Council, 2002.","Includes examples of Bickley's contribution to a number of public service projects both in a professional capacity and as a citizen. Includes these formats: \nplanning documents, \ncorrespondence, \nmeeting notes, and \nagendas for these organizations: \n-Amistad, Inc., a publishing company she formed; \n-West Virginia Humanities Foundation; \n-Black Mountain Youth Leadership Program, Berea College; \n-The EcoTheater in Lewisburg, for which she served as board member; \n-National Council of Teachers of English, for which she was National Director; \n-West Virginia Archives and History Commission, of which she was a member; and \n-Marshall University colloquium on black history.","Most notable are the grant applications, programs, and correspondence from her work with the West Virginia Humanities Foundation. Bickley was President of the Board of Directors and wrote a ten-year history of the organization, 1974-1984. The files include background materials for a number of projects for which she or others received grants. For her work with the Kanawha County Board of Education, her files include research materials about minority student achievement, and documents about the Kanawha County Schools Minority Student Achievement Task Force and Maximizing Achievement of African-American Children in Kanawha County (MAAACK). Documenting her work with an organizing committee to clean up the Bethel Cemetery in Huntington, her files include calls for participants, flyers, lists of members, and more. One civic activity with no apparent formal organization includes a meeting with Governor Rockefeller to advocate for affirmative action in West Virginia government. More on Bickley's professional and community activities can be found in the Awards, Honors Series.","\"Notes from Meeting between WV SAC and Governor Rockefeller--June 13\" The SAC [Statistical Analysis Center] asked the governor to authorize another study concerning minority employment in West Virginia with the goal of supporting affirmative action and the employment of more minorities.","Humanities Scholar Resource Forms by Virginia Edwards (2/86), Judith G Stitzel, and Elayne Rapping for the project, \"Reel Visions: A Conference on Women and Film.\" \"Seminar for Professionals Scholar's Statement\" by AB. The Midwest Quarterl y article \"The Humanities in Public Conversation.\" Publication: \"The Humanities Foundation of West Virginia, 1974-1984, A Decade of Discovery\" which lists awards; AB was President of the Board of Directors.","Brochure for the 15th Year of the EcoTheater founded by Maryat Lee, 1975-1990. Letter of support fro grant to the EcoTheater, February 10, 1990. Business correspondence with members of the Board of Directors.","Notes, membership lists, and correspondence from meetings of the Bethel Memorial Park Interest Group. Various research notes regarding black WV doctors and other topics.","Invitation to Ronald Reagan's inauguration","Correspondence from Cecil H. Underwood and Earl Ray Tomblin regarding appointment to the WV Archives and History Commission, July 11, 2000-September 22, 2000.","Papers and notes from 1975 National Council of Teachers of English (NCTE) conferences when AB was National Director. List of attendees. Black history newspaper clippings. NCTE Spring Institutes programs: April 4-8 in Buffalo, New York; and April 25-29 in Santa Barbara, California. Paper by NB \"Mini-Psychological Theory about Black Americans\"","Invitation to Jimmy Carter's inauguration, January 20, 1977.","Certificate of incorporation and other legal documents for Amistad, Inc. Humanities Foundation grant application. Correspondence, agendas for Board meetings, and notes from meetings.","Correspondence with William (Bill) Turner regarding a black history colloquium at Marshall and editing a special issue the Appalachian Journal. Sojourner: Voice of the Eastern Kentucky Social Clubs , 1989.","Program for MU symposium \"Moving Toward Freedom: Slavery and Resistance.\" WV Humanities Foundation grant materials for \"Fact to Freedom: The Story of Slavery in West Virginia.\" Cost details for recreating a slave auction block. Photograph of 10th and Market in Wheeling, 1895.","Correspondence with Brucella and Norman Jordan re: the African American Heritage Family Tree Museum. Also a Humanities Council Grant, brochures, newspaper clippings, press releases. B. Jordan's curriculum vitia and job description with an appliation.","Materials supporting the proposal for WVSC's The Canty House being placed on the National Register of Historic Places.","Materials for collaboration of Kanawha County Schools Minority Student Achievement Task Force and Achieving Excellence in Learning (AEL). Maximizing Achievement of African-American Children in Kanawha County (MAACK) materials. Data on Kanawha County students.","Readings on teaching minority students, Ebonics. Maximizing Achievement of African-American Children in Kanawha County (MAACK) materials.","Notes and correspondence pertaining to the evaluation of the Black Mountain Youth Leadership Program at Berea College.","Letter from the Governor of Montana. Itineraries. Correspondence re: trip.","Matted print of D. Richardson's drawing of the WV Colored Children's Home.","This series includes eleven subseries which highlight Bickley's research on black history in West Virginia and to a smaller extent black history in general. The subseries include her work on black history for many West Virginia counties with her research being more extensive for Cabell, Jefferson, and Kanawha Counties which have their own subseries. The subseries for Research Notes and Collected Papers are: General, Biography; Cabell County, WV; Jefferson County, WV; Kanawha County, WV; Other WV Counties; Churches, Education; General; Organizations; Slavery; and the Underground Railroad.","Bickley researched a wide range of black history and black culture topics; for example, Aunt Jemima and the statue of a black boy as yard ornament, in addition to persons and events. The research provided background for her writings and was often incorporated into her works of fiction as well as historical accounts. Her papers include research notes and supporting sources on a wide range of topics with reference to black history and West Virginia black history.","Handwritten inventory of boxes with Post-it-Note \"Found AFTER boxing - This drawer-files are out of order so I don't know if it will be helpful. (Plus, my sister has horrible handwriting.\"","Post card from Mabel Hunter with Storer College Brackett Hall dorm room circled (1946). Photo of statue of Carter G. Woodson. 1850 mortality statistics for western section of Virginia. Bulletin of the West Virginia State Teachers' Association , 1940. Program for the Mountain State Bar Association, Inc. Annual Awards Banquet, June 18, 1988. Partial transcript of \"Interview with Doris Miller, Huntington, WV\" regarding house purported to be on the underground railroad. Marriage records, 1869, Trinity Church, Parkersburg. \"Reading the Names\" program at Virginia Sate University of those lynched, 1868-1935; AB read the WV names, ca. 2011. Handwritten research notes. Notes on census slave records. Proposed black history highway markers, 2001. Newspaper clipping about Huntington Tuskegee Airmen, 2009. Email from Brucella Jordan requesting a recommendation; paragraph regarding the founding of the African American Heritage Family Tree Museum, 2010. Email from David Trobridge invitation to speak at Marshall University, 2011. Facsimile of pages from the Bureau of Negro Welfare and Statistics regarding the Episcopal Church in West Virginia. Roster of Negroes serving in state and local government, ca. 1968. \"The West Virginia Medical Society [Black].\" \"Slavery in Western Virginia\" (notes for an exhibit?)","Correspondence and research notes regarding the black history of Gallipolis, Ohio. Love story by Harry Dolphis Scott, Bidwell, Ohio. Typed lists from Carter G. Woodson's Free Negro Head of Families (1830), Town of Gallipolis.","Newspaper clippings from the Herald-Dispatch, 1981. Brochure: \"Graduates of Distinction: Michael Perry, Ancella Bickley\" from the Education Alliance, 2002","Various articles regarding blues music. Multiple facsimiles of \"Bessie Smith, 1898-1937, A Short Blues Anthology,\" 1971; one with annotations.","Various articles including the legend of Jocko, subject of a lawn ornament, and a 1971 black history calendar by Raymond W. Lowry which highlights achievements.","2 nd Annual John Henry Festival, Clifftop, West Virginia: Herbs and Traditional Medicine [by] Roscoe Leonard.","Typewritten paper about spirituals","Journal, newspaper, and magazine articles about black history, Carter G. Woodson, Nelson Bickley, and the methyl isocyanate leak in Institute, 1984.","Prospective Sites Relating to Black History in Canada by William N. T. Wylie, June 1994.","Research materials regarding the holiday, Juneteenth, which celebrates the Emancipation Proclamation. Text of two speeches.","\"The Black Literary Tradition of West Virginia: A Bio-Critical Survey\" [by] Leonard J. Deutsch","The booklet (2 copies) \"History of African-American Miners in Appalachian Coal Fields: Black History Month, February, 2000\" Funeral program for Ulysses Grant Carter, teacher at Kimball High School. A Saga of Service: A History of the Mining Extension Service of West Virginia State College, 1937-1957 by Cecile M. McCormick and U.G. Carter.","Facsimiles of pages from reports from the WV Bureau of Negro Welfare and Statistics.","Correspondence and attached materials from Sara J. Sow re: blacks in Gallia County, Ohio. \"Why We Celebrate Our Culture and Church\" about churches in Lawrence County, Ohio.","Correspondence with and writings of James Fisher, Berkeley County.","Background research notes and materials about Cuba. National Geographic article \"Evolution in the Revolution: CUBA.\" Poems by or translated by Nelson A. Ossorio.","Correspondence with Joan C. Browning re: content for the Henrietta Marie exhibit; white women in the civil rights movement. Biography. Resume. Newspaper clippings; article \"Invisible Revolutionaries: White Women in Civil Rights Historiography.\" Program and other materials for the WVU panel for the Rush Holt History Conference. Commentary from John Raines re: J. Browning and David Mussat's contributions to the RDH Conference; annotated JB paper \"Religion Gave Me Power to Witness\" and David Mussat's paper \"Sticks and Stone: an Interpretation of Power and Religion in the Movement.\"","Research materials on many aspects of WV Black history including newspaper clippings, scholarly articles, meeting programs, and the text of an Odd Fellows speech.","\"Negro Coal Miners in West Virginia, 1875-1925\" from the Midwest Journal , 1954. Reprint of \"Negro Migration to the Mining Fields of West Virginia\" from the Proceedings, West Virginia Academy of Sciences , 1936.","Handwritten research notes. Research materials re: WV history. Typed notes on WV black history. 1955 newspaper article re: integration of schools.","Correspondence regarding black WV historical markers. Resignation as a Commissioner for the WV Division of Culture and History. Program for Roosevelt Junior High School Award Assembly, June 2, 2000; Bickley is on the program for the East End History Essay.","Programs for West Virginia Conference on Black History at the First Baptist Church in Charleston, April 22-23, 1988, and the Eighth Annual Conference on West Virginia's Black History at Marshall University, November 10-11, 1995","Web page print out of article about Silas Green in minstrel show.","\"Fifth U.S. Colored Infantry\" by John F. Walter, rev. 1998. Includes information on Ohio and WV blacks.","\"Negro Participants in the Fields of the Theatre and Music Plus Associated Enterprises: Period: 1920-1960\" by Dr. Douglass T. Murray. Booklet for The National [Negro] Opera [Company].","Paper titled \" School Desegregation Since Brown (1954): 30-Year Perspective\" by Franklin Parker, WVU Professor of Education, 1984. Two pages of annotated text of a speech about education of black West Virginians, [delivered at WVU]. Daily Athenaeum article re: interview Nelson Bickley about discrimination in housing in Morgantown, 1971. Program for \"The West Virginia Experience in Higher Education: an Historical Perspective\" at WVU, 1984, when AB was on a panel. Facsimile of the pamphlet \"The Black Student at WVU\" 1971-72. Correspondence from the Ohio University Press re: manuscript review of the book Memphis Tennessee Garrison by William H. Turner, 1999. \"History of DuBois High School\" from a book. Map of slave plantations in Wood County, Va. Map of Underground Railroad routes to Canada, 1898.","Email correspondence primarily between AB and her daughter Ancella Livers re: access to WWII Soldiers' letters at the New York Public Library. Email from Della [Hardman?] re: Belle Powell and Ravella Hughes.","Includes biographical material for many people of interested to Bickley. Types of material include correspondence, handwritten notes, clippings and articles, photographs, various facsimiles, and more. Subjects of research notes and collected materials include: Carter G. Woodson, Dick Pointer, Henry Louis \"Skip\" Gates, Memphis Tennessee Garrison, John Henry, Ravella Hughes, John Wesley Harris, Maude Beatrice Bell Plowden, Della Brown Taylor, Bessie Yancey, Mollie Gabe (Mary Elizabeth Johnson), Elizabeth Simpson Drewry, J. McHenry Jones, Stonewall Jackson, Gwen McMillion Bingham, and William Cathay. Additional topics include: blacks in WV literature; black women; Tuskegee Airmen including John L. Whitehead, Jr. and William Lee Hill; and black WV legislators. Biographical information is also included in the Interviews and Oral History Interviews series.","Newspaper clippings. Partial notes [speech] J. McHenry Jones including John R. Clifford, Christopher Payne, and black legislators. Pages from a 1913 Congressional hearing on \"Conditions in the Paint Creek District, West Virginia\" with conditional pardon of Dan Chain highlighted. Memo, 1/18/03, from Alfonzo Dalton regarding interview with Ben Carson who was a Republican candidate for the US President in 2016.","Letter to researcher Sean Duff, November 19, 2012, and attached information regarding J. McHenry Jones and Wheeling. Letter to researcher L. Morris Jones, May 3, 1989. Newspaper clipping of article about Hearts of Gold which was written by J. McHenry Jones (JMJ). Various versions of \"James McHenry Jones: a Monologue\" by Ancella R. Bickley. Full and partial \"J. McHenry Jones, 1859-1909.