{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026page=35","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026page=34","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026page=36","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026page=5008"},"meta":{"pages":{"current_page":35,"next_page":36,"prev_page":34,"total_pages":5008,"limit_value":10,"offset_value":340,"total_count":50080,"first_page?":false,"last_page?":false}},"data":[{"id":"vihart_repositories_4_resources_594_c05_c39","type":"File","attributes":{"title":"35th Biennial AAUW Convention","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_594_c05_c39#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_594_c05_c39","ref_ssm":["vihart_repositories_4_resources_594_c05_c39"],"id":"vihart_repositories_4_resources_594_c05_c39","ead_ssi":"vihart_repositories_4_resources_594","_root_":"vihart_repositories_4_resources_594","_nest_parent_":"vihart_repositories_4_resources_594_c05","parent_ssi":"vihart_repositories_4_resources_594_c05","parent_ssim":["vihart_repositories_4_resources_594","vihart_repositories_4_resources_594_c05"],"parent_ids_ssim":["vihart_repositories_4_resources_594","vihart_repositories_4_resources_594_c05"],"parent_unittitles_ssm":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch","Conventions and Programming"],"parent_unittitles_tesim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch","Conventions and Programming"],"text":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch","Conventions and Programming","35th Biennial AAUW Convention","box 25","folder 2"],"title_filing_ssi":"35th Biennial AAUW Convention","title_ssm":["35th Biennial AAUW Convention"],"title_tesim":["35th Biennial AAUW Convention"],"unitdate_other_ssim":["1989"],"normalized_date_ssm":["1989"],"normalized_title_ssm":["35th Biennial AAUW Convention"],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":255,"parent_access_restrict_tesm":["Collection is open to research with the exception of media for which reformatting is pending. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1989],"containers_ssim":["box 25","folder 2"],"_nest_path_":"/components#4/components#38","timestamp":"2026-05-21T00:23:04.783Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_594","ead_ssi":"vihart_repositories_4_resources_594","_root_":"vihart_repositories_4_resources_594","_nest_parent_":"vihart_repositories_4_resources_594","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_594.xml","title_ssm":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"title_tesim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"unitdate_ssm":["1929-2025"],"unitdate_inclusive_ssm":["1929-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0211","/repositories/4/resources/594"],"text":["SC 0211","/repositories/4/resources/594","American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch","Women college graduates -- Virginia -- Harrisonburg -- Societies, etc","Women in education -- Virginia -- Harrisonburg -- History","Women -- Virginia -- Harrisonburg -- Societies and clubs","Minutes (administrative records)","Administrative records","Bylaws (administrative records)","Scrapbooks","Financial Records","Membership lists","Newspaper clippings","Letters (correspondence)","Publications (documents)","Photographs","Newsletters","Printed Ephemera","Fliers (printed matter)","Collection is open to research with the exception of media for which reformatting is pending. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection.","Original media formats are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","The scrapbook pages have been photocopied and are available alongside the original.","The collection is arranged into seven series:","Administrative Files, 1929-2015 Financial Files, 1969-2007 Causes, Activism, and Education, 1965-2008 Publications, 1968-2011 Conventions and Programming, 1968-2017 Scrapbooks, Photographs, and Ephemera, 1929-2011 2025-0909 Accession, 1979-2025","\"Our History.\" American Association of University Women, https://history.aauw.org/ (accessed September 19, 2019).","The American Association of University Women (AAUW) was founded on November 28, 1881 when Marion Talbot and Ellen Richards met in Boston, Massachusetts along with 15 alumnae representing eight colleges. The aim of this first meeting was to discuss the needs of college-educated women and to broaden opportunities and assist women in higher education. The organization is nonpartisan and nonprofit with more than 170,000 members. The mission of AAUW is \"to advance gender equity for women through research, education, and advocacy.\" Membership in AAUW is open to anyone holding a two-year associate degree or higher from an accredited college or university, or equivalent. ","The Harrisonburg branch of AAUW was founded on April 15, 1929 in Alumnae Hall on the campus of the State Teachers College at Harrisonburg (now James Madison University). The branch was organized with 15 charter members including Virginia Harnsberger, librarian at the State Teachers College, who was elected its first president. During the 1940s, the branch established and provided continued support for the Virginia Harnsberger Memorial Fund to furnish the Children's Room at the new Rockingham Public Library. In addition to membership dues, the recipe book  Recipes of the Shenandoah Valley , first published in 1959, served as a primary funding source for branch activities and outreach. Since 1975, the branch has held regular book club meetings. Current branch initiatives include equal rights and equal pay advocacy as well as voter registration. In partnership with JMU, the branch organizes \"Girls Can,\" an annual STEM conference and career fair for middle school girls.","The Harrisonburg branch of AAUW officially disbanded on July 1, 2025.","In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2019.  This collection was previously cataloged as SC 5036.","During this time, the collection was also reprocessed in order to simplify the intellectual arrangement, increase discoverability through better description, and better stabilize  the materials through physical rehousing. Significant changes to the collection include the weeding of bank statements, canceled checks and check stubs, receipts, and deposit slips. Their research value is minimal and furthermore the financial activities of AAUW are documented in the bound account books and membership files which were retained. Additionally, duplicate materials, primarily multiple copies of newsletters and publications, were also discarded.","Loose copies of the Harrisonburg Branch Yearbook and branch newsletters, originally associated with the 1929-1947 scrapbook, were filed with like materials in Series 1 and Series 4 respectively.","When the collection was originally processed in September 2012, the pages of the 1929-1947 scrapbook were separated from the boards and photocopied. The original scrapbook, boards, pages, and photocopied pages are all retained.","The American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929-2017, document the activities of Harrisonburg's local AAUW branch and include administrative records, meeting minutes, bylaws, membership records, financial files, publications and newsletters, annual conference materials, scrapbooks, ephemera, and photographs.","Researchers should note that while there is a discrete series for Financial Files, other series, specifically Administrative Files, also contain documents related to the financial goings-on of AAUW. Cross-referencing related series is encouraged. Similarly, the absence of a Correspondence series does not denote a lack of correspondence. In fact, correspondence is likely located in most series.","Series 1: Administrative Files, 1929-2015, comprises bylaws, meeting minutes, membership files, and general materials related to the administrative activities of the Harrisonburg branch of AAUW. Materials related to other branches, specifically bylaws, are also included.","Series 2: Financial Files, 1969-2007, documents the business activities of the AAUW, Harrisonburg branch. The account books document the branch's income and expenses. Complementary materials include financial statements and reports, budgets, and treasurer's reports.","Series 3: Causes, Activism, and Education, 1965-2008, comprises subject files related to the mission of AAUW, particularly concerning social movements, education, and voting rights.","Series 4: Publications, 1968-2011, contains official publications and printed material primarily created by AAUW as well as the Harrisonburg branch, other local branches, and the Virginia division. ","The Harrisonburg Branch newsletter has had several title changes during the course of its publication. The titles represented in this collection include: \"U\" News, AAUW Newsletter, AAUW News, and The Inside Track. There are periods of time during which the newsletter does not have a discernable title. In the spirit of keeping like materials together, all branch newsletters, regardless of title, are filed under the generic title \"Newsletters.\" ","This series also includes publications explicitly related to causes, activism, and education. Relatedly, regularly published periodicals by AAUW also include articles related to the organization's causes. Researchers are encouraged to cross-reference Series 3: Causes, Activism, and Education for related subject files.","Series 5: Conventions and Programming, 1968-2017, comprises programs and related materials documenting the annual Virginia AAUW convention. The Harrisonburg branch's implementation of \"Girls Can,\" a STEM career fair, is documented in this series. This series also includes assorted programming and promotional materials and flyers.","Series 6: Scrapbooks, Photographs, and Ephemera, 1929-2011, comprises five scrapbooks, photo albums and loose photographs, printed ephemera, and realia. The scrapbooks include newspaper clippings, ephemera, programs, and photographs documenting the activities of the AAUW, Harrisonburg branch during a given time period. Of particular interest is a sash including the phrase \"MARCH FOR WOMEN'S EQUALITY, WOMEN'S LIVES.\"","Series 7: 2025-0909 Accession, 1979-2025, comprises assorted administrative records documenting the activities of the Harrisonburg branch of AAUW. Materials include newsletters, yearbooks, conference programs, newspaper clippings, and records related to branch initiatives including the Equal Rights Amendment, the Crystal Theodore Scholarship, and other philanthropic endeavors.","The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch document the activities of Harrisonburg's local AAUW branch and include administrative records, financial files, publications, annual conference materials, scrapbooks, and photographs.","James Madison University Libraries Special Collections","American Association of University Women. Harrisonburg Branch","American Association of University Women. Harrisonburg Branch -- Archives","American Association of University Women. Harrisonburg Branch -- History","American Association of University Women. Virginia Division -- History","English"],"unitid_tesim":["SC 0211","/repositories/4/resources/594"],"normalized_title_ssm":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"collection_title_tesim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"collection_ssim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["American Association of University Women. Harrisonburg Branch"],"creator_ssim":["American Association of University Women. Harrisonburg Branch"],"creator_corpname_ssim":["American Association of University Women. Harrisonburg Branch"],"creators_ssim":["American Association of University Women. Harrisonburg Branch"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated in five separate accessions between 2011 and 2025."],"access_subjects_ssim":["Women college graduates -- Virginia -- Harrisonburg -- Societies, etc","Women in education -- Virginia -- Harrisonburg -- History","Women -- Virginia -- Harrisonburg -- Societies and clubs","Minutes (administrative records)","Administrative records","Bylaws (administrative records)","Scrapbooks","Financial Records","Membership lists","Newspaper clippings","Letters (correspondence)","Publications (documents)","Photographs","Newsletters","Printed Ephemera","Fliers (printed matter)"],"access_subjects_ssm":["Women college graduates -- Virginia -- Harrisonburg -- Societies, etc","Women in education -- Virginia -- Harrisonburg -- History","Women -- Virginia -- Harrisonburg -- Societies and clubs","Minutes (administrative records)","Administrative records","Bylaws (administrative records)","Scrapbooks","Financial Records","Membership lists","Newspaper clippings","Letters (correspondence)","Publications (documents)","Photographs","Newsletters","Printed Ephemera","Fliers (printed matter)"],"has_online_content_ssim":["false"],"extent_ssm":["9.89 cubic feet 29 boxes"],"extent_tesim":["9.89 cubic feet 29 boxes"],"genreform_ssim":["Minutes (administrative records)","Administrative records","Bylaws (administrative records)","Scrapbooks","Financial Records","Membership lists","Newspaper clippings","Letters (correspondence)","Publications (documents)","Photographs","Newsletters","Printed Ephemera","Fliers (printed matter)"],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research with the exception of media for which reformatting is pending. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eOriginal media formats are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection is open to research with the exception of media for which reformatting is pending. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection.","Original media formats are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"altformavail_html_tesm":["\u003cp\u003eThe scrapbook pages have been photocopied and are available alongside the original.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["The scrapbook pages have been photocopied and are available alongside the original."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into seven series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eAdministrative Files, 1929-2015\u003c/item\u003e\n      \u003citem\u003eFinancial Files, 1969-2007\u003c/item\u003e\n      \u003citem\u003eCauses, Activism, and Education, 1965-2008\u003c/item\u003e\n      \u003citem\u003ePublications, 1968-2011\u003c/item\u003e\n      \u003citem\u003eConventions and Programming, 1968-2017\u003c/item\u003e\n      \u003citem\u003eScrapbooks, Photographs, and Ephemera, 1929-2011\u003c/item\u003e\n      \u003citem\u003e2025-0909 Accession, 1979-2025\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into seven series:","Administrative Files, 1929-2015 Financial Files, 1969-2007 Causes, Activism, and Education, 1965-2008 Publications, 1968-2011 Conventions and Programming, 1968-2017 Scrapbooks, Photographs, and Ephemera, 1929-2011 2025-0909 Accession, 1979-2025"],"bibliography_html_tesm":["\u003cbibref\u003e\"Our History.\" American Association of University Women, https://history.aauw.org/ (accessed September 19, 2019).\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Our History.\" American Association of University Women, https://history.aauw.org/ (accessed September 19, 2019)."],"bioghist_html_tesm":["\u003cp\u003eThe American Association of University Women (AAUW) was founded on November 28, 1881 when Marion Talbot and Ellen Richards met in Boston, Massachusetts along with 15 alumnae representing eight colleges. The aim of this first meeting was to discuss the needs of college-educated women and to broaden opportunities and assist women in higher education. The organization is nonpartisan and nonprofit with more than 170,000 members. The mission of AAUW is \"to advance gender equity for women through research, education, and advocacy.\" Membership in AAUW is open to anyone holding a two-year associate degree or higher from an accredited college or university, or equivalent. \u003c/p\u003e\n","\u003cp\u003eThe Harrisonburg branch of AAUW was founded on April 15, 1929 in Alumnae Hall on the campus of the State Teachers College at Harrisonburg (now James Madison University). The branch was organized with 15 charter members including Virginia Harnsberger, librarian at the State Teachers College, who was elected its first president. During the 1940s, the branch established and provided continued support for the Virginia Harnsberger Memorial Fund to furnish the Children's Room at the new Rockingham Public Library. In addition to membership dues, the recipe book \u003cemph render=\"italic\"\u003eRecipes of the Shenandoah Valley\u003c/emph\u003e, first published in 1959, served as a primary funding source for branch activities and outreach. Since 1975, the branch has held regular book club meetings. Current branch initiatives include equal rights and equal pay advocacy as well as voter registration. In partnership with JMU, the branch organizes \"Girls Can,\" an annual STEM conference and career fair for middle school girls.\u003c/p\u003e\n","\u003cp\u003eThe Harrisonburg branch of AAUW officially disbanded on July 1, 2025.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["The American Association of University Women (AAUW) was founded on November 28, 1881 when Marion Talbot and Ellen Richards met in Boston, Massachusetts along with 15 alumnae representing eight colleges. The aim of this first meeting was to discuss the needs of college-educated women and to broaden opportunities and assist women in higher education. The organization is nonpartisan and nonprofit with more than 170,000 members. The mission of AAUW is \"to advance gender equity for women through research, education, and advocacy.\" Membership in AAUW is open to anyone holding a two-year associate degree or higher from an accredited college or university, or equivalent. ","The Harrisonburg branch of AAUW was founded on April 15, 1929 in Alumnae Hall on the campus of the State Teachers College at Harrisonburg (now James Madison University). The branch was organized with 15 charter members including Virginia Harnsberger, librarian at the State Teachers College, who was elected its first president. During the 1940s, the branch established and provided continued support for the Virginia Harnsberger Memorial Fund to furnish the Children's Room at the new Rockingham Public Library. In addition to membership dues, the recipe book  Recipes of the Shenandoah Valley , first published in 1959, served as a primary funding source for branch activities and outreach. Since 1975, the branch has held regular book club meetings. Current branch initiatives include equal rights and equal pay advocacy as well as voter registration. In partnership with JMU, the branch organizes \"Girls Can,\" an annual STEM conference and career fair for middle school girls.","The Harrisonburg branch of AAUW officially disbanded on July 1, 2025."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929-2025, SC 0211, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929-2025, SC 0211, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eIn order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2019. \u003cemph render=\"bold\"\u003eThis collection was previously cataloged as SC 5036.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eDuring this time, the collection was also reprocessed in order to simplify the intellectual arrangement, increase discoverability through better description, and better stabilize  the materials through physical rehousing. Significant changes to the collection include the weeding of bank statements, canceled checks and check stubs, receipts, and deposit slips. Their research value is minimal and furthermore the financial activities of AAUW are documented in the bound account books and membership files which were retained. Additionally, duplicate materials, primarily multiple copies of newsletters and publications, were also discarded.\u003c/p\u003e","\u003cp\u003eLoose copies of the Harrisonburg Branch Yearbook and branch newsletters, originally associated with the 1929-1947 scrapbook, were filed with like materials in Series 1 and Series 4 respectively.\u003c/p\u003e","\u003cp\u003eWhen the collection was originally processed in September 2012, the pages of the 1929-1947 scrapbook were separated from the boards and photocopied. The original scrapbook, boards, pages, and photocopied pages are all retained.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2019.  This collection was previously cataloged as SC 5036.","During this time, the collection was also reprocessed in order to simplify the intellectual arrangement, increase discoverability through better description, and better stabilize  the materials through physical rehousing. Significant changes to the collection include the weeding of bank statements, canceled checks and check stubs, receipts, and deposit slips. Their research value is minimal and furthermore the financial activities of AAUW are documented in the bound account books and membership files which were retained. Additionally, duplicate materials, primarily multiple copies of newsletters and publications, were also discarded.","Loose copies of the Harrisonburg Branch Yearbook and branch newsletters, originally associated with the 1929-1947 scrapbook, were filed with like materials in Series 1 and Series 4 respectively.","When the collection was originally processed in September 2012, the pages of the 1929-1947 scrapbook were separated from the boards and photocopied. The original scrapbook, boards, pages, and photocopied pages are all retained."],"scopecontent_html_tesm":["\u003cp\u003eThe American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929-2017, document the activities of Harrisonburg's local AAUW branch and include administrative records, meeting minutes, bylaws, membership records, financial files, publications and newsletters, annual conference materials, scrapbooks, ephemera, and photographs.\u003c/p\u003e\n","\u003cp\u003eResearchers should note that while there is a discrete series for Financial Files, other series, specifically Administrative Files, also contain documents related to the financial goings-on of AAUW. Cross-referencing related series is encouraged. Similarly, the absence of a Correspondence series does not denote a lack of correspondence. In fact, correspondence is likely located in most series.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative Files, 1929-2015, comprises bylaws, meeting minutes, membership files, and general materials related to the administrative activities of the Harrisonburg branch of AAUW. Materials related to other branches, specifically bylaws, are also included.\u003c/p\u003e","\u003cp\u003eSeries 2: Financial Files, 1969-2007, documents the business activities of the AAUW, Harrisonburg branch. The account books document the branch's income and expenses. Complementary materials include financial statements and reports, budgets, and treasurer's reports.\u003c/p\u003e","\u003cp\u003eSeries 3: Causes, Activism, and Education, 1965-2008, comprises subject files related to the mission of AAUW, particularly concerning social movements, education, and voting rights.\u003c/p\u003e","\u003cp\u003eSeries 4: Publications, 1968-2011, contains official publications and printed material primarily created by AAUW as well as the Harrisonburg branch, other local branches, and the Virginia division. \u003c/p\u003e\n","\u003cp\u003eThe Harrisonburg Branch newsletter has had several title changes during the course of its publication. The titles represented in this collection include: \"U\" News, AAUW Newsletter, AAUW News, and The Inside Track. There are periods of time during which the newsletter does not have a discernable title. In the spirit of keeping like materials together, all branch newsletters, regardless of title, are filed under the generic title \"Newsletters.\" \u003c/p\u003e\n","\u003cp\u003eThis series also includes publications explicitly related to causes, activism, and education. Relatedly, regularly published periodicals by AAUW also include articles related to the organization's causes. Researchers are encouraged to cross-reference Series 3: Causes, Activism, and Education for related subject files.\u003c/p\u003e","\u003cp\u003eSeries 5: Conventions and Programming, 1968-2017, comprises programs and related materials documenting the annual Virginia AAUW convention. The Harrisonburg branch's implementation of \"Girls Can,\" a STEM career fair, is documented in this series. This series also includes assorted programming and promotional materials and flyers.\u003c/p\u003e","\u003cp\u003eSeries 6: Scrapbooks, Photographs, and Ephemera, 1929-2011, comprises five scrapbooks, photo albums and loose photographs, printed ephemera, and realia. The scrapbooks include newspaper clippings, ephemera, programs, and photographs documenting the activities of the AAUW, Harrisonburg branch during a given time period. Of particular interest is a sash including the phrase \"MARCH FOR WOMEN'S EQUALITY, WOMEN'S LIVES.\"\u003c/p\u003e","\u003cp\u003eSeries 7: 2025-0909 Accession, 1979-2025, comprises assorted administrative records documenting the activities of the Harrisonburg branch of AAUW. Materials include newsletters, yearbooks, conference programs, newspaper clippings, and records related to branch initiatives including the Equal Rights Amendment, the Crystal Theodore Scholarship, and other philanthropic endeavors.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents"],"scopecontent_tesim":["The American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929-2017, document the activities of Harrisonburg's local AAUW branch and include administrative records, meeting minutes, bylaws, membership records, financial files, publications and newsletters, annual conference materials, scrapbooks, ephemera, and photographs.","Researchers should note that while there is a discrete series for Financial Files, other series, specifically Administrative Files, also contain documents related to the financial goings-on of AAUW. Cross-referencing related series is encouraged. Similarly, the absence of a Correspondence series does not denote a lack of correspondence. In fact, correspondence is likely located in most series.","Series 1: Administrative Files, 1929-2015, comprises bylaws, meeting minutes, membership files, and general materials related to the administrative activities of the Harrisonburg branch of AAUW. Materials related to other branches, specifically bylaws, are also included.","Series 2: Financial Files, 1969-2007, documents the business activities of the AAUW, Harrisonburg branch. The account books document the branch's income and expenses. Complementary materials include financial statements and reports, budgets, and treasurer's reports.","Series 3: Causes, Activism, and Education, 1965-2008, comprises subject files related to the mission of AAUW, particularly concerning social movements, education, and voting rights.","Series 4: Publications, 1968-2011, contains official publications and printed material primarily created by AAUW as well as the Harrisonburg branch, other local branches, and the Virginia division. ","The Harrisonburg Branch newsletter has had several title changes during the course of its publication. The titles represented in this collection include: \"U\" News, AAUW Newsletter, AAUW News, and The Inside Track. There are periods of time during which the newsletter does not have a discernable title. In the spirit of keeping like materials together, all branch newsletters, regardless of title, are filed under the generic title \"Newsletters.