{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026view=list","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026page=2\u0026view=list","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026page=746\u0026view=list"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":746,"limit_value":10,"offset_value":0,"total_count":7452,"first_page?":true,"last_page?":false}},"data":[{"id":"viw_repositories_2_resources_9292_c54_c01_c03","type":"File","attributes":{"title":"100th Congress--Legis","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9292_c54_c01_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9292_c54_c01_c03","ref_ssm":["viw_repositories_2_resources_9292_c54_c01_c03"],"id":"viw_repositories_2_resources_9292_c54_c01_c03","ead_ssi":"viw_repositories_2_resources_9292","_root_":"viw_repositories_2_resources_9292","_nest_parent_":"viw_repositories_2_resources_9292_c54_c01","parent_ssi":"viw_repositories_2_resources_9292_c54_c01","parent_ssim":["viw_repositories_2_resources_9292","viw_repositories_2_resources_9292_c54","viw_repositories_2_resources_9292_c54_c01"],"parent_ids_ssim":["viw_repositories_2_resources_9292","viw_repositories_2_resources_9292_c54","viw_repositories_2_resources_9292_c54_c01"],"parent_unittitles_ssm":["Herbert H. Bateman Congressional Records","Series 54: Legislative Profiles, 98th – 105th Congress","Box 172"],"parent_unittitles_tesim":["Herbert H. Bateman Congressional Records","Series 54: Legislative Profiles, 98th – 105th Congress","Box 172"],"text":["Herbert H. Bateman Congressional Records","Series 54: Legislative Profiles, 98th – 105th Congress","Box 172","100th Congress--Legis","Box 172","Folder 3"],"title_filing_ssi":"100th Congress--Legis","title_ssm":["100th Congress--Legis"],"title_tesim":["100th Congress--Legis"],"unitdate_inclusive_ssm":["1987-1988"],"normalized_date_ssm":["1987/1988"],"normalized_title_ssm":["100th Congress--Legis"],"component_level_isim":[3],"repository_ssim":["College of William and Mary"],"collection_ssim":["Herbert H. Bateman Congressional Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":6336,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1987,1988],"containers_ssim":["Box 172","Folder 3"],"_nest_path_":"/components#53/components#0/components#2","timestamp":"2026-05-20T22:50:50.163Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9292","ead_ssi":"viw_repositories_2_resources_9292","_root_":"viw_repositories_2_resources_9292","_nest_parent_":"viw_repositories_2_resources_9292","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9292.xml","title_filing_ssi":"Bateman, Herbert H., Congressional Records","title_ssm":["Herbert H. Bateman Congressional Records"],"title_tesim":["Herbert H. Bateman Congressional Records"],"unitdate_ssm":["1956-2000","1982-2000"],"unitdate_bulk_ssim":["1982-2000"],"unitdate_inclusive_ssm":["1956-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. Acc. 2000.74","/repositories/2/resources/9292"],"text":["Mss. Acc. 2000.74","/repositories/2/resources/9292","Herbert H. Bateman Congressional Records","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Arranged alphabetically by subject."," Accession 2003.18 is Series 88, Herbert H. Bateman Trips, 1956, 1959, 1965, 1980, 1983, January – March 1985.","Herbert Harvell Bateman was born in 1928 at Perquimans County, North Carolina. He graduated from the College of William and Mary and received his law degree from Georgetown University. He served in the Virginia Senate from 1968 until 1983 when he was elected to Congress. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  http://scrc.swem.wm.edu/wiki/index.php/Herbert Harvell Bateman .","Mss. 83 B31 Herbert H. Bateman Papers (Office files, 1968-1982, of Herbert H. Bateman, Virginia Republican State Senator from Newport News)."," Information about related materials is available at http://vip.lib.virginia.edu:8080/cocoon/vivaead/published/wm/viw00055.xml.frame","Congressional records of Herbert Bateman, William \u0026 Mary Class of 1949, House of Representatives, 1982-2000, First Virginia District.  Includes records relating to congressional sessions such as budget, appropriations; local subjects including NASA, King William Reservoir, wetlands; weekly columns; speeches; schedule books, press releases, briefing books; campaign papers and other papers relating to his work in the House of Representatives.  Herbert Bateman served on the Armed Services and Transportation and Infrastructure Committees.","Bateman Office Accession Number 329-85-291","Bateman internal Acc. 329-86-30","Bateman Office Accession Number: 329-87-113; Boxes 12-21 or 22;","[check to see if there is a box 22 and enter folder listing]","Bateman Accession Number: 329-89-176","Bateman office Accession Number: 329-90-126","50 letters","115 Letters","110 Letters","100 letters","101 letters","48 letters","51 letters","52 letters","65 letters","52 letters","48 letters","42 letters","54 letters","50 letters","61 letters","74 letters","61 letters","60 letters","519 forms","48 letters","77 letters","30 letters","51 letters","54 letters","50 letters","38 letters","43 letters","31 letters","20 letters","19 letters","71 letters","50 letters","74 letters","50 letters","17 letters","50 letters","51 letters","9 letters","45 letters","51 letters","54 letters","57 letters","48 letters","74 letters","49 letters","63 letters","51 letters","50 letters","50 letters","50 letters","54 letters","96 letters","96 letters","123 letters","103 letters","108 letters","55 letters","16 letters","13 letters","110 letters","114 letters","50 letters","62 letters","59 letters","54 letters","25 letters","50 letters","47 letters","29 letters","50 letters","50 letters","50 letters","49 letters","31 letters","53 letters","50 letters","48 letters","49 letters","53 letters","57 letters","60 letters","54 letters","68 letters","59 letters","40 letters","50 letters","45 letters","35 letters","53 letters","61 letters","39 letters","22 letters","25 letters","29 letters","15 letters","64 letters","48 letters","54 letters","48 letters","32 letters","62 letters","32 letters","12 letters","70 letters","60 letters","45 letters","30 letters","7 letters","52 letters","57 letters","Bateman office Accession Number: 329-91-119","60 letters","40 letters","35 letters","49 letters","Ad/Stud. 8th","50 letters","37 letters","323 letters","43 letters","47 letters","53 letters","82 letters","49 letters","47 letters","20 letters","43 letters","49 letters","34 letters","7 letters","50 letters","150 letters","101 letters","100 letters","99 letters","98 letters","108 letters","103 letters","100 letters","155 letters","Ad/Elect./May","150 letters","49 letters","97 letters","53 letters","91 letters","100 letters","8 letters","100 letters","95 letters","106 letters","103 letters","96 letters","64 letters","366 letters","109 letters","114 letters","110 letters","109 letters","84 letters","10 letters","62 letters","79 letters","69 letters","182 letters","Bateman Office Accession Number: 329-92-76","112 letters","85 letters","111 letters","113 letters","95 letters","86 letters","99 letters","61 letters","84 letters","114 letters","101 letters","105 letters","34 letters","114 letters","112 letters","112 letters","108 letters","105 letters","106 letters","108 letters","103 letters","113 letters","113 letters","115 letters","113 letters","114 letters","114 letters","109 letters","113 letters","111 letters","113 letters","103 letters","114 letters","108 letters","111 letters","110 letters","111 letters","107 letters","98 letters","103 letters","106 letters","110 letters","69 letters","110 letters","98 letters","102 letters","104 letters","109 letters","111 letters","53 letters","124 letters","105 letters","111 letters","108 letters","110 letters","106 letters","114 letters","110 letters","111 letters","105 letters","100 letters","112 letters","110 letters","65 letters","113 letters","113 letters","115 letters","111 letters","108 letters","83 letters","108 letters","103 letters","101 letters","103 letters","52 letters","99 letters","100 letters","86 letters","103 letters","95 letters","110 letters","110 letters","104 letters","117 letters","111 letters","16 letters","94 letters","103 letters","106 letters","93 letters","109 letters","103 letters","108 letters","108 letters","87 letters","17 letters","63 letters","94 letters","64 letters","110 letters","Bateman Office Accession Number: 329-93-134","Book on Germany from 1918 to1945, written in Cyrillic","114 letters","115 letters","89 letters","111 letters","108 letters","28 letters","108 letters","102 letters","102 letters","112 letters","111 letters","95 letters","105 letters","105 letters","110 letters","110 letters","111 letters","108 letters","109 letters","111 letters","65 letters","108 letters","84 letters","48 letters","111 letters","96 letters","100 letters","102 letters","90 letters","100 letters","93 letters","102 letters","87 letters","109 letters","110 letters","67 letters","83 letters","82 letters","105 letters","110 letters","101 letters","198 letters","36 letters","76 letters","104 letters","marked as misfiled","41 letters","111 letters","105 letters","50 letters","67 letters","72 letters","15 letters","41 letters","31 letters","63 letters","244 letters","38 letters","117 letters","30 letters","66 letters","65 letters","134 letters","109 letters","22 letters","87 letters","37 letters","119 letters","62 letters","102 letters","52 letters","21 letters","48 letters","118 letters","87 letters","107 letters","114 letters","80 letters","38 letters","110 letters","Personal Brooks Bill Letters","Replies to Brooks Bill Petitions","21 letters","58 letters","28 letters","49 letters","25 letters","29 letters","106 letters","128 letters","139 letters","140 letters","89 letters","38 letters","62 letters","99 letters","202 letters","169 letters","212 letters, *Petitions Regarding DEA","91 letters","54 letters","116 letters","H.R. 3515 petitions","H.R. 3515 petitions","139 letters","88 letters","123 letters","83 letters","109 letters","125 letters","1st Batch of Letters WM NOTCH2","Bateman Office Accession Number: 329-94-90; [no folder listings for box 64; no mentioning of it having been combined with box 65 either. Check original listing when back onsite.]","Bateman Office Accession Number: 329-95-49; the subseries 'Rules' that was listed in the transfer papers had no folders, so it is not included in the finding aid.","Note on folder list supplied with files: Alphabetical Files DESTROYED","Bateman Office Accession Number: 329-96-86; The subseries \"Virginia (Casework)\" with 1 folder was included in the inventory provided with collection but it was not included in the physical transfer.","D. # 5389-6640","D. #6665-7324","D. #6943-10092","D. #10133-12130","D. # 5523-10761","D. # 10758-12138","D. #5543-11248","D. # 5536-9514","D. # 7667-12068","D. # 5578-8872","D. # 9605-11581","Bateman Office Accession Number: 329-97-4","On original transfer list, but not found in box","\"High-Information Content Flat Panel Displays and Subassemblies thereof from Japan\" September 1990 and June 21, 1991 \"Companies Which Have Sought Relief Under the Antidumping Laws During the 1980's\" by Stewart \u0026 Stewart, undated.","Arranged chronologically. Also included are 5 folders of PO'COLA letters, 1989-1991 in box 99.","77 Letters","Attendees of the Hampton \u0026 Williamsburg Town Meetings","110 letters","103 letters","97 letters","100 letters","103 letters","107 letters","98 letters","106 letters","109 letters","106 letters","107 letters","109 letters","101 letters","109 letters","110 letters","101 letters","106 letters","98 letters","97 letters","92 letters","110 letters","109 letters","105 letters","102 letters","99 letters","97 letters","98 letters","92 letters","97 letters","97 letters","103 letters","92 letters","104 letters","91 letters","100 letters","96 letters","69 letters","102 letters","109 letters","101 letters","H.R. 1074 COLA Letter","Federal Retiree COLA Letter","Revised Retiree COLA Letter","Updated COLA Letter","96 letters","93 letters","106 letters","110 letters","103 letters","89 letters","86 letters","92 letters","89 letters","104 letters","32 letters","75 letters","102 letters","106 letters","108 letters","101 letters","93 letters","99 letters","110 letters","102 letters","88 letters","82 letters","80 letters","99 letters","99 letters","102 letters","96 letters","115 letters","115 letters","113 letters","115 letters","115 letters","105 letters","114 letters","115 letters","115 letters","114 letters","115 letters","115 letters","115 letters","114 letters","115 letters","115 letters","115 letters","116 letters","115 letters","64 letters","114 letters","114 letters","100 letters","46 letters","115 letters","115 letters","115 letters","115 letters","108 letters","55 letters","44 letters","115 letters","115 letters","Bateman Office Accession Number: 329-98-72; Subseries EAS/CASE was noted on Transfer List, but not included.","12/14/94 to 5/30/95","6/5/95 to 9/28/95","10/3/95 to 12/31/95","Regarding Transition Assistance Program Proposal from SETCON","Regarding Budget Furlough","Regarding balancing the budget","Regarding Government shut down","Bateman office Accession Number: 329-00-54","No internal accession number was assigned","H.R. 7","H.R. 93","H. Con. Res. 110","H.J. Res. 127","H.R. 136","H.R. 159","H.R. 162","H.R. 173","H.R. 281","H.R. 302","H.R. 335","H.R. 421","H.R. 423","H.R. 426","H.R. 431","H.R. 465","H.R. 462","H.R. 513","H.R. 544","H.R. 561","H.R. 565","H.R. 624","H.R. 624","H.R. 702","H.R. 723","H.R. 734","H.R. 786","H.R. 787","H.R. 824","H.R. 830","H.R. 846","H.R. 885","H.R. 896","H.R. 911","H.R. 926","H.R. 929","H.R. 951","H.R. 657","H.R. 985","H.R. 1012","H.R. 1126","H.R. 1141","H.R. 1144","H.R. 1195","H.R. 1222","H.R. 1254","H.R. 1322","H.R. 1393","H.R. 1423","H.R. 1440","H.R. 1476","H.R. 1480","H.R. 1508","H.R. 1513","H.R. 1529","H.R. 1552","H.R. 1552","H.R. 1583","March 18, 1993","H.R. 6171","H.R. 1767","H.R. 1796","H.R. 1841","H.R. 2002","H.R. 2012","H.R. 2014","H.R. 2042","H.R. 2056","H.R. 2106","H.R. 2121","H.R. 2130","H.R. 2174","H.R. 2307","H.R. 2326","H.R. 2346","H.R. 2393","H.R. 2467","H.R. 2554","H.R. 2619","H.R. 2671","H.R. 2720","H.R. 2872","H.R. 2929","H.R. 2942","H.R. 2959","H.R. 2995","H.R. 3024","H.R. 3030","H.R. 3031","H.R. 3038","H.R. 3038","H.R. 3087","H.R. 3098","H.R. 3102","H.R. 3183","H.R. 3480","H.R. 3366","H.R. 3488","H.R. 3491","H.R. 3762","H.R. 3814","H.R. 3820","H.R. 3827","H.R. 3875","H.R. 3880","H.R. 3951","H.R. 3969","H.R. 3986","H.R. 3993","H.R. 4052","H.R. 4078","H.R. 4259","H.R. 4386","H.R. 4431","H.R. 4464","H.R. 4497","H.R. 5062","H. Res. 16","H. Res. 26","H. Res. 112","H. Res. 247","H. Res. 270","H. Res. 425","H. Res. 446","H. Res. 481","H. Con. Res. 6","H. Con Res. 26","H. Con Res. 48","H. Con. Res. 67","H. Con. Res. 69","H. Con. Res. 110","H. Con. Res. 141","H. Con. Res. 201","H. Con. Res. 270","H.J. Res. 6","H.J. Res. 10","H.J. Res. 11","H.J. Res. 68","H.J. Res. 69","H.J. Res. 76","H.J. Res. 78","H.J. Res. 79","H.J. Res. 80","H.J. Res. 84","H.J. Res. 86","H.J. Res. 90","H.J. Res. 94","H.J. Res. 103","H.J. Res. 108","H.J. Res. 109","H.J. Res. 111","H.J. Res. 122","H.J. Res. 126","H.J. Res. 131","H.J. Res. 134","H.J. Res. 135","H.J. Res. 138","H.J. Res. 139","H.J. Res. 143","H.J. Res. 148","H.J. Res. 149","H.J. Res. 155","H.J. Res. 159","H.J. Res. 162","H.J. Res. 165","H.J. Res. 173","H.J. Res. 175","H.J. Res. 178","H.J. Res. 179","H.J. Res. 185","H.J. Res. 188","H.J. Res. 190","H.J. Res. 194","H.J. Res. 197","H.J. Res. 204","H.J. Res. 205","H.J. Res. 206","H.J. Res. 209","H.J. Res. 212","H.J. Res. 214","H.J. Res. 216","H.J. Res. 218","H.J. Res. 219","H.J. Res. 226","H.J. Res. 230","H.J. Res. 231","H.J. Res. 234","H.J. Res. 236","H.J. Res. 239","H.J. Res. 242","H.J. Res. 246","H.J. Res. 247","H.J. Res. 253","H.J. Res. 257","H.J. Res. 260","H.J. Res. 262","H.J. Res. 264","H.J. Res. 265","H.J. Res. 266","H.J. Res. 268","H.J. Res. 272","H.J. Res. 274","H.J. Res. 276","H.J. Res. 278","H.J. Res. 285","H.J. Res. 286","H.J. Res. 287","H.J. Res. 289-290","H.J. Res. 291","H.J. Res. 303","H.J. Res. 304","H.J. Res. 310","H.J. Res. 311","H.J. Res. 315","H.J. Res. 316","H.J. Res. 317","H.J. Res. 318","H.J. Res. 320","H.J. Res. 322","H.J. Res. 329","H.J. Res. 330","H.J. Res. 332","H.J. Res. 334","H.J. Res. 335","H.J. Res. 337","H.J. Res. 342","H.J. Res. 343","H.J. Res. 346","H.J. Res. 355","H.J. Res. 358","H.J. Res. 359","H.J. Res. 363","H.J. Res. 366","H.J. Res. 385","H.J. Res. 387","H.J. Res. 389","H.J. Res. 390","H.J. Res. 398","H.J. Res. 401","H.J. Res. 402","H.J. Res. 418","H.J. Res. 424","H.J. Res. 424","H.J. Res.","H. Con. Res. 44","October 17, 1994","December 3, 1993","September 20, 1994","October 21, 1993","February 23, 1994","February 10, 1993","April 29, 1994","March 18, 1993","June 23, 1994","June 11, 1994","June 9, 1994","July 11, 1994","February 7, 1994","May 9, 1994","January 27, 1994","April 26, 1994","August 9, 1994","July 26, 1994","May 17, 1994","January 31, 1994","May 13, 1994","July 23, 1993","July 19, 1993","October 14, 1993","July 1993","January 15, 1993","November 9, 1993","September 27, 1994","October 12, 1994","October 21, 1994","September 15, 1994","September 13, 1994","Folder 118 was accidentally skipped when numbering the folders.","October 24, 1994","September 16, 1994","October 27, 1994","October 25, 1994","April 1, 1993","November 1, 1994","October 26, 1994","October 26, 1994","October 31, 1994","October 17, 1994","October 14, 1994","Oct. 12, 1994","October 20, 1994","November 8, 1994","October 18, 1994","June 24, 1994","September 23, 1994","October 17, 1994","August 22, 1994","October 6, 1994","October 7, 1994","October 17, 1994; Concerned Women for America Survey","August 8, 1994","September 7, 1994","July 14, 1994","October 13, 1994","October 4, 1994","September 20, 1994","October 7, 1994","September 15, 1994","September 2, 1994","August 29, 1994","October 6, 1994","June 20, 1994","September 15, 1994","August 30, 1994","September 6, 1994","May 23, 1994","September 9, 1994","September 9, 1994","September 6, 1994","August 20, 1994","July 1, 1994","July 15, 1994","July 21, 1994","July 22, 1994","July 28, 1994","1994","June 27, 1994","August 2, 1994","July 29, 1994","June 9, 1994","Sept. 28, 1994","June 24, 1994","June 14, 1994","April 13, 1994","May 3, 1994","February 11, 1994","Oct. 26, 1994","April 1994","June 28, 1994","1994","May 24, 1994","1993","July 15, 1994","Bateman Office Accession Number: none","Pk.hhb","KCS.internaps","ESmd.betaseron","MDag.dict","MDag.hearing","WFmilcola5","WFmilcola7","WFmilcola8","WFar.presgay [102nd and 103rd Congress)","ES.commisary","ES.commpriv","WFcommpriv","PNbu.balbu4","PNbu.balbu2","PNbu.bbss","PNbu.pkcon","PNbu.pkpro","MDco.benefit","MDco.obgyn","MDco.obgyn2","PKhr.abortemp","PKhr.chiro","PKhr.genab","PKhr.longterm","PKhr.mental","PKhr.obgyn","MDco.alliance","MDco.back","MDco.clinton","MDco.longterm","MDco.sbhealth","PKhr.gen","MDco.diet","MDco.single","PNco.fairness","PNco.fairness2","PNco.violence","ESpn.violence","PNdc.abort","PK.edgoalss","ESpk.nea","PK.english","WFfa.somalia","PNcg.whiteh2o","MDju.abort","MDju.abort3","MDju.face","MDju.focacon","MDju.focapro","MDju.fund","MDju.agenda","ESju.nohomo","MDju.homo","MDju.crime93","PKju.crimegen","MDju.legal","MDju.legalpro","ESmd.waco","MDju.fbi","ESmd.juvgun","MDju.bbcon","MDju.bbpro","MDju.gunpr","MDju.guns2","MDju.nra","MDju.stein","PK.assaultcon","PK.assaulting","PK.assaultpro","PKju.gunpal","ESju.imbenefit","ESju.immigrate","ESju.isa","ESju.porn","MDju.porn","PK.fedfehb","PK.fedpenny","PK.fedreti","PK.liability","JCRpw.ellen2 [102nd and 103rd Congress]","PNwm.beer","PNwm.cigcon","PNwm.cigcon2","PNwm.cigcon3","PNwm.gatt","MDwm.pkmed","MDwm.medcuts","PNwm.nafta5","PNwm.nafta7","PNwm.nafta8","PNwm.nafta9","PK.welfare","Bateman Office Accession Number: none; Accessioned as 4 boxes (121-124), which were re-housed into 2 box3s, 121/122 and 123/124..","Folder count in box 121/122 starts over with Folder 1 for the 105th Congress","H.R. 26 \u0026 H.R. 1009","H.R. 29","H.R. 94","H.R. 123","H.R. 192","H.R. 195","H.R. 345","H.R. 414","H.R. 426","H.R. 638","H.R. 758","H.R. 880","H.R. 906","H.R. 977","H.R. 979","H.R. 1023","H.R. 1126","H.R. 1172","H.R. 1174","H.R. 1203","H.R. 1299","H.R. 1378","H.R. 1515","H.R. 1372","H.R. 1519","H.R. 1532","H.R. 1559","H. R. 1560","H.R. 1625","H.R. 1740","H.R. 1766","H.R. 1813","H.R. 1912","H.R. 1984","H.R. 2070","H.R. 2113","H.R. 2173","H.R. 2292","H.R. 2397","H.R. 2456","H.R. 2497","H.R. 2608","H.R. 2648","H.R. 2786","H.R. 2796","H.R. 2829","H.R. 2990","H.R. 3156","H.R. 3211","H.R. 3247","H.R. 3251","H.R. 3438","H.R. 3506","H.R. 3601","H.R. 3610","H.R. 3614","H.R. 3682","H.R. 3792","H.R. 3821","H.R. 3933","H.R. 4139","H.R. 4402","H.J. Res.1","H.J. Res.54","H.J. Res.75","H.Res. 22","H.Res. 103","H.Res. 267","H.Res. 399","H.Res. 519","H.Con. Res.13","H.Con. Res.30","H.Con. Res. 150","H.Con. Res. 181","H.Con. Res. 203","H.Con. Res. 208","H.Con. Res. 209","H.Con. Res. 316","Boxes 123 and 124 were combined into one box, 123/124 during processing.","Folder 47 was accidentally skipped during numbering","No internal Bateman Office Accession Number. Incoming boxes 125and 126 combined into 1 box during processing.","Incoming boxes 125and 126 combined into 1 box during processing.","Commerce, Justice and State","District of Columbia","Energy and Water","Interior","Labor, Health \u0026 Human Resources \u0026 Education","Legislative","Transportation","Treasury, Postal Service \u0026 General Government","Vet Affairs \u0026 Housing \u0026 Urban Dev","District of Columbia","Labor, Health \u0026 Human Resources \u0026 Education","Bateman Office Accession Number: none","H.R. 4550","H.R. 4019","H.R. 4006","H.R. 2281","H.R. 3789","H.R. 716","----------","H.R. 1151","H.R. 1252","H.R. 2526","H.R. 3633","H.R. 2070","H.R. 3396","H.R. 1965","H.R. 3682","H.R. 4164","H. R. 4258","H.J.R. 71","H.R. 26","H.R. 22","H.R. 3528","H.R. 3949","H.R. 424","H.R. 304","H. Con. Res. 251","H.R. 218","H.R. 217","H.R. 118","H.J.R. 78","H.R. 3736","H.R. 3565","H.R. 567","H.R. 695","H.R. 1009","H.R. 1231","H.R. 1428","H.R. 1544","H.R. 1704","H.R. 2181","H.R. 2294","H.R. 2460","H.R. 2578","H.R. 2589","H.R. 2591","H.R. 2604","H.R. 2829","H.R. 2883","H.R. 3116","H.R. 3048","H.R. 3117","H.R. 3310","H.R. 3206","H.R. 3303","H.R. 3382","H.R. 3412","H.R. 3949","H.R. 3853","H. Con. Res. 317","S. 318","H.R. 1756","H.R. 4300","H.R. 1836","H.R. 2943","H.R. 4280","H.R. 4005","Bills, Surveys, Ratings, Co-Signed Letters, Dear Colleagues; Bateman Office Accession Number: none","H. Con. Res. 212","H. Con. Res. 252","H. Con. Res. 257","H. Con. Res. 275","H. Res. 297","H.R. 316","H. Con. Res. 327","H.R. 351","H. Res. 396","H. Res. 397","H.R. 430","H.R. 531","H. Res. 