\" Text of newspaper article about JMJ's opposition to the Evans Jim Crow Bill, February 14, 1907. Research notes including Jones family history. Facsimile of pages from History of the Jones Family by John L. Jones.","Research notes on Guion Bluford (?). Ed White, sculptor, biography. Facsimile of pages from the children's book Black Stars in Orbit , [1995]","Correspondence between NB and The Association for the Study of Negro Life and History, Incorporated regarding preservation of the Carter G. Woodson house in Huntington. Correspondence between Carter G. Woodson and his sister, Bessie Woodson Yancey, regarding upkeep of the house.","Research materials on Dick Pointer, black Indian War hero, for an article for the Journal of the Greenbrier Historical Society ; the article; handwritten notes; various versions of the article. Research notes. Facsimile of a painting by S. Ross Browne, 1993.","Correspondence with Henry Louis \"Skip\" Gates, Jr. Newspaper clipping: MU Commencement.","Correspondence with Adolphus Young regarding black West Virginia women, particularly MTG.","Washington Post article \"In Quest of the Historical John Henry\" by Hank Burchard, August 24, 1969. Press release by Kyle McCormick, WV Dept. of Archives and History, 1957. WV Hillbilly , June 23, 1979, \"A Salute to John Henry.\"","Handwritten notes about John Matheus, WVSC professor; his curriculum vitae, ca. 1953; reprint of an article from the CLA Journal by him, 1972.","Research notes about Revella Hughes","Research notes about William Hill for Goldenseal article about Tuskegee Airmen.","Research on John Brown including materials from the National Parks Service's John Brown Conference, 2000; an annotated Langston Hughes' poem \"October 16;\" and \"A Psychological Examination of John Brown.\"","Two newspaper clippings: one about Fannie Cobb Carter and one about Memphis Tennessee Garrison","Obituary and other information about Major General Charles \"Jackie\" Calvin Rogers. Documents regarding the naming of a United States Army Reserve Center for him. Text of NB's speech.","Goldenseal article about John Wesley Harris. Facsimile of newspaper clipping about Maude Beatrice Bell Plowden.","Transcript of interview with AB by Ohio State University's WOSU about Della Brown Taylor [Hardman], a graduate of Garnet High School, artist, and teacher at WVSC.","Research notes. Transcript of conversation with Bruce Rogers regarding Aunt Jemima and Bruce Family history. Facsimiles of newspaper articles regarding Aunt Jemima.","Background research about the Sargent School of Physical Education; Sydney Taylor Brown who graduated from there and then WVSC; black women in the American Red Cross; and black women's service in WWII. American Legacy , Winter 1999. Research notes.","Facsimile of pages from History of the American Negro, W.Va. Edition, vol. VII, [edited] by [A. D.] Caldwell.","Print outs of web pages regarding the Tuskegee Airmen. Photograph of monument in Walterboro, SC. Newspaper clippings.","Research materials pertaining to Carter G. Woodson including: journal and magazine articles; facsimile of book pages; newspaper clippings; and a masters degree thesis. Text of speeches and programs for speeches by both AB and NB. Invitation to a reception to honor Sen. and Mrs. John F. Kennedy in Huntington, April 20, 1960.","Poems, correspondence, and other writings by Bessie Yancey, Carter G. Woodson's sister. Photocopies of journal articles and WV Collegiate Institute publications. Special Carter G. Woodson issue of Community, published by Friendship House, Winter 1970. Issue of The Journal of Negro History , July 1968.","Research materials on Mollie Gabe, also known as Mary Elizabeth Johnson, midwife from Falls Mill, Braxton County.","Research materials about John P. Parker, a former slave who was active in the UGRR in Ohio. Parker was also an inventor and a business man.","Research materials about Elizabeth Simpson Drewry, McDowell County representative to the WV House of Delegates.","Letters to Bessie W. Yancey, CGW's sister. Research materials. Poem \"The Forgotten Boys.\" Correspondence re: restoration of the CGW home. Carter G. Woodson Memorial Committee and Foundation materials. Text of speech by AB. CGW stamps. Dedication of statue of CGW. Correspondence re: Ann Eliza Riddle Woodson family property. CGW genealogy prepared by Nelson Barnett, Jr. Letter from CGW to Bessie Woodson Yancey. Text of paper \"Carter G. Woodson: the West Virginia Connection.\" Photographs of CGW and kin.","Correspondence from CGW to Bessie W. Yancey, re: house in Huntington, 1941. Book contract between Bessie W. Yancey for Echoes in the Hills and CGW's company, The Associated Publishers, 1939. Letter re: book to CGW from BWY, 1939. Letter from John W. Davis, President WVSC, to BWY, 1945, re: Nelson Bickley. Letter from BWY to Louis R. Mehlinger re: loss of two brothers, 1950. Envelope, no contents, from Joel A Rogers, 1951. Envelope, no contents, from The Associated Publishers, 1958. Photographic negative of BWY.","Research materials including newspaper clippings, correspondence, articles, and research notes on Carter G. Woodson; Bessie W. Yancey; Black History Month; restoration of the Woodson home; and the Woodson family. Annotated copy of the paper \"Carter G. Woodson: the West Virginia Connection.\" Facscimiles of Otis Woodson and CGW photos. Photo of Bessie Woodson Yancey and letter from BWY to CGW re: poetry. Edited entry for CGW from The Encyclopedia of Black America . List of WV Collegiate Institutue, 1920/21 and 1921/22. Facsimile of correspondence between CGW and BWY re: house.","Research materials on J. McHenry Jones including facsimiles of obituaries; other newspaper clippings; and transcriptions of clippings. Photo of Hazlewood Assembly Hall. Notes [speech?] on JMJ. Timeline with sources. Paper about JMJ by AB. Jones family history.","Pages copied from book The Hidden Years of Stonewall Jackson purporting that he fathered a black child. From Merle Moore.","Research materials on Tuskegee Airmen including John L. Whitehead, Jr. and William Lee Hill.","Text of a speech? \"African Americans in the West Virginia Legislature.\" Letter from C.A. Blankenship to The Negro History Bulletin adding names of Negroes who served in the WV Legislature, 1964. \"West Virginia's Black Female Legislators\" ca. 1991. Facsimile of photo with caption: \"President Harry S. Truman being shown a copy of America's first Black pictorial magazine. [There is some question which came first Color or Ebony] Left to right: Sippi Coleman, Pres. Truman, W.VA. Congressman, Dr. I.J.K. Wells Editor and Publisher of Color,\" ca. 1948. Newspaper clipping of article re: female legislators, 1998.","Facsimile of photo of \"Gabriel, Pardoned by VA Governor Tim Kaine, June 26, 2007.\" Research notes. Paper \"Major General Gwen McMillion Bingham,\" ca. 2011 with newspaper clipping. Facsimile of unidentified photograph of woman in uniform. Paper \"'Who Was William Cathay?' adapted from a piece in the St. Louis Daily Times, January 2, 1876.\" Poem \"Cathay Williams,\" 1997. Facsimile of enlarged photo of face of unidentified soldier. Summary/timeline for Cathay Williams/William Cathay.","Draft of \"Elizabeth Simpson Drewry, 1894-1979\"","Covers a wide range of topics on the history of Cabell County; Huntington, WV; and adjacent Ohio counties. Notable are Nelson Barnett's transcriptions of late 19th century Huntington newspaper articles regarding blacks. Also included are newspaper clippings, monographs, photos, biographies, and interviews about veterans, church history, education, organizations, and more.","\"References and Briefs to Miscellaneous Newspaper Articles, [June 15, 1872-October 21, 1898, and June 4, 1922-May 20, 1928]\" compiled by Nelson Barnett, Jr., 1988, from Huntington newspapers.","\"Black Veterans of World War I from Cabell County, W.Va., 1918.\" \"Past Imperfect, 1902: Articles of Interest, [Nov. 13, 1901-Dec. 31, 1901]\" compiled by Nelson Barnett, Jr. from Huntington newspapers.","\"Past-Imperfect, 1901: Articles of Interest, [Jan. 7, 1901-May 28, 1901]\" compiled by Nelson Barnett, Jr. from Huntington newspapers","Resources about blacks in Huntington and Cabell County. Includes a bibliography of Goldenseal articles about blacks. Other resources are church histories, listings of names, facsimiles of book chapters and papers, newspaper clippings, interviews, handwritten research notes, and more.","\"Progress of the Huntington Negro\" by Prof. J. W. Scott","\"A Black History of Huntington\" by Edna Duckworth, 1976. Genealogy for Edna Duckworth. \"Biohistrogenetics Project Proposal\" to the Carter G. Woodson Memorial Foundation, 1996-1997; Duckworth is listed as the visionary.","Marriage records, late 19th century, Cabell County.","Correspondence with Clara Knight. Facsimiles of Greenbottom Church, Huntington, records listing black members. Records regarding John Ball freeing his slaves, 1793. Map of Millersport, OH, 1887.","Correspondence with Bill Lindsay re: blacks in Huntington and Pocahontas County","Two newspaper clippings: one about Nellie Fransisco [sic] and AB's research about blacks on the Ohio River.","\"A Black History of Huntington\" by Edna Duckworth, [1976]. Census data for black families in Lawrence County, Ohio; 1850, 1860.","Photos of black workers in C\u0026O shop including Anderson Radford, AB's grandfather. Correspondence; transcription of newspaper articles; research notes; biographical sketches; photos of Goodes; newspaper clippings; church histories and programs; facsimiles of book pages; transcription of interviews; and bibliography.","Research notes. Photos. Paper \"Black People and the Huntington Experience.\" Project, \"A Sojourn for Truth: Revisiting Black History Along the Ohio River,\" overview. Research materials re: Huntington, Cabell County, and parts of Ohio. Transcript of interview with Suzette Spencer. \"The West Virginia Colored Children's Home\" by Ancella R. Bickley. \"Poke Patch/Black Fork, Ohio\"","Research notes on Douglass School. Typewritten notes on Douglass School, 1891-1924. Notes from conversation with Nellie Francisco. Handwritten transcription of article, 1902.","Covers research about blacks in Charlestown and Harpers Ferry as well as other locations in Jefferson County. Materials include obituaries, school histories, correspondence, cemetery records, research notes, and more about school integration, Storer College, slave collars, Fisherman's Hall, and more.","Research materials regarding blacks in Charlestown. Obituary for former slave George Jenkins in Huntington, 1917.","Paper about St. Philip's parochial school by James A. Tolbert. Materials re: Sons of Confederate Veterans tablet in Harper's Ferry. Other research materials re: Jefferson County and Charlestown.","Photos of a slave collar. Correspondence re: acquiring the collar for the Henrietta slave ship exhibit.","Correspondence with James Tolbert re: black CCC camp, McDowell County; Black History Conference; Fisherman's Hall, Charlestown, restoration; Harewood Cemetery, Jefferson County; marker for Martin Delany, Charlestown.","Research materials re: Harpers Ferry, the National Park, and Storer College.","Typewritten text of speech at Shepherd College, 2004. Transcript \"Discussion of Integration of Schools in Jefferson County: Jim Tolbert.\"","Handwritten research notes mostly re: John Brown and Harpers Ferry, ca. 2000.","Covers research about blacks in the WV Capitol, Charleston, and other locations in Kanawha County. Topics covered include slavery in the salt industry, biographies, wine cellars, and buildings. Contents include correspondence, facsimiles of documents, research papers, obituaries, newspaper clippings and more.","Research materials about slavery in West Virginia with focus on Kanawha County and the salt industry","Research materials on black attorney Thomas Gillis Nutter.","Research materials on Charleston, WV including: \"Unpublished Black History in the Early Kanawha Valley\" by William D. Wintz; \"Blacks in Charleston, West Virginia: A Survey of Their Presence in the Community and Occupational and Residential Patterns in the Early 1900s\" by Mary Johnson, WVU student. Research materials regarding Oscar Wayman Holmes, the first African American naval aviator and obituaries for C.H. James, prominent black businessman. Text of speech, \"Black People in Charleston,\" 1994.","Research materials on the Dutch Hollow wine cellars in Dunbar.","Documents regarding Samuel W. Starks and the Starks House in Charleston. Correspondence regarding its being put on the National Register of Historic Places.","Correspondence with Eugene Washington re: Phillis Wheatley School and Albert G. Brown, architect.","Excludes Cabell, Jefferson, and Kanawha Counties which have separate subseries. Includes research materials about slavery, school integration, lynching, historic homes, and more researched by Bickley for these counties: Wayne, McDowell, Harrison, Greenbrier, Hardy, Fayette, Monongalia, Upshur, Wood, and Monroe; as well as the cities of Bluefield, Buckhannon, Keystone, Weirton, Weston, and Wheeling. Research materials include photographs, correspondence, brochures, newspaper clippings, book pages, articles, interviews, and more.","Various documents regarding blacks in Wayne County, WV; the Livisay family; writings by Tim R. Massey, 1981; the Lindsey family; photograph and negatives of a photograph of a black family.","Research materials on McDowell County, WV, with focus on the towns of Keystone and Keystone. Letters and notes from Adolphus A. Young, Jr.","Program for \"Freedom Is a Struggle: Glimpses of African-American Life in the Greenbrier Valley of [West] Virginia.