\" ","This series also includes publications explicitly related to causes, activism, and education. Relatedly, regularly published periodicals by AAUW also include articles related to the organization's causes. Researchers are encouraged to cross-reference Series 3: Causes, Activism, and Education for related subject files.","Series 5: Conventions and Programming, 1968-2017, comprises programs and related materials documenting the annual Virginia AAUW convention. The Harrisonburg branch's implementation of \"Girls Can,\" a STEM career fair, is documented in this series. This series also includes assorted programming and promotional materials and flyers.","Series 6: Scrapbooks, Photographs, and Ephemera, 1929-2011, comprises five scrapbooks, photo albums and loose photographs, printed ephemera, and realia. The scrapbooks include newspaper clippings, ephemera, programs, and photographs documenting the activities of the AAUW, Harrisonburg branch during a given time period. Of particular interest is a sash including the phrase \"MARCH FOR WOMEN'S EQUALITY, WOMEN'S LIVES.\"","Series 7: 2025-0909 Accession, 1979-2025, comprises assorted administrative records documenting the activities of the Harrisonburg branch of AAUW. Materials include newsletters, yearbooks, conference programs, newspaper clippings, and records related to branch initiatives including the Equal Rights Amendment, the Crystal Theodore Scholarship, and other philanthropic endeavors."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a851f3b5686ab7d4771a1162809cbb0b\"\u003eThe American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch document the activities of Harrisonburg's local AAUW branch and include administrative records, financial files, publications, annual conference materials, scrapbooks, and photographs.\u003c/abstract\u003e"],"abstract_tesim":["The American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch document the activities of Harrisonburg's local AAUW branch and include administrative records, financial files, publications, annual conference materials, scrapbooks, and photographs."],"names_coll_ssim":["American Association of University Women. Harrisonburg Branch -- Archives","American Association of University Women. Harrisonburg Branch -- History","American Association of University Women. Virginia Division -- History"],"names_ssim":["James Madison University Libraries Special Collections","American Association of University Women. Harrisonburg Branch","American Association of University Women. Harrisonburg Branch -- Archives","American Association of University Women. Harrisonburg Branch -- History","American Association of University Women. Virginia Division -- History"],"corpname_ssim":["James Madison University Libraries Special Collections","American Association of University Women. Harrisonburg Branch","American Association of University Women. Harrisonburg Branch -- Archives","American Association of University Women. Harrisonburg Branch -- History","American Association of University Women. Virginia Division -- History"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":302,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:04.783Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_594_c05_c39"}},{"id":"vif_vif00128_c465","type":"Item","attributes":{"title":"3665 Georgetown Pike (Lot 64), Langley, VA","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vif_vif00128_c465#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vif_vif00128_c465","ref_ssm":["vif_vif00128_c465"],"id":"vif_vif00128_c465","ead_ssi":"vif_vif00128","_root_":"vif_vif00128","_nest_parent_":"vif_vif00128","parent_ssi":"vif_vif00128","parent_ssim":["vif_vif00128"],"parent_ids_ssim":["vif_vif00128"],"parent_unittitles_ssm":["The Fairfax County Office of Comprehensive Planning Heritage Resources Branch Slide Collection, \n1967-1993"],"parent_unittitles_tesim":["The Fairfax County Office of Comprehensive Planning Heritage Resources Branch Slide Collection, \n1967-1993"],"text":["The Fairfax County Office of Comprehensive Planning Heritage Resources Branch Slide Collection, \n1967-1993","3665 Georgetown Pike (Lot 64), Langley, VA"],"title_filing_ssi":"3665 Georgetown Pike (Lot 64), Langley, VA","title_ssm":["3665 Georgetown Pike (Lot 64), Langley, VA"],"title_tesim":["3665 Georgetown Pike (Lot 64), Langley, VA"],"unitdate_inclusive_ssm":["1989 November"],"normalized_date_ssm":["1989"],"normalized_title_ssm":["3665 Georgetown Pike (Lot 64), Langley, VA"],"component_level_isim":[1],"repository_ssim":["Fairfax County Public Library"],"collection_ssim":["The Fairfax County Office of Comprehensive Planning Heritage Resources Branch Slide Collection, \n1967-1993"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":465,"date_range_isim":[1989],"_nest_path_":"/components#464","timestamp":"2026-05-21T07:43:05.348Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vif_vif00128","ead_ssi":"vif_vif00128","_root_":"vif_vif00128","_nest_parent_":"vif_vif00128","ead_source_url_ssi":"data/fcpl/vif00128.xml","title_ssm":["The Fairfax County Office of Comprehensive Planning Heritage Resources Branch Slide Collection, \n1967-1993"],"title_tesim":["The Fairfax County Office of Comprehensive Planning Heritage Resources Branch Slide Collection, \n1967-1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2005.006"],"text":["2005.006","The Fairfax County Office of Comprehensive Planning Heritage Resources Branch Slide Collection, \n1967-1993","Fairfax County (Va.). Office of Comprehensive Planning. Heritage Resources Branch","Historic sites - Virginia - Fairfax County","None","In the early 1970s, at the urging of the Fairfax County History Commission, the Board of Supervisors hired professional staff to focus on preserving, researching, and documenting the county’s historical resources. Staff worked within the Division of Planning, which was later renamed the Office of Comprehensive Planning. In 1984, the county’s archaeological, historical and architectural resources staff were consolidated into the Heritage Resources Branch within the Fairfax County Office of Comprehensive Planning. The County Executive dismantled the Heritage Resources Branch during the County Budget for FY 1996. The archaeology department staff transferred to the Fairfax County Park Authority; the historic buildings survey, architectural review, and historic district zoning staff were reassigned within the Office of Comprehensive Planning; and the historical research and publications program was completely eliminated. The changes took effect on July 1, 1996. As of 2019, the Fairfax County Office of Comprehensive Planning is known as the Department of Planning and Zoning.","Kimberly Coss and Chris Barbuschak, April 2019 EAD generated by Ross Landis, 2019","None","The Fairfax County Office of Comprehensive Planning Heritage Resources Branch Slide Collection consists of 940 slides depicting mostly historic Fairfax County structures spanning the years 1967-1993. Staff at the Fairfax County Heritage Resources Department photographed sites in Accotink, Alexandria, Annandale, Burke, Centreville, Chantilly, Clifton, Dranesville, Dulles, Fairfax, Fairfax Station, Falls Church, Floris, Fort Belvoir, Great Falls, Groveton, Gum Springs, Herndon, Idylwood, Langley, Lewinsville, Lorton, McLean, Mount Vernon, Newington, Reston, Seven Corners, Tysons Corner, and Vienna. Some slides in this collection are duplicated slides which pre-date 1967. Images of historical documents and historic portraits are also included. The original order, accession numbers, and handwritten descriptions on the slides were maintained as close as possible while processing and indexing this collection.","None","Consult repository for information","\nThe Fairfax County Office of Comprehensive Planning Heritage Resources Branch Slide Collection consists of 940 slides depicting mostly historic Fairfax County structures spanning the years 1967-1993. Staff at the Fairfax County Heritage Resources Department photographed sites in Accotink, Alexandria, Annandale, Burke, Centreville, Chantilly, Clifton, Dranesville, Dulles, Fairfax, Fairfax Station, Falls Church, Floris, Fort Belvoir, Great Falls, Groveton, Gum Springs, Herndon, Idylwood, Langley, Lewinsville, Lorton, McLean, Mount Vernon, Newington, Reston, Seven Corners, Tysons Corner, and Vienna.\n","English"],"unitid_tesim":["2005.006"],"normalized_title_ssm":["The Fairfax County Office of Comprehensive Planning Heritage Resources Branch Slide Collection, \n1967-1993"],"collection_title_tesim":["The Fairfax County Office of Comprehensive Planning Heritage Resources Branch Slide Collection, \n1967-1993"],"collection_ssim":["The Fairfax County Office of Comprehensive Planning Heritage Resources Branch Slide Collection, \n1967-1993"],"repository_ssm":["Fairfax County Public Library"],"repository_ssim":["Fairfax County Public Library"],"creator_ssm":["\nFairfax County Office of Comprehensive Planning Heritage Resources Branch staff\n"],"creator_ssim":["\nFairfax County Office of Comprehensive Planning Heritage Resources Branch staff\n"],"acqinfo_ssim":["The Heritage Resources Branch transferred this slide collection to the Virginia Room in April 2005."],"access_subjects_ssim":["Fairfax County (Va.). Office of Comprehensive Planning. Heritage Resources Branch","Historic sites - Virginia - Fairfax County"],"access_subjects_ssm":["Fairfax County (Va.). Office of Comprehensive Planning. Heritage Resources Branch","Historic sites - Virginia - Fairfax County"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 linear feet"],"extent_tesim":["0.5 linear feet"],"accessrestrict_html_tesm":["\u003cp\u003eNone\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["None"],"bioghist_html_tesm":["\u003cp\u003eIn the early 1970s, at the urging of the Fairfax County History Commission, the Board of Supervisors hired professional staff to focus on preserving, researching, and documenting the county’s historical resources. Staff worked within the Division of Planning, which was later renamed the Office of Comprehensive Planning. In 1984, the county’s archaeological, historical and architectural resources staff were consolidated into the Heritage Resources Branch within the Fairfax County Office of Comprehensive Planning. The County Executive dismantled the Heritage Resources Branch during the County Budget for FY 1996. The archaeology department staff transferred to the Fairfax County Park Authority; the historic buildings survey, architectural review, and historic district zoning staff were reassigned within the Office of Comprehensive Planning; and the historical research and publications program was completely eliminated. The changes took effect on July 1, 1996. As of 2019, the Fairfax County Office of Comprehensive Planning is known as the Department of Planning and Zoning.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical and Biographical Information"],"bioghist_tesim":["In the early 1970s, at the urging of the Fairfax County History Commission, the Board of Supervisors hired professional staff to focus on preserving, researching, and documenting the county’s historical resources. Staff worked within the Division of Planning, which was later renamed the Office of Comprehensive Planning. In 1984, the county’s archaeological, historical and architectural resources staff were consolidated into the Heritage Resources Branch within the Fairfax County Office of Comprehensive Planning. The County Executive dismantled the Heritage Resources Branch during the County Budget for FY 1996. The archaeology department staff transferred to the Fairfax County Park Authority; the historic buildings survey, architectural review, and historic district zoning staff were reassigned within the Office of Comprehensive Planning; and the historical research and publications program was completely eliminated. The changes took effect on July 1, 1996. As of 2019, the Fairfax County Office of Comprehensive Planning is known as the Department of Planning and Zoning."],"prefercite_html_tesm":["\u003cp\u003eFairfax County Office of Comprehensive Planning Heritage Resources Branch Slide Collection, Virginia Room, Fairfax County Public Library\u003c/p\u003e"],"prefercite_tesim":["Fairfax County Office of Comprehensive Planning Heritage Resources Branch Slide Collection, Virginia Room, Fairfax County Public Library"],"processinfo_html_tesm":["\u003cp\u003eKimberly Coss and Chris Barbuschak, April 2019\u003clb\u003e\u003c/lb\u003eEAD generated by Ross Landis, 2019\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Kimberly Coss and Chris Barbuschak, April 2019 EAD generated by Ross Landis, 2019"],"relatedmaterial_html_tesm":["\u003cp\u003eNone\u003c/p\u003e"],"relatedmaterial_tesim":["None"],"scopecontent_html_tesm":["\u003cp\u003eThe Fairfax County Office of Comprehensive Planning Heritage Resources Branch Slide Collection consists of 940 slides depicting mostly historic Fairfax County structures spanning the years 1967-1993. Staff at the Fairfax County Heritage Resources Department photographed sites in Accotink, Alexandria, Annandale, Burke, Centreville, Chantilly, Clifton, Dranesville, Dulles, Fairfax, Fairfax Station, Falls Church, Floris, Fort Belvoir, Great Falls, Groveton, Gum Springs, Herndon, Idylwood, Langley, Lewinsville, Lorton, McLean, Mount Vernon, Newington, Reston, Seven Corners, Tysons Corner, and Vienna. Some slides in this collection are duplicated slides which pre-date 1967. Images of historical documents and historic portraits are also included. The original order, accession numbers, and handwritten descriptions on the slides were maintained as close as possible while processing and indexing this collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Fairfax County Office of Comprehensive Planning Heritage Resources Branch Slide Collection consists of 940 slides depicting mostly historic Fairfax County structures spanning the years 1967-1993. Staff at the Fairfax County Heritage Resources Department photographed sites in Accotink, Alexandria, Annandale, Burke, Centreville, Chantilly, Clifton, Dranesville, Dulles, Fairfax, Fairfax Station, Falls Church, Floris, Fort Belvoir, Great Falls, Groveton, Gum Springs, Herndon, Idylwood, Langley, Lewinsville, Lorton, McLean, Mount Vernon, Newington, Reston, Seven Corners, Tysons Corner, and Vienna. Some slides in this collection are duplicated slides which pre-date 1967. Images of historical documents and historic portraits are also included. The original order, accession numbers, and handwritten descriptions on the slides were maintained as close as possible while processing and indexing this collection."],"separatedmaterial_html_tesm":["\u003cp\u003eNone\u003c/p\u003e"],"separatedmaterial_tesim":["None"],"userestrict_html_tesm":["\u003cp\u003eConsult repository for information\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Consult repository for information"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\" encodinganalog=\"520$a\"\u003e\nThe Fairfax County Office of Comprehensive Planning Heritage Resources Branch Slide Collection consists of 940 slides depicting mostly historic Fairfax County structures spanning the years 1967-1993. Staff at the Fairfax County Heritage Resources Department photographed sites in Accotink, Alexandria, Annandale, Burke, Centreville, Chantilly, Clifton, Dranesville, Dulles, Fairfax, Fairfax Station, Falls Church, Floris, Fort Belvoir, Great Falls, Groveton, Gum Springs, Herndon, Idylwood, Langley, Lewinsville, Lorton, McLean, Mount Vernon, Newington, Reston, Seven Corners, Tysons Corner, and Vienna.\n\u003c/abstract\u003e"],"abstract_tesim":["\nThe Fairfax County Office of Comprehensive Planning Heritage Resources Branch Slide Collection consists of 940 slides depicting mostly historic Fairfax County structures spanning the years 1967-1993. Staff at the Fairfax County Heritage Resources Department photographed sites in Accotink, Alexandria, Annandale, Burke, Centreville, Chantilly, Clifton, Dranesville, Dulles, Fairfax, Fairfax Station, Falls Church, Floris, Fort Belvoir, Great Falls, Groveton, Gum Springs, Herndon, Idylwood, Langley, Lewinsville, Lorton, McLean, Mount Vernon, Newington, Reston, Seven Corners, Tysons Corner, and Vienna.\n"],"language_ssim":["English"],"total_component_count_is":1019,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:43:05.348Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vif_vif00128_c465"}},{"id":"wvmturhc_repositories_2_resources_1852_c05_c37","type":"File","attributes":{"title":"37. Nimrod Davisson","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1852_c05_c37#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1852_c05_c37","ref_ssm":["wvmturhc_repositories_2_resources_1852_c05_c37"],"id":"wvmturhc_repositories_2_resources_1852_c05_c37","ead_ssi":"wvmturhc_repositories_2_resources_1852","_root_":"wvmturhc_repositories_2_resources_1852","_nest_parent_":"wvmturhc_repositories_2_resources_1852_c05","parent_ssi":"wvmturhc_repositories_2_resources_1852_c05","parent_ssim":["wvmturhc_repositories_2_resources_1852","wvmturhc_repositories_2_resources_1852_c05"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1852","wvmturhc_repositories_2_resources_1852_c05"],"parent_unittitles_ssm":["Russell L. Davisson, Politician, Papers","Series 5. Genealogy Records A"],"parent_unittitles_tesim":["Russell L. Davisson, Politician, Papers","Series 5. Genealogy Records A"],"text":["Russell L. Davisson, Politician, Papers","Series 5. Genealogy Records A","37. Nimrod Davisson","Box 3","Folder 7"],"title_filing_ssi":"37. Nimrod Davisson","title_ssm":["37. Nimrod Davisson"],"title_tesim":["37. Nimrod Davisson"],"unitdate_inclusive_ssm":["1973–1992"],"normalized_date_ssm":["1973/1992"],"normalized_title_ssm":["37. Nimrod Davisson"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Russell L. Davisson, Politician, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":53,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"containers_ssim":["Box 3","Folder 7"],"_nest_path_":"/components#4/components#36","timestamp":"2026-05-21T01:07:24.091Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1852","ead_ssi":"wvmturhc_repositories_2_resources_1852","_root_":"wvmturhc_repositories_2_resources_1852","_nest_parent_":"wvmturhc_repositories_2_resources_1852","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1852.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196027","title_ssm":["Russell L. Davisson, Politician, Papers"],"title_tesim":["Russell L. Davisson, Politician, Papers"],"unitdate_ssm":["1850-2004"],"unitdate_inclusive_ssm":["1850-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852"],"text":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852","Russell L. Davisson, Politician, Papers","Genealogy","Welfare - Mingo County.","No special access restriction applies.","Papers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).","Series include:","Series 1. Biographical Information, 2005 (box 1, Folder 1a)  \nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b)  \nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6)  \nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10)  \nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18)  \nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47)  \nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55)  \nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b)  \nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18)  \nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6)  \nSeries 11. Travel, undated (box 4, folders 41-44)  \nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59)  \nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61)  \nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2)  \nSeries 15. Certificate, 2004 (box 5, folder 3)  \nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5)  \nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)","This series includes an autobiography written by Russell L. Davisson.","This series includes correspondence from Governor Arch Moore to Davisson.","This series includes records regarding investigation into the welfare program of Mingo County. The files contain sworn depositions of those involved, contemporary newspaper accounts, and letters from other politicians concerning the controversy.","This series includes a photocopy of the work, \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison.","This series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.","This series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.","This series includes genealogical records pertaining specifically to Lost Creek, Harrison County, WV.","This series includes inauguration invitations (Arch Moore and Richard Nixon), publications on various topics (including Richard Nixon's inauguration and election), and assorted correspondence.","This series includes page proofs, manuscript excerpts, and other material pertaining to \"The Davissons\" by Russell L. Davisson.","This series includes assorted publications, including a copy of Richard Nixon's Presidential nomination acceptance speech, other political works, and various historical works.","This series includes postcards and pamphlets from a trip to China and a trip to Brussels.","This series includes maps of locations in the United States, Europe, and China.","This series includes political car plates and business cards from China.","This series consists of assorted photographs, including a signed photograph of Russell L. Davisson and Richard Nixon, a portrait of Governor Cecil B. Underwood, and the Davisson Cemetary and other historical sites related to the Davisson family.","This series consists of a Certificate of Appreciation from George Washington's Mount Vernon.","This series consists of various issues of the newsletter, \"Mountain Messenger,\" and of the newsletter of the Washington County Genealogical Society.","This series includes a copy of \"Early Genealogy of the Davisson Family\" on two microfilm reels.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-","English"],"unitid_tesim":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852"],"normalized_title_ssm":["Russell L. Davisson, Politician, Papers"],"collection_title_tesim":["Russell L. Davisson, Politician, Papers"],"collection_ssim":["Russell L. Davisson, Politician, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Davisson, Russell Lee, 1922-"],"creator_ssim":["Davisson, Russell Lee, 1922-"],"creator_persname_ssim":["Davisson, Russell Lee, 1922-"],"creators_ssim":["Davisson, Russell Lee, 1922-"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Genealogy","Welfare - Mingo County."],"access_subjects_ssm":["Genealogy","Welfare - Mingo County."],"has_online_content_ssim":["false"],"extent_ssm":["4 Linear Feet Summary: 3 ft. 11 1/2 in. (3 document cases, 5 in. each); (1 document case, 2 1/2 in.); (2 records cartons, 15 in. each)"],"extent_tesim":["4 Linear Feet Summary: 3 ft. 11 1/2 in. (3 document cases, 5 in. each); (1 document case, 2 1/2 in.); (2 records cartons, 15 in. each)"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Russell L. Davisson, Politician, Papers, A\u0026amp;M 3472, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Russell L. Davisson, Politician, Papers, A\u0026M 3472, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003c/p\u003e\n","\u003cp\u003eSeries 1. Biographical Information, 2005 (box 1, Folder 1a) \u003clb\u003e\u003c/lb\u003e\nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b) \u003clb\u003e\u003c/lb\u003e\nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6) \u003clb\u003e\u003c/lb\u003e\nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10) \u003clb\u003e\u003c/lb\u003e\nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18) \u003clb\u003e\u003c/lb\u003e\nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47) \u003clb\u003e\u003c/lb\u003e\nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55) \u003clb\u003e\u003c/lb\u003e\nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b) \u003clb\u003e\u003c/lb\u003e\nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18) \u003clb\u003e\u003c/lb\u003e\nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6) \u003clb\u003e\u003c/lb\u003e\nSeries 11. Travel, undated (box 4, folders 41-44) \u003clb\u003e\u003c/lb\u003e\nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59) \u003clb\u003e\u003c/lb\u003e\nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61) \u003clb\u003e\u003c/lb\u003e\nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2) \u003clb\u003e\u003c/lb\u003e\nSeries 15. Certificate, 2004 (box 5, folder 3) \u003clb\u003e\u003c/lb\u003e\nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5) \u003clb\u003e\u003c/lb\u003e\nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e","\u003cp\u003eThis series includes an autobiography written by Russell L. Davisson.\u003c/p\u003e","\u003cp\u003eThis series includes correspondence from Governor Arch Moore to Davisson.\u003c/p\u003e","\u003cp\u003eThis series includes records regarding investigation into the welfare program of Mingo County. The files contain sworn depositions of those involved, contemporary newspaper accounts, and letters from other politicians concerning the controversy.\u003c/p\u003e","\u003cp\u003eThis series includes a photocopy of the work, \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison.\u003c/p\u003e","\u003cp\u003eThis series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.\u003c/p\u003e","\u003cp\u003eThis series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.\u003c/p\u003e","\u003cp\u003eThis series includes genealogical records pertaining specifically to Lost Creek, Harrison County, WV.\u003c/p\u003e","\u003cp\u003eThis series includes inauguration invitations (Arch Moore and Richard Nixon), publications on various topics (including Richard Nixon's inauguration and election), and assorted correspondence.\u003c/p\u003e","\u003cp\u003eThis series includes page proofs, manuscript excerpts, and other material pertaining to \"The Davissons\" by Russell L. Davisson.\u003c/p\u003e","\u003cp\u003eThis series includes assorted publications, including a copy of Richard Nixon's Presidential nomination acceptance speech, other political works, and various historical works.\u003c/p\u003e","\u003cp\u003eThis series includes postcards and pamphlets from a trip to China and a trip to Brussels.\u003c/p\u003e","\u003cp\u003eThis series includes maps of locations in the United States, Europe, and China.\u003c/p\u003e","\u003cp\u003eThis series includes political car plates and business cards from China.\u003c/p\u003e","\u003cp\u003eThis series consists of assorted photographs, including a signed photograph of Russell L. Davisson and Richard Nixon, a portrait of Governor Cecil B. Underwood, and the Davisson Cemetary and other historical sites related to the Davisson family.