{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026page=37\u0026view=list","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026page=36\u0026view=list","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026page=38\u0026view=list","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026page=5008\u0026view=list"},"meta":{"pages":{"current_page":37,"next_page":38,"prev_page":36,"total_pages":5008,"limit_value":10,"offset_value":360,"total_count":50080,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_arenastage_c01_c05_c01_c88","type":"File","attributes":{"title":"40th anniversary of Arena Stage connection to Living Stage 25th anniversary,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_arenastage_c01_c05_c01_c88#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_arenastage_c01_c05_c01_c88#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_arenastage_c01_c05_c01_c88","ref_ssm":["vifgm_arenastage_c01_c05_c01_c88"],"id":"vifgm_arenastage_c01_c05_c01_c88","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage_c01_c05_c01","parent_ssi":"vifgm_arenastage_c01_c05_c01","parent_ssim":["vifgm_arenastage","vifgm_arenastage_c01","vifgm_arenastage_c01_c05","vifgm_arenastage_c01_c05_c01"],"parent_ids_ssim":["vifgm_arenastage","vifgm_arenastage_c01","vifgm_arenastage_c01_c05","vifgm_arenastage_c01_c05_c01"],"parent_unittitles_ssm":["Arena Stage records","Series 1: Administrative records,","Subseries 1.5: Communications and Events,","Sub-subseries 1.5.1: Events,"],"parent_unittitles_tesim":["Arena Stage records","Series 1: Administrative records,","Subseries 1.5: Communications and Events,","Sub-subseries 1.5.1: Events,"],"text":["Arena Stage records","Series 1: Administrative records,","Subseries 1.5: Communications and Events,","Sub-subseries 1.5.1: Events,","40th anniversary of Arena Stage connection to Living Stage 25th anniversary,","Box 109","Folder 12",""],"title_filing_ssi":"40th anniversary of Arena Stage connection to Living Stage 25th anniversary, \n","title_ssm":["40th anniversary of Arena Stage connection to Living Stage 25th anniversary,"],"title_tesim":["40th anniversary of Arena Stage connection to Living Stage 25th anniversary,"],"unitdate_other_ssim":["November-December 1989\n"],"normalized_date_ssm":["1989"],"normalized_title_ssm":["40th anniversary of Arena Stage connection to Living Stage 25th anniversary,"],"component_level_isim":[4],"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2344,"parent_access_restrict_tesm":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1989],"containers_ssim":["Box 109","Folder 12"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#0/components#4/components#0/components#87","timestamp":"2026-05-21T06:25:23.142Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_arenastage","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage","ead_source_url_ssi":"data/gmu/arenastage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/arenastage.html","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949-2010"],"unitdate_inclusive_ssm":["1949-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017"],"text":["C0017","Arena Stage records","Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings.","Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.","Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","","","","","","","","","","","","","","Contains a letter from Annette Bening.\n","","","","","Contains headshots and a letter from Olympia Dukakis.\n","","","","","","","","Contains a letter from Rosemary Harris.\n","","","","","Contains letters, headshots, and a CV from John Lithgow.\n","","","","","","","","","","","","","","","","\nContains letters from Sigourney Weaver.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. 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Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\" href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\" href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational 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subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth 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1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\nContains letters from Sigourney 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3: Casting information contains notes on casting for productions arranged alphabetically by 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subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena 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2: Communications and Marketing includes records produced by the Communications and Marketing departments. 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3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized 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subseries contains research on various playwrights, both living and dead, whose work has been performed at 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subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. 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subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the 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subseries contains documents collected from throughout the runs of various 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subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. 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subseries contains production photos collected in 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series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at 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subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\n\u003c/p\u003e","\u003cp\u003eReel 2 of 3\n\u003c/p\u003e","\u003cp\u003eReel 3 of 3\n\u003c/p\u003e","\u003cp\u003ePartially 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- Vinegar\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\n\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eTape 3\n\u003c/p\u003e","\u003cp\u003eTape 4\n\u003c/p\u003e","\u003cp\u003eTape 5\n\u003c/p\u003e","\u003cp\u003eTape 6\n\u003c/p\u003e","\u003cp\u003eReel #168\n\u003c/p\u003e","\u003cp\u003eReel #169\n\u003c/p\u003e","\u003cp\u003eReel #170\n\u003c/p\u003e","\u003cp\u003e3 copies\n\u003c/p\u003e","\u003cp\u003e2 copies\n\u003c/p\u003e","\u003cp\u003e2 copies\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","","","","","","","","","","","","","","Contains a letter from Annette Bening.\n","","","","","Contains headshots and a letter from Olympia Dukakis.\n","","","","","","","","Contains a letter from Rosemary Harris.\n","","","","","Contains letters, headshots, and a CV from John Lithgow.\n","","","","","","","","","","","","","","","","\nContains letters from Sigourney Weaver.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. 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Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1989],"containers_ssim":["box 109","folder 12"],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#0/components#4/components#0/components#87","timestamp":"2026-05-21T05:06:20.076Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"text":["C0017","/repositories/2/resources/416","Arena Stage records","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_corpname_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e\n","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e\n","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\u003c/p\u003e","\u003cp\u003eReel 2 of 3\u003c/p\u003e","\u003cp\u003eReel 3 of 3\u003c/p\u003e","\u003cp\u003ePartially Unraveling\u003c/p\u003e","\u003cp\u003eVinegar\u003c/p\u003e","\u003cp\u003eUnraveling - Vinegar\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003eTape 3\u003c/p\u003e","\u003cp\u003eTape 4\u003c/p\u003e","\u003cp\u003eTape 5\u003c/p\u003e","\u003cp\u003eTape 6\u003c/p\u003e","\u003cp\u003eReel #168\u003c/p\u003e","\u003cp\u003eReel #169\u003c/p\u003e","\u003cp\u003eReel #170\u003c/p\u003e","\u003cp\u003e3 copies \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope 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note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:06:20.076Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c01_c05_c01_c88"}},{"id":"vifgm_vifgm00028_c01_c135","type":"File","attributes":{"title":"40th Annual Maine Transportation Conference","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00028_c01_c135#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_vifgm00028_c01_c135","ref_ssm":["vifgm_vifgm00028_c01_c135"],"id":"vifgm_vifgm00028_c01_c135","ead_ssi":"vifgm_vifgm00028","_root_":"vifgm_vifgm00028","_nest_parent_":"vifgm_vifgm00028_c01","parent_ssi":"vifgm_vifgm00028_c01","parent_ssim":["vifgm_vifgm00028","vifgm_vifgm00028_c01"],"parent_ids_ssim":["vifgm_vifgm00028","vifgm_vifgm00028_c01"],"parent_unittitles_ssm":["Thomas B. Deen papers","Series 1: Meetings and Events"],"parent_unittitles_tesim":["Thomas B. Deen papers","Series 1: Meetings and Events"],"text":["Thomas B. Deen papers","Series 1: Meetings and Events","40th Annual Maine Transportation Conference","box 11","Folder 5"],"title_filing_ssi":"40th Annual Maine Transportation Conference ","title_ssm":["40th Annual Maine Transportation Conference"],"title_tesim":["40th Annual Maine Transportation Conference"],"unitdate_inclusive_ssm":["September-December 1989"],"normalized_date_ssm":["1989"],"normalized_title_ssm":["40th Annual Maine Transportation Conference"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Thomas B. Deen papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":136,"date_range_isim":[1989],"containers_ssim":["box 11","Folder 5"],"_nest_path_":"/components#0/components#134","timestamp":"2026-05-21T06:25:23.142Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00028","ead_ssi":"vifgm_vifgm00028","_root_":"vifgm_vifgm00028","_nest_parent_":"vifgm_vifgm00028","ead_source_url_ssi":"data/gmu/vifgm00028.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Thomas B. Deen papers"],"title_tesim":["Thomas B. Deen papers"],"unitdate_ssm":["1957-1995\n"],"unitdate_inclusive_ssm":["1957-1995\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0106\n"],"text":["C0106\n","Thomas B. Deen papers","Transportation, Automotive--United States.","Transportation Engineering--United States.","Transportation, Rail--United States.","Collection is open to research.\n","The collection is arranged by subject.\n","Series 1: Meetings and Events, April 1962-October 1994 (Boxes 1-27)\n Series 2: Research, September 1961-June 1993 (Boxes 27-31)\n Series 3: Correspondence, August 1979-September 1995 (Boxes 31-34)\n Series 4: Planning, April 1981-August 1994 (Boxes 34-36)\n Series 5: Publications, February 1957-October 1995 (Boxes 36-48)\n Series 6: Miscellaneous, January 1965-October 1995 (Boxes 48-52)\n","Born in 1928, Thomas Blackburn Deen, a graduate of the University of Kentucky, began his career as a highway traffic engineer. Early in his career, Deen pioneered the development and application of methods for analyzing urban transportation problems and designing urban transit systems. These computer-based analytical methods were used to evaluate and select the lines that today make up the Washington, D.C. area Metrorail system. Deen served as Director of Planning for the National Capital Transportation Agency from 1960 to 1964, and Executive Director of the National Research Council Transportation Research Board (TRB) from 1980 to 1994. At the TRB, Deen supervised policy studies on critical national transportation issues, such as the 55 mile per hour speed limit, school bus safety, air passenger service and safety since deregulation, intelligent vehicles, and high-speed rail. He was responsible for all of TRB's activities including its sponsorship of some 260 technical committees and panels, research retrieval systems, in house research, and state-sponsored cooperative research programs.\n","Processed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in February 2009. Additional processing and EAD markup completed bt Harold Barthold in August 2011.\n","Special Collections and Archives holds many other transportation related collections and books.\n","The Thomas Blackburn Deen papers contain transportation-related materials collected between 1980 and 1994 while Mr. Deen was head of the National Research Council Transportation Research Board (TRB). Types of materials include conference and committee meeting materials, TRB research information, speeches and personal correspondence. The materials cover a wide variety of topics such as highway construction, safety, international transportation concerns, and funding for highways. Organizations represented by materials in the papers include the Federal Highway Administration, the Department of Transportation, and the Permanent International Association of Road Congresses. The collections is divided into six series.","Series 1 contains documents from and about meetings, conferences, conventions, workshops and other events that Deen was invited to or participated. Material includes agendas, schedules of events, contact lists, meeting minutes, articles, notes, speeches, correspondence, travel itineraries, travel receipts, publications, memos, programs, committee member lists, book excerpts, announcements, proposals, registration forms, travel vouchers, policy books, attendance lists, pamphlets, maps, resumes, lists of publications, organizational charts, flight schedules, business cards, contact information, essays, information tables, manuscripts, committee reports, overhead projector slides, photographs, financial information, calendars of events, newsletters, press releases, fact sheets, copyright information, slides, faxes and \"Who's Who\" listings. Subject matter includes infrastructure, transportation research, public works, civil engineering, hazardous material transportation, safety, financing infrastructure, pavement management and maintenance, technical policy, geometric design standards, energy usage, European infrastructure, transportation centers, traffic congestion, trucking, highway and transportation engineering, high speed trains, economics of transport, transportation law, mass transit, urban infrastructure, state highway and transportation officials, urban mobility, Australian transportation, The US Department of Transportation, motor vehicle manufacturers the future of transportation, transportation planning, Asian infrastructure, intelligent vehicles, aviation, and Indian highways. Series 1 also includes a subseries containing the lectures and speeches of Thomas Deen. At many of the events that Deen attended, he was invited to speak on a variety of topics. Material in this subseries includes transcripts of speeches, notes, programs, correspondence, travel information, maps, organizational charts, articles, pamphlets, schedules, agendas, newsletters, presentation slides, graphs and attendance lists. Subject matter includes Thomas Deen's life, the Transportation Research Board, the 55 mile per hour speed limit, the future of the automobile, economic growth and development, research, transportation, value engineering, citizens band radio in intercity busses, urban policy, trucking, hazardous materials, state and federal financial management, rapid transit, traffic congestion, transportation law, the role of state and region in public surface transportation, transportation centers, infrastructure, highway construction, engineering management, commencement addresses, transportation planning and scholarship.","Series 2 consists of research materials as well as documents from location tours. Material in this series includes research reports, correspondence, project status reports, memos, notes, travel information, articles, essays, organizational charts, budget information, publication lists, maps, research reports, newsletters, pamphlets, biographical sketches, agendas and project proposals. Subject matter includes road maintenance, automobile assembly, transportation policy, urban mobility, automobile safety, the Transportation Research Board, the US Army Corps of Engineers, intelligent vehicles, and testing.","Series 3 contains correspondence to and from Thomas Deen. Topics include travel, upcoming events, research, transportation, traffic laws, intelligent vehicles, transportation studies, Amnesty International, traffic management, transit research, highway administration and infrastructure.","Series 4 contains documents dealing with urban planning. Material includes booklets, receipts, newsletters, articles, correspondence, essays, notes, meeting agendas and schedules, memos, meeting minutes, presentation slides and Intelligent Vehicle Highway Society Planning Committee documents. Subject matter includes transportation planning on a federal and local level, traffic congestion, transportation engineering, and intelligent vehicles.","Series 5 contains published work by Thomas Deen. Subject matter includes transportation, rapid transit, transportation engineering, highway research, traveler response evaluation, transit planning, the Alan M. Voorhees and Associates firm, urban public transportation, public works, transportation planning, rail transit, bridge inspection, automotive safety, the 55 mile per hour speed limit, fiscal policies, growth, asphalt, labor, transportation statistics, Caracas, Venezuela, parking prices, planning, foreign highway research programs, urban transportation planning, and economic evaluation.","Series 6 contains miscellaneous files from the Thomas Deen collection. Material includes official reports, discussion outlines, meeting schedules and agendas, memos, correspondence, attendance lists, committee lists, work plans, travel information, notes, pamphlets, programs, resumes, newsletters, maps, articles, congressional resolutions, publications, fact sheets, business cards, contact information, charts and graphs, \"Who's Who\" articles and calendars. Subject matter includes public works, traffic management, vehicle safety, roads and bridges, carpooling, asphalt, the 55 mile per hour speed limit, traffic engineering, highway financing, federal highway administration, and railroads.\n","Documents from and about meetings, conferences, conventions, workshops and other events that Deen was invited to or participated. Material includes agendas, schedules of events, contact lists, meeting minutes, articles, notes, speeches, correspondence, memos, programs, registration forms, pamphlets. Subject matter includes infrastructure, transportation research, public works, civil engineering, and safety. Also included is a subseries, consisting of transcripts of lectures and speeches given by Deen at various events and lectures.\n","At many of the events that Deen attended, he was invited to speak on a variety of topics. Material in this subseries includes transcripts of speeches, notes, programs, correspondence, travel information, maps, organizational charts, articles, pamphlets, schedules, agendas, newsletters, presentation slides, graphs and attendance lists. Subject matter includes Thomas Deen's life, the Transportation Research Board, the 55 mile per hour speed limit, the future of the automobile, economic growth and development, research, transportation, value engineering, citizens band radio in intercity busses, urban policy, trucking, hazardous materials, state and federal financial management, rapid transit, traffic congestion, transportation law, the role of state and region in public surface transportation, transportation centers, infrastructure, highway construction, engineering management, commencement addresses, transportation planning and scholarship. \n\t\t","Research materials and documents from location tours. Material in this series includes research reports, correspondence, project status reports, memos, notes, travel information, articles, essays, organizational charts, budget information, publication lists, maps, research reports, newsletters, pamphlets, biographical sketches, agendas and project proposals. Subject matter includes road maintenance, automobile assembly, transportation policy, urban mobility, automobile safety, the Transportation Research Board, the US Army Corps of Engineers, intelligent vehicles, and testing.\n","Correspondence to and from Thomas Deen. Topics include travel, upcoming events, research, transportation, traffic laws, intelligent vehicles, transportation studies, Amnesty International, traffic management, transit research, highway administration and infrastructure.\n","Documents dealing with urban planning. Material includes booklets, receipts, newsletters, articles, correspondence, essays, notes, meeting agendas and schedules, memos, meeting minutes, presentation slides and Intelligent Vehicle Highway Society Planning Committee documents. Subject matter includes transportation planning on a federal and local level, traffic congestion, transportation engineering, and intelligent vehicles.\n","Publications by Thomas Deen. Subject matter includes transportation, rapid transit, transportation engineering, highway research, traveler response evaluation, transit planning, the Alan M. Voorhees and Associates firm, urban public transportation, public works, transportation planning, rail transit, bridge inspection, automotive safety, the 55 mile per hour speed limit, fiscal policies, growth, asphalt, labor, transportation statistics, Caracas, Venezuela, parking prices, planning, foreign highway research programs, urban transportation planning, and economic evaluation.\n","Miscellaneous files from the Thomas Deen collection. Material includes official reports, discussion outlines, meeting schedules and agendas, memos, correspondence, attendance lists, committee lists, work plans, travel information, notes, pamphlets, programs, resumes, newsletters, maps, articles, congressional resolutions, publications, fact sheets, business cards, contact information, charts and graphs, \"Who's Who\" articles and calendars. Subject matter includes public works, traffic management, vehicle safety, roads and bridges, carpooling, asphalt, the 55 mile per hour speed limit, traffic engineering, highway financing, federal highway administration, and railroads.\n","There are no restrictions.\n","The Thomas Blackburn Deen papers contain transportation-related materials collected between 1980 and 1994 while Mr. Deen was head of the National Research Council Transportation Research Board (TRB). Types of materials include conference and committee meeting materials, TRB research information, speeches and personal correspondence. The materials cover a wide variety of topics such as highway construction, safety, international transportation concerns, and funding for highways. Organizations represented by materials in the papers include the Federal Highway Administration, the Department of Transportation, and the Permanent International Association of Road Congresses.\n","George Mason University.  Special Collections and Archives.\n","American Association of State Highway and Transportation Officials.","American Public Works Association.","American Road and Transportation Builders Association.","Institute of Transportation Engineers.","Intelligent Vehicle Highway Society of America.","International Road Federation.","National Asphalt Pavement Association.","National Research Council (U.S.). Transportation Research Board.","Permanent International Association of Road Congresses.","The Road Gang","United States. Dept. of Transportation.","United States. Federal Highway Administration.","Deen, Thomas B.\n","Deen, Thomas B.","English\n"],"unitid_tesim":["C0106\n"],"normalized_title_ssm":["Thomas B. Deen papers"],"collection_title_tesim":["Thomas B. Deen papers"],"collection_ssim":["Thomas B. Deen papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Deen, Thomas B.