{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026page=5064\u0026view=compact","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026page=5063\u0026view=compact","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026page=5065\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026page=5072\u0026view=compact"},"meta":{"pages":{"current_page":5064,"next_page":5065,"prev_page":5063,"total_pages":5072,"limit_value":10,"offset_value":50630,"total_count":50716,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_405_c03_c35","type":"File","attributes":{"title":"Yorktown Victory Monument","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_405_c03_c35#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_405_c03_c35","ref_ssm":["vifgm_repositories_2_resources_405_c03_c35"],"id":"vifgm_repositories_2_resources_405_c03_c35","ead_ssi":"vifgm_repositories_2_resources_405","_root_":"vifgm_repositories_2_resources_405","_nest_parent_":"vifgm_repositories_2_resources_405_c03","parent_ssi":"vifgm_repositories_2_resources_405_c03","parent_ssim":["vifgm_repositories_2_resources_405","vifgm_repositories_2_resources_405_c03"],"parent_ids_ssim":["vifgm_repositories_2_resources_405","vifgm_repositories_2_resources_405_c03"],"parent_unittitles_ssm":["Harold Vogel collection","Series 3: Audiovisual materials"],"parent_unittitles_tesim":["Harold Vogel collection","Series 3: Audiovisual materials"],"text":["Harold Vogel collection","Series 3: Audiovisual materials","Yorktown Victory Monument","box 8"],"title_filing_ssi":"Yorktown Victory Monument","title_ssm":["Yorktown Victory Monument"],"title_tesim":["Yorktown Victory Monument"],"unitdate_other_ssim":["October 4, 1990"],"normalized_date_ssm":["1990"],"normalized_title_ssm":["Yorktown Victory Monument"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Harold Vogel collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":97,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1990],"containers_ssim":["box 8"],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#2/components#34","timestamp":"2026-06-05T07:17:21.217Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_405","ead_ssi":"vifgm_repositories_2_resources_405","_root_":"vifgm_repositories_2_resources_405","_nest_parent_":"vifgm_repositories_2_resources_405","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_405.xml","title_filing_ssi":"Harold Vogel collection","title_ssm":["Harold Vogel collection"],"title_tesim":["Harold Vogel collection"],"unitdate_ssm":["1950-2014","1963-1998"],"unitdate_bulk_ssim":["1963-1998"],"unitdate_inclusive_ssm":["1950-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0249","/repositories/2/resources/405"],"text":["C0249","/repositories/2/resources/405","Harold Vogel collection","Monuments -- Washington (D.C.)","Architecture -- Conservation and restoration","Stone carving","Monuments","There are no access restrictions.","The materials are arranged alphabetically within the following series:","Missing Title Series 1: News articles, personal, and professional papers, circa 1950s-2014 Series 2: Photographic materials, circa 1950s-1996 Series 3: Audiovisual materials, 1988-2002","Architectural sculptor Harold Vogel (1930-2011) was born in Detroit, Michigan. He spent the majority of his childhood in Germany, his parents' homeland, and was educated and served an apprenticeship as a stone carver there. Vogel became a certified Mastercraftsman in Dusseldorf, Germany in 1953. He returned to the United States in the mid-1950s, settling in the Washington, D.C., area after serving with the US Army. Vogel worked on a number of projects in the capital and the surrounding area, and he eventually formed Wood and Stone, Inc. and the Carving and Restoration Team, based in Northern Virginia. Vogel's sculpting and restoration projects over the years included work on Washington National Cathedral, the CIA memorial, the US Senate Chamber, the Marine Corps Memorial and the Lyndon B. Johnson Memorial, along with many other projects around the country and the world. He and his wife, artist Hilde Vogel-Michalik, lived in Northern Virginia until Vogel-Michalik's death in 1999. Vogel spent his last years in Front Royal, Virginia, and he died in late 2011.","Processing completed by Richard Smith and Elizabeth Beckman in February 2015. EAD markup completed by Elizabeth Beckman in February 2015.","The collection largely documents Vogel's career as an architectural sculptor through newsclippings and magazine articles, as well as photos, negatives, slides, and VHS tapes from the various projects that he worked on. Some biographical information, such as resumes and biographical sketches, is also included. There are also a few awards and certificates given to Vogel through his professional life. The majority of the material is in English, with a few articles and pamphlets in German and Spanish.","Series 1: News articles, personal, and professional papers covers the 1950s to 2014 and includes newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, including the Lyndon B. 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Vogel spent his last years in Front Royal, Virginia, and he died in late 2011.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Architectural sculptor Harold Vogel (1930-2011) was born in Detroit, Michigan. He spent the majority of his childhood in Germany, his parents' homeland, and was educated and served an apprenticeship as a stone carver there. Vogel became a certified Mastercraftsman in Dusseldorf, Germany in 1953. He returned to the United States in the mid-1950s, settling in the Washington, D.C., area after serving with the US Army. Vogel worked on a number of projects in the capital and the surrounding area, and he eventually formed Wood and Stone, Inc. and the Carving and Restoration Team, based in Northern Virginia. Vogel's sculpting and restoration projects over the years included work on Washington National Cathedral, the CIA memorial, the US Senate Chamber, the Marine Corps Memorial and the Lyndon B. Johnson Memorial, along with many other projects around the country and the world. He and his wife, artist Hilde Vogel-Michalik, lived in Northern Virginia until Vogel-Michalik's death in 1999. Vogel spent his last years in Front Royal, Virginia, and he died in late 2011."],"prefercite_html_tesm":["\u003cp\u003eHarold Vogel collection, C0249, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Harold Vogel collection, C0249, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Richard Smith and Elizabeth Beckman in February 2015. EAD markup completed by Elizabeth Beckman in February 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Richard Smith and Elizabeth Beckman in February 2015. EAD markup completed by Elizabeth Beckman in February 2015."],"scopecontent_html_tesm":["\u003cp\u003eThe collection largely documents Vogel's career as an architectural sculptor through newsclippings and magazine articles, as well as photos, negatives, slides, and VHS tapes from the various projects that he worked on. Some biographical information, such as resumes and biographical sketches, is also included. There are also a few awards and certificates given to Vogel through his professional life. The majority of the material is in English, with a few articles and pamphlets in German and Spanish.\u003c/p\u003e\n","\u003cp\u003eSeries 1: News articles, personal, and professional papers covers the 1950s to 2014 and includes newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, including the Lyndon B. Johnson memorial, the CIA memorial, the Marine Corps memorial, and the Gerald Ford Presidential Library. 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Many of the tapes are undated, but the dated tapes run from 1988-2002, with material on one of the tapes dating from 1966-1967.\u003c/p\u003e","\u003cp\u003eThis series contains newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, as well as some biographical information and awards.\u003c/p\u003e","\u003cp\u003eIncludes 2 photos of Vogel at work\u003c/p\u003e","\u003cp\u003eIncludes 3 photos\u003c/p\u003e","\u003cp\u003eIncludes 1 photo\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. There are also some personal photos of Vogel's home and studio and Vogel with his dog.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. 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Some biographical information, such as resumes and biographical sketches, is also included. There are also a few awards and certificates given to Vogel through his professional life. The majority of the material is in English, with a few articles and pamphlets in German and Spanish.","Series 1: News articles, personal, and professional papers covers the 1950s to 2014 and includes newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, including the Lyndon B. Johnson memorial, the CIA memorial, the Marine Corps memorial, and the Gerald Ford Presidential Library. His involvement in the Northern Virginia Community College Stone Carving and Restoration program is documented through articles and press releases. A few resumes and biographical sketches, as well as awards and certificates, are also included, as is a sketch for a sign that says \"Dacha Vogel.\"","Series 2: Photographic materials includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. This includes the Gerald Ford Presidential Library, the Confederate Dead memorial, and the Yorktown Victory monument. Of particular interest are photos from the dedication of the Lyndon B. Johnson memorial, which include images of Vogel with Lady Bird Johnson and other dignitaries at the event. There are also some personal photos of Vogel's home and studio and Vogel with his dog. The materials range from the 1950s-1996.","Series 3: Audiovisual materials includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life. Many of the tapes are undated, but the dated tapes run from 1988-2002, with material on one of the tapes dating from 1966-1967.","This series contains newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, as well as some biographical information and awards.","Includes 2 photos of Vogel at work","Includes 3 photos","Includes 1 photo","This series includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. There are also some personal photos of Vogel's home and studio and Vogel with his dog.","This series includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_868eaaa6a3c0efae0001870e404008c8\" label=\"Abstract\"\u003ePapers, newsclippings, photographs, negatives, slides, and VHS tapes documenting the work of architectural sculptor Harold Vogel.\u003c/abstract\u003e"],"abstract_tesim":["Papers, newsclippings, photographs, negatives, slides, and VHS tapes documenting the work of architectural sculptor Harold Vogel."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Vogel, Harold C., 1930-2011"],"corpname_ssim":["George Mason University. Libraries. 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He spent the majority of his childhood in Germany, his parents' homeland, and was educated and served an apprenticeship as a stone carver there. Vogel became a certified Mastercraftsman in Dusseldorf, Germany in 1953. He returned to the United States in the mid-1950s, settling in the Washington, D.C., area after serving with the US Army. Vogel worked on a number of projects in the capital and the surrounding area, and he eventually formed Wood and Stone, Inc. and the Carving and Restoration Team, based in Northern Virginia. Vogel's sculpting and restoration projects over the years included work on Washington National Cathedral, the CIA memorial, the US Senate Chamber, the Marine Corps Memorial and the Lyndon B. Johnson Memorial, along with many other projects around the country and the world. He and his wife, artist Hilde Vogel-Michalik, lived in Northern Virginia until Vogel-Michalik's death in 1999. Vogel spent his last years in Front Royal, Virginia, and he died in late 2011.","Processing completed by Richard Smith and Elizabeth Beckman in February 2015. EAD markup completed by Elizabeth Beckman in February 2015.","The collection largely documents Vogel's career as an architectural sculptor through newsclippings and magazine articles, as well as photos, negatives, slides, and VHS tapes from the various projects that he worked on. Some biographical information, such as resumes and biographical sketches, is also included. There are also a few awards and certificates given to Vogel through his professional life. The majority of the material is in English, with a few articles and pamphlets in German and Spanish.","Series 1: News articles, personal, and professional papers covers the 1950s to 2014 and includes newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, including the Lyndon B. Johnson memorial, the CIA memorial, the Marine Corps memorial, and the Gerald Ford Presidential Library. His involvement in the Northern Virginia Community College Stone Carving and Restoration program is documented through articles and press releases. A few resumes and biographical sketches, as well as awards and certificates, are also included, as is a sketch for a sign that says \"Dacha Vogel.\"","Series 2: Photographic materials includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. This includes the Gerald Ford Presidential Library, the Confederate Dead memorial, and the Yorktown Victory monument. Of particular interest are photos from the dedication of the Lyndon B. Johnson memorial, which include images of Vogel with Lady Bird Johnson and other dignitaries at the event. There are also some personal photos of Vogel's home and studio and Vogel with his dog. The materials range from the 1950s-1996.","Series 3: Audiovisual materials includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life. Many of the tapes are undated, but the dated tapes run from 1988-2002, with material on one of the tapes dating from 1966-1967.","This series contains newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, as well as some biographical information and awards.","Includes 2 photos of Vogel at work","Includes 3 photos","Includes 1 photo","This series includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. There are also some personal photos of Vogel's home and studio and Vogel with his dog.","This series includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Papers, newsclippings, photographs, negatives, slides, and VHS tapes documenting the work of architectural sculptor Harold Vogel.","George Mason University. Libraries. Special Collections Research Center","Vogel, Harold C., 1930-2011","English"],"unitid_tesim":["C0249","/repositories/2/resources/405"],"normalized_title_ssm":["Harold Vogel collection"],"collection_title_tesim":["Harold Vogel collection"],"collection_ssim":["Harold Vogel collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Vogel, Harold C., 1930-2011"],"creator_ssim":["Vogel, Harold C., 1930-2011"],"creator_persname_ssim":["Vogel, Harold C., 1930-2011"],"creators_ssim":["Vogel, Harold C., 1930-2011"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Deborah Weitzman-Ward in May 2014."],"access_subjects_ssim":["Monuments -- Washington (D.C.)","Architecture -- Conservation and restoration","Stone carving","Monuments"],"access_subjects_ssm":["Monuments -- Washington (D.C.)","Architecture -- Conservation and restoration","Stone carving","Monuments"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet 8 boxes"],"extent_tesim":["3 Linear Feet 8 boxes"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged alphabetically within the following series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: News articles, personal, and professional papers, circa 1950s-2014\u003c/item\u003e\n      \u003citem\u003eSeries 2: Photographic materials, circa 1950s-1996\u003c/item\u003e\n      \u003citem\u003eSeries 3: Audiovisual materials, 1988-2002\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged alphabetically within the following series:","Missing Title Series 1: News articles, personal, and professional papers, circa 1950s-2014 Series 2: Photographic materials, circa 1950s-1996 Series 3: Audiovisual materials, 1988-2002"],"bioghist_html_tesm":["\u003cp\u003eArchitectural sculptor Harold Vogel (1930-2011) was born in Detroit, Michigan. He spent the majority of his childhood in Germany, his parents' homeland, and was educated and served an apprenticeship as a stone carver there. Vogel became a certified Mastercraftsman in Dusseldorf, Germany in 1953. He returned to the United States in the mid-1950s, settling in the Washington, D.C., area after serving with the US Army. Vogel worked on a number of projects in the capital and the surrounding area, and he eventually formed Wood and Stone, Inc. and the Carving and Restoration Team, based in Northern Virginia. Vogel's sculpting and restoration projects over the years included work on Washington National Cathedral, the CIA memorial, the US Senate Chamber, the Marine Corps Memorial and the Lyndon B. Johnson Memorial, along with many other projects around the country and the world. He and his wife, artist Hilde Vogel-Michalik, lived in Northern Virginia until Vogel-Michalik's death in 1999. Vogel spent his last years in Front Royal, Virginia, and he died in late 2011.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Architectural sculptor Harold Vogel (1930-2011) was born in Detroit, Michigan. He spent the majority of his childhood in Germany, his parents' homeland, and was educated and served an apprenticeship as a stone carver there. Vogel became a certified Mastercraftsman in Dusseldorf, Germany in 1953. He returned to the United States in the mid-1950s, settling in the Washington, D.C., area after serving with the US Army. Vogel worked on a number of projects in the capital and the surrounding area, and he eventually formed Wood and Stone, Inc. and the Carving and Restoration Team, based in Northern Virginia. Vogel's sculpting and restoration projects over the years included work on Washington National Cathedral, the CIA memorial, the US Senate Chamber, the Marine Corps Memorial and the Lyndon B. Johnson Memorial, along with many other projects around the country and the world. He and his wife, artist Hilde Vogel-Michalik, lived in Northern Virginia until Vogel-Michalik's death in 1999. Vogel spent his last years in Front Royal, Virginia, and he died in late 2011."],"prefercite_html_tesm":["\u003cp\u003eHarold Vogel collection, C0249, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Harold Vogel collection, C0249, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Richard Smith and Elizabeth Beckman in February 2015. EAD markup completed by Elizabeth Beckman in February 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Richard Smith and Elizabeth Beckman in February 2015. EAD markup completed by Elizabeth Beckman in February 2015."],"scopecontent_html_tesm":["\u003cp\u003eThe collection largely documents Vogel's career as an architectural sculptor through newsclippings and magazine articles, as well as photos, negatives, slides, and VHS tapes from the various projects that he worked on. Some biographical information, such as resumes and biographical sketches, is also included. There are also a few awards and certificates given to Vogel through his professional life. The majority of the material is in English, with a few articles and pamphlets in German and Spanish.\u003c/p\u003e\n","\u003cp\u003eSeries 1: News articles, personal, and professional papers covers the 1950s to 2014 and includes newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, including the Lyndon B. Johnson memorial, the CIA memorial, the Marine Corps memorial, and the Gerald Ford Presidential Library. His involvement in the Northern Virginia Community College Stone Carving and Restoration program is documented through articles and press releases. A few resumes and biographical sketches, as well as awards and certificates, are also included, as is a sketch for a sign that says \"Dacha Vogel.\"\u003c/p\u003e\n","\u003cp\u003eSeries 2: Photographic materials includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. This includes the Gerald Ford Presidential Library, the Confederate Dead memorial, and the Yorktown Victory monument. Of particular interest are photos from the dedication of the Lyndon B. Johnson memorial, which include images of Vogel with Lady Bird Johnson and other dignitaries at the event. There are also some personal photos of Vogel's home and studio and Vogel with his dog. The materials range from the 1950s-1996.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Audiovisual materials includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life. Many of the tapes are undated, but the dated tapes run from 1988-2002, with material on one of the tapes dating from 1966-1967.\u003c/p\u003e","\u003cp\u003eThis series contains newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, as well as some biographical information and awards.\u003c/p\u003e","\u003cp\u003eIncludes 2 photos of Vogel at work\u003c/p\u003e","\u003cp\u003eIncludes 3 photos\u003c/p\u003e","\u003cp\u003eIncludes 1 photo\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. There are also some personal photos of Vogel's home and studio and Vogel with his dog.