549","H.R. 573","H.R. 792","H.R. 828","H.R. 864","H.R. 883","H.R. 903","H.R. 924","H.R. 1001","H.R. 1034","H.R. 1218","H.R. 1244","H.R. 1326","H.R. 1348","H.R. 1747","H.R. 1883","H.R. 1926","H.R. 2088","H.R. 2129","H.R. 2247","H.R. 2260","H.R. 2303","H.R. 2321","H.R. 2563","H.R. 2733","H.R. 2710","H.R. 3215","H.R. 3228","H.R. 3293","H.R. 3642","H.R. 3660","H.R. 3700","H.R. 3701","H.R. 4033","H.R. 4178","H.R. 4082","H.R. 4210","H.R. 4215","H.R. 4442","H.R. 4654","H.R. 4736","H.R. 4907","H.R. 4328","1999 September 28","September 15, 1999","September 7, 1999","July 21, 1999","June 14, 1999","June 6, 2000","April 30, 1999","April 16, 1999","April 15, 1999","April 13, 1999","April 11, 2000","April 6, 2000","March 26, 29 \u0026 April 6, 10, 1999","March 26, 1999","March 17, 1999","February 15, 2000","February 7, 2000","December 1998","July 26, 2000","July 25, 2000","July 25, 2000","August 30, 2000","July 28, 2000","July 27, 2000","July 27, 2000","July 26, 2000","July 20, 2000","July 17, 2000","July 11, 2000","June 30, 2000","June 26, 2000","June 16, 2000","June 14, 2000","May 11, 2000","May 5, 2000","April 6, 2000","April 4, 2000","March 30, 2000","March 22, 2000","March 15, 2000","March 2, 2000","February 21, 2000","February 16, 2000","February 3, 2000","February 2, 2000","December 8, 1999","November 3, 1999","October 27, 1999","October 21, 1999","October 20, 1999","October 18, 1999","October 7, 1999","September 29, 1999","September 22, 1999","September 17, 1999","September 7, 1999","August 13, 1999","July 20, 1999","July 20, 1999","June 17, 1999","July 14, 1999","June 28, 1999","June 7, 1999","May 7, 1999","April 13, 1999","April 13, 1999","April 6, 1999","April 1, 1999","March 29, 1999","March 26, 1999","March 26, 1999","March 25, 1999","March 19, 1999","March 18, 1999","March 4, 1999","March 3, 1999","February 28, 1999","February 26, 1999","February 25, 1999","February 12, 1999","January 7, 1999","July 18, 2000","July 25, 2000","1999 March 4","Bateman Office Accession Number: none","Bateman Office Accession Number: none","4 boxes: 131-134; Bateman Office Accession Number: none","Includes letter from Senor Calderon with enclosed reproductions of photos depicting the construction of the Panama Canal.","2 boxes: 135 and 136/137. Bateman Office Accession Number: none. Accessioned as 3 boxes, but combined into 2 boxes, 135 \u0026 136/137, during processing. Box 136 combined with 137 during processing. [?When consecutively numbering boxes, the number 138 was not used. The numbers given by Herb Bateman's office are consecutive, without a missing number, indicating a box is not missing.]","Bateman Office Accession Number: none. When this box was accessioned, the folders were in no discernible order., so the folders have been loosely arranged according to subject matter. Box number 138 had been skipped accidentally by Bateman's office: no materials were missing material when compared to the incoming boxlist.","1997:1999-2000","Much of this material is about Department of Defense and Impact Aid.","Budget requests/concerns from Virginia Living Museum, William \u0026 Mary and others.","1980:87:92-97","1990:1994-1997","Bateman Office Accession Number: none; Note: Some folders were empty when accessioned.","1986:1990-2000; Bateman Office Accession Number: none","1988-89:92-97:99","1986:94-96:98","1986:94-96:98","1986:96:98","Bateman Office Accession Number: non; Special Collections received 3 boxes of material on base closings. which were combined into 2 boxes, 142 and 143/44, during processing. Most of the material consisted of loose reports/publications and loose papers with few labeled folders. Since each box had its own group of loose papers, consisting of correspondence, memos, notes and reports, they were put into folders designated as Group 1, 2 or 3. This material has been kept in its original order, regardless of date, to reflect the possible working order by Mr. Bateman. Important documents in each folder are listed. All loose reports were placed in folders using the report title as the heading. Please note that some correspondence files include reports and some report files may include correspondence. [1798:1876:1902:08:23:36:38:52:65-66:75:79-80:87-95]","This folder includes information on Jefferson Proving Ground, MILCON costs, Navy Bases report, and COBRA Realignment Summary. It also includes Remarks of Rep. Herbert Bateman, Commission on Base Closure and Realignment [June 16, 1993], Letter from Hunter B. Andrew outlining some legislation with attached 1979 material on cost savings if Ft. Monroe closed [June 9, 1993], and letter from John O. Marsh, Jr. [past Secretary of the Army] with his views of closing Ft. Monroe [June 11, 1993].","This folder includes newspaper articles, map entitled Franklin South Hampton Economic Development, notes, and correspondence to and from John H. Dalton, Secretary of the Navy, Ronald R. Fogleman, General, USAF, Chief of Staff, Robert E. Bayer, Deputy Assistant Secretary of Defense Installations, Robert M. Walter, Assistant Secretary of the Army (Installations, Logistics and Environment), Scott B. McLaughlin, Lt. Colonel of USAF, and others, regarding transfer of surplus base closure properties and other base closing topics. Reports included are: Closure Dates-Major Bases 1988 and 1991 Accepted Actions (as of 9/92), Army [Bases] report, GAO report on Depot Maintenance: Issues in Management and Restructuring to Support a Downsized Military [May 6, 1993] and Changes to Cobra Screen 4 Data--Fort Eustis, Virginia [June 7, 1993].","This folder includes newspaper articles, memos and correspondence with Thomas K. Norment, Virginia Congressman, Hunter B. Andrews, Virginia Senator, James A. Courter, Chairman of the Defense Base Closure and Realignment Commission, and Mr. Bateman's aides concerning Fort Monroe closing. One memo says Mr. Bateman is surprised that Governor Chuck Robb supports the closing of Fort Monroe. Reports and related items included are: COBRA model reports, UXO at Fort Monroe [n. d.], The Key Questions: Why Fort Monroe? Why Not Fort Eustis? [undated], Discussion Paper on Ft. Monroe [June 4, 1993], Information Paper on Jefferson Proving Ground (JPG) Disposal Plan [June 4, 1993], BRAC Impact State by State Comparison [undated], Memo about Ordnance and Explosive Waste (OEW) Remediation at Fort Monroe [June 9, 1993], BRAC 93 Valuation of Fort Monroe, Virginia [undated], Defense Base Closure and Realignment Commission: Base Summary Sheet, Fort Monroe, Virginia [May 18, 1993], 1991 Real Estate Map of Fort Monroe with areas of ownership highlighted [undated] and Historic Preservation Program: Structure, History, and Congressional Policies by Malcolm M. Simmons Specialist in Natural Resources [April 14 1987],","Reports: Military Bases: Transfer of Pease Air Force Base Slowed by Environmental Concerns by GAO [February 1993], Chapter 5 entitled, The Army's Process and Recommendations Were Generally Sound…, of the Report GAO/NSIAD-95-133 Military Bases [undated] , Recommendations of the Navy – part of another unnamed report [undated] COBRA report on Cost of Base Realignment Action [undated], Turning Visions into Success: Briefing to the Honorable Herbert Bateman by Vitro [October 11, 1994] and mini-report entitled \"Closing Fort Monroe [June 1988]. Includes correspondence, memos, laws and documents regarding base closings, hearings, hazardous waste and environmental concerns. Letters and memos from Alan J. Dixon and James A. Courter, Chairmen of Defense Base Closure \u0026 Realignment Commission, copy of H.R. 4016 that amends the Comprehensive Environmental Response, Compensation \u0026 Liability Act of 1980, statements from hearings, notes on Virginia Requirements at May 4 [1995] hearing, a briefing \u0026 news releases. Resolutions from Spotsylvania, VA County Board of Supervisors, Rappahannock Area Development Commission \u0026 other localities giving support to Dahlgren and Fort A.P. Hill [October 27, 1994]. April 19, 1993 letter to Jerry C. Harrison, Chief, Legislative Liaison of the Army, requesting that the Department of the Army provide him [Herbert H. Bateman] all the information used in the preparation of the Total Army Basing Study as pertains to Fort Monroe. The report is attached.","Includes memos, reports, fact sheets, studies and newspaper articles","Includes notes, memos, reports, studies and newspaper articles","Includes copy of letter from John O. Marsh, Jr. to Hon. Norman Sisisky about his views on a closure of Fort Lee [June 9, 1993], letter from Herbert H. Bateman to Jerry C. Harrison, chief Legislative Liaison of the Army, asking for all the information used in the preparation of the Total Army Basing Study as it pertains to Fort Monroe with copy of report, BRAC 93 Alternative Documentation Set [April 19, 1993], fax sending Army's Verified COBRA Run Report [June 1993] and a fax sending the Army \"talking\" points\" and the new COBRA Run report [June 1993].","Includes letters from John M. Low, Air Force General at Langley AFB, \u0026 others, against the closing of Fort Monroe [1993], position reports, BRAC reports, \u0026 reports about many aspects of Fort Monroe.","Includes memos, drafts, notes, meeting proceedings, letter from Alan J. Dixon, Chairman of Defense Base Closure and Realignment Commission regarding Mr. Bateman's request to reconsider the 1993 decision to close the Naval Aviation Depot Norfolk [March 21, 1995], laws and reports.","7 copies.","Includes newspaper articles and editorials, news releases, notes, memos, correspondence, U.S Codes and reports. Reports Environmental Impact at Closing Installations by GAO [February 1995] Reuse Plans for Selected Bases Closed in 1988 \u0026 1991 by GAO [4/94] Published statement of Joshua Gotbaum, Asst Sec. of Defense [2/3/95] Challenges in Identifying and Implementing Closure Recommendations by GAO [February 23, 1995] Defense Base Closure and Realignment Commission: members, agendas, outline and master copy of final report [1994-95] BRAC 95 Overview by Office of the Asst Secretary of the Army [undated]","1965:79-80:88 and undated Notes, correspondence, newspaper articles and reports, Background Paper: Significant Factors Pertaining to Possible Base Closure of Fort Monroe [July 1988] and Fort Monroe Base Realignment Study by U.S. Army Training and Doctrine Command [October 24, 1980]","1798:1876:1902:08:23:36:38:52:66:75","Box 143 was combined with Box 144 during processing.","1984:86:88:90:93-95; Bateman office Accession Number: none","Bateman office Accession Number: none","Includes notes.","1969:84-95; Bateman Office Accession Number: none","PRES2.JCR Funding of Clover Cogeneration [3/19/92]","SS.benefit COLAs and S.S. Benefits [9/15/92]","1977:79:82-93 Bateman Office Accession Number: none The folders in this box had post-it notes on them with other file names written, suggesting that these folders had been removed from other files and newly grouped as Eastern Shore, or it is a system of cross referencing. These Post-It note headings are noted in parentheses beside the main folder title.","1979:83-85:87","1977: 79:83-88","1985:88:90:92","1983-11-02T00:00:00.000","Bateman Office Accession Number: none","1990-94:97","1990-91:93-94","Includes material on Opie and HR 961","Bateman Office Accession Number: none","1984-85:92-97","1986:89:91-92","Includes the 1987 Delineation Manual, but not the 1989 version; 1987:90-92","1984-85:87:89-90:93","1976-77:81:86","1976:91:94","1991:93:94","Bateman Office Accession Number: none","Bateman Office Accession Number: none","Bateman Office Accession Number: none. Accessioned as 2 boxes (154 \u0026 155), but combined into 1 box, 154/155, during processing.","Bateman Office Accession Number: none","Includes some loose papers","No Accession Number assigned by Bateman's Office","No Accession Number assigned by Bateman's Office","Includes loose papers","No Accession Number assigned by Bateman's Office","Includes loose material.","Includes copy of H.R. 45","Background Info, Dear Colleagues","Letters","1954, 1980, 1989-2000; No Accession number assigned by Bateman's office","Includes correspondence and reports on Hampton Roads Metropolitan Planning Organization, Surface Transportation Board Reauthorization Act of 1999, National Transportation Safety Board and Public Transportation Projects Proposed for Federal Funding in FY00","1954, 1989, 1991-1993","Reports, Clippings, VHS Tape","Report: Submission by Counsel for President Clinton to the Committee on the Judiciary of the United States House of Representatives. 12/8/1998. c. 1 of 2","Report: Submission by Counsel for President Clinton to the Committee on the Judiciary of the United States House of Representatives. 12/8/1998. c. 2 of 2","Report: Referral to the United States House of Representatives Pursuant to Title 28, United States Code, § 595 (C). Submitted by The Office of Independent Counsel. 9/9/1998. Pages 1–180","Report: Referral to the United States House of Representatives Pursuant to Title 28, United States Code, § 595 (C). Submitted by The Office of Independent Counsel. 9/9/1998. Pages 181 – 252 and Grounds, Pages 1-163","The National Journal, 9/14/98","Newspaper Clippings. 3 copies of 12/12/1998 Washington Post section entitled \"Referral to the United States House of Representatives Pursuant to Title 28, United States Code, §595 (c).","VHS Tape entitled \"President Clinton's Testimony\"","House Document 105-311, 105th Congress, 2nd Session: Appendices to the Referral to the United States House of Representatives Pursuant to Title 28, United States Code, Section 595 (c) Submitted by the Office of the Independent Counsel, September 9, 1998. Part 1. Communication from the Office of the Independent Counsel, Kenneth W. Starr.","House Document 105-311, 105th Congress, 2nd Session: Appendices to the Referral to the United States House of Representatives Pursuant to Title 28, United States Code, Section 595 (c) Submitted by the Office of the Independent Counsel, September 9, 1998. Part 2. Communication from the Office of the Independent Counsel, Kenneth W. Starr.","House Document 105-310, 105th Congress, 2nd Session: Referral from Independent Counsel Kenneth W. Starr in Conformity with the Requirements of Title 28, United States Code, Section 595 (c) . 9/11/98. Communication from Kenneth W. Starr, Independent Counsel.","House Document 105-316, 105th Congress, 2nd Session: Supplemental Materials to the Representatives Pursuant to Title 28, United States Code, Section 595 (c) Submitted by the Office of the Independent Counsel, September 9, 1998. Part 1 Communication from the Office of the Independent Counsel, Kenneth W. Starr.","House Document 105-316, 105th Congress, 2nd Session: Supplemental Materials to the Representatives Pursuant to Title 28, United States Code, Section 595 (c) Submitted by the Office of the Independent Counsel, September 9, 1998. Part 2 Communication from the Office of the Independent Counsel, Kenneth W. Starr","House Document 105-316, 105th Congress, 2nd Session: Supplemental Materials to the Representatives Pursuant to Title 28, United States Code, Section 595 (c) Submitted by the Office of the Independent Counsel, September 9, 1998. Part 3 Communication from the Office of the Independent Counsel, Kenneth W. Starr.","1941, 1955, 1957-1958, 1993, 1995-1997 Includes the following publications: Presenting a Pictorial Review of Elder Lightfoot Solomon Michaux International Radio Evangelist His Famous Cross and Road Choirs and His Civic Activities for Developing a Good Neighbor Spirit Among All Races and Creeds. First Edition, August 1941. Solomon Michaux's Fore-Sight from Victory Square to Archer's Hope, 1928-2000 AD Proposal submitted by The Saints' Missionary Foundation, Inc. 1996","Note: Jack Brook was Herbert Bateman's Chief of Staff from January 1983 to January 1993.","Lower Peninsula Water Needs: A Summary Response and Rebuttal to Institute for Water Resources \"special study\" by Regional Raw Water Study Group.","1995:97:99","Includes Information on Venture Star","1985-88:90-2000","85-88:90-91:93","[The American Homeownership and Economic Opportunity Act of 1990]","[Re: Housing ]","[Re Long Term Insurance Care Coverage]","[Re: Restoring Management and Personnel Authority/Mayor of D.C.]","[Re: H.R. 142, The Government Shutdown Prevention Act]","[Re: The Thrift Savings Plan Enhancement Act]","[Re: Civil Service Retirement Fund Off-Budget]","[Re: The Microloan Program Technical Correction Act]","[Re: The Government Waste, Fraud, and Error Reduction Act]","[Re: Paperwork Elimination Act]","[Re: Federal Financial Assistance Management Improvement]","[Re: The Small Business Paperwork Reduction Act of 1999]","1996:98-2000","[Re: Religious Liberty Protection Act]","[Community Protection Act]","[Re: Mandatory Gun Show Background Check Act]","[Re: Consequences for Juvenile Offenders Act of 1999]","[Re: Consequences for Juvenile Offenders Act of 1999]","[Re: Consequences for Juvenile Offenders Act of 1999]","[Re: Consequences for Juvenile Offenders Act of 1999]","\"Herbert Bateman's Bulletin\" (1983 – 1998) are filed chronologically (folders 1-48); followed by Town Meeting Postcards (1983-1993), Franking Approvals, 1983-1995, and Bulletin requests (folders 49-51 respectively)","Agriculture – not sent to Hampton, York, James City County [Special Report to Rural Virginians]","Chesapeake Bay [Special Report on the Chesapeake Bay]","Shipbuilding – Hampton, NN, York, Poquoson, James City County [Special Report on Shipbuilding]","Future U.S. Combat Logistic Force Ship Levels [4/21/99] and Required Navy Ship-Procurement Rates, by Class [4/16/99]","Political Considerations Require Congressional Democrats to Support Full Funding for the Next Nimitz-class Aircraft Carrier (CVN-76) [undated]","Most folders are not labeled. Some photographs have handwritten or post-it notes on the back with the name of event and names of the people included in the photo. Some slides and negatives are included. Some photographs are in small photo albums presented after an event. Photographs range in size from 3x5 to 8x10.","1991, 1994-2000","Boxes 181 and 182 (includes what was formerly numbered box 183).","Boxes originally numbered 182 and 183 have been combined into one during processing.","1981:87:94-96","1981:87:93-95","1986:88:92-95","1978-1979, 1989-1994","Plan of Operations, NMFS Model Seafood Surveillance Project by Office of Trade and Industry Services [January 1989] Fish and Fishery Products Hazards and Controls Guide, \"Get Hooked on Seafood Safety\" by Food and Drug Administration--Draft [February 16, 1994]","1991-1993, 1995-1998","1978-1979, 1988-2000","A report on developing a highly competitive, sustainable aquaculture industry on the Eastern Shore of Virginia.","1993, 1995-1996","1992-1995, 1997","1991-1995, 1997","1978-1979, 1989, 1994","Plan of Operations, NMFS Model Seafood Surveillance Project by Office of Trade and Industry Services [January 1989] Fish and Fishery Products Hazards and Controls Guide, \"Get Hooked on Seafood Safety\" by Food and Drug Administration--Draft [February 16, 1994].","1991-1993, 1995, 1998","Twelve volumes with daily schedules of Herbert H. Bateman. One volume er year.","In reverse chronological order","Box 197 is split between subseries 77.1 (141 folders) and 77.2 (41 folders)","Includes material on Flag Day, Shades Mountain Independent Church, National Bicentennial Competition on the Constitution and Bill of Rights and patriotism with dates from 1977 to 1987.","1978, 1979, 1981, 1982, 1986","Box 197 is split between subseries 77.1 (141 folders) and 77.2 (41 folders)","1986-1887, 1990-1993, 1995","1993, 1995-1996","1994:98-99","1993, 1996","1964:86:89-98","[1989:91:95]","[1991:95-96]","Includes material on TBT Editorial for Sea Technology Magazine, correspondence, reports, clippings and the 1990 Virginia Pesticide Control Act [1986:88-90].","1964:1993","1995-97:99","Includes the 1994 Environmental Assessment Report and the 1995 Final Environmental Assessment Report.","Includes: 1995 Supplement to the List of Plant Species that occur in Northeast (Region 1), August 1995 and National List of Plant Species that Occur in Wetlands Northeast (Region 1), May 1988","1996:99 Includes: Restoring America's Wildlife Legacy, A Plan to Rejuvenate Our National Wildlife Refuge System, 1999 Update","1983-85:87:89-91:93-2000","83-85:87:89-91:93-94","1990:93:97","Box 203; 1982:84-86:90-95:97 and undated Most of the Video Cassette Tapes are in plastic or cardboard covers. Most are labeled with date and subject matter. Includes 9 tapes of Congressman Bateman Series, professionally made tapes, tapes of TV appearances and tapes by Laura Bateman","Sponsored by Newport News Shipbuilding, Distributed by the Committee for Citizen Awareness, 30 Minutes","20 Minutes","1984-10-19T00:00:00.000","1986-10-01T00:00:00.000","1990-07-10T00:00:00.000","1990-12-01T00:00:00.000","1991-04-05T00:00:00.000","Tape 7, VR 7, Time 30:25 H ; 4/29/1992","1992-10-09T00:00:00.000","1992-10-22T00:00:00.000","1992-10-29T00:00:00.000","Recorded 7/7/92, Tape 13, VR# 15, Time 29.51 RD ; 12/08/92","1992-10-29T00:00:00.000","Airdate:  11/3/92","1993 April","1993 July 4","1994 October 20","Box 204","3 binders","Box 205","4 binders","Box 206","4 binders","Box 207","Boxes 208-209; 1985:87-97; Each folder has a yellow post-it note which tells the Archive location. These locations are noted, in parentheses, under the folder title.","2 folders","Archive: T\u0026I [Transportation and Infrastructure]/Water Resources 1995","Archive: Resources/Fisheries 1996","Archive: MM [Merchant Marine]/Oceanography, 1990","1988-90:92-95; Archive: MM [Merchant Marine]/F\u0026W [Fish and Wildlife] 1993","Archive: MM [Merchant Marine]/F\u0026W [Fish and Wildlife] 1994) Includes a research paper Government Island, Its Forgotten History Interesting Stone by Jane Henderson of Stafford, VA., undated The paper is about the Brent Family and other owners of the island, the island and the history of the stone.","1985:87-89:92-94; Archive: PW [Public Works]/Water Resources 1994","Archive: T\u0026I [Transportation and Infrastructure]/Water Resources 1995","Archive: T\u0026I [Transportation and Infrastructure]/Water Resources 1995","1985:88-92:96; Archive: T\u0026I [Transportation and Infrastructure]/Water Resources 1995","Archive: T\u0026I [Transportation and Infrastructure]/Water Resources 1995","1991-92:95; Archive: T\u0026I [Transportation and Infrastructure]","Box 210; 1972:86-97","24 folders","1972:87-88","Report: Hunting Creek and Guildford Creek, Accomack County, VA, Navigation Study, Revised May 1995","Report: Newport News Creek, Newport News, Virginia Section 107 Navigation Study Feasibility Report [October 1994]","1983:86-90; Subjects include Ports of Hampton Roads, Norfolk Ports, Water Resources