\" Brochure \"Black Historic Sites in Lewisburg, West Virginia.\"","Newspaper clipping about Sarah Hall, black lawyer. Facsimiles of research materials. \"The History of the Negro in McDowell County and in West Virginia Leading Up to and Including the Integration of Schools\" by Dr. Douglass T. Murray. Typewritten notes from Adolphus Young, Jr. Correspondence with Alphonso Dalton, Jr. regarding MTG and black McDowell County families","Facsimile of 1952 newspaper article regarding slaves listed in 1848 Harrison County tax book. Slave owners are listed and includes Nathan Goff.","Paper, author unidentified, regarding lynching in WV. Research materials about slaves in Greenbrier County","Correspondence regarding letter from a slave asking to be purchased by Stump family [1851]. Facsimile of letter.","Research notes and resources regarding Glenwood, historic home in Charleston. Clarksburg newspaper article of reminiscences of a former slave, Ann Freeman and others. Clarksburg newspaper article regarding Union Veterans Association.","Research materials for Fayette County including contacts list, newspaper articles, maps, facsimiles of pages from books, student research paper, church histories, handwritten research notes, and grant applications. Correspondence with and Lucille Meadows and her handwritten reminiscences.","Newspaper articles, facsimiles of historical records. Partial manuscript for To Be Black in Fayette and annotated pages. \"Black Politics in Fayette County, West Virginia, 1896-1918\" by Daniel Wright. Text of speech by Daniel Wright. Brochure titled \"Camp Washington-Carver: a Compendium of the First African-American 4-H Camp.\"","Research materials and research notes: Monongalia Blacks Speak : Women, Part II and Men, Part I, Holland family, schools. Interview with Grace Edwards Waters.","Research materials about Weirton.","Research materials about Upshur County. Facsimiles of articles written by R.H. Ralston, Sr. regarding Buckhannon's black history; newspaper clippings. \"A History of Blacks in Buckhannon: The Recollections of Harriet Warfield,\" an interview with Harriet Warfield, 1977.","Research materials regarding blacks in Wheeling. \"Wheeling's Black Population: A General Perspective\" written and presented by Darryl Clausell, Pat Dudley, with contributors Kathryn Snead and Dorothy Cooper, 1990. Correspondence with Margaret Brennan. Photo of AB, Pat Dudley, Brennan, and Annie Tanks at an Oral History Seminar in Wheeling.","Correspondence regarding Memphis Tennessee Garrison. Research materials on Gary and other McDowell County locales: newspaper clippings, Goldenseal article.","Papers by Wheeling Jesuit Students Joel Michael Coulson and Beau Conway.","Research resources regarding blacks in Fayette County, WV, including transcripts of oral history interviews with Lucille Meadows, Mrs. Turner, Charista Davis, Lula Lall Jones, Rosa Roach and Jessie Barrett; correspondence, church histories and programs. Includes Smoot family information.","Transcripts of interviews with Alease Watkins, David W. Turner, Russell Lee Matthews, and Elsie Choice Hopkins. Also, includes research notes, newspaper clippings, a grant application, facsimiles of book pages, and correspondence.","Photo of Lomax Hospital in Bluefield. Brochures for Afro-Appalachian Performance Company. Correspondence with Joseph Bundy re: history alive performances. Research materials about black Bluefield hospitals.","Correspondence with Ray Swick re: blacks in Wood County. Research notes. Correspondence with the Wood County Bicentennial Commission re: speech.","Court record for Mullens v. County Court , 1932. Facsimile of WV entry from 100 Years of Lynchings by Ralph Ginzburg. \"The Greenbrier County Lynching: a Study of West Virginian Justices\" by Ancella Bickley Livers. \"'Reading the Names,' Program at Virginia State University.\"","Research notes re: Parkersburg black history. Facsimile of letter and transcription of letter from ex-slave Isaac Fairfax to George Washington Henderson.","Letter from Charles (Charley) Goddard re: Greenbrier County history and Sharlotta Gardner contact information.","Copy of photo and negative of lynching. Photos of black children. Note from Maurice Allman, Hacker's Creek Pioneer Descendants. Transcripts of Weston Democrat articles re: 1892 lynching of Edgar Jones. Transcripts re: 1910 lynching. Research notes on these incidents. Application for the Weston Colored School to be placed on the National Register of Historical Places. Research notes re: Weston State Hospital. Correspondence re: dedication of the Central West Virginia Genealogical and Historical Library, formerly the Weston Colored School. Handwritten transcription of interview with Rahleen Gardner who attended the School. Transcript of conversation with Mrs. Joy Gilchrist, 1992.","Transcripts of interviews with Mr. Waldo Lacy and Mrs. Gladys Lacy. Facsimile of newspaper article of speech by T.J. Ferguson, 1870. Research materials on the Sumner School. History of Parkersburg from Bernie Allen. Facsimile of books pages, newspaper articles, and transcription of newspaper articles. Parkersburg Art Center brochure featuring Joseph Eldridge Dodd. Text for slide show (no slides). Typewritten outline of \"Parkersburg Study.\"","Facsimiles of newspaper articles. Correspondence with Ray Swick, Blennerhassett Island State Park. Research materials about blacks in Wood County. Research notes. \"A History of Sumner School\" written by Sally Browning, 1996. The Island Packet from the Friends of Blennerhassett Island.","Background research on blacks in Monroe County. Correspondence with Fawn Valentine and Presidents of the Monroe County Historical Society. \"Bishop Matthew W. Clair, Sr.: a Biography\" by Dr. Margaret B. Ballard, 1973.","Includes programs, bulletins, correspondence, research notes, and histories of black West Virginia churches in Fayetteville, Charleston, Charlestown, Fairmont, St. Albans, Parkersburg, Huntington, and Alderson. Also includes a history of churches and lodges in West Virginia as well as histories of the Odd Fellows, Knights of Pythias, and the Galilean Fisherman lodges. Denominations represented include African Methodist Episcopal, Episcopalian, and Baptist.","Correspondence with Lucile S. Meadows regarding help with the Second Baptist Church, Fayetteville, Centennial; racial tolerance in schools","\"125th Anniversary Journal\" First Baptist Church, February 1, 1868-February 28, 1993, Charleston, WV","Time line for black Episcopalians in WV. \"The First Hundred Years: a History of St. Philip's Episcopal Church, Charles Town.\" Research notes and sources. Humanities Foundation of WV grant application by Florita Montgomery to study the history of St. Phillips' Episcopal Church. Information on the Trinity Church in Parkersburg. Photograph including some black congregants.","1907 Weekly Bulletin of Diamond St. M.E. Church in Fairmont","Book titled Miracle on B Street Continues about St. Paul Baptist Church's (St. Albans) 131st anniversary.","Letter re: slide presentation at the Young Chapel African American Methodist Episcopal Church. Program for the 94th Church Anniversary. Handwritten time line and other notes. Booklet of photographs, text of Bickley's speech, newspaper clipping.","\"Black Churches and Lodges in West Virginia in Their Infancy, 1865-1900\" by J. Reuben Sheeler. \"History of Bright Hope Lodge #9, F.\u0026A.M. and - P.H.A. Montgomery WV.\" Facsimile of pages \"Introduction and Growth of the Grand United States Order of Odd Fellows in America.\" Notes \"Knights of Pythias of West Virginia History\" researched by James A. Tolbert. Notes about \"Grand United Order of the Galilean Fisherman\" compiled by Ann Wilson.","Email correspondence with Adrienne Belafonte re: a newspaper article about the Shiloh Baptist Church in Alderson. Clipping of the article.","Program for First Baptist Church 125th Anniversary, 1997. Program for installation of Rev. William F. Buchanan, First Baptist Church, 1988.","Includes newspaper clippings, text for presentations, correspondence, research notes, articles, commencement programs, interviews and more about state and national teachers' organizations, historically black WV colleges including West Virginia State College and West Virginia University, integration of schools, histories of specific schools, the Kanawha County textbook controversy, and more.","Newspaper articles: WV Education Association (WVEA) Executive Committee meeting, the National Education Association (NEA) and the need for minority teachers; and recommendations from the Black Caucus, WV School Journal , December 15, 1973. Photograph of Blacks in auditorium seating, ca. 1950s","Multiple facsimiles of a post card picturing Albert Long, \"Bertie\" -- Aunt Onie's Son. West Virginia State College Commencement Programs: 1948, 1950, 1951","Information sheets and travel plans for trip to Egypt, July 5, 1987, sponsored by WVSC. Passport and Visa information written on folder.","Various versions of text for a multi-media program on the history of West Virginia State College (WVSC) and Institute, WV","Letter to Edmonia Grider from Marjorie [Counts] regarding the Hilltop School, October 7, 1974.","Manuscript discussing integration and black teachers in WV, author unknown. Speech (?) regarding school integration. Research notes. Annotated speech: \"Black Education in West Virginia\" delivered in Shepherdstown.","Research materials on the integration of WV schools: facsimiles of WV newspaper articles regarding integration of schools; \"How Black Students Saw Themselves through the Decades of Change at Bluefield State College (founded in 1895) as It Changed from Predominately Black Institution to a Predominantly White Institution\" by James Worsham","Program for the Alpha Delta Chapter, Delta Sigma Theta Sorority, Inc. 19th annual Jabberwock, March 16th, 1949. Dance invitation, 1948. WVSC Commencement program, 1949. Washington Alumni Chapter banquet, 1976, to roast John W. Davis. Newspaper articles","Vocational and Educational Survey for the Kanawha County Negro Schools by Andrew H. Calloway, 1945.","Correspondence, photos, newsletter, and newspaper clippings regarding the Douglass High School (Huntington) Reunion. Notes on class of 1947. Newspaper clipping regarding NB. Photo YWCA Y-Teens, Douglas High School, Christmas, 1946.","Research notes on schools in Keyser and Piedmont, WV, including a facsimile of book pages from Howard School: a History, 1877-1955 regarding a black student strike for a better school in 1939. Notes on interview with Alberta Coleman, Piedmont, WV. Notes from interview with Opal Coates Carter, and other research notes, regarding Woolworth Fire, Charleston, WV, [ca. 1964s].","Compilation, by R. Charles Byers, of resources regarding WV black schools.","Annotated pages for \"Integration in West Virginia\"","Bulletin of West Virginia State College , Series 21, no. 1, June 1933. \"Why Choose West Virginia State College\"","Affirmative action statistics for Bluefield State College, 1984. \"Pride and Preservation: West Virginia State College\" seminars which included Alex Haley as a speaker, 1979. Newspaper article re: archives at West Virginia State College, 1979. Southern Rural Women's Network Newsletter , June, 1983. Photograph of Alex Haley with inscription and signed letter from Alex Haley to NB, 1970.","Research notes and materials for research on education in Mason County, WV","Research materials regarding the Lincoln School in Wheeling, WV","West Virginia State College Bulletin , April 1941, Series 28, No. 2. Handwritten transcription of an article in The Advocate , 1907.","Program for One Hundred Fifth Commencement, Huntington High School, 1971. Photo of AB, West Virginia State College Commencement, May 17, 1986.","Report of the Twenty-first Annual NEA Conference on Human and Civil Rights in Education , 1983, including paper by AB on the Kanawha County textbook controversy and censorship.","Facsimile of a brief historical sketch of Storer College, 1867-1891, by Kate J. Anthony, 1891.","Newspaper clippings and other sources relating to the West Virginia Seminary and College and the Hilltop Baptist Center.","\"Integration in Reverse at West Virginia State College\" by Elizabeth Duran and James A. Duran, Jr.","Correspondence, interviews, newspaper clippings, and facsimiles of photos re: WVSC's East Hall. Research notes.","WV Humanities Council grant application for a presentation on black education in Parkersburg. Research materials and notes. Handwritten and typed notes from interviews with Mrs. Dorsey, Mr. James Emondson, Mrs. Hattie Gazelle Turner, and Mrs. Elizabeth Mitchell. Particular focus on the Sumner School.","Photo slides of WVSC buildings, presidents, etc. Post cards of WVSC buildings and Institute. Note cards from a lecture. Research materials on all aspects of WVSC history.","Research materials on many aspects of WVSC history including faculty information. Includes these publications: \"ROTC in Review: 40 Years of Tradition;\" \"West Virginia State College Glee Club;\" Alumni Association, Los Angeles Chapter, Scholarship Luncheon program, 1989;","Program for Convocation and Dedication of the Harold Maceo McNeill Physical Facilities Plant, WVSC, 1999.","Letter from AB re: retirement of Justine Gutzmer; retirement announcement for Gerald Cote, Beatrice Dupass, Gutzmer, and Darthulia Jones. Facsimile of WWII death notice of Oliver Johnson to his parents and his obituary. Johnson was Gutzmer's brother.","Booklet of texts and order of ceremonies for the WVSC commencement program, 1985.","Includes background research on the Montgomery Woman's Improvement League, the West Virginia Federation of Colored Women's Clubs, Alpha Omicron Omega Chapter of the Alpha Kappa Alpha Sorority, the Mountain State Bar Association, and the West Virginia Medical Society. Research materials include a yearbook, programs, correspondence, a members list, and more.","Montgomery Woman's Improvement League Year Book , 1955-56 and 1960-61. Program for West Virginia