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After graduation, Mr. Williams enlisted in the Navy shortly after the attack on  Pearl Harbor during World War II and was stationed at Camp Peary, where he started the base's photography laboratory. While at Camp Peary, he shot many photographs for Colonial Williamsburg, who hired him shortly after World War II to start their photography section. After nine years at Colonial Williamsburg, Mr. Williams became the photographer for William \u0026amp; Mary, a position he held for 35 years. While at William and Mary, Mr. Williams photographed various events at the College, including Charter Day and Commencement ceremonies, the inauguration of Davis Y. Paschall as president of William \u0026amp; Mary, and the celebrations during Homecoming Weekend.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born in 1912 in Shire Oaks, Pennsylvania, Thomas L. Williams studied photography at the Art Institute of Pittsburgh. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Born in 1912 in Shire Oaks, Pennsylvania, Thomas L. Williams studied photography at the Art Institute of Pittsburgh. 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After graduation, Mr. Williams enlisted in the Navy shortly after the attack on  Pearl Harbor during World War II and was stationed at Camp Peary, where he started the base's photography laboratory. While at Camp Peary, he shot many photographs for Colonial Williamsburg, who hired him shortly after World War II to start their photography section. After nine years at Colonial Williamsburg, Mr. Williams became the photographer for William \u0026amp; Mary, a position he held for 35 years. While at William and Mary, Mr. Williams photographed various events at the College, including Charter Day and Commencement ceremonies, the inauguration of Davis Y. Paschall as president of William \u0026amp; Mary, and the celebrations during Homecoming Weekend.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born in 1912 in Shire Oaks, Pennsylvania, Thomas L. Williams studied photography at the Art Institute of Pittsburgh. 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Photographs includes scenes of Colonial Williamsburg and the campus of William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eFiles include photographs of Williamsburg, Virginia, William \u0026amp; Mary, as well as personal family photographs taken by Thomas L. Williams from the 1940s-1960s. Other papers include clippings documenting events in Williamsburg and correspondence. \u003c/p\u003e\n","\u003cp\u003eIncluded in the folder of people of note visiting Williamsburg are those labeled as follows: \u003c/p\u003e\n","\u003cp\u003eMenderez, Sec. of Defense of Turkey Visited 7/13/58 \u003c/p\u003e\n","\u003cp\u003ePresident Dwight D. Eisenhower with Virginia Governor Thomas Stanley \u003c/p\u003e\n","\u003cp\u003eVera Vague of Rob Hope Show WWII \u003c/p\u003e\n","\u003cp\u003eJack Niklaus 9/67 \u003c/p\u003e\n","\u003cp\u003ePresident Lyndon B. Johnson \u003c/p\u003e\n","\u003cp\u003eKing of Belgium 5/31/59 \u003c/p\u003e\n","\u003cp\u003ePresident Richard Nixon with W\u0026amp;M President Paschal \u003c/p\u003e\n","\u003cp\u003ePresident Dwight Eisenhower \u003c/p\u003e\n","\u003cp\u003eGrand Opening Day with Queen Elizabeth 1957 \u003c/p\u003e\n","\u003cp\u003ePresident Gerald Ford \u003c/p\u003e\n","\u003cp\u003ePresident Rockefeller \u003c/p\u003e\n","\u003cp\u003eDebbie Reynolds \u003c/p\u003e\n","\u003cp\u003eKing Hussein of Jordan Visits Jamestown \u003c/p\u003e\n","\u003cp\u003eGovernor Mills Godwin \u003c/p\u003e\n","\u003cp\u003eKing of Morocco Visits \u003c/p\u003e\n","\u003cp\u003eLord Mayor of London at Colonial Williamsburg \u003c/p\u003e\n","\u003cp\u003eKing Baudouin of Belgium May 1959 \u003c/p\u003e\n","\u003cp\u003ePrince Phillip with Governor Stanley \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection includes photographs, negatives, slides, film, postcards, ephemera, correspondence and artifacts belonging to Thomas L. Williams, photographer for William \u0026 Mary for 35 years.  He was also a photographer for Camp Peary and Colonial Williamsburg prior to working for William \u0026 Mary.","Addition includes photographs, correspondence, negatives, and newspaper articles from Thomas L. Williams. Photographs includes scenes of Colonial Williamsburg and the campus of William \u0026 Mary.","Files include photographs of Williamsburg, Virginia, William \u0026 Mary, as well as personal family photographs taken by Thomas L. Williams from the 1940s-1960s. Other papers include clippings documenting events in Williamsburg and correspondence. ","Included in the folder of people of note visiting Williamsburg are those labeled as follows: ","Menderez, Sec. of Defense of Turkey Visited 7/13/58 ","President Dwight D. Eisenhower with Virginia Governor Thomas Stanley ","Vera Vague of Rob Hope Show WWII ","Jack Niklaus 9/67 ","President Lyndon B. Johnson ","King of Belgium 5/31/59 ","President Richard Nixon with W\u0026M President Paschal ","President Dwight Eisenhower ","Grand Opening Day with Queen Elizabeth 1957 ","President Gerald Ford ","President Rockefeller ","Debbie Reynolds ","King Hussein of Jordan Visits Jamestown ","Governor Mills Godwin ","King of Morocco Visits ","Lord Mayor of London at Colonial Williamsburg ","King Baudouin of Belgium May 1959 ","Prince Phillip with Governor Stanley "],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Williams, Thomas L."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Williams, Thomas L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10461,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T12:07:10.432Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8143_c04_c131"}},{"id":"vifgm_repositories_2_resources_150_c01_c01_c67","type":"File","attributes":{"title":"\"You Can't Take It with You\" Reviews","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_150_c01_c01_c67#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eAlso contains advertisements, rosters, and announcements.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_150_c01_c01_c67#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_150_c01_c01_c67","ref_ssm":["vifgm_repositories_2_resources_150_c01_c01_c67"],"id":"vifgm_repositories_2_resources_150_c01_c01_c67","ead_ssi":"vifgm_repositories_2_resources_150","_root_":"vifgm_repositories_2_resources_150","_nest_parent_":"vifgm_repositories_2_resources_150_c01_c01","parent_ssi":"vifgm_repositories_2_resources_150_c01_c01","parent_ssim":["vifgm_repositories_2_resources_150","vifgm_repositories_2_resources_150_c01","vifgm_repositories_2_resources_150_c01_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_150","vifgm_repositories_2_resources_150_c01","vifgm_repositories_2_resources_150_c01_c01"],"parent_unittitles_ssm":["Robert Prosky Papers","Series 1: Professional","Subseries 1.1: Theater"],"parent_unittitles_tesim":["Robert Prosky Papers","Series 1: Professional","Subseries 1.1: Theater"],"text":["Robert Prosky Papers","Series 1: Professional","Subseries 1.1: Theater","\"You Can't Take It with You\" Reviews","box 3","folder 22","Also contains advertisements, rosters, and announcements."],"title_filing_ssi":"\"You Can't Take It with You\" Reviews","title_ssm":["\"You Can't Take It with You\" Reviews"],"title_tesim":["\"You Can't Take It with You\" Reviews"],"unitdate_other_ssim":["1979-1980, 1997-1998"],"normalized_date_ssm":["1979/1998"],"normalized_title_ssm":["\"You Can't Take It with You\" Reviews"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Robert Prosky Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":69,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"containers_ssim":["box 3","folder 22"],"scopecontent_html_tesm":["\u003cp\u003eAlso contains advertisements, rosters, and announcements.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Also contains advertisements, rosters, and announcements."],"_nest_path_":"/components#0/components#0/components#66","timestamp":"2026-05-21T05:32:14.503Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_150","ead_ssi":"vifgm_repositories_2_resources_150","_root_":"vifgm_repositories_2_resources_150","_nest_parent_":"vifgm_repositories_2_resources_150","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_150.xml","title_filing_ssi":"Robert Prosky papers","title_ssm":["Robert Prosky Papers"],"title_tesim":["Robert Prosky Papers"],"unitdate_ssm":["1909-2007"],"unitdate_inclusive_ssm":["1909-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0022","/repositories/2/resources/150"],"text":["C0022","/repositories/2/resources/150","Robert Prosky Papers","Actors -- United States","Theater -- Washington (D.C.)","Theater -- United States","Television","Motion pictures -- United States","Performing arts","Theater","Acting","Photographs","Video recordings","There are no access restrictions.","Audiovisual materials in Series 4 have been digitized are available for access. Please contact SCRC for more information.","Arranged into six series:","Series Series 1: Professional, 1954-2007 (Boxes 1-5) Series 2: Personal, 1909-2007 (Boxes 5-8) Series 3: Photographs, 1930s-2005 (Boxes 9-11) Series 4: Audiovisual, 1960-2007 (Boxes 12-13) Series 5: Oversize, 1950s-2006 (Boxes 14-15) Series 6: Realia, 1998-2004 (Box 16)","Born in Philadelphia, Robert Prosky (1930-2008) spent much of his career as an actor in more than 200 plays at the Arena Stage in Washington, D.C., on Broadway in New York City, and in regional theatre. Prosky's association with the Arena Stage included more than 130 productions over the course of 20 years. His Broadway appearances included \"Glengarry Glenross,\" \"A Walk in the Woods,\" and \"A View from the Bridge.\" Highlights from regional theater include \"Death of a Salesman,\" \"Twelfth Night,\" and \"You Can't Take It With You.\" He also performed on stage in the Moscow Art Theatre in the then-Soviet Union, the Gate Theater in Dublin, Ireland, as well as in a Chinese theater in Hong Kong.","Beginning in the 1980s, he regularly appeared in film and television. His films include \"Christine,\" \"Mrs. Doubtfire,\" \"The Natural,\" \"The Scarlet Letter,\" and \"Dead Man Walking.\" Television credits include three years on \"Hill Street Blues,\" many television films and guest shots.","He received or was nominated for two Tony awards, two Helen Hayes awards, an Emmy, the Drama Desk award, and the American Express Tribute To An American Actor. He continued to perform on stage and present lectures on his long career at universities, film festivals, for theater benefits, business groups and on cruises. He died on December 8, 2008, in Washington, D.C. ","Processed in 2008 by Sarah Patton, Jennifer Munson, and Jordan Patty. EAD markup completed in 2008 by Jordan Patty and Jennifer Munson. Finding aid updated by Amanda Menjivar in May 2025.","The Special Collections Research Center also holds the   and the papers of other Washington, D.C. theatre artists.","An oral history was performed with Robert Prosky for the   and is available for access.","Consists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials. ","The collection consists of six series. The first series contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically. Subseries 1.1 includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes. Subseries 1.2 contains mostly clippings and reviews about Prosky's film career, but there are a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\" Subseries 1.3 contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\" Note that there are additional professional documents, such as posters, in the oversize series. ","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically. Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Subseries 2.2 contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. Of particular interest are transcripts from an autobiography by Prosky. Note that there are additional biographical articles in the oversize series both loose and in scrapbooks. ","The third series contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically. Note that there are additional photographs in the oversize series both loose and in scrapbooks. ","The fourth series consists of copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public service announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations. ","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life. ","The sixth series consists of objects from Prosky's professional career and personal life, such as opening night gifts and production souvenirs. ","Contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically.","Includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage.","Quarterdeck Theatre.","Gonzaga College. Prosky not in cast.","Arena Stage.","Lucille Lortel Theatre.","Berkshire Theatre Festival. Review by Herbert Wolff.","Arena Stage.","Old Academy.