{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026facet.page=2\u0026page=5","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026facet.page=2\u0026page=4","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026facet.page=2\u0026page=6","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026facet.page=2\u0026page=5073"},"meta":{"pages":{"current_page":5,"next_page":6,"prev_page":4,"total_pages":5073,"limit_value":10,"offset_value":40,"total_count":50721,"first_page?":false,"last_page?":false}},"data":[{"id":"virmu_repositories_2_resources_37_c04_c08_c21","type":"Item","attributes":{"title":"1-4 Mel Leipzig - MCCC Faculty, 1984/1986","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_37_c04_c08_c21#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_37_c04_c08_c21","ref_ssm":["virmu_repositories_2_resources_37_c04_c08_c21"],"id":"virmu_repositories_2_resources_37_c04_c08_c21","ead_ssi":"virmu_repositories_2_resources_37","_root_":"virmu_repositories_2_resources_37","_nest_parent_":"virmu_repositories_2_resources_37_c04_c08","parent_ssi":"virmu_repositories_2_resources_37_c04_c08","parent_ssim":["Louis H. Draper Artist Archives (VA-04), 1945/2005","Series 4: Photography: United States Locations, 1957/1999","Sub-Series 4.8: New Jersey, 1969/1999"],"parent_ids_ssim":["virmu_repositories_2_resources_37","virmu_repositories_2_resources_37_c04","virmu_repositories_2_resources_37_c04_c08"],"title_filing_ssi":"1-4 Mel Leipzig - MCCC Faculty","title_ssm":["1-4 Mel Leipzig - MCCC Faculty"],"title_tesim":["1-4 Mel Leipzig - MCCC Faculty"],"normalized_title_ssm":["1-4 Mel Leipzig - MCCC Faculty, 1984/1986"],"text":["1-4 Mel Leipzig - MCCC Faculty, 1984/1986","Louis H. Draper Artist Archives (VA-04), 1945/2005","Series 4: Photography: United States Locations, 1957/1999","Sub-Series 4.8: New Jersey, 1969/1999","35mm","box VA-04 Box 33","Item VA04.04.08.007.T3","Draper, Louis H., 1935-2002","Trenton (N.J.)","Mercer County Community College (N.J.)","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust."],"parent_unittitles_ssm":["Louis H. Draper Artist Archives (VA-04), 1945/2005","Series 4: Photography: United States Locations, 1957/1999","Sub-Series 4.8: New Jersey, 1969/1999"],"parent_unittitles_tesim":["Louis H. Draper Artist Archives (VA-04), 1945/2005","Series 4: Photography: United States Locations, 1957/1999","Sub-Series 4.8: New Jersey, 1969/1999"],"normalized_date_ssm":["1984/1986"],"unitdate_inclusive_ssm":["circa 1985"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[3],"sort_isi":3482,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Louis H. Draper Artist Archives (VA-04), 1945/2005"],"physdesc_tesim":["35mm"],"physfacet_tesim":["Black-and-white negatives"],"containers_ssim":["box VA-04 Box 33","Item VA04.04.08.007.T3"],"creator_ssim":["Draper, Louis H., 1935-2002"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website.","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"parent_access_terms_tesm":["In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust."],"persname_ssim":["Draper, Louis H., 1935-2002"],"names_ssim":["Draper, Louis H., 1935-2002"],"geogname_ssim":["Trenton (N.J.)"],"geogname_ssm":["Trenton (N.J.)"],"places_ssim":["Trenton (N.J.)"],"access_subjects_ssim":["Mercer County Community College (N.J.)"],"access_subjects_ssm":["Mercer County Community College (N.J.)"],"acqinfo_ssim":["Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund."],"date_range_isim":[1984,1985,1986],"odd_html_tesm":["\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e"],"odd_heading_ssm":["General","General"],"odd_tesim":["Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA."],"prefercite_html_tesm":["\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia."],"userestrict_html_tesm":["\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust."],"_nest_path_":"/components#3/components#7/components#20","timestamp":"2026-08-27T00:05:08.613Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_37","ead_ssi":"virmu_repositories_2_resources_37","_root_":"virmu_repositories_2_resources_37","_nest_parent_":"virmu_repositories_2_resources_37","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_37.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/37","title_filing_ssi":"Draper, Louis (VA-04)","title_ssm":["Louis H. Draper Artist Archives (VA-04)"],"title_tesim":["Louis H. Draper Artist Archives (VA-04)"],"unitdate_ssm":["1945-2005"],"unitdate_inclusive_ssm":["1945-2005"],"normalized_date_ssm":["1945/2005"],"normalized_title_ssm":["Louis H. Draper Artist Archives (VA-04), 1945/2005"],"text":["Louis H. Draper Artist Archives (VA-04), 1945/2005","VA-04","/repositories/2/resources/37","Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching","The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website.","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.","The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1\n        Manuscripts, 1947-2005, undated\n      \n      \n        Series 2\n        Publications, 1959-2005, undated\n      \n      \n        Series 3\n        Photography: Portraits, 1958-2001, undated\n      \n      \n        Series 4\n        Photography: United States Locations, 1957-1999, undated\n      \n      \n        Series 5\n        Photography: International Locations, 1978-1990, undated\n      \n      \n        Series 6\n        Photography: Landscapes and Abstractions, 1960-2000, undated\n      \n      \n        Series 7\n        Portfolios, 1964, undated\n      \n      \n        Series 8\n        Photographic Equipment, 1945-1988, undated\n      \n      \n        Series 9\n        Audiovisual Materials, 1972-2000, undated\n      \n      \n        Series 10\n        Born Digital Files, 1996-2001, undated\n      \n      \n        Series 11\n        Photographs by Others, 1946-1998, undated","Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge","Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"","Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006.","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia (email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019).","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection.","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection (email to Courtney Tkacz from Gary Saretzky, June 28, 2019).","In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained.","The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.","The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.","Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson and Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl and Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton and Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford and Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster","Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Darkroom and creative camera techniques","Jilg, Mark","McNutt, Dennis","Beach, Donald","Felip, John","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Kolovakos, Gregory, 1951-1990","Holford, Mary","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","Rosado, Maria","Price, Pamela","Steele, Diana","Fawcetter, Caroline","Young, John","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Smith, Beuford, 1941-","Morris, Jennifer","Lehman, Arnold L.","Duganne, Erina","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Baum, Ralph","Vestal, David, 1924-2013","Petit, Philippe, 1949-","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Cagan, Steve","Doan-Johnson, Susan","McCoy, Regina","Viksjo, Cathy","Post, Kevin","Bledsoe, Lysbeth","Shipley, Barbara","Heisler, Wendy","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Beres, Derek","Dube, Ilene","Kimbrough, Larry","Fischl and Hartman","General Motors Corporation. Chevrolet Motor Division","Madison, Clarence","Maddox, James","Noyes Museum","Lawrenceville School","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Kenyon, Kathleen","Weems, Carrie Mae, 1953-","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Cobb, Vandell","Romais, Miriam","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","Hinzmann, Hilary","Lawrence, Steve","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","Cowans, Adger W., 1936-","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","Dix, Seldon","Littles, Dolores Allen","Dawson, C. 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(George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Recording Institute of America","Darkroom and creative camera techniques","Jilg, Mark","McNutt, Dennis","Bucks County Community College","Beach, Donald","Felip, John","Edwal Scientific Products","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Hackensack Public Schools","Kolovakos, Gregory, 1951-1990","New York State Council on the Arts","Holford, Mary","Creative Resources Institute","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Greater Bordentown Chamber of Commerce","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","The Rotkin Review","Rosado, Maria","Price, Pamela","Steele, Diana","Princeton Photography Club","Fawcetter, Caroline","Young, John","John Young Audio-Visual Production","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Photo Workshop","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Art Kane Photo Workshop","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","George Eastman House","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Charles McCollough Studio","Smith, Beuford, 1941-","Morris, Jennifer","Anacostia Museum and Center for African American History and Culture","Lehman, Arnold L.","Duganne, Erina","General Artists Agency","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Virginia Statesman","Like It Is","Photography Project of the President's Council on Youth Opportunity","Baum, Ralph","Industrial Photography","Inside Out","Vestal, David, 1924-2013","Associated Press","Petit, Philippe, 1949-","Photography Year","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Dialogue","Cagan, Steve","Doan-Johnson, Susan","Hightstown Gazette","McCoy, Regina","Press of Atlantic City","Weekend Beacon","Viksjo, Cathy","Argo","Post, Kevin","Asbury Park Press","Burlington Times","Bledsoe, Lysbeth","Courier-Post","Shipley, Barbara","Heisler, Wendy","New Jersey Herald","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Princeton Living","Beres, Derek","Dube, Ilene","Merrimack Publishing Corp.","Kimbrough, Larry","Decathlon Corporation","Paramount Pictures Corporation","Fischl and Hartman","Sepia Tones","General Motors Corporation. Chevrolet Motor Division","Image Gallery","Community Gallery","Madison, Clarence","First Time Photo Gallery","Maddox, James","Noyes Museum","Morris Museum","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Mariboe Gallery","Princeton Art Association","Allan P. Kirby Arts Center Gallery","Lawrenceville School","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Light Impressions Corporation","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Catskill Center for Photography (Woodstock, N.Y.)","Kenyon, Kathleen","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. 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(Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","National Urban League","Gallery 62","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Kenkeleba Gallery","Gordon Parks Gallery","School of New Resources","Crawford and Sloan Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Leipzig, Melvin, 1935-","Baskakov, Andrew","Brodsky, Judith","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. 