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. 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Some biographical information, such as resumes and biographical sketches, is also included. There are also a few awards and certificates given to Vogel through his professional life. The majority of the material is in English, with a few articles and pamphlets in German and Spanish.","Series 1: News articles, personal, and professional papers covers the 1950s to 2014 and includes newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, including the Lyndon B. Johnson memorial, the CIA memorial, the Marine Corps memorial, and the Gerald Ford Presidential Library. His involvement in the Northern Virginia Community College Stone Carving and Restoration program is documented through articles and press releases. A few resumes and biographical sketches, as well as awards and certificates, are also included, as is a sketch for a sign that says \"Dacha Vogel.\"","Series 2: Photographic materials includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. This includes the Gerald Ford Presidential Library, the Confederate Dead memorial, and the Yorktown Victory monument. Of particular interest are photos from the dedication of the Lyndon B. Johnson memorial, which include images of Vogel with Lady Bird Johnson and other dignitaries at the event. There are also some personal photos of Vogel's home and studio and Vogel with his dog. The materials range from the 1950s-1996.","Series 3: Audiovisual materials includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life. Many of the tapes are undated, but the dated tapes run from 1988-2002, with material on one of the tapes dating from 1966-1967.","This series contains newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, as well as some biographical information and awards.","Includes 2 photos of Vogel at work","Includes 3 photos","Includes 1 photo","This series includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. There are also some personal photos of Vogel's home and studio and Vogel with his dog.","This series includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_868eaaa6a3c0efae0001870e404008c8\" label=\"Abstract\"\u003ePapers, newsclippings, photographs, negatives, slides, and VHS tapes documenting the work of architectural sculptor Harold Vogel.\u003c/abstract\u003e"],"abstract_tesim":["Papers, newsclippings, photographs, negatives, slides, and VHS tapes documenting the work of architectural sculptor Harold Vogel."],"names_ssim":["George Mason University. Libraries. 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He spent the majority of his childhood in Germany, his parents' homeland, and was educated and served an apprenticeship as a stone carver there. Vogel became a certified Mastercraftsman in Dusseldorf, Germany in 1953. He returned to the United States in the mid-1950s, settling in the Washington, D.C., area after serving with the US Army. Vogel worked on a number of projects in the capital and the surrounding area, and he eventually formed Wood and Stone, Inc. and the Carving and Restoration Team, based in Northern Virginia. Vogel's sculpting and restoration projects over the years included work on Washington National Cathedral, the CIA memorial, the US Senate Chamber, the Marine Corps Memorial and the Lyndon B. Johnson Memorial, along with many other projects around the country and the world. He and his wife, artist Hilde Vogel-Michalik, lived in Northern Virginia until Vogel-Michalik's death in 1999. Vogel spent his last years in Front Royal, Virginia, and he died in late 2011.","Processing completed by Richard Smith and Elizabeth Beckman in February 2015. EAD markup completed by Elizabeth Beckman in February 2015.","The collection largely documents Vogel's career as an architectural sculptor through newsclippings and magazine articles, as well as photos, negatives, slides, and VHS tapes from the various projects that he worked on. Some biographical information, such as resumes and biographical sketches, is also included. There are also a few awards and certificates given to Vogel through his professional life. The majority of the material is in English, with a few articles and pamphlets in German and Spanish.","Series 1: News articles, personal, and professional papers covers the 1950s to 2014 and includes newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, including the Lyndon B. Johnson memorial, the CIA memorial, the Marine Corps memorial, and the Gerald Ford Presidential Library. His involvement in the Northern Virginia Community College Stone Carving and Restoration program is documented through articles and press releases. A few resumes and biographical sketches, as well as awards and certificates, are also included, as is a sketch for a sign that says \"Dacha Vogel.\"","Series 2: Photographic materials includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. This includes the Gerald Ford Presidential Library, the Confederate Dead memorial, and the Yorktown Victory monument. Of particular interest are photos from the dedication of the Lyndon B. Johnson memorial, which include images of Vogel with Lady Bird Johnson and other dignitaries at the event. There are also some personal photos of Vogel's home and studio and Vogel with his dog. The materials range from the 1950s-1996.","Series 3: Audiovisual materials includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life. Many of the tapes are undated, but the dated tapes run from 1988-2002, with material on one of the tapes dating from 1966-1967.","This series contains newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, as well as some biographical information and awards.","Includes 2 photos of Vogel at work","Includes 3 photos","Includes 1 photo","This series includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. There are also some personal photos of Vogel's home and studio and Vogel with his dog.","This series includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Papers, newsclippings, photographs, negatives, slides, and VHS tapes documenting the work of architectural sculptor Harold Vogel.","George Mason University. Libraries. 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He spent the majority of his childhood in Germany, his parents' homeland, and was educated and served an apprenticeship as a stone carver there. Vogel became a certified Mastercraftsman in Dusseldorf, Germany in 1953. He returned to the United States in the mid-1950s, settling in the Washington, D.C., area after serving with the US Army. Vogel worked on a number of projects in the capital and the surrounding area, and he eventually formed Wood and Stone, Inc. and the Carving and Restoration Team, based in Northern Virginia. Vogel's sculpting and restoration projects over the years included work on Washington National Cathedral, the CIA memorial, the US Senate Chamber, the Marine Corps Memorial and the Lyndon B. Johnson Memorial, along with many other projects around the country and the world. He and his wife, artist Hilde Vogel-Michalik, lived in Northern Virginia until Vogel-Michalik's death in 1999. Vogel spent his last years in Front Royal, Virginia, and he died in late 2011.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Architectural sculptor Harold Vogel (1930-2011) was born in Detroit, Michigan. He spent the majority of his childhood in Germany, his parents' homeland, and was educated and served an apprenticeship as a stone carver there. Vogel became a certified Mastercraftsman in Dusseldorf, Germany in 1953. He returned to the United States in the mid-1950s, settling in the Washington, D.C., area after serving with the US Army. Vogel worked on a number of projects in the capital and the surrounding area, and he eventually formed Wood and Stone, Inc. and the Carving and Restoration Team, based in Northern Virginia. Vogel's sculpting and restoration projects over the years included work on Washington National Cathedral, the CIA memorial, the US Senate Chamber, the Marine Corps Memorial and the Lyndon B. Johnson Memorial, along with many other projects around the country and the world. He and his wife, artist Hilde Vogel-Michalik, lived in Northern Virginia until Vogel-Michalik's death in 1999. Vogel spent his last years in Front Royal, Virginia, and he died in late 2011."],"prefercite_html_tesm":["\u003cp\u003eHarold Vogel collection, C0249, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Harold Vogel collection, C0249, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Richard Smith and Elizabeth Beckman in February 2015. EAD markup completed by Elizabeth Beckman in February 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Richard Smith and Elizabeth Beckman in February 2015. EAD markup completed by Elizabeth Beckman in February 2015."],"scopecontent_html_tesm":["\u003cp\u003eThe collection largely documents Vogel's career as an architectural sculptor through newsclippings and magazine articles, as well as photos, negatives, slides, and VHS tapes from the various projects that he worked on. Some biographical information, such as resumes and biographical sketches, is also included. There are also a few awards and certificates given to Vogel through his professional life. The majority of the material is in English, with a few articles and pamphlets in German and Spanish.\u003c/p\u003e\n","\u003cp\u003eSeries 1: News articles, personal, and professional papers covers the 1950s to 2014 and includes newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, including the Lyndon B. Johnson memorial, the CIA memorial, the Marine Corps memorial, and the Gerald Ford Presidential Library. His involvement in the Northern Virginia Community College Stone Carving and Restoration program is documented through articles and press releases. A few resumes and biographical sketches, as well as awards and certificates, are also included, as is a sketch for a sign that says \"Dacha Vogel.\"\u003c/p\u003e\n","\u003cp\u003eSeries 2: Photographic materials includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. This includes the Gerald Ford Presidential Library, the Confederate Dead memorial, and the Yorktown Victory monument. Of particular interest are photos from the dedication of the Lyndon B. Johnson memorial, which include images of Vogel with Lady Bird Johnson and other dignitaries at the event. There are also some personal photos of Vogel's home and studio and Vogel with his dog. The materials range from the 1950s-1996.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Audiovisual materials includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life. Many of the tapes are undated, but the dated tapes run from 1988-2002, with material on one of the tapes dating from 1966-1967.\u003c/p\u003e","\u003cp\u003eThis series contains newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, as well as some biographical information and awards.\u003c/p\u003e","\u003cp\u003eIncludes 2 photos of Vogel at work\u003c/p\u003e","\u003cp\u003eIncludes 3 photos\u003c/p\u003e","\u003cp\u003eIncludes 1 photo\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. There are also some personal photos of Vogel's home and studio and Vogel with his dog.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. 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Some biographical information, such as resumes and biographical sketches, is also included. There are also a few awards and certificates given to Vogel through his professional life. The majority of the material is in English, with a few articles and pamphlets in German and Spanish.","Series 1: News articles, personal, and professional papers covers the 1950s to 2014 and includes newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, including the Lyndon B. Johnson memorial, the CIA memorial, the Marine Corps memorial, and the Gerald Ford Presidential Library. His involvement in the Northern Virginia Community College Stone Carving and Restoration program is documented through articles and press releases. A few resumes and biographical sketches, as well as awards and certificates, are also included, as is a sketch for a sign that says \"Dacha Vogel.\"","Series 2: Photographic materials includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. This includes the Gerald Ford Presidential Library, the Confederate Dead memorial, and the Yorktown Victory monument. Of particular interest are photos from the dedication of the Lyndon B. Johnson memorial, which include images of Vogel with Lady Bird Johnson and other dignitaries at the event. There are also some personal photos of Vogel's home and studio and Vogel with his dog. The materials range from the 1950s-1996.","Series 3: Audiovisual materials includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life. Many of the tapes are undated, but the dated tapes run from 1988-2002, with material on one of the tapes dating from 1966-1967.","This series contains newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, as well as some biographical information and awards.","Includes 2 photos of Vogel at work","Includes 3 photos","Includes 1 photo","This series includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. There are also some personal photos of Vogel's home and studio and Vogel with his dog.","This series includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_868eaaa6a3c0efae0001870e404008c8\" label=\"Abstract\"\u003ePapers, newsclippings, photographs, negatives, slides, and VHS tapes documenting the work of architectural sculptor Harold Vogel.\u003c/abstract\u003e"],"abstract_tesim":["Papers, newsclippings, photographs, negatives, slides, and VHS tapes documenting the work of architectural sculptor Harold Vogel."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Vogel, Harold C., 1930-2011"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Vogel, Harold C., 1930-2011"],"persname_ssim":["Vogel, Harold C., 1930-2011"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":102,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:17:21.217Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_405_c03_c37"}},{"id":"vifgm_vogel_c02_c22","type":"File","attributes":{"title":"Yorktown Victory monument photos,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_vogel_c02_c22#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_vogel_c02_c22#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_vogel_c02_c22","ref_ssm":["vifgm_vogel_c02_c22"],"id":"vifgm_vogel_c02_c22","ead_ssi":"vifgm_vogel","_root_":"vifgm_vogel","_nest_parent_":"vifgm_vogel_c02","parent_ssi":"vifgm_vogel_c02","parent_ssim":["vifgm_vogel","vifgm_vogel_c02"],"parent_ids_ssim":["vifgm_vogel","vifgm_vogel_c02"],"parent_unittitles_ssm":["Harold Vogel collection","Series 2: Photographic materials,"],"parent_unittitles_tesim":["Harold Vogel collection","Series 2: Photographic materials,"],"text":["Harold Vogel collection","Series 2: Photographic materials,","Yorktown Victory monument photos,","Box 4","Folder 8",""],"title_filing_ssi":"Yorktown Victory monument photos, \n","title_ssm":["Yorktown Victory monument photos,"],"title_tesim":["Yorktown Victory monument photos,"],"unitdate_other_ssim":["1990\n"],"normalized_date_ssm":["1990"],"normalized_title_ssm":["Yorktown Victory monument photos,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Harold Vogel collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":48,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the Harold Vogel collection must be obtained from Special Collections and Archives, George Mason University Libraries."],"date_range_isim":[1990],"containers_ssim":["Box 4","Folder 8"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#1/components#21","timestamp":"2026-05-21T06:18:50.228Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vogel","ead_ssi":"vifgm_vogel","_root_":"vifgm_vogel","_nest_parent_":"vifgm_vogel","ead_source_url_ssi":"data/gmu/vogel.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/haroldvogel.html","title_ssm":["Harold Vogel collection"],"title_tesim":["Harold Vogel collection"],"unitdate_ssm":[" 1963-1998","1950-2014"],"unitdate_bulk_ssim":[" 1963-1998"],"unitdate_inclusive_ssm":["1950-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0249"],"text":["C0249","Harold Vogel collection","Architecture--Conservation and reconstruction--United States.","Monuments and memorials--Washington (D.C.)--Photographs.","There are no access restrictions.","The materials are arranged alphabetically within the following series:","Series 1: News articles, personal, and professional papers, circa 1950s-2014 Series 2: Photographic materials, circa 1950s-1996 Series 3: Audiovisual materials, 1988-2002","Architectural sculptor Harold Vogel (1930-2011) was born in Detroit, Michigan. He spent the majority of his childhood in Germany, his parents' homeland, and was educated and served an apprenticeship as a stone carver there. Vogel became a certified Mastercraftsman in Dusseldorf, Germany in 1953. He returned to the United States in the mid-1950s, settling in the Washington, D.C., area after serving with the US Army. Vogel worked on a number of projects in the capital and the surrounding area, and he eventually formed Wood and Stone, Inc. and the Carving and Restoration Team, based in Northern Virginia. Vogel's sculpting and restoration projects over the years included work on Washington National Cathedral, the CIA memorial, the US Senate Chamber, the Marine Corps Memorial and the Lyndon B. Johnson Memorial, along with many other projects around the country and the world. He and his wife, artist Hilde Vogel-Michalik, lived in Northern Virginia until Vogel-Michalik's death in 1999. Vogel spent his last years in Front Royal, Virginia, and he died in late 2011.","Processing completed by Richard Smith and Elizabeth Beckman in February 2015. EAD markup completed by Elizabeth Beckman in February 2015.","The collection largely documents Vogel's career as an architectural sculptor through newsclippings and magazine articles, as well as photos, negatives, slides, and VHS tapes from the various projects that he worked on. Some biographical information, such as resumes and biographical sketches, is also included. There are also a few awards and certificates given to Vogel through his professional life. The majority of the material is in English, with a few articles and pamphlets in German and Spanish.","Series 1: News articles, personal, and professional papers covers the 1950s to 2014 and includes newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, including the Lyndon B. Johnson memorial, the CIA memorial, the Marine Corps memorial, and the Gerald Ford Presidential Library. His involvement in the Northern Virginia Community College Stone Carving and Restoration program is documented through articles and press releases. A few resumes and biographical sketches, as well as awards and certificates, are also included, as is a sketch for a sign that says \"Dacha Vogel.\"","Series 2: Photographic materials includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. This includes the Gerald Ford Presidential Library, the Confederate Dead memorial, and the Yorktown Victory monument. Of particular interest are photos from the dedication of the Lyndon B. Johnson memorial, which include images of Vogel with Lady Bird Johnson and other dignitaries at the event. There are also some personal photos of Vogel's home and studio and Vogel with his dog. The materials range from the 1950s-1996.","Series 3: Audiovisual materials includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life. Many of the tapes are undated, but the dated tapes run from 1988-2002, with material on one of the tapes dating from 1966-1967."," This series contains newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, as well as some biographical information and awards. ","","","","Includes 2 photos of Vogel at work\n","","","","","Includes 3 photos\n","","","","Includes 1 photo\n","","","","","","","","","","",""," This series includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies.  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Special Collections and Archives.","Vogel, Harold C., 9999-9999"," English\n            "],"unitid_tesim":["C0249"],"normalized_title_ssm":["Harold Vogel collection"],"collection_title_tesim":["Harold Vogel collection"],"collection_ssim":["Harold Vogel collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Vogel, Harold C., 9999-9999"],"creator_ssim":["Vogel, Harold C., 9999-9999"],"creator_persname_ssim":["Vogel, Harold C., 9999-9999"],"creators_ssim":["Vogel, Harold C., 9999-9999"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Harold Vogel collection must be obtained from Special Collections and Archives, George Mason University Libraries."],"acqinfo_ssim":["Donated by Deborah Weitzman-Ward in May 2014."],"access_subjects_ssim":["Architecture--Conservation and reconstruction--United States.","Monuments and memorials--Washington (D.C.)--Photographs."],"access_subjects_ssm":["Architecture--Conservation and reconstruction--United States.","Monuments and memorials--Washington (D.C.)