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Brooks Atkinson Theatre.","Arena Stage.","Arena Stage. Review by Mel Gussow.","Ford's Theatre.","Also contains television reviews and biographical information.","Goodman Theatre.","John Golden Theatre.","Manhattan Ensemble Theater. Also contains postcards with advertisements.","Fred Miller Theatre.","Arena Stage.","Arena Stage.","Ford's Theatre.","Lee Strasberg Theatre Center.","Delaware Theatre Company (1993) and Arena Stage (1995).","Douglass College.","Arena Stage.","Arena Stage.","Fred Miller Theatre.","Morosco Theatre. Prosky not in cast.","Arena Stage.","Gate Theatre.","Cape May Stage.","Arena Stage. Also contains a pre-production announcement.","Quarterdeck Theatre.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Colonial Theatre.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Coronet Theatre. Prosky not in cast.","Ambassador Theatre.","Royal Poinciana Playhouse. Prosky not in cast.","Booth Theatre.","One copy entirely in Russian and one with only the title translated.","Booth Theatre. Also contains some correspondence.","Contains stories on Zelda Fichandler and Robert Prosky.","Fred Miller Theatre.","Hong Kong Arts Festival.","Guthrie Theatre.","Arena Stage.","Also contains advertisements, rosters, and announcements.","Contains mostly clippings and reviews about Prosky's film career, but there are also a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\"","Also contains correspondence.","Contains production facts, one color production still photograph, and one black and white photograph of the director Gayle Knutson.","Also includes information on \"Glengarry Glenn Ross\" and television work.","Contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\"","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically.","Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Arranged alphabetically by name type of correspondence, then chronologically.","RESTRICTED","Also includes correspondence about Prosky's Tony Award nomination.","Contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. This subseries also contains transcripts from a self-recorded autobiography by Prosky. Arranged alphabetically by article title and type of document, then chronologically.","Post Eagle newspaper.","Columbia Flier newspaper.","America 275 Illustrated Story no. 11-79.","Prosky nominated for \"Glengarry Glenross\".\"","Prosky nominated for \"A Walk in the Woods\".","Prosky won best actor in a short film for \"Grandfather's Birthday\".","Folder 1.","Folder 2.","Cynthia Snyder Public Relations.","Article by Zelda Fichandler.","Presented to both Prosky and his wife Ida.","Philadelphia magazine.","Prosky served as the master of ceremonies.","Prosky nominated for his role in \"Our Town\".","Prosky honored with the American Express Tribute.","Washington Post newspaper.","Roxborough Times newspaper.","Home News newspaper.","New York Times Newspaper.","Equity News newsletter.","New York Times newspaper.","Arena Stage.","Folder 1.","Folder 2.","Presented to Prosky for his role as Mr. Buchanan in \"Jabberwocky\".","Sun Weekly newspaper.","People Weekly magazine.","Relax magazine. In Polish.","New Jersey Lifestyle magazine.","Pen World magazine.","Washington Post Magazine.","Daily News newspaper.","Dossier magazine.","Washington Times newspaper. Article mentions Prosky's Hayes award for \"The Price\".","Also includes correspondence.","Contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically.","Contains copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public serve announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.","VHS, 18 minutes, color","Audio reel.\nAvailable on digital format.","Reel, 60 seconds, color.\nAvailable on digital format.","Reel, 60 seconds, color, U.S. Dept. of Agriculture Food Safety and Quality Service.\nAvailable on digital format.","Audio reel.\nAvailable on digital format.","VHS, #466216, Final Viewing Cassette","VHS, #466217, Final Viewing Cassette","VHS, #466218, Final Viewing Cassette","VHS, #466219, Final Viewing Cassette","VHS, #466220, Final Viewing Cassette","VHS, #466221, Final Viewing Cassette","Audio, 6 Demo spots, 7.5 IPS.\nAvailable on digital format.","VHS, 30 minutes","CD, Arena Stage press photos","DVD, DEMO","DVD, Tape 1, Harris Theatre GMU","DVD, Tape 2, Harris Theatre GMU","DVD, Clips for Lecture","Audio cassette tape, WABC Talk Radio 77am","DVD","Video reel, 60 seconds.\nAvailable on digital format.","Audio cassette tape, Tape 1","Audio cassette tape, Tape 2","Audio Cassette Tape, WTOP Radio","DVD","Audio reel.\nAvailable on digital format.","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life.","Black binder with \"Thief\" label","Black binder with Robert Prosky","Photograph","Photograph - Appearances","Photograph - Theatre","Nomination for Best Supporting Actor in a Television Movie \"Into Thin Air\"","Six different shots","Interview page 37","Three matted portraits","Autographed film poster","Production poster","Photographs, newspaper clippings, playbills","Blue album with flowers on cover, photographs, newspaper clippings, playbills","Autographed copy by Kathryn Crosby","Consists of objects from Prosky's professional career and personal life.","Paperweight","Miniature briefcase","Robert Prosky's name monogrammed on one side.","Ford's Theatre, Dog tags","Plaque","Souvenir bag","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Consists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials.","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Prosky, Robert, 1930-2008","English \n.    "],"unitid_tesim":["C0022","/repositories/2/resources/150"],"normalized_title_ssm":["Robert Prosky Papers"],"collection_title_tesim":["Robert Prosky Papers"],"collection_ssim":["Robert Prosky Papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Prosky, Robert, 1930-2008"],"creator_ssim":["Prosky, Robert, 1930-2008"],"creator_persname_ssim":["Prosky, Robert, 1930-2008"],"creators_ssim":["Prosky, Robert, 1930-2008"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Robert Prosky in 2007-2008."],"access_subjects_ssim":["Actors -- United States","Theater -- Washington (D.C.)","Theater -- United States","Television","Motion pictures -- United States","Performing arts","Theater","Acting","Photographs","Video recordings"],"access_subjects_ssm":["Actors -- United States","Theater -- Washington (D.C.)","Theater -- United States","Television","Motion pictures -- United States","Performing arts","Theater","Acting","Photographs","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet 16 boxes"],"extent_tesim":["9 Linear Feet 16 boxes"],"genreform_ssim":["Photographs","Video recordings"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eAudiovisual materials in Series 4 have been digitized are available for access. Please contact SCRC for more information.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Audiovisual materials in Series 4 have been digitized are available for access. Please contact SCRC for more information."],"arrangement_html_tesm":["\u003cp\u003eArranged into six series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Professional, 1954-2007 (Boxes 1-5)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Personal, 1909-2007 (Boxes 5-8)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1930s-2005 (Boxes 9-11)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Audiovisual, 1960-2007 (Boxes 12-13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Oversize, 1950s-2006 (Boxes 14-15)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Realia, 1998-2004 (Box 16)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into six series:","Series Series 1: Professional, 1954-2007 (Boxes 1-5) Series 2: Personal, 1909-2007 (Boxes 5-8) Series 3: Photographs, 1930s-2005 (Boxes 9-11) Series 4: Audiovisual, 1960-2007 (Boxes 12-13) Series 5: Oversize, 1950s-2006 (Boxes 14-15) Series 6: Realia, 1998-2004 (Box 16)"],"bioghist_html_tesm":["\u003cp\u003eBorn in Philadelphia, Robert Prosky (1930-2008) spent much of his career as an actor in more than 200 plays at the Arena Stage in Washington, D.C., on Broadway in New York City, and in regional theatre. Prosky's association with the Arena Stage included more than 130 productions over the course of 20 years. His Broadway appearances included \"Glengarry Glenross,\" \"A Walk in the Woods,\" and \"A View from the Bridge.\" Highlights from regional theater include \"Death of a Salesman,\" \"Twelfth Night,\" and \"You Can't Take It With You.\" He also performed on stage in the Moscow Art Theatre in the then-Soviet Union, the Gate Theater in Dublin, Ireland, as well as in a Chinese theater in Hong Kong.\u003c/p\u003e\n","\u003cp\u003eBeginning in the 1980s, he regularly appeared in film and television. His films include \"Christine,\" \"Mrs. Doubtfire,\" \"The Natural,\" \"The Scarlet Letter,\" and \"Dead Man Walking.\" Television credits include three years on \"Hill Street Blues,\" many television films and guest shots.\u003c/p\u003e\n","\u003cp\u003eHe received or was nominated for two Tony awards, two Helen Hayes awards, an Emmy, the Drama Desk award, and the American Express Tribute To An American Actor. He continued to perform on stage and present lectures on his long career at universities, film festivals, for theater benefits, business groups and on cruises. He died on December 8, 2008, in Washington, D.C. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born in Philadelphia, Robert Prosky (1930-2008) spent much of his career as an actor in more than 200 plays at the Arena Stage in Washington, D.C., on Broadway in New York City, and in regional theatre. Prosky's association with the Arena Stage included more than 130 productions over the course of 20 years. His Broadway appearances included \"Glengarry Glenross,\" \"A Walk in the Woods,\" and \"A View from the Bridge.\" Highlights from regional theater include \"Death of a Salesman,\" \"Twelfth Night,\" and \"You Can't Take It With You.\" He also performed on stage in the Moscow Art Theatre in the then-Soviet Union, the Gate Theater in Dublin, Ireland, as well as in a Chinese theater in Hong Kong.","Beginning in the 1980s, he regularly appeared in film and television. His films include \"Christine,\" \"Mrs. Doubtfire,\" \"The Natural,\" \"The Scarlet Letter,\" and \"Dead Man Walking.\" Television credits include three years on \"Hill Street Blues,\" many television films and guest shots.","He received or was nominated for two Tony awards, two Helen Hayes awards, an Emmy, the Drama Desk award, and the American Express Tribute To An American Actor. He continued to perform on stage and present lectures on his long career at universities, film festivals, for theater benefits, business groups and on cruises. He died on December 8, 2008, in Washington, D.C. "],"prefercite_html_tesm":["\u003cp\u003eRobert Prosky papers, C0022, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Robert Prosky papers, C0022, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in 2008 by Sarah Patton, Jennifer Munson, and Jordan Patty. EAD markup completed in 2008 by Jordan Patty and Jennifer Munson. Finding aid updated by Amanda Menjivar in May 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in 2008 by Sarah Patton, Jennifer Munson, and Jordan Patty. EAD markup completed in 2008 by Jordan Patty and Jennifer Munson. Finding aid updated by Amanda Menjivar in May 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Arena Stage records\" href=\"https://aspace.gmu.edu/resources/c0017\"\u003e\u003c/extptr\u003e and the papers of other Washington, D.C. theatre artists.\u003c/p\u003e\n","\u003cp\u003eAn oral history was performed with Robert Prosky for the \u003cextptr show=\"new\" title=\"George Mason University Oral History Program collection\" href=\"https://aspace.gmu.edu/resources/r0121\"\u003e\u003c/extptr\u003e and is available for access.