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American Photography Institute","George Eastman House","Art in the Atrium","Johnson and Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl and Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton and Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford and Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster"],"creators_ssim":["Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Shaw-Beach","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Recording Institute of America","Darkroom and creative camera techniques","Jilg, Mark","McNutt, Dennis","Bucks County Community College","Beach, Donald","Felip, John","Edwal Scientific Products","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Hackensack Public Schools","Kolovakos, Gregory, 1951-1990","New York State Council on the Arts","Holford, Mary","Creative Resources Institute","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Greater Bordentown Chamber of Commerce","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","The Rotkin Review","Rosado, Maria","Price, Pamela","Steele, Diana","Princeton Photography Club","Fawcetter, Caroline","Young, John","John Young Audio-Visual Production","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Photo Workshop","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Art Kane Photo Workshop","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","George Eastman House","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Charles McCollough Studio","Smith, Beuford, 1941-","Morris, Jennifer","Anacostia Museum and Center for African American History and Culture","Lehman, Arnold L.","Duganne, Erina","General Artists Agency","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Virginia Statesman","Like It Is","Photography Project of the President's Council on Youth Opportunity","Baum, Ralph","Industrial Photography","Inside Out","Vestal, David, 1924-2013","Associated Press","Petit, Philippe, 1949-","Photography Year","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Dialogue","Cagan, Steve","Doan-Johnson, Susan","Hightstown Gazette","McCoy, Regina","Press of Atlantic City","Weekend Beacon","Viksjo, Cathy","Argo","Post, Kevin","Asbury Park Press","Burlington Times","Bledsoe, Lysbeth","Courier-Post","Shipley, Barbara","Heisler, Wendy","New Jersey Herald","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Princeton Living","Beres, Derek","Dube, Ilene","Merrimack Publishing Corp.","Kimbrough, Larry","Decathlon Corporation","Paramount Pictures Corporation","Fischl and Hartman","Sepia Tones","General Motors Corporation. Chevrolet Motor Division","Image Gallery","Community Gallery","Madison, Clarence","First Time Photo Gallery","Maddox, James","Noyes Museum","Morris Museum","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Mariboe Gallery","Princeton Art Association","Allan P. Kirby Arts Center Gallery","Lawrenceville School","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Light Impressions Corporation","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Catskill Center for Photography (Woodstock, N.Y.)","Kenyon, Kathleen","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Columbia College (Chicago, Ill.)","Cobb, Vandell","Romais, Miriam","Kenyon College","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","W.W. Norton and Company","Hinzmann, Hilary","Institute for Youth Entrepreneurship","Lawrence, Steve","Culturefront","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Newsweek","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","National Urban League","Gallery 62","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Kenkeleba Gallery","Gordon Parks Gallery","School of New Resources","Crawford and Sloan Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Leipzig, Melvin, 1935-","Baskakov, Andrew","Brodsky, Judith","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Hanley, John P.","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Dowd, Jennifer Ann","Mathias, John","Weiss, Celia","Bundy, Roy","Flynn, William J.","Hain, Josh","Rivera, Frank","White, Larry","Barksdale, William E., 1927-","Dietrich, Marilyn","Duncan, Noreen","Lobby Gallery","Hymans, Kay","Lamba, Marie","Hopewell Valley News","Stender, Barbara","Artifacts Gallery","Town Topics","Chronicle","Beacon","Williams, Gray","New Jersey Department of Higher Education","Osborne, Linda","Caruso, Jennifer","Infinity","American Society of Magazine Photographers","Moran, Daniel Thomas","Barksdale Gallery","American Academy of Arts and Letters","Bateson, Michael A.","Audio Visual Product News","Davis, Gail","Gray, Jeanne","Clyde","Smith, W. Eugene, 1918-1978","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","Von Hildebrand, Alice, 1923-2022","Von Hildebrand, Dietrich, 1889-1977","O'Daniel, Therman B. (Therman Benjamin), 1908-1986","William Morrow and Company","Hathaway, Paul R.","Hamer, Fannie Lou, 1917-1977","Johnson, Thomas A., 1928-2008","Gillespie, Marcia","Reynolds, Barbara Ann","Jackson, Jacqueline, 1944-","Moore, Marjorie","Fouch, Barbara","James, Delores","McDougall, Joyce, 1926-2011","Lebovici, Serge, 1915-2000","Avon Books","Hearst Corporation","Clark, Duvie","Ebert, Alan","Bryant, Joyce, 1927-2022","Frederick Douglass Creative Arts Center","Another View, Inc.","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","Bower, Sue","Kiley, Frederick S. (Frederick Spencer), 1922-2002","Wright, Giles R.","New Jersey Historical Commission","Allen, Jules, 1947-","Anderson, Julie","Chycota, Johanna","Anderson, Mary B.","Pendergrass, Teddy, 1950-2010","Paul, Billy, 1934-2016","Shinee, Ntozake","Ferman, Terry","Barboza, Leanette","Barboza, Linda Anderson","Barboza, Tim","Bass, George Houston, 1938-1990","Builder, Levy, 1942-","Fuller, Naimah","Bennett, Alan","Bickal, Janet","Blake, Nina","Blake, Eubie, 1887-1983","Bobo, Anne","Bogle, Donald, 1944-","McNatt, Rosemary Bray","Brenner, Glen","Brooks, Wenonah","Bulaj, Marek","Johnson, Barbara Piasecka, 1937-2013","Burton, Sandy","Callender, Arlene","Campbell, Diane","Carty, Delores","Ceglia, Vincent","Chambers, Paul, 1935-1969","Chapman, Glenn Edward","Chavez, Lynn","Chavez, Pete","Chavooshian, Marge","Colavita, James J., 1949-1996","Collins, Lucrentia","Cook, Molly","Simao, Teresa","Crawley, Hazel","Critchlow, Carol","Crotty, Mary","Cummings, Blondell, 1944-2015","Davis, Daryl","Davis, Judy","Davis, Miles, 1926-1991","De Veaux, Alexis, 1948-","Banks, Diane","Deveaux, Pam","Dixon, Mel","Douglas, Clara","Dunham, Katherine, 1909-2006","Esquila, Ramon","Evans, Scott","Fennar, Miya","Koho, Keiko","Fennar, Tad","Folmer, Daniella","Fontaine, Walter","Durniak, John","Galeano, Cheryl","Gibson, Pat","Goldman, Midge","Goodkin, Vera Herman","Guitar Shorty, 1939-2022","Flakes, Jacqueline Hamer, 1966-","Moore, Richard B. (Richard Benjamin), 1893-1978","Harper, Toy","Johnson, Hall, 1887-1970","Harper, Ves","Heck, Soskia","Henry, John","Heywood, Jeni","Hicks, Bernice S.","Hilton, Larry","Hunter, Clementine, 1886-1988","Anderson, Madeline","Iman, 1955-","Jackson, Jesse Louis, 1941-","Jessua, Alain, 1932-2017","Jones, Billy","Kim, Yung Ju","Konrad, Adolf Ferdinand, 1915-2004","Kucay, Susan","Landau, Jacob, 1917-2001","Lawrence, Jacob, 1917-2000","Lehman, Harold","Leipzig, Francesca","Leipzig, Joshua","Graves, Michael, 1934-2015","Lewis, Byron E., Sr., 1931-","Lindfors, Viveca, 1920-1995","Littwin, Michael","Livingston, Bud","Lowing, Donald","Malloy, Tom, 1912-2008","Marshall, Paula","McNichol, Terri","Medina, Pablo, 1948-","Merlino, Joseph","Merlino, Molly","Goldman, Irene","Miller, Robert","Miller, Tony","Michaux, Lewis H., 1885-1976","Novak, Josie","Palmer, Nancy","Pasolini, Pier Paolo, 1922-1975","Passer, Ivan, 1933-2020","Pastira, Sangeeta","Patterson, Latta","Freed, Arthur","Perkoff, Sarah","Ryan, Dave","Polar, Maria","Santiago, Nilsa","Pietroski, Susan","Portee, Natalie","Purdy, Janet, Dr.","Purdy, John","Rachlin, Margaret","Randall, Rosalind","Reaves, Gail","Reaves, Kenny","Reiner, Eric","Reynolds, Rene","Richardson, Al","Richardson, Beverly","Rodriguez, Cecilio","Rosskam, Louise, 1910-2003","Ruffner, Jim","Rutkowski, Catherine","Samad, Marianne","Sandler, Kathe","Sandler, Eve","Sandler, Joan","Santos, Delissa","Sartezky, Anya","Schulte, Judy","Puccio, Victor","Schulte, Lynn M.","Schwartz, Lise","Selwood, Maureen","Shahn, Bernarda Bryson, 1903-2004","Sherman, Terry","Simmons, Ron","Slater, Xandria","Smith, Catherine","Smith, Gregory","Lee-Smith, Hughie, 1915-1999","Smith, Kevin","Smith, Mingus","Standard, Michael","Taylor, John","Taylor, Susan, 1946-","Teneny, Ralph","Sommerville, Tom","Tooker, Holly","Torres, Jose","Van Der Zee, James, 1886-1983","Wallace, Douglas","Weiss, Jiří, 1913-2004","Welliver, Michael","White, Hazel","Wiggins, Ernie","Wilkerson, Lisa","Williams, Ace","Williams, Jim","Wood, Michelle","X., Malcolm, 1925-1965","Draper-Winston, Nell","Winston, Charles","Johnson, Beverly, 1952-","Davidhazy, Andrew","Baldwin, James, 1924-1987","Jackson, Maynard, 1938-2003","Jackson, Valerie Richardson, 1949-","Hamer, Perry","Cook, Susan","Palmer, Douglas, 1951-","Harrell, Hugh","Smith, Aileen","Jorrin, Mario","Calla, Henry","Angelou, Maya, 1928-2014","Maynard, Joan, 1921-1998","Cronkite, Walter, 1916-2009","Cavett, Dick, 1936-","Hurwitz, Leo T., 1909-1991","Chiarenza, Carl, 1935-","Cauthen, Steve, 1960-","Gunn, Bill, 1934-1989","Scott, Seret","Deleo, Fame P.","Toppin, Christopher","Deileo, Fame","Mick, Chianese","Peck, Mary S.","Boeing, Loran K.","Doter, ?","Dill, Timothy","Jaborski, Pierre","Libsohn, Sol, 1914-2001","Linder, Evan","Pope-Lance, Elton","Jean-Bart, Leslie","McBride, Will","Ryan, Joe","Long, Kadar","Malloy","Mike","Hashimoto","Sawyer, Frank","Reed, Eli, 1946-","Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson and Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl and Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton and Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford and Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster"],"access_terms_ssm":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"access_subjects_ssm":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"has_online_content_ssim":["false"],"extent_ssm":["37.5 Linear Feet 170 boxes; 6,605 items"],"extent_tesim":["37.5 Linear Feet 170 boxes; 6,605 items"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/collections/search-archives/louis-h-draper-archive-portal/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eA limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website.","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eManuscripts, 1947-2005, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003ePublications, 1959-2005, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003ePhotography: Portraits, 1958-2001, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography: United States Locations, 1957-1999, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003ePhotography: International Locations, 1978-1990, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePhotography: Landscapes and Abstractions, 1960-2000, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 7\u003c/label\u003e\n        \u003citem\u003ePortfolios, 1964, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 8\u003c/label\u003e\n        \u003citem\u003ePhotographic Equipment, 1945-1988, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 9\u003c/label\u003e\n        \u003citem\u003eAudiovisual Materials, 1972-2000, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 10\u003c/label\u003e\n        \u003citem\u003eBorn Digital Files, 1996-2001, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 11\u003c/label\u003e\n        \u003citem\u003ePhotographs by Others, 1946-1998, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1\n        Manuscripts, 1947-2005, undated\n      \n      \n        Series 2\n        Publications, 1959-2005, undated\n      \n      \n        Series 3\n        Photography: Portraits, 1958-2001, undated\n      \n      \n        Series 4\n        Photography: United States Locations, 1957-1999, undated\n      \n      \n        Series 5\n        Photography: International Locations, 1978-1990, undated\n      \n      \n        Series 6\n        Photography: Landscapes and Abstractions, 1960-2000, undated\n      \n      \n        Series 7\n        Portfolios, 1964, undated\n      \n      \n        Series 8\n        Photographic Equipment, 1945-1988, undated\n      \n      \n        Series 9\n        Audiovisual Materials, 1972-2000, undated\n      \n      \n        Series 10\n        Born Digital Files, 1996-2001, undated\n      \n      \n        Series 11\n        Photographs by Others, 1946-1998, undated"],"bibliography_html_tesm":["\u003cbibref\u003eWorking Together: Louis Draper and the Kamoinge Workshop, 2020\u003c/bibref\u003e\n    ","\u003cbibref\u003eGrowing up in Civil Rights Richmond: A Community Remembers, 2019\u003c/bibref\u003e\n    ","\u003cbibref\u003eLouis H. Draper: Selected Photographs, 2015\u003c/bibref\u003e\n    ","\u003cbibref\u003eTimeless, 2015\u003c/bibref\u003e\n    ","\u003cbibref\u003eThe Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004\u003c/bibref\u003e\n  ","\u003cbibref\u003eVirginia Artist File: Louis Draper\u003c/bibref\u003e\n    ","\u003cbibref\u003eInternational Artist File: Kamoinge\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Related Materials - VMFA Library: Books","Related Materials - VMFA Library: Artist Files"],"bibliography_tesim":["Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge"],"bioghist_html_tesm":["\u003cp\u003eLouis Hansel Draper\u003c/p\u003e","\u003cp\u003eBorn: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ\u003c/p\u003e","\u003cp\u003eWhile a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.