Development Act of 1986, Thimble Shoals Navigation Project, Hampton Roads Navigation Project, and Sewells' Point.","1989-91:94:97","1993:96-97","1992:94","1989:94:97","Box 211 (91 folders)","91 folders","Box 212 (53 files)","1978:86:88-90:92-95; Includes the report: Master Plan--Chincoteague National Wildlife Refuge, dated December 1993","1985, 1997","1987:90:92","1984:86:88-89","1984:86:91","1984:87-88","1989:1993-94:99","1984:90:94","Boxes 213-216; Most subjects have mulitple sub-divisions and a number of folders are empty. Subjects Files included are: dministrative, Agriculture, Armed Service Files, Banking, Budget, Congress Chris J. Wenk, Commerce, Elections and Campaigns, Education and Labor, Foreign Affairs, Government, House Administration, House Oversight, Judiciary, Legislative, Miscelaaneous, Natrual Resources, House Rules, Small Business, Science Space and Technology, Social Security, Veterans, Ways and Means","33 folders","34 files","24 folders","61 folders","Box 217","6 folders","[83:86-98]","Register","[1983:89:91:95-2000]","Boxes 218-224; 1956, 1959, 1965, 1980, 1983, January – March 1985; Accession Number: 2003.18 The material in the 17 boxes accessioned as Number 2003.18 were combined into 11 boxes while maintaining the subject matter: Trips, Directories, Photographs and Condolences. The Trip material has been arranged in chronological order, with the undated items at the beginning. Names of the countries visited and dates of travel are part of the heading of each folder. If the purpose of the trip is known, it is also noted as part of the folder label. Some items found in this group are not obviously directly related to a particular trip, but have been kept with the material and most are filed at the beginning of each box.","undated, 1956, 1959, 1980, 1988","Recommendation of Department of Air Force","John B. Minor at Dean Law School, John O. Marsh, Jr. at Yorktown; Honorary Degrees at William \u0026 Mary, 1988","Country Club Hill, Lot 3, Blk 1","Arranged in rough chronologically.","Report: U.S. Fisheries Utilization and Management","Folder entitled \"Welcome to Dublin\" from the United States Embassy which contains tourist pamphlets and general briefing information","Possibly a family trip and not a business trip","(OECD) Organization for Economic Co-operation and Development","Folder labeled when accessioned: NATO Expansion Reports from NATO committees and United States committees, CODEL Solomon itinerary and information by the U.S. Air Force for trip between, notes, and newspaper articles.","Agenda and Meetings Notebook, Part 1 of 2","Agenda and Meetings Notebook, Part 2 of 2","CODEL Bereuter, 1 of 2","CODEL Bereuter, 2 of 2","Printed by the U.S. Government Printing Office with forward written by President George Bush and Frank C. Carlucci, Secretary of Defense","10 copies of the resolution that authorizes the use of U.S. Armed Forces against Yugoslavia.","The Osce Verification Mission to Kosovo, December 1998 to March 1999. The Warsaw Plenary Declaration on Kosovo [1999] Draft Plenary Resolution [May 1999] The Warsaw Plenary Declaration on Kosovo (as passed 6/1/99)","Invitations, menu, name badges, map of Budapest, Country Data of Egypt and a Brief Guide to the Luxor Antiquities Sites","Box 225 (32 folders)","Photographs, Correspondence and Programs","Gives his written withdrawal from the firm when he takes office in the Congress and notes the understandings and conditions.","Forwarding threatening letter he received","Mr. Mutuc returning to the Philippines since Marcus is gone. ","Regarding Black congressional districts and the Pledge Bond Referendum. ","Yacobi, nephew of Herbert Bateman, and stationed in Saudi Arabia and Iraq thanking him for getting the autographed transcript of the President's State of the Union Address with an enclosed Thank You letter to the President with an Iraq bottle label. ","Recommending Management Accounting's article on Joe DioGuardi's bill, HR 4495. ","Thank you letters, donation/contribution letters correspondence about family matters invitations to join the Huntington Club statement to the Members of the Congress of the United States about integration of public schools dated August 10, 1971 statement about drug abuse and juvenile delinquency dated December 14, 1972 letter to Clerk of the Senate with biographical changes dated November 4, 1971 and other correspondence","Includes letter to Gov. John N. Dalton letters regarding his children Toll Charges Disclosure Forms Conflict of Interest Forms expense work sheets for attendance at meetings campaign contributions tax information Lawyer's Referral Service Form and other correpsondence","Herbert Bateman was nominated by Senator Harry F. Byrd, Jr. for consideration for one of two Federal District Judgeships for the Eastern District of Virginia in 1977 Herbert Bateman was nominated by Senator John Warner for a vacancy on the United States Court of Appeals for the District of Columbia Circuit in 1981.  Robert Heron Bork got the judgeship. 1957 Court of Appeals publications are included. 1977 material includes a questionnaire. 1981 file includes letters of support from politicians and other important people, such as Strom Thurmond, Mills Godwin, Jerry Farwell and James L. Ketelsen, Chairman of Tenneco, with attached response from Vice President George Bush.  There is also a biography, letters to possible supporters, and a list of people to contact to help with recommendations","Includes HHB Bank Receipts from 2/1/89 – 12/6/89.","Sent by President Bush as a memento","Many of the negatives appear to be from trips abroad","Invitations, information about Paris Air Show, menus and photographs","Letter and 2 photographs","Includes and a photograph of HHB speaking at Chesapeake Bay Forum","3 photographs","4 photographs","3 photographs","3 photographs","1983, 1991, 1994-95, 2000","1984, 1989, 1994 and 1999","2 different poses. Photographed by Congressman Richard Ray.","House Gym Dinner","2 copies.","Autographed by both","Copy of the Poem with acknowledgement letter to Frederick Manzie from President George Bush","In Alphabetical Order","Thanking HHB for support in the primary.","Printed Copy","Re: HHB's help with the new aircraft carrier proposals. ","List of the reforms with hand-marked red checks beside each reform and a hand written note, \"4/6/95 Done.\"","Congratulating the United States government on the 210th anniversary of American Independence.","Regarding relocating the Military Traffic Management Command to Fort Eustis","Thanking HHB for support of Marine Corp and programs. ","Thanking HHB for stopping by Republican Leader's Fund fundraising reception.  Photograph attached. ","Saying they are grateful as they leave the White House. ","Announcing his resignation from the Virginia Senate because of his election as a U.S. Congressman.","Second Russian in Space, after Gagarin.","Expressing appreciation for HHB's vote in favor of the Government Ethics Reform Act of 1989. ","Thanking HHB for his vote in support of the Space Station Freedom.","Some items in this folder were sent to HHB with photographs.  The photographs were filed in one of the Photographs folders 1 or 2.","Re: endorsements of political candidates","\"Bateman responded:  \"I am absolutely amazed that anyone could say as many things so untrue and so distorted in so short a period of time, on such a variety of sub(j)ects.  My heavens, it is appalling.\"  Rep. Herb Bateman, Westmoreland Civic Center, Oct 13, 1992.\"","Some items in this folder were sent to HHB with photographs.  The photographs were filed in one of the folders labeled Photographs 1 or 2.","On White House letterhead","Enclosing photographs.","In the Benjamin Franklin Room, State Department","2 copies","program and photographs","held at Statuary Hall, The United States Capitol","Photographs of Induction into Hall of Leadership for the U.S. Junior Chamber of Commerce and publication The Virginia Jaycees, the First 50 Years, 1939-1989, March 1996","Box 226","1 folder","Includes expired passports for Herbert H. Bateman, plus photographs of Mr. and Mrs. Bateman, and applications for passports and visas.","Box 227; Accession Number: 2003.18","(removed during renovation).  Includes letter from George M. White, Architect of the Capitol, where he explains history of the brick","Copies and originals of newspaper clippings divided into months.","License Plate Number:  VA H1","Bag was possibly used by Mrs. Bateman to send over items for these papers.","\"The Chief of Transportation takes great pleasure in granting the distinction of Honorary Transporter of the Transportation Corps Regiment to The Honorable Herbert H. Bateman in recognition of your special place in Regimental continuity, tradition and esprit de corps\" issued at The Home of the Transportation Corps Regiment this 25th day of August 2000.","Box 228; Accession Number: 2003.18; Some of these books are embossed with Hon. Herbert H. Bateman's name.","Box 229; Accession Number: 2003.18","13 folders","[Notation on original box: \"Already Copied\"] Box 230; Accession Number: 2003.18 These letters and cards were already grouped by affiliation of sender when accessioned. They were kept in their original designations and put in alphabetical order. Mrs. Bateman made notes regarding the identity of the sender on some of the envelopes","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Stored off-site. Please allow at least 72 hours for retrieval.  Boxes mistakenly labeled as 2001.03. Boxes 1-107: start at 19 A; Boxes 108-207 start at 241 A; Boxes 208-230 start at 137 A.","Special Collections Research Center","Bateman, Herbert Harvell, 1928-2000","English"],"unitid_tesim":["Mss. Acc. 2000.74","/repositories/2/resources/9292"],"normalized_title_ssm":["Herbert H. Bateman Congressional Records"],"collection_title_tesim":["Herbert H. Bateman Congressional Records"],"collection_ssim":["Herbert H. Bateman Congressional Records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Bateman, Herbert Harvell, 1928-2000"],"creator_ssim":["Bateman, Herbert Harvell, 1928-2000"],"creator_persname_ssim":["Bateman, Herbert Harvell, 1928-2000"],"creators_ssim":["Bateman, Herbert Harvell, 1928-2000"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gift."],"has_online_content_ssim":["false"],"extent_ssm":["230 Linear Feet 230 Boxes"],"extent_tesim":["230 Linear Feet 230 Boxes"],"date_range_isim":[1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eArranged alphabetically by subject.\u003c/p\u003e\n","\u003cp\u003e Accession 2003.18 is Series 88, Herbert H. Bateman Trips, 1956, 1959, 1965, 1980, 1983, January – March 1985.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Arranged alphabetically by subject."," Accession 2003.18 is Series 88, Herbert H. Bateman Trips, 1956, 1959, 1965, 1980, 1983, January – March 1985."],"bioghist_html_tesm":["\u003cp\u003eHerbert Harvell Bateman was born in 1928 at Perquimans County, North Carolina. He graduated from the College of William and Mary and received his law degree from Georgetown University. He served in the Virginia Senate from 1968 until 1983 when he was elected to Congress. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003ca href=\"http://scrc.swem.wm.edu/wiki/index.php/Herbert%20Harvell%20Bateman\"\u003ehttp://scrc.swem.wm.edu/wiki/index.php/Herbert Harvell Bateman\u003c/a\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Herbert Harvell Bateman was born in 1928 at Perquimans County, North Carolina. He graduated from the College of William and Mary and received his law degree from Georgetown University. He served in the Virginia Senate from 1968 until 1983 when he was elected to Congress. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  http://scrc.swem.wm.edu/wiki/index.php/Herbert Harvell Bateman ."],"prefercite_html_tesm":["\u003cp\u003eHerbert H. Bateman Congressional Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Herbert H. Bateman Congressional Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"relatedmaterial_html_tesm":["\u003cp\u003eMss. 83 B31 Herbert H. Bateman Papers (Office files, 1968-1982, of Herbert H. Bateman, Virginia Republican State Senator from Newport News).\u003c/p\u003e\n","\u003cp\u003e Information about related materials is available at http://vip.lib.virginia.edu:8080/cocoon/vivaead/published/wm/viw00055.xml.frame\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Mss. 83 B31 Herbert H. Bateman Papers (Office files, 1968-1982, of Herbert H. Bateman, Virginia Republican State Senator from Newport News)."," Information about related materials is available at http://vip.lib.virginia.edu:8080/cocoon/vivaead/published/wm/viw00055.xml.frame"],"scopecontent_html_tesm":["\u003cp\u003eCongressional records of Herbert Bateman, William \u0026amp; Mary Class of 1949, House of Representatives, 1982-2000, First Virginia District.  Includes records relating to congressional sessions such as budget, appropriations; local subjects including NASA, King William Reservoir, wetlands; weekly columns; speeches; schedule books, press releases, briefing books; campaign papers and other papers relating to his work in the House of Representatives.  Herbert Bateman served on the Armed Services and Transportation and Infrastructure Committees.\u003c/p\u003e","\u003cp\u003eBateman Office Accession Number 329-85-291\u003c/p\u003e","\u003cp\u003eBateman internal Acc. 329-86-30\u003c/p\u003e","\u003cp\u003eBateman Office Accession Number: 329-87-113; Boxes 12-21 or 22;\u003c/p\u003e","\u003cp\u003e[check to see if there is a box 22 and enter folder listing]\u003c/p\u003e","\u003cp\u003eBateman Accession Number: 329-89-176\u003c/p\u003e","\u003cp\u003eBateman office Accession Number: 329-90-126\u003c/p\u003e","\u003cp\u003e50 letters\u003c/p\u003e","\u003cp\u003e115 Letters\u003c/p\u003e","\u003cp\u003e110 Letters\u003c/p\u003e","\u003cp\u003e100 letters\u003c/p\u003e","\u003cp\u003e101 letters\u003c/p\u003e","\u003cp\u003e48 letters\u003c/p\u003e","\u003cp\u003e51 letters\u003c/p\u003e","\u003cp\u003e52 letters\u003c/p\u003e","\u003cp\u003e65 letters\u003c/p\u003e","\u003cp\u003e52 letters\u003c/p\u003e","\u003cp\u003e48 letters\u003c/p\u003e","\u003cp\u003e42 letters\u003c/p\u003e","\u003cp\u003e54 letters\u003c/p\u003e","\u003cp\u003e50 letters\u003c/p\u003e","\u003cp\u003e61 letters\u003c/p\u003e","\u003cp\u003e74 letters\u003c/p\u003e","\u003cp\u003e61 letters\u003c/p\u003e","\u003cp\u003e60 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letters\u003c/p\u003e","\u003cp\u003e47 letters\u003c/p\u003e","\u003cp\u003e29 letters\u003c/p\u003e","\u003cp\u003e50 letters\u003c/p\u003e","\u003cp\u003e50 letters\u003c/p\u003e","\u003cp\u003e50 letters\u003c/p\u003e","\u003cp\u003e49 letters\u003c/p\u003e","\u003cp\u003e31 letters\u003c/p\u003e","\u003cp\u003e53 letters\u003c/p\u003e","\u003cp\u003e50 letters\u003c/p\u003e","\u003cp\u003e48 letters\u003c/p\u003e","\u003cp\u003e49 letters\u003c/p\u003e","\u003cp\u003e53 letters\u003c/p\u003e","\u003cp\u003e57 letters\u003c/p\u003e","\u003cp\u003e60 letters\u003c/p\u003e","\u003cp\u003e54 letters\u003c/p\u003e","\u003cp\u003e68 letters\u003c/p\u003e","\u003cp\u003e59 letters\u003c/p\u003e","\u003cp\u003e40 letters\u003c/p\u003e","\u003cp\u003e50 letters\u003c/p\u003e","\u003cp\u003e45 letters\u003c/p\u003e","\u003cp\u003e35 letters\u003c/p\u003e","\u003cp\u003e53 letters\u003c/p\u003e","\u003cp\u003e61 letters\u003c/p\u003e","\u003cp\u003e39 letters\u003c/p\u003e","\u003cp\u003e22 letters\u003c/p\u003e","\u003cp\u003e25 letters\u003c/p\u003e","\u003cp\u003e29 letters\u003c/p\u003e","\u003cp\u003e15 letters\u003c/p\u003e","\u003cp\u003e64 letters\u003c/p\u003e","\u003cp\u003e48 letters\u003c/p\u003e","\u003cp\u003e54 letters\u003c/p\u003e","\u003cp\u003e48 letters\u003c/p\u003e","\u003cp\u003e32 letters\u003c/p\u003e","\u003cp\u003e62 letters\u003c/p\u003e","\u003cp\u003e32 letters\u003c/p\u003e","\u003cp\u003e12 letters\u003c/p\u003e","\u003cp\u003e70 letters\u003c/p\u003e","\u003cp\u003e60 letters\u003c/p\u003e","\u003cp\u003e45 letters\u003c/p\u003e","\u003cp\u003e30 letters\u003c/p\u003e","\u003cp\u003e7 letters\u003c/p\u003e","\u003cp\u003e52 letters\u003c/p\u003e","\u003cp\u003e57 letters\u003c/p\u003e","\u003cp\u003eBateman office Accession Number: 329-91-119\u003c/p\u003e","\u003cp\u003e60 letters\u003c/p\u003e","\u003cp\u003e40 letters\u003c/p\u003e","\u003cp\u003e35 letters\u003c/p\u003e","\u003cp\u003e49 letters\u003c/p\u003e","\u003cp\u003eAd/Stud. 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Check original listing when back onsite.]\u003c/p\u003e","\u003cp\u003eBateman Office Accession Number: 329-95-49; the subseries 'Rules' that was listed in the transfer papers had no folders, so it is not included in the finding aid.\u003c/p\u003e","\u003cp\u003eNote on folder list supplied with files: Alphabetical Files DESTROYED\u003c/p\u003e","\u003cp\u003eBateman Office Accession Number: 329-96-86; The subseries \"Virginia (Casework)\" with 1 folder was included in the inventory provided with collection but it was not included in the physical transfer.\u003c/p\u003e","\u003cp\u003eD. # 5389-6640\u003c/p\u003e","\u003cp\u003eD. #6665-7324\u003c/p\u003e","\u003cp\u003eD. #6943-10092\u003c/p\u003e","\u003cp\u003eD. #10133-12130\u003c/p\u003e","\u003cp\u003eD. # 5523-10761\u003c/p\u003e","\u003cp\u003eD. # 10758-12138\u003c/p\u003e","\u003cp\u003eD. #5543-11248\u003c/p\u003e","\u003cp\u003eD. # 5536-9514\u003c/p\u003e","\u003cp\u003eD. # 7667-12068\u003c/p\u003e","\u003cp\u003eD. # 5578-8872\u003c/p\u003e","\u003cp\u003eD. # 9605-11581\u003c/p\u003e","\u003cp\u003eBateman Office Accession Number: 329-97-4\u003c/p\u003e","\u003cp\u003eOn original transfer list, but not found in box\u003c/p\u003e","\u003cp\u003e\"High-Information Content Flat Panel Displays and Subassemblies thereof from Japan\" September 1990 and June 21, 1991 \"Companies Which Have Sought Relief Under the Antidumping Laws During the 1980's\" by Stewart \u0026amp; Stewart, undated.\u003c/p\u003e","\u003cp\u003eArranged chronologically. 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Subseries EAS/CASE was noted on Transfer List, but not included.\u003c/p\u003e","\u003cp\u003e12/14/94 to 5/30/95\u003c/p\u003e","\u003cp\u003e6/5/95 to 9/28/95\u003c/p\u003e","\u003cp\u003e10/3/95 to 12/31/95\u003c/p\u003e","\u003cp\u003eRegarding Transition Assistance Program Proposal from SETCON\u003c/p\u003e","\u003cp\u003eRegarding Budget Furlough\u003c/p\u003e","\u003cp\u003eRegarding balancing the budget\u003c/p\u003e","\u003cp\u003eRegarding Government shut down\u003c/p\u003e","\u003cp\u003eBateman office Accession Number: 329-00-54\u003c/p\u003e","\u003cp\u003eNo internal accession number was assigned\u003c/p\u003e","\u003cp\u003eH.R. 7\u003c/p\u003e","\u003cp\u003eH.R. 93\u003c/p\u003e","\u003cp\u003eH. Con. Res. 110\u003c/p\u003e","\u003cp\u003eH.J. 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1994\u003c/p\u003e","\u003cp\u003eOctober 17, 1994\u003c/p\u003e","\u003cp\u003eOctober 14, 1994\u003c/p\u003e","\u003cp\u003eOct. 12, 1994\u003c/p\u003e","\u003cp\u003eOctober 20, 1994\u003c/p\u003e","\u003cp\u003eNovember 8, 1994\u003c/p\u003e","\u003cp\u003eOctober 18, 1994\u003c/p\u003e","\u003cp\u003eJune 24, 1994\u003c/p\u003e","\u003cp\u003eSeptember 23, 1994\u003c/p\u003e","\u003cp\u003eOctober 17, 1994\u003c/p\u003e","\u003cp\u003eAugust 22, 1994\u003c/p\u003e","\u003cp\u003eOctober 6, 1994\u003c/p\u003e","\u003cp\u003eOctober 7, 1994\u003c/p\u003e","\u003cp\u003eOctober 17, 1994; Concerned Women for America Survey\u003c/p\u003e","\u003cp\u003eAugust 8, 1994\u003c/p\u003e","\u003cp\u003eSeptember 7, 1994\u003c/p\u003e","\u003cp\u003eJuly 14, 1994\u003c/p\u003e","\u003cp\u003eOctober 13, 1994\u003c/p\u003e","\u003cp\u003eOctober 4, 1994\u003c/p\u003e","\u003cp\u003eSeptember 20, 1994\u003c/p\u003e","\u003cp\u003eOctober 7, 1994\u003c/p\u003e","\u003cp\u003eSeptember 15, 1994\u003c/p\u003e","\u003cp\u003eSeptember 2, 1994\u003c/p\u003e","\u003cp\u003eAugust 29, 1994\u003c/p\u003e","\u003cp\u003eOctober 6, 1994\u003c/p\u003e","\u003cp\u003eJune 20, 1994\u003c/p\u003e","\u003cp\u003eSeptember 15, 1994\u003c/p\u003e","\u003cp\u003eAugust 30, 1994\u003c/p\u003e","\u003cp\u003eSeptember 6, 1994\u003c/p\u003e","\u003cp\u003eMay 23, 1994\u003c/p\u003e","\u003cp\u003eSeptember 9, 1994\u003c/p\u003e","\u003cp\u003eSeptember 9, 1994\u003c/p\u003e","\u003cp\u003eSeptember 6, 1994\u003c/p\u003e","\u003cp\u003eAugust 20, 1994\u003c/p\u003e","\u003cp\u003eJuly 1, 1994\u003c/p\u003e","\u003cp\u003eJuly 15, 1994\u003c/p\u003e","\u003cp\u003eJuly 21, 1994\u003c/p\u003e","\u003cp\u003eJuly 22, 1994\u003c/p\u003e","\u003cp\u003eJuly 28, 1994\u003c/p\u003e","\u003cp\u003e1994\u003c/p\u003e","\u003cp\u003eJune 27, 1994\u003c/p\u003e","\u003cp\u003eAugust 2, 1994\u003c/p\u003e","\u003cp\u003eJuly 29, 1994\u003c/p\u003e","\u003cp\u003eJune 9, 1994\u003c/p\u003e","\u003cp\u003eSept. 28, 1994\u003c/p\u003e","\u003cp\u003eJune 24, 1994\u003c/p\u003e","\u003cp\u003eJune 14, 1994\u003c/p\u003e","\u003cp\u003eApril 13, 1994\u003c/p\u003e","\u003cp\u003eMay 3, 1994\u003c/p\u003e","\u003cp\u003eFebruary 11, 1994\u003c/p\u003e","\u003cp\u003eOct. 26, 1994\u003c/p\u003e","\u003cp\u003eApril 1994\u003c/p\u003e","\u003cp\u003eJune 28, 1994\u003c/p\u003e","\u003cp\u003e1994\u003c/p\u003e","\u003cp\u003eMay 24, 1994\u003c/p\u003e","\u003cp\u003e1993\u003c/p\u003e","\u003cp\u003eJuly 15, 1994\u003c/p\u003e","\u003cp\u003eBateman Office Accession Number: none\u003c/p\u003e","\u003cp\u003ePk.hhb\u003c/p\u003e","\u003cp\u003eKCS.internaps\u003c/p\u003e","\u003cp\u003eESmd.betaseron\u003c/p\u003e","\u003cp\u003eMDag.dict\u003c/p\u003e","\u003cp\u003eMDag.hearing\u003c/p\u003e","\u003cp\u003eWFmilcola5\u003c/p\u003e","\u003cp\u003eWFmilcola7\u003c/p\u003e","\u003cp\u003eWFmilcola8\u003c/p\u003e","\u003cp\u003eWFar.presgay [102nd and 103rd 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Con. Res. 317\u003c/p\u003e","\u003cp\u003eS. 318\u003c/p\u003e","\u003cp\u003eH.R. 1756\u003c/p\u003e","\u003cp\u003eH.R. 4300\u003c/p\u003e","\u003cp\u003eH.R. 1836\u003c/p\u003e","\u003cp\u003eH.R. 2943\u003c/p\u003e","\u003cp\u003eH.R. 4280\u003c/p\u003e","\u003cp\u003eH.R. 4005\u003c/p\u003e","\u003cp\u003eBills, Surveys, Ratings, Co-Signed Letters, Dear Colleagues; Bateman Office Accession Number: none\u003c/p\u003e","\u003cp\u003eH. Con. Res. 212\u003c/p\u003e","\u003cp\u003eH. Con. Res. 252\u003c/p\u003e","\u003cp\u003eH. Con. Res. 257\u003c/p\u003e","\u003cp\u003eH. Con. Res. 275\u003c/p\u003e","\u003cp\u003eH. Res. 297\u003c/p\u003e","\u003cp\u003eH.R. 316\u003c/p\u003e","\u003cp\u003eH. Con. Res. 327\u003c/p\u003e","\u003cp\u003eH.R. 351\u003c/p\u003e","\u003cp\u003eH. Res. 396\u003c/p\u003e","\u003cp\u003eH. Res. 397\u003c/p\u003e","\u003cp\u003eH.R. 430\u003c/p\u003e","\u003cp\u003eH.R. 531\u003c/p\u003e","\u003cp\u003eH. 