{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts\u0026page=11","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts\u0026page=10","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts\u0026page=12","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts\u0026page=167"},"meta":{"pages":{"current_page":11,"next_page":12,"prev_page":10,"total_pages":167,"limit_value":10,"offset_value":100,"total_count":1667,"first_page?":false,"last_page?":false}},"data":[{"id":"virmu_repositories_2_resources_436_c02_c01","type":"File","attributes":{"title":"Art Sales, 1983/2017","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_436_c02_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis file contains print materials that document sales of Aaron Siskind's artwork.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_436_c02_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_436_c02_c01","ref_ssm":["virmu_repositories_2_resources_436_c02_c01"],"id":"virmu_repositories_2_resources_436_c02_c01","ead_ssi":"virmu_repositories_2_resources_436","_root_":"virmu_repositories_2_resources_436","_nest_parent_":"virmu_repositories_2_resources_436_c02","parent_ssi":"virmu_repositories_2_resources_436_c02","parent_ssim":["Records of the Aaron Siskind Foundation (SC-38), 1920/2020","Series 2: Aaron Siskind Foundation, 1983/2019"],"parent_ids_ssim":["virmu_repositories_2_resources_436","virmu_repositories_2_resources_436_c02"],"title_filing_ssi":"Art Sales","title_ssm":["Art Sales"],"title_tesim":["Art Sales"],"normalized_title_ssm":["Art Sales, 1983/2017"],"text":["Art Sales, 1983/2017","Records of the Aaron Siskind Foundation (SC-38), 1920/2020","Series 2: Aaron Siskind Foundation, 1983/2019","box SC-38 Box 1","This file contains print materials that document sales of Aaron Siskind's artwork."],"parent_unittitles_ssm":["Records of the Aaron Siskind Foundation (SC-38), 1920/2020","Series 2: Aaron Siskind Foundation, 1983/2019"],"parent_unittitles_tesim":["Records of the Aaron Siskind Foundation (SC-38), 1920/2020","Series 2: Aaron Siskind Foundation, 1983/2019"],"normalized_date_ssm":["1983/2017"],"unitdate_inclusive_ssm":["1983-2017"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":12,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Records of the Aaron Siskind Foundation (SC-38), 1920/2020"],"extent_ssm":["1 folder"],"extent_tesim":["1 folder"],"containers_ssim":["box SC-38 Box 1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"scopecontent_html_tesm":["\u003cp\u003eThis file contains print materials that document sales of Aaron Siskind's artwork.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This file contains print materials that document sales of Aaron Siskind's artwork."],"_nest_path_":"/components#1/components#0","timestamp":"2026-07-23T21:26:50.343Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_436","ead_ssi":"virmu_repositories_2_resources_436","_root_":"virmu_repositories_2_resources_436","_nest_parent_":"virmu_repositories_2_resources_436","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_436.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/436","title_filing_ssi":"Aaron Siskind Foundation (SC-38)","title_ssm":["Records of the Aaron Siskind Foundation (SC-38)"],"title_tesim":["Records of the Aaron Siskind Foundation (SC-38)"],"unitdate_ssm":["1920-2020"],"unitdate_inclusive_ssm":["1920-2020"],"normalized_date_ssm":["1920/2020"],"normalized_title_ssm":["Records of the Aaron Siskind Foundation (SC-38), 1920/2020"],"text":["Records of the Aaron Siskind Foundation (SC-38), 1920/2020","SC-38","/repositories/2/resources/436","Nonprofit organizations","Photography, Abstract","The collection is open for research.","The collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.","Series 1\n Aaron Siskind, 1920-2020\n \n \n Series 2\n Aaron Siskind Foundation, 1983-2019","The VMFA Library possesses a large collection of Aaron Siskind catalogs made searchable on Pandora. A sample of titles from this collection can be found below.","Aaron Siskind : mid-century modern First edition","Aaron Siskind : another photographic reality First edition.","Aaron Siskind","Aaron Siskind and Louis Sullivan : the Institute of Design Photo Section Project 1st ed.","Aaron Siskind : order with the tensions continuing","Interior drama : Aaron Siskind's photographs of the 1940s","Aaron Siskind 100 1st ed.","Aaron Siskind : the fragmentation of language","Aaron Siskind : toward a personal vision 1935-1955","Harlem photographs, 1932-1940","Bucks County : photographs of early architecture","Exhibition file : Aaron Siskind and abstract photography of the 1950s and 60s : miscellaneous uncataloged material","Exhibition file : Photographs by Aaron Siskind : miscellaneous uncataloged material","Artist file : miscellaneous uncataloged material","Aaron Siskind directed that his estate become a resource that would support contemporary photography and reward and encourage excellence in its practitioners. Since his death in 1991, the Aaron Siskind Foundation provided cash grants to individual photographic artists on a yearly basis until disbanding in 2020. In addition, the Foundation worked to preserve and protect Siskind's artistic legacy, and fostered knowledge of and appreciation for his art through new books, exhibits, educational events and scholarly research.","Source: Aaron Siskind Foundation collection by the Center for Creative Photography at The University of Arizona","The collection was transferred from the Registration and Curatorial departments as materials were discovered from 2020-2022.","The Records of the Aaron Siskind Foundation (SC-38) represent part of the signifiant 2020 gift of over 8,000 photographs donated by the Foundation to VMFA. For further details on this gift, please refer to the museum's press release.","Originals of photocopied print materials are located at the Center for Creative Photography at the University of Arizona.","Original folder titles were retained when provided.","Aaron Siskind Foundation collection at the Center for Creative Photography at The University of Arizona","Aaron Siskind archive at the Center for Creative Photography at The University of Arizona","Aaron Siskind papers, 1967-1977 at the Smithsonian Archives of American Art","Aaron Siskind photographs of Harlem, circa 1932-1941 at the David M. Rubenstein Rare Book and Manuscript Library, Duke University","Guide to the Aaron Siskind photographs M2582 at the Online Archive of California","The collection documents the activities of the Aaron Siskind Foundation during its years of operation, from 1984 to 2020, and includes copies of Aaron Siskind's written works from the Center for Creative Photography and several original photographs by Siskind. Works in the collection include information on the organization's founding, bylaws, and art management, among other topics of interest. The collection's inclusive dates are 1920 to 2020. This collection contains articles, contact sheets, contracts, correspondence, media, photographs, printed materials, and reports.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the activities of the Aaron Siskind Foundation during its years of operation, from 1984 to 2020. Aaron Siskind directed that his estate become a resource that would support contemporary photography and reward and encourage excellence in its practitioners. Since his death in 1991, the Aaron Siskind Foundation provided cash grants to individual photographic artists on a yearly basis until disbanding in 2020.","Virginia Museum of Fine Arts Archives","Aaron Siskind Foundation","Siskind, Aaron, 1903-1991","English\n."],"collection_title_tesim":["Records of the Aaron Siskind Foundation (SC-38), 1920/2020"],"collection_ssim":["Records of the Aaron Siskind Foundation (SC-38), 1920/2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-38","/repositories/2/resources/436"],"unitid_tesim":["SC-38","/repositories/2/resources/436"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Aaron Siskind Foundation","Aaron Siskind Foundation"],"creator_ssim":["Aaron Siskind Foundation","Aaron Siskind Foundation"],"creator_persname_ssim":["Siskind, Aaron, 1903-1991"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Aaron Siskind Foundation"],"creators_ssim":["Siskind, Aaron, 1903-1991","Virginia Museum of Fine Arts Archives","Aaron Siskind Foundation"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Nonprofit organizations","Photography, Abstract"],"access_subjects_ssm":["Nonprofit organizations","Photography, Abstract"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 4 boxes; 16 folders"],"extent_tesim":["1.5 Linear Feet 4 boxes; 16 folders"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.\u003c/p\u003e ","\u003clist type=\"deflist\"\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 1\u003c/label\u003e\n \u003citem\u003eAaron Siskind, 1920-2020\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 2\u003c/label\u003e\n \u003citem\u003eAaron Siskind Foundation, 1983-2019\u003c/item\u003e\n \u003c/defitem\u003e\n \u003c/list\u003e\n "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.","Series 1\n Aaron Siskind, 1920-2020\n \n \n Series 2\n Aaron Siskind Foundation, 1983-2019"],"bibliography_html_tesm":["\u003cp\u003eThe VMFA Library possesses a large collection of Aaron Siskind catalogs made searchable on \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=q5AbaJh7Tb/VMFA_LIB/X/60/502/X\"\u003ePandora\u003c/a\u003e. A sample of titles from this collection can be found below.\u003c/p\u003e ","\u003cbibref\u003eAaron Siskind : mid-century modern First edition\u003c/bibref\u003e\n ","\u003cbibref\u003eAaron Siskind : another photographic reality First edition.\u003c/bibref\u003e\n ","\u003cbibref\u003eAaron Siskind\u003c/bibref\u003e\n ","\u003cbibref\u003eAaron Siskind and Louis Sullivan : the Institute of Design Photo Section Project 1st ed.\u003c/bibref\u003e\n ","\u003cbibref\u003eAaron Siskind : order with the tensions continuing\u003c/bibref\u003e\n ","\u003cbibref\u003eInterior drama : Aaron Siskind's photographs of the 1940s\u003c/bibref\u003e\n ","\u003cbibref\u003eAaron Siskind 100 1st ed.\u003c/bibref\u003e\n ","\u003cbibref\u003eAaron Siskind : the fragmentation of language\u003c/bibref\u003e\n ","\u003cbibref\u003eAaron Siskind : toward a personal vision 1935-1955\u003c/bibref\u003e\n ","\u003cbibref\u003eHarlem photographs, 1932-1940\u003c/bibref\u003e\n ","\u003cbibref\u003eBucks County : photographs of early architecture\u003c/bibref\u003e\n ","\u003cbibref\u003eExhibition file : Aaron Siskind and abstract photography of the 1950s and 60s : miscellaneous uncataloged material\u003c/bibref\u003e\n ","\u003cbibref\u003eExhibition file : Photographs by Aaron Siskind : miscellaneous uncataloged material\u003c/bibref\u003e\n ","\u003cbibref\u003eArtist file : miscellaneous uncataloged material\u003c/bibref\u003e\n "],"bibliography_heading_ssm":["Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Artist File"],"bibliography_tesim":["The VMFA Library possesses a large collection of Aaron Siskind catalogs made searchable on Pandora. A sample of titles from this collection can be found below.","Aaron Siskind : mid-century modern First edition","Aaron Siskind : another photographic reality First edition.","Aaron Siskind","Aaron Siskind and Louis Sullivan : the Institute of Design Photo Section Project 1st ed.","Aaron Siskind : order with the tensions continuing","Interior drama : Aaron Siskind's photographs of the 1940s","Aaron Siskind 100 1st ed.","Aaron Siskind : the fragmentation of language","Aaron Siskind : toward a personal vision 1935-1955","Harlem photographs, 1932-1940","Bucks County : photographs of early architecture","Exhibition file : Aaron Siskind and abstract photography of the 1950s and 60s : miscellaneous uncataloged material","Exhibition file : Photographs by Aaron Siskind : miscellaneous uncataloged material","Artist file : miscellaneous uncataloged material"],"bioghist_html_tesm":["\u003cp\u003eAaron Siskind directed that his estate become a resource that would support contemporary photography and reward and encourage excellence in its practitioners. Since his death in 1991, the Aaron Siskind Foundation provided cash grants to individual photographic artists on a yearly basis until disbanding in 2020. In addition, the Foundation worked to preserve and protect Siskind's artistic legacy, and fostered knowledge of and appreciation for his art through new books, exhibits, educational events and scholarly research.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"https://aspace.ccp.arizona.edu/repositories/2/resources/329\"\u003eAaron Siskind Foundation collection\u003c/a\u003e by the Center for Creative Photography at The University of Arizona\u003c/p\u003e "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Aaron Siskind directed that his estate become a resource that would support contemporary photography and reward and encourage excellence in its practitioners. Since his death in 1991, the Aaron Siskind Foundation provided cash grants to individual photographic artists on a yearly basis until disbanding in 2020. In addition, the Foundation worked to preserve and protect Siskind's artistic legacy, and fostered knowledge of and appreciation for his art through new books, exhibits, educational events and scholarly research.","Source: Aaron Siskind Foundation collection by the Center for Creative Photography at The University of Arizona"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred from the Registration and Curatorial departments as materials were discovered from 2020-2022.\u003c/p\u003e "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was transferred from the Registration and Curatorial departments as materials were discovered from 2020-2022."],"odd_html_tesm":["\u003cp\u003eThe Records of the Aaron Siskind Foundation (SC-38) represent part of the signifiant 2020 gift of over 8,000 photographs donated by the Foundation to VMFA. For further details on this gift, please refer to the museum's \u003ca href=\"https://vmfa.museum/pressroom/news/vmfa-receives-8000-photographs-aaron-siskind-foundation/\"\u003epress release\u003c/a\u003e.\u003c/p\u003e "],"odd_heading_ssm":["General"],"odd_tesim":["The Records of the Aaron Siskind Foundation (SC-38) represent part of the signifiant 2020 gift of over 8,000 photographs donated by the Foundation to VMFA. For further details on this gift, please refer to the museum's press release."],"originalsloc_html_tesm":["\u003cp\u003eOriginals of photocopied print materials are located at the \u003ca href=\"https://aspace.ccp.arizona.edu/repositories/2/resources/329\"\u003eCenter for Creative Photography\u003c/a\u003e at the University of Arizona.\u003c/p\u003e "],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Originals of photocopied print materials are located at the Center for Creative Photography at the University of Arizona."],"prefercite_html_tesm":["\u003cp\u003eRecords of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia.\u003c/p\u003e "],"prefercite_tesim":["Records of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal folder titles were retained when provided.\u003c/p\u003e "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original folder titles were retained when provided."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://aspace.ccp.arizona.edu/repositories/2/resources/329\"\u003eAaron Siskind Foundation collection\u003c/a\u003e at the Center for Creative Photography at The University of Arizona\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.ccp.arizona.edu/repositories/2/resources/329?