{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026page=5086\u0026view=list","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026page=5085\u0026view=list","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026page=5087\u0026view=list","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026page=5089\u0026view=list"},"meta":{"pages":{"current_page":5086,"next_page":5087,"prev_page":5085,"total_pages":5089,"limit_value":10,"offset_value":50850,"total_count":50889,"first_page?":false,"last_page?":false}},"data":[{"id":"viblbv_repositories_2_resources_2291_c02_c03_c119","type":"File","attributes":{"title":"Zaic, Frank, 1983/2005","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2291_c02_c03_c119#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_2291_c02_c03_c119","ref_ssm":["viblbv_repositories_2_resources_2291_c02_c03_c119"],"id":"viblbv_repositories_2_resources_2291_c02_c03_c119","ead_ssi":"viblbv_repositories_2_resources_2291","_root_":"viblbv_repositories_2_resources_2291","_nest_parent_":"viblbv_repositories_2_resources_2291_c02_c03","parent_ssi":"viblbv_repositories_2_resources_2291_c02_c03","parent_ssim":["William Hewitt Phillips Papers, 1918/2008","Series II: 2010 Donation","Subseries C: Correspondence Files, 1943/2008"],"parent_ids_ssim":["viblbv_repositories_2_resources_2291","viblbv_repositories_2_resources_2291_c02","viblbv_repositories_2_resources_2291_c02_c03"],"title_filing_ssi":"Zaic, Frank","title_ssm":["Zaic, Frank"],"title_tesim":["Zaic, Frank"],"normalized_title_ssm":["Zaic, Frank, 1983/2005"],"text":["Zaic, Frank, 1983/2005","William Hewitt Phillips Papers, 1918/2008","Series II: 2010 Donation","Subseries C: Correspondence Files, 1943/2008","box 48","folder 9"],"parent_unittitles_ssm":["William Hewitt Phillips Papers, 1918/2008","Series II: 2010 Donation","Subseries C: Correspondence Files, 1943/2008"],"parent_unittitles_tesim":["William Hewitt Phillips Papers, 1918/2008","Series II: 2010 Donation","Subseries C: Correspondence Files, 1943/2008"],"normalized_date_ssm":["1983/2005"],"unitdate_other_ssim":["1983-2005, n.d."],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":840,"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["William Hewitt Phillips Papers, 1918/2008"],"containers_ssim":["box 48","folder 9"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open to research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"_nest_path_":"/components#1/components#2/components#118","timestamp":"2026-07-23T21:16:22.775Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2291","ead_ssi":"viblbv_repositories_2_resources_2291","_root_":"viblbv_repositories_2_resources_2291","_nest_parent_":"viblbv_repositories_2_resources_2291","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2291.xml","title_filing_ssi":"Phillips, William Hewitt, Papers","title_ssm":["William Hewitt Phillips Papers"],"title_tesim":["William Hewitt Phillips Papers"],"unitdate_ssm":["1918-2008"],"unitdate_inclusive_ssm":["1918-2008"],"normalized_date_ssm":["1918/2008"],"normalized_title_ssm":["William Hewitt Phillips Papers, 1918/2008"],"text":["William Hewitt Phillips Papers, 1918/2008","Ms.2005.019","Archives of American Aerospace Exploration (AAAE)","Science and Technology","Aerospace engineers","United States -- National Advisory Committee for Aeronautics -- Officials and employees","United States -- National Aeronautics and Space Administration -- Officials and employees","The collection is open to research.","Some of this collection has been digitized and is available online.","The collection is divided into two series.","Series I, comprising the 1997 and 2004 donations of papers, to a large extent retains the original order in which it was received, though some minor changes have been made for the sake of consistency. The majority of the collection, consisting of subject files, is arranged alphabetically by topic. Phillips' formal reports are arranged chronologically. The arrangement and file titles of a few folders have been changed to provide consistency to the alphabetical order. The materials have been divided among five subseries:","Subseries A: Subject Files. The files were originally housed in four cabinets, later transferred to six boxes by the donor, and finally transferred to permanent boxes during archival processing. The contents of each original cabinet had been arranged in a generally alphabetical order, but there was no overall arrangement among the individual cabinets. Thus, the alphabetical order of the original Cabinet 1 comprises Boxes 1-5; of Cabinet 2, Boxes 5-11; of Cabinet 3, Boxes 11-21; and of Cabinet 4, Boxes 21-25.","Subseries B: NACA and NASA Reports. Arranged chronologically, this subseries contains files on reports and talks given by Phillips related to his professional research.","Subseries C: Other Writings and Lectures by Phillips. This subseries includes drafts, notes, and other materials relating to writings and lectures by Phillips. It is arranged alphabetically by topic and includes a draft of Phillips' autobiography, detailing his personal and professional life.","Subseries D: Lectures and Courses Presented by Others. Originally found in no particular order, this set of files from lectures and courses presented by those other than Phillips is now arranged by name of presenter.","Subseries E: Oversize Materials. These materials were found separated from the rest of the materials in the collection and consist of \"Typical Printouts from the Eppler Program.\"","Series II, the 2010 donation, contains the same types of materials found in Series I. These papers had no original arrangement but instead consisted mostly of loose papers together with a few individual folders and printed materials. The materials have been divided among seven subseries:","Subseries A: Writings and Lectures. Included in this subseries are files relating to the output of Phillips' research, both in a professional capacity and as a model aircraft enthusiast. The files include not only drafts and published works, but background materials and correspondence. Arranged alphabetically by title or subject.","Subseries B: Subject Files. Arranged alphabetically, this subseries contains materials gathered by Phillips in the course of his research on various topics and his involvement in various professional- and hobby-related activities. Much of the material relates to Phillips' interest in model aircraft.","Subseries C: Correspondence Files. Though personal matters are sometimes discussed, the correspondence in these files relates largely to Phillips' work and his pursuits in model aircraft design, building, and testing. Arranged alphabetically by correspondent.","Subseries D: Photographs. Nearly all of the photos in this series are of Phillips individually or include him at various events.","Subseries E: Personal Life, Education, and Career. Included in this series are materials relating to Phillips' education at Belmont High School and the Massachusetts Institution of Technology. Also here are records and mementos from his NACA / NASA career, including his many awards. Documenting Phillips' personal life is a set of diaries that he maintained throughout his adult life.","Subseries F: Oversize Materials contains large photographs, awards, and Phillips's high school diploma.","William Hewitt Phillips, known more familiarly as Hewitt Phillips, was born in Merseyside, England, in 1918, but moved with his parents at age two to the United States. He studied aeronautical engineering at the Massachusetts Institute of Technology (MIT), obtaining an S. B. degree in 1939 and an S.M. in 1940. During his childhood, he developed an interest in model aircraft, and he maintained an active interest in the hobby throughout his life.","In July 1940, Phillips commenced service with the National Advisory Committee for Aeronautics (NACA), where he was assigned to the Flight Research Division at Langley Research Center (Hampton, Virginia), specializing in the study of aircraft flying qualities and stability. Within this broader assignment, Phillips' task involved the improvement of World War II military aircraft flying qualities. Following the war, Phillips' research related to the development of jet-powered fighter airplanes, supersonic airplanes, stability augmentation and its effect on pilot control, automatic control, and gust alleviation. In 1947, Phillips married Viola Ohler, then head of Langley's editorial office. The couple had three children.","As the U. S. space program commenced, Phillips became chief of the Space Mechanics Division, supervising research in the areas of space rendezvous, navigation, and lunar landing and developing flight simulators for the Gemini and Apollo programs. To train astronauts for lunar landings, Phillips developed the Lunar Landing Facility. He later served as an analyst and consultant in the development of the space shuttle.","Phillips retired from NASA in February 1979 but continued in the position of distinguished research associate, performing original research on solar-powered aircraft, propellers, airfoil design and wind-tunnel studies of the use of canard surfaces for the space shuttle. He died in 2009.","The guide to the William Hewitt Phillips Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement and description of the 2005 accession of the William Hewitt Phillips Papers commenced in September 2008 and was completed in February 2009. Processing of the second accession commenced in July 2014 and was completed in September 2014.","Additional processing, arrangement, and description of the William Hewitt Phillips Papers was completed as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the National Historical Publications and Records Commission (NHPRC) in 2024.","Phillips, W. Hewitt, Journey in Aeronautical Research: a Career at NASA Langley Research Center (Washington, D.C.: NASA History Office, 1998). Call number: TL540 P54 J687 1998 Large Spec (in the Rare Book Collection at Virginia Tech Special Collections and University Archives.","This collection contains the papers of William Hewitt Phillips, an aerospace engineer for the National Advisory Committee for Aeronautics (NACA) and National Air and Space Administration (NASA) at Langley Research Center and chief of the Flight Dynamics and Control Division from 1970 to 1979. The collection includes lecture notes, reports and memoranda tracing the development of Phillips' theories while at Langley and spans from his work on World War II-era aircraft to the early U.S. space program and beyond, as well as his longstanding and active interest in model aircraft design and testing. These papers include calculations of various numerical values in relation to various aircraft and spacecraft, as well as drawings and other illustrations. The collection also contains a set of Phillips' official reports, files devoted to lectures delivered by Phillips, and notes from courses and lectures presented by others. Major topics in this collection include aircraft stability and control; gust alleviation; wing theories; types of planes; shuttles; airfoils; gliders; simulation of space operations (particularly the Lunar Landing Research Facility), and model aircraft. An item of note is a typescript draft of Phillips' autobiography, Journey into Aeronautical Research: a Career at NASA Langley Research Center.","The following items were removed from the collection and cataloged for the Rare Book Collection:","Maxim, Hiram S. Artificial and Natural Flight. New York: MacMillan, 1908.","Byers, Bruce K. Destination Moon: A History of the Lunar Orbiter Program (NASA Technical Memorandum TM X-3487). Washington DC: NASA, 1977.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains the papers of William Hewitt Phillips (1918-2009), an aerospace engineer for the National Advisory Committee for Aeronautics (NACA) and National Air and Space Administration (NASA). The collection includes lecture notes, reports and memoranda tracing the development of Phillips' theories while at the Langley Research Center and spans from his work on World War II-era aircraft to the early U.S. space program and beyond. These papers include calculations of various numerical values in relation to various aircraft and spacecraft, as well as drawings and other illustrations. The collection also contains a set of Phillips' official reports, files devoted to lectures delivered by Phillips, and notes from courses and lectures presented by others. Major topics in this collection include aircraft stability and control; gust alleviation; wing theories; types of planes; shuttles; airfoils; gliders; and simulation of space operations (particularly the Lunar Landing Research Facility).","Special Collections and University Archives, Virginia Tech","United States. National Advisory Committee for Aeronautics","United States. National Aeronautics and Space Administration","Phillips, William H. (William Hewitt), 1918-2009","The materials in the collection are in English."],"collection_title_tesim":["William Hewitt Phillips Papers, 1918/2008"],"collection_ssim":["William Hewitt Phillips Papers, 1918/2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2005.019"],"unitid_tesim":["Ms.2005.019"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Phillips, William H. (William Hewitt), 1918-2009"],"creator_ssim":["Phillips, William H. (William Hewitt), 1918-2009"],"creator_persname_ssim":["Phillips, William H. (William Hewitt), 1918-2009"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","United States. National Advisory Committee for Aeronautics","United States. National Aeronautics and Space Administration"],"creators_ssim":["Phillips, William H. (William Hewitt), 1918-2009","Special Collections and University Archives, Virginia Tech","United States. National Advisory Committee for Aeronautics","United States. National Aeronautics and Space Administration"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The William Hewitt Phillips Papers were donated to Special Collections and University Archives in 1997, 2005, and 2010."],"access_subjects_ssim":["Archives of American Aerospace Exploration (AAAE)","Science and Technology","Aerospace engineers","United States -- National Advisory Committee for Aeronautics -- Officials and employees","United States -- National Aeronautics and Space Administration -- Officials and employees"],"access_subjects_ssm":["Archives of American Aerospace Exploration (AAAE)","Science and Technology","Aerospace engineers","United States -- National Advisory Committee for Aeronautics -- Officials and employees","United States -- National Aeronautics and Space Administration -- Officials and employees"],"has_online_content_ssim":["false"],"extent_ssm":["28.5 Cubic Feet 57 boxes; 1 oversize folder"],"extent_tesim":["28.5 Cubic Feet 57 boxes; 1 oversize folder"],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/329\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series. \u003c/p\u003e","\u003cp\u003eSeries I, comprising the 1997 and 2004 donations of papers, to a large extent retains the original order in which it was received, though some minor changes have been made for the sake of consistency. The majority of the collection, consisting of subject files, is arranged alphabetically by topic. Phillips' formal reports are arranged chronologically. The arrangement and file titles of a few folders have been changed to provide consistency to the alphabetical order. The materials have been divided among five subseries:\u003c/p\u003e","\u003cp\u003eSubseries A: Subject Files. The files were originally housed in four cabinets, later transferred to six boxes by the donor, and finally transferred to permanent boxes during archival processing. The contents of each original cabinet had been arranged in a generally alphabetical order, but there was no overall arrangement among the individual cabinets. Thus, the alphabetical order of the original Cabinet 1 comprises Boxes 1-5; of Cabinet 2, Boxes 5-11; of Cabinet 3, Boxes 11-21; and of Cabinet 4, Boxes 21-25.\u003c/p\u003e","\u003cp\u003eSubseries B: NACA and NASA Reports. Arranged chronologically, this subseries contains files on reports and talks given by Phillips related to his professional research.\u003c/p\u003e","\u003cp\u003eSubseries C: Other Writings and Lectures by Phillips. This subseries includes drafts, notes, and other materials relating to writings and lectures by Phillips. It is arranged alphabetically by topic and includes a draft of Phillips' autobiography, detailing his personal and professional life.\u003c/p\u003e","\u003cp\u003eSubseries D: Lectures and Courses Presented by Others. Originally found in no particular order, this set of files from lectures and courses presented by those other than Phillips is now arranged by name of presenter.\u003c/p\u003e","\u003cp\u003eSubseries E: Oversize Materials. These materials were found separated from the rest of the materials in the collection and consist of \"Typical Printouts from the Eppler Program.\"\u003c/p\u003e","\u003cp\u003eSeries II, the 2010 donation, contains the same types of materials found in Series I. These papers had no original arrangement but instead consisted mostly of loose papers together with a few individual folders and printed materials. The materials have been divided among seven subseries: \u003c/p\u003e","\u003cp\u003eSubseries A: Writings and Lectures. Included in this subseries are files relating to the output of Phillips' research, both in a professional capacity and as a model aircraft enthusiast. The files include not only drafts and published works, but background materials and correspondence. Arranged alphabetically by title or subject.\u003c/p\u003e","\u003cp\u003eSubseries B: Subject Files. Arranged alphabetically, this subseries contains materials gathered by Phillips in the course of his research on various topics and his involvement in various professional- and hobby-related activities. Much of the material relates to Phillips' interest in model aircraft.\u003c/p\u003e","\u003cp\u003eSubseries C: Correspondence Files. Though personal matters are sometimes discussed, the correspondence in these files relates largely to Phillips' work and his pursuits in model aircraft design, building, and testing. Arranged alphabetically by correspondent.\u003c/p\u003e","\u003cp\u003eSubseries D: Photographs. Nearly all of the photos in this series are of Phillips individually or include him at various events. \u003c/p\u003e","\u003cp\u003eSubseries E: Personal Life, Education, and Career. Included in this series are materials relating to Phillips' education at Belmont High School and the Massachusetts Institution of Technology. Also here are records and mementos from his NACA / NASA career, including his many awards. Documenting Phillips' personal life is a set of diaries that he maintained throughout his adult life. \u003c/p\u003e","\u003cp\u003eSubseries F: Oversize Materials contains large photographs, awards, and Phillips's high school diploma.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two series.","Series I, comprising the 1997 and 2004 donations of papers, to a large extent retains the original order in which it was received, though some minor changes have been made for the sake of consistency. The majority of the collection, consisting of subject files, is arranged alphabetically by topic. Phillips' formal reports are arranged chronologically. The arrangement and file titles of a few folders have been changed to provide consistency to the alphabetical order. The materials have been divided among five subseries:","Subseries A: Subject Files. The files were originally housed in four cabinets, later transferred to six boxes by the donor, and finally transferred to permanent boxes during archival processing. The contents of each original cabinet had been arranged in a generally alphabetical order, but there was no overall arrangement among the individual cabinets. Thus, the alphabetical order of the original Cabinet 1 comprises Boxes 1-5; of Cabinet 2, Boxes 5-11; of Cabinet 3, Boxes 11-21; and of Cabinet 4, Boxes 21-25.","Subseries B: NACA and NASA Reports. Arranged chronologically, this subseries contains files on reports and talks given by Phillips related to his professional research.","Subseries C: Other Writings and Lectures by Phillips. This subseries includes drafts, notes, and other materials relating to writings and lectures by Phillips. It is arranged alphabetically by topic and includes a draft of Phillips' autobiography, detailing his personal and professional life.","Subseries D: Lectures and Courses Presented by Others. Originally found in no particular order, this set of files from lectures and courses presented by those other than Phillips is now arranged by name of presenter.","Subseries E: Oversize Materials. These materials were found separated from the rest of the materials in the collection and consist of \"Typical Printouts from the Eppler Program.\"","Series II, the 2010 donation, contains the same types of materials found in Series I. These papers had no original arrangement but instead consisted mostly of loose papers together with a few individual folders and printed materials. The materials have been divided among seven subseries:","Subseries A: Writings and Lectures. Included in this subseries are files relating to the output of Phillips' research, both in a professional capacity and as a model aircraft enthusiast. The files include not only drafts and published works, but background materials and correspondence. Arranged alphabetically by title or subject.","Subseries B: Subject Files. Arranged alphabetically, this subseries contains materials gathered by Phillips in the course of his research on various topics and his involvement in various professional- and hobby-related activities. Much of the material relates to Phillips' interest in model aircraft.","Subseries C: Correspondence Files. Though personal matters are sometimes discussed, the correspondence in these files relates largely to Phillips' work and his pursuits in model aircraft design, building, and testing. Arranged alphabetically by correspondent.","Subseries D: Photographs. Nearly all of the photos in this series are of Phillips individually or include him at various events.","Subseries E: Personal Life, Education, and Career. Included in this series are materials relating to Phillips' education at Belmont High School and the Massachusetts Institution of Technology. Also here are records and mementos from his NACA / NASA career, including his many awards. Documenting Phillips' personal life is a set of diaries that he maintained throughout his adult life.","Subseries F: Oversize Materials contains large photographs, awards, and Phillips's high school diploma."],"bioghist_html_tesm":["\u003cp\u003eWilliam Hewitt Phillips, known more familiarly as Hewitt Phillips, was born in Merseyside, England, in 1918, but moved with his parents at age two to the United States. He studied aeronautical engineering at the Massachusetts Institute of Technology (MIT), obtaining an S. B. degree in 1939 and an S.M. in 1940. During his childhood, he developed an interest in model aircraft, and he maintained an active interest in the hobby throughout his life.\u003c/p\u003e","\u003cp\u003eIn July 1940, Phillips commenced service with the National Advisory Committee for Aeronautics (NACA), where he was assigned to the Flight Research Division at Langley Research Center (Hampton, Virginia), specializing in the study of aircraft flying qualities and stability. Within this broader assignment, Phillips' task involved the improvement of World War II military aircraft flying qualities. Following the war, Phillips' research related to the development of jet-powered fighter airplanes, supersonic airplanes, stability augmentation and its effect on pilot control, automatic control, and gust alleviation. In 1947, Phillips married Viola Ohler, then head of Langley's editorial office. The couple had three children.\u003c/p\u003e","\u003cp\u003eAs the U. S. space program commenced, Phillips became chief of the Space Mechanics Division, supervising research in the areas of space rendezvous, navigation, and lunar landing and developing flight simulators for the Gemini and Apollo programs. To train astronauts for lunar landings, Phillips developed the Lunar Landing Facility. He later served as an analyst and consultant in the development of the space shuttle. \u003c/p\u003e","\u003cp\u003ePhillips retired from NASA in February 1979 but continued in the position of distinguished research associate, performing original research on solar-powered aircraft, propellers, airfoil design and wind-tunnel studies of the use of canard surfaces for the space shuttle. He died in 2009.