\u003c/p\u003e","\u003cp\u003eThis series consists of a Certificate of Appreciation from George Washington's Mount Vernon.\u003c/p\u003e","\u003cp\u003eThis series consists of various issues of the newsletter, \"Mountain Messenger,\" and of the newsletter of the Washington County Genealogical Society.\u003c/p\u003e","\u003cp\u003eThis series includes a copy of \"Early Genealogy of the Davisson Family\" on two microfilm reels.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).","Series include:","Series 1. Biographical Information, 2005 (box 1, Folder 1a)  \nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b)  \nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6)  \nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10)  \nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18)  \nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47)  \nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55)  \nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b)  \nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18)  \nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6)  \nSeries 11. Travel, undated (box 4, folders 41-44)  \nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59)  \nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61)  \nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2)  \nSeries 15. Certificate, 2004 (box 5, folder 3)  \nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5)  \nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)","This series includes an autobiography written by Russell L. Davisson.","This series includes correspondence from Governor Arch Moore to Davisson.","This series includes records regarding investigation into the welfare program of Mingo County. The files contain sworn depositions of those involved, contemporary newspaper accounts, and letters from other politicians concerning the controversy.","This series includes a photocopy of the work, \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison.","This series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.","This series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.","This series includes genealogical records pertaining specifically to Lost Creek, Harrison County, WV.","This series includes inauguration invitations (Arch Moore and Richard Nixon), publications on various topics (including Richard Nixon's inauguration and election), and assorted correspondence.","This series includes page proofs, manuscript excerpts, and other material pertaining to \"The Davissons\" by Russell L. Davisson.","This series includes assorted publications, including a copy of Richard Nixon's Presidential nomination acceptance speech, other political works, and various historical works.","This series includes postcards and pamphlets from a trip to China and a trip to Brussels.","This series includes maps of locations in the United States, Europe, and China.","This series includes political car plates and business cards from China.","This series consists of assorted photographs, including a signed photograph of Russell L. Davisson and Richard Nixon, a portrait of Governor Cecil B. Underwood, and the Davisson Cemetary and other historical sites related to the Davisson family.","This series consists of a Certificate of Appreciation from George Washington's Mount Vernon.","This series consists of various issues of the newsletter, \"Mountain Messenger,\" and of the newsletter of the Washington County Genealogical Society.","This series includes a copy of \"Early Genealogy of the Davisson Family\" on two microfilm reels."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b58e0d0847733239cec6066aace5060d\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-"],"famname_ssim":["Davison family - genealogy.","Davison family - Genealogy"],"persname_ssim":["Davisson, Russell Lee, 1922-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":235,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:07:24.091Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1852_c05_c37"}},{"id":"viblbv_repositories_2_resources_1974_c04_c126","type":"File","attributes":{"title":"37th Virginia Infantry","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c126#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1974_c04_c126","ref_ssm":["viblbv_repositories_2_resources_1974_c04_c126"],"id":"viblbv_repositories_2_resources_1974_c04_c126","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974_c04","parent_ssi":"viblbv_repositories_2_resources_1974_c04","parent_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_ids_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_unittitles_ssm":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"parent_unittitles_tesim":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"text":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records","37th Virginia Infantry","box 42","folder 19"],"title_filing_ssi":"37th Virginia Infantry","title_ssm":["37th Virginia Infantry"],"title_tesim":["37th Virginia Infantry"],"unitdate_inclusive_ssm":["n.d., 1861-1865, 1941, 1972, 1981, 1998"],"normalized_date_ssm":["1861/1998"],"normalized_title_ssm":["37th Virginia Infantry"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["James I. Robertson Jr. Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":472,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"containers_ssim":["box 42","folder 19"],"_nest_path_":"/components#3/components#125","timestamp":"2026-05-21T02:15:46.743Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1974","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1974.xml","title_filing_ssi":"Robertson, James I., Papers","title_ssm":["James I. Robertson Jr. Papers"],"title_tesim":["James I. Robertson Jr. Papers"],"unitdate_ssm":["1849-2011"],"unitdate_inclusive_ssm":["1849-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.021"],"text":["Ms.1994.021","James I. Robertson Jr. Papers","Virginia","Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History","Collection is open to research.","Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. ","American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. ","The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.","The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus","The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr.","The materials in the collection are in English."],"unitid_tesim":["Ms.1994.021"],"normalized_title_ssm":["James I. Robertson Jr. Papers"],"collection_title_tesim":["James I. Robertson Jr. Papers"],"collection_ssim":["James I. Robertson Jr. Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Virginia"],"geogname_ssim":["Virginia"],"creator_ssm":["Robertson, James I., Jr."],"creator_ssim":["Robertson, James I., Jr."],"creator_persname_ssim":["Robertson, James I., Jr."],"creators_ssim":["Robertson, James I., Jr."],"places_ssim":["Virginia"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Robertson Papers were donated by James I. and Elizabeth Robertson in several accessions from 1992 until 2016."],"access_subjects_ssim":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"access_subjects_ssm":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"has_online_content_ssim":["false"],"extent_ssm":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"extent_tesim":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I: Writings, 1981-2004\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for \u003ctitle render=\"italic\"\u003eJackson \u0026amp; Lee\u003c/title\u003e, for example, contains only a typescript draft of a single chapter. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II: General Materials, 1862-1996\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III: Virginia County Records, 1852-2005\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV: Virginia Unit Records, 1849-2011\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries V: Oversize Materials, [1982?]-2000, n.d.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. "],"bioghist_html_tesm":["\u003cp\u003eAmerican Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. \u003c/p\u003e\n","\u003cp\u003eRobertson has authored many award-winning scholarly books on Civil War-related topics, including \u003ctitle render=\"italic\"\u003eSoldiers Blue and Gray\u003c/title\u003e (1988) (nominated for the Pulitzer Prize in History), \u003ctitle render=\"italic\"\u003eCivil War Virginia: Battleground for a Nation\u003c/title\u003e (1991), \u003ctitle render=\"italic\"\u003eGeneral A. P. Hill: The Story of a Confederate Warrior\u003c/title\u003e; and \u003ctitle render=\"italic\"\u003eStonewall Jackson: The Man, the Soldier, the Legend\u003c/title\u003e (1997). He has also written two books for younger readers: \u003ctitle render=\"italic\"\u003eCivil War! America Becomes One Nation\u003c/title\u003e (1992) and \u003ctitle render=\"italic\"\u003eStanding Like a Stone Wall: the Life of General Thomas J. Jackson\u003c/title\u003e (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. "],"odd_html_tesm":["\u003cp\u003eThe guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eAccession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.\u003c/p\u003e","\u003cp\u003eIntroduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Robert Krick and Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Dennis Frye\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown and Chris Calkins\u003c/p\u003e","\u003cp\u003ewith author's final corrections; 4 folders\u003c/p\u003e","\u003cp\u003ewith publisher's final corrections; 2 folders\u003c/p\u003e","\u003cp\u003ewith publisher's comments\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Ludwell Johnson (chapters 1-5 only)\u003c/p\u003e","\u003cp\u003ewith corrections by Charles Roland\u003c/p\u003e","\u003cp\u003ewith corrections by Gary Gallagher\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003eincorporating publisher's revisions\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003elimited edition signed print by Brian Kraus\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:\u003c/p\u003e\n","\u003cp\u003eBarringer, Paul B. \u003ctitle render=\"italic\"\u003eNarrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968\u003c/title\u003e ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eEchoes of 1861-1961\u003c/title\u003e ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eThe Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table\u003c/title\u003e ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eWilshin, Francis. \u003ctitle render=\"italic\"\u003eManassas (Bull Run) National Battlefield Park, Virginia\u003c/title\u003e (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_591a58887f476736372340a2230c0d66\" label=\"Abstract\"\u003eThis collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Robertson, James I., Jr."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":516,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:15:46.743Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c126"}},{"id":"viblbv_repositories_2_resources_1974_c04_c35","type":"File","attributes":{"title":"38th Battalion, Virginia Light Artillery","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c35#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1974_c04_c35","ref_ssm":["viblbv_repositories_2_resources_1974_c04_c35"],"id":"viblbv_repositories_2_resources_1974_c04_c35","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974_c04","parent_ssi":"viblbv_repositories_2_resources_1974_c04","parent_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_ids_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_unittitles_ssm":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"parent_unittitles_tesim":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"text":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records","38th Battalion, Virginia Light Artillery","box 40","folder 40"],"title_filing_ssi":"38th Battalion, Virginia Light Artillery","title_ssm":["38th Battalion, Virginia Light Artillery"],"title_tesim":["38th Battalion, Virginia Light Artillery"],"unitdate_inclusive_ssm":["1865, 1994"],"normalized_date_ssm":["1865/1994"],"normalized_title_ssm":["38th Battalion, Virginia Light Artillery"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["James I. Robertson Jr. Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":381,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"containers_ssim":["box 40","folder 40"],"_nest_path_":"/components#3/components#34","timestamp":"2026-05-21T02:15:46.743Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1974","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1974.xml","title_filing_ssi":"Robertson, James I., Papers","title_ssm":["James I. Robertson Jr. Papers"],"title_tesim":["James I. Robertson Jr. Papers"],"unitdate_ssm":["1849-2011"],"unitdate_inclusive_ssm":["1849-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.021"],"text":["Ms.1994.021","James I. Robertson Jr. Papers","Virginia","Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History","Collection is open to research.","Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. ","American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. ","The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.","The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus","The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr.","The materials in the collection are in English."],"unitid_tesim":["Ms.1994.021"],"normalized_title_ssm":["James I. Robertson Jr. Papers"],"collection_title_tesim":["James I. Robertson Jr. Papers"],"collection_ssim":["James I. Robertson Jr. Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Virginia"],"geogname_ssim":["Virginia"],"creator_ssm":["Robertson, James I., Jr."],"creator_ssim":["Robertson, James I., Jr."],"creator_persname_ssim":["Robertson, James I., Jr."],"creators_ssim":["Robertson, James I., Jr."],"places_ssim":["Virginia"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Robertson Papers were donated by James I. and Elizabeth Robertson in several accessions from 1992 until 2016."],"access_subjects_ssim":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"access_subjects_ssm":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"has_online_content_ssim":["false"],"extent_ssm":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"extent_tesim":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I: Writings, 1981-2004\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for \u003ctitle render=\"italic\"\u003eJackson \u0026amp; Lee\u003c/title\u003e, for example, contains only a typescript draft of a single chapter. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II: General Materials, 1862-1996\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III: Virginia County Records, 1852-2005\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV: Virginia Unit Records, 1849-2011\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries V: Oversize Materials, [1982?]-2000, n.d.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. "],"bioghist_html_tesm":["\u003cp\u003eAmerican Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. \u003c/p\u003e\n","\u003cp\u003eRobertson has authored many award-winning scholarly books on Civil War-related topics, including \u003ctitle render=\"italic\"\u003eSoldiers Blue and Gray\u003c/title\u003e (1988) (nominated for the Pulitzer Prize in History), \u003ctitle render=\"italic\"\u003eCivil War Virginia: Battleground for a Nation\u003c/title\u003e (1991), \u003ctitle render=\"italic\"\u003eGeneral A. P. Hill: The Story of a Confederate Warrior\u003c/title\u003e; and \u003ctitle render=\"italic\"\u003eStonewall Jackson: The Man, the Soldier, the Legend\u003c/title\u003e (1997). He has also written two books for younger readers: \u003ctitle render=\"italic\"\u003eCivil War! America Becomes One Nation\u003c/title\u003e (1992) and \u003ctitle render=\"italic\"\u003eStanding Like a Stone Wall: the Life of General Thomas J. Jackson\u003c/title\u003e (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. "],"odd_html_tesm":["\u003cp\u003eThe guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eAccession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.\u003c/p\u003e","\u003cp\u003eIntroduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Robert Krick and Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Dennis Frye\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown and Chris Calkins\u003c/p\u003e","\u003cp\u003ewith author's final corrections; 4 folders\u003c/p\u003e","\u003cp\u003ewith publisher's final corrections; 2 folders\u003c/p\u003e","\u003cp\u003ewith publisher's comments\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Ludwell Johnson (chapters 1-5 only)\u003c/p\u003e","\u003cp\u003ewith corrections by Charles Roland\u003c/p\u003e","\u003cp\u003ewith corrections by Gary Gallagher\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003eincorporating publisher's revisions\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003elimited edition signed print by Brian Kraus\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:\u003c/p\u003e\n","\u003cp\u003eBarringer, Paul B. \u003ctitle render=\"italic\"\u003eNarrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968\u003c/title\u003e ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eEchoes of 1861-1961\u003c/title\u003e ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eThe Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table\u003c/title\u003e ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eWilshin, Francis. \u003ctitle render=\"italic\"\u003eManassas (Bull Run) National Battlefield Park, Virginia\u003c/title\u003e (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_591a58887f476736372340a2230c0d66\" label=\"Abstract\"\u003eThis collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Robertson, James I., Jr."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":516,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:15:46.743Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c35"}},{"id":"viblbv_repositories_2_resources_1974_c04_c127","type":"File","attributes":{"title":"38th Virginia Infantry Volunteers","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c127#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1974_c04_c127","ref_ssm":["viblbv_repositories_2_resources_1974_c04_c127"],"id":"viblbv_repositories_2_resources_1974_c04_c127","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974_c04","parent_ssi":"viblbv_repositories_2_resources_1974_c04","parent_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_ids_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_unittitles_ssm":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"parent_unittitles_tesim":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"text":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records","38th Virginia Infantry Volunteers","box 42","folder 20"],"title_filing_ssi":"38th Virginia Infantry Volunteers","title_ssm":["38th Virginia Infantry Volunteers"],"title_tesim":["38th Virginia Infantry Volunteers"],"unitdate_inclusive_ssm":["n.d., 1861-1865, 1967-1970, 1984, 1997, 2009"],"normalized_date_ssm":["1861/2009"],"normalized_title_ssm":["38th Virginia Infantry Volunteers"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["James I. Robertson Jr. Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":473,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"containers_ssim":["box 42","folder 20"],"_nest_path_":"/components#3/components#126","timestamp":"2026-05-21T02:15:46.743Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1974","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1974.xml","title_filing_ssi":"Robertson, James I., Papers","title_ssm":["James I. Robertson Jr. Papers"],"title_tesim":["James I. Robertson Jr. Papers"],"unitdate_ssm":["1849-2011"],"unitdate_inclusive_ssm":["1849-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.021"],"text":["Ms.1994.021","James I. Robertson Jr. Papers","Virginia","Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History","Collection is open to research.","Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. ","American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. ","The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.","The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus","The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr.","The materials in the collection are in English."],"unitid_tesim":["Ms.1994.021"],"normalized_title_ssm":["James I. Robertson Jr. Papers"],"collection_title_tesim":["James I. Robertson Jr. Papers"],"collection_ssim":["James I. Robertson Jr. Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Virginia"],"geogname_ssim":["Virginia"],"creator_ssm":["Robertson, James I., Jr."],"creator_ssim":["Robertson, James I., Jr."],"creator_persname_ssim":["Robertson, James I., Jr."],"creators_ssim":["Robertson, James I., Jr."],"places_ssim":["Virginia"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Robertson Papers were donated by James I. and Elizabeth Robertson in several accessions from 1992 until 2016."],"access_subjects_ssim":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"access_subjects_ssm":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"has_online_content_ssim":["false"],"extent_ssm":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"extent_tesim":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I: Writings, 1981-2004\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for \u003ctitle render=\"italic\"\u003eJackson \u0026amp; Lee\u003c/title\u003e, for example, contains only a typescript draft of a single chapter. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II: General Materials, 1862-1996\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III: Virginia County Records, 1852-2005\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV: Virginia Unit Records, 1849-2011\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries V: Oversize Materials, [1982?]-2000, n.d.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. "],"bioghist_html_tesm":["\u003cp\u003eAmerican Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. \u003c/p\u003e\n","\u003cp\u003eRobertson has authored many award-winning scholarly books on Civil War-related topics, including \u003ctitle render=\"italic\"\u003eSoldiers Blue and Gray\u003c/title\u003e (1988) (nominated for the Pulitzer Prize in History), \u003ctitle render=\"italic\"\u003eCivil War Virginia: Battleground for a Nation\u003c/title\u003e (1991), \u003ctitle render=\"italic\"\u003eGeneral A. P. Hill: The Story of a Confederate Warrior\u003c/title\u003e; and \u003ctitle render=\"italic\"\u003eStonewall Jackson: The Man, the Soldier, the Legend\u003c/title\u003e (1997). He has also written two books for younger readers: \u003ctitle render=\"italic\"\u003eCivil War! America Becomes One Nation\u003c/title\u003e (1992) and \u003ctitle render=\"italic\"\u003eStanding Like a Stone Wall: the Life of General Thomas J. Jackson\u003c/title\u003e (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. "],"odd_html_tesm":["\u003cp\u003eThe guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eAccession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.\u003c/p\u003e","\u003cp\u003eIntroduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Robert Krick and Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Dennis Frye\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown and Chris Calkins\u003c/p\u003e","\u003cp\u003ewith author's final corrections; 4 folders\u003c/p\u003e","\u003cp\u003ewith publisher's final corrections; 2 folders\u003c/p\u003e","\u003cp\u003ewith publisher's comments\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Ludwell Johnson (chapters 1-5 only)\u003c/p\u003e","\u003cp\u003ewith corrections by Charles Roland\u003c/p\u003e","\u003cp\u003ewith corrections by Gary Gallagher\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003eincorporating publisher's revisions\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003elimited edition signed print by Brian Kraus\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:\u003c/p\u003e\n","\u003cp\u003eBarringer, Paul B. \u003ctitle render=\"italic\"\u003eNarrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968\u003c/title\u003e ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eEchoes of 1861-1961\u003c/title\u003e ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eThe Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table\u003c/title\u003e ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eWilshin, Francis. \u003ctitle render=\"italic\"\u003eManassas (Bull Run) National Battlefield Park, Virginia\u003c/title\u003e (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_591a58887f476736372340a2230c0d66\" label=\"Abstract\"\u003eThis collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Robertson, James I., Jr."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":516,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:15:46.743Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c127"}},{"id":"viblbv_repositories_2_resources_4542_c02_c40","type":"File","attributes":{"title":"[#39] Tanaka-Sato, Atsuko, Kanagawa Women's Center Project","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4542_c02_c40#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_4542_c02_c40","ref_ssm":["viblbv_repositories_2_resources_4542_c02_c40"],"id":"viblbv_repositories_2_resources_4542_c02_c40","ead_ssi":"viblbv_repositories_2_resources_4542","_root_":"viblbv_repositories_2_resources_4542","_nest_parent_":"viblbv_repositories_2_resources_4542_c02","parent_ssi":"viblbv_repositories_2_resources_4542_c02","parent_ssim":["viblbv_repositories_2_resources_4542","viblbv_repositories_2_resources_4542_c02"],"parent_ids_ssim":["viblbv_repositories_2_resources_4542","viblbv_repositories_2_resources_4542_c02"],"parent_unittitles_ssm":["1x1 Japan Exhibition Materials, 1965-2024","Exhibition Content"],"parent_unittitles_tesim":["1x1 Japan Exhibition Materials, 1965-2024","Exhibition Content"],"text":["1x1 Japan Exhibition Materials, 1965-2024","Exhibition Content","[#39] Tanaka-Sato, Atsuko, Kanagawa Women's Center Project","folder 6"],"title_filing_ssi":"[#39] Tanaka-Sato, Atsuko, Kanagawa Women's Center Project","title_ssm":["[#39] Tanaka-Sato, Atsuko, Kanagawa Women's Center Project"],"title_tesim":["[#39] Tanaka-Sato, Atsuko, Kanagawa Women's Center Project"],"unitdate_other_ssim":["1979, 2024"],"normalized_date_ssm":["1979/2024"],"normalized_title_ssm":["[#39] Tanaka-Sato, Atsuko, Kanagawa Women's Center Project"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["1x1 Japan Exhibition Materials, 1965-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":46,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"containers_ssim":["folder 6"],"_nest_path_":"/components#1/components#39","timestamp":"2026-05-21T02:02:20.551Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_4542","ead_ssi":"viblbv_repositories_2_resources_4542","_root_":"viblbv_repositories_2_resources_4542","_nest_parent_":"viblbv_repositories_2_resources_4542","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4542.xml","title_filing_ssi":"1x1 Japan Exhibition Materials","title_ssm":["1x1 Japan Exhibition Materials, 1965-2024"],"title_tesim":["1x1 Japan Exhibition Materials, 1965-2024"],"unitdate_ssm":["2024"],"unitdate_other_ssim":["2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2025.076"],"text":["Ms.2025.076","1x1 Japan Exhibition Materials, 1965-2024","International Union of Women Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- Japan","The collection is open for research.","This collection is divided into two series: I. Exhibition Overview and Documentation; and II. Exhibition Content","This collection consists of the output of a collaborative effort between the International Archive of Women in Architecture (IAWA) Center's 1x1 initiative and the Japan chapter of l'Union Internationale des Femmes Architectes (UIFA). The 1x1 initiative includes a call for women architects to contribute one flat piece they've created that holds particular significance to them accompanied by a written personal statement about the piece's meaning. The call was distributed by the UIFA Japon network and the joint effort culminated in a traveling exhibition that debuted first in Japan in 2024 and then in the United States as part of the 2025 IAWA Symposium in Blacksburg, Virginia. Following the closing of the exhibition, the 47 participants donated their works to the IAWA.","The guide to the 1x1 Japan Exhibition Materials, by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the 1x1 Japan Exhibition Materials was completed in September 2025.","The 1x1 Japan Exhibition Collection consists of two sets of materials: the works of individual women, 47 in total, who contributed entries to an exhibition; and documentation related to the exhibition itself. Documentation consists of several posters, a UIFA Japon report on the exhibition, a dual language catalog with a list of entries, and a set of small wall panels printed on foam core. The 47 entries vary in size and media; the entrants' names, piece titles, dates of creation, are listed below. Each entry is paired with a photograph documenting the way the item was displayed in the original 2024 exhibition in Japan. Entries were numbered, ordered, and mostly displayed alphabetically by last name, which is the order in which they're listed below.