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April 6, 10, 1999\u003c/p\u003e","\u003cp\u003eMarch 26, 1999\u003c/p\u003e","\u003cp\u003eMarch 17, 1999\u003c/p\u003e","\u003cp\u003eFebruary 15, 2000\u003c/p\u003e","\u003cp\u003eFebruary 7, 2000\u003c/p\u003e","\u003cp\u003eDecember 1998\u003c/p\u003e","\u003cp\u003eJuly 26, 2000\u003c/p\u003e","\u003cp\u003eJuly 25, 2000\u003c/p\u003e","\u003cp\u003eJuly 25, 2000\u003c/p\u003e","\u003cp\u003eAugust 30, 2000\u003c/p\u003e","\u003cp\u003eJuly 28, 2000\u003c/p\u003e","\u003cp\u003eJuly 27, 2000\u003c/p\u003e","\u003cp\u003eJuly 27, 2000\u003c/p\u003e","\u003cp\u003eJuly 26, 2000\u003c/p\u003e","\u003cp\u003eJuly 20, 2000\u003c/p\u003e","\u003cp\u003eJuly 17, 2000\u003c/p\u003e","\u003cp\u003eJuly 11, 2000\u003c/p\u003e","\u003cp\u003eJune 30, 2000\u003c/p\u003e","\u003cp\u003eJune 26, 2000\u003c/p\u003e","\u003cp\u003eJune 16, 2000\u003c/p\u003e","\u003cp\u003eJune 14, 2000\u003c/p\u003e","\u003cp\u003eMay 11, 2000\u003c/p\u003e","\u003cp\u003eMay 5, 2000\u003c/p\u003e","\u003cp\u003eApril 6, 2000\u003c/p\u003e","\u003cp\u003eApril 4, 2000\u003c/p\u003e","\u003cp\u003eMarch 30, 2000\u003c/p\u003e","\u003cp\u003eMarch 22, 2000\u003c/p\u003e","\u003cp\u003eMarch 15, 2000\u003c/p\u003e","\u003cp\u003eMarch 2, 2000\u003c/p\u003e","\u003cp\u003eFebruary 21, 2000\u003c/p\u003e","\u003cp\u003eFebruary 16, 2000\u003c/p\u003e","\u003cp\u003eFebruary 3, 2000\u003c/p\u003e","\u003cp\u003eFebruary 2, 2000\u003c/p\u003e","\u003cp\u003eDecember 8, 1999\u003c/p\u003e","\u003cp\u003eNovember 3, 1999\u003c/p\u003e","\u003cp\u003eOctober 27, 1999\u003c/p\u003e","\u003cp\u003eOctober 21, 1999\u003c/p\u003e","\u003cp\u003eOctober 20, 1999\u003c/p\u003e","\u003cp\u003eOctober 18, 1999\u003c/p\u003e","\u003cp\u003eOctober 7, 1999\u003c/p\u003e","\u003cp\u003eSeptember 29, 1999\u003c/p\u003e","\u003cp\u003eSeptember 22, 1999\u003c/p\u003e","\u003cp\u003eSeptember 17, 1999\u003c/p\u003e","\u003cp\u003eSeptember 7, 1999\u003c/p\u003e","\u003cp\u003eAugust 13, 1999\u003c/p\u003e","\u003cp\u003eJuly 20, 1999\u003c/p\u003e","\u003cp\u003eJuly 20, 1999\u003c/p\u003e","\u003cp\u003eJune 17, 1999\u003c/p\u003e","\u003cp\u003eJuly 14, 1999\u003c/p\u003e","\u003cp\u003eJune 28, 1999\u003c/p\u003e","\u003cp\u003eJune 7, 1999\u003c/p\u003e","\u003cp\u003eMay 7, 1999\u003c/p\u003e","\u003cp\u003eApril 13, 1999\u003c/p\u003e","\u003cp\u003eApril 13, 1999\u003c/p\u003e","\u003cp\u003eApril 6, 1999\u003c/p\u003e","\u003cp\u003eApril 1, 1999\u003c/p\u003e","\u003cp\u003eMarch 29, 1999\u003c/p\u003e","\u003cp\u003eMarch 26, 1999\u003c/p\u003e","\u003cp\u003eMarch 26, 1999\u003c/p\u003e","\u003cp\u003eMarch 25, 1999\u003c/p\u003e","\u003cp\u003eMarch 19, 1999\u003c/p\u003e","\u003cp\u003eMarch 18, 1999\u003c/p\u003e","\u003cp\u003eMarch 4, 1999\u003c/p\u003e","\u003cp\u003eMarch 3, 1999\u003c/p\u003e","\u003cp\u003eFebruary 28, 1999\u003c/p\u003e","\u003cp\u003eFebruary 26, 1999\u003c/p\u003e","\u003cp\u003eFebruary 25, 1999\u003c/p\u003e","\u003cp\u003eFebruary 12, 1999\u003c/p\u003e","\u003cp\u003eJanuary 7, 1999\u003c/p\u003e","\u003cp\u003eJuly 18, 2000\u003c/p\u003e","\u003cp\u003eJuly 25, 2000\u003c/p\u003e","\u003cp\u003e1999 March 4\u003c/p\u003e","\u003cp\u003eBateman Office Accession Number: none\u003c/p\u003e","\u003cp\u003eBateman Office Accession Number: none\u003c/p\u003e","\u003cp\u003e4 boxes: 131-134; Bateman Office Accession Number: none\u003c/p\u003e","\u003cp\u003eIncludes letter from Senor Calderon with enclosed reproductions of photos depicting the construction of the Panama Canal.\u003c/p\u003e","\u003cp\u003e2 boxes: 135 and 136/137. Bateman Office Accession Number: none. Accessioned as 3 boxes, but combined into 2 boxes, 135 \u0026amp; 136/137, during processing. Box 136 combined with 137 during processing. [?When consecutively numbering boxes, the number 138 was not used. The numbers given by Herb Bateman's office are consecutive, without a missing number, indicating a box is not missing.]\u003c/p\u003e","\u003cp\u003eBateman Office Accession Number: none. When this box was accessioned, the folders were in no discernible order., so the folders have been loosely arranged according to subject matter. Box number 138 had been skipped accidentally by Bateman's office: no materials were missing material when compared to the incoming boxlist.\u003c/p\u003e","\u003cp\u003e1997:1999-2000\u003c/p\u003e","\u003cp\u003eMuch of this material is about Department of Defense and Impact Aid.\u003c/p\u003e","\u003cp\u003eBudget requests/concerns from Virginia Living Museum, William \u0026amp; Mary and others.\u003c/p\u003e","\u003cp\u003e1980:87:92-97\u003c/p\u003e","\u003cp\u003e1990:1994-1997\u003c/p\u003e","\u003cp\u003eBateman Office Accession Number: none; Note: Some folders were empty when accessioned.\u003c/p\u003e","\u003cp\u003e1986:1990-2000; Bateman Office Accession Number: none\u003c/p\u003e","\u003cp\u003e1988-89:92-97:99\u003c/p\u003e","\u003cp\u003e1986:94-96:98\u003c/p\u003e","\u003cp\u003e1986:94-96:98\u003c/p\u003e","\u003cp\u003e1986:96:98\u003c/p\u003e","\u003cp\u003eBateman Office Accession Number: non; Special Collections received 3 boxes of material on base closings. which were combined into 2 boxes, 142 and 143/44, during processing. Most of the material consisted of loose reports/publications and loose papers with few labeled folders. Since each box had its own group of loose papers, consisting of correspondence, memos, notes and reports, they were put into folders designated as Group 1, 2 or 3. This material has been kept in its original order, regardless of date, to reflect the possible working order by Mr. Bateman. Important documents in each folder are listed. All loose reports were placed in folders using the report title as the heading. Please note that some correspondence files include reports and some report files may include correspondence. [1798:1876:1902:08:23:36:38:52:65-66:75:79-80:87-95]\u003c/p\u003e","\u003cp\u003eThis folder includes information on Jefferson Proving Ground, MILCON costs, Navy Bases report, and COBRA Realignment Summary. It also includes Remarks of Rep. Herbert Bateman, Commission on Base Closure and Realignment [June 16, 1993], Letter from Hunter B. Andrew outlining some legislation with attached 1979 material on cost savings if Ft. Monroe closed [June 9, 1993], and letter from John O. Marsh, Jr. [past Secretary of the Army] with his views of closing Ft. Monroe [June 11, 1993].\u003c/p\u003e","\u003cp\u003eThis folder includes newspaper articles, map entitled Franklin South Hampton Economic Development, notes, and correspondence to and from John H. Dalton, Secretary of the Navy, Ronald R. Fogleman, General, USAF, Chief of Staff, Robert E. Bayer, Deputy Assistant Secretary of Defense Installations, Robert M. Walter, Assistant Secretary of the Army (Installations, Logistics and Environment), Scott B. McLaughlin, Lt. Colonel of USAF, and others, regarding transfer of surplus base closure properties and other base closing topics. Reports included are: Closure Dates-Major Bases 1988 and 1991 Accepted Actions (as of 9/92), Army [Bases] report, GAO report on Depot Maintenance: Issues in Management and Restructuring to Support a Downsized Military [May 6, 1993] and Changes to Cobra Screen 4 Data--Fort Eustis, Virginia [June 7, 1993].\u003c/p\u003e","\u003cp\u003eThis folder includes newspaper articles, memos and correspondence with Thomas K. Norment, Virginia Congressman, Hunter B. Andrews, Virginia Senator, James A. Courter, Chairman of the Defense Base Closure and Realignment Commission, and Mr. Bateman's aides concerning Fort Monroe closing. One memo says Mr. Bateman is surprised that Governor Chuck Robb supports the closing of Fort Monroe. Reports and related items included are: COBRA model reports, UXO at Fort Monroe [n. d.], The Key Questions: Why Fort Monroe? Why Not Fort Eustis? [undated], Discussion Paper on Ft. Monroe [June 4, 1993], Information Paper on Jefferson Proving Ground (JPG) Disposal Plan [June 4, 1993], BRAC Impact State by State Comparison [undated], Memo about Ordnance and Explosive Waste (OEW) Remediation at Fort Monroe [June 9, 1993], BRAC 93 Valuation of Fort Monroe, Virginia [undated], Defense Base Closure and Realignment Commission: Base Summary Sheet, Fort Monroe, Virginia [May 18, 1993], 1991 Real Estate Map of Fort Monroe with areas of ownership highlighted [undated] and Historic Preservation Program: Structure, History, and Congressional Policies by Malcolm M. Simmons Specialist in Natural Resources [April 14 1987],\u003c/p\u003e","\u003cp\u003eReports: Military Bases: Transfer of Pease Air Force Base Slowed by Environmental Concerns by GAO [February 1993], Chapter 5 entitled, The Army's Process and Recommendations Were Generally Sound…, of the Report GAO/NSIAD-95-133 Military Bases [undated] , Recommendations of the Navy – part of another unnamed report [undated] COBRA report on Cost of Base Realignment Action [undated], Turning Visions into Success: Briefing to the Honorable Herbert Bateman by Vitro [October 11, 1994] and mini-report entitled \"Closing Fort Monroe [June 1988]. Includes correspondence, memos, laws and documents regarding base closings, hearings, hazardous waste and environmental concerns. Letters and memos from Alan J. Dixon and James A. Courter, Chairmen of Defense Base Closure \u0026amp; Realignment Commission, copy of H.R. 4016 that amends the Comprehensive Environmental Response, Compensation \u0026amp; Liability Act of 1980, statements from hearings, notes on Virginia Requirements at May 4 [1995] hearing, a briefing \u0026amp; news releases. Resolutions from Spotsylvania, VA County Board of Supervisors, Rappahannock Area Development Commission \u0026amp; other localities giving support to Dahlgren and Fort A.P. Hill [October 27, 1994]. April 19, 1993 letter to Jerry C. Harrison, Chief, Legislative Liaison of the Army, requesting that the Department of the Army provide him [Herbert H. Bateman] all the information used in the preparation of the Total Army Basing Study as pertains to Fort Monroe. The report is attached.\u003c/p\u003e","\u003cp\u003eIncludes memos, reports, fact sheets, studies and newspaper articles\u003c/p\u003e","\u003cp\u003eIncludes notes, memos, reports, studies and newspaper articles\u003c/p\u003e","\u003cp\u003eIncludes copy of letter from John O. Marsh, Jr. to Hon. Norman Sisisky about his views on a closure of Fort Lee [June 9, 1993], letter from Herbert H. Bateman to Jerry C. Harrison, chief Legislative Liaison of the Army, asking for all the information used in the preparation of the Total Army Basing Study as it pertains to Fort Monroe with copy of report, BRAC 93 Alternative Documentation Set [April 19, 1993], fax sending Army's Verified COBRA Run Report [June 1993] and a fax sending the Army \"talking\" points\" and the new COBRA Run report [June 1993].\u003c/p\u003e","\u003cp\u003eIncludes letters from John M. Low, Air Force General at Langley AFB, \u0026amp; others, against the closing of Fort Monroe [1993], position reports, BRAC reports, \u0026amp; reports about many aspects of Fort Monroe.\u003c/p\u003e","\u003cp\u003eIncludes memos, drafts, notes, meeting proceedings, letter from Alan J. Dixon, Chairman of Defense Base Closure and Realignment Commission regarding Mr. Bateman's request to reconsider the 1993 decision to close the Naval Aviation Depot Norfolk [March 21, 1995], laws and reports.\u003c/p\u003e","\u003cp\u003e7 copies.\u003c/p\u003e","\u003cp\u003eIncludes newspaper articles and editorials, news releases, notes, memos, correspondence, U.S Codes and reports. Reports Environmental Impact at Closing Installations by GAO [February 1995] Reuse Plans for Selected Bases Closed in 1988 \u0026amp; 1991 by GAO [4/94] Published statement of Joshua Gotbaum, Asst Sec. of Defense [2/3/95] Challenges in Identifying and Implementing Closure Recommendations by GAO [February 23, 1995] Defense Base Closure and Realignment Commission: members, agendas, outline and master copy of final report [1994-95] BRAC 95 Overview by Office of the Asst Secretary of the Army [undated]\u003c/p\u003e","\u003cp\u003e1965:79-80:88 and undated Notes, correspondence, newspaper articles and reports, Background Paper: Significant Factors Pertaining to Possible Base Closure of Fort Monroe [July 1988] and Fort Monroe Base Realignment Study by U.S. Army Training and Doctrine Command [October 24, 1980]\u003c/p\u003e","\u003cp\u003e1798:1876:1902:08:23:36:38:52:66:75\u003c/p\u003e","\u003cp\u003eBox 143 was combined with Box 144 during processing.\u003c/p\u003e","\u003cp\u003e1984:86:88:90:93-95; Bateman office Accession Number: none\u003c/p\u003e","\u003cp\u003eBateman office Accession Number: none\u003c/p\u003e","\u003cp\u003eIncludes notes.\u003c/p\u003e","\u003cp\u003e1969:84-95; Bateman Office Accession Number: none\u003c/p\u003e","\u003cp\u003ePRES2.JCR Funding of Clover Cogeneration [3/19/92]\u003c/p\u003e","\u003cp\u003eSS.benefit COLAs and S.S. Benefits [9/15/92]\u003c/p\u003e","\u003cp\u003e1977:79:82-93 Bateman Office Accession Number: none The folders in this box had post-it notes on them with other file names written, suggesting that these folders had been removed from other files and newly grouped as Eastern Shore, or it is a system of cross referencing. These Post-It note headings are noted in parentheses beside the main folder title.\u003c/p\u003e","\u003cp\u003e1979:83-85:87\u003c/p\u003e","\u003cp\u003e1977: 79:83-88\u003c/p\u003e","\u003cp\u003e1985:88:90:92\u003c/p\u003e","\u003cp\u003e1983-11-02T00:00:00.000\u003c/p\u003e","\u003cp\u003eBateman Office Accession Number: none\u003c/p\u003e","\u003cp\u003e1990-94:97\u003c/p\u003e","\u003cp\u003e1990-91:93-94\u003c/p\u003e","\u003cp\u003eIncludes material on Opie and HR 961\u003c/p\u003e","\u003cp\u003eBateman Office Accession Number: none\u003c/p\u003e","\u003cp\u003e1984-85:92-97\u003c/p\u003e","\u003cp\u003e1986:89:91-92\u003c/p\u003e","\u003cp\u003eIncludes the 1987 Delineation Manual, but not the 1989 version; 1987:90-92\u003c/p\u003e","\u003cp\u003e1984-85:87:89-90:93\u003c/p\u003e","\u003cp\u003e1976-77:81:86\u003c/p\u003e","\u003cp\u003e1976:91:94\u003c/p\u003e","\u003cp\u003e1991:93:94\u003c/p\u003e","\u003cp\u003eBateman Office Accession Number: none\u003c/p\u003e","\u003cp\u003eBateman Office Accession Number: none\u003c/p\u003e","\u003cp\u003eBateman Office Accession Number: none. Accessioned as 2 boxes (154 \u0026amp; 155), but combined into 1 box, 154/155, during processing.\u003c/p\u003e","\u003cp\u003eBateman Office Accession Number: none\u003c/p\u003e","\u003cp\u003eIncludes some loose papers\u003c/p\u003e","\u003cp\u003eNo Accession Number assigned by Bateman's Office\u003c/p\u003e","\u003cp\u003eNo Accession Number assigned by Bateman's Office\u003c/p\u003e","\u003cp\u003eIncludes loose papers\u003c/p\u003e","\u003cp\u003eNo Accession Number assigned by Bateman's Office\u003c/p\u003e","\u003cp\u003eIncludes loose material.\u003c/p\u003e","\u003cp\u003eIncludes copy of H.R. 45\u003c/p\u003e","\u003cp\u003eBackground Info, Dear Colleagues\u003c/p\u003e","\u003cp\u003eLetters\u003c/p\u003e","\u003cp\u003e1954, 1980, 1989-2000; No Accession number assigned by Bateman's office\u003c/p\u003e","\u003cp\u003eIncludes correspondence and reports on Hampton Roads Metropolitan Planning Organization, Surface Transportation Board Reauthorization Act of 1999, National Transportation Safety Board and Public Transportation Projects Proposed for Federal Funding in FY00\u003c/p\u003e","\u003cp\u003e1954, 1989, 1991-1993\u003c/p\u003e","\u003cp\u003eReports, Clippings, VHS Tape\u003c/p\u003e","\u003cp\u003eReport: Submission by Counsel for President Clinton to the Committee on the Judiciary of the United States House of Representatives. 12/8/1998. c. 1 of 2\u003c/p\u003e","\u003cp\u003eReport: Submission by Counsel for President Clinton to the Committee on the Judiciary of the United States House of Representatives. 12/8/1998. c. 2 of 2\u003c/p\u003e","\u003cp\u003eReport: Referral to the United States House of Representatives Pursuant to Title 28, United States Code, § 595 (C). Submitted by The Office of Independent Counsel. 9/9/1998. Pages 1–180\u003c/p\u003e","\u003cp\u003eReport: Referral to the United States House of Representatives Pursuant to Title 28, United States Code, § 595 (C). Submitted by The Office of Independent Counsel. 9/9/1998. Pages 181 – 252 and Grounds, Pages 1-163\u003c/p\u003e","\u003cp\u003eThe National Journal, 9/14/98\u003c/p\u003e","\u003cp\u003eNewspaper Clippings. 3 copies of 12/12/1998 Washington Post section entitled \"Referral to the United States House of Representatives Pursuant to Title 28, United States Code, §595 (c).\u003c/p\u003e","\u003cp\u003eVHS Tape entitled \"President Clinton's Testimony\"\u003c/p\u003e","\u003cp\u003eHouse Document 105-311, 105th Congress, 2nd Session: Appendices to the Referral to the United States House of Representatives Pursuant to Title 28, United States Code, Section 595 (c) Submitted by the Office of the Independent Counsel, September 9, 1998. Part 1. Communication from the Office of the Independent Counsel, Kenneth W. Starr.\u003c/p\u003e","\u003cp\u003eHouse Document 105-311, 105th Congress, 2nd Session: Appendices to the Referral to the United States House of Representatives Pursuant to Title 28, United States Code, Section 595 (c) Submitted by the Office of the Independent Counsel, September 9, 1998. Part 2. Communication from the Office of the Independent Counsel, Kenneth W. Starr.\u003c/p\u003e","\u003cp\u003eHouse Document 105-310, 105th Congress, 2nd Session: Referral from Independent Counsel Kenneth W. Starr in Conformity with the Requirements of Title 28, United States Code, Section 595 (c) . 9/11/98. Communication from Kenneth W. Starr, Independent Counsel.\u003c/p\u003e","\u003cp\u003eHouse Document 105-316, 105th Congress, 2nd Session: Supplemental Materials to the Representatives Pursuant to Title 28, United States Code, Section 595 (c) Submitted by the Office of the Independent Counsel, September 9, 1998. Part 1 Communication from the Office of the Independent Counsel, Kenneth W. Starr.\u003c/p\u003e","\u003cp\u003eHouse Document 105-316, 105th Congress, 2nd Session: Supplemental Materials to the Representatives Pursuant to Title 28, United States Code, Section 595 (c) Submitted by the Office of the Independent Counsel, September 9, 1998. Part 2 Communication from the Office of the Independent Counsel, Kenneth W. Starr\u003c/p\u003e","\u003cp\u003eHouse Document 105-316, 105th Congress, 2nd Session: Supplemental Materials to the Representatives Pursuant to Title 28, United States Code, Section 595 (c) Submitted by the Office of the Independent Counsel, September 9, 1998. Part 3 Communication from the Office of the Independent Counsel, Kenneth W. Starr.\u003c/p\u003e","\u003cp\u003e1941, 1955, 1957-1958, 1993, 1995-1997 Includes the following publications: Presenting a Pictorial Review of Elder Lightfoot Solomon Michaux International Radio Evangelist His Famous Cross and Road Choirs and His Civic Activities for Developing a Good Neighbor Spirit Among All Races and Creeds. First Edition, August 1941. Solomon Michaux's Fore-Sight from Victory Square to Archer's Hope, 1928-2000 AD Proposal submitted by The Saints' Missionary Foundation, Inc. 1996\u003c/p\u003e","\u003cp\u003eNote: Jack Brook was Herbert Bateman's Chief of Staff from January 1983 to January 1993.\u003c/p\u003e","\u003cp\u003eLower Peninsula Water Needs: A Summary Response and Rebuttal to Institute for Water Resources \"special study\" by Regional Raw Water Study Group.\u003c/p\u003e","\u003cp\u003e1995:97:99\u003c/p\u003e","\u003cp\u003eIncludes Information on Venture Star\u003c/p\u003e","\u003cp\u003e1985-88:90-2000\u003c/p\u003e","\u003cp\u003e85-88:90-91:93\u003c/p\u003e","\u003cp\u003e[The American Homeownership and Economic Opportunity Act of 1990]\u003c/p\u003e","\u003cp\u003e[Re: Housing ]\u003c/p\u003e","\u003cp\u003e[Re Long Term Insurance Care Coverage]\u003c/p\u003e","\u003cp\u003e[Re: Restoring Management and Personnel Authority/Mayor of D.C.]\u003c/p\u003e","\u003cp\u003e[Re: H.R. 142, The Government Shutdown Prevention Act]\u003c/p\u003e","\u003cp\u003e[Re: The Thrift Savings Plan Enhancement Act]\u003c/p\u003e","\u003cp\u003e[Re: Civil Service Retirement Fund Off-Budget]\u003c/p\u003e","\u003cp\u003e[Re: The Microloan Program Technical Correction Act]\u003c/p\u003e","\u003cp\u003e[Re: The Government Waste, Fraud, and Error Reduction Act]\u003c/p\u003e","\u003cp\u003e[Re: Paperwork Elimination Act]\u003c/p\u003e","\u003cp\u003e[Re: Federal Financial Assistance Management Improvement]\u003c/p\u003e","\u003cp\u003e[Re: The Small Business Paperwork Reduction Act of 1999]\u003c/p\u003e","\u003cp\u003e1996:98-2000\u003c/p\u003e","\u003cp\u003e[Re: Religious Liberty Protection Act]\u003c/p\u003e","\u003cp\u003e[Community Protection Act]\u003c/p\u003e","\u003cp\u003e[Re: Mandatory Gun Show Background Check Act]\u003c/p\u003e","\u003cp\u003e[Re: Consequences for Juvenile Offenders Act of 1999]\u003c/p\u003e","\u003cp\u003e[Re: Consequences for Juvenile Offenders Act of 1999]\u003c/p\u003e","\u003cp\u003e[Re: Consequences for Juvenile Offenders Act of 1999]\u003c/p\u003e","\u003cp\u003e[Re: Consequences for Juvenile Offenders Act of 1999]\u003c/p\u003e","\u003cp\u003e\"Herbert Bateman's Bulletin\" (1983 – 1998) are filed chronologically (folders 1-48); followed by Town Meeting Postcards (1983-1993), Franking Approvals, 1983-1995, and Bulletin requests (folders 49-51 respectively)\u003c/p\u003e","\u003cp\u003eAgriculture – not sent to Hampton, York, James City County [Special Report to Rural Virginians]\u003c/p\u003e","\u003cp\u003eChesapeake Bay [Special Report on the Chesapeake Bay]\u003c/p\u003e","\u003cp\u003eShipbuilding – Hampton, NN, York, Poquoson, James City County [Special Report on Shipbuilding]\u003c/p\u003e","\u003cp\u003eFuture U.S. Combat Logistic Force Ship Levels [4/21/99] and Required Navy Ship-Procurement Rates, by Class [4/16/99]\u003c/p\u003e","\u003cp\u003ePolitical Considerations Require Congressional Democrats to Support Full Funding for the Next Nimitz-class Aircraft Carrier (CVN-76) [undated]\u003c/p\u003e","\u003cp\u003eMost folders are not labeled. Some photographs have handwritten or post-it notes on the back with the name of event and names of the people included in the photo. Some slides and negatives are included. Some photographs are in small photo albums presented after an event. Photographs range in size from 3x5 to 8x10.\u003c/p\u003e","\u003cp\u003e1991, 1994-2000\u003c/p\u003e","\u003cp\u003eBoxes 181 and 182 (includes what was formerly numbered box 183).