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["William Hewitt Phillips, known more familiarly as Hewitt Phillips, was born in Merseyside, England, in 1918, but moved with his parents at age two to the United States. He studied aeronautical engineering at the Massachusetts Institute of Technology (MIT), obtaining an S. B. degree in 1939 and an S.M. in 1940. During his childhood, he developed an interest in model aircraft, and he maintained an active interest in the hobby throughout his life.","In July 1940, Phillips commenced service with the National Advisory Committee for Aeronautics (NACA), where he was assigned to the Flight Research Division at Langley Research Center (Hampton, Virginia), specializing in the study of aircraft flying qualities and stability. Within this broader assignment, Phillips' task involved the improvement of World War II military aircraft flying qualities. Following the war, Phillips' research related to the development of jet-powered fighter airplanes, supersonic airplanes, stability augmentation and its effect on pilot control, automatic control, and gust alleviation. In 1947, Phillips married Viola Ohler, then head of Langley's editorial office. The couple had three children.","As the U. S. space program commenced, Phillips became chief of the Space Mechanics Division, supervising research in the areas of space rendezvous, navigation, and lunar landing and developing flight simulators for the Gemini and Apollo programs. To train astronauts for lunar landings, Phillips developed the Lunar Landing Facility. He later served as an analyst and consultant in the development of the space shuttle.","Phillips retired from NASA in February 1979 but continued in the position of distinguished research associate, performing original research on solar-powered aircraft, propellers, airfoil design and wind-tunnel studies of the use of canard surfaces for the space shuttle. He died in 2009."],"odd_html_tesm":["\u003cp\u003eThe guide to the William Hewitt Phillips Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the William Hewitt Phillips Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], William Hewitt Phillips Papers, Ms2005-019, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], William Hewitt Phillips Papers, Ms2005-019, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the 2005 accession of the William Hewitt Phillips Papers commenced in September 2008 and was completed in February 2009. Processing of the second accession commenced in July 2014 and was completed in September 2014. \u003c/p\u003e","\u003cp\u003eAdditional processing, arrangement, and description of the William Hewitt Phillips Papers was completed as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the \u003ca target=\"_blank\" href=\"https://www.archives.gov/nhprc\"\u003eNational Historical Publications and Records Commission (NHPRC)\u003c/a\u003e in 2024. \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the 2005 accession of the William Hewitt Phillips Papers commenced in September 2008 and was completed in February 2009. Processing of the second accession commenced in July 2014 and was completed in September 2014.","Additional processing, arrangement, and description of the William Hewitt Phillips Papers was completed as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the National Historical Publications and Records Commission (NHPRC) in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003ePhillips, W. Hewitt, \u003ctitle render=\"italic\"\u003eJourney in Aeronautical Research: a Career at NASA Langley Research Center\u003c/title\u003e (Washington, D.C.: NASA History Office, 1998). Call number: TL540 P54 J687 1998 Large Spec (in the Rare Book Collection at Virginia Tech Special Collections and University Archives.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Phillips, W. Hewitt, Journey in Aeronautical Research: a Career at NASA Langley Research Center (Washington, D.C.: NASA History Office, 1998). Call number: TL540 P54 J687 1998 Large Spec (in the Rare Book Collection at Virginia Tech Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers of William Hewitt Phillips, an aerospace engineer for the National Advisory Committee for Aeronautics (NACA) and National Air and Space Administration (NASA) at Langley Research Center and chief of the Flight Dynamics and Control Division from 1970 to 1979. The collection includes lecture notes, reports and memoranda tracing the development of Phillips' theories while at Langley and spans from his work on World War II-era aircraft to the early U.S. space program and beyond, as well as his longstanding and active interest in model aircraft design and testing. These papers include calculations of various numerical values in relation to various aircraft and spacecraft, as well as drawings and other illustrations. The collection also contains a set of Phillips' official reports, files devoted to lectures delivered by Phillips, and notes from courses and lectures presented by others. Major topics in this collection include aircraft stability and control; gust alleviation; wing theories; types of planes; shuttles; airfoils; gliders; simulation of space operations (particularly the Lunar Landing Research Facility), and model aircraft. An item of note is a typescript draft of Phillips' autobiography, \u003ctitle render=\"italic\"\u003eJourney into Aeronautical Research: a Career at NASA Langley Research Center\u003c/title\u003e.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains the papers of William Hewitt Phillips, an aerospace engineer for the National Advisory Committee for Aeronautics (NACA) and National Air and Space Administration (NASA) at Langley Research Center and chief of the Flight Dynamics and Control Division from 1970 to 1979. The collection includes lecture notes, reports and memoranda tracing the development of Phillips' theories while at Langley and spans from his work on World War II-era aircraft to the early U.S. space program and beyond, as well as his longstanding and active interest in model aircraft design and testing. These papers include calculations of various numerical values in relation to various aircraft and spacecraft, as well as drawings and other illustrations. The collection also contains a set of Phillips' official reports, files devoted to lectures delivered by Phillips, and notes from courses and lectures presented by others. Major topics in this collection include aircraft stability and control; gust alleviation; wing theories; types of planes; shuttles; airfoils; gliders; simulation of space operations (particularly the Lunar Landing Research Facility), and model aircraft. An item of note is a typescript draft of Phillips' autobiography, Journey into Aeronautical Research: a Career at NASA Langley Research Center."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following items were removed from the collection and cataloged for the Rare Book Collection:\u003c/p\u003e","\u003cp\u003eMaxim, Hiram S. \u003ctitle render=\"italic\"\u003eArtificial and Natural Flight\u003c/title\u003e. New York: MacMillan, 1908.\u003c/p\u003e","\u003cp\u003eByers, Bruce K. \u003ctitle render=\"italic\"\u003eDestination Moon: A History of the Lunar Orbiter Program\u003c/title\u003e (NASA Technical Memorandum TM X-3487). Washington DC: NASA, 1977.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following items were removed from the collection and cataloged for the Rare Book Collection:","Maxim, Hiram S. Artificial and Natural Flight. New York: MacMillan, 1908.","Byers, Bruce K. Destination Moon: A History of the Lunar Orbiter Program (NASA Technical Memorandum TM X-3487). Washington DC: NASA, 1977."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_32415d476b4953a68a5bd3a12803d2b5\" label=\"Abstract\"\u003eThis collection contains the papers of William Hewitt Phillips (1918-2009), an aerospace engineer for the National Advisory Committee for Aeronautics (NACA) and National Air and Space Administration (NASA). The collection includes lecture notes, reports and memoranda tracing the development of Phillips' theories while at the Langley Research Center and spans from his work on World War II-era aircraft to the early U.S. space program and beyond. These papers include calculations of various numerical values in relation to various aircraft and spacecraft, as well as drawings and other illustrations. The collection also contains a set of Phillips' official reports, files devoted to lectures delivered by Phillips, and notes from courses and lectures presented by others. Major topics in this collection include aircraft stability and control; gust alleviation; wing theories; types of planes; shuttles; airfoils; gliders; and simulation of space operations (particularly the Lunar Landing Research Facility).\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains the papers of William Hewitt Phillips (1918-2009), an aerospace engineer for the National Advisory Committee for Aeronautics (NACA) and National Air and Space Administration (NASA). The collection includes lecture notes, reports and memoranda tracing the development of Phillips' theories while at the Langley Research Center and spans from his work on World War II-era aircraft to the early U.S. space program and beyond. These papers include calculations of various numerical values in relation to various aircraft and spacecraft, as well as drawings and other illustrations. The collection also contains a set of Phillips' official reports, files devoted to lectures delivered by Phillips, and notes from courses and lectures presented by others. Major topics in this collection include aircraft stability and control; gust alleviation; wing theories; types of planes; shuttles; airfoils; gliders; and simulation of space operations (particularly the Lunar Landing Research Facility)."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","United States. National Advisory Committee for Aeronautics","United States. National Aeronautics and Space Administration"],"names_coll_ssim":["United States. National Advisory Committee for Aeronautics","United States. National Aeronautics and Space Administration"],"persname_ssim":["Phillips, William H. (William Hewitt), 1918-2009"],"names_ssim":["Special Collections and University Archives, Virginia Tech","United States. National Advisory Committee for Aeronautics","United States. National Aeronautics and Space Administration","Phillips, William H. (William Hewitt), 1918-2009"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":896,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:22.775Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2291_c02_c03_c119"}},{"id":"viblbv_repositories_2_resources_3294_c04_c17","type":"File","attributes":{"title":"Zallen \"Redrawing the Boundaries of Molecular Biology: The Case of Photosynthesis\", 1952/1993","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3294_c04_c17#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3294_c04_c17","ref_ssm":["viblbv_repositories_2_resources_3294_c04_c17"],"id":"viblbv_repositories_2_resources_3294_c04_c17","ead_ssi":"viblbv_repositories_2_resources_3294","_root_":"viblbv_repositories_2_resources_3294","_nest_parent_":"viblbv_repositories_2_resources_3294_c04","parent_ssi":"viblbv_repositories_2_resources_3294_c04","parent_ssim":["Doris Zallen Papers, 1952/2016","Series IV. Background Information on Published Papers, 1980/2008"],"parent_ids_ssim":["viblbv_repositories_2_resources_3294","viblbv_repositories_2_resources_3294_c04"],"title_filing_ssi":"Zallen \"Redrawing the Boundaries of Molecular Biology: The Case of Photosynthesis\"","title_ssm":["Zallen \"Redrawing the Boundaries of Molecular Biology: The Case of Photosynthesis\""],"title_tesim":["Zallen \"Redrawing the Boundaries of Molecular Biology: The Case of Photosynthesis\""],"normalized_title_ssm":["Zallen \"Redrawing the Boundaries of Molecular Biology: The Case of Photosynthesis\", 1952/1993"],"text":["Zallen \"Redrawing the Boundaries of Molecular Biology: The Case of Photosynthesis\", 1952/1993","Doris Zallen Papers, 1952/2016","Series IV. Background Information on Published Papers, 1980/2008","box 9","folder 1"],"parent_unittitles_ssm":["Doris Zallen Papers, 1952/2016","Series IV. Background Information on Published Papers, 1980/2008"],"parent_unittitles_tesim":["Doris Zallen Papers, 1952/2016","Series IV. Background Information on Published Papers, 1980/2008"],"normalized_date_ssm":["1952/1993"],"unitdate_inclusive_ssm":["1952-1993"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":224,"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Doris Zallen Papers, 1952/2016"],"containers_ssim":["box 9","folder 1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"_nest_path_":"/components#3/components#16","timestamp":"2026-07-23T21:17:32.632Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3294","ead_ssi":"viblbv_repositories_2_resources_3294","_root_":"viblbv_repositories_2_resources_3294","_nest_parent_":"viblbv_repositories_2_resources_3294","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3294.xml","title_filing_ssi":"Zallen, Doris, Papers","title_ssm":["Doris Zallen Papers"],"title_tesim":["Doris Zallen Papers"],"unitdate_ssm":["1952-2016"],"unitdate_inclusive_ssm":["1952-2016"],"normalized_date_ssm":["1952/2016"],"normalized_title_ssm":["Doris Zallen Papers, 1952/2016"],"text":["Doris Zallen Papers, 1952/2016","Ms.2018.032","Faculty and staff","Science and Technology","University History","University Archives","The collection is open for research.","The Doris Zallen Papers are organized into the following series:\n\nSeries I. Recombinant DNA Advisory Committee (NIH) Service, 1990-1999\nSeries II. Professional papers, 1960-2016\nSeries III. Book Reviews, 1982-2010\nSeries IV. Background Information on Published Papers, 1980-2008\nSeries V. Ethics Advisory Board, 1979\nSeries VI. Liverpool School, 1952-2012","Doris Zallen received her bachelor's degree from Brooklyn College and completed her graduate and doctoral work at Harvard Univeristy. Zallen focused her research on the social, ethical, and policy issues of genetic technologies. She came to Virginia Tech in 1983 and retired as professor of Science and Technology Studies and Humanities in 2015. Zallen published three books and created the Choices and Challenges Forum series at Virginia Tech. In 1991 Zallen interviewed David Weatherall who sparked Zallen's research on the prevention of Rh disease and the role the Liverpool School played in that medical advance.","The guide to the Doris Zallen Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your- work/public-domain/cc0/).","The processing, arrangement, and description of the Doris Zallen Papers was completed in October 2018. Additional processing, arrangement, and description of an addition was completed in May 2019 and January 2020.","See also the following collections:","Choices and Challenges Forum Records, RG 15/27/1, Special Collections and University Archives, Virginia Tech.\nPhilip M. Sheppard Papers, Mss.Ms.Coll.65, American Philosophical Society.\nD36/A-J - Sir Cyril Astley Clarke Papers - 1926-2000\n, Special Collections \u0026 Archives, University of Liverpool.","The Doris Zallen Papers, Ms2018-032, contain content from Doris Zallen's professional work with genetic research, discussions, and testing from 1960 to 2016.","The records are divided into six series including: I. Recombinant DNA Advisory Committee Service, 1990-1999; II. Professional Papers, 1960-2016; III. Book Reviews, 1962-2010; IV. Background information on Published Papers, 1980-2008; V. Ethics and Advisory Board, 1979; and VI. Liverpool School, 1952-2012.","In the first series, Recombinant DNA Advisory Committee Service, 1990-1999, each folder relates to the Recombinant Advisory Committee. They include meeting notes, correspondence within the organization, and notes from conferences.","The second series, Professional Papers, 1960-2016, outlines Doris Zallen's academia starting with her education at Brooklyn College, Harvard University, and the University of Rochester. This series includes manuscripts from her teaching and research careers at Nazareth College of Rochester and Virginia Tech. Zallen's professional papers include research, summaries of sabbaticals and other leaves, consulting, teaching awards, and student and faculty correspondence.","Series III, Book Reviews, 1962-2010, includes book reviews from other scholars about Zallen's research: \"Science and Morality\", \"Does it Run In the Family?,\" and \"To Test or Not to Test?\" This series also includes a poster from a discusion led by Zallen about genetic testing and images from \"Does it Run In the Family?\"","The fourth series, Background information on Published Papers, 1980-2008, contains published and unpublished articles by Doris Zallen and other scholars about genes from 1980 to 2008.","The fifth series, Ethics and Advisory Board, 1979, consists of the report, conclusions, and appendix from the Human in Vitro Fertilization and Embryo Transfer study.","The last series, Liverpool School, 1952-2012, consists of background information, publications, interviews, and pictures from Zallen's research of the prevention of Rh disease.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Doris Zallen Papers, Ms2018-032, contains meeting notes from the Recombinant DNA Advisory Committee, Doris Zallen's professional papers, book reviews, and background on Zallen's published papers from 1960 to 2016. Doris Zallen attended Brooklyn College and Harvard University before becaming a professor of Science and Technolgy Studies and Humanities in the College of Liberal Arts and Human Science at Virginia Tech. This collection follows Zallen's acadamic work from the undergraduate to graduate level, post-doctoral appointments, and her genetic research and teaching. Included in this collection is Zallens research on the Liverpool School which providedresearches the medical advance of the prevention of Rh disease.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Liberal Arts \u0026 Human Sciences","Virginia Polytechnic Institute and State University (1970-)","The materials in the collection are in English."],"collection_title_tesim":["Doris Zallen Papers, 1952/2016"],"collection_ssim":["Doris Zallen Papers, 1952/2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2018.032"],"unitid_tesim":["Ms.2018.032"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Liberal Arts \u0026 Human Sciences","Virginia Polytechnic Institute and State University (1970-)"],"creators_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Liberal Arts \u0026 Human Sciences","Virginia Polytechnic Institute and State University (1970-)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Doris Zallen Papers were donated to Special Collections and University Archives in July 2018. Additions were donated in March 2019 and December 2019."],"access_subjects_ssim":["Faculty and staff","Science and Technology","University History","University Archives"],"access_subjects_ssm":["Faculty and staff","Science and Technology","University History","University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["10 Cubic Feet 13 boxes"],"extent_tesim":["10 Cubic Feet 13 boxes"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Doris Zallen Papers are organized into the following series:\n\u003clist\u003e\n\u003citem\u003eSeries I. Recombinant DNA Advisory Committee (NIH) Service, 1990-1999\u003c/item\u003e\n\u003citem\u003eSeries II. Professional papers, 1960-2016\u003c/item\u003e\n\u003citem\u003eSeries III. Book Reviews, 1982-2010\u003c/item\u003e\n\u003citem\u003eSeries IV. Background Information on Published Papers, 1980-2008\u003c/item\u003e\n\u003citem\u003eSeries V. Ethics Advisory Board, 1979\u003c/item\u003e\n\u003citem\u003eSeries VI. Liverpool School, 1952-2012\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Doris Zallen Papers are organized into the following series:\n\nSeries I. Recombinant DNA Advisory Committee (NIH) Service, 1990-1999\nSeries II. Professional papers, 1960-2016\nSeries III. Book Reviews, 1982-2010\nSeries IV. Background Information on Published Papers, 1980-2008\nSeries V. Ethics Advisory Board, 1979\nSeries VI. Liverpool School, 1952-2012"],"bioghist_html_tesm":["\u003cp\u003eDoris Zallen received her bachelor's degree from Brooklyn College and completed her graduate and doctoral work at Harvard Univeristy. Zallen focused her research on the social, ethical, and policy issues of genetic technologies. She came to Virginia Tech in 1983 and retired as professor of Science and Technology Studies and Humanities in 2015. Zallen published three books and created the Choices and Challenges Forum series at Virginia Tech. In 1991 Zallen interviewed David Weatherall who sparked Zallen's research on the prevention of Rh disease and the role the Liverpool School played in that medical advance.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Doris Zallen received her bachelor's degree from Brooklyn College and completed her graduate and doctoral work at Harvard Univeristy. Zallen focused her research on the social, ethical, and policy issues of genetic technologies. She came to Virginia Tech in 1983 and retired as professor of Science and Technology Studies and Humanities in 2015. Zallen published three books and created the Choices and Challenges Forum series at Virginia Tech. In 1991 Zallen interviewed David Weatherall who sparked Zallen's research on the prevention of Rh disease and the role the Liverpool School played in that medical advance."],"odd_html_tesm":["\u003cp\u003eThe guide to the Doris Zallen Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Doris Zallen Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your- work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Doris Zallen Papers, Ms2018-032, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Doris Zallen Papers, Ms2018-032, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Doris Zallen Papers was completed in October 2018. Additional processing, arrangement, and description of an addition was completed in May 2019 and January 2020.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Doris Zallen Papers was completed in October 2018. Additional processing, arrangement, and description of an addition was completed in May 2019 and January 2020."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also the following collections:\u003c/p\u003e","\u003cp\u003e\u003clist\u003e\n\u003citem\u003e\u003ca show=\"new\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_3289.xml\"\u003eChoices and Challenges Forum Records, RG 15/27/1\u003c/a\u003e, Special Collections and University Archives, Virginia Tech.\u003c/item\u003e\n\u003citem\u003e\u003ca show=\"new\" href=\"https://search.amphilsoc.org/collections/view?docId=ead/Mss.Ms.Coll.65-ead.xml\"\u003ePhilip M. Sheppard Papers, Mss.Ms.Coll.65\u003c/a\u003e, American Philosophical Society.\u003c/item\u003e\n\u003citem\u003e\u003ca show=\"new\" href=\"https://sca-archives.liverpool.ac.uk/Record/22803\"\u003eD36/A-J - Sir Cyril Astley Clarke Papers - 1926-2000\n\u003c/a\u003e, Special Collections \u0026amp; Archives, University of Liverpool.\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also the following collections:","Choices and Challenges Forum Records, RG 15/27/1, Special Collections and University Archives, Virginia Tech.\nPhilip M. Sheppard Papers, Mss.Ms.Coll.65, American Philosophical Society.\nD36/A-J - Sir Cyril Astley Clarke Papers - 1926-2000\n, Special Collections \u0026 Archives, University of Liverpool."],"scopecontent_html_tesm":["\u003cp\u003eThe Doris Zallen Papers, Ms2018-032, contain content from Doris Zallen's professional work with genetic research, discussions, and testing from 1960 to 2016. \u003c/p\u003e","\u003cp\u003eThe records are divided into six series including: I. Recombinant DNA Advisory Committee Service, 1990-1999; II. Professional Papers, 1960-2016; III. Book Reviews, 1962-2010; IV. Background information on Published Papers, 1980-2008; V. Ethics and Advisory Board, 1979; and VI. Liverpool School, 1952-2012.\u003c/p\u003e","\u003cp\u003eIn the first series, Recombinant DNA Advisory Committee Service, 1990-1999, each folder relates to the Recombinant Advisory Committee. They include meeting notes, correspondence within the organization, and notes from conferences. \u003c/p\u003e","\u003cp\u003eThe second series, Professional Papers, 1960-2016, outlines Doris Zallen's academia starting with her education at Brooklyn College, Harvard University, and the University of Rochester. This series includes manuscripts from her teaching and research careers at Nazareth College of Rochester and Virginia Tech. Zallen's professional papers include research, summaries of sabbaticals and other leaves, consulting, teaching awards, and student and faculty correspondence.\u003c/p\u003e","\u003cp\u003eSeries III, Book Reviews, 1962-2010, includes book reviews from other scholars about Zallen's research: \"Science and Morality\", \"Does it Run In the Family?,\" and \"To Test or Not to Test?\" This series also includes a poster from a discusion led by Zallen about genetic testing and images from \"Does it Run In the Family?\"\u003c/p\u003e","\u003cp\u003eThe fourth series, Background information on Published Papers, 1980-2008, contains published and unpublished articles by Doris Zallen and other scholars about genes from 1980 to 2008.\u003c/p\u003e","\u003cp\u003eThe fifth series, Ethics and Advisory Board, 1979, consists of the report, conclusions, and appendix from the Human in Vitro Fertilization and Embryo Transfer study.\u003c/p\u003e","\u003cp\u003eThe last series, Liverpool School, 1952-2012, consists of background information, publications, interviews, and pictures from Zallen's research of the prevention of Rh disease.