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The 1x1 Japan Exhibition Materials consists of artwork and architectural drawings submitted by 47 women for a collaborative exhibition coordinated between the Japan chapter of UIFA and the IAWA Center's 1x1 Initiative. The collection also includes documentation of the exhibition, including title plates, reports, programs, and posters.","Special Collections and University Archives, Virginia Tech","Japanese \n,        English \n.    "],"unitid_tesim":["Ms.2025.076"],"normalized_title_ssm":["1x1 Japan Exhibition Materials, 1965-2024"],"collection_title_tesim":["1x1 Japan Exhibition Materials, 1965-2024"],"collection_ssim":["1x1 Japan Exhibition Materials, 1965-2024"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["International Union of Women Architects"],"geogname_ssim":["International Union of Women Architects"],"places_ssim":["International Union of Women Architects"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was transferred to Special Collections and University Archives in August 2025."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- Japan"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- Japan"],"has_online_content_ssim":["false"],"extent_ssm":["4.88 Cubic Feet 1 half-document box, 1 shallow flat box, 1 small file box, 2 oversized flat boxes, 7 oversized folders"],"extent_tesim":["4.88 Cubic Feet 1 half-document box, 1 shallow flat box, 1 small file box, 2 oversized flat boxes, 7 oversized folders"],"date_range_isim":[2024],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into two series: I. Exhibition Overview and Documentation; and II. Exhibition Content\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into two series: I. Exhibition Overview and Documentation; and II. Exhibition Content"],"bioghist_html_tesm":["\u003cp\u003eThis collection consists of the output of a collaborative effort between the International Archive of Women in Architecture (IAWA) Center's 1x1 initiative and the Japan chapter of l'Union Internationale des Femmes Architectes (UIFA). The 1x1 initiative includes a call for women architects to contribute one flat piece they've created that holds particular significance to them accompanied by a written personal statement about the piece's meaning. The call was distributed by the UIFA Japon network and the joint effort culminated in a traveling exhibition that debuted first in Japan in 2024 and then in the United States as part of the 2025 IAWA Symposium in Blacksburg, Virginia. Following the closing of the exhibition, the 47 participants donated their works to the IAWA.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["This collection consists of the output of a collaborative effort between the International Archive of Women in Architecture (IAWA) Center's 1x1 initiative and the Japan chapter of l'Union Internationale des Femmes Architectes (UIFA). The 1x1 initiative includes a call for women architects to contribute one flat piece they've created that holds particular significance to them accompanied by a written personal statement about the piece's meaning. The call was distributed by the UIFA Japon network and the joint effort culminated in a traveling exhibition that debuted first in Japan in 2024 and then in the United States as part of the 2025 IAWA Symposium in Blacksburg, Virginia. Following the closing of the exhibition, the 47 participants donated their works to the IAWA."],"odd_html_tesm":["\u003cp\u003eThe guide to the 1x1 Japan Exhibition Materials, by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the 1x1 Japan Exhibition Materials, by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], 1x1 Japan Exhibition Materials, 2024, Ms2025-076, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], 1x1 Japan Exhibition Materials, 2024, Ms2025-076, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the 1x1 Japan Exhibition Materials was completed in September 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the 1x1 Japan Exhibition Materials was completed in September 2025."],"scopecontent_html_tesm":["\u003cp\u003eThe 1x1 Japan Exhibition Collection consists of two sets of materials: the works of individual women, 47 in total, who contributed entries to an exhibition; and documentation related to the exhibition itself. Documentation consists of several posters, a UIFA Japon report on the exhibition, a dual language catalog with a list of entries, and a set of small wall panels printed on foam core. The 47 entries vary in size and media; the entrants' names, piece titles, dates of creation, are listed below. Each entry is paired with a photograph documenting the way the item was displayed in the original 2024 exhibition in Japan. Entries were numbered, ordered, and mostly displayed alphabetically by last name, which is the order in which they're listed below.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The 1x1 Japan Exhibition Collection consists of two sets of materials: the works of individual women, 47 in total, who contributed entries to an exhibition; and documentation related to the exhibition itself. Documentation consists of several posters, a UIFA Japon report on the exhibition, a dual language catalog with a list of entries, and a set of small wall panels printed on foam core. The 47 entries vary in size and media; the entrants' names, piece titles, dates of creation, are listed below. Each entry is paired with a photograph documenting the way the item was displayed in the original 2024 exhibition in Japan. Entries were numbered, ordered, and mostly displayed alphabetically by last name, which is the order in which they're listed below."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. \u003c/p\u003e\n","\u003cp\u003ePlease contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4ed48143ee459ae78b81ca0b09487546\" label=\"Abstract\"\u003eThe 1x1 Japan Exhibition Materials consists of artwork and architectural drawings submitted by 47 women for a collaborative exhibition coordinated between the Japan chapter of UIFA and the IAWA Center's 1x1 Initiative. The collection also includes documentation of the exhibition, including title plates, reports, programs, and posters.\u003c/abstract\u003e"],"abstract_tesim":["The 1x1 Japan Exhibition Materials consists of artwork and architectural drawings submitted by 47 women for a collaborative exhibition coordinated between the Japan chapter of UIFA and the IAWA Center's 1x1 Initiative. The collection also includes documentation of the exhibition, including title plates, reports, programs, and posters."],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["Japanese \n,        English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":57,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:02:20.551Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4542_c02_c40"}},{"id":"vifgm_kincannon_c01_c331","type":"File","attributes":{"title":"3 Penny Opera, National Theatre,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_kincannon_c01_c331#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePhotograph; Press Release; Stagebill.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_kincannon_c01_c331#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_kincannon_c01_c331","ref_ssm":["vifgm_kincannon_c01_c331"],"id":"vifgm_kincannon_c01_c331","ead_ssi":"vifgm_kincannon","_root_":"vifgm_kincannon","_nest_parent_":"vifgm_kincannon_c01","parent_ssi":"vifgm_kincannon_c01","parent_ssim":["vifgm_kincannon","vifgm_kincannon_c01"],"parent_ids_ssim":["vifgm_kincannon","vifgm_kincannon_c01"],"parent_unittitles_ssm":["Claire Kincannon theatre collection","Series 1: Washington, D.C.,"],"parent_unittitles_tesim":["Claire Kincannon theatre collection","Series 1: Washington, D.C.,"],"text":["Claire Kincannon theatre collection","Series 1: Washington, D.C.,","3 Penny Opera, National Theatre,","Box 15","Folder 16","Photograph; Press Release; Stagebill."],"title_filing_ssi":"3 Penny Opera, National Theatre,","title_ssm":["3 Penny Opera, National Theatre,"],"title_tesim":["3 Penny Opera, National Theatre,"],"unitdate_other_ssim":["September, 1989"],"normalized_date_ssm":["1989"],"normalized_title_ssm":["3 Penny Opera, National Theatre,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Claire Kincannon theatre collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":332,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"date_range_isim":[1989],"containers_ssim":["Box 15","Folder 16"],"scopecontent_html_tesm":["\u003cp\u003ePhotograph; Press Release; Stagebill.\u003c/p\u003e"],"scopecontent_tesim":["Photograph; Press Release; Stagebill."],"_nest_path_":"/components#0/components#330","timestamp":"2026-05-21T06:31:57.545Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_kincannon","ead_ssi":"vifgm_kincannon","_root_":"vifgm_kincannon","_nest_parent_":"vifgm_kincannon","ead_source_url_ssi":"data/gmu/kincannon.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/kincannon.html","title_ssm":["Claire Kincannon theatre collection"],"title_tesim":["Claire Kincannon theatre collection"],"unitdate_ssm":["1955-2011"],"unitdate_other_ssim":["1955-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0018"],"text":["C0018","Claire Kincannon theatre collection","Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings.","There are no access restrictions.","All of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format.","Organized into five series.","Series 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33) Series 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31) Series 3: Broadway and London Productions, 1955-2007 (Boxes 25-27) Series 4: Film-related Materials, 1956-1992 (Box 29) Series 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)","Claire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork.","Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.","Special Collections and Archives also holds many other \n                theatre collections.","The Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).","The collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.","Many of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.","The first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System.","The first series covers Kincannon's time as a critic in Washington, D.C. from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information.","Program for multiple performances.","Press packet. Ten photographs.","Program.","Production of the National Theatre of Great Britain. Stagebill.","Documents regarding workshops. Press releases.","Invitation; Program, photographs.","","Program.","Program.","Program.","Photograph; Program.","Program.","Program.","Stagebill.","Production of the New York Metropolitan Opera. Stagebill.","Stagebill.","Program.","Program.","Production of the Tokyo Kid Brothers. Stagebill.","Stagebill.","Program.","Program.","Preview Materials.","Program.","Stagebill.","Stagebill.","Program.","Stagebill; Photograph.","Stagebill.","Program.","Program.","Program.","Stagebill.","Stagebill.","Two photographs.","","Stagebill.","News Release; Program.","Press Release; Program.","Program.","News Release; Program.","Press Release; Program; Photograph.","Program.","Program.","Invitation; Program.","Program.","Stagebill.","Stagebill.","Production of the Metropolitan Opera. Stagebill.","Program.","Program.","Program. Photograph.","Stagebill.","Invitation; Program; Photograph.","Invitation; Program.","Program.","Program.","Program.","Stagebill.","Production of the Elizabeth Theatre Group. Stagebill.","Program.","Production of the Elizabeth Theatre Group. Stagebill.","Program.","Stagebill.","Program.","Program.","Program.","Donor list; Program.","Stagebill; Photograph.","Production of the American Ballet Theatre. Stagebill.","Production of the American Ballet Theatre. Stagebill.","James Joyce's The Dead, Kennedy Center","Native Storyteller: Ron Ki-Ke-In Hamilton (Nuu-Chah-Nulth), Smithsonian","Our Town, Arena Stage","She Always Said, Pablo, Kennedy Center","Still Life, Arena Stage","Press packet.","Program.","Stagebill. Photograph.","Stagebill.","Stagebill.","Program; Two Photographs.","Program; Invitation.","Program.","Program.","Program.","Invitation; Photograph; Program.","Stagebill.","Stagebill.","Stagebill.","Invitation; Program; Photograph.","Program.","Program.","Program.","Stagebill; Photograph.","Program.","Program; Photograph.","Program; Two photographs.","Invitation; Program.","Program.","Invitation; Program.","35mm slides.","Stagebill; Photograph.","Production of the New York Metropolitan Opera. Stagebill.","Program.","Stagebill.","Program; Photograph.","Program.","Program.","Program.","Ticket stub; Program; 35mm Slides.","Invitation; Program.","Stagebill.","Program.","Photograph; Program.","Program.","Program.","Production of the Houston Grand Opera and Teatro alla Scala. Stagebill; Photograph.","Program.","Program; Photograph.","Brochure.","Program.","Stagebill; Photograph.","Stagebill.","Program.","Invitation; Program.","Production of the New York Shakespeare Festival. Stagebill; Photograph.","Program.","Photograph.","Invitation; Program.","Program.","Photograph; Program.","Program.","Program.","Invitation; Program.","Program.","Production of the Paramount Theatre Prod. Stagebill.","Stagebill.","Invitation; Program.","Program.","Program; Photograph.","Program.","Stagebill.","Program.","Program.","Production of the Royal Shakespeare Company. Stagebill; Three photographs.","Invitation; Program; Photograph.","Program; Photograph.","Program; Invitation.","Showbill.","Program.","Program; Two Photographs.","Invitation; Program; Photograph.","Stagebill; Photograph.","Production of the Opera House; Three Photographs; Stagebill.","Program.","Program.","Invitation; Program.","Invitation; Program; Two Photographs.","Program.","Stagebill.","Press Release.","Invitation; Program.","Stagebill.","Flyer; Stagebill.","Stagebill; Photograph.","Program; Photograph.","Invitation; Program.","Invitation; Program; Photograph.","Program; Press Release; Newspaper Articles.","Invitation; Program.","Presented by Piccolo Spoleto. Program.","Presented by the Spoleto Festival, Charleston, SC. Program.","Presented by the Spoleto Festival, Charleston, SC. Program.","Presented by the Spoleto Festival, Charleston, SC. Program.","Presented by the Spoleto Festival, Charleston, SC. Program. Festival Brochures; Travel Aids; Postcard.","Program.","Production of the Human Bridge Theater Company. Press Kit.","Stagebill.","Program.","Program.","Program; Press Release; Notes.","Stagebill.","Photograph; Tickets; Stagebill.","Program.","Invitation; Program.","Program.","Program.","Invitation; Program.","Photograph; Program.","Invitation; Program; Four slides.","Program.","Invitation; Program; Photograph.","Invitation; Program; Photograph.","Stagebill.","Two Photographs.","Program.","Program.","Invitation; Program.","Production of the American National Theatre. Stagebill.","Stagebill; Photograph.","Program.","Programs; Invitations; Louisville guide; Notes.","Program.","Stagebill.","Program.","Program.","Invitation; Program.","Invitation; Program.","Stagebill; Photograph.","Invitation; Program.","Invitation; Program.","Stagebill.","Stagebill; Photograph.","Program.","Invitation; Program.","Stagebill.","Stagebill; Press Release.","Program.","Program; Tickets.","Two Photographs; Program.","Program.","Invitation; Program.","Stagebill; Press Release; Media Kit.","Production of the Haifa Municipal Theatre of Israel. Stagebill.","Stagebill.","Program.","Program.","Invitation; Program.","Program; Press Release.","Tickets; Stagebill; Press Release.","Stagebill.","Production of the La Jolla Playhouse. Stagebill; Photograph.","Invitation; Program.","Stagebill.","Schedule.","Stagebill; Photograph.","Press Release; Newspaper Articles; Publicity Packet; Program.","Program; Magazine; Newspaper Article.","Program; Press Release; Studio Theatre Newspaper.","Press Release; Program; Mailer.","Tickets; Press Release; Stagebill.","Program; Press Release.","Press Release; Program.","Stagebill; Photograph.","Program.","Program.","Stagebill; Press Release.","Souvenir Brochure; Stagebill.","Program; Press Release; American's Arena Publication.","Stagebill; Press Release; Newspaper Article.","Program; Newspaper Article; America's Arena Publication.","Program; Newspaper Article; Press Release.","Stagebill.","Press Release; Program.","Photograph; Press Release; Mailer; Program.","Invitation; Program; Press Release.","Program; Press Release.","Program; Press Release; Newspaper Article.","Program.","Stagebill.","Photograph; Press Release; Media Kit, Stagebill.","Press Release; Invitation.","Invitation; Program.","Invitation; Press Releases; Program.","Program; Press Release.","Media Package","Invitation; Program; Photograph","Stagebill; Press Release.","Press Release; Stagebill.","Ticket stub; Invitation; Program; Press Release; Newspaper Article.","Press Release; Stagebill.","Stagebill.","Press Release; Stagebill.","Press Release; Two Photographs","Press Release; Stagebill.","Stagebill; Press Release.","Invitation; Program; Press Release; Newspaper Article.","Program.","Press Release; Program.","Program; Press Release; Newspaper Article.","Program.","Stagebill.","Stagebill.","Newspaper Article; Program; Ticket Stubs; Mailer.","Invitation; Program; Ticket Stubs; Press Release.","Ten photographs.","Invitation; Program.","Program; Press Release.","Photograph; Press Release; Program.","Program.","Invitation; Program; Photograph; Magazine Article.","Stagebill; Press Release; Photograph.","Stagebill.","Program; Press Release; Photograph.","Program.","Stagebill; Photograph.","Stagebill; Press Release.","Magazine Article; Tickets; Program; Photograph; Press Release.","Program.","Press Releases.","Program.","Invitation.","Press Kit; Stagebill.","Press Release; Stagebill; Photograph.","Photograph; Program.","Stagebill.","Program; Photograph.","Program; Photograph.","Media Kit; Program.","Stagebill.","Program.","Stagebill; Photograph.","Media Kit; Program.","Program; Press Release; Photograph.","Photograph; Letter.","Program; Photograph.","Program; Photographs.","Program; Playbills","Moscow Art Theatre: Past, Present, Future publication","Program; Press Release; Photograph.","Stagebill; Photograph.","Press Kit; Program.","Brochure.","Program.","Invitation; Program.","Program; Photograph.","Photographs; Stagebill; Program; Tickets.","Photographs; Stagebill.","Stagebill; Photograph.","Tickets; Stagebill; Photographs.","Program.","Photograph; Press Release; Stagebill.","Photograph; Stagebill; Press Release.","Stagebill; Photograph.","Photograph; Press Release; Stagebill.","Program; Photograph; Press Release.","Press Release; Photograph; Program.","Press Release.","Invitation; Press Release; Newspaper Articles.","Photograph; Stagebill.","Invitation; Program; Photograph; Press Release.","Stagebill; Photograph.","Invitation; Photograph; Program.","Invitation; Program; Media Kit.","Program; Press Release; Newspaper Article.","Invitation; Program; Photograph.","Program, Photographs.","Invitation; Program; Media Kit.","Program; Media Kit.","Program; Media Kit.","Invitation; Photograph; Program; Press Release.","Invitation; Program; Media Kit.","Stagebill.","Stagebill; Press Release.","Program.","Brochure.","Stagebill; Photograph.","Stagebill.","Invitation; Program; Newspaper Article; Photograph.","Invitation; Program.","Press Release.","Program.","Program; Press Release.","Program.","Program.","Stagebill.","Stagebill.","Stagebill; Press release; Notes.","Stagebill; Photograph.","Program; Photograph; Newspaper Articles; Magazine; Press Release.","Program; Photograph.","Program.","Stagebill.","Stagebill; Media Kit; Newspaper Articles.","Invitation; Program; Photograph.","News release; Photograph; Program.","Press release; Newsletter; Program.","Invitation; Program; News Release.","News Release; Invitation; Program.","Press Release; Program; Invitation; Newspaper Article.","Stagebill; Press Release.","Program; Press Release.","Program.","Production of the Bolshoi Opera. Program; Photograph.","Program; Photograph.","Stagebill; Press Release.","Program.","Program; Press Release; Newsletter.","Three Photographs.","Playbill; Two Photographs.","Invitation; Program.","Press Release; Program.","Press Release; Postcard.","Stagebill.","Press Kit.","Press Release.","Invitation; Program; Press Release.","Program; Press Release; Photograph.","Stagebill; Press Kit.","Program; Press Kit.","Invitation.","Program; Photograph.","Stagebill; Press Release; Photograph.","Program; Photograph; Press Release.","Program; Press Release; Newspaper Article.","Invitation; Program; Photograph.","Invitation; Program; Press Release; Photograph.","Program; Guest list.","Program; Press Kit; Two photographs.","Stagebill; Press Release; Photograph.","Program; Press Kit.","Program; Press Kit.","Stagebill; Press Kit; Photograph.","Program; Press Kit.","Program; Press Release; Key chain.","Program.","Program; Press Kit.","Production of the Theater des Westens. Stagebill; Press Kit.","Stagebill; Press Kit.","Stagebill; Press Release; Photograph.","Program; Press Release; Photograph.","Program.","Invitation; Program; Press Release.","Press Release; Program.","Program.","Program.","Loudoun Symphony 10th anniversary concert","Waterford concert series: The Back Sinfonia","Waterford concert series: Musical Remarks","Capitol Steps: Who put the mock in democracy? It's the Capital Steps","Oklahoma!, Arena Stage","August Wilson's Gem of the Ocean, Arena Stage","She Loves Me, Arena Stage","A Tribute to Sergei Prokofiev, Kennedy Center","Ain't Misbehavin', Arena Stage","An Evening at the Oscars, Loudoun Symphony, Middleburg, VA","Anna Christie, Arena Stage","The Best Man, Radio Theatre Live!","Chicago, Knoxville Civic Auditorium, TN","Choral Arts Society of Washington, Kennedy Center","Diana Krall, Kennedy Center","Eudora Welty Remembered, Folger Shakespeare Library","Hallelujah, Baby!, Arena Stage","Love's Labour's Lost, Catholic University of America","Mostly Sondheim, Kennedy Center","Pacific Overtures, Kennedy Center","Passion, Kennedy Center","PEN/Faulkner awards for fiction, Folger Shakespeare Library","The Play About the Baby, The Studio Theatre","Roberta Flack, Music Center at Strathmore","Runaway Home, The Studio Theatre","The Shape of Things, The Studio Theatre","Fourth Estate Award Dinner honoring Christiane Amanpour","The Order of the Owl, Initiating Art Buchwald","The Order of the Owl, Initiating Austing H. Kiplinger and Donald A. Ritchie","The Order of the Owl, Initiating Mark Russell","Spring Hoot: A Grand Old Club Salutes A Grand Old Hotel","The Order of the Owl, Initiating John Eaton","Kennedy Center News (September-October 2004 and May-August 2004)","Five by Tenn (ticket, press packet)","The Light in the Piazza","Salome","Madama Butterfly","Marian McPartland's 89th Birthday Celebration on Marian McPartland's Piano Jazz","Washington National Opera's Iphigenie en Tauride","Washington National Opera's Macbeth","A View from the Bridge, Washington National Opera","Madame Butterfly, Washington National Opera","National Symphony Orchestra","Sophie's Choice, Washington National Opera","Cabaret, Arena Stage","Connecting Lines: New Poetry from Mexico, The Cultural Institute of Mexico","The Evening Parade, Marine Barracks Washington","Fiddler on the Roof, Olney Theatre Center, MD","Hansel and Gretel, The Lincoln Theatre","Ibis, Waterford, VA","Opera in Waterford, Domingo-Cafritz Young Artists, Waterford, VA","The Persians, Shakespeare Theatre Company","Waterford Home Tours and Crafts Exhibit, Waterford, VA","Program.","Program; Photograph.","Playbill.","Playbill.","Applause at Strathmore","The Arthur Miller Festival: Death of a Salesman, A View from the Bridge, Arena Stage","Blues Alley Jazz Supper Club","Cymbeline, Round House Silver Spring","Kennedy Center News","La Traviata, Washington National Opera, Kennedy Center","Musical Remarks, John Wesley Church, Waterford, VA","The Pearl Fishers, Washington National Opera, Kennedy Center","The Price, Theatre J","Strathmore News","Program.","Program.","Production of the Washington National Opera. Playbill.","Antony and Cleopatra, Lansburgh Theatre","Ariadne auf Naxos, Washington National Opera, Kennedy Center","Chicago, National Theatre","Falstaff, Washington National Opera, Kennedy Center","I Love a Piano, Arena Stage","Master Singers of Virginia, Waterford, VA","PEN/Faulkner awards for fiction, Folger Shakespeare Library","Peter Grimes, Washington National Opera, Kennedy Center","Turandot, Washington National Opera, Kennedy Center","","The Marriage of Figaro, Washington National Opera, Kennedy Center","Porgy and Bess, Washington National Opera, Kennedy Center","Reasons to be Pretty, The Studio Theatre","Photographs of Elizabeth Taylor, Mia Dillon, Zev Bufman, Peter Gallagher.","Photographs of Elizabeth Taylor, Mia Dillon, Zev Bufman, Peter Gallagher.","Vol. 2, no. 2; Vol. 3, no. 1-2; Vol. 4, no. 1-2; Vol. 5, no. 2; Vol. 6, no. 1-3; Vol. 7, no. 1","Reports.","Brochure.","Articles.","Press Releases; Photograph.","Program.","Newspaper Articles; Photograph.","Newsletter.","Program.","Photograph.","Program.","Annual Reports; Schedules; Publication.","Invitations for plays not attended or no playbills.","Photographs.","Invitations.","Seven photographs.","Victor Borge and his Concert Orchestra","Spies in your eyes, JCA Playguild","Hamlet, Philharmonia Orchestra","Henry V: An interpretation of the Photoplay","","","From Washington DC and Virginia theatres","Includes schedules from: Arena Stage, Kennedy Center, Shakespeare Theatre at the Folger, Theatre J, Washington National Opera, Woolly Mammoth","Includes schedules from: Arena Stage, Ford's Theatre, Kennedy Center, PEN/Faulkner Foundation, Shakespeare Theatre at the Folger, The Studio Theatre, Washington National Opera, Washington Performing Arts Society, Wayside Theatre, Woolly Mammoth","Marilyn Monroe: Life as a Legend","Franklin Park Performing and Visual Arts Center (2008-2009)","Grease at the Olney Theatre Center","Shenandoah Summer Music Theatre (2011)","Includes schedules from: Arena Stage, George Mason University's Center for the Arts, Kennedy Center, Olney, PEN/Faulkner Foundation, Folger Theatre, Shenandoah Conservatory, The Studio Theatre, Theatre J, University of Notre Dame, Washington National Opera, Washington Performing Arts Society","Includes schedules from: Arena Stage, Contemporary American Theatre Festival, Olney, Folger Theatre, Shakespeare Theatre Company, Shenandoah Conservatory, Signature Theatre, Strathmore Music Center, The Studio Theatre, Theatre J, Washington National Cathedral, Washington National Opera, Woolly Mammoth","Includes schedules from: Arena Stage, Kennedy Center, Master Singers of Virginia, Washington National Opera","","","Programs; Playbills.","The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances.","Playbill; Program.","Playbill; Program.","Playbill.","Program.","Program.","Playbill; Program.","Playbill; Program.","Dayton Philharmonic Orchestra, Memorial Hall, Dayton, OH","Philharmonic-Symphony Society of New York, Memorial Hall, Dayton, OH","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","The Antioch yellow springs festival, OH","Light up the sky, Victory Theatre, Dayton, OH","The magnificent Yankee, Cox Theatre, Cincinnati, OH","O mistress mine, Memorial Hall, Dayton, OH","Pick-up girl, Ellis Auditorium, Memphis, TN","State of the union, Cox Theatre, Cincinnati, OH","The wise have not spoken, Yellow Springs Area Theatre, OH","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbills.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Announcement.","Playbook; Program.","Program.","Program; Playbook.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Program.","Playbook; Program.","Program.","Program.","Program.","Souvenir Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Program; Playbook.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Playbook; Program.","Program.","Playbill; Program.","Playbill; Program.","Program.","Program.","Program.","Program.","Program.","Playbill; Program.","Program; Curtain Call.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program; Playbook.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Program.","Program.","Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Program.","Program.","Program.","Playbill.","The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs.","Program.","Playbill.","Program.","Program.","Program.","Calendar.","Program.","Program.","Playbill; Program.","Playbill.","Playbill; Program.","Playbill.","Playbill.","Playbill; Program.","Playbill; Program.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill; Program.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill; Program.","Playbill.","Playbill.","Playbill.","Program.","Playbill.","Playbill.","Playbill; Program.","Playbill; Program.","Program.","Playbill; Program.","Playbill.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playgram.","Playgram.","Playgram.","Reviews.","Program.","Program.","Program.","Playbill.","Playbill.","Playbill.","Playbill; Program.","Playbill.","Showcard.","Showcard.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Program.","Program.","Magazine.","Magazine.","Picture book.","Publication.","Program.","Program.","Playbill.","Playbill.","Program.","Program.","Program.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill; City Guide.","The fourth series is film-related materials from 1943-1992, consisting of souvenir books, magazines, and press packets relating to each movie.","Souvenir Book.","Magazine. Vol 4, no. 8.","Magazine. Vol 4, no. 9.","Book.","Program.","Cinebills for The Iceman Cometh; Luther; Rhinoceros; Lost in the Stars; Butley; The Three Sisters.","Programs for Jacques Brel is Alive and Well and Living; The Maids; In Celebration; The Man in the Glass Booth; Galileo.","Press Release.","Press Packet.","Press Packet.","Press Packet.","Press Packet; Production Information; Photographs.","Press Packet.","Program; magazine.","The fifth series is audiovisual materials from 1983-1986, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the Performing Arts, and was available via the Public Radio Satellite System.","7\" reel-to-reel audiotape. Program ends at 00:10:08.","Videotape.","Pamphlet.","7\" reel-to-reel audiotape. Run Time: 00:08:05.","7\" reel-to-reel audiotape. Program ends at 00:24:45.","7\" reel-to-reel audiotape. Program ends at 00:31:40.","9 discs containing digital access copies and a storage drive with access copies and master digital files.","7\" reel-to-reel audiotape. Program ends at 00:06:08.","7\" reel-to-reel audiotape. Program ends at 00:16:15.","5\" reel-to-reel audiotape. Run time is 00:07:36.","Audiotape cartridge. Run Time: 00:03:44.","Audiotape cartridge. Run Time: 00:00:44. Tape only contains approximately 2 seconds of audio.","5\" reel-to-reel audiotape. Run Time: 00:03:24.","5\" reel-to-reel audiotape. Approximately 1 minute of silence in the middle of program. Tape entered silence at approximately 00:04:44.","5\" reel-to-reel audiotape. Tape entered silence at approximately 00:07:01.","10.5\" reel-to-reel audiotape rehoused onto 7\" reel. Run Time: 00:16:12.","10.5\" reel-to-reel audiotape. Run Time: 0:23:59.","5\" reel-to-reel audiotape. Tape starts mid-program. Program ends at 00:06:04.","7\" reel-to-reel audiotape. Program ends at 00:10:00.","7\" reel-to-reel audiotape. Run time is 00:07:28.","5\" reel-to-reel audiotape. Run Time: 00:11:09.","7\" reel-to-reel audiotape. Program ends at 00:04:59.","7\" reel-to-reel audiotape. Box reads \"1984 October 6\". Program ends at 00:03:13.","7\" reel-to-reel audiotape. Program ends at approximately 00:05:46.","7\" reel-to-reel audiotape. Program ends at 00:05:46.","7\" reel-to-reel audiotape. Program ends at 00:06:25.","7\" reel-to-reel audiotape. Run time is 00:04:28.","7\" reel-to-reel audiotape. Run time is 00:06:11.","7\" reel-to-reel audiotape. Program ends at 00:05:37.","7\" reel-to-reel audiotape. Program ends at 00:05:02.","5\" reel-to-reel audiotape. Run time is 00:05:57.","7\" reel-to-reel audiotape. Program ends at 00:05:07.","7\" reel-to-reel audiotape. Program ends at 00:05:10.","7\" reel-to-reel audiotape. Program ends at 00:05:27.","7\" reel-to-reel audiotape. Program ends at 00:04:58.","5\" reel-to-reel audiotape. Run time is 00:06:20.","7\" reel-to-reel audiotape. Runt time is 00:05:26.","7\" reel-to-reel audiotape. Program ends at 00:07:15.","Videotape cassette.","Videotape cassette. Women in film: Streetwise, Old Enough; Gin Game; short run; Mayor of ?; End of World.","7\" reel-to-reel audiotape. Program ends at 00:04:50.","7\" reel-to-reel audiotape. Run time is 00:26:46.","7\" reel-to-reel audiotape. Program ends at 00:04:06.","7\" reel-to-reel audiotape. Program ends at 00:06:52.","7\" reel-to-reel audiotape. Program ends at 00:05:16.","7\" reel-to-reel audiotape. Program ends at 00:05:47.","7\" reel-to-reel audiotape. Program ends at 00:06:07.","7\" reel-to-reel audiotape. Program ends at 00:03:44.","5\" reel-to-reel audiotape. Tape entered silence at approximately 00:05:30.","7\" reel-to-reel audiotape. Program ends at approx 00:05:06.","7\" reel-to-reel audiotape. Box reads \"Rebecca Rice Liv Stage\", \"#7, 10/12/83\". Program ends at 00:07:11.","7\" reel-to-reel audiotape. Program switches from stereo to mono (left channel only) from 00:02:50 until 00:04:22 Program ends at 00:26:23.","7\" reel-to-reel audiotape. Run time is 00:20:27. Approx 1 minute of silence before program begins.","7\" reel-to-reel audiotape. Program ends at 00:21:50.","7\" reel-to-reel audiotape. Run time is 00:47:10.","7\" reel-to-reel audiotape. Run time is 00:41:45.","7\" reel to reel audiotape. Program ends at approx 00:05:34.","7\" reel-to-reel audiotape. Run Time: 01:05:27.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette. Clips from Streetwise and Old Enough.","There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries.","This collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary.","George Mason University Special Collections \u0026 Archives","Lois Claire Kincannon","Kincannon, Lois Claire.","English\n\t\t"],"unitid_tesim":["C0018"],"normalized_title_ssm":["Claire Kincannon theatre collection"],"collection_title_tesim":["Claire Kincannon theatre collection"],"collection_ssim":["Claire Kincannon theatre collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Lois Claire Kincannon"],"creator_ssim":["Lois Claire Kincannon"],"creator_persname_ssim":["Lois Claire Kincannon"],"creators_ssim":["Lois Claire Kincannon"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection donated by Claire Kincannon in 2007-2008 and 2011."],"access_subjects_ssim":["Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["20.0 Linear feet (40 boxes)"],"extent_tesim":["20.0 Linear feet (40 boxes)"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eAll of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["All of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format."],"arrangement_html_tesm":["\u003cp\u003eOrganized into five series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Broadway and London Productions, 1955-2007 (Boxes 25-27)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Film-related Materials, 1956-1992 (Box 29)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into five series.","Series 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33) Series 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31) Series 3: Broadway and London Productions, 1955-2007 (Boxes 25-27) Series 4: Film-related Materials, 1956-1992 (Box 29) Series 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)"],"bioghist_html_tesm":["\u003cp\u003eClaire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Claire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork."],"prefercite_html_tesm":["\u003cp\u003eClaire Kincannon theatre collection, C0018, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Claire Kincannon theatre collection, C0018, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other \n                theatre collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other \n                theatre collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).\u003c/p\u003e","\u003cp\u003eThe collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.\u003c/p\u003e","\u003cp\u003eMany of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.\u003c/p\u003e","\u003cp\u003eThe first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System.\u003c/p\u003e","\u003cp\u003eThe first series covers Kincannon's time as a critic in Washington, D.C. from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information.\u003c/p\u003e","\u003cp\u003eProgram for multiple performances.\u003c/p\u003e","\u003cp\u003ePress packet. Ten photographs.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProduction of the National Theatre of Great Britain. Stagebill.\u003c/p\u003e","\u003cp\u003eDocuments regarding workshops. Press releases.\u003c/p\u003e","\u003cp\u003eInvitation; Program, photographs.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePhotograph; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProduction of the New York Metropolitan Opera. Stagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProduction of the Tokyo Kid Brothers. Stagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePreview Materials.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eTwo photographs.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eNews Release; Program.\u003c/p\u003e","\u003cp\u003ePress Release; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eNews Release; Program.\u003c/p\u003e","\u003cp\u003ePress Release; Program; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProduction of the Metropolitan Opera. Stagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram. Photograph.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProduction of the Elizabeth Theatre Group. Stagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProduction of the Elizabeth Theatre Group. Stagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eDonor list; Program.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eProduction of the American Ballet Theatre. Stagebill.\u003c/p\u003e","\u003cp\u003eProduction of the American Ballet Theatre. Stagebill.\u003c/p\u003e","\u003cp\u003eJames Joyce's The Dead, Kennedy Center\u003c/p\u003e","\u003cp\u003eNative Storyteller: Ron Ki-Ke-In Hamilton (Nuu-Chah-Nulth), Smithsonian\u003c/p\u003e","\u003cp\u003eOur Town, Arena Stage\u003c/p\u003e","\u003cp\u003eShe Always Said, Pablo, Kennedy Center\u003c/p\u003e","\u003cp\u003eStill Life, Arena Stage\u003c/p\u003e","\u003cp\u003ePress packet.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill. Photograph.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram; Two Photographs.\u003c/p\u003e","\u003cp\u003eProgram; Invitation.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Photograph; Program.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Two photographs.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003e35mm slides.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eProduction of the New York Metropolitan Opera. Stagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eTicket stub; Program; 35mm Slides.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePhotograph; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProduction of the Houston Grand Opera and Teatro alla Scala. Stagebill; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003eBrochure.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eProduction of the New York Shakespeare Festival. Stagebill; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePhotograph.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePhotograph; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProduction of the Paramount Theatre Prod. Stagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProduction of the Royal Shakespeare Company. Stagebill; Three photographs.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Invitation.\u003c/p\u003e","\u003cp\u003eShowbill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram; Two Photographs.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eProduction of the Opera House; Three Photographs; Stagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Two Photographs.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003ePress Release.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eFlyer; Stagebill.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Newspaper Articles.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003ePresented by Piccolo Spoleto. Program.\u003c/p\u003e","\u003cp\u003ePresented by the Spoleto Festival, Charleston, SC. Program.\u003c/p\u003e","\u003cp\u003ePresented by the Spoleto Festival, Charleston, SC. Program.\u003c/p\u003e","\u003cp\u003ePresented by the Spoleto Festival, Charleston, SC. Program.\u003c/p\u003e","\u003cp\u003ePresented by the Spoleto Festival, Charleston, SC. Program. Festival Brochures; Travel Aids; Postcard.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProduction of the Human Bridge Theater Company. Press Kit.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Notes.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003ePhotograph; Tickets; Stagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003ePhotograph; Program.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Four slides.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eTwo Photographs.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eProduction of the American National Theatre. Stagebill.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePrograms; Invitations; Louisville guide; Notes.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram; Tickets.\u003c/p\u003e","\u003cp\u003eTwo Photographs; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release; Media Kit.\u003c/p\u003e","\u003cp\u003eProduction of the Haifa Municipal Theatre of Israel. Stagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eProgram; Press Release.\u003c/p\u003e","\u003cp\u003eTickets; Stagebill; Press Release.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProduction of the La Jolla Playhouse. Stagebill; Photograph.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eSchedule.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003ePress Release; Newspaper Articles; Publicity Packet; Program.\u003c/p\u003e","\u003cp\u003eProgram; Magazine; Newspaper Article.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Studio Theatre Newspaper.\u003c/p\u003e","\u003cp\u003ePress Release; Program; Mailer.\u003c/p\u003e","\u003cp\u003eTickets; Press Release; Stagebill.\u003c/p\u003e","\u003cp\u003eProgram; Press Release.\u003c/p\u003e","\u003cp\u003ePress Release; Program.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e","\u003cp\u003eSouvenir Brochure; Stagebill.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; American's Arena Publication.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release; Newspaper Article.\u003c/p\u003e","\u003cp\u003eProgram; Newspaper Article; America's Arena Publication.\u003c/p\u003e","\u003cp\u003eProgram; Newspaper Article; Press Release.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003ePress Release; Program.\u003c/p\u003e","\u003cp\u003ePhotograph; Press Release; Mailer; Program.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Press Release.\u003c/p\u003e","\u003cp\u003eProgram; Press Release.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Newspaper Article.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003ePhotograph; Press Release; Media Kit, Stagebill.\u003c/p\u003e","\u003cp\u003ePress Release; Invitation.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eInvitation; Press Releases; Program.\u003c/p\u003e","\u003cp\u003eProgram; Press Release.\u003c/p\u003e","\u003cp\u003eMedia Package\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph\u003c/p\u003e","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e","\u003cp\u003ePress Release; Stagebill.\u003c/p\u003e","\u003cp\u003eTicket stub; Invitation; Program; Press Release; Newspaper Article.\u003c/p\u003e","\u003cp\u003ePress Release; Stagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003ePress Release; Stagebill.\u003c/p\u003e","\u003cp\u003ePress Release; Two Photographs\u003c/p\u003e","\u003cp\u003ePress Release; Stagebill.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Press Release; Newspaper Article.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePress Release; Program.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Newspaper Article.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eNewspaper Article; Program; Ticket Stubs; Mailer.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Ticket Stubs; Press Release.\u003c/p\u003e","\u003cp\u003eTen photographs.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eProgram; Press Release.\u003c/p\u003e","\u003cp\u003ePhotograph; Press Release; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph; Magazine Article.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release; Photograph.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e","\u003cp\u003eMagazine Article; Tickets; Program; Photograph; Press Release.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePress Releases.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation.\u003c/p\u003e","\u003cp\u003ePress Kit; Stagebill.\u003c/p\u003e","\u003cp\u003ePress Release; Stagebill; Photograph.\u003c/p\u003e","\u003cp\u003ePhotograph; Program.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003eMedia Kit; Program.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eMedia Kit; Program.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Photograph.\u003c/p\u003e","\u003cp\u003ePhotograph; Letter.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Photographs.\u003c/p\u003e","\u003cp\u003eProgram; Playbills\u003c/p\u003e","\u003cp\u003eMoscow Art Theatre: Past, Present, Future publication\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Photograph.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003ePress Kit; Program.\u003c/p\u003e","\u003cp\u003eBrochure.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003ePhotographs; Stagebill; Program; Tickets.\u003c/p\u003e","\u003cp\u003ePhotographs; Stagebill.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eTickets; Stagebill; Photographs.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePhotograph; Press Release; Stagebill.\u003c/p\u003e","\u003cp\u003ePhotograph; Stagebill; Press Release.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003ePhotograph; Press Release; Stagebill.\u003c/p\u003e","\u003cp\u003eProgram; Photograph; Press Release.\u003c/p\u003e","\u003cp\u003ePress Release; Photograph; Program.\u003c/p\u003e","\u003cp\u003ePress Release.\u003c/p\u003e","\u003cp\u003eInvitation; Press Release; Newspaper Articles.\u003c/p\u003e","\u003cp\u003ePhotograph; Stagebill.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph; Press Release.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eInvitation; Photograph; Program.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Media Kit.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Newspaper Article.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e","\u003cp\u003eProgram, Photographs.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Media Kit.\u003c/p\u003e","\u003cp\u003eProgram; Media Kit.\u003c/p\u003e","\u003cp\u003eProgram; Media Kit.\u003c/p\u003e","\u003cp\u003eInvitation; Photograph; Program; Press Release.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Media Kit.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eBrochure.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Newspaper Article; Photograph.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003ePress Release.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram; Press Release.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill; Press release; Notes.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Photograph; Newspaper Articles; Magazine; Press Release.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill; Media Kit; Newspaper Articles.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e","\u003cp\u003eNews release; Photograph; Program.\u003c/p\u003e","\u003cp\u003ePress release; Newsletter; Program.\u003c/p\u003e","\u003cp\u003eInvitation; Program; News Release.\u003c/p\u003e","\u003cp\u003eNews Release; Invitation; Program.\u003c/p\u003e","\u003cp\u003ePress Release; Program; Invitation; Newspaper Article.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e","\u003cp\u003eProgram; Press Release.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProduction of the Bolshoi Opera. Program; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Newsletter.\u003c/p\u003e","\u003cp\u003eThree Photographs.\u003c/p\u003e","\u003cp\u003ePlaybill; Two Photographs.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003ePress Release; Program.\u003c/p\u003e","\u003cp\u003ePress Release; Postcard.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003ePress Kit.\u003c/p\u003e","\u003cp\u003ePress Release.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Press Release.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Photograph.\u003c/p\u003e","\u003cp\u003eStagebill; Press Kit.\u003c/p\u003e","\u003cp\u003eProgram; Press Kit.\u003c/p\u003e","\u003cp\u003eInvitation.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Photograph; Press Release.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Newspaper Article.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Press Release; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Guest list.\u003c/p\u003e","\u003cp\u003eProgram; Press Kit; Two photographs.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Press Kit.\u003c/p\u003e","\u003cp\u003eProgram; Press Kit.\u003c/p\u003e","\u003cp\u003eStagebill; Press Kit; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Press Kit.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Key chain.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram; Press Kit.\u003c/p\u003e","\u003cp\u003eProduction of the Theater des Westens. Stagebill; Press Kit.\u003c/p\u003e","\u003cp\u003eStagebill; Press Kit.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Press Release.\u003c/p\u003e","\u003cp\u003ePress Release; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eLoudoun Symphony 10th anniversary concert\u003c/p\u003e","\u003cp\u003eWaterford concert series: The Back Sinfonia\u003c/p\u003e","\u003cp\u003eWaterford concert series: Musical Remarks\u003c/p\u003e","\u003cp\u003eCapitol Steps: Who put the mock in democracy? It's the Capital Steps\u003c/p\u003e","\u003cp\u003eOklahoma!, Arena Stage\u003c/p\u003e","\u003cp\u003eAugust Wilson's Gem of the Ocean, Arena Stage\u003c/p\u003e","\u003cp\u003eShe Loves Me, Arena Stage\u003c/p\u003e","\u003cp\u003eA Tribute to Sergei Prokofiev, Kennedy Center\u003c/p\u003e","\u003cp\u003eAin't Misbehavin', Arena Stage\u003c/p\u003e","\u003cp\u003eAn Evening at the Oscars, Loudoun Symphony, Middleburg, VA\u003c/p\u003e","\u003cp\u003eAnna Christie, Arena Stage\u003c/p\u003e","\u003cp\u003eThe Best Man, Radio Theatre Live!