\n"],"creator_ssim":["Deen, Thomas B.\n"],"creator_persname_ssim":["Deen, Thomas B.\n"],"creators_ssim":["Deen, Thomas B.\n"],"acqinfo_ssim":["Donated by the National Research Council Transportation Research Board.\n"],"access_subjects_ssim":["Transportation, Automotive--United States.","Transportation Engineering--United States.","Transportation, Rail--United States."],"access_subjects_ssm":["Transportation, Automotive--United States.","Transportation Engineering--United States.","Transportation, Rail--United States."],"has_online_content_ssim":["false"],"extent_ssm":["26 linear feet (52 boxes)"],"extent_tesim":["26 linear feet (52 boxes)"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["Collection is open to research.\n"],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by subject.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Meetings and Events, April 1962-October 1994 (Boxes 1-27)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Research, September 1961-June 1993 (Boxes 27-31)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Correspondence, August 1979-September 1995 (Boxes 31-34)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Planning, April 1981-August 1994 (Boxes 34-36)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Publications, February 1957-October 1995 (Boxes 36-48)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Miscellaneous, January 1965-October 1995 (Boxes 48-52)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["The collection is arranged by subject.\n","Series 1: Meetings and Events, April 1962-October 1994 (Boxes 1-27)\n Series 2: Research, September 1961-June 1993 (Boxes 27-31)\n Series 3: Correspondence, August 1979-September 1995 (Boxes 31-34)\n Series 4: Planning, April 1981-August 1994 (Boxes 34-36)\n Series 5: Publications, February 1957-October 1995 (Boxes 36-48)\n Series 6: Miscellaneous, January 1965-October 1995 (Boxes 48-52)\n"],"bioghist_html_tesm":["\u003cp\u003eBorn in 1928, Thomas Blackburn Deen, a graduate of the University of Kentucky, began his career as a highway traffic engineer. Early in his career, Deen pioneered the development and application of methods for analyzing urban transportation problems and designing urban transit systems. These computer-based analytical methods were used to evaluate and select the lines that today make up the Washington, D.C. area Metrorail system. Deen served as Director of Planning for the National Capital Transportation Agency from 1960 to 1964, and Executive Director of the National Research Council Transportation Research Board (TRB) from 1980 to 1994. At the TRB, Deen supervised policy studies on critical national transportation issues, such as the 55 mile per hour speed limit, school bus safety, air passenger service and safety since deregulation, intelligent vehicles, and high-speed rail. He was responsible for all of TRB's activities including its sponsorship of some 260 technical committees and panels, research retrieval systems, in house research, and state-sponsored cooperative research programs.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Born in 1928, Thomas Blackburn Deen, a graduate of the University of Kentucky, began his career as a highway traffic engineer. Early in his career, Deen pioneered the development and application of methods for analyzing urban transportation problems and designing urban transit systems. These computer-based analytical methods were used to evaluate and select the lines that today make up the Washington, D.C. area Metrorail system. Deen served as Director of Planning for the National Capital Transportation Agency from 1960 to 1964, and Executive Director of the National Research Council Transportation Research Board (TRB) from 1980 to 1994. At the TRB, Deen supervised policy studies on critical national transportation issues, such as the 55 mile per hour speed limit, school bus safety, air passenger service and safety since deregulation, intelligent vehicles, and high-speed rail. He was responsible for all of TRB's activities including its sponsorship of some 260 technical committees and panels, research retrieval systems, in house research, and state-sponsored cooperative research programs.\n"],"prefercite_html_tesm":["\u003cp\u003eThomas B. Deen papers, Collection #C0106, Special Collections and Archives, George Mason University.\n\u003c/p\u003e"],"prefercite_tesim":["Thomas B. Deen papers, Collection #C0106, Special Collections and Archives, George Mason University.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in February 2009. Additional processing and EAD markup completed bt Harold Barthold in August 2011.\n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in February 2009. Additional processing and EAD markup completed bt Harold Barthold in August 2011.\n"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds many other transportation related collections and books.\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections and Archives holds many other transportation related collections and books.\n"],"scopecontent_html_tesm":["\u003cp\u003eThe Thomas Blackburn Deen papers contain transportation-related materials collected between 1980 and 1994 while Mr. Deen was head of the National Research Council Transportation Research Board (TRB). Types of materials include conference and committee meeting materials, TRB research information, speeches and personal correspondence. The materials cover a wide variety of topics such as highway construction, safety, international transportation concerns, and funding for highways. Organizations represented by materials in the papers include the Federal Highway Administration, the Department of Transportation, and the Permanent International Association of Road Congresses. The collections is divided into six series.\u003c/p\u003e","\u003cp\u003eSeries 1 contains documents from and about meetings, conferences, conventions, workshops and other events that Deen was invited to or participated. Material includes agendas, schedules of events, contact lists, meeting minutes, articles, notes, speeches, correspondence, travel itineraries, travel receipts, publications, memos, programs, committee member lists, book excerpts, announcements, proposals, registration forms, travel vouchers, policy books, attendance lists, pamphlets, maps, resumes, lists of publications, organizational charts, flight schedules, business cards, contact information, essays, information tables, manuscripts, committee reports, overhead projector slides, photographs, financial information, calendars of events, newsletters, press releases, fact sheets, copyright information, slides, faxes and \"Who's Who\" listings. Subject matter includes infrastructure, transportation research, public works, civil engineering, hazardous material transportation, safety, financing infrastructure, pavement management and maintenance, technical policy, geometric design standards, energy usage, European infrastructure, transportation centers, traffic congestion, trucking, highway and transportation engineering, high speed trains, economics of transport, transportation law, mass transit, urban infrastructure, state highway and transportation officials, urban mobility, Australian transportation, The US Department of Transportation, motor vehicle manufacturers the future of transportation, transportation planning, Asian infrastructure, intelligent vehicles, aviation, and Indian highways. Series 1 also includes a subseries containing the lectures and speeches of Thomas Deen. At many of the events that Deen attended, he was invited to speak on a variety of topics. Material in this subseries includes transcripts of speeches, notes, programs, correspondence, travel information, maps, organizational charts, articles, pamphlets, schedules, agendas, newsletters, presentation slides, graphs and attendance lists. Subject matter includes Thomas Deen's life, the Transportation Research Board, the 55 mile per hour speed limit, the future of the automobile, economic growth and development, research, transportation, value engineering, citizens band radio in intercity busses, urban policy, trucking, hazardous materials, state and federal financial management, rapid transit, traffic congestion, transportation law, the role of state and region in public surface transportation, transportation centers, infrastructure, highway construction, engineering management, commencement addresses, transportation planning and scholarship.\u003c/p\u003e","\u003cp\u003eSeries 2 consists of research materials as well as documents from location tours. Material in this series includes research reports, correspondence, project status reports, memos, notes, travel information, articles, essays, organizational charts, budget information, publication lists, maps, research reports, newsletters, pamphlets, biographical sketches, agendas and project proposals. Subject matter includes road maintenance, automobile assembly, transportation policy, urban mobility, automobile safety, the Transportation Research Board, the US Army Corps of Engineers, intelligent vehicles, and testing.\u003c/p\u003e","\u003cp\u003eSeries 3 contains correspondence to and from Thomas Deen. Topics include travel, upcoming events, research, transportation, traffic laws, intelligent vehicles, transportation studies, Amnesty International, traffic management, transit research, highway administration and infrastructure.\u003c/p\u003e","\u003cp\u003eSeries 4 contains documents dealing with urban planning. Material includes booklets, receipts, newsletters, articles, correspondence, essays, notes, meeting agendas and schedules, memos, meeting minutes, presentation slides and Intelligent Vehicle Highway Society Planning Committee documents. Subject matter includes transportation planning on a federal and local level, traffic congestion, transportation engineering, and intelligent vehicles.\u003c/p\u003e","\u003cp\u003eSeries 5 contains published work by Thomas Deen. Subject matter includes transportation, rapid transit, transportation engineering, highway research, traveler response evaluation, transit planning, the Alan M. Voorhees and Associates firm, urban public transportation, public works, transportation planning, rail transit, bridge inspection, automotive safety, the 55 mile per hour speed limit, fiscal policies, growth, asphalt, labor, transportation statistics, Caracas, Venezuela, parking prices, planning, foreign highway research programs, urban transportation planning, and economic evaluation.\u003c/p\u003e","\u003cp\u003eSeries 6 contains miscellaneous files from the Thomas Deen collection. Material includes official reports, discussion outlines, meeting schedules and agendas, memos, correspondence, attendance lists, committee lists, work plans, travel information, notes, pamphlets, programs, resumes, newsletters, maps, articles, congressional resolutions, publications, fact sheets, business cards, contact information, charts and graphs, \"Who's Who\" articles and calendars. Subject matter includes public works, traffic management, vehicle safety, roads and bridges, carpooling, asphalt, the 55 mile per hour speed limit, traffic engineering, highway financing, federal highway administration, and railroads.\n\u003c/p\u003e","\u003cp\u003eDocuments from and about meetings, conferences, conventions, workshops and other events that Deen was invited to or participated. Material includes agendas, schedules of events, contact lists, meeting minutes, articles, notes, speeches, correspondence, memos, programs, registration forms, pamphlets. Subject matter includes infrastructure, transportation research, public works, civil engineering, and safety. Also included is a subseries, consisting of transcripts of lectures and speeches given by Deen at various events and lectures.\n\u003c/p\u003e","\u003cp\u003eAt many of the events that Deen attended, he was invited to speak on a variety of topics. Material in this subseries includes transcripts of speeches, notes, programs, correspondence, travel information, maps, organizational charts, articles, pamphlets, schedules, agendas, newsletters, presentation slides, graphs and attendance lists. Subject matter includes Thomas Deen's life, the Transportation Research Board, the 55 mile per hour speed limit, the future of the automobile, economic growth and development, research, transportation, value engineering, citizens band radio in intercity busses, urban policy, trucking, hazardous materials, state and federal financial management, rapid transit, traffic congestion, transportation law, the role of state and region in public surface transportation, transportation centers, infrastructure, highway construction, engineering management, commencement addresses, transportation planning and scholarship. \n\t\t\u003c/p\u003e","\u003cp\u003eResearch materials and documents from location tours. Material in this series includes research reports, correspondence, project status reports, memos, notes, travel information, articles, essays, organizational charts, budget information, publication lists, maps, research reports, newsletters, pamphlets, biographical sketches, agendas and project proposals. Subject matter includes road maintenance, automobile assembly, transportation policy, urban mobility, automobile safety, the Transportation Research Board, the US Army Corps of Engineers, intelligent vehicles, and testing.\n\u003c/p\u003e","\u003cp\u003eCorrespondence to and from Thomas Deen. Topics include travel, upcoming events, research, transportation, traffic laws, intelligent vehicles, transportation studies, Amnesty International, traffic management, transit research, highway administration and infrastructure.\n\u003c/p\u003e","\u003cp\u003eDocuments dealing with urban planning. Material includes booklets, receipts, newsletters, articles, correspondence, essays, notes, meeting agendas and schedules, memos, meeting minutes, presentation slides and Intelligent Vehicle Highway Society Planning Committee documents. Subject matter includes transportation planning on a federal and local level, traffic congestion, transportation engineering, and intelligent vehicles.\n\u003c/p\u003e","\u003cp\u003ePublications by Thomas Deen. Subject matter includes transportation, rapid transit, transportation engineering, highway research, traveler response evaluation, transit planning, the Alan M. Voorhees and Associates firm, urban public transportation, public works, transportation planning, rail transit, bridge inspection, automotive safety, the 55 mile per hour speed limit, fiscal policies, growth, asphalt, labor, transportation statistics, Caracas, Venezuela, parking prices, planning, foreign highway research programs, urban transportation planning, and economic evaluation.\n\u003c/p\u003e","\u003cp\u003eMiscellaneous files from the Thomas Deen collection. Material includes official reports, discussion outlines, meeting schedules and agendas, memos, correspondence, attendance lists, committee lists, work plans, travel information, notes, pamphlets, programs, resumes, newsletters, maps, articles, congressional resolutions, publications, fact sheets, business cards, contact information, charts and graphs, \"Who's Who\" articles and calendars. Subject matter includes public works, traffic management, vehicle safety, roads and bridges, carpooling, asphalt, the 55 mile per hour speed limit, traffic engineering, highway financing, federal highway administration, and railroads.\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The Thomas Blackburn Deen papers contain transportation-related materials collected between 1980 and 1994 while Mr. Deen was head of the National Research Council Transportation Research Board (TRB). Types of materials include conference and committee meeting materials, TRB research information, speeches and personal correspondence. The materials cover a wide variety of topics such as highway construction, safety, international transportation concerns, and funding for highways. Organizations represented by materials in the papers include the Federal Highway Administration, the Department of Transportation, and the Permanent International Association of Road Congresses. The collections is divided into six series.","Series 1 contains documents from and about meetings, conferences, conventions, workshops and other events that Deen was invited to or participated. Material includes agendas, schedules of events, contact lists, meeting minutes, articles, notes, speeches, correspondence, travel itineraries, travel receipts, publications, memos, programs, committee member lists, book excerpts, announcements, proposals, registration forms, travel vouchers, policy books, attendance lists, pamphlets, maps, resumes, lists of publications, organizational charts, flight schedules, business cards, contact information, essays, information tables, manuscripts, committee reports, overhead projector slides, photographs, financial information, calendars of events, newsletters, press releases, fact sheets, copyright information, slides, faxes and \"Who's Who\" listings. Subject matter includes infrastructure, transportation research, public works, civil engineering, hazardous material transportation, safety, financing infrastructure, pavement management and maintenance, technical policy, geometric design standards, energy usage, European infrastructure, transportation centers, traffic congestion, trucking, highway and transportation engineering, high speed trains, economics of transport, transportation law, mass transit, urban infrastructure, state highway and transportation officials, urban mobility, Australian transportation, The US Department of Transportation, motor vehicle manufacturers the future of transportation, transportation planning, Asian infrastructure, intelligent vehicles, aviation, and Indian highways. Series 1 also includes a subseries containing the lectures and speeches of Thomas Deen. At many of the events that Deen attended, he was invited to speak on a variety of topics. Material in this subseries includes transcripts of speeches, notes, programs, correspondence, travel information, maps, organizational charts, articles, pamphlets, schedules, agendas, newsletters, presentation slides, graphs and attendance lists. Subject matter includes Thomas Deen's life, the Transportation Research Board, the 55 mile per hour speed limit, the future of the automobile, economic growth and development, research, transportation, value engineering, citizens band radio in intercity busses, urban policy, trucking, hazardous materials, state and federal financial management, rapid transit, traffic congestion, transportation law, the role of state and region in public surface transportation, transportation centers, infrastructure, highway construction, engineering management, commencement addresses, transportation planning and scholarship.","Series 2 consists of research materials as well as documents from location tours. Material in this series includes research reports, correspondence, project status reports, memos, notes, travel information, articles, essays, organizational charts, budget information, publication lists, maps, research reports, newsletters, pamphlets, biographical sketches, agendas and project proposals. Subject matter includes road maintenance, automobile assembly, transportation policy, urban mobility, automobile safety, the Transportation Research Board, the US Army Corps of Engineers, intelligent vehicles, and testing.","Series 3 contains correspondence to and from Thomas Deen. Topics include travel, upcoming events, research, transportation, traffic laws, intelligent vehicles, transportation studies, Amnesty International, traffic management, transit research, highway administration and infrastructure.","Series 4 contains documents dealing with urban planning. Material includes booklets, receipts, newsletters, articles, correspondence, essays, notes, meeting agendas and schedules, memos, meeting minutes, presentation slides and Intelligent Vehicle Highway Society Planning Committee documents. Subject matter includes transportation planning on a federal and local level, traffic congestion, transportation engineering, and intelligent vehicles.","Series 5 contains published work by Thomas Deen. Subject matter includes transportation, rapid transit, transportation engineering, highway research, traveler response evaluation, transit planning, the Alan M. Voorhees and Associates firm, urban public transportation, public works, transportation planning, rail transit, bridge inspection, automotive safety, the 55 mile per hour speed limit, fiscal policies, growth, asphalt, labor, transportation statistics, Caracas, Venezuela, parking prices, planning, foreign highway research programs, urban transportation planning, and economic evaluation.","Series 6 contains miscellaneous files from the Thomas Deen collection. Material includes official reports, discussion outlines, meeting schedules and agendas, memos, correspondence, attendance lists, committee lists, work plans, travel information, notes, pamphlets, programs, resumes, newsletters, maps, articles, congressional resolutions, publications, fact sheets, business cards, contact information, charts and graphs, \"Who's Who\" articles and calendars. Subject matter includes public works, traffic management, vehicle safety, roads and bridges, carpooling, asphalt, the 55 mile per hour speed limit, traffic engineering, highway financing, federal highway administration, and railroads.\n","Documents from and about meetings, conferences, conventions, workshops and other events that Deen was invited to or participated. Material includes agendas, schedules of events, contact lists, meeting minutes, articles, notes, speeches, correspondence, memos, programs, registration forms, pamphlets. Subject matter includes infrastructure, transportation research, public works, civil engineering, and safety. Also included is a subseries, consisting of transcripts of lectures and speeches given by Deen at various events and lectures.\n","At many of the events that Deen attended, he was invited to speak on a variety of topics. Material in this subseries includes transcripts of speeches, notes, programs, correspondence, travel information, maps, organizational charts, articles, pamphlets, schedules, agendas, newsletters, presentation slides, graphs and attendance lists. Subject matter includes Thomas Deen's life, the Transportation Research Board, the 55 mile per hour speed limit, the future of the automobile, economic growth and development, research, transportation, value engineering, citizens band radio in intercity busses, urban policy, trucking, hazardous materials, state and federal financial management, rapid transit, traffic congestion, transportation law, the role of state and region in public surface transportation, transportation centers, infrastructure, highway construction, engineering management, commencement addresses, transportation planning and scholarship. \n\t\t","Research materials and documents from location tours. Material in this series includes research reports, correspondence, project status reports, memos, notes, travel information, articles, essays, organizational charts, budget information, publication lists, maps, research reports, newsletters, pamphlets, biographical sketches, agendas and project proposals. Subject matter includes road maintenance, automobile assembly, transportation policy, urban mobility, automobile safety, the Transportation Research Board, the US Army Corps of Engineers, intelligent vehicles, and testing.\n","Correspondence to and from Thomas Deen. Topics include travel, upcoming events, research, transportation, traffic laws, intelligent vehicles, transportation studies, Amnesty International, traffic management, transit research, highway administration and infrastructure.