State Federation of Colored Women's Clubs, Inc. Annual Convention, 1959. Newspaper photojournalism article regarding the College Alumni Club 50th anniversary history booklet. Program for the Annual Debutante Ball sponsored by Alpha Omicron Omega Chapter, Alpha Kappa Alpha Sorority, 1958. Correspondence with Katherine Atwater regarding resources.","Program for the Annual Meeting and Awards Banquet of the Mountain State Bar Association, 1985. List of members, 1986.","Paper titled \"The West Virginia Medical Society [Black]\" Article: \"Historically Black Medical Colleges: From Scorn to Success\" from The Boule Journal , 2004.","This subseries includes maps, research papers, newspaper clippings, letters, census data, newspaper articles, facsimiles of historical slave documents, and more. Other materials regarding slavery can be found in county subseries and the Underground Railroad Subseries.","West Virginia map. \"Number of Slaves in Counties Which Became WV\" 1850, 1860. Typescript of Historical Atlas of West Virginia by Frank S. Riddel.","Handwritten notes on John Marshall; Marshall and slavery; Marshall and Robin Spurlock, his servant. Typed observations. Resource materials.","Facsimiles of legislation and resolutions to abolish slavery; and a list of representatives at the state convention in Wheeling.","Research materials. Typewritten manuscript[s] by James Oliver Horton. Codes for occupations. Copy of newspaper article.","Newspaper clipping and multiple facsimiles of an article about a slave breeding farm in Greenup, KY.","Research materials about slaves in Ohio Valley plantations and adjacent WV counties. Photocopies of photographs of Mary and plantation sites.","Facsimiles of: newpaper slave ads; Virginia law re: Kanawha Slave Insurance Company; Dunsmore's Proclamation freeing slaves; Va. Law to send slave to Liberia; slaves in Bunker Hill; New York Times article re: slave uprising; and drawing of [Harpers Ferry]. Harpers Ferry National Historical Park Afro-American materials. \"History of Gerrardstown\" in The Berkeley Journal . Handwritten list of properties, including slave names, of Richard B. Washington, [1864]. Letter of transmittl and facsimile of bill of sale for slave, 18[4]5. Transcription of Rumsey-Polk letters re: slaves.","Handwritten research notes and research materials regarding reparations for slavery; text of NB speech; typewritten notes.","Annotated manuscript \"Compensatory Justice: Over Time and Between Groups\" by Renee A. Hill; text of introduction of a speech about reparations; newsapper clippings; web page print outs; articles.","West Virginia and Regional History Collection Newsletter with articles re: slave letters. West Virginia Then and Now article re: John Brown's letter. Research re: images of blacks in journalism. Research notes.","Facsimile of tables of free Negro listings from 1830 census. \"Researching Virginia's Slave and Free Negro Records\"","Facsimile of newspaper article, 1934, re: Mount Pisgah Church, Proctorville, OH. \"The Way It Was…\" by Betty Burcham, a history of UGRR and Mount Pisgah Church. Facsimile of will of Eliza Goode freeing Sully Smith, her husband and her slave, 1848. Facsimile of two receipts for purchase of slaves, 1852. Research notes re: Ohio slaves and fugitives to WV.","This subseries includes text of a speech made by Bickley, books, slides, photographs, brochures, post cards, correspondence, maps, and more. The materials focus on parts of Ohio across the river from Huntington as well as West Virginia. Some topics are quilt codes, abolitionists, runaway slaves, location of Underground Railroad sites, and more.","Research materials about Serena Wilson and the book Hidden in Plain View: The Secret Story of Quilts and the Underground Railroad.","Photos \"Trip to Doddridge County to visit Jaco Hill/cave - UGRR Site - w/Karen Nance, Sandra Moats, \u0026 Judy Wilinson, 6/20/01. Other research materials","Research materials on the Underground Railroad with focus on Ohio.","Brochures and post cards regarding the UGRR and the film \"Nightjohn.\" Correspondence with Margaret Brennan, organizer for the UGRR Summit in Wheeling. \"Reflections on the West Virginia UGRR Summit\" by Cathy D. Nelson; photo of AB speaking at the Summit and with Amanda Nelson and Sherry [Sowchuck].","Correspondence from Alicestyne Turley-Adams re: Underground Railroad Network Partnership.","Correspondence with Lucille Deberry and other research materials re: the UGRR, some in West Virginia.","Correspondence with Sandra Moats-Burke re: UGRR in WV counties. Exploring a Common Past: Researching and Interpreting the Underground Railroad , 1998, 2nd ed. from the National Park Service. List of UGRR sites in WV.","Photograph slides, numbered and identified. Research materials mostly about Ohio. \"Draft Proposal to Establish a National Underground Commemorative, Interpretive, and Research Center, City of Huntington, West Virginia\" 1994. Itinerary for trip to Washington to meet with Interior Dept. officials and Robert C. Byrd's staff.","Book chapter \"In Gallia and Miegs Counties\" from The Mysteries of Ohio's Underground Railroad by Wilbur Henry Siebert, 1951. Facsimile of handwritten narrative by an abolitionist, [1892]. Facsimile of letter from R. C. Rankin re: father Rev. John Rankin, 1892. Research notes on WV runaway slaves. Facsimile of letter to Daniel ? to Cyrus Little re: UGRR, 1894. Map of UGRR, 1860. Requests for copies from the Siebert papers. More facsimiles of records.","Background materials on the Underground Railroad in Ohio.","Research materials including newspaper clippings and research notes on the Underground Railroad","Research materials re: the Underground Railroad. Research notes.","Facsimiles of documents pertaining to slaves in Jefferson County, VA. Itinerary for Underground Railroad tours [Ohio?]. The Escape of Jane: a True Story of the Underground Railroad by Henry Burke \u0026 Dick Croy. Henry Robert Burke correspondence. Brochure on Henderson Hall, Wood County. Dick Croy correspondence and resume. Newspaper articles by Burke. \"Black Cultural Sites in West Virginia\" compiled by Michael Pauley and Peter Jesus, 1990","Correspondence with Sandra Moats-Burke re: UGRR. WV and county maps. Facsimile of pages from \"From the Charles River Shire, 1634-1643, to the Present Day Counties: Harrison, Doddridge, Ritchie, Wood, Pleasants and Tyler\" by Barr Wilson. Research materials on the UGRR. Research notes. \"The Anti-Slavery Movement in West Virginia,\" a speech delivered by Sandra Moats Burke.","Research materials re: quilts and the Underground Railroad, 2001-2011. Notes re: Eliza Farrow, 2005. Paper \"The UGRR Quilt Code\" by Leigh Fellner. Research notes; newspaper clipping; facsimile of web page and transcription of story in an email \"Secret Quilt Code on Exhibit until 10/6,\" 2012; and September 2012 issue of Underground Railroad Free Press.\" Mini-grant for UGRR quilts materials, 2013.","Underground Railroad: Official National Park Handbook .","Includes manuscripts and publications for books; plays and reenactor monologues; short stories; magazine and scholarly articles; and other forms of writing in both print and handwriting. Five subseries encompass the various genres of her writing. Also includes background and research materials for the subjects for her writings, both fiction and non-fiction.","Includes research materials for topics of articles. Subjects and formats treated are: encyclopedia entries in the biographical dictionary African American Architects; drafts and final versions of entries for both people and institutions for the West Virginia Encyclopedia; drafts and final versions of articles about Molly Gabe and Carter G. Woodson for Appalachian Heritage; newspaper articles for the Charleston (WV) Gazette Mail and Village Neighbors (FL) on a number of topics including George Wesley Atkinson, 10th governor of West Virginia, but especially for Black History Month and its founder Carter G. Woodson; Goldenseal articles about a Civilian Conservation Corps (CCC) camp, Jessie Moon Thomas, Edward Greer, the Charleston Women's Improvement League, Memphis Tennessee Garrison, and West Virginia's Tuskegee Airmen; contribution to a symposium on diversity and change for Appalachian youth; and a study guide for a Charleston, WV, performance of Zora Neale Hurston's Spunk.","Articles by Ancella Bickley from the Goldenseal Magazine","Correspondence regarding use of the Goldenseal article \"Camp War: Remembering CCC Company 3538-C\" in an online education guide by the WV State Museum.","Annotated manuscript and research notes for Goldenseal article \"Education and Activism in Gary: a Visit with Jessie Moon Thomas.\" Correspondence with Mrs. Thomas including notes on the Froe and Moon families.","Issue of the journal Appalachian Heritage containing AB article \"Profiles: Mollie Gabe\" by Ancilla [sic] Bickley.","\"Remembering Carter G. Woodson, the 'Father of Black History'\" in Village Neighbors , [a publication of the Village in Florida where the Bickley's resided.] Typed notes on Carter G. Woodson. Transcription of letter from Bessie Woodson Yancey, CGW's sister, including text of the poem \"If You Live in West Virginia.\" CGW black history quiz prepared for the Spicy Ladies meeting.","Typed text of autobiographical musings about friendship: likens travel in the south in 1952 to the Underground Railroad travel; and includes details about the move to Morgantown in 1966.","Correspondence with Goldenseal regarding \"Edward Greer: First Black General from West Virginia\" and potential story about 1939 black student strike in Piedmont, WV. Manuscripts for Greer article.","Correspondence and drafts of a Goldenseal article \"Lifting as We Climb\" about the Charleston Woman's Improvement League. Research materials including facsimiles of photographs. Newspaper article about Judge Irene Berger, McDowell County.","Research materials on Carl Eugene Barnett and Robert Edward Lee Washington for entries in African American Architects: A Biographical Dictionary, 1865-1945 .","Spiral bound program for A Different World: Symposium on Diversity, Change, and Appalachian Youth, 2006, where Bickley was a panelist.","Appalachian Heritage , Summer 2008, which includes \"Carter G. Woodson: the West Virginia Connection\" by Ancella Bickley","Appalachian Heritage , Special Issue: Blacks in Appalachia, 1991, which includes Bickley's \"Molly Gabe\" in the Profiles section.","Goldenseal , Winter 2011, containing AB's article \"General Edward Greer: West Virginia's First Black General.\"","Correspondence with Dreck S. Wilson re: contribution to the book Biographical Dictionary of African-American Architects, 1865-1945.","Research materials about George Wesley Atkinson, tenth governor of WV who attended Howard University. Paper titled \"West Virginia's Tenth Governor and the Black Community\" and newspaper article by AB.","Research materials re: the West Virginia Colored Orphans Home. Newspaper article written by AB. Testimonial for Fannie Cobb Carter. Research notes. Facsimiles of photos. Transcript of interview with Araminta Miller Justice. AB's paper about the Home.","Manuscript drafts and final versions for entries in the West Virginia Encyclopedia. Materials from West Virginia Humanities Council meetings re: the format and content of the Encyclopedia","Appalachian Heritage, Special Issue: Blacks in Appalachia, Fall 1991, with article by AB in the Profiles Section on Mollie Gabe.","Musings written to friends, 1996. Clipping of \"Commentary: Capable of Thinking, Working…and Paying Her Own Bills,\" 1979, Ancella Bickley Jr.","Processor-created bibliography of Ancella Bickley's writings","Includes books written, complied, or edited by Bickley, and background research materials and drafts of manuscripts. Books Bickley wrote include: a children's book, LuJay, No-Name, and the Parrot , also titled Lucia Jean, No Name, and the Parrot ; …to be black in fayette [sic]; History of the West Virginia State Teacher's Association ; and In Spite of Obstacles: a History of the West Virginia Schools for Colored Deaf and Blind . Books edited by Bickley include: Honoring Our Past: Proceedings of the First Two Conferences on West Virginia's Black History ; Memphis Tennessee Garrison: the Remarkable Story of a Black Appalachian Woman ; and Our Mount Vernons: Historic Register Listing of Sites Significant to the Black History of West Virginia .","Typed manuscripts, 1-14 parts, of 1968 oral history interview with Garrison by Bernard Cleveland, with AB notes and Post-it-Note tabs.","Draft of book introduction; correspondence; photos and negatives for book: MTG and family, Gary WV, mining, Edward O'Toole, facsimiles of photos. Facsimiles of William Garrison's obituary, letter of condolence from Agatha S. Lowe. Program for MTG celebration at Marshall. Personal notes of congratulations on book. Photograph permissions. Facsimile of deed for MTG's grandfather's property, Hollins, VA.","\"The Charleston Stage Company's Study Guide for George C. Wolfe's Adaptation of Zora Neale Hurston's Spunk \"","Honoring Our Past: Proceedings of the First Two Conferences on West Virginia's Black History edited by Joe William Trotter, Jr. and Ancella Bickley","Text and illustrations for [children's] book Lucia Jean, No Name, and the Parrot as told to Ancella. Original illustrations by S. Ross Browne.","Manuscript for \"Papers from the Conference on West Virginia's Black History, Marshall University, Huntington, West Virginia, September 1991\" Facsimile of a book chapter \"Negro Education and Integration.