\u003c/p\u003e","\u003cp\u003eThroughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.\u003c/p\u003e","\u003cp\u003eIn 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.\u003c/p\u003e","\u003cp\u003eDraper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.\u003c/p\u003e","\u003cp\u003eIn 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"\u003c/p\u003e","\u003cp\u003eIn the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.\u003c/p\u003e","\u003cp\u003eIn 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.\u003c/p\u003e","\u003cp\u003eIn 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.\u003c/p\u003e","\u003cp\u003eEssence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.\u003c/p\u003e","\u003cp\u003eIn 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.\u003c/p\u003e","\u003cp\u003eInterspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.\u003c/p\u003e","\u003cp\u003eFrom 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.\u003c/p\u003e","\u003cp\u003eDraper taught at Mercer until his death in 2002.\u003c/p\u003e","\u003cp\u003e\u003ci\u003eThe biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"\u003c/i\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\""],"custodhist_html_tesm":["\u003cp\u003eLouis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. \u003c/p\u003e","\u003cp\u003eSaretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia (\u003ci\u003eemail to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019\u003c/i\u003e). \u003c/p\u003e","\u003cp\u003eAt that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. \u003c/p\u003e","\u003cp\u003eIn February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection (\u003ci\u003eemail to Courtney Tkacz from Gary Saretzky, June 28, 2019\u003c/i\u003e). \u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006.","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia (email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019).","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection.","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection (email to Courtney Tkacz from Gary Saretzky, June 28, 2019)."],"prefercite_html_tesm":["\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.\u003c/p\u003e","\u003cp\u003eWhile the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.\u003c/p\u003e","\u003cp\u003eProcessing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained.    \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eTransmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. \u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_80d4d02edaa46a99725ed524cbb90700\"\u003eThe extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.\u003c/abstract\u003e\n    "],"abstract_tesim":["The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson and Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl and Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton and Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford and Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster"],"names_coll_ssim":["Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Kamoinge Inc.‏","Draper, Louis H., 1935-2002"],"persname_ssim":["Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Shaw-Beach","Beach, George A. 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Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).","Series include:","Series 1. Biographical Information, 2005 (box 1, Folder 1a) \nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b) \nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6) \nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10) \nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18) \nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47) \nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55) \nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b) \nSeries 9. Book Manuscript \"The Davissons\" by Russel L. 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For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b58e0d0847733239cec6066aace5060d\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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Auch, III, 1985","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_616_c01_c212#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_616_c01_c212","ref_ssm":["vilxw_repositories_5_resources_616_c01_c212"],"id":"vilxw_repositories_5_resources_616_c01_c212","ead_ssi":"vilxw_repositories_5_resources_616","_root_":"vilxw_repositories_5_resources_616","_nest_parent_":"vilxw_repositories_5_resources_616_c01","parent_ssi":"vilxw_repositories_5_resources_616_c01","parent_ssim":["Student Architectural papers collection, 1960/2011","User Access Copies"],"parent_ids_ssim":["vilxw_repositories_5_resources_616","vilxw_repositories_5_resources_616_c01"],"title_filing_ssi":"150 South Main street, Leggett's building, by James M. Auch, III","title_ssm":["150 South Main street, Leggett's building, by James M. Auch, III"],"title_tesim":["150 South Main street, Leggett's building, by James M. Auch, III"],"normalized_title_ssm":["150 South Main street, Leggett's building, by James M. Auch, III, 1985"],"text":["150 South Main street, Leggett's building, by James M. 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In 1910, the architectural firm of Cram, Goodhue and Ferguson was commissioned by the Board of Trustees to draft plans for the future College. Ralph Adams Cram, eminent institutional architect, was responsible for establishing the enduring style on the University of Richmond campus. The Board of Trustees also engaged the service of a landscape architect Warren H. Manning, a former apprentice to Frederick Law Olmstead. Manning was responsible for designing and locating roads, supervising the cutting and planting of trees, locating walkways, and landscaping the terrain so that it would drain appropriately. President Boatwright worked with Cram and Manning to formulate a master plan which considered fifty years of growth for the institution on its present site. 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In 1999, the University of Richmond was recognized by the Princeton Review as the most beautiful campus in the United States.","University history quoted from UR's Architectural Services website.","Processed by Betty Dickie.","The collection includes research on University history, presidents, alumni, and buildings. It also includes the marketing materials and the steps that went into producing them; photographs from Dementi; VHS tapes of the Gala Celebration, President Ayers inauguration, and more; historical information about Boatwright Library. The collection includes all of the working notes and steps in the putting together of the various events for the anniversary celebrating 175 years.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  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The master plan included provision for a college of medicine, a law school building, an observatory, a school of business administration, an engineering school, a gymnasium and swimming pool, a major library and homes for professors.\u003c/p\u003e","\u003cp\u003eConstruction of new buildings designed by Cram, Goodhue and Ferguson began in 1911. The first building constructed on the new site was Ryland Hall, now the Humanities Building, which housed administrative offices, lecture rooms, the art hall, meeting space and a library with 40,000 volumes. It was followed by North Court. Two residence halls for men were also constructed: Residence Hall No. 2 (formerly Thomas Hall) and Residence Hall No. 1 (formerly Jeter Hall). Cram is credited with remarking that the collegiate Gothic style symbolizes \"eternal values\" and \"exalted ideals of education and religion.\" Cram also boasted that there \"wasn't another site in the whole United States as suitable for a college, except for the site at West Point.\"\u003c/p\u003e","\u003cp\u003eDuring World War II, the University of Richmond supported the national effort to conserve food by establishing victory gardens on campus. In the spring of 1943, an area on the Westhampton campus near River Road was cultivated with plots assigned to faculty who wished to make a garden. The University of Richmond expanded over time as the following schools of study were established:\u003c/p\u003e","\u003cp\u003e1870 - The T.C. Williams School of Law\u003cbr\u003e\n1921 - The Graduate School of Arts and Sciences\u003cbr\u003e\n1949 - The E. Claiborne Robins School of Business\u003cbr\u003e\n1962 - University College (The School of Continuing Studies)\u003cbr\u003e\n1976 - The Richard S. Reynolds Graduate School of Business\u003cbr\u003e\n1992 - The Jepson School of Leadership Studies\u003c/p\u003e","\u003cp\u003ePerhaps, the most significant event in the recent history of the University occurred in 1969, when alumnus E. Claiborne Robins gave the University a gift valued at $50 million. The University moved forward to raise a matching amount of funds. This led to the construction of new facilities and the renovation of existing campus buildings.\u003c/p\u003e","\u003cp\u003eOver the years, the University of Richmond has been characterized by its rolling terrain, commodious open space and lush tree canopy. This landscape was the primary determinant in the initial master plan organization and has continued to dictate the development patterns as growth has occurred. This methodology has been continuously embraced by those in leadership positions within the University and has clearly elevated the University of Richmond to a top position nationally in the aesthetic quality of its setting. In 1999, the University of Richmond was recognized by the Princeton Review as the most beautiful campus in the United States.