{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts\u0026page=2","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts\u0026page=89"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":89,"limit_value":10,"offset_value":0,"total_count":885,"first_page?":true,"last_page?":false}},"data":[{"id":"virmu_repositories_2_resources_6_c01_c231","type":"File","attributes":{"title":"1708-Exhibition history, 1984/2007","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c01_c231#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_6_c01_c231","ref_ssm":["virmu_repositories_2_resources_6_c01_c231"],"id":"virmu_repositories_2_resources_6_c01_c231","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6_c01","parent_ssi":"virmu_repositories_2_resources_6_c01","parent_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 1: Exhibition Files, 1964/2021"],"parent_ids_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c01"],"title_filing_ssi":"1708-Exhibition history","title_ssm":["1708-Exhibition history"],"title_tesim":["1708-Exhibition history"],"normalized_title_ssm":["1708-Exhibition history, 1984/2007"],"text":["1708-Exhibition history, 1984/2007","Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 1: Exhibition Files, 1964/2021","box VA-02 Box 4","folder VA02.01.0.232"],"parent_unittitles_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 1: Exhibition Files, 1964/2021"],"parent_unittitles_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 1: Exhibition Files, 1964/2021"],"normalized_date_ssm":["1984/2007"],"unitdate_inclusive_ssm":["1984-2007"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":232,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"containers_ssim":["box VA-02 Box 4","folder VA02.01.0.232"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"_nest_path_":"/components#0/components#230","timestamp":"2026-08-14T22:42:01.770Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"normalized_date_ssm":["1944/2021"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"text":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","VA-02","/repositories/2/resources/6","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website.","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"creators_ssim":["Wright, Willie Anne","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"persname_ssim":["Wright, Willie Anne"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:42:01.770Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c01_c231"}},{"id":"virmu_repositories_2_resources_6_c01_c97","type":"File","attributes":{"title":"1708 Gallery, 1983/1989","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c01_c97#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_6_c01_c97","ref_ssm":["virmu_repositories_2_resources_6_c01_c97"],"id":"virmu_repositories_2_resources_6_c01_c97","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6_c01","parent_ssi":"virmu_repositories_2_resources_6_c01","parent_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 1: Exhibition Files, 1964/2021"],"parent_ids_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c01"],"title_filing_ssi":"1708 Gallery","title_ssm":["1708 Gallery"],"title_tesim":["1708 Gallery"],"normalized_title_ssm":["1708 Gallery, 1983/1989"],"text":["1708 Gallery, 1983/1989","Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 1: Exhibition Files, 1964/2021","box VA-02 Box 1","folder VA02.01.0.097"],"parent_unittitles_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 1: Exhibition Files, 1964/2021"],"parent_unittitles_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 1: Exhibition Files, 1964/2021"],"normalized_date_ssm":["1983/1989"],"unitdate_other_ssim":["1983-1989"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":98,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"containers_ssim":["box VA-02 Box 1","folder VA02.01.0.097"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1983,1984,1985,1986,1987,1988,1989],"_nest_path_":"/components#0/components#96","timestamp":"2026-08-14T22:42:01.770Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"normalized_date_ssm":["1944/2021"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"text":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","VA-02","/repositories/2/resources/6","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website.","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"creators_ssim":["Wright, Willie Anne","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"persname_ssim":["Wright, Willie Anne"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:42:01.770Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c01_c97"}},{"id":"virmu_repositories_2_resources_56_c03_c260","type":"File","attributes":{"title":"18th and 19th Century Watercolors from the Yale Center for British Art, April 30-June 9, 1985, 1985","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_56_c03_c260#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_56_c03_c260","ref_ssm":["virmu_repositories_2_resources_56_c03_c260"],"id":"virmu_repositories_2_resources_56_c03_c260","ead_ssi":"virmu_repositories_2_resources_56","_root_":"virmu_repositories_2_resources_56","_nest_parent_":"virmu_repositories_2_resources_56_c03","parent_ssi":"virmu_repositories_2_resources_56_c03","parent_ssim":["Records of the Registration Department (RG-08), 1919/1994","Series 3: Exhibition Records, 1951/1993"],"parent_ids_ssim":["virmu_repositories_2_resources_56","virmu_repositories_2_resources_56_c03"],"title_filing_ssi":"18th and 19th Century Watercolors from the Yale Center for British Art, April 30-June 9, 1985","title_ssm":["18th and 19th Century Watercolors from the Yale Center for British Art, April 30-June 9, 1985"],"title_tesim":["18th and 19th Century Watercolors from the Yale Center for British Art, April 30-June 9, 1985"],"normalized_title_ssm":["18th and 19th Century Watercolors from the Yale Center for British Art, April 30-June 9, 1985, 1985"],"text":["18th and 19th Century Watercolors from the Yale Center for British Art, April 30-June 9, 1985, 1985","Records of the Registration Department (RG-08), 1919/1994","Series 3: Exhibition Records, 1951/1993","box RG-08 Box 6","folder 23"],"parent_unittitles_ssm":["Records of the Registration Department (RG-08), 1919/1994","Series 3: Exhibition Records, 1951/1993"],"parent_unittitles_tesim":["Records of the Registration Department (RG-08), 1919/1994","Series 3: Exhibition Records, 1951/1993"],"normalized_date_ssm":["1985"],"unitdate_other_ssim":["1985"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":376,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Records of the Registration Department (RG-08), 1919/1994"],"containers_ssim":["box RG-08 Box 6","folder 23"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is minimally unprocessed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance.","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.","Series 5 (Loans) is restricted as they contain sensitive information about insurance, security, and other issues related to the museum's art collection."