\n","Documents dealing with urban planning. Material includes booklets, receipts, newsletters, articles, correspondence, essays, notes, meeting agendas and schedules, memos, meeting minutes, presentation slides and Intelligent Vehicle Highway Society Planning Committee documents. Subject matter includes transportation planning on a federal and local level, traffic congestion, transportation engineering, and intelligent vehicles.\n","Publications by Thomas Deen. Subject matter includes transportation, rapid transit, transportation engineering, highway research, traveler response evaluation, transit planning, the Alan M. Voorhees and Associates firm, urban public transportation, public works, transportation planning, rail transit, bridge inspection, automotive safety, the 55 mile per hour speed limit, fiscal policies, growth, asphalt, labor, transportation statistics, Caracas, Venezuela, parking prices, planning, foreign highway research programs, urban transportation planning, and economic evaluation.\n","Miscellaneous files from the Thomas Deen collection. Material includes official reports, discussion outlines, meeting schedules and agendas, memos, correspondence, attendance lists, committee lists, work plans, travel information, notes, pamphlets, programs, resumes, newsletters, maps, articles, congressional resolutions, publications, fact sheets, business cards, contact information, charts and graphs, \"Who's Who\" articles and calendars. Subject matter includes public works, traffic management, vehicle safety, roads and bridges, carpooling, asphalt, the 55 mile per hour speed limit, traffic engineering, highway financing, federal highway administration, and railroads.\n"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["There are no restrictions.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe Thomas Blackburn Deen papers contain transportation-related materials collected between 1980 and 1994 while Mr. Deen was head of the National Research Council Transportation Research Board (TRB). Types of materials include conference and committee meeting materials, TRB research information, speeches and personal correspondence. The materials cover a wide variety of topics such as highway construction, safety, international transportation concerns, and funding for highways. Organizations represented by materials in the papers include the Federal Highway Administration, the Department of Transportation, and the Permanent International Association of Road Congresses.\n\u003c/abstract\u003e"],"abstract_tesim":["The Thomas Blackburn Deen papers contain transportation-related materials collected between 1980 and 1994 while Mr. Deen was head of the National Research Council Transportation Research Board (TRB). Types of materials include conference and committee meeting materials, TRB research information, speeches and personal correspondence. The materials cover a wide variety of topics such as highway construction, safety, international transportation concerns, and funding for highways. Organizations represented by materials in the papers include the Federal Highway Administration, the Department of Transportation, and the Permanent International Association of Road Congresses.\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","American Association of State Highway and Transportation Officials.","American Public Works Association.","American Road and Transportation Builders Association.","Institute of Transportation Engineers.","Intelligent Vehicle Highway Society of America.","International Road Federation.","National Asphalt Pavement Association.","National Research Council (U.S.). Transportation Research Board.","Permanent International Association of Road Congresses.","The Road Gang","United States. Dept. of Transportation.","United States. Federal Highway Administration.","Deen, Thomas B.\n","Deen, Thomas B."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","American Association of State Highway and Transportation Officials.","American Public Works Association.","American Road and Transportation Builders Association.","Institute of Transportation Engineers.","Intelligent Vehicle Highway Society of America.","International Road Federation.","National Asphalt Pavement Association.","National Research Council (U.S.). Transportation Research Board.","Permanent International Association of Road Congresses.","The Road Gang","United States. Dept. of Transportation.","United States. Federal Highway Administration."],"persname_ssim":["Deen, Thomas B.\n","Deen, Thomas B."],"language_ssim":["English\n"],"total_component_count_is":721,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:25:23.142Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_vifgm00028_c01_c135"}},{"id":"vifgm_repositories_2_resources_60_c01_c135","type":"File","attributes":{"title":"40th Annual Maine Transportation Conference","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_60_c01_c135#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_60_c01_c135","ref_ssm":["vifgm_repositories_2_resources_60_c01_c135"],"id":"vifgm_repositories_2_resources_60_c01_c135","ead_ssi":"vifgm_repositories_2_resources_60","_root_":"vifgm_repositories_2_resources_60","_nest_parent_":"vifgm_repositories_2_resources_60_c01","parent_ssi":"vifgm_repositories_2_resources_60_c01","parent_ssim":["vifgm_repositories_2_resources_60","vifgm_repositories_2_resources_60_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_60","vifgm_repositories_2_resources_60_c01"],"parent_unittitles_ssm":["Thomas B. Deen papers","Series 1: Meetings and Events"],"parent_unittitles_tesim":["Thomas B. Deen papers","Series 1: Meetings and Events"],"text":["Thomas B. Deen papers","Series 1: Meetings and Events","40th Annual Maine Transportation Conference","box 11","folder 5"],"title_filing_ssi":"40th Annual Maine Transportation Conference","title_ssm":["40th Annual Maine Transportation Conference"],"title_tesim":["40th Annual Maine Transportation Conference"],"unitdate_other_ssim":["September-December 1989"],"normalized_date_ssm":["1989"],"normalized_title_ssm":["40th Annual Maine Transportation Conference"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Thomas B. Deen papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":136,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1989],"containers_ssim":["box 11","folder 5"],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#0/components#134","timestamp":"2026-05-21T05:33:38.426Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_60","ead_ssi":"vifgm_repositories_2_resources_60","_root_":"vifgm_repositories_2_resources_60","_nest_parent_":"vifgm_repositories_2_resources_60","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_60.xml","title_filing_ssi":"Thomas B. Deen papers","title_ssm":["Thomas B. Deen papers"],"title_tesim":["Thomas B. Deen papers"],"unitdate_ssm":["1957-1995"],"unitdate_inclusive_ssm":["1957-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0106","/repositories/2/resources/60"],"text":["C0106","/repositories/2/resources/60","Thomas B. Deen papers","Transportation engineering","Transportation -- United States","Highway engineering","There are no access restrictions.","The collection is arranged by subject.","Series Series 1: Meetings and Events, April 1962-October 1994 (Boxes 1-27) Series 2: Research, September 1961-June 1993 (Boxes 27-31) Series 3: Correspondence, August 1979-September 1995 (Boxes 31-34) Series 4: Planning, April 1981-August 1994 (Boxes 34-36) Series 5: Publications, February 1957-October 1995 (Boxes 36-48) Series 6: Miscellaneous, January 1965-October 1995 (Boxes 48-52)","Thomas Blackburn Deen (b. 1928), a graduate of the University of Kentucky, began his career as a highway traffic engineer. Early in his career, Deen pioneered the development and application of methods for analyzing urban transportation problems and designing urban transit systems. These computer-based analytical methods were used to evaluate and select the lines that today make up the Washington, D.C. area Metrorail system. Deen served as Director of Planning for the National Capital Transportation Agency from 1960 to 1964, and Executive Director of the National Research Council Transportation Research Board (TRB) from 1980 to 1994. At the TRB, Deen supervised policy studies on critical national transportation issues, such as the 55 mile per hour speed limit, school bus safety, air passenger service and safety since deregulation, intelligent vehicles, and high-speed rail. He was responsible for all of TRB's activities including its sponsorship of some 260 technical committees and panels, research retrieval systems, in house research, and state-sponsored cooperative research programs.","Processed and finding aid compiled by Jennifer L. Smith, Robert Vay, Barbara Haase, Regina Banks, Keisha Ferguson, and Natalie White in 1999. EAD markup completed by Eron Ackerman and Jordan Patty in February 2009. Additional processing and EAD markup completed by Harold Barthold in August 2011. Finding aid updated by Amanda Menjivar in March 2024.","The Special Collections Research Center holds many other transportation related collections and publications.","The Thomas Blackburn Deen papers contain transportation-related materials collected between 1980 and 1994 while Mr. Deen was head of the National Research Council Transportation Research Board (TRB). Types of materials include conference and committee meeting materials, TRB research information, speeches and personal correspondence. The materials cover a wide variety of topics such as highway construction, safety, international transportation concerns, and funding for highways. Organizations represented by materials in the papers include the Federal Highway Administration, the Department of Transportation, and the Permanent International Association of Road Congresses. The collections is arranged into six series.","Series 1 contains documents from and about meetings, conferences, conventions, workshops and other events that Deen was invited to or participated. Material includes agendas, schedules of events, contact lists, meeting minutes, articles, notes, speeches, correspondence, travel itineraries, travel receipts, publications, memos, programs, committee member lists, book excerpts, announcements, proposals, registration forms, travel vouchers, policy books, attendance lists, pamphlets, maps, resumes, lists of publications, organizational charts, flight schedules, business cards, contact information, essays, information tables, manuscripts, committee reports, overhead projector slides, photographs, financial information, calendars of events, newsletters, press releases, fact sheets, copyright information, slides, faxes and \"Who's Who\" listings. Subject matter includes infrastructure, transportation research, public works, civil engineering, hazardous material transportation, safety, financing infrastructure, pavement management and maintenance, technical policy, geometric design standards, energy usage, European infrastructure, transportation centers, traffic congestion, trucking, highway and transportation engineering, high speed trains, economics of transport, transportation law, mass transit, urban infrastructure, state highway and transportation officials, urban mobility, Australian transportation, The US Department of Transportation, motor vehicle manufacturers the future of transportation, transportation planning, Asian infrastructure, intelligent vehicles, aviation, and Indian highways. Series 1 also includes a subseries containing the lectures and speeches of Thomas Deen. At many of the events that Deen attended, he was invited to speak on a variety of topics. Material in this subseries includes transcripts of speeches, notes, programs, correspondence, travel information, maps, organizational charts, articles, pamphlets, schedules, agendas, newsletters, presentation slides, graphs and attendance lists. Subject matter includes Thomas Deen's life, the Transportation Research Board, the 55 mile per hour speed limit, the future of the automobile, economic growth and development, research, transportation, value engineering, citizens band radio in intercity busses, urban policy, trucking, hazardous materials, state and federal financial management, rapid transit, traffic congestion, transportation law, the role of state and region in public surface transportation, transportation centers, infrastructure, highway construction, engineering management, commencement addresses, transportation planning and scholarship.","Series 2 consists of research materials as well as documents from location tours. Material in this series includes research reports, correspondence, project status reports, memos, notes, travel information, articles, essays, organizational charts, budget information, publication lists, maps, research reports, newsletters, pamphlets, biographical sketches, agendas and project proposals. Subject matter includes road maintenance, automobile assembly, transportation policy, urban mobility, automobile safety, the Transportation Research Board, the US Army Corps of Engineers, intelligent vehicles, and testing.","Series 3 contains correspondence to and from Thomas Deen. Topics include travel, upcoming events, research, transportation, traffic laws, intelligent vehicles, transportation studies, Amnesty International, traffic management, transit research, highway administration and infrastructure.","Series 4 contains documents dealing with urban planning. Material includes booklets, receipts, newsletters, articles, correspondence, essays, notes, meeting agendas and schedules, memos, meeting minutes, presentation slides and Intelligent Vehicle Highway Society Planning Committee documents. Subject matter includes transportation planning on a federal and local level, traffic congestion, transportation engineering, and intelligent vehicles.","Series 5 contains published work by Thomas Deen. Subject matter includes transportation, rapid transit, transportation engineering, highway research, traveler response evaluation, transit planning, the Alan M. Voorhees and Associates firm, urban public transportation, public works, transportation planning, rail transit, bridge inspection, automotive safety, the 55 mile per hour speed limit, fiscal policies, growth, asphalt, labor, transportation statistics, Caracas, Venezuela, parking prices, planning, foreign highway research programs, urban transportation planning, and economic evaluation.","Series 6 contains miscellaneous files from the Thomas Deen collection. Material includes official reports, discussion outlines, meeting schedules and agendas, memos, correspondence, attendance lists, committee lists, work plans, travel information, notes, pamphlets, programs, resumes, newsletters, maps, articles, congressional resolutions, publications, fact sheets, business cards, contact information, charts and graphs, \"Who's Who\" articles and calendars. Subject matter includes public works, traffic management, vehicle safety, roads and bridges, carpooling, asphalt, the 55 mile per hour speed limit, traffic engineering, highway financing, federal highway administration, and railroads. ","Documents from and about meetings, conferences, conventions, workshops and other events that Deen was invited to or participated. Material includes agendas, schedules of events, contact lists, meeting minutes, articles, notes, speeches, correspondence, memos, programs, registration forms, pamphlets. Subject matter includes infrastructure, transportation research, public works, civil engineering, and safety. Also included is a subseries, consisting of transcripts of lectures and speeches given by Deen at various events and lectures.","At many of the events that Deen attended, he was invited to speak on a variety of topics. Material in this subseries includes transcripts of speeches, notes, programs, correspondence, travel information, maps, organizational charts, articles, pamphlets, schedules, agendas, newsletters, presentation slides, graphs and attendance lists. Subject matter includes Thomas Deen's life, the Transportation Research Board, the 55 mile per hour speed limit, the future of the automobile, economic growth and development, research, transportation, value engineering, citizens band radio in intercity busses, urban policy, trucking, hazardous materials, state and federal financial management, rapid transit, traffic congestion, transportation law, the role of state and region in public surface transportation, transportation centers, infrastructure, highway construction, engineering management, commencement addresses, transportation planning and scholarship.","Research materials and documents from location tours. Material in this series includes research reports, correspondence, project status reports, memos, notes, travel information, articles, essays, organizational charts, budget information, publication lists, maps, research reports, newsletters, pamphlets, biographical sketches, agendas and project proposals. Subject matter includes road maintenance, automobile assembly, transportation policy, urban mobility, automobile safety, the Transportation Research Board, the US Army Corps of Engineers, intelligent vehicles, and testing.","Correspondence to and from Thomas Deen. Topics include travel, upcoming events, research, transportation, traffic laws, intelligent vehicles, transportation studies, Amnesty International, traffic management, transit research, highway administration and infrastructure.","Documents dealing with urban planning. Material includes booklets, receipts, newsletters, articles, correspondence, essays, notes, meeting agendas and schedules, memos, meeting minutes, presentation slides and Intelligent Vehicle Highway Society Planning Committee documents. Subject matter includes transportation planning on a federal and local level, traffic congestion, transportation engineering, and intelligent vehicles.","Publications by Thomas Deen. Subject matter includes transportation, rapid transit, transportation engineering, highway research, traveler response evaluation, transit planning, the Alan M. Voorhees and Associates firm, urban public transportation, public works, transportation planning, rail transit, bridge inspection, automotive safety, the 55 mile per hour speed limit, fiscal policies, growth, asphalt, labor, transportation statistics, Caracas, Venezuela, parking prices, planning, foreign highway research programs, urban transportation planning, and economic evaluation.","Miscellaneous files from the Thomas Deen collection. Material includes official reports, discussion outlines, meeting schedules and agendas, memos, correspondence, attendance lists, committee lists, work plans, travel information, notes, pamphlets, programs, resumes, newsletters, maps, articles, congressional resolutions, publications, fact sheets, business cards, contact information, charts and graphs, \"Who's Who\" articles and calendars. Subject matter includes public works, traffic management, vehicle safety, roads and bridges, carpooling, asphalt, the 55 mile per hour speed limit, traffic engineering, highway financing, federal highway administration, and railroads.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Thomas Blackburn Deen papers contain transportation-related materials collected between 1980 and 1994 while Mr. Deen was head of the National Research Council Transportation Research Board (TRB). Types of materials include conference and committee meeting materials, TRB research information, speeches and personal correspondence. The materials cover a wide variety of topics such as highway construction, safety, international transportation concerns, and funding for highways. 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B."],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the National Research Council Transportation Research Board in 1999."],"access_subjects_ssim":["Transportation engineering","Transportation -- United States","Highway engineering"],"access_subjects_ssm":["Transportation engineering","Transportation -- United States","Highway engineering"],"has_online_content_ssim":["false"],"extent_ssm":["26 Linear Feet 52 boxes"],"extent_tesim":["26 Linear Feet 52 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by subject.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Meetings and Events, April 1962-October 1994 (Boxes 1-27)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Research, September 1961-June 1993 (Boxes 27-31)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Correspondence, August 1979-September 1995 (Boxes 31-34)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Planning, April 1981-August 1994 (Boxes 34-36)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Publications, February 1957-October 1995 (Boxes 36-48)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Miscellaneous, January 1965-October 1995 (Boxes 48-52)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by subject.","Series Series 1: Meetings and Events, April 1962-October 1994 (Boxes 1-27) Series 2: Research, September 1961-June 1993 (Boxes 27-31) Series 3: Correspondence, August 1979-September 1995 (Boxes 31-34) Series 4: Planning, April 1981-August 1994 (Boxes 34-36) Series 5: Publications, February 1957-October 1995 (Boxes 36-48) Series 6: Miscellaneous, January 1965-October 1995 (Boxes 48-52)"],"bioghist_html_tesm":["\u003cp\u003eThomas Blackburn Deen (b. 1928), a graduate of the University of Kentucky, began his career as a highway traffic engineer. Early in his career, Deen pioneered the development and application of methods for analyzing urban transportation problems and designing urban transit systems. These computer-based analytical methods were used to evaluate and select the lines that today make up the Washington, D.C. area Metrorail system. Deen served as Director of Planning for the National Capital Transportation Agency from 1960 to 1964, and Executive Director of the National Research Council Transportation Research Board (TRB) from 1980 to 1994. At the TRB, Deen supervised policy studies on critical national transportation issues, such as the 55 mile per hour speed limit, school bus safety, air passenger service and safety since deregulation, intelligent vehicles, and high-speed rail. He was responsible for all of TRB's activities including its sponsorship of some 260 technical committees and panels, research retrieval systems, in house research, and state-sponsored cooperative research programs.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Thomas Blackburn Deen (b. 1928), a graduate of the University of Kentucky, began his career as a highway traffic engineer. Early in his career, Deen pioneered the development and application of methods for analyzing urban transportation problems and designing urban transit systems. These computer-based analytical methods were used to evaluate and select the lines that today make up the Washington, D.C. area Metrorail system. Deen served as Director of Planning for the National Capital Transportation Agency from 1960 to 1964, and Executive Director of the National Research Council Transportation Research Board (TRB) from 1980 to 1994. At the TRB, Deen supervised policy studies on critical national transportation issues, such as the 55 mile per hour speed limit, school bus safety, air passenger service and safety since deregulation, intelligent vehicles, and high-speed rail. He was responsible for all of TRB's activities including its sponsorship of some 260 technical committees and panels, research retrieval systems, in house research, and state-sponsored cooperative research programs."],"prefercite_html_tesm":["\u003cp\u003eThomas B. Deen papers, C0106, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Thomas B. Deen papers, C0106, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed and finding aid compiled by Jennifer L. Smith, Robert Vay, Barbara Haase, Regina Banks, Keisha Ferguson, and Natalie White in 1999. EAD markup completed by Eron Ackerman and Jordan Patty in February 2009. Additional processing and EAD markup completed by Harold Barthold in August 2011. Finding aid updated by Amanda Menjivar in March 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed and finding aid compiled by Jennifer L. Smith, Robert Vay, Barbara Haase, Regina Banks, Keisha Ferguson, and Natalie White in 1999. EAD markup completed by Eron Ackerman and Jordan Patty in February 2009. Additional processing and EAD markup completed by Harold Barthold in August 2011. Finding aid updated by Amanda Menjivar in March 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other transportation related collections and publications.