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and the papers of other Washington, D.C. theatre artists.","An oral history was performed with Robert Prosky for the   and is available for access."],"scopecontent_html_tesm":["\u003cp\u003eConsists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials. \u003c/p\u003e\n","\u003cp\u003eThe collection consists of six series. The first series contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically. Subseries 1.1 includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes. Subseries 1.2 contains mostly clippings and reviews about Prosky's film career, but there are a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\" Subseries 1.3 contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\" Note that there are additional professional documents, such as posters, in the oversize series. \u003c/p\u003e\n","\u003cp\u003eThe second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically. Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Subseries 2.2 contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. Of particular interest are transcripts from an autobiography by Prosky. Note that there are additional biographical articles in the oversize series both loose and in scrapbooks. \u003c/p\u003e\n","\u003cp\u003eThe third series contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically. Note that there are additional photographs in the oversize series both loose and in scrapbooks. \u003c/p\u003e\n","\u003cp\u003eThe fourth series consists of copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public service announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations. \u003c/p\u003e\n","\u003cp\u003eThe fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life. \u003c/p\u003e\n","\u003cp\u003eThe sixth series consists of objects from Prosky's professional career and personal life, such as opening night gifts and production souvenirs. \u003c/p\u003e","\u003cp\u003eContains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically.\u003c/p\u003e","\u003cp\u003eIncludes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes.\u003c/p\u003e","\u003cp\u003eArena Stage. Contains press releases, reviews, and Arena Stage publications.\u003c/p\u003e","\u003cp\u003eArena Stage. Contains press releases, reviews, and Arena Stage publications.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eQuarterdeck Theatre.\u003c/p\u003e","\u003cp\u003eGonzaga College. Prosky not in cast.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eLucille Lortel Theatre.\u003c/p\u003e","\u003cp\u003eBerkshire Theatre Festival. Review by Herbert Wolff.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eOld Academy.\u003c/p\u003e","\u003cp\u003eQuarterdeck Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eBrooks Atkinson Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eArena Stage. Review by Mel Gussow.\u003c/p\u003e","\u003cp\u003eFord's Theatre.\u003c/p\u003e","\u003cp\u003eAlso contains television reviews and biographical information.\u003c/p\u003e","\u003cp\u003eGoodman Theatre.\u003c/p\u003e","\u003cp\u003eJohn Golden Theatre.\u003c/p\u003e","\u003cp\u003eManhattan Ensemble Theater. Also contains postcards with advertisements.\u003c/p\u003e","\u003cp\u003eFred Miller Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eFord's Theatre.\u003c/p\u003e","\u003cp\u003eLee Strasberg Theatre Center.\u003c/p\u003e","\u003cp\u003eDelaware Theatre Company (1993) and Arena Stage (1995).\u003c/p\u003e","\u003cp\u003eDouglass College.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eFred Miller Theatre.\u003c/p\u003e","\u003cp\u003eMorosco Theatre. Prosky not in cast.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eGate Theatre.\u003c/p\u003e","\u003cp\u003eCape May Stage.\u003c/p\u003e","\u003cp\u003eArena Stage. Also contains a pre-production announcement.\u003c/p\u003e","\u003cp\u003eQuarterdeck Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage. Contains press releases, reviews, and Arena Stage publications.\u003c/p\u003e","\u003cp\u003eColonial Theatre.\u003c/p\u003e","\u003cp\u003eQuarterdeck Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eCoronet Theatre. Prosky not in cast.\u003c/p\u003e","\u003cp\u003eAmbassador Theatre.\u003c/p\u003e","\u003cp\u003eRoyal Poinciana Playhouse. Prosky not in cast.\u003c/p\u003e","\u003cp\u003eBooth Theatre.\u003c/p\u003e","\u003cp\u003eOne copy entirely in Russian and one with only the title translated.\u003c/p\u003e","\u003cp\u003eBooth Theatre. Also contains some correspondence.\u003c/p\u003e","\u003cp\u003eContains stories on Zelda Fichandler and Robert Prosky.\u003c/p\u003e","\u003cp\u003eFred Miller Theatre.\u003c/p\u003e","\u003cp\u003eHong Kong Arts Festival.\u003c/p\u003e","\u003cp\u003eGuthrie Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eAlso contains advertisements, rosters, and announcements.\u003c/p\u003e","\u003cp\u003eContains mostly clippings and reviews about Prosky's film career, but there are also a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\"\u003c/p\u003e","\u003cp\u003eAlso contains correspondence.\u003c/p\u003e","\u003cp\u003eContains production facts, one color production still photograph, and one black and white photograph of the director Gayle Knutson.\u003c/p\u003e","\u003cp\u003eAlso includes information on \"Glengarry Glenn Ross\" and television work.\u003c/p\u003e","\u003cp\u003eContains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\"\u003c/p\u003e","\u003cp\u003eThe second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically.\u003c/p\u003e","\u003cp\u003eSubseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Arranged alphabetically by name type of correspondence, then chronologically.\u003c/p\u003e","\u003cp\u003eRESTRICTED\u003c/p\u003e","\u003cp\u003eAlso includes correspondence about Prosky's Tony Award nomination.\u003c/p\u003e","\u003cp\u003eContains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. This subseries also contains transcripts from a self-recorded autobiography by Prosky. Arranged alphabetically by article title and type of document, then chronologically.\u003c/p\u003e","\u003cp\u003ePost Eagle newspaper.\u003c/p\u003e","\u003cp\u003eColumbia Flier newspaper.\u003c/p\u003e","\u003cp\u003eAmerica 275 Illustrated Story no. 11-79.\u003c/p\u003e","\u003cp\u003eProsky nominated for \"Glengarry Glenross\".\"\u003c/p\u003e","\u003cp\u003eProsky nominated for \"A Walk in the Woods\".\u003c/p\u003e","\u003cp\u003eProsky won best actor in a short film for \"Grandfather's Birthday\".\u003c/p\u003e","\u003cp\u003eFolder 1.\u003c/p\u003e","\u003cp\u003eFolder 2.\u003c/p\u003e","\u003cp\u003eCynthia Snyder Public Relations.\u003c/p\u003e","\u003cp\u003eArticle by Zelda Fichandler.\u003c/p\u003e","\u003cp\u003ePresented to both Prosky and his wife Ida.\u003c/p\u003e","\u003cp\u003ePhiladelphia magazine.\u003c/p\u003e","\u003cp\u003eProsky served as the master of ceremonies.\u003c/p\u003e","\u003cp\u003eProsky nominated for his role in \"Our Town\".\u003c/p\u003e","\u003cp\u003eProsky honored with the American Express Tribute.\u003c/p\u003e","\u003cp\u003eWashington Post newspaper.\u003c/p\u003e","\u003cp\u003eRoxborough Times newspaper.\u003c/p\u003e","\u003cp\u003eHome News newspaper.\u003c/p\u003e","\u003cp\u003eNew York Times Newspaper.\u003c/p\u003e","\u003cp\u003eEquity News newsletter.\u003c/p\u003e","\u003cp\u003eNew York Times newspaper.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eFolder 1.\u003c/p\u003e","\u003cp\u003eFolder 2.\u003c/p\u003e","\u003cp\u003ePresented to Prosky for his role as Mr. Buchanan in \"Jabberwocky\".\u003c/p\u003e","\u003cp\u003eSun Weekly newspaper.\u003c/p\u003e","\u003cp\u003ePeople Weekly magazine.\u003c/p\u003e","\u003cp\u003eRelax magazine. In Polish.\u003c/p\u003e","\u003cp\u003eNew Jersey Lifestyle magazine.\u003c/p\u003e","\u003cp\u003ePen World magazine.\u003c/p\u003e","\u003cp\u003eWashington Post Magazine.\u003c/p\u003e","\u003cp\u003eDaily News newspaper.\u003c/p\u003e","\u003cp\u003eDossier magazine.\u003c/p\u003e","\u003cp\u003eWashington Times newspaper. Article mentions Prosky's Hayes award for \"The Price\".\u003c/p\u003e","\u003cp\u003eAlso includes correspondence.\u003c/p\u003e","\u003cp\u003eContains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically.\u003c/p\u003e","\u003cp\u003eContains copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public serve announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.\u003c/p\u003e","\u003cp\u003eVHS, 18 minutes, color\u003c/p\u003e","\u003cp\u003eAudio reel.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eReel, 60 seconds, color.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eReel, 60 seconds, color, U.S. Dept. of Agriculture Food Safety and Quality Service.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eAudio reel.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eVHS, #466216, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eVHS, #466217, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eVHS, #466218, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eVHS, #466219, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eVHS, #466220, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eVHS, #466221, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eAudio, 6 Demo spots, 7.5 IPS.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eVHS, 30 minutes\u003c/p\u003e","\u003cp\u003eCD, Arena Stage press photos\u003c/p\u003e","\u003cp\u003eDVD, DEMO\u003c/p\u003e","\u003cp\u003eDVD, Tape 1, Harris Theatre GMU\u003c/p\u003e","\u003cp\u003eDVD, Tape 2, Harris Theatre GMU\u003c/p\u003e","\u003cp\u003eDVD, Clips for Lecture\u003c/p\u003e","\u003cp\u003eAudio cassette tape, WABC Talk Radio 77am\u003c/p\u003e","\u003cp\u003eDVD\u003c/p\u003e","\u003cp\u003eVideo reel, 60 seconds.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eAudio cassette tape, Tape 1\u003c/p\u003e","\u003cp\u003eAudio cassette tape, Tape 2\u003c/p\u003e","\u003cp\u003eAudio Cassette Tape, WTOP Radio\u003c/p\u003e","\u003cp\u003eDVD\u003c/p\u003e","\u003cp\u003eAudio reel.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eThe fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life.\u003c/p\u003e","\u003cp\u003eBlack binder with \"Thief\" label\u003c/p\u003e","\u003cp\u003eBlack binder with Robert Prosky\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph - Appearances\u003c/p\u003e","\u003cp\u003ePhotograph - Theatre\u003c/p\u003e","\u003cp\u003eNomination for Best Supporting Actor in a Television Movie \"Into Thin Air\"\u003c/p\u003e","\u003cp\u003eSix different shots\u003c/p\u003e","\u003cp\u003eInterview page 37\u003c/p\u003e","\u003cp\u003eThree matted portraits\u003c/p\u003e","\u003cp\u003eAutographed film poster\u003c/p\u003e","\u003cp\u003eProduction poster\u003c/p\u003e","\u003cp\u003ePhotographs, newspaper clippings, playbills\u003c/p\u003e","\u003cp\u003eBlue album with flowers on cover, photographs, newspaper clippings, playbills\u003c/p\u003e","\u003cp\u003eAutographed copy by Kathryn Crosby\u003c/p\u003e","\u003cp\u003eConsists of objects from Prosky's professional career and personal life.\u003c/p\u003e","\u003cp\u003ePaperweight\u003c/p\u003e","\u003cp\u003eMiniature briefcase\u003c/p\u003e","\u003cp\u003eRobert Prosky's name monogrammed on one side.\u003c/p\u003e","\u003cp\u003eFord's Theatre, Dog tags\u003c/p\u003e","\u003cp\u003ePlaque\u003c/p\u003e","\u003cp\u003eSouvenir bag\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Consists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials. ","The collection consists of six series. The first series contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically. Subseries 1.1 includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes. Subseries 1.2 contains mostly clippings and reviews about Prosky's film career, but there are a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\" Subseries 1.3 contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\" Note that there are additional professional documents, such as posters, in the oversize series. ","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically. Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Subseries 2.2 contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. Of particular interest are transcripts from an autobiography by Prosky. Note that there are additional biographical articles in the oversize series both loose and in scrapbooks. ","The third series contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically. Note that there are additional photographs in the oversize series both loose and in scrapbooks. ","The fourth series consists of copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public service announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations. ","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life. ","The sixth series consists of objects from Prosky's professional career and personal life, such as opening night gifts and production souvenirs. ","Contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically.","Includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage.","Quarterdeck Theatre.","Gonzaga College. Prosky not in cast.","Arena Stage.","Lucille Lortel Theatre.","Berkshire Theatre Festival. Review by Herbert Wolff.","Arena Stage.","Old Academy.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Brooks Atkinson Theatre.","Arena Stage.","Arena Stage. Review by Mel Gussow.","Ford's Theatre.","Also contains television reviews and biographical information.","Goodman Theatre.","John Golden Theatre.","Manhattan Ensemble Theater. Also contains postcards with advertisements.","Fred Miller Theatre.","Arena Stage.","Arena Stage.","Ford's Theatre.","Lee Strasberg Theatre Center.","Delaware Theatre Company (1993) and Arena Stage (1995).","Douglass College.","Arena Stage.","Arena Stage.","Fred Miller Theatre.","Morosco Theatre. Prosky not in cast.","Arena Stage.","Gate Theatre.","Cape May Stage.","Arena Stage. Also contains a pre-production announcement.","Quarterdeck Theatre.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Colonial Theatre.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Coronet Theatre. Prosky not in cast.","Ambassador Theatre.","Royal Poinciana Playhouse. Prosky not in cast.","Booth Theatre.","One copy entirely in Russian and one with only the title translated.","Booth Theatre. Also contains some correspondence.","Contains stories on Zelda Fichandler and Robert Prosky.","Fred Miller Theatre.","Hong Kong Arts Festival.","Guthrie Theatre.","Arena Stage.","Also contains advertisements, rosters, and announcements.","Contains mostly clippings and reviews about Prosky's film career, but there are also a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\"","Also contains correspondence.","Contains production facts, one color production still photograph, and one black and white photograph of the director Gayle Knutson.","Also includes information on \"Glengarry Glenn Ross\" and television work.","Contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\"","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically.","Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Arranged alphabetically by name type of correspondence, then chronologically.","RESTRICTED","Also includes correspondence about Prosky's Tony Award nomination.","Contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. This subseries also contains transcripts from a self-recorded autobiography by Prosky. Arranged alphabetically by article title and type of document, then chronologically.","Post Eagle newspaper.","Columbia Flier newspaper.","America 275 Illustrated Story no. 11-79.","Prosky nominated for \"Glengarry Glenross\".\"","Prosky nominated for \"A Walk in the Woods\".","Prosky won best actor in a short film for \"Grandfather's Birthday\".","Folder 1.","Folder 2.","Cynthia Snyder Public Relations.","Article by Zelda Fichandler.","Presented to both Prosky and his wife Ida.","Philadelphia magazine.","Prosky served as the master of ceremonies.","Prosky nominated for his role in \"Our Town\".","Prosky honored with the American Express Tribute.","Washington Post newspaper.","Roxborough Times newspaper.","Home News newspaper.","New York Times Newspaper.","Equity News newsletter.","New York Times newspaper.","Arena Stage.","Folder 1.","Folder 2.","Presented to Prosky for his role as Mr. Buchanan in \"Jabberwocky\".","Sun Weekly newspaper.","People Weekly magazine.","Relax magazine. In Polish.","New Jersey Lifestyle magazine.","Pen World magazine.","Washington Post Magazine.","Daily News newspaper.","Dossier magazine.","Washington Times newspaper. Article mentions Prosky's Hayes award for \"The Price\".","Also includes correspondence.","Contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically.","Contains copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public serve announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.","VHS, 18 minutes, color","Audio reel.\nAvailable on digital format.","Reel, 60 seconds, color.\nAvailable on digital format.","Reel, 60 seconds, color, U.S. Dept. of Agriculture Food Safety and Quality Service.\nAvailable on digital format.","Audio reel.\nAvailable on digital format.","VHS, #466216, Final Viewing Cassette","VHS, #466217, Final Viewing Cassette","VHS, #466218, Final Viewing Cassette","VHS, #466219, Final Viewing Cassette","VHS, #466220, Final Viewing Cassette","VHS, #466221, Final Viewing Cassette","Audio, 6 Demo spots, 7.5 IPS.\nAvailable on digital format.","VHS, 30 minutes","CD, Arena Stage press photos","DVD, DEMO","DVD, Tape 1, Harris Theatre GMU","DVD, Tape 2, Harris Theatre GMU","DVD, Clips for Lecture","Audio cassette tape, WABC Talk Radio 77am","DVD","Video reel, 60 seconds.\nAvailable on digital format.","Audio cassette tape, Tape 1","Audio cassette tape, Tape 2","Audio Cassette Tape, WTOP Radio","DVD","Audio reel.\nAvailable on digital format.","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life.","Black binder with \"Thief\" label","Black binder with Robert Prosky","Photograph","Photograph - Appearances","Photograph - Theatre","Nomination for Best Supporting Actor in a Television Movie \"Into Thin Air\"","Six different shots","Interview page 37","Three matted portraits","Autographed film poster","Production poster","Photographs, newspaper clippings, playbills","Blue album with flowers on cover, photographs, newspaper clippings, playbills","Autographed copy by Kathryn Crosby","Consists of objects from Prosky's professional career and personal life.","Paperweight","Miniature briefcase","Robert Prosky's name monogrammed on one side.","Ford's Theatre, Dog tags","Plaque","Souvenir bag"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_cb72825d540615d1fef3eb400e234f81\" label=\"Abstract\"\u003eConsists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials.\u003c/abstract\u003e"],"abstract_tesim":["Consists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials."],"names_coll_ssim":["Arena Stage (Organization : Washington, D.C.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Prosky, Robert, 1930-2008"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Prosky, Robert, 1930-2008"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:32:14.503Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_150_c01_c01_c67"}},{"id":"vifgm_repositories_2_resources_118_c2519","type":"File","attributes":{"title":"Young Audiences Newsletter","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_118_c2519#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_118_c2519","ref_ssm":["vifgm_repositories_2_resources_118_c2519"],"id":"vifgm_repositories_2_resources_118_c2519","ead_ssi":"vifgm_repositories_2_resources_118","_root_":"vifgm_repositories_2_resources_118","_nest_parent_":"vifgm_repositories_2_resources_118","parent_ssi":"vifgm_repositories_2_resources_118","parent_ssim":["vifgm_repositories_2_resources_118"],"parent_ids_ssim":["vifgm_repositories_2_resources_118"],"parent_unittitles_ssm":["American Theatre Association records"],"parent_unittitles_tesim":["American Theatre Association records"],"text":["American Theatre Association records","Young Audiences Newsletter","box 81","folder 28"],"title_filing_ssi":"Young Audiences Newsletter","title_ssm":["Young Audiences Newsletter"],"title_tesim":["Young Audiences Newsletter"],"unitdate_other_ssim":["Winter 1983"],"normalized_date_ssm":["1983"],"normalized_title_ssm":["Young Audiences Newsletter"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["American Theatre Association records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2519,"parent_access_restrict_tesm":["Certain materials in this collection are restricted, see inventory for details. Otherwise, collection is open to research."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1983],"containers_ssim":["box 81","folder 28"],"_nest_path_":"/components#2518","timestamp":"2026-05-21T05:31:11.400Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_118","ead_ssi":"vifgm_repositories_2_resources_118","_root_":"vifgm_repositories_2_resources_118","_nest_parent_":"vifgm_repositories_2_resources_118","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_118.xml","title_filing_ssi":"American Theatre Association records","title_ssm":["American Theatre Association records"],"title_tesim":["American Theatre Association records"],"unitdate_ssm":["1972-1986"],"unitdate_inclusive_ssm":["1972-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0042","/repositories/2/resources/118"],"text":["C0042","/repositories/2/resources/118","American Theatre Association records","Theater -- United States","Theater","Performing arts","Theater and society","Correspondence","Video recordings","Photographs","Certain materials in this collection are restricted, see inventory for details. Otherwise, collection is open to research.","Restriction: Financial information restriction.","This collection is arranged by subject.","The American Theatre Association (ATA) was formed in 1936 as the American Educational Theatre Association by a group of privately owned theatres. Recruiting its members from the ranks of teachers, actors, students, and directors, among others, the Association acted as a theatre advocacy group, promoting theatre and theatre education in several ways. It published and disseminated materials for use in children's secondary schools, colleges and universities, and community theatres, pushed for federal funding of theatre education, promoted the touring of educational theatre groups, and worked with the armed forces installations to develop mutually beneficial theatre programs. The Association also sought to stimulate creative activity and scholarship in educational theatre and in allied fields of educational television, radio, film, and puppetry. ","In 1972 the American Educational Theatre Association restructured itself under a new title, the American Theatre Association, and Jed H. Davis became the Association's president. After earning BA, MA, and PhD degrees from the University of Minnesota, Davis served briefly in the U.S. Army. In 1947 he began teaching at Macalester College, followed by Michigan State and Kansas University, where he became director of children's theatre and University Theatre. Davis wrote several essays on theatre education for major journals and coauthored two books with Mary Jane Evans,  Theatre, Children and Youth  and  Children's Theatre: Play Production for the Child Audience.  Since the 1950s, Jed Davis served actively in professional associations, including the Children's Theatre Conference in 1963 and the ATA in 1972 until retiring in 1986, the year of the ATA's dissolution. Davis passed away in 2015.","This collection is unprocessed. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. ","Basic box inventory compiled by SCRC staff from 2022-2025. Finding aid updated by Amanda Menjivar in June 2025.","The Special Collections Research Center also holds the records of other theatrical organizations, such as the Arena Stage records, as well as many other collections focusing on theatre and the performing arts.","The New York Public Library, Archives and Manuscripts division and Texas State University Libraries hold American Theatre Association collections.","https://archives.nypl.org/the/18637 ","https://archivesspace.library.txstate.edu/repositories/2/resources/70","Note: This collection is not fully processed - a basic box inventory is available.","This collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials.","George Mason University. Libraries. Special Collections Research Center","American Theatre Association","National Theater Players (Washington, D.C.)","Davis, Jed H. (Jed Horace)","English"],"unitid_tesim":["C0042","/repositories/2/resources/118"],"normalized_title_ssm":["American Theatre Association records"],"collection_title_tesim":["American Theatre Association records"],"collection_ssim":["American Theatre Association records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["American Theatre Association"],"creator_ssim":["American Theatre Association"],"creator_corpname_ssim":["American Theatre Association"],"creators_ssim":["American Theatre Association"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Portions of this collection were donated by the American Theatre Association, by the National Theater, and by Jed H. Davis between 1995-1999. An additional donation was made in 2016."],"access_subjects_ssim":["Theater -- United States","Theater","Performing arts","Theater and society","Correspondence","Video recordings","Photographs"],"access_subjects_ssm":["Theater -- United States","Theater","Performing arts","Theater and society","Correspondence","Video recordings","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["75 Linear Feet 91 boxes"],"extent_tesim":["75 Linear Feet 91 boxes"],"genreform_ssim":["Correspondence","Video recordings","Photographs"],"accessrestrict_html_tesm":["\u003cp\u003eCertain materials in this collection are restricted, see inventory for details. Otherwise, collection is open to research.\u003c/p\u003e","\u003cp\u003eRestriction: Financial information restriction.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access"],"accessrestrict_tesim":["Certain materials in this collection are restricted, see inventory for details. Otherwise, collection is open to research.","Restriction: Financial information restriction."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject."],"bioghist_html_tesm":["\u003cp\u003eThe American Theatre Association (ATA) was formed in 1936 as the American Educational Theatre Association by a group of privately owned theatres. Recruiting its members from the ranks of teachers, actors, students, and directors, among others, the Association acted as a theatre advocacy group, promoting theatre and theatre education in several ways. It published and disseminated materials for use in children's secondary schools, colleges and universities, and community theatres, pushed for federal funding of theatre education, promoted the touring of educational theatre groups, and worked with the armed forces installations to develop mutually beneficial theatre programs. The Association also sought to stimulate creative activity and scholarship in educational theatre and in allied fields of educational television, radio, film, and puppetry. \u003c/p\u003e\n","\u003cp\u003eIn 1972 the American Educational Theatre Association restructured itself under a new title, the American Theatre Association, and Jed H. Davis became the Association's president. After earning BA, MA, and PhD degrees from the University of Minnesota, Davis served briefly in the U.S. Army. In 1947 he began teaching at Macalester College, followed by Michigan State and Kansas University, where he became director of children's theatre and University Theatre. Davis wrote several essays on theatre education for major journals and coauthored two books with Mary Jane Evans, \u003citalic\u003eTheatre, Children and Youth\u003c/italic\u003e and \u003citalic\u003eChildren's Theatre: Play Production for the Child Audience.\u003c/italic\u003e Since the 1950s, Jed Davis served actively in professional associations, including the Children's Theatre Conference in 1963 and the ATA in 1972 until retiring in 1986, the year of the ATA's dissolution. Davis passed away in 2015.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The American Theatre Association (ATA) was formed in 1936 as the American Educational Theatre Association by a group of privately owned theatres. Recruiting its members from the ranks of teachers, actors, students, and directors, among others, the Association acted as a theatre advocacy group, promoting theatre and theatre education in several ways. It published and disseminated materials for use in children's secondary schools, colleges and universities, and community theatres, pushed for federal funding of theatre education, promoted the touring of educational theatre groups, and worked with the armed forces installations to develop mutually beneficial theatre programs. The Association also sought to stimulate creative activity and scholarship in educational theatre and in allied fields of educational television, radio, film, and puppetry. ","In 1972 the American Educational Theatre Association restructured itself under a new title, the American Theatre Association, and Jed H. Davis became the Association's president. After earning BA, MA, and PhD degrees from the University of Minnesota, Davis served briefly in the U.S. Army. In 1947 he began teaching at Macalester College, followed by Michigan State and Kansas University, where he became director of children's theatre and University Theatre. Davis wrote several essays on theatre education for major journals and coauthored two books with Mary Jane Evans,  Theatre, Children and Youth  and  Children's Theatre: Play Production for the Child Audience.  Since the 1950s, Jed Davis served actively in professional associations, including the Children's Theatre Conference in 1963 and the ATA in 1972 until retiring in 1986, the year of the ATA's dissolution. Davis passed away in 2015."],"prefercite_html_tesm":["\u003cp\u003eAmerican Theatre Association records, C0042, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["American Theatre Association records, C0042, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThis collection is unprocessed. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. \u003c/p\u003e","\u003cp\u003eBasic box inventory compiled by SCRC staff from 2022-2025. Finding aid updated by Amanda Menjivar in June 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection is unprocessed. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. ","Basic box inventory compiled by SCRC staff from 2022-2025. Finding aid updated by Amanda Menjivar in June 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the records of other theatrical organizations, such as the Arena Stage records, as well as many other collections focusing on theatre and the performing arts.\u003c/p\u003e\n","\u003cp\u003eThe New York Public Library, Archives and Manuscripts division and Texas State University Libraries hold American Theatre Association collections.\u003c/p\u003e\n","\u003cp\u003ehttps://archives.nypl.org/the/18637 \u003c/p\u003e\n","\u003cp\u003ehttps://archivesspace.library.txstate.edu/repositories/2/resources/70\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the records of other theatrical organizations, such as the Arena Stage records, as well as many other collections focusing on theatre and the performing arts.","The New York Public Library, Archives and Manuscripts division and Texas State University Libraries hold American Theatre Association collections.","https://archives.nypl.org/the/18637 ","https://archivesspace.library.txstate.edu/repositories/2/resources/70"],"scopecontent_html_tesm":["\u003cp\u003eNote: This collection is not fully processed - a basic box inventory is available.\u003c/p\u003e\n","\u003cp\u003eThis collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Note: This collection is not fully processed - a basic box inventory is available.","This collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_cbed6be54bd2c070c6f8f0c3dca7dc91\" label=\"Abstract\"\u003eThis collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials."],"names_coll_ssim":["National Theater Players (Washington, D.C.)","Davis, Jed H. (Jed Horace)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American Theatre Association","National Theater Players (Washington, D.C.)","Davis, Jed H. (Jed Horace)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Theatre Association","National Theater Players (Washington, D.C.)"],"persname_ssim":["Davis, Jed H. (Jed Horace)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2838,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:11.400Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_118_c2519"}},{"id":"wvmturhc_repositories_2_resources_1610_c02_c39","type":"File","attributes":{"title":"Young, Billie Jean","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1610_c02_c39#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1610_c02_c39","ref_ssm":["wvmturhc_repositories_2_resources_1610_c02_c39"],"id":"wvmturhc_repositories_2_resources_1610_c02_c39","ead_ssi":"wvmturhc_repositories_2_resources_1610","_root_":"wvmturhc_repositories_2_resources_1610","_nest_parent_":"wvmturhc_repositories_2_resources_1610_c02","parent_ssi":"wvmturhc_repositories_2_resources_1610_c02","parent_ssim":["wvmturhc_repositories_2_resources_1610","wvmturhc_repositories_2_resources_1610_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1610","wvmturhc_repositories_2_resources_1610_c02"],"parent_unittitles_ssm":["Maryat Lee, Playwright, Papers","Series 2. Subjects"],"parent_unittitles_tesim":["Maryat Lee, Playwright, Papers","Series 2. Subjects"],"text":["Maryat Lee, Playwright, Papers","Series 2. Subjects","Young, Billie Jean","Box 2","Folder 33"],"title_filing_ssi":"Young, Billie Jean","title_ssm":["Young, Billie Jean"],"title_tesim":["Young, Billie Jean"],"unitdate_inclusive_ssm":["1979-1984 and undated"],"normalized_date_ssm":["1979/1984"],"normalized_title_ssm":["Young, Billie Jean"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Maryat Lee, Playwright, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":85,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1979,1980,1981,1982,1983,1984],"containers_ssim":["Box 2","Folder 33"],"_nest_path_":"/components#1/components#38","timestamp":"2026-06-04T15:06:42.135Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1610","ead_ssi":"wvmturhc_repositories_2_resources_1610","_root_":"wvmturhc_repositories_2_resources_1610","_nest_parent_":"wvmturhc_repositories_2_resources_1610","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1610.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195886","title_ssm":["Maryat Lee, Playwright, Papers"],"title_tesim":["Maryat Lee, Playwright, Papers"],"unitdate_ssm":["1902-1997","1951-1989"],"unitdate_bulk_ssim":["1951-1989"],"unitdate_inclusive_ssm":["1902-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3300","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1610"],"text":["A\u0026M 3300","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1610","Maryat Lee, Playwright, Papers","Hinton (W. Va.)","New York (N.Y.)","West Virginia Feminist Activist and Women's History Collection","Community theater","Community arts projects","Women authors, American   -- 20th century","Women in community organization","No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. ","Maryat Lee was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project.  ","Maryat Lee was born as Mary Attaway Lee in Covington, Kentucky on May 26, 1923, to Grace Barbee Dyer Lee and Dewitt Collins Lee. Maryat, as she came to be known, grew up with her musician mother, lawyer and businessman father, and two older brothers, John and Robert. ","She graduated from Wellesley College in Wellesley, Massachusetts with a Bachelor of Arts degree in Bible History in 1945.","In the following years, Lee was employed in various jobs in New York City, including editing religious films, transcribing oral history tapes for Columbia University, and serving as an assistant to Margaret Mead at the Society for Applied Anthropology.  ","Inspired by a conversation with East Harlem storefront church ministers about declining local interest in religion and surging drug usage, Lee sought to become acquainted with the population of Harlem, a largely African American neighborhood in New York City. This led to the writing of her first play,  DOPE!  which began showings in storefront churches, on sidewalks, and in alleys in 1951, using the local people Lee had met in Harlem as actors. Interest in this street theater, as it would come to be known, faded quickly, but it set the foundation for much of Lee's later work. ","In 1957, she met and began a friendship with author Flannery O'Connor that would last until the latter's death in 1964. That same year, in 1957, she married Australian furniture designer David Foulkes Taylor in Japan. The couple parted ways soon after, and Taylor died in a car accident in Australia in 1965.   ","In 1966, Lee began a long business and romantic relationship with photographer Fran Belin, with whom she would go on to co-found the Women's Farm and EcoTheater.","She founded the East Harlem Soul and Latin Theater (SALT) in New York City in 1970, building upon her work with Harlem residents seventeen years prior. SALT used non-actors and encouraged audience reactions in opposition to what Lee viewed as the more stifling contemporary theater. ","Soon after, Lee parted ways with SALT after troupe members became discontented with the way she was handling copyright of the works produced, and the troupe dissolved two years later.  ","In 1971, Lee moved to Powley's Creek, West Virginia with Belin and founded the Women's Farm, as part of a wider Back-to-the-land movement that occurred in America in the 1960s and 1970s. The Women's Farm sought to provide a work retreat for artists and musicians and serve as the foundation for a new type of local theater.  ","During this time, Lee focused on learning about her local community in Hinton, West Virginia, and wrote plays inspired by what she heard, including  John Henry  and  Ole Miz Dacey . Both plays would be shown on Lee's farm and performed by youth from the Governor's Summer Youth Program, marking the beginning of EcoTheater in 1975.  ","EcoTheater, described by Lee as \"indigenous Appalachian theater\" produced plays based on oral histories collected from the local community, and as with  DOPE!  and SALT, used non-actors in its performances.  ","In 1984, Lee moved to Lewisburg, West Virginia, where she worked on her EcoTheater Workbook. From 1987 to 1989, Lee focused her energies on producing several theater workshops in West Virginia and Kentucky. ","Maryat Lee passed away at her home in Lewisburg, West Virginia on September 18, 1989, while working on her EcoTheater Workbook.  ","This collection mostly contains materials created and collected by Maryat Lee between 1951 and 1989 during her work on a wide variety of art and theatre projects, including Street and Latin Theater (SALT), the Women's Farm, and EcoTheater. Also present in the collection are materials created by Maryat Lee's parents, Grace Barbee Dyer Lee and Dewitt Collins Lee between 1910 and 1945. Materials present beyond Maryat Lee's death in 1989 consist of various EcoTheater and the Women's Farm administrative and promotional writings. ","Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt. ","The collection is divided into seven series based upon Maryat Lee's original folder labeling and the prevalence of certain subject matter. Due to the fact that Lee did not package the materials for donation herself, some boxes and folders within the series are physically out of order in relation to their intellectual arrangement. Addendum are also split between series. ","Series 1. Writings: This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts. ","Series 2. Subjects: This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing. ","Series 3. Audiovisual Material: This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Series 4. Theater Programs and Workshops: This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. ","Series 5. Personal: This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. ","Series 6. Publications: This series contains published plays collected, but not written, by Maryat Lee.","Series 7. Paintings and Busts: This series contains nine paintings by Maryat Lee and a plaster bust of Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29. ","This collection was reprocessed on 2024/11/07. A crosswalk between the original organization and the new organization is available upon request. ","Select audiovisual materials have been digitized. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts.","This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing.","This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","DVD","This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","Includes cassette tape labeled (\"Dr. Pfieffer\", October 28 1983)","This series contains published plays collected, but not written, by Maryat Lee.","This series contains nine paintings by Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29.","Material moved to A\u0026M 3300 B54/F21","Material moved to B48/I1","Material moved to A\u0026M 3300 B54/F2","Material moved to A\u0026M 3300 B54/F3","Material moved to A\u0026M 3300 B51/F2","Material moved to A\u0026M 3300 B45/F5, B54/F4","Material moved to A\u0026M 3300 B45/F6","Material moved to A\u0026M 3300 B45/F7","Material moved to A\u0026M 3300 B54/F5","Material moved to A\u0026M 3300 B52/F2","Material moved to A\u0026M 3300 B54/F6","Material moved to A\u0026M 3300 B52/F3","Material moved to A\u0026M 3300 B45/F8","Material moved to A\u0026M 3300 B45/F9","Material moved to A\u0026M 3300 B45/F12","Material moved to A\u0026M 3300 B45/F13","Material moved to A\u0026M 3300 B45/F15","Material moved to A\u0026M 3300 B51/F6","Material moved to A\u0026M 3300 B45/F16","Material moved to A\u0026M 3300 B45/F17, B51/F7","Material moved to A\u0026M 3300 B45/F18","Material moved to A\u0026M 3300 B45/F19","Material moved to A\u0026M 3300 B45/F20","Material moved to A\u0026M 3300 B54/F7, B45/F21-24, B51/F8","Material moved to A\u0026M 3300 B45/F25-27","Material moved to A\u0026M 3300 B45/F28-31, B46/F1-2, B50/F3-4, 19","Material moved to A\u0026M 3300 B54/F13","Material moved to A\u0026M 3300 B46/F3","Material moved to A\u0026M 3300 B54/F8","Material moved to A\u0026M 3300 B54/F9","Material moved to A\u0026M 3300 B54/F10","Material moved to A\u0026M 3300 B54/F11","Material moved to A\u0026M 3300 B54/F12","Material moved to A\u0026M 3300 B50/F5","Material moved to A\u0026M 3300 B50/F6","Material moved to A\u0026M 3300 B54/F14","Material moved to A\u0026M 3300 B50/F7","Material moved to A\u0026M 3300 B46/F4","Material moved to A\u0026M 3300 B20/F63","Material moved to A\u0026M 3300 B54/F16","Material moved to A\u0026M 3300 B54/F17","Material moved to A\u0026M 3300 B46/F6","Material moved to A\u0026M 3300 B46/F7","Material moved to A\u0026M 3300 B46/F8","Material moved to A\u0026M 3300 B46/F9","Material moved to A\u0026M 3300 B46/F10","Material moved to A\u0026M 3300 B46/F11","Material moved to A\u0026M 3300 B46/F13-19","Material moved to A\u0026M 3300 B46/F20","Material moved to A\u0026M 3300 B46/F21-24","Material moved to A\u0026M 3300 B46/F28","Material moved to A\u0026M 3300 B46/F29, B50/F8","Material moved to A\u0026M 3300 B54/F18","Material moved to A\u0026M 3300 B46/F30","Material moved to A\u0026M 3300 B50/F9-11, B46/F33","Material moved to A\u0026M 3300 B46/F34","Material moved to A\u0026M 3300 B46/F35","Material moved to A\u0026M 3300 B46/F36","Material moved to A\u0026M3300 B26/F12","Material moved to A\u0026M 3300 B46/F38","Material moved to A\u0026M 3300 B46/F39","Material moved to A\u0026M 3300 B46/F40","Material moved to A\u0026M3300 B55/F3","Material moved to A\u0026M 3300 B50/F12","Material moved to A\u0026M 3300 B46/F42","Material moved to A\u0026M 3300 B53/F4","Material moved to A\u0026M 3300 B46/F43","Material moved to A\u0026M 3300 F46/F44","Material moved to A\u0026M 3300 B46/F45","Material moved to A\u0026M 3300 B54/F20","Material moved to A\u0026M 3300 B46/F46","Material moved to A\u0026M 3300 B53/F1","Material moved to A\u0026M 3300 B46/F47","Material moved to A\u0026M 3300 B52/F4","Material moved to A\u0026M 3300 B46/F48","Material moved to A\u0026M 3300 B50/F13","Material moved to A\u0026M 3300 B54/F21","Material moved to A\u0026M 3300 B47/F10","Material moved to A\u0026M 3300 B54/F23","Material moved to A\u0026M 3300 B47/F11","Material moved to A\u0026M 3300 B54/F24","Material moved to A\u0026M 3300 B47/F12","Material moved to A\u0026M 3300 B50/F15","Material moved to A\u0026M 3300 B47/F13","Material moved to A\u0026M 3300 B54/F26","Material moved to A\u0026M 3300 B54/F27","Material moved to A\u0026M 3300 B47/F26","Material moved to A\u0026M 3300 B47/F27","Material moved to A\u0026M 3300 B50/F17","Material moved to A\u0026M 3300 B50/F18","Material moved to A\u0026M 3300 B50/F20","Removed from A\u0026M 3300 B11","Removed from A\u0026M 3300 B12","Removed from A\u0026M 3300 B15","Removed from A\u0026M 3300 B17/F1f","Removed from A\u0026M 3300 B17/F1g","Removed from A\u0026M 3300 B17/F1h","Removed from A\u0026M 3300 B17/F4h","Removed from A\u0026M 3300 B18/F15","Removed from A\u0026M 3300 B18","Removed from A\u0026M 3300 B18/F17","Removed from A\u0026M 3300 B18/F21","Removed from A\u0026M 3300 B18","Removed from A\u0026M 3300 B19/F6","Removed from A\u0026M 3300 B19/F10a","Removed from A\u0026M 3300 B19/F12","Removed from A\u0026M 3300 B19/F13a","Removed from A\u0026M 3300 B19/F16","Removed from A\u0026M 3300 B19/F22","Removed from A\u0026M 3300 B19/F26","Removed from A\u0026M 3300 B19/F29","Removed from A\u0026M 3300 B19/F31","Removed from A\u0026M 3300 B19/F34","Removed from A\u0026M 3300 B20/F12","Removed from A\u0026M 3300 B20/F14","Removed from A\u0026M 3300 B20/F16","Removed from A\u0026M 3300 B20/F20","Removed from A\u0026M 3300 B20/F21","Removed from A\u0026M 3300 B20/F22","Removed from A\u0026M 3300 B20/F24","Removed from A\u0026M 3300 B20/F25","Removed from A\u0026M 3300 B20/F26","Removed from A\u0026M 3300 B20/F37","Removed from A\u0026M 3300 B20/F59","Removed from A\u0026M 3300 B20/F63","Removed from A\u0026M 3300 B21/F1","Removed from A\u0026M 3300 B21/F2","Removed from A\u0026M 3300 B21/F3","Removed from A\u0026M 3300 B21/F5","Removed from A\u0026M 3300 B21/F11","Removed from A\u0026M 3300 B21/F36","Removed from A\u0026M 3300 B22/F12a","Removed from A\u0026M 3300 B23/F15","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B23/F31","Removed from A\u0026M 3300 B26/F1","Removed from A\u0026M 3300 B26/F4","Removed from A\u0026M 3300 B26/F6","Removed from A\u0026M 3300 B26/F12","Removed from A\u0026M 3300 B26/F35","Removed from A\u0026M 3300 B26/F48","Removed from A\u0026M 3300 B27/F3","Removed from A\u0026M 3300 B31/F7","Removed from A\u0026M 3300 B31/F24","Removed from A\u0026M 3300 B31/F44","Removed from A\u0026M 3300 B31/F45","Removed from A\u0026M 3300 B32/F9","Removed from A\u0026M 3300 B33/F25","Removed from A\u0026M 3300 B33/F33","Removed from A\u0026M 3300 B34/F3","Removed from A\u0026M 3300 B34/F23","Removed from A\u0026M 3300 B36/F8","Removed from A\u0026M 3300 B36/F31","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B39/F16a","Removed from A\u0026M 3300 B1/F1","Removed from A\u0026M 3300 B20","Removed from A\u0026M 3300 B20/F23","Removed from A\u0026M 3300 B20/F25","Removed from A\u0026M 3300 B20/F51","Removed from A\u0026M 3300 B20/F52","Removed from A\u0026M 3300 B20/F58","Removed from A\u0026M 3300 B22/F12b","Removed from A\u0026M 3300 B23/F25","Removed from A\u0026M 3300 B23/F28","Removed from A\u0026M 3300 B23/F29","Removed from A\u0026M 3300 B31/F19","Removed from A\u0026M 3300 B34/F30b","Removed from A\u0026M 3300 B39/F24","Removed from A\u0026M 3300 B39/F25","Removed from A\u0026M 3300 B20/F21","Removed from A\u0026M 3300 B39/F32","Removed from A\u0026M 3300 B40","Removed from A\u0026M 3300 [Add. 1998/07/22] B60","Removed from A\u0026M 3300 B11","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B19/F9","Removed from A\u0026M 3300 B19/F12","Removed from A\u0026M 3300 B19/F34","Removed from A\u0026M 3300 B17/F2l","Removed from A\u0026M 3300 B17/F4f","Removed from A\u0026M 3300 B33/F35","Removed from A\u0026M 3300 B31/F28","Removed from A\u0026M 3300 B1","Removed from A\u0026M 3300 B11/F22","Removed from A\u0026M 3300 B17/F1f","Removed from A\u0026M 3300 B17/F2i","Removed from A\u0026M 3300 B17/F2q","Removed from A\u0026M 3300 B19/F25","Removed from A\u0026M 3300 B20/F44","Removed from A\u0026M 3300 B20/F45","Removed from A\u0026M 3300 B20/F46","Removed from A\u0026M 3300 B20/F48","Removed from A\u0026M 3300 B20/F49","Removed from A\u0026M 3300 B20/F53","Removed from A\u0026M 3300 B20/F54","Removed from A\u0026M 3300 B20","Removed from A\u0026M 3300 B20/F65","Removed from A\u0026M 3300 B20/F66","Removed from A\u0026M 3300 B22/F15","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B32/F34","Removed from A\u0026M 3300 B35/F1j","Removed from A\u0026M 3300 B35/F28","Removed from A\u0026M 3300 B36/F6","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B38/F31","Removed from A\u0026M 3300 B38/F43","Removed from A\u0026M 3300 B40/F13","Removed from A\u0026M 3300 B32","Removed from A\u0026M3300 