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1985],"_nest_path_":"/components#2/components#259","timestamp":"2026-08-14T22:42:01.770Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_56","ead_ssi":"virmu_repositories_2_resources_56","_root_":"virmu_repositories_2_resources_56","_nest_parent_":"virmu_repositories_2_resources_56","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_56.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/56","title_filing_ssi":"Registration (RG-08)","title_ssm":["Records of the Registration Department (RG-08)"],"title_tesim":["Records of the Registration Department (RG-08)"],"unitdate_ssm":["1919-1994"],"unitdate_inclusive_ssm":["1919-1994"],"normalized_date_ssm":["1919/1994"],"normalized_title_ssm":["Records of the Registration Department (RG-08), 1919/1994"],"text":["Records of the Registration Department (RG-08), 1919/1994","RG-08","/repositories/2/resources/56","The collection is minimally unprocessed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance.","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.","Series 5 (Loans) is restricted as they contain sensitive information about insurance, security, and other issues related to the museum's art collection.","The collection is organized into 5 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","Series 1\n        Artmobile Exhibitions, 1977-1994\n      \n      \n        Series 2\n        Spotlight Loans and Affiliate Exhibitions, 1980-1989\n      \n      \n        Series 3\n        Exhibition Records, 1951-1993\n      \n      \n        Series 4\n        Insurance Records, 1919-1970\n      \n      \n        Series 5\n        Loans [RESTRICTED], 1994-2012, undated","The collection was transferred from the Registration Department through periodic deposits since 1987.","In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the work of the Registration Department from 1919-1994, including management of the permanent art collection, loans, and exhibition documentation.","Virginia Museum of Fine Arts Archives","English\n."],"collection_title_tesim":["Records of the Registration Department (RG-08), 1919/1994"],"collection_ssim":["Records of the Registration Department (RG-08), 1919/1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG-08","/repositories/2/resources/56"],"unitid_tesim":["RG-08","/repositories/2/resources/56"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives"],"creators_ssim":["Virginia Museum of Fine Arts Archives"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"has_online_content_ssim":["false"],"extent_ssm":["25.25 Linear Feet 21 boxes; 510 folders"],"extent_tesim":["25.25 Linear Feet 21 boxes; 510 folders"],"date_range_isim":[1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is minimally unprocessed. 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VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Note"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7ab245ec29575f5585f3d69c9b47fc86\"\u003eThe collection documents the work of the Registration Department from 1919-1994, including management of the permanent art collection, loans, and exhibition documentation.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents the work of the Registration Department from 1919-1994, including management of the permanent art collection, loans, and exhibition documentation."],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"names_ssim":["Virginia Museum of Fine Arts Archives"],"language_ssim":["English\n."],"total_component_count_is":514,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:42:01.770Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_56_c03_c260"}},{"id":"virmu_repositories_2_resources_236_c02_c30","type":"File","attributes":{"title":"1934 Building Renovation: Pre-Planning, 1985","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_236_c02_c30#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_236_c02_c30","ref_ssm":["virmu_repositories_2_resources_236_c02_c30"],"id":"virmu_repositories_2_resources_236_c02_c30","ead_ssi":"virmu_repositories_2_resources_236","_root_":"virmu_repositories_2_resources_236","_nest_parent_":"virmu_repositories_2_resources_236_c02","parent_ssi":"virmu_repositories_2_resources_236_c02","parent_ssim":["Records of the Oaks (SC-01), 1894/1995","Series 2: General VMFA Properties Papers, 1934/1990"],"parent_ids_ssim":["virmu_repositories_2_resources_236","virmu_repositories_2_resources_236_c02"],"title_filing_ssi":"1934 Building Renovation: Pre-Planning","title_ssm":["1934 Building Renovation: Pre-Planning"],"title_tesim":["1934 Building Renovation: Pre-Planning"],"normalized_title_ssm":["1934 Building Renovation: Pre-Planning, 1985"],"text":["1934 Building Renovation: Pre-Planning, 1985","Records of the Oaks (SC-01), 1894/1995","Series 2: General VMFA Properties Papers, 1934/1990","box SC-01 Box 2","folder Folder 30","Item SC01.02.0.030","English"],"parent_unittitles_ssm":["Records of the Oaks (SC-01), 1894/1995","Series 2: General VMFA Properties Papers, 1934/1990"],"parent_unittitles_tesim":["Records of the Oaks (SC-01), 1894/1995","Series 2: General VMFA Properties Papers, 1934/1990"],"normalized_date_ssm":["1985"],"unitdate_other_ssim":["1985"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":53,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Records of the Oaks (SC-01), 1894/1995"],"containers_ssim":["box SC-01 Box 2","folder Folder 30","Item SC01.02.0.030"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research. As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"language_ssim":["English"],"date_range_isim":[1985],"_nest_path_":"/components#1/components#29","timestamp":"2026-08-14T22:40:21.394Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_236","ead_ssi":"virmu_repositories_2_resources_236","_root_":"virmu_repositories_2_resources_236","_nest_parent_":"virmu_repositories_2_resources_236","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_236.