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other transportation related collections and publications."],"scopecontent_html_tesm":["\u003cp\u003eThe Thomas Blackburn Deen papers contain transportation-related materials collected between 1980 and 1994 while Mr. Deen was head of the National Research Council Transportation Research Board (TRB). Types of materials include conference and committee meeting materials, TRB research information, speeches and personal correspondence. The materials cover a wide variety of topics such as highway construction, safety, international transportation concerns, and funding for highways. Organizations represented by materials in the papers include the Federal Highway Administration, the Department of Transportation, and the Permanent International Association of Road Congresses. The collections is arranged into six series.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains documents from and about meetings, conferences, conventions, workshops and other events that Deen was invited to or participated. Material includes agendas, schedules of events, contact lists, meeting minutes, articles, notes, speeches, correspondence, travel itineraries, travel receipts, publications, memos, programs, committee member lists, book excerpts, announcements, proposals, registration forms, travel vouchers, policy books, attendance lists, pamphlets, maps, resumes, lists of publications, organizational charts, flight schedules, business cards, contact information, essays, information tables, manuscripts, committee reports, overhead projector slides, photographs, financial information, calendars of events, newsletters, press releases, fact sheets, copyright information, slides, faxes and \"Who's Who\" listings. Subject matter includes infrastructure, transportation research, public works, civil engineering, hazardous material transportation, safety, financing infrastructure, pavement management and maintenance, technical policy, geometric design standards, energy usage, European infrastructure, transportation centers, traffic congestion, trucking, highway and transportation engineering, high speed trains, economics of transport, transportation law, mass transit, urban infrastructure, state highway and transportation officials, urban mobility, Australian transportation, The US Department of Transportation, motor vehicle manufacturers the future of transportation, transportation planning, Asian infrastructure, intelligent vehicles, aviation, and Indian highways. Series 1 also includes a subseries containing the lectures and speeches of Thomas Deen. At many of the events that Deen attended, he was invited to speak on a variety of topics. Material in this subseries includes transcripts of speeches, notes, programs, correspondence, travel information, maps, organizational charts, articles, pamphlets, schedules, agendas, newsletters, presentation slides, graphs and attendance lists. Subject matter includes Thomas Deen's life, the Transportation Research Board, the 55 mile per hour speed limit, the future of the automobile, economic growth and development, research, transportation, value engineering, citizens band radio in intercity busses, urban policy, trucking, hazardous materials, state and federal financial management, rapid transit, traffic congestion, transportation law, the role of state and region in public surface transportation, transportation centers, infrastructure, highway construction, engineering management, commencement addresses, transportation planning and scholarship.\u003c/p\u003e\n","\u003cp\u003eSeries 2 consists of research materials as well as documents from location tours. Material in this series includes research reports, correspondence, project status reports, memos, notes, travel information, articles, essays, organizational charts, budget information, publication lists, maps, research reports, newsletters, pamphlets, biographical sketches, agendas and project proposals. Subject matter includes road maintenance, automobile assembly, transportation policy, urban mobility, automobile safety, the Transportation Research Board, the US Army Corps of Engineers, intelligent vehicles, and testing.\u003c/p\u003e\n","\u003cp\u003eSeries 3 contains correspondence to and from Thomas Deen. Topics include travel, upcoming events, research, transportation, traffic laws, intelligent vehicles, transportation studies, Amnesty International, traffic management, transit research, highway administration and infrastructure.\u003c/p\u003e\n","\u003cp\u003eSeries 4 contains documents dealing with urban planning. Material includes booklets, receipts, newsletters, articles, correspondence, essays, notes, meeting agendas and schedules, memos, meeting minutes, presentation slides and Intelligent Vehicle Highway Society Planning Committee documents. Subject matter includes transportation planning on a federal and local level, traffic congestion, transportation engineering, and intelligent vehicles.\u003c/p\u003e\n","\u003cp\u003eSeries 5 contains published work by Thomas Deen. Subject matter includes transportation, rapid transit, transportation engineering, highway research, traveler response evaluation, transit planning, the Alan M. Voorhees and Associates firm, urban public transportation, public works, transportation planning, rail transit, bridge inspection, automotive safety, the 55 mile per hour speed limit, fiscal policies, growth, asphalt, labor, transportation statistics, Caracas, Venezuela, parking prices, planning, foreign highway research programs, urban transportation planning, and economic evaluation.\u003c/p\u003e\n","\u003cp\u003eSeries 6 contains miscellaneous files from the Thomas Deen collection. Material includes official reports, discussion outlines, meeting schedules and agendas, memos, correspondence, attendance lists, committee lists, work plans, travel information, notes, pamphlets, programs, resumes, newsletters, maps, articles, congressional resolutions, publications, fact sheets, business cards, contact information, charts and graphs, \"Who's Who\" articles and calendars. Subject matter includes public works, traffic management, vehicle safety, roads and bridges, carpooling, asphalt, the 55 mile per hour speed limit, traffic engineering, highway financing, federal highway administration, and railroads. \u003c/p\u003e","\u003cp\u003eDocuments from and about meetings, conferences, conventions, workshops and other events that Deen was invited to or participated. Material includes agendas, schedules of events, contact lists, meeting minutes, articles, notes, speeches, correspondence, memos, programs, registration forms, pamphlets. Subject matter includes infrastructure, transportation research, public works, civil engineering, and safety. Also included is a subseries, consisting of transcripts of lectures and speeches given by Deen at various events and lectures.\u003c/p\u003e","\u003cp\u003eAt many of the events that Deen attended, he was invited to speak on a variety of topics. Material in this subseries includes transcripts of speeches, notes, programs, correspondence, travel information, maps, organizational charts, articles, pamphlets, schedules, agendas, newsletters, presentation slides, graphs and attendance lists. Subject matter includes Thomas Deen's life, the Transportation Research Board, the 55 mile per hour speed limit, the future of the automobile, economic growth and development, research, transportation, value engineering, citizens band radio in intercity busses, urban policy, trucking, hazardous materials, state and federal financial management, rapid transit, traffic congestion, transportation law, the role of state and region in public surface transportation, transportation centers, infrastructure, highway construction, engineering management, commencement addresses, transportation planning and scholarship.\u003c/p\u003e","\u003cp\u003eResearch materials and documents from location tours. Material in this series includes research reports, correspondence, project status reports, memos, notes, travel information, articles, essays, organizational charts, budget information, publication lists, maps, research reports, newsletters, pamphlets, biographical sketches, agendas and project proposals. Subject matter includes road maintenance, automobile assembly, transportation policy, urban mobility, automobile safety, the Transportation Research Board, the US Army Corps of Engineers, intelligent vehicles, and testing.\u003c/p\u003e","\u003cp\u003eCorrespondence to and from Thomas Deen. Topics include travel, upcoming events, research, transportation, traffic laws, intelligent vehicles, transportation studies, Amnesty International, traffic management, transit research, highway administration and infrastructure.\u003c/p\u003e","\u003cp\u003eDocuments dealing with urban planning. Material includes booklets, receipts, newsletters, articles, correspondence, essays, notes, meeting agendas and schedules, memos, meeting minutes, presentation slides and Intelligent Vehicle Highway Society Planning Committee documents. Subject matter includes transportation planning on a federal and local level, traffic congestion, transportation engineering, and intelligent vehicles.\u003c/p\u003e","\u003cp\u003ePublications by Thomas Deen. Subject matter includes transportation, rapid transit, transportation engineering, highway research, traveler response evaluation, transit planning, the Alan M. Voorhees and Associates firm, urban public transportation, public works, transportation planning, rail transit, bridge inspection, automotive safety, the 55 mile per hour speed limit, fiscal policies, growth, asphalt, labor, transportation statistics, Caracas, Venezuela, parking prices, planning, foreign highway research programs, urban transportation planning, and economic evaluation.\u003c/p\u003e","\u003cp\u003eMiscellaneous files from the Thomas Deen collection. Material includes official reports, discussion outlines, meeting schedules and agendas, memos, correspondence, attendance lists, committee lists, work plans, travel information, notes, pamphlets, programs, resumes, newsletters, maps, articles, congressional resolutions, publications, fact sheets, business cards, contact information, charts and graphs, \"Who's Who\" articles and calendars. 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note","Scope and Contents note"],"scopecontent_tesim":["The Thomas Blackburn Deen papers contain transportation-related materials collected between 1980 and 1994 while Mr. Deen was head of the National Research Council Transportation Research Board (TRB). Types of materials include conference and committee meeting materials, TRB research information, speeches and personal correspondence. The materials cover a wide variety of topics such as highway construction, safety, international transportation concerns, and funding for highways. Organizations represented by materials in the papers include the Federal Highway Administration, the Department of Transportation, and the Permanent International Association of Road Congresses. The collections is arranged into six series.","Series 1 contains documents from and about meetings, conferences, conventions, workshops and other events that Deen was invited to or participated. Material includes agendas, schedules of events, contact lists, meeting minutes, articles, notes, speeches, correspondence, travel itineraries, travel receipts, publications, memos, programs, committee member lists, book excerpts, announcements, proposals, registration forms, travel vouchers, policy books, attendance lists, pamphlets, maps, resumes, lists of publications, organizational charts, flight schedules, business cards, contact information, essays, information tables, manuscripts, committee reports, overhead projector slides, photographs, financial information, calendars of events, newsletters, press releases, fact sheets, copyright information, slides, faxes and \"Who's Who\" listings. Subject matter includes infrastructure, transportation research, public works, civil engineering, hazardous material transportation, safety, financing infrastructure, pavement management and maintenance, technical policy, geometric design standards, energy usage, European infrastructure, transportation centers, traffic congestion, trucking, highway and transportation engineering, high speed trains, economics of transport, transportation law, mass transit, urban infrastructure, state highway and transportation officials, urban mobility, Australian transportation, The US Department of Transportation, motor vehicle manufacturers the future of transportation, transportation planning, Asian infrastructure, intelligent vehicles, aviation, and Indian highways. Series 1 also includes a subseries containing the lectures and speeches of Thomas Deen. At many of the events that Deen attended, he was invited to speak on a variety of topics. Material in this subseries includes transcripts of speeches, notes, programs, correspondence, travel information, maps, organizational charts, articles, pamphlets, schedules, agendas, newsletters, presentation slides, graphs and attendance lists. Subject matter includes Thomas Deen's life, the Transportation Research Board, the 55 mile per hour speed limit, the future of the automobile, economic growth and development, research, transportation, value engineering, citizens band radio in intercity busses, urban policy, trucking, hazardous materials, state and federal financial management, rapid transit, traffic congestion, transportation law, the role of state and region in public surface transportation, transportation centers, infrastructure, highway construction, engineering management, commencement addresses, transportation planning and scholarship.","Series 2 consists of research materials as well as documents from location tours. Material in this series includes research reports, correspondence, project status reports, memos, notes, travel information, articles, essays, organizational charts, budget information, publication lists, maps, research reports, newsletters, pamphlets, biographical sketches, agendas and project proposals. Subject matter includes road maintenance, automobile assembly, transportation policy, urban mobility, automobile safety, the Transportation Research Board, the US Army Corps of Engineers, intelligent vehicles, and testing.","Series 3 contains correspondence to and from Thomas Deen. Topics include travel, upcoming events, research, transportation, traffic laws, intelligent vehicles, transportation studies, Amnesty International, traffic management, transit research, highway administration and infrastructure.","Series 4 contains documents dealing with urban planning. Material includes booklets, receipts, newsletters, articles, correspondence, essays, notes, meeting agendas and schedules, memos, meeting minutes, presentation slides and Intelligent Vehicle Highway Society Planning Committee documents. Subject matter includes transportation planning on a federal and local level, traffic congestion, transportation engineering, and intelligent vehicles.","Series 5 contains published work by Thomas Deen. Subject matter includes transportation, rapid transit, transportation engineering, highway research, traveler response evaluation, transit planning, the Alan M. Voorhees and Associates firm, urban public transportation, public works, transportation planning, rail transit, bridge inspection, automotive safety, the 55 mile per hour speed limit, fiscal policies, growth, asphalt, labor, transportation statistics, Caracas, Venezuela, parking prices, planning, foreign highway research programs, urban transportation planning, and economic evaluation.","Series 6 contains miscellaneous files from the Thomas Deen collection. Material includes official reports, discussion outlines, meeting schedules and agendas, memos, correspondence, attendance lists, committee lists, work plans, travel information, notes, pamphlets, programs, resumes, newsletters, maps, articles, congressional resolutions, publications, fact sheets, business cards, contact information, charts and graphs, \"Who's Who\" articles and calendars. Subject matter includes public works, traffic management, vehicle safety, roads and bridges, carpooling, asphalt, the 55 mile per hour speed limit, traffic engineering, highway financing, federal highway administration, and railroads. ","Documents from and about meetings, conferences, conventions, workshops and other events that Deen was invited to or participated. Material includes agendas, schedules of events, contact lists, meeting minutes, articles, notes, speeches, correspondence, memos, programs, registration forms, pamphlets. Subject matter includes infrastructure, transportation research, public works, civil engineering, and safety. Also included is a subseries, consisting of transcripts of lectures and speeches given by Deen at various events and lectures.","At many of the events that Deen attended, he was invited to speak on a variety of topics. Material in this subseries includes transcripts of speeches, notes, programs, correspondence, travel information, maps, organizational charts, articles, pamphlets, schedules, agendas, newsletters, presentation slides, graphs and attendance lists. Subject matter includes Thomas Deen's life, the Transportation Research Board, the 55 mile per hour speed limit, the future of the automobile, economic growth and development, research, transportation, value engineering, citizens band radio in intercity busses, urban policy, trucking, hazardous materials, state and federal financial management, rapid transit, traffic congestion, transportation law, the role of state and region in public surface transportation, transportation centers, infrastructure, highway construction, engineering management, commencement addresses, transportation planning and scholarship.","Research materials and documents from location tours. Material in this series includes research reports, correspondence, project status reports, memos, notes, travel information, articles, essays, organizational charts, budget information, publication lists, maps, research reports, newsletters, pamphlets, biographical sketches, agendas and project proposals. Subject matter includes road maintenance, automobile assembly, transportation policy, urban mobility, automobile safety, the Transportation Research Board, the US Army Corps of Engineers, intelligent vehicles, and testing.","Correspondence to and from Thomas Deen. Topics include travel, upcoming events, research, transportation, traffic laws, intelligent vehicles, transportation studies, Amnesty International, traffic management, transit research, highway administration and infrastructure.","Documents dealing with urban planning. Material includes booklets, receipts, newsletters, articles, correspondence, essays, notes, meeting agendas and schedules, memos, meeting minutes, presentation slides and Intelligent Vehicle Highway Society Planning Committee documents. Subject matter includes transportation planning on a federal and local level, traffic congestion, transportation engineering, and intelligent vehicles.","Publications by Thomas Deen. Subject matter includes transportation, rapid transit, transportation engineering, highway research, traveler response evaluation, transit planning, the Alan M. Voorhees and Associates firm, urban public transportation, public works, transportation planning, rail transit, bridge inspection, automotive safety, the 55 mile per hour speed limit, fiscal policies, growth, asphalt, labor, transportation statistics, Caracas, Venezuela, parking prices, planning, foreign highway research programs, urban transportation planning, and economic evaluation.","Miscellaneous files from the Thomas Deen collection. Material includes official reports, discussion outlines, meeting schedules and agendas, memos, correspondence, attendance lists, committee lists, work plans, travel information, notes, pamphlets, programs, resumes, newsletters, maps, articles, congressional resolutions, publications, fact sheets, business cards, contact information, charts and graphs, \"Who's Who\" articles and calendars. Subject matter includes public works, traffic management, vehicle safety, roads and bridges, carpooling, asphalt, the 55 mile per hour speed limit, traffic engineering, highway financing, federal highway administration, and railroads."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_63ed284ba883f600ac006fad27e54fe0\" label=\"Abstract\"\u003eThe Thomas Blackburn Deen papers contain transportation-related materials collected between 1980 and 1994 while Mr. Deen was head of the National Research Council Transportation Research Board (TRB). Types of materials include conference and committee meeting materials, TRB research information, speeches and personal correspondence. The materials cover a wide variety of topics such as highway construction, safety, international transportation concerns, and funding for highways. Organizations represented by materials in the papers include the Federal Highway Administration, the Department of Transportation, and the Permanent International Association of Road Congresses.\u003c/abstract\u003e"],"abstract_tesim":["The Thomas Blackburn Deen papers contain transportation-related materials collected between 1980 and 1994 while Mr. Deen was head of the National Research Council Transportation Research Board (TRB). Types of materials include conference and committee meeting materials, TRB research information, speeches and personal correspondence. The materials cover a wide variety of topics such as highway construction, safety, international transportation concerns, and funding for highways. Organizations represented by materials in the papers include the Federal Highway Administration, the Department of Transportation, and the Permanent International Association of Road Congresses."],"names_coll_ssim":["American Association of State Highway and Transportation Officials","American Public Works Association","American Road \u0026 Transportation Builders Association","Institute of Transportation Engineers","IVHS America","International Road Federation","National Asphalt Pavement Association","National Research Council (U.S.). Transportation Research Board","Permanent International Association of Road Congresses","The Road Gang","United States. Department of Transportation","United States. Federal Highway Administration","Deen, T. B."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American Association of State Highway and Transportation Officials","American Public Works Association","American Road \u0026 Transportation Builders Association","Institute of Transportation Engineers","IVHS America","International Road Federation","National Asphalt Pavement Association","National Research Council (U.S.). Transportation Research Board","Permanent International Association of Road Congresses","The Road Gang","United States. Department of Transportation","United States. Federal Highway Administration","Deen, T. B."