_gl=1*zhh2b*_ga*MjExODE1NTc0OC4xNjY4NzAwODU2*_ga_7PV3540XS3*MTY2ODcwMDg1Ni4xLjAuMTY2ODcwMDg1Ni42MC4wLjA.\"\u003eAaron Siskind archive\u003c/a\u003e at the Center for Creative Photography at The University of Arizona\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://www.aaa.si.edu/collections/aaron-siskind-papers-8470\"\u003eAaron Siskind papers, 1967-1977\u003c/a\u003e at the Smithsonian Archives of American Art\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://archives.lib.duke.edu/catalog/siskindaaron\"\u003eAaron Siskind photographs of Harlem, circa 1932-1941\u003c/a\u003e at the David M. Rubenstein Rare Book and Manuscript Library, Duke University\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://oac.cdlib.org/findaid/ark:/13030/c8n01dz9/\"\u003eGuide to the Aaron Siskind photographs M2582\u003c/a\u003e at the Online Archive of California\u003c/p\u003e "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Aaron Siskind Foundation collection at the Center for Creative Photography at The University of Arizona","Aaron Siskind archive at the Center for Creative Photography at The University of Arizona","Aaron Siskind papers, 1967-1977 at the Smithsonian Archives of American Art","Aaron Siskind photographs of Harlem, circa 1932-1941 at the David M. Rubenstein Rare Book and Manuscript Library, Duke University","Guide to the Aaron Siskind photographs M2582 at the Online Archive of California"],"scopecontent_html_tesm":["\u003cp\u003eThe collection documents the activities of the Aaron Siskind Foundation during its years of operation, from 1984 to 2020, and includes copies of Aaron Siskind's written works from the \u003ca href=\"https://ccp.arizona.edu/\"\u003eCenter for Creative Photography\u003c/a\u003e and several original photographs by Siskind. Works in the collection include information on the organization's founding, bylaws, and art management, among other topics of interest. The collection's inclusive dates are 1920 to 2020. This collection contains articles, contact sheets, contracts, correspondence, media, photographs, printed materials, and reports.\u003c/p\u003e "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection documents the activities of the Aaron Siskind Foundation during its years of operation, from 1984 to 2020, and includes copies of Aaron Siskind's written works from the Center for Creative Photography and several original photographs by Siskind. Works in the collection include information on the organization's founding, bylaws, and art management, among other topics of interest. The collection's inclusive dates are 1920 to 2020. This collection contains articles, contact sheets, contracts, correspondence, media, photographs, printed materials, and reports."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ad819fe67e8c4e98b4f28169b54e76c6\"\u003eThe collection documents the activities of the Aaron Siskind Foundation during its years of operation, from 1984 to 2020. Aaron Siskind directed that his estate become a resource that would support contemporary photography and reward and encourage excellence in its practitioners. Since his death in 1991, the Aaron Siskind Foundation provided cash grants to individual photographic artists on a yearly basis until disbanding in 2020.\u003c/abstract\u003e\n "],"abstract_tesim":["The collection documents the activities of the Aaron Siskind Foundation during its years of operation, from 1984 to 2020. Aaron Siskind directed that his estate become a resource that would support contemporary photography and reward and encourage excellence in its practitioners. Since his death in 1991, the Aaron Siskind Foundation provided cash grants to individual photographic artists on a yearly basis until disbanding in 2020."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Aaron Siskind Foundation"],"names_coll_ssim":["Aaron Siskind Foundation","Aaron Siskind Foundation"],"persname_ssim":["Siskind, Aaron, 1903-1991"],"names_ssim":["Virginia Museum of Fine Arts Archives","Aaron Siskind Foundation","Siskind, Aaron, 1903-1991"],"language_ssim":["English\n."],"total_component_count_is":20,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:26:50.343Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_436_c02_c01"}},{"id":"virmu_repositories_2_resources_60","type":"collection","attributes":{"title":"\"Arts in Virginia\" (PB-04), 1960/1993","creator":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_60#creator","type":"document_value","attributes":{"value":"Virginia Museum of Fine Arts","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_60#abstract_or_scope","type":"document_value","attributes":{"value":"The collection is part of the Publications Archive, and is comprised of archival copies of all \"Arts in Virginia\" issues published by the museum. Published quarterly until 1982, then irregularly until it ceased publication in 1992, \"Arts in Virginia\" was conceived as a privilege of membership in the museum and included articles about the museum's collection as well as the arts in Virginia. Noted local and national scholars were invited to publish their research, and sometimes guest edited entire issues. In the first two decades of publication, graphic designers used the cover to experiment with different designs, including cut-outs and textures.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_60#breadcrumbs","type":"document_value","attributes":{"value":{"id":"virmu_repositories_2_resources_60","ead_ssi":"virmu_repositories_2_resources_60","_root_":"virmu_repositories_2_resources_60","_nest_parent_":"virmu_repositories_2_resources_60","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_60.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/60","title_filing_ssi":"Arts in Virginia (PB-04)","title_ssm":["\"Arts in Virginia\" (PB-04)"],"title_tesim":["\"Arts in Virginia\" (PB-04)"],"unitdate_ssm":["1960-1993"],"unitdate_inclusive_ssm":["1960-1993"],"normalized_date_ssm":["1960/1993"],"normalized_title_ssm":["\"Arts in Virginia\" (PB-04), 1960/1993"],"text":["\"Arts in Virginia\" (PB-04), 1960/1993","PB-04","/repositories/2/resources/60","Art -- Virginia -- Periodicals","The collection is open for research.","The collection is organized into one series, and items are arranged chronologically within that series.","Series 1\n \"Arts in Virginia\", 1960-1993","Bound volumes of \"Arts in Virginia\" are available in the Reading Room","The collection was transferred from the Library.","The archives strives to retain a minimum of 5 copies of each issue.","The collection's inclusive dates are 1960-1993 and contains a full run of \"Arts in Virginia.\"","The collection is subject to all copyright laws. 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Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1988],"_nest_path_":"/components#0/components#73","timestamp":"2026-07-23T21:28:27.383Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_60","ead_ssi":"virmu_repositories_2_resources_60","_root_":"virmu_repositories_2_resources_60","_nest_parent_":"virmu_repositories_2_resources_60","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_60.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/60","title_filing_ssi":"Arts in Virginia (PB-04)","title_ssm":["\"Arts in Virginia\" (PB-04)"],"title_tesim":["\"Arts in Virginia\" (PB-04)"],"unitdate_ssm":["1960-1993"],"unitdate_inclusive_ssm":["1960-1993"],"normalized_date_ssm":["1960/1993"],"normalized_title_ssm":["\"Arts in Virginia\" (PB-04), 1960/1993"],"text":["\"Arts in Virginia\" (PB-04), 1960/1993","PB-04","/repositories/2/resources/60","Art -- Virginia -- Periodicals","The collection is open for research.","The collection is organized into one series, and items are arranged chronologically within that series.","Series 1\n \"Arts in Virginia\", 1960-1993","Bound volumes of \"Arts in Virginia\" are available in the Reading Room","The collection was transferred from the Library.","The archives strives to retain a minimum of 5 copies of each issue.","The collection's inclusive dates are 1960-1993 and contains a full run of \"Arts in Virginia.\"","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection is part of the Publications Archive, and is comprised of archival copies of all \"Arts in Virginia\" issues published by the museum. Published quarterly until 1982, then irregularly until it ceased publication in 1992, \"Arts in Virginia\" was conceived as a privilege of membership in the museum and included articles about the museum's collection as well as the arts in Virginia. Noted local and national scholars were invited to publish their research, and sometimes guest edited entire issues. In the first two decades of publication, graphic designers used the cover to experiment with different designs, including cut-outs and textures.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Virginia Museum of Fine Arts -- Periodicals","English\n."],"collection_title_tesim":["\"Arts in Virginia\" (PB-04), 1960/1993"],"collection_ssim":["\"Arts in Virginia\" (PB-04), 1960/1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PB-04","/repositories/2/resources/60"],"unitid_tesim":["PB-04","/repositories/2/resources/60"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Virginia Museum of Fine Arts","Virginia Museum of Fine Arts"],"creator_ssim":["Virginia Museum of Fine Arts","Virginia Museum of Fine Arts"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Virginia Museum of Fine Arts -- Periodicals"],"creators_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Virginia Museum of Fine Arts -- Periodicals"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art -- Virginia -- Periodicals"],"access_subjects_ssm":["Art -- Virginia -- Periodicals"],"has_online_content_ssim":["false"],"extent_ssm":["23.25 Linear Feet 409 items"],"extent_tesim":["23.25 Linear Feet 409 items"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e "],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into one series, and items are arranged chronologically within that series.\u003c/p\u003e ","\u003clist type=\"deflist\"\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 1\u003c/label\u003e\n \u003citem\u003e\"Arts in Virginia\", 1960-1993\u003c/item\u003e\n \u003c/defitem\u003e\n \u003c/list\u003e\n "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into one series, and items are arranged chronologically within that series.","Series 1\n \"Arts in Virginia\", 1960-1993"],"bibliography_html_tesm":["\u003cbibref\u003eBound volumes of \"Arts in Virginia\" are available in the Reading Room\u003c/bibref\u003e\n "],"bibliography_heading_ssm":["Related Materials - VMFA Library"],"bibliography_tesim":["Bound volumes of \"Arts in Virginia\" are available in the Reading Room"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred from the Library.\u003c/p\u003e "],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was transferred from the Library."],"prefercite_html_tesm":["\u003cp\u003e\"Arts in Virginia\" (PB-04). VMFA Archives, Richmond, Virginia.\u003c/p\u003e "],"prefercite_tesim":["\"Arts in Virginia\" (PB-04). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe archives strives to retain a minimum of 5 copies of each issue.\u003c/p\u003e "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The archives strives to retain a minimum of 5 copies of each issue."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1960-1993 and contains a full run of \"Arts in Virginia.\"\u003c/p\u003e "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1960-1993 and contains a full run of \"Arts in Virginia.\""],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e "],"userestrict_heading_ssm":["Publication"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6fb226a92f37cbb2ee6d30c2c7e69bcb\"\u003eThe collection is part of the Publications Archive, and is comprised of archival copies of all \"Arts in Virginia\" issues published by the museum. Published quarterly until 1982, then irregularly until it ceased publication in 1992, \"Arts in Virginia\" was conceived as a privilege of membership in the museum and included articles about the museum's collection as well as the arts in Virginia. Noted local and national scholars were invited to publish their research, and sometimes guest edited entire issues. In the first two decades of publication, graphic designers used the cover to experiment with different designs, including cut-outs and textures.\u003c/abstract\u003e\n "],"abstract_tesim":["The collection is part of the Publications Archive, and is comprised of archival copies of all \"Arts in Virginia\" issues published by the museum. Published quarterly until 1982, then irregularly until it ceased publication in 1992, \"Arts in Virginia\" was conceived as a privilege of membership in the museum and included articles about the museum's collection as well as the arts in Virginia. Noted local and national scholars were invited to publish their research, and sometimes guest edited entire issues. In the first two decades of publication, graphic designers used the cover to experiment with different designs, including cut-outs and textures."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Virginia Museum of Fine Arts -- Periodicals"],"names_coll_ssim":["Virginia Museum of Fine Arts","Virginia Museum of Fine Arts -- Periodicals"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Virginia Museum of Fine Arts -- Periodicals"],"language_ssim":["English\n."],"total_component_count_is":79,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:28:27.383Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_60_c01_c74"}},{"id":"virmu_repositories_2_resources_37_c01_c01_c243","type":"Item","attributes":{"title":"\"A Salute to Mercer County's First 150 Years\", 1988","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_37_c01_c01_c243#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_37_c01_c01_c243","ref_ssm":["virmu_repositories_2_resources_37_c01_c01_c243"],"id":"virmu_repositories_2_resources_37_c01_c01_c243","ead_ssi":"virmu_repositories_2_resources_37","_root_":"virmu_repositories_2_resources_37","_nest_parent_":"virmu_repositories_2_resources_37_c01_c01","parent_ssi":"virmu_repositories_2_resources_37_c01_c01","parent_ssim":["Louis H. Draper Artist Archives (VA-04), 1945/2005","Series 1: Manuscripts, 1947/2005","Sub-Series 1.1: Biographical, 1947/2005"],"parent_ids_ssim":["virmu_repositories_2_resources_37","virmu_repositories_2_resources_37_c01","virmu_repositories_2_resources_37_c01_c01"],"title_filing_ssi":"\"A Salute to Mercer County's First 150 Years\"","title_ssm":["\"A Salute to Mercer County's First 150 Years\""],"title_tesim":["\"A Salute to Mercer County's First 150 Years\""],"normalized_title_ssm":["\"A Salute to Mercer County's First 150 Years\", 1988"],"text":["\"A Salute to Mercer County's First 150 Years\", 1988","Louis H. Draper Artist Archives (VA-04), 1945/2005","Series 1: Manuscripts, 1947/2005","Sub-Series 1.1: Biographical, 1947/2005","Paper","box VA-04 Box 2","folder Folder 7","Item VA04.01.1.233","Hightstown Gazette","Hightstown (N.J.)","English","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en"],"parent_unittitles_ssm":["Louis H. Draper Artist Archives (VA-04), 1945/2005","Series 1: Manuscripts, 1947/2005","Sub-Series 1.1: Biographical, 1947/2005"],"parent_unittitles_tesim":["Louis H. Draper Artist Archives (VA-04), 1945/2005","Series 1: Manuscripts, 1947/2005","Sub-Series 1.1: Biographical, 1947/2005"],"normalized_date_ssm":["1988"],"unitdate_inclusive_ssm":["Sep. 22, 1988"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[3],"sort_isi":245,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Louis H. Draper Artist Archives (VA-04), 1945/2005"],"physdesc_tesim":["Paper"],"extent_ssm":["1 item"],"extent_tesim":["1 item"],"physfacet_tesim":["Clippings","Newspapers"],"containers_ssim":["box VA-04 Box 2","folder Folder 7","Item VA04.01.1.233"],"creator_ssim":["Hightstown Gazette","Hightstown Gazette"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website.","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"parent_access_terms_tesm":["In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en"],"corpname_ssim":["Hightstown Gazette"],"persname_ssim":["Hightstown Gazette"],"names_ssim":["Hightstown Gazette"],"geogname_ssim":["Hightstown (N.J.)"],"geogname_ssm":["Hightstown (N.J.)"],"places_ssim":["Hightstown (N.J.)"],"acqinfo_ssim":["Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund."],"language_ssim":["English"],"date_range_isim":[1988],"odd_html_tesm":["\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor."],"prefercite_html_tesm":["\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia."],"userestrict_html_tesm":["\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en"],"_nest_path_":"/components#0/components#0/components#242","timestamp":"2026-08-01T00:01:51.653Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_37","ead_ssi":"virmu_repositories_2_resources_37","_root_":"virmu_repositories_2_resources_37","_nest_parent_":"virmu_repositories_2_resources_37","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_37.