\u003c/p\u003e","\u003cp\u003eChicago, Knoxville Civic Auditorium, TN\u003c/p\u003e","\u003cp\u003eChoral Arts Society of Washington, Kennedy Center\u003c/p\u003e","\u003cp\u003eDiana Krall, Kennedy Center\u003c/p\u003e","\u003cp\u003eEudora Welty Remembered, Folger Shakespeare Library\u003c/p\u003e","\u003cp\u003eHallelujah, Baby!, Arena Stage\u003c/p\u003e","\u003cp\u003eLove's Labour's Lost, Catholic University of America\u003c/p\u003e","\u003cp\u003eMostly Sondheim, Kennedy Center\u003c/p\u003e","\u003cp\u003ePacific Overtures, Kennedy Center\u003c/p\u003e","\u003cp\u003ePassion, Kennedy Center\u003c/p\u003e","\u003cp\u003ePEN/Faulkner awards for fiction, Folger Shakespeare Library\u003c/p\u003e","\u003cp\u003eThe Play About the Baby, The Studio Theatre\u003c/p\u003e","\u003cp\u003eRoberta Flack, Music Center at Strathmore\u003c/p\u003e","\u003cp\u003eRunaway Home, The Studio Theatre\u003c/p\u003e","\u003cp\u003eThe Shape of Things, The Studio Theatre\u003c/p\u003e","\u003cp\u003eFourth Estate Award Dinner honoring Christiane Amanpour\u003c/p\u003e","\u003cp\u003eThe Order of the Owl, Initiating Art Buchwald\u003c/p\u003e","\u003cp\u003eThe Order of the Owl, Initiating Austing H. Kiplinger and Donald A. Ritchie\u003c/p\u003e","\u003cp\u003eThe Order of the Owl, Initiating Mark Russell\u003c/p\u003e","\u003cp\u003eSpring Hoot: A Grand Old Club Salutes A Grand Old Hotel\u003c/p\u003e","\u003cp\u003eThe Order of the Owl, Initiating John Eaton\u003c/p\u003e","\u003cp\u003eKennedy Center News (September-October 2004 and May-August 2004)\u003c/p\u003e","\u003cp\u003eFive by Tenn (ticket, press packet)\u003c/p\u003e","\u003cp\u003eThe Light in the Piazza\u003c/p\u003e","\u003cp\u003eSalome\u003c/p\u003e","\u003cp\u003eMadama Butterfly\u003c/p\u003e","\u003cp\u003eMarian McPartland's 89th Birthday Celebration on Marian McPartland's Piano Jazz\u003c/p\u003e","\u003cp\u003eWashington National Opera's Iphigenie en Tauride\u003c/p\u003e","\u003cp\u003eWashington National Opera's Macbeth\u003c/p\u003e","\u003cp\u003eA View from the Bridge, Washington National Opera\u003c/p\u003e","\u003cp\u003eMadame Butterfly, Washington National Opera\u003c/p\u003e","\u003cp\u003eNational Symphony Orchestra\u003c/p\u003e","\u003cp\u003eSophie's Choice, Washington National Opera\u003c/p\u003e","\u003cp\u003eCabaret, Arena Stage\u003c/p\u003e","\u003cp\u003eConnecting Lines: New Poetry from Mexico, The Cultural Institute of Mexico\u003c/p\u003e","\u003cp\u003eThe Evening Parade, Marine Barracks Washington\u003c/p\u003e","\u003cp\u003eFiddler on the Roof, Olney Theatre Center, MD\u003c/p\u003e","\u003cp\u003eHansel and Gretel, The Lincoln Theatre\u003c/p\u003e","\u003cp\u003eIbis, Waterford, VA\u003c/p\u003e","\u003cp\u003eOpera in Waterford, Domingo-Cafritz Young Artists, Waterford, VA\u003c/p\u003e","\u003cp\u003eThe Persians, Shakespeare Theatre Company\u003c/p\u003e","\u003cp\u003eWaterford Home Tours and Crafts Exhibit, Waterford, VA\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003eApplause at Strathmore\u003c/p\u003e","\u003cp\u003eThe Arthur Miller Festival: Death of a Salesman, A View from the Bridge, Arena Stage\u003c/p\u003e","\u003cp\u003eBlues Alley Jazz Supper Club\u003c/p\u003e","\u003cp\u003eCymbeline, Round House Silver Spring\u003c/p\u003e","\u003cp\u003eKennedy Center News\u003c/p\u003e","\u003cp\u003eLa Traviata, Washington National Opera, Kennedy Center\u003c/p\u003e","\u003cp\u003eMusical Remarks, John Wesley Church, Waterford, VA\u003c/p\u003e","\u003cp\u003eThe Pearl Fishers, Washington National Opera, Kennedy Center\u003c/p\u003e","\u003cp\u003eThe Price, Theatre J\u003c/p\u003e","\u003cp\u003eStrathmore News\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProduction of the Washington National Opera. Playbill.\u003c/p\u003e","\u003cp\u003eAntony and Cleopatra, Lansburgh Theatre\u003c/p\u003e","\u003cp\u003eAriadne auf Naxos, Washington National Opera, Kennedy Center\u003c/p\u003e","\u003cp\u003eChicago, National Theatre\u003c/p\u003e","\u003cp\u003eFalstaff, Washington National Opera, Kennedy Center\u003c/p\u003e","\u003cp\u003eI Love a Piano, Arena Stage\u003c/p\u003e","\u003cp\u003eMaster Singers of Virginia, Waterford, VA\u003c/p\u003e","\u003cp\u003ePEN/Faulkner awards for fiction, Folger Shakespeare Library\u003c/p\u003e","\u003cp\u003ePeter Grimes, Washington National Opera, Kennedy Center\u003c/p\u003e","\u003cp\u003eTurandot, Washington National Opera, Kennedy Center\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThe Marriage of Figaro, Washington National Opera, Kennedy Center\u003c/p\u003e","\u003cp\u003ePorgy and Bess, Washington National Opera, Kennedy Center\u003c/p\u003e","\u003cp\u003eReasons to be Pretty, The Studio Theatre\u003c/p\u003e","\u003cp\u003ePhotographs of Elizabeth Taylor, Mia Dillon, Zev Bufman, Peter Gallagher.\u003c/p\u003e","\u003cp\u003ePhotographs of Elizabeth Taylor, Mia Dillon, Zev Bufman, Peter Gallagher.\u003c/p\u003e","\u003cp\u003eVol. 2, no. 2; Vol. 3, no. 1-2; Vol. 4, no. 1-2; Vol. 5, no. 2; Vol. 6, no. 1-3; Vol. 7, no. 1\u003c/p\u003e","\u003cp\u003eReports.\u003c/p\u003e","\u003cp\u003eBrochure.\u003c/p\u003e","\u003cp\u003eArticles.\u003c/p\u003e","\u003cp\u003ePress Releases; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eNewspaper Articles; Photograph.\u003c/p\u003e","\u003cp\u003eNewsletter.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePhotograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eAnnual Reports; Schedules; Publication.\u003c/p\u003e","\u003cp\u003eInvitations for plays not attended or no playbills.\u003c/p\u003e","\u003cp\u003ePhotographs.\u003c/p\u003e","\u003cp\u003eInvitations.\u003c/p\u003e","\u003cp\u003eSeven photographs.\u003c/p\u003e","\u003cp\u003eVictor Borge and his Concert Orchestra\u003c/p\u003e","\u003cp\u003eSpies in your eyes, JCA Playguild\u003c/p\u003e","\u003cp\u003eHamlet, Philharmonia Orchestra\u003c/p\u003e","\u003cp\u003eHenry V: An interpretation of the Photoplay\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eFrom Washington DC and Virginia theatres\u003c/p\u003e","\u003cp\u003eIncludes schedules from: Arena Stage, Kennedy Center, Shakespeare Theatre at the Folger, Theatre J, Washington National Opera, Woolly Mammoth\u003c/p\u003e","\u003cp\u003eIncludes schedules from: Arena Stage, Ford's Theatre, Kennedy Center, PEN/Faulkner Foundation, Shakespeare Theatre at the Folger, The Studio Theatre, Washington National Opera, Washington Performing Arts Society, Wayside Theatre, Woolly Mammoth\u003c/p\u003e","\u003cp\u003eMarilyn Monroe: Life as a Legend\u003c/p\u003e","\u003cp\u003eFranklin Park Performing and Visual Arts Center (2008-2009)\u003c/p\u003e","\u003cp\u003eGrease at the Olney Theatre Center\u003c/p\u003e","\u003cp\u003eShenandoah Summer Music Theatre (2011)\u003c/p\u003e","\u003cp\u003eIncludes schedules from: Arena Stage, George Mason University's Center for the Arts, Kennedy Center, Olney, PEN/Faulkner Foundation, Folger Theatre, Shenandoah Conservatory, The Studio Theatre, Theatre J, University of Notre Dame, Washington National Opera, Washington Performing Arts Society\u003c/p\u003e","\u003cp\u003eIncludes schedules from: Arena Stage, Contemporary American Theatre Festival, Olney, Folger Theatre, Shakespeare Theatre Company, Shenandoah Conservatory, Signature Theatre, Strathmore Music Center, The Studio Theatre, Theatre J, Washington National Cathedral, Washington National Opera, Woolly Mammoth\u003c/p\u003e","\u003cp\u003eIncludes schedules from: Arena Stage, Kennedy Center, Master Singers of Virginia, Washington National Opera\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003ePrograms; Playbills.\u003c/p\u003e","\u003cp\u003eThe second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003eDayton Philharmonic Orchestra, Memorial Hall, Dayton, OH\u003c/p\u003e","\u003cp\u003ePhilharmonic-Symphony Society of New York, Memorial Hall, Dayton, OH\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003eThe Antioch yellow springs festival, OH\u003c/p\u003e","\u003cp\u003eLight up the sky, Victory Theatre, Dayton, OH\u003c/p\u003e","\u003cp\u003eThe magnificent Yankee, Cox Theatre, Cincinnati, OH\u003c/p\u003e","\u003cp\u003eO mistress mine, Memorial Hall, Dayton, OH\u003c/p\u003e","\u003cp\u003ePick-up girl, Ellis Auditorium, Memphis, TN\u003c/p\u003e","\u003cp\u003eState of the union, Cox Theatre, Cincinnati, OH\u003c/p\u003e","\u003cp\u003eThe wise have not spoken, Yellow Springs Area Theatre, OH\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybills.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eAnnouncement.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram; Playbook.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eSouvenir Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram; Playbook.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003eProgram; Curtain Call.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram; Playbook.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003eThe third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eCalendar.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaygram.\u003c/p\u003e","\u003cp\u003ePlaygram.\u003c/p\u003e","\u003cp\u003ePlaygram.\u003c/p\u003e","\u003cp\u003eReviews.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003eShowcard.\u003c/p\u003e","\u003cp\u003eShowcard.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eMagazine.\u003c/p\u003e","\u003cp\u003eMagazine.\u003c/p\u003e","\u003cp\u003ePicture book.\u003c/p\u003e","\u003cp\u003ePublication.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill; City Guide.\u003c/p\u003e","\u003cp\u003eThe fourth series is film-related materials from 1943-1992, consisting of souvenir books, magazines, and press packets relating to each movie.\u003c/p\u003e","\u003cp\u003eSouvenir Book.\u003c/p\u003e","\u003cp\u003eMagazine. Vol 4, no. 8.\u003c/p\u003e","\u003cp\u003eMagazine. Vol 4, no. 9.\u003c/p\u003e","\u003cp\u003eBook.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eCinebills for The Iceman Cometh; Luther; Rhinoceros; Lost in the Stars; Butley; The Three Sisters.\u003c/p\u003e","\u003cp\u003ePrograms for Jacques Brel is Alive and Well and Living; The Maids; In Celebration; The Man in the Glass Booth; Galileo.\u003c/p\u003e","\u003cp\u003ePress Release.\u003c/p\u003e","\u003cp\u003ePress Packet.\u003c/p\u003e","\u003cp\u003ePress Packet.\u003c/p\u003e","\u003cp\u003ePress Packet.\u003c/p\u003e","\u003cp\u003ePress Packet; Production Information; Photographs.\u003c/p\u003e","\u003cp\u003ePress Packet.\u003c/p\u003e","\u003cp\u003eProgram; magazine.\u003c/p\u003e","\u003cp\u003eThe fifth series is audiovisual materials from 1983-1986, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the Performing Arts, and was available via the Public Radio Satellite System.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:10:08.\u003c/p\u003e","\u003cp\u003eVideotape.\u003c/p\u003e","\u003cp\u003ePamphlet.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Run Time: 00:08:05.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:24:45.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:31:40.\u003c/p\u003e","\u003cp\u003e9 discs containing digital access copies and a storage drive with access copies and master digital files.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:06:08.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:16:15.\u003c/p\u003e","\u003cp\u003e5\" reel-to-reel audiotape. Run time is 00:07:36.\u003c/p\u003e","\u003cp\u003eAudiotape cartridge. Run Time: 00:03:44.\u003c/p\u003e","\u003cp\u003eAudiotape cartridge. Run Time: 00:00:44. Tape only contains approximately 2 seconds of audio.\u003c/p\u003e","\u003cp\u003e5\" reel-to-reel audiotape. Run Time: 00:03:24.\u003c/p\u003e","\u003cp\u003e5\" reel-to-reel audiotape. Approximately 1 minute of silence in the middle of program. Tape entered silence at approximately 00:04:44.\u003c/p\u003e","\u003cp\u003e5\" reel-to-reel audiotape. Tape entered silence at approximately 00:07:01.\u003c/p\u003e","\u003cp\u003e10.5\" reel-to-reel audiotape rehoused onto 7\" reel. Run Time: 00:16:12.\u003c/p\u003e","\u003cp\u003e10.5\" reel-to-reel audiotape. Run Time: 0:23:59.\u003c/p\u003e","\u003cp\u003e5\" reel-to-reel audiotape. Tape starts mid-program. Program ends at 00:06:04.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:10:00.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:07:28.\u003c/p\u003e","\u003cp\u003e5\" reel-to-reel audiotape. Run Time: 00:11:09.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:04:59.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Box reads \"1984 October 6\". Program ends at 00:03:13.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at approximately 00:05:46.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:46.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:06:25.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:04:28.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:06:11.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:37.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:02.\u003c/p\u003e","\u003cp\u003e5\" reel-to-reel audiotape. Run time is 00:05:57.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:07.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:10.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:27.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:04:58.\u003c/p\u003e","\u003cp\u003e5\" reel-to-reel audiotape. Run time is 00:06:20.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Runt time is 00:05:26.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:07:15.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette. Women in film: Streetwise, Old Enough; Gin Game; short run; Mayor of ?; End of World.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:04:50.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:26:46.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:04:06.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:06:52.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:16.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:47.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:06:07.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:03:44.\u003c/p\u003e","\u003cp\u003e5\" reel-to-reel audiotape. Tape entered silence at approximately 00:05:30.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at approx 00:05:06.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Box reads \"Rebecca Rice Liv Stage\", \"#7, 10/12/83\". Program ends at 00:07:11.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program switches from stereo to mono (left channel only) from 00:02:50 until 00:04:22 Program ends at 00:26:23.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:20:27. Approx 1 minute of silence before program begins.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:21:50.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:47:10.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:41:45.\u003c/p\u003e","\u003cp\u003e7\" reel to reel audiotape. Program ends at approx 00:05:34.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Run Time: 01:05:27.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette. Clips from Streetwise and Old Enough.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note"],"scopecontent_tesim":["The Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).","The collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.","Many of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.","The first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System.","The first series covers Kincannon's time as a critic in Washington, D.C. from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information.","Program for multiple performances.","Press packet. Ten photographs.","Program.","Production of the National Theatre of Great Britain. Stagebill.","Documents regarding workshops. Press releases.","Invitation; Program, photographs.","","Program.","Program.","Program.","Photograph; Program.","Program.","Program.","Stagebill.","Production of the New York Metropolitan Opera. Stagebill.","Stagebill.","Program.","Program.","Production of the Tokyo Kid Brothers. Stagebill.","Stagebill.","Program.","Program.","Preview Materials.","Program.","Stagebill.","Stagebill.","Program.","Stagebill; Photograph.","Stagebill.","Program.","Program.","Program.","Stagebill.","Stagebill.","Two photographs.","","Stagebill.","News Release; Program.","Press Release; Program.","Program.","News Release; Program.","Press Release; Program; Photograph.","Program.","Program.","Invitation; Program.","Program.","Stagebill.","Stagebill.","Production of the Metropolitan Opera. Stagebill.","Program.","Program.","Program. Photograph.","Stagebill.","Invitation; Program; Photograph.","Invitation; Program.","Program.","Program.","Program.","Stagebill.","Production of the Elizabeth Theatre Group. Stagebill.","Program.","Production of the Elizabeth Theatre Group. Stagebill.","Program.","Stagebill.","Program.","Program.","Program.","Donor list; Program.","Stagebill; Photograph.","Production of the American Ballet Theatre. Stagebill.","Production of the American Ballet Theatre. Stagebill.","James Joyce's The Dead, Kennedy Center","Native Storyteller: Ron Ki-Ke-In Hamilton (Nuu-Chah-Nulth), Smithsonian","Our Town, Arena Stage","She Always Said, Pablo, Kennedy Center","Still Life, Arena Stage","Press packet.","Program.","Stagebill. Photograph.","Stagebill.","Stagebill.","Program; Two Photographs.","Program; Invitation.","Program.","Program.","Program.","Invitation; Photograph; Program.","Stagebill.","Stagebill.","Stagebill.","Invitation; Program; Photograph.","Program.","Program.","Program.","Stagebill; Photograph.","Program.","Program; Photograph.","Program; Two photographs.","Invitation; Program.","Program.","Invitation; Program.","35mm slides.","Stagebill; Photograph.","Production of the New York Metropolitan Opera. Stagebill.","Program.","Stagebill.","Program; Photograph.","Program.","Program.","Program.","Ticket stub; Program; 35mm Slides.","Invitation; Program.","Stagebill.","Program.","Photograph; Program.","Program.","Program.","Production of the Houston Grand Opera and Teatro alla Scala. Stagebill; Photograph.","Program.","Program; Photograph.","Brochure.","Program.","Stagebill; Photograph.","Stagebill.","Program.","Invitation; Program.","Production of the New York Shakespeare Festival. Stagebill; Photograph.","Program.","Photograph.","Invitation; Program.","Program.","Photograph; Program.","Program.","Program.","Invitation; Program.","Program.","Production of the Paramount Theatre Prod. Stagebill.","Stagebill.","Invitation; Program.","Program.","Program; Photograph.","Program.","Stagebill.","Program.","Program.","Production of the Royal Shakespeare Company. Stagebill; Three photographs.","Invitation; Program; Photograph.","Program; Photograph.","Program; Invitation.","Showbill.","Program.","Program; Two Photographs.","Invitation; Program; Photograph.","Stagebill; Photograph.","Production of the Opera House; Three Photographs; Stagebill.","Program.","Program.","Invitation; Program.","Invitation; Program; Two Photographs.","Program.","Stagebill.","Press Release.","Invitation; Program.","Stagebill.","Flyer; Stagebill.","Stagebill; Photograph.","Program; Photograph.","Invitation; Program.","Invitation; Program; Photograph.","Program; Press Release; Newspaper Articles.","Invitation; Program.","Presented by Piccolo Spoleto. Program.","Presented by the Spoleto Festival, Charleston, SC. Program.","Presented by the Spoleto Festival, Charleston, SC. Program.","Presented by the Spoleto Festival, Charleston, SC. Program.","Presented by the Spoleto Festival, Charleston, SC. Program. Festival Brochures; Travel Aids; Postcard.","Program.","Production of the Human Bridge Theater Company. Press Kit.","Stagebill.","Program.","Program.","Program; Press Release; Notes.","Stagebill.","Photograph; Tickets; Stagebill.","Program.","Invitation; Program.","Program.","Program.","Invitation; Program.","Photograph; Program.","Invitation; Program; Four slides.","Program.","Invitation; Program; Photograph.","Invitation; Program; Photograph.","Stagebill.","Two Photographs.","Program.","Program.","Invitation; Program.","Production of the American National Theatre. Stagebill.","Stagebill; Photograph.","Program.","Programs; Invitations; Louisville guide; Notes.","Program.","Stagebill.","Program.","Program.","Invitation; Program.","Invitation; Program.","Stagebill; Photograph.","Invitation; Program.","Invitation; Program.","Stagebill.","Stagebill; Photograph.","Program.","Invitation; Program.","Stagebill.","Stagebill; Press Release.","Program.","Program; Tickets.","Two Photographs; Program.","Program.","Invitation; Program.","Stagebill; Press Release; Media Kit.","Production of the Haifa Municipal Theatre of Israel. Stagebill.","Stagebill.","Program.","Program.","Invitation; Program.","Program; Press Release.","Tickets; Stagebill; Press Release.","Stagebill.","Production of the La Jolla Playhouse. Stagebill; Photograph.","Invitation; Program.","Stagebill.","Schedule.","Stagebill; Photograph.","Press Release; Newspaper Articles; Publicity Packet; Program.","Program; Magazine; Newspaper Article.","Program; Press Release; Studio Theatre Newspaper.","Press Release; Program; Mailer.","Tickets; Press Release; Stagebill.","Program; Press Release.","Press Release; Program.","Stagebill; Photograph.","Program.","Program.","Stagebill; Press Release.","Souvenir Brochure; Stagebill.","Program; Press Release; American's Arena Publication.","Stagebill; Press Release; Newspaper Article.","Program; Newspaper Article; America's Arena Publication.","Program; Newspaper Article; Press Release.","Stagebill.","Press Release; Program.","Photograph; Press Release; Mailer; Program.","Invitation; Program; Press Release.","Program; Press Release.","Program; Press Release; Newspaper Article.","Program.","Stagebill.","Photograph; Press Release; Media Kit, Stagebill.","Press Release; Invitation.","Invitation; Program.","Invitation; Press Releases; Program.","Program; Press Release.","Media Package","Invitation; Program; Photograph","Stagebill; Press Release.","Press Release; Stagebill.","Ticket stub; Invitation; Program; Press Release; Newspaper Article.","Press Release; Stagebill.","Stagebill.","Press Release; Stagebill.","Press Release; Two Photographs","Press Release; Stagebill.","Stagebill; Press Release.","Invitation; Program; Press Release; Newspaper Article.","Program.","Press Release; Program.","Program; Press Release; Newspaper Article.","Program.","Stagebill.","Stagebill.","Newspaper Article; Program; Ticket Stubs; Mailer.","Invitation; Program; Ticket Stubs; Press Release.","Ten photographs.","Invitation; Program.","Program; Press Release.","Photograph; Press Release; Program.","Program.","Invitation; Program; Photograph; Magazine Article.","Stagebill; Press Release; Photograph.","Stagebill.","Program; Press Release; Photograph.","Program.","Stagebill; Photograph.","Stagebill; Press Release.","Magazine Article; Tickets; Program; Photograph; Press Release.","Program.","Press Releases.","Program.","Invitation.","Press Kit; Stagebill.","Press Release; Stagebill; Photograph.","Photograph; Program.","Stagebill.","Program; Photograph.","Program; Photograph.","Media Kit; Program.","Stagebill.","Program.","Stagebill; Photograph.","Media Kit; Program.","Program; Press Release; Photograph.","Photograph; Letter.","Program; Photograph.","Program; Photographs.","Program; Playbills","Moscow Art Theatre: Past, Present, Future publication","Program; Press Release; Photograph.","Stagebill; Photograph.","Press Kit; Program.","Brochure.","Program.","Invitation; Program.","Program; Photograph.","Photographs; Stagebill; Program; Tickets.","Photographs; Stagebill.","Stagebill; Photograph.","Tickets; Stagebill; Photographs.","Program.","Photograph; Press Release; Stagebill.","Photograph; Stagebill; Press Release.","Stagebill; Photograph.","Photograph; Press Release; Stagebill.","Program; Photograph; Press Release.","Press Release; Photograph; Program.","Press Release.","Invitation; Press Release; Newspaper Articles.","Photograph; Stagebill.","Invitation; Program; Photograph; Press Release.","Stagebill; Photograph.","Invitation; Photograph; Program.","Invitation; Program; Media Kit.","Program; Press Release; Newspaper Article.","Invitation; Program; Photograph.","Program, Photographs.","Invitation; Program; Media Kit.","Program; Media Kit.","Program; Media Kit.","Invitation; Photograph; Program; Press Release.","Invitation; Program; Media Kit.","Stagebill.","Stagebill; Press Release.","Program.","Brochure.","Stagebill; Photograph.","Stagebill.","Invitation; Program; Newspaper Article; Photograph.","Invitation; Program.","Press Release.","Program.","Program; Press Release.","Program.","Program.","Stagebill.","Stagebill.","Stagebill; Press release; Notes.","Stagebill; Photograph.","Program; Photograph; Newspaper Articles; Magazine; Press Release.","Program; Photograph.","Program.","Stagebill.","Stagebill; Media Kit; Newspaper Articles.","Invitation; Program; Photograph.","News release; Photograph; Program.","Press release; Newsletter; Program.","Invitation; Program; News Release.","News Release; Invitation; Program.","Press Release; Program; Invitation; Newspaper Article.","Stagebill; Press Release.","Program; Press Release.","Program.","Production of the Bolshoi Opera. Program; Photograph.","Program; Photograph.","Stagebill; Press Release.","Program.","Program; Press Release; Newsletter.","Three Photographs.","Playbill; Two Photographs.","Invitation; Program.","Press Release; Program.","Press Release; Postcard.","Stagebill.","Press Kit.","Press Release.","Invitation; Program; Press Release.","Program; Press Release; Photograph.","Stagebill; Press Kit.","Program; Press Kit.","Invitation.","Program; Photograph.","Stagebill; Press Release; Photograph.","Program; Photograph; Press Release.","Program; Press Release; Newspaper Article.","Invitation; Program; Photograph.","Invitation; Program; Press Release; Photograph.","Program; Guest list.","Program; Press Kit; Two photographs.","Stagebill; Press Release; Photograph.","Program; Press Kit.","Program; Press Kit.","Stagebill; Press Kit; Photograph.","Program; Press Kit.","Program; Press Release; Key chain.","Program.","Program; Press Kit.","Production of the Theater des Westens. Stagebill; Press Kit.","Stagebill; Press Kit.","Stagebill; Press Release; Photograph.","Program; Press Release; Photograph.","Program.","Invitation; Program; Press Release.","Press Release; Program.","Program.","Program.","Loudoun Symphony 10th anniversary concert","Waterford concert series: The Back Sinfonia","Waterford concert series: Musical Remarks","Capitol Steps: Who put the mock in democracy? It's the Capital Steps","Oklahoma!, Arena Stage","August Wilson's Gem of the Ocean, Arena Stage","She Loves Me, Arena Stage","A Tribute to Sergei Prokofiev, Kennedy Center","Ain't Misbehavin', Arena Stage","An Evening at the Oscars, Loudoun Symphony, Middleburg, VA","Anna Christie, Arena Stage","The Best Man, Radio Theatre Live!","Chicago, Knoxville Civic Auditorium, TN","Choral Arts Society of Washington, Kennedy Center","Diana Krall, Kennedy Center","Eudora Welty Remembered, Folger Shakespeare Library","Hallelujah, Baby!, Arena Stage","Love's Labour's Lost, Catholic University of America","Mostly Sondheim, Kennedy Center","Pacific Overtures, Kennedy Center","Passion, Kennedy Center","PEN/Faulkner awards for fiction, Folger Shakespeare Library","The Play About the Baby, The Studio Theatre","Roberta Flack, Music Center at Strathmore","Runaway Home, The Studio Theatre","The Shape of Things, The Studio Theatre","Fourth Estate Award Dinner honoring Christiane Amanpour","The Order of the Owl, Initiating Art Buchwald","The Order of the Owl, Initiating Austing H. Kiplinger and Donald A. Ritchie","The Order of the Owl, Initiating Mark Russell","Spring Hoot: A Grand Old Club Salutes A Grand Old Hotel","The Order of the Owl, Initiating John Eaton","Kennedy Center News (September-October 2004 and May-August 2004)","Five by Tenn (ticket, press packet)","The Light in the Piazza","Salome","Madama Butterfly","Marian McPartland's 89th Birthday Celebration on Marian McPartland's Piano Jazz","Washington National Opera's Iphigenie en Tauride","Washington National Opera's Macbeth","A View from the Bridge, Washington National Opera","Madame Butterfly, Washington National