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Association of State Highway and Transportation Officials","American Public Works Association","American Road \u0026 Transportation Builders Association","Institute of Transportation Engineers","IVHS America","International Road Federation","National Asphalt Pavement Association","National Research Council (U.S.). Transportation Research Board","Permanent International Association of Road Congresses","The Road Gang","United States. Department of Transportation","United States. Federal Highway Administration"],"persname_ssim":["Deen, T. B."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":721,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:33:38.426Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_60_c01_c135"}},{"id":"viblbv_repositories_2_resources_2392_c15","type":"Item","attributes":{"title":"411; 411-415 Royal Street","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2392_c15#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSee also Box 255 Folder 7-8.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2392_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_2392_c15","ref_ssm":["viblbv_repositories_2_resources_2392_c15"],"id":"viblbv_repositories_2_resources_2392_c15","ead_ssi":"viblbv_repositories_2_resources_2392","_root_":"viblbv_repositories_2_resources_2392","_nest_parent_":"viblbv_repositories_2_resources_2392","parent_ssi":"viblbv_repositories_2_resources_2392","parent_ssim":["viblbv_repositories_2_resources_2392"],"parent_ids_ssim":["viblbv_repositories_2_resources_2392"],"parent_unittitles_ssm":["Betty L. Moss Architectural Collection"],"parent_unittitles_tesim":["Betty L. Moss Architectural Collection"],"text":["Betty L. Moss Architectural Collection","411; 411-415 Royal Street","box 28-47","See also Box 255 Folder 7-8."],"title_filing_ssi":"411; 411-415 Royal Street","title_ssm":["411; 411-415 Royal Street"],"title_tesim":["411; 411-415 Royal Street"],"unitdate_inclusive_ssm":["1961-2001"],"normalized_date_ssm":["1961/2001"],"normalized_title_ssm":["411; 411-415 Royal Street"],"component_level_isim":[1],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Betty L. Moss Architectural Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":15,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"containers_ssim":["box 28-47"],"scopecontent_html_tesm":["\u003cp\u003eSee also Box 255 Folder 7-8.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["See also Box 255 Folder 7-8."],"_nest_path_":"/components#14","timestamp":"2026-05-21T02:19:56.471Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2392","ead_ssi":"viblbv_repositories_2_resources_2392","_root_":"viblbv_repositories_2_resources_2392","_nest_parent_":"viblbv_repositories_2_resources_2392","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2392.xml","title_filing_ssi":"Moss, Betty L., Architectural Collection","title_ssm":["Betty L. Moss Architectural Collection"],"title_tesim":["Betty L. Moss Architectural Collection"],"unitdate_ssm":["1950-2007"],"unitdate_inclusive_ssm":["1950-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2008.071"],"text":["Ms.2008.071","Betty L. Moss Architectural Collection","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open for research.","The collection is arranged by architectural project. Projects appear in chronological order from their beginning.","Betty Anne Lipper was born in 1921 in Houston, Texas, to Lawrence Lipper and Betty Silverman. Betty Lipper married Hartwig Moss II and had two children. Moss attended Newcomb College and Tulane University in New Orleans, Louisiana, as well as the University of Missouri School of Journalism in Colombia, Missouri, and received a bachelor's in journalism from Tulane in 1942. Moss later returned to Tulane in the 1950s and earned a bachelor's degree in Architecture in 1960. After over forty years, Moss was awarded a master's degree in architecture from Tulane in 2004. Starting her practice in her 40s, Moss continued to work for more than four decades and produced designs for many houses and small office buildings in New Orleans. An outspoken defender of building preservation and conservation, Moss ardently defended against the demolition of the Rivergate (an exhibition center) on Canal Street in New Orleans. The Rivergate was demolished; and, Moss and Abbye A. Gorin wrote a six-minute film about the structure. After Hurricane Katrina devastated New Orleans in 2005, Moss composed plans for rebuilding and safety guidelines for disaster prevention. Betty Moss died October 22, 2007.","The guide to the Betty L. Moss Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Betty L. Moss Architectural Collection commenced in May 2008 and was completed in December 2008.","See the  Abbye A. Gorin Architectural Collection, Ms1997-009 , which contains the video Gorin and Moss made together, also at Virginia Tech Special Collections and University Archives.","The Betty L. Moss Architectural Collection contains the drawings, business correspondence, and notes of Betty L. Moss, an architect from New Orleans, Louisiana, practicing largely in the second half of the twentieth century. Structures appearing in drawings include: houses, apartment buildings, condominiums, religious centers, businesses, antique shops, offices, hospitals, and centers for convalescence. The locations of most projects center around New Orleans, Louisiana; but, some structures were designed for Texas, Mississippi, New Jersey, Tennessee, and Idaho. These drawings include projects that were constructed, as well as others that may not have been built. Projects range from plans for the design of the Moss residence made in 1950 to proposals drafted after Hurricane Katrina's devastation of New Orleans in 2005. Architectural designs on illustration board, some tinted, date from Moss's study at Tulane University. Correspondence includes letters to and from clients, professionals, and tradesmen. Interoffice notes and pages from catalogs illustrating fixtures also appear.","See also Box 255 Folder 1.","See also Box 255 Folder 2-3.","See also Box 255 Folder 5-6.","See also Box 255 Folder 7-8.","See also Box 255 Folder 10.","See also Box 255 Folder 11.","See also Box 255 Folder 12.","See also Box 255 Folder 13.","See also Box 255 Folder 14.","See also Box 255 Folder 15.","See also Box 255 Folder 16.","See also Box 255 Folder 17.","See also Box 255 Folder 18.","See also Box 255 Folder 19.","See also Box 255 Folder 21.","See also Box 255 Folder 22.","See also Box 255 Folder 23.","See also Box 255 Folder 24.","See also Box 255 Folder 25.","See also Box 255 Folder 26.","See also Box 255 Folder 27.","See also Box 255 Folder 28.","See also Box 255 Folder 29.","See also Box 255 Folder 30-31.","See also Box 255 Folder 32.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Betty L. Moss Architectural Collection contains the architectural renderings,  business correspondence, and notes of Betty Moss, an architect from New Orleans, Louisiana. Types of structures included in drawings are houses, apartment buildings, condominiums, religious centers, businesses, antique shops, offices, hospitals, and centers for convalescence.","Special Collections and University Archives, Virginia Tech","Moss, Betty","The materials in the collection are in English."],"unitid_tesim":["Ms.2008.071"],"normalized_title_ssm":["Betty L. Moss Architectural Collection"],"collection_title_tesim":["Betty L. Moss Architectural Collection"],"collection_ssim":["Betty L. Moss Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Moss, Betty"],"creator_ssim":["Moss, Betty"],"creator_persname_ssim":["Moss, Betty"],"creators_ssim":["Moss, Betty"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Betty L. Moss Architectural Collection was donated to Special Collections in 2008."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["56.5 Cubic Feet 255 boxes, 6 oversize folders"],"extent_tesim":["56.5 Cubic Feet 255 boxes, 6 oversize folders"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by architectural project. Projects appear in chronological order from their beginning.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by architectural project. Projects appear in chronological order from their beginning."],"bioghist_html_tesm":["\u003cp\u003eBetty Anne Lipper was born in 1921 in Houston, Texas, to Lawrence Lipper and Betty Silverman. Betty Lipper married Hartwig Moss II and had two children. Moss attended Newcomb College and Tulane University in New Orleans, Louisiana, as well as the University of Missouri School of Journalism in Colombia, Missouri, and received a bachelor's in journalism from Tulane in 1942. Moss later returned to Tulane in the 1950s and earned a bachelor's degree in Architecture in 1960. After over forty years, Moss was awarded a master's degree in architecture from Tulane in 2004. Starting her practice in her 40s, Moss continued to work for more than four decades and produced designs for many houses and small office buildings in New Orleans. An outspoken defender of building preservation and conservation, Moss ardently defended against the demolition of the Rivergate (an exhibition center) on Canal Street in New Orleans. The Rivergate was demolished; and, Moss and Abbye A. Gorin wrote a six-minute film about the structure. After Hurricane Katrina devastated New Orleans in 2005, Moss composed plans for rebuilding and safety guidelines for disaster prevention. Betty Moss died October 22, 2007.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Betty Anne Lipper was born in 1921 in Houston, Texas, to Lawrence Lipper and Betty Silverman. Betty Lipper married Hartwig Moss II and had two children. Moss attended Newcomb College and Tulane University in New Orleans, Louisiana, as well as the University of Missouri School of Journalism in Colombia, Missouri, and received a bachelor's in journalism from Tulane in 1942. Moss later returned to Tulane in the 1950s and earned a bachelor's degree in Architecture in 1960. After over forty years, Moss was awarded a master's degree in architecture from Tulane in 2004. Starting her practice in her 40s, Moss continued to work for more than four decades and produced designs for many houses and small office buildings in New Orleans. An outspoken defender of building preservation and conservation, Moss ardently defended against the demolition of the Rivergate (an exhibition center) on Canal Street in New Orleans. The Rivergate was demolished; and, Moss and Abbye A. Gorin wrote a six-minute film about the structure. After Hurricane Katrina devastated New Orleans in 2005, Moss composed plans for rebuilding and safety guidelines for disaster prevention. Betty Moss died October 22, 2007."],"odd_html_tesm":["\u003cp\u003eThe guide to the Betty L. Moss Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Betty L. Moss Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Betty L. Moss Architectural Collection, Ms2008-071, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Betty L. Moss Architectural Collection, Ms2008-071, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Betty L. Moss Architectural Collection commenced in May 2008 and was completed in December 2008.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Betty L. Moss Architectural Collection commenced in May 2008 and was completed in December 2008."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/2043.oai_ead.xml\"\u003eAbbye A. Gorin Architectural Collection, Ms1997-009\u003c/a\u003e, which contains the video Gorin and Moss made together, also at Virginia Tech Special Collections and University Archives.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Material"],"relatedmaterial_tesim":["See the  Abbye A. Gorin Architectural Collection, Ms1997-009 , which contains the video Gorin and Moss made together, also at Virginia Tech Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Betty L. Moss Architectural Collection contains the drawings, business correspondence, and notes of Betty L. Moss, an architect from New Orleans, Louisiana, practicing largely in the second half of the twentieth century. Structures appearing in drawings include: houses, apartment buildings, condominiums, religious centers, businesses, antique shops, offices, hospitals, and centers for convalescence. The locations of most projects center around New Orleans, Louisiana; but, some structures were designed for Texas, Mississippi, New Jersey, Tennessee, and Idaho. These drawings include projects that were constructed, as well as others that may not have been built. Projects range from plans for the design of the Moss residence made in 1950 to proposals drafted after Hurricane Katrina's devastation of New Orleans in 2005. Architectural designs on illustration board, some tinted, date from Moss's study at Tulane University. Correspondence includes letters to and from clients, professionals, and tradesmen. Interoffice notes and pages from catalogs illustrating fixtures also appear.\u003c/p\u003e","\u003cp\u003eSee also Box 255 Folder 1.\u003c/p\u003e","\u003cp\u003eSee also Box 255 Folder 2-3.\u003c/p\u003e","\u003cp\u003eSee also Box 255 Folder 5-6.\u003c/p\u003e","\u003cp\u003eSee also Box 255 Folder 7-8.\u003c/p\u003e","\u003cp\u003eSee also Box 255 Folder 10.\u003c/p\u003e","\u003cp\u003eSee also Box 255 Folder 11.\u003c/p\u003e","\u003cp\u003eSee also Box 255 Folder 12.\u003c/p\u003e","\u003cp\u003eSee also Box 255 Folder 13.\u003c/p\u003e","\u003cp\u003eSee also Box 255 Folder 14.\u003c/p\u003e","\u003cp\u003eSee also Box 255 Folder 15.\u003c/p\u003e","\u003cp\u003eSee also Box 255 Folder 16.\u003c/p\u003e","\u003cp\u003eSee also Box 255 Folder 17.\u003c/p\u003e","\u003cp\u003eSee also Box 255 Folder 18.\u003c/p\u003e","\u003cp\u003eSee also Box 255 Folder 19.\u003c/p\u003e","\u003cp\u003eSee also Box 255 Folder 21.\u003c/p\u003e","\u003cp\u003eSee also Box 255 Folder 22.\u003c/p\u003e","\u003cp\u003eSee also Box 255 Folder 23.\u003c/p\u003e","\u003cp\u003eSee also Box 255 Folder 24.\u003c/p\u003e","\u003cp\u003eSee also Box 255 Folder 25.\u003c/p\u003e","\u003cp\u003eSee also Box 255 Folder 26.\u003c/p\u003e","\u003cp\u003eSee also Box 255 Folder 27.\u003c/p\u003e","\u003cp\u003eSee also Box 255 Folder 28.\u003c/p\u003e","\u003cp\u003eSee also Box 255 Folder 29.\u003c/p\u003e","\u003cp\u003eSee also Box 255 Folder 30-31.\u003c/p\u003e","\u003cp\u003eSee also Box 255 Folder 32.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Betty L. Moss Architectural Collection contains the drawings, business correspondence, and notes of Betty L. Moss, an architect from New Orleans, Louisiana, practicing largely in the second half of the twentieth century. Structures appearing in drawings include: houses, apartment buildings, condominiums, religious centers, businesses, antique shops, offices, hospitals, and centers for convalescence. The locations of most projects center around New Orleans, Louisiana; but, some structures were designed for Texas, Mississippi, New Jersey, Tennessee, and Idaho. These drawings include projects that were constructed, as well as others that may not have been built. Projects range from plans for the design of the Moss residence made in 1950 to proposals drafted after Hurricane Katrina's devastation of New Orleans in 2005. Architectural designs on illustration board, some tinted, date from Moss's study at Tulane University. Correspondence includes letters to and from clients, professionals, and tradesmen. Interoffice notes and pages from catalogs illustrating fixtures also appear.","See also Box 255 Folder 1.","See also Box 255 Folder 2-3.","See also Box 255 Folder 5-6.","See also Box 255 Folder 7-8.","See also Box 255 Folder 10.","See also Box 255 Folder 11.","See also Box 255 Folder 12.","See also Box 255 Folder 13.","See also Box 255 Folder 14.","See also Box 255 Folder 15.","See also Box 255 Folder 16.","See also Box 255 Folder 17.","See also Box 255 Folder 18.","See also Box 255 Folder 19.","See also Box 255 Folder 21.","See also Box 255 Folder 22.","See also Box 255 Folder 23.","See also Box 255 Folder 24.","See also Box 255 Folder 25.","See also Box 255 Folder 26.","See also Box 255 Folder 27.","See also Box 255 Folder 28.","See also Box 255 Folder 29.","See also Box 255 Folder 30-31.","See also Box 255 Folder 32."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7ba71cfa8fa83f56ed4d03610d9d5a5e\" label=\"Abstract\"\u003eThe Betty L. Moss Architectural Collection contains the architectural renderings,  business correspondence, and notes of Betty Moss, an architect from New Orleans, Louisiana. Types of structures included in drawings are houses, apartment buildings, condominiums, religious centers, businesses, antique shops, offices, hospitals, and centers for convalescence.\u003c/abstract\u003e"],"abstract_tesim":["The Betty L. Moss Architectural Collection contains the architectural renderings,  business correspondence, and notes of Betty Moss, an architect from New Orleans, Louisiana. Types of structures included in drawings are houses, apartment buildings, condominiums, religious centers, businesses, antique shops, offices, hospitals, and centers for convalescence."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Moss, Betty"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Moss, Betty"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":169,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:19:56.471Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2392_c15"}},{"id":"vilxw_repositories_5_resources_616_c01_c150","type":"File","attributes":{"title":"411 Lime Kiln Road, Woods Creek Market, by John E. Perkins","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_616_c01_c150#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_616_c01_c150","ref_ssm":["vilxw_repositories_5_resources_616_c01_c150"],"id":"vilxw_repositories_5_resources_616_c01_c150","ead_ssi":"vilxw_repositories_5_resources_616","_root_":"vilxw_repositories_5_resources_616","_nest_parent_":"vilxw_repositories_5_resources_616_c01","parent_ssi":"vilxw_repositories_5_resources_616_c01","parent_ssim":["vilxw_repositories_5_resources_616","vilxw_repositories_5_resources_616_c01"],"parent_ids_ssim":["vilxw_repositories_5_resources_616","vilxw_repositories_5_resources_616_c01"],"parent_unittitles_ssm":["Student Architectural papers collection","User Access Copies"],"parent_unittitles_tesim":["Student Architectural papers collection","User Access Copies"],"text":["Student Architectural papers collection","User Access Copies","411 Lime Kiln Road, Woods Creek Market, by John E. Perkins","Box 5","folder 22"],"title_filing_ssi":"411 Lime Kiln Road, Woods Creek Market, by John E. Perkins","title_ssm":["411 Lime Kiln Road, Woods Creek Market, by John E. Perkins"],"title_tesim":["411 Lime Kiln Road, Woods Creek Market, by John E. Perkins"],"unitdate_other_ssim":["1989 May 28"],"normalized_date_ssm":["1989"],"normalized_title_ssm":["411 Lime Kiln Road, Woods Creek Market, by John E. Perkins"],"component_level_isim":[2],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["Student Architectural papers collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":151,"parent_access_restrict_tesm":["This collection is open for research use."],"date_range_isim":[1989],"containers_ssim":["Box 5","folder 22"],"_nest_path_":"/components#0/components#149","timestamp":"2026-05-20T22:14:48.388Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_616","ead_ssi":"vilxw_repositories_5_resources_616","_root_":"vilxw_repositories_5_resources_616","_nest_parent_":"vilxw_repositories_5_resources_616","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_616.xml","title_filing_ssi":"Student Architectural papers collection","title_ssm":["Student Architectural papers collection"],"title_tesim":["Student Architectural papers collection"],"unitdate_ssm":["1960 January 6 - 2011 December 13"],"unitdate_inclusive_ssm":["1960 January 6 - 2011 December 13"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["WLU.RG.38","/repositories/5/resources/616"],"text":["WLU.RG.38","/repositories/5/resources/616","Student Architectural papers collection","Lexington (Va.)","Virginia -- Rockbridge County","Architecture","This collection is open for research use.","These student architecture papers were done for Art classes at Washington and Lee, mostly taught by Prof. Pam Simpson. The papers include homes and buildings in Lexington and other places in Rockbridge County, Virginia.  Included in the papers are deed tracings, social and architectural history, maps and photographs. Prof. Simpson and Royster Lyle published the book, The Architecture of Historic Lexington in 1977.  This book and these papers are an invaluable resource for researchers.","Paxton house","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","Building earlier Carnegie Library and McCormick Library, and later Williams School, and then Huntley Hall.","The building was later the Ruscio Center for Global Learning with additions.","The other student authors are Amy Bohutinsky, Sarah Feinberg, Sarah Saalfield, Catherine Ruth Fetton, and Ginger Baker.","The other student authors are Tofer Harrison, Alex McManimen, Ashley Marano, Patrick Mickler, and Travis Winfrey.","This record group contains papers and projects created by students as part of their coursework, such as honors theses and capstone papers.","203-205 1/2 Huffman's Nationwide, Buck's Barbershop, Tom's Taxi; 207-211 McCoy house; 215 Tomlinson house; 217 State Farm Insurance; 221 Andre Studio; 223 Flower Center.","Includes Denmark west of Lexington, Decatur north of Lexington, Cornwall east of Lexington, and Springfield south of Lexington.","Motels included are the Black and White log cabins in Fairfield, Lee-Way, Buffalo Creek, and Stevesville Drive-In.","Houses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).","Includes information of Pres. George H. Denny, Prof. David C. Humphreys, Theodore Carl Link, William Henry Reid, the W\u0026L Power plant, and W\u0026L Reid Hall.","Earlier this building was the Carnegie Library, then McCormick Library, later Williams School, and then Huntley Hall.","Includes Cedar Hill, Paxton house at Glen Maury, and the Dickinson house named Savernake.","Includes 707 South Main Street, 116 North Main and Jefferson Streets, South Main, and 107 North Main Streets.","Houses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students","Sheridan, John, 1847 - 1929","English"],"unitid_tesim":["WLU.RG.38","/repositories/5/resources/616"],"normalized_title_ssm":["Student Architectural papers collection"],"collection_title_tesim":["Student Architectural papers collection"],"collection_ssim":["Student Architectural papers collection"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"geogname_ssm":["Lexington (Va.)","Virginia -- Rockbridge County"],"geogname_ssim":["Lexington (Va.)","Virginia -- Rockbridge County"],"creator_ssm":["Washington and Lee University--Students"],"creator_ssim":["Washington and Lee University--Students"],"creator_corpname_ssim":["Washington and Lee University--Students"],"creators_ssim":["Washington and Lee University--Students"],"places_ssim":["Lexington (Va.)","Virginia -- Rockbridge County"],"acqinfo_ssim":["Gift of W\u0026L Prof. Pam Simpson."],"access_subjects_ssim":["Architecture"],"access_subjects_ssm":["Architecture"],"has_online_content_ssim":["false"],"extent_ssm":["18.50 Linear Feet"],"extent_tesim":["18.50 Linear Feet"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eThese student architecture papers were done for Art classes at Washington and Lee, mostly taught by Prof. Pam Simpson. The papers include homes and buildings in Lexington and other places in Rockbridge County, Virginia.  