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/37","title_filing_ssi":"Draper, Louis (VA-04)","title_ssm":["Louis H. Draper Artist Archives (VA-04)"],"title_tesim":["Louis H. Draper Artist Archives (VA-04)"],"unitdate_ssm":["1945-2005"],"unitdate_inclusive_ssm":["1945-2005"],"normalized_date_ssm":["1945/2005"],"normalized_title_ssm":["Louis H. Draper Artist Archives (VA-04), 1945/2005"],"text":["Louis H. Draper Artist Archives (VA-04), 1945/2005","VA-04","/repositories/2/resources/37","Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching","The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website.","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.","The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1\n Manuscripts, 1947-2005, undated\n \n \n Series 2\n Publications, 1959-2005, undated\n \n \n Series 3\n Photography: Portraits, 1958-2001, undated\n \n \n Series 4\n Photography: United States Locations, 1957-1999, undated\n \n \n Series 5\n Photography: International Locations, 1978-1990, undated\n \n \n Series 6\n Photography: Landscapes and Abstractions, 1960-2000, undated\n \n \n Series 7\n Portfolios, 1964, undated\n \n \n Series 8\n Photographic Equipment, 1945-1988, undated\n \n \n Series 9\n Audiovisual Materials, 1972-2000, undated\n \n \n Series 10\n Born Digital Files, 1996-2001, undated\n \n \n Series 11\n Photographs by Others, 1946-1998, undated","Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge","Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"","Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006.","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia (email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019).","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection.","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection (email to Courtney Tkacz from Gary Saretzky, June 28, 2019).","In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained.","The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.","The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.","Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson and Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl and Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton and Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford and Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster","Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Darkroom and creative camera techniques","Jilg, Mark","McNutt, Dennis","Beach, Donald","Felip, John","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Kolovakos, Gregory, 1951-1990","Holford, Mary","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","Rosado, Maria","Price, Pamela","Steele, Diana","Fawcetter, Caroline","Young, John","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Smith, Beuford, 1941-","Morris, Jennifer","Lehman, Arnold L.","Duganne, Erina","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Baum, Ralph","Vestal, David, 1924-2013","Petit, Philippe, 1949-","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Cagan, Steve","Doan-Johnson, Susan","McCoy, Regina","Viksjo, Cathy","Post, Kevin","Bledsoe, Lysbeth","Shipley, Barbara","Heisler, Wendy","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Beres, Derek","Dube, Ilene","Kimbrough, Larry","Fischl and Hartman","General Motors Corporation. Chevrolet Motor Division","Madison, Clarence","Maddox, James","Noyes Museum","Lawrenceville School","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Kenyon, Kathleen","Weems, Carrie Mae, 1953-","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Cobb, Vandell","Romais, Miriam","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","Hinzmann, Hilary","Lawrence, Steve","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","Cowans, Adger W., 1936-","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Kenkeleba Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Leipzig, Melvin, 1935-","Baskakov, Andrew","Brodsky, Judith","Berezin, Valentin Solomonovich","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Dobrynkin, A.","Hanley, John P.","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Dowd, Jennifer Ann","Mathias, John","Weiss, Celia","Bundy, Roy","Flynn, William J.","Hain, Josh","Rivera, Frank","White, Larry","Barksdale, William E., 1927-","Dietrich, Marilyn","Duncan, Noreen","Lobby Gallery","Hymans, Kay","Lamba, Marie","Stender, Barbara","Williams, Gray","New Jersey Department of Higher Education","Osborne, Linda","Caruso, Jennifer","Moran, Daniel Thomas","Bateson, Michael A.","Davis, Gail","Gray, Jeanne","Clyde","Smith, W. Eugene, 1918-1978","Von Hildebrand, Alice, 1923-2022","Von Hildebrand, Dietrich, 1889-1977","O'Daniel, Therman B. (Therman Benjamin), 1908-1986","Hathaway, Paul R.","Hamer, Fannie Lou, 1917-1977","Johnson, Thomas A., 1928-2008","Gillespie, Marcia","Reynolds, Barbara Ann","Jackson, Jacqueline, 1944-","Moore, Marjorie","Fouch, Barbara","James, Delores","McDougall, Joyce, 1926-2011","Lebovici, Serge, 1915-2000","Avon Books","Clark, Duvie","Ebert, Alan","Bryant, Joyce, 1927-2022","Bower, Sue","Kiley, Frederick S. (Frederick Spencer), 1922-2002","Wright, Giles R.","Allen, Jules, 1947-","Anderson, Julie","Chycota, Johanna","Anderson, Mary B.","Pendergrass, Teddy, 1950-2010","Paul, Billy, 1934-2016","Shinee, Ntozake","Ferman, Terry","Barboza, Leanette","Barboza, Linda Anderson","Barboza, Tim","Bass, George Houston, 1938-1990","Builder, Levy, 1942-","Fuller, Naimah","Bennett, Alan","Bickal, Janet","Blake, Nina","Blake, Eubie, 1887-1983","Bobo, Anne","Bogle, Donald, 1944-","McNatt, Rosemary Bray","Brenner, Glen","Brooks, Wenonah","Bulaj, Marek","Johnson, Barbara Piasecka, 1937-2013","Burton, Sandy","Callender, Arlene","Campbell, Diane","Carty, Delores","Ceglia, Vincent","Chambers, Paul, 1935-1969","Chapman, Glenn Edward","Chavez, Lynn","Chavez, Pete","Chavooshian, Marge","Colavita, James J., 1949-1996","Collins, Lucrentia","Cook, Molly","Simao, Teresa","Crawley, Hazel","Critchlow, Carol","Crotty, Mary","Cummings, Blondell, 1944-2015","Davis, Daryl","Davis, Judy","Davis, Miles, 1926-1991","De Veaux, Alexis, 1948-","Banks, Diane","Deveaux, Pam","Dixon, Mel","Douglas, Clara","Dunham, Katherine, 1909-2006","Esquila, Ramon","Evans, Scott","Fennar, Miya","Koho, Keiko","Fennar, Tad","Folmer, Daniella","Fontaine, Walter","Durniak, John","Galeano, Cheryl","Gibson, Pat","Goldman, Midge","Goodkin, Vera Herman","Guitar Shorty, 1939-2022","Flakes, Jacqueline Hamer, 1966-","Moore, Richard B. (Richard Benjamin), 1893-1978","Harper, Toy","Johnson, Hall, 1887-1970","Harper, Ves","Heck, Soskia","Henry, John","Heywood, Jeni","Hicks, Bernice S.","Hilton, Larry","Hunter, Clementine, 1886-1988","Anderson, Madeline","Iman, 1955-","Jackson, Jesse Louis, 1941-","Jessua, Alain, 1932-2017","Jones, Billy","Kim, Yung Ju","Konrad, Adolf Ferdinand, 1915-2004","Kucay, Susan","Landau, Jacob, 1917-2001","Lawrence, Jacob, 1917-2000","Lehman, Harold","Leipzig, Francesca","Leipzig, Joshua","Graves, Michael, 1934-2015","Lewis, Byron E., Sr., 1931-","Lindfors, Viveca, 1920-1995","Littwin, Michael","Livingston, Bud","Lowing, Donald","Malloy, Tom, 1912-2008","Marshall, Paula","McNichol, Terri","Medina, Pablo, 1948-","Merlino, Joseph","Merlino, Molly","Goldman, Irene","Miller, Robert","Miller, Tony","Michaux, Lewis H., 1885-1976","Novak, Josie","Palmer, Nancy","Pasolini, Pier Paolo, 1922-1975","Passer, Ivan, 1933-2020","Pastira, Sangeeta","Patterson, Latta","Freed, Arthur","Perkoff, Sarah","Ryan, Dave","Polar, Maria","Santiago, Nilsa","Pietroski, Susan","Portee, Natalie","Purdy, Janet, Dr.","Purdy, John","Rachlin, Margaret","Randall, Rosalind","Reaves, Gail","Reaves, Kenny","Reiner, Eric","Reynolds, Rene","Richardson, Al","Richardson, Beverly","Rodriguez, Cecilio","Rosskam, Louise, 1910-2003","Ruffner, Jim","Rutkowski, Catherine","Samad, Marianne","Sandler, Kathe","Sandler, Eve","Sandler, Joan","Santos, Delissa","Sartezky, Anya","Schulte, Judy","Puccio, Victor","Schulte, Lynn M.","Schwartz, Lise","Selwood, Maureen","Shahn, Bernarda Bryson, 1903-2004","Sherman, Terry","Simmons, Ron","Slater, Xandria","Smith, Catherine","Smith, Gregory","Lee-Smith, Hughie, 1915-1999","Smith, Kevin","Smith, Mingus","Standard, Michael","Taylor, John","Taylor, Susan, 1946-","Teneny, Ralph","Sommerville, Tom","Tooker, Holly","Torres, Jose","Van Der Zee, James, 1886-1983","Wallace, Douglas","Weiss, Jiří, 1913-2004","Welliver, Michael","White, Hazel","Wiggins, Ernie","Wilkerson, Lisa","Williams, Ace","Williams, Jim","Wood, Michelle","X., Malcolm, 1925-1965","Draper-Winston, Nell","Winston, Charles","Johnson, Beverly, 1952-","Davidhazy, Andrew","Baldwin, James, 1924-1987","Jackson, Maynard, 1938-2003","Jackson, Valerie Richardson, 1949-","Hamer, Perry","Cook, Susan","Palmer, Douglas, 1951-","Harrell, Hugh","Smith, Aileen","Jorrin, Mario","Calla, Henry","Angelou, Maya, 1928-2014","Maynard, Joan, 1921-1998","Cronkite, Walter, 1916-2009","Cavett, Dick, 1936-","Hurwitz, Leo T., 1909-1991","Chiarenza, Carl, 1935-","Cauthen, Steve, 1960-","Gunn, Bill, 1934-1989","Scott, Seret","Deleo, Fame P.","Toppin, Christopher","Deileo, Fame","Mick, Chianese","Peck, Mary S.","Boeing, Loran K.","Doter, ?","Dill, Timothy","Jaborski, Pierre","Libsohn, Sol, 1914-2001","Linder, Evan","Pope-Lance, Elton","Jean-Bart, Leslie","McBride, Will","Ryan, Joe","Long, Kadar","Malloy","Mike","Hashimoto","Sawyer, Frank","Reed, Eli, 1946-","English"],"collection_title_tesim":["Louis H. Draper Artist Archives (VA-04), 1945/2005"],"collection_ssim":["Louis H. Draper Artist Archives (VA-04), 1945/2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-04","/repositories/2/resources/37"],"unitid_tesim":["VA-04","/repositories/2/resources/37"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creator_ssim":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creator_persname_ssim":["Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Shaw-Beach","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Recording Institute of America","Darkroom and creative camera techniques","Jilg, Mark","McNutt, Dennis","Bucks County Community College","Beach, Donald","Felip, John","Edwal Scientific Products","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Hackensack Public Schools","Kolovakos, Gregory, 1951-1990","New York State Council on the Arts","Holford, Mary","Creative Resources Institute","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Greater Bordentown Chamber of Commerce","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","The Rotkin Review","Rosado, Maria","Price, Pamela","Steele, Diana","Princeton Photography Club","Fawcetter, Caroline","Young, John","John Young Audio-Visual Production","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Photo Workshop","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Art Kane Photo Workshop","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","George Eastman House","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Charles McCollough Studio","Smith, Beuford, 1941-","Morris, Jennifer","Anacostia Museum and Center for African American History and Culture","Lehman, Arnold L.","Duganne, Erina","General Artists Agency","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Virginia Statesman","Like It Is","Photography Project of the President's Council on Youth Opportunity","Baum, Ralph","Industrial Photography","Inside Out","Vestal, David, 1924-2013","Associated Press","Petit, Philippe, 1949-","Photography Year","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Dialogue","Cagan, Steve","Doan-Johnson, Susan","Hightstown Gazette","McCoy, Regina","Press of Atlantic City","Weekend Beacon","Viksjo, Cathy","Argo","Post, Kevin","Asbury Park Press","Burlington Times","Bledsoe, Lysbeth","Courier-Post","Shipley, Barbara","Heisler, Wendy","New Jersey Herald","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Princeton Living","Beres, Derek","Dube, Ilene","Merrimack Publishing Corp.","Kimbrough, Larry","Decathlon Corporation","Paramount Pictures Corporation","Fischl and Hartman","Sepia Tones","General Motors Corporation. Chevrolet Motor Division","Image Gallery","Community Gallery","Madison, Clarence","First Time Photo Gallery","Maddox, James","Noyes Museum","Morris Museum","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Mariboe Gallery","Princeton Art Association","Allan P. Kirby Arts Center Gallery","Lawrenceville School","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Light Impressions Corporation","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Catskill Center for Photography (Woodstock, N.Y.)","Kenyon, Kathleen","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Columbia College (Chicago, Ill.)","Cobb, Vandell","Romais, Miriam","Kenyon College","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","W.W. Norton and Company","Hinzmann, Hilary","Institute for Youth Entrepreneurship","Lawrence, Steve","Culturefront","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Newsweek","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","National Urban League","Gallery 62","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Kenkeleba Gallery","Gordon Parks Gallery","School of New Resources","Crawford and Sloan Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Leipzig, Melvin, 1935-","Baskakov, Andrew","Brodsky, Judith","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Hanley, John P.","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Dowd, Jennifer Ann","Mathias, John","Weiss, Celia","Bundy, Roy","Flynn, William J.","Hain, Josh","Rivera, Frank","White, Larry","Barksdale, William E., 1927-","Dietrich, Marilyn","Duncan, Noreen","Lobby Gallery","Hymans, Kay","Lamba, Marie","Hopewell Valley News","Stender, Barbara","Artifacts Gallery","Town Topics","Chronicle","Beacon","Williams, Gray","New Jersey Department of Higher Education","Osborne, Linda","Caruso, Jennifer","Infinity","American Society of Magazine Photographers","Moran, Daniel Thomas","Barksdale Gallery","American Academy of Arts and Letters","Bateson, Michael A.","Audio Visual Product News","Davis, Gail","Gray, Jeanne","Clyde","Smith, W. Eugene, 1918-1978","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","Von Hildebrand, Alice, 1923-2022","Von Hildebrand, Dietrich, 1889-1977","O'Daniel, Therman B. (Therman Benjamin), 1908-1986","William Morrow and Company","Hathaway, Paul R.","Hamer, Fannie Lou, 1917-1977","Johnson, Thomas A., 1928-2008","Gillespie, Marcia","Reynolds, Barbara Ann","Jackson, Jacqueline, 1944-","Moore, Marjorie","Fouch, Barbara","James, Delores","McDougall, Joyce, 1926-2011","Lebovici, Serge, 1915-2000","Avon Books","Hearst Corporation","Clark, Duvie","Ebert, Alan","Bryant, Joyce, 1927-2022","Frederick Douglass Creative Arts Center","Another View, Inc.","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","Bower, Sue","Kiley, Frederick S. 