Opera","National Symphony Orchestra","Sophie's Choice, Washington National Opera","Cabaret, Arena Stage","Connecting Lines: New Poetry from Mexico, The Cultural Institute of Mexico","The Evening Parade, Marine Barracks Washington","Fiddler on the Roof, Olney Theatre Center, MD","Hansel and Gretel, The Lincoln Theatre","Ibis, Waterford, VA","Opera in Waterford, Domingo-Cafritz Young Artists, Waterford, VA","The Persians, Shakespeare Theatre Company","Waterford Home Tours and Crafts Exhibit, Waterford, VA","Program.","Program; Photograph.","Playbill.","Playbill.","Applause at Strathmore","The Arthur Miller Festival: Death of a Salesman, A View from the Bridge, Arena Stage","Blues Alley Jazz Supper Club","Cymbeline, Round House Silver Spring","Kennedy Center News","La Traviata, Washington National Opera, Kennedy Center","Musical Remarks, John Wesley Church, Waterford, VA","The Pearl Fishers, Washington National Opera, Kennedy Center","The Price, Theatre J","Strathmore News","Program.","Program.","Production of the Washington National Opera. Playbill.","Antony and Cleopatra, Lansburgh Theatre","Ariadne auf Naxos, Washington National Opera, Kennedy Center","Chicago, National Theatre","Falstaff, Washington National Opera, Kennedy Center","I Love a Piano, Arena Stage","Master Singers of Virginia, Waterford, VA","PEN/Faulkner awards for fiction, Folger Shakespeare Library","Peter Grimes, Washington National Opera, Kennedy Center","Turandot, Washington National Opera, Kennedy Center","","The Marriage of Figaro, Washington National Opera, Kennedy Center","Porgy and Bess, Washington National Opera, Kennedy Center","Reasons to be Pretty, The Studio Theatre","Photographs of Elizabeth Taylor, Mia Dillon, Zev Bufman, Peter Gallagher.","Photographs of Elizabeth Taylor, Mia Dillon, Zev Bufman, Peter Gallagher.","Vol. 2, no. 2; Vol. 3, no. 1-2; Vol. 4, no. 1-2; Vol. 5, no. 2; Vol. 6, no. 1-3; Vol. 7, no. 1","Reports.","Brochure.","Articles.","Press Releases; Photograph.","Program.","Newspaper Articles; Photograph.","Newsletter.","Program.","Photograph.","Program.","Annual Reports; Schedules; Publication.","Invitations for plays not attended or no playbills.","Photographs.","Invitations.","Seven photographs.","Victor Borge and his Concert Orchestra","Spies in your eyes, JCA Playguild","Hamlet, Philharmonia Orchestra","Henry V: An interpretation of the Photoplay","","","From Washington DC and Virginia theatres","Includes schedules from: Arena Stage, Kennedy Center, Shakespeare Theatre at the Folger, Theatre J, Washington National Opera, Woolly Mammoth","Includes schedules from: Arena Stage, Ford's Theatre, Kennedy Center, PEN/Faulkner Foundation, Shakespeare Theatre at the Folger, The Studio Theatre, Washington National Opera, Washington Performing Arts Society, Wayside Theatre, Woolly Mammoth","Marilyn Monroe: Life as a Legend","Franklin Park Performing and Visual Arts Center (2008-2009)","Grease at the Olney Theatre Center","Shenandoah Summer Music Theatre (2011)","Includes schedules from: Arena Stage, George Mason University's Center for the Arts, Kennedy Center, Olney, PEN/Faulkner Foundation, Folger Theatre, Shenandoah Conservatory, The Studio Theatre, Theatre J, University of Notre Dame, Washington National Opera, Washington Performing Arts Society","Includes schedules from: Arena Stage, Contemporary American Theatre Festival, Olney, Folger Theatre, Shakespeare Theatre Company, Shenandoah Conservatory, Signature Theatre, Strathmore Music Center, The Studio Theatre, Theatre J, Washington National Cathedral, Washington National Opera, Woolly Mammoth","Includes schedules from: Arena Stage, Kennedy Center, Master Singers of Virginia, Washington National Opera","","","Programs; Playbills.","The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances.","Playbill; Program.","Playbill; Program.","Playbill.","Program.","Program.","Playbill; Program.","Playbill; Program.","Dayton Philharmonic Orchestra, Memorial Hall, Dayton, OH","Philharmonic-Symphony Society of New York, Memorial Hall, Dayton, OH","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","The Antioch yellow springs festival, OH","Light up the sky, Victory Theatre, Dayton, OH","The magnificent Yankee, Cox Theatre, Cincinnati, OH","O mistress mine, Memorial Hall, Dayton, OH","Pick-up girl, Ellis Auditorium, Memphis, TN","State of the union, Cox Theatre, Cincinnati, OH","The wise have not spoken, Yellow Springs Area Theatre, OH","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbills.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Announcement.","Playbook; Program.","Program.","Program; Playbook.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Program.","Playbook; Program.","Program.","Program.","Program.","Souvenir Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Program; Playbook.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Playbook; Program.","Program.","Playbill; Program.","Playbill; Program.","Program.","Program.","Program.","Program.","Program.","Playbill; Program.","Program; Curtain Call.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program; Playbook.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Program.","Program.","Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Program.","Program.","Program.","Playbill.","The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs.","Program.","Playbill.","Program.","Program.","Program.","Calendar.","Program.","Program.","Playbill; Program.","Playbill.","Playbill; Program.","Playbill.","Playbill.","Playbill; Program.","Playbill; Program.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill; Program.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill; Program.","Playbill.","Playbill.","Playbill.","Program.","Playbill.","Playbill.","Playbill; Program.","Playbill; Program.","Program.","Playbill; Program.","Playbill.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playgram.","Playgram.","Playgram.","Reviews.","Program.","Program.","Program.","Playbill.","Playbill.","Playbill.","Playbill; Program.","Playbill.","Showcard.","Showcard.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Program.","Program.","Magazine.","Magazine.","Picture book.","Publication.","Program.","Program.","Playbill.","Playbill.","Program.","Program.","Program.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill; City Guide.","The fourth series is film-related materials from 1943-1992, consisting of souvenir books, magazines, and press packets relating to each movie.","Souvenir Book.","Magazine. Vol 4, no. 8.","Magazine. Vol 4, no. 9.","Book.","Program.","Cinebills for The Iceman Cometh; Luther; Rhinoceros; Lost in the Stars; Butley; The Three Sisters.","Programs for Jacques Brel is Alive and Well and Living; The Maids; In Celebration; The Man in the Glass Booth; Galileo.","Press Release.","Press Packet.","Press Packet.","Press Packet.","Press Packet; Production Information; Photographs.","Press Packet.","Program; magazine.","The fifth series is audiovisual materials from 1983-1986, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the Performing Arts, and was available via the Public Radio Satellite System.","7\" reel-to-reel audiotape. Program ends at 00:10:08.","Videotape.","Pamphlet.","7\" reel-to-reel audiotape. Run Time: 00:08:05.","7\" reel-to-reel audiotape. Program ends at 00:24:45.","7\" reel-to-reel audiotape. Program ends at 00:31:40.","9 discs containing digital access copies and a storage drive with access copies and master digital files.","7\" reel-to-reel audiotape. Program ends at 00:06:08.","7\" reel-to-reel audiotape. Program ends at 00:16:15.","5\" reel-to-reel audiotape. Run time is 00:07:36.","Audiotape cartridge. Run Time: 00:03:44.","Audiotape cartridge. Run Time: 00:00:44. Tape only contains approximately 2 seconds of audio.","5\" reel-to-reel audiotape. Run Time: 00:03:24.","5\" reel-to-reel audiotape. Approximately 1 minute of silence in the middle of program. Tape entered silence at approximately 00:04:44.","5\" reel-to-reel audiotape. Tape entered silence at approximately 00:07:01.","10.5\" reel-to-reel audiotape rehoused onto 7\" reel. Run Time: 00:16:12.","10.5\" reel-to-reel audiotape. Run Time: 0:23:59.","5\" reel-to-reel audiotape. Tape starts mid-program. Program ends at 00:06:04.","7\" reel-to-reel audiotape. Program ends at 00:10:00.","7\" reel-to-reel audiotape. Run time is 00:07:28.","5\" reel-to-reel audiotape. Run Time: 00:11:09.","7\" reel-to-reel audiotape. Program ends at 00:04:59.","7\" reel-to-reel audiotape. Box reads \"1984 October 6\". Program ends at 00:03:13.","7\" reel-to-reel audiotape. Program ends at approximately 00:05:46.","7\" reel-to-reel audiotape. Program ends at 00:05:46.","7\" reel-to-reel audiotape. Program ends at 00:06:25.","7\" reel-to-reel audiotape. Run time is 00:04:28.","7\" reel-to-reel audiotape. Run time is 00:06:11.","7\" reel-to-reel audiotape. Program ends at 00:05:37.","7\" reel-to-reel audiotape. Program ends at 00:05:02.","5\" reel-to-reel audiotape. Run time is 00:05:57.","7\" reel-to-reel audiotape. Program ends at 00:05:07.","7\" reel-to-reel audiotape. Program ends at 00:05:10.","7\" reel-to-reel audiotape. Program ends at 00:05:27.","7\" reel-to-reel audiotape. Program ends at 00:04:58.","5\" reel-to-reel audiotape. Run time is 00:06:20.","7\" reel-to-reel audiotape. Runt time is 00:05:26.","7\" reel-to-reel audiotape. Program ends at 00:07:15.","Videotape cassette.","Videotape cassette. Women in film: Streetwise, Old Enough; Gin Game; short run; Mayor of ?; End of World.","7\" reel-to-reel audiotape. Program ends at 00:04:50.","7\" reel-to-reel audiotape. Run time is 00:26:46.","7\" reel-to-reel audiotape. Program ends at 00:04:06.","7\" reel-to-reel audiotape. Program ends at 00:06:52.","7\" reel-to-reel audiotape. Program ends at 00:05:16.","7\" reel-to-reel audiotape. Program ends at 00:05:47.","7\" reel-to-reel audiotape. Program ends at 00:06:07.","7\" reel-to-reel audiotape. Program ends at 00:03:44.","5\" reel-to-reel audiotape. Tape entered silence at approximately 00:05:30.","7\" reel-to-reel audiotape. Program ends at approx 00:05:06.","7\" reel-to-reel audiotape. Box reads \"Rebecca Rice Liv Stage\", \"#7, 10/12/83\". Program ends at 00:07:11.","7\" reel-to-reel audiotape. Program switches from stereo to mono (left channel only) from 00:02:50 until 00:04:22 Program ends at 00:26:23.","7\" reel-to-reel audiotape. Run time is 00:20:27. Approx 1 minute of silence before program begins.","7\" reel-to-reel audiotape. Program ends at 00:21:50.","7\" reel-to-reel audiotape. Run time is 00:47:10.","7\" reel-to-reel audiotape. Run time is 00:41:45.","7\" reel to reel audiotape. Program ends at approx 00:05:34.","7\" reel-to-reel audiotape. Run Time: 01:05:27.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette. Clips from Streetwise and Old Enough."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThis collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary."],"names_ssim":["George Mason University Special Collections \u0026 Archives","Lois Claire Kincannon","Kincannon, Lois Claire."],"corpname_ssim":["George Mason University Special Collections \u0026 Archives"],"persname_ssim":["Lois Claire Kincannon","Kincannon, Lois Claire."],"language_ssim":["English\n\t\t"],"total_component_count_is":853,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:31:57.545Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_kincannon_c01_c331"}},{"id":"vifgm_repositories_2_resources_13_c01_c01_c01","type":"File","attributes":{"title":"3 Penny Opera stagebill and photograph, National Theatre","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_13_c01_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_13_c01_c01_c01","ref_ssm":["vifgm_repositories_2_resources_13_c01_c01_c01"],"id":"vifgm_repositories_2_resources_13_c01_c01_c01","ead_ssi":"vifgm_repositories_2_resources_13","_root_":"vifgm_repositories_2_resources_13","_nest_parent_":"vifgm_repositories_2_resources_13_c01_c01","parent_ssi":"vifgm_repositories_2_resources_13_c01_c01","parent_ssim":["vifgm_repositories_2_resources_13","vifgm_repositories_2_resources_13_c01","vifgm_repositories_2_resources_13_c01_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_13","vifgm_repositories_2_resources_13_c01","vifgm_repositories_2_resources_13_c01_c01"],"parent_unittitles_ssm":["L. Claire Kincannon theatre collection","Series 1: Theatre and film-related materials","Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area"],"parent_unittitles_tesim":["L. Claire Kincannon theatre collection","Series 1: Theatre and film-related materials","Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area"],"text":["L. Claire Kincannon theatre collection","Series 1: Theatre and film-related materials","Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area","3 Penny Opera stagebill and photograph, National Theatre","box 1","folder 1"],"title_filing_ssi":"3 Penny Opera  stagebill and photograph, National Theatre","title_ssm":["3 Penny Opera stagebill and photograph, National Theatre"],"title_tesim":["3 Penny Opera stagebill and photograph, National Theatre"],"unitdate_other_ssim":["September 1989"],"normalized_date_ssm":["1989"],"normalized_title_ssm":["3 Penny Opera stagebill and photograph, National Theatre"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["L. Claire Kincannon theatre collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1989],"containers_ssim":["box 1","folder 1"],"_nest_path_":"/components#0/components#0/components#0","timestamp":"2026-05-24T23:40:54.982Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_13","ead_ssi":"vifgm_repositories_2_resources_13","_root_":"vifgm_repositories_2_resources_13","_nest_parent_":"vifgm_repositories_2_resources_13","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_13.xml","title_ssm":["L. Claire Kincannon theatre collection"],"title_tesim":["L. Claire Kincannon theatre collection"],"unitdate_ssm":["1941-2015"],"unitdate_inclusive_ssm":["1941-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0018","/repositories/2/resources/13"],"text":["C0018","/repositories/2/resources/13","L. Claire Kincannon theatre collection","Ohio","Broadway (New York, N.Y.)","Washington (D.C.)","Motion pictures","Theater","Theater -- England -- London","Theater -- New York (State) -- New York","Theater -- Washington (D.C.)","Theater critics","Theater programs","Performing arts","Broadcasting","There are no access restrictions.","Most of the audiovisual materials in this collection have been digitized. Please contact the Special Collections Research Center for more information.","This collection is arranged into two series and then alphabetically by title.","Series Series 1: Theatre and film-related materials, 1941-2015 (Boxes 1-42; 65) Series 2:  Behind the Scenes  production materials, 1971-1990s (Boxes 32-34; 42-88) Series 3: Digitized  Behind the Scenes  reels, circa 1980s-1992","Lois Claire Kincannon, known as \"Claire,\" was an author, theatre critic, and radio journalist. Born April 19, 1940, Kincannon originally graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she hosted her own radio show titled  Behind the Scenes,  in which she reviewed and discussed the theatre performances that she attended in the Washington, D.C. area. In late 1992, Kincannon moved to Paris, France, with her husband, where she founded Dancing Ink Press and published several books, including  Paeonian to Paris ,  Sheets for Men Only, Sheets to the Wind,  and  Rockin' with Porch Memories.  After eight years abroad, she returned to the United States, where she lived for the rest of her life. Kincannon passed away on August 9th, 2023.","The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the L. Claire Kincannon theatre collection. Additional time and money may be required to digitize this material for access.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.","Reprocessed and additional accessions processed by Vilma Chicas Garcia from January-May 2024. Finding aid completed by Vilma Chicas Garcia in May 2024. ","Additional processing completed by Amanda Menjivar in June 2024. Finding aid edited and published by Amanda Menjivar in May 2024.","The Special Collections Research Center also holds many other collections on  . ","The University of Maryland holds multiple ","The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show  Behind the Scenes.  This collection consists of two series.","Series 1: Theatre and film-related materials consists of five subseries. Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area; Subseries 2: Ohio regional theatres; Subseries 3: New York productions; Subseries 4: Other American productions; and Subseries 5: International productions. Materials in this series include programs, playbills, stage bills, press releases, photographs, news articles, ticket stubs, invitations, and advertisements from theatre and motion picture productions across the United States and Eastern Europe, and are divided based on location. Some programs also contain Kincannon's handwritten notes. Many of these materials are from the John F. Kennedy Center for the Performing Arts, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and various other theatres in the D.C. area. It also includes productions by the Kenley Players and Victory Theatre in Dayton, Ohio, among others in the area. ","Series 2:  Behind The Scenes  production materials contains materials created during Kincannon's career, including drafted, unpublished, and published articles and scripts for her  Bydin' my Time  segment in the  Blue Ridge Leader  newspaper and her radio show  Behind the Scenes.  Materials include audio and visual materials from  Behind the Scenes,  as well as outlines, radio broadcast schedules, contracts, proposals, funding, and business correspondence.","C0018_018","C0018_031","6 cuts: 1. porgy + bess, 2. candide, 3. lena horne, 4. dancing in the streets, 5. program with one break, 6. program","C0018_004","C0018_020","C0018_005","C0018_006","C0018_007","C0018_021","C0018_008","C0018_022","C0018_033. Reviews include:  A Chorus Line  at Wolf Trap,  A Midsummer Night's Dream  at Brownell Farm, and  Cat on a Hot Tin Roof  at Wayside Theatre.","C0018_009","Two u-matic tapes for  Behind the Scenes . Includes is an instructional film published by Pacific Canada. This film was very damaged and, though viewable, its content is obstructed.","C0018_025","C0018_023","C0018_001","C0018_002","C0018_003","C0018_010","Also includes \"Cut 5 - Women in film old enough, cut 4 - gin game, cut 2 AIV, cut 3 \"Nine (portion)\"","C0018_024","C0018_011","C0018_029 and C0018_030","C0018_014","C0018_026","C0018_017","C0018_012","Includes  Cats, The GoodPerson of Setzuan,  and  Happy End  review drafts.","C0018_013","C0018_019","C0018_027","C0018_028","C0018_016","Includes handwritten notes from Kincannon, housed in Box [X].","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally. File name: Kincannon_003.","This material is only available digitally. File name: Kincannon_004.","This material is only available digitally. File name: Kincannon_005.","This material is only available digitally. File name: Kincannon_006.","This material is only available digitally. File name: Kincannon_007.","This material is only available digitally. This material is only available digitally. File name: Kincannon_008.","This material is only available digitally. This material is only available digitally. File name: Kincannon_009.","This material is only available digitally. This material is only available digitally. File name: Kincannon_010.","This material is only available digitally. File name: Kincannon_011.","This material is only available digitally. File name: Kincannon_012.","This material is only available digitally. File name: Kincannon_013.","This material is only available digitally. File name: Kincannon_014.","This material is only available digitally. File name: Kincannon_015.","This material is only available digitally. File name: Kincannon_016.","This material is only available digitally. File name: Kincannon_017.","This material is only available digitally. File name: Kincannon_018.","This material is only available digitally. File name: Kincannon_019.","This material is only available digitally. File name: Kincannon_020.","This material is only available digitally. File name: Kincannon_021.","This material is only available digitally. File name: Kincannon_022.","This material is only available digitally. File name: Kincannon_023.","This material is only available digitally. File name: Kincannon_024.","This material is only available digitally. File name: Kincannon_025.","This material is only available digitally. File name: Kincannon_026.","This material is only available digitally. File name: Kincannon_027.","This material is only available digitally. File name: Master_Tape_Wk_23-1, 2, and 3.","This material is only available digitally. File name: Shakespeare_Theatre_Part_1-1, 2, 3.","This material is only available digitally. File name: Shakespeare_Theatre_Part_II-1, 2, 3.","This material is only available digitally. File name: Sound_of_Music_Capital_Steps-1, 2","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show  Behind the Scenes.","R 9, C 4, S 3-7\n\nR 10, C 1, S 2-4\n\nOS R 2, C 1, S 4","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)","Kincannon, Lois Claire","English"],"unitid_tesim":["C0018","/repositories/2/resources/13"],"normalized_title_ssm":["L. Claire Kincannon theatre collection"],"collection_title_tesim":["L. Claire Kincannon theatre collection"],"collection_ssim":["L. Claire Kincannon theatre collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Ohio","Broadway (New York, N.Y.)","Washington (D.C.)"],"geogname_ssim":["Ohio","Broadway (New York, N.Y.)","Washington (D.C.)"],"creator_ssm":["Kincannon, Lois Claire"],"creator_ssim":["Kincannon, Lois Claire"],"creator_persname_ssim":["Kincannon, Lois Claire"],"creators_ssim":["Kincannon, Lois Claire"],"places_ssim":["Ohio","Broadway (New York, N.Y.)","Washington (D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by L. Claire Kincannon from 2007-2015."],"access_subjects_ssim":["Motion pictures","Theater","Theater -- England -- London","Theater -- New York (State) -- New York","Theater -- Washington (D.C.)","Theater critics","Theater programs","Performing arts","Broadcasting"],"access_subjects_ssm":["Motion pictures","Theater","Theater -- England -- London","Theater -- New York (State) -- New York","Theater -- Washington (D.C.)","Theater critics","Theater programs","Performing arts","Broadcasting"],"has_online_content_ssim":["false"],"extent_ssm":["20 Linear Feet 88 boxes"],"extent_tesim":["20 Linear Feet 88 boxes"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the audiovisual materials in this collection have been digitized. Please contact the Special Collections Research Center for more information.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the audiovisual materials in this collection have been digitized. Please contact the Special Collections Research Center for more information."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into two series and then alphabetically by title.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Theatre and film-related materials, 1941-2015 (Boxes 1-42; 65)\u003c/item\u003e\n      \u003citem\u003eSeries 2: \u003citalic\u003eBehind the Scenes\u003c/italic\u003e production materials, 1971-1990s (Boxes 32-34; 42-88)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Digitized \u003citalic\u003eBehind the Scenes\u003c/italic\u003e reels, circa 1980s-1992\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into two series and then alphabetically by title.","Series Series 1: Theatre and film-related materials, 1941-2015 (Boxes 1-42; 65) Series 2:  Behind the Scenes  production materials, 1971-1990s (Boxes 32-34; 42-88) Series 3: Digitized  Behind the Scenes  reels, circa 1980s-1992"],"bioghist_html_tesm":["\u003cp\u003eLois Claire Kincannon, known as \"Claire,\" was an author, theatre critic, and radio journalist. Born April 19, 1940, Kincannon originally graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she hosted her own radio show titled \u003citalic\u003eBehind the Scenes,\u003c/italic\u003e in which she reviewed and discussed the theatre performances that she attended in the Washington, D.C. area. In late 1992, Kincannon moved to Paris, France, with her husband, where she founded Dancing Ink Press and published several books, including \u003citalic\u003ePaeonian to Paris\u003c/italic\u003e, \u003citalic\u003eSheets for Men Only,\u003c/italic\u003e \u003citalic\u003eSheets to the Wind,\u003c/italic\u003e and \u003citalic\u003eRockin' with Porch Memories.\u003c/italic\u003e After eight years abroad, she returned to the United States, where she lived for the rest of her life. Kincannon passed away on August 9th, 2023.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Lois Claire Kincannon, known as \"Claire,\" was an author, theatre critic, and radio journalist. Born April 19, 1940, Kincannon originally graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she hosted her own radio show titled  Behind the Scenes,  in which she reviewed and discussed the theatre performances that she attended in the Washington, D.C. area. In late 1992, Kincannon moved to Paris, France, with her husband, where she founded Dancing Ink Press and published several books, including  Paeonian to Paris ,  Sheets for Men Only, Sheets to the Wind,  and  Rockin' with Porch Memories.  After eight years abroad, she returned to the United States, where she lived for the rest of her life. Kincannon passed away on August 9th, 2023."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the L. Claire Kincannon theatre collection. Additional time and money may be required to digitize this material for access.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the L. Claire Kincannon theatre collection. Additional time and money may be required to digitize this material for access.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally."],"prefercite_html_tesm":["\u003cp\u003eL. Claire Kincannon theatre collection, C0018, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["L. Claire Kincannon theatre collection, C0018, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.\u003c/p\u003e","\u003cp\u003eReprocessed and additional accessions processed by Vilma Chicas Garcia from January-May 2024. Finding aid completed by Vilma Chicas Garcia in May 2024. \u003c/p\u003e","\u003cp\u003eAdditional processing completed by Amanda Menjivar in June 2024. Finding aid edited and published by Amanda Menjivar in May 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.","Reprocessed and additional accessions processed by Vilma Chicas Garcia from January-May 2024. Finding aid completed by Vilma Chicas Garcia in May 2024. ","Additional processing completed by Amanda Menjivar in June 2024. Finding aid edited and published by Amanda Menjivar in May 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other collections on \u003cextptr show=\"new\" title=\"theatre and the performing arts\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=theatre\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e. \u003c/p\u003e\n","\u003cp\u003eThe University of Maryland holds multiple \u003cextptr show=\"new\" title=\"radio and television broadcasting collections.