Included in the papers are deed tracings, social and architectural history, maps and photographs. Prof. Simpson and Royster Lyle published the book, The Architecture of Historic Lexington in 1977.  This book and these papers are an invaluable resource for researchers.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["These student architecture papers were done for Art classes at Washington and Lee, mostly taught by Prof. Pam Simpson. The papers include homes and buildings in Lexington and other places in Rockbridge County, Virginia.  Included in the papers are deed tracings, social and architectural history, maps and photographs. Prof. Simpson and Royster Lyle published the book, The Architecture of Historic Lexington in 1977.  This book and these papers are an invaluable resource for researchers."],"odd_html_tesm":["\u003cp\u003ePaxton house\u003c/p\u003e","\u003cp\u003eThe Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,\u003c/p\u003e","\u003cp\u003eThe Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,\u003c/p\u003e","\u003cp\u003eBuilding earlier Carnegie Library and McCormick Library, and later Williams School, and then Huntley Hall.\u003c/p\u003e","\u003cp\u003eThe building was later the Ruscio Center for Global Learning with additions.\u003c/p\u003e","\u003cp\u003eThe other student authors are Amy Bohutinsky, Sarah Feinberg, Sarah Saalfield, Catherine Ruth Fetton, and Ginger Baker.\u003c/p\u003e","\u003cp\u003eThe other student authors are Tofer Harrison, Alex McManimen, Ashley Marano, Patrick Mickler, and Travis Winfrey.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General"],"odd_tesim":["Paxton house","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","Building earlier Carnegie Library and McCormick Library, and later Williams School, and then Huntley Hall.","The building was later the Ruscio Center for Global Learning with additions.","The other student authors are Amy Bohutinsky, Sarah Feinberg, Sarah Saalfield, Catherine Ruth Fetton, and Ginger Baker.","The other student authors are Tofer Harrison, Alex McManimen, Ashley Marano, Patrick Mickler, and Travis Winfrey."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Student Architectural Papers Collection (RG 38), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Student Architectural Papers Collection (RG 38), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA"],"scopecontent_html_tesm":["\u003cp\u003eThis record group contains papers and projects created by students as part of their coursework, such as honors theses and capstone papers.\u003c/p\u003e","\u003cp\u003e203-205 1/2 Huffman's Nationwide, Buck's Barbershop, Tom's Taxi; 207-211 McCoy house; 215 Tomlinson house; 217 State Farm Insurance; 221 Andre Studio; 223 Flower Center.\u003c/p\u003e","\u003cp\u003eIncludes Denmark west of Lexington, Decatur north of Lexington, Cornwall east of Lexington, and Springfield south of Lexington.\u003c/p\u003e","\u003cp\u003eMotels included are the Black and White log cabins in Fairfield, Lee-Way, Buffalo Creek, and Stevesville Drive-In.\u003c/p\u003e","\u003cp\u003eHouses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).\u003c/p\u003e","\u003cp\u003eIncludes information of Pres. George H. Denny, Prof. David C. 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Perkins","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_616_c02_c139#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_616_c02_c139","ref_ssm":["vilxw_repositories_5_resources_616_c02_c139"],"id":"vilxw_repositories_5_resources_616_c02_c139","ead_ssi":"vilxw_repositories_5_resources_616","_root_":"vilxw_repositories_5_resources_616","_nest_parent_":"vilxw_repositories_5_resources_616_c02","parent_ssi":"vilxw_repositories_5_resources_616_c02","parent_ssim":["vilxw_repositories_5_resources_616","vilxw_repositories_5_resources_616_c02"],"parent_ids_ssim":["vilxw_repositories_5_resources_616","vilxw_repositories_5_resources_616_c02"],"parent_unittitles_ssm":["Student Architectural papers collection","Original papers"],"parent_unittitles_tesim":["Student Architectural papers collection","Original papers"],"text":["Student Architectural papers collection","Original papers","411 Lime Kiln Road, Woods Creek Market, by John E. Perkins","Box 4","folder 1"],"title_filing_ssi":"411 Lime Kiln Road, Woods Creek Market, by John E. Perkins","title_ssm":["411 Lime Kiln Road, Woods Creek Market, by John E. Perkins"],"title_tesim":["411 Lime Kiln Road, Woods Creek Market, by John E. Perkins"],"unitdate_other_ssim":["1989 May 28"],"normalized_date_ssm":["1989"],"normalized_title_ssm":["411 Lime Kiln Road, Woods Creek Market, by John E. Perkins"],"component_level_isim":[2],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["Student Architectural papers collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":688,"parent_access_restrict_tesm":["This collection is open for research use."],"date_range_isim":[1989],"containers_ssim":["Box 4","folder 1"],"_nest_path_":"/components#1/components#138","timestamp":"2026-05-20T22:14:48.388Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_616","ead_ssi":"vilxw_repositories_5_resources_616","_root_":"vilxw_repositories_5_resources_616","_nest_parent_":"vilxw_repositories_5_resources_616","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_616.xml","title_filing_ssi":"Student Architectural papers collection","title_ssm":["Student Architectural papers collection"],"title_tesim":["Student Architectural papers collection"],"unitdate_ssm":["1960 January 6 - 2011 December 13"],"unitdate_inclusive_ssm":["1960 January 6 - 2011 December 13"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["WLU.RG.38","/repositories/5/resources/616"],"text":["WLU.RG.38","/repositories/5/resources/616","Student Architectural papers collection","Lexington (Va.)","Virginia -- Rockbridge County","Architecture","This collection is open for research use.","These student architecture papers were done for Art classes at Washington and Lee, mostly taught by Prof. Pam Simpson. 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This book and these papers are an invaluable resource for researchers.","Paxton house","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","Building earlier Carnegie Library and McCormick Library, and later Williams School, and then Huntley Hall.","The building was later the Ruscio Center for Global Learning with additions.","The other student authors are Amy Bohutinsky, Sarah Feinberg, Sarah Saalfield, Catherine Ruth Fetton, and Ginger Baker.","The other student authors are Tofer Harrison, Alex McManimen, Ashley Marano, Patrick Mickler, and Travis Winfrey.","This record group contains papers and projects created by students as part of their coursework, such as honors theses and capstone papers.","203-205 1/2 Huffman's Nationwide, Buck's Barbershop, Tom's Taxi; 207-211 McCoy house; 215 Tomlinson house; 217 State Farm Insurance; 221 Andre Studio; 223 Flower Center.","Includes Denmark west of Lexington, Decatur north of Lexington, Cornwall east of Lexington, and Springfield south of Lexington.","Motels included are the Black and White log cabins in Fairfield, Lee-Way, Buffalo Creek, and Stevesville Drive-In.","Houses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).","Includes information of Pres. George H. Denny, Prof. David C. 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The papers include homes and buildings in Lexington and other places in Rockbridge County, Virginia.  Included in the papers are deed tracings, social and architectural history, maps and photographs. Prof. Simpson and Royster Lyle published the book, The Architecture of Historic Lexington in 1977.  This book and these papers are an invaluable resource for researchers.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["These student architecture papers were done for Art classes at Washington and Lee, mostly taught by Prof. Pam Simpson. The papers include homes and buildings in Lexington and other places in Rockbridge County, Virginia.  Included in the papers are deed tracings, social and architectural history, maps and photographs. Prof. Simpson and Royster Lyle published the book, The Architecture of Historic Lexington in 1977.  This book and these papers are an invaluable resource for researchers."],"odd_html_tesm":["\u003cp\u003ePaxton house\u003c/p\u003e","\u003cp\u003eThe Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,\u003c/p\u003e","\u003cp\u003eThe Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,\u003c/p\u003e","\u003cp\u003eBuilding earlier Carnegie Library and McCormick Library, and later Williams School, and then Huntley Hall.\u003c/p\u003e","\u003cp\u003eThe building was later the Ruscio Center for Global Learning with additions.\u003c/p\u003e","\u003cp\u003eThe other student authors are Amy Bohutinsky, Sarah Feinberg, Sarah Saalfield, Catherine Ruth Fetton, and Ginger Baker.\u003c/p\u003e","\u003cp\u003eThe other student authors are Tofer Harrison, Alex McManimen, Ashley Marano, Patrick Mickler, and Travis Winfrey.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General"],"odd_tesim":["Paxton house","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","Building earlier Carnegie Library and McCormick Library, and later Williams School, and then Huntley Hall.","The building was later the Ruscio Center for Global Learning with additions.","The other student authors are Amy Bohutinsky, Sarah Feinberg, Sarah Saalfield, Catherine Ruth Fetton, and Ginger Baker.","The other student authors are Tofer Harrison, Alex McManimen, Ashley Marano, Patrick Mickler, and Travis Winfrey."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Student Architectural Papers Collection (RG 38), Special Collections and Archives, James G. 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Leyburn Library, Washington and Lee University, Lexington, VA"],"scopecontent_html_tesm":["\u003cp\u003eThis record group contains papers and projects created by students as part of their coursework, such as honors theses and capstone papers.\u003c/p\u003e","\u003cp\u003e203-205 1/2 Huffman's Nationwide, Buck's Barbershop, Tom's Taxi; 207-211 McCoy house; 215 Tomlinson house; 217 State Farm Insurance; 221 Andre Studio; 223 Flower Center.\u003c/p\u003e","\u003cp\u003eIncludes Denmark west of Lexington, Decatur north of Lexington, Cornwall east of Lexington, and Springfield south of Lexington.\u003c/p\u003e","\u003cp\u003eMotels included are the Black and White log cabins in Fairfield, Lee-Way, Buffalo Creek, and Stevesville Drive-In.\u003c/p\u003e","\u003cp\u003eHouses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).\u003c/p\u003e","\u003cp\u003eIncludes information of Pres. George H. Denny, Prof. David C. 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George H. Denny, Prof. David C. Humphreys, Theodore Carl Link, William Henry Reid, the W\u0026L Power plant, and W\u0026L Reid Hall.","Earlier this building was the Carnegie Library, then McCormick Library, later Williams School, and then Huntley Hall.","Includes Cedar Hill, Paxton house at Glen Maury, and the Dickinson house named Savernake.","Includes 707 South Main Street, 116 North Main and Jefferson Streets, South Main, and 107 North Main Streets.","Houses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road)."],"userestrict_heading_ssm":["Conditions Governing Use"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students","Sheridan, John, 1847 - 1929"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students"],"persname_ssim":["Sheridan, John, 1847 - 1929"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1048,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:14:48.388Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_616_c02_c139"}},{"id":"vifgm_repositories_2_resources_652_c01_c01_c05","type":"File","attributes":{"title":"\"427 Mass Ave\" photographs (1) and negatives (2)","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_652_c01_c01_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_652_c01_c01_c05","ref_ssm":["vifgm_repositories_2_resources_652_c01_c01_c05"],"id":"vifgm_repositories_2_resources_652_c01_c01_c05","ead_ssi":"vifgm_repositories_2_resources_652","_root_":"vifgm_repositories_2_resources_652","_nest_parent_":"vifgm_repositories_2_resources_652_c01_c01","parent_ssi":"vifgm_repositories_2_resources_652_c01_c01","parent_ssim":["vifgm_repositories_2_resources_652","vifgm_repositories_2_resources_652_c01","vifgm_repositories_2_resources_652_c01_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_652","vifgm_repositories_2_resources_652_c01","vifgm_repositories_2_resources_652_c01_c01"],"parent_unittitles_ssm":["Art Attack records","Series 1: Art Installations and Events","Subseries 1: Installations and Events in the United States"],"parent_unittitles_tesim":["Art Attack records","Series 1: Art Installations and Events","Subseries 1: Installations and Events in the United States"],"text":["Art Attack records","Series 1: Art Installations and Events","Subseries 1: Installations and Events in the United States","\"427 Mass Ave\" photographs (1) and negatives (2)","box 19"],"title_filing_ssi":"\"427 Mass Ave\" photographs (1) and negatives (2)","title_ssm":["\"427 Mass Ave\" photographs (1) and negatives (2)"],"title_tesim":["\"427 Mass Ave\" photographs (1) and negatives (2)"],"unitdate_other_ssim":["1988-1989"],"normalized_date_ssm":["1988/1989"],"normalized_title_ssm":["\"427 Mass Ave\" photographs (1) and negatives (2)"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Art Attack records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":7,"parent_access_restrict_tesm":["Some materials are restricted due to content. Please see inventory for more details. All other materials are open to access."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1988,1989],"containers_ssim":["box 19"],"_nest_path_":"/components#0/components#0/components#4","timestamp":"2026-05-21T05:15:57.299Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_652","ead_ssi":"vifgm_repositories_2_resources_652","_root_":"vifgm_repositories_2_resources_652","_nest_parent_":"vifgm_repositories_2_resources_652","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_652.xml","title_ssm":["Art Attack records"],"title_tesim":["Art Attack records"],"unitdate_ssm":["1979-2009"],"unitdate_inclusive_ssm":["1979-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0507","/repositories/2/resources/652"],"text":["C0507","/repositories/2/resources/652","Art Attack records","Art","Art -- Exhibitions","Photography","Some materials are restricted due to content. Please see inventory for more details. All other materials are open to access.","The collection is arranged into two series based on the content of the materials.","Series Series 1: Installations and Events Subseries 1.1: Installations in the United States  Subseries 1.2: International Installations  Series 2: Art Attack Organization Records ","\nArt Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at ","Lynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.","Evan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.","\nJared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.\n","Alberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022.","Processing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024.","An oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the ","\nThe Special Collections Research Center holds other collections focused on ","The Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.  ","Series 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France. ","Series 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation.  ","Restriction: Contains personally identifiable information.","Restriction: contains financial information.","Content warning: contains homophobic language.","Restriction: Personally identifiable information.","Damaged on site at an Art Attack project in Slovakia.","Includes images of men, women, families, and nature from German photo companies \"Perorto\" and \"Agfa.\"","Includes tape breakdown and Art Attack stamp.","Materials were originally in a binder.","Materials were originally in a binder.","List of upcoming projects for Summer/Fall 1993.","Includes photo slides.","Restriction: Contains personally identifiable information.","Restriction: Contains personally identifiable information.","Restriction: financial information.","Restriction: contains personally identifiable information.","Restriction: contains financial information.","Book had been turned into an art piece.","Restriction: Contains financial information.","Specifically labels \"Vessels\" and \"Dominion Dum\" installations.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective.","R 74, C 4, S 1-6","George Mason University. Libraries. Special Collections Research Center","English \n,        German \n,        Polish \n.    "],"unitid_tesim":["C0507","/repositories/2/resources/652"],"normalized_title_ssm":["Art Attack records"],"collection_title_tesim":["Art Attack records"],"collection_ssim":["Art Attack records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Art Attack co-founder Lynn McCary in 2018 and 2023."],"access_subjects_ssim":["Art","Art -- Exhibitions","Photography"],"access_subjects_ssm":["Art","Art -- Exhibitions","Photography"],"has_online_content_ssim":["false"],"extent_ssm":["21 Linear Feet 43 boxes, 1 map case"],"extent_tesim":["21 Linear Feet 43 boxes, 1 map case"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eSome materials are restricted due to content. Please see inventory for more details. All other materials are open to access.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Some materials are restricted due to content. Please see inventory for more details. All other materials are open to access."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series based on the content of the materials.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Installations and Events\u003c/item\u003e\n      \u003citem\u003eSubseries 1.1: Installations in the United States \u003c/item\u003e\n      \u003citem\u003eSubseries 1.2: International Installations \u003c/item\u003e\n      \u003citem\u003eSeries 2: Art Attack Organization Records \u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series based on the content of the materials.","Series Series 1: Installations and Events Subseries 1.1: Installations in the United States  Subseries 1.2: International Installations  Series 2: Art Attack Organization Records "],"bioghist_html_tesm":["\u003cp\u003e\nArt Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at \u003cextptr show=\"new\" title=\"their website.\" href=\"http://artattackinternational.org/mission.html\"\u003e\u003c/extptr\u003e\n\u003c/p\u003e","\u003cp\u003eLynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.\u003c/p\u003e","\u003cp\u003eEvan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.\u003c/p\u003e","\u003cp\u003e\nJared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.\n\u003c/p\u003e","\u003cp\u003eAlberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["\nArt Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at ","Lynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.","Evan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.","\nJared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.\n","Alberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022."],"prefercite_html_tesm":["\u003cp\u003eArt Attack records, C0507, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Art Attack records, C0507, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eAn oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the \u003cextptr show=\"new\" title=\"George Mason University oral history collection.\" href=\"https://aspace.gmu.edu/resources/r0121\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Special Collections Research Center holds other collections focused on \u003cextptr show=\"new\" title=\"art and artists.\" href=\"https://aspace.gmu.edu/search?q[]=art\u0026amp;op[]=\u0026amp;field[]=keyword\u0026amp;from_year[]=\u0026amp;to_year[]=\u0026amp;filter_fields[]=subjects\u0026amp;filter_values[]=Art\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["An oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the ","\nThe Special Collections Research Center holds other collections focused on "],"scopecontent_html_tesm":["\u003cp\u003eThe Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.  \u003c/p\u003e\n","\u003cp\u003eSeries 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France. \u003c/p\u003e\n","\u003cp\u003eSeries 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation.  \u003c/p\u003e","\u003cp\u003eRestriction: Contains personally identifiable information.\u003c/p\u003e","\u003cp\u003eRestriction: contains financial information.\u003c/p\u003e","\u003cp\u003eContent warning: contains homophobic language.\u003c/p\u003e","\u003cp\u003eRestriction: Personally identifiable information.\u003c/p\u003e","\u003cp\u003eDamaged on site at an Art Attack project in Slovakia.\u003c/p\u003e","\u003cp\u003eIncludes images of men, women, families, and nature from German photo companies \"Perorto\" and \"Agfa.\"\u003c/p\u003e","\u003cp\u003eIncludes tape breakdown and Art Attack stamp.\u003c/p\u003e","\u003cp\u003eMaterials were originally in a binder.\u003c/p\u003e","\u003cp\u003eMaterials were originally in a binder.\u003c/p\u003e","\u003cp\u003eList of upcoming projects for Summer/Fall 1993.\u003c/p\u003e","\u003cp\u003eIncludes photo slides.\u003c/p\u003e","\u003cp\u003eRestriction: Contains personally identifiable information.\u003c/p\u003e","\u003cp\u003eRestriction: Contains personally identifiable information.\u003c/p\u003e","\u003cp\u003eRestriction: financial information.\u003c/p\u003e","\u003cp\u003eRestriction: contains personally identifiable information.\u003c/p\u003e","\u003cp\u003eRestriction: contains financial information.\u003c/p\u003e","\u003cp\u003eBook had been turned into an art piece.\u003c/p\u003e","\u003cp\u003eRestriction: Contains financial information.\u003c/p\u003e","\u003cp\u003eSpecifically labels \"Vessels\" and \"Dominion Dum\" installations.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.  ","Series 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France. ","Series 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation.  ","Restriction: Contains personally identifiable information.","Restriction: contains financial information.","Content warning: contains homophobic language.","Restriction: Personally identifiable information.","Damaged on site at an Art Attack project in Slovakia.","Includes images of men, women, families, and nature from German photo companies \"Perorto\" and \"Agfa.\"","Includes tape breakdown and Art Attack stamp.","Materials were originally in a binder.","Materials were originally in a binder.","List of upcoming projects for Summer/Fall 1993.","Includes photo slides.","Restriction: Contains personally identifiable information.","Restriction: Contains personally identifiable information.","Restriction: financial information.","Restriction: contains personally identifiable information.","Restriction: contains financial information.","Book had been turned into an art piece.","Restriction: Contains financial information.","Specifically labels \"Vessels\" and \"Dominion Dum\" installations."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_fa6f7a17953458efeb9ed412bc005d67\"\u003eThe Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective.\u003c/abstract\u003e"],"abstract_tesim":["The Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5bf20a5fa74f6054415961374b783aa7\"\u003eR 74, C 4, S 1-6\u003c/physloc\u003e"],"physloc_tesim":["R 74, C 4, S 1-6"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English \n,        German \n,        Polish \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":399,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:15:57.299Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_652_c01_c01_c05"}},{"id":"viu_repositories_4_resources_576_c09","type":"File","attributes":{"title":"42nd - 47th Annual Virginia Tax Conferences - planning files","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_576_c09#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_4_resources_576_c09","ref_ssm":["viu_repositories_4_resources_576_c09"],"id":"viu_repositories_4_resources_576_c09","ead_ssi":"viu_repositories_4_resources_576","_root_":"viu_repositories_4_resources_576","_nest_parent_":"viu_repositories_4_resources_576","parent_ssi":"viu_repositories_4_resources_576","parent_ssim":["viu_repositories_4_resources_576"],"parent_ids_ssim":["viu_repositories_4_resources_576"],"parent_unittitles_ssm":["Thomas R. White III papers"],"parent_unittitles_tesim":["Thomas R. White III papers"],"text":["Thomas R. White III papers","42nd - 47th Annual Virginia Tax Conferences - planning files","MSS 84-5, Box 1"],"title_filing_ssi":"42nd - 47th Annual Virginia Tax Conferences - planning files","title_ssm":["42nd - 47th Annual Virginia Tax Conferences - planning files"],"title_tesim":["42nd - 47th Annual Virginia Tax Conferences - planning files"],"unitdate_inclusive_ssm":["1989-1995"],"normalized_date_ssm":["1989/1995"],"normalized_title_ssm":["42nd - 47th Annual Virginia Tax Conferences - planning files"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Thomas R. White III papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":9,"date_range_isim":[1989,1990,1991,1992,1993,1994,1995],"containers_ssim":["MSS 84-5, Box 1"],"_nest_path_":"/components#8","timestamp":"2026-05-20T23:47:05.363Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_576","ead_ssi":"viu_repositories_4_resources_576","_root_":"viu_repositories_4_resources_576","_nest_parent_":"viu_repositories_4_resources_576","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_576.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/131312","title_ssm":["Thomas R. White III papers"],"title_tesim":["Thomas R. White III papers"],"unitdate_ssm":["1979-1995"],"unitdate_inclusive_ssm":["1979-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.84.5","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/576"],"text":["MSS.84.5","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/576","Thomas R. White III papers","Thomas White, a law faculty member since 1967, specializes in tax, and also teaches elder law, ERISA, domestic relations and real estate finance. He has been actively involved in developing and administering the tax curriculum. ","White is a member of various committees of the American Bar Association's Tax Section, including those that deal with domestic relations, partnerships and tax structure, and simplification. As a Tax Section member, he participated in study groups set up to propose simplification of domestic relations tax laws. He also is a member of the American College of Tax Counsel and the National Tax Association.","In law school, White was on the board of editors of the Pennsylvania Law Review, and a member of the Order of the Coif. He came to Virginia after two years of practicing law in Philadelphia with White \u0026 Williams, and two years as attorney-adviser in the Office of Tax Legislative Counsel for the U.S. Treasury Department. He was a congressional fellow of the American Political Science Association in 1972-73, and a legislation attorney for the Joint Committee on Internal Revenue Taxation of the U.S. Congress in 1973-74. He participated in the Administrative Conference's IRS Project in the late 1970s. In 1993, he served as a consultant to the Joint Legislative Audit and Review Commission for the Commonwealth of Virginia.","Site contributors, \"Thomas R. White,\" University of Virginia School of Law Website, https://www.law.virginia.edu/lawweb/faculty.nsf/FHPbI/1220350 (accessed December 4, 2015)","This collection contains Thomas White's University Senate Executive Council files from 1979 through 1983. It also contains files on the organization of the Virginia Conference on Taxation, from 1981 through 1983. White specialized in tax and taught elder law, ERISA, domestic relations, and real estate finance. He was actively involved in developing and administering the tax curriculum.","In 1986, White donated one folder related to his research on \"Travel Funds-Tax Concerns\" for faculty and in 1989 he transferred to the archives the planning files of the 42nd to 47th Annual Virginia Tax Conferences.","(2 folders)","Arthur J. 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He also transferred some files in 1986 and in 1989."],"has_online_content_ssim":["false"],"extent_ssm":[".3 Linear Feet"],"extent_tesim":[".3 Linear Feet"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"bioghist_html_tesm":["\u003cp\u003eThomas White, a law faculty member since 1967, specializes in tax, and also teaches elder law, ERISA, domestic relations and real estate finance. He has been actively involved in developing and administering the tax curriculum. \u003c/p\u003e\n","\u003cp\u003eWhite is a member of various committees of the American Bar Association's Tax Section, including those that deal with domestic relations, partnerships and tax structure, and simplification. As a Tax Section member, he participated in study groups set up to propose simplification of domestic relations tax laws. He also is a member of the American College of Tax Counsel and the National Tax Association.\u003c/p\u003e\n","\u003cp\u003eIn law school, White was on the board of editors of the Pennsylvania Law Review, and a member of the Order of the Coif. He came to Virginia after two years of practicing law in Philadelphia with White \u0026amp; Williams, and two years as attorney-adviser in the Office of Tax Legislative Counsel for the U.S. Treasury Department. He was a congressional fellow of the American Political Science Association in 1972-73, and a legislation attorney for the Joint Committee on Internal Revenue Taxation of the U.S. Congress in 1973-74. He participated in the Administrative Conference's IRS Project in the late 1970s. In 1993, he served as a consultant to the Joint Legislative Audit and Review Commission for the Commonwealth of Virginia.\u003c/p\u003e\n","\u003cp\u003eSite contributors, \"Thomas R. White,\" University of Virginia School of Law Website, https://www.law.virginia.edu/lawweb/faculty.nsf/FHPbI/1220350 (accessed December 4, 2015)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Thomas White, a law faculty member since 1967, specializes in tax, and also teaches elder law, ERISA, domestic relations and real estate finance. He has been actively involved in developing and administering the tax curriculum. ","White is a member of various committees of the American Bar Association's Tax Section, including those that deal with domestic relations, partnerships and tax structure, and simplification. As a Tax Section member, he participated in study groups set up to propose simplification of domestic relations tax laws. He also is a member of the American College of Tax Counsel and the National Tax Association.","In law school, White was on the board of editors of the Pennsylvania Law Review, and a member of the Order of the Coif. He came to Virginia after two years of practicing law in Philadelphia with White \u0026 Williams, and two years as attorney-adviser in the Office of Tax Legislative Counsel for the U.S. Treasury Department. He was a congressional fellow of the American Political Science Association in 1972-73, and a legislation attorney for the Joint Committee on Internal Revenue Taxation of the U.S. Congress in 1973-74. He participated in the Administrative Conference's IRS Project in the late 1970s. In 1993, he served as a consultant to the Joint Legislative Audit and Review Commission for the Commonwealth of Virginia.","Site contributors, \"Thomas R. White,\" University of Virginia School of Law Website, https://www.law.virginia.edu/lawweb/faculty.nsf/FHPbI/1220350 (accessed December 4, 2015)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains Thomas White's University Senate Executive Council files from 1979 through 1983. It also contains files on the organization of the Virginia Conference on Taxation, from 1981 through 1983. White specialized in tax and taught elder law, ERISA, domestic relations, and real estate finance. He was actively involved in developing and administering the tax curriculum.\u003c/p\u003e\n","\u003cp\u003eIn 1986, White donated one folder related to his research on \"Travel Funds-Tax Concerns\" for faculty and in 1989 he transferred to the archives the planning files of the 42nd to 47th Annual Virginia Tax Conferences.\u003c/p\u003e","\u003cp\u003e(2 folders)\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains Thomas White's University Senate Executive Council files from 1979 through 1983. It also contains files on the organization of the Virginia Conference on Taxation, from 1981 through 1983. White specialized in tax and taught elder law, ERISA, domestic relations, and real estate finance. He was actively involved in developing and administering the tax curriculum.","In 1986, White donated one folder related to his research on \"Travel Funds-Tax Concerns\" for faculty and in 1989 he transferred to the archives the planning files of the 42nd to 47th Annual Virginia Tax Conferences.","(2 folders)"],"names_ssim":["Arthur J. Morris Law Library Special Collections","White, Thomas R., III"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections"],"names_coll_ssim":["White, Thomas R., III"],"persname_ssim":["White, Thomas R., III"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":9,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:47:05.363Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_4_resources_576_c09"}},{"id":"viu_repositories_3_resources_1675_c10_c91","type":"File","attributes":{"title":"45 Items - Correspondence - Louis Daniel Brodsky and Jan Brodsky - 10124-b","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1675_c10_c91#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1675_c10_c91","ref_ssm":["viu_repositories_3_resources_1675_c10_c91"],"id":"viu_repositories_3_resources_1675_c10_c91","ead_ssi":"viu_repositories_3_resources_1675","_root_":"viu_repositories_3_resources_1675","_nest_parent_":"viu_repositories_3_resources_1675_c10","parent_ssi":"viu_repositories_3_resources_1675_c10","parent_ssim":["viu_repositories_3_resources_1675","viu_repositories_3_resources_1675_c10"],"parent_ids_ssim":["viu_repositories_3_resources_1675","viu_repositories_3_resources_1675_c10"],"parent_unittitles_ssm":["William Faulkner Collection","Series X: Adaptations and Third-Party Works Based on William Faulkner Publications"],"parent_unittitles_tesim":["William Faulkner Collection","Series X: Adaptations and Third-Party Works Based on William Faulkner Publications"],"text":["William Faulkner Collection","Series X: Adaptations and Third-Party Works Based on William Faulkner Publications","45 Items - Correspondence - Louis Daniel Brodsky and Jan Brodsky - 10124-b","box 204","folder 9"],"title_filing_ssi":"45 Items - Correspondence - Louis Daniel Brodsky and Jan Brodsky - 10124-b","title_ssm":["45 Items - Correspondence - Louis Daniel Brodsky and Jan Brodsky - 10124-b"],"title_tesim":["45 Items - Correspondence - Louis Daniel Brodsky and Jan Brodsky - 10124-b"],"unitdate_inclusive_ssm":["1979-1990 and undated"],"normalized_date_ssm":["1979/1990"],"normalized_title_ssm":["45 Items - Correspondence - Louis Daniel Brodsky and Jan Brodsky - 10124-b"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["William Faulkner Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3347,"parent_access_restrict_tesm":["This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","We are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026."],"parent_access_terms_tesm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. "],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"containers_ssim":["box 204","folder 9"],"_nest_path_":"/components#9/components#90","timestamp":"2026-06-06T07:07:28.695Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1675","ead_ssi":"viu_repositories_3_resources_1675","_root_":"viu_repositories_3_resources_1675","_nest_parent_":"viu_repositories_3_resources_1675","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1675.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/196837","title_filing_ssi":"Faulkner, William, Collection","title_ssm":["William Faulkner Collection"],"title_tesim":["William Faulkner Collection"],"unitdate_ssm":["1824-2006"],"unitdate_inclusive_ssm":["1824-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675"],"text":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675","William Faulkner Collection","Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century","This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","We are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026.","Material pertaining to individual student records is restricted in accordance with the Family Education Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","The William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature.  William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book,  Soldier's Pay , in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of  The Sound and the Fury  in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962.  ","Source: Materials within the collection.   ","This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This material contains offensive and harmful language and imagery, including references to outdated terminology for Black individuals, references or imagery involving racism, and references or imagery involving sexual assault, domestic violence, or crimes based on gender or sexual orientation.","This collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.","The William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.","In this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.","Absalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936","While original order has been prioritized in the arrangement of Series IV, specific folders related to William Faulkner have been pulled from the rest of Albert Erskine's materials within MSS 10280-d and 10280-e for Subseries A. For ease of researcher use, these materials were pulled so that all of William Faulkner's publication records would be together, and so that the remaining materials within 10280-d and 10280-e relating to other authors would not be included within the William Faulkner collection.","Series III of the William Faulkner Collection contains the personal papers, files, belongings, and related realia of William Faulkner. Materials in the collection range in date from 1824 to 2003 and are divided into eight subseries: William Faulkner's working papers related to his literary works, drawings made by Faulkner, his childhood ephemera and student records, military and flight records, family papers, honors and awards, belongings and related realia, and reminiscences or accounts of William Faulkner.  ","Many of William Faulkner's student and family records differ in the spelling of his last name due to changes made over time by family members and by Faulkner himself. For this reason, Faulkner's student and childhood records will often refer to him as \"William Falkner.\" William Faulkner's family papers are also listed as \"Faulkner/Falkner Family Papers\" for this reason.  ","The Faulkner/Falkner Family Papers are divided into smaller sub-subseries based on the order in which they would fall within Faulkner's family tree and arranged chronologically within each. The first sub-subseries is comprised of Faulkner's extended family, grandparents, parents, and siblings, including John Wesley Thompson, William Clark Falkner, John Wesley Thompson Falkner, Alabama Falkner McLean, Murry Falkner, Maud Butler Falkner, Murry Falkner II, John Wesley Thompson Falkner/Faulkner III, and Dean Swift Falkner. The second sub-subseries within the Faulkner/Falkner Family subseries includes papers belonging to William Faulkner's wife, Estelle Oldham Faulkner, and the Oldham family. The third sub-subseries includes papers belonging to Estelle's son from her first marriage to Cornell Franklin and William Faulkner's stepson, Malcolm Argyle Franklin. Included with Malcolm Argyle Franklin's papers is a small amount of material once belonging to William F. Fielden, which was originally acquired with and has been kept with Franklin's papers. Next, within the subseries are the papers once belonging to William and Estelle Faulkner's daughter Jill Faulkner Summers and the Summers family.","Series IV of the William Faulkner Collection contains William Faulkner's publication records.  Materials in the collection range in date from 1924 to 1986 and are divided into three subseries based on record provenance. The first subseries is comprised of records relating to the original publication of Faulkner's works from Random House, Inc., and Albert Erskine. The second subseries is made up of records from Noel Polk, a Faulkner scholar and editor who worked on posthumous editions and publications of Faulkner's writings. The third and last subseries, Subseries C, contains all publishing-related records not from Random House, Albert Erskine, or Noel Polk. Prominent individuals whose publishing-related correspondence and records are featured in this subseries include William Faulkner's literary agents Harold Ober and Morton Goldman.  ","Series V of the William Faulkner collection contains William Faulkner's business and legal records. Materials within the series range in date from 1922 to 2006 and are divided into four subseries, the first of which includes William Faulkner's contracts and agreements, including a copy of Faulkner's will and legal agreements pertaining to his work and property carried out by his daughter, Jill Faulkner Summers, after his death in 1962. The second subseries includes all papers from William Faulkner's literary agent, Harold Ober, with the exception of Ober's papers relating to William Faulkner's publishing records, which are included in Series IV. Subseries C contains records relating to William Faulkner's cultural diplomacy work and travel. These records include papers gifted to the University of Virginia by Hal Howland, an employee of the United States Foreign Service/State Department.  Subseries C additionally contains records and correspondence relating to William Faulkner's work with the People to People diplomatic program, given as part of a gift from Joseph Blotner, scholar and biographer of William Faulkner.  The final subseries in Series V contains records pertaining to the William Faulkner Foundation. Whenever possible, the original order of each of the previous MSS numbers within Series V has been prioritized in the arrangement of the series.","Series VI of the William Faulkner collection contains photographs and portraits of and pertaining to William Faulkner. The photographs and portraits in this series range in date from 1898 to 2005 and cover a wide range of accession numbers, one of these being Faulkner's original deposit, MSS 6074. Materials within Series VI have been arranged in order of their original accession number to emphasize their provenance and chronologically therein.","Series VII of the William Faulkner collection includes press and publicity materials related to William Faulkner. Materials within the series range in date from 1922 to 2005 and are divided into three subseries. The first subseries consists of news clippings and press coverage articles about William Faulkner, many of which were gifted by Linton Massey and Jill Faulkner Summers. The second subseries contains William Faulkner's publicity films and audio recordings of Faulkner reading his works. The final subseries includes ephemera relating to William Faulkner's publicity films. Within each of these three subseries, materials are arranged chronologically.","Series VIII of the William Faulkner collection contains materials from Faulkner's time working at the University of Virginia, where he was the university's Writer-in-Residence from 1957 to 1958, Consultant on American Literature to the Alderman Library, now Shannon Library, from around 1958 to 1961, and Balch Lecturer in American Literature from 1961 to 1962. The series is divided into three subseries: Audio Recordings from Talks and Lectures, Ephemera Related to Faulkner's Tenure, and Exhibitions about Faulkner at the Library. Materials are then arranged chronologically within each subseries.","Series IX of the William Faulkner collection contains the materials of scholars of William Faulkner and collectors of Faulkner's archival and manuscript materials. Original Faulkner materials collected by some of these individuals, such as Joseph Blotner and Linton R. Massey, have been arranged and integrated into other series of the collection, but materials related specifically to their collecting work and scholarship are included in this series. Materials within this series are organized into subseries based on the corresponding scholar/collector names, which have been arranged in alphabetical order by last name.","Series X of the William Faulkner collection includes typescripts and ephemera from adaptations of William Faulkner works for theatre, film, and television. Materials within Series X are arranged in chronological order.","This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. ","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission.","Because of the assembled nature of these photographs, copyright status varies across the series. Reproduction rights for photographs marked \"for reference use only\" are not owned by the University of Virginia. Copyright is assumed to be held by the original creator of individual items in the series; the University of Virginia is not authorized to grant permission to publish or reproduce these items. Researchers are responsible for securing permission to publish or reproduce photographs from the rights holders.","Albert and Shirley Small Special Collections Library","Faulkner, William, 1897-1962","Materials primarily in English, with some publications in French and German."],"unitid_tesim":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675"],"normalized_title_ssm":["William Faulkner Collection"],"collection_title_tesim":["William Faulkner Collection"],"collection_ssim":["William Faulkner Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Faulkner, William, 1897-1962"],"creator_ssim":["Faulkner, William, 1897-1962"],"creator_persname_ssim":["Faulkner, William, 1897-1962"],"creators_ssim":["Faulkner, William, 1897-1962"],"access_terms_ssm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. "],"access_subjects_ssim":["Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century"],"access_subjects_ssm":["Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century"],"has_online_content_ssim":["false"],"extent_ssm":["115 Cubic Feet"],"extent_tesim":["115 Cubic Feet"],"genreform_ssim":["American literature--Southern States","American fiction--20th Century"],"date_range_isim":[1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.\u003c/p\u003e\n","\u003cp\u003eWe are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026.\u003c/p\u003e","\u003cp\u003eMaterial pertaining to individual student records is restricted in accordance with the Family Education Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","We are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026.","Material pertaining to individual student records is restricted in accordance with the Family Education Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records."],"bioghist_html_tesm":["\u003cp\u003eThe William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature.  