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Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson and Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl and Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton and Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford and Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster"],"access_terms_ssm":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"access_subjects_ssm":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"has_online_content_ssim":["false"],"extent_ssm":["37.5 Linear Feet 170 boxes; 6,605 items"],"extent_tesim":["37.5 Linear Feet 170 boxes; 6,605 items"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/collections/search-archives/louis-h-draper-archive-portal/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eA limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.\u003c/p\u003e "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website.","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"\u003c/p\u003e ","\u003clist type=\"deflist\"\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 1\u003c/label\u003e\n \u003citem\u003eManuscripts, 1947-2005, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 2\u003c/label\u003e\n \u003citem\u003ePublications, 1959-2005, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 3\u003c/label\u003e\n \u003citem\u003ePhotography: Portraits, 1958-2001, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 4\u003c/label\u003e\n \u003citem\u003ePhotography: United States Locations, 1957-1999, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 5\u003c/label\u003e\n \u003citem\u003ePhotography: International Locations, 1978-1990, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 6\u003c/label\u003e\n \u003citem\u003ePhotography: Landscapes and Abstractions, 1960-2000, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 7\u003c/label\u003e\n \u003citem\u003ePortfolios, 1964, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 8\u003c/label\u003e\n \u003citem\u003ePhotographic Equipment, 1945-1988, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 9\u003c/label\u003e\n \u003citem\u003eAudiovisual Materials, 1972-2000, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 10\u003c/label\u003e\n \u003citem\u003eBorn Digital Files, 1996-2001, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 11\u003c/label\u003e\n \u003citem\u003ePhotographs by Others, 1946-1998, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003c/list\u003e\n "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1\n Manuscripts, 1947-2005, undated\n \n \n Series 2\n Publications, 1959-2005, undated\n \n \n Series 3\n Photography: Portraits, 1958-2001, undated\n \n \n Series 4\n Photography: United States Locations, 1957-1999, undated\n \n \n Series 5\n Photography: International Locations, 1978-1990, undated\n \n \n Series 6\n Photography: Landscapes and Abstractions, 1960-2000, undated\n \n \n Series 7\n Portfolios, 1964, undated\n \n \n Series 8\n Photographic Equipment, 1945-1988, undated\n \n \n Series 9\n Audiovisual Materials, 1972-2000, undated\n \n \n Series 10\n Born Digital Files, 1996-2001, undated\n \n \n Series 11\n Photographs by Others, 1946-1998, undated"],"bibliography_html_tesm":["\u003cbibref\u003eWorking Together: Louis Draper and the Kamoinge Workshop, 2020\u003c/bibref\u003e\n ","\u003cbibref\u003eGrowing up in Civil Rights Richmond: A Community Remembers, 2019\u003c/bibref\u003e\n ","\u003cbibref\u003eLouis H. Draper: Selected Photographs, 2015\u003c/bibref\u003e\n ","\u003cbibref\u003eTimeless, 2015\u003c/bibref\u003e\n ","\u003cbibref\u003eThe Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004\u003c/bibref\u003e\n ","\u003cbibref\u003eVirginia Artist File: Louis Draper\u003c/bibref\u003e\n ","\u003cbibref\u003eInternational Artist File: Kamoinge\u003c/bibref\u003e\n "],"bibliography_heading_ssm":["Related Materials - VMFA Library: Books","Related Materials - VMFA Library: Artist Files"],"bibliography_tesim":["Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge"],"bioghist_html_tesm":["\u003cp\u003eLouis Hansel Draper\u003c/p\u003e","\u003cp\u003eBorn: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ\u003c/p\u003e","\u003cp\u003eWhile a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.\u003c/p\u003e","\u003cp\u003eThroughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.\u003c/p\u003e","\u003cp\u003eIn 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.\u003c/p\u003e","\u003cp\u003eDraper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.\u003c/p\u003e","\u003cp\u003eIn 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"\u003c/p\u003e","\u003cp\u003eIn the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.\u003c/p\u003e","\u003cp\u003eIn 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.\u003c/p\u003e","\u003cp\u003eIn 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.\u003c/p\u003e","\u003cp\u003eEssence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.\u003c/p\u003e","\u003cp\u003eIn 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.\u003c/p\u003e","\u003cp\u003eInterspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.\u003c/p\u003e","\u003cp\u003eFrom 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.\u003c/p\u003e","\u003cp\u003eDraper taught at Mercer until his death in 2002.\u003c/p\u003e","\u003cp\u003e\u003ci\u003eThe biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"\u003c/i\u003e\u003c/p\u003e "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\""],"custodhist_html_tesm":["\u003cp\u003eLouis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. \u003c/p\u003e","\u003cp\u003eSaretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia (\u003ci\u003eemail to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019\u003c/i\u003e). \u003c/p\u003e","\u003cp\u003eAt that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. \u003c/p\u003e","\u003cp\u003eIn February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection (\u003ci\u003eemail to Courtney Tkacz from Gary Saretzky, June 28, 2019\u003c/i\u003e). \u003c/p\u003e "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006.","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia (email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019).","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection.","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection (email to Courtney Tkacz from Gary Saretzky, June 28, 2019)."],"prefercite_html_tesm":["\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e "],"prefercite_tesim":["Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.\u003c/p\u003e","\u003cp\u003eWhile the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.\u003c/p\u003e","\u003cp\u003eProcessing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained. \u003c/p\u003e "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.\u003c/p\u003e "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eTransmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. \u003c/p\u003e "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_80d4d02edaa46a99725ed524cbb90700\"\u003eThe extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.\u003c/abstract\u003e\n "],"abstract_tesim":["The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson and Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl and Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton and Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford and Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster"],"names_coll_ssim":["Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Kamoinge Inc.‏","Draper, Louis H., 1935-2002"],"persname_ssim":["Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Shaw-Beach","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Recording Institute of America","Darkroom and creative camera techniques","Jilg, Mark","McNutt, Dennis","Bucks County Community College","Beach, Donald","Felip, John","Edwal Scientific Products","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Hackensack Public Schools","Kolovakos, Gregory, 1951-1990","New York State Council on the Arts","Holford, Mary","Creative Resources Institute","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Greater Bordentown Chamber of Commerce","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","The Rotkin Review","Rosado, Maria","Price, Pamela","Steele, Diana","Princeton Photography Club","Fawcetter, Caroline","Young, John","John Young Audio-Visual Production","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Photo Workshop","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Art Kane Photo Workshop","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","George Eastman House","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Charles McCollough Studio","Smith, Beuford, 1941-","Morris, Jennifer","Anacostia Museum and Center for African American History and Culture","Lehman, Arnold L.","Duganne, Erina","General Artists Agency","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Virginia Statesman","Like It Is","Photography Project of the President's Council on Youth Opportunity","Baum, Ralph","Industrial Photography","Inside Out","Vestal, David, 1924-2013","Associated Press","Petit, Philippe, 1949-","Photography Year","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Dialogue","Cagan, Steve","Doan-Johnson, Susan","Hightstown Gazette","McCoy, Regina","Press of Atlantic City","Weekend Beacon","Viksjo, Cathy","Argo","Post, Kevin","Asbury Park Press","Burlington Times","Bledsoe, Lysbeth","Courier-Post","Shipley, Barbara","Heisler, Wendy","New Jersey Herald","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Princeton Living","Beres, Derek","Dube, Ilene","Merrimack Publishing Corp.","Kimbrough, Larry","Decathlon Corporation","Paramount Pictures Corporation","Fischl and Hartman","Sepia Tones","General Motors Corporation. Chevrolet Motor Division","Image Gallery","Community Gallery","Madison, Clarence","First Time Photo Gallery","Maddox, James","Noyes Museum","Morris Museum","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Mariboe Gallery","Princeton Art Association","Allan P. Kirby Arts Center Gallery","Lawrenceville School","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Light Impressions Corporation","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Catskill Center for Photography (Woodstock, N.Y.)","Kenyon, Kathleen","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Columbia College (Chicago, Ill.)","Cobb, Vandell","Romais, Miriam","Kenyon College","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","W.W. Norton and Company","Hinzmann, Hilary","Institute for Youth Entrepreneurship","Lawrence, Steve","Culturefront","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Newsweek","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","National Urban League","Gallery 62","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Kenkeleba Gallery","Gordon Parks Gallery","School of New Resources","Crawford and Sloan Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Leipzig, Melvin, 1935-","Baskakov, Andrew","Brodsky, Judith","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Hanley, John P.","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Dowd, Jennifer Ann","Mathias, John","Weiss, Celia","Bundy, Roy","Flynn, William J.","Hain, Josh","Rivera, Frank","White, Larry","Barksdale, William E., 1927-","Dietrich, Marilyn","Duncan, Noreen","Lobby Gallery","Hymans, Kay","Lamba, Marie","Hopewell Valley News","Stender, Barbara","Artifacts Gallery","Town Topics","Chronicle","Beacon","Williams, Gray","New Jersey Department of Higher Education","Osborne, Linda","Caruso, Jennifer","Infinity","American Society of Magazine Photographers","Moran, Daniel Thomas","Barksdale Gallery","American Academy of Arts and Letters","Bateson, Michael A.","Audio Visual Product News","Davis, Gail","Gray, Jeanne","Clyde","Smith, W. Eugene, 1918-1978","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","Von Hildebrand, Alice, 1923-2022","Von Hildebrand, Dietrich, 1889-1977","O'Daniel, Therman B. (Therman Benjamin), 1908-1986","William Morrow and Company","Hathaway, Paul R.","Hamer, Fannie Lou, 1917-1977","Johnson, Thomas A., 1928-2008","Gillespie, Marcia","Reynolds, Barbara Ann","Jackson, Jacqueline, 1944-","Moore, Marjorie","Fouch, Barbara","James, Delores","McDougall, Joyce, 1926-2011","Lebovici, Serge, 1915-2000","Avon Books","Hearst Corporation","Clark, Duvie","Ebert, Alan","Bryant, Joyce, 1927-2022","Frederick Douglass Creative Arts Center","Another View, Inc.","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","Bower, Sue","Kiley, Frederick S. (Frederick Spencer), 1922-2002","Wright, Giles R.","New Jersey Historical Commission","Allen, Jules, 1947-","Anderson, Julie","Chycota, Johanna","Anderson, Mary B.","Pendergrass, Teddy, 1950-2010","Paul, Billy, 1934-2016","Shinee, Ntozake","Ferman, Terry","Barboza, Leanette","Barboza, Linda Anderson","Barboza, Tim","Bass, George Houston, 1938-1990","Builder, Levy, 1942-","Fuller, Naimah","Bennett, Alan","Bickal, Janet","Blake, Nina","Blake, Eubie, 1887-1983","Bobo, Anne","Bogle, Donald, 1944-","McNatt, Rosemary Bray","Brenner, Glen","Brooks, Wenonah","Bulaj, Marek","Johnson, Barbara Piasecka, 1937-2013","Burton, Sandy","Callender, Arlene","Campbell, Diane","Carty, Delores","Ceglia, Vincent","Chambers, Paul, 1935-1969","Chapman, Glenn Edward","Chavez, Lynn","Chavez, Pete","Chavooshian, Marge","Colavita, James J., 1949-1996","Collins, Lucrentia","Cook, Molly","Simao, Teresa","Crawley, Hazel","Critchlow, Carol","Crotty, Mary","Cummings, Blondell, 1944-2015","Davis, Daryl","Davis, Judy","Davis, Miles, 1926-1991","De Veaux, Alexis, 1948-","Banks, Diane","Deveaux, Pam","Dixon, Mel","Douglas, Clara","Dunham, Katherine, 1909-2006","Esquila, Ramon","Evans, Scott","Fennar, Miya","Koho, Keiko","Fennar, Tad","Folmer, Daniella","Fontaine, Walter","Durniak, John","Galeano, Cheryl","Gibson, Pat","Goldman, Midge","Goodkin, Vera Herman","Guitar Shorty, 1939-2022","Flakes, Jacqueline Hamer, 1966-","Moore, Richard B. (Richard Benjamin), 1893-1978","Harper, Toy","Johnson, Hall, 1887-1970","Harper, Ves","Heck, Soskia","Henry, John","Heywood, Jeni","Hicks, Bernice S.","Hilton, Larry","Hunter, Clementine, 1886-1988","Anderson, Madeline","Iman, 1955-","Jackson, Jesse Louis, 1941-","Jessua, Alain, 1932-2017","Jones, Billy","Kim, Yung Ju","Konrad, Adolf Ferdinand, 1915-2004","Kucay, Susan","Landau, Jacob, 1917-2001","Lawrence, Jacob, 1917-2000","Lehman, Harold","Leipzig, Francesca","Leipzig, Joshua","Graves, Michael, 1934-2015","Lewis, Byron E., Sr., 1931-","Lindfors, Viveca, 1920-1995","Littwin, Michael","Livingston, Bud","Lowing, Donald","Malloy, Tom, 1912-2008","Marshall, Paula","McNichol, Terri","Medina, Pablo, 1948-","Merlino, Joseph","Merlino, Molly","Goldman, Irene","Miller, Robert","Miller, Tony","Michaux, Lewis H., 1885-1976","Novak, Josie","Palmer, Nancy","Pasolini, Pier