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Doris Zallen Papers, Ms2018-032, contain content from Doris Zallen's professional work with genetic research, discussions, and testing from 1960 to 2016.","The records are divided into six series including: I. Recombinant DNA Advisory Committee Service, 1990-1999; II. Professional Papers, 1960-2016; III. Book Reviews, 1962-2010; IV. Background information on Published Papers, 1980-2008; V. Ethics and Advisory Board, 1979; and VI. Liverpool School, 1952-2012.","In the first series, Recombinant DNA Advisory Committee Service, 1990-1999, each folder relates to the Recombinant Advisory Committee. They include meeting notes, correspondence within the organization, and notes from conferences.","The second series, Professional Papers, 1960-2016, outlines Doris Zallen's academia starting with her education at Brooklyn College, Harvard University, and the University of Rochester. This series includes manuscripts from her teaching and research careers at Nazareth College of Rochester and Virginia Tech. Zallen's professional papers include research, summaries of sabbaticals and other leaves, consulting, teaching awards, and student and faculty correspondence.","Series III, Book Reviews, 1962-2010, includes book reviews from other scholars about Zallen's research: \"Science and Morality\", \"Does it Run In the Family?,\" and \"To Test or Not to Test?\" This series also includes a poster from a discusion led by Zallen about genetic testing and images from \"Does it Run In the Family?\"","The fourth series, Background information on Published Papers, 1980-2008, contains published and unpublished articles by Doris Zallen and other scholars about genes from 1980 to 2008.","The fifth series, Ethics and Advisory Board, 1979, consists of the report, conclusions, and appendix from the Human in Vitro Fertilization and Embryo Transfer study.","The last series, Liverpool School, 1952-2012, consists of background information, publications, interviews, and pictures from Zallen's research of the prevention of Rh disease."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45f780eb9474c90671b364abacec9cdc\" label=\"Abstract\"\u003eThe Doris Zallen Papers, Ms2018-032, contains meeting notes from the Recombinant DNA Advisory Committee, Doris Zallen's professional papers, book reviews, and background on Zallen's published papers from 1960 to 2016. Doris Zallen attended Brooklyn College and Harvard University before becaming a professor of Science and Technolgy Studies and Humanities in the College of Liberal Arts and Human Science at Virginia Tech. This collection follows Zallen's acadamic work from the undergraduate to graduate level, post-doctoral appointments, and her genetic research and teaching. Included in this collection is Zallens research on the Liverpool School which providedresearches the medical advance of the prevention of Rh disease.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Doris Zallen Papers, Ms2018-032, contains meeting notes from the Recombinant DNA Advisory Committee, Doris Zallen's professional papers, book reviews, and background on Zallen's published papers from 1960 to 2016. Doris Zallen attended Brooklyn College and Harvard University before becaming a professor of Science and Technolgy Studies and Humanities in the College of Liberal Arts and Human Science at Virginia Tech. This collection follows Zallen's acadamic work from the undergraduate to graduate level, post-doctoral appointments, and her genetic research and teaching. Included in this collection is Zallens research on the Liverpool School which providedresearches the medical advance of the prevention of Rh disease."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Liberal Arts \u0026 Human Sciences","Virginia Polytechnic Institute and State University (1970-)"],"names_coll_ssim":["Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Liberal Arts \u0026 Human Sciences","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Liberal Arts \u0026 Human Sciences","Virginia Polytechnic Institute and State University (1970-)"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":281,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:17:32.632Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3294_c04_c17"}},{"id":"vihart_repositories_4_resources_776_c04_c22_c58","type":"File","attributes":{"title":"Zane Showker, 1985/2003","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_776_c04_c22_c58#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_776_c04_c22_c58","ref_ssm":["vihart_repositories_4_resources_776_c04_c22_c58"],"id":"vihart_repositories_4_resources_776_c04_c22_c58","ead_ssi":"vihart_repositories_4_resources_776","_root_":"vihart_repositories_4_resources_776","_nest_parent_":"vihart_repositories_4_resources_776_c04_c22","parent_ssi":"vihart_repositories_4_resources_776_c04_c22","parent_ssim":["University Communications and Marketing records, 1930/2017","Personnel biographical files, 1930/2008","Board of Visitors, 1964/2007"],"parent_ids_ssim":["vihart_repositories_4_resources_776","vihart_repositories_4_resources_776_c04","vihart_repositories_4_resources_776_c04_c22"],"title_filing_ssi":"Zane Showker","title_ssm":["Zane Showker"],"title_tesim":["Zane Showker"],"normalized_title_ssm":["Zane Showker, 1985/2003"],"text":["Zane Showker, 1985/2003","University Communications and Marketing records, 1930/2017","Personnel biographical files, 1930/2008","Board of Visitors, 1964/2007","box 74","folder 41","Showker, Zane D. (Zane Durwood), 1926-2004"],"parent_unittitles_ssm":["University Communications and Marketing records, 1930/2017","Personnel biographical files, 1930/2008","Board of Visitors, 1964/2007"],"parent_unittitles_tesim":["University Communications and Marketing records, 1930/2017","Personnel biographical files, 1930/2008","Board of Visitors, 1964/2007"],"normalized_date_ssm":["1985/2003"],"unitdate_inclusive_ssm":["1985-2003"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":792,"repository_ssim":["James Madison University"],"collection_ssim":["University Communications and Marketing records, 1930/2017"],"containers_ssim":["box 74","folder 41"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user.","Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records and personnel employment records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose.","For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"persname_ssim":["Showker, Zane D. (Zane Durwood), 1926-2004"],"names_ssim":["Showker, Zane D. (Zane Durwood), 1926-2004"],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"_nest_path_":"/components#3/components#21/components#57","timestamp":"2026-07-23T21:22:31.732Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_776","ead_ssi":"vihart_repositories_4_resources_776","_root_":"vihart_repositories_4_resources_776","_nest_parent_":"vihart_repositories_4_resources_776","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_776.xml","title_ssm":["University Communications and Marketing records"],"title_tesim":["University Communications and Marketing records"],"unitdate_ssm":["1930-2017"],"unitdate_inclusive_ssm":["1930-2017"],"normalized_date_ssm":["1930/2017"],"normalized_title_ssm":["University Communications and Marketing records, 1930/2017"],"text":["University Communications and Marketing records, 1930/2017","UA 0003","/repositories/4/resources/776","Universities and colleges -- Public relations","College publicity","Special events -- Marketing","College sports -- Marketing","College sports -- Public relations","College students -- Social life and customs","Administrative records","Letters (correspondence)","Press releases","Photographs","Biographical sketches","Résumés (personnel records)","Personnel records","Speeches (Documents)","Programs (documents)","Pen and ink drawings","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Approximately 64 scrapbooks (from accessions PR 88-1015, PR 88-1027) comprising newspaper clippings were deaccessioned in December 2022. The contents of the newspaper clippings is duplicated in the press releases and newspaper holdings within Carrier Library.","To the archivist's best ability, records containing personal identifying information (PII) particularly pertaining to student records and personnel files, were removed from the collection.","Extraneous and duplicative copies of university publications as well as photocopies of published materials and website print-outs (particularly related to James Madison) were not retained. Copies of Board of Visitors minutes, duplicative of those contained in UA 0010, were not retained.","Forms and documents issued by the Library of Virginia and related to JMU's public records retention and disposal including Certificates or Records Disposal (form RM-3), Records Transfer List and Receipt (form RM-17), Records Retention and Disposition Schedules (form RM-2), and other related forms were not retained. These files primarily contained photocopies and carbon copies of the aforementioned forms.","Draft versions of Montpelier/Madison Magazine articles as well as email correspondence related to edits were not retained. The final published issues of the magazines are held by Special Collections and are considered to be the official version of record. Unless markedly compelling or otherwise significant, documents related to the design, editing, and drafting process of Montpelier/Madison Magazine were not retained. A similar appraisal approach was taken for materials related to website updates.","Episodes of \"With Good Reason\" (copied on CDs), which originally aired on Virginia National Public Radio stations between 2007-2010 and featuring JMU faculty or on JMU-related topics, were not retained due to duplication of originals held by Virginia Humanities and made available online at https://www.withgoodreasonradio.org/.","The collection is arranged into seven series:","Press releases, 1969-2010\n      Administrative files, 1954-2014\n      Events, 1967-2014\n      Personnel biographical files, 1930-2008\n      Correspondence, 1979-2014\n      Photographs, 1970-2011\n      Media, 1980-2017","James Madison University's Communications and Marketing Department, known variously throughout the years as Public Relations Department, Department of Public Services, Media Relations, University Marketing and Branding, etc., was created in 1967, headed by Richard C. Mandeville and overseen by the executive assistant to the president. The creation of this department was part of the major reorganization of the college in 1967 and one of its main concerns was information services. The Public Relations Department became the Department of Public Services in 1972. This department was headed by Ray V. Sonner, who oversaw the Office of Public Information which was responsible for sending press releases and pictures to off-campus media outlets. In 1973, sports information and public information each became a distinct office under the Department of Public Services. In 1976, the offices of sports information and public information were combined. Throughout this time, Sonner supervised the Department of Public and Sports Information, headed by Richard Murray and Milla Sue Wisecarver. The university's official publication, first known as Montpelier and later rebranded to Madison, was first published in 1977 and is produced for alumni, parents of JMU students, faculty and staff members, and friends of the university. Since 1984, the office that directed the public relations of the university has changed names many times. Fred Hilton, who served as chief public relations officer and later as Director of the Centennial Celebration from 1972 until 2009, contributed greatly to the administrative functions of JMU's Communications and Marketing Department. As a result, Hilton is a significant contributor to the collection as a records creator. Don Egle, Hilton's successor, served as Senior Director of Communications and University Spokesperson until 2015.","The collection was minimally processed in June 2015 by Emily Rheault under the collection number PR 87-0922. Collection fully reprocessed in October 2022 under the collection number UA 0003. At this time, two boxes of duplicate press releases and photocopied newspaper clippings were deaccessioned. Approximately 64 scrapbooks comprising newspaper clippings were also deaccessioned. The contents of the newspaper clippings is duplicated in the press releases and newspaper holdings within Carrier Library. In August 2025, the collection organization and finding aid was significantly updated to reflect the incorporation of 10 previously unprocessed accessions from JMU Communications and Marketing. Prior to the incorporation of these additional records, the collection was titled Office of Public Affairs press releases.","Donor supplied folder labels and groupings of materials were retained where possible.","A group of drawings on paper and polyester transparencies documenting campus buildings and maps exhibited significant degradation due to adhesive transfer and adhesion to other materials. They were not salvageable and were not retained. Similarly impacted university logos were also discarded.","CASE awards, measuring 8.5\" x 11\" and mounted on foam board, were photocopied and originals discarded to conserve space.","Collection documents the varied functions and activities of James Madison University's Communications and Marketing office whose main objective is to advance the university's brand. Media relations, communications, public affairs, publicity, and brand strategy also fall under the department's portfolio.","Records include general and sports press releases; correspondence written by and on behalf of university administration and FOIA requests; general administrative files related to marketing and branding initiatives as well as select university publications; event information including speeches that primarily concern commencement and other large/recurring events; personnel biographical files; photographs documenting inaugurations, commencements and other events; and assorted media.","Issues of What's Up, Time \u0026 Place, and JMU Extra, weekly distributions of university event calendars and event schedules, major reports, issues of university publications, and sports media guides were separated from the collection and cataloged bibliographically.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user.","Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records and personnel employment records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose.","For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Collection documents the varied functions and activities of James Madison University's Communications and Marketing office whose main objective is to advance the university's brand. Records include press releases, correspondence, general administrative files, event information, personnel biographical files, photographs, and assorted media.","James Madison University Libraries Special Collections","James Madison University. University Communications and Marketing","State Teachers College at Harrisonburg (Harrisonburg, Va.)","Madison College","James Madison University","James Madison University -- Sports","Chappell Graduation Images","Hilton, Fred, 1943-2022","William, Jackameit","Madison, James, 1751-1836","Ashby, Turner, 1828-1862","Acosta, Jim","Godwin, Mills E. (Mills Edwin), 1914-1999","Chandler, Wallace L. (Wallace Lee), 1926-2021","Miller, G. Tyler (George Tyler), 1902-1988","Ford, Gerald R. (Gerald Rudolph), 1913-2006","North, Oliver, 1943-","Obama, Barack","McDonnell, Robert F.","Campanelli, Lou","Driesell, Lefty, 1931-2024","Dingledine, Raymond C., Jr., 1919-1990","Jennings, Lillian Pegues, 1926-2016","Jenkins, Marie M. (Marie Magdalen), 1909-1997","Morrison, Lee (Lonnie Leotus), 1926-2015","Ramsey, Inez Linn, 1938-2025","Riley, James R. (James Rex), 1938-1987","Smith, Elmer Lewis, 1920-1981","Sonner, Ray V., Dr. (Ray Vincent), 1925-2012","Spaar, Lisa Russ (1956-03-17)","Theodore, Crystal, 1917-2012","Benson, Arthur Jerry","Bolgiano, Chris","Borg, Kevin L.","Carrier, Ronald E., 1932-2017","Cohen, Ralph, 1917-2016","Gabbin, Alexander L. (1945)","Gabbin, Joanne V. (Joanne Veal), 1946-","Geier, Clarence R., 1944-","Grayson, Joann, 1948-","Hyser, Raymond M., 1955-","Ingham, William Herbert, 1947-","Kohen, Andrew I.","Leary, James J.","Matthews, Mickey","Morley-Mower, Geoffrey, 1918-2005","Rose, Linwood H. (Linwood Howard), 1951-","Torisky, Danielle","Baliles, Gerald L. (Gerald Lee) (1940-07-08-2019-10-29)","Duke, Samuel Page, 1885-1955","Robb, Charles S. (Charles Spittal) (1939-06-26)","Terry, Mary Sue","Warner, John W., 1927-","Warren, Percy H. (Percy Holmes), 1906-1965","Wilder, Lawrence Douglas, 1931-","Johnson, Deborah Tompkins","Lancaster, Dabney S. (Dabney Stewart), 1889-1975","Lee, Emily Lewis, 1922-2014","Roop, V. Inez Graybeal (Vivian Inez), 1913-2010","Showker, Zane D. (Zane Durwood), 1926-2004","Spurlock, James B., Jr., d. 2019","Taylor, James H., Jr.","Wampler, Charles W., Jr., 1915-2017","White, Helen Mugler (1903-1990)","Hope, Bob, 1903-2003","Allen, George, 1952-","Olin, Jim, 1920-2006","Holton, A. Linwood (Abner Linwood), 1923-","Adams, Patch, 1945-","Townes, Linton, 1959-","English"],"collection_title_tesim":["University Communications and Marketing records, 1930/2017"],"collection_ssim":["University Communications and Marketing records, 1930/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0003","/repositories/4/resources/776"],"unitid_tesim":["UA 0003","/repositories/4/resources/776"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["James Madison University. University Communications and Marketing","Hilton, Fred, 1943-2022","James Madison University. University Communications and Marketing","William, Jackameit"],"creator_ssim":["James Madison University. University Communications and Marketing","Hilton, Fred, 1943-2022","James Madison University. University Communications and Marketing","William, Jackameit"],"creator_persname_ssim":["Hilton, Fred, 1943-2022","William, Jackameit","Madison, James, 1751-1836","Ashby, Turner, 1828-1862","Acosta, Jim","Godwin, Mills E. (Mills Edwin), 1914-1999","Chandler, Wallace L. (Wallace Lee), 1926-2021","Miller, G. Tyler (George Tyler), 1902-1988","Ford, Gerald R. (Gerald Rudolph), 1913-2006","North, Oliver, 1943-","Obama, Barack","McDonnell, Robert F.","Campanelli, Lou","Driesell, Lefty, 1931-2024","Dingledine, Raymond C., Jr., 1919-1990","Jennings, Lillian Pegues, 1926-2016","Jenkins, Marie M. (Marie Magdalen), 1909-1997","Morrison, Lee (Lonnie Leotus), 1926-2015","Ramsey, Inez Linn, 1938-2025","Riley, James R. (James Rex), 1938-1987","Smith, Elmer Lewis, 1920-1981","Sonner, Ray V., Dr. (Ray Vincent), 1925-2012","Spaar, Lisa Russ (1956-03-17)","Theodore, Crystal, 1917-2012","Benson, Arthur Jerry","Bolgiano, Chris","Borg, Kevin L.","Carrier, Ronald E., 1932-2017","Cohen, Ralph, 1917-2016","Gabbin, Alexander L. (1945)","Gabbin, Joanne V. (Joanne Veal), 1946-","Geier, Clarence R., 1944-","Grayson, Joann, 1948-","Hyser, Raymond M., 1955-","Ingham, William Herbert, 1947-","Kohen, Andrew I.","Leary, James J.","Matthews, Mickey","Morley-Mower, Geoffrey, 1918-2005","Rose, Linwood H. (Linwood Howard), 1951-","Torisky, Danielle","Baliles, Gerald L. (Gerald Lee) (1940-07-08-2019-10-29)","Duke, Samuel Page, 1885-1955","Robb, Charles S. (Charles Spittal) (1939-06-26)","Terry, Mary Sue","Warner, John W., 1927-","Warren, Percy H. (Percy Holmes), 1906-1965","Wilder, Lawrence Douglas, 1931-","Johnson, Deborah Tompkins","Lancaster, Dabney S. (Dabney Stewart), 1889-1975","Lee, Emily Lewis, 1922-2014","Roop, V. Inez Graybeal (Vivian Inez), 1913-2010","Showker, Zane D. (Zane Durwood), 1926-2004","Spurlock, James B., Jr., d. 2019","Taylor, James H., Jr.","Wampler, Charles W., Jr., 1915-2017","White, Helen Mugler (1903-1990)","Hope, Bob, 1903-2003","Allen, George, 1952-","Olin, Jim, 1920-2006","Holton, A. Linwood (Abner Linwood), 1923-","Adams, Patch, 1945-","Townes, Linton, 1959-"],"creator_corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. University Communications and Marketing","State Teachers College at Harrisonburg (Harrisonburg, Va.)","Madison College","James Madison University","James Madison University -- Sports","Chappell Graduation Images"],"creators_ssim":["Hilton, Fred, 1943-2022","William, Jackameit","Madison, James, 1751-1836","Ashby, Turner, 1828-1862","Acosta, Jim","Godwin, Mills E. (Mills Edwin), 1914-1999","Chandler, Wallace L. (Wallace Lee), 1926-2021","Miller, G. Tyler (George Tyler), 1902-1988","Ford, Gerald R. (Gerald Rudolph), 1913-2006","North, Oliver, 1943-","Obama, Barack","McDonnell, Robert F.","Campanelli, Lou","Driesell, Lefty, 1931-2024","Dingledine, Raymond C., Jr., 1919-1990","Jennings, Lillian Pegues, 1926-2016","Jenkins, Marie M. (Marie Magdalen), 1909-1997","Morrison, Lee (Lonnie Leotus), 1926-2015","Ramsey, Inez Linn, 1938-2025","Riley, James R. (James Rex), 1938-1987","Smith, Elmer Lewis, 1920-1981","Sonner, Ray V., Dr. (Ray Vincent), 1925-2012","Spaar, Lisa Russ (1956-03-17)","Theodore, Crystal, 1917-2012","Benson, Arthur Jerry","Bolgiano, Chris","Borg, Kevin L.","Carrier, Ronald E., 1932-2017","Cohen, Ralph, 1917-2016","Gabbin, Alexander L. (1945)","Gabbin, Joanne V. (Joanne Veal), 1946-","Geier, Clarence R., 1944-","Grayson, Joann, 1948-","Hyser, Raymond M., 1955-","Ingham, William Herbert, 1947-","Kohen, Andrew I.","Leary, James J.","Matthews, Mickey","Morley-Mower, Geoffrey, 1918-2005","Rose, Linwood H. (Linwood Howard), 1951-","Torisky, Danielle","Baliles, Gerald L. (Gerald Lee) (1940-07-08-2019-10-29)","Duke, Samuel Page, 1885-1955","Robb, Charles S. (Charles Spittal) (1939-06-26)","Terry, Mary Sue","Warner, John W., 1927-","Warren, Percy H. (Percy Holmes), 1906-1965","Wilder, Lawrence Douglas, 1931-","Johnson, Deborah Tompkins","Lancaster, Dabney S. (Dabney Stewart), 1889-1975","Lee, Emily Lewis, 1922-2014","Roop, V. Inez Graybeal (Vivian Inez), 1913-2010","Showker, Zane D. (Zane Durwood), 1926-2004","Spurlock, James B., Jr., d. 2019","Taylor, James H., Jr.","Wampler, Charles W., Jr., 1915-2017","White, Helen Mugler (1903-1990)","Hope, Bob, 1903-2003","Allen, George, 1952-","Olin, Jim, 1920-2006","Holton, A. Linwood (Abner Linwood), 1923-","Adams, Patch, 1945-","Townes, Linton, 1959-","James Madison University Libraries Special Collections","James Madison University. University Communications and Marketing","State Teachers College at Harrisonburg (Harrisonburg, Va.)","Madison College","James Madison University","James Madison University -- Sports","Chappell Graduation Images"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user.","Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records and personnel employment records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose.","For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Sixty-two binders of press releases were transferred by Fred Hilton of JMU Communications in September 1987. Other offices in Wilson Hall presumably contributed to the transfer though specific provenance is unclear. Two accessions of 64 scrapbooks containing newspaper clippings from local newspapers were recieved in 1988. These materials were deaccessioned in 2022 due to duplication in other sources. Beginning in 2013 through 2022, ten record transfers from Communications and Marketing were made to Special Collections."],"access_subjects_ssim":["Universities and colleges -- Public relations","College publicity","Special events -- Marketing","College sports -- Marketing","College sports -- Public relations","College students -- Social life and customs","Administrative records","Letters (correspondence)","Press releases","Photographs","Biographical sketches","Résumés (personnel records)","Personnel records","Speeches (Documents)","Programs (documents)","Pen and ink drawings"],"access_subjects_ssm":["Universities and colleges -- Public relations","College publicity","Special events -- Marketing","College sports -- Marketing","College sports -- Public relations","College students -- Social life and customs","Administrative records","Letters (correspondence)","Press releases","Photographs","Biographical sketches","Résumés (personnel records)","Personnel records","Speeches (Documents)","Programs (documents)","Pen and ink drawings"],"has_online_content_ssim":["false"],"extent_ssm":["32.98 cubic feet 93 boxes, 1 flat file"],"extent_tesim":["32.98 cubic feet 93 boxes, 1 flat file"],"genreform_ssim":["Administrative records","Letters (correspondence)","Press releases","Photographs","Biographical sketches","Résumés (personnel records)","Personnel records","Speeches (Documents)","Programs (documents)","Pen and ink drawings"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"appraisal_html_tesm":["\u003cp\u003eApproximately 64 scrapbooks (from accessions PR 88-1015, PR 88-1027) comprising newspaper clippings were deaccessioned in December 2022. The contents of the newspaper clippings is duplicated in the press releases and newspaper holdings within Carrier Library.\u003c/p\u003e","\u003cp\u003eTo the archivist's best ability, records containing personal identifying information (PII) particularly pertaining to student records and personnel files, were removed from the collection.\u003c/p\u003e","\u003cp\u003eExtraneous and duplicative copies of university publications as well as photocopies of published materials and website print-outs (particularly related to James Madison) were not retained. Copies of Board of Visitors minutes, duplicative of those contained in UA 0010, were not retained.\u003c/p\u003e","\u003cp\u003eForms and documents issued by the Library of Virginia and related to JMU's public records retention and disposal including Certificates or Records Disposal (form RM-3), Records Transfer List and Receipt (form RM-17), Records Retention and Disposition Schedules (form RM-2), and other related forms were not retained. These files primarily contained photocopies and carbon copies of the aforementioned forms.