William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book, \u003cemph render=\"italic\"\u003e\u003ctitle\u003eSoldier's Pay\u003c/title\u003e\u003c/emph\u003e, in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of \u003ctitle\u003e\u003cemph render=\"italic\"\u003eThe Sound and the Fury\u003c/emph\u003e\u003c/title\u003e in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962.  \u003c/p\u003e\n","\u003cp\u003eSource: Materials within the collection.   \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature.  William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book,  Soldier's Pay , in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of  The Sound and the Fury  in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962.  ","Source: Materials within the collection.   "],"odd_html_tesm":["\u003cp\u003eThis material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThis material contains offensive and harmful language and imagery, including references to outdated terminology for Black individuals, references or imagery involving racism, and references or imagery involving sexual assault, domestic violence, or crimes based on gender or sexual orientation.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Content Warning"],"odd_tesim":["This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This material contains offensive and harmful language and imagery, including references to outdated terminology for Black individuals, references or imagery involving racism, and references or imagery involving sexual assault, domestic violence, or crimes based on gender or sexual orientation."],"prefercite_html_tesm":["\u003cp\u003eMSS 16807 William Faulkner collection, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16807 William Faulkner collection, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThis collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.\u003c/p\u003e","\u003cp\u003eThe William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.\u003c/p\u003e","\u003cp\u003eIn this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.\u003c/p\u003e","\u003cp\u003eAbsalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936\u003c/p\u003e","\u003cp\u003eWhile original order has been prioritized in the arrangement of Series IV, specific folders related to William Faulkner have been pulled from the rest of Albert Erskine's materials within MSS 10280-d and 10280-e for Subseries A. For ease of researcher use, these materials were pulled so that all of William Faulkner's publication records would be together, and so that the remaining materials within 10280-d and 10280-e relating to other authors would not be included within the William Faulkner collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["This collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.","The William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.","In this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.","Absalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936","While original order has been prioritized in the arrangement of Series IV, specific folders related to William Faulkner have been pulled from the rest of Albert Erskine's materials within MSS 10280-d and 10280-e for Subseries A. For ease of researcher use, these materials were pulled so that all of William Faulkner's publication records would be together, and so that the remaining materials within 10280-d and 10280-e relating to other authors would not be included within the William Faulkner collection."],"scopecontent_html_tesm":["\u003cp\u003eSeries III of the William Faulkner Collection contains the personal papers, files, belongings, and related realia of William Faulkner. Materials in the collection range in date from 1824 to 2003 and are divided into eight subseries: William Faulkner's working papers related to his literary works, drawings made by Faulkner, his childhood ephemera and student records, military and flight records, family papers, honors and awards, belongings and related realia, and reminiscences or accounts of William Faulkner.  \u003c/p\u003e\n","\u003cp\u003eMany of William Faulkner's student and family records differ in the spelling of his last name due to changes made over time by family members and by Faulkner himself. For this reason, Faulkner's student and childhood records will often refer to him as \"William Falkner.\" William Faulkner's family papers are also listed as \"Faulkner/Falkner Family Papers\" for this reason.  \u003c/p\u003e","\u003cp\u003eThe Faulkner/Falkner Family Papers are divided into smaller sub-subseries based on the order in which they would fall within Faulkner's family tree and arranged chronologically within each. The first sub-subseries is comprised of Faulkner's extended family, grandparents, parents, and siblings, including John Wesley Thompson, William Clark Falkner, John Wesley Thompson Falkner, Alabama Falkner McLean, Murry Falkner, Maud Butler Falkner, Murry Falkner II, John Wesley Thompson Falkner/Faulkner III, and Dean Swift Falkner. The second sub-subseries within the Faulkner/Falkner Family subseries includes papers belonging to William Faulkner's wife, Estelle Oldham Faulkner, and the Oldham family. The third sub-subseries includes papers belonging to Estelle's son from her first marriage to Cornell Franklin and William Faulkner's stepson, Malcolm Argyle Franklin. Included with Malcolm Argyle Franklin's papers is a small amount of material once belonging to William F. Fielden, which was originally acquired with and has been kept with Franklin's papers. Next, within the subseries are the papers once belonging to William and Estelle Faulkner's daughter Jill Faulkner Summers and the Summers family.\u003c/p\u003e","\u003cp\u003eSeries IV of the William Faulkner Collection contains William Faulkner's publication records.  Materials in the collection range in date from 1924 to 1986 and are divided into three subseries based on record provenance. The first subseries is comprised of records relating to the original publication of Faulkner's works from Random House, Inc., and Albert Erskine. The second subseries is made up of records from Noel Polk, a Faulkner scholar and editor who worked on posthumous editions and publications of Faulkner's writings. The third and last subseries, Subseries C, contains all publishing-related records not from Random House, Albert Erskine, or Noel Polk. Prominent individuals whose publishing-related correspondence and records are featured in this subseries include William Faulkner's literary agents Harold Ober and Morton Goldman.  \u003c/p\u003e","\u003cp\u003eSeries V of the William Faulkner collection contains William Faulkner's business and legal records. Materials within the series range in date from 1922 to 2006 and are divided into four subseries, the first of which includes William Faulkner's contracts and agreements, including a copy of Faulkner's will and legal agreements pertaining to his work and property carried out by his daughter, Jill Faulkner Summers, after his death in 1962. The second subseries includes all papers from William Faulkner's literary agent, Harold Ober, with the exception of Ober's papers relating to William Faulkner's publishing records, which are included in Series IV. Subseries C contains records relating to William Faulkner's cultural diplomacy work and travel. These records include papers gifted to the University of Virginia by Hal Howland, an employee of the United States Foreign Service/State Department.  Subseries C additionally contains records and correspondence relating to William Faulkner's work with the People to People diplomatic program, given as part of a gift from Joseph Blotner, scholar and biographer of William Faulkner.  The final subseries in Series V contains records pertaining to the William Faulkner Foundation. Whenever possible, the original order of each of the previous MSS numbers within Series V has been prioritized in the arrangement of the series.\u003c/p\u003e","\u003cp\u003eSeries VI of the William Faulkner collection contains photographs and portraits of and pertaining to William Faulkner. The photographs and portraits in this series range in date from 1898 to 2005 and cover a wide range of accession numbers, one of these being Faulkner's original deposit, MSS 6074. Materials within Series VI have been arranged in order of their original accession number to emphasize their provenance and chronologically therein.\u003c/p\u003e","\u003cp\u003eSeries VII of the William Faulkner collection includes press and publicity materials related to William Faulkner. Materials within the series range in date from 1922 to 2005 and are divided into three subseries. The first subseries consists of news clippings and press coverage articles about William Faulkner, many of which were gifted by Linton Massey and Jill Faulkner Summers. The second subseries contains William Faulkner's publicity films and audio recordings of Faulkner reading his works. The final subseries includes ephemera relating to William Faulkner's publicity films. Within each of these three subseries, materials are arranged chronologically.\u003c/p\u003e","\u003cp\u003eSeries VIII of the William Faulkner collection contains materials from Faulkner's time working at the University of Virginia, where he was the university's Writer-in-Residence from 1957 to 1958, Consultant on American Literature to the Alderman Library, now Shannon Library, from around 1958 to 1961, and Balch Lecturer in American Literature from 1961 to 1962. The series is divided into three subseries: Audio Recordings from Talks and Lectures, Ephemera Related to Faulkner's Tenure, and Exhibitions about Faulkner at the Library. Materials are then arranged chronologically within each subseries.\u003c/p\u003e","\u003cp\u003eSeries IX of the William Faulkner collection contains the materials of scholars of William Faulkner and collectors of Faulkner's archival and manuscript materials. Original Faulkner materials collected by some of these individuals, such as Joseph Blotner and Linton R. Massey, have been arranged and integrated into other series of the collection, but materials related specifically to their collecting work and scholarship are included in this series. Materials within this series are organized into subseries based on the corresponding scholar/collector names, which have been arranged in alphabetical order by last name.\u003c/p\u003e","\u003cp\u003eSeries X of the William Faulkner collection includes typescripts and ephemera from adaptations of William Faulkner works for theatre, film, and television. Materials within Series X are arranged in chronological order.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Series III of the William Faulkner Collection contains the personal papers, files, belongings, and related realia of William Faulkner. Materials in the collection range in date from 1824 to 2003 and are divided into eight subseries: William Faulkner's working papers related to his literary works, drawings made by Faulkner, his childhood ephemera and student records, military and flight records, family papers, honors and awards, belongings and related realia, and reminiscences or accounts of William Faulkner.  ","Many of William Faulkner's student and family records differ in the spelling of his last name due to changes made over time by family members and by Faulkner himself. For this reason, Faulkner's student and childhood records will often refer to him as \"William Falkner.\" William Faulkner's family papers are also listed as \"Faulkner/Falkner Family Papers\" for this reason.  ","The Faulkner/Falkner Family Papers are divided into smaller sub-subseries based on the order in which they would fall within Faulkner's family tree and arranged chronologically within each. The first sub-subseries is comprised of Faulkner's extended family, grandparents, parents, and siblings, including John Wesley Thompson, William Clark Falkner, John Wesley Thompson Falkner, Alabama Falkner McLean, Murry Falkner, Maud Butler Falkner, Murry Falkner II, John Wesley Thompson Falkner/Faulkner III, and Dean Swift Falkner. The second sub-subseries within the Faulkner/Falkner Family subseries includes papers belonging to William Faulkner's wife, Estelle Oldham Faulkner, and the Oldham family. The third sub-subseries includes papers belonging to Estelle's son from her first marriage to Cornell Franklin and William Faulkner's stepson, Malcolm Argyle Franklin. Included with Malcolm Argyle Franklin's papers is a small amount of material once belonging to William F. Fielden, which was originally acquired with and has been kept with Franklin's papers. Next, within the subseries are the papers once belonging to William and Estelle Faulkner's daughter Jill Faulkner Summers and the Summers family.","Series IV of the William Faulkner Collection contains William Faulkner's publication records.  Materials in the collection range in date from 1924 to 1986 and are divided into three subseries based on record provenance. The first subseries is comprised of records relating to the original publication of Faulkner's works from Random House, Inc., and Albert Erskine. The second subseries is made up of records from Noel Polk, a Faulkner scholar and editor who worked on posthumous editions and publications of Faulkner's writings. The third and last subseries, Subseries C, contains all publishing-related records not from Random House, Albert Erskine, or Noel Polk. Prominent individuals whose publishing-related correspondence and records are featured in this subseries include William Faulkner's literary agents Harold Ober and Morton Goldman.  ","Series V of the William Faulkner collection contains William Faulkner's business and legal records. Materials within the series range in date from 1922 to 2006 and are divided into four subseries, the first of which includes William Faulkner's contracts and agreements, including a copy of Faulkner's will and legal agreements pertaining to his work and property carried out by his daughter, Jill Faulkner Summers, after his death in 1962. The second subseries includes all papers from William Faulkner's literary agent, Harold Ober, with the exception of Ober's papers relating to William Faulkner's publishing records, which are included in Series IV. Subseries C contains records relating to William Faulkner's cultural diplomacy work and travel. These records include papers gifted to the University of Virginia by Hal Howland, an employee of the United States Foreign Service/State Department.  Subseries C additionally contains records and correspondence relating to William Faulkner's work with the People to People diplomatic program, given as part of a gift from Joseph Blotner, scholar and biographer of William Faulkner.  The final subseries in Series V contains records pertaining to the William Faulkner Foundation. Whenever possible, the original order of each of the previous MSS numbers within Series V has been prioritized in the arrangement of the series.","Series VI of the William Faulkner collection contains photographs and portraits of and pertaining to William Faulkner. The photographs and portraits in this series range in date from 1898 to 2005 and cover a wide range of accession numbers, one of these being Faulkner's original deposit, MSS 6074. Materials within Series VI have been arranged in order of their original accession number to emphasize their provenance and chronologically therein.","Series VII of the William Faulkner collection includes press and publicity materials related to William Faulkner. Materials within the series range in date from 1922 to 2005 and are divided into three subseries. The first subseries consists of news clippings and press coverage articles about William Faulkner, many of which were gifted by Linton Massey and Jill Faulkner Summers. The second subseries contains William Faulkner's publicity films and audio recordings of Faulkner reading his works. The final subseries includes ephemera relating to William Faulkner's publicity films. Within each of these three subseries, materials are arranged chronologically.","Series VIII of the William Faulkner collection contains materials from Faulkner's time working at the University of Virginia, where he was the university's Writer-in-Residence from 1957 to 1958, Consultant on American Literature to the Alderman Library, now Shannon Library, from around 1958 to 1961, and Balch Lecturer in American Literature from 1961 to 1962. The series is divided into three subseries: Audio Recordings from Talks and Lectures, Ephemera Related to Faulkner's Tenure, and Exhibitions about Faulkner at the Library. Materials are then arranged chronologically within each subseries.","Series IX of the William Faulkner collection contains the materials of scholars of William Faulkner and collectors of Faulkner's archival and manuscript materials. Original Faulkner materials collected by some of these individuals, such as Joseph Blotner and Linton R. Massey, have been arranged and integrated into other series of the collection, but materials related specifically to their collecting work and scholarship are included in this series. Materials within this series are organized into subseries based on the corresponding scholar/collector names, which have been arranged in alphabetical order by last name.","Series X of the William Faulkner collection includes typescripts and ephemera from adaptations of William Faulkner works for theatre, film, and television. Materials within Series X are arranged in chronological order."],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  \u003c/p\u003e\n","\u003cp\u003ePermissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing\u003c/p\u003e\n","\u003cp\u003ePlease note that W.W. Norton holds copyright to all of Faulkner's published works.\u003c/p\u003e\n","\u003cp\u003eIf you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000\u003c/p\u003e\n","\u003cp\u003eFor permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026amp; Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com\u003c/p\u003e\n","\u003cp\u003eFor permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156\u003c/p\u003e\n","\u003cp\u003ePhotocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. \u003c/p\u003e","\u003cp\u003ePhotocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission.\u003c/p\u003e","\u003cp\u003eBecause of the assembled nature of these photographs, copyright status varies across the series. Reproduction rights for photographs marked \"for reference use only\" are not owned by the University of Virginia. Copyright is assumed to be held by the original creator of individual items in the series; the University of Virginia is not authorized to grant permission to publish or reproduce these items. Researchers are responsible for securing permission to publish or reproduce photographs from the rights holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. ","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission.","Because of the assembled nature of these photographs, copyright status varies across the series. Reproduction rights for photographs marked \"for reference use only\" are not owned by the University of Virginia. Copyright is assumed to be held by the original creator of individual items in the series; the University of Virginia is not authorized to grant permission to publish or reproduce these items. Researchers are responsible for securing permission to publish or reproduce photographs from the rights holders."],"names_ssim":["Albert and Shirley Small Special Collections Library","Faulkner, William, 1897-1962"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Faulkner, William, 1897-1962"],"language_ssim":["Materials primarily in English, with some publications in French and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3366,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-06T07:07:28.695Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1675_c10_c91"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":205},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026f%5Brepository%5D%5B%5D=Alexandria+Library\u0026view=list"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":7559},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026view=list"}},{"attributes":{"label":"Edgar Cayce Foundation","value":"Edgar Cayce Foundation","hits":27},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026f%5Brepository%5D%5B%5D=Edgar+Cayce+Foundation\u0026view=list"}},{"attributes":{"label":"Fairfax County Public Library","value":"Fairfax County Public Library","hits":157},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026f%5Brepository%5D%5B%5D=Fairfax+County+Public+Library\u0026view=list"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":12602},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=list"}},{"attributes":{"label":"Hampden-Sydney College","value":"Hampden-Sydney College","hits":233},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026f%5Brepository%5D%5B%5D=Hampden-Sydney+College\u0026view=list"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":2185},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026f%5Brepository%5D%5B%5D=James+Madison+University\u0026view=list"}},{"attributes":{"label":"Library of Virginia","value":"Library of Virginia","hits":58},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026f%5Brepository%5D%5B%5D=Library+of+Virginia\u0026view=list"}},{"attributes":{"label":"Longwood University","value":"Longwood University","hits":198},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026f%5Brepository%5D%5B%5D=Longwood+University\u0026view=list"}},{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":3131},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026view=list"}},{"attributes":{"label":"Randolph-Macon College","value":"Randolph-Macon College","hits":100},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026f%5Brepository%5D%5B%5D=Randolph-Macon+College\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1989\u0026view=list"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"Arts in Virginia\" (PB-04)","value":"\"Arts in Virginia\" (PB-04)","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Arts+in+Virginia%22+%28PB-04%29\u0026f%5Bdate_range%5D%5B%5D=1989\u0026view=list"}},{"attributes":{"label":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\"","value":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\"","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22More+Than+the+Sum+of+Our+Body+Parts%3A+An+Exhibit+by+CARY%2C+1992-1993%22\u0026f%5Bdate_range%5D%5B%5D=1989\u0026view=list"}},{"attributes":{"label":"\"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection","value":"\"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection","hits":30},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Scenes+from+Behind+the+Wall%3A+Images+of+East+Germany%2C+1989%2F90%22+exhibit+collection\u0026f%5Bdate_range%5D%5B%5D=1989\u0026view=list"}},{"attributes":{"label":"1x1 Japan Exhibition Materials, 1965-2024","value":"1x1 Japan Exhibition Materials, 1965-2024","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=1x1+Japan+Exhibition+Materials%2C+1965-2024\u0026f%5Bdate_range%5D%5B%5D=1989\u0026view=list"}},{"attributes":{"label":"201st National Guard Regiment Histories","value":"201st National Guard Regiment Histories","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=201st+National+Guard+Regiment+Histories\u0026f%5Bdate_range%5D%5B%5D=1989\u0026view=list"}},{"attributes":{"label":"8th Evacuation Hospital collection","value":"8th Evacuation Hospital collection","hits":7},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=8th+Evacuation+Hospital+collection\u0026f%5Bdate_range%5D%5B%5D=1989\u0026view=list"}},{"attributes":{"label":"A. 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