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/236","title_filing_ssi":"Oaks (SC-01)","title_ssm":["Records of the Oaks (SC-01)"],"title_tesim":["Records of the Oaks (SC-01)"],"unitdate_ssm":["1894-1995"],"unitdate_inclusive_ssm":["1894-1995"],"normalized_date_ssm":["1894/1995"],"normalized_title_ssm":["Records of the Oaks (SC-01), 1894/1995"],"text":["Records of the Oaks (SC-01), 1894/1995","SC-01","/repositories/2/resources/236","The collection is open for research. As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.","The collection is organized into three series. Items are arranged chronologically within each folder and, where relevant, within the series.  Items with no date are placed at the end of a folder or series.","Series 1\n        The Oaks Papers and Photographs, 1894-1995, undated\n      \n      \n        Series 2\n        General VMFA Properties Papers, 1934-1990, undated\n      \n      \n        Series 3\n        The Oaks Miscellaneous, 1935-1969, undated","The Oaks was originally a plantation house built by Edmund Harrison near Mattoax in Amelia County.  Exactly when the house was built is up for debate, with dates ranging from 1745 to 1764, and as late as 1795.  Colonial in style, it was constructed from pine, poplar and bricks that were hand-made on site.","During part of its ownership by the Harrison family it was used as a school for boys.  It was then sold to Samuel Jones, later a Confederate officer, in 1839.  Lizzie Edmunds Boyd of Richmond purchased the house and the surrounding 280 acres for $10,000 in 1927.  At that time, the house had been unoccupied for nearly 25 years and had fallen into a state of disrepair. However, it's interior and exterior woodwork were still in good condition in spite of the neglect.  In 1927, Boyd hired the architect K.G. Koltukian and the contractor John. E. Dicks to dismantle, move, and rebuild the house at 307 Stockton Lane, in the newly developed Windsor Farms area in Richmond.","Upon its reassembly, a kitchen and butler's pantry were added, as well as a terraced garden.  Boyd bequeathed her home, The Oaks, later known as Boyd House, to the Virginia Museum in 1975. After its transferral, it was used as the home for the Director of the museum, beginning with Paul Perrot and ending in 2013 with Alex Nyerges, when it was placed on the market and sold.","Source: The Historic American Buildings Survey \nSource: Moving into a Masterpiece \nSource: 18th-Century House Goes on Market for First Time in its History","Source: Old and Sold: The Oaks","This collection was left behind in the basement of The Oaks at the time of the property transfer from the Lizzie Edmunds Boyd Estate to the VMFA Foundation in 1975.  The materials were kept in the VMFA Development office until they were transferred to the VMFA Library in 1995.","In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","The collection's inclusive dates are 1894-1995, with the bulk of the material dating from 1976-1984.  The collection comprises correspondence, photographs, prints, receipts, cards, newspaper clippings, brochures, and other ephemeral material.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","This collection documents a portion of the life of Lizzie Edmund Boyd and the history of her home, The Oaks, during her ownership from 1927 until the transfer of ownership to the VMFA in 1975.  In addition, the lives of several of her family members, namely James Boyd Phillips and Asa Phillips, can be seen through official military documents, tax forms, bank records and personal correspondence, offering a glimpse into their time serving in WWII and assimilation back into society after the war's end. \n\nThe contents of the collection can perhaps be best summarized in a portion from a memo from Records Manager Jennie Runnels to Director Katherine Lee on April 7, 1995: \"Dr. Brownell believes these [papers] would be an exciting topic and important to recovering Richmond's rich architectural history.  The boxes contain drawings of the gardens surrounding the Oaks and possibly reference sources used for their redesign, in addition to receipts and invoices pertaining to alterations of the house that took place during Miss Boyd's lifetime.  The material documents not only the social and cultural fabric of Richmond's past but also the history of a home that is important to the Virginia Museum.\"","Virginia Museum of Fine Arts Archives","English\n."],"collection_title_tesim":["Records of the Oaks (SC-01), 1894/1995"],"collection_ssim":["Records of the Oaks (SC-01), 1894/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-01","/repositories/2/resources/236"],"unitid_tesim":["SC-01","/repositories/2/resources/236"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives"],"creators_ssim":["Virginia Museum of Fine Arts Archives"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"has_online_content_ssim":["false"],"extent_ssm":["6.25 Linear Feet 5 boxes; 76 folders"],"extent_tesim":["6.25 Linear Feet 5 boxes; 76 folders"],"date_range_isim":[1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into three series. Items are arranged chronologically within each folder and, where relevant, within the series.  Items with no date are placed at the end of a folder or series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eThe Oaks Papers and Photographs, 1894-1995, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eGeneral VMFA Properties Papers, 1934-1990, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eThe Oaks Miscellaneous, 1935-1969, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into three series. Items are arranged chronologically within each folder and, where relevant, within the series.  Items with no date are placed at the end of a folder or series.","Series 1\n        The Oaks Papers and Photographs, 1894-1995, undated\n      \n      \n        Series 2\n        General VMFA Properties Papers, 1934-1990, undated\n      \n      \n        Series 3\n        The Oaks Miscellaneous, 1935-1969, undated"],"bioghist_html_tesm":["\u003cp\u003eThe Oaks was originally a plantation house built by Edmund Harrison near Mattoax in Amelia County.  