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italics\"\u003eUniversity history quoted from \u003ca href=\"https://facilities.richmond.edu/about-us/architectural/historical-traditions.html\"\u003eUR's Architectural Services website\u003c/a\u003e\u003c/emph\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The University of Richmond traces its roots to 1830 at a private academy called Dunlora, which was operated by the Reverend Edward Baptist under the sponsorship of the Virginia Baptist Education Society. In 1832, the Virginia Baptist Seminary was formed with the Reverend Robert Ryland as principal and the only teacher. The seminary was located on a farm called Spring Farm near the present-day Bryan Park. In 1834, the seminary was moved to what was then a western suburb of Richmond, one-half mile from the city limits. The seminary, located near the present intersection of Grace and Lombardy Streets, and the school remained at this site for eighty years. In 1840, Richmond College was chartered as a liberal arts and sciences college for men by the Virginia General Assembly.","Two other events provided significant impact in shaping the existing physical campus: the move to the present campus and the establishment of the co-ordinate system. The origins of the present campus date to 1910, when the Richmond College Board of Trustees purchased approximately 290 acres including Westhampton Lake. Ben Green's old mill pond, now known as Westhampton Lake, stretched 1,326 feet in length and divided the property into two parts. The lake covered approximately fourteen acres and predated the Civil War. Classes at Richmond College started in September, 1914. Westhampton College, a college of liberal arts and sciences for women, was also established in 1914 on the same property. George White McDaniel, chairman of the Board of Trustees committee to secure the deed to the property, noted that the property was, \"sufficiently large for all future purposes\" of the institution. The property was outside the City of Richmond in Henrico County. Twenty-six years later, Richmond College was once again within city limits as the City of Richmond annexed a considerable portion of Henrico County.","President Frederic William Boatwright (1895–1946 term of office) envisioned a \"Collegiate Gothic\" style of architecture for the new University campus. In 1910, the architectural firm of Cram, Goodhue and Ferguson was commissioned by the Board of Trustees to draft plans for the future College. Ralph Adams Cram, eminent institutional architect, was responsible for establishing the enduring style on the University of Richmond campus. The Board of Trustees also engaged the service of a landscape architect Warren H. Manning, a former apprentice to Frederick Law Olmstead. Manning was responsible for designing and locating roads, supervising the cutting and planting of trees, locating walkways, and landscaping the terrain so that it would drain appropriately. President Boatwright worked with Cram and Manning to formulate a master plan which considered fifty years of growth for the institution on its present site. The master plan included provision for a college of medicine, a law school building, an observatory, a school of business administration, an engineering school, a gymnasium and swimming pool, a major library and homes for professors.","Construction of new buildings designed by Cram, Goodhue and Ferguson began in 1911. The first building constructed on the new site was Ryland Hall, now the Humanities Building, which housed administrative offices, lecture rooms, the art hall, meeting space and a library with 40,000 volumes. It was followed by North Court. Two residence halls for men were also constructed: Residence Hall No. 2 (formerly Thomas Hall) and Residence Hall No. 1 (formerly Jeter Hall). Cram is credited with remarking that the collegiate Gothic style symbolizes \"eternal values\" and \"exalted ideals of education and religion.\" Cram also boasted that there \"wasn't another site in the whole United States as suitable for a college, except for the site at West Point.\"","During World War II, the University of Richmond supported the national effort to conserve food by establishing victory gardens on campus. In the spring of 1943, an area on the Westhampton campus near River Road was cultivated with plots assigned to faculty who wished to make a garden. The University of Richmond expanded over time as the following schools of study were established:","1870 - The T.C. Williams School of Law\n1921 - The Graduate School of Arts and Sciences\n1949 - The E. Claiborne Robins School of Business\n1962 - University College (The School of Continuing Studies)\n1976 - The Richard S. Reynolds Graduate School of Business\n1992 - The Jepson School of Leadership Studies","Perhaps, the most significant event in the recent history of the University occurred in 1969, when alumnus E. Claiborne Robins gave the University a gift valued at $50 million. The University moved forward to raise a matching amount of funds. This led to the construction of new facilities and the renovation of existing campus buildings.","Over the years, the University of Richmond has been characterized by its rolling terrain, commodious open space and lush tree canopy. This landscape was the primary determinant in the initial master plan organization and has continued to dictate the development patterns as growth has occurred. This methodology has been continuously embraced by those in leadership positions within the University and has clearly elevated the University of Richmond to a top position nationally in the aesthetic quality of its setting. In 1999, the University of Richmond was recognized by the Princeton Review as the most beautiful campus in the United States.","University history quoted from UR's Architectural Services website."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-25, UR's 175th Anniversary Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-25, UR's 175th Anniversary Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Betty Dickie.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Betty Dickie."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes research on University history, presidents, alumni, and buildings. It also includes the marketing materials and the steps that went into producing them; photographs from Dementi; VHS tapes of the Gala Celebration, President Ayers inauguration, and more; historical information about Boatwright Library. The collection includes all of the working notes and steps in the putting together of the various events for the anniversary celebrating 175 years.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes research on University history, presidents, alumni, and buildings. It also includes the marketing materials and the steps that went into producing them; photographs from Dementi; VHS tapes of the Gala Celebration, President Ayers inauguration, and more; historical information about Boatwright Library. The collection includes all of the working notes and steps in the putting together of the various events for the anniversary celebrating 175 years."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_MS-25\"\u003eThis collection contains materials, notes, samples, photos, videos, and more, pertaining to the celebration of University of Richmond's 175th Anniversary.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials, notes, samples, photos, videos, and more, pertaining to the celebration of University of Richmond's 175th Anniversary."],"corpname_ssim":["University of Richmond"],"names_coll_ssim":["University of Richmond"],"persname_ssim":["Monday, Kathy"],"names_ssim":["University of Richmond","Monday, Kathy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":194,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_16_c01_c18"}},{"id":"vaallhs_repositories_2_resources_157_c01_c05","type":"Sub-Series","attributes":{"title":"1.5: Branch Records, 1954/2013, bulk 1960/1999","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_157_c01_c05#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis sub-series contains records documenting the branches and divisions of the Alexandria Library system including the construction of the branches and information regarding their operations. The branches represented here include the Kate Waller Barrett Branch Library, the James M. Duncan Branch Library, the Ellen Coolidge Burke Branch Library, the Robert H. Robinson Library, the \"New Branch\" (later known as the Charles E. Beatley, Jr. Central Library), the Special Services Division, and the Lloyd House (later known as Local History and Special Collections).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_157_c01_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vaallhs_repositories_2_resources_157_c01_c05","ref_ssm":["vaallhs_repositories_2_resources_157_c01_c05"],"id":"vaallhs_repositories_2_resources_157_c01_c05","ead_ssi":"vaallhs_repositories_2_resources_157","_root_":"vaallhs_repositories_2_resources_157","_nest_parent_":"vaallhs_repositories_2_resources_157_c01","parent_ssi":"vaallhs_repositories_2_resources_157_c01","parent_ssim":["Alexandria Library Records (MS098), 1937/2013","Series 1: Founding and 20th Century Records, 1937/2014, bulk 1950/1999"],"parent_ids_ssim":["vaallhs_repositories_2_resources_157","vaallhs_repositories_2_resources_157_c01"],"title_filing_ssi":"1.5: Branch Records","title_ssm":["1.5: Branch Records"],"title_tesim":["1.5: Branch Records"],"normalized_title_ssm":["1.5: Branch Records, 1954/2013, bulk 1960/1999"],"text":["1.5: Branch Records, 1954/2013, bulk 1960/1999","Alexandria Library Records (MS098), 1937/2013","Series 1: Founding and 20th Century Records, 1937/2014, bulk 1950/1999","This sub-series contains records documenting the branches and divisions of the Alexandria Library system including the construction of the branches and information regarding their operations. The branches represented here include the Kate Waller Barrett Branch Library, the James M. Duncan Branch Library, the Ellen Coolidge Burke Branch Library, the Robert H. Robinson Library, the \"New Branch\" (later known as the Charles E. Beatley, Jr. Central Library), the Special Services Division, and the Lloyd House (later known as Local History and Special Collections)."],"parent_unittitles_ssm":["Alexandria Library Records (MS098), 1937/2013","Series 1: Founding and 20th Century Records, 1937/2014, bulk 1950/1999"],"parent_unittitles_tesim":["Alexandria Library Records (MS098), 1937/2013","Series 1: Founding and 20th Century Records, 1937/2014, bulk 1950/1999"],"normalized_date_ssm":["1954/2013, bulk 1960/1999"],"unitdate_inclusive_ssm":["1954-2013"],"unitdate_bulk_ssim":["c.1960s-1990s"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":399,"repository_ssim":["Alexandria Library"],"collection_ssim":["Alexandria Library Records (MS098), 1937/2013"],"has_online_content_ssim":["false"],"child_component_count_isi":108,"parent_access_restrict_tesm":["Collection is open for research. Public access to some confidential personnel records is restricted, these materials are noted as such."],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|bfbbbe62-d9d3-4cf4-8778-a75f1176ded1/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Digital Materials"],"otherfindaid_tesim":["Click to view digital materials in this collection"],"scopecontent_html_tesm":["\u003cp\u003eThis sub-series contains records documenting the branches and divisions of the Alexandria Library system including the construction of the branches and information regarding their operations. The branches represented here include the Kate Waller Barrett Branch Library, the James M. Duncan Branch Library, the Ellen Coolidge Burke Branch Library, the Robert H. Robinson Library, the \"New Branch\" (later known as the Charles E. Beatley, Jr. Central Library), the Special Services Division, and the Lloyd House (later known as Local History and Special Collections).