Paolo, 1922-1975","Passer, Ivan, 1933-2020","Pastira, Sangeeta","Patterson, Latta","Freed, Arthur","Perkoff, Sarah","Ryan, Dave","Polar, Maria","Santiago, Nilsa","Pietroski, Susan","Portee, Natalie","Purdy, Janet, Dr.","Purdy, John","Rachlin, Margaret","Randall, Rosalind","Reaves, Gail","Reaves, Kenny","Reiner, Eric","Reynolds, Rene","Richardson, Al","Richardson, Beverly","Rodriguez, Cecilio","Rosskam, Louise, 1910-2003","Ruffner, Jim","Rutkowski, Catherine","Samad, Marianne","Sandler, Kathe","Sandler, Eve","Sandler, Joan","Santos, Delissa","Sartezky, Anya","Schulte, Judy","Puccio, Victor","Schulte, Lynn M.","Schwartz, Lise","Selwood, Maureen","Shahn, Bernarda Bryson, 1903-2004","Sherman, Terry","Simmons, Ron","Slater, Xandria","Smith, Catherine","Smith, Gregory","Lee-Smith, Hughie, 1915-1999","Smith, Kevin","Smith, Mingus","Standard, Michael","Taylor, John","Taylor, Susan, 1946-","Teneny, Ralph","Sommerville, Tom","Tooker, Holly","Torres, Jose","Van Der Zee, James, 1886-1983","Wallace, Douglas","Weiss, Jiří, 1913-2004","Welliver, Michael","White, Hazel","Wiggins, Ernie","Wilkerson, Lisa","Williams, Ace","Williams, Jim","Wood, Michelle","X., Malcolm, 1925-1965","Draper-Winston, Nell","Winston, Charles","Johnson, Beverly, 1952-","Davidhazy, Andrew","Baldwin, James, 1924-1987","Jackson, Maynard, 1938-2003","Jackson, Valerie Richardson, 1949-","Hamer, Perry","Cook, Susan","Palmer, Douglas, 1951-","Harrell, Hugh","Smith, Aileen","Jorrin, Mario","Calla, Henry","Angelou, Maya, 1928-2014","Maynard, Joan, 1921-1998","Cronkite, Walter, 1916-2009","Cavett, Dick, 1936-","Hurwitz, Leo T., 1909-1991","Chiarenza, Carl, 1935-","Cauthen, Steve, 1960-","Gunn, Bill, 1934-1989","Scott, Seret","Deleo, Fame P.","Toppin, Christopher","Deileo, Fame","Mick, Chianese","Peck, Mary S.","Boeing, Loran K.","Doter, ?","Dill, Timothy","Jaborski, Pierre","Libsohn, Sol, 1914-2001","Linder, Evan","Pope-Lance, Elton","Jean-Bart, Leslie","McBride, Will","Ryan, Joe","Long, Kadar","Malloy","Mike","Hashimoto","Sawyer, Frank","Reed, Eli, 1946-"],"names_ssim":["Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson and Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl and Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton and Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford and Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster","Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Darkroom and creative camera techniques","Jilg, Mark","McNutt, Dennis","Beach, Donald","Felip, John","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Kolovakos, Gregory, 1951-1990","Holford, Mary","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","Rosado, Maria","Price, Pamela","Steele, Diana","Fawcetter, Caroline","Young, John","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Smith, Beuford, 1941-","Morris, Jennifer","Lehman, Arnold L.","Duganne, Erina","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Baum, Ralph","Vestal, David, 1924-2013","Petit, Philippe, 1949-","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Cagan, Steve","Doan-Johnson, Susan","McCoy, Regina","Viksjo, Cathy","Post, Kevin","Bledsoe, Lysbeth","Shipley, Barbara","Heisler, Wendy","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Beres, Derek","Dube, Ilene","Kimbrough, Larry","Fischl and Hartman","General Motors Corporation. Chevrolet Motor Division","Madison, Clarence","Maddox, James","Noyes Museum","Lawrenceville School","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Kenyon, Kathleen","Weems, Carrie Mae, 1953-","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Cobb, Vandell","Romais, Miriam","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","Hinzmann, Hilary","Lawrence, Steve","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","Cowans, Adger W., 1936-","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Kenkeleba Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Leipzig, Melvin, 1935-","Baskakov, Andrew","Brodsky, Judith","Berezin, Valentin Solomonovich","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Dobrynkin, A.","Hanley, John P.","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Dowd, Jennifer Ann","Mathias, John","Weiss, Celia","Bundy, Roy","Flynn, William J.","Hain, Josh","Rivera, Frank","White, Larry","Barksdale, William E., 1927-","Dietrich, Marilyn","Duncan, Noreen","Lobby Gallery","Hymans, Kay","Lamba, Marie","Stender, Barbara","Williams, Gray","New Jersey Department of Higher Education","Osborne, Linda","Caruso, Jennifer","Moran, Daniel Thomas","Bateson, Michael A.","Davis, Gail","Gray, Jeanne","Clyde","Smith, W. Eugene, 1918-1978","Von Hildebrand, Alice, 1923-2022","Von Hildebrand, Dietrich, 1889-1977","O'Daniel, Therman B. (Therman Benjamin), 1908-1986","Hathaway, Paul R.","Hamer, Fannie Lou, 1917-1977","Johnson, Thomas A., 1928-2008","Gillespie, Marcia","Reynolds, Barbara Ann","Jackson, Jacqueline, 1944-","Moore, Marjorie","Fouch, Barbara","James, Delores","McDougall, Joyce, 1926-2011","Lebovici, Serge, 1915-2000","Avon Books","Clark, Duvie","Ebert, Alan","Bryant, Joyce, 1927-2022","Bower, Sue","Kiley, Frederick S. (Frederick Spencer), 1922-2002","Wright, Giles R.","Allen, Jules, 1947-","Anderson, Julie","Chycota, Johanna","Anderson, Mary B.","Pendergrass, Teddy, 1950-2010","Paul, Billy, 1934-2016","Shinee, Ntozake","Ferman, Terry","Barboza, Leanette","Barboza, Linda Anderson","Barboza, Tim","Bass, George Houston, 1938-1990","Builder, Levy, 1942-","Fuller, Naimah","Bennett, Alan","Bickal, Janet","Blake, Nina","Blake, Eubie, 1887-1983","Bobo, Anne","Bogle, Donald, 1944-","McNatt, Rosemary Bray","Brenner, Glen","Brooks, Wenonah","Bulaj, Marek","Johnson, Barbara Piasecka, 1937-2013","Burton, Sandy","Callender, Arlene","Campbell, Diane","Carty, Delores","Ceglia, Vincent","Chambers, Paul, 1935-1969","Chapman, Glenn Edward","Chavez, Lynn","Chavez, Pete","Chavooshian, Marge","Colavita, James J., 1949-1996","Collins, Lucrentia","Cook, Molly","Simao, Teresa","Crawley, Hazel","Critchlow, Carol","Crotty, Mary","Cummings, Blondell, 1944-2015","Davis, Daryl","Davis, Judy","Davis, Miles, 1926-1991","De Veaux, Alexis, 1948-","Banks, Diane","Deveaux, Pam","Dixon, Mel","Douglas, Clara","Dunham, Katherine, 1909-2006","Esquila, Ramon","Evans, Scott","Fennar, Miya","Koho, Keiko","Fennar, Tad","Folmer, Daniella","Fontaine, Walter","Durniak, John","Galeano, Cheryl","Gibson, Pat","Goldman, Midge","Goodkin, Vera Herman","Guitar Shorty, 1939-2022","Flakes, Jacqueline Hamer, 1966-","Moore, Richard B. (Richard Benjamin), 1893-1978","Harper, Toy","Johnson, Hall, 1887-1970","Harper, Ves","Heck, Soskia","Henry, John","Heywood, Jeni","Hicks, Bernice S.","Hilton, Larry","Hunter, Clementine, 1886-1988","Anderson, Madeline","Iman, 1955-","Jackson, Jesse Louis, 1941-","Jessua, Alain, 1932-2017","Jones, Billy","Kim, Yung Ju","Konrad, Adolf Ferdinand, 1915-2004","Kucay, Susan","Landau, Jacob, 1917-2001","Lawrence, Jacob, 1917-2000","Lehman, Harold","Leipzig, Francesca","Leipzig, Joshua","Graves, Michael, 1934-2015","Lewis, Byron E., Sr., 1931-","Lindfors, Viveca, 1920-1995","Littwin, Michael","Livingston, Bud","Lowing, Donald","Malloy, Tom, 1912-2008","Marshall, Paula","McNichol, Terri","Medina, Pablo, 1948-","Merlino, Joseph","Merlino, Molly","Goldman, Irene","Miller, Robert","Miller, Tony","Michaux, Lewis H., 1885-1976","Novak, Josie","Palmer, Nancy","Pasolini, Pier Paolo, 1922-1975","Passer, Ivan, 1933-2020","Pastira, Sangeeta","Patterson, Latta","Freed, Arthur","Perkoff, Sarah","Ryan, Dave","Polar, Maria","Santiago, Nilsa","Pietroski, Susan","Portee, Natalie","Purdy, Janet, Dr.","Purdy, John","Rachlin, Margaret","Randall, Rosalind","Reaves, Gail","Reaves, Kenny","Reiner, Eric","Reynolds, Rene","Richardson, Al","Richardson, Beverly","Rodriguez, Cecilio","Rosskam, Louise, 1910-2003","Ruffner, Jim","Rutkowski, Catherine","Samad, Marianne","Sandler, Kathe","Sandler, Eve","Sandler, Joan","Santos, Delissa","Sartezky, Anya","Schulte, Judy","Puccio, Victor","Schulte, Lynn M.","Schwartz, Lise","Selwood, Maureen","Shahn, Bernarda Bryson, 1903-2004","Sherman, Terry","Simmons, Ron","Slater, Xandria","Smith, Catherine","Smith, Gregory","Lee-Smith, Hughie, 1915-1999","Smith, Kevin","Smith, Mingus","Standard, Michael","Taylor, John","Taylor, Susan, 1946-","Teneny, Ralph","Sommerville, Tom","Tooker, Holly","Torres, Jose","Van Der Zee, James, 1886-1983","Wallace, Douglas","Weiss, Jiří, 1913-2004","Welliver, Michael","White, Hazel","Wiggins, Ernie","Wilkerson, Lisa","Williams, Ace","Williams, Jim","Wood, Michelle","X., Malcolm, 1925-1965","Draper-Winston, Nell","Winston, Charles","Johnson, Beverly, 1952-","Davidhazy, Andrew","Baldwin, James, 1924-1987","Jackson, Maynard, 1938-2003","Jackson, Valerie Richardson, 1949-","Hamer, Perry","Cook, Susan","Palmer, Douglas, 1951-","Harrell, Hugh","Smith, Aileen","Jorrin, Mario","Calla, Henry","Angelou, Maya, 1928-2014","Maynard, Joan, 1921-1998","Cronkite, Walter, 1916-2009","Cavett, Dick, 1936-","Hurwitz, Leo T., 1909-1991","Chiarenza, Carl, 1935-","Cauthen, Steve, 1960-","Gunn, Bill, 1934-1989","Scott, Seret","Deleo, Fame P.","Toppin, Christopher","Deileo, Fame","Mick, Chianese","Peck, Mary S.","Boeing, Loran K.","Doter, ?","Dill, Timothy","Jaborski, Pierre","Libsohn, Sol, 1914-2001","Linder, Evan","Pope-Lance, Elton","Jean-Bart, Leslie","McBride, Will","Ryan, Joe","Long, Kadar","Malloy","Mike","Hashimoto","Sawyer, Frank","Reed, Eli, 1946-"],"language_ssim":["English"],"total_component_count_is":7191,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-01T00:01:51.653Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_37_c01_c01_c243"}},{"id":"virmu_repositories_2_resources_265_c03_c02","type":"File","attributes":{"title":"Ashley Kistler: Fischer Prints, 1985-1998, 1985/1998","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_265_c03_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_265_c03_c02","ref_ssm":["virmu_repositories_2_resources_265_c03_c02"],"id":"virmu_repositories_2_resources_265_c03_c02","ead_ssi":"virmu_repositories_2_resources_265","_root_":"virmu_repositories_2_resources_265","_nest_parent_":"virmu_repositories_2_resources_265_c03","parent_ssi":"virmu_repositories_2_resources_265_c03","parent_ssim":["Records of the Fischer Collection (RG-31), 1967/2013","Series 3: Collections Files, 1985/1998"],"parent_ids_ssim":["virmu_repositories_2_resources_265","virmu_repositories_2_resources_265_c03"],"title_filing_ssi":"Ashley Kistler: Fischer Prints, 1985-1998","title_ssm":["Ashley Kistler: Fischer Prints, 1985-1998"],"title_tesim":["Ashley Kistler: Fischer Prints, 1985-1998"],"normalized_title_ssm":["Ashley Kistler: Fischer Prints, 1985-1998, 1985/1998"],"text":["Ashley Kistler: Fischer Prints, 1985-1998, 1985/1998","Records of the Fischer Collection (RG-31), 1967/2013","Series 3: Collections Files, 1985/1998","box RG-31 Box 1","folder Folder 8","Item RG31.03.0.002","English"],"parent_unittitles_ssm":["Records of the Fischer Collection (RG-31), 1967/2013","Series 3: Collections Files, 1985/1998"],"parent_unittitles_tesim":["Records of the Fischer Collection (RG-31), 1967/2013","Series 3: Collections Files, 1985/1998"],"normalized_date_ssm":["1985/1998"],"unitdate_other_ssim":["1985-1998"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":12,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Records of the Fischer Collection (RG-31), 1967/2013"],"containers_ssim":["box RG-31 Box 1","folder Folder 8","Item RG31.03.0.002"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"language_ssim":["English"],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"_nest_path_":"/components#2/components#1","timestamp":"2026-07-23T21:26:44.884Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_265","ead_ssi":"virmu_repositories_2_resources_265","_root_":"virmu_repositories_2_resources_265","_nest_parent_":"virmu_repositories_2_resources_265","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_265.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/265","title_filing_ssi":"Fischer Collection (RG-31)","title_ssm":["Records of the Fischer Collection (RG-31)"],"title_tesim":["Records of the Fischer Collection (RG-31)"],"unitdate_ssm":["1967-2013"],"unitdate_inclusive_ssm":["1967-2013"],"normalized_date_ssm":["1967/2013"],"normalized_title_ssm":["Records of the Fischer Collection (RG-31), 1967/2013"],"text":["Records of the Fischer Collection (RG-31), 1967/2013","RG-31","/repositories/2/resources/265","Art, German -- 20th century","Expressionism (Art) -- Germany","Art -- Private collections -- Germany","Art -- Private collections -- Virginia -- Richmond","Prints -- Private collections -- Virginia -- Richmond","The collection is open for research.","The collection is organized into seven series, and items are generally arranged chronologically within each series.","Series 1\n History Files, 1986-2013\n \n \n Series 2\n Director's Files, 1984-2004\n \n \n Series 3\n Collections Files, 1985-1998, undated\n \n \n Series 4\n Registration Files, 1987-1989\n \n \n Series 5\n Marketing and Communications, 1995\n \n \n Series 6\n Collectors' Circle Files, 1987\n \n \n Series 7\n Exhibition Files, 1967-1987, undated","These titles belonged to Ludwig and Rosy Fischer, and were donated to the museum in December 1995 by Anne Fischer.","J. B. Neumanns Bilderhefte, 19--?","Max Liebermann: Mit einem Porträt nach einer Photographischen Aufnahme und Vierzig Tafeln mit 100 Abbildungen nach Gemälden, Zeichnungen und Radierungen, 1906?","Hans von Marées: Sein Leben und Sein Werk, 1909","Fritz Boehle, 1909","Noa Noa, 1912","Auguste Rodin die Kunst: Gespräche des Meisters, 1913","Handbuch der Kunstgeschichte, 1915","Hiob: Ein Drama, 1917","Genius: Zeitschrift für Werdende und Alte Kunst, 1919-1921","Archipenko-Album, 1921","Das Egon Schiele Buch, 1921","Neben der Heerstrasse, 1923","Umbra Vitae: Nachgelassene Gedichte, 1924","Dei Graphik Ernst Ludwig Kirchners bis 1924, 1924-1926","Kirchner-Zeichnungen: 100 Tafeln und Zahlreiche Holzschnitte im Text, 1925","Kommende Baukunst, 1926","Das Werk Ernst Ludwig Kirchners, 1926","E.L. Kirchner: German Expressionist: A Loan Exhibition, 1958","German Expressionism, Die Brücke: Paintings, Prints and Watercolors from the Collection of Dr. and Mrs. Ernst Fischer: University of Virginia Art Museum, 1978","Conrad Felixmüller, 1897-1977: Prints and Drawings from the Collection of Dr. Ernst and Anne Fischer, 1979","The Passionate Collectors: Ludwig and Rosi Fischer and German Expressionism: Essays, 1985","German Expressionist Art: The Ludwig and Rosy Fischer Collection, 1987","Expressionismus und Exil: Die Sammlung Ludwig und Rosy Fischer, Frankfurt am Main, 1990","German Expressionist Art: Selections From The Ludwig And Rosy Fischer Collection, 1987","German Expressionist Art: Selections from the Fischer Collection, 2010","VMFA Donors: Fischer Family","VMFA Collections: Special Collections: Fischer, Ludwig and Rosy: German Expressionist Art","Fischer Family Papers, 1900s-2009 (Record Group 23)","Guide to the Papers of Anne Fischer, 1884-1982 (Coll. No. AR 10519/MF 992)","Virginia Museum of Fine Arts Exhibition Files, 1986-1987 (Coll. No. 34679)","Ludwig and Rosy Fischer acquired examples of German Expressionism between 1905 and 1925 and their collection included works by artists who were key figures in the Die Brücke movement: Max Beckmann, Peter August Böckstiegel, Otto Dix, Conrad Felixmüeller, Erich Heckel, Ernst Ludwig Kirchner, and Emil Nolde. Die Brücke (\"the Bridge\") was a pivotal movement within German Expressionism, comprised of artists who responded subjectively to the changing world around them. Their style was defined by vivid colors, strong lines, and distorted forms—characteristics that have come to symbolize German Expressionism as a whole.","The Fischer's collection was divided evenly between their sons, and after Ernst and his wife, Anne, left Germany and settled in Richmond, Virginia, their half of the collection was preserved for more than 70 years in their home. In 2009, the Fischer Collection became the last refugee collection of German Expressionism to enter a U.S. museum when it was acquired by VMFA through a gift-purchase agreement with Ernst's widow, Anne Fischer.","Source: German Expressionist Work is Reunited with Ludwig and Rosy Fischer Collection at VMFA","The collection was artificially created by the VMFA Archives in February 2016.","The collection's inclusive dates are 1967-2013, with the bulk of the material dating from 1985-1987. The collection is comprised of correspondence, memorandums, clippings, publicity, copies of photographs and slides and other ephemeral material.