--Photographs."],"has_online_content_ssim":["false"],"extent_ssm":["3 linear feet (8 boxes)"],"extent_tesim":["3 linear feet (8 boxes)"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged alphabetically within the following series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: News articles, personal, and professional papers, circa 1950s-2014\u003c/item\u003e\n        \u003citem\u003eSeries 2: Photographic materials, circa 1950s-1996\u003c/item\u003e\n        \u003citem\u003eSeries 3: Audiovisual materials, 1988-2002\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged alphabetically within the following series:","Series 1: News articles, personal, and professional papers, circa 1950s-2014 Series 2: Photographic materials, circa 1950s-1996 Series 3: Audiovisual materials, 1988-2002"],"bioghist_html_tesm":["\u003cp\u003eArchitectural sculptor Harold Vogel (1930-2011) was born in Detroit, Michigan. 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Vogel spent his last years in Front Royal, Virginia, and he died in late 2011.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Architectural sculptor Harold Vogel (1930-2011) was born in Detroit, Michigan. He spent the majority of his childhood in Germany, his parents' homeland, and was educated and served an apprenticeship as a stone carver there. Vogel became a certified Mastercraftsman in Dusseldorf, Germany in 1953. He returned to the United States in the mid-1950s, settling in the Washington, D.C., area after serving with the US Army. Vogel worked on a number of projects in the capital and the surrounding area, and he eventually formed Wood and Stone, Inc. and the Carving and Restoration Team, based in Northern Virginia. Vogel's sculpting and restoration projects over the years included work on Washington National Cathedral, the CIA memorial, the US Senate Chamber, the Marine Corps Memorial and the Lyndon B. Johnson Memorial, along with many other projects around the country and the world. He and his wife, artist Hilde Vogel-Michalik, lived in Northern Virginia until Vogel-Michalik's death in 1999. Vogel spent his last years in Front Royal, Virginia, and he died in late 2011."],"prefercite_html_tesm":["\u003cp\u003eHarold Vogel collection, C0249, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Harold Vogel collection, C0249, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Richard Smith and Elizabeth Beckman in February 2015. EAD markup completed by Elizabeth Beckman in February 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Richard Smith and Elizabeth Beckman in February 2015. EAD markup completed by Elizabeth Beckman in February 2015."],"scopecontent_html_tesm":["\u003cp\u003eThe collection largely documents Vogel's career as an architectural sculptor through newsclippings and magazine articles, as well as photos, negatives, slides, and VHS tapes from the various projects that he worked on. Some biographical information, such as resumes and biographical sketches, is also included. There are also a few awards and certificates given to Vogel through his professional life. The majority of the material is in English, with a few articles and pamphlets in German and Spanish.\u003c/p\u003e","\u003cp\u003eSeries 1: News articles, personal, and professional papers covers the 1950s to 2014 and includes newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, including the Lyndon B. Johnson memorial, the CIA memorial, the Marine Corps memorial, and the Gerald Ford Presidential Library. His involvement in the Northern Virginia Community College Stone Carving and Restoration program is documented through articles and press releases. A few resumes and biographical sketches, as well as awards and certificates, are also included, as is a sketch for a sign that says \"Dacha Vogel.\"\u003c/p\u003e","\u003cp\u003eSeries 2: Photographic materials includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. This includes the Gerald Ford Presidential Library, the Confederate Dead memorial, and the Yorktown Victory monument. Of particular interest are photos from the dedication of the Lyndon B. Johnson memorial, which include images of Vogel with Lady Bird Johnson and other dignitaries at the event. There are also some personal photos of Vogel's home and studio and Vogel with his dog. 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Some biographical information, such as resumes and biographical sketches, is also included. There are also a few awards and certificates given to Vogel through his professional life. The majority of the material is in English, with a few articles and pamphlets in German and Spanish.","Series 1: News articles, personal, and professional papers covers the 1950s to 2014 and includes newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, including the Lyndon B. Johnson memorial, the CIA memorial, the Marine Corps memorial, and the Gerald Ford Presidential Library. His involvement in the Northern Virginia Community College Stone Carving and Restoration program is documented through articles and press releases. A few resumes and biographical sketches, as well as awards and certificates, are also included, as is a sketch for a sign that says \"Dacha Vogel.\"","Series 2: Photographic materials includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. This includes the Gerald Ford Presidential Library, the Confederate Dead memorial, and the Yorktown Victory monument. Of particular interest are photos from the dedication of the Lyndon B. Johnson memorial, which include images of Vogel with Lady Bird Johnson and other dignitaries at the event. There are also some personal photos of Vogel's home and studio and Vogel with his dog. The materials range from the 1950s-1996.","Series 3: Audiovisual materials includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life. Many of the tapes are undated, but the dated tapes run from 1988-2002, with material on one of the tapes dating from 1966-1967."," This series contains newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, as well as some biographical information and awards. ","","","","Includes 2 photos of Vogel at work\n","","","","","Includes 3 photos\n","","","","Includes 1 photo\n","","","","","","","","","","",""," This series includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies.  There are also some personal photos of Vogel's home and studio and Vogel with his dog. ","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","\nThis series includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life. ","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","",""],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Harold Vogel collection must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Harold Vogel collection must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref348\" label=\"Abstract\"\u003ePapers, newsclippings, photographs, negatives, slides, and VHS tapes documenting the work of architectural sculptor Harold Vogel.\u003c/abstract\u003e"],"abstract_tesim":["Papers, newsclippings, photographs, negatives, slides, and VHS tapes documenting the work of architectural sculptor Harold Vogel."],"names_ssim":["George Mason University.  Libraries. Special Collections and Archives.","Vogel, Harold C., 9999-9999"],"corpname_ssim":["George Mason University.  Libraries. Special Collections and Archives."],"persname_ssim":["Vogel, Harold C., 9999-9999"],"language_ssim":[" English\n            "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":102,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:18:50.228Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_vogel_c02_c22"}},{"id":"vifgm_repositories_2_resources_405_c02_c22","type":"File","attributes":{"title":"Yorktown Victory monument photos","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_405_c02_c22#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_405_c02_c22","ref_ssm":["vifgm_repositories_2_resources_405_c02_c22"],"id":"vifgm_repositories_2_resources_405_c02_c22","ead_ssi":"vifgm_repositories_2_resources_405","_root_":"vifgm_repositories_2_resources_405","_nest_parent_":"vifgm_repositories_2_resources_405_c02","parent_ssi":"vifgm_repositories_2_resources_405_c02","parent_ssim":["vifgm_repositories_2_resources_405","vifgm_repositories_2_resources_405_c02"],"parent_ids_ssim":["vifgm_repositories_2_resources_405","vifgm_repositories_2_resources_405_c02"],"parent_unittitles_ssm":["Harold Vogel collection","Series 2: Photographic materials"],"parent_unittitles_tesim":["Harold Vogel collection","Series 2: Photographic materials"],"text":["Harold Vogel collection","Series 2: Photographic materials","Yorktown Victory monument photos","box 4","folder 8"],"title_filing_ssi":"Yorktown Victory monument photos","title_ssm":["Yorktown Victory monument photos"],"title_tesim":["Yorktown Victory monument photos"],"unitdate_other_ssim":["1990"],"normalized_date_ssm":["1990"],"normalized_title_ssm":["Yorktown Victory monument photos"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Harold Vogel collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":48,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1990],"containers_ssim":["box 4","folder 8"],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#1/components#21","timestamp":"2026-06-05T07:17:21.217Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_405","ead_ssi":"vifgm_repositories_2_resources_405","_root_":"vifgm_repositories_2_resources_405","_nest_parent_":"vifgm_repositories_2_resources_405","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_405.xml","title_filing_ssi":"Harold Vogel collection","title_ssm":["Harold Vogel collection"],"title_tesim":["Harold Vogel collection"],"unitdate_ssm":["1950-2014","1963-1998"],"unitdate_bulk_ssim":["1963-1998"],"unitdate_inclusive_ssm":["1950-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0249","/repositories/2/resources/405"],"text":["C0249","/repositories/2/resources/405","Harold Vogel collection","Monuments -- Washington (D.C.)","Architecture -- Conservation and restoration","Stone carving","Monuments","There are no access restrictions.","The materials are arranged alphabetically within the following series:","Missing Title Series 1: News articles, personal, and professional papers, circa 1950s-2014 Series 2: Photographic materials, circa 1950s-1996 Series 3: Audiovisual materials, 1988-2002","Architectural sculptor Harold Vogel (1930-2011) was born in Detroit, Michigan. He spent the majority of his childhood in Germany, his parents' homeland, and was educated and served an apprenticeship as a stone carver there. Vogel became a certified Mastercraftsman in Dusseldorf, Germany in 1953. He returned to the United States in the mid-1950s, settling in the Washington, D.C., area after serving with the US Army. Vogel worked on a number of projects in the capital and the surrounding area, and he eventually formed Wood and Stone, Inc. and the Carving and Restoration Team, based in Northern Virginia. Vogel's sculpting and restoration projects over the years included work on Washington National Cathedral, the CIA memorial, the US Senate Chamber, the Marine Corps Memorial and the Lyndon B. Johnson Memorial, along with many other projects around the country and the world. He and his wife, artist Hilde Vogel-Michalik, lived in Northern Virginia until Vogel-Michalik's death in 1999. Vogel spent his last years in Front Royal, Virginia, and he died in late 2011.","Processing completed by Richard Smith and Elizabeth Beckman in February 2015. EAD markup completed by Elizabeth Beckman in February 2015.","The collection largely documents Vogel's career as an architectural sculptor through newsclippings and magazine articles, as well as photos, negatives, slides, and VHS tapes from the various projects that he worked on. Some biographical information, such as resumes and biographical sketches, is also included. There are also a few awards and certificates given to Vogel through his professional life. The majority of the material is in English, with a few articles and pamphlets in German and Spanish.","Series 1: News articles, personal, and professional papers covers the 1950s to 2014 and includes newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, including the Lyndon B. 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The materials range from the 1950s-1996.","Series 3: Audiovisual materials includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life. Many of the tapes are undated, but the dated tapes run from 1988-2002, with material on one of the tapes dating from 1966-1967.","This series contains newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, as well as some biographical information and awards.","Includes 2 photos of Vogel at work","Includes 3 photos","Includes 1 photo","This series includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. There are also some personal photos of Vogel's home and studio and Vogel with his dog.","This series includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Papers, newsclippings, photographs, negatives, slides, and VHS tapes documenting the work of architectural sculptor Harold Vogel.","George Mason University. Libraries. 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He spent the majority of his childhood in Germany, his parents' homeland, and was educated and served an apprenticeship as a stone carver there. Vogel became a certified Mastercraftsman in Dusseldorf, Germany in 1953. He returned to the United States in the mid-1950s, settling in the Washington, D.C., area after serving with the US Army. Vogel worked on a number of projects in the capital and the surrounding area, and he eventually formed Wood and Stone, Inc. and the Carving and Restoration Team, based in Northern Virginia. Vogel's sculpting and restoration projects over the years included work on Washington National Cathedral, the CIA memorial, the US Senate Chamber, the Marine Corps Memorial and the Lyndon B. Johnson Memorial, along with many other projects around the country and the world. He and his wife, artist Hilde Vogel-Michalik, lived in Northern Virginia until Vogel-Michalik's death in 1999. 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Johnson Memorial, along with many other projects around the country and the world. He and his wife, artist Hilde Vogel-Michalik, lived in Northern Virginia until Vogel-Michalik's death in 1999. Vogel spent his last years in Front Royal, Virginia, and he died in late 2011."],"prefercite_html_tesm":["\u003cp\u003eHarold Vogel collection, C0249, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Harold Vogel collection, C0249, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Richard Smith and Elizabeth Beckman in February 2015. EAD markup completed by Elizabeth Beckman in February 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Richard Smith and Elizabeth Beckman in February 2015. EAD markup completed by Elizabeth Beckman in February 2015."],"scopecontent_html_tesm":["\u003cp\u003eThe collection largely documents Vogel's career as an architectural sculptor through newsclippings and magazine articles, as well as photos, negatives, slides, and VHS tapes from the various projects that he worked on. Some biographical information, such as resumes and biographical sketches, is also included. There are also a few awards and certificates given to Vogel through his professional life. The majority of the material is in English, with a few articles and pamphlets in German and Spanish.\u003c/p\u003e\n","\u003cp\u003eSeries 1: News articles, personal, and professional papers covers the 1950s to 2014 and includes newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, including the Lyndon B. Johnson memorial, the CIA memorial, the Marine Corps memorial, and the Gerald Ford Presidential Library. 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The materials range from the 1950s-1996.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Audiovisual materials includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life. Many of the tapes are undated, but the dated tapes run from 1988-2002, with material on one of the tapes dating from 1966-1967.\u003c/p\u003e","\u003cp\u003eThis series contains newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, as well as some biographical information and awards.\u003c/p\u003e","\u003cp\u003eIncludes 2 photos of Vogel at work\u003c/p\u003e","\u003cp\u003eIncludes 3 photos\u003c/p\u003e","\u003cp\u003eIncludes 1 photo\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. There are also some personal photos of Vogel's home and studio and Vogel with his dog.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The collection largely documents Vogel's career as an architectural sculptor through newsclippings and magazine articles, as well as photos, negatives, slides, and VHS tapes from the various projects that he worked on. Some biographical information, such as resumes and biographical sketches, is also included. There are also a few awards and certificates given to Vogel through his professional life. The majority of the material is in English, with a few articles and pamphlets in German and Spanish.","Series 1: News articles, personal, and professional papers covers the 1950s to 2014 and includes newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, including the Lyndon B. Johnson memorial, the CIA memorial, the Marine Corps memorial, and the Gerald Ford Presidential Library. His involvement in the Northern Virginia Community College Stone Carving and Restoration program is documented through articles and press releases. A few resumes and biographical sketches, as well as awards and certificates, are also included, as is a sketch for a sign that says \"Dacha Vogel.\"","Series 2: Photographic materials includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. This includes the Gerald Ford Presidential Library, the Confederate Dead memorial, and the Yorktown Victory monument. Of particular interest are photos from the dedication of the Lyndon B. Johnson memorial, which include images of Vogel with Lady Bird Johnson and other dignitaries at the event. There are also some personal photos of Vogel's home and studio and Vogel with his dog. The materials range from the 1950s-1996.","Series 3: Audiovisual materials includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life. Many of the tapes are undated, but the dated tapes run from 1988-2002, with material on one of the tapes dating from 1966-1967.","This series contains newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, as well as some biographical information and awards.","Includes 2 photos of Vogel at work","Includes 3 photos","Includes 1 photo","This series includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. There are also some personal photos of Vogel's home and studio and Vogel with his dog.","This series includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_868eaaa6a3c0efae0001870e404008c8\" label=\"Abstract\"\u003ePapers, newsclippings, photographs, negatives, slides, and VHS tapes documenting the work of architectural sculptor Harold Vogel.\u003c/abstract\u003e"],"abstract_tesim":["Papers, newsclippings, photographs, negatives, slides, and VHS tapes documenting the work of architectural sculptor Harold Vogel."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Vogel, Harold C., 1930-2011"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Vogel, Harold C., 1930-2011"],"persname_ssim":["Vogel, Harold C., 1930-2011"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":102,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:17:21.217Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_405_c02_c22"}},{"id":"viw_repositories_2_resources_8143_c04_c130","type":"File","attributes":{"title":"Yorktown Visitor Center Extension","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8143_c04_c130#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8143_c04_c130","ref_ssm":["viw_repositories_2_resources_8143_c04_c130"],"id":"viw_repositories_2_resources_8143_c04_c130","ead_ssi":"viw_repositories_2_resources_8143","_root_":"viw_repositories_2_resources_8143","_nest_parent_":"viw_repositories_2_resources_8143_c04","parent_ssi":"viw_repositories_2_resources_8143_c04","parent_ssim":["viw_repositories_2_resources_8143","viw_repositories_2_resources_8143_c04"],"parent_ids_ssim":["viw_repositories_2_resources_8143","viw_repositories_2_resources_8143_c04"],"parent_unittitles_ssm":["Thomas L. Williams collection","Series 4: Slides"],"parent_unittitles_tesim":["Thomas L. Williams collection","Series 4: Slides"],"text":["Thomas L. Williams collection","Series 4: Slides","Yorktown Visitor Center Extension","Box 87","folder 16"],"title_filing_ssi":"Yorktown Visitor Center Extension","title_ssm":["Yorktown Visitor Center Extension"],"title_tesim":["Yorktown Visitor Center Extension"],"unitdate_inclusive_ssm":["circa 1940-1990"],"normalized_date_ssm":["1940/1990"],"normalized_title_ssm":["Yorktown Visitor Center Extension"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Thomas L. Williams collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":10307,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"containers_ssim":["Box 87","folder 16"],"_nest_path_":"/components#3/components#129","timestamp":"2026-05-21T12:07:10.432Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8143","ead_ssi":"viw_repositories_2_resources_8143","_root_":"viw_repositories_2_resources_8143","_nest_parent_":"viw_repositories_2_resources_8143","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8143.xml","title_filing_ssi":"Thomas L. Williams collection","title_ssm":["Thomas L. Williams collection"],"title_tesim":["Thomas L. Williams collection"],"unitdate_ssm":["Circa 1940-1990"],"unitdate_inclusive_ssm":["Circa 1940-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00254","/repositories/2/resources/8143"],"text":["MS 00254","/repositories/2/resources/8143","Thomas L. Williams collection","Williamsburg (Va.)