\u003c/p\u003e"],"scopecontent_heading_ssm":["Sub-Series Content Description"],"scopecontent_tesim":["This sub-series contains records documenting the branches and divisions of the Alexandria Library system including the construction of the branches and information regarding their operations. The branches represented here include the Kate Waller Barrett Branch Library, the James M. Duncan Branch Library, the Ellen Coolidge Burke Branch Library, the Robert H. Robinson Library, the \"New Branch\" (later known as the Charles E. Beatley, Jr. Central Library), the Special Services Division, and the Lloyd House (later known as Local History and Special Collections)."],"_nest_path_":"/components#0/components#4","timestamp":"2026-08-14T22:21:50.422Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vaallhs_repositories_2_resources_157","ead_ssi":"vaallhs_repositories_2_resources_157","_root_":"vaallhs_repositories_2_resources_157","_nest_parent_":"vaallhs_repositories_2_resources_157","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_157.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/157","title_ssm":["Alexandria Library Records (MS098)"],"title_tesim":["Alexandria Library Records (MS098)"],"unitdate_ssm":["1937-2013"],"unitdate_inclusive_ssm":["1937-2013"],"normalized_date_ssm":["1937/2013"],"normalized_title_ssm":["Alexandria Library Records (MS098), 1937/2013"],"text":["Alexandria Library Records (MS098), 1937/2013","MS098","/repositories/2/resources/157","Alexandria (Va.)","Alexandria (Va.). Library","Public libraries.","Collection is open for research. Public access to some confidential personnel records is restricted, these materials are noted as such.","This finding aid describes and documents the updated arrangement of this collection as of 2023. Previously, the collection was organized into the following series: By Laws, Charters, and Agreements; Board; Annual Reports; Administration; Circulation; Construction; History; Publicity; Scrapbooks; Workshops; Queen/Barrett; Robert Robinson; Special Services; and Lloyd House. \"By-Laws, Charters, and Agreements\" and \"Administration\" have been combined into the new Subseries 1.2. Administration and Finance. \"History,\" \"Publicity,\" \"Scrapbooks,\" \"Workshops,\" and \"Photographs\" have been combined into the new Subseries 1.4. History, Programming, and Outreach. \"Construction,\" \"Queen/Barrett,\" \"Robert Robinson,\" \"Special Services,\" and \"Lloyd House,\" have been combined into the new Subseries 1.5. Branch Records.","The \"Board\" series has been separated from MS098 and combined with other records to form a new, separate collection of Alexandria Library Board Records.","The physical and intellectual arrangement of the Alexandria Library Records (MS098) has been updated a few times over the years, while remaining accessible to the public. Thus, the decision was made to maintain, as much as appropriate, the current order of the pre-existing collection as Series 1: Founding and 20th Century Records; and Series 2: 21st Century Records includes the new accretions to the collection as of 2023. Future accretions to this collection will either be added to Series 2 or form a new series.","Series 1. Founding and 20th Century Records, 1937-2005\n\nSubseries 1.1. Annual Reports\nSubseries 1.2. Administration and Finance\nSubseries 1.3. Circulation Records\nSubseries 1.4. History, Programming, and Outreach\nSubseries 1.5. Branch Records\n\n\nSeries 2. 21st Century Records, 1994-present\n\nSubseries 2.1. Annual Reports\nSubseries 2.2. Administration and Finance\nSubseries 2.3. Branch Records\nSubseries 2.4. Programming and Outreach\nSubseries 2.5. Web Archives","Founded as a subscription library in 1794 and serving as the public library of Alexandria, Virginia since 1937 – Alexandria Library has a long legacy of supporting early literacy and lifelong learning in our diverse community. The Alexandria Library builds community through its six branches by providing opportunities to learn, explore, create, and connect.","The Alexandria Library Company (ALC) was founded on July 24, 1794 and operated a subscription library for nearly 150 years. In 1937, the ALC entered an agreement with the City of Alexandria and their collections formed the foundation of the city's first free public library. Since then, the Alexandria Library has grown into a system of six branches which serve the community of Alexandria, Virginia.","The Kate Waller Barrett Library opened its doors on Queen Street in 1937; this was the first location of the Alexandria Library. It was named after Dr. Kate Waller Barrett – local humanitarian, social crusader, and political reformer. The Society of Friends granted a 99-year lease for use of its old Quaker Burial Ground on Queen Street as the site for the new public library building. This library has undergone several renovations and expansions over the years, in 1954, 1964, and 1993. When the Charles E. Beatley, Jr. Central Library was built, the Barrett Library shifted from being the main library to its current role as a branch library which serves residents of Old Town Alexandria and surrounding neighborhoods.","The Robert Robinson Library, named for a grandson of one of George Washington's slaves, opened in 1940 to serve black residents of Alexandria. The establishment of this new branch library was motivated by a civil rights demonstration and lawsuit brought against the Library and the City of Alexandria. The earliest known civil rights sit-in was held at the Kate Waller Barrett Branch Library in 1939. Alexandria Attorney Samuel W. Tucker and five young African American men demonstrated this act of civil disobedience after being denied library cards. The Sit-In and following legal action resulted in the establishment of a new branch of the library to provide \"separate but equal\" library services to black residents. However, this new library branch never received the same support or funding as the main library and was never able to provide fully equitable services to the local African American community. The Alexandria Library officially integrated for adults in 1959, and for children in 1962. The Robert Robinson Library closed in 1962 and the building is now the site of the Alexandria Black History Museum. More details about the 1939 sit-in and integration of Alexandria Library, as well as links to additional resources can be found on our website.","The Ellen Coolidge Burke Branch Library opened on Seminary Road in 1968. This branch library was named after Ellen Coolidge Burke (1901-1975), who served as Director of the Alexandria Library from 1948 to 1969. The Burke Branch Library serves residents of the Seminary Hill neighborhood and surrounding areas.","The James M. Duncan, Jr. Branch Library opened on Commonwealth Avenue in 1969. The Duncan Branch Library serves residents of the Del Ray neighborhood and surrounding areas. This branch was named after James M. Duncan (1897-1967), who served as Chief of the Alexandria Fire Department 1924-1947, member of City Council 1949-1967, and member of the Alexandria Library Board 1950-1967. In 2005 the Duncan Branch Library underwent renovations and became the first City of Alexandria government building to have a \"living\" roof – a Green Infrastructure approach to reducing stormwater runoff and pollution in local waterways.","The Local History / Special Collections Branch was established in 1976 and first housed at Lloyd House, a historic home on the corner of Queen and North Washington Streets. In 1999, after completion of the most recent round of renovations and expansions, Local History / Special Collections moved into the Kate Waller Barrett Branch Library. Local History / Special Collections stewards many valuable resources documenting the history and culture of Alexandria and Virginia from the colonial period to the present.","The Charles E. Beatley, Jr. Central Library opened on Duke Street in 2000. This new central library was named after former mayor of Alexandria, Charles E. \"Chuck\" Beatley, Jr. (1916-2003). Upon completion of the new main library site, library adminstration offices were moved from the Barrett Library (formerly the central library) to the Beatley Library.","In 2015 the Library took over management of the Alexandria Law Library, located in the basement of the Alexandria Circuit Court on King Street. The Alexandria Law Library provides legal resources for the benefit of the entire Alexandria community, including its citizens, government agencies, local businesses, the judiciary, and members of the bar.","For a more detailed timeline of the history of Alexandria Library, check out our website.","Alexandria Library Board Records\nAlexandria Library Company Records (MS002)","This collection contains the records of the Alexandria Library, documenting the administration and operation of the Library, dating from the founding of the public library in 1937 through the present. Included are administrative records, annual reports, financial records, circulation records, materials documenting the history of the Library, programming and outreach records, and records of the individual branches of the library system. Formats include textual documents, photographs, and ephemera.","The Alexandria Library is an active organization, and so this collection is a living collection which will be periodically added to and updated. Check this collection guide for any future updates to the collection.","Materials relating to the Alexandria Library Board have been moved from MS098 to the Alexandria Library Board Records (MS416).","Local History and Special Collections Branch, Alexandria Library","Alexandria Library (Alexandria, Va.)","Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)","Burke, Ellen Coolidge","Duncan, James M., Jr. (James Morton), 1897-1967","Barrett, Kate Waller, Dr., 1858-1925","Beatley, Charles E., Jr., 1916-2003","Robinson, Robert Henry, Rev. (1824-1909)","English"],"collection_title_tesim":["Alexandria Library Records (MS098), 1937/2013"],"collection_ssim":["Alexandria Library Records (MS098), 1937/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS098","/repositories/2/resources/157"],"unitid_tesim":["MS098","/repositories/2/resources/157"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"geogname_ssm":["Alexandria (Va.)"],"geogname_ssim":["Alexandria (Va.)"],"places_ssim":["Alexandria (Va.)"],"creator_ssm":["Alexandria Library (Alexandria, Va.)"],"creator_ssim":["Alexandria Library (Alexandria, Va.)"],"creator_persname_ssim":["Burke, Ellen Coolidge","Duncan, James M., Jr. (James Morton), 1897-1967","Barrett, Kate Waller, Dr., 1858-1925","Beatley, Charles E., Jr., 1916-2003","Robinson, Robert Henry, Rev. (1824-1909)"],"creator_corpname_ssim":["Local History and Special Collections Branch, Alexandria Library","Alexandria Library (Alexandria, Va.)","Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)"],"creators_ssim":["Burke, Ellen Coolidge","Duncan, James M., Jr. (James Morton), 1897-1967","Barrett, Kate Waller, Dr., 1858-1925","Beatley, Charles E., Jr., 1916-2003","Robinson, Robert Henry, Rev. (1824-1909)","Local History and Special Collections Branch, Alexandria Library","Alexandria Library (Alexandria, Va.)","Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)"],"access_subjects_ssim":["Alexandria (Va.). Library","Public libraries."],"access_subjects_ssm":["Alexandria (Va.). Library","Public libraries."],"has_online_content_ssim":["false"],"extent_ssm":["13.86 Cubic Feet 30 boxes, 1 oversized box"],"extent_tesim":["13.86 Cubic Feet 30 boxes, 1 oversized box"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Public access to some confidential personnel records is restricted, these materials are noted as such.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Public access to some confidential personnel records is restricted, these materials are noted as such."],"arrangement_html_tesm":["\u003cp\u003eThis finding aid describes and documents the updated arrangement of this collection as of 2023. Previously, the collection was organized into the following series: By Laws, Charters, and Agreements; Board; Annual Reports; Administration; Circulation; Construction; History; Publicity; Scrapbooks; Workshops; Queen/Barrett; Robert Robinson; Special Services; and Lloyd House. \"By-Laws, Charters, and Agreements\" and \"Administration\" have been combined into the new Subseries 1.2. Administration and Finance. \"History,\" \"Publicity,\" \"Scrapbooks,\" \"Workshops,\" and \"Photographs\" have been combined into the new Subseries 1.4. History, Programming, and Outreach. \"Construction,\" \"Queen/Barrett,\" \"Robert Robinson,\" \"Special Services,\" and \"Lloyd House,\" have been combined into the new Subseries 1.5. Branch Records.