\" Facsimile of photograph of students at Weston Colored School.","Spiral bound The Gathering .","Our Mount Vernons: Historic Register Listings of Sites Significant to the Black History of West Virginia edited by Ancella R. Bickley.","History of the West Virginia State Teachers' Association by Ancella R. Bickley; program for The Carter G. Woodson Memorial Foundation, Inc. annual banquet, 2006; research notes on History of Negro Secondary Education in McDowell County, WV.","In Spite of Obstacles: a History of the West Virginia Schools for the Colored Deaf and Blind, 1926-1955 by Ancella Bickley.","Memphis Tennessee Garrison: the Remarkable Story of a Black Appalachian Woman edited by Ancella R. Bickley and Lynda Ann Ewen.","Our Mount Vernons: Historic Register Listings of Sites Significant to the Black History of West Virginia edited by Ancella R. Bickley. Program for Second Baptist Church in Fayetteville, 1993","Manuscript for …to be black in fayette written and compiled by Ancella R. Bickley for The Centennial Committee of the Second Baptist Church of Fayetteville, West Virginia, and The Fayette County Black Caucus.","Permissions to publish papers in Honoring Our Past: Procedures of the First Two Conferences on West Virginia's Black History .","Correspondence with Joe William Trotter. Research notes. Materials relating to the Second Annual Conference on West Virginia's Black History and a paper on James McHenry Jones. Trotter's syllabus for a seminar \"The Afro-American Experience.\" \"Blacks in West Virginia: A Critique of the Secondary Literature and Survey of Primary Sources\" by Joe W. Trotter.","Galley proof of the children's book, LuJay, No-Name, and the Parrot by Ancella R Bickley, illustrated by S. Ross Browne. Handwritten list of names.","…to be black in fayette written and compiled by Ancella R. Bickley for The Centennial Committee of the Second Baptist Church of Fayetteville, West Virginia and The Fayette County Black Caucus.","Includes full plays, skits, and historical interpreter scripts depicting characters such as: Ester from the Bible; West Virginia men and women such as Molly Gabe from Braxton County; Deborah Lacks Pullum, daughter of Henrietta Lacks; and many more. Includes manuscripts for a collaboration with Maureen Crocket in writing \"Tangled Threads: a Three Act Play\" and other plays. For \"Two Saint Say,\" a play performed at the Central Florida Community College, materials include an audition announcement, program, newspaper clipping, and correspondence. Also included is a newspaper clipping and details about Bickley's winning the Florida Senior Playwright Festival contest with \"Wade in the Water.\"","Newspaper article about the play Two Saint Say and its performance.","\"Historical Information Re: Milly, Enslaved Black Woman on Whom the Character, OAGE, in Toussaint Say Is Based\" Handwritten research notes.","Manuscript for \"Wade in the Water: a Play in One Act\" by Ancella R. Bickley. Correspondence regarding performance.","Manuscripts and notes for \"Mother Love: a Three Act Play\" by Ancella Bickley and Maureen Crockett. Annotated text.","Program for performance of Two Saint Say at the Central Florida Community College, February-March, [2008] Print of online article from the Ocala Star Banner added by processor.","Two Saint Say and AB typed comments","Annotated \"In the Name of Woman.\" Facsimile of pages from 1909 court docket book, County of Allegheny (PA) and court case upon which the play is based.","Correspondence with Maureen 'Bunny' Crockett and Bobbi (bjslake@comcast.net) regarding changes to the play Tangled Threads . Typed pages with annotations regarding black history. \"Mother Love: a Three Act Play\" by Ancella Bickley and Maureen Crockett.","Newspaper clipping for \"Villager's Work Winds Playwright Contest.\"\" Congratulatory email for selection of Wade in the Water for the Florida Senior Playwright Festival. Email commenting on inspiration for various plays. Lyrics for the spiritual \"Wade in the Water.\"","Scripts for historical interpreters for Deborah Lacks Pullum, Henrietta Lacks' daughter; and Henrietta Lacks. \"It Ain't Her: a One Act Play.\" Script for historical interpreter for Ona \"Oney\" Judge; Robert Smalls, 1839-1915; Callie House; and Percy Julian. Research notes on Dr. James Marion Sims and other projects. Program for WVU Honors College Symposium \"With a Torch in Their Souls: African Americans in the Civil War\"","Script for historical interpreter for Charles Hamilton Houston presented for the African-American Club, 2011; Gabriel; and Henrietta Lacks.","Research notes. Text of play \"And Further She Sayeth Naught.\" Text of play \"Heritage: an Historical Drama in Three Acts\" by Ancella Bickley and Maureen Crockett.","Two Saint Say: A Play in Two Acts . Auditions announcement. Correspondence regarding the production. Proposal to produce the play from the director Bobbi Jordan.","Correspondence regarding Megan Forrest, actress. Double sided card featuring photos of Ms. Forrest and a brief overview of future endeavors.","Brief plays regarding voting issues including: lack of attention to candidates and issues, campaign spending, voter assistance, pay for voting, etc. Unidentified group photograph. Handwritten dialog.","Two Saint Say: a Play in Two Acts [performed at] Central Florida Community College, Ocala, Florida, February 29-March 1, 2008.","Submission form for Wade in the Wate r for the Florida Senior Playwright Festival. Manuscript for Wade in the Water. Email update for Festival.","Manuscript for \"The Crossing,\" a play. Photocopied page regarding Mollie Gabe and her time in Braxton County.","Typed manuscript for a play Tangled Threads .","\"On This Rock,\" a play; one annotated. Handwritten notes on \"A Last Right\" and \"A Good Christian Woman.\" Recommended edits to Bickley's writing? Short stories, \"The User\" and \"Feelin' the Heat\" by Charles Lloyd.","Traditions: A Journal of West Virginia Folk Culture and Educational Awareness , 1996, which includes Bickley's \"The Baby Catcher\"","Spiral bound Two Saint Say: a Play in Two Acts by Ancella Bickley","Research and performance notes for Tangled Threads: A Three Act Play by Ancella R. Bickley and Maureen Crockett. Lists of guests who read parts, 2014. Comments from readers.","Annotated Tangled Threads , 2008.","Tangled Threads labeled \"Work Copy\"","Tangled Threads","Annotated \"I-John,\" a play.","Table of contents for Skit of Ester, 2010. Web page re: Esther. Typed page re: Haman, Mordecai, and Esther. Chapter summaries. Typed paper about Queen Vashti. Two typewritten pages from larger document. Letter to Jerome re: return of skit manuscript. Letter to Jerome re: transmittal of skit text and masks for players. Handwritten, not AB's handwriting, notes. Three \"masks,\" made from paper fans, and for 6 characters.","Includes manuscripts and edited manuscripts for many stories and a collection of short stories, Turn Left at the Desert . Bickley's stories are mostly historical character studies and include themes such as faith and community. One highlight is a critical review of Bickley's short story \"Martha,\" a part of the anthology Appalachian Love Stories .","Manuscripts: \"Gabe,\" \"Turn Left at the Desert: Verbal 'Snapshots' from a Black Community\" contents, \"Jones,\" \"The Church on the Corner,\" and \"Sister Angelica.\"","Annotated story manuscripts. \"'Jones': Manuscript Submitted for Workshop, Women Writers Conference\" and reviewed by Faith [Holsart?]","Annotated manuscript for the story \"On This Rock;\" the play Tangled Threads ; and the story \"It Ain't Her\"","Correspondence regarding writing critiques. Text of \"Mr. Adams,\" \"The Church on the Corner,\" \"Gabe,\" \"Angie's Uncle Robert,\" three versions of \"Mr. Abe Jackson,\" \"The Battle of the Bottle,\" \"DoeDoe,\" \"Addie,\" \"Lesey, Who Was Black, But Comely,\" \"The Lavender Hat,\" and \"A Day in the Park.\" AB commentary on stories.","Review of \"Martha.\" Text of \"Martha.\"","Manuscripts and notes for \"It Ain't Her,\" \"Belli: 'Momma Raised Me Up Special',\" The Battle of the Bottle,\" \"Bertha,\" \"Friends,\" and \"Martha.\"","Manuscript for stories for Turn Left at the Desert","Manuscript for stories for Turn Left at the Desert: \"It Ain't Her,\" \"Hush Now, Child\"","Excerpt from a review of AB's story, [\"Martha\"], in Appalachian Love Stories .","Short stories for Turn Left at the Desert.","Annotated manuscript for \"Bertha,\" a short story.","Appalachian Love Stories compiled and edited by James M. Gifford, Edwina Pendarvis; includes \"Martha\" by Ancella Bickley.","Parts of Turn Left at the Desert: Verbal \"Snapshots\" from a Black Community.","Handwritten beginning of a story","Handwritten pieces of writing","Typewritten contents for \"Turn Left at the Desert: Verbal 'Snapshots' from a Black Community\"","Typed manuscripts for various short stories.","Bickley was a prolific speaker; speeches cover a wide range of topics including faith, WV black history, black history and pride, West Virginia State College, education, black literature, and more. The majority of the speeches are typewritten.","Program for \"Mending an Era: a Slave Ship Speaks: the Wreck of the Henrietta Marie.\" Typed text, pages 6-7, of a speech (?) about slaves, Anderson Radford, Cassie Thomas Carter, and MTG's mother.","Text of 2 speeches about Alice Walker's novel The Color Purple: \"The Uses of Literature: 1984 \u0026 The Color Purple, Panel Discussion at the Tenth Anniversary Program of the Virginia Foundation for the Humanities,\" September, 1984; and one at Richard Bland Community College, October 7, 1985. Research notes on The Color Purple . Research notes on Alice Walker's short stories \"1955\" and \"In Love and Trouble\"","Correspondence, schedule, lecture series program with AB's lecture on the Underground Railroad. Typed notes from Guyandotte presentation 11/9/91, and the Guyandotte Civil War Days. Program for Guyandotte Civil War Days, October 12-November 4, 1992 with listing of AB lecture \"Local Black Settlement.\" List of sources by Alan Gould, Marshall University. Invitation to present at the 1993 Civil War Days.","T he West Virginia and Regional History Collection Newsletter , Summer 1989, which includes a speech by AB at an education in WV forum.","Annotated text of a speech by both AB and NB about their time at WVU. WVU program \"A Celebration: Integration of Sports on the WVU Campus\" Correspondence with Dana Brooks regarding participation","Article regarding speech about The Color Purple at the West Virginia Alliance for Women's Studies meeting. Text of paper \"Black Education in WV\" read at WVU 6/20/89 for West Virginia Day.","Text of speech about black history in West Virginia and after-dinner remarks regarding social history. Email, travel itinerary, newspaper clipping, and correspondence.","Paper about the slave ship Amistad.","Text of speech re: the Underground Railroad. Newspaper article re: decree of freedom from slavery 150 years after.","Handwritten speech to Mo So Lit Club in McDowell County regarding the history of education of blacks, April 1983. WVSC Fall Convocation program, September 8, 1983; two texts of AB's welcome.","Handwritten poem \"Scamp\" [by Paul Laurence Dunbar]. Two handwritten speeches to the WVSC student government regarding importance of citizenship and service, and the history of WVSC. Invitation to speak to the Student Government Association, April 16, 1982. Newspaper article about black newspapers. Program for the Student Government Association Annual Inauguration Dinner, April 13, 1980. Speech for the Honors Convocation, 1985. \"Remarks prepared for State Senator Marie Redd for Blk History Month-2/4/99\" regarding black history and WV black history.","Correspondence regarding invitation to speak at the West Virginia State Baptist Convention. WVSC new student orientation schedule with remarks scheduled for AB. Text of speech, 1984 and 1985, including a brief history of WVSC and Institute.","First page of WVSC Honors Convocation Speech","Program for \"Building Leadership for Educational Excellence: NEA Mid-Atlantic Regional Leadership Conference, November 1-3, 1985 - Greenbrier Hotel, White Sulphur Springs, West Virginia.\" Annotated text of speech \"A Response to the New Right's Agenda for Public Education.\" Other speeches regarding education","Annotated text, some handwritten, of speech to the Mo So Lit Club, McDowell County, WV. Program for The Matrons and Maids Social and Literary Club (Ma-So-Lit), 50th Anniversary, April 17, 1983. Program and text of introduction of Ethel O. Davie for the WVSC Graduate Dinner, 1984.","Program and text of speech for \"Rewriting History\" panel at the \"Premonitions and Perspectives from 1984: Has the Orwellian World Arrived?\" Wisconsin Intellectual Freedom 6th Annual Conference in Milwaukee, March 1-3, 1984. Program, including full text of AB's speech for a panel on \"Perspectives on Censorship: A Discussion\" at the Twenty-First Annual NEA Conference on Human and Civil Rights in Education, February 25-27, 1983. Correspondence regarding invitations to speak at these conferences.","A speech about The Color Purple possibly delivered at a Virginia Humanities Conference.","Text of speech for WVSC Convocation and an outline of speech to women students.","Speeches about Carter G. Woodson, WV black history, her life and experiences, and MLK Day.","Speeches about WV black history, historical research, community service, her life and experiences, importance of black organizations, her faith, black women, race, and black education. Programs from presentations at churches. Letter confirming appointment to the Danforth Associate Program.","Speeches about black education; being a role model; leadership; church missionary work; Martin Luther King, Jr.; taking control; the college experience; community service; honoring Alan Gould; Our Mount Vernons; and black history. Corresponence re: speaking at churches.","Speeches about Black History Month; civil rights; Kwanzaa; women's rights; Martin Luther King, Jr.; the Underground Railroad; MTG; The Color Purple; black culture; Alice Walker; Carter G. Woodson; and WV black history.","Slides for WV black history speech. Research materials on WV black institutions. First two pages of speech. Handwritten text on various institutions.","\"Go with God: Remembering All of Us…,\" Commencement address at MU, 1990. Photograph of unidentified black men singing in church. The program for the 1975 NCTE Spring Institutes: \"Teaching Minority Literatures at All Levels.