--Photographs","Jamestown (Va.)--Photographs","Colonial Williamsburg (Williamsburg, Va.)--Maps, Pictorial","Virginia--History--20th century","College of William and Mary--History--20th century","College of William and Mary--Maps, Pictorial","Colonial Williamsburg (Williamsburg, Va.)","Negatives","Photographs","Printed ephemera","Artifacts","Slides (photographs)","Postcards","Correspondence","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Born in 1912 in Shire Oaks, Pennsylvania, Thomas L. Williams studied photography at the Art Institute of Pittsburgh. After graduation, Mr. Williams enlisted in the Navy shortly after the attack on  Pearl Harbor during World War II and was stationed at Camp Peary, where he started the base's photography laboratory. While at Camp Peary, he shot many photographs for Colonial Williamsburg, who hired him shortly after World War II to start their photography section. After nine years at Colonial Williamsburg, Mr. Williams became the photographer for William \u0026 Mary, a position he held for 35 years. While at William and Mary, Mr. Williams photographed various events at the College, including Charter Day and Commencement ceremonies, the inauguration of Davis Y. Paschall as president of William \u0026 Mary, and the celebrations during Homecoming Weekend.","Thomas L. Williams Papers","University Archives Photograph Collection","The collection includes photographs, negatives, slides, film, postcards, ephemera, correspondence and artifacts belonging to Thomas L. Williams, photographer for William \u0026 Mary for 35 years.  He was also a photographer for Camp Peary and Colonial Williamsburg prior to working for William \u0026 Mary.","Addition includes photographs, correspondence, negatives, and newspaper articles from Thomas L. Williams. Photographs includes scenes of Colonial Williamsburg and the campus of William \u0026 Mary.","Files include photographs of Williamsburg, Virginia, William \u0026 Mary, as well as personal family photographs taken by Thomas L. Williams from the 1940s-1960s. Other papers include clippings documenting events in Williamsburg and correspondence. ","Included in the folder of people of note visiting Williamsburg are those labeled as follows: ","Menderez, Sec. of Defense of Turkey Visited 7/13/58 ","President Dwight D. Eisenhower with Virginia Governor Thomas Stanley ","Vera Vague of Rob Hope Show WWII ","Jack Niklaus 9/67 ","President Lyndon B. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eBorn in 1912 in Shire Oaks, Pennsylvania, Thomas L. Williams studied photography at the Art Institute of Pittsburgh. After graduation, Mr. Williams enlisted in the Navy shortly after the attack on  Pearl Harbor during World War II and was stationed at Camp Peary, where he started the base's photography laboratory. While at Camp Peary, he shot many photographs for Colonial Williamsburg, who hired him shortly after World War II to start their photography section. After nine years at Colonial Williamsburg, Mr. Williams became the photographer for William \u0026amp; Mary, a position he held for 35 years. While at William and Mary, Mr. Williams photographed various events at the College, including Charter Day and Commencement ceremonies, the inauguration of Davis Y. Paschall as president of William \u0026amp; Mary, and the celebrations during Homecoming Weekend.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born in 1912 in Shire Oaks, Pennsylvania, Thomas L. Williams studied photography at the Art Institute of Pittsburgh. After graduation, Mr. Williams enlisted in the Navy shortly after the attack on  Pearl Harbor during World War II and was stationed at Camp Peary, where he started the base's photography laboratory. While at Camp Peary, he shot many photographs for Colonial Williamsburg, who hired him shortly after World War II to start their photography section. After nine years at Colonial Williamsburg, Mr. Williams became the photographer for William \u0026 Mary, a position he held for 35 years. While at William and Mary, Mr. Williams photographed various events at the College, including Charter Day and Commencement ceremonies, the inauguration of Davis Y. Paschall as president of William \u0026 Mary, and the celebrations during Homecoming Weekend."],"prefercite_html_tesm":["\u003cp\u003eThomas L. Williams collection, Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e"],"prefercite_tesim":["Thomas L. Williams collection, Special Collections Research Center, William \u0026 Mary Libraries"],"relatedmaterial_html_tesm":["\u003cp\u003eThomas L. Williams Papers\u003c/p\u003e\n","\u003cp\u003eUniversity Archives Photograph Collection\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Thomas L. Williams Papers","University Archives Photograph Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes photographs, negatives, slides, film, postcards, ephemera, correspondence and artifacts belonging to Thomas L. Williams, photographer for William \u0026amp; Mary for 35 years.  He was also a photographer for Camp Peary and Colonial Williamsburg prior to working for William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eAddition includes photographs, correspondence, negatives, and newspaper articles from Thomas L. Williams. 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Johnson \u003c/p\u003e\n","\u003cp\u003eKing of Belgium 5/31/59 \u003c/p\u003e\n","\u003cp\u003ePresident Richard Nixon with W\u0026amp;M President Paschal \u003c/p\u003e\n","\u003cp\u003ePresident Dwight Eisenhower \u003c/p\u003e\n","\u003cp\u003eGrand Opening Day with Queen Elizabeth 1957 \u003c/p\u003e\n","\u003cp\u003ePresident Gerald Ford \u003c/p\u003e\n","\u003cp\u003ePresident Rockefeller \u003c/p\u003e\n","\u003cp\u003eDebbie Reynolds \u003c/p\u003e\n","\u003cp\u003eKing Hussein of Jordan Visits Jamestown \u003c/p\u003e\n","\u003cp\u003eGovernor Mills Godwin \u003c/p\u003e\n","\u003cp\u003eKing of Morocco Visits \u003c/p\u003e\n","\u003cp\u003eLord Mayor of London at Colonial Williamsburg \u003c/p\u003e\n","\u003cp\u003eKing Baudouin of Belgium May 1959 \u003c/p\u003e\n","\u003cp\u003ePrince Phillip with Governor Stanley \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection includes photographs, negatives, slides, film, postcards, ephemera, correspondence and artifacts belonging to Thomas L. Williams, photographer for William \u0026 Mary for 35 years.  He was also a photographer for Camp Peary and Colonial Williamsburg prior to working for William \u0026 Mary.","Addition includes photographs, correspondence, negatives, and newspaper articles from Thomas L. Williams. Photographs includes scenes of Colonial Williamsburg and the campus of William \u0026 Mary.","Files include photographs of Williamsburg, Virginia, William \u0026 Mary, as well as personal family photographs taken by Thomas L. Williams from the 1940s-1960s. Other papers include clippings documenting events in Williamsburg and correspondence. ","Included in the folder of people of note visiting Williamsburg are those labeled as follows: ","Menderez, Sec. of Defense of Turkey Visited 7/13/58 ","President Dwight D. Eisenhower with Virginia Governor Thomas Stanley ","Vera Vague of Rob Hope Show WWII ","Jack Niklaus 9/67 ","President Lyndon B. Johnson ","King of Belgium 5/31/59 ","President Richard Nixon with W\u0026M President Paschal ","President Dwight Eisenhower ","Grand Opening Day with Queen Elizabeth 1957 ","President Gerald Ford ","President Rockefeller ","Debbie Reynolds ","King Hussein of Jordan Visits Jamestown ","Governor Mills Godwin ","King of Morocco Visits ","Lord Mayor of London at Colonial Williamsburg ","King Baudouin of Belgium May 1959 ","Prince Phillip with Governor Stanley "],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Williams, Thomas L."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Williams, Thomas L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10461,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T12:07:10.432Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8143_c04_c130"}},{"id":"viu_repositories_4_resources_728_c40_c02","type":"Item","attributes":{"title":"Yorktown Watermen (VIDEO) (14:56 running time) [roundtable discussion with employees; digitized and NTSC VHS available]","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_728_c40_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_4_resources_728_c40_c02","ref_ssm":["viu_repositories_4_resources_728_c40_c02"],"id":"viu_repositories_4_resources_728_c40_c02","ead_ssi":"viu_repositories_4_resources_728","_root_":"viu_repositories_4_resources_728","_nest_parent_":"viu_repositories_4_resources_728_c40","parent_ssi":"viu_repositories_4_resources_728_c40","parent_ssim":["viu_repositories_4_resources_728","viu_repositories_4_resources_728_c40"],"parent_ids_ssim":["viu_repositories_4_resources_728","viu_repositories_4_resources_728_c40"],"parent_unittitles_ssm":["Howard Klee papers","Videos and Photograph Slides"],"parent_unittitles_tesim":["Howard Klee papers","Videos and Photograph Slides"],"text":["Howard Klee papers","Videos and Photograph Slides","Yorktown Watermen (VIDEO) (14:56 running time) [roundtable discussion with employees; digitized and NTSC VHS available]","box MSS 2012-04, Box 7"],"title_filing_ssi":"Yorktown Watermen (VIDEO) (14:56 running time) [roundtable discussion with employees; digitized and NTSC VHS available]","title_ssm":["Yorktown Watermen (VIDEO) (14:56 running time) [roundtable discussion with employees; digitized and NTSC VHS available]"],"title_tesim":["Yorktown Watermen (VIDEO) (14:56 running time) [roundtable discussion with employees; digitized and NTSC VHS available]"],"unitdate_inclusive_ssm":["1990"],"normalized_date_ssm":["1990"],"normalized_title_ssm":["Yorktown Watermen (VIDEO) (14:56 running time) [roundtable discussion with employees; digitized and NTSC VHS available]"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Howard Klee papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":42,"date_range_isim":[1990],"containers_ssim":["box MSS 2012-04, Box 7"],"_nest_path_":"/components#39/components#1","timestamp":"2026-05-20T23:26:04.068Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_728","ead_ssi":"viu_repositories_4_resources_728","_root_":"viu_repositories_4_resources_728","_nest_parent_":"viu_repositories_4_resources_728","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_728.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/106875","title_ssm":["Howard Klee papers"],"title_tesim":["Howard Klee papers"],"unitdate_ssm":["1988-1995"],"unitdate_inclusive_ssm":["1988-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.2012.04","Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/728"],"text":["MSS.2012.04","Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/728","Howard Klee papers","Petroleum refineries -- Virginia","Pollution prevention -- Virginia","Pollution -- Virginia","photographs","videotapes","\n \n*Biographical information cited from WBCSD website","\nKlee graduated from Williams College with a bachelor's degree in chemistry, and he went on to earn a Ph.D. in chemical engineering from MIT. During the years of the Amoco-U.S. EPA Pollution Prevention Project, Klee worked as a co-manager for Amoco.  Following his work at Amoco, Klee worked with Chevron and BP, serving both executive and business functions that involved strategic planning, business development, environmental affairs, and manufacturing. In addition, Klee served on President Clinton's Council on Sustainable Development, and he also worked as the director for the Foundation for Research on Economics and the Environment.  In addition, Klee has experience in academia, holding faculty appointments at the University of California-Davis, the University of Michigan, and the University of Geneva. After the conclusion of the Amoco-EPA Pollution Prevention Project, Klee authored a number of texts related to the project, and in 2012 BiblioGov published a book by the U.S. EPA related to the Yorktown project, which included many of Klee's findings. Howard Klee worked a director of two programs for the World Business Council for Sustainable Development (WBCSD): the Cement Sustainability Initiative and Tire Industry Project. ","*Historical information","\nIn recent years, environmental regulation has come to the forefront with such cases as  Massachusetts v. Environmental Protection Agency  (2007) and  Exxon Shipping Co. v. Baker  (2008).  However, environmental regulation has a longer history in Virginia.  In 1989, Amoco Oil Company (Amoco) and the US Environmental Protection Agency (EPA) agreed to a voluntary, joint pollution-prevention project that would focus on Amoco's refinery in Yorktown, Virginia.  Yorktown was an especially exciting place to undertake this study, as it would provide the opportunity to study pollution prevention at a working industrial facility.  The Amoco-EPA project was one of the first of its kind, combining efforts of a major oil company and the EPA to determine methods to reduce air, land, and water pollution during the oil refinement process. ","Over the course of nearly six years, a number of workgroups provided oversight and direction, as the project used a multi-media sampling program to identify potential pollutions sources at the Amoco Refinery in Yorktown.  The work groups' findings were peer reviewed, and workshops were convened in which persons from various professional backgrounds met at the facility to conduct research and provide input into the project.  In addition, separate engineering projects identified the major sources of pollution, and they later simulated the effects of implementing pollution-reduction measures.  Engineers worked together to assess environmental impacts, costs, risk reduction for people living near the facility, and any liability that could be incurred by the refinery. ","A final executive summary issued by the project explained that it had hoped to accomplish a set of goals for pollution prevention: the inventory of refinery releases, including their \"chemical type, quantity, source, and medium of release\"; the development of various options to reduce those releases; the ranking of various options based on a set of criteria and professional perspectives; the identification and evaluation of factors that inhibit pollution prevention in practice; and the enhancement of the \"participants' knowledge of refinery and regulatory systems.\"  The accompanying data records the success of the project.","In addition to being one of the first projects to engage both corporate and government efforts to reduce pollution, it also exhibited a nuanced multidisciplinary effort, involving participants from a variety of disciplines in the sciences and humanities, as well as concerned members of the Yorktown community. ","Howard Klee's papers document the Amoco-US Environmental Protection Agency's pollution prevention project at Amoco's refinery in Yorktown, VA. The collection includes scientific analyses and engineering reports, as well as budgets, correspondence, and the executive summaries written across the years.  Included in the collection are unique data maps of the refinery, as well as a set of photographs taken between 1989-1992 that reflect the work of the field scientists, engineers, and academic participants.  Roundtable discussions featuring locals affected by the refinery and potential pollution reduction are available on digital video (converted from their original VHS formats), and local Virginia news reports surrounding the project are also available digitally.  Finally, the collection contains Klee's personal correspondence and handwritten notes throughout the various stages of the project.","Arthur J. Morris Law Library Special Collections","United States. Environmental Protection Agency","Amoco Corporation","Klee, Howard","English"],"unitid_tesim":["MSS.2012.04","Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/728"],"normalized_title_ssm":["Howard Klee papers"],"collection_title_tesim":["Howard Klee papers"],"collection_ssim":["Howard Klee papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Klee, Howard"],"creator_ssim":["Klee, Howard"],"creator_persname_ssim":["Klee, Howard"],"creators_ssim":["Klee, Howard"],"acqinfo_ssim":["These files were donated to Special Collections by Howard Klee, on the recommendation of Professor Jonathan Cannon, in 2012."],"access_subjects_ssim":["Petroleum refineries -- Virginia","Pollution prevention -- Virginia","Pollution -- Virginia","photographs","videotapes"],"access_subjects_ssm":["Petroleum refineries -- Virginia","Pollution prevention -- Virginia","Pollution -- Virginia","photographs","videotapes"],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Linear Feet 7 boxes"],"extent_tesim":["2.5 Linear Feet 7 boxes"],"genreform_ssim":["photographs","videotapes"],"date_range_isim":[1988,1989,1990,1991,1992,1993,1994,1995],"bioghist_html_tesm":["\u003cp\u003e\n \n*Biographical information cited from WBCSD website\u003c/p\u003e\n","\u003cp\u003e\nKlee graduated from Williams College with a bachelor's degree in chemistry, and he went on to earn a Ph.D. in chemical engineering from MIT. During the years of the Amoco-U.S. EPA Pollution Prevention Project, Klee worked as a co-manager for Amoco.  Following his work at Amoco, Klee worked with Chevron and BP, serving both executive and business functions that involved strategic planning, business development, environmental affairs, and manufacturing. In addition, Klee served on President Clinton's Council on Sustainable Development, and he also worked as the director for the Foundation for Research on Economics and the Environment.  In addition, Klee has experience in academia, holding faculty appointments at the University of California-Davis, the University of Michigan, and the University of Geneva. After the conclusion of the Amoco-EPA Pollution Prevention Project, Klee authored a number of texts related to the project, and in 2012 BiblioGov published a book by the U.S. EPA related to the Yorktown project, which included many of Klee's findings. Howard Klee worked a director of two programs for the World Business Council for Sustainable Development (WBCSD): the Cement Sustainability Initiative and Tire Industry Project. \u003c/p\u003e\n","\u003cp\u003e*Historical information\u003c/p\u003e\n","\u003cp\u003e\nIn recent years, environmental regulation has come to the forefront with such cases as \u003cemph render=\"italic\"\u003eMassachusetts v. Environmental Protection Agency\u003c/emph\u003e (2007) and \u003cemph render=\"italic\"\u003eExxon Shipping Co. v. Baker\u003c/emph\u003e (2008).  However, environmental regulation has a longer history in Virginia.  In 1989, Amoco Oil Company (Amoco) and the US Environmental Protection Agency (EPA) agreed to a voluntary, joint pollution-prevention project that would focus on Amoco's refinery in Yorktown, Virginia.  Yorktown was an especially exciting place to undertake this study, as it would provide the opportunity to study pollution prevention at a working industrial facility.  The Amoco-EPA project was one of the first of its kind, combining efforts of a major oil company and the EPA to determine methods to reduce air, land, and water pollution during the oil refinement process. \u003c/p\u003e\n","\u003cp\u003eOver the course of nearly six years, a number of workgroups provided oversight and direction, as the project used a multi-media sampling program to identify potential pollutions sources at the Amoco Refinery in Yorktown.  The work groups' findings were peer reviewed, and workshops were convened in which persons from various professional backgrounds met at the facility to conduct research and provide input into the project.  In addition, separate engineering projects identified the major sources of pollution, and they later simulated the effects of implementing pollution-reduction measures.  Engineers worked together to assess environmental impacts, costs, risk reduction for people living near the facility, and any liability that could be incurred by the refinery. \u003c/p\u003e\n","\u003cp\u003eA final executive summary issued by the project explained that it had hoped to accomplish a set of goals for pollution prevention: the inventory of refinery releases, including their \"chemical type, quantity, source, and medium of release\"; the development of various options to reduce those releases; the ranking of various options based on a set of criteria and professional perspectives; the identification and evaluation of factors that inhibit pollution prevention in practice; and the enhancement of the \"participants' knowledge of refinery and regulatory systems.\"  The accompanying data records the success of the project.