\u003c/p\u003e","\u003cp\u003eDraft versions of Montpelier/Madison Magazine articles as well as email correspondence related to edits were not retained. The final published issues of the magazines are held by Special Collections and are considered to be the official version of record. Unless markedly compelling or otherwise significant, documents related to the design, editing, and drafting process of Montpelier/Madison Magazine were not retained. A similar appraisal approach was taken for materials related to website updates.\u003c/p\u003e","\u003cp\u003eEpisodes of \"With Good Reason\" (copied on CDs), which originally aired on Virginia National Public Radio stations between 2007-2010 and featuring JMU faculty or on JMU-related topics, were not retained due to duplication of originals held by Virginia Humanities and made available online at https://www.withgoodreasonradio.org/.\u003c/p\u003e  "],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["Approximately 64 scrapbooks (from accessions PR 88-1015, PR 88-1027) comprising newspaper clippings were deaccessioned in December 2022. The contents of the newspaper clippings is duplicated in the press releases and newspaper holdings within Carrier Library.","To the archivist's best ability, records containing personal identifying information (PII) particularly pertaining to student records and personnel files, were removed from the collection.","Extraneous and duplicative copies of university publications as well as photocopies of published materials and website print-outs (particularly related to James Madison) were not retained. Copies of Board of Visitors minutes, duplicative of those contained in UA 0010, were not retained.","Forms and documents issued by the Library of Virginia and related to JMU's public records retention and disposal including Certificates or Records Disposal (form RM-3), Records Transfer List and Receipt (form RM-17), Records Retention and Disposition Schedules (form RM-2), and other related forms were not retained. These files primarily contained photocopies and carbon copies of the aforementioned forms.","Draft versions of Montpelier/Madison Magazine articles as well as email correspondence related to edits were not retained. The final published issues of the magazines are held by Special Collections and are considered to be the official version of record. Unless markedly compelling or otherwise significant, documents related to the design, editing, and drafting process of Montpelier/Madison Magazine were not retained. A similar appraisal approach was taken for materials related to website updates.","Episodes of \"With Good Reason\" (copied on CDs), which originally aired on Virginia National Public Radio stations between 2007-2010 and featuring JMU faculty or on JMU-related topics, were not retained due to duplication of originals held by Virginia Humanities and made available online at https://www.withgoodreasonradio.org/."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into seven series:\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003ePress releases, 1969-2010\u003c/item\u003e\n      \u003citem\u003eAdministrative files, 1954-2014\u003c/item\u003e\n      \u003citem\u003eEvents, 1967-2014\u003c/item\u003e\n      \u003citem\u003ePersonnel biographical files, 1930-2008\u003c/item\u003e\n      \u003citem\u003eCorrespondence, 1979-2014\u003c/item\u003e\n      \u003citem\u003ePhotographs, 1970-2011\u003c/item\u003e\n      \u003citem\u003eMedia, 1980-2017\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into seven series:","Press releases, 1969-2010\n      Administrative files, 1954-2014\n      Events, 1967-2014\n      Personnel biographical files, 1930-2008\n      Correspondence, 1979-2014\n      Photographs, 1970-2011\n      Media, 1980-2017"],"bioghist_html_tesm":["\u003cp\u003eJames Madison University's Communications and Marketing Department, known variously throughout the years as Public Relations Department, Department of Public Services, Media Relations, University Marketing and Branding, etc., was created in 1967, headed by Richard C. Mandeville and overseen by the executive assistant to the president. The creation of this department was part of the major reorganization of the college in 1967 and one of its main concerns was information services. The Public Relations Department became the Department of Public Services in 1972. This department was headed by Ray V. Sonner, who oversaw the Office of Public Information which was responsible for sending press releases and pictures to off-campus media outlets. In 1973, sports information and public information each became a distinct office under the Department of Public Services. In 1976, the offices of sports information and public information were combined. Throughout this time, Sonner supervised the Department of Public and Sports Information, headed by Richard Murray and Milla Sue Wisecarver. The university's official publication, first known as Montpelier and later rebranded to Madison, was first published in 1977 and is produced for alumni, parents of JMU students, faculty and staff members, and friends of the university. Since 1984, the office that directed the public relations of the university has changed names many times. Fred Hilton, who served as chief public relations officer and later as Director of the Centennial Celebration from 1972 until 2009, contributed greatly to the administrative functions of JMU's Communications and Marketing Department. As a result, Hilton is a significant contributor to the collection as a records creator. Don Egle, Hilton's successor, served as Senior Director of Communications and University Spokesperson until 2015.\u003c/p\u003e  "],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["James Madison University's Communications and Marketing Department, known variously throughout the years as Public Relations Department, Department of Public Services, Media Relations, University Marketing and Branding, etc., was created in 1967, headed by Richard C. Mandeville and overseen by the executive assistant to the president. The creation of this department was part of the major reorganization of the college in 1967 and one of its main concerns was information services. The Public Relations Department became the Department of Public Services in 1972. This department was headed by Ray V. Sonner, who oversaw the Office of Public Information which was responsible for sending press releases and pictures to off-campus media outlets. In 1973, sports information and public information each became a distinct office under the Department of Public Services. In 1976, the offices of sports information and public information were combined. Throughout this time, Sonner supervised the Department of Public and Sports Information, headed by Richard Murray and Milla Sue Wisecarver. The university's official publication, first known as Montpelier and later rebranded to Madison, was first published in 1977 and is produced for alumni, parents of JMU students, faculty and staff members, and friends of the university. Since 1984, the office that directed the public relations of the university has changed names many times. Fred Hilton, who served as chief public relations officer and later as Director of the Centennial Celebration from 1972 until 2009, contributed greatly to the administrative functions of JMU's Communications and Marketing Department. As a result, Hilton is a significant contributor to the collection as a records creator. Don Egle, Hilton's successor, served as Senior Director of Communications and University Spokesperson until 2015."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], University Communications and Marketing records, 1930-2017, UA 0003, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], University Communications and Marketing records, 1930-2017, UA 0003, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe collection was minimally processed in June 2015 by Emily Rheault under the collection number PR 87-0922. Collection fully reprocessed in October 2022 under the collection number UA 0003. At this time, two boxes of duplicate press releases and photocopied newspaper clippings were deaccessioned. Approximately 64 scrapbooks comprising newspaper clippings were also deaccessioned. The contents of the newspaper clippings is duplicated in the press releases and newspaper holdings within Carrier Library. In August 2025, the collection organization and finding aid was significantly updated to reflect the incorporation of 10 previously unprocessed accessions from JMU Communications and Marketing. Prior to the incorporation of these additional records, the collection was titled Office of Public Affairs press releases.\u003c/p\u003e","\u003cp\u003eDonor supplied folder labels and groupings of materials were retained where possible.\u003c/p\u003e","\u003cp\u003eA group of drawings on paper and polyester transparencies documenting campus buildings and maps exhibited significant degradation due to adhesive transfer and adhesion to other materials. They were not salvageable and were not retained. Similarly impacted university logos were also discarded.\u003c/p\u003e","\u003cp\u003eCASE awards, measuring 8.5\" x 11\" and mounted on foam board, were photocopied and originals discarded to conserve space.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was minimally processed in June 2015 by Emily Rheault under the collection number PR 87-0922. Collection fully reprocessed in October 2022 under the collection number UA 0003. At this time, two boxes of duplicate press releases and photocopied newspaper clippings were deaccessioned. Approximately 64 scrapbooks comprising newspaper clippings were also deaccessioned. The contents of the newspaper clippings is duplicated in the press releases and newspaper holdings within Carrier Library. In August 2025, the collection organization and finding aid was significantly updated to reflect the incorporation of 10 previously unprocessed accessions from JMU Communications and Marketing. Prior to the incorporation of these additional records, the collection was titled Office of Public Affairs press releases.","Donor supplied folder labels and groupings of materials were retained where possible.","A group of drawings on paper and polyester transparencies documenting campus buildings and maps exhibited significant degradation due to adhesive transfer and adhesion to other materials. They were not salvageable and were not retained. Similarly impacted university logos were also discarded.","CASE awards, measuring 8.5\" x 11\" and mounted on foam board, were photocopied and originals discarded to conserve space."],"scopecontent_html_tesm":["\u003cp\u003eCollection documents the varied functions and activities of James Madison University's Communications and Marketing office whose main objective is to advance the university's brand. Media relations, communications, public affairs, publicity, and brand strategy also fall under the department's portfolio. \u003c/p\u003e","\u003cp\u003eRecords include general and sports press releases; correspondence written by and on behalf of university administration and FOIA requests; general administrative files related to marketing and branding initiatives as well as select university publications; event information including speeches that primarily concern commencement and other large/recurring events; personnel biographical files; photographs documenting inaugurations, commencements and other events; and assorted media.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection documents the varied functions and activities of James Madison University's Communications and Marketing office whose main objective is to advance the university's brand. Media relations, communications, public affairs, publicity, and brand strategy also fall under the department's portfolio.","Records include general and sports press releases; correspondence written by and on behalf of university administration and FOIA requests; general administrative files related to marketing and branding initiatives as well as select university publications; event information including speeches that primarily concern commencement and other large/recurring events; personnel biographical files; photographs documenting inaugurations, commencements and other events; and assorted media."],"separatedmaterial_html_tesm":["\u003cp\u003eIssues of What's Up, Time \u0026amp; Place, and JMU Extra, weekly distributions of university event calendars and event schedules, major reports, issues of university publications, and sports media guides were separated from the collection and cataloged bibliographically.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Issues of What's Up, Time \u0026 Place, and JMU Extra, weekly distributions of university event calendars and event schedules, major reports, issues of university publications, and sports media guides were separated from the collection and cataloged bibliographically."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user.\u003c/p\u003e","\u003cp\u003eStaff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records and personnel employment records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose.\u003c/p\u003e","\u003cp\u003eFor more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user.","Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records and personnel employment records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose.","For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e210868c4b1e9b6c2f02c08c040f44ef\"\u003eCollection documents the varied functions and activities of James Madison University's Communications and Marketing office whose main objective is to advance the university's brand. Records include press releases, correspondence, general administrative files, event information, personnel biographical files, photographs, and assorted media.\u003c/abstract\u003e\n    "],"abstract_tesim":["Collection documents the varied functions and activities of James Madison University's Communications and Marketing office whose main objective is to advance the university's brand. Records include press releases, correspondence, general administrative files, event information, personnel biographical files, photographs, and assorted media."],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. University Communications and Marketing","State Teachers College at Harrisonburg (Harrisonburg, Va.)","Madison College","James Madison University","James Madison University -- Sports","Chappell Graduation Images"],"names_coll_ssim":["James Madison University. University Communications and Marketing","State Teachers College at Harrisonburg (Harrisonburg, Va.)","Madison College","James Madison University","James Madison University -- Sports","William, Jackameit"],"persname_ssim":["Hilton, Fred, 1943-2022","William, Jackameit","Madison, James, 1751-1836","Ashby, Turner, 1828-1862","Acosta, Jim","Godwin, Mills E. (Mills Edwin), 1914-1999","Chandler, Wallace L. (Wallace Lee), 1926-2021","Miller, G. Tyler (George Tyler), 1902-1988","Ford, Gerald R. (Gerald Rudolph), 1913-2006","North, Oliver, 1943-","Obama, Barack","McDonnell, Robert F.","Campanelli, Lou","Driesell, Lefty, 1931-2024","Dingledine, Raymond C., Jr., 1919-1990","Jennings, Lillian Pegues, 1926-2016","Jenkins, Marie M. (Marie Magdalen), 1909-1997","Morrison, Lee (Lonnie Leotus), 1926-2015","Ramsey, Inez Linn, 1938-2025","Riley, James R. (James Rex), 1938-1987","Smith, Elmer Lewis, 1920-1981","Sonner, Ray V., Dr. (Ray Vincent), 1925-2012","Spaar, Lisa Russ (1956-03-17)","Theodore, Crystal, 1917-2012","Benson, Arthur Jerry","Bolgiano, Chris","Borg, Kevin L.","Carrier, Ronald E., 1932-2017","Cohen, Ralph, 1917-2016","Gabbin, Alexander L. (1945)","Gabbin, Joanne V. (Joanne Veal), 1946-","Geier, Clarence R., 1944-","Grayson, Joann, 1948-","Hyser, Raymond M., 1955-","Ingham, William Herbert, 1947-","Kohen, Andrew I.","Leary, James J.","Matthews, Mickey","Morley-Mower, Geoffrey, 1918-2005","Rose, Linwood H. (Linwood Howard), 1951-","Torisky, Danielle","Baliles, Gerald L. (Gerald Lee) (1940-07-08-2019-10-29)","Duke, Samuel Page, 1885-1955","Robb, Charles S. (Charles Spittal) (1939-06-26)","Terry, Mary Sue","Warner, John W., 1927-","Warren, Percy H. (Percy Holmes), 1906-1965","Wilder, Lawrence Douglas, 1931-","Johnson, Deborah Tompkins","Lancaster, Dabney S. (Dabney Stewart), 1889-1975","Lee, Emily Lewis, 1922-2014","Roop, V. Inez Graybeal (Vivian Inez), 1913-2010","Showker, Zane D. (Zane Durwood), 1926-2004","Spurlock, James B., Jr., d. 2019","Taylor, James H., Jr.","Wampler, Charles W., Jr., 1915-2017","White, Helen Mugler (1903-1990)","Hope, Bob, 1903-2003","Allen, George, 1952-","Olin, Jim, 1920-2006","Holton, A. Linwood (Abner Linwood), 1923-","Adams, Patch, 1945-","Townes, Linton, 1959-"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. University Communications and Marketing","State Teachers College at Harrisonburg (Harrisonburg, Va.)","Madison College","James Madison University","James Madison University -- Sports","Chappell Graduation Images","Hilton, Fred, 1943-2022","William, Jackameit","Madison, James, 1751-1836","Ashby, Turner, 1828-1862","Acosta, Jim","Godwin, Mills E. (Mills Edwin), 1914-1999","Chandler, Wallace L. (Wallace Lee), 1926-2021","Miller, G. Tyler (George Tyler), 1902-1988","Ford, Gerald R. (Gerald Rudolph), 1913-2006","North, Oliver, 1943-","Obama, Barack","McDonnell, Robert F.","Campanelli, Lou","Driesell, Lefty, 1931-2024","Dingledine, Raymond C., Jr., 1919-1990","Jennings, Lillian Pegues, 1926-2016","Jenkins, Marie M. (Marie Magdalen), 1909-1997","Morrison, Lee (Lonnie Leotus), 1926-2015","Ramsey, Inez Linn, 1938-2025","Riley, James R. (James Rex), 1938-1987","Smith, Elmer Lewis, 1920-1981","Sonner, Ray V., Dr. (Ray Vincent), 1925-2012","Spaar, Lisa Russ (1956-03-17)","Theodore, Crystal, 1917-2012","Benson, Arthur Jerry","Bolgiano, Chris","Borg, Kevin L.","Carrier, Ronald E., 1932-2017","Cohen, Ralph, 1917-2016","Gabbin, Alexander L. (1945)","Gabbin, Joanne V. (Joanne Veal), 1946-","Geier, Clarence R., 1944-","Grayson, Joann, 1948-","Hyser, Raymond M., 1955-","Ingham, William Herbert, 1947-","Kohen, Andrew I.","Leary, James J.","Matthews, Mickey","Morley-Mower, Geoffrey, 1918-2005","Rose, Linwood H. (Linwood Howard), 1951-","Torisky, Danielle","Baliles, Gerald L. (Gerald Lee) (1940-07-08-2019-10-29)","Duke, Samuel Page, 1885-1955","Robb, Charles S. (Charles Spittal) (1939-06-26)","Terry, Mary Sue","Warner, John W., 1927-","Warren, Percy H. (Percy Holmes), 1906-1965","Wilder, Lawrence Douglas, 1931-","Johnson, Deborah Tompkins","Lancaster, Dabney S. (Dabney Stewart), 1889-1975","Lee, Emily Lewis, 1922-2014","Roop, V. Inez Graybeal (Vivian Inez), 1913-2010","Showker, Zane D. (Zane Durwood), 1926-2004","Spurlock, James B., Jr., d. 2019","Taylor, James H., Jr.","Wampler, Charles W., Jr., 1915-2017","White, Helen Mugler (1903-1990)","Hope, Bob, 1903-2003","Allen, George, 1952-","Olin, Jim, 1920-2006","Holton, A. Linwood (Abner Linwood), 1923-","Adams, Patch, 1945-","Townes, Linton, 1959-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1044,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:22:31.732Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_776_c04_c22_c58"}},{"id":"vilxw_repositories_5_resources_231_c05_c222","type":"File","attributes":{"title":"Zas-Zilahly, 1929/1991","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c05_c222#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_231_c05_c222","ref_ssm":["vilxw_repositories_5_resources_231_c05_c222"],"id":"vilxw_repositories_5_resources_231_c05_c222","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231_c05","parent_ssi":"vilxw_repositories_5_resources_231_c05","parent_ssim":["O.W. Riegel Papers, 1900/1992","Personal Correspondence, 1926/1991"],"parent_ids_ssim":["vilxw_repositories_5_resources_231","vilxw_repositories_5_resources_231_c05"],"title_filing_ssi":"Zas-Zilahly","title_ssm":["Zas-Zilahly"],"title_tesim":["Zas-Zilahly"],"normalized_title_ssm":["Zas-Zilahly, 1929/1991"],"text":["Zas-Zilahly, 1929/1991","O.W. Riegel Papers, 1900/1992","Personal Correspondence, 1926/1991","folder 222","English."],"parent_unittitles_ssm":["O.W. Riegel Papers, 1900/1992","Personal Correspondence, 1926/1991"],"parent_unittitles_tesim":["O.W. Riegel Papers, 1900/1992","Personal Correspondence, 1926/1991"],"normalized_date_ssm":["1929/1991"],"unitdate_inclusive_ssm":["1929-1991"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":1503,"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["O.W. Riegel Papers, 1900/1992"],"containers_ssim":["folder 222"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["This collection is open to research use."],"parent_access_terms_tesm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"language_ssim":["English."],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"_nest_path_":"/components#4/components#221","timestamp":"2026-07-23T21:24:25.803Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_231","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_231.xml","title_ssm":["O.W. Riegel Papers"],"title_tesim":["O.W. Riegel Papers"],"unitdate_ssm":["1900-1992"],"unitdate_inclusive_ssm":["1900-1992"],"normalized_date_ssm":["1900/1992"],"normalized_title_ssm":["O.W. Riegel Papers, 1900/1992"],"text":["O.W. Riegel Papers, 1900/1992","WLU.Coll.0387","/repositories/5/resources/231","Propaganda","Journalism","This collection is open to research use.","Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University.","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA.","Highlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George","English\n."],"collection_title_tesim":["O.W. Riegel Papers, 1900/1992"],"collection_ssim":["O.W. Riegel Papers, 1900/1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0387","/repositories/5/resources/231"],"unitid_tesim":["WLU.Coll.0387","/repositories/5/resources/231"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Riegel, O. W. 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(John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George","Washington and Lee University, University Library Special Collections and Archives"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Propaganda","Journalism"],"access_subjects_ssm":["Propaganda","Journalism"],"has_online_content_ssim":["false"],"extent_ssm":["75 Linear Feet"],"extent_tesim":["75 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to research use."],"bioghist_html_tesm":["\u003cp\u003eOscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University. \u003c/p\u003e","\u003cp\u003eRiegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University.","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA.\u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eHighlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Highlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\""],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"persname_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"names_coll_ssim":["Riegel, Hunt"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. 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Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00092#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_vifgm00092","ead_ssi":"vifgm_vifgm00092","_root_":"vifgm_vifgm00092","_nest_parent_":"vifgm_vifgm00092","ead_source_url_ssi":"data/gmu/vifgm00092.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Zelda Fichandler papers"],"title_tesim":["Zelda Fichandler papers"],"unitdate_ssm":["1950-2000"],"unitdate_inclusive_ssm":["1950-2000"],"normalized_date_ssm":["1950/2000"],"normalized_title_ssm":["Zelda Fichandler papers, 1950/2000"],"text":["Zelda Fichandler papers, 1950/2000","C0010","Theater--Washington (D.C.)","Organized by folder.","Zelda Fichandler was the Founding Director of Arena Stage in Washington, D.C. and its primary artistic force from 1950-1990. Her history-making example, force of personality, and eloquence as a speaker and writer have made her a leading national figure in the performing arts and Arena Stage a model for scores of cultural institutions established around the country. Zelda's personal vision for theatre has had a transforming effect on the entire field, switching the axis from Broadway to the rest of the nation in the production of new work. She is considered a parent of the regional theatre in America.","Zelda embraced a vast sweep of dramatic literature which reverberated through the commercial and non-commercial theatre world and into film and television. She directed many of Arena's productions including Mrs. Klein, Uncle Vanya, The Three Sisters, Death of a Salesman, An Enemy of the People, Six Characters in Search of an Author, and A Doll House; and the American premieres of new Eastern European works, Duck Hunting, The Ascent of Mt. Fuji, and Screenplay. Arena Stage was the first American theatre company, sponsored by the State Department, to tour the then-Soviet Union. Her Inherit the Wind played in Moscow and St. Petersburg in 1973, the company performed her After the Fall at the 1980 Hong Kong Arts Festival, and in 1987, her production of The Crucible appeared at the Israel Festival in Jerusalem.