\"","Text of speech, one annotated, about The Color Purple for the Virginia Foundation for the Humanities; handwritten notes.","Text of two speeches about black culture with notes for accompanying slides. Note from Charles Davis. Langston Hughes poem with Alex Haley autograph. [No slides in file.]","Booklet presented to AB after she made a speech for the Army Corps of Engineers in Huntington.","Correspondence with NEA re: participation in panel \"Perspectives on Censorship: A Discussion.\" Handwritten speech on censoring literature by blacks and women in the context of the Kanawha County textbook controversy.","Background materials, correspondence, and text of speech \"Multiculturalism in West Virginia\" at the Governor's Honors Academy.","Newspaper clipping about AB Commencement address at Marshall University, 1990. \"And Further She Sayeth Naught: a Play in Three Acts\" by Maureen \"Bunny\" Crocket and Ancella Bickley. [Speech] re: education in WV.","Text of speech about Martha Toler Spencer. Outline for [speech] about black women. Handwritten text of speech in Virginia, Longwood College, about black women. Notes.","\"Go with God: Remember All of Us\" AB's commencement address at MU, 1994.","Typed text of speech for the National Education Association.","Edited paper about the mission of West Virginia State College and changes for the future."],"separatedmaterial_html_tesm":["\u003cp\u003eItems not held in the WVRHC collection which were sent to the Rare Books Curator:\n\u003clb\u003e\u003c/lb\u003e\n1969/70 edition of \"The Black Student at WVU\" \u003clb\u003e\u003c/lb\u003e\nBulletin of West Virginia State College, Series 21, no. 1, June 1933. \"Why Choose West Virginia State College\"\u003clb\u003e\u003c/lb\u003e\nBickley, A. R., Carter, G. W. M. F. I., \u0026amp; Marshall University, H. W. V. D. A. (1997). \u003ctitle\u003eOur Mount Vernons: historic register listings of sites significant to the Black history of West Virginia\u003c/title\u003e. [Huntington, WV] : [Carter G. Woodson Memorial Foundation of Huntington and the Drinko Academy at Marshall University].\u003clb\u003e\u003c/lb\u003e\nBooklet, \"History of African-American Miners in Appalachian Coal Fields: Black History Month, February, 2000\"\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Items not held in the WVRHC collection which were sent to the Rare Books Curator:\n \n1969/70 edition of \"The Black Student at WVU\" \nBulletin of West Virginia State College, Series 21, no. 1, June 1933. \"Why Choose West Virginia State College\" \nBickley, A. R., Carter, G. W. M. F. I., \u0026 Marshall University, H. W. V. D. A. (1997). Our Mount Vernons: historic register listings of sites significant to the Black history of West Virginia . [Huntington, WV] : [Carter G. Woodson Memorial Foundation of Huntington and the Drinko Academy at Marshall University]. \nBooklet, \"History of African-American Miners in Appalachian Coal Fields: Black History Month, February, 2000\""],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6f25abedabab5822a513e8a3ea47bb48\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia State College (Institute, W. Va.)","Bickley, Ancella R.","Bickley, Nelson R., 1928-2021","Woodson, Carter Godwin, 1875-1950","Garrison, Memphis Tennessee, 1890-1988","Yancey, Bessie Woodson, 1882-1958"],"names_ssim":["West Virginia and Regional History Center","West Virginia State College (Institute, W. Va.)","Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-","Bickley, Nelson R., 1928-2021","Woodson, Carter Godwin, 1875-1950","Garrison, Memphis Tennessee, 1890-1988","Yancey, Bessie Woodson, 1882-1958"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia State College (Institute, W. Va.)"],"persname_ssim":["Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-","Bickley, Nelson R., 1928-2021","Woodson, Carter Godwin, 1875-1950","Garrison, Memphis Tennessee, 1890-1988","Yancey, Bessie Woodson, 1882-1958"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":502,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-04T15:06:42.135Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6226_c08_c10_c11"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c09_c01","type":"File","attributes":{"title":"1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c09_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c09_c01","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c09_c01"],"id":"viw_repositories_2_resources_9853_c01_c01_c09_c01","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c09","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c09","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c09"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c09"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard"],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard"],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard","1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\"","Box 9","folder 9"],"title_filing_ssi":"1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\"","title_ssm":["1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\""],"title_tesim":["1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\""],"unitdate_inclusive_ssm":["1859-2007"],"normalized_date_ssm":["1859/2007"],"normalized_title_ssm":["1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":20,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"containers_ssim":["Box 9","folder 9"],"_nest_path_":"/components#0/components#0/components#8/components#0","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c09_c01"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c11_c01","type":"File","attributes":{"title":"\"1897-1914 World Power Ascension and Separate but Equal\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c11_c01","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c11_c01"],"id":"viw_repositories_2_resources_9853_c01_c01_c11_c01","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c11","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c11","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c11"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c11"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas","\"1897-1914 World Power Ascension and Separate but Equal\"","Box 11","folder 26"],"title_filing_ssi":"\"1897-1914 World Power Ascension and Separate but Equal\"","title_ssm":["\"1897-1914 World Power Ascension and Separate but Equal\""],"title_tesim":["\"1897-1914 World Power Ascension and Separate but Equal\""],"unitdate_inclusive_ssm":["1900-2008"],"normalized_date_ssm":["1900/2008"],"normalized_title_ssm":["\"1897-1914 World Power Ascension and Separate but Equal\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":39,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"containers_ssim":["Box 11","folder 26"],"_nest_path_":"/components#0/components#0/components#10/components#0","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11_c01"}},{"id":"viblbv_repositories_2_resources_3397_c04_c03_c11","type":"File","attributes":{"title":"18. Afrikan Awareness Weekend, \"The Endangered Black Male / The Bald Eagle\", Dr. Jeffrey Jonnson","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3397_c04_c03_c11#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3397_c04_c03_c11","ref_ssm":["viblbv_repositories_2_resources_3397_c04_c03_c11"],"id":"viblbv_repositories_2_resources_3397_c04_c03_c11","ead_ssi":"viblbv_repositories_2_resources_3397","_root_":"viblbv_repositories_2_resources_3397","_nest_parent_":"viblbv_repositories_2_resources_3397_c04_c03","parent_ssi":"viblbv_repositories_2_resources_3397_c04_c03","parent_ssim":["viblbv_repositories_2_resources_3397","viblbv_repositories_2_resources_3397_c04","viblbv_repositories_2_resources_3397_c04_c03"],"parent_ids_ssim":["viblbv_repositories_2_resources_3397","viblbv_repositories_2_resources_3397_c04","viblbv_repositories_2_resources_3397_c04_c03"],"parent_unittitles_ssm":["Records of the Virginia Tech Black Organizations Council","Series 4: Events","Subseries 1: Afrikan Awareness Weekend"],"parent_unittitles_tesim":["Records of the Virginia Tech Black Organizations Council","Series 4: Events","Subseries 1: Afrikan Awareness Weekend"],"text":["Records of the Virginia Tech Black Organizations Council","Series 4: Events","Subseries 1: Afrikan Awareness Weekend","18. Afrikan Awareness Weekend, \"The Endangered Black Male / The Bald Eagle\", Dr. Jeffrey Jonnson","box 3"],"title_filing_ssi":"18. Afrikan Awareness Weekend, \"The Endangered Black Male / The Bald Eagle\", Dr. Jeffrey Jonnson","title_ssm":["18. Afrikan Awareness Weekend, \"The Endangered Black Male / The Bald Eagle\", Dr. Jeffrey Jonnson"],"title_tesim":["18. Afrikan Awareness Weekend, \"The Endangered Black Male / The Bald Eagle\", Dr. Jeffrey Jonnson"],"unitdate_other_ssim":["1990-02-03"],"normalized_date_ssm":["1990"],"normalized_title_ssm":["18. Afrikan Awareness Weekend, \"The Endangered Black Male / The Bald Eagle\", Dr. Jeffrey Jonnson"],"component_level_isim":[3],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Records of the Virginia Tech Black Organizations Council"],"extent_ssm":["1 Cassettes 1 VHS"],"extent_tesim":["1 Cassettes 1 VHS"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":68,"parent_access_restrict_tesm":["The collection is open for research. However, access to unredacted BOC and BGSO administrative records is restricted."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1990],"containers_ssim":["box 3"],"_nest_path_":"/components#3/components#2/components#10","timestamp":"2026-05-21T02:38:15.658Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3397","ead_ssi":"viblbv_repositories_2_resources_3397","_root_":"viblbv_repositories_2_resources_3397","_nest_parent_":"viblbv_repositories_2_resources_3397","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3397.xml","title_filing_ssi":"Virginia Tech Black Organizations Council, Records of the","title_ssm":["Records of the Virginia Tech Black Organizations Council"],"title_tesim":["Records of the Virginia Tech Black Organizations Council"],"unitdate_ssm":["1982-2017"],"unitdate_inclusive_ssm":["1982-2017"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["RG.08.02.06e"],"text":["RG.08.02.06e","Records of the Virginia Tech Black Organizations Council","African Americans -- History","University Archives","University History","The collection is open for research. However, access to unredacted BOC and BGSO administrative records is restricted.","The collections has been divided into six series.","Series 1: Operational Records includes documents related to the running of the Black Organizations Council. This series is divided into four subseries: administrative files, meeting agendas and minutes, photographs, and financial records.","Subseries 1: Administrative Files includes the organiation's constitution, information about its constitutent member organizations, policies and guidelines, officer elections paperwork, meeting sign-in sheets, and other administrative information.","Subseries 2: Meeting Agendas and Minutes includes the minutes of general body and executive board meetings, the campus programming committee, and meetings with president Steger.","Subseries 3: Photographs includes an organizational scrapbook and a digital record of photographs of organization members and events.","Subseries 4: Financial Records includes budget requests and other financial records.","Series 2: Member Organizations includes photographs and other records related to student organizations that were members of the Black Organizations Council. This series has one subseries: Black Graduate Student Organization.","Subseries 1: Black Graduate Student Organization includes photographs, administrative papers, event flyers, and other materials about the Black Graduate Student Organization.","Series 3: Other Campus Organizations includes constitutions from the Jewish Student Union, University Council, and Student Budget Board as well as materials about the Interfraternity Council, the Asian American Student Union, and the Cultural Centers Advisory Committee.","Series 4: Events includes information about event planning by the Black Organizations Council, videos and photographs of events hosted in whole or in part by the Black Organizations Council, and videos and photographs of events hosted by other campus organizations. This series has nine subseries: Afrikan Awareness Weekend, Asian American Student Union, Black History Month, Black Student Leadership, Celebration of Diversity, Donning of the Kente, Filipino-American Student Association Culture Night, State of the Black Union, and Other Events.","Subseries 1: Afrikan Awareness Weekend includes videos of the 1990 and 1991 Afrikan Awareness Weekend events.","Subseries 2: Asian American Student Union includes videos and photographs of events hosted by the Asian American Student Union.","Subseries 3: Black History Month includes videos and photographs of Black History Month events.","Subseries 4: Black Student Leadership includes photographs of the 1999 Student Leadership Institute and the 2002 Carroll F. S. Hardy National Black Student Leadership Development Conference.","Subseries 5: Celebration of Diversity includes videos and photographs of the Celebration of Diversity event, primarily those held on September 12, 2001 and September 11, 2002.","Subseries 6: Donning of the Kente includes a video, photographs, programs, registrations forms, and other planning records related to the Donning of the Kente graduation event.","Subseries 7: Filipino-American Student Association Culture Night includes videos of the Filipino-American Student Association's Culture Nights from 1997 and 1998.","Subseries 8: State of the Black Union includes documentation and student feedback posters related to the State of the Black Union event.","Subseries 9: Other Events includes videos, photographs, and documents related to other events including An African American Food Taste, Black Organizations Showcase, Black Student Preview, Ebony Affair, Hispanic Heritage Month, Kwanzaa, Million Man March, Relay for Life, Safe Zone Reception, Virginia Nations Pow Wow, White Ribbon Campaign, and others.","Series 5: Presentations and Resources includes research from presentations given by members of the Black Organizations Council and materials maintained by the Black Organizations Council as resources for its membership.","Series 6: Black Cultural Center and Multicultural Center includes photographs of these two centers. This series has three subseries: Displays, Internal and External Views, and Faculty, Staff, and Students.","Subseries 1: Displays includes mounted photographs from center displays and photographs of displays set up by the centers.","Subseries 2: Internal and External Views includes internal and external photographs of the two centers.","Subseries 3: Faculty, Staff, and Students includes photographs of people who are associated with the centers.","From the Black Organizations Council:\n \nFounded on the Virginia Tech campus in 1985, the Black Organizations Council (BOC) is the umbrella and resource body for the Black student organizations. BOC serves to ensure the betterment of the Black community through providing a unified voice for the Black community in a university population where the Black community lacks adequate representation. BOC also serves as a liaison between the administration, university organizations, and the Black community, provides a forum for the exchange of ideas and dissemination of information, promotes the Black organizations individually and collectively, coordinates events which require the participation of all entities of the Black community and supports the development of campus camaraderie within the university community. BOC has a mission of being the governing, representing, and coordinating body for the primarily African American student organizations. We will also provide activism and advocacy, while meeting the challenge of the social and political forces affecting the Black community. We encourage each representative organization to empower themselves to create a paradigm in the area of leadership and service in the community.