\u003c/p\u003e","\u003cp\u003eThe \"Board\" series has been separated from MS098 and combined with other records to form a new, separate collection of Alexandria Library Board Records.\u003c/p\u003e","\u003cp\u003eThe physical and intellectual arrangement of the Alexandria Library Records (MS098) has been updated a few times over the years, while remaining accessible to the public. Thus, the decision was made to maintain, as much as appropriate, the current order of the pre-existing collection as Series 1: Founding and 20th Century Records; and Series 2: 21st Century Records includes the new accretions to the collection as of 2023. Future accretions to this collection will either be added to Series 2 or form a new series.\u003c/p\u003e","\u003cp\u003e\u003cul\u003e\n\u003cli\u003eSeries 1. Founding and 20th Century Records, 1937-2005\n\u003cul\u003e\n\u003cli\u003eSubseries 1.1. Annual Reports\u003c/li\u003e\n\u003cli\u003eSubseries 1.2. Administration and Finance\u003c/li\u003e\n\u003cli\u003eSubseries 1.3. Circulation Records\u003c/li\u003e\n\u003cli\u003eSubseries 1.4. History, Programming, and Outreach\u003c/li\u003e\n\u003cli\u003eSubseries 1.5. Branch Records\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003eSeries 2. 21st Century Records, 1994-present\n\u003cul\u003e\n\u003cli\u003eSubseries 2.1. Annual Reports\u003c/li\u003e\n\u003cli\u003eSubseries 2.2. Administration and Finance\u003c/li\u003e\n\u003cli\u003eSubseries 2.3. Branch Records\u003c/li\u003e\n\u003cli\u003eSubseries 2.4. Programming and Outreach\u003c/li\u003e\n\u003cli\u003eSubseries 2.5. Web Archives\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e  "],"arrangement_heading_ssm":["Notes on Arrangement"],"arrangement_tesim":["This finding aid describes and documents the updated arrangement of this collection as of 2023. Previously, the collection was organized into the following series: By Laws, Charters, and Agreements; Board; Annual Reports; Administration; Circulation; Construction; History; Publicity; Scrapbooks; Workshops; Queen/Barrett; Robert Robinson; Special Services; and Lloyd House. \"By-Laws, Charters, and Agreements\" and \"Administration\" have been combined into the new Subseries 1.2. Administration and Finance. \"History,\" \"Publicity,\" \"Scrapbooks,\" \"Workshops,\" and \"Photographs\" have been combined into the new Subseries 1.4. History, Programming, and Outreach. \"Construction,\" \"Queen/Barrett,\" \"Robert Robinson,\" \"Special Services,\" and \"Lloyd House,\" have been combined into the new Subseries 1.5. Branch Records.","The \"Board\" series has been separated from MS098 and combined with other records to form a new, separate collection of Alexandria Library Board Records.","The physical and intellectual arrangement of the Alexandria Library Records (MS098) has been updated a few times over the years, while remaining accessible to the public. Thus, the decision was made to maintain, as much as appropriate, the current order of the pre-existing collection as Series 1: Founding and 20th Century Records; and Series 2: 21st Century Records includes the new accretions to the collection as of 2023. Future accretions to this collection will either be added to Series 2 or form a new series.","Series 1. Founding and 20th Century Records, 1937-2005\n\nSubseries 1.1. Annual Reports\nSubseries 1.2. Administration and Finance\nSubseries 1.3. Circulation Records\nSubseries 1.4. History, Programming, and Outreach\nSubseries 1.5. Branch Records\n\n\nSeries 2. 21st Century Records, 1994-present\n\nSubseries 2.1. Annual Reports\nSubseries 2.2. Administration and Finance\nSubseries 2.3. Branch Records\nSubseries 2.4. Programming and Outreach\nSubseries 2.5. Web Archives"],"bioghist_html_tesm":["\u003cp\u003eFounded as a subscription library in 1794 and serving as the public library of Alexandria, Virginia since 1937 – Alexandria Library has a long legacy of supporting early literacy and lifelong learning in our diverse community. The Alexandria Library builds community through its six branches by providing opportunities to learn, explore, create, and connect.\u003c/p\u003e","\u003cp\u003eThe Alexandria Library Company (ALC) was founded on July 24, 1794 and operated a subscription library for nearly 150 years. In 1937, the ALC entered an agreement with the City of Alexandria and their collections formed the foundation of the city's first free public library. Since then, the Alexandria Library has grown into a system of six branches which serve the community of Alexandria, Virginia. \u003c/p\u003e","\u003cp\u003eThe Kate Waller Barrett Library opened its doors on Queen Street in 1937; this was the first location of the Alexandria Library. It was named after Dr. Kate Waller Barrett – local humanitarian, social crusader, and political reformer. The Society of Friends granted a 99-year lease for use of its old Quaker Burial Ground on Queen Street as the site for the new public library building. This library has undergone several renovations and expansions over the years, in 1954, 1964, and 1993. When the Charles E. Beatley, Jr. Central Library was built, the Barrett Library shifted from being the main library to its current role as a branch library which serves residents of Old Town Alexandria and surrounding neighborhoods.\u003c/p\u003e","\u003cp\u003eThe Robert Robinson Library, named for a grandson of one of George Washington's slaves, opened in 1940 to serve black residents of Alexandria. The establishment of this new branch library was motivated by a civil rights demonstration and lawsuit brought against the Library and the City of Alexandria. The earliest known civil rights sit-in was held at the Kate Waller Barrett Branch Library in 1939. Alexandria Attorney Samuel W. Tucker and five young African American men demonstrated this act of civil disobedience after being denied library cards. The Sit-In and following legal action resulted in the establishment of a new branch of the library to provide \"separate but equal\" library services to black residents. However, this new library branch never received the same support or funding as the main library and was never able to provide fully equitable services to the local African American community. The Alexandria Library officially integrated for adults in 1959, and for children in 1962. The Robert Robinson Library closed in 1962 and the building is now the site of the Alexandria Black History Museum. \u003ca href=\"https://alexlibraryva.org/1939-sit-in\"\u003eMore details about the 1939 sit-in and integration of Alexandria Library, as well as links to additional resources can be found on our website.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eThe Ellen Coolidge Burke Branch Library opened on Seminary Road in 1968. This branch library was named after Ellen Coolidge Burke (1901-1975), who served as Director of the Alexandria Library from 1948 to 1969. The Burke Branch Library serves residents of the Seminary Hill neighborhood and surrounding areas. \u003c/p\u003e","\u003cp\u003eThe James M. Duncan, Jr. Branch Library opened on Commonwealth Avenue in 1969. The Duncan Branch Library serves residents of the Del Ray neighborhood and surrounding areas. This branch was named after James M. Duncan (1897-1967), who served as Chief of the Alexandria Fire Department 1924-1947, member of City Council 1949-1967, and member of the Alexandria Library Board 1950-1967. In 2005 the Duncan Branch Library underwent renovations and became the first City of Alexandria government building to have a \"living\" roof – a Green Infrastructure approach to reducing stormwater runoff and pollution in local waterways. \u003c/p\u003e","\u003cp\u003eThe Local History / Special Collections Branch was established in 1976 and first housed at Lloyd House, a historic home on the corner of Queen and North Washington Streets. In 1999, after completion of the most recent round of renovations and expansions, Local History / Special Collections moved into the Kate Waller Barrett Branch Library. Local History / Special Collections stewards many valuable resources documenting the history and culture of Alexandria and Virginia from the colonial period to the present.\u003c/p\u003e","\u003cp\u003eThe Charles E. Beatley, Jr. Central Library opened on Duke Street in 2000. This new central library was named after former mayor of Alexandria, Charles E. \"Chuck\" Beatley, Jr. (1916-2003). Upon completion of the new main library site, library adminstration offices were moved from the Barrett Library (formerly the central library) to the Beatley Library.\u003c/p\u003e","\u003cp\u003eIn 2015 the Library took over management of the Alexandria Law Library, located in the basement of the Alexandria Circuit Court on King Street. The Alexandria Law Library provides legal resources for the benefit of the entire Alexandria community, including its citizens, government agencies, local businesses, the judiciary, and members of the bar.\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibraryva.org/about-us#timeline\"\u003eFor a more detailed timeline of the history of Alexandria Library, check out our website.\u003c/a\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Founded as a subscription library in 1794 and serving as the public library of Alexandria, Virginia since 1937 – Alexandria Library has a long legacy of supporting early literacy and lifelong learning in our diverse community. The Alexandria Library builds community through its six branches by providing opportunities to learn, explore, create, and connect.","The Alexandria Library Company (ALC) was founded on July 24, 1794 and operated a subscription library for nearly 150 years. In 1937, the ALC entered an agreement with the City of Alexandria and their collections formed the foundation of the city's first free public library. Since then, the Alexandria Library has grown into a system of six branches which serve the community of Alexandria, Virginia.","The Kate Waller Barrett Library opened its doors on Queen Street in 1937; this was the first location of the Alexandria Library. It was named after Dr. Kate Waller Barrett – local humanitarian, social crusader, and political reformer. The Society of Friends granted a 99-year lease for use of its old Quaker Burial Ground on Queen Street as the site for the new public library building. This library has undergone several renovations and expansions over the years, in 1954, 1964, and 1993. When the Charles E. Beatley, Jr. Central Library was built, the Barrett Library shifted from being the main library to its current role as a branch library which serves residents of Old Town Alexandria and surrounding neighborhoods.","The Robert Robinson Library, named for a grandson of one of George Washington's slaves, opened in 1940 to serve black residents of Alexandria. The establishment of this new branch library was motivated by a civil rights demonstration and lawsuit brought against the Library and the City of Alexandria. The earliest known civil rights sit-in was held at the Kate Waller Barrett Branch Library in 1939. Alexandria Attorney Samuel W. Tucker and five young African American men demonstrated this act of civil disobedience after being denied library cards. The Sit-In and following legal action resulted in the establishment of a new branch of the library to provide \"separate but equal\" library services to black residents. However, this new library branch never received