\u003c/p\u003e\n","\u003cp\u003eIn addition to being one of the first projects to engage both corporate and government efforts to reduce pollution, it also exhibited a nuanced multidisciplinary effort, involving participants from a variety of disciplines in the sciences and humanities, as well as concerned members of the Yorktown community. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\n \n*Biographical information cited from WBCSD website","\nKlee graduated from Williams College with a bachelor's degree in chemistry, and he went on to earn a Ph.D. in chemical engineering from MIT. During the years of the Amoco-U.S. EPA Pollution Prevention Project, Klee worked as a co-manager for Amoco.  Following his work at Amoco, Klee worked with Chevron and BP, serving both executive and business functions that involved strategic planning, business development, environmental affairs, and manufacturing. In addition, Klee served on President Clinton's Council on Sustainable Development, and he also worked as the director for the Foundation for Research on Economics and the Environment.  In addition, Klee has experience in academia, holding faculty appointments at the University of California-Davis, the University of Michigan, and the University of Geneva. After the conclusion of the Amoco-EPA Pollution Prevention Project, Klee authored a number of texts related to the project, and in 2012 BiblioGov published a book by the U.S. EPA related to the Yorktown project, which included many of Klee's findings. Howard Klee worked a director of two programs for the World Business Council for Sustainable Development (WBCSD): the Cement Sustainability Initiative and Tire Industry Project. ","*Historical information","\nIn recent years, environmental regulation has come to the forefront with such cases as  Massachusetts v. Environmental Protection Agency  (2007) and  Exxon Shipping Co. v. Baker  (2008).  However, environmental regulation has a longer history in Virginia.  In 1989, Amoco Oil Company (Amoco) and the US Environmental Protection Agency (EPA) agreed to a voluntary, joint pollution-prevention project that would focus on Amoco's refinery in Yorktown, Virginia.  Yorktown was an especially exciting place to undertake this study, as it would provide the opportunity to study pollution prevention at a working industrial facility.  The Amoco-EPA project was one of the first of its kind, combining efforts of a major oil company and the EPA to determine methods to reduce air, land, and water pollution during the oil refinement process. ","Over the course of nearly six years, a number of workgroups provided oversight and direction, as the project used a multi-media sampling program to identify potential pollutions sources at the Amoco Refinery in Yorktown.  The work groups' findings were peer reviewed, and workshops were convened in which persons from various professional backgrounds met at the facility to conduct research and provide input into the project.  In addition, separate engineering projects identified the major sources of pollution, and they later simulated the effects of implementing pollution-reduction measures.  Engineers worked together to assess environmental impacts, costs, risk reduction for people living near the facility, and any liability that could be incurred by the refinery. ","A final executive summary issued by the project explained that it had hoped to accomplish a set of goals for pollution prevention: the inventory of refinery releases, including their \"chemical type, quantity, source, and medium of release\"; the development of various options to reduce those releases; the ranking of various options based on a set of criteria and professional perspectives; the identification and evaluation of factors that inhibit pollution prevention in practice; and the enhancement of the \"participants' knowledge of refinery and regulatory systems.\"  The accompanying data records the success of the project.","In addition to being one of the first projects to engage both corporate and government efforts to reduce pollution, it also exhibited a nuanced multidisciplinary effort, involving participants from a variety of disciplines in the sciences and humanities, as well as concerned members of the Yorktown community. "],"scopecontent_html_tesm":["\u003cp\u003eHoward Klee's papers document the Amoco-US Environmental Protection Agency's pollution prevention project at Amoco's refinery in Yorktown, VA. The collection includes scientific analyses and engineering reports, as well as budgets, correspondence, and the executive summaries written across the years.  Included in the collection are unique data maps of the refinery, as well as a set of photographs taken between 1989-1992 that reflect the work of the field scientists, engineers, and academic participants.  Roundtable discussions featuring locals affected by the refinery and potential pollution reduction are available on digital video (converted from their original VHS formats), and local Virginia news reports surrounding the project are also available digitally.  Finally, the collection contains Klee's personal correspondence and handwritten notes throughout the various stages of the project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Howard Klee's papers document the Amoco-US Environmental Protection Agency's pollution prevention project at Amoco's refinery in Yorktown, VA. The collection includes scientific analyses and engineering reports, as well as budgets, correspondence, and the executive summaries written across the years.  Included in the collection are unique data maps of the refinery, as well as a set of photographs taken between 1989-1992 that reflect the work of the field scientists, engineers, and academic participants.  Roundtable discussions featuring locals affected by the refinery and potential pollution reduction are available on digital video (converted from their original VHS formats), and local Virginia news reports surrounding the project are also available digitally.  Finally, the collection contains Klee's personal correspondence and handwritten notes throughout the various stages of the project."],"names_coll_ssim":["United States. Environmental Protection Agency","Amoco Corporation","Klee, Howard"],"names_ssim":["Arthur J. Morris Law Library Special Collections","United States. Environmental Protection Agency","Amoco Corporation","Klee, Howard"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections","United States. Environmental Protection Agency","Amoco Corporation"],"persname_ssim":["Klee, Howard"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":45,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:26:04.068Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_4_resources_728_c40_c02"}},{"id":"viw_repositories_2_resources_8143_c04_c131","type":"File","attributes":{"title":"Yorktown Westhouse Restoration","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8143_c04_c131#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8143_c04_c131","ref_ssm":["viw_repositories_2_resources_8143_c04_c131"],"id":"viw_repositories_2_resources_8143_c04_c131","ead_ssi":"viw_repositories_2_resources_8143","_root_":"viw_repositories_2_resources_8143","_nest_parent_":"viw_repositories_2_resources_8143_c04","parent_ssi":"viw_repositories_2_resources_8143_c04","parent_ssim":["viw_repositories_2_resources_8143","viw_repositories_2_resources_8143_c04"],"parent_ids_ssim":["viw_repositories_2_resources_8143","viw_repositories_2_resources_8143_c04"],"parent_unittitles_ssm":["Thomas L. Williams collection","Series 4: Slides"],"parent_unittitles_tesim":["Thomas L. Williams collection","Series 4: Slides"],"text":["Thomas L. Williams collection","Series 4: Slides","Yorktown Westhouse Restoration","Box 87","folder 17"],"title_filing_ssi":"Yorktown Westhouse Restoration","title_ssm":["Yorktown Westhouse Restoration"],"title_tesim":["Yorktown Westhouse Restoration"],"unitdate_inclusive_ssm":["circa 1940-1990"],"normalized_date_ssm":["1940/1990"],"normalized_title_ssm":["Yorktown Westhouse Restoration"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Thomas L. Williams collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":10308,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"containers_ssim":["Box 87","folder 17"],"_nest_path_":"/components#3/components#130","timestamp":"2026-05-21T12:07:10.432Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8143","ead_ssi":"viw_repositories_2_resources_8143","_root_":"viw_repositories_2_resources_8143","_nest_parent_":"viw_repositories_2_resources_8143","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8143.xml","title_filing_ssi":"Thomas L. Williams collection","title_ssm":["Thomas L. Williams collection"],"title_tesim":["Thomas L. Williams collection"],"unitdate_ssm":["Circa 1940-1990"],"unitdate_inclusive_ssm":["Circa 1940-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00254","/repositories/2/resources/8143"],"text":["MS 00254","/repositories/2/resources/8143","Thomas L. Williams collection","Williamsburg (Va.)--Photographs","Jamestown (Va.)--Photographs","Colonial Williamsburg (Williamsburg, Va.)--Maps, Pictorial","Virginia--History--20th century","College of William and Mary--History--20th century","College of William and Mary--Maps, Pictorial","Colonial Williamsburg (Williamsburg, Va.)","Negatives","Photographs","Printed ephemera","Artifacts","Slides (photographs)","Postcards","Correspondence","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Born in 1912 in Shire Oaks, Pennsylvania, Thomas L. Williams studied photography at the Art Institute of Pittsburgh. After graduation, Mr. Williams enlisted in the Navy shortly after the attack on  Pearl Harbor during World War II and was stationed at Camp Peary, where he started the base's photography laboratory. While at Camp Peary, he shot many photographs for Colonial Williamsburg, who hired him shortly after World War II to start their photography section. After nine years at Colonial Williamsburg, Mr. Williams became the photographer for William \u0026 Mary, a position he held for 35 years. While at William and Mary, Mr. Williams photographed various events at the College, including Charter Day and Commencement ceremonies, the inauguration of Davis Y. Paschall as president of William \u0026 Mary, and the celebrations during Homecoming Weekend.","Thomas L. Williams Papers","University Archives Photograph Collection","The collection includes photographs, negatives, slides, film, postcards, ephemera, correspondence and artifacts belonging to Thomas L. Williams, photographer for William \u0026 Mary for 35 years.  He was also a photographer for Camp Peary and Colonial Williamsburg prior to working for William \u0026 Mary.","Addition includes photographs, correspondence, negatives, and newspaper articles from Thomas L. Williams. Photographs includes scenes of Colonial Williamsburg and the campus of William \u0026 Mary.","Files include photographs of Williamsburg, Virginia, William \u0026 Mary, as well as personal family photographs taken by Thomas L. Williams from the 1940s-1960s. Other papers include clippings documenting events in Williamsburg and correspondence. ","Included in the folder of people of note visiting Williamsburg are those labeled as follows: ","Menderez, Sec. of Defense of Turkey Visited 7/13/58 ","President Dwight D. Eisenhower with Virginia Governor Thomas Stanley ","Vera Vague of Rob Hope Show WWII ","Jack Niklaus 9/67 ","President Lyndon B. Johnson ","King of Belgium 5/31/59 ","President Richard Nixon with W\u0026M President Paschal ","President Dwight Eisenhower ","Grand Opening Day with Queen Elizabeth 1957 ","President Gerald Ford ","President Rockefeller ","Debbie Reynolds ","King Hussein of Jordan Visits Jamestown ","Governor Mills Godwin ","King of Morocco Visits ","Lord Mayor of London at Colonial Williamsburg ","King Baudouin of Belgium May 1959 ","Prince Phillip with Governor Stanley ","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Williams, Thomas L.","English"],"unitid_tesim":["MS 00254","/repositories/2/resources/8143"],"normalized_title_ssm":["Thomas L. Williams collection"],"collection_title_tesim":["Thomas L. Williams collection"],"collection_ssim":["Thomas L. Williams collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.)--Photographs","Jamestown (Va.)--Photographs","Colonial Williamsburg (Williamsburg, Va.)--Maps, Pictorial","Virginia--History--20th century"],"geogname_ssim":["Williamsburg (Va.)--Photographs","Jamestown (Va.)--Photographs","Colonial Williamsburg (Williamsburg, Va.)--Maps, Pictorial","Virginia--History--20th century"],"creator_ssm":["Williams, Thomas L."],"creator_ssim":["Williams, Thomas L."],"creator_persname_ssim":["Williams, Thomas L."],"creators_ssim":["Williams, Thomas L."],"places_ssim":["Williamsburg (Va.)--Photographs","Jamestown (Va.)--Photographs","Colonial Williamsburg (Williamsburg, Va.)--Maps, Pictorial","Virginia--History--20th century"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gift of daughter Karen Laufer"],"access_subjects_ssim":["College of William and Mary--History--20th century","College of William and Mary--Maps, Pictorial","Colonial Williamsburg (Williamsburg, Va.)","Negatives","Photographs","Printed ephemera","Artifacts","Slides (photographs)","Postcards","Correspondence"],"access_subjects_ssm":["College of William and Mary--History--20th century","College of William and Mary--Maps, Pictorial","Colonial Williamsburg (Williamsburg, Va.)","Negatives","Photographs","Printed ephemera","Artifacts","Slides (photographs)","Postcards","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["45 Linear Feet 100 boxes"],"extent_tesim":["45 Linear Feet 100 boxes"],"genreform_ssim":["Negatives","Photographs","Printed ephemera","Artifacts","Slides (photographs)","Postcards","Correspondence"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eBorn in 1912 in Shire Oaks, Pennsylvania, Thomas L. Williams studied photography at the Art Institute of Pittsburgh. After graduation, Mr. Williams enlisted in the Navy shortly after the attack on  Pearl Harbor during World War II and was stationed at Camp Peary, where he started the base's photography laboratory. While at Camp Peary, he shot many photographs for Colonial Williamsburg, who hired him shortly after World War II to start their photography section. After nine years at Colonial Williamsburg, Mr. Williams became the photographer for William \u0026amp; Mary, a position he held for 35 years. While at William and Mary, Mr. Williams photographed various events at the College, including Charter Day and Commencement ceremonies, the inauguration of Davis Y. Paschall as president of William \u0026amp; Mary, and the celebrations during Homecoming Weekend.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born in 1912 in Shire Oaks, Pennsylvania, Thomas L. Williams studied photography at the Art Institute of Pittsburgh. After graduation, Mr. Williams enlisted in the Navy shortly after the attack on  Pearl Harbor during World War II and was stationed at Camp Peary, where he started the base's photography laboratory. While at Camp Peary, he shot many photographs for Colonial Williamsburg, who hired him shortly after World War II to start their photography section. After nine years at Colonial Williamsburg, Mr. Williams became the photographer for William \u0026 Mary, a position he held for 35 years. While at William and Mary, Mr. Williams photographed various events at the College, including Charter Day and Commencement ceremonies, the inauguration of Davis Y. Paschall as president of William \u0026 Mary, and the celebrations during Homecoming Weekend."],"prefercite_html_tesm":["\u003cp\u003eThomas L. Williams collection, Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e"],"prefercite_tesim":["Thomas L. Williams collection, Special Collections Research Center, William \u0026 Mary Libraries"],"relatedmaterial_html_tesm":["\u003cp\u003eThomas L. Williams Papers\u003c/p\u003e\n","\u003cp\u003eUniversity Archives Photograph Collection\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Thomas L. Williams Papers","University Archives Photograph Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes photographs, negatives, slides, film, postcards, ephemera, correspondence and artifacts belonging to Thomas L. Williams, photographer for William \u0026amp; Mary for 35 years.  He was also a photographer for Camp Peary and Colonial Williamsburg prior to working for William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eAddition includes photographs, correspondence, negatives, and newspaper articles from Thomas L. Williams. Photographs includes scenes of Colonial Williamsburg and the campus of William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eFiles include photographs of Williamsburg, Virginia, William \u0026amp; Mary, as well as personal family photographs taken by Thomas L. Williams from the 1940s-1960s. Other papers include clippings documenting events in Williamsburg and correspondence. \u003c/p\u003e\n","\u003cp\u003eIncluded in the folder of people of note visiting Williamsburg are those labeled as follows: \u003c/p\u003e\n","\u003cp\u003eMenderez, Sec. of Defense of Turkey Visited 7/13/58 \u003c/p\u003e\n","\u003cp\u003ePresident Dwight D. Eisenhower with Virginia Governor Thomas Stanley \u003c/p\u003e\n","\u003cp\u003eVera Vague of Rob Hope Show WWII \u003c/p\u003e\n","\u003cp\u003eJack Niklaus 9/67 \u003c/p\u003e\n","\u003cp\u003ePresident Lyndon B. Johnson \u003c/p\u003e\n","\u003cp\u003eKing of Belgium 5/31/59 \u003c/p\u003e\n","\u003cp\u003ePresident Richard Nixon with W\u0026amp;M President Paschal \u003c/p\u003e\n","\u003cp\u003ePresident Dwight Eisenhower \u003c/p\u003e\n","\u003cp\u003eGrand Opening Day with Queen Elizabeth 1957 \u003c/p\u003e\n","\u003cp\u003ePresident Gerald Ford \u003c/p\u003e\n","\u003cp\u003ePresident Rockefeller \u003c/p\u003e\n","\u003cp\u003eDebbie Reynolds \u003c/p\u003e\n","\u003cp\u003eKing Hussein of Jordan Visits Jamestown \u003c/p\u003e\n","\u003cp\u003eGovernor Mills Godwin \u003c/p\u003e\n","\u003cp\u003eKing of Morocco Visits \u003c/p\u003e\n","\u003cp\u003eLord Mayor of London at Colonial Williamsburg \u003c/p\u003e\n","\u003cp\u003eKing Baudouin of Belgium May 1959 \u003c/p\u003e\n","\u003cp\u003ePrince Phillip with Governor Stanley \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection includes photographs, negatives, slides, film, postcards, ephemera, correspondence and artifacts belonging to Thomas L. Williams, photographer for William \u0026 Mary for 35 years.  He was also a photographer for Camp Peary and Colonial Williamsburg prior to working for William \u0026 Mary.","Addition includes photographs, correspondence, negatives, and newspaper articles from Thomas L. Williams. Photographs includes scenes of Colonial Williamsburg and the campus of William \u0026 Mary.","Files include photographs of Williamsburg, Virginia, William \u0026 Mary, as well as personal family photographs taken by Thomas L. Williams from the 1940s-1960s. Other papers include clippings documenting events in Williamsburg and correspondence. ","Included in the folder of people of note visiting Williamsburg are those labeled as follows: ","Menderez, Sec. of Defense of Turkey Visited 7/13/58 ","President Dwight D. Eisenhower with Virginia Governor Thomas Stanley ","Vera Vague of Rob Hope Show WWII ","Jack Niklaus 9/67 ","President Lyndon B. Johnson ","King of Belgium 5/31/59 ","President Richard Nixon with W\u0026M President Paschal ","President Dwight Eisenhower ","Grand Opening Day with Queen Elizabeth 1957 ","President Gerald Ford ","President Rockefeller ","Debbie Reynolds ","King Hussein of Jordan Visits Jamestown ","Governor Mills Godwin ","King of Morocco Visits ","Lord Mayor of London at Colonial Williamsburg ","King Baudouin of Belgium May 1959 ","Prince Phillip with Governor Stanley "],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Williams, Thomas L."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Williams, Thomas L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10461,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T12:07:10.432Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8143_c04_c131"}},{"id":"viu_repositories_4_resources_292_c01_c152","type":"File","attributes":{"title":"York University Conference.  [Refugee Policy: A Comparison of Canada and the USA]","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_292_c01_c152#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_4_resources_292_c01_c152","ref_ssm":["viu_repositories_4_resources_292_c01_c152"],"id":"viu_repositories_4_resources_292_c01_c152","ead_ssi":"viu_repositories_4_resources_292","_root_":"viu_repositories_4_resources_292","_nest_parent_":"viu_repositories_4_resources_292_c01","parent_ssi":"viu_repositories_4_resources_292_c01","parent_ssim":["viu_repositories_4_resources_292","viu_repositories_4_resources_292_c01"],"parent_ids_ssim":["viu_repositories_4_resources_292","viu_repositories_4_resources_292_c01"],"parent_unittitles_ssm":["David A. Martin papers","MSS 98-1, The Papers of David A. Martin"],"parent_unittitles_tesim":["David A. Martin papers","MSS 98-1, The Papers of David A. Martin"],"text":["David A. Martin papers","MSS 98-1, The Papers of David A. Martin","York University Conference.  [Refugee Policy: A Comparison of Canada and the USA]","MSS 98-1, Box 24"],"title_filing_ssi":"York University Conference.  [Refugee Policy: A Comparison of Canada and the USA]","title_ssm":["York University Conference.  [Refugee Policy: A Comparison of Canada and the USA]"],"title_tesim":["York University Conference.  [Refugee Policy: A Comparison of Canada and the USA]"],"unitdate_other_ssim":["1990"],"normalized_date_ssm":["1990"],"normalized_title_ssm":["York University Conference.  [Refugee Policy: A Comparison of Canada and the USA]"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["David A. Martin papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":153,"date_range_isim":[1990],"containers_ssim":["MSS 98-1, Box 24"],"_nest_path_":"/components#0/components#151","timestamp":"2026-05-24T23:23:38.778Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_292","ead_ssi":"viu_repositories_4_resources_292","_root_":"viu_repositories_4_resources_292","_nest_parent_":"viu_repositories_4_resources_292","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_292.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/132892","title_ssm":["David A. Martin papers"],"title_tesim":["David A. Martin papers"],"unitdate_ssm":["1973-2015"],"unitdate_inclusive_ssm":["1973-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.98.1","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/292"],"text":["MSS.98.1","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/292","David A. Martin papers","Asylum, Right of","Emigration and immigration law -- United States","International law","Migrant agricultural laborers -- United States","Political refugees -- Legal status, laws, etc.","Law  -- Study and teaching","David A. Martin, Henry L. \u0026 Grace Doherty Charitable Foundation Professor of Law, was born in 1948. He received his BA from DePauw University in 1970 and his JD from Yale University in 1975. He clerked for Judge J. Skelly Wright, at the US Circuit Court of Appeals for the District of Columbia from 1975-1976, and the next year for Justice Lewis F. Powell Jr. at the US Supreme Court. From 1977-1978 he worked as an associate with Rogovin, Stern \u0026 Huge in the District of Columbia. He left the firm to become Assistant Secretary for Human Rights and Humanitarian Affairs at the Department of State, a position he held from 1978-1980. Later in 1980, he came to the University of Virginia Law School as an assistant professor, and was promoted to associate professor in 1985.","In 1984-1985, he was a German Marshall Fund and Ford Foundation Research Fellow in Geneva, Switzerland. In 1995, Martin took a leave of absence from the Law School to work as General Counsel of the Immigration and Naturalization Service in Washington, DC, until December 1997 when he returned to Charlottesville. Martin teaches courses in Constitutional Law, Immigration Law, and International Law.","The papers of David A. Martin (24 boxes, 10 linear ft.) document his work as an international law and immigration lawyer and as professor of International Law at the University of Virginia Law School. They consist of twenty-four grey boxes (10 linear feet), organized in alphabetical order.","2 folders","[folders 3-17]","[2 folders]","[2 folders]","[2 folders]","[3 folders]","[2 folders]","[2 folders]","[2 folders]","[4 folders]","[2 folders]","This addition reflects, almost entirely, Martin's work with the Immigration and Naturalization Service with the development of new asylum reforms during the Clinton administration. There are numerous proposals, reports, drafts, research studies, correspondence, notes, memos and other important documents. Martin believed that with \"…a well-designed system capable of resolving cases on the merits within six months, there would be less of a felt need to turn to devices that keep people away from our shore….\" (National Journal, 8/7/93, p. 1979) and that the U. S. asylum system could be controlled.","The Administrative Conference of the United States (ACUS) Migrant Project papers consist of proposals, reports, research materials, and Martin's personal notes on migrants health, education, job training, etc. There are also some Farmworkers Conference, Council on Foreign Relations and International Law Association Refugee Committee documents.","(2 folders)","(2 folders)","(2 folders)","This collection, an addendum to the papers of David A. Martin, was received in June of 2015. It is comprised of 36 boxes (14.4 linear ft.) and conveys the breadth of Martin's career as professor of law, researcher, author, and public servant. The files are grouped in four categories: General (Boxes 1-20); Casebooks and Published Articles (Boxes 20-22); Law School Files and Teaching Notes and Materials (Boxes 22-29) and Asylum and Immigration Research (Boxes 29-36). The files include papers regarding his search for employment as a law professor, his research and work on the casebook he co-authored, Immigration and Citizenship: Process and Policy, his memberships and work with the American Society of International Law and the American Bar Association, and numerous articles, books, and chapters of books authored by Martin. The scope of papers in the collection include memoranda, personal notes, drafts, correspondence, research, and proposals.\nThe collection also includes his notes and outlines for classes he taught in Constitutional Law, International Human Rights, Property Law, and Refugee Law. In addition, the files include memoranda, correspondence for his work with the Nobel Peace Laureates Conference at the University of Virginia and the seminar he created to correspond with the conference.  There are documents that relate to the Virginia 2020 Agenda for the Third Century an initiative from UVA president John Casteen to internationalize the University of Virginia.i\nThese files contain proposals, personal notes, research, correspondence, and memoranda regarding his Sesquicentennial Associateship, his work with Administrative Conference of the United States, and attendance at numerous conferences and meetings.\nA notation by Martin on one of his student's papers for his Nobel Peace Laureate seminar summarizes his philosophy for being a lawyer, professor, and author: \"Lawyers need to develop a passion for getting all the details right.\"","2 folders","3 folders","22 folders","3 folders","4 folders","4 folders","2 folders","2 folders","2 folders","3 folders","2 folders","2 folders","[3 folders]","[3 folders]","[25 folders]","4 folders","[3 folders]","[2 folders]","[2 folders]","[2 folders]","[2 folders]","[2 folders]","2 folders","7 folders","[3 folders]","[9 folders]","[6 folders]","[2 folders]","[2 folders]","[6 folders]","This addition of professional files were organized in five groups, and retained the original organization found in two file cabinets.  ","Immigration and Naturalization Service (INS): files from Martin's tenure as General Counsel (1994-1996). These files comprise the Antiterrorism and Effective Death Penalty Act 1996; asylum procedures and reform, refugees; Detention and Deportation program; Illegal Immigration Reform and Immigration Responsibility Act of 1996; naturalization. Also, some cases and internal administrative files and suggestions for reorganization.","Professional files: relate to his work as an expert in asylum, refugee and immigration law. Includes files re American Society of International Law, International Rescue Committee, United Nations High Commissioner for Refugees.","University of Virginia School of Law files (1989-2015): teaching materials, class notes, examinations, charts and notes of his lectures in Citizenship and Membership, Constitutional Law, Immigration Law, Seminar on Ethical Values, International Law, International Human Rights, Refugee Law. Also some files on Law School committees and projects.","Writing Projects: notes, drafts related to publication of books, articles and op-ed pieces.","Events: these files relate to the numerous invitations and international conferences where he participated.","(5 folders)","(2 folders)","(5 folders)","(2 folders)","(2 folders)","(2 folders)","(4 folders)","(2 folders)","[Martin's personal folder]","[2 folders]","[2 folders]","[2 folders]","[2 folders]","[2 folders]","[2 folders]","[2 folders]","[2 folders]","[2 folders]","[2 folders]","[2 folders]","[2 folders]","[3 folders]","[3 folders]","[2 folders]","[2 folders]","folder 1","2 folders","[2 folders]","[4 folders]","[2 folders]","[2 folders]","[2 folders]","(2 folders)","(2 folders)","Arthur J. Morris Law Library Special Collections","American Society of International Law","United States. Administrative Conference","Martin, David A., 1948-","English"],"unitid_tesim":["MSS.98.1","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/292"],"normalized_title_ssm":["David A. Martin papers"],"collection_title_tesim":["David A. Martin papers"],"collection_ssim":["David A. Martin papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Martin, David A., 1948-"],"creator_ssim":["Martin, David A., 1948-"],"creator_persname_ssim":["Martin, David A., 1948-"],"creators_ssim":["Martin, David A., 1948-"],"access_subjects_ssim":["Asylum, Right of","Emigration and immigration law -- United States","International law","Migrant agricultural laborers -- United States","Political refugees -- Legal status, laws, etc.","Law  -- Study and teaching"],"access_subjects_ssm":["Asylum, Right of","Emigration and immigration law -- United States","International law","Migrant agricultural laborers -- United States","Political refugees -- Legal status, laws, etc.","Law  -- Study and teaching"],"has_online_content_ssim":["false"],"extent_ssm":["42 Cubic Feet 96 archival boxes"],"extent_tesim":["42 Cubic Feet 96 archival boxes"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"bioghist_html_tesm":["\u003cp\u003eDavid A. Martin, Henry L. \u0026amp; Grace Doherty Charitable Foundation Professor of Law, was born in 1948. He received his BA from DePauw University in 1970 and his JD from Yale University in 1975. He clerked for Judge J. Skelly Wright, at the US Circuit Court of Appeals for the District of Columbia from 1975-1976, and the next year for Justice Lewis F. Powell Jr. at the US Supreme Court. From 1977-1978 he worked as an associate with Rogovin, Stern \u0026amp; Huge in the District of Columbia. He left the firm to become Assistant Secretary for Human Rights and Humanitarian Affairs at the Department of State, a position he held from 1978-1980. Later in 1980, he came to the University of Virginia Law School as an assistant professor, and was promoted to associate professor in 1985.\u003c/p\u003e\n","\u003cp\u003eIn 1984-1985, he was a German Marshall Fund and Ford Foundation Research Fellow in Geneva, Switzerland. In 1995, Martin took a leave of absence from the Law School to work as General Counsel of the Immigration and Naturalization Service in Washington, DC, until December 1997 when he returned to Charlottesville. Martin teaches courses in Constitutional Law, Immigration Law, and International Law.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["David A. Martin, Henry L. \u0026 Grace Doherty Charitable Foundation Professor of Law, was born in 1948. He received his BA from DePauw University in 1970 and his JD from Yale University in 1975. He clerked for Judge J. Skelly Wright, at the US Circuit Court of Appeals for the District of Columbia from 1975-1976, and the next year for Justice Lewis F. Powell Jr. at the US Supreme Court. From 1977-1978 he worked as an associate with Rogovin, Stern \u0026 Huge in the District of Columbia. He left the firm to become Assistant Secretary for Human Rights and Humanitarian Affairs at the Department of State, a position he held from 1978-1980. Later in 1980, he came to the University of Virginia Law School as an assistant professor, and was promoted to associate professor in 1985.","In 1984-1985, he was a German Marshall Fund and Ford Foundation Research Fellow in Geneva, Switzerland. In 1995, Martin took a leave of absence from the Law School to work as General Counsel of the Immigration and Naturalization Service in Washington, DC, until December 1997 when he returned to Charlottesville. Martin teaches courses in Constitutional Law, Immigration Law, and International Law."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of David A. Martin (24 boxes, 10 linear ft.) document his work as an international law and immigration lawyer and as professor of International Law at the University of Virginia Law School. They consist of twenty-four grey boxes (10 linear feet), organized in alphabetical order.\u003c/p\u003e","\u003cp\u003e2 folders\u003c/p\u003e","\u003cp\u003e[folders 3-17]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[3 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[4 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003eThis addition reflects, almost entirely, Martin's work with the Immigration and Naturalization Service with the development of new asylum reforms during the Clinton administration. There are numerous proposals, reports, drafts, research studies, correspondence, notes, memos and other important documents. Martin believed that with \"…a well-designed system capable of resolving cases on the merits within six months, there would be less of a felt need to turn to devices that keep people away from our shore….\" (National Journal, 8/7/93, p. 1979) and that the U. S. asylum system could be controlled.\u003c/p\u003e\n","\u003cp\u003eThe Administrative Conference of the United States (ACUS) Migrant Project papers consist of proposals, reports, research materials, and Martin's personal notes on migrants health, education, job training, etc. There are also some Farmworkers Conference, Council on Foreign Relations and International Law Association Refugee Committee documents.\u003c/p\u003e","\u003cp\u003e(2 folders)\u003c/p\u003e","\u003cp\u003e(2 folders)\u003c/p\u003e","\u003cp\u003e(2 folders)\u003c/p\u003e","\u003cp\u003eThis collection, an addendum to the papers of David A. Martin, was received in June of 2015. It is comprised of 36 boxes (14.4 linear ft.) and conveys the breadth of Martin's career as professor of law, researcher, author, and public servant. The files are grouped in four categories: General (Boxes 1-20); Casebooks and Published Articles (Boxes 20-22); Law School Files and Teaching Notes and Materials (Boxes 22-29) and Asylum and Immigration Research (Boxes 29-36). The files include papers regarding his search for employment as a law professor, his research and work on the casebook he co-authored, Immigration and Citizenship: Process and Policy, his memberships and work with the American Society of International Law and the American Bar Association, and numerous articles, books, and chapters of books authored by Martin. The scope of papers in the collection include memoranda, personal notes, drafts, correspondence, research, and proposals.\nThe collection also includes his notes and outlines for classes he taught in Constitutional Law, International Human Rights, Property Law, and Refugee Law. In addition, the files include memoranda, correspondence for his work with the Nobel Peace Laureates Conference at the University of Virginia and the seminar he created to correspond with the conference.  There are documents that relate to the Virginia 2020 Agenda for the Third Century an initiative from UVA president John Casteen to internationalize the University of Virginia.i\nThese files contain proposals, personal notes, research, correspondence, and memoranda regarding his Sesquicentennial Associateship, his work with Administrative Conference of the United States, and attendance at numerous conferences and meetings.\nA notation by Martin on one of his student's papers for his Nobel Peace Laureate seminar summarizes his philosophy for being a lawyer, professor, and author: \"Lawyers need to develop a passion for getting all the details right.\"\u003c/p\u003e","\u003cp\u003e2 folders\u003c/p\u003e","\u003cp\u003e3 folders\u003c/p\u003e","\u003cp\u003e22 folders\u003c/p\u003e","\u003cp\u003e3 folders\u003c/p\u003e","\u003cp\u003e4 folders\u003c/p\u003e","\u003cp\u003e4 folders\u003c/p\u003e","\u003cp\u003e2 folders\u003c/p\u003e","\u003cp\u003e2 folders\u003c/p\u003e","\u003cp\u003e2 folders\u003c/p\u003e","\u003cp\u003e3 folders\u003c/p\u003e","\u003cp\u003e2 folders\u003c/p\u003e","\u003cp\u003e2 folders\u003c/p\u003e","\u003cp\u003e[3 folders]\u003c/p\u003e","\u003cp\u003e[3 folders]\u003c/p\u003e","\u003cp\u003e[25 folders]\u003c/p\u003e","\u003cp\u003e4 folders\u003c/p\u003e","\u003cp\u003e[3 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e2 folders\u003c/p\u003e","\u003cp\u003e7 folders\u003c/p\u003e","\u003cp\u003e[3 folders]\u003c/p\u003e","\u003cp\u003e[9 folders]\u003c/p\u003e","\u003cp\u003e[6 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[6 folders]\u003c/p\u003e","\u003cp\u003eThis addition of professional files were organized in five groups, and retained the original organization found in two file cabinets.  \u003c/p\u003e\n","\u003cp\u003eImmigration and Naturalization Service (INS): files from Martin's tenure as General Counsel (1994-1996). These files comprise the Antiterrorism and Effective Death Penalty Act 1996; asylum procedures and reform, refugees; Detention and Deportation program; Illegal Immigration Reform and Immigration Responsibility Act of 1996; naturalization. Also, some cases and internal administrative files and suggestions for reorganization.\u003c/p\u003e\n","\u003cp\u003eProfessional files: relate to his work as an expert in asylum, refugee and immigration law. Includes files re American Society of International Law, International Rescue Committee, United Nations High Commissioner for Refugees.\u003c/p\u003e\n","\u003cp\u003eUniversity of Virginia School of Law files (1989-2015): teaching materials, class notes, examinations, charts and notes of his lectures in Citizenship and Membership, Constitutional Law, Immigration Law, Seminar on Ethical Values, International Law, International Human Rights, Refugee Law. Also some files on Law School committees and projects.\u003c/p\u003e\n","\u003cp\u003eWriting Projects: notes, drafts related to publication of books, articles and op-ed pieces.\u003c/p\u003e\n","\u003cp\u003eEvents: these files relate to the numerous invitations and international conferences where he participated.\u003c/p\u003e","\u003cp\u003e(5 folders)\u003c/p\u003e","\u003cp\u003e(2 folders)\u003c/p\u003e","\u003cp\u003e(5 folders)\u003c/p\u003e","\u003cp\u003e(2 folders)\u003c/p\u003e","\u003cp\u003e(2 folders)\u003c/p\u003e","\u003cp\u003e(2 folders)\u003c/p\u003e","\u003cp\u003e(4 folders)\u003c/p\u003e","\u003cp\u003e(2 folders)\u003c/p\u003e","\u003cp\u003e[Martin's personal folder]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[3 folders]\u003c/p\u003e","\u003cp\u003e[3 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003efolder 1\u003c/p\u003e","\u003cp\u003e2 folders\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[4 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e(2 folders)\u003c/p\u003e","\u003cp\u003e(2 folders)\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The papers of David A. Martin (24 boxes, 10 linear ft.) document his work as an international law and immigration lawyer and as professor of International Law at the University of Virginia Law School. They consist of twenty-four grey boxes (10 linear feet), organized in alphabetical order.","2 folders","[folders 3-17]","[2 folders]","[2 folders]","[2 folders]","[3 folders]","[2 folders]","[2 folders]","[2 folders]","[4 folders]","[2 folders]","This addition reflects, almost entirely, Martin's work with the Immigration and Naturalization Service with the development of new asylum reforms during the Clinton administration. There are numerous proposals, reports, drafts, research studies, correspondence, notes, memos and other important documents. Martin believed that with \"…a well-designed system capable of resolving cases on the merits within six months, there would be less of a felt need to turn to devices that keep people away from our shore….\" (National Journal, 8/7/93, p. 1979) and that the U. S. asylum system could be controlled.","The Administrative Conference of the United States (ACUS) Migrant Project papers consist of proposals, reports, research materials, and Martin's personal notes on migrants health, education, job training, etc. There are also some Farmworkers Conference, Council on Foreign Relations and International Law Association Refugee Committee documents.","(2 folders)","(2 folders)","(2 folders)","This collection, an addendum to the papers of David A. Martin, was received in June of 2015. It is comprised of 36 boxes (14.4 linear ft.) and conveys the breadth of Martin's career as professor of law, researcher, author, and public servant. The files are grouped in four categories: General (Boxes 1-20); Casebooks and Published Articles (Boxes 20-22); Law School Files and Teaching Notes and Materials (Boxes 22-29) and Asylum and Immigration Research (Boxes 29-36). The files include papers regarding his search for employment as a law professor, his research and work on the casebook he co-authored, Immigration and Citizenship: Process and Policy, his memberships and work with the American Society of International Law and the American Bar Association, and numerous articles, books, and chapters of books authored by Martin. The scope of papers in the collection include memoranda, personal notes, drafts, correspondence, research, and proposals.