Exactly when the house was built is up for debate, with dates ranging from 1745 to 1764, and as late as 1795.  Colonial in style, it was constructed from pine, poplar and bricks that were hand-made on site.  \u003c/p\u003e","\u003cp\u003eDuring part of its ownership by the Harrison family it was used as a school for boys.  It was then sold to Samuel Jones, later a Confederate officer, in 1839.  Lizzie Edmunds Boyd of Richmond purchased the house and the surrounding 280 acres for $10,000 in 1927.  At that time, the house had been unoccupied for nearly 25 years and had fallen into a state of disrepair. However, it's interior and exterior woodwork were still in good condition in spite of the neglect.  In 1927, Boyd hired the architect K.G. Koltukian and the contractor John. E. Dicks to dismantle, move, and rebuild the house at 307 Stockton Lane, in the newly developed Windsor Farms area in Richmond.  \t\u003c/p\u003e","\u003cp\u003eUpon its reassembly, a kitchen and butler's pantry were added, as well as a terraced garden.  Boyd bequeathed her home, The Oaks, later known as Boyd House, to the Virginia Museum in 1975. After its transferral, it was used as the home for the Director of the museum, beginning with Paul Perrot and ending in 2013 with Alex Nyerges, when it was placed on the market and sold.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"http://lcweb2.loc.gov/pnp/habshaer/va/va0200/va0240/data/va0240data.pdf\"\u003eThe Historic American Buildings Survey\u003c/a\u003e \nSource: \u003ca href=\"http://www.styleweekly.com/richmond/moving-into-a-masterpiece/Content?oid=1369437\"\u003eMoving into a Masterpiece\u003c/a\u003e \nSource: \u003ca href=\"http://www.timesdispatch.com/business/local/article_8e66db28-6fc7-50ba-b669-c9f0b488ea38.html\"\u003e18th-Century House Goes on Market for First Time in its History\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"http://www.oldandsold.com/articles11/virginia-homes-42.shtml\"\u003eOld and Sold: The Oaks\u003c/a\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The Oaks was originally a plantation house built by Edmund Harrison near Mattoax in Amelia County.  Exactly when the house was built is up for debate, with dates ranging from 1745 to 1764, and as late as 1795.  Colonial in style, it was constructed from pine, poplar and bricks that were hand-made on site.","During part of its ownership by the Harrison family it was used as a school for boys.  It was then sold to Samuel Jones, later a Confederate officer, in 1839.  Lizzie Edmunds Boyd of Richmond purchased the house and the surrounding 280 acres for $10,000 in 1927.  At that time, the house had been unoccupied for nearly 25 years and had fallen into a state of disrepair. However, it's interior and exterior woodwork were still in good condition in spite of the neglect.  In 1927, Boyd hired the architect K.G. Koltukian and the contractor John. E. Dicks to dismantle, move, and rebuild the house at 307 Stockton Lane, in the newly developed Windsor Farms area in Richmond.","Upon its reassembly, a kitchen and butler's pantry were added, as well as a terraced garden.  Boyd bequeathed her home, The Oaks, later known as Boyd House, to the Virginia Museum in 1975. After its transferral, it was used as the home for the Director of the museum, beginning with Paul Perrot and ending in 2013 with Alex Nyerges, when it was placed on the market and sold.","Source: The Historic American Buildings Survey \nSource: Moving into a Masterpiece \nSource: 18th-Century House Goes on Market for First Time in its History","Source: Old and Sold: The Oaks"],"custodhist_html_tesm":["\u003cp\u003eThis collection was left behind in the basement of The Oaks at the time of the property transfer from the Lizzie Edmunds Boyd Estate to the VMFA Foundation in 1975.  The materials were kept in the VMFA Development office until they were transferred to the VMFA Library in 1995.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["This collection was left behind in the basement of The Oaks at the time of the property transfer from the Lizzie Edmunds Boyd Estate to the VMFA Foundation in 1975.  The materials were kept in the VMFA Development office until they were transferred to the VMFA Library in 1995."],"prefercite_html_tesm":["\u003cp\u003eRecords of The Oaks (SC-01). VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Records of The Oaks (SC-01). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1894-1995, with the bulk of the material dating from 1976-1984.  The collection comprises correspondence, photographs, prints, receipts, cards, newspaper clippings, brochures, and other ephemeral material.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1894-1995, with the bulk of the material dating from 1976-1984.  The collection comprises correspondence, photographs, prints, receipts, cards, newspaper clippings, brochures, and other ephemeral material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_602aef1020496331a521a05a1a79928c\" label=\"Abstract\"\u003eThis collection documents a portion of the life of Lizzie Edmund Boyd and the history of her home, The Oaks, during her ownership from 1927 until the transfer of ownership to the VMFA in 1975.  In addition, the lives of several of her family members, namely James Boyd Phillips and Asa Phillips, can be seen through official military documents, tax forms, bank records and personal correspondence, offering a glimpse into their time serving in WWII and assimilation back into society after the war's end. \n\nThe contents of the collection can perhaps be best summarized in a portion from a memo from Records Manager Jennie Runnels to Director Katherine Lee on April 7, 1995: \"Dr. Brownell believes these [papers] would be an exciting topic and important to recovering Richmond's rich architectural history.  The boxes contain drawings of the gardens surrounding the Oaks and possibly reference sources used for their redesign, in addition to receipts and invoices pertaining to alterations of the house that took place during Miss Boyd's lifetime.  The material documents not only the social and cultural fabric of Richmond's past but also the history of a home that is important to the Virginia Museum.