\nAs a producer, Zelda nurtured all of Arena's plays, making a home for important European playwrights like Brecht, Frisch, Ionesco, Mrozek, and Orkeny, alongside significant American revivals of works by Albee, Miller, Williams, O'Neill, Thornton Wilder, Kaufman and Hart and classics by Shakespeare, Shaw, Moliere, Ibsen, and others. Broadway, too, has felt the impact of Zelda's work, especially with the development of new plays. The Great White Hope, Indians, Moonchildren, Pueblo, A History of the American Film, The Madness of God, Raisin, and K2 all started at Arena Stage. She left the artistic leadership of Arena in 1991 to her close associate, Douglas C. Wager.\nZelda also made Arena the theatre of the \"second chance,\" where plays like Summer of the 17th Doll, Saturday, Sunday, Monday, and The Comedians found life after commercial failure in New York.","Zelda's concern for the development of young actors led her, in 1984, to take on, in addition, the role of Chair of the Graduate Acting Program and Master Teacher of Acting and Directing at New York University's Tisch School of the Arts, a position which she continues to fill. Graduates of this premier program now occupy leading positions in film, television, and the stage, winning top awards in the various media. From 1991 through 1994, she also served as the Artistic Director of The Acting Company, a young company of actors that tours a classical repertory throughout America. The link between professional theatre and training is important to Zelda as a means \"to attract young people to the benefits of company work and to train them to perform in the broadest repertory.\" The idea of \"company\" has animated her work since the beginning, and her goal now is to establish in New York an acting company composed primarily of graduates from the Graduate Acting Program. Many agents, casting directors, and stage directors consider the Program at Tisch to be the most innovative and creative in the country.","Zelda has received the National Medal of the Arts, awarded in 1997 by President Clinton, the Common Wealth Award for distinguished service to the dramatic arts, The Brandeis University Creative Arts award, The Acting Company's John Houseman Award for commitment to the development of young American actors, the Margo Jones Award for the production of new plays, Washingtonian of the Year Award, the Ortho 21st Century Women Trailblazer Award, and the Society for Stage Directors and Choreographers George Abbott Award. The New York commercial theatre world awarded Zelda and Arena Stage the Antoinette Perry or 'Tony' Award in 1976, the first to be given to a company outside New York. In 1999 she was inducted into the Theatre Hall of Fame, making her the first artistic leader outside of New York to receive this honor.","This collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.","The bulk of collection contains Zelda's research of plays including; playbills and programs, reviews, articles, correspondence regarding plays and their past productions and audience response letters.\nItems of note include many papers regarding the original production of The Great White Hope, and information regarding Arena Stages tour of Russia in 1973.","This collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.","George Mason University. Special Collections and Archives.","Arena Stage (Organization : Washington, D.C.)","Zelda Fichandler","English"],"collection_title_tesim":["Zelda Fichandler papers, 1950/2000"],"collection_ssim":["Zelda Fichandler papers, 1950/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0010"],"unitid_tesim":["C0010"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Zelda Fichandler"],"creator_ssim":["Zelda Fichandler"],"creator_persname_ssim":["Zelda Fichandler"],"creator_corpname_ssim":["George Mason University. Special Collections and Archives.","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Zelda Fichandler","George Mason University. Special Collections and Archives.","Arena Stage (Organization : Washington, D.C.)"],"acqinfo_ssim":["Donated by Arena Stage in 2000."],"access_subjects_ssim":["Theater--Washington (D.C.)"],"access_subjects_ssm":["Theater--Washington (D.C.)"],"has_online_content_ssim":["false"],"extent_ssm":["104.5 linear ft.; 209 boxes"],"extent_tesim":["104.5 linear ft.; 209 boxes"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"arrangement_html_tesm":["\u003cp\u003eOrganized by folder.\n\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized by folder."],"bioghist_html_tesm":["\u003cp\u003eZelda Fichandler was the Founding Director of Arena Stage in Washington, D.C. and its primary artistic force from 1950-1990. Her history-making example, force of personality, and eloquence as a speaker and writer have made her a leading national figure in the performing arts and Arena Stage a model for scores of cultural institutions established around the country. Zelda's personal vision for theatre has had a transforming effect on the entire field, switching the axis from Broadway to the rest of the nation in the production of new work. She is considered a parent of the regional theatre in America.\n\u003c/p\u003e\n      ","\u003cp\u003e\nZelda embraced a vast sweep of dramatic literature which reverberated through the commercial and non-commercial theatre world and into film and television. She directed many of Arena's productions including Mrs. Klein, Uncle Vanya, The Three Sisters, Death of a Salesman, An Enemy of the People, Six Characters in Search of an Author, and A Doll House; and the American premieres of new Eastern European works, Duck Hunting, The Ascent of Mt. Fuji, and Screenplay. Arena Stage was the first American theatre company, sponsored by the State Department, to tour the then-Soviet Union. Her Inherit the Wind played in Moscow and St. Petersburg in 1973, the company performed her After the Fall at the 1980 Hong Kong Arts Festival, and in 1987, her production of The Crucible appeared at the Israel Festival in Jerusalem.\nAs a producer, Zelda nurtured all of Arena's plays, making a home for important European playwrights like Brecht, Frisch, Ionesco, Mrozek, and Orkeny, alongside significant American revivals of works by Albee, Miller, Williams, O'Neill, Thornton Wilder, Kaufman and Hart and classics by Shakespeare, Shaw, Moliere, Ibsen, and others. Broadway, too, has felt the impact of Zelda's work, especially with the development of new plays. The Great White Hope, Indians, Moonchildren, Pueblo, A History of the American Film, The Madness of God, Raisin, and K2 all started at Arena Stage. She left the artistic leadership of Arena in 1991 to her close associate, Douglas C. Wager.\nZelda also made Arena the theatre of the \"second chance,\" where plays like Summer of the 17th Doll, Saturday, Sunday, Monday, and The Comedians found life after commercial failure in New York.\n\u003c/p\u003e\n      ","\u003cp\u003e\nZelda's concern for the development of young actors led her, in 1984, to take on, in addition, the role of Chair of the Graduate Acting Program and Master Teacher of Acting and Directing at New York University's Tisch School of the Arts, a position which she continues to fill. Graduates of this premier program now occupy leading positions in film, television, and the stage, winning top awards in the various media. From 1991 through 1994, she also served as the Artistic Director of The Acting Company, a young company of actors that tours a classical repertory throughout America. The link between professional theatre and training is important to Zelda as a means \"to attract young people to the benefits of company work and to train them to perform in the broadest repertory.\" The idea of \"company\" has animated her work since the beginning, and her goal now is to establish in New York an acting company composed primarily of graduates from the Graduate Acting Program. Many agents, casting directors, and stage directors consider the Program at Tisch to be the most innovative and creative in the country.\n\u003c/p\u003e\n      ","\u003cp\u003e\nZelda has received the National Medal of the Arts, awarded in 1997 by President Clinton, the Common Wealth Award for distinguished service to the dramatic arts, The Brandeis University Creative Arts award, The Acting Company's John Houseman Award for commitment to the development of young American actors, the Margo Jones Award for the production of new plays, Washingtonian of the Year Award, the Ortho 21st Century Women Trailblazer Award, and the Society for Stage Directors and Choreographers George Abbott Award. The New York commercial theatre world awarded Zelda and Arena Stage the Antoinette Perry or 'Tony' Award in 1976, the first to be given to a company outside New York. In 1999 she was inducted into the Theatre Hall of Fame, making her the first artistic leader outside of New York to receive this honor.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Zelda Fichandler was the Founding Director of Arena Stage in Washington, D.C. and its primary artistic force from 1950-1990. Her history-making example, force of personality, and eloquence as a speaker and writer have made her a leading national figure in the performing arts and Arena Stage a model for scores of cultural institutions established around the country. Zelda's personal vision for theatre has had a transforming effect on the entire field, switching the axis from Broadway to the rest of the nation in the production of new work. She is considered a parent of the regional theatre in America.","Zelda embraced a vast sweep of dramatic literature which reverberated through the commercial and non-commercial theatre world and into film and television. She directed many of Arena's productions including Mrs. Klein, Uncle Vanya, The Three Sisters, Death of a Salesman, An Enemy of the People, Six Characters in Search of an Author, and A Doll House; and the American premieres of new Eastern European works, Duck Hunting, The Ascent of Mt. Fuji, and Screenplay. Arena Stage was the first American theatre company, sponsored by the State Department, to tour the then-Soviet Union. Her Inherit the Wind played in Moscow and St. Petersburg in 1973, the company performed her After the Fall at the 1980 Hong Kong Arts Festival, and in 1987, her production of The Crucible appeared at the Israel Festival in Jerusalem.\nAs a producer, Zelda nurtured all of Arena's plays, making a home for important European playwrights like Brecht, Frisch, Ionesco, Mrozek, and Orkeny, alongside significant American revivals of works by Albee, Miller, Williams, O'Neill, Thornton Wilder, Kaufman and Hart and classics by Shakespeare, Shaw, Moliere, Ibsen, and others. Broadway, too, has felt the impact of Zelda's work, especially with the development of new plays. The Great White Hope, Indians, Moonchildren, Pueblo, A History of the American Film, The Madness of God, Raisin, and K2 all started at Arena Stage. She left the artistic leadership of Arena in 1991 to her close associate, Douglas C. Wager.\nZelda also made Arena the theatre of the \"second chance,\" where plays like Summer of the 17th Doll, Saturday, Sunday, Monday, and The Comedians found life after commercial failure in New York.","Zelda's concern for the development of young actors led her, in 1984, to take on, in addition, the role of Chair of the Graduate Acting Program and Master Teacher of Acting and Directing at New York University's Tisch School of the Arts, a position which she continues to fill. Graduates of this premier program now occupy leading positions in film, television, and the stage, winning top awards in the various media. From 1991 through 1994, she also served as the Artistic Director of The Acting Company, a young company of actors that tours a classical repertory throughout America. The link between professional theatre and training is important to Zelda as a means \"to attract young people to the benefits of company work and to train them to perform in the broadest repertory.\" The idea of \"company\" has animated her work since the beginning, and her goal now is to establish in New York an acting company composed primarily of graduates from the Graduate Acting Program. Many agents, casting directors, and stage directors consider the Program at Tisch to be the most innovative and creative in the country.","Zelda has received the National Medal of the Arts, awarded in 1997 by President Clinton, the Common Wealth Award for distinguished service to the dramatic arts, The Brandeis University Creative Arts award, The Acting Company's John Houseman Award for commitment to the development of young American actors, the Margo Jones Award for the production of new plays, Washingtonian of the Year Award, the Ortho 21st Century Women Trailblazer Award, and the Society for Stage Directors and Choreographers George Abbott Award. The New York commercial theatre world awarded Zelda and Arena Stage the Antoinette Perry or 'Tony' Award in 1976, the first to be given to a company outside New York. In 1999 she was inducted into the Theatre Hall of Fame, making her the first artistic leader outside of New York to receive this honor."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.\n\u003c/p\u003e\n      ","\u003cp\u003e\nThe bulk of collection contains Zelda's research of plays including; playbills and programs, reviews, articles, correspondence regarding plays and their past productions and audience response letters.\nItems of note include many papers regarding the original production of The Great White Hope, and information regarding Arena Stages tour of Russia in 1973.\n\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.","The bulk of collection contains Zelda's research of plays including; playbills and programs, reviews, articles, correspondence regarding plays and their past productions and audience response letters.\nItems of note include many papers regarding the original production of The Great White Hope, and information regarding Arena Stages tour of Russia in 1973."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda."],"corpname_ssim":["George Mason University. Special Collections and Archives.","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Zelda Fichandler"],"names_ssim":["George Mason University. Special Collections and Archives.","Arena Stage (Organization : Washington, D.C.)","Zelda Fichandler"],"language_ssim":["English"],"total_component_count_is":2919,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:21:42.615Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00092","ead_ssi":"vifgm_vifgm00092","_root_":"vifgm_vifgm00092","_nest_parent_":"vifgm_vifgm00092","ead_source_url_ssi":"data/gmu/vifgm00092.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Zelda Fichandler papers"],"title_tesim":["Zelda Fichandler papers"],"unitdate_ssm":["1950-2000"],"unitdate_inclusive_ssm":["1950-2000"],"normalized_date_ssm":["1950/2000"],"normalized_title_ssm":["Zelda Fichandler papers, 1950/2000"],"text":["Zelda Fichandler papers, 1950/2000","C0010","Theater--Washington (D.C.)","Organized by folder.","Zelda Fichandler was the Founding Director of Arena Stage in Washington, D.C. and its primary artistic force from 1950-1990. Her history-making example, force of personality, and eloquence as a speaker and writer have made her a leading national figure in the performing arts and Arena Stage a model for scores of cultural institutions established around the country. Zelda's personal vision for theatre has had a transforming effect on the entire field, switching the axis from Broadway to the rest of the nation in the production of new work. She is considered a parent of the regional theatre in America.","Zelda embraced a vast sweep of dramatic literature which reverberated through the commercial and non-commercial theatre world and into film and television. She directed many of Arena's productions including Mrs. Klein, Uncle Vanya, The Three Sisters, Death of a Salesman, An Enemy of the People, Six Characters in Search of an Author, and A Doll House; and the American premieres of new Eastern European works, Duck Hunting, The Ascent of Mt. Fuji, and Screenplay. Arena Stage was the first American theatre company, sponsored by the State Department, to tour the then-Soviet Union. Her Inherit the Wind played in Moscow and St. Petersburg in 1973, the company performed her After the Fall at the 1980 Hong Kong Arts Festival, and in 1987, her production of The Crucible appeared at the Israel Festival in Jerusalem.\nAs a producer, Zelda nurtured all of Arena's plays, making a home for important European playwrights like Brecht, Frisch, Ionesco, Mrozek, and Orkeny, alongside significant American revivals of works by Albee, Miller, Williams, O'Neill, Thornton Wilder, Kaufman and Hart and classics by Shakespeare, Shaw, Moliere, Ibsen, and others. Broadway, too, has felt the impact of Zelda's work, especially with the development of new plays. The Great White Hope, Indians, Moonchildren, Pueblo, A History of the American Film, The Madness of God, Raisin, and K2 all started at Arena Stage. She left the artistic leadership of Arena in 1991 to her close associate, Douglas C. Wager.\nZelda also made Arena the theatre of the \"second chance,\" where plays like Summer of the 17th Doll, Saturday, Sunday, Monday, and The Comedians found life after commercial failure in New York.","Zelda's concern for the development of young actors led her, in 1984, to take on, in addition, the role of Chair of the Graduate Acting Program and Master Teacher of Acting and Directing at New York University's Tisch School of the Arts, a position which she continues to fill. Graduates of this premier program now occupy leading positions in film, television, and the stage, winning top awards in the various media. From 1991 through 1994, she also served as the Artistic Director of The Acting Company, a young company of actors that tours a classical repertory throughout America. The link between professional theatre and training is important to Zelda as a means \"to attract young people to the benefits of company work and to train them to perform in the broadest repertory.\" The idea of \"company\" has animated her work since the beginning, and her goal now is to establish in New York an acting company composed primarily of graduates from the Graduate Acting Program. Many agents, casting directors, and stage directors consider the Program at Tisch to be the most innovative and creative in the country.","Zelda has received the National Medal of the Arts, awarded in 1997 by President Clinton, the Common Wealth Award for distinguished service to the dramatic arts, The Brandeis University Creative Arts award, The Acting Company's John Houseman Award for commitment to the development of young American actors, the Margo Jones Award for the production of new plays, Washingtonian of the Year Award, the Ortho 21st Century Women Trailblazer Award, and the Society for Stage Directors and Choreographers George Abbott Award. The New York commercial theatre world awarded Zelda and Arena Stage the Antoinette Perry or 'Tony' Award in 1976, the first to be given to a company outside New York. In 1999 she was inducted into the Theatre Hall of Fame, making her the first artistic leader outside of New York to receive this honor.","This collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.","The bulk of collection contains Zelda's research of plays including; playbills and programs, reviews, articles, correspondence regarding plays and their past productions and audience response letters.\nItems of note include many papers regarding the original production of The Great White Hope, and information regarding Arena Stages tour of Russia in 1973.","This collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.","George Mason University. Special Collections and Archives.","Arena Stage (Organization : Washington, D.C.)","Zelda Fichandler","English"],"collection_title_tesim":["Zelda Fichandler papers, 1950/2000"],"collection_ssim":["Zelda Fichandler papers, 1950/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0010"],"unitid_tesim":["C0010"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Zelda Fichandler"],"creator_ssim":["Zelda Fichandler"],"creator_persname_ssim":["Zelda Fichandler"],"creator_corpname_ssim":["George Mason University. Special Collections and Archives.","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Zelda Fichandler","George Mason University. Special Collections and Archives.","Arena Stage (Organization : Washington, D.C.)"],"acqinfo_ssim":["Donated by Arena Stage in 2000."],"access_subjects_ssim":["Theater--Washington (D.C.)"],"access_subjects_ssm":["Theater--Washington (D.C.)"],"has_online_content_ssim":["false"],"extent_ssm":["104.5 linear ft.; 209 boxes"],"extent_tesim":["104.5 linear ft.; 209 boxes"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"arrangement_html_tesm":["\u003cp\u003eOrganized by folder.\n\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized by folder."],"bioghist_html_tesm":["\u003cp\u003eZelda Fichandler was the Founding Director of Arena Stage in Washington, D.C. and its primary artistic force from 1950-1990. Her history-making example, force of personality, and eloquence as a speaker and writer have made her a leading national figure in the performing arts and Arena Stage a model for scores of cultural institutions established around the country. Zelda's personal vision for theatre has had a transforming effect on the entire field, switching the axis from Broadway to the rest of the nation in the production of new work. She is considered a parent of the regional theatre in America.\n\u003c/p\u003e\n      ","\u003cp\u003e\nZelda embraced a vast sweep of dramatic literature which reverberated through the commercial and non-commercial theatre world and into film and television. She directed many of Arena's productions including Mrs. Klein, Uncle Vanya, The Three Sisters, Death of a Salesman, An Enemy of the People, Six Characters in Search of an Author, and A Doll House; and the American premieres of new Eastern European works, Duck Hunting, The Ascent of Mt. Fuji, and Screenplay. Arena Stage was the first American theatre company, sponsored by the State Department, to tour the then-Soviet Union. Her Inherit the Wind played in Moscow and St. Petersburg in 1973, the company performed her After the Fall at the 1980 Hong Kong Arts Festival, and in 1987, her production of The Crucible appeared at the Israel Festival in Jerusalem.\nAs a producer, Zelda nurtured all of Arena's plays, making a home for important European playwrights like Brecht, Frisch, Ionesco, Mrozek, and Orkeny, alongside significant American revivals of works by Albee, Miller, Williams, O'Neill, Thornton Wilder, Kaufman and Hart and classics by Shakespeare, Shaw, Moliere, Ibsen, and others. Broadway, too, has felt the impact of Zelda's work, especially with the development of new plays. The Great White Hope, Indians, Moonchildren, Pueblo, A History of the American Film, The Madness of God, Raisin, and K2 all started at Arena Stage. She left the artistic leadership of Arena in 1991 to her close associate, Douglas C. Wager.\nZelda also made Arena the theatre of the \"second chance,\" where plays like Summer of the 17th Doll, Saturday, Sunday, Monday, and The Comedians found life after commercial failure in New York.\n\u003c/p\u003e\n      ","\u003cp\u003e\nZelda's concern for the development of young actors led her, in 1984, to take on, in addition, the role of Chair of the Graduate Acting Program and Master Teacher of Acting and Directing at New York University's Tisch School of the Arts, a position which she continues to fill. Graduates of this premier program now occupy leading positions in film, television, and the stage, winning top awards in the various media. From 1991 through 1994, she also served as the Artistic Director of The Acting Company, a young company of actors that tours a classical repertory throughout America. The link between professional theatre and training is important to Zelda as a means \"to attract young people to the benefits of company work and to train them to perform in the broadest repertory.\" The idea of \"company\" has animated her work since the beginning, and her goal now is to establish in New York an acting company composed primarily of graduates from the Graduate Acting Program. Many agents, casting directors, and stage directors consider the Program at Tisch to be the most innovative and creative in the country.\n\u003c/p\u003e\n      ","\u003cp\u003e\nZelda has received the National Medal of the Arts, awarded in 1997 by President Clinton, the Common Wealth Award for distinguished service to the dramatic arts, The Brandeis University Creative Arts award, The Acting Company's John Houseman Award for commitment to the development of young American actors, the Margo Jones Award for the production of new plays, Washingtonian of the Year Award, the Ortho 21st Century Women Trailblazer Award, and the Society for Stage Directors and Choreographers George Abbott Award. The New York commercial theatre world awarded Zelda and Arena Stage the Antoinette Perry or 'Tony' Award in 1976, the first to be given to a company outside New York. In 1999 she was inducted into the Theatre Hall of Fame, making her the first artistic leader outside of New York to receive this honor.