\" href=\"https://www.lib.umd.edu/collections/special/broadcasting\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other collections on  . ","The University of Maryland holds multiple "],"scopecontent_html_tesm":["\u003cp\u003eThe L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show \u003citalic\u003eBehind the Scenes.\u003c/italic\u003e This collection consists of two series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Theatre and film-related materials consists of five subseries. Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area; Subseries 2: Ohio regional theatres; Subseries 3: New York productions; Subseries 4: Other American productions; and Subseries 5: International productions. Materials in this series include programs, playbills, stage bills, press releases, photographs, news articles, ticket stubs, invitations, and advertisements from theatre and motion picture productions across the United States and Eastern Europe, and are divided based on location. Some programs also contain Kincannon's handwritten notes. Many of these materials are from the John F. Kennedy Center for the Performing Arts, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and various other theatres in the D.C. area. It also includes productions by the Kenley Players and Victory Theatre in Dayton, Ohio, among others in the area. \u003c/p\u003e\n","\u003cp\u003eSeries 2: \u003citalic\u003eBehind The Scenes\u003c/italic\u003e production materials contains materials created during Kincannon's career, including drafted, unpublished, and published articles and scripts for her \u003citalic\u003eBydin' my Time\u003c/italic\u003e segment in the \u003citalic\u003eBlue Ridge Leader\u003c/italic\u003e newspaper and her radio show \u003citalic\u003eBehind the Scenes.\u003c/italic\u003e Materials include audio and visual materials from \u003citalic\u003eBehind the Scenes,\u003c/italic\u003e as well as outlines, radio broadcast schedules, contracts, proposals, funding, and business correspondence.\u003c/p\u003e","\u003cp\u003eC0018_018\u003c/p\u003e","\u003cp\u003eC0018_031\u003c/p\u003e","\u003cp\u003e6 cuts: 1. porgy + bess, 2. candide, 3. lena horne, 4. dancing in the streets, 5. program with one break, 6. program\u003c/p\u003e","\u003cp\u003eC0018_004\u003c/p\u003e","\u003cp\u003eC0018_020\u003c/p\u003e","\u003cp\u003eC0018_005\u003c/p\u003e","\u003cp\u003eC0018_006\u003c/p\u003e","\u003cp\u003eC0018_007\u003c/p\u003e","\u003cp\u003eC0018_021\u003c/p\u003e","\u003cp\u003eC0018_008\u003c/p\u003e","\u003cp\u003eC0018_022\u003c/p\u003e","\u003cp\u003eC0018_033. Reviews include: \u003citalic\u003eA Chorus Line\u003c/italic\u003e at Wolf Trap, \u003citalic\u003eA Midsummer Night's Dream\u003c/italic\u003e at Brownell Farm, and \u003citalic\u003eCat on a Hot Tin Roof\u003c/italic\u003e at Wayside Theatre.\u003c/p\u003e","\u003cp\u003eC0018_009\u003c/p\u003e","\u003cp\u003eTwo u-matic tapes for \u003citalic\u003eBehind the Scenes\u003c/italic\u003e. Includes is an instructional film published by Pacific Canada. This film was very damaged and, though viewable, its content is obstructed.\u003c/p\u003e","\u003cp\u003eC0018_025\u003c/p\u003e","\u003cp\u003eC0018_023\u003c/p\u003e","\u003cp\u003eC0018_001\u003c/p\u003e","\u003cp\u003eC0018_002\u003c/p\u003e","\u003cp\u003eC0018_003\u003c/p\u003e","\u003cp\u003eC0018_010\u003c/p\u003e","\u003cp\u003eAlso includes \"Cut 5 - Women in film old enough, cut 4 - gin game, cut 2 AIV, cut 3 \"Nine (portion)\"\u003c/p\u003e","\u003cp\u003eC0018_024\u003c/p\u003e","\u003cp\u003eC0018_011\u003c/p\u003e","\u003cp\u003eC0018_029 and C0018_030\u003c/p\u003e","\u003cp\u003eC0018_014\u003c/p\u003e","\u003cp\u003eC0018_026\u003c/p\u003e","\u003cp\u003eC0018_017\u003c/p\u003e","\u003cp\u003eC0018_012\u003c/p\u003e","\u003cp\u003eIncludes \u003citalic\u003eCats, The GoodPerson of Setzuan,\u003c/italic\u003e and \u003citalic\u003eHappy End\u003c/italic\u003e review drafts.\u003c/p\u003e","\u003cp\u003eC0018_013\u003c/p\u003e","\u003cp\u003eC0018_019\u003c/p\u003e","\u003cp\u003eC0018_027\u003c/p\u003e","\u003cp\u003eC0018_028\u003c/p\u003e","\u003cp\u003eC0018_016\u003c/p\u003e","\u003cp\u003eIncludes handwritten notes from Kincannon, housed in Box [X].\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_003.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_004.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_005.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_006.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_007.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. This material is only available digitally. File name: Kincannon_008.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. This material is only available digitally. File name: Kincannon_009.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. This material is only available digitally. File name: Kincannon_010.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_011.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_012.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_013.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_014.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_015.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_016.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_017.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_018.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_019.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_020.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_021.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_022.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_023.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_024.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_025.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_026.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_027.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Master_Tape_Wk_23-1, 2, and 3.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Shakespeare_Theatre_Part_1-1, 2, 3.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Shakespeare_Theatre_Part_II-1, 2, 3.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Sound_of_Music_Capital_Steps-1, 2\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show  Behind the Scenes.  This collection consists of two series.","Series 1: Theatre and film-related materials consists of five subseries. Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area; Subseries 2: Ohio regional theatres; Subseries 3: New York productions; Subseries 4: Other American productions; and Subseries 5: International productions. Materials in this series include programs, playbills, stage bills, press releases, photographs, news articles, ticket stubs, invitations, and advertisements from theatre and motion picture productions across the United States and Eastern Europe, and are divided based on location. Some programs also contain Kincannon's handwritten notes. Many of these materials are from the John F. Kennedy Center for the Performing Arts, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and various other theatres in the D.C. area. It also includes productions by the Kenley Players and Victory Theatre in Dayton, Ohio, among others in the area. ","Series 2:  Behind The Scenes  production materials contains materials created during Kincannon's career, including drafted, unpublished, and published articles and scripts for her  Bydin' my Time  segment in the  Blue Ridge Leader  newspaper and her radio show  Behind the Scenes.  Materials include audio and visual materials from  Behind the Scenes,  as well as outlines, radio broadcast schedules, contracts, proposals, funding, and business correspondence.","C0018_018","C0018_031","6 cuts: 1. porgy + bess, 2. candide, 3. lena horne, 4. dancing in the streets, 5. program with one break, 6. program","C0018_004","C0018_020","C0018_005","C0018_006","C0018_007","C0018_021","C0018_008","C0018_022","C0018_033. Reviews include:  A Chorus Line  at Wolf Trap,  A Midsummer Night's Dream  at Brownell Farm, and  Cat on a Hot Tin Roof  at Wayside Theatre.","C0018_009","Two u-matic tapes for  Behind the Scenes . Includes is an instructional film published by Pacific Canada. This film was very damaged and, though viewable, its content is obstructed.","C0018_025","C0018_023","C0018_001","C0018_002","C0018_003","C0018_010","Also includes \"Cut 5 - Women in film old enough, cut 4 - gin game, cut 2 AIV, cut 3 \"Nine (portion)\"","C0018_024","C0018_011","C0018_029 and C0018_030","C0018_014","C0018_026","C0018_017","C0018_012","Includes  Cats, The GoodPerson of Setzuan,  and  Happy End  review drafts.","C0018_013","C0018_019","C0018_027","C0018_028","C0018_016","Includes handwritten notes from Kincannon, housed in Box [X].","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally. File name: Kincannon_003.","This material is only available digitally. File name: Kincannon_004.","This material is only available digitally. File name: Kincannon_005.","This material is only available digitally. File name: Kincannon_006.","This material is only available digitally. File name: Kincannon_007.","This material is only available digitally. This material is only available digitally. File name: Kincannon_008.","This material is only available digitally. This material is only available digitally. File name: Kincannon_009.","This material is only available digitally. This material is only available digitally. File name: Kincannon_010.","This material is only available digitally. File name: Kincannon_011.","This material is only available digitally. File name: Kincannon_012.","This material is only available digitally. File name: Kincannon_013.","This material is only available digitally. File name: Kincannon_014.","This material is only available digitally. File name: Kincannon_015.","This material is only available digitally. File name: Kincannon_016.","This material is only available digitally. File name: Kincannon_017.","This material is only available digitally. File name: Kincannon_018.","This material is only available digitally. File name: Kincannon_019.","This material is only available digitally. File name: Kincannon_020.","This material is only available digitally. File name: Kincannon_021.","This material is only available digitally. File name: Kincannon_022.","This material is only available digitally. File name: Kincannon_023.","This material is only available digitally. File name: Kincannon_024.","This material is only available digitally. File name: Kincannon_025.","This material is only available digitally. File name: Kincannon_026.","This material is only available digitally. File name: Kincannon_027.","This material is only available digitally. File name: Master_Tape_Wk_23-1, 2, and 3.","This material is only available digitally. File name: Shakespeare_Theatre_Part_1-1, 2, 3.","This material is only available digitally. File name: Shakespeare_Theatre_Part_II-1, 2, 3.","This material is only available digitally. File name: Sound_of_Music_Capital_Steps-1, 2"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_16a68c93d8b3d69c2ae06c4266189f5f\"\u003eThe L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show \u003citalic\u003eBehind the Scenes.\u003c/italic\u003e\u003c/abstract\u003e"],"abstract_tesim":["The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show  Behind the Scenes."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e075fefd777b95903634244477006030\"\u003eR 9, C 4, S 3-7\n\nR 10, C 1, S 2-4\n\nOS R 2, C 1, S 4\u003c/physloc\u003e"],"physloc_tesim":["R 9, C 4, S 3-7\n\nR 10, C 1, S 2-4\n\nOS R 2, C 1, S 4"],"names_coll_ssim":["Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)","Kincannon, Lois Claire"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)"],"persname_ssim":["Kincannon, Lois Claire"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1250,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:40:54.982Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_13_c01_c01_c01"}},{"id":"viblbv_repositories_2_resources_4535_c01_c05","type":"File","attributes":{"title":"3rd \u0026 4th Floors, Renovation","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4535_c01_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_4535_c01_c05","ref_ssm":["viblbv_repositories_2_resources_4535_c01_c05"],"id":"viblbv_repositories_2_resources_4535_c01_c05","ead_ssi":"viblbv_repositories_2_resources_4535","_root_":"viblbv_repositories_2_resources_4535","_nest_parent_":"viblbv_repositories_2_resources_4535_c01","parent_ssi":"viblbv_repositories_2_resources_4535_c01","parent_ssim":["viblbv_repositories_2_resources_4535","viblbv_repositories_2_resources_4535_c01"],"parent_ids_ssim":["viblbv_repositories_2_resources_4535","viblbv_repositories_2_resources_4535_c01"],"parent_unittitles_ssm":["Susan Green Architectural Drawings","Project Records"],"parent_unittitles_tesim":["Susan Green Architectural Drawings","Project Records"],"text":["Susan Green Architectural Drawings","Project Records","3rd \u0026 4th Floors, Renovation","box 4"],"title_filing_ssi":"3rd \u0026 4th Floors, Renovation","title_ssm":["3rd \u0026 4th Floors, Renovation"],"title_tesim":["3rd \u0026 4th Floors, Renovation"],"unitdate_inclusive_ssm":["(Manhattan, NY, 1984-1999)"],"normalized_date_ssm":["1984/1999"],"normalized_title_ssm":["3rd \u0026 4th Floors, Renovation"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Susan Green Architectural Drawings"],"extent_ssm":["0.22 Cubic Feet Telescoping Box"],"extent_tesim":["0.22 Cubic Feet Telescoping Box"],"physfacet_tesim":["Analog Construction Documents, 37 Sheets."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":6,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"containers_ssim":["box 4"],"_nest_path_":"/components#0/components#4","timestamp":"2026-05-21T02:09:57.730Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_4535","ead_ssi":"viblbv_repositories_2_resources_4535","_root_":"viblbv_repositories_2_resources_4535","_nest_parent_":"viblbv_repositories_2_resources_4535","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4535.xml","title_filing_ssi":"Green, Susan, Architectural Drawings","title_ssm":["Susan Green Architectural Drawings"],"title_tesim":["Susan Green Architectural Drawings"],"unitdate_ssm":["1976-2017"],"unitdate_inclusive_ssm":["1976-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2025.069"],"text":["Ms.2025.069","Susan Green Architectural Drawings","International Archive of Women in Architecture (IAWA)","The collection is open for research.","This collection is arranged chronologically.","(Ann) Susan Green was born in New Jersey on April 20, 1940, and raised in Long Island, NY. She spent the majority of her life living and working in New York state, and passed away on May 28, 2020, in her New York City apartment.","Green studied at the University of Michigan (1958), Barnard College (1959-), and the Yale School of Architecture (1964-1969), graduating with her B. Arch. in 1967, and her M. Arch. in 1969 [1].","Post-graduation, Green worked with and learned from her mentor Donald Cromley, who studied under Louis Kahn. Green and Cromley collaborated on Green's first project: her parents', Freeda and Bernard Green's, home, called 'La Costa' [2].","Green was described as having perfectionist tendencies in her work, a creative mind, a careful, serious, and dignified demeanor, and a compassionate soul. Her classmate described her in her obituary as having \"a crisp sense of style, and an idiosyncratic personality which served her well in Architectural Studio courses.\"","Green ran her own practice in NYC for most of her career. She worked both for clients, as well as bought properties for design-build-bid projects. Green primarily designed residences in rural upstate New York that \"combined a modern aesthetic with traditional vernacular farmhouse elements\" [3], allowing her completed buildings to fit into their settings, and \"project a visual calm.\"","Green was notably philanthropic in her lifetime, donating to various New York-based and architectural organizations. After her passing, the New York Community Trust established the Ann Susan Green Fund (2022) in her honor [4].","External sources:","[1] Rappaport, Nina. \"Constructs Fall 2021.\" (New Haven: 2021 Yale School of Architecture, 2021): [p.14], ISBN 978-1-7333908-4-2, https://www.usmodernist.org/Y/Y-2021-fall.pdf.","[2] Marshutz, Scott. \"Home of the Week: In Carlsbad, keeping a modernist vision intact.\" Los Angeles Times, January 2, 2011. https://www.latimes.com/business/realestate/la-fi-home-20110102-story.html.","[3] Rappaport, Nina. \"Constructs Fall 2020.\" (New Haven: 2020 Yale School of Architecture, 2020): [p.26], ISBN 978-1-7333908-3-5, https://www.usmodernist.org/Y/Y-2020-fall.pdf.","[4] The New York Community Trust. \"For Caregivers Forever. 2024 Annual Report.\" The New York Community Trust, p.30, June, 2024. https://thenytrust.org/wp-content/uploads/2025/06/508_TNYCT_2024-Annual-Report_RGB_051625PM.pdf.","'La Costa' was Susan Green's first commisioned project, the home was that of her parents, Freeda and Bernard Green.","The guide to the Susan Green Architectural Drawings Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Susan Green Architectural Drawings Collection was completed in September 2025.","The Susan Green collection consists of 25 projects: 14 of Green's own and collaborations, and 11 project drawings she collected and referred to.\nDocument types include: analog drawings, CAD prints, diazotypes, photographs, prints, and scans. Most of the documents are contruction documents for New York-based projects.","These projects were not necessarily works of Susan Green, but documents she referenced for her own works.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Susan Green collection consists of architectural drawings and photographs of designs Green created from 1976 to 2017, as well as architectural drawings Green kept for reference (1972-2013).","Special Collections and University Archives, Virginia Tech","Materials are in English."],"unitid_tesim":["Ms.2025.069"],"normalized_title_ssm":["Susan Green Architectural Drawings"],"collection_title_tesim":["Susan Green Architectural Drawings"],"collection_ssim":["Susan Green Architectural Drawings"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["This information was assembled and donated to the IAWA archive at Virginia Tech by Galen Cranz, and mailed to SCUA by Bella Hortaleza, executor of Susan Green's estate, April 20, 2022."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)"],"has_online_content_ssim":["false"],"extent_ssm":["2.55 Cubic Feet 12 boxes: 11 Telescoping Boxes, 1 Flat Folder Box"],"extent_tesim":["2.55 Cubic Feet 12 boxes: 11 Telescoping Boxes, 1 Flat Folder Box"],"physfacet_tesim":["Analog drawings, CAD prints, diazotypes, photographs, prints, and scans."],"date_range_isim":[1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003e(Ann) Susan Green was born in New Jersey on April 20, 1940, and raised in Long Island, NY. She spent the majority of her life living and working in New York state, and passed away on May 28, 2020, in her New York City apartment.\u003c/p\u003e\n","\u003cp\u003eGreen studied at the University of Michigan (1958), Barnard College (1959-), and the Yale School of Architecture (1964-1969), graduating with her B. Arch. in 1967, and her M. Arch. in 1969 [1].\u003c/p\u003e\n","\u003cp\u003ePost-graduation, Green worked with and learned from her mentor Donald Cromley, who studied under Louis Kahn. Green and Cromley collaborated on Green's first project: her parents', Freeda and Bernard Green's, home, called 'La Costa' [2].\u003c/p\u003e\n","\u003cp\u003eGreen was described as having perfectionist tendencies in her work, a creative mind, a careful, serious, and dignified demeanor, and a compassionate soul. Her classmate described her in her obituary as having \"a crisp sense of style, and an idiosyncratic personality which served her well in Architectural Studio courses.\"\u003c/p\u003e\n","\u003cp\u003eGreen ran her own practice in NYC for most of her career. She worked both for clients, as well as bought properties for design-build-bid projects. Green primarily designed residences in rural upstate New York that \"combined a modern aesthetic with traditional vernacular farmhouse elements\" [3], allowing her completed buildings to fit into their settings, and \"project a visual calm.\"\u003c/p\u003e\n","\u003cp\u003eGreen was notably philanthropic in her lifetime, donating to various New York-based and architectural organizations. After her passing, the New York Community Trust established the Ann Susan Green Fund (2022) in her honor [4].\u003c/p\u003e\n","\u003cp\u003eExternal sources:\u003c/p\u003e\n","\u003cp\u003e[1] Rappaport, Nina. \"Constructs Fall 2021.\" (New Haven: 2021 Yale School of Architecture, 2021): [p.14], ISBN 978-1-7333908-4-2, https://www.usmodernist.org/Y/Y-2021-fall.pdf.\u003c/p\u003e\n","\u003cp\u003e[2] Marshutz, Scott. \"Home of the Week: In Carlsbad, keeping a modernist vision intact.\" Los Angeles Times, January 2, 2011. https://www.latimes.com/business/realestate/la-fi-home-20110102-story.html.\u003c/p\u003e\n","\u003cp\u003e[3] Rappaport, Nina. \"Constructs Fall 2020.\" (New Haven: 2020 Yale School of Architecture, 2020): [p.26], ISBN 978-1-7333908-3-5, https://www.usmodernist.org/Y/Y-2020-fall.pdf.\u003c/p\u003e\n","\u003cp\u003e[4] The New York Community Trust. \"For Caregivers Forever. 2024 Annual Report.\" The New York Community Trust, p.30, June, 2024. https://thenytrust.org/wp-content/uploads/2025/06/508_TNYCT_2024-Annual-Report_RGB_051625PM.pdf.\u003c/p\u003e","\u003cp\u003e'La Costa' was Susan Green's first commisioned project, the home was that of her parents, Freeda and Bernard Green.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["(Ann) Susan Green was born in New Jersey on April 20, 1940, and raised in Long Island, NY. She spent the majority of her life living and working in New York state, and passed away on May 28, 2020, in her New York City apartment.","Green studied at the University of Michigan (1958), Barnard College (1959-), and the Yale School of Architecture (1964-1969), graduating with her B. Arch. in 1967, and her M. Arch. in 1969 [1].","Post-graduation, Green worked with and learned from her mentor Donald Cromley, who studied under Louis Kahn. Green and Cromley collaborated on Green's first project: her parents', Freeda and Bernard Green's, home, called 'La Costa' [2].","Green was described as having perfectionist tendencies in her work, a creative mind, a careful, serious, and dignified demeanor, and a compassionate soul. Her classmate described her in her obituary as having \"a crisp sense of style, and an idiosyncratic personality which served her well in Architectural Studio courses.\"","Green ran her own practice in NYC for most of her career. She worked both for clients, as well as bought properties for design-build-bid projects. Green primarily designed residences in rural upstate New York that \"combined a modern aesthetic with traditional vernacular farmhouse elements\" [3], allowing her completed buildings to fit into their settings, and \"project a visual calm.\"","Green was notably philanthropic in her lifetime, donating to various New York-based and architectural organizations. After her passing, the New York Community Trust established the Ann Susan Green Fund (2022) in her honor [4].","External sources:","[1] Rappaport, Nina. \"Constructs Fall 2021.\" (New Haven: 2021 Yale School of Architecture, 2021): [p.14], ISBN 978-1-7333908-4-2, https://www.usmodernist.org/Y/Y-2021-fall.pdf.","[2] Marshutz, Scott. \"Home of the Week: In Carlsbad, keeping a modernist vision intact.\" Los Angeles Times, January 2, 2011. https://www.latimes.com/business/realestate/la-fi-home-20110102-story.html.","[3] Rappaport, Nina. \"Constructs Fall 2020.\" (New Haven: 2020 Yale School of Architecture, 2020): [p.26], ISBN 978-1-7333908-3-5, https://www.usmodernist.org/Y/Y-2020-fall.pdf.","[4] The New York Community Trust. \"For Caregivers Forever. 2024 Annual Report.\" The New York Community Trust, p.30, June, 2024. https://thenytrust.org/wp-content/uploads/2025/06/508_TNYCT_2024-Annual-Report_RGB_051625PM.pdf.","'La Costa' was Susan Green's first commisioned project, the home was that of her parents, Freeda and Bernard Green."],"odd_html_tesm":["\u003cp\u003eThe guide to the Susan Green Architectural Drawings Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Susan Green Architectural Drawings Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Susan Green Architectural Drawings, 1976-2017, Ms2025-069, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Susan Green Architectural Drawings, 1976-2017, Ms2025-069, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Susan Green Architectural Drawings Collection was completed in September 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Susan Green Architectural Drawings Collection was completed in September 2025."],"scopecontent_html_tesm":["\u003cp\u003eThe Susan Green collection consists of 25 projects: 14 of Green's own and collaborations, and 11 project drawings she collected and referred to.\nDocument types include: analog drawings, CAD prints, diazotypes, photographs, prints, and scans. Most of the documents are contruction documents for New York-based projects.\u003c/p\u003e","\u003cp\u003eThese projects were not necessarily works of Susan Green, but documents she referenced for her own works.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents"],"scopecontent_tesim":["The Susan Green collection consists of 25 projects: 14 of Green's own and collaborations, and 11 project drawings she collected and referred to.\nDocument types include: analog drawings, CAD prints, diazotypes, photographs, prints, and scans. Most of the documents are contruction documents for New York-based projects.","These projects were not necessarily works of Susan Green, but documents she referenced for her own works."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. \u003c/p\u003e\n","\u003cp\u003ePlease contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_32a6cb6db3ce9c79447eb3548a55e5d0\" label=\"Abstract\"\u003eThe Susan Green collection consists of architectural drawings and photographs of designs Green created from 1976 to 2017, as well as architectural drawings Green kept for reference (1972-2013).\u003c/abstract\u003e"],"abstract_tesim":["The Susan Green collection consists of architectural drawings and photographs of designs Green created from 1976 to 2017, as well as architectural drawings Green kept for reference (1972-2013)."],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["Materials are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":27,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:09:57.730Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4535_c01_c05"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":205},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026f%5Brepository%5D%5B%5D=Alexandria+Library"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":7559},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"Edgar Cayce Foundation","value":"Edgar Cayce 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