\"\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection documents a portion of the life of Lizzie Edmund Boyd and the history of her home, The Oaks, during her ownership from 1927 until the transfer of ownership to the VMFA in 1975.  In addition, the lives of several of her family members, namely James Boyd Phillips and Asa Phillips, can be seen through official military documents, tax forms, bank records and personal correspondence, offering a glimpse into their time serving in WWII and assimilation back into society after the war's end. \n\nThe contents of the collection can perhaps be best summarized in a portion from a memo from Records Manager Jennie Runnels to Director Katherine Lee on April 7, 1995: \"Dr. Brownell believes these [papers] would be an exciting topic and important to recovering Richmond's rich architectural history.  The boxes contain drawings of the gardens surrounding the Oaks and possibly reference sources used for their redesign, in addition to receipts and invoices pertaining to alterations of the house that took place during Miss Boyd's lifetime.  The material documents not only the social and cultural fabric of Richmond's past but also the history of a home that is important to the Virginia Museum.\""],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"names_ssim":["Virginia Museum of Fine Arts Archives"],"language_ssim":["English\n."],"total_component_count_is":79,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:40:21.394Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_236_c02_c30"}},{"id":"virmu_repositories_2_resources_236_c02_c29","type":"File","attributes":{"title":"1934 Building Renovation (work done in 1985), 238.001-486, 1985","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_236_c02_c29#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_236_c02_c29","ref_ssm":["virmu_repositories_2_resources_236_c02_c29"],"id":"virmu_repositories_2_resources_236_c02_c29","ead_ssi":"virmu_repositories_2_resources_236","_root_":"virmu_repositories_2_resources_236","_nest_parent_":"virmu_repositories_2_resources_236_c02","parent_ssi":"virmu_repositories_2_resources_236_c02","parent_ssim":["Records of the Oaks (SC-01), 1894/1995","Series 2: General VMFA Properties Papers, 1934/1990"],"parent_ids_ssim":["virmu_repositories_2_resources_236","virmu_repositories_2_resources_236_c02"],"title_filing_ssi":"1934 Building Renovation (work done in 1985), 238.001-486","title_ssm":["1934 Building Renovation (work done in 1985), 238.001-486"],"title_tesim":["1934 Building Renovation (work done in 1985), 238.001-486"],"normalized_title_ssm":["1934 Building Renovation (work done in 1985), 238.001-486, 1985"],"text":["1934 Building Renovation (work done in 1985), 238.001-486, 1985","Records of the Oaks (SC-01), 1894/1995","Series 2: General VMFA Properties Papers, 1934/1990","box SC-01 Box 2","folder Folder 29","Item SC01.02.0.029","English"],"parent_unittitles_ssm":["Records of the Oaks (SC-01), 1894/1995","Series 2: General VMFA Properties Papers, 1934/1990"],"parent_unittitles_tesim":["Records of the Oaks (SC-01), 1894/1995","Series 2: General VMFA Properties Papers, 1934/1990"],"normalized_date_ssm":["1985"],"unitdate_other_ssim":["1985"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":52,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Records of the Oaks (SC-01), 1894/1995"],"containers_ssim":["box SC-01 Box 2","folder Folder 29","Item SC01.02.0.029"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research. As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"language_ssim":["English"],"date_range_isim":[1985],"_nest_path_":"/components#1/components#28","timestamp":"2026-08-14T22:40:21.394Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_236","ead_ssi":"virmu_repositories_2_resources_236","_root_":"virmu_repositories_2_resources_236","_nest_parent_":"virmu_repositories_2_resources_236","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_236.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/236","title_filing_ssi":"Oaks (SC-01)","title_ssm":["Records of the Oaks (SC-01)"],"title_tesim":["Records of the Oaks (SC-01)"],"unitdate_ssm":["1894-1995"],"unitdate_inclusive_ssm":["1894-1995"],"normalized_date_ssm":["1894/1995"],"normalized_title_ssm":["Records of the Oaks (SC-01), 1894/1995"],"text":["Records of the Oaks (SC-01), 1894/1995","SC-01","/repositories/2/resources/236","The collection is open for research. As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.","The collection is organized into three series. Items are arranged chronologically within each folder and, where relevant, within the series.  Items with no date are placed at the end of a folder or series.","Series 1\n        The Oaks Papers and Photographs, 1894-1995, undated\n      \n      \n        Series 2\n        General VMFA Properties Papers, 1934-1990, undated\n      \n      \n        Series 3\n        The Oaks Miscellaneous, 1935-1969, undated","The Oaks was originally a plantation house built by Edmund Harrison near Mattoax in Amelia County.  Exactly when the house was built is up for debate, with dates ranging from 1745 to 1764, and as late as 1795.  Colonial in style, it was constructed from pine, poplar and bricks that were hand-made on site.","During part of its ownership by the Harrison family it was used as a school for boys.  It was then sold to Samuel Jones, later a Confederate officer, in 1839.  Lizzie Edmunds Boyd of Richmond purchased the house and the surrounding 280 acres for $10,000 in 1927.  At that time, the house had been unoccupied for nearly 25 years and had fallen into a state of disrepair. However, it's interior and exterior woodwork were still in good condition in spite of the neglect.  In 1927, Boyd hired the architect K.G. Koltukian and the contractor John. E. Dicks to dismantle, move, and rebuild the house at 307 Stockton Lane, in the newly developed Windsor Farms area in Richmond.","Upon its reassembly, a kitchen and butler's pantry were added, as well as a terraced garden.  