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Zelda Fichandler was the Founding Director of Arena Stage in Washington, D.C. and its primary artistic force from 1950-1990. Her history-making example, force of personality, and eloquence as a speaker and writer have made her a leading national figure in the performing arts and Arena Stage a model for scores of cultural institutions established around the country. Zelda's personal vision for theatre has had a transforming effect on the entire field, switching the axis from Broadway to the rest of the nation in the production of new work. She is considered a parent of the regional theatre in America.","Zelda embraced a vast sweep of dramatic literature which reverberated through the commercial and non-commercial theatre world and into film and television. She directed many of Arena's productions including Mrs. Klein, Uncle Vanya, The Three Sisters, Death of a Salesman, An Enemy of the People, Six Characters in Search of an Author, and A Doll House; and the American premieres of new Eastern European works, Duck Hunting, The Ascent of Mt. Fuji, and Screenplay. Arena Stage was the first American theatre company, sponsored by the State Department, to tour the then-Soviet Union. Her Inherit the Wind played in Moscow and St. Petersburg in 1973, the company performed her After the Fall at the 1980 Hong Kong Arts Festival, and in 1987, her production of The Crucible appeared at the Israel Festival in Jerusalem.\nAs a producer, Zelda nurtured all of Arena's plays, making a home for important European playwrights like Brecht, Frisch, Ionesco, Mrozek, and Orkeny, alongside significant American revivals of works by Albee, Miller, Williams, O'Neill, Thornton Wilder, Kaufman and Hart and classics by Shakespeare, Shaw, Moliere, Ibsen, and others. Broadway, too, has felt the impact of Zelda's work, especially with the development of new plays. The Great White Hope, Indians, Moonchildren, Pueblo, A History of the American Film, The Madness of God, Raisin, and K2 all started at Arena Stage. She left the artistic leadership of Arena in 1991 to her close associate, Douglas C. Wager.\nZelda also made Arena the theatre of the \"second chance,\" where plays like Summer of the 17th Doll, Saturday, Sunday, Monday, and The Comedians found life after commercial failure in New York.","Zelda's concern for the development of young actors led her, in 1984, to take on, in addition, the role of Chair of the Graduate Acting Program and Master Teacher of Acting and Directing at New York University's Tisch School of the Arts, a position which she continues to fill. Graduates of this premier program now occupy leading positions in film, television, and the stage, winning top awards in the various media. From 1991 through 1994, she also served as the Artistic Director of The Acting Company, a young company of actors that tours a classical repertory throughout America. The link between professional theatre and training is important to Zelda as a means \"to attract young people to the benefits of company work and to train them to perform in the broadest repertory.\" The idea of \"company\" has animated her work since the beginning, and her goal now is to establish in New York an acting company composed primarily of graduates from the Graduate Acting Program. Many agents, casting directors, and stage directors consider the Program at Tisch to be the most innovative and creative in the country.","Zelda has received the National Medal of the Arts, awarded in 1997 by President Clinton, the Common Wealth Award for distinguished service to the dramatic arts, The Brandeis University Creative Arts award, The Acting Company's John Houseman Award for commitment to the development of young American actors, the Margo Jones Award for the production of new plays, Washingtonian of the Year Award, the Ortho 21st Century Women Trailblazer Award, and the Society for Stage Directors and Choreographers George Abbott Award. The New York commercial theatre world awarded Zelda and Arena Stage the Antoinette Perry or 'Tony' Award in 1976, the first to be given to a company outside New York. In 1999 she was inducted into the Theatre Hall of Fame, making her the first artistic leader outside of New York to receive this honor."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.\n\u003c/p\u003e\n      ","\u003cp\u003e\nThe bulk of collection contains Zelda's research of plays including; playbills and programs, reviews, articles, correspondence regarding plays and their past productions and audience response letters.\nItems of note include many papers regarding the original production of The Great White Hope, and information regarding Arena Stages tour of Russia in 1973.\n\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.","The bulk of collection contains Zelda's research of plays including; playbills and programs, reviews, articles, correspondence regarding plays and their past productions and audience response letters.\nItems of note include many papers regarding the original production of The Great White Hope, and information regarding Arena Stages tour of Russia in 1973."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda."],"corpname_ssim":["George Mason University. Special Collections and Archives.","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Zelda Fichandler"],"names_ssim":["George Mason University. Special Collections and Archives.","Arena Stage (Organization : Washington, D.C.)","Zelda Fichandler"],"language_ssim":["English"],"total_component_count_is":2919,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:21:42.615Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_vifgm00092"}},{"id":"vircu_repositories_5_resources_574","type":"collection","attributes":{"title":"Zelda K. Nordlinger Papers, 1970/2008","creator":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_574#creator","type":"document_value","attributes":{"value":"Nordlinger, Zelda Kingoff","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_574#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Zelda K. Nordlinger Papers, 1970-2008, is a collection of files used by Richmond, Virginia feminist and women's rights activist Zelda Kingoff Nordlinger. 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Nordlinger Papers, 1970/2008","M 89","/repositories/5/resources/574","Women -- Political activity -- Virginia -- Richmond","Women's rights","The collection is open for research.","The collection is arranged into two series: Series 1: Personal Files, 1970-2008 and Series 2: Subject Files, 1972-2000.","Series 1\n        Personal Files, 1970-2008\n      \n      \n        Series 2\n        Subject Files, 1972-2000","Zelda Kingoff Nordlinger was an active particpant in movements for women's rights in Richmond, Virginia and co-founder of the Richmond branch of the National Organization for Women (NOW). She was born on January 29, 1932, in Greenville, South Carolina to Joseph Kingoff and Alice Heiner Kingoff. She graduated from Thomas Jefferson High School in 1950. She later attended Marjorie Webster Jr. College in Washington, D.C. in 1952 and Sally Tompkins School of Practical Nursing in 1963. She married Martin Stanford Nordlinger (1930-2002) in 1963. Nordlinger later attended Virginia Commonwealth University graduating with a Bachelor of General Studies degree in 1985.","Nordlinger was a staunch advocate for the national legalization of abortion. Prior to the Roe v. Wade decision in 1973, she assisted women in Richmond in finding legal avenues for safe abortions. She co-founded the Richmond chapter of the National Organization for Women (NOW) with Mary Holt Woolfolk Carlton in 1969, gaining its charter in 1973. She maintained membership with multiple women's activism groups in the Richmond area including the Women's Lobby of Virginia, Virginia Foundation for Women (VFW), and Planned Parenthood.","As a member of NOW, Nordlinger participated in various efforts in the Richmond area to ensure reproductive rights, rape victim protection, and to end sexual segregation. She led a sit-in to integrate the all-male soup bar of the Richmond Thalhimers Department Store in 1970. At NOW conventions and demonstrations, she often delivered speeches discussing various topics in regard to women's rights. Additionally, Nordlinger furthered her activism as a freelance writer, composing essays and short stories which highlighted the social injustices women faced. Nordlinger regularly submitted her writings for publication in feminist and mainstream magazines such as The Back Page, The New Yorker, and Ms. Magazine.","Nordlinger died March 18, 2008, in Richmond, Virginia.","Sources:","Robertson, Ellen and McKelway, Bill. \"Zelda K. Nordlinger, feminist activist, dies,\" Richmond Times-Dispatch.   (Article link)","VCU Libraries, VCU Libraries Digital Collections, Zelda Kingoff Nordlinger Interviews. \n (Interview link)","The Zelda K. Nordlinger Papers, 1970-2008, is a collection of files used by Richmond, Virginia feminist and women's rights activist Zelda Kingoff Nordlinger. The papers provide insight into the second-wave feminist movement in the Richmond area with examples of the experiences, methods of activism, and organizations Nordlinger and her colleagues used to further their goals.","Series 1: Personal Files, 1970-2008: The bulk of the collection is comprised of the personal papers of Zelda Nordlinger regarding her work in women's activism in the Richmond area. The material consists of various newsletters, mailings, and pamphlets distributed by feminist groups to disseminate information relevant to their goals. Much of the material focuses on lobbying for the ratification of the Equal Rights Amendment (ERA) or other legislation to further the rights held by women.","Included with these materials is Nordlinger's collection of political and activist buttons. The buttons display images and messages related to Nordlinger's areas of interest such as the ratification the ERA, advocating for abortion rights, and promoting women's equality.","Informational pamphlets within the collections explore topics ranging from the effects of rape on society, the role of women throughout history, women's medical rights, and the roles of consent in relationships. Others act as political promotional material, often supporting feminist-oriented candidates for office or new legislation, such as the ERA and bills supporting LGBTQ rights. A series of pamphlets in Dutch is also included in the collection, exploring sexism in the Netherlands and its effects on wages and women's roles in Dutch society in the 1970s.","Correspondence written by and to Nordlinger provides insight into Nordlinger's professional and personal life. Professional correspondence provides examples of negotiations with publishers for her short stories and essays, donation of personal materials to libraries in Virginia, and coordinating events such as NOW meetings. Personal correspondence provides an emotional viewpoint of the feminist movement in the Richmond area, as letters by Nordlinger and various Richmond women explain the impact which the women's movement has played on their lives.","Examples of Nordlinger's speeches, research notes, and personal and professional correspondence are represented in the collection. Speech note cards created for use by Nordlinger in delivering speeches and presentations on women's issues provide examples of the most pertinent issues for Nordlinger, such as the impact of pornography on women. Research notes contain information compiled by Nordlinger from various sources for use in her writings. Such writings include several short stories portraying the struggles of women in modern society, as well as historical essays examining how world politics affect women globally. Examples of her works are represented in this series as selections of essays and short stories.","Series 2: Subject Files, 1972-2000: The collection also contains a significant compilation of subject files which Nordlinger used for research into topics related to women's advocacy. These subject files are comprised of newspaper articles and magazine features which focus on then-contemporary analyses of the place of women in various aspects of society. Such topics explored in the subject files include women's fight for the right of abortion, the impacts of feminism, and the detrimental effects of pornography on the roles of women.","Additionally, Series 2 includes assorted magazines which Nordlinger used in her research, such as multiple issues of the feminist-oriented publications Ms. Magazine, The Woman's Calendar, and Mother Jones. Other magazines used for her research include the first issue of Playgirl and an issue of Time. All magazines used in Nordlinger's research contain articles regarding the benefits of feminist attitudes or examples of why feminism is needed in modern society.","There are no restrictions.","VCU James Branch Cabell Library","National Organization for Women","Nordlinger, Zelda Kingoff","English"],"collection_title_tesim":["Zelda K. Nordlinger Papers, 1970/2008"],"collection_ssim":["Zelda K. 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She was born on January 29, 1932, in Greenville, South Carolina to Joseph Kingoff and Alice Heiner Kingoff. She graduated from Thomas Jefferson High School in 1950. She later attended Marjorie Webster Jr. College in Washington, D.C. in 1952 and Sally Tompkins School of Practical Nursing in 1963. She married Martin Stanford Nordlinger (1930-2002) in 1963. Nordlinger later attended Virginia Commonwealth University graduating with a Bachelor of General Studies degree in 1985.\u003c/p\u003e","\u003cp\u003eNordlinger was a staunch advocate for the national legalization of abortion. Prior to the Roe v. Wade decision in 1973, she assisted women in Richmond in finding legal avenues for safe abortions. She co-founded the Richmond chapter of the National Organization for Women (NOW) with Mary Holt Woolfolk Carlton in 1969, gaining its charter in 1973. She maintained membership with multiple women's activism groups in the Richmond area including the Women's Lobby of Virginia, Virginia Foundation for Women (VFW), and Planned Parenthood. \u003c/p\u003e","\u003cp\u003eAs a member of NOW, Nordlinger participated in various efforts in the Richmond area to ensure reproductive rights, rape victim protection, and to end sexual segregation. She led a sit-in to integrate the all-male soup bar of the Richmond Thalhimers Department Store in 1970. At NOW conventions and demonstrations, she often delivered speeches discussing various topics in regard to women's rights. Additionally, Nordlinger furthered her activism as a freelance writer, composing essays and short stories which highlighted the social injustices women faced. Nordlinger regularly submitted her writings for publication in feminist and mainstream magazines such as \u003ctitle\u003eThe Back Page\u003c/title\u003e, \u003ctitle\u003eThe New Yorker\u003c/title\u003e, and \u003ctitle\u003eMs. Magazine\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eNordlinger died March 18, 2008, in Richmond, Virginia. \u003c/p\u003e","\u003cp\u003eSources:\u003c/p\u003e","\u003cp\u003eRobertson, Ellen and McKelway, Bill. \"Zelda K. Nordlinger, feminist activist, dies,\" \u003ctitle\u003eRichmond Times-Dispatch\u003c/title\u003e.  \u003cextref type=\"simple\" href=\"https://www.richmond.com/entertainment/zelda-k-nordlinger-feminist-activist-dies/article_179f2bbf-6612-52f0-a8c7-77d83f243385.html\"\u003e (Article link) \u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eVCU Libraries, VCU Libraries Digital Collections, Zelda Kingoff Nordlinger Interviews. \n\u003cextref type=\"simple\" href=\"https://digital.library.vcu.edu/islandora/object/vcu%3Aohi?page=1\"\u003e (Interview link)\u003c/extref\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Zelda Kingoff Nordlinger was an active particpant in movements for women's rights in Richmond, Virginia and co-founder of the Richmond branch of the National Organization for Women (NOW). She was born on January 29, 1932, in Greenville, South Carolina to Joseph Kingoff and Alice Heiner Kingoff. She graduated from Thomas Jefferson High School in 1950. She later attended Marjorie Webster Jr. College in Washington, D.C. in 1952 and Sally Tompkins School of Practical Nursing in 1963. She married Martin Stanford Nordlinger (1930-2002) in 1963. Nordlinger later attended Virginia Commonwealth University graduating with a Bachelor of General Studies degree in 1985.","Nordlinger was a staunch advocate for the national legalization of abortion. Prior to the Roe v. Wade decision in 1973, she assisted women in Richmond in finding legal avenues for safe abortions. She co-founded the Richmond chapter of the National Organization for Women (NOW) with Mary Holt Woolfolk Carlton in 1969, gaining its charter in 1973. She maintained membership with multiple women's activism groups in the Richmond area including the Women's Lobby of Virginia, Virginia Foundation for Women (VFW), and Planned Parenthood.","As a member of NOW, Nordlinger participated in various efforts in the Richmond area to ensure reproductive rights, rape victim protection, and to end sexual segregation. She led a sit-in to integrate the all-male soup bar of the Richmond Thalhimers Department Store in 1970. At NOW conventions and demonstrations, she often delivered speeches discussing various topics in regard to women's rights. Additionally, Nordlinger furthered her activism as a freelance writer, composing essays and short stories which highlighted the social injustices women faced. Nordlinger regularly submitted her writings for publication in feminist and mainstream magazines such as The Back Page, The New Yorker, and Ms. Magazine.","Nordlinger died March 18, 2008, in Richmond, Virginia.","Sources:","Robertson, Ellen and McKelway, Bill. \"Zelda K. Nordlinger, feminist activist, dies,\" Richmond Times-Dispatch.   (Article link)","VCU Libraries, VCU Libraries Digital Collections, Zelda Kingoff Nordlinger Interviews. \n (Interview link)"],"prefercite_html_tesm":["\u003cp\u003eZelda K. Nordlinger papers, 1970-2008, Collection # M 089, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["Zelda K. Nordlinger papers, 1970-2008, Collection # M 089, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Zelda K. Nordlinger Papers, 1970-2008, is a collection of files used by Richmond, Virginia feminist and women's rights activist Zelda Kingoff Nordlinger. The papers provide insight into the second-wave feminist movement in the Richmond area with examples of the experiences, methods of activism, and organizations Nordlinger and her colleagues used to further their goals. \u003c/p\u003e","\u003cp\u003eSeries 1: Personal Files, 1970-2008: The bulk of the collection is comprised of the personal papers of Zelda Nordlinger regarding her work in women's activism in the Richmond area. The material consists of various newsletters, mailings, and pamphlets distributed by feminist groups to disseminate information relevant to their goals. Much of the material focuses on lobbying for the ratification of the Equal Rights Amendment (ERA) or other legislation to further the rights held by women. \u003c/p\u003e","\u003cp\u003eIncluded with these materials is Nordlinger's collection of political and activist buttons. The buttons display images and messages related to Nordlinger's areas of interest such as the ratification the ERA, advocating for abortion rights, and promoting women's equality. \u003c/p\u003e","\u003cp\u003eInformational pamphlets within the collections explore topics ranging from the effects of rape on society, the role of women throughout history, women's medical rights, and the roles of consent in relationships. Others act as political promotional material, often supporting feminist-oriented candidates for office or new legislation, such as the ERA and bills supporting LGBTQ rights. A series of pamphlets in Dutch is also included in the collection, exploring sexism in the Netherlands and its effects on wages and women's roles in Dutch society in the 1970s.\u003c/p\u003e","\u003cp\u003eCorrespondence written by and to Nordlinger provides insight into Nordlinger's professional and personal life. Professional correspondence provides examples of negotiations with publishers for her short stories and essays, donation of personal materials to libraries in Virginia, and coordinating events such as NOW meetings. Personal correspondence provides an emotional viewpoint of the feminist movement in the Richmond area, as letters by Nordlinger and various Richmond women explain the impact which the women's movement has played on their lives.\u003c/p\u003e","\u003cp\u003eExamples of Nordlinger's speeches, research notes, and personal and professional correspondence are represented in the collection. Speech note cards created for use by Nordlinger in delivering speeches and presentations on women's issues provide examples of the most pertinent issues for Nordlinger, such as the impact of pornography on women. Research notes contain information compiled by Nordlinger from various sources for use in her writings. Such writings include several short stories portraying the struggles of women in modern society, as well as historical essays examining how world politics affect women globally. Examples of her works are represented in this series as selections of essays and short stories. \u003c/p\u003e","\u003cp\u003eSeries 2: Subject Files, 1972-2000: The collection also contains a significant compilation of subject files which Nordlinger used for research into topics related to women's advocacy. These subject files are comprised of newspaper articles and magazine features which focus on then-contemporary analyses of the place of women in various aspects of society. Such topics explored in the subject files include women's fight for the right of abortion, the impacts of feminism, and the detrimental effects of pornography on the roles of women. \u003c/p\u003e","\u003cp\u003eAdditionally, Series 2 includes assorted magazines which Nordlinger used in her research, such as multiple issues of the feminist-oriented publications \u003ctitle\u003eMs. Magazine\u003c/title\u003e, \u003ctitle\u003eThe Woman's Calendar\u003c/title\u003e, and \u003ctitle\u003eMother Jones\u003c/title\u003e. Other magazines used for her research include the first issue of \u003ctitle\u003ePlaygirl\u003c/title\u003e and an issue of \u003ctitle\u003eTime\u003c/title\u003e. All magazines used in Nordlinger's research contain articles regarding the benefits of feminist attitudes or examples of why feminism is needed in modern society.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zelda K. Nordlinger Papers, 1970-2008, is a collection of files used by Richmond, Virginia feminist and women's rights activist Zelda Kingoff Nordlinger. The papers provide insight into the second-wave feminist movement in the Richmond area with examples of the experiences, methods of activism, and organizations Nordlinger and her colleagues used to further their goals.","Series 1: Personal Files, 1970-2008: The bulk of the collection is comprised of the personal papers of Zelda Nordlinger regarding her work in women's activism in the Richmond area. The material consists of various newsletters, mailings, and pamphlets distributed by feminist groups to disseminate information relevant to their goals. Much of the material focuses on lobbying for the ratification of the Equal Rights Amendment (ERA) or other legislation to further the rights held by women.","Included with these materials is Nordlinger's collection of political and activist buttons. The buttons display images and messages related to Nordlinger's areas of interest such as the ratification the ERA, advocating for abortion rights, and promoting women's equality.","Informational pamphlets within the collections explore topics ranging from the effects of rape on society, the role of women throughout history, women's medical rights, and the roles of consent in relationships. Others act as political promotional material, often supporting feminist-oriented candidates for office or new legislation, such as the ERA and bills supporting LGBTQ rights. A series of pamphlets in Dutch is also included in the collection, exploring sexism in the Netherlands and its effects on wages and women's roles in Dutch society in the 1970s.","Correspondence written by and to Nordlinger provides insight into Nordlinger's professional and personal life. Professional correspondence provides examples of negotiations with publishers for her short stories and essays, donation of personal materials to libraries in Virginia, and coordinating events such as NOW meetings. Personal correspondence provides an emotional viewpoint of the feminist movement in the Richmond area, as letters by Nordlinger and various Richmond women explain the impact which the women's movement has played on their lives.","Examples of Nordlinger's speeches, research notes, and personal and professional correspondence are represented in the collection. Speech note cards created for use by Nordlinger in delivering speeches and presentations on women's issues provide examples of the most pertinent issues for Nordlinger, such as the impact of pornography on women. Research notes contain information compiled by Nordlinger from various sources for use in her writings. Such writings include several short stories portraying the struggles of women in modern society, as well as historical essays examining how world politics affect women globally. Examples of her works are represented in this series as selections of essays and short stories.","Series 2: Subject Files, 1972-2000: The collection also contains a significant compilation of subject files which Nordlinger used for research into topics related to women's advocacy. These subject files are comprised of newspaper articles and magazine features which focus on then-contemporary analyses of the place of women in various aspects of society. Such topics explored in the subject files include women's fight for the right of abortion, the impacts of feminism, and the detrimental effects of pornography on the roles of women.","Additionally, Series 2 includes assorted magazines which Nordlinger used in her research, such as multiple issues of the feminist-oriented publications Ms. Magazine, The Woman's Calendar, and Mother Jones. Other magazines used for her research include the first issue of Playgirl and an issue of Time. All magazines used in Nordlinger's research contain articles regarding the benefits of feminist attitudes or examples of why feminism is needed in modern society."