the same support or funding as the main library and was never able to provide fully equitable services to the local African American community. The Alexandria Library officially integrated for adults in 1959, and for children in 1962. The Robert Robinson Library closed in 1962 and the building is now the site of the Alexandria Black History Museum. More details about the 1939 sit-in and integration of Alexandria Library, as well as links to additional resources can be found on our website.","The Ellen Coolidge Burke Branch Library opened on Seminary Road in 1968. This branch library was named after Ellen Coolidge Burke (1901-1975), who served as Director of the Alexandria Library from 1948 to 1969. The Burke Branch Library serves residents of the Seminary Hill neighborhood and surrounding areas.","The James M. Duncan, Jr. Branch Library opened on Commonwealth Avenue in 1969. The Duncan Branch Library serves residents of the Del Ray neighborhood and surrounding areas. This branch was named after James M. Duncan (1897-1967), who served as Chief of the Alexandria Fire Department 1924-1947, member of City Council 1949-1967, and member of the Alexandria Library Board 1950-1967. In 2005 the Duncan Branch Library underwent renovations and became the first City of Alexandria government building to have a \"living\" roof – a Green Infrastructure approach to reducing stormwater runoff and pollution in local waterways.","The Local History / Special Collections Branch was established in 1976 and first housed at Lloyd House, a historic home on the corner of Queen and North Washington Streets. In 1999, after completion of the most recent round of renovations and expansions, Local History / Special Collections moved into the Kate Waller Barrett Branch Library. Local History / Special Collections stewards many valuable resources documenting the history and culture of Alexandria and Virginia from the colonial period to the present.","The Charles E. Beatley, Jr. Central Library opened on Duke Street in 2000. This new central library was named after former mayor of Alexandria, Charles E. \"Chuck\" Beatley, Jr. (1916-2003). Upon completion of the new main library site, library adminstration offices were moved from the Barrett Library (formerly the central library) to the Beatley Library.","In 2015 the Library took over management of the Alexandria Law Library, located in the basement of the Alexandria Circuit Court on King Street. The Alexandria Law Library provides legal resources for the benefit of the entire Alexandria community, including its citizens, government agencies, local businesses, the judiciary, and members of the bar.","For a more detailed timeline of the history of Alexandria Library, check out our website."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|8c5ffb42-5524-4dc7-a8b4-a73f7efd331e/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e  "],"otherfindaid_heading_ssm":["Digital Materials"],"otherfindaid_tesim":["Click to view digital materials in this collection"],"prefercite_html_tesm":["\u003cp\u003e[Item description], Alexandria Library Records, MS098, Alexandria Library, Local History and Special Collections, Alexandria, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Item description], Alexandria Library Records, MS098, Alexandria Library, Local History and Special Collections, Alexandria, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eAlexandria Library Board Records\n\u003cbr\u003e\u003ca href=\"https://alexlibraryva.libraryhost.com/repositories/2/resources/128\"\u003eAlexandria Library Company Records (MS002)\u003c/a\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Alexandria Library Board Records\nAlexandria Library Company Records (MS002)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the records of the Alexandria Library, documenting the administration and operation of the Library, dating from the founding of the public library in 1937 through the present. Included are administrative records, annual reports, financial records, circulation records, materials documenting the history of the Library, programming and outreach records, and records of the individual branches of the library system. Formats include textual documents, photographs, and ephemera.\u003c/p\u003e","\u003cp\u003eThe Alexandria Library is an active organization, and so this collection is a living collection which will be periodically added to and updated. Check this collection guide for any future updates to the collection. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains the records of the Alexandria Library, documenting the administration and operation of the Library, dating from the founding of the public library in 1937 through the present. Included are administrative records, annual reports, financial records, circulation records, materials documenting the history of the Library, programming and outreach records, and records of the individual branches of the library system. Formats include textual documents, photographs, and ephemera.","The Alexandria Library is an active organization, and so this collection is a living collection which will be periodically added to and updated. Check this collection guide for any future updates to the collection."],"separatedmaterial_html_tesm":["\u003cp\u003eMaterials relating to the Alexandria Library Board have been moved from MS098 to the Alexandria Library Board Records (MS416).\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Materials relating to the Alexandria Library Board have been moved from MS098 to the Alexandria Library Board Records (MS416)."],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library","Alexandria Library (Alexandria, Va.)","Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)"],"names_coll_ssim":["Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)","Burke, Ellen Coolidge","Duncan, James M., Jr. (James Morton), 1897-1967","Barrett, Kate Waller, Dr., 1858-1925","Beatley, Charles E., Jr., 1916-2003","Robinson, Robert Henry, Rev. (1824-1909)"],"persname_ssim":["Burke, Ellen Coolidge","Duncan, James M., Jr. (James Morton), 1897-1967","Barrett, Kate Waller, Dr., 1858-1925","Beatley, Charles E., Jr., 1916-2003","Robinson, Robert Henry, Rev. (1824-1909)"],"names_ssim":["Local History and Special Collections Branch, Alexandria Library","Alexandria Library (Alexandria, Va.)","Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)","Burke, Ellen Coolidge","Duncan, James M., Jr. (James Morton), 1897-1967","Barrett, Kate Waller, Dr., 1858-1925","Beatley, Charles E., Jr., 1916-2003","Robinson, Robert Henry, Rev. (1824-1909)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":527,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:21:50.422Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_157_c01_c05"}},{"id":"wvmturhc_repositories_2_resources_1852_c06_c15","type":"File","attributes":{"title":"15. Genealogy Letters, 1973/2001","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1852_c06_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1852_c06_c15","ref_ssm":["wvmturhc_repositories_2_resources_1852_c06_c15"],"id":"wvmturhc_repositories_2_resources_1852_c06_c15","ead_ssi":"wvmturhc_repositories_2_resources_1852","_root_":"wvmturhc_repositories_2_resources_1852","_nest_parent_":"wvmturhc_repositories_2_resources_1852_c06","parent_ssi":"wvmturhc_repositories_2_resources_1852_c06","parent_ssim":["Russell L. Davisson, Politician, Papers, 1850/2004","Series 6. Genealogy Records B, 1835/2003"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1852","wvmturhc_repositories_2_resources_1852_c06"],"title_filing_ssi":"15. Genealogy Letters","title_ssm":["15. Genealogy Letters"],"title_tesim":["15. Genealogy Letters"],"normalized_title_ssm":["15. Genealogy Letters, 1973/2001"],"text":["15. Genealogy Letters, 1973/2001","Russell L. Davisson, Politician, Papers, 1850/2004","Series 6. Genealogy Records B, 1835/2003","Box 3","Folder 33"],"parent_unittitles_ssm":["Russell L. Davisson, Politician, Papers, 1850/2004","Series 6. Genealogy Records B, 1835/2003"],"parent_unittitles_tesim":["Russell L. Davisson, Politician, Papers, 1850/2004","Series 6. Genealogy Records B, 1835/2003"],"normalized_date_ssm":["1973/2001"],"unitdate_inclusive_ssm":["1973–2001"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":80,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Russell L. Davisson, Politician, Papers, 1850/2004"],"containers_ssim":["Box 3","Folder 33"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"_nest_path_":"/components#5/components#14","timestamp":"2026-08-14T23:08:12.086Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1852","ead_ssi":"wvmturhc_repositories_2_resources_1852","_root_":"wvmturhc_repositories_2_resources_1852","_nest_parent_":"wvmturhc_repositories_2_resources_1852","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1852.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196027","title_ssm":["Russell L. Davisson, Politician, Papers"],"title_tesim":["Russell L. Davisson, Politician, Papers"],"unitdate_ssm":["1850-2004"],"unitdate_inclusive_ssm":["1850-2004"],"normalized_date_ssm":["1850/2004"],"normalized_title_ssm":["Russell L. Davisson, Politician, Papers, 1850/2004"],"text":["Russell L. Davisson, Politician, Papers, 1850/2004","A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852","Genealogy","Welfare - Mingo County.","No special access restriction applies.","Papers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).","Series include:","Series 1. Biographical Information, 2005 (box 1, Folder 1a) \nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b) \nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6) \nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10) \nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18) \nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47) \nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55) \nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b) \nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18) \nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6) \nSeries 11. Travel, undated (box 4, folders 41-44) \nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59) \nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61) \nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2) \nSeries 15. Certificate, 2004 (box 5, folder 3) \nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5) \nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-","English"],"collection_title_tesim":["Russell L. Davisson, Politician, Papers, 1850/2004"],"collection_ssim":["Russell L. Davisson, Politician, Papers, 1850/2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852"],"unitid_tesim":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Davisson, Russell Lee, 1922-"],"creator_ssim":["Davisson, Russell Lee, 1922-"],"creator_persname_ssim":["Davisson, Russell Lee, 1922-"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creator_famname_ssim":["Davison family - genealogy.","Davison family - Genealogy"],"creators_ssim":["Davisson, Russell Lee, 1922-","West Virginia and Regional History Center","Davison family - genealogy.","Davison family - Genealogy"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Genealogy","Welfare - Mingo County."],"access_subjects_ssm":["Genealogy","Welfare - Mingo County."],"has_online_content_ssim":["false"],"extent_ssm":["4 Linear Feet Summary: 3 ft. 11 1/2 in. (3 document cases, 5 in. each); (1 document case, 2 1/2 in.); (2 records cartons, 15 in. each)"],"extent_tesim":["4 Linear Feet Summary: 3 ft. 11 1/2 in. (3 document cases, 5 in. each); (1 document case, 2 1/2 in.); (2 records cartons, 15 in. each)"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Russell L. Davisson, Politician, Papers, A\u0026amp;M 3472, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Russell L. Davisson, Politician, Papers, A\u0026M 3472, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).