Boyd bequeathed her home, The Oaks, later known as Boyd House, to the Virginia Museum in 1975. After its transferral, it was used as the home for the Director of the museum, beginning with Paul Perrot and ending in 2013 with Alex Nyerges, when it was placed on the market and sold.","Source: The Historic American Buildings Survey \nSource: Moving into a Masterpiece \nSource: 18th-Century House Goes on Market for First Time in its History","Source: Old and Sold: The Oaks","This collection was left behind in the basement of The Oaks at the time of the property transfer from the Lizzie Edmunds Boyd Estate to the VMFA Foundation in 1975.  The materials were kept in the VMFA Development office until they were transferred to the VMFA Library in 1995.","In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","The collection's inclusive dates are 1894-1995, with the bulk of the material dating from 1976-1984.  The collection comprises correspondence, photographs, prints, receipts, cards, newspaper clippings, brochures, and other ephemeral material.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","This collection documents a portion of the life of Lizzie Edmund Boyd and the history of her home, The Oaks, during her ownership from 1927 until the transfer of ownership to the VMFA in 1975.  In addition, the lives of several of her family members, namely James Boyd Phillips and Asa Phillips, can be seen through official military documents, tax forms, bank records and personal correspondence, offering a glimpse into their time serving in WWII and assimilation back into society after the war's end. \n\nThe contents of the collection can perhaps be best summarized in a portion from a memo from Records Manager Jennie Runnels to Director Katherine Lee on April 7, 1995: \"Dr. Brownell believes these [papers] would be an exciting topic and important to recovering Richmond's rich architectural history.  The boxes contain drawings of the gardens surrounding the Oaks and possibly reference sources used for their redesign, in addition to receipts and invoices pertaining to alterations of the house that took place during Miss Boyd's lifetime.  The material documents not only the social and cultural fabric of Richmond's past but also the history of a home that is important to the Virginia Museum.\"","Virginia Museum of Fine Arts Archives","English\n."],"collection_title_tesim":["Records of the Oaks (SC-01), 1894/1995"],"collection_ssim":["Records of the Oaks (SC-01), 1894/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-01","/repositories/2/resources/236"],"unitid_tesim":["SC-01","/repositories/2/resources/236"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives"],"creators_ssim":["Virginia Museum of Fine Arts Archives"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"has_online_content_ssim":["false"],"extent_ssm":["6.25 Linear Feet 5 boxes; 76 folders"],"extent_tesim":["6.25 Linear Feet 5 boxes; 76 folders"],"date_range_isim":[1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into three series. Items are arranged chronologically within each folder and, where relevant, within the series.  Items with no date are placed at the end of a folder or series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eThe Oaks Papers and Photographs, 1894-1995, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eGeneral VMFA Properties Papers, 1934-1990, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eThe Oaks Miscellaneous, 1935-1969, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into three series. Items are arranged chronologically within each folder and, where relevant, within the series.  Items with no date are placed at the end of a folder or series.","Series 1\n        The Oaks Papers and Photographs, 1894-1995, undated\n      \n      \n        Series 2\n        General VMFA Properties Papers, 1934-1990, undated\n      \n      \n        Series 3\n        The Oaks Miscellaneous, 1935-1969, undated"],"bioghist_html_tesm":["\u003cp\u003eThe Oaks was originally a plantation house built by Edmund Harrison near Mattoax in Amelia County.  Exactly when the house was built is up for debate, with dates ranging from 1745 to 1764, and as late as 1795.  Colonial in style, it was constructed from pine, poplar and bricks that were hand-made on site.  \u003c/p\u003e","\u003cp\u003eDuring part of its ownership by the Harrison family it was used as a school for boys.  It was then sold to Samuel Jones, later a Confederate officer, in 1839.  Lizzie Edmunds Boyd of Richmond purchased the house and the surrounding 280 acres for $10,000 in 1927.  At that time, the house had been unoccupied for nearly 25 years and had fallen into a state of disrepair. However, it's interior and exterior woodwork were still in good condition in spite of the neglect.  In 1927, Boyd hired the architect K.G. Koltukian and the contractor John. E. Dicks to dismantle, move, and rebuild the house at 307 Stockton Lane, in the newly developed Windsor Farms area in Richmond.  \t\u003c/p\u003e","\u003cp\u003eUpon its reassembly, a kitchen and butler's pantry were added, as well as a terraced garden.  Boyd bequeathed her home, The Oaks, later known as Boyd House, to the Virginia Museum in 1975. After its transferral, it was used as the home for the Director of the museum, beginning with Paul Perrot and ending in 2013 with Alex Nyerges, when it was placed on the market and sold.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"http://lcweb2.loc.gov/pnp/habshaer/va/va0200/va0240/data/va0240data.pdf\"\u003eThe Historic American Buildings Survey\u003c/a\u003e \nSource: \u003ca href=\"http://www.styleweekly.com/richmond/moving-into-a-masterpiece/Content?oid=1369437\"\u003eMoving into a Masterpiece\u003c/a\u003e \nSource: \u003ca href=\"http://www.timesdispatch.com/business/local/article_8e66db28-6fc7-50ba-b669-c9f0b488ea38.html\"\u003e18th-Century House Goes on Market for First Time in its History\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"http://www.oldandsold.com/articles11/virginia-homes-42.shtml\"\u003eOld and Sold: The Oaks\u003c/a\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The Oaks was originally a plantation house built by Edmund Harrison near Mattoax in Amelia County.  Exactly when the house was built is up for debate, with dates ranging from 1745 to 1764, and as late as 1795.  Colonial in style, it was constructed from pine, poplar and bricks that were hand-made on site.","During part of its ownership by the Harrison family it was used as a school for boys.  It was then sold to Samuel Jones, later a Confederate officer, in 1839.  