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library","National Organization for Women"],"names_coll_ssim":["National Organization for Women","Nordlinger, Zelda Kingoff","Nordlinger, Zelda Kingoff"],"persname_ssim":["Nordlinger, Zelda Kingoff"],"names_ssim":["VCU James Branch Cabell Library","National Organization for Women","Nordlinger, Zelda Kingoff"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":73,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:26:30.315Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_574","ead_ssi":"vircu_repositories_5_resources_574","_root_":"vircu_repositories_5_resources_574","_nest_parent_":"vircu_repositories_5_resources_574","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_574.xml","title_filing_ssi":"Nordlinger, Zelda K., Papers","title_ssm":["Zelda K. Nordlinger Papers"],"title_tesim":["Zelda K. Nordlinger Papers"],"unitdate_ssm":["1970-2008"],"unitdate_inclusive_ssm":["1970-2008"],"normalized_date_ssm":["1970/2008"],"normalized_title_ssm":["Zelda K. Nordlinger Papers, 1970/2008"],"text":["Zelda K. Nordlinger Papers, 1970/2008","M 89","/repositories/5/resources/574","Women -- Political activity -- Virginia -- Richmond","Women's rights","The collection is open for research.","The collection is arranged into two series: Series 1: Personal Files, 1970-2008 and Series 2: Subject Files, 1972-2000.","Series 1\n        Personal Files, 1970-2008\n      \n      \n        Series 2\n        Subject Files, 1972-2000","Zelda Kingoff Nordlinger was an active particpant in movements for women's rights in Richmond, Virginia and co-founder of the Richmond branch of the National Organization for Women (NOW). She was born on January 29, 1932, in Greenville, South Carolina to Joseph Kingoff and Alice Heiner Kingoff. She graduated from Thomas Jefferson High School in 1950. She later attended Marjorie Webster Jr. College in Washington, D.C. in 1952 and Sally Tompkins School of Practical Nursing in 1963. She married Martin Stanford Nordlinger (1930-2002) in 1963. Nordlinger later attended Virginia Commonwealth University graduating with a Bachelor of General Studies degree in 1985.","Nordlinger was a staunch advocate for the national legalization of abortion. Prior to the Roe v. Wade decision in 1973, she assisted women in Richmond in finding legal avenues for safe abortions. She co-founded the Richmond chapter of the National Organization for Women (NOW) with Mary Holt Woolfolk Carlton in 1969, gaining its charter in 1973. She maintained membership with multiple women's activism groups in the Richmond area including the Women's Lobby of Virginia, Virginia Foundation for Women (VFW), and Planned Parenthood.","As a member of NOW, Nordlinger participated in various efforts in the Richmond area to ensure reproductive rights, rape victim protection, and to end sexual segregation. She led a sit-in to integrate the all-male soup bar of the Richmond Thalhimers Department Store in 1970. At NOW conventions and demonstrations, she often delivered speeches discussing various topics in regard to women's rights. Additionally, Nordlinger furthered her activism as a freelance writer, composing essays and short stories which highlighted the social injustices women faced. Nordlinger regularly submitted her writings for publication in feminist and mainstream magazines such as The Back Page, The New Yorker, and Ms. Magazine.","Nordlinger died March 18, 2008, in Richmond, Virginia.","Sources:","Robertson, Ellen and McKelway, Bill. \"Zelda K. Nordlinger, feminist activist, dies,\" Richmond Times-Dispatch.   (Article link)","VCU Libraries, VCU Libraries Digital Collections, Zelda Kingoff Nordlinger Interviews. \n (Interview link)","The Zelda K. Nordlinger Papers, 1970-2008, is a collection of files used by Richmond, Virginia feminist and women's rights activist Zelda Kingoff Nordlinger. The papers provide insight into the second-wave feminist movement in the Richmond area with examples of the experiences, methods of activism, and organizations Nordlinger and her colleagues used to further their goals.","Series 1: Personal Files, 1970-2008: The bulk of the collection is comprised of the personal papers of Zelda Nordlinger regarding her work in women's activism in the Richmond area. The material consists of various newsletters, mailings, and pamphlets distributed by feminist groups to disseminate information relevant to their goals. Much of the material focuses on lobbying for the ratification of the Equal Rights Amendment (ERA) or other legislation to further the rights held by women.","Included with these materials is Nordlinger's collection of political and activist buttons. The buttons display images and messages related to Nordlinger's areas of interest such as the ratification the ERA, advocating for abortion rights, and promoting women's equality.","Informational pamphlets within the collections explore topics ranging from the effects of rape on society, the role of women throughout history, women's medical rights, and the roles of consent in relationships. Others act as political promotional material, often supporting feminist-oriented candidates for office or new legislation, such as the ERA and bills supporting LGBTQ rights. A series of pamphlets in Dutch is also included in the collection, exploring sexism in the Netherlands and its effects on wages and women's roles in Dutch society in the 1970s.","Correspondence written by and to Nordlinger provides insight into Nordlinger's professional and personal life. Professional correspondence provides examples of negotiations with publishers for her short stories and essays, donation of personal materials to libraries in Virginia, and coordinating events such as NOW meetings. Personal correspondence provides an emotional viewpoint of the feminist movement in the Richmond area, as letters by Nordlinger and various Richmond women explain the impact which the women's movement has played on their lives.","Examples of Nordlinger's speeches, research notes, and personal and professional correspondence are represented in the collection. Speech note cards created for use by Nordlinger in delivering speeches and presentations on women's issues provide examples of the most pertinent issues for Nordlinger, such as the impact of pornography on women. Research notes contain information compiled by Nordlinger from various sources for use in her writings. Such writings include several short stories portraying the struggles of women in modern society, as well as historical essays examining how world politics affect women globally. Examples of her works are represented in this series as selections of essays and short stories.","Series 2: Subject Files, 1972-2000: The collection also contains a significant compilation of subject files which Nordlinger used for research into topics related to women's advocacy. These subject files are comprised of newspaper articles and magazine features which focus on then-contemporary analyses of the place of women in various aspects of society. Such topics explored in the subject files include women's fight for the right of abortion, the impacts of feminism, and the detrimental effects of pornography on the roles of women.","Additionally, Series 2 includes assorted magazines which Nordlinger used in her research, such as multiple issues of the feminist-oriented publications Ms. Magazine, The Woman's Calendar, and Mother Jones. Other magazines used for her research include the first issue of Playgirl and an issue of Time. All magazines used in Nordlinger's research contain articles regarding the benefits of feminist attitudes or examples of why feminism is needed in modern society.","There are no restrictions.","VCU James Branch Cabell Library","National Organization for Women","Nordlinger, Zelda Kingoff","English"],"collection_title_tesim":["Zelda K. Nordlinger Papers, 1970/2008"],"collection_ssim":["Zelda K. Nordlinger Papers, 1970/2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 89","/repositories/5/resources/574"],"unitid_tesim":["M 89","/repositories/5/resources/574"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Nordlinger, Zelda Kingoff","Nordlinger, Zelda Kingoff"],"creator_ssim":["Nordlinger, Zelda Kingoff","Nordlinger, Zelda Kingoff"],"creator_persname_ssim":["Nordlinger, Zelda Kingoff"],"creator_corpname_ssim":["VCU James Branch Cabell Library","National Organization for Women"],"creators_ssim":["Nordlinger, Zelda Kingoff","VCU James Branch Cabell Library","National Organization for Women"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Gift of Zelda K. Nordlinger in 2000, and Betsy Brinson in 2008."],"access_subjects_ssim":["Women -- Political activity -- Virginia -- Richmond","Women's rights"],"access_subjects_ssm":["Women -- Political activity -- Virginia -- Richmond","Women's rights"],"has_online_content_ssim":["false"],"extent_ssm":["3.59 Linear Feet 4 Boxes"],"extent_tesim":["3.59 Linear Feet 4 Boxes"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series: Series 1: Personal Files, 1970-2008 and Series 2: Subject Files, 1972-2000.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003ePersonal Files, 1970-2008\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eSubject Files, 1972-2000\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series: Series 1: Personal Files, 1970-2008 and Series 2: Subject Files, 1972-2000.","Series 1\n        Personal Files, 1970-2008\n      \n      \n        Series 2\n        Subject Files, 1972-2000"],"bioghist_html_tesm":["\u003cp\u003eZelda Kingoff Nordlinger was an active particpant in movements for women's rights in Richmond, Virginia and co-founder of the Richmond branch of the National Organization for Women (NOW). She was born on January 29, 1932, in Greenville, South Carolina to Joseph Kingoff and Alice Heiner Kingoff. She graduated from Thomas Jefferson High School in 1950. She later attended Marjorie Webster Jr. College in Washington, D.C. in 1952 and Sally Tompkins School of Practical Nursing in 1963. She married Martin Stanford Nordlinger (1930-2002) in 1963. Nordlinger later attended Virginia Commonwealth University graduating with a Bachelor of General Studies degree in 1985.\u003c/p\u003e","\u003cp\u003eNordlinger was a staunch advocate for the national legalization of abortion. Prior to the Roe v. Wade decision in 1973, she assisted women in Richmond in finding legal avenues for safe abortions. She co-founded the Richmond chapter of the National Organization for Women (NOW) with Mary Holt Woolfolk Carlton in 1969, gaining its charter in 1973. She maintained membership with multiple women's activism groups in the Richmond area including the Women's Lobby of Virginia, Virginia Foundation for Women (VFW), and Planned Parenthood. \u003c/p\u003e","\u003cp\u003eAs a member of NOW, Nordlinger participated in various efforts in the Richmond area to ensure reproductive rights, rape victim protection, and to end sexual segregation. She led a sit-in to integrate the all-male soup bar of the Richmond Thalhimers Department Store in 1970. At NOW conventions and demonstrations, she often delivered speeches discussing various topics in regard to women's rights. Additionally, Nordlinger furthered her activism as a freelance writer, composing essays and short stories which highlighted the social injustices women faced. Nordlinger regularly submitted her writings for publication in feminist and mainstream magazines such as \u003ctitle\u003eThe Back Page\u003c/title\u003e, \u003ctitle\u003eThe New Yorker\u003c/title\u003e, and \u003ctitle\u003eMs. Magazine\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eNordlinger died March 18, 2008, in Richmond, Virginia. \u003c/p\u003e","\u003cp\u003eSources:\u003c/p\u003e","\u003cp\u003eRobertson, Ellen and McKelway, Bill. \"Zelda K. Nordlinger, feminist activist, dies,\" \u003ctitle\u003eRichmond Times-Dispatch\u003c/title\u003e.  \u003cextref type=\"simple\" href=\"https://www.richmond.com/entertainment/zelda-k-nordlinger-feminist-activist-dies/article_179f2bbf-6612-52f0-a8c7-77d83f243385.html\"\u003e (Article link) \u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eVCU Libraries, VCU Libraries Digital Collections, Zelda Kingoff Nordlinger Interviews. \n\u003cextref type=\"simple\" href=\"https://digital.library.vcu.edu/islandora/object/vcu%3Aohi?page=1\"\u003e (Interview link)\u003c/extref\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Zelda Kingoff Nordlinger was an active particpant in movements for women's rights in Richmond, Virginia and co-founder of the Richmond branch of the National Organization for Women (NOW). She was born on January 29, 1932, in Greenville, South Carolina to Joseph Kingoff and Alice Heiner Kingoff. She graduated from Thomas Jefferson High School in 1950. She later attended Marjorie Webster Jr. College in Washington, D.C. in 1952 and Sally Tompkins School of Practical Nursing in 1963. She married Martin Stanford Nordlinger (1930-2002) in 1963. Nordlinger later attended Virginia Commonwealth University graduating with a Bachelor of General Studies degree in 1985.","Nordlinger was a staunch advocate for the national legalization of abortion. Prior to the Roe v. Wade decision in 1973, she assisted women in Richmond in finding legal avenues for safe abortions. She co-founded the Richmond chapter of the National Organization for Women (NOW) with Mary Holt Woolfolk Carlton in 1969, gaining its charter in 1973. She maintained membership with multiple women's activism groups in the Richmond area including the Women's Lobby of Virginia, Virginia Foundation for Women (VFW), and Planned Parenthood.","As a member of NOW, Nordlinger participated in various efforts in the Richmond area to ensure reproductive rights, rape victim protection, and to end sexual segregation. She led a sit-in to integrate the all-male soup bar of the Richmond Thalhimers Department Store in 1970. At NOW conventions and demonstrations, she often delivered speeches discussing various topics in regard to women's rights. Additionally, Nordlinger furthered her activism as a freelance writer, composing essays and short stories which highlighted the social injustices women faced. Nordlinger regularly submitted her writings for publication in feminist and mainstream magazines such as The Back Page, The New Yorker, and Ms. Magazine.","Nordlinger died March 18, 2008, in Richmond, Virginia.","Sources:","Robertson, Ellen and McKelway, Bill. \"Zelda K. Nordlinger, feminist activist, dies,\" Richmond Times-Dispatch.   (Article link)","VCU Libraries, VCU Libraries Digital Collections, Zelda Kingoff Nordlinger Interviews. \n (Interview link)"],"prefercite_html_tesm":["\u003cp\u003eZelda K. Nordlinger papers, 1970-2008, Collection # M 089, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["Zelda K. Nordlinger papers, 1970-2008, Collection # M 089, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Zelda K. Nordlinger Papers, 1970-2008, is a collection of files used by Richmond, Virginia feminist and women's rights activist Zelda Kingoff Nordlinger. The papers provide insight into the second-wave feminist movement in the Richmond area with examples of the experiences, methods of activism, and organizations Nordlinger and her colleagues used to further their goals. \u003c/p\u003e","\u003cp\u003eSeries 1: Personal Files, 1970-2008: The bulk of the collection is comprised of the personal papers of Zelda Nordlinger regarding her work in women's activism in the Richmond area. The material consists of various newsletters, mailings, and pamphlets distributed by feminist groups to disseminate information relevant to their goals. Much of the material focuses on lobbying for the ratification of the Equal Rights Amendment (ERA) or other legislation to further the rights held by women. \u003c/p\u003e","\u003cp\u003eIncluded with these materials is Nordlinger's collection of political and activist buttons. The buttons display images and messages related to Nordlinger's areas of interest such as the ratification the ERA, advocating for abortion rights, and promoting women's equality. \u003c/p\u003e","\u003cp\u003eInformational pamphlets within the collections explore topics ranging from the effects of rape on society, the role of women throughout history, women's medical rights, and the roles of consent in relationships. Others act as political promotional material, often supporting feminist-oriented candidates for office or new legislation, such as the ERA and bills supporting LGBTQ rights. A series of pamphlets in Dutch is also included in the collection, exploring sexism in the Netherlands and its effects on wages and women's roles in Dutch society in the 1970s.\u003c/p\u003e","\u003cp\u003eCorrespondence written by and to Nordlinger provides insight into Nordlinger's professional and personal life. Professional correspondence provides examples of negotiations with publishers for her short stories and essays, donation of personal materials to libraries in Virginia, and coordinating events such as NOW meetings. Personal correspondence provides an emotional viewpoint of the feminist movement in the Richmond area, as letters by Nordlinger and various Richmond women explain the impact which the women's movement has played on their lives.\u003c/p\u003e","\u003cp\u003eExamples of Nordlinger's speeches, research notes, and personal and professional correspondence are represented in the collection. Speech note cards created for use by Nordlinger in delivering speeches and presentations on women's issues provide examples of the most pertinent issues for Nordlinger, such as the impact of pornography on women. Research notes contain information compiled by Nordlinger from various sources for use in her writings. Such writings include several short stories portraying the struggles of women in modern society, as well as historical essays examining how world politics affect women globally. Examples of her works are represented in this series as selections of essays and short stories. \u003c/p\u003e","\u003cp\u003eSeries 2: Subject Files, 1972-2000: The collection also contains a significant compilation of subject files which Nordlinger used for research into topics related to women's advocacy. These subject files are comprised of newspaper articles and magazine features which focus on then-contemporary analyses of the place of women in various aspects of society. Such topics explored in the subject files include women's fight for the right of abortion, the impacts of feminism, and the detrimental effects of pornography on the roles of women. \u003c/p\u003e","\u003cp\u003eAdditionally, Series 2 includes assorted magazines which Nordlinger used in her research, such as multiple issues of the feminist-oriented publications \u003ctitle\u003eMs. Magazine\u003c/title\u003e, \u003ctitle\u003eThe Woman's Calendar\u003c/title\u003e, and \u003ctitle\u003eMother Jones\u003c/title\u003e. Other magazines used for her research include the first issue of \u003ctitle\u003ePlaygirl\u003c/title\u003e and an issue of \u003ctitle\u003eTime\u003c/title\u003e. All magazines used in Nordlinger's research contain articles regarding the benefits of feminist attitudes or examples of why feminism is needed in modern society.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zelda K. Nordlinger Papers, 1970-2008, is a collection of files used by Richmond, Virginia feminist and women's rights activist Zelda Kingoff Nordlinger. The papers provide insight into the second-wave feminist movement in the Richmond area with examples of the experiences, methods of activism, and organizations Nordlinger and her colleagues used to further their goals.","Series 1: Personal Files, 1970-2008: The bulk of the collection is comprised of the personal papers of Zelda Nordlinger regarding her work in women's activism in the Richmond area. The material consists of various newsletters, mailings, and pamphlets distributed by feminist groups to disseminate information relevant to their goals. Much of the material focuses on lobbying for the ratification of the Equal Rights Amendment (ERA) or other legislation to further the rights held by women.","Included with these materials is Nordlinger's collection of political and activist buttons. The buttons display images and messages related to Nordlinger's areas of interest such as the ratification the ERA, advocating for abortion rights, and promoting women's equality.","Informational pamphlets within the collections explore topics ranging from the effects of rape on society, the role of women throughout history, women's medical rights, and the roles of consent in relationships. Others act as political promotional material, often supporting feminist-oriented candidates for office or new legislation, such as the ERA and bills supporting LGBTQ rights. A series of pamphlets in Dutch is also included in the collection, exploring sexism in the Netherlands and its effects on wages and women's roles in Dutch society in the 1970s.","Correspondence written by and to Nordlinger provides insight into Nordlinger's professional and personal life. Professional correspondence provides examples of negotiations with publishers for her short stories and essays, donation of personal materials to libraries in Virginia, and coordinating events such as NOW meetings. Personal correspondence provides an emotional viewpoint of the feminist movement in the Richmond area, as letters by Nordlinger and various Richmond women explain the impact which the women's movement has played on their lives.","Examples of Nordlinger's speeches, research notes, and personal and professional correspondence are represented in the collection. Speech note cards created for use by Nordlinger in delivering speeches and presentations on women's issues provide examples of the most pertinent issues for Nordlinger, such as the impact of pornography on women. Research notes contain information compiled by Nordlinger from various sources for use in her writings. Such writings include several short stories portraying the struggles of women in modern society, as well as historical essays examining how world politics affect women globally. Examples of her works are represented in this series as selections of essays and short stories.","Series 2: Subject Files, 1972-2000: The collection also contains a significant compilation of subject files which Nordlinger used for research into topics related to women's advocacy. These subject files are comprised of newspaper articles and magazine features which focus on then-contemporary analyses of the place of women in various aspects of society. Such topics explored in the subject files include women's fight for the right of abortion, the impacts of feminism, and the detrimental effects of pornography on the roles of women.","Additionally, Series 2 includes assorted magazines which Nordlinger used in her research, such as multiple issues of the feminist-oriented publications Ms. Magazine, The Woman's Calendar, and Mother Jones. Other magazines used for her research include the first issue of Playgirl and an issue of Time. All magazines used in Nordlinger's research contain articles regarding the benefits of feminist attitudes or examples of why feminism is needed in modern society."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library","National Organization for Women"],"names_coll_ssim":["National Organization for Women","Nordlinger, Zelda Kingoff","Nordlinger, Zelda Kingoff"],"persname_ssim":["Nordlinger, Zelda Kingoff"],"names_ssim":["VCU James Branch Cabell Library","National Organization for Women","Nordlinger, Zelda Kingoff"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":73,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:26:30.315Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_574"}},{"id":"viw_repositories_2_resources_9276","type":"collection","attributes":{"title":"Zelda Nordlinger Papers, 1969/1998, bulk 1970/1977","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9276#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eIncludes many letters, newspaper clippings, and feminist related items of Zelda Nordlinger, a Richmond, VA woman's activist and state co-coordinator of the Virginia chapter of the National Organization for Women. Includes information on the origins of the National Organization for Women, as well as the Equal Rights Amendment and the abortion issue. Also contains several newsletters published by feminist organizations, pamphlets, photographs, and correspondence with other feminist activists in the state.