\u003c/p\u003e","\u003cp\u003eSeries include:\u003c/p\u003e","\u003cp\u003eSeries 1. Biographical Information, 2005 (box 1, Folder 1a) \u003clb\u003e\u003c/lb\u003e\nSeries 2. 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Publications, 1942-1998, undated (box 4, folders 33-40b; box 6) \u003clb\u003e\u003c/lb\u003e\nSeries 11. Travel, undated (box 4, folders 41-44) \u003clb\u003e\u003c/lb\u003e\nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59) \u003clb\u003e\u003c/lb\u003e\nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61) \u003clb\u003e\u003c/lb\u003e\nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2) \u003clb\u003e\u003c/lb\u003e\nSeries 15. Certificate, 2004 (box 5, folder 3) \u003clb\u003e\u003c/lb\u003e\nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5) \u003clb\u003e\u003c/lb\u003e\nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. 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Davisson, 1992-1993, undated (box 4, folders 1-18) \nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6) \nSeries 11. Travel, undated (box 4, folders 41-44) \nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59) \nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61) \nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2) \nSeries 15. Certificate, 2004 (box 5, folder 3) \nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5) \nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b58e0d0847733239cec6066aace5060d\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1985],"_nest_path_":"/components#40","timestamp":"2026-08-14T22:30:20.057Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1972","ead_ssi":"viblbv_repositories_2_resources_1972","_root_":"viblbv_repositories_2_resources_1972","_nest_parent_":"viblbv_repositories_2_resources_1972","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1972.xml","title_filing_ssi":"Kennedy, Charles A. Papers","title_ssm":["Charles A. Kennedy Papers"],"title_tesim":["Charles A. Kennedy Papers"],"unitdate_ssm":["1963-1987"],"unitdate_inclusive_ssm":["1963-1987"],"normalized_date_ssm":["1963/1987"],"normalized_title_ssm":["Charles A. Kennedy Papers, 1963/1987"],"text":["Charles A. Kennedy Papers, 1963/1987","Ms.1994.018","University History","Faculty and staff","Collection is open for research.","The files are arranged in the order they were received.","Charles Kennedy was the first full time professor of religion at Virginia Tech starting in 1967, and he was hired to teach the Bible and Asian religions. He also was the advisor of International Studies from 1972-1979. He retired as the head of the Religion Department in 1994.","Sources:\nHistory of Religion Department","The guide to the  Charles A. Kennedy Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Charles A. Kennedy Papers was completed in November 2013.","The Charles A. Kennedy Papers consists of letters, newspaper clippings, reprints, reports, and other files dating from 1963 (just before Kennedy came to Virginia Tech) to 1987. Highlights include brochures and pamphlets for international students, correspondence involving foreign affairs with a focus on nuclear war  and also a television script that he wrote. Media materials include watercolor prints, film, and songs.","The following materials were catalogued in the Rare Book Collection:\nSeeing Expo '70: Guide to Japan World Exposition\nPhotographic History of Worlds Fair -James Wilson Pierce, 1893\nShepp's World Fair, Photographed by James W. Shepp, 1893\nGems of the World's Fair and Midway Paisance, 1894\nThe Dream City, 1893\nExpo '67: Guide Official \nThe Ecology and Sociology of the Norway Rat, John B. Calhoun, 1962\nHeywood Brown, As He Seemed to Us\nThe Queen-The Coronation, 1953\nThe Maritime Theme in Second Themple Numismatics, Vols. 1 \u0026 2, J. Lawrence, 1973\nThe Effects on the Atmosphere of a Major Nuclear Exchange, 1985\nNuclear Winter: Strategic and Diplomatic Implications: Position Papers of Panelists Received as of March 6, 1986\nEngineers Forum, Vol. 4 No. 4, April 1986 \nRepertorio Topografico Delle Pitture Delle Catacombe Romane, Di Aldo Nestori, 1975\nIl Cimitero Di Priscilla, Studio Di Topografia E Architettura, 1970\nInscriptiones Christianae Urbis Romae Septimo Saeculo Antiqiuores, Edidit Iosephvu Gatti\nInscriptiones Christianae Urbis Romae, Septimo Saeculo\u003e Antiquiores, Edidit Ionnaes Bapt De Rossi, Vols. 1 \u0026 2\nFlying Saucers: Mysteries of the Space Age, August 1967, Issue No. 53\nFlying Saucers Pictorial: The World's Largest Collection of UFO Photographs","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Charles A. Kennedy Papers consists of letters, newspaper clippings, reprints, reports, and other files on Kennedy's interest and involvement with foreign affairs (particularly the implications of nuclear war) and international students at Virginia Tech.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. 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Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Charles A. 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Kennedy Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Charles A. Kennedy Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Charles A. Kennedy Papers, Ms1994-018, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Charles A. Kennedy Papers, Ms1994-018, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Charles A. Kennedy Papers was completed in November 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Charles A. Kennedy Papers was completed in November 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles A. Kennedy Papers consists of letters, newspaper clippings, reprints, reports, and other files dating from 1963 (just before Kennedy came to Virginia Tech) to 1987. Highlights include brochures and pamphlets for international students, correspondence involving foreign affairs with a focus on nuclear war  and also a television script that he wrote. Media materials include watercolor prints, film, and songs.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Charles A. Kennedy Papers consists of letters, newspaper clippings, reprints, reports, and other files dating from 1963 (just before Kennedy came to Virginia Tech) to 1987. Highlights include brochures and pamphlets for international students, correspondence involving foreign affairs with a focus on nuclear war  and also a television script that he wrote. Media materials include watercolor prints, film, and songs."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003clist\u003eThe following materials were catalogued in the Rare Book Collection:\n\u003citem\u003e\u003cemph render=\"italic\"\u003eSeeing Expo '70: Guide to Japan World Exposition\u003c/emph\u003e\u003c/item\u003e\n\u003citem\u003e\u003cemph render=\"italic\"\u003ePhotographic History of Worlds Fair\u003c/emph\u003e -James Wilson Pierce, 1893\u003c/item\u003e\n\u003citem\u003e\u003cemph render=\"italic\"\u003eShepp's World Fair, Photographed by James W. Shepp\u003c/emph\u003e, 1893\u003c/item\u003e\n\u003citem\u003e\u003cemph render=\"italic\"\u003eGems of the World's Fair and Midway Paisance\u003c/emph\u003e, 1894\u003c/item\u003e\n\u003citem\u003e\u003cemph render=\"italic\"\u003eThe Dream City\u003c/emph\u003e, 1893\u003c/item\u003e\n\u003citem\u003e\u003cemph render=\"italic\"\u003eExpo '67: Guide Official \u003c/emph\u003e\u003c/item\u003e\n\u003citem\u003e\u003cemph render=\"italic\"\u003eThe Ecology and Sociology of the Norway Rat, John B. Calhoun\u003c/emph\u003e, 1962\u003c/item\u003e\n\u003citem\u003e\u003cemph render=\"italic\"\u003eHeywood Brown, As He Seemed to Us\nThe Queen-The Coronation\u003c/emph\u003e, 1953\u003c/item\u003e\n\u003citem\u003e\u003cemph render=\"italic\"\u003eThe Maritime Theme in Second Themple Numismatics, Vols. 1 \u0026amp; 2\u003c/emph\u003e, J. Lawrence, 1973\u003c/item\u003e\n\u003citem\u003e\u003cemph render=\"italic\"\u003eThe Effects on the Atmosphere of a Major Nuclear Exchange\u003c/emph\u003e, 1985\u003c/item\u003e\n\u003citem\u003e\u003cemph render=\"italic\"\u003eNuclear Winter: Strategic and Diplomatic Implications: Position Papers of Panelists Received as of March 6, 1986\u003c/emph\u003e\u003c/item\u003e\n\u003citem\u003e\u003cemph render=\"italic\"\u003eEngineers Forum, Vol. 4 No. 4\u003c/emph\u003e, April 1986 \u003c/item\u003e\n\u003citem\u003e\u003cemph render=\"italic\"\u003eRepertorio Topografico Delle Pitture Delle Catacombe Romane, Di Aldo Nestori\u003c/emph\u003e, 1975\u003c/item\u003e\n\u003citem\u003e\u003cemph render=\"italic\"\u003eIl Cimitero Di Priscilla, Studio Di Topografia E Architettura\u003c/emph\u003e, 1970\u003c/item\u003e\n\u003citem\u003e\u003cemph render=\"italic\"\u003eInscriptiones Christianae Urbis Romae Septimo Saeculo Antiqiuore\u003c/emph\u003es, Edidit Iosephvu Gatti\u003c/item\u003e\n\u003citem\u003e\u003cemph render=\"italic\"\u003eInscriptiones Christianae Urbis Romae, Septimo Saeculo\u0026gt; Antiquiores\u003c/emph\u003e, Edidit Ionnaes Bapt De Rossi, Vols. 1 \u0026amp; 2\u003c/item\u003e\n\u003citem\u003e\u003cemph render=\"italic\"\u003eFlying Saucers: Mysteries of the Space Age\u003c/emph\u003e, August 1967, Issue No. 53\u003c/item\u003e\n\u003citem\u003e\u003cemph render=\"italic\"\u003eFlying Saucers Pictorial: The World's Largest Collection of UFO Photographs\u003c/emph\u003e\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following materials were catalogued in the Rare Book Collection:\nSeeing Expo '70: Guide to Japan World Exposition\nPhotographic History of Worlds Fair -James Wilson Pierce, 1893\nShepp's World Fair, Photographed by James W. Shepp, 1893\nGems of the World's Fair and Midway Paisance, 1894\nThe Dream City, 1893\nExpo '67: Guide Official \nThe Ecology and Sociology of the Norway Rat, John B. Calhoun, 1962\nHeywood Brown, As He Seemed to Us\nThe Queen-The Coronation, 1953\nThe Maritime Theme in Second Themple Numismatics, Vols. 1 \u0026 2, J. Lawrence, 1973\nThe Effects on the Atmosphere of a Major Nuclear Exchange, 1985\nNuclear Winter: Strategic and Diplomatic Implications: Position Papers of Panelists Received as of March 6, 1986\nEngineers Forum, Vol. 4 No. 4, April 1986 \nRepertorio Topografico Delle Pitture Delle Catacombe Romane, Di Aldo Nestori, 1975\nIl Cimitero Di Priscilla, Studio Di Topografia E Architettura, 1970\nInscriptiones Christianae Urbis Romae Septimo Saeculo Antiqiuores, Edidit Iosephvu Gatti\nInscriptiones Christianae Urbis Romae, Septimo Saeculo\u003e Antiquiores, Edidit Ionnaes Bapt De Rossi, Vols. 1 \u0026 2\nFlying Saucers: Mysteries of the Space Age, August 1967, Issue No. 53\nFlying Saucers Pictorial: The World's Largest Collection of UFO Photographs"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ae3b034b1d54faf89756200d49fe954d\" label=\"Abstract\"\u003eThe Charles A. Kennedy Papers consists of letters, newspaper clippings, reprints, reports, and other files on Kennedy's interest and involvement with foreign affairs (particularly the implications of nuclear war) and international students at Virginia Tech.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Charles A. 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Department of Philosophy and Religion","Kennedy, Charles A."],"persname_ssim":["Kennedy, Charles A."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. Department of Philosophy and Religion","Kennedy, Charles A."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":52,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:20.057Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1972_c41"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":230},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Brepository%5D%5B%5D=Alexandria+Library"}},{"attributes":{"label":"College of William and Mary","value":"College of William and 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