Lizzie Edmunds Boyd of Richmond purchased the house and the surrounding 280 acres for $10,000 in 1927.  At that time, the house had been unoccupied for nearly 25 years and had fallen into a state of disrepair. However, it's interior and exterior woodwork were still in good condition in spite of the neglect.  In 1927, Boyd hired the architect K.G. Koltukian and the contractor John. E. Dicks to dismantle, move, and rebuild the house at 307 Stockton Lane, in the newly developed Windsor Farms area in Richmond.","Upon its reassembly, a kitchen and butler's pantry were added, as well as a terraced garden.  Boyd bequeathed her home, The Oaks, later known as Boyd House, to the Virginia Museum in 1975. After its transferral, it was used as the home for the Director of the museum, beginning with Paul Perrot and ending in 2013 with Alex Nyerges, when it was placed on the market and sold.","Source: The Historic American Buildings Survey \nSource: Moving into a Masterpiece \nSource: 18th-Century House Goes on Market for First Time in its History","Source: Old and Sold: The Oaks"],"custodhist_html_tesm":["\u003cp\u003eThis collection was left behind in the basement of The Oaks at the time of the property transfer from the Lizzie Edmunds Boyd Estate to the VMFA Foundation in 1975.  The materials were kept in the VMFA Development office until they were transferred to the VMFA Library in 1995.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["This collection was left behind in the basement of The Oaks at the time of the property transfer from the Lizzie Edmunds Boyd Estate to the VMFA Foundation in 1975.  The materials were kept in the VMFA Development office until they were transferred to the VMFA Library in 1995."],"prefercite_html_tesm":["\u003cp\u003eRecords of The Oaks (SC-01). VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Records of The Oaks (SC-01). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1894-1995, with the bulk of the material dating from 1976-1984.  The collection comprises correspondence, photographs, prints, receipts, cards, newspaper clippings, brochures, and other ephemeral material.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1894-1995, with the bulk of the material dating from 1976-1984.  The collection comprises correspondence, photographs, prints, receipts, cards, newspaper clippings, brochures, and other ephemeral material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_602aef1020496331a521a05a1a79928c\" label=\"Abstract\"\u003eThis collection documents a portion of the life of Lizzie Edmund Boyd and the history of her home, The Oaks, during her ownership from 1927 until the transfer of ownership to the VMFA in 1975.  In addition, the lives of several of her family members, namely James Boyd Phillips and Asa Phillips, can be seen through official military documents, tax forms, bank records and personal correspondence, offering a glimpse into their time serving in WWII and assimilation back into society after the war's end. \n\nThe contents of the collection can perhaps be best summarized in a portion from a memo from Records Manager Jennie Runnels to Director Katherine Lee on April 7, 1995: \"Dr. Brownell believes these [papers] would be an exciting topic and important to recovering Richmond's rich architectural history.  The boxes contain drawings of the gardens surrounding the Oaks and possibly reference sources used for their redesign, in addition to receipts and invoices pertaining to alterations of the house that took place during Miss Boyd's lifetime.  The material documents not only the social and cultural fabric of Richmond's past but also the history of a home that is important to the Virginia Museum.\"\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection documents a portion of the life of Lizzie Edmund Boyd and the history of her home, The Oaks, during her ownership from 1927 until the transfer of ownership to the VMFA in 1975.  In addition, the lives of several of her family members, namely James Boyd Phillips and Asa Phillips, can be seen through official military documents, tax forms, bank records and personal correspondence, offering a glimpse into their time serving in WWII and assimilation back into society after the war's end. \n\nThe contents of the collection can perhaps be best summarized in a portion from a memo from Records Manager Jennie Runnels to Director Katherine Lee on April 7, 1995: \"Dr. Brownell believes these [papers] would be an exciting topic and important to recovering Richmond's rich architectural history.  The boxes contain drawings of the gardens surrounding the Oaks and possibly reference sources used for their redesign, in addition to receipts and invoices pertaining to alterations of the house that took place during Miss Boyd's lifetime.  The material documents not only the social and cultural fabric of Richmond's past but also the history of a home that is important to the Virginia Museum.\""],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"names_ssim":["Virginia Museum of Fine Arts Archives"],"language_ssim":["English\n."],"total_component_count_is":79,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:40:21.394Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_236_c02_c29"}},{"id":"virmu_repositories_2_resources_41_c01_c45","type":"File","attributes":{"title":"1984-85 Season: announcement of events, members-memo, correspondence; Fall Meeting-memos, agenda, Paul Perrot (speaker) biography; Collector of the Year (Fisher)-press release, correspondence, photos; Dinner-program, announcement, memos, guest list, remarks, related correspondence, Spring Meeting-announcement, Arthur Janson (speaker) correspondence, remarks; policy-memos, 1984/1985","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_41_c01_c45#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_41_c01_c45","ref_ssm":["virmu_repositories_2_resources_41_c01_c45"],"id":"virmu_repositories_2_resources_41_c01_c45","ead_ssi":"virmu_repositories_2_resources_41","_root_":"virmu_repositories_2_resources_41","_nest_parent_":"virmu_repositories_2_resources_41_c01","parent_ssi":"virmu_repositories_2_resources_41_c01","parent_ssim":["Records of the Collectors' Circle (RG-19), 1959/2007","Series 1: Season Files, 