\nThe collection also includes his notes and outlines for classes he taught in Constitutional Law, International Human Rights, Property Law, and Refugee Law. In addition, the files include memoranda, correspondence for his work with the Nobel Peace Laureates Conference at the University of Virginia and the seminar he created to correspond with the conference.  There are documents that relate to the Virginia 2020 Agenda for the Third Century an initiative from UVA president John Casteen to internationalize the University of Virginia.i\nThese files contain proposals, personal notes, research, correspondence, and memoranda regarding his Sesquicentennial Associateship, his work with Administrative Conference of the United States, and attendance at numerous conferences and meetings.\nA notation by Martin on one of his student's papers for his Nobel Peace Laureate seminar summarizes his philosophy for being a lawyer, professor, and author: \"Lawyers need to develop a passion for getting all the details right.\"","2 folders","3 folders","22 folders","3 folders","4 folders","4 folders","2 folders","2 folders","2 folders","3 folders","2 folders","2 folders","[3 folders]","[3 folders]","[25 folders]","4 folders","[3 folders]","[2 folders]","[2 folders]","[2 folders]","[2 folders]","[2 folders]","2 folders","7 folders","[3 folders]","[9 folders]","[6 folders]","[2 folders]","[2 folders]","[6 folders]","This addition of professional files were organized in five groups, and retained the original organization found in two file cabinets.  ","Immigration and Naturalization Service (INS): files from Martin's tenure as General Counsel (1994-1996). These files comprise the Antiterrorism and Effective Death Penalty Act 1996; asylum procedures and reform, refugees; Detention and Deportation program; Illegal Immigration Reform and Immigration Responsibility Act of 1996; naturalization. Also, some cases and internal administrative files and suggestions for reorganization.","Professional files: relate to his work as an expert in asylum, refugee and immigration law. Includes files re American Society of International Law, International Rescue Committee, United Nations High Commissioner for Refugees.","University of Virginia School of Law files (1989-2015): teaching materials, class notes, examinations, charts and notes of his lectures in Citizenship and Membership, Constitutional Law, Immigration Law, Seminar on Ethical Values, International Law, International Human Rights, Refugee Law. Also some files on Law School committees and projects.","Writing Projects: notes, drafts related to publication of books, articles and op-ed pieces.","Events: these files relate to the numerous invitations and international conferences where he participated.","(5 folders)","(2 folders)","(5 folders)","(2 folders)","(2 folders)","(2 folders)","(4 folders)","(2 folders)","[Martin's personal folder]","[2 folders]","[2 folders]","[2 folders]","[2 folders]","[2 folders]","[2 folders]","[2 folders]","[2 folders]","[2 folders]","[2 folders]","[2 folders]","[2 folders]","[3 folders]","[3 folders]","[2 folders]","[2 folders]","folder 1","2 folders","[2 folders]","[4 folders]","[2 folders]","[2 folders]","[2 folders]","(2 folders)","(2 folders)"],"names_coll_ssim":["American Society of International Law","United States. Administrative Conference","Martin, David A., 1948-"],"names_ssim":["Arthur J. Morris Law Library Special Collections","American Society of International Law","United States. Administrative Conference","Martin, David A., 1948-"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections","American Society of International Law","United States. Administrative Conference"],"persname_ssim":["Martin, David A., 1948-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":880,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:23:38.778Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_4_resources_292_c01_c152"}},{"id":"vifgm_repositories_2_resources_150_c01_c01_c67","type":"File","attributes":{"title":"\"You Can't Take It with You\" Reviews","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_150_c01_c01_c67#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eAlso contains advertisements, rosters, and announcements.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_150_c01_c01_c67#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_150_c01_c01_c67","ref_ssm":["vifgm_repositories_2_resources_150_c01_c01_c67"],"id":"vifgm_repositories_2_resources_150_c01_c01_c67","ead_ssi":"vifgm_repositories_2_resources_150","_root_":"vifgm_repositories_2_resources_150","_nest_parent_":"vifgm_repositories_2_resources_150_c01_c01","parent_ssi":"vifgm_repositories_2_resources_150_c01_c01","parent_ssim":["vifgm_repositories_2_resources_150","vifgm_repositories_2_resources_150_c01","vifgm_repositories_2_resources_150_c01_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_150","vifgm_repositories_2_resources_150_c01","vifgm_repositories_2_resources_150_c01_c01"],"parent_unittitles_ssm":["Robert Prosky Papers","Series 1: Professional","Subseries 1.1: Theater"],"parent_unittitles_tesim":["Robert Prosky Papers","Series 1: Professional","Subseries 1.1: Theater"],"text":["Robert Prosky Papers","Series 1: Professional","Subseries 1.1: Theater","\"You Can't Take It with You\" Reviews","box 3","folder 22","Also contains advertisements, rosters, and announcements."],"title_filing_ssi":"\"You Can't Take It with You\" Reviews","title_ssm":["\"You Can't Take It with You\" Reviews"],"title_tesim":["\"You Can't Take It with You\" Reviews"],"unitdate_other_ssim":["1979-1980, 1997-1998"],"normalized_date_ssm":["1979/1998"],"normalized_title_ssm":["\"You Can't Take It with You\" Reviews"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Robert Prosky Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":69,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"containers_ssim":["box 3","folder 22"],"scopecontent_html_tesm":["\u003cp\u003eAlso contains advertisements, rosters, and announcements.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Also contains advertisements, rosters, and announcements."],"_nest_path_":"/components#0/components#0/components#66","timestamp":"2026-05-21T05:32:14.503Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_150","ead_ssi":"vifgm_repositories_2_resources_150","_root_":"vifgm_repositories_2_resources_150","_nest_parent_":"vifgm_repositories_2_resources_150","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_150.xml","title_filing_ssi":"Robert Prosky papers","title_ssm":["Robert Prosky Papers"],"title_tesim":["Robert Prosky Papers"],"unitdate_ssm":["1909-2007"],"unitdate_inclusive_ssm":["1909-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0022","/repositories/2/resources/150"],"text":["C0022","/repositories/2/resources/150","Robert Prosky Papers","Actors -- United States","Theater -- Washington (D.C.)","Theater -- United States","Television","Motion pictures -- United States","Performing arts","Theater","Acting","Photographs","Video recordings","There are no access restrictions.","Audiovisual materials in Series 4 have been digitized are available for access. Please contact SCRC for more information.","Arranged into six series:","Series Series 1: Professional, 1954-2007 (Boxes 1-5) Series 2: Personal, 1909-2007 (Boxes 5-8) Series 3: Photographs, 1930s-2005 (Boxes 9-11) Series 4: Audiovisual, 1960-2007 (Boxes 12-13) Series 5: Oversize, 1950s-2006 (Boxes 14-15) Series 6: Realia, 1998-2004 (Box 16)","Born in Philadelphia, Robert Prosky (1930-2008) spent much of his career as an actor in more than 200 plays at the Arena Stage in Washington, D.C., on Broadway in New York City, and in regional theatre. Prosky's association with the Arena Stage included more than 130 productions over the course of 20 years. His Broadway appearances included \"Glengarry Glenross,\" \"A Walk in the Woods,\" and \"A View from the Bridge.\" Highlights from regional theater include \"Death of a Salesman,\" \"Twelfth Night,\" and \"You Can't Take It With You.\" He also performed on stage in the Moscow Art Theatre in the then-Soviet Union, the Gate Theater in Dublin, Ireland, as well as in a Chinese theater in Hong Kong.","Beginning in the 1980s, he regularly appeared in film and television. His films include \"Christine,\" \"Mrs. Doubtfire,\" \"The Natural,\" \"The Scarlet Letter,\" and \"Dead Man Walking.\" Television credits include three years on \"Hill Street Blues,\" many television films and guest shots.","He received or was nominated for two Tony awards, two Helen Hayes awards, an Emmy, the Drama Desk award, and the American Express Tribute To An American Actor. He continued to perform on stage and present lectures on his long career at universities, film festivals, for theater benefits, business groups and on cruises. He died on December 8, 2008, in Washington, D.C. ","Processed in 2008 by Sarah Patton, Jennifer Munson, and Jordan Patty. EAD markup completed in 2008 by Jordan Patty and Jennifer Munson. Finding aid updated by Amanda Menjivar in May 2025.","The Special Collections Research Center also holds the   and the papers of other Washington, D.C. theatre artists.","An oral history was performed with Robert Prosky for the   and is available for access.","Consists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials. ","The collection consists of six series. The first series contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically. Subseries 1.1 includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes. Subseries 1.2 contains mostly clippings and reviews about Prosky's film career, but there are a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\" Subseries 1.3 contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\" Note that there are additional professional documents, such as posters, in the oversize series. ","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically. Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Subseries 2.2 contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. Of particular interest are transcripts from an autobiography by Prosky. Note that there are additional biographical articles in the oversize series both loose and in scrapbooks. ","The third series contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically. Note that there are additional photographs in the oversize series both loose and in scrapbooks. ","The fourth series consists of copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public service announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations. ","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life. ","The sixth series consists of objects from Prosky's professional career and personal life, such as opening night gifts and production souvenirs. ","Contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically.","Includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage.","Quarterdeck Theatre.","Gonzaga College. Prosky not in cast.","Arena Stage.","Lucille Lortel Theatre.","Berkshire Theatre Festival. Review by Herbert Wolff.","Arena Stage.","Old Academy.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Brooks Atkinson Theatre.","Arena Stage.","Arena Stage. Review by Mel Gussow.","Ford's Theatre.","Also contains television reviews and biographical information.","Goodman Theatre.","John Golden Theatre.","Manhattan Ensemble Theater. Also contains postcards with advertisements.","Fred Miller Theatre.","Arena Stage.","Arena Stage.","Ford's Theatre.","Lee Strasberg Theatre Center.","Delaware Theatre Company (1993) and Arena Stage (1995).","Douglass College.","Arena Stage.","Arena Stage.","Fred Miller Theatre.","Morosco Theatre. Prosky not in cast.","Arena Stage.","Gate Theatre.","Cape May Stage.","Arena Stage. Also contains a pre-production announcement.","Quarterdeck Theatre.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Colonial Theatre.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Coronet Theatre. Prosky not in cast.","Ambassador Theatre.","Royal Poinciana Playhouse. Prosky not in cast.","Booth Theatre.","One copy entirely in Russian and one with only the title translated.","Booth Theatre. Also contains some correspondence.","Contains stories on Zelda Fichandler and Robert Prosky.","Fred Miller Theatre.","Hong Kong Arts Festival.","Guthrie Theatre.","Arena Stage.","Also contains advertisements, rosters, and announcements.","Contains mostly clippings and reviews about Prosky's film career, but there are also a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\"","Also contains correspondence.","Contains production facts, one color production still photograph, and one black and white photograph of the director Gayle Knutson.","Also includes information on \"Glengarry Glenn Ross\" and television work.","Contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\"","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically.","Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Arranged alphabetically by name type of correspondence, then chronologically.","RESTRICTED","Also includes correspondence about Prosky's Tony Award nomination.","Contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. This subseries also contains transcripts from a self-recorded autobiography by Prosky. Arranged alphabetically by article title and type of document, then chronologically.","Post Eagle newspaper.","Columbia Flier newspaper.","America 275 Illustrated Story no. 11-79.","Prosky nominated for \"Glengarry Glenross\".\"","Prosky nominated for \"A Walk in the Woods\".","Prosky won best actor in a short film for \"Grandfather's Birthday\".","Folder 1.","Folder 2.","Cynthia Snyder Public Relations.","Article by Zelda Fichandler.","Presented to both Prosky and his wife Ida.","Philadelphia magazine.","Prosky served as the master of ceremonies.","Prosky nominated for his role in \"Our Town\".","Prosky honored with the American Express Tribute.","Washington Post newspaper.","Roxborough Times newspaper.","Home News newspaper.","New York Times Newspaper.","Equity News newsletter.","New York Times newspaper.","Arena Stage.","Folder 1.","Folder 2.","Presented to Prosky for his role as Mr. Buchanan in \"Jabberwocky\".","Sun Weekly newspaper.","People Weekly magazine.","Relax magazine. In Polish.","New Jersey Lifestyle magazine.","Pen World magazine.","Washington Post Magazine.","Daily News newspaper.","Dossier magazine.","Washington Times newspaper. Article mentions Prosky's Hayes award for \"The Price\".","Also includes correspondence.","Contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically.","Contains copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public serve announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.","VHS, 18 minutes, color","Audio reel.\nAvailable on digital format.","Reel, 60 seconds, color.\nAvailable on digital format.","Reel, 60 seconds, color, U.S. Dept. of Agriculture Food Safety and Quality Service.\nAvailable on digital format.","Audio reel.\nAvailable on digital format.","VHS, #466216, Final Viewing Cassette","VHS, #466217, Final Viewing Cassette","VHS, #466218, Final Viewing Cassette","VHS, #466219, Final Viewing Cassette","VHS, #466220, Final Viewing Cassette","VHS, #466221, Final Viewing Cassette","Audio, 6 Demo spots, 7.5 IPS.\nAvailable on digital format.","VHS, 30 minutes","CD, Arena Stage press photos","DVD, DEMO","DVD, Tape 1, Harris Theatre GMU","DVD, Tape 2, Harris Theatre GMU","DVD, Clips for Lecture","Audio cassette tape, WABC Talk Radio 77am","DVD","Video reel, 60 seconds.\nAvailable on digital format.","Audio cassette tape, Tape 1","Audio cassette tape, Tape 2","Audio Cassette Tape, WTOP Radio","DVD","Audio reel.\nAvailable on digital format.","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life.","Black binder with \"Thief\" label","Black binder with Robert Prosky","Photograph","Photograph - Appearances","Photograph - Theatre","Nomination for Best Supporting Actor in a Television Movie \"Into Thin Air\"","Six different shots","Interview page 37","Three matted portraits","Autographed film poster","Production poster","Photographs, newspaper clippings, playbills","Blue album with flowers on cover, photographs, newspaper clippings, playbills","Autographed copy by Kathryn Crosby","Consists of objects from Prosky's professional career and personal life.","Paperweight","Miniature briefcase","Robert Prosky's name monogrammed on one side.","Ford's Theatre, Dog tags","Plaque","Souvenir bag","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Consists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials.","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Prosky, Robert, 1930-2008","English \n.    "],"unitid_tesim":["C0022","/repositories/2/resources/150"],"normalized_title_ssm":["Robert Prosky Papers"],"collection_title_tesim":["Robert Prosky Papers"],"collection_ssim":["Robert Prosky Papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Prosky, Robert, 1930-2008"],"creator_ssim":["Prosky, Robert, 1930-2008"],"creator_persname_ssim":["Prosky, Robert, 1930-2008"],"creators_ssim":["Prosky, Robert, 1930-2008"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Robert Prosky in 2007-2008."],"access_subjects_ssim":["Actors -- United States","Theater -- Washington (D.C.)","Theater -- United States","Television","Motion pictures -- United States","Performing arts","Theater","Acting","Photographs","Video recordings"],"access_subjects_ssm":["Actors -- United States","Theater -- Washington (D.C.)","Theater -- United States","Television","Motion pictures -- United States","Performing arts","Theater","Acting","Photographs","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet 16 boxes"],"extent_tesim":["9 Linear Feet 16 boxes"],"genreform_ssim":["Photographs","Video recordings"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eAudiovisual materials in Series 4 have been digitized are available for access. Please contact SCRC for more information.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Audiovisual materials in Series 4 have been digitized are available for access. Please contact SCRC for more information."],"arrangement_html_tesm":["\u003cp\u003eArranged into six series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Professional, 1954-2007 (Boxes 1-5)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Personal, 1909-2007 (Boxes 5-8)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1930s-2005 (Boxes 9-11)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Audiovisual, 1960-2007 (Boxes 12-13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Oversize, 1950s-2006 (Boxes 14-15)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Realia, 1998-2004 (Box 16)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into six series:","Series Series 1: Professional, 1954-2007 (Boxes 1-5) Series 2: Personal, 1909-2007 (Boxes 5-8) Series 3: Photographs, 1930s-2005 (Boxes 9-11) Series 4: Audiovisual, 1960-2007 (Boxes 12-13) Series 5: Oversize, 1950s-2006 (Boxes 14-15) Series 6: Realia, 1998-2004 (Box 16)"],"bioghist_html_tesm":["\u003cp\u003eBorn in Philadelphia, Robert Prosky (1930-2008) spent much of his career as an actor in more than 200 plays at the Arena Stage in Washington, D.C., on Broadway in New York City, and in regional theatre. Prosky's association with the Arena Stage included more than 130 productions over the course of 20 years. His Broadway appearances included \"Glengarry Glenross,\" \"A Walk in the Woods,\" and \"A View from the Bridge.\" Highlights from regional theater include \"Death of a Salesman,\" \"Twelfth Night,\" and \"You Can't Take It With You.\" He also performed on stage in the Moscow Art Theatre in the then-Soviet Union, the Gate Theater in Dublin, Ireland, as well as in a Chinese theater in Hong Kong.\u003c/p\u003e\n","\u003cp\u003eBeginning in the 1980s, he regularly appeared in film and television. His films include \"Christine,\" \"Mrs. Doubtfire,\" \"The Natural,\" \"The Scarlet Letter,\" and \"Dead Man Walking.\" Television credits include three years on \"Hill Street Blues,\" many television films and guest shots.\u003c/p\u003e\n","\u003cp\u003eHe received or was nominated for two Tony awards, two Helen Hayes awards, an Emmy, the Drama Desk award, and the American Express Tribute To An American Actor. He continued to perform on stage and present lectures on his long career at universities, film festivals, for theater benefits, business groups and on cruises. He died on December 8, 2008, in Washington, D.C. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born in Philadelphia, Robert Prosky (1930-2008) spent much of his career as an actor in more than 200 plays at the Arena Stage in Washington, D.C., on Broadway in New York City, and in regional theatre. Prosky's association with the Arena Stage included more than 130 productions over the course of 20 years. His Broadway appearances included \"Glengarry Glenross,\" \"A Walk in the Woods,\" and \"A View from the Bridge.\" Highlights from regional theater include \"Death of a Salesman,\" \"Twelfth Night,\" and \"You Can't Take It With You.