\n","Source: Black Organizations Council, GobblerConnect webpage, https://gobblerconnect.vt.edu/organization/BOC .","The guide to the Records of the Virginia Tech Black Organizations Council by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","The processing, arrangement, and description of the Records of the Virginia Tech Black Organizations Council commenced in April 2018 and was completed in December 2019.","This collection contains video cassette tapes of events and programs relating to the Black community at Virginia Tech and programs of other minority groups. It also contains 3 boxes of pictures of events and programs relating to minority groups at Virginia Tech. The events documented include Black History Month programs, the Donning of the Kente ceremony, Multicultural Center events, Hispanic Heritage Month, Asian American Student Union cultural heritage programs, book signings, and guest speakers. There are also pictures of various faculty, staff, and students. Additionally, the collection contains flyers and calendars from the Black Organizations Council and related organizations, a binder of slides of paintings, drawings, and portraits, accounting documents, a history of events booklet, and folders of records, minutes, and other documents.","Includes constitutions from the Jewish Student Union (JSU), University Council, and Student Budget Board.","In fall of 2015, the Black Organizations Council held an event titled State of the Black Union: Do Black Lives Matter at Virginia Tech?. These posters were part of an associated community feedback event where students were asked to write their responses to the prompt \"Why do Black Lives Matter at Virginia Tech?\" The event took place a few months after racially charged protests at the University of Missouri and students here at Virginia Tech were eager to have their voices heard.","A concert poster signed by Charles Mingus and John D'earth. The event description from Facebook read: \"Join the Virginia Tech Jazz Ensemble and special guest John D'earth in celebrating the music of Charles Mingus. This concert is presented in conjunction with the Office of Multicultural Programs' celebration of Black History Month. This performance will also feature the award winning jazz ensemble from Albemarle HS $5 Students/$8 Adults\"","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Black Organizations Council (BOC) was founded on the Virginia Tech campus in 1985, and is the umbrella and resource body for the Black student organizations. According to the organization, BOC serves to ensure the betterment of the Black community through providing a unified voice for the Black community in a university population where the Black community lacks adequate representation. The collection includes documents, photos, VHS tapes, and posters.","Special Collections and University Archives, Virginia Tech","Black Organizations Council","Virginia Polytechnic Institute and State University (1970-)","English \n. "],"unitid_tesim":["RG.08.02.06e"],"normalized_title_ssm":["Records of the Virginia Tech Black Organizations Council"],"collection_title_tesim":["Records of the Virginia Tech Black Organizations Council"],"collection_ssim":["Records of the Virginia Tech Black Organizations Council"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Black Organizations Council"],"creator_ssim":["Black Organizations Council"],"creator_corpname_ssim":["Black Organizations Council"],"creators_ssim":["Black Organizations Council"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Records of the Virginia Tech Black Organizations Council were transferred to Special Collections and University Archives in 2017."],"access_subjects_ssim":["African Americans -- History","University Archives","University History"],"access_subjects_ssm":["African Americans -- History","University Archives","University History"],"has_online_content_ssim":["false"],"extent_ssm":["5.7 Cubic Feet 11 boxes, 3 oversize folders"],"extent_tesim":["5.7 Cubic Feet 11 boxes, 3 oversize folders"],"date_range_isim":[1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. However, access to unredacted BOC and BGSO administrative records is restricted.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access "],"accessrestrict_tesim":["The collection is open for research. However, access to unredacted BOC and BGSO administrative records is restricted."],"arrangement_html_tesm":["\u003cp\u003eThe collections has been divided into six series.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries 1: Operational Records \u003c/b\u003e includes documents related to the running of the Black Organizations Council. This series is divided into four subseries: administrative files, meeting agendas and minutes, photographs, and financial records.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 1: Administrative Files\u003c/b\u003e includes the organiation's constitution, information about its constitutent member organizations, policies and guidelines, officer elections paperwork, meeting sign-in sheets, and other administrative information.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 2: Meeting Agendas and Minutes\u003c/b\u003e includes the minutes of general body and executive board meetings, the campus programming committee, and meetings with president Steger.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 3: Photographs\u003c/b\u003e includes an organizational scrapbook and a digital record of photographs of organization members and events.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 4: Financial Records\u003c/b\u003e includes budget requests and other financial records.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries 2: Member Organizations\u003c/b\u003e includes photographs and other records related to student organizations that were members of the Black Organizations Council. This series has one subseries: Black Graduate Student Organization.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 1: Black Graduate Student Organization\u003c/b\u003e includes photographs, administrative papers, event flyers, and other materials about the Black Graduate Student Organization.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries 3: Other Campus Organizations\u003c/b\u003e includes constitutions from the Jewish Student Union, University Council, and Student Budget Board as well as materials about the Interfraternity Council, the Asian American Student Union, and the Cultural Centers Advisory Committee.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries 4: Events\u003c/b\u003e includes information about event planning by the Black Organizations Council, videos and photographs of events hosted in whole or in part by the Black Organizations Council, and videos and photographs of events hosted by other campus organizations. This series has nine subseries: Afrikan Awareness Weekend, Asian American Student Union, Black History Month, Black Student Leadership, Celebration of Diversity, Donning of the Kente, Filipino-American Student Association Culture Night, State of the Black Union, and Other Events.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 1: Afrikan Awareness Weekend\u003c/b\u003e includes videos of the 1990 and 1991 Afrikan Awareness Weekend events.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 2: Asian American Student Union\u003c/b\u003e includes videos and photographs of events hosted by the Asian American Student Union.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 3: Black History Month\u003c/b\u003e includes videos and photographs of Black History Month events.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 4: Black Student Leadership\u003c/b\u003e includes photographs of the 1999 Student Leadership Institute and the 2002 Carroll F. S. Hardy National Black Student Leadership Development Conference.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 5: Celebration of Diversity\u003c/b\u003e includes videos and photographs of the Celebration of Diversity event, primarily those held on September 12, 2001 and September 11, 2002.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 6: Donning of the Kente\u003c/b\u003e includes a video, photographs, programs, registrations forms, and other planning records related to the Donning of the Kente graduation event.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 7: Filipino-American Student Association Culture Night\u003c/b\u003e includes videos of the Filipino-American Student Association's Culture Nights from 1997 and 1998.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 8: State of the Black Union\u003c/b\u003e includes documentation and student feedback posters related to the State of the Black Union event.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 9: Other Events\u003c/b\u003e includes videos, photographs, and documents related to other events including An African American Food Taste, Black Organizations Showcase, Black Student Preview, Ebony Affair, Hispanic Heritage Month, Kwanzaa, Million Man March, Relay for Life, Safe Zone Reception, Virginia Nations Pow Wow, White Ribbon Campaign, and others.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries 5: Presentations and Resources\u003c/b\u003e includes research from presentations given by members of the Black Organizations Council and materials maintained by the Black Organizations Council as resources for its membership.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries 6: Black Cultural Center and Multicultural Center\u003c/b\u003e includes photographs of these two centers. This series has three subseries: Displays, Internal and External Views, and Faculty, Staff, and Students.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 1: Displays\u003c/b\u003e includes mounted photographs from center displays and photographs of displays set up by the centers.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 2: Internal and External Views\u003c/b\u003e includes internal and external photographs of the two centers.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 3: Faculty, Staff, and Students\u003c/b\u003e includes photographs of people who are associated with the centers.