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection was artifically created in order to bring together records about the Fischer collection residing in multiple collections in the VMFA Archives, as well as in the museum's records at the Library of Virginia. As such, the collection is entirely comprised of photocopies of records from the 1960s to the 2010s. To date, the museum has not located a collection of contemporaneous Fischer family records within its collections.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Fischer, Rosy, 1869-1926","Fischer, Ludwig, 1860-1922","Fischer, Anne, 1902-2008","Fischer, Ernst, 1896-","Simon, Hermann, 1900-1990","English\n."],"collection_title_tesim":["Records of the Fischer Collection (RG-31), 1967/2013"],"collection_ssim":["Records of the Fischer Collection (RG-31), 1967/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG-31","/repositories/2/resources/265"],"unitid_tesim":["RG-31","/repositories/2/resources/265"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Virginia Museum of Fine Arts"],"creator_ssim":["Virginia Museum of Fine Arts"],"creator_persname_ssim":["Fischer, Rosy, 1869-1926","Fischer, Ludwig, 1860-1922","Fischer, Anne, 1902-2008","Fischer, Ernst, 1896-","Simon, Hermann, 1900-1990"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"creators_ssim":["Fischer, Rosy, 1869-1926","Fischer, Ludwig, 1860-1922","Fischer, Anne, 1902-2008","Fischer, Ernst, 1896-","Simon, Hermann, 1900-1990","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art, German -- 20th century","Expressionism (Art) -- Germany","Art -- Private collections -- Germany","Art -- Private collections -- Virginia -- Richmond","Prints -- Private collections -- Virginia -- Richmond"],"access_subjects_ssm":["Art, German -- 20th century","Expressionism (Art) -- Germany","Art -- Private collections -- Germany","Art -- Private collections -- Virginia -- Richmond","Prints -- Private collections -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet 1 box; 34 files"],"extent_tesim":["1.25 Linear Feet 1 box; 34 files"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into seven series, and items are generally arranged chronologically within each series.\u003c/p\u003e ","\u003clist type=\"deflist\"\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 1\u003c/label\u003e\n \u003citem\u003eHistory Files, 1986-2013\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 2\u003c/label\u003e\n \u003citem\u003eDirector's Files, 1984-2004\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 3\u003c/label\u003e\n \u003citem\u003eCollections Files, 1985-1998, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 4\u003c/label\u003e\n \u003citem\u003eRegistration Files, 1987-1989\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 5\u003c/label\u003e\n \u003citem\u003eMarketing and Communications, 1995\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 6\u003c/label\u003e\n \u003citem\u003eCollectors' Circle Files, 1987\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 7\u003c/label\u003e\n \u003citem\u003eExhibition Files, 1967-1987, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003c/list\u003e\n "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into seven series, and items are generally arranged chronologically within each series.","Series 1\n History Files, 1986-2013\n \n \n Series 2\n Director's Files, 1984-2004\n \n \n Series 3\n Collections Files, 1985-1998, undated\n \n \n Series 4\n Registration Files, 1987-1989\n \n \n Series 5\n Marketing and Communications, 1995\n \n \n Series 6\n Collectors' Circle Files, 1987\n \n \n Series 7\n Exhibition Files, 1967-1987, undated"],"bibliography_html_tesm":["\u003cp\u003eThese titles belonged to Ludwig and Rosy Fischer, and were donated to the museum in December 1995 by Anne Fischer.\u003c/p\u003e ","\u003cbibref\u003eJ. B. Neumanns Bilderhefte, 19--?\u003c/bibref\u003e\n ","\u003cbibref\u003eMax Liebermann: Mit einem Porträt nach einer Photographischen Aufnahme und Vierzig Tafeln mit 100 Abbildungen nach Gemälden, Zeichnungen und Radierungen, 1906?\u003c/bibref\u003e\n ","\u003cbibref\u003eHans von Marées: Sein Leben und Sein Werk, 1909\u003c/bibref\u003e\n ","\u003cbibref\u003eFritz Boehle, 1909\u003c/bibref\u003e\n ","\u003cbibref\u003eNoa Noa, 1912\u003c/bibref\u003e\n ","\u003cbibref\u003eAuguste Rodin die Kunst: Gespräche des Meisters, 1913\u003c/bibref\u003e\n ","\u003cbibref\u003eHandbuch der Kunstgeschichte, 1915\u003c/bibref\u003e\n ","\u003cbibref\u003eHiob: Ein Drama, 1917\u003c/bibref\u003e\n ","\u003cbibref\u003eGenius: Zeitschrift für Werdende und Alte Kunst, 1919-1921\u003c/bibref\u003e\n ","\u003cbibref\u003eArchipenko-Album, 1921\u003c/bibref\u003e\n ","\u003cbibref\u003eDas Egon Schiele Buch, 1921\u003c/bibref\u003e\n ","\u003cbibref\u003eNeben der Heerstrasse, 1923\u003c/bibref\u003e\n ","\u003cbibref\u003eUmbra Vitae: Nachgelassene Gedichte, 1924\u003c/bibref\u003e\n ","\u003cbibref\u003eDei Graphik Ernst Ludwig Kirchners bis 1924, 1924-1926 \u003c/bibref\u003e\n ","\u003cbibref\u003eKirchner-Zeichnungen: 100 Tafeln und Zahlreiche Holzschnitte im Text, 1925\u003c/bibref\u003e\n ","\u003cbibref\u003eKommende Baukunst, 1926\u003c/bibref\u003e\n ","\u003cbibref\u003eDas Werk Ernst Ludwig Kirchners, 1926\u003c/bibref\u003e\n ","\u003cbibref\u003eE.L. Kirchner: German Expressionist: A Loan Exhibition, 1958\u003c/bibref\u003e\n ","\u003cbibref\u003eGerman Expressionism, Die Brücke: Paintings, Prints and Watercolors from the Collection of Dr. and Mrs. Ernst Fischer: University of Virginia Art Museum, 1978\u003c/bibref\u003e\n ","\u003cbibref\u003eConrad Felixmüller, 1897-1977: Prints and Drawings from the Collection of Dr. Ernst and Anne Fischer, 1979\u003c/bibref\u003e\n ","\u003cbibref\u003eThe Passionate Collectors: Ludwig and Rosi Fischer and German Expressionism: Essays, 1985\u003c/bibref\u003e\n ","\u003cbibref\u003eGerman Expressionist Art: The Ludwig and Rosy Fischer Collection, 1987\u003c/bibref\u003e\n ","\u003cbibref\u003eExpressionismus und Exil: Die Sammlung Ludwig und Rosy Fischer, Frankfurt am Main, 1990\u003c/bibref\u003e\n ","\u003cbibref\u003eGerman Expressionist Art: Selections From The Ludwig And Rosy Fischer Collection, 1987\u003c/bibref\u003e\n ","\u003cbibref\u003eGerman Expressionist Art: Selections from the Fischer Collection, 2010\u003c/bibref\u003e\n ","\u003cbibref\u003eVMFA Donors: Fischer Family\u003c/bibref\u003e\n ","\u003cbibref\u003eVMFA Collections: Special Collections: Fischer, Ludwig and Rosy: German Expressionist Art\u003c/bibref\u003e\n ","\u003cbibref\u003eFischer Family Papers, 1900s-2009 (Record Group 23)\u003c/bibref\u003e\n ","\u003cbibref\u003eGuide to the Papers of Anne Fischer, 1884-1982 (Coll. No. AR 10519/MF 992) \u003c/bibref\u003e\n ","\u003cbibref\u003eVirginia Museum of Fine Arts Exhibition Files, 1986-1987 (Coll. No. 34679)\u003c/bibref\u003e\n "],"bibliography_heading_ssm":["Related Materials: VMFA Library - Rare Books","Related Materials: VMFA Library - Catalogs","Related Materials: VMFA Library - Exhibition Files","Related Materials: VMFA Library - Subject Files","Related Materials: Virginia Holocaust Museum","Related Materials: Leo Baeck Institute","Related Materials: Library of Virginia"],"bibliography_tesim":["These titles belonged to Ludwig and Rosy Fischer, and were donated to the museum in December 1995 by Anne Fischer.","J. B. Neumanns Bilderhefte, 19--?","Max Liebermann: Mit einem Porträt nach einer Photographischen Aufnahme und Vierzig Tafeln mit 100 Abbildungen nach Gemälden, Zeichnungen und Radierungen, 1906?","Hans von Marées: Sein Leben und Sein Werk, 1909","Fritz Boehle, 1909","Noa Noa, 1912","Auguste Rodin die Kunst: Gespräche des Meisters, 1913","Handbuch der Kunstgeschichte, 1915","Hiob: Ein Drama, 1917","Genius: Zeitschrift für Werdende und Alte Kunst, 1919-1921","Archipenko-Album, 1921","Das Egon Schiele Buch, 1921","Neben der Heerstrasse, 1923","Umbra Vitae: Nachgelassene Gedichte, 1924","Dei Graphik Ernst Ludwig Kirchners bis 1924, 1924-1926","Kirchner-Zeichnungen: 100 Tafeln und Zahlreiche Holzschnitte im Text, 1925","Kommende Baukunst, 1926","Das Werk Ernst Ludwig Kirchners, 1926","E.L. Kirchner: German Expressionist: A Loan Exhibition, 1958","German Expressionism, Die Brücke: Paintings, Prints and Watercolors from the Collection of Dr. and Mrs. Ernst Fischer: University of Virginia Art Museum, 1978","Conrad Felixmüller, 1897-1977: Prints and Drawings from the Collection of Dr. Ernst and Anne Fischer, 1979","The Passionate Collectors: Ludwig and Rosi Fischer and German Expressionism: Essays, 1985","German Expressionist Art: The Ludwig and Rosy Fischer Collection, 1987","Expressionismus und Exil: Die Sammlung Ludwig und Rosy Fischer, Frankfurt am Main, 1990","German Expressionist Art: Selections From The Ludwig And Rosy Fischer Collection, 1987","German Expressionist Art: Selections from the Fischer Collection, 2010","VMFA Donors: Fischer Family","VMFA Collections: Special Collections: Fischer, Ludwig and Rosy: German Expressionist Art","Fischer Family Papers, 1900s-2009 (Record Group 23)","Guide to the Papers of Anne Fischer, 1884-1982 (Coll. No. AR 10519/MF 992)","Virginia Museum of Fine Arts Exhibition Files, 1986-1987 (Coll. No. 34679)"],"bioghist_html_tesm":["\u003cp\u003eLudwig and Rosy Fischer acquired examples of German Expressionism between 1905 and 1925 and their collection included works by artists who were key figures in the Die Brücke movement: Max Beckmann, Peter August Böckstiegel, Otto Dix, Conrad Felixmüeller, Erich Heckel, Ernst Ludwig Kirchner, and Emil Nolde. Die Brücke (\"the Bridge\") was a pivotal movement within German Expressionism, comprised of artists who responded subjectively to the changing world around them. Their style was defined by vivid colors, strong lines, and distorted forms—characteristics that have come to symbolize German Expressionism as a whole.\u003c/p\u003e","\u003cp\u003eThe Fischer's collection was divided evenly between their sons, and after Ernst and his wife, Anne, left Germany and settled in Richmond, Virginia, their half of the collection was preserved for more than 70 years in their home. In 2009, the Fischer Collection became the last refugee collection of German Expressionism to enter a U.S. museum when it was acquired by VMFA through a gift-purchase agreement with Ernst's widow, Anne Fischer. \u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"https://www.vmfa.museum/pressroom/news/german-expressionist-work-is-reunited-with-ludwig-and-rosy-fischer-collection-at-vmfa/\"\u003eGerman Expressionist Work is Reunited with Ludwig and Rosy Fischer Collection at VMFA\u003c/a\u003e\u003c/p\u003e "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Ludwig and Rosy Fischer acquired examples of German Expressionism between 1905 and 1925 and their collection included works by artists who were key figures in the Die Brücke movement: Max Beckmann, Peter August Böckstiegel, Otto Dix, Conrad Felixmüeller, Erich Heckel, Ernst Ludwig Kirchner, and Emil Nolde. Die Brücke (\"the Bridge\") was a pivotal movement within German Expressionism, comprised of artists who responded subjectively to the changing world around them. Their style was defined by vivid colors, strong lines, and distorted forms—characteristics that have come to symbolize German Expressionism as a whole.","The Fischer's collection was divided evenly between their sons, and after Ernst and his wife, Anne, left Germany and settled in Richmond, Virginia, their half of the collection was preserved for more than 70 years in their home. In 2009, the Fischer Collection became the last refugee collection of German Expressionism to enter a U.S. museum when it was acquired by VMFA through a gift-purchase agreement with Ernst's widow, Anne Fischer.","Source: German Expressionist Work is Reunited with Ludwig and Rosy Fischer Collection at VMFA"],"custodhist_html_tesm":["\u003cp\u003eThe collection was artificially created by the VMFA Archives in February 2016.\u003c/p\u003e "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was artificially created by the VMFA Archives in February 2016."],"prefercite_html_tesm":["\u003cp\u003eRecords of the Fischer Collection (RG-31). VMFA Archives, Richmond, Virginia.\u003c/p\u003e "],"prefercite_tesim":["Records of the Fischer Collection (RG-31). VMFA Archives, Richmond, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1967-2013, with the bulk of the material dating from 1985-1987. The collection is comprised of correspondence, memorandums, clippings, publicity, copies of photographs and slides and other ephemeral material.\u003c/p\u003e "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1967-2013, with the bulk of the material dating from 1985-1987. The collection is comprised of correspondence, memorandums, clippings, publicity, copies of photographs and slides and other ephemeral material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3fcdd74e19500ea00c5eb753331241f6\"\u003eThe collection was artifically created in order to bring together records about the Fischer collection residing in multiple collections in the VMFA Archives, as well as in the museum's records at the Library of Virginia. As such, the collection is entirely comprised of photocopies of records from the 1960s to the 2010s. To date, the museum has not located a collection of contemporaneous Fischer family records within its collections.\u003c/abstract\u003e\n "],"abstract_tesim":["The collection was artifically created in order to bring together records about the Fischer collection residing in multiple collections in the VMFA Archives, as well as in the museum's records at the Library of Virginia. As such, the collection is entirely comprised of photocopies of records from the 1960s to the 2010s. To date, the museum has not located a collection of contemporaneous Fischer family records within its collections."