\u003c/p\u003e","\u003cp\u003eBoxes originally numbered 182 and 183 have been combined into one during processing.\u003c/p\u003e","\u003cp\u003e1981:87:94-96\u003c/p\u003e","\u003cp\u003e1981:87:93-95\u003c/p\u003e","\u003cp\u003e1986:88:92-95\u003c/p\u003e","\u003cp\u003e1978-1979, 1989-1994\u003c/p\u003e","\u003cp\u003ePlan of Operations, NMFS Model Seafood Surveillance Project by Office of Trade and Industry Services [January 1989] Fish and Fishery Products Hazards and Controls Guide, \"Get Hooked on Seafood Safety\" by Food and Drug Administration--Draft [February 16, 1994]\u003c/p\u003e","\u003cp\u003e1991-1993, 1995-1998\u003c/p\u003e","\u003cp\u003e1978-1979, 1988-2000\u003c/p\u003e","\u003cp\u003eA report on developing a highly competitive, sustainable aquaculture industry on the Eastern Shore of Virginia.\u003c/p\u003e","\u003cp\u003e1993, 1995-1996\u003c/p\u003e","\u003cp\u003e1992-1995, 1997\u003c/p\u003e","\u003cp\u003e1991-1995, 1997\u003c/p\u003e","\u003cp\u003e1978-1979, 1989, 1994\u003c/p\u003e","\u003cp\u003ePlan of Operations, NMFS Model Seafood Surveillance Project by Office of Trade and Industry Services [January 1989] Fish and Fishery Products Hazards and Controls Guide, \"Get Hooked on Seafood Safety\" by Food and Drug Administration--Draft [February 16, 1994].\u003c/p\u003e","\u003cp\u003e1991-1993, 1995, 1998\u003c/p\u003e","\u003cp\u003eTwelve volumes with daily schedules of Herbert H. Bateman. One volume er year.\u003c/p\u003e","\u003cp\u003eIn reverse chronological order\u003c/p\u003e","\u003cp\u003eBox 197 is split between subseries 77.1 (141 folders) and 77.2 (41 folders)\u003c/p\u003e","\u003cp\u003eIncludes material on Flag Day, Shades Mountain Independent Church, National Bicentennial Competition on the Constitution and Bill of Rights and patriotism with dates from 1977 to 1987.\u003c/p\u003e","\u003cp\u003e1978, 1979, 1981, 1982, 1986\u003c/p\u003e","\u003cp\u003eBox 197 is split between subseries 77.1 (141 folders) and 77.2 (41 folders)\u003c/p\u003e","\u003cp\u003e1986-1887, 1990-1993, 1995\u003c/p\u003e","\u003cp\u003e1993, 1995-1996\u003c/p\u003e","\u003cp\u003e1994:98-99\u003c/p\u003e","\u003cp\u003e1993, 1996\u003c/p\u003e","\u003cp\u003e1964:86:89-98\u003c/p\u003e","\u003cp\u003e[1989:91:95]\u003c/p\u003e","\u003cp\u003e[1991:95-96]\u003c/p\u003e","\u003cp\u003eIncludes material on TBT Editorial for Sea Technology Magazine, correspondence, reports, clippings and the 1990 Virginia Pesticide Control Act [1986:88-90].\u003c/p\u003e","\u003cp\u003e1964:1993\u003c/p\u003e","\u003cp\u003e1995-97:99\u003c/p\u003e","\u003cp\u003eIncludes the 1994 Environmental Assessment Report and the 1995 Final Environmental Assessment Report.\u003c/p\u003e","\u003cp\u003eIncludes: 1995 Supplement to the List of Plant Species that occur in Northeast (Region 1), August 1995 and National List of Plant Species that Occur in Wetlands Northeast (Region 1), May 1988\u003c/p\u003e","\u003cp\u003e1996:99 Includes: Restoring America's Wildlife Legacy, A Plan to Rejuvenate Our National Wildlife Refuge System, 1999 Update\u003c/p\u003e","\u003cp\u003e1983-85:87:89-91:93-2000\u003c/p\u003e","\u003cp\u003e83-85:87:89-91:93-94\u003c/p\u003e","\u003cp\u003e1990:93:97\u003c/p\u003e","\u003cp\u003eBox 203; 1982:84-86:90-95:97 and undated Most of the Video Cassette Tapes are in plastic or cardboard covers. Most are labeled with date and subject matter. Includes 9 tapes of Congressman Bateman Series, professionally made tapes, tapes of TV appearances and tapes by Laura Bateman\u003c/p\u003e","\u003cp\u003eSponsored by Newport News Shipbuilding, Distributed by the Committee for Citizen Awareness, 30 Minutes\u003c/p\u003e","\u003cp\u003e20 Minutes\u003c/p\u003e","\u003cp\u003e1984-10-19T00:00:00.000\u003c/p\u003e","\u003cp\u003e1986-10-01T00:00:00.000\u003c/p\u003e","\u003cp\u003e1990-07-10T00:00:00.000\u003c/p\u003e","\u003cp\u003e1990-12-01T00:00:00.000\u003c/p\u003e","\u003cp\u003e1991-04-05T00:00:00.000\u003c/p\u003e","\u003cp\u003eTape 7, VR 7, Time 30:25 H ; 4/29/1992\u003c/p\u003e","\u003cp\u003e1992-10-09T00:00:00.000\u003c/p\u003e","\u003cp\u003e1992-10-22T00:00:00.000\u003c/p\u003e","\u003cp\u003e1992-10-29T00:00:00.000\u003c/p\u003e","\u003cp\u003eRecorded 7/7/92, Tape 13, VR# 15, Time 29.51 RD ; 12/08/92\u003c/p\u003e","\u003cp\u003e1992-10-29T00:00:00.000\u003c/p\u003e","\u003cp\u003eAirdate:  11/3/92\u003c/p\u003e","\u003cp\u003e1993 April\u003c/p\u003e","\u003cp\u003e1993 July 4\u003c/p\u003e","\u003cp\u003e1994 October 20\u003c/p\u003e","\u003cp\u003eBox 204\u003c/p\u003e","\u003cp\u003e3 binders\u003c/p\u003e","\u003cp\u003eBox 205\u003c/p\u003e","\u003cp\u003e4 binders\u003c/p\u003e","\u003cp\u003eBox 206\u003c/p\u003e","\u003cp\u003e4 binders\u003c/p\u003e","\u003cp\u003eBox 207\u003c/p\u003e","\u003cp\u003eBoxes 208-209; 1985:87-97; Each folder has a yellow post-it note which tells the Archive location. These locations are noted, in parentheses, under the folder title.\u003c/p\u003e","\u003cp\u003e2 folders\u003c/p\u003e","\u003cp\u003eArchive: T\u0026amp;I [Transportation and Infrastructure]/Water Resources 1995\u003c/p\u003e","\u003cp\u003eArchive: Resources/Fisheries 1996\u003c/p\u003e","\u003cp\u003eArchive: MM [Merchant Marine]/Oceanography, 1990\u003c/p\u003e","\u003cp\u003e1988-90:92-95; Archive: MM [Merchant Marine]/F\u0026amp;W [Fish and Wildlife] 1993\u003c/p\u003e","\u003cp\u003eArchive: MM [Merchant Marine]/F\u0026amp;W [Fish and Wildlife] 1994) Includes a research paper Government Island, Its Forgotten History Interesting Stone by Jane Henderson of Stafford, VA., undated The paper is about the Brent Family and other owners of the island, the island and the history of the stone.\u003c/p\u003e","\u003cp\u003e1985:87-89:92-94; Archive: PW [Public Works]/Water Resources 1994\u003c/p\u003e","\u003cp\u003eArchive: T\u0026amp;I [Transportation and Infrastructure]/Water Resources 1995\u003c/p\u003e","\u003cp\u003eArchive: T\u0026amp;I [Transportation and Infrastructure]/Water Resources 1995\u003c/p\u003e","\u003cp\u003e1985:88-92:96; Archive: T\u0026amp;I [Transportation and Infrastructure]/Water Resources 1995\u003c/p\u003e","\u003cp\u003eArchive: T\u0026amp;I [Transportation and Infrastructure]/Water Resources 1995\u003c/p\u003e","\u003cp\u003e1991-92:95; Archive: T\u0026amp;I [Transportation and Infrastructure]\u003c/p\u003e","\u003cp\u003eBox 210; 1972:86-97\u003c/p\u003e","\u003cp\u003e24 folders\u003c/p\u003e","\u003cp\u003e1972:87-88\u003c/p\u003e","\u003cp\u003eReport: Hunting Creek and Guildford Creek, Accomack County, VA, Navigation Study, Revised May 1995\u003c/p\u003e","\u003cp\u003eReport: Newport News Creek, Newport News, Virginia Section 107 Navigation Study Feasibility Report [October 1994]\u003c/p\u003e","\u003cp\u003e1983:86-90; Subjects include Ports of Hampton Roads, Norfolk Ports, Water Resources Development Act of 1986, Thimble Shoals Navigation Project, Hampton Roads Navigation Project, and Sewells' Point.\u003c/p\u003e","\u003cp\u003e1989-91:94:97\u003c/p\u003e","\u003cp\u003e1993:96-97\u003c/p\u003e","\u003cp\u003e1992:94\u003c/p\u003e","\u003cp\u003e1989:94:97\u003c/p\u003e","\u003cp\u003eBox 211 (91 folders)\u003c/p\u003e","\u003cp\u003e91 folders\u003c/p\u003e","\u003cp\u003eBox 212 (53 files)\u003c/p\u003e","\u003cp\u003e1978:86:88-90:92-95; Includes the report: Master Plan--Chincoteague National Wildlife Refuge, dated December 1993\u003c/p\u003e","\u003cp\u003e1985, 1997\u003c/p\u003e","\u003cp\u003e1987:90:92\u003c/p\u003e","\u003cp\u003e1984:86:88-89\u003c/p\u003e","\u003cp\u003e1984:86:91\u003c/p\u003e","\u003cp\u003e1984:87-88\u003c/p\u003e","\u003cp\u003e1989:1993-94:99\u003c/p\u003e","\u003cp\u003e1984:90:94\u003c/p\u003e","\u003cp\u003eBoxes 213-216; Most subjects have mulitple sub-divisions and a number of folders are empty. Subjects Files included are: dministrative, Agriculture, Armed Service Files, Banking, Budget, Congress Chris J. Wenk, Commerce, Elections and Campaigns, Education and Labor, Foreign Affairs, Government, House Administration, House Oversight, Judiciary, Legislative, Miscelaaneous, Natrual Resources, House Rules, Small Business, Science Space and Technology, Social Security, Veterans, Ways and Means\u003c/p\u003e","\u003cp\u003e33 folders\u003c/p\u003e","\u003cp\u003e34 files\u003c/p\u003e","\u003cp\u003e24 folders\u003c/p\u003e","\u003cp\u003e61 folders\u003c/p\u003e","\u003cp\u003eBox 217\u003c/p\u003e","\u003cp\u003e6 folders\u003c/p\u003e","\u003cp\u003e[83:86-98]\u003c/p\u003e","\u003cp\u003eRegister\u003c/p\u003e","\u003cp\u003e[1983:89:91:95-2000]\u003c/p\u003e","\u003cp\u003eBoxes 218-224; 1956, 1959, 1965, 1980, 1983, January – March 1985; Accession Number: 2003.18 The material in the 17 boxes accessioned as Number 2003.18 were combined into 11 boxes while maintaining the subject matter: Trips, Directories, Photographs and Condolences. The Trip material has been arranged in chronological order, with the undated items at the beginning. Names of the countries visited and dates of travel are part of the heading of each folder. If the purpose of the trip is known, it is also noted as part of the folder label. Some items found in this group are not obviously directly related to a particular trip, but have been kept with the material and most are filed at the beginning of each box.\u003c/p\u003e","\u003cp\u003eundated, 1956, 1959, 1980, 1988\u003c/p\u003e","\u003cp\u003eRecommendation of Department of Air Force\u003c/p\u003e","\u003cp\u003eJohn B. Minor at Dean Law School, John O. Marsh, Jr. at Yorktown; Honorary Degrees at William \u0026amp; Mary, 1988\u003c/p\u003e","\u003cp\u003eCountry Club Hill, Lot 3, Blk 1\u003c/p\u003e","\u003cp\u003eArranged in rough chronologically.\u003c/p\u003e","\u003cp\u003eReport: U.S. Fisheries Utilization and Management\u003c/p\u003e","\u003cp\u003eFolder entitled \"Welcome to Dublin\" from the United States Embassy which contains tourist pamphlets and general briefing information\u003c/p\u003e","\u003cp\u003ePossibly a family trip and not a business trip\u003c/p\u003e","\u003cp\u003e(OECD) Organization for Economic Co-operation and Development\u003c/p\u003e","\u003cp\u003eFolder labeled when accessioned: NATO Expansion Reports from NATO committees and United States committees, CODEL Solomon itinerary and information by the U.S. Air Force for trip between, notes, and newspaper articles.\u003c/p\u003e","\u003cp\u003eAgenda and Meetings Notebook, Part 1 of 2\u003c/p\u003e","\u003cp\u003eAgenda and Meetings Notebook, Part 2 of 2\u003c/p\u003e","\u003cp\u003eCODEL Bereuter, 1 of 2\u003c/p\u003e","\u003cp\u003eCODEL Bereuter, 2 of 2\u003c/p\u003e","\u003cp\u003ePrinted by the U.S. Government Printing Office with forward written by President George Bush and Frank C. Carlucci, Secretary of Defense\u003c/p\u003e","\u003cp\u003e10 copies of the resolution that authorizes the use of U.S. Armed Forces against Yugoslavia.\u003c/p\u003e","\u003cp\u003eThe Osce Verification Mission to Kosovo, December 1998 to March 1999. The Warsaw Plenary Declaration on Kosovo [1999] Draft Plenary Resolution [May 1999] The Warsaw Plenary Declaration on Kosovo (as passed 6/1/99)\u003c/p\u003e","\u003cp\u003eInvitations, menu, name badges, map of Budapest, Country Data of Egypt and a Brief Guide to the Luxor Antiquities Sites\u003c/p\u003e","\u003cp\u003eBox 225 (32 folders)\u003c/p\u003e","\u003cp\u003ePhotographs, Correspondence and Programs\u003c/p\u003e","\u003cp\u003eGives his written withdrawal from the firm when he takes office in the Congress and notes the understandings and conditions.\u003c/p\u003e","\u003cp\u003eForwarding threatening letter he received\u003c/p\u003e","\u003cp\u003eMr. Mutuc returning to the Philippines since Marcus is gone. \u003c/p\u003e","\u003cp\u003eRegarding Black congressional districts and the Pledge Bond Referendum. \u003c/p\u003e","\u003cp\u003eYacobi, nephew of Herbert Bateman, and stationed in Saudi Arabia and Iraq thanking him for getting the autographed transcript of the President's State of the Union Address with an enclosed Thank You letter to the President with an Iraq bottle label. \u003c/p\u003e","\u003cp\u003eRecommending Management Accounting's article on Joe DioGuardi's bill, HR 4495. \u003c/p\u003e","\u003cp\u003eThank you letters, donation/contribution letters correspondence about family matters invitations to join the Huntington Club statement to the Members of the Congress of the United States about integration of public schools dated August 10, 1971 statement about drug abuse and juvenile delinquency dated December 14, 1972 letter to Clerk of the Senate with biographical changes dated November 4, 1971 and other correspondence\u003c/p\u003e","\u003cp\u003eIncludes letter to Gov. John N. Dalton letters regarding his children Toll Charges Disclosure Forms Conflict of Interest Forms expense work sheets for attendance at meetings campaign contributions tax information Lawyer's Referral Service Form and other correpsondence\u003c/p\u003e","\u003cp\u003eHerbert Bateman was nominated by Senator Harry F. Byrd, Jr. for consideration for one of two Federal District Judgeships for the Eastern District of Virginia in 1977 Herbert Bateman was nominated by Senator John Warner for a vacancy on the United States Court of Appeals for the District of Columbia Circuit in 1981.  Robert Heron Bork got the judgeship. 1957 Court of Appeals publications are included. 1977 material includes a questionnaire. 1981 file includes letters of support from politicians and other important people, such as Strom Thurmond, Mills Godwin, Jerry Farwell and James L. Ketelsen, Chairman of Tenneco, with attached response from Vice President George Bush.  There is also a biography, letters to possible supporters, and a list of people to contact to help with recommendations\u003c/p\u003e","\u003cp\u003eIncludes HHB Bank Receipts from 2/1/89 – 12/6/89.\u003c/p\u003e","\u003cp\u003eSent by President Bush as a memento\u003c/p\u003e","\u003cp\u003eMany of the negatives appear to be from trips abroad\u003c/p\u003e","\u003cp\u003eInvitations, information about Paris Air Show, menus and photographs\u003c/p\u003e","\u003cp\u003eLetter and 2 photographs\u003c/p\u003e","\u003cp\u003eIncludes and a photograph of HHB speaking at Chesapeake Bay Forum\u003c/p\u003e","\u003cp\u003e3 photographs\u003c/p\u003e","\u003cp\u003e4 photographs\u003c/p\u003e","\u003cp\u003e3 photographs\u003c/p\u003e","\u003cp\u003e3 photographs\u003c/p\u003e","\u003cp\u003e1983, 1991, 1994-95, 2000\u003c/p\u003e","\u003cp\u003e1984, 1989, 1994 and 1999\u003c/p\u003e","\u003cp\u003e2 different poses. Photographed by Congressman Richard Ray.\u003c/p\u003e","\u003cp\u003eHouse Gym Dinner\u003c/p\u003e","\u003cp\u003e2 copies.\u003c/p\u003e","\u003cp\u003eAutographed by both\u003c/p\u003e","\u003cp\u003eCopy of the Poem with acknowledgement letter to Frederick Manzie from President George Bush\u003c/p\u003e","\u003cp\u003eIn Alphabetical Order\u003c/p\u003e","\u003cp\u003eThanking HHB for support in the primary.\u003c/p\u003e","\u003cp\u003ePrinted Copy\u003c/p\u003e","\u003cp\u003eRe: HHB's help with the new aircraft carrier proposals. \u003c/p\u003e","\u003cp\u003eList of the reforms with hand-marked red checks beside each reform and a hand written note, \"4/6/95 Done.\"\u003c/p\u003e","\u003cp\u003eCongratulating the United States government on the 210th anniversary of American Independence.\u003c/p\u003e","\u003cp\u003eRegarding relocating the Military Traffic Management Command to Fort Eustis\u003c/p\u003e","\u003cp\u003eThanking HHB for support of Marine Corp and programs. \u003c/p\u003e","\u003cp\u003eThanking HHB for stopping by Republican Leader's Fund fundraising reception.  Photograph attached. \u003c/p\u003e","\u003cp\u003eSaying they are grateful as they leave the White House. \u003c/p\u003e","\u003cp\u003eAnnouncing his resignation from the Virginia Senate because of his election as a U.S. Congressman.\u003c/p\u003e","\u003cp\u003eSecond Russian in Space, after Gagarin.\u003c/p\u003e","\u003cp\u003eExpressing appreciation for HHB's vote in favor of the Government Ethics Reform Act of 1989. \u003c/p\u003e","\u003cp\u003eThanking HHB for his vote in support of the Space Station Freedom.\u003c/p\u003e","\u003cp\u003eSome items in this folder were sent to HHB with photographs.  The photographs were filed in one of the Photographs folders 1 or 2.\u003c/p\u003e","\u003cp\u003eRe: endorsements of political candidates\u003c/p\u003e","\u003cp\u003e\"Bateman responded:  \"I am absolutely amazed that anyone could say as many things so untrue and so distorted in so short a period of time, on such a variety of sub(j)ects.  My heavens, it is appalling.\"  Rep. Herb Bateman, Westmoreland Civic Center, Oct 13, 1992.\"\u003c/p\u003e","\u003cp\u003eSome items in this folder were sent to HHB with photographs.  The photographs were filed in one of the folders labeled Photographs 1 or 2.\u003c/p\u003e","\u003cp\u003eOn White House letterhead\u003c/p\u003e","\u003cp\u003eEnclosing photographs.\u003c/p\u003e","\u003cp\u003eIn the Benjamin Franklin Room, State Department\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003eprogram and photographs\u003c/p\u003e","\u003cp\u003eheld at Statuary Hall, The United States Capitol\u003c/p\u003e","\u003cp\u003ePhotographs of Induction into Hall of Leadership for the U.S. Junior Chamber of Commerce and publication The Virginia Jaycees, the First 50 Years, 1939-1989, March 1996\u003c/p\u003e","\u003cp\u003eBox 226\u003c/p\u003e","\u003cp\u003e1 folder\u003c/p\u003e","\u003cp\u003eIncludes expired passports for Herbert H. Bateman, plus photographs of Mr. and Mrs. Bateman, and applications for passports and visas.\u003c/p\u003e","\u003cp\u003eBox 227; Accession Number: 2003.18\u003c/p\u003e","\u003cp\u003e(removed during renovation).  Includes letter from George M. White, Architect of the Capitol, where he explains history of the brick\u003c/p\u003e","\u003cp\u003eCopies and originals of newspaper clippings divided into months.\u003c/p\u003e","\u003cp\u003eLicense Plate Number:  VA H1\u003c/p\u003e","\u003cp\u003eBag was possibly used by Mrs. Bateman to send over items for these papers.\u003c/p\u003e","\u003cp\u003e\"The Chief of Transportation takes great pleasure in granting the distinction of Honorary Transporter of the Transportation Corps Regiment to The Honorable Herbert H. Bateman in recognition of your special place in Regimental continuity, tradition and esprit de corps\" issued at The Home of the Transportation Corps Regiment this 25th day of August 2000.\u003c/p\u003e","\u003cp\u003eBox 228; Accession Number: 2003.18; Some of these books are embossed with Hon. Herbert H. Bateman's name.\u003c/p\u003e","\u003cp\u003eBox 229; Accession Number: 2003.18\u003c/p\u003e","\u003cp\u003e13 folders\u003c/p\u003e","\u003cp\u003e[Notation on original box: \"Already Copied\"] Box 230; Accession Number: 2003.18 These letters and cards were already grouped by affiliation of sender when accessioned. They were kept in their original designations and put in alphabetical order. 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Congressional records of Herbert Bateman, William \u0026 Mary Class of 1949, House of Representatives, 1982-2000, First Virginia District.  Includes records relating to congressional sessions such as budget, appropriations; local subjects including NASA, King William Reservoir, wetlands; weekly columns; speeches; schedule books, press releases, briefing books; campaign papers and other papers relating to his work in the House of Representatives.  