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collections has been divided into six series.","Series 1: Operational Records includes documents related to the running of the Black Organizations Council. This series is divided into four subseries: administrative files, meeting agendas and minutes, photographs, and financial records.","Subseries 1: Administrative Files includes the organiation's constitution, information about its constitutent member organizations, policies and guidelines, officer elections paperwork, meeting sign-in sheets, and other administrative information.","Subseries 2: Meeting Agendas and Minutes includes the minutes of general body and executive board meetings, the campus programming committee, and meetings with president Steger.","Subseries 3: Photographs includes an organizational scrapbook and a digital record of photographs of organization members and events.","Subseries 4: Financial Records includes budget requests and other financial records.","Series 2: Member Organizations includes photographs and other records related to student organizations that were members of the Black Organizations Council. This series has one subseries: Black Graduate Student Organization.","Subseries 1: Black Graduate Student Organization includes photographs, administrative papers, event flyers, and other materials about the Black Graduate Student Organization.","Series 3: Other Campus Organizations includes constitutions from the Jewish Student Union, University Council, and Student Budget Board as well as materials about the Interfraternity Council, the Asian American Student Union, and the Cultural Centers Advisory Committee.","Series 4: Events includes information about event planning by the Black Organizations Council, videos and photographs of events hosted in whole or in part by the Black Organizations Council, and videos and photographs of events hosted by other campus organizations. This series has nine subseries: Afrikan Awareness Weekend, Asian American Student Union, Black History Month, Black Student Leadership, Celebration of Diversity, Donning of the Kente, Filipino-American Student Association Culture Night, State of the Black Union, and Other Events.","Subseries 1: Afrikan Awareness Weekend includes videos of the 1990 and 1991 Afrikan Awareness Weekend events.","Subseries 2: Asian American Student Union includes videos and photographs of events hosted by the Asian American Student Union.","Subseries 3: Black History Month includes videos and photographs of Black History Month events.","Subseries 4: Black Student Leadership includes photographs of the 1999 Student Leadership Institute and the 2002 Carroll F. S. Hardy National Black Student Leadership Development Conference.","Subseries 5: Celebration of Diversity includes videos and photographs of the Celebration of Diversity event, primarily those held on September 12, 2001 and September 11, 2002.","Subseries 6: Donning of the Kente includes a video, photographs, programs, registrations forms, and other planning records related to the Donning of the Kente graduation event.","Subseries 7: Filipino-American Student Association Culture Night includes videos of the Filipino-American Student Association's Culture Nights from 1997 and 1998.","Subseries 8: State of the Black Union includes documentation and student feedback posters related to the State of the Black Union event.","Subseries 9: Other Events includes videos, photographs, and documents related to other events including An African American Food Taste, Black Organizations Showcase, Black Student Preview, Ebony Affair, Hispanic Heritage Month, Kwanzaa, Million Man March, Relay for Life, Safe Zone Reception, Virginia Nations Pow Wow, White Ribbon Campaign, and others.","Series 5: Presentations and Resources includes research from presentations given by members of the Black Organizations Council and materials maintained by the Black Organizations Council as resources for its membership.","Series 6: Black Cultural Center and Multicultural Center includes photographs of these two centers. This series has three subseries: Displays, Internal and External Views, and Faculty, Staff, and Students.","Subseries 1: Displays includes mounted photographs from center displays and photographs of displays set up by the centers.","Subseries 2: Internal and External Views includes internal and external photographs of the two centers.","Subseries 3: Faculty, Staff, and Students includes photographs of people who are associated with the centers."],"bioghist_html_tesm":["\u003cp\u003eFrom the Black Organizations Council:\n\u003cblockquote\u003e\nFounded on the Virginia Tech campus in 1985, the Black Organizations Council (BOC) is the umbrella and resource body for the Black student organizations. BOC serves to ensure the betterment of the Black community through providing a unified voice for the Black community in a university population where the Black community lacks adequate representation. BOC also serves as a liaison between the administration, university organizations, and the Black community, provides a forum for the exchange of ideas and dissemination of information, promotes the Black organizations individually and collectively, coordinates events which require the participation of all entities of the Black community and supports the development of campus camaraderie within the university community. BOC has a mission of being the governing, representing, and coordinating body for the primarily African American student organizations. We will also provide activism and advocacy, while meeting the challenge of the social and political forces affecting the Black community. We encourage each representative organization to empower themselves to create a paradigm in the area of leadership and service in the community.\n\u003c/blockquote\u003e\u003c/p\u003e\n","\u003cp\u003eSource: Black Organizations Council, GobblerConnect webpage, \u003ca target=\"_blank\" href=\"https://gobblerconnect.vt.edu/organization/BOC\"\u003ehttps://gobblerconnect.vt.edu/organization/BOC\u003c/a\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["From the Black Organizations Council:\n \nFounded on the Virginia Tech campus in 1985, the Black Organizations Council (BOC) is the umbrella and resource body for the Black student organizations. BOC serves to ensure the betterment of the Black community through providing a unified voice for the Black community in a university population where the Black community lacks adequate representation. BOC also serves as a liaison between the administration, university organizations, and the Black community, provides a forum for the exchange of ideas and dissemination of information, promotes the Black organizations individually and collectively, coordinates events which require the participation of all entities of the Black community and supports the development of campus camaraderie within the university community. BOC has a mission of being the governing, representing, and coordinating body for the primarily African American student organizations. We will also provide activism and advocacy, while meeting the challenge of the social and political forces affecting the Black community. We encourage each representative organization to empower themselves to create a paradigm in the area of leadership and service in the community.\n","Source: Black Organizations Council, GobblerConnect webpage, https://gobblerconnect.vt.edu/organization/BOC ."],"odd_html_tesm":["\u003cp\u003eThe guide to the Records of the Virginia Tech Black Organizations Council by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Records of the Virginia Tech Black Organizations Council by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Records of the Virginia Tech Black Organizations Council, RG 8/2/6e, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Records of the Virginia Tech Black Organizations Council, RG 8/2/6e, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Records of the Virginia Tech Black Organizations Council commenced in April 2018 and was completed in December 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Records of the Virginia Tech Black Organizations Council commenced in April 2018 and was completed in December 2019."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains video cassette tapes of events and programs relating to the Black community at Virginia Tech and programs of other minority groups. It also contains 3 boxes of pictures of events and programs relating to minority groups at Virginia Tech. The events documented include Black History Month programs, the Donning of the Kente ceremony, Multicultural Center events, Hispanic Heritage Month, Asian American Student Union cultural heritage programs, book signings, and guest speakers. There are also pictures of various faculty, staff, and students. Additionally, the collection contains flyers and calendars from the Black Organizations Council and related organizations, a binder of slides of paintings, drawings, and portraits, accounting documents, a history of events booklet, and folders of records, minutes, and other documents.\u003c/p\u003e","\u003cp\u003eIncludes constitutions from the Jewish Student Union (JSU), University Council, and Student Budget Board.\u003c/p\u003e","\u003cp\u003eIn fall of 2015, the Black Organizations Council held an event titled \u003ci\u003eState of the Black Union: Do Black Lives Matter at Virginia Tech?.\u003c/i\u003e These posters were part of an associated community feedback event where students were asked to write their responses to the prompt \"Why do Black Lives Matter at Virginia Tech?\" The event took place a few months after racially charged protests at the University of Missouri and students here at Virginia Tech were eager to have their voices heard.\u003c/p\u003e","\u003cp\u003eA concert poster signed by Charles Mingus and John D'earth. The event description from Facebook read: \"Join the Virginia Tech Jazz Ensemble and special guest John D'earth in celebrating the music of Charles Mingus. This concert is presented in conjunction with the Office of Multicultural Programs' celebration of Black History Month. This performance will also feature the award winning jazz ensemble from Albemarle HS $5 Students/$8 Adults\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains video cassette tapes of events and programs relating to the Black community at Virginia Tech and programs of other minority groups. It also contains 3 boxes of pictures of events and programs relating to minority groups at Virginia Tech. The events documented include Black History Month programs, the Donning of the Kente ceremony, Multicultural Center events, Hispanic Heritage Month, Asian American Student Union cultural heritage programs, book signings, and guest speakers. There are also pictures of various faculty, staff, and students. Additionally, the collection contains flyers and calendars from the Black Organizations Council and related organizations, a binder of slides of paintings, drawings, and portraits, accounting documents, a history of events booklet, and folders of records, minutes, and other documents.","Includes constitutions from the Jewish Student Union (JSU), University Council, and Student Budget Board.","In fall of 2015, the Black Organizations Council held an event titled State of the Black Union: Do Black Lives Matter at Virginia Tech?. These posters were part of an associated community feedback event where students were asked to write their responses to the prompt \"Why do Black Lives Matter at Virginia Tech?\" The event took place a few months after racially charged protests at the University of Missouri and students here at Virginia Tech were eager to have their voices heard.","A concert poster signed by Charles Mingus and John D'earth. The event description from Facebook read: \"Join the Virginia Tech Jazz Ensemble and special guest John D'earth in celebrating the music of Charles Mingus. This concert is presented in conjunction with the Office of Multicultural Programs' celebration of Black History Month. This performance will also feature the award winning jazz ensemble from Albemarle HS $5 Students/$8 Adults\""],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ab2705488f3cb295771d3d4020753f35\" label=\"Abstract\"\u003eThe Black Organizations Council (BOC) was founded on the Virginia Tech campus in 1985, and is the umbrella and resource body for the Black student organizations. According to the organization, BOC serves to ensure the betterment of the Black community through providing a unified voice for the Black community in a university population where the Black community lacks adequate representation. The collection includes documents, photos, VHS tapes, and posters.\u003c/abstract\u003e"],"abstract_tesim":["The Black Organizations Council (BOC) was founded on the Virginia Tech campus in 1985, and is the umbrella and resource body for the Black student organizations. According to the organization, BOC serves to ensure the betterment of the Black community through providing a unified voice for the Black community in a university population where the Black community lacks adequate representation. The collection includes documents, photos, VHS tapes, and posters."],"names_coll_ssim":["Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Black Organizations Council","Virginia Polytechnic Institute and State University (1970-)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Black Organizations Council","Virginia Polytechnic Institute and State University (1970-)"],"language_ssim":["English \n. "],"total_component_count_is":212,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:38:15.658Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3397_c04_c03_c11"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":201},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026f%5Brepository%5D%5B%5D=Alexandria+Library"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":7408},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"Edgar Cayce Foundation","value":"Edgar Cayce Foundation","hits":26},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026f%5Brepository%5D%5B%5D=Edgar+Cayce+Foundation"}},{"attributes":{"label":"Fairfax County Public Library","value":"Fairfax County Public Library","hits":179},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026f%5Brepository%5D%5B%5D=Fairfax+County+Public+Library"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":13039},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Hampden-Sydney College","value":"Hampden-Sydney College","hits":225},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026f%5Brepository%5D%5B%5D=Hampden-Sydney+College"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":2257},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026f%5Brepository%5D%5B%5D=James+Madison+University"}},{"attributes":{"label":"Library of Virginia","value":"Library of Virginia","hits":65},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026f%5Brepository%5D%5B%5D=Library+of+Virginia"}},{"attributes":{"label":"Longwood University","value":"Longwood University","hits":224},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026f%5Brepository%5D%5B%5D=Longwood+University"}},{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":3168},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Randolph-Macon College","value":"Randolph-Macon College","hits":90},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026f%5Brepository%5D%5B%5D=Randolph-Macon+College"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1990"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"Arts in Virginia\" (PB-04)","value":"\"Arts in Virginia\" (PB-04)","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Arts+in+Virginia%22+%28PB-04%29\u0026f%5Bdate_range%5D%5B%5D=1990"}},{"attributes":{"label":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\"","value":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 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