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"names_coll_ssim":["Virginia Museum of Fine Arts","Fischer, Rosy, 1869-1926","Fischer, Ludwig, 1860-1922","Fischer, Anne, 1902-2008","Fischer, Ernst, 1896-","Simon, Hermann, 1900-1990"],"persname_ssim":["Fischer, Rosy, 1869-1926","Fischer, Ludwig, 1860-1922","Fischer, Anne, 1902-2008","Fischer, Ernst, 1896-","Simon, Hermann, 1900-1990"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Fischer, Rosy, 1869-1926","Fischer, Ludwig, 1860-1922","Fischer, Anne, 1902-2008","Fischer, Ernst, 1896-","Simon, Hermann, 1900-1990"],"language_ssim":["English\n."],"total_component_count_is":41,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:26:44.884Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_265_c03_c02"}},{"id":"virmu_repositories_2_resources_6_c03_c08_c47","type":"File","attributes":{"title":"Assorted clippings, slides, photographs, 1960/1989","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c03_c08_c47#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_6_c03_c08_c47","ref_ssm":["virmu_repositories_2_resources_6_c03_c08_c47"],"id":"virmu_repositories_2_resources_6_c03_c08_c47","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6_c03_c08","parent_ssi":"virmu_repositories_2_resources_6_c03_c08","parent_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 3: Working Files, 1958/2019","Sub-Series 3.07: Research and Notes, 1960/2011"],"parent_ids_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c03","virmu_repositories_2_resources_6_c03_c08"],"title_filing_ssi":"Assorted clippings, slides, photographs","title_ssm":["Assorted clippings, slides, photographs"],"title_tesim":["Assorted clippings, slides, photographs"],"normalized_title_ssm":["Assorted clippings, slides, photographs, 1960/1989"],"text":["Assorted clippings, slides, photographs, 1960/1989","Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 3: Working Files, 1958/2019","Sub-Series 3.07: Research and Notes, 1960/2011","box VA-02 Box 15","folder VA02.03.07.046"],"parent_unittitles_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 3: Working Files, 1958/2019","Sub-Series 3.07: Research and Notes, 1960/2011"],"parent_unittitles_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 3: Working Files, 1958/2019","Sub-Series 3.07: Research and Notes, 1960/2011"],"normalized_date_ssm":["1960/1989"],"unitdate_inclusive_ssm":["1960-1989"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":518,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"containers_ssim":["box VA-02 Box 15","folder VA02.03.07.046"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"_nest_path_":"/components#2/components#7/components#46","timestamp":"2026-07-28T00:00:58.267Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"normalized_date_ssm":["1944/2021"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"text":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","VA-02","/repositories/2/resources/6","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website.","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n Exhibition Files, 1964-2021\n \n \n Series 2\n Sales and Representation, 1980-2020\n \n \n Series 3\n Working Files, 1958-2019\n \n \n Series 4\n Photography, 1966-2019\n \n \n Series 5\n Cameras, 1976-1978\n \n \n Series 6\n Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"creators_ssim":["Wright, Willie Anne","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e ","\u003clist type=\"deflist\"\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 1\u003c/label\u003e\n \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 2\u003c/label\u003e\n \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 3\u003c/label\u003e\n \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 4\u003c/label\u003e\n \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 5\u003c/label\u003e\n \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 6\u003c/label\u003e\n \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n \u003c/defitem\u003e\n \u003c/list\u003e\n "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n Exhibition Files, 1964-2021\n \n \n Series 2\n Sales and Representation, 1980-2020\n \n \n Series 3\n Working Files, 1958-2019\n \n \n Series 4\n Photography, 1966-2019\n \n \n Series 5\n Cameras, 1976-1978\n \n \n Series 6\n Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e "],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e\n "],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"persname_ssim":["Wright, Willie Anne"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-28T00:00:58.267Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c03_c08_c47"}},{"id":"virmu_repositories_2_resources_6_c03_c04_c12","type":"File","attributes":{"title":"Assorted travel, 1977/2019","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c03_c04_c12#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_6_c03_c04_c12","ref_ssm":["virmu_repositories_2_resources_6_c03_c04_c12"],"id":"virmu_repositories_2_resources_6_c03_c04_c12","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6_c03_c04","parent_ssi":"virmu_repositories_2_resources_6_c03_c04","parent_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 3: Working Files, 1958/2019","Sub-Series 3.03: Travel, 1976/2019"],"parent_ids_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c03","virmu_repositories_2_resources_6_c03_c04"],"title_filing_ssi":"Assorted travel","title_ssm":["Assorted travel"],"title_tesim":["Assorted travel"],"normalized_title_ssm":["Assorted travel, 1977/2019"],"text":["Assorted travel, 1977/2019","Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 3: Working Files, 1958/2019","Sub-Series 3.03: Travel, 1976/2019","box VA-02 Box 10","folder VA02.03.03.012"],"parent_unittitles_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 3: Working Files, 1958/2019","Sub-Series 3.03: Travel, 1976/2019"],"parent_unittitles_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 3: Working Files, 1958/2019","Sub-Series 3.03: Travel, 1976/2019"],"normalized_date_ssm":["1977/2019"],"unitdate_inclusive_ssm":["1977-2019"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":371,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"containers_ssim":["box VA-02 Box 10","folder VA02.03.03.012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"_nest_path_":"/components#2/components#3/components#11","timestamp":"2026-07-28T00:00:58.267Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"normalized_date_ssm":["1944/2021"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"text":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","VA-02","/repositories/2/resources/6","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website.","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n Exhibition Files, 1964-2021\n \n \n Series 2\n Sales and Representation, 1980-2020\n \n \n Series 3\n Working Files, 1958-2019\n \n \n Series 4\n Photography, 1966-2019\n \n \n Series 5\n Cameras, 1976-1978\n \n \n Series 6\n Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"creators_ssim":["Wright, Willie Anne","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e ","\u003clist type=\"deflist\"\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 1\u003c/label\u003e\n \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 2\u003c/label\u003e\n \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 3\u003c/label\u003e\n \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 4\u003c/label\u003e\n \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 5\u003c/label\u003e\n \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 6\u003c/label\u003e\n \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n \u003c/defitem\u003e\n \u003c/list\u003e\n "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n Exhibition Files, 1964-2021\n \n \n Series 2\n Sales and Representation, 1980-2020\n \n \n Series 3\n Working Files, 1958-2019\n \n \n Series 4\n Photography, 1966-2019\n \n \n Series 5\n Cameras, 1976-1978\n \n \n Series 6\n Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e "],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e\n "],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"persname_ssim":["Wright, Willie Anne"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-28T00:00:58.267Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c03_c04_c12"}},{"id":"virmu_repositories_2_resources_28_c01_c176","type":"File","attributes":{"title":"Audience Survey, 1987/1988","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_28_c01_c176#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_28_c01_c176","ref_ssm":["virmu_repositories_2_resources_28_c01_c176"],"id":"virmu_repositories_2_resources_28_c01_c176","ead_ssi":"virmu_repositories_2_resources_28","_root_":"virmu_repositories_2_resources_28","_nest_parent_":"virmu_repositories_2_resources_28_c01","parent_ssi":"virmu_repositories_2_resources_28_c01","parent_ssim":["Records of Fast/Forward (RG-25), 1985/2001","Series 1: Season Files, 1985/2001"],"parent_ids_ssim":["virmu_repositories_2_resources_28","virmu_repositories_2_resources_28_c01"],"title_filing_ssi":"Audience Survey","title_ssm":["Audience Survey"],"title_tesim":["Audience Survey"],"normalized_title_ssm":["Audience Survey, 1987/1988"],"text":["Audience Survey, 1987/1988","Records of Fast/Forward (RG-25), 1985/2001","Series 1: Season Files, 1985/2001","box RG-25 Box 3","folder Folder 13","Item RG25.01.0.176","English"],"parent_unittitles_ssm":["Records of Fast/Forward (RG-25), 1985/2001","Series 1: Season Files, 1985/2001"],"parent_unittitles_tesim":["Records of Fast/Forward (RG-25), 1985/2001","Series 1: Season Files, 1985/2001"],"normalized_date_ssm":["1987/1988"],"unitdate_other_ssim":["1987-1988"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":177,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Records of Fast/Forward (RG-25), 1985/2001"],"containers_ssim":["box RG-25 Box 3","folder Folder 13","Item RG25.01.0.176"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance.","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809)."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"language_ssim":["English"],"date_range_isim":[1987,1988],"_nest_path_":"/components#0/components#175","timestamp":"2026-07-23T21:26:44.884Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_28","ead_ssi":"virmu_repositories_2_resources_28","_root_":"virmu_repositories_2_resources_28","_nest_parent_":"virmu_repositories_2_resources_28","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_28.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/28","title_filing_ssi":"Fast/Forward (RG-25)","title_ssm":["Records of Fast/Forward (RG-25)"],"title_tesim":["Records of Fast/Forward (RG-25)"],"unitdate_ssm":["1985-2001"],"unitdate_inclusive_ssm":["1985-2001"],"normalized_date_ssm":["1985/2001"],"normalized_title_ssm":["Records of Fast/Forward (RG-25), 1985/2001"],"text":["Records of Fast/Forward (RG-25), 1985/2001","RG-25","/repositories/2/resources/28","The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance.","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809).","The collection is organized into three series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","Series 1\n Season Files, 1985-2001, undated\n \n \n Series 2\n Film Programs, 1985-1998\n \n \n Series 3\n Mountain Lake Symposium, 1985-1992, undated","The collection was transferred from the Collections Department through periodic deposits.","In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","Virginia Museum of Fine Arts Archives","English\n."],"collection_title_tesim":["Records of Fast/Forward (RG-25), 1985/2001"],"collection_ssim":["Records of Fast/Forward (RG-25), 1985/2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG-25","/repositories/2/resources/28"],"unitid_tesim":["RG-25","/repositories/2/resources/28"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives"],"creators_ssim":["Virginia Museum of Fine Arts Archives"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"has_online_content_ssim":["false"],"extent_ssm":["43.75 Linear Feet 35 boxes"],"extent_tesim":["43.75 Linear Feet 35 boxes"],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. \u003c/p\u003e","\u003cp\u003eAs custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809).\u003c/p\u003e "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance.","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809)."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into three series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.\u003c/p\u003e ","\u003clist type=\"deflist\"\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 1\u003c/label\u003e\n \u003citem\u003eSeason Files, 1985-2001, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 2\u003c/label\u003e\n \u003citem\u003eFilm Programs, 1985-1998\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 3\u003c/label\u003e\n \u003citem\u003eMountain Lake Symposium, 1985-1992, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003c/list\u003e\n "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into three series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","Series 1\n Season Files, 1985-2001, undated\n \n \n Series 2\n Film Programs, 1985-1998\n \n \n Series 3\n Mountain Lake Symposium, 1985-1992, undated"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred from the Collections Department through periodic deposits.\u003c/p\u003e "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was transferred from the Collections Department through periodic deposits."],"prefercite_html_tesm":["\u003cp\u003eRecords of Fast/Forward (RG-25). VMFA Archives, Richmond, Virginia.\u003c/p\u003e "],"prefercite_tesim":["Records of Fast/Forward (RG-25). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.\u003c/p\u003e "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"names_ssim":["Virginia Museum of Fine Arts Archives"],"language_ssim":["English\n."],"total_component_count_is":938,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:26:44.884Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_28_c01_c176"}},{"id":"virmu_repositories_2_resources_239_c07_c01","type":"File","attributes":{"title":"Auditor Reports, 1985/1988","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_239_c07_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_239_c07_c01","ref_ssm":["virmu_repositories_2_resources_239_c07_c01"],"id":"virmu_repositories_2_resources_239_c07_c01","ead_ssi":"virmu_repositories_2_resources_239","_root_":"virmu_repositories_2_resources_239","_nest_parent_":"virmu_repositories_2_resources_239_c07","parent_ssi":"virmu_repositories_2_resources_239_c07","parent_ssim":["Records of the Council of the Virginia Museum of Fine Arts (SC-04), 1953/2007","Series 7: Financial Records, 1955/2006"],"parent_ids_ssim":["virmu_repositories_2_resources_239","virmu_repositories_2_resources_239_c07"],"title_filing_ssi":"Auditor Reports","title_ssm":["Auditor Reports"],"title_tesim":["Auditor Reports"],"normalized_title_ssm":["Auditor Reports, 1985/1988"],"text":["Auditor Reports, 1985/1988","Records of the Council of the Virginia Museum of Fine Arts (SC-04), 1953/2007","Series 7: Financial Records, 1955/2006","box SC-04 Box 11","folder Folder 1","Item SC04.07.0.001","English"],"parent_unittitles_ssm":["Records of the Council of the Virginia Museum of Fine Arts (SC-04), 1953/2007","Series 7: Financial Records, 1955/2006"],"parent_unittitles_tesim":["Records of the Council of the Virginia Museum of Fine Arts (SC-04), 1953/2007","Series 7: Financial Records, 1955/2006"],"normalized_date_ssm":["1985/1988"],"unitdate_other_ssim":["1985-1988"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":278,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Records of the Council of the Virginia Museum of Fine Arts (SC-04), 1953/2007"],"containers_ssim":["box SC-04 Box 11","folder Folder 1","Item SC04.07.0.001"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["This series is restricted. Access to restricted materials may require written permission of the donor and/or Director."],"language_ssim":["English"],"date_range_isim":[1985,1986,1987,1988],"_nest_path_":"/components#6/components#0","timestamp":"2026-07-23T21:26:42.306Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_239","ead_ssi":"virmu_repositories_2_resources_239","_root_":"virmu_repositories_2_resources_239","_nest_parent_":"virmu_repositories_2_resources_239","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_239.