Herbert Bateman served on the Armed Services and Transportation and Infrastructure Committees.","Bateman Office Accession Number 329-85-291","Bateman internal Acc. 329-86-30","Bateman Office Accession Number: 329-87-113; Boxes 12-21 or 22;","[check to see if there is a box 22 and enter folder listing]","Bateman Accession Number: 329-89-176","Bateman office Accession Number: 329-90-126","50 letters","115 Letters","110 Letters","100 letters","101 letters","48 letters","51 letters","52 letters","65 letters","52 letters","48 letters","42 letters","54 letters","50 letters","61 letters","74 letters","61 letters","60 letters","519 forms","48 letters","77 letters","30 letters","51 letters","54 letters","50 letters","38 letters","43 letters","31 letters","20 letters","19 letters","71 letters","50 letters","74 letters","50 letters","17 letters","50 letters","51 letters","9 letters","45 letters","51 letters","54 letters","57 letters","48 letters","74 letters","49 letters","63 letters","51 letters","50 letters","50 letters","50 letters","54 letters","96 letters","96 letters","123 letters","103 letters","108 letters","55 letters","16 letters","13 letters","110 letters","114 letters","50 letters","62 letters","59 letters","54 letters","25 letters","50 letters","47 letters","29 letters","50 letters","50 letters","50 letters","49 letters","31 letters","53 letters","50 letters","48 letters","49 letters","53 letters","57 letters","60 letters","54 letters","68 letters","59 letters","40 letters","50 letters","45 letters","35 letters","53 letters","61 letters","39 letters","22 letters","25 letters","29 letters","15 letters","64 letters","48 letters","54 letters","48 letters","32 letters","62 letters","32 letters","12 letters","70 letters","60 letters","45 letters","30 letters","7 letters","52 letters","57 letters","Bateman office Accession Number: 329-91-119","60 letters","40 letters","35 letters","49 letters","Ad/Stud. 8th","50 letters","37 letters","323 letters","43 letters","47 letters","53 letters","82 letters","49 letters","47 letters","20 letters","43 letters","49 letters","34 letters","7 letters","50 letters","150 letters","101 letters","100 letters","99 letters","98 letters","108 letters","103 letters","100 letters","155 letters","Ad/Elect./May","150 letters","49 letters","97 letters","53 letters","91 letters","100 letters","8 letters","100 letters","95 letters","106 letters","103 letters","96 letters","64 letters","366 letters","109 letters","114 letters","110 letters","109 letters","84 letters","10 letters","62 letters","79 letters","69 letters","182 letters","Bateman Office Accession Number: 329-92-76","112 letters","85 letters","111 letters","113 letters","95 letters","86 letters","99 letters","61 letters","84 letters","114 letters","101 letters","105 letters","34 letters","114 letters","112 letters","112 letters","108 letters","105 letters","106 letters","108 letters","103 letters","113 letters","113 letters","115 letters","113 letters","114 letters","114 letters","109 letters","113 letters","111 letters","113 letters","103 letters","114 letters","108 letters","111 letters","110 letters","111 letters","107 letters","98 letters","103 letters","106 letters","110 letters","69 letters","110 letters","98 letters","102 letters","104 letters","109 letters","111 letters","53 letters","124 letters","105 letters","111 letters","108 letters","110 letters","106 letters","114 letters","110 letters","111 letters","105 letters","100 letters","112 letters","110 letters","65 letters","113 letters","113 letters","115 letters","111 letters","108 letters","83 letters","108 letters","103 letters","101 letters","103 letters","52 letters","99 letters","100 letters","86 letters","103 letters","95 letters","110 letters","110 letters","104 letters","117 letters","111 letters","16 letters","94 letters","103 letters","106 letters","93 letters","109 letters","103 letters","108 letters","108 letters","87 letters","17 letters","63 letters","94 letters","64 letters","110 letters","Bateman Office Accession Number: 329-93-134","Book on Germany from 1918 to1945, written in Cyrillic","114 letters","115 letters","89 letters","111 letters","108 letters","28 letters","108 letters","102 letters","102 letters","112 letters","111 letters","95 letters","105 letters","105 letters","110 letters","110 letters","111 letters","108 letters","109 letters","111 letters","65 letters","108 letters","84 letters","48 letters","111 letters","96 letters","100 letters","102 letters","90 letters","100 letters","93 letters","102 letters","87 letters","109 letters","110 letters","67 letters","83 letters","82 letters","105 letters","110 letters","101 letters","198 letters","36 letters","76 letters","104 letters","marked as misfiled","41 letters","111 letters","105 letters","50 letters","67 letters","72 letters","15 letters","41 letters","31 letters","63 letters","244 letters","38 letters","117 letters","30 letters","66 letters","65 letters","134 letters","109 letters","22 letters","87 letters","37 letters","119 letters","62 letters","102 letters","52 letters","21 letters","48 letters","118 letters","87 letters","107 letters","114 letters","80 letters","38 letters","110 letters","Personal Brooks Bill Letters","Replies to Brooks Bill Petitions","21 letters","58 letters","28 letters","49 letters","25 letters","29 letters","106 letters","128 letters","139 letters","140 letters","89 letters","38 letters","62 letters","99 letters","202 letters","169 letters","212 letters, *Petitions Regarding DEA","91 letters","54 letters","116 letters","H.R. 3515 petitions","H.R. 3515 petitions","139 letters","88 letters","123 letters","83 letters","109 letters","125 letters","1st Batch of Letters WM NOTCH2","Bateman Office Accession Number: 329-94-90; [no folder listings for box 64; no mentioning of it having been combined with box 65 either. Check original listing when back onsite.]","Bateman Office Accession Number: 329-95-49; the subseries 'Rules' that was listed in the transfer papers had no folders, so it is not included in the finding aid.","Note on folder list supplied with files: Alphabetical Files DESTROYED","Bateman Office Accession Number: 329-96-86; The subseries \"Virginia (Casework)\" with 1 folder was included in the inventory provided with collection but it was not included in the physical transfer.","D. # 5389-6640","D. #6665-7324","D. #6943-10092","D. #10133-12130","D. # 5523-10761","D. # 10758-12138","D. #5543-11248","D. # 5536-9514","D. # 7667-12068","D. # 5578-8872","D. # 9605-11581","Bateman Office Accession Number: 329-97-4","On original transfer list, but not found in box","\"High-Information Content Flat Panel Displays and Subassemblies thereof from Japan\" September 1990 and June 21, 1991 \"Companies Which Have Sought Relief Under the Antidumping Laws During the 1980's\" by Stewart \u0026 Stewart, undated.","Arranged chronologically. Also included are 5 folders of PO'COLA letters, 1989-1991 in box 99.","77 Letters","Attendees of the Hampton \u0026 Williamsburg Town Meetings","110 letters","103 letters","97 letters","100 letters","103 letters","107 letters","98 letters","106 letters","109 letters","106 letters","107 letters","109 letters","101 letters","109 letters","110 letters","101 letters","106 letters","98 letters","97 letters","92 letters","110 letters","109 letters","105 letters","102 letters","99 letters","97 letters","98 letters","92 letters","97 letters","97 letters","103 letters","92 letters","104 letters","91 letters","100 letters","96 letters","69 letters","102 letters","109 letters","101 letters","H.R. 1074 COLA Letter","Federal Retiree COLA Letter","Revised Retiree COLA Letter","Updated COLA Letter","96 letters","93 letters","106 letters","110 letters","103 letters","89 letters","86 letters","92 letters","89 letters","104 letters","32 letters","75 letters","102 letters","106 letters","108 letters","101 letters","93 letters","99 letters","110 letters","102 letters","88 letters","82 letters","80 letters","99 letters","99 letters","102 letters","96 letters","115 letters","115 letters","113 letters","115 letters","115 letters","105 letters","114 letters","115 letters","115 letters","114 letters","115 letters","115 letters","115 letters","114 letters","115 letters","115 letters","115 letters","116 letters","115 letters","64 letters","114 letters","114 letters","100 letters","46 letters","115 letters","115 letters","115 letters","115 letters","108 letters","55 letters","44 letters","115 letters","115 letters","Bateman Office Accession Number: 329-98-72; Subseries EAS/CASE was noted on Transfer List, but not included.","12/14/94 to 5/30/95","6/5/95 to 9/28/95","10/3/95 to 12/31/95","Regarding Transition Assistance Program Proposal from SETCON","Regarding Budget Furlough","Regarding balancing the budget","Regarding Government shut down","Bateman office Accession Number: 329-00-54","No internal accession number was assigned","H.R. 7","H.R. 93","H. Con. Res. 110","H.J. Res. 127","H.R. 136","H.R. 159","H.R. 162","H.R. 173","H.R. 281","H.R. 302","H.R. 335","H.R. 421","H.R. 423","H.R. 426","H.R. 431","H.R. 465","H.R. 462","H.R. 513","H.R. 544","H.R. 561","H.R. 565","H.R. 624","H.R. 624","H.R. 702","H.R. 723","H.R. 734","H.R. 786","H.R. 787","H.R. 824","H.R. 830","H.R. 846","H.R. 885","H.R. 896","H.R. 911","H.R. 926","H.R. 929","H.R. 951","H.R. 657","H.R. 985","H.R. 1012","H.R. 1126","H.R. 1141","H.R. 1144","H.R. 1195","H.R. 1222","H.R. 1254","H.R. 1322","H.R. 1393","H.R. 1423","H.R. 1440","H.R. 1476","H.R. 1480","H.R. 1508","H.R. 1513","H.R. 1529","H.R. 1552","H.R. 1552","H.R. 1583","March 18, 1993","H.R. 6171","H.R. 1767","H.R. 1796","H.R. 1841","H.R. 2002","H.R. 2012","H.R. 2014","H.R. 2042","H.R. 2056","H.R. 2106","H.R. 2121","H.R. 2130","H.R. 2174","H.R. 2307","H.R. 2326","H.R. 2346","H.R. 2393","H.R. 2467","H.R. 2554","H.R. 2619","H.R. 2671","H.R. 2720","H.R. 2872","H.R. 2929","H.R. 2942","H.R. 2959","H.R. 2995","H.R. 3024","H.R. 3030","H.R. 3031","H.R. 3038","H.R. 3038","H.R. 3087","H.R. 3098","H.R. 3102","H.R. 3183","H.R. 3480","H.R. 3366","H.R. 3488","H.R. 3491","H.R. 3762","H.R. 3814","H.R. 3820","H.R. 3827","H.R. 3875","H.R. 3880","H.R. 3951","H.R. 3969","H.R. 3986","H.R. 3993","H.R. 4052","H.R. 4078","H.R. 4259","H.R. 4386","H.R. 4431","H.R. 4464","H.R. 4497","H.R. 5062","H. Res. 16","H. Res. 26","H. Res. 112","H. Res. 247","H. Res. 270","H. Res. 425","H. Res. 446","H. Res. 481","H. Con. Res. 6","H. Con Res. 26","H. Con Res. 48","H. Con. Res. 67","H. Con. Res. 69","H. Con. Res. 110","H. Con. Res. 141","H. Con. Res. 201","H. Con. Res. 270","H.J. Res. 6","H.J. Res. 10","H.J. Res. 11","H.J. Res. 68","H.J. Res. 69","H.J. Res. 76","H.J. Res. 78","H.J. Res. 79","H.J. Res. 80","H.J. Res. 84","H.J. Res. 86","H.J. Res. 90","H.J. Res. 94","H.J. Res. 103","H.J. Res. 108","H.J. Res. 109","H.J. Res. 111","H.J. Res. 122","H.J. Res. 126","H.J. Res. 131","H.J. Res. 134","H.J. Res. 135","H.J. Res. 138","H.J. Res. 139","H.J. Res. 143","H.J. Res. 148","H.J. Res. 149","H.J. Res. 155","H.J. Res. 159","H.J. Res. 162","H.J. Res. 165","H.J. Res. 173","H.J. Res. 175","H.J. Res. 178","H.J. Res. 179","H.J. Res. 185","H.J. Res. 188","H.J. Res. 190","H.J. Res. 194","H.J. Res. 197","H.J. Res. 204","H.J. Res. 205","H.J. Res. 206","H.J. Res. 209","H.J. Res. 212","H.J. Res. 214","H.J. Res. 216","H.J. Res. 218","H.J. Res. 219","H.J. Res. 226","H.J. Res. 230","H.J. Res. 231","H.J. Res. 234","H.J. Res. 236","H.J. Res. 239","H.J. Res. 242","H.J. Res. 246","H.J. Res. 247","H.J. Res. 253","H.J. Res. 257","H.J. Res. 260","H.J. Res. 262","H.J. Res. 264","H.J. Res. 265","H.J. Res. 266","H.J. Res. 268","H.J. Res. 272","H.J. Res. 274","H.J. Res. 276","H.J. Res. 278","H.J. Res. 285","H.J. Res. 286","H.J. Res. 287","H.J. Res. 289-290","H.J. Res. 291","H.J. Res. 303","H.J. Res. 304","H.J. Res. 310","H.J. Res. 311","H.J. Res. 315","H.J. Res. 316","H.J. Res. 317","H.J. Res. 318","H.J. Res. 320","H.J. Res. 322","H.J. Res. 329","H.J. Res. 330","H.J. Res. 332","H.J. Res. 334","H.J. Res. 335","H.J. Res. 337","H.J. Res. 342","H.J. Res. 343","H.J. Res. 346","H.J. Res. 355","H.J. Res. 358","H.J. Res. 359","H.J. Res. 363","H.J. Res. 366","H.J. Res. 385","H.J. Res. 387","H.J. Res. 389","H.J. Res. 390","H.J. Res. 398","H.J. Res. 401","H.J. Res. 402","H.J. Res. 418","H.J. Res. 424","H.J. Res. 424","H.J. Res.","H. Con. Res. 44","October 17, 1994","December 3, 1993","September 20, 1994","October 21, 1993","February 23, 1994","February 10, 1993","April 29, 1994","March 18, 1993","June 23, 1994","June 11, 1994","June 9, 1994","July 11, 1994","February 7, 1994","May 9, 1994","January 27, 1994","April 26, 1994","August 9, 1994","July 26, 1994","May 17, 1994","January 31, 1994","May 13, 1994","July 23, 1993","July 19, 1993","October 14, 1993","July 1993","January 15, 1993","November 9, 1993","September 27, 1994","October 12, 1994","October 21, 1994","September 15, 1994","September 13, 1994","Folder 118 was accidentally skipped when numbering the folders.","October 24, 1994","September 16, 1994","October 27, 1994","October 25, 1994","April 1, 1993","November 1, 1994","October 26, 1994","October 26, 1994","October 31, 1994","October 17, 1994","October 14, 1994","Oct. 12, 1994","October 20, 1994","November 8, 1994","October 18, 1994","June 24, 1994","September 23, 1994","October 17, 1994","August 22, 1994","October 6, 1994","October 7, 1994","October 17, 1994; Concerned Women for America Survey","August 8, 1994","September 7, 1994","July 14, 1994","October 13, 1994","October 4, 1994","September 20, 1994","October 7, 1994","September 15, 1994","September 2, 1994","August 29, 1994","October 6, 1994","June 20, 1994","September 15, 1994","August 30, 1994","September 6, 1994","May 23, 1994","September 9, 1994","September 9, 1994","September 6, 1994","August 20, 1994","July 1, 1994","July 15, 1994","July 21, 1994","July 22, 1994","July 28, 1994","1994","June 27, 1994","August 2, 1994","July 29, 1994","June 9, 1994","Sept. 28, 1994","June 24, 1994","June 14, 1994","April 13, 1994","May 3, 1994","February 11, 1994","Oct. 26, 1994","April 1994","June 28, 1994","1994","May 24, 1994","1993","July 15, 1994","Bateman Office Accession Number: none","Pk.hhb","KCS.internaps","ESmd.betaseron","MDag.dict","MDag.hearing","WFmilcola5","WFmilcola7","WFmilcola8","WFar.presgay [102nd and 103rd Congress)","ES.commisary","ES.commpriv","WFcommpriv","PNbu.balbu4","PNbu.balbu2","PNbu.bbss","PNbu.pkcon","PNbu.pkpro","MDco.benefit","MDco.obgyn","MDco.obgyn2","PKhr.abortemp","PKhr.chiro","PKhr.genab","PKhr.longterm","PKhr.mental","PKhr.obgyn","MDco.alliance","MDco.back","MDco.clinton","MDco.longterm","MDco.sbhealth","PKhr.gen","MDco.diet","MDco.single","PNco.fairness","PNco.fairness2","PNco.violence","ESpn.violence","PNdc.abort","PK.edgoalss","ESpk.nea","PK.english","WFfa.somalia","PNcg.whiteh2o","MDju.abort","MDju.abort3","MDju.face","MDju.focacon","MDju.focapro","MDju.fund","MDju.agenda","ESju.nohomo","MDju.homo","MDju.crime93","PKju.crimegen","MDju.legal","MDju.legalpro","ESmd.waco","MDju.fbi","ESmd.juvgun","MDju.bbcon","MDju.bbpro","MDju.gunpr","MDju.guns2","MDju.nra","MDju.stein","PK.assaultcon","PK.assaulting","PK.assaultpro","PKju.gunpal","ESju.imbenefit","ESju.immigrate","ESju.isa","ESju.porn","MDju.porn","PK.fedfehb","PK.fedpenny","PK.fedreti","PK.liability","JCRpw.ellen2 [102nd and 103rd Congress]","PNwm.beer","PNwm.cigcon","PNwm.cigcon2","PNwm.cigcon3","PNwm.gatt","MDwm.pkmed","MDwm.medcuts","PNwm.nafta5","PNwm.nafta7","PNwm.nafta8","PNwm.nafta9","PK.welfare","Bateman Office Accession Number: none; Accessioned as 4 boxes (121-124), which were re-housed into 2 box3s, 121/122 and 123/124..","Folder count in box 121/122 starts over with Folder 1 for the 105th Congress","H.R. 26 \u0026 H.R. 1009","H.R. 29","H.R. 94","H.R. 123","H.R. 192","H.R. 195","H.R. 345","H.R. 414","H.R. 426","H.R. 638","H.R. 758","H.R. 880","H.R. 906","H.R. 977","H.R. 979","H.R. 1023","H.R. 1126","H.R. 1172","H.R. 1174","H.R. 1203","H.R. 1299","H.R. 1378","H.R. 1515","H.R. 1372","H.R. 1519","H.R. 1532","H.R. 1559","H. R. 1560","H.R. 1625","H.R. 1740","H.R. 1766","H.R. 1813","H.R. 1912","H.R. 1984","H.R. 2070","H.R. 2113","H.R. 2173","H.R. 2292","H.R. 2397","H.R. 2456","H.R. 2497","H.R. 2608","H.R. 2648","H.R. 2786","H.R. 2796","H.R. 2829","H.R. 2990","H.R. 3156","H.R. 3211","H.R. 3247","H.R. 3251","H.R. 3438","H.R. 3506","H.R. 3601","H.R. 3610","H.R. 3614","H.R. 3682","H.R. 3792","H.R. 3821","H.R. 3933","H.R. 4139","H.R. 4402","H.J. Res.1","H.J. Res.54","H.J. Res.75","H.Res. 22","H.Res. 103","H.Res. 267","H.Res. 399","H.Res. 519","H.Con. Res.13","H.Con. Res.30","H.Con. Res. 150","H.Con. Res. 181","H.Con. Res. 203","H.Con. Res. 208","H.Con. Res. 209","H.Con. Res. 316","Boxes 123 and 124 were combined into one box, 123/124 during processing.","Folder 47 was accidentally skipped during numbering","No internal Bateman Office Accession Number. Incoming boxes 125and 126 combined into 1 box during processing.","Incoming boxes 125and 126 combined into 1 box during processing.","Commerce, Justice and State","District of Columbia","Energy and Water","Interior","Labor, Health \u0026 Human Resources \u0026 Education","Legislative","Transportation","Treasury, Postal Service \u0026 General Government","Vet Affairs \u0026 Housing \u0026 Urban Dev","District of Columbia","Labor, Health \u0026 Human Resources \u0026 Education","Bateman Office Accession Number: none","H.R. 4550","H.R. 4019","H.R. 4006","H.R. 2281","H.R. 3789","H.R. 716","----------","H.R. 1151","H.R. 1252","H.R. 2526","H.R. 3633","H.R. 2070","H.R. 3396","H.R. 1965","H.R. 3682","H.R. 4164","H. R. 4258","H.J.R. 71","H.R. 26","H.R. 22","H.R. 3528","H.R. 3949","H.R. 424","H.R. 304","H. Con. Res. 251","H.R. 218","H.R. 217","H.R. 118","H.J.R. 78","H.R. 3736","H.R. 3565","H.R. 567","H.R. 695","H.R. 1009","H.R. 1231","H.R. 1428","H.R. 1544","H.R. 1704","H.R. 2181","H.R. 2294","H.R. 2460","H.R. 2578","H.R. 2589","H.R. 2591","H.R. 2604","H.R. 2829","H.R. 2883","H.R. 3116","H.R. 3048","H.R. 3117","H.R. 3310","H.R. 3206","H.R. 3303","H.R. 3382","H.R. 3412","H.R. 3949","H.R. 3853","H. Con. Res. 317","S. 318","H.R. 1756","H.R. 4300","H.R. 1836","H.R. 2943","H.R. 4280","H.R. 4005","Bills, Surveys, Ratings, Co-Signed Letters, Dear Colleagues; Bateman Office Accession Number: none","H. Con. Res. 212","H. Con. Res. 252","H. Con. Res. 257","H. Con. Res. 275","H. Res. 297","H.R. 316","H. Con. Res. 327","H.R. 351","H. Res. 396","H. Res. 397","H.R. 430","H.R. 531","H. Res. 549","H.R. 573","H.R. 792","H.R. 828","H.R. 864","H.R. 883","H.R. 903","H.R. 924","H.R. 1001","H.R. 1034","H.R. 1218","H.R. 1244","H.R. 1326","H.R. 1348","H.R. 1747","H.R. 1883","H.R. 1926","H.R. 2088","H.R. 2129","H.R. 2247","H.R. 2260","H.R. 2303","H.R. 2321","H.R. 2563","H.R. 2733","H.R. 2710","H.R. 3215","H.R. 3228","H.R. 3293","H.R. 3642","H.R. 3660","H.R. 3700","H.R. 3701","H.R. 4033","H.R. 4178","H.R. 4082","H.R. 4210","H.R. 4215","H.R. 4442","H.R. 4654","H.R. 4736","H.R. 4907","H.R. 4328","1999 September 28","September 15, 1999","September 7, 1999","July 21, 1999","June 14, 1999","June 6, 2000","April 30, 1999","April 16, 1999","April 15, 1999","April 13, 1999","April 11, 2000","April 6, 2000","March 26, 29 \u0026 April 6, 10, 1999","March 26, 1999","March 17, 1999","February 15, 2000","February 7, 2000","December 1998","July 26, 2000","July 25, 2000","July 25, 2000","August 30, 2000","July 28, 2000","July 27, 2000","July 27, 2000","July 26, 2000","July 20, 2000","July 17, 2000","July 11, 2000","June 30, 2000","June 26, 2000","June 16, 2000","June 14, 2000","May 11, 2000","May 5, 2000","April 6, 2000","April 4, 2000","March 30, 2000","March 22, 2000","March 15, 2000","March 2, 2000","February 21, 2000","February 16, 2000","February 3, 2000","February 2, 2000","December 8, 1999","November 3, 1999","October 27, 1999","October 21, 1999","October 20, 1999","October 18, 1999","October 7, 1999","September 29, 1999","September 22, 1999","September 17, 1999","September 7, 1999","August 13, 1999","July 20, 1999","July 20, 1999","June 17, 1999","July 14, 1999","June 28, 1999","June 7, 1999","May 7, 1999","April 13, 1999","April 13, 1999","April 6, 1999","April 1, 1999","March 29, 1999","March 26, 1999","March 26, 1999","March 25, 1999","March 19, 1999","March 18, 1999","March 4, 1999","March 3, 1999","February 28, 1999","February 26, 1999","February 25, 1999","February 12, 1999","January 7, 1999","July 18, 2000","July 25, 2000","1999 March 4","Bateman Office Accession Number: none","Bateman Office Accession Number: none","4 boxes: 131-134; Bateman Office Accession Number: none","Includes letter from Senor Calderon with enclosed reproductions of photos depicting the construction of the Panama Canal.","2 boxes: 135 and 136/137. Bateman Office Accession Number: none. Accessioned as 3 boxes, but combined into 2 boxes, 135 \u0026 136/137, during processing. Box 136 combined with 137 during processing. [?When consecutively numbering boxes, the number 138 was not used. The numbers given by Herb Bateman's office are consecutive, without a missing number, indicating a box is not missing.]","Bateman Office Accession Number: none. When this box was accessioned, the folders were in no discernible order., so the folders have been loosely arranged according to subject matter. Box number 138 had been skipped accidentally by Bateman's office: no materials were missing material when compared to the incoming boxlist.","1997:1999-2000","Much of this material is about Department of Defense and Impact Aid.","Budget requests/concerns from Virginia Living Museum, William \u0026 Mary and others.","1980:87:92-97","1990:1994-1997","Bateman Office Accession Number: none; Note: Some folders were empty when accessioned.","1986:1990-2000; Bateman Office Accession Number: none","1988-89:92-97:99","1986:94-96:98","1986:94-96:98","1986:96:98","Bateman Office Accession Number: non; Special Collections received 3 boxes of material on base closings. which were combined into 2 boxes, 142 and 143/44, during processing. Most of the material consisted of loose reports/publications and loose papers with few labeled folders. Since each box had its own group of loose papers, consisting of correspondence, memos, notes and reports, they were put into folders designated as Group 1, 2 or 3. This material has been kept in its original order, regardless of date, to reflect the possible working order by Mr. Bateman. Important documents in each folder are listed. All loose reports were placed in folders using the report title as the heading. Please note that some correspondence files include reports and some report files may include correspondence. [1798:1876:1902:08:23:36:38:52:65-66:75:79-80:87-95]","This folder includes information on Jefferson Proving Ground, MILCON costs, Navy Bases report, and COBRA Realignment Summary. It also includes Remarks of Rep. Herbert Bateman, Commission on Base Closure and Realignment [June 16, 1993], Letter from Hunter B. Andrew outlining some legislation with attached 1979 material on cost savings if Ft. Monroe closed [June 9, 1993], and letter from John O. Marsh, Jr. [past Secretary of the Army] with his views of closing Ft. Monroe [June 11, 1993].","This folder includes newspaper articles, map entitled Franklin South Hampton Economic Development, notes, and correspondence to and from John H. Dalton, Secretary of the Navy, Ronald R. Fogleman, General, USAF, Chief of Staff, Robert E. Bayer, Deputy Assistant Secretary of Defense Installations, Robert M. Walter, Assistant Secretary of the Army (Installations, Logistics and Environment), Scott B. McLaughlin, Lt. Colonel of USAF, and others, regarding transfer of surplus base closure properties and other base closing topics. Reports included are: Closure Dates-Major Bases 1988 and 1991 Accepted Actions (as of 9/92), Army [Bases] report, GAO report on Depot Maintenance: Issues in Management and Restructuring to Support a Downsized Military [May 6, 1993] and Changes to Cobra Screen 4 Data--Fort Eustis, Virginia [June 7, 1993].","This folder includes newspaper articles, memos and correspondence with Thomas K. Norment, Virginia Congressman, Hunter B. Andrews, Virginia Senator, James A. Courter, Chairman of the Defense Base Closure and Realignment Commission, and Mr. Bateman's aides concerning Fort Monroe closing. One memo says Mr. Bateman is surprised that Governor Chuck Robb supports the closing of Fort Monroe. Reports and related items included are: COBRA model reports, UXO at Fort Monroe [n. d.], The Key Questions: Why Fort Monroe? Why Not Fort Eustis? [undated], Discussion Paper on Ft. Monroe [June 4, 1993], Information Paper on Jefferson Proving Ground (JPG) Disposal Plan [June 4, 1993], BRAC Impact State by State Comparison [undated], Memo about Ordnance and Explosive Waste (OEW) Remediation at Fort Monroe [June 9, 1993], BRAC 93 Valuation of Fort Monroe, Virginia [undated], Defense Base Closure and Realignment Commission: Base Summary Sheet, Fort Monroe, Virginia [May 18, 1993], 1991 Real Estate Map of Fort Monroe with areas of ownership highlighted [undated] and Historic Preservation Program: Structure, History, and Congressional Policies by Malcolm M. Simmons Specialist in Natural Resources [April 14 1987],","Reports: Military Bases: Transfer of Pease Air Force Base Slowed by Environmental Concerns by GAO [February 1993], Chapter 5 entitled, The Army's Process and Recommendations Were Generally Sound…, of the Report GAO/NSIAD-95-133 Military Bases [undated] , Recommendations of the Navy – part of another unnamed report [undated] COBRA report on Cost of Base Realignment Action [undated], Turning Visions into Success: Briefing to the Honorable Herbert Bateman by Vitro [October 11, 1994] and mini-report entitled \"Closing Fort Monroe [June 1988]. Includes correspondence, memos, laws and documents regarding base closings, hearings, hazardous waste and environmental concerns. Letters and memos from Alan J. Dixon and James A. Courter, Chairmen of Defense Base Closure \u0026 Realignment Commission, copy of H.R. 4016 that amends the Comprehensive Environmental Response, Compensation \u0026 Liability Act of 1980, statements