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9276#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9276","ead_ssi":"viw_repositories_2_resources_9276","_root_":"viw_repositories_2_resources_9276","_nest_parent_":"viw_repositories_2_resources_9276","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9276.xml","title_filing_ssi":"Nordlinger, Zelda","title_ssm":["Zelda Nordlinger Papers"],"title_tesim":["Zelda Nordlinger Papers"],"unitdate_ssm":["1969-1998","1970-1977"],"unitdate_inclusive_ssm":["1969-1998"],"unitdate_bulk_ssim":["1970-1977"],"normalized_date_ssm":["1969/1998, bulk 1970/1977"],"normalized_title_ssm":["Zelda Nordlinger Papers, 1969/1998, bulk 1970/1977"],"text":["Zelda Nordlinger Papers, 1969/1998, bulk 1970/1977","Mss. 98 N75","/repositories/2/resources/9276","American Civil Liberties Union--History--20th century","Equal Rights Amendment","Correspondence","Fliers (printed matter)","Photographs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Zelda Nordlinger of Richmond, Virginia was a woman's activist and state co-coordinator of the Virginia chapter of the National Organization for Women.","Processed by Andrea Calabretta in 1999.","Includes many letters, newspaper clippings, and feminist related items of Zelda Nordlinger, a Richmond, VA woman's activist and state co-coordinator of the Virginia chapter of the National Organization for Women. Includes information on the origins of the National Organization for Women, as well as the Equal Rights Amendment and the abortion issue. Also contains several newsletters published by feminist organizations, pamphlets, photographs, and correspondence with other feminist activists in the state.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","National Organization for Women","English"],"collection_title_tesim":["Zelda Nordlinger Papers, 1969/1998, bulk 1970/1977"],"collection_ssim":["Zelda Nordlinger Papers, 1969/1998, bulk 1970/1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 98 N75","/repositories/2/resources/9276"],"unitid_tesim":["Mss. 98 N75","/repositories/2/resources/9276"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center","National Organization for Women"],"creators_ssim":["Special Collections Research Center","National Organization for Women"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gift of Zelda Nordlinger in October 1998."],"access_subjects_ssim":["American Civil Liberties Union--History--20th century","Equal Rights Amendment","Correspondence","Fliers (printed matter)","Photographs"],"access_subjects_ssm":["American Civil Liberties Union--History--20th century","Equal Rights Amendment","Correspondence","Fliers (printed matter)","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 Linear Feet"],"extent_tesim":["2.00 Linear Feet"],"genreform_ssim":["Correspondence","Fliers (printed matter)","Photographs"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eZelda Nordlinger of Richmond, Virginia was a woman's activist and state co-coordinator of the Virginia chapter of the National Organization for Women.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Zelda Nordlinger of Richmond, Virginia was a woman's activist and state co-coordinator of the Virginia chapter of the National Organization for Women."],"prefercite_html_tesm":["\u003cp\u003eZelda Nordlinger Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Zelda Nordlinger Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Andrea Calabretta in 1999.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Andrea Calabretta in 1999."],"scopecontent_html_tesm":["\u003cp\u003eIncludes many letters, newspaper clippings, and feminist related items of Zelda Nordlinger, a Richmond, VA woman's activist and state co-coordinator of the Virginia chapter of the National Organization for Women. Includes information on the origins of the National Organization for Women, as well as the Equal Rights Amendment and the abortion issue. Also contains several newsletters published by feminist organizations, pamphlets, photographs, and correspondence with other feminist activists in the state.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes many letters, newspaper clippings, and feminist related items of Zelda Nordlinger, a Richmond, VA woman's activist and state co-coordinator of the Virginia chapter of the National Organization for Women. Includes information on the origins of the National Organization for Women, as well as the Equal Rights Amendment and the abortion issue. Also contains several newsletters published by feminist organizations, pamphlets, photographs, and correspondence with other feminist activists in the state."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","National Organization for Women"],"names_coll_ssim":["National Organization for Women"],"names_ssim":["Special Collections Research Center","National Organization for Women"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:52:32.334Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9276","ead_ssi":"viw_repositories_2_resources_9276","_root_":"viw_repositories_2_resources_9276","_nest_parent_":"viw_repositories_2_resources_9276","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9276.xml","title_filing_ssi":"Nordlinger, Zelda","title_ssm":["Zelda Nordlinger Papers"],"title_tesim":["Zelda Nordlinger Papers"],"unitdate_ssm":["1969-1998","1970-1977"],"unitdate_inclusive_ssm":["1969-1998"],"unitdate_bulk_ssim":["1970-1977"],"normalized_date_ssm":["1969/1998, bulk 1970/1977"],"normalized_title_ssm":["Zelda Nordlinger Papers, 1969/1998, bulk 1970/1977"],"text":["Zelda Nordlinger Papers, 1969/1998, bulk 1970/1977","Mss. 98 N75","/repositories/2/resources/9276","American Civil Liberties Union--History--20th century","Equal Rights Amendment","Correspondence","Fliers (printed matter)","Photographs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Zelda Nordlinger of Richmond, Virginia was a woman's activist and state co-coordinator of the Virginia chapter of the National Organization for Women.","Processed by Andrea Calabretta in 1999.","Includes many letters, newspaper clippings, and feminist related items of Zelda Nordlinger, a Richmond, VA woman's activist and state co-coordinator of the Virginia chapter of the National Organization for Women. Includes information on the origins of the National Organization for Women, as well as the Equal Rights Amendment and the abortion issue. Also contains several newsletters published by feminist organizations, pamphlets, photographs, and correspondence with other feminist activists in the state.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","National Organization for Women","English"],"collection_title_tesim":["Zelda Nordlinger Papers, 1969/1998, bulk 1970/1977"],"collection_ssim":["Zelda Nordlinger Papers, 1969/1998, bulk 1970/1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 98 N75","/repositories/2/resources/9276"],"unitid_tesim":["Mss. 98 N75","/repositories/2/resources/9276"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center","National Organization for Women"],"creators_ssim":["Special Collections Research Center","National Organization for Women"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gift of Zelda Nordlinger in October 1998."],"access_subjects_ssim":["American Civil Liberties Union--History--20th century","Equal Rights Amendment","Correspondence","Fliers (printed matter)","Photographs"],"access_subjects_ssm":["American Civil Liberties Union--History--20th century","Equal Rights Amendment","Correspondence","Fliers (printed matter)","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 Linear Feet"],"extent_tesim":["2.00 Linear Feet"],"genreform_ssim":["Correspondence","Fliers (printed matter)","Photographs"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eZelda Nordlinger of Richmond, Virginia was a woman's activist and state co-coordinator of the Virginia chapter of the National Organization for Women.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Zelda Nordlinger of Richmond, Virginia was a woman's activist and state co-coordinator of the Virginia chapter of the National Organization for Women."],"prefercite_html_tesm":["\u003cp\u003eZelda Nordlinger Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Zelda Nordlinger Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Andrea Calabretta in 1999.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Andrea Calabretta in 1999."],"scopecontent_html_tesm":["\u003cp\u003eIncludes many letters, newspaper clippings, and feminist related items of Zelda Nordlinger, a Richmond, VA woman's activist and state co-coordinator of the Virginia chapter of the National Organization for Women. Includes information on the origins of the National Organization for Women, as well as the Equal Rights Amendment and the abortion issue. Also contains several newsletters published by feminist organizations, pamphlets, photographs, and correspondence with other feminist activists in the state.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes many letters, newspaper clippings, and feminist related items of Zelda Nordlinger, a Richmond, VA woman's activist and state co-coordinator of the Virginia chapter of the National Organization for Women. Includes information on the origins of the National Organization for Women, as well as the Equal Rights Amendment and the abortion issue. Also contains several newsletters published by feminist organizations, pamphlets, photographs, and correspondence with other feminist activists in the state."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","National Organization for Women"],"names_coll_ssim":["National Organization for Women"],"names_ssim":["Special Collections Research Center","National Organization for Women"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:52:32.334Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9276"}},{"id":"vifgm_arenastage_c01_c05_c02_c80","type":"File","attributes":{"title":"Zelda's resignation information, 1990","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_arenastage_c01_c05_c02_c80#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_arenastage_c01_c05_c02_c80#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_arenastage_c01_c05_c02_c80","ref_ssm":["vifgm_arenastage_c01_c05_c02_c80"],"id":"vifgm_arenastage_c01_c05_c02_c80","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage_c01_c05_c02","parent_ssi":"vifgm_arenastage_c01_c05_c02","parent_ssim":["Arena Stage records, 1949/2010","Series 1: Administrative records, 1949/2007","Subseries 1.5: Communications and Events, 1950/2006","Sub-subseries 1.5.2: Communications and Marketing, 1997"],"parent_ids_ssim":["vifgm_arenastage","vifgm_arenastage_c01","vifgm_arenastage_c01_c05","vifgm_arenastage_c01_c05_c02"],"title_filing_ssi":"Zelda's resignation information,","title_ssm":["Zelda's resignation information"],"title_tesim":["Zelda's resignation information"],"normalized_title_ssm":["Zelda's resignation information, 1990"],"text":["Zelda's resignation information, 1990","Arena Stage records, 1949/2010","Series 1: Administrative records, 1949/2007","Subseries 1.5: Communications and Events, 1950/2006","Sub-subseries 1.5.2: Communications and Marketing, 1997","Box 123","Folder 27"],"parent_unittitles_ssm":["Arena Stage records, 1949/2010","Series 1: Administrative records, 1949/2007","Subseries 1.5: Communications and Events, 1950/2006","Sub-subseries 1.5.2: Communications and Marketing, 1997"],"parent_unittitles_tesim":["Arena Stage records, 1949/2010","Series 1: Administrative records, 1949/2007","Subseries 1.5: Communications and Events, 1950/2006","Sub-subseries 1.5.2: Communications and Marketing, 1997"],"normalized_date_ssm":["1990"],"unitdate_other_ssim":["1990"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[4],"sort_isi":2622,"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records, 1949/2010"],"containers_ssim":["Box 123","Folder 27"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1990],"scopecontent_html_tesm":["\u003cp\u003e\u003c/p\u003e\n              "],"_nest_path_":"/components#0/components#4/components#1/components#79","timestamp":"2026-07-23T21:19:49.189Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_arenastage","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage","ead_source_url_ssi":"data/gmu/arenastage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/arenastage.html","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949-2010"],"unitdate_inclusive_ssm":["1949-2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings.","Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n        Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n        Series 3: Photographs, 1950-1991 (Boxes 589-639)\n        Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n        Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.","Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","There are no restrictions.","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017"],"unitid_tesim":["C0017"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage"],"creator_ssim":["Arena Stage"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000-2011."],"access_subjects_ssim":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["739 boxes"],"extent_tesim":["739 boxes"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e\n      ","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n        Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n        Series 3: Photographs, 1950-1991 (Boxes 589-639)\n        Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n        Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\" href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n      ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n      ","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\" href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n    "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n      ","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n      ","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n      ","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n      ","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n      ","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.\u003c/p\u003e\n      ","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.\u003c/p\u003e\n      ","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e\n    "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n      ","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n      ","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  \u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n      "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:19:49.189Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_arenastage_c01_c05_c02_c80"}},{"id":"vifgm_repositories_2_resources_416_c01_c05_c02_c80","type":"File","attributes":{"title":"Zelda's resignation information, 1990","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c01_c05_c02_c80#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_416_c01_c05_c02_c80","ref_ssm":["vifgm_repositories_2_resources_416_c01_c05_c02_c80"],"id":"vifgm_repositories_2_resources_416_c01_c05_c02_c80","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416_c01_c05_c02","parent_ssi":"vifgm_repositories_2_resources_416_c01_c05_c02","parent_ssim":["Arena Stage records, 1949/2010","Series 1: Administrative records, 1949/2007","Subseries 1.5: Communications and Events, 1950/2006","Sub-subseries 1.5.2: Communications and Marketing, 1997"],"parent_ids_ssim":["vifgm_repositories_2_resources_416","vifgm_repositories_2_resources_416_c01","vifgm_repositories_2_resources_416_c01_c05","vifgm_repositories_2_resources_416_c01_c05_c02"],"title_filing_ssi":"Zelda's resignation information","title_ssm":["Zelda's resignation information"],"title_tesim":["Zelda's resignation information"],"normalized_title_ssm":["Zelda's resignation information, 1990"],"text":["Zelda's resignation information, 1990","Arena Stage records, 1949/2010","Series 1: Administrative records, 1949/2007","Subseries 1.5: Communications and Events, 1950/2006","Sub-subseries 1.5.2: Communications and Marketing, 1997","box 123","folder 27"],"parent_unittitles_ssm":["Arena Stage records, 1949/2010","Series 1: Administrative records, 1949/2007","Subseries 1.5: Communications and Events, 1950/2006","Sub-subseries 1.5.2: Communications and Marketing, 1997"],"parent_unittitles_tesim":["Arena Stage records, 1949/2010","Series 1: Administrative records, 1949/2007","Subseries 1.5: Communications and Events, 1950/2006","Sub-subseries 1.5.2: Communications and Marketing, 1997"],"normalized_date_ssm":["1990"],"unitdate_other_ssim":["1990"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[4],"sort_isi":2622,"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records, 1949/2010"],"containers_ssim":["box 123","folder 27"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1990],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#0/components#4/components#1/components#79","timestamp":"2026-07-23T21:20:46.971Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_filing_ssi":"Arena Stage records","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","/repositories/2/resources/416","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","There are no access restrictions.","to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"accruals_html_tesm":["\u003cp\u003eto this collection are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e\n            ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:46.971Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c01_c05_c02_c80"}},{"id":"viblbv_repositories_2_resources_1855","type":"collection","attributes":{"title":"Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1855#creator","type":"document_value","attributes":{"value":"Wilson, Zelma, 1918-1996","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1855#abstract_or_scope","type":"document_value","attributes":{"value":"Wilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm. Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects. Materials range in date from 1940-1995 (bulk 1969-1991).","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1855#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1855","ead_ssi":"viblbv_repositories_2_resources_1855","_root_":"viblbv_repositories_2_resources_1855","_nest_parent_":"viblbv_repositories_2_resources_1855","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1855.xml","title_filing_ssi":"Wilson, Zelma, Architectural Collection","title_ssm":["Zelma Wilson Architectural Collection"],"title_tesim":["Zelma Wilson Architectural Collection"],"unitdate_ssm":["1940-1995","1969-1991"],"unitdate_inclusive_ssm":["1940-1995"],"unitdate_bulk_ssim":["1969-1991"],"normalized_date_ssm":["1940/1995, bulk 1969/1991"],"normalized_title_ssm":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991"],"text":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991","Ms.1991.046","Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)","The collection is open for research.","Zelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"","After working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995).","Her projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\"","The guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006.","Zelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Wilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991).","Special Collections and University Archives, Virginia Tech","Wilson, Zelma, 1918-1996","The materials in the collection are in English."],"collection_title_tesim":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991"],"collection_ssim":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1991.046"],"unitid_tesim":["Ms.1991.046"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Wilson, Zelma, 1918-1996"],"creator_ssim":["Wilson, Zelma, 1918-1996"],"creator_persname_ssim":["Wilson, Zelma, 1918-1996"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Wilson, Zelma, 1918-1996","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Zelma Wilson Architectural Collection was donated to Special Collections in 1991 with the bulk of the collection arriving in 1996."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["115.5 Cubic Feet 24 record cartons; 177 rolled drawings; 5 map-case drawers"],"extent_tesim":["115.5 Cubic Feet 24 record cartons; 177 rolled drawings; 5 map-case drawers"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eZelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"\u003c/p\u003e","\u003cp\u003eAfter working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995). \u003c/p\u003e","\u003cp\u003eHer projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\" \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Zelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"","After working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995).","Her projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\""],"odd_html_tesm":["\u003cp\u003eThe guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Zelma Wilson Architectural Collection, Ms1991-046, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Zelma Wilson Architectural Collection, Ms1991-046, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006."],"scopecontent_html_tesm":["\u003cp\u003eZelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Zelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a5530344875689115357e4bee240e5e1\" label=\"Abstract\"\u003eWilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991).\u003c/abstract\u003e\n    "],"abstract_tesim":["Wilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991)."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Wilson, Zelma, 1918-1996"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Wilson, Zelma, 1918-1996"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":417,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:15:53.205Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1855","ead_ssi":"viblbv_repositories_2_resources_1855","_root_":"viblbv_repositories_2_resources_1855","_nest_parent_":"viblbv_repositories_2_resources_1855","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1855.xml","title_filing_ssi":"Wilson, Zelma, Architectural Collection","title_ssm":["Zelma Wilson Architectural Collection"],"title_tesim":["Zelma Wilson Architectural Collection"],"unitdate_ssm":["1940-1995","1969-1991"],"unitdate_inclusive_ssm":["1940-1995"],"unitdate_bulk_ssim":["1969-1991"],"normalized_date_ssm":["1940/1995, bulk 1969/1991"],"normalized_title_ssm":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991"],"text":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991","Ms.1991.046","Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)","The collection is open for research.","Zelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"","After working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995).","Her projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\"","The guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006.","Zelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Wilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991).","Special Collections and University Archives, Virginia Tech","Wilson, Zelma, 1918-1996","The materials in the collection are in English."],"collection_title_tesim":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991"],"collection_ssim":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1991.046"],"unitid_tesim":["Ms.1991.046"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Wilson, Zelma, 1918-1996"],"creator_ssim":["Wilson, Zelma, 1918-1996"],"creator_persname_ssim":["Wilson, Zelma, 1918-1996"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Wilson, Zelma, 1918-1996","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Zelma Wilson Architectural Collection was donated to Special Collections in 1991 with the bulk of the collection arriving in 1996."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["115.5 Cubic Feet 24 record cartons; 177 rolled drawings; 5 map-case drawers"],"extent_tesim":["115.5 Cubic Feet 24 record cartons; 177 rolled drawings; 5 map-case drawers"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eZelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"\u003c/p\u003e","\u003cp\u003eAfter working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995). \u003c/p\u003e","\u003cp\u003eHer projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\" \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Zelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"","After working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995).","Her projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\""],"odd_html_tesm":["\u003cp\u003eThe guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Zelma Wilson Architectural Collection, Ms1991-046, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Zelma Wilson Architectural Collection, Ms1991-046, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006."],"scopecontent_html_tesm":["\u003cp\u003eZelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Zelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a5530344875689115357e4bee240e5e1\" label=\"Abstract\"\u003eWilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991).\u003c/abstract\u003e\n    "],"abstract_tesim":["Wilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991)."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Wilson, Zelma, 1918-1996"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Wilson, Zelma, 1918-1996"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":417,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:15:53.205Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1855"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria 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