\" He also performed on stage in the Moscow Art Theatre in the then-Soviet Union, the Gate Theater in Dublin, Ireland, as well as in a Chinese theater in Hong Kong.","Beginning in the 1980s, he regularly appeared in film and television. His films include \"Christine,\" \"Mrs. Doubtfire,\" \"The Natural,\" \"The Scarlet Letter,\" and \"Dead Man Walking.\" Television credits include three years on \"Hill Street Blues,\" many television films and guest shots.","He received or was nominated for two Tony awards, two Helen Hayes awards, an Emmy, the Drama Desk award, and the American Express Tribute To An American Actor. He continued to perform on stage and present lectures on his long career at universities, film festivals, for theater benefits, business groups and on cruises. He died on December 8, 2008, in Washington, D.C. "],"prefercite_html_tesm":["\u003cp\u003eRobert Prosky papers, C0022, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Robert Prosky papers, C0022, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in 2008 by Sarah Patton, Jennifer Munson, and Jordan Patty. EAD markup completed in 2008 by Jordan Patty and Jennifer Munson. Finding aid updated by Amanda Menjivar in May 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in 2008 by Sarah Patton, Jennifer Munson, and Jordan Patty. EAD markup completed in 2008 by Jordan Patty and Jennifer Munson. Finding aid updated by Amanda Menjivar in May 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Arena Stage records\" href=\"https://aspace.gmu.edu/resources/c0017\"\u003e\u003c/extptr\u003e and the papers of other Washington, D.C. theatre artists.\u003c/p\u003e\n","\u003cp\u003eAn oral history was performed with Robert Prosky for the \u003cextptr show=\"new\" title=\"George Mason University Oral History Program collection\" href=\"https://aspace.gmu.edu/resources/r0121\"\u003e\u003c/extptr\u003e and is available for access.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and the papers of other Washington, D.C. theatre artists.","An oral history was performed with Robert Prosky for the   and is available for access."],"scopecontent_html_tesm":["\u003cp\u003eConsists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials. \u003c/p\u003e\n","\u003cp\u003eThe collection consists of six series. The first series contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically. Subseries 1.1 includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes. Subseries 1.2 contains mostly clippings and reviews about Prosky's film career, but there are a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\" Subseries 1.3 contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\" Note that there are additional professional documents, such as posters, in the oversize series. \u003c/p\u003e\n","\u003cp\u003eThe second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically. Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Subseries 2.2 contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. Of particular interest are transcripts from an autobiography by Prosky. Note that there are additional biographical articles in the oversize series both loose and in scrapbooks. \u003c/p\u003e\n","\u003cp\u003eThe third series contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically. Note that there are additional photographs in the oversize series both loose and in scrapbooks. \u003c/p\u003e\n","\u003cp\u003eThe fourth series consists of copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public service announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations. \u003c/p\u003e\n","\u003cp\u003eThe fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life. \u003c/p\u003e\n","\u003cp\u003eThe sixth series consists of objects from Prosky's professional career and personal life, such as opening night gifts and production souvenirs. \u003c/p\u003e","\u003cp\u003eContains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically.\u003c/p\u003e","\u003cp\u003eIncludes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes.\u003c/p\u003e","\u003cp\u003eArena Stage. Contains press releases, reviews, and Arena Stage publications.\u003c/p\u003e","\u003cp\u003eArena Stage. Contains press releases, reviews, and Arena Stage publications.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eQuarterdeck Theatre.\u003c/p\u003e","\u003cp\u003eGonzaga College. Prosky not in cast.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eLucille Lortel Theatre.\u003c/p\u003e","\u003cp\u003eBerkshire Theatre Festival. Review by Herbert Wolff.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eOld Academy.\u003c/p\u003e","\u003cp\u003eQuarterdeck Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eBrooks Atkinson Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eArena Stage. Review by Mel Gussow.\u003c/p\u003e","\u003cp\u003eFord's Theatre.\u003c/p\u003e","\u003cp\u003eAlso contains television reviews and biographical information.\u003c/p\u003e","\u003cp\u003eGoodman Theatre.\u003c/p\u003e","\u003cp\u003eJohn Golden Theatre.\u003c/p\u003e","\u003cp\u003eManhattan Ensemble Theater. Also contains postcards with advertisements.\u003c/p\u003e","\u003cp\u003eFred Miller Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eFord's Theatre.\u003c/p\u003e","\u003cp\u003eLee Strasberg Theatre Center.\u003c/p\u003e","\u003cp\u003eDelaware Theatre Company (1993) and Arena Stage (1995).\u003c/p\u003e","\u003cp\u003eDouglass College.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eFred Miller Theatre.\u003c/p\u003e","\u003cp\u003eMorosco Theatre. Prosky not in cast.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eGate Theatre.\u003c/p\u003e","\u003cp\u003eCape May Stage.\u003c/p\u003e","\u003cp\u003eArena Stage. Also contains a pre-production announcement.\u003c/p\u003e","\u003cp\u003eQuarterdeck Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage. Contains press releases, reviews, and Arena Stage publications.\u003c/p\u003e","\u003cp\u003eColonial Theatre.\u003c/p\u003e","\u003cp\u003eQuarterdeck Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eCoronet Theatre. Prosky not in cast.\u003c/p\u003e","\u003cp\u003eAmbassador Theatre.\u003c/p\u003e","\u003cp\u003eRoyal Poinciana Playhouse. Prosky not in cast.\u003c/p\u003e","\u003cp\u003eBooth Theatre.\u003c/p\u003e","\u003cp\u003eOne copy entirely in Russian and one with only the title translated.\u003c/p\u003e","\u003cp\u003eBooth Theatre. Also contains some correspondence.\u003c/p\u003e","\u003cp\u003eContains stories on Zelda Fichandler and Robert Prosky.\u003c/p\u003e","\u003cp\u003eFred Miller Theatre.\u003c/p\u003e","\u003cp\u003eHong Kong Arts Festival.\u003c/p\u003e","\u003cp\u003eGuthrie Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eAlso contains advertisements, rosters, and announcements.\u003c/p\u003e","\u003cp\u003eContains mostly clippings and reviews about Prosky's film career, but there are also a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\"\u003c/p\u003e","\u003cp\u003eAlso contains correspondence.\u003c/p\u003e","\u003cp\u003eContains production facts, one color production still photograph, and one black and white photograph of the director Gayle Knutson.\u003c/p\u003e","\u003cp\u003eAlso includes information on \"Glengarry Glenn Ross\" and television work.\u003c/p\u003e","\u003cp\u003eContains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\"\u003c/p\u003e","\u003cp\u003eThe second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically.\u003c/p\u003e","\u003cp\u003eSubseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Arranged alphabetically by name type of correspondence, then chronologically.\u003c/p\u003e","\u003cp\u003eRESTRICTED\u003c/p\u003e","\u003cp\u003eAlso includes correspondence about Prosky's Tony Award nomination.\u003c/p\u003e","\u003cp\u003eContains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. This subseries also contains transcripts from a self-recorded autobiography by Prosky. Arranged alphabetically by article title and type of document, then chronologically.\u003c/p\u003e","\u003cp\u003ePost Eagle newspaper.\u003c/p\u003e","\u003cp\u003eColumbia Flier newspaper.\u003c/p\u003e","\u003cp\u003eAmerica 275 Illustrated Story no. 11-79.\u003c/p\u003e","\u003cp\u003eProsky nominated for \"Glengarry Glenross\".\"\u003c/p\u003e","\u003cp\u003eProsky nominated for \"A Walk in the Woods\".\u003c/p\u003e","\u003cp\u003eProsky won best actor in a short film for \"Grandfather's Birthday\".\u003c/p\u003e","\u003cp\u003eFolder 1.\u003c/p\u003e","\u003cp\u003eFolder 2.\u003c/p\u003e","\u003cp\u003eCynthia Snyder Public Relations.\u003c/p\u003e","\u003cp\u003eArticle by Zelda Fichandler.\u003c/p\u003e","\u003cp\u003ePresented to both Prosky and his wife Ida.\u003c/p\u003e","\u003cp\u003ePhiladelphia magazine.\u003c/p\u003e","\u003cp\u003eProsky served as the master of ceremonies.\u003c/p\u003e","\u003cp\u003eProsky nominated for his role in \"Our Town\".\u003c/p\u003e","\u003cp\u003eProsky honored with the American Express Tribute.\u003c/p\u003e","\u003cp\u003eWashington Post newspaper.\u003c/p\u003e","\u003cp\u003eRoxborough Times newspaper.\u003c/p\u003e","\u003cp\u003eHome News newspaper.\u003c/p\u003e","\u003cp\u003eNew York Times Newspaper.\u003c/p\u003e","\u003cp\u003eEquity News newsletter.\u003c/p\u003e","\u003cp\u003eNew York Times newspaper.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eFolder 1.\u003c/p\u003e","\u003cp\u003eFolder 2.\u003c/p\u003e","\u003cp\u003ePresented to Prosky for his role as Mr. Buchanan in \"Jabberwocky\".\u003c/p\u003e","\u003cp\u003eSun Weekly newspaper.\u003c/p\u003e","\u003cp\u003ePeople Weekly magazine.\u003c/p\u003e","\u003cp\u003eRelax magazine. In Polish.\u003c/p\u003e","\u003cp\u003eNew Jersey Lifestyle magazine.\u003c/p\u003e","\u003cp\u003ePen World magazine.\u003c/p\u003e","\u003cp\u003eWashington Post Magazine.\u003c/p\u003e","\u003cp\u003eDaily News newspaper.\u003c/p\u003e","\u003cp\u003eDossier magazine.\u003c/p\u003e","\u003cp\u003eWashington Times newspaper. Article mentions Prosky's Hayes award for \"The Price\".\u003c/p\u003e","\u003cp\u003eAlso includes correspondence.\u003c/p\u003e","\u003cp\u003eContains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically.\u003c/p\u003e","\u003cp\u003eContains copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public serve announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.\u003c/p\u003e","\u003cp\u003eVHS, 18 minutes, color\u003c/p\u003e","\u003cp\u003eAudio reel.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eReel, 60 seconds, color.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eReel, 60 seconds, color, U.S. Dept. of Agriculture Food Safety and Quality Service.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eAudio reel.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eVHS, #466216, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eVHS, #466217, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eVHS, #466218, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eVHS, #466219, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eVHS, #466220, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eVHS, #466221, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eAudio, 6 Demo spots, 7.5 IPS.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eVHS, 30 minutes\u003c/p\u003e","\u003cp\u003eCD, Arena Stage press photos\u003c/p\u003e","\u003cp\u003eDVD, DEMO\u003c/p\u003e","\u003cp\u003eDVD, Tape 1, Harris Theatre GMU\u003c/p\u003e","\u003cp\u003eDVD, Tape 2, Harris Theatre GMU\u003c/p\u003e","\u003cp\u003eDVD, Clips for Lecture\u003c/p\u003e","\u003cp\u003eAudio cassette tape, WABC Talk Radio 77am\u003c/p\u003e","\u003cp\u003eDVD\u003c/p\u003e","\u003cp\u003eVideo reel, 60 seconds.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eAudio cassette tape, Tape 1\u003c/p\u003e","\u003cp\u003eAudio cassette tape, Tape 2\u003c/p\u003e","\u003cp\u003eAudio Cassette Tape, WTOP Radio\u003c/p\u003e","\u003cp\u003eDVD\u003c/p\u003e","\u003cp\u003eAudio reel.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eThe fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life.\u003c/p\u003e","\u003cp\u003eBlack binder with \"Thief\" label\u003c/p\u003e","\u003cp\u003eBlack binder with Robert Prosky\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph - Appearances\u003c/p\u003e","\u003cp\u003ePhotograph - Theatre\u003c/p\u003e","\u003cp\u003eNomination for Best Supporting Actor in a Television Movie \"Into Thin Air\"\u003c/p\u003e","\u003cp\u003eSix different shots\u003c/p\u003e","\u003cp\u003eInterview page 37\u003c/p\u003e","\u003cp\u003eThree matted portraits\u003c/p\u003e","\u003cp\u003eAutographed film poster\u003c/p\u003e","\u003cp\u003eProduction poster\u003c/p\u003e","\u003cp\u003ePhotographs, newspaper clippings, playbills\u003c/p\u003e","\u003cp\u003eBlue album with flowers on cover, photographs, newspaper clippings, playbills\u003c/p\u003e","\u003cp\u003eAutographed copy by Kathryn Crosby\u003c/p\u003e","\u003cp\u003eConsists of objects from Prosky's professional career and personal life.\u003c/p\u003e","\u003cp\u003ePaperweight\u003c/p\u003e","\u003cp\u003eMiniature briefcase\u003c/p\u003e","\u003cp\u003eRobert Prosky's name monogrammed on one side.\u003c/p\u003e","\u003cp\u003eFord's Theatre, Dog tags\u003c/p\u003e","\u003cp\u003ePlaque\u003c/p\u003e","\u003cp\u003eSouvenir bag\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and 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and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Consists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials. ","The collection consists of six series. The first series contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically. Subseries 1.1 includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes. Subseries 1.2 contains mostly clippings and reviews about Prosky's film career, but there are a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\" Subseries 1.3 contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\" Note that there are additional professional documents, such as posters, in the oversize series. ","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically. Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Subseries 2.2 contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. Of particular interest are transcripts from an autobiography by Prosky. Note that there are additional biographical articles in the oversize series both loose and in scrapbooks. ","The third series contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically. Note that there are additional photographs in the oversize series both loose and in scrapbooks. ","The fourth series consists of copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public service announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations. ","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life. ","The sixth series consists of objects from Prosky's professional career and personal life, such as opening night gifts and production souvenirs. ","Contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically.","Includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage.","Quarterdeck Theatre.","Gonzaga College. Prosky not in cast.","Arena Stage.","Lucille Lortel Theatre.","Berkshire Theatre Festival. Review by Herbert Wolff.","Arena Stage.","Old Academy.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Brooks Atkinson Theatre.","Arena Stage.","Arena Stage. Review by Mel Gussow.","Ford's Theatre.","Also contains television reviews and biographical information.","Goodman Theatre.","John Golden Theatre.","Manhattan Ensemble Theater. Also contains postcards with advertisements.","Fred Miller Theatre.","Arena Stage.","Arena Stage.","Ford's Theatre.","Lee Strasberg Theatre Center.","Delaware Theatre Company (1993) and Arena Stage (1995).","Douglass College.","Arena Stage.","Arena Stage.","Fred Miller Theatre.","Morosco Theatre. Prosky not in cast.","Arena Stage.","Gate Theatre.","Cape May Stage.","Arena Stage. Also contains a pre-production announcement.","Quarterdeck Theatre.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Colonial Theatre.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Coronet Theatre. Prosky not in cast.","Ambassador Theatre.","Royal Poinciana Playhouse. Prosky not in cast.","Booth Theatre.","One copy entirely in Russian and one with only the title translated.","Booth Theatre. Also contains some correspondence.","Contains stories on Zelda Fichandler and Robert Prosky.","Fred Miller Theatre.","Hong Kong Arts Festival.","Guthrie Theatre.","Arena Stage.","Also contains advertisements, rosters, and announcements.","Contains mostly clippings and reviews about Prosky's film career, but there are also a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\"","Also contains correspondence.","Contains production facts, one color production still photograph, and one black and white photograph of the director Gayle Knutson.","Also includes information on \"Glengarry Glenn Ross\" and television work.","Contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\"","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically.","Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Arranged alphabetically by name type of correspondence, then chronologically.","RESTRICTED","Also includes correspondence about Prosky's Tony Award nomination.","Contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. This subseries also contains transcripts from a self-recorded autobiography by Prosky. Arranged alphabetically by article title and type of document, then chronologically.","Post Eagle newspaper.","Columbia Flier newspaper.","America 275 Illustrated Story no. 11-79.","Prosky nominated for \"Glengarry Glenross\".\"","Prosky nominated for \"A Walk in the Woods\".","Prosky won best actor in a short film for \"Grandfather's Birthday\".","Folder 1.","Folder 2.","Cynthia Snyder Public Relations.","Article by Zelda Fichandler.","Presented to both Prosky and his wife Ida.","Philadelphia magazine.","Prosky served as the master of ceremonies.","Prosky nominated for his role in \"Our Town\".","Prosky honored with the American Express Tribute.","Washington Post newspaper.","Roxborough Times newspaper.","Home News newspaper.","New York Times Newspaper.","Equity News newsletter.","New York Times newspaper.","Arena Stage.","Folder 1.","Folder 2.","Presented to Prosky for his role as Mr. Buchanan in \"Jabberwocky\".","Sun Weekly newspaper.","People Weekly magazine.","Relax magazine. In Polish.","New Jersey Lifestyle magazine.","Pen World magazine.","Washington Post Magazine.","Daily News newspaper.","Dossier magazine.","Washington Times newspaper. Article mentions Prosky's Hayes award for \"The Price\".","Also includes correspondence.","Contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically.","Contains copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public serve announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.","VHS, 18 minutes, color","Audio reel.\nAvailable on digital format.","Reel, 60 seconds, color.\nAvailable on digital format.","Reel, 60 seconds, color, U.S. Dept. of Agriculture Food Safety and Quality Service.\nAvailable on digital format.","Audio reel.\nAvailable on digital format.","VHS, #466216, Final Viewing Cassette","VHS, #466217, Final Viewing Cassette","VHS, #466218, Final Viewing Cassette","VHS, #466219, Final Viewing Cassette","VHS, #466220, Final Viewing Cassette","VHS, #466221, Final Viewing Cassette","Audio, 6 Demo spots, 7.5 IPS.\nAvailable on digital format.","VHS, 30 minutes","CD, Arena Stage press photos","DVD, DEMO","DVD, Tape 1, Harris Theatre GMU","DVD, Tape 2, Harris Theatre GMU","DVD, Clips for Lecture","Audio cassette tape, WABC Talk Radio 77am","DVD","Video reel, 60 seconds.\nAvailable on digital format.","Audio cassette tape, Tape 1","Audio cassette tape, Tape 2","Audio Cassette Tape, WTOP Radio","DVD","Audio reel.\nAvailable on digital format.","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life.","Black binder with \"Thief\" label","Black binder with Robert Prosky","Photograph","Photograph - Appearances","Photograph - Theatre","Nomination for Best Supporting Actor in a Television Movie \"Into Thin Air\"","Six different shots","Interview page 37","Three matted portraits","Autographed film poster","Production poster","Photographs, newspaper clippings, playbills","Blue album with flowers on cover, photographs, newspaper clippings, playbills","Autographed copy by Kathryn Crosby","Consists of objects from Prosky's professional career and personal life.","Paperweight","Miniature briefcase","Robert Prosky's name monogrammed on one side.","Ford's Theatre, Dog tags","Plaque","Souvenir bag"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_cb72825d540615d1fef3eb400e234f81\" label=\"Abstract\"\u003eConsists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials.\u003c/abstract\u003e"],"abstract_tesim":["Consists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials."],"names_coll_ssim":["Arena Stage (Organization : Washington, D.C.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Prosky, Robert, 1930-2008"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Prosky, Robert, 1930-2008"],"language_ssim":["English \n.    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