from hearings, notes on Virginia Requirements at May 4 [1995] hearing, a briefing \u0026 news releases. Resolutions from Spotsylvania, VA County Board of Supervisors, Rappahannock Area Development Commission \u0026 other localities giving support to Dahlgren and Fort A.P. Hill [October 27, 1994]. April 19, 1993 letter to Jerry C. Harrison, Chief, Legislative Liaison of the Army, requesting that the Department of the Army provide him [Herbert H. Bateman] all the information used in the preparation of the Total Army Basing Study as pertains to Fort Monroe. The report is attached.","Includes memos, reports, fact sheets, studies and newspaper articles","Includes notes, memos, reports, studies and newspaper articles","Includes copy of letter from John O. Marsh, Jr. to Hon. Norman Sisisky about his views on a closure of Fort Lee [June 9, 1993], letter from Herbert H. Bateman to Jerry C. Harrison, chief Legislative Liaison of the Army, asking for all the information used in the preparation of the Total Army Basing Study as it pertains to Fort Monroe with copy of report, BRAC 93 Alternative Documentation Set [April 19, 1993], fax sending Army's Verified COBRA Run Report [June 1993] and a fax sending the Army \"talking\" points\" and the new COBRA Run report [June 1993].","Includes letters from John M. Low, Air Force General at Langley AFB, \u0026 others, against the closing of Fort Monroe [1993], position reports, BRAC reports, \u0026 reports about many aspects of Fort Monroe.","Includes memos, drafts, notes, meeting proceedings, letter from Alan J. Dixon, Chairman of Defense Base Closure and Realignment Commission regarding Mr. Bateman's request to reconsider the 1993 decision to close the Naval Aviation Depot Norfolk [March 21, 1995], laws and reports.","7 copies.","Includes newspaper articles and editorials, news releases, notes, memos, correspondence, U.S Codes and reports. Reports Environmental Impact at Closing Installations by GAO [February 1995] Reuse Plans for Selected Bases Closed in 1988 \u0026 1991 by GAO [4/94] Published statement of Joshua Gotbaum, Asst Sec. of Defense [2/3/95] Challenges in Identifying and Implementing Closure Recommendations by GAO [February 23, 1995] Defense Base Closure and Realignment Commission: members, agendas, outline and master copy of final report [1994-95] BRAC 95 Overview by Office of the Asst Secretary of the Army [undated]","1965:79-80:88 and undated Notes, correspondence, newspaper articles and reports, Background Paper: Significant Factors Pertaining to Possible Base Closure of Fort Monroe [July 1988] and Fort Monroe Base Realignment Study by U.S. Army Training and Doctrine Command [October 24, 1980]","1798:1876:1902:08:23:36:38:52:66:75","Box 143 was combined with Box 144 during processing.","1984:86:88:90:93-95; Bateman office Accession Number: none","Bateman office Accession Number: none","Includes notes.","1969:84-95; Bateman Office Accession Number: none","PRES2.JCR Funding of Clover Cogeneration [3/19/92]","SS.benefit COLAs and S.S. Benefits [9/15/92]","1977:79:82-93 Bateman Office Accession Number: none The folders in this box had post-it notes on them with other file names written, suggesting that these folders had been removed from other files and newly grouped as Eastern Shore, or it is a system of cross referencing. These Post-It note headings are noted in parentheses beside the main folder title.","1979:83-85:87","1977: 79:83-88","1985:88:90:92","1983-11-02T00:00:00.000","Bateman Office Accession Number: none","1990-94:97","1990-91:93-94","Includes material on Opie and HR 961","Bateman Office Accession Number: none","1984-85:92-97","1986:89:91-92","Includes the 1987 Delineation Manual, but not the 1989 version; 1987:90-92","1984-85:87:89-90:93","1976-77:81:86","1976:91:94","1991:93:94","Bateman Office Accession Number: none","Bateman Office Accession Number: none","Bateman Office Accession Number: none. Accessioned as 2 boxes (154 \u0026 155), but combined into 1 box, 154/155, during processing.","Bateman Office Accession Number: none","Includes some loose papers","No Accession Number assigned by Bateman's Office","No Accession Number assigned by Bateman's Office","Includes loose papers","No Accession Number assigned by Bateman's Office","Includes loose material.","Includes copy of H.R. 45","Background Info, Dear Colleagues","Letters","1954, 1980, 1989-2000; No Accession number assigned by Bateman's office","Includes correspondence and reports on Hampton Roads Metropolitan Planning Organization, Surface Transportation Board Reauthorization Act of 1999, National Transportation Safety Board and Public Transportation Projects Proposed for Federal Funding in FY00","1954, 1989, 1991-1993","Reports, Clippings, VHS Tape","Report: Submission by Counsel for President Clinton to the Committee on the Judiciary of the United States House of Representatives. 12/8/1998. c. 1 of 2","Report: Submission by Counsel for President Clinton to the Committee on the Judiciary of the United States House of Representatives. 12/8/1998. c. 2 of 2","Report: Referral to the United States House of Representatives Pursuant to Title 28, United States Code, § 595 (C). Submitted by The Office of Independent Counsel. 9/9/1998. Pages 1–180","Report: Referral to the United States House of Representatives Pursuant to Title 28, United States Code, § 595 (C). Submitted by The Office of Independent Counsel. 9/9/1998. Pages 181 – 252 and Grounds, Pages 1-163","The National Journal, 9/14/98","Newspaper Clippings. 3 copies of 12/12/1998 Washington Post section entitled \"Referral to the United States House of Representatives Pursuant to Title 28, United States Code, §595 (c).","VHS Tape entitled \"President Clinton's Testimony\"","House Document 105-311, 105th Congress, 2nd Session: Appendices to the Referral to the United States House of Representatives Pursuant to Title 28, United States Code, Section 595 (c) Submitted by the Office of the Independent Counsel, September 9, 1998. Part 1. Communication from the Office of the Independent Counsel, Kenneth W. Starr.","House Document 105-311, 105th Congress, 2nd Session: Appendices to the Referral to the United States House of Representatives Pursuant to Title 28, United States Code, Section 595 (c) Submitted by the Office of the Independent Counsel, September 9, 1998. Part 2. Communication from the Office of the Independent Counsel, Kenneth W. Starr.","House Document 105-310, 105th Congress, 2nd Session: Referral from Independent Counsel Kenneth W. Starr in Conformity with the Requirements of Title 28, United States Code, Section 595 (c) . 9/11/98. Communication from Kenneth W. Starr, Independent Counsel.","House Document 105-316, 105th Congress, 2nd Session: Supplemental Materials to the Representatives Pursuant to Title 28, United States Code, Section 595 (c) Submitted by the Office of the Independent Counsel, September 9, 1998. Part 1 Communication from the Office of the Independent Counsel, Kenneth W. Starr.","House Document 105-316, 105th Congress, 2nd Session: Supplemental Materials to the Representatives Pursuant to Title 28, United States Code, Section 595 (c) Submitted by the Office of the Independent Counsel, September 9, 1998. Part 2 Communication from the Office of the Independent Counsel, Kenneth W. Starr","House Document 105-316, 105th Congress, 2nd Session: Supplemental Materials to the Representatives Pursuant to Title 28, United States Code, Section 595 (c) Submitted by the Office of the Independent Counsel, September 9, 1998. Part 3 Communication from the Office of the Independent Counsel, Kenneth W. Starr.","1941, 1955, 1957-1958, 1993, 1995-1997 Includes the following publications: Presenting a Pictorial Review of Elder Lightfoot Solomon Michaux International Radio Evangelist His Famous Cross and Road Choirs and His Civic Activities for Developing a Good Neighbor Spirit Among All Races and Creeds. First Edition, August 1941. Solomon Michaux's Fore-Sight from Victory Square to Archer's Hope, 1928-2000 AD Proposal submitted by The Saints' Missionary Foundation, Inc. 1996","Note: Jack Brook was Herbert Bateman's Chief of Staff from January 1983 to January 1993.","Lower Peninsula Water Needs: A Summary Response and Rebuttal to Institute for Water Resources \"special study\" by Regional Raw Water Study Group.","1995:97:99","Includes Information on Venture Star","1985-88:90-2000","85-88:90-91:93","[The American Homeownership and Economic Opportunity Act of 1990]","[Re: Housing ]","[Re Long Term Insurance Care Coverage]","[Re: Restoring Management and Personnel Authority/Mayor of D.C.]","[Re: H.R. 142, The Government Shutdown Prevention Act]","[Re: The Thrift Savings Plan Enhancement Act]","[Re: Civil Service Retirement Fund Off-Budget]","[Re: The Microloan Program Technical Correction Act]","[Re: The Government Waste, Fraud, and Error Reduction Act]","[Re: Paperwork Elimination Act]","[Re: Federal Financial Assistance Management Improvement]","[Re: The Small Business Paperwork Reduction Act of 1999]","1996:98-2000","[Re: Religious Liberty Protection Act]","[Community Protection Act]","[Re: Mandatory Gun Show Background Check Act]","[Re: Consequences for Juvenile Offenders Act of 1999]","[Re: Consequences for Juvenile Offenders Act of 1999]","[Re: Consequences for Juvenile Offenders Act of 1999]","[Re: Consequences for Juvenile Offenders Act of 1999]","\"Herbert Bateman's Bulletin\" (1983 – 1998) are filed chronologically (folders 1-48); followed by Town Meeting Postcards (1983-1993), Franking Approvals, 1983-1995, and Bulletin requests (folders 49-51 respectively)","Agriculture – not sent to Hampton, York, James City County [Special Report to Rural Virginians]","Chesapeake Bay [Special Report on the Chesapeake Bay]","Shipbuilding – Hampton, NN, York, Poquoson, James City County [Special Report on Shipbuilding]","Future U.S. Combat Logistic Force Ship Levels [4/21/99] and Required Navy Ship-Procurement Rates, by Class [4/16/99]","Political Considerations Require Congressional Democrats to Support Full Funding for the Next Nimitz-class Aircraft Carrier (CVN-76) [undated]","Most folders are not labeled. Some photographs have handwritten or post-it notes on the back with the name of event and names of the people included in the photo. Some slides and negatives are included. Some photographs are in small photo albums presented after an event. Photographs range in size from 3x5 to 8x10.","1991, 1994-2000","Boxes 181 and 182 (includes what was formerly numbered box 183).","Boxes originally numbered 182 and 183 have been combined into one during processing.","1981:87:94-96","1981:87:93-95","1986:88:92-95","1978-1979, 1989-1994","Plan of Operations, NMFS Model Seafood Surveillance Project by Office of Trade and Industry Services [January 1989] Fish and Fishery Products Hazards and Controls Guide, \"Get Hooked on Seafood Safety\" by Food and Drug Administration--Draft [February 16, 1994]","1991-1993, 1995-1998","1978-1979, 1988-2000","A report on developing a highly competitive, sustainable aquaculture industry on the Eastern Shore of Virginia.","1993, 1995-1996","1992-1995, 1997","1991-1995, 1997","1978-1979, 1989, 1994","Plan of Operations, NMFS Model Seafood Surveillance Project by Office of Trade and Industry Services [January 1989] Fish and Fishery Products Hazards and Controls Guide, \"Get Hooked on Seafood Safety\" by Food and Drug Administration--Draft [February 16, 1994].","1991-1993, 1995, 1998","Twelve volumes with daily schedules of Herbert H. Bateman. One volume er year.","In reverse chronological order","Box 197 is split between subseries 77.1 (141 folders) and 77.2 (41 folders)","Includes material on Flag Day, Shades Mountain Independent Church, National Bicentennial Competition on the Constitution and Bill of Rights and patriotism with dates from 1977 to 1987.","1978, 1979, 1981, 1982, 1986","Box 197 is split between subseries 77.1 (141 folders) and 77.2 (41 folders)","1986-1887, 1990-1993, 1995","1993, 1995-1996","1994:98-99","1993, 1996","1964:86:89-98","[1989:91:95]","[1991:95-96]","Includes material on TBT Editorial for Sea Technology Magazine, correspondence, reports, clippings and the 1990 Virginia Pesticide Control Act [1986:88-90].","1964:1993","1995-97:99","Includes the 1994 Environmental Assessment Report and the 1995 Final Environmental Assessment Report.","Includes: 1995 Supplement to the List of Plant Species that occur in Northeast (Region 1), August 1995 and National List of Plant Species that Occur in Wetlands Northeast (Region 1), May 1988","1996:99 Includes: Restoring America's Wildlife Legacy, A Plan to Rejuvenate Our National Wildlife Refuge System, 1999 Update","1983-85:87:89-91:93-2000","83-85:87:89-91:93-94","1990:93:97","Box 203; 1982:84-86:90-95:97 and undated Most of the Video Cassette Tapes are in plastic or cardboard covers. Most are labeled with date and subject matter. Includes 9 tapes of Congressman Bateman Series, professionally made tapes, tapes of TV appearances and tapes by Laura Bateman","Sponsored by Newport News Shipbuilding, Distributed by the Committee for Citizen Awareness, 30 Minutes","20 Minutes","1984-10-19T00:00:00.000","1986-10-01T00:00:00.000","1990-07-10T00:00:00.000","1990-12-01T00:00:00.000","1991-04-05T00:00:00.000","Tape 7, VR 7, Time 30:25 H ; 4/29/1992","1992-10-09T00:00:00.000","1992-10-22T00:00:00.000","1992-10-29T00:00:00.000","Recorded 7/7/92, Tape 13, VR# 15, Time 29.51 RD ; 12/08/92","1992-10-29T00:00:00.000","Airdate:  11/3/92","1993 April","1993 July 4","1994 October 20","Box 204","3 binders","Box 205","4 binders","Box 206","4 binders","Box 207","Boxes 208-209; 1985:87-97; Each folder has a yellow post-it note which tells the Archive location. These locations are noted, in parentheses, under the folder title.","2 folders","Archive: T\u0026I [Transportation and Infrastructure]/Water Resources 1995","Archive: Resources/Fisheries 1996","Archive: MM [Merchant Marine]/Oceanography, 1990","1988-90:92-95; Archive: MM [Merchant Marine]/F\u0026W [Fish and Wildlife] 1993","Archive: MM [Merchant Marine]/F\u0026W [Fish and Wildlife] 1994) Includes a research paper Government Island, Its Forgotten History Interesting Stone by Jane Henderson of Stafford, VA., undated The paper is about the Brent Family and other owners of the island, the island and the history of the stone.","1985:87-89:92-94; Archive: PW [Public Works]/Water Resources 1994","Archive: T\u0026I [Transportation and Infrastructure]/Water Resources 1995","Archive: T\u0026I [Transportation and Infrastructure]/Water Resources 1995","1985:88-92:96; Archive: T\u0026I [Transportation and Infrastructure]/Water Resources 1995","Archive: T\u0026I [Transportation and Infrastructure]/Water Resources 1995","1991-92:95; Archive: T\u0026I [Transportation and Infrastructure]","Box 210; 1972:86-97","24 folders","1972:87-88","Report: Hunting Creek and Guildford Creek, Accomack County, VA, Navigation Study, Revised May 1995","Report: Newport News Creek, Newport News, Virginia Section 107 Navigation Study Feasibility Report [October 1994]","1983:86-90; Subjects include Ports of Hampton Roads, Norfolk Ports, Water Resources Development Act of 1986, Thimble Shoals Navigation Project, Hampton Roads Navigation Project, and Sewells' Point.","1989-91:94:97","1993:96-97","1992:94","1989:94:97","Box 211 (91 folders)","91 folders","Box 212 (53 files)","1978:86:88-90:92-95; Includes the report: Master Plan--Chincoteague National Wildlife Refuge, dated December 1993","1985, 1997","1987:90:92","1984:86:88-89","1984:86:91","1984:87-88","1989:1993-94:99","1984:90:94","Boxes 213-216; Most subjects have mulitple sub-divisions and a number of folders are empty. Subjects Files included are: dministrative, Agriculture, Armed Service Files, Banking, Budget, Congress Chris J. Wenk, Commerce, Elections and Campaigns, Education and Labor, Foreign Affairs, Government, House Administration, House Oversight, Judiciary, Legislative, Miscelaaneous, Natrual Resources, House Rules, Small Business, Science Space and Technology, Social Security, Veterans, Ways and Means","33 folders","34 files","24 folders","61 folders","Box 217","6 folders","[83:86-98]","Register","[1983:89:91:95-2000]","Boxes 218-224; 1956, 1959, 1965, 1980, 1983, January – March 1985; Accession Number: 2003.18 The material in the 17 boxes accessioned as Number 2003.18 were combined into 11 boxes while maintaining the subject matter: Trips, Directories, Photographs and Condolences. The Trip material has been arranged in chronological order, with the undated items at the beginning. Names of the countries visited and dates of travel are part of the heading of each folder. If the purpose of the trip is known, it is also noted as part of the folder label. Some items found in this group are not obviously directly related to a particular trip, but have been kept with the material and most are filed at the beginning of each box.","undated, 1956, 1959, 1980, 1988","Recommendation of Department of Air Force","John B. Minor at Dean Law School, John O. Marsh, Jr. at Yorktown; Honorary Degrees at William \u0026 Mary, 1988","Country Club Hill, Lot 3, Blk 1","Arranged in rough chronologically.","Report: U.S. Fisheries Utilization and Management","Folder entitled \"Welcome to Dublin\" from the United States Embassy which contains tourist pamphlets and general briefing information","Possibly a family trip and not a business trip","(OECD) Organization for Economic Co-operation and Development","Folder labeled when accessioned: NATO Expansion Reports from NATO committees and United States committees, CODEL Solomon itinerary and information by the U.S. Air Force for trip between, notes, and newspaper articles.","Agenda and Meetings Notebook, Part 1 of 2","Agenda and Meetings Notebook, Part 2 of 2","CODEL Bereuter, 1 of 2","CODEL Bereuter, 2 of 2","Printed by the U.S. Government Printing Office with forward written by President George Bush and Frank C. Carlucci, Secretary of Defense","10 copies of the resolution that authorizes the use of U.S. Armed Forces against Yugoslavia.","The Osce Verification Mission to Kosovo, December 1998 to March 1999. The Warsaw Plenary Declaration on Kosovo [1999] Draft Plenary Resolution [May 1999] The Warsaw Plenary Declaration on Kosovo (as passed 6/1/99)","Invitations, menu, name badges, map of Budapest, Country Data of Egypt and a Brief Guide to the Luxor Antiquities Sites","Box 225 (32 folders)","Photographs, Correspondence and Programs","Gives his written withdrawal from the firm when he takes office in the Congress and notes the understandings and conditions.","Forwarding threatening letter he received","Mr. Mutuc returning to the Philippines since Marcus is gone. ","Regarding Black congressional districts and the Pledge Bond Referendum. ","Yacobi, nephew of Herbert Bateman, and stationed in Saudi Arabia and Iraq thanking him for getting the autographed transcript of the President's State of the Union Address with an enclosed Thank You letter to the President with an Iraq bottle label. ","Recommending Management Accounting's article on Joe DioGuardi's bill, HR 4495. ","Thank you letters, donation/contribution letters correspondence about family matters invitations to join the Huntington Club statement to the Members of the Congress of the United States about integration of public schools dated August 10, 1971 statement about drug abuse and juvenile delinquency dated December 14, 1972 letter to Clerk of the Senate with biographical changes dated November 4, 1971 and other correspondence","Includes letter to Gov. John N. Dalton letters regarding his children Toll Charges Disclosure Forms Conflict of Interest Forms expense work sheets for attendance at meetings campaign contributions tax information Lawyer's Referral Service Form and other correpsondence","Herbert Bateman was nominated by Senator Harry F. Byrd, Jr. for consideration for one of two Federal District Judgeships for the Eastern District of Virginia in 1977 Herbert Bateman was nominated by Senator John Warner for a vacancy on the United States Court of Appeals for the District of Columbia Circuit in 1981.  Robert Heron Bork got the judgeship. 1957 Court of Appeals publications are included. 1977 material includes a questionnaire. 1981 file includes letters of support from politicians and other important people, such as Strom Thurmond, Mills Godwin, Jerry Farwell and James L. Ketelsen, Chairman of Tenneco, with attached response from Vice President George Bush.  There is also a biography, letters to possible supporters, and a list of people to contact to help with recommendations","Includes HHB Bank Receipts from 2/1/89 – 12/6/89.","Sent by President Bush as a memento","Many of the negatives appear to be from trips abroad","Invitations, information about Paris Air Show, menus and photographs","Letter and 2 photographs","Includes and a photograph of HHB speaking at Chesapeake Bay Forum","3 photographs","4 photographs","3 photographs","3 photographs","1983, 1991, 1994-95, 2000","1984, 1989, 1994 and 1999","2 different poses. Photographed by Congressman Richard Ray.","House Gym Dinner","2 copies.","Autographed by both","Copy of the Poem with acknowledgement letter to Frederick Manzie from President George Bush","In Alphabetical Order","Thanking HHB for support in the primary.","Printed Copy","Re: HHB's help with the new aircraft carrier proposals. ","List of the reforms with hand-marked red checks beside each reform and a hand written note, \"4/6/95 Done.\"","Congratulating the United States government on the 210th anniversary of American Independence.","Regarding relocating the Military Traffic Management Command to Fort Eustis","Thanking HHB for support of Marine Corp and programs. ","Thanking HHB for stopping by Republican Leader's Fund fundraising reception.  Photograph attached. ","Saying they are grateful as they leave the White House. ","Announcing his resignation from the Virginia Senate because of his election as a U.S. Congressman.","Second Russian in Space, after Gagarin.","Expressing appreciation for HHB's vote in favor of the Government Ethics Reform Act of 1989. ","Thanking HHB for his vote in support of the Space Station Freedom.","Some items in this folder were sent to HHB with photographs.  The photographs were filed in one of the Photographs folders 1 or 2.","Re: endorsements of political candidates","\"Bateman responded:  \"I am absolutely amazed that anyone could say as many things so untrue and so distorted in so short a period of time, on such a variety of sub(j)ects.  My heavens, it is appalling.\"  Rep. Herb Bateman, Westmoreland Civic Center, Oct 13, 1992.\"","Some items in this folder were sent to HHB with photographs.  