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/239","title_filing_ssi":"Council (SC-04)","title_ssm":["Records of the Council of the Virginia Museum of Fine Arts (SC-04)"],"title_tesim":["Records of the Council of the Virginia Museum of Fine Arts (SC-04)"],"unitdate_ssm":["1953-2007"],"unitdate_inclusive_ssm":["1953-2007"],"normalized_date_ssm":["1953/2007"],"normalized_title_ssm":["Records of the Council of the Virginia Museum of Fine Arts (SC-04), 1953/2007"],"text":["Records of the Council of the Virginia Museum of Fine Arts (SC-04), 1953/2007","SC-04","/repositories/2/resources/239","This collection is open for research.","All files from \"Series 7: Financial Records\" are restricted for 25 years after creation, with the exception of (1) Treasurer's Reports, which are public, and (2) Audits, which are restricted permanently. Access to restricted materials may require written permission of the donor.","The collection is organized into seven series, and items are arranged chronologically within each series. Items with no date are placed at the end of a series.","Series 1\n Minutes, 1955-2006\n \n \n Series 2\n Annual Reports, 1959-2006\n \n \n Series 3\n Committee Reports and Subject Files, 1955-2005\n \n \n Series 4\n Special Events, 1953-2007\n \n \n Series 5\n Council Shop, 1962-2007\n \n \n Series 6\n Presidents' Files and Officers' Reports, 1956-2005\n \n \n Series 7\n Financial Records, 1955-2006\n \n \n [Unprocessed Files]\n Unprocessed Files, 1992-2013","\"The Councillor\" (1978-present)","The Council Handbook-Directory (1959-present)","\"History of the Virginia Museum of Fine Arts Council, 1955-1990\" by Jane Davenport Reid","\"History of the Shop of the Virginia Museum of Fine Arts, 1980-1990\" by Jane Davenport Reid","Virginia Crafts Today, 1984","Fine Arts and Flowers (11 folders, 1987-2012)","The Council: Serving VMFA Since 1955, 2005","Council of the Virginia Museum of Fine Arts (8 folders)","The collection is composed of archival materials donated by the Council of the Virginia Museum of Fine Arts. The bulk of the material was located in the Council office, while other material was gathered from past Council Presidents. The majority of the collection was accessioned into the VMFA Archives' collection in September 2005 and August 2014. Subsequent small accretions of select committee files and past Presidents' papers have been integrated into the collection. A large accretion of files of all types were donated in October 2017 and remain unprocessed.","The collection was originally processed between September 2005 and January 2006. During processing, original newspaper clippings were photocopied, with identifiers transferred, and all non-archival financial materials were destroyed. Issues of The Councillor and yearly membership handbook-directories were transferred to the Library's collection.","In 2014 the collection received a large donation of material from past Presidents. These files were integrated into the collection, which necessitated some reorganization of the existing records, as follows: Series 3 \"Officers' Reports\" was eliminated and integrated with Series 6, formerly \"Presidents' Files\" and now renamed \"Presidents' Files and Officers' Reports\". A new series was added, Series 7 \"Financial Records\".","In 2017 the collection received a large donation of mixed records. That material is still unprocessed and is listed as \"[Series 8: Unprocessed Files]\".","The collection's inclusive dates are 1953-2007, with the bulk of the material dating from the 1960s to the 1990s. The collection is comprised of correspondence, minutes, reports, invitations, programs, financial statements, photographs, clippings, notes and other ephemeral material.","The collection documents the rich history of the Council of the Virginia Museum of Fine Arts, the museum's oldest and longest-running support group. Founded in 1955 by a group of interested women, the Council has grown greatly over the years in membership, events, projects and support given to the museum. The collection spans the entire six decade history of the Council through minutes, officer's reports, committee reports, subject/event files, and some past Presidents' files. A large portion of the documentation is devoted to the Council Sales Shop, begun in 1962, and turned over to the museum in 2010.","Virginia Museum of Fine Arts Archives","English\n."],"collection_title_tesim":["Records of the Council of the Virginia Museum of Fine Arts (SC-04), 1953/2007"],"collection_ssim":["Records of the Council of the Virginia Museum of Fine Arts (SC-04), 1953/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-04","/repositories/2/resources/239"],"unitid_tesim":["SC-04","/repositories/2/resources/239"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives"],"creators_ssim":["Virginia Museum of Fine Arts Archives"],"has_online_content_ssim":["false"],"extent_ssm":["21.25 Linear Feet 17 boxes; 308 folders and 4 unprocessed boxes"],"extent_tesim":["21.25 Linear Feet 17 boxes; 308 folders and 4 unprocessed boxes"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. \u003c/p\u003e","\u003cp\u003eAll files from \"Series 7: Financial Records\" are restricted for 25 years after creation, with the exception of (1) Treasurer's Reports, which are public, and (2) Audits, which are restricted permanently. Access to restricted materials may require written permission of the donor.\u003c/p\u003e "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research.","All files from \"Series 7: Financial Records\" are restricted for 25 years after creation, with the exception of (1) Treasurer's Reports, which are public, and (2) Audits, which are restricted permanently. Access to restricted materials may require written permission of the donor."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into seven series, and items are arranged chronologically within each series. Items with no date are placed at the end of a series.\u003c/p\u003e ","\u003clist type=\"deflist\"\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 1\u003c/label\u003e\n \u003citem\u003eMinutes, 1955-2006\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 2\u003c/label\u003e\n \u003citem\u003eAnnual Reports, 1959-2006\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 3\u003c/label\u003e\n \u003citem\u003eCommittee Reports and Subject Files, 1955-2005\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 4\u003c/label\u003e\n \u003citem\u003eSpecial Events, 1953-2007\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 5\u003c/label\u003e\n \u003citem\u003eCouncil Shop, 1962-2007\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 6\u003c/label\u003e\n \u003citem\u003ePresidents' Files and Officers' Reports, 1956-2005\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 7\u003c/label\u003e\n \u003citem\u003eFinancial Records, 1955-2006\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003e[Unprocessed Files]\u003c/label\u003e\n \u003citem\u003eUnprocessed Files, 1992-2013\u003c/item\u003e\n \u003c/defitem\u003e\n \u003c/list\u003e\n "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into seven series, and items are arranged chronologically within each series. Items with no date are placed at the end of a series.","Series 1\n Minutes, 1955-2006\n \n \n Series 2\n Annual Reports, 1959-2006\n \n \n Series 3\n Committee Reports and Subject Files, 1955-2005\n \n \n Series 4\n Special Events, 1953-2007\n \n \n Series 5\n Council Shop, 1962-2007\n \n \n Series 6\n Presidents' Files and Officers' Reports, 1956-2005\n \n \n Series 7\n Financial Records, 1955-2006\n \n \n [Unprocessed Files]\n Unprocessed Files, 1992-2013"],"bibliography_html_tesm":["\u003cbibref\u003e\"The Councillor\" (1978-present)\u003c/bibref\u003e\n ","\u003cbibref\u003eThe Council Handbook-Directory (1959-present)\u003c/bibref\u003e\n ","\u003cbibref\u003e\"History of the Virginia Museum of Fine Arts Council, 1955-1990\" by Jane Davenport Reid\u003c/bibref\u003e\n ","\u003cbibref\u003e\"History of the Shop of the Virginia Museum of Fine Arts, 1980-1990\" by Jane Davenport Reid\u003c/bibref\u003e\n ","\u003cbibref\u003eVirginia Crafts Today, 1984\u003c/bibref\u003e\n ","\u003cbibref\u003eFine Arts and Flowers (11 folders, 1987-2012)\u003c/bibref\u003e\n ","\u003cbibref\u003eThe Council: Serving VMFA Since 1955, 2005\u003c/bibref\u003e\n ","\u003cbibref\u003eCouncil of the Virginia Museum of Fine Arts (8 folders)\u003c/bibref\u003e\n "],"bibliography_heading_ssm":["Related Materials - VMFA Library: Council Publications","Related Materials - VMFA Library: Exhibition Files","Related Materials: VMFA Library - Subject File"],"bibliography_tesim":["\"The Councillor\" (1978-present)","The Council Handbook-Directory (1959-present)","\"History of the Virginia Museum of Fine Arts Council, 1955-1990\" by Jane Davenport Reid","\"History of the Shop of the Virginia Museum of Fine Arts, 1980-1990\" by Jane Davenport Reid","Virginia Crafts Today, 1984","Fine Arts and Flowers (11 folders, 1987-2012)","The Council: Serving VMFA Since 1955, 2005","Council of the Virginia Museum of Fine Arts (8 folders)"],"bioghist_heading_ssm":["Historical Note"],"custodhist_html_tesm":["\u003cp\u003eThe collection is composed of archival materials donated by the Council of the Virginia Museum of Fine Arts. The bulk of the material was located in the Council office, while other material was gathered from past Council Presidents. The majority of the collection was accessioned into the VMFA Archives' collection in September 2005 and August 2014. Subsequent small accretions of select committee files and past Presidents' papers have been integrated into the collection. A large accretion of files of all types were donated in October 2017 and remain unprocessed.\u003c/p\u003e "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection is composed of archival materials donated by the Council of the Virginia Museum of Fine Arts. The bulk of the material was located in the Council office, while other material was gathered from past Council Presidents. The majority of the collection was accessioned into the VMFA Archives' collection in September 2005 and August 2014. Subsequent small accretions of select committee files and past Presidents' papers have been integrated into the collection. A large accretion of files of all types were donated in October 2017 and remain unprocessed."],"processinfo_html_tesm":["\u003cp\u003eThe collection was originally processed between September 2005 and January 2006. During processing, original newspaper clippings were photocopied, with identifiers transferred, and all non-archival financial materials were destroyed. Issues of The Councillor and yearly membership handbook-directories were transferred to the Library's collection. \u003c/p\u003e","\u003cp\u003eIn 2014 the collection received a large donation of material from past Presidents. These files were integrated into the collection, which necessitated some reorganization of the existing records, as follows: Series 3 \"Officers' Reports\" was eliminated and integrated with Series 6, formerly \"Presidents' Files\" and now renamed \"Presidents' Files and Officers' Reports\". A new series was added, Series 7 \"Financial Records\". \u003c/p\u003e","\u003cp\u003eIn 2017 the collection received a large donation of mixed records. That material is still unprocessed and is listed as \"[Series 8: Unprocessed Files]\".\u003c/p\u003e "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was originally processed between September 2005 and January 2006. During processing, original newspaper clippings were photocopied, with identifiers transferred, and all non-archival financial materials were destroyed. Issues of The Councillor and yearly membership handbook-directories were transferred to the Library's collection.","In 2014 the collection received a large donation of material from past Presidents. These files were integrated into the collection, which necessitated some reorganization of the existing records, as follows: Series 3 \"Officers' Reports\" was eliminated and integrated with Series 6, formerly \"Presidents' Files\" and now renamed \"Presidents' Files and Officers' Reports\". A new series was added, Series 7 \"Financial Records\".","In 2017 the collection received a large donation of mixed records. That material is still unprocessed and is listed as \"[Series 8: Unprocessed Files]\"."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1953-2007, with the bulk of the material dating from the 1960s to the 1990s. The collection is comprised of correspondence, minutes, reports, invitations, programs, financial statements, photographs, clippings, notes and other ephemeral material.\u003c/p\u003e "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1953-2007, with the bulk of the material dating from the 1960s to the 1990s. The collection is comprised of correspondence, minutes, reports, invitations, programs, financial statements, photographs, clippings, notes and other ephemeral material."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c1223386d12666d3b50cba19f3c35344\"\u003eThe collection documents the rich history of the Council of the Virginia Museum of Fine Arts, the museum's oldest and longest-running support group. Founded in 1955 by a group of interested women, the Council has grown greatly over the years in membership, events, projects and support given to the museum. The collection spans the entire six decade history of the Council through minutes, officer's reports, committee reports, subject/event files, and some past Presidents' files. A large portion of the documentation is devoted to the Council Sales Shop, begun in 1962, and turned over to the museum in 2010.\u003c/abstract\u003e\n "],"abstract_tesim":["The collection documents the rich history of the Council of the Virginia Museum of Fine Arts, the museum's oldest and longest-running support group. Founded in 1955 by a group of interested women, the Council has grown greatly over the years in membership, events, projects and support given to the museum. The collection spans the entire six decade history of the Council through minutes, officer's reports, committee reports, subject/event files, and some past Presidents' files. A large portion of the documentation is devoted to the Council Sales Shop, begun in 1962, and turned over to the museum in 2010."],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"names_ssim":["Virginia Museum of Fine Arts Archives"],"language_ssim":["English\n."],"total_component_count_is":501,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:26:42.306Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_239_c07_c01"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Virginia Museum of Fine Arts","value":"Virginia Museum of Fine Arts","hits":1667},"links":{"remove":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"Arts in Virginia\" (PB-04), 1960/1993","value":"\"Arts in Virginia\" (PB-04), 1960/1993","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Arts+in+Virginia%22+%28PB-04%29%2C+1960%2F1993\u0026f%5Bdate_range%5D%5B%5D=1988\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts"}},{"attributes":{"label":"Annual Reports (PB-02), 1935/2018","value":"Annual Reports (PB-02), 1935/2018","hits":5},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Annual+Reports+%28PB-02%29%2C+1935%2F2018\u0026f%5Bdate_range%5D%5B%5D=1988\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts"}},{"attributes":{"label":"Benjamin L. 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