1959/2007"],"parent_ids_ssim":["virmu_repositories_2_resources_41","virmu_repositories_2_resources_41_c01"],"title_filing_ssi":"1984-85 Season: announcement of events, members-memo, correspondence; Fall Meeting-memos, agenda, Paul Perrot (speaker) biography; Collector of the Year (Fisher)-press release, correspondence, photos; Dinner-program, announcement, memos, guest list, remarks, related correspondence, Spring Meeting-announcement, Arthur Janson (speaker) correspondence, remarks; policy-memos","title_ssm":["1984-85 Season: announcement of events, members-memo, correspondence; Fall Meeting-memos, agenda, Paul Perrot (speaker) biography; Collector of the Year (Fisher)-press release, correspondence, photos; Dinner-program, announcement, memos, guest list, remarks, related correspondence, Spring Meeting-announcement, Arthur Janson (speaker) correspondence, remarks; policy-memos"],"title_tesim":["1984-85 Season: announcement of events, members-memo, correspondence; Fall Meeting-memos, agenda, Paul Perrot (speaker) biography; Collector of the Year (Fisher)-press release, correspondence, photos; Dinner-program, announcement, memos, guest list, remarks, related correspondence, Spring Meeting-announcement, Arthur Janson (speaker) correspondence, remarks; policy-memos"],"normalized_title_ssm":["1984-85 Season: announcement of events, members-memo, correspondence; Fall Meeting-memos, agenda, Paul Perrot (speaker) biography; Collector of the Year (Fisher)-press release, correspondence, photos; Dinner-program, announcement, memos, guest list, remarks, related correspondence, Spring Meeting-announcement, Arthur Janson (speaker) correspondence, remarks; policy-memos, 1984/1985"],"text":["1984-85 Season: announcement of events, members-memo, correspondence; Fall Meeting-memos, agenda, Paul Perrot (speaker) biography; Collector of the Year (Fisher)-press release, correspondence, photos; Dinner-program, announcement, memos, guest list, remarks, related correspondence, Spring Meeting-announcement, Arthur Janson (speaker) correspondence, remarks; policy-memos, 1984/1985","Records of the Collectors' Circle (RG-19), 1959/2007","Series 1: Season Files, 1959/2007","box RG-19 Box 2","folder 20"],"parent_unittitles_ssm":["Records of the Collectors' Circle (RG-19), 1959/2007","Series 1: Season Files, 1959/2007"],"parent_unittitles_tesim":["Records of the Collectors' Circle (RG-19), 1959/2007","Series 1: Season Files, 1959/2007"],"normalized_date_ssm":["1984/1985"],"unitdate_other_ssim":["1984-1985"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":46,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Records of the Collectors' Circle (RG-19), 1959/2007"],"containers_ssim":["box RG-19 Box 2","folder 20"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance.","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809)."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1984,1985],"_nest_path_":"/components#0/components#44","timestamp":"2026-08-14T22:40:29.647Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_41","ead_ssi":"virmu_repositories_2_resources_41","_root_":"virmu_repositories_2_resources_41","_nest_parent_":"virmu_repositories_2_resources_41","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_41.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/41","title_filing_ssi":"Collectors' Circle (RG-19)","title_ssm":["Records of the Collectors' Circle (RG-19)"],"title_tesim":["Records of the Collectors' Circle (RG-19)"],"unitdate_ssm":["1959-2007"],"unitdate_inclusive_ssm":["1959-2007"],"normalized_date_ssm":["1959/2007"],"normalized_title_ssm":["Records of the Collectors' Circle (RG-19), 1959/2007"],"text":["Records of the Collectors' Circle (RG-19), 1959/2007","RG-19","/repositories/2/resources/41","The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance.","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809).","The collection is organized into three series, and items are arranged chronologically within each series.","Series 1\n        Season Files, 1959-2007\n      \n      \n        Series 2\n        Dealer Files, 1963-1972\n      \n      \n        Series 3\n        General Files, 1959-2002, undated","The collection was transferred from the Collections Department and Foundation through periodic deposits.","In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","Virginia Museum of Fine Arts Archives","English\n."],"collection_title_tesim":["Records of the Collectors' Circle (RG-19), 1959/2007"],"collection_ssim":["Records of the Collectors' Circle (RG-19), 1959/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG-19","/repositories/2/resources/41"],"unitid_tesim":["RG-19","/repositories/2/resources/41"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives"],"creators_ssim":["Virginia Museum of Fine Arts Archives"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"has_online_content_ssim":["false"],"extent_ssm":["6.25 Linear Feet 5 boxes; 127 folders and 1 item"],"extent_tesim":["6.25 Linear Feet 5 boxes; 127 folders and 1 item"],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. \u003c/p\u003e","\u003cp\u003eAs custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809).\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance.","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809)."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into three series, and items are arranged chronologically within each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eSeason Files, 1959-2007\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eDealer Files, 1963-1972\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eGeneral Files, 1959-2002, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into three series, and items are arranged chronologically within each series.","Series 1\n        Season Files, 1959-2007\n      \n      \n        Series 2\n        Dealer Files, 1963-1972\n      \n      \n        Series 3\n        General Files, 1959-2002, undated"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred from the Collections Department and Foundation through periodic deposits.\u003c/p\u003e  "],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was transferred from the Collections Department and Foundation through periodic deposits."],"prefercite_html_tesm":["\u003cp\u003eRecords of the Collectors' Circle (RG-19). 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