The photographs were filed in one of the folders labeled Photographs 1 or 2.","On White House letterhead","Enclosing photographs.","In the Benjamin Franklin Room, State Department","2 copies","program and photographs","held at Statuary Hall, The United States Capitol","Photographs of Induction into Hall of Leadership for the U.S. Junior Chamber of Commerce and publication The Virginia Jaycees, the First 50 Years, 1939-1989, March 1996","Box 226","1 folder","Includes expired passports for Herbert H. Bateman, plus photographs of Mr. and Mrs. Bateman, and applications for passports and visas.","Box 227; Accession Number: 2003.18","(removed during renovation).  Includes letter from George M. White, Architect of the Capitol, where he explains history of the brick","Copies and originals of newspaper clippings divided into months.","License Plate Number:  VA H1","Bag was possibly used by Mrs. Bateman to send over items for these papers.","\"The Chief of Transportation takes great pleasure in granting the distinction of Honorary Transporter of the Transportation Corps Regiment to The Honorable Herbert H. Bateman in recognition of your special place in Regimental continuity, tradition and esprit de corps\" issued at The Home of the Transportation Corps Regiment this 25th day of August 2000.","Box 228; Accession Number: 2003.18; Some of these books are embossed with Hon. Herbert H. Bateman's name.","Box 229; Accession Number: 2003.18","13 folders","[Notation on original box: \"Already Copied\"] Box 230; Accession Number: 2003.18 These letters and cards were already grouped by affiliation of sender when accessioned. They were kept in their original designations and put in alphabetical order. Mrs. Bateman made notes regarding the identity of the sender on some of the envelopes"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e5d41d77c9a467f57988b5022422dcdf\"\u003eStored off-site. Please allow at least 72 hours for retrieval.  Boxes mistakenly labeled as 2001.03. Boxes 1-107: start at 19 A; Boxes 108-207 start at 241 A; Boxes 208-230 start at 137 A.\u003c/physloc\u003e"],"physloc_tesim":["Stored off-site. Please allow at least 72 hours for retrieval.  Boxes mistakenly labeled as 2001.03. Boxes 1-107: start at 19 A; Boxes 108-207 start at 241 A; Boxes 208-230 start at 137 A."],"names_ssim":["Special Collections Research Center","Bateman, Herbert Harvell, 1928-2000"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Bateman, Herbert Harvell, 1928-2000"],"language_ssim":["English"],"total_component_count_is":8543,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:50:50.163Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9292_c54_c01_c03"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c09_c01","type":"File","attributes":{"title":"1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c09_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c09_c01","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c09_c01"],"id":"viw_repositories_2_resources_9853_c01_c01_c09_c01","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c09","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c09","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c09"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c09"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard"],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard"],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard","1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\"","Box 9","folder 9"],"title_filing_ssi":"1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\"","title_ssm":["1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\""],"title_tesim":["1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\""],"unitdate_inclusive_ssm":["1859-2007"],"normalized_date_ssm":["1859/2007"],"normalized_title_ssm":["1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":20,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"containers_ssim":["Box 9","folder 9"],"_nest_path_":"/components#0/components#0/components#8/components#0","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c09_c01"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c11_c01","type":"File","attributes":{"title":"\"1897-1914 World Power Ascension and Separate but Equal\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c11_c01","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c11_c01"],"id":"viw_repositories_2_resources_9853_c01_c01_c11_c01","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c11","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c11","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c11"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c11"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas","\"1897-1914 World Power Ascension and Separate but Equal\"","Box 11","folder 26"],"title_filing_ssi":"\"1897-1914 World Power Ascension and Separate but Equal\"","title_ssm":["\"1897-1914 World Power Ascension and Separate but Equal\""],"title_tesim":["\"1897-1914 World Power Ascension and Separate but Equal\""],"unitdate_inclusive_ssm":["1900-2008"],"normalized_date_ssm":["1900/2008"],"normalized_title_ssm":["\"1897-1914 World Power Ascension and Separate but Equal\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":39,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"containers_ssim":["Box 11","folder 26"],"_nest_path_":"/components#0/components#0/components#10/components#0","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11_c01"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c11_c06","type":"File","attributes":{"title":"\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c11_c06","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c11_c06"],"id":"viw_repositories_2_resources_9853_c01_c01_c11_c06","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c11","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c11","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c11"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c11"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas","\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\"","Box 11","folder 31"],"title_filing_ssi":"\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\"","title_ssm":["\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\""],"title_tesim":["\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\""],"unitdate_inclusive_ssm":["1914-2008"],"normalized_date_ssm":["1914/2008"],"normalized_title_ssm":["\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":44,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"containers_ssim":["Box 11","folder 31"],"_nest_path_":"/components#0/components#0/components#10/components#5","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11_c06"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c12_c01","type":"File","attributes":{"title":"\"1930-1945, Depression \u0026 WWII and the Urbanization continues\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c12_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c12_c01","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c12_c01"],"id":"viw_repositories_2_resources_9853_c01_c01_c12_c01","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c12","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c12","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c12"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c12"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1930-1945, Animated Movies, The Comic Book, Tarzan, Mandrake, Sunflower St., Will Eisner, Al Hirschfeld\""],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1930-1945, Animated Movies, The Comic Book, Tarzan, Mandrake, Sunflower St., Will Eisner, Al Hirschfeld\""],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1930-1945, Animated Movies, The Comic Book, Tarzan, Mandrake, Sunflower St., Will Eisner, Al Hirschfeld\"","\"1930-1945, Depression \u0026 WWII and the Urbanization continues\"","Box 12","folder 36"],"title_filing_ssi":"\"1930-1945, Depression \u0026 WWII and the Urbanization continues\"","title_ssm":["\"1930-1945, Depression \u0026 WWII and the Urbanization continues\""],"title_tesim":["\"1930-1945, Depression \u0026 WWII and the Urbanization continues\""],"unitdate_inclusive_ssm":["1929-2008"],"normalized_date_ssm":["1929/2008"],"normalized_title_ssm":["\"1930-1945, Depression \u0026 WWII and the Urbanization continues\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":50,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"containers_ssim":["Box 12","folder 36"],"_nest_path_":"/components#0/components#0/components#11/components#0","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c12_c01"}},{"id":"viw_repositories_2_resources_8143_c01_c9779","type":"File","attributes":{"title":"1934 Reunion","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8143_c01_c9779#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8143_c01_c9779","ref_ssm":["viw_repositories_2_resources_8143_c01_c9779"],"id":"viw_repositories_2_resources_8143_c01_c9779","ead_ssi":"viw_repositories_2_resources_8143","_root_":"viw_repositories_2_resources_8143","_nest_parent_":"viw_repositories_2_resources_8143_c01","parent_ssi":"viw_repositories_2_resources_8143_c01","parent_ssim":["viw_repositories_2_resources_8143","viw_repositories_2_resources_8143_c01"],"parent_ids_ssim":["viw_repositories_2_resources_8143","viw_repositories_2_resources_8143_c01"],"parent_unittitles_ssm":["Thomas L. Williams collection","Series 1:  Acetate Negatives"],"parent_unittitles_tesim":["Thomas L. Williams collection","Series 1:  Acetate Negatives"],"text":["Thomas L. Williams collection","Series 1:  Acetate Negatives","1934 Reunion","Box 71","folder 98"],"title_filing_ssi":"1934 Reunion","title_ssm":["1934 Reunion"],"title_tesim":["1934 Reunion"],"unitdate_other_ssim":["circa 1940-1990"],"normalized_date_ssm":["1940/1990"],"normalized_title_ssm":["1934 Reunion"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Thomas L. Williams collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":9780,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"containers_ssim":["Box 71","folder 98"],"_nest_path_":"/components#0/components#9778","timestamp":"2026-05-21T12:07:10.432Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8143","ead_ssi":"viw_repositories_2_resources_8143","_root_":"viw_repositories_2_resources_8143","_nest_parent_":"viw_repositories_2_resources_8143","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8143.xml","title_filing_ssi":"Thomas L. Williams collection","title_ssm":["Thomas L. Williams collection"],"title_tesim":["Thomas L. Williams collection"],"unitdate_ssm":["Circa 1940-1990"],"unitdate_inclusive_ssm":["Circa 1940-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00254","/repositories/2/resources/8143"],"text":["MS 00254","/repositories/2/resources/8143","Thomas L. Williams collection","Williamsburg (Va.)--Photographs","Jamestown (Va.)--Photographs","Colonial Williamsburg (Williamsburg, Va.)--Maps, Pictorial","Virginia--History--20th century","College of William and Mary--History--20th century","College of William and Mary--Maps, Pictorial","Colonial Williamsburg (Williamsburg, Va.)","Negatives","Photographs","Printed ephemera","Artifacts","Slides (photographs)","Postcards","Correspondence","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Born in 1912 in Shire Oaks, Pennsylvania, Thomas L. Williams studied photography at the Art Institute of Pittsburgh. After graduation, Mr. Williams enlisted in the Navy shortly after the attack on  Pearl Harbor during World War II and was stationed at Camp Peary, where he started the base's photography laboratory. While at Camp Peary, he shot many photographs for Colonial Williamsburg, who hired him shortly after World War II to start their photography section. After nine years at Colonial Williamsburg, Mr. Williams became the photographer for William \u0026 Mary, a position he held for 35 years. While at William and Mary, Mr. Williams photographed various events at the College, including Charter Day and Commencement ceremonies, the inauguration of Davis Y. Paschall as president of William \u0026 Mary, and the celebrations during Homecoming Weekend.","Thomas L. Williams Papers","University Archives Photograph Collection","The collection includes photographs, negatives, slides, film, postcards, ephemera, correspondence and artifacts belonging to Thomas L. Williams, photographer for William \u0026 Mary for 35 years.  He was also a photographer for Camp Peary and Colonial Williamsburg prior to working for William \u0026 Mary.","Addition includes photographs, correspondence, negatives, and newspaper articles from Thomas L. Williams. Photographs includes scenes of Colonial Williamsburg and the campus of William \u0026 Mary.","Files include photographs of Williamsburg, Virginia, William \u0026 Mary, as well as personal family photographs taken by Thomas L. Williams from the 1940s-1960s. Other papers include clippings documenting events in Williamsburg and correspondence. ","Included in the folder of people of note visiting Williamsburg are those labeled as follows: ","Menderez, Sec. of Defense of Turkey Visited 7/13/58 ","President Dwight D. Eisenhower with Virginia Governor Thomas Stanley ","Vera Vague of Rob Hope Show WWII ","Jack Niklaus 9/67 ","President Lyndon B. Johnson ","King of Belgium 5/31/59 ","President Richard Nixon with W\u0026M President Paschal ","President Dwight Eisenhower ","Grand Opening Day with Queen Elizabeth 1957 ","President Gerald Ford ","President Rockefeller ","Debbie Reynolds ","King Hussein of Jordan Visits Jamestown ","Governor Mills Godwin ","King of Morocco Visits ","Lord Mayor of London at Colonial Williamsburg ","King Baudouin of Belgium May 1959 ","Prince Phillip with Governor Stanley ","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Williams, Thomas L.","English"],"unitid_tesim":["MS 00254","/repositories/2/resources/8143"],"normalized_title_ssm":["Thomas L. Williams collection"],"collection_title_tesim":["Thomas L. Williams collection"],"collection_ssim":["Thomas L. Williams collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.)--Photographs","Jamestown (Va.)--Photographs","Colonial Williamsburg (Williamsburg, Va.)--Maps, Pictorial","Virginia--History--20th century"],"geogname_ssim":["Williamsburg (Va.)--Photographs","Jamestown (Va.)--Photographs","Colonial Williamsburg (Williamsburg, Va.)--Maps, Pictorial","Virginia--History--20th century"],"creator_ssm":["Williams, Thomas L."],"creator_ssim":["Williams, Thomas L."],"creator_persname_ssim":["Williams, Thomas L."],"creators_ssim":["Williams, Thomas L."],"places_ssim":["Williamsburg (Va.)--Photographs","Jamestown (Va.)--Photographs","Colonial Williamsburg (Williamsburg, Va.)--Maps, Pictorial","Virginia--History--20th century"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gift of daughter Karen Laufer"],"access_subjects_ssim":["College of William and Mary--History--20th century","College of William and Mary--Maps, Pictorial","Colonial Williamsburg (Williamsburg, Va.)","Negatives","Photographs","Printed ephemera","Artifacts","Slides (photographs)","Postcards","Correspondence"],"access_subjects_ssm":["College of William and Mary--History--20th century","College of William and Mary--Maps, Pictorial","Colonial Williamsburg (Williamsburg, Va.)","Negatives","Photographs","Printed ephemera","Artifacts","Slides (photographs)","Postcards","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["45 Linear Feet 100 boxes"],"extent_tesim":["45 Linear Feet 100 boxes"],"genreform_ssim":["Negatives","Photographs","Printed ephemera","Artifacts","Slides (photographs)","Postcards","Correspondence"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eBorn in 1912 in Shire Oaks, Pennsylvania, Thomas L. Williams studied photography at the Art Institute of Pittsburgh. After graduation, Mr. Williams enlisted in the Navy shortly after the attack on  Pearl Harbor during World War II and was stationed at Camp Peary, where he started the base's photography laboratory. While at Camp Peary, he shot many photographs for Colonial Williamsburg, who hired him shortly after World War II to start their photography section. After nine years at Colonial Williamsburg, Mr. Williams became the photographer for William \u0026amp; Mary, a position he held for 35 years. While at William and Mary, Mr. Williams photographed various events at the College, including Charter Day and Commencement ceremonies, the inauguration of Davis Y. Paschall as president of William \u0026amp; Mary, and the celebrations during Homecoming Weekend.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born in 1912 in Shire Oaks, Pennsylvania, Thomas L. Williams studied photography at the Art Institute of Pittsburgh. After graduation, Mr. Williams enlisted in the Navy shortly after the attack on  Pearl Harbor during World War II and was stationed at Camp Peary, where he started the base's photography laboratory. While at Camp Peary, he shot many photographs for Colonial Williamsburg, who hired him shortly after World War II to start their photography section. After nine years at Colonial Williamsburg, Mr. Williams became the photographer for William \u0026 Mary, a position he held for 35 years. While at William and Mary, Mr. Williams photographed various events at the College, including Charter Day and Commencement ceremonies, the inauguration of Davis Y. Paschall as president of William \u0026 Mary, and the celebrations during Homecoming Weekend."],"prefercite_html_tesm":["\u003cp\u003eThomas L. Williams collection, Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e"],"prefercite_tesim":["Thomas L. Williams collection, Special Collections Research Center, William \u0026 Mary Libraries"],"relatedmaterial_html_tesm":["\u003cp\u003eThomas L. Williams Papers\u003c/p\u003e\n","\u003cp\u003eUniversity Archives Photograph Collection\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Thomas L. Williams Papers","University Archives Photograph Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes photographs, negatives, slides, film, postcards, ephemera, correspondence and artifacts belonging to Thomas L. Williams, photographer for William \u0026amp; Mary for 35 years.  He was also a photographer for Camp Peary and Colonial Williamsburg prior to working for William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eAddition includes photographs, correspondence, negatives, and newspaper articles from Thomas L. Williams. Photographs includes scenes of Colonial Williamsburg and the campus of William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eFiles include photographs of Williamsburg, Virginia, William \u0026amp; Mary, as well as personal family photographs taken by Thomas L. Williams from the 1940s-1960s. Other papers include clippings documenting events in Williamsburg and correspondence. \u003c/p\u003e\n","\u003cp\u003eIncluded in the folder of people of note visiting Williamsburg are those labeled as follows: \u003c/p\u003e\n","\u003cp\u003eMenderez, Sec. of Defense of Turkey Visited 7/13/58 \u003c/p\u003e\n","\u003cp\u003ePresident Dwight D. Eisenhower with Virginia Governor Thomas Stanley \u003c/p\u003e\n","\u003cp\u003eVera Vague of Rob Hope Show WWII \u003c/p\u003e\n","\u003cp\u003eJack Niklaus 9/67 \u003c/p\u003e\n","\u003cp\u003ePresident Lyndon B. Johnson \u003c/p\u003e\n","\u003cp\u003eKing of Belgium 5/31/59 \u003c/p\u003e\n","\u003cp\u003ePresident Richard Nixon with W\u0026amp;M President Paschal \u003c/p\u003e\n","\u003cp\u003ePresident Dwight Eisenhower \u003c/p\u003e\n","\u003cp\u003eGrand Opening Day with Queen Elizabeth 1957 \u003c/p\u003e\n","\u003cp\u003ePresident Gerald Ford \u003c/p\u003e\n","\u003cp\u003ePresident Rockefeller \u003c/p\u003e\n","\u003cp\u003eDebbie Reynolds \u003c/p\u003e\n","\u003cp\u003eKing Hussein of Jordan Visits Jamestown \u003c/p\u003e\n","\u003cp\u003eGovernor Mills Godwin \u003c/p\u003e\n","\u003cp\u003eKing of Morocco Visits \u003c/p\u003e\n","\u003cp\u003eLord Mayor of London at Colonial Williamsburg \u003c/p\u003e\n","\u003cp\u003eKing Baudouin of Belgium May 1959 \u003c/p\u003e\n","\u003cp\u003ePrince Phillip with Governor Stanley \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection includes photographs, negatives, slides, film, postcards, ephemera, correspondence and artifacts belonging to Thomas L. Williams, photographer for William \u0026 Mary for 35 years.  He was also a photographer for Camp Peary and Colonial Williamsburg prior to working for William \u0026 Mary.","Addition includes photographs, correspondence, negatives, and newspaper articles from Thomas L. Williams. Photographs includes scenes of Colonial Williamsburg and the campus of William \u0026 Mary.","Files include photographs of Williamsburg, Virginia, William \u0026 Mary, as well as personal family photographs taken by Thomas L. Williams from the 1940s-1960s. Other papers include clippings documenting events in Williamsburg and correspondence. ","Included in the folder of people of note visiting Williamsburg are those labeled as follows: ","Menderez, Sec. of Defense of Turkey Visited 7/13/58 ","President Dwight D. Eisenhower with Virginia Governor Thomas Stanley ","Vera Vague of Rob Hope Show WWII ","Jack Niklaus 9/67 ","President Lyndon B. Johnson ","King of Belgium 5/31/59 ","President Richard Nixon with W\u0026M President Paschal ","President Dwight Eisenhower ","Grand Opening Day with Queen Elizabeth 1957 ","President Gerald Ford ","President Rockefeller ","Debbie Reynolds ","King Hussein of Jordan Visits Jamestown ","Governor Mills Godwin ","King of Morocco Visits ","Lord Mayor of London at Colonial Williamsburg ","King Baudouin of Belgium May 1959 ","Prince Phillip with Governor Stanley "],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Williams, Thomas L."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Williams, Thomas L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10461,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T12:07:10.432Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8143_c01_c9779"}},{"id":"viw_repositories_2_resources_8143_c01_c9780","type":"File","attributes":{"title":"1934 Reunion","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8143_c01_c9780#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8143_c01_c9780","ref_ssm":["viw_repositories_2_resources_8143_c01_c9780"],"id":"viw_repositories_2_resources_8143_c01_c9780","ead_ssi":"viw_repositories_2_resources_8143","_root_":"viw_repositories_2_resources_8143","_nest_parent_":"viw_repositories_2_resources_8143_c01","parent_ssi":"viw_repositories_2_resources_8143_c01","parent_ssim":["viw_repositories_2_resources_8143","viw_repositories_2_resources_8143_c01"],"parent_ids_ssim":["viw_repositories_2_resources_8143","viw_repositories_2_resources_8143_c01"],"parent_unittitles_ssm":["Thomas L. 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