B31/F5","Material moved to A\u0026M 3300 B65/F3","Material moved to A\u0026M 3300 B64/F7","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63/F17","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63/F3","Removed from A\u0026M 3300 B63/F15","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Material moved to oversized, B50/F1","Material moved to A\u0026M 3300 B45/F1","Material moved to A\u0026M 3300 B45/F11","Material moved to A\u0026M 3300 B46/F25-26","Material moved to A\u0026M 3300 B46/F27","Material moved to A\u0026M 3300 B46/F41","Material moved to A\u0026M 3300 B47/F2-3","Material moved to A\u0026M 3300 B50/F14","Material moved to A\u0026M 3300 B47/F4, B52/F5","Material moved to A\u0026M 3300 B47/F5","Material moved to A\u0026M 3300 B47/F6-7","Material moved to A\u0026M 3300 B47/F8","Material moved to A\u0026M 3300 B53/F2, B47/F9, B54/F22","Material moved to A\u0026M 3300 B47/F18","Material moved to A\u0026M 3300 B47/F19-21","Material moved to A\u0026M 3300 B47/F23","Material moved to A\u0026M 3300 B47/F24","Material moved to A\u0026M 3300 B53/F3","Material moved to A\u0026M 3300 B47/F28","Removed from A\u0026M 3300 B11/F27","Removed from A\u0026M 3300 B18/F16","Removed from A\u0026M 3300 B21/F56","Removed from A\u0026M 3300 B22/F2","Removed from A\u0026M 3300 B35/F2-3a","Removed from A\u0026M 3300 B35/F8","Removed from A\u0026M 3300 B35/F10","Removed from A\u0026M 3300 B35/F11-12","Removed from A\u0026M 3300 B35/F13","Removed from A\u0026M 3300 B35/F16","Removed from A\u0026M 3300 B35/F26","Removed from A\u0026M 3300 B36/F3","Removed from A\u0026M 3300 B37/F59-60","Removed from A\u0026M 3300 B37/F61","Removed from A\u0026M 3300 B37/F62","Removed from A\u0026M 3300 B38","Removed from A\u0026M 3300 B38/F49","Removed from A\u0026M 3300 B38/F51","Removed from A\u0026M 3300 B39/F11","Removed from A\u0026M 3300 B39/F13","Removed from A\u0026M 3300 B40/F4","Removed from A\u0026M 3300 B7/F34","Removed from A\u0026M 3300 B8","Removed from A\u0026M 3300 B35/F6","Removed from A\u0026M 3300 B36/F30","Removed from A\u0026M 3300 B38","Removed from A\u0026M 3300 B11/F23","Removed from A\u0026M 3300 B35/F9","Removed from A\u0026M 3300 B33/F26","Removed from A\u0026M 3300 B35/F15","Removed from A\u0026M 3300 B40/F3","Removed from A\u0026M 3300 B11/F21","Removed from A\u0026M 3300 B35/F17","Removed from A\u0026M3300 B38","Removed from A\u0026M 3300 B31, B29","Removed from A\u0026M 3300 B30","Removed from A\u0026M 3300 B26","Material moved to A\u0026M 3300 B65/F2","Material moved to A\u0026M 3300 B64/F3","Material removed from A\u0026M 3300 B63/F18","Material removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Maryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University. Art Museum","Lee, Maryat, 1923-1989","Lee, Robert","English \n.    "],"unitid_tesim":["A\u0026M 3300","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1610"],"normalized_title_ssm":["Maryat Lee, Playwright, Papers"],"collection_title_tesim":["Maryat Lee, Playwright, Papers"],"collection_ssim":["Maryat Lee, Playwright, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Hinton (W. Va.)","New York (N.Y.)"],"geogname_ssim":["Hinton (W. Va.)","New York (N.Y.)"],"creator_ssm":["Lee, Maryat, 1923-1989","Lee, Robert","West Virginia University. Art Museum"],"creator_ssim":["Lee, Maryat, 1923-1989","Lee, Robert","West Virginia University. Art Museum"],"creator_persname_ssim":["Lee, Maryat, 1923-1989","Lee, Robert"],"creator_corpname_ssim":["West Virginia University. Art Museum"],"creators_ssim":["Lee, Maryat, 1923-1989","Lee, Robert","West Virginia University. Art Museum"],"places_ssim":["Hinton (W. Va.)","New York (N.Y.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Lee, Robert, 1998 June 5. ","Gift from Lee, Robert, 1998 July 11.","Transfer from West Virginia University Art Museum, 2022 April 29."],"access_subjects_ssim":["West Virginia Feminist Activist and Women's History Collection","Community theater","Community arts projects","Women authors, American   -- 20th century","Women in community organization"],"access_subjects_ssm":["West Virginia Feminist Activist and Women's History Collection","Community theater","Community arts projects","Women authors, American   -- 20th century","Women in community organization"],"has_online_content_ssim":["false"],"extent_ssm":["63.54 Linear Feet 63 ft. 6.5 in. (42 records cartons, 15 in. each); (9 document cases, 5 in. each); (3 document cases, 2.5 in.); (1 large flat storage box, 3.5 in.); (7 medium flat storage boxes, 3 in. each); (1 small flat storage box, 1.5 in.); (5 large item boxes, 5 in. each); (1 small item box, 3 in.); (1 large clamshell box, 5 in.); (9 paintings, 1.5 in. each); (1 framed item, 0.5 in.); (1 plaster bust, 7 in.)"],"extent_tesim":["63.54 Linear Feet 63 ft. 6.5 in. (42 records cartons, 15 in. each); (9 document cases, 5 in. each); (3 document cases, 2.5 in.); (1 large flat storage box, 3.5 in.); (7 medium flat storage boxes, 3 in. each); (1 small flat storage box, 1.5 in.); (5 large item boxes, 5 in. each); (1 small item box, 3 in.); (1 large clamshell box, 5 in.); (9 paintings, 1.5 in. each); (1 framed item, 0.5 in.); (1 plaster bust, 7 in.)"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"bioghist_html_tesm":["\u003cp\u003eMaryat Lee was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project.  \u003c/p\u003e\n","\u003cp\u003eMaryat Lee was born as Mary Attaway Lee in Covington, Kentucky on May 26, 1923, to Grace Barbee Dyer Lee and Dewitt Collins Lee. Maryat, as she came to be known, grew up with her musician mother, lawyer and businessman father, and two older brothers, John and Robert. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Wellesley College in Wellesley, Massachusetts with a Bachelor of Arts degree in Bible History in 1945.\u003c/p\u003e\n","\u003cp\u003eIn the following years, Lee was employed in various jobs in New York City, including editing religious films, transcribing oral history tapes for Columbia University, and serving as an assistant to Margaret Mead at the Society for Applied Anthropology.  \u003c/p\u003e\n","\u003cp\u003eInspired by a conversation with East Harlem storefront church ministers about declining local interest in religion and surging drug usage, Lee sought to become acquainted with the population of Harlem, a largely African American neighborhood in New York City. This led to the writing of her first play, \u003ctitle\u003eDOPE!\u003c/title\u003e which began showings in storefront churches, on sidewalks, and in alleys in 1951, using the local people Lee had met in Harlem as actors. Interest in this street theater, as it would come to be known, faded quickly, but it set the foundation for much of Lee's later work. \u003c/p\u003e\n","\u003cp\u003eIn 1957, she met and began a friendship with author Flannery O'Connor that would last until the latter's death in 1964. That same year, in 1957, she married Australian furniture designer David Foulkes Taylor in Japan. The couple parted ways soon after, and Taylor died in a car accident in Australia in 1965.   \u003c/p\u003e\n","\u003cp\u003eIn 1966, Lee began a long business and romantic relationship with photographer Fran Belin, with whom she would go on to co-found the Women's Farm and EcoTheater.\u003c/p\u003e\n","\u003cp\u003eShe founded the East Harlem Soul and Latin Theater (SALT) in New York City in 1970, building upon her work with Harlem residents seventeen years prior. SALT used non-actors and encouraged audience reactions in opposition to what Lee viewed as the more stifling contemporary theater. \u003c/p\u003e\n","\u003cp\u003eSoon after, Lee parted ways with SALT after troupe members became discontented with the way she was handling copyright of the works produced, and the troupe dissolved two years later.  \u003c/p\u003e\n","\u003cp\u003eIn 1971, Lee moved to Powley's Creek, West Virginia with Belin and founded the Women's Farm, as part of a wider Back-to-the-land movement that occurred in America in the 1960s and 1970s. The Women's Farm sought to provide a work retreat for artists and musicians and serve as the foundation for a new type of local theater.  \u003c/p\u003e\n","\u003cp\u003eDuring this time, Lee focused on learning about her local community in Hinton, West Virginia, and wrote plays inspired by what she heard, including \u003ctitle\u003eJohn Henry\u003c/title\u003e and \u003ctitle\u003eOle Miz Dacey\u003c/title\u003e. Both plays would be shown on Lee's farm and performed by youth from the Governor's Summer Youth Program, marking the beginning of EcoTheater in 1975.  \u003c/p\u003e\n","\u003cp\u003eEcoTheater, described by Lee as \"indigenous Appalachian theater\" produced plays based on oral histories collected from the local community, and as with \u003ctitle\u003eDOPE!\u003c/title\u003e and SALT, used non-actors in its performances.  \u003c/p\u003e\n","\u003cp\u003eIn 1984, Lee moved to Lewisburg, West Virginia, where she worked on her EcoTheater Workbook. From 1987 to 1989, Lee focused her energies on producing several theater workshops in West Virginia and Kentucky. \u003c/p\u003e\n","\u003cp\u003eMaryat Lee passed away at her home in Lewisburg, West Virginia on September 18, 1989, while working on her EcoTheater Workbook.  \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Maryat Lee was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project.  ","Maryat Lee was born as Mary Attaway Lee in Covington, Kentucky on May 26, 1923, to Grace Barbee Dyer Lee and Dewitt Collins Lee. Maryat, as she came to be known, grew up with her musician mother, lawyer and businessman father, and two older brothers, John and Robert. ","She graduated from Wellesley College in Wellesley, Massachusetts with a Bachelor of Arts degree in Bible History in 1945.","In the following years, Lee was employed in various jobs in New York City, including editing religious films, transcribing oral history tapes for Columbia University, and serving as an assistant to Margaret Mead at the Society for Applied Anthropology.  ","Inspired by a conversation with East Harlem storefront church ministers about declining local interest in religion and surging drug usage, Lee sought to become acquainted with the population of Harlem, a largely African American neighborhood in New York City. This led to the writing of her first play,  DOPE!  which began showings in storefront churches, on sidewalks, and in alleys in 1951, using the local people Lee had met in Harlem as actors. Interest in this street theater, as it would come to be known, faded quickly, but it set the foundation for much of Lee's later work. ","In 1957, she met and began a friendship with author Flannery O'Connor that would last until the latter's death in 1964. That same year, in 1957, she married Australian furniture designer David Foulkes Taylor in Japan. The couple parted ways soon after, and Taylor died in a car accident in Australia in 1965.   ","In 1966, Lee began a long business and romantic relationship with photographer Fran Belin, with whom she would go on to co-found the Women's Farm and EcoTheater.","She founded the East Harlem Soul and Latin Theater (SALT) in New York City in 1970, building upon her work with Harlem residents seventeen years prior. SALT used non-actors and encouraged audience reactions in opposition to what Lee viewed as the more stifling contemporary theater. ","Soon after, Lee parted ways with SALT after troupe members became discontented with the way she was handling copyright of the works produced, and the troupe dissolved two years later.  ","In 1971, Lee moved to Powley's Creek, West Virginia with Belin and founded the Women's Farm, as part of a wider Back-to-the-land movement that occurred in America in the 1960s and 1970s. The Women's Farm sought to provide a work retreat for artists and musicians and serve as the foundation for a new type of local theater.  ","During this time, Lee focused on learning about her local community in Hinton, West Virginia, and wrote plays inspired by what she heard, including  John Henry  and  Ole Miz Dacey . Both plays would be shown on Lee's farm and performed by youth from the Governor's Summer Youth Program, marking the beginning of EcoTheater in 1975.  ","EcoTheater, described by Lee as \"indigenous Appalachian theater\" produced plays based on oral histories collected from the local community, and as with  DOPE!  and SALT, used non-actors in its performances.  ","In 1984, Lee moved to Lewisburg, West Virginia, where she worked on her EcoTheater Workbook. From 1987 to 1989, Lee focused her energies on producing several theater workshops in West Virginia and Kentucky. ","Maryat Lee passed away at her home in Lewisburg, West Virginia on September 18, 1989, while working on her EcoTheater Workbook.  "],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Maryat Lee, Playwright, Papers, A\u0026amp;M 3300, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Maryat Lee, Playwright, Papers, A\u0026M 3300, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection mostly contains materials created and collected by Maryat Lee between 1951 and 1989 during her work on a wide variety of art and theatre projects, including Street and Latin Theater (SALT), the Women's Farm, and EcoTheater. Also present in the collection are materials created by Maryat Lee's parents, Grace Barbee Dyer Lee and Dewitt Collins Lee between 1910 and 1945. Materials present beyond Maryat Lee's death in 1989 consist of various EcoTheater and the Women's Farm administrative and promotional writings. \u003c/p\u003e\n","\u003cp\u003eMaterials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt. \u003c/p\u003e\n","\u003cp\u003eThe collection is divided into seven series based upon Maryat Lee's original folder labeling and the prevalence of certain subject matter. Due to the fact that Lee did not package the materials for donation herself, some boxes and folders within the series are physically out of order in relation to their intellectual arrangement. Addendum are also split between series. \u003c/p\u003e\n","\u003cp\u003eSeries 1. Writings: This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts. \u003c/p\u003e\n","\u003cp\u003eSeries 2. Subjects: This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing. \u003c/p\u003e\n","\u003cp\u003eSeries 3. Audiovisual Material: This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.\u003c/p\u003e\n","\u003cp\u003eSeries 4. Theater Programs and Workshops: This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. \u003c/p\u003e\n","\u003cp\u003eSeries 5. Personal: This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. \u003c/p\u003e\n","\u003cp\u003eSeries 6. Publications: This series contains published plays collected, but not written, by Maryat Lee.\u003c/p\u003e\n","\u003cp\u003eSeries 7. Paintings and Busts: This series contains nine paintings by Maryat Lee and a plaster bust of Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29. \u003c/p\u003e\n","\u003cp\u003eThis collection was reprocessed on 2024/11/07. A crosswalk between the original organization and the new organization is available upon request. \u003c/p\u003e\n","\u003cp\u003eSelect audiovisual materials have been digitized. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eThis series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts.\u003c/p\u003e","\u003cp\u003eThis series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing.\u003c/p\u003e","\u003cp\u003eThis series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel 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Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.\u003c/p\u003e","\u003cp\u003eThis series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.\u003c/p\u003e","\u003cp\u003eIncludes cassette tape labeled (\"Dr. Pfieffer\", October 28 1983)\u003c/p\u003e","\u003cp\u003eThis series contains published plays collected, but not written, by Maryat Lee.\u003c/p\u003e","\u003cp\u003eThis series contains nine paintings by Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection mostly contains materials created and collected by Maryat Lee between 1951 and 1989 during her work on a wide variety of art and theatre projects, including Street and Latin Theater (SALT), the Women's Farm, and EcoTheater. Also present in the collection are materials created by Maryat Lee's parents, Grace Barbee Dyer Lee and Dewitt Collins Lee between 1910 and 1945. Materials present beyond Maryat Lee's death in 1989 consist of various EcoTheater and the Women's Farm administrative and promotional writings. ","Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt. ","The collection is divided into seven series based upon Maryat Lee's original folder labeling and the prevalence of certain subject matter. Due to the fact that Lee did not package the materials for donation herself, some boxes and folders within the series are physically out of order in relation to their intellectual arrangement. Addendum are also split between series. ","Series 1. Writings: This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts. ","Series 2. Subjects: This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing. ","Series 3. Audiovisual Material: This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Series 4. Theater Programs and Workshops: This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. ","Series 5. Personal: This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. ","Series 6. Publications: This series contains published plays collected, but not written, by Maryat Lee.","Series 7. Paintings and Busts: This series contains nine paintings by Maryat Lee and a plaster bust of Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29. ","This collection was reprocessed on 2024/11/07. A crosswalk between the original organization and the new organization is available upon request. ","Select audiovisual materials have been digitized. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts.","This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing.","This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","DVD","This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","Includes cassette tape labeled (\"Dr. Pfieffer\", October 28 1983)","This series contains published plays collected, but not written, by Maryat Lee.","This series contains nine paintings by Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29."],"separatedmaterial_html_tesm":["\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F21\u003c/p\u003e","\u003cp\u003eMaterial moved to B48/I1\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F2\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F3\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B51/F2\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B45/F5, B54/F4\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B45/F6\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B45/F7\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F5\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B52/F2\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F6\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B52/F3\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 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to A\u0026M 3300 B54/F21","Material moved to B48/I1","Material moved to A\u0026M 3300 B54/F2","Material moved to A\u0026M 3300 B54/F3","Material moved to A\u0026M 3300 B51/F2","Material moved to A\u0026M 3300 B45/F5, B54/F4","Material moved to A\u0026M 3300 B45/F6","Material moved to A\u0026M 3300 B45/F7","Material moved to A\u0026M 3300 B54/F5","Material moved to A\u0026M 3300 B52/F2","Material moved to A\u0026M 3300 B54/F6","Material moved to A\u0026M 3300 B52/F3","Material moved to A\u0026M 3300 B45/F8","Material moved to A\u0026M 3300 B45/F9","Material moved to A\u0026M 3300 B45/F12","Material moved to A\u0026M 3300 B45/F13","Material moved to A\u0026M 3300 B45/F15","Material moved to A\u0026M 3300 B51/F6","Material moved to A\u0026M 3300 B45/F16","Material moved to A\u0026M 3300 B45/F17, B51/F7","Material moved to A\u0026M 3300 B45/F18","Material moved to A\u0026M 3300 B45/F19","Material moved to A\u0026M 3300 B45/F20","Material moved to A\u0026M 3300 B54/F7, B45/F21-24, B51/F8","Material moved to A\u0026M 3300 B45/F25-27","Material moved to A\u0026M 3300 B45/F28-31, B46/F1-2, B50/F3-4, 19","Material moved to A\u0026M 3300 B54/F13","Material moved to A\u0026M 3300 B46/F3","Material moved to A\u0026M 3300 B54/F8","Material moved to A\u0026M 3300 B54/F9","Material moved to A\u0026M 3300 B54/F10","Material moved to A\u0026M 3300 B54/F11","Material moved to A\u0026M 3300 B54/F12","Material moved to A\u0026M 3300 B50/F5","Material moved to A\u0026M 3300 B50/F6","Material moved to A\u0026M 3300 B54/F14","Material moved to A\u0026M 3300 B50/F7","Material moved to A\u0026M 3300 B46/F4","Material moved to A\u0026M 3300 B20/F63","Material moved to A\u0026M 3300 B54/F16","Material moved to A\u0026M 3300 B54/F17","Material moved to A\u0026M 3300 B46/F6","Material moved to A\u0026M 3300 B46/F7","Material moved to A\u0026M 3300 B46/F8","Material moved to A\u0026M 3300 B46/F9","Material moved to A\u0026M 3300 B46/F10","Material moved to A\u0026M 3300 B46/F11","Material moved to A\u0026M 3300 B46/F13-19","Material moved to A\u0026M 3300 B46/F20","Material moved to A\u0026M 3300 B46/F21-24","Material moved to A\u0026M 3300 B46/F28","Material moved to A\u0026M 3300 B46/F29, B50/F8","Material moved to A\u0026M 3300 B54/F18","Material moved to A\u0026M 3300 B46/F30","Material moved to A\u0026M 3300 B50/F9-11, B46/F33","Material moved to A\u0026M 3300 B46/F34","Material moved to A\u0026M 3300 B46/F35","Material moved to A\u0026M 3300 B46/F36","Material moved to A\u0026M3300 B26/F12","Material moved to A\u0026M 3300 B46/F38","Material moved to A\u0026M 3300 B46/F39","Material moved to A\u0026M 3300 B46/F40","Material moved to A\u0026M3300 B55/F3","Material moved to A\u0026M 3300 B50/F12","Material moved to A\u0026M 3300 B46/F42","Material moved to A\u0026M 3300 B53/F4","Material moved to A\u0026M 3300 B46/F43","Material moved to A\u0026M 3300 F46/F44","Material moved to A\u0026M 3300 B46/F45","Material moved to A\u0026M 3300 B54/F20","Material moved to A\u0026M 3300 B46/F46","Material moved to A\u0026M 3300 B53/F1","Material moved to A\u0026M 3300 B46/F47","Material moved to A\u0026M 3300 B52/F4","Material moved to A\u0026M 3300 B46/F48","Material moved to A\u0026M 3300 B50/F13","Material moved to A\u0026M 3300 B54/F21","Material moved to A\u0026M 3300 B47/F10","Material moved to A\u0026M 3300 B54/F23","Material moved to A\u0026M 3300 B47/F11","Material moved to A\u0026M 3300 B54/F24","Material moved to A\u0026M 3300 B47/F12","Material moved to A\u0026M 3300 B50/F15","Material moved to A\u0026M 3300 B47/F13","Material moved to A\u0026M 3300 B54/F26","Material moved to A\u0026M 3300 B54/F27","Material moved to A\u0026M 3300 B47/F26","Material moved to A\u0026M 3300 B47/F27","Material moved to A\u0026M 3300 B50/F17","Material moved to A\u0026M 3300 B50/F18","Material moved to A\u0026M 3300 B50/F20","Removed from A\u0026M 3300 B11","Removed from A\u0026M 3300 B12","Removed from A\u0026M 3300 B15","Removed from A\u0026M 3300 B17/F1f","Removed from A\u0026M 3300 B17/F1g","Removed from A\u0026M 3300 B17/F1h","Removed from A\u0026M 3300 B17/F4h","Removed from A\u0026M 3300 B18/F15","Removed from A\u0026M 3300 B18","Removed from A\u0026M 3300 B18/F17","Removed from A\u0026M 3300 B18/F21","Removed from A\u0026M 3300 B18","Removed from A\u0026M 3300 B19/F6","Removed from A\u0026M 3300 B19/F10a","Removed from A\u0026M 3300 B19/F12","Removed from A\u0026M 3300 B19/F13a","Removed from A\u0026M 3300 B19/F16","Removed from A\u0026M 3300 B19/F22","Removed from A\u0026M 3300 B19/F26","Removed from A\u0026M 3300 B19/F29","Removed from A\u0026M 3300 B19/F31","Removed from A\u0026M 3300 B19/F34","Removed from A\u0026M 3300 B20/F12","Removed from A\u0026M 3300 B20/F14","Removed from A\u0026M 3300 B20/F16","Removed from A\u0026M 3300 B20/F20","Removed from A\u0026M 3300 B20/F21","Removed from A\u0026M 3300 B20/F22","Removed from A\u0026M 3300 B20/F24","Removed from A\u0026M 3300 B20/F25","Removed from A\u0026M 3300 B20/F26","Removed from A\u0026M 3300 B20/F37","Removed from A\u0026M 3300 B20/F59","Removed from A\u0026M 3300 B20/F63","Removed from A\u0026M 3300 B21/F1","Removed from A\u0026M 3300 B21/F2","Removed from A\u0026M 3300 B21/F3","Removed from A\u0026M 3300 B21/F5","Removed from A\u0026M 3300 B21/F11","Removed from A\u0026M 3300 B21/F36","Removed from A\u0026M 3300 B22/F12a","Removed from A\u0026M 3300 B23/F15","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B23/F31","Removed from A\u0026M 3300 B26/F1","Removed from A\u0026M 3300 B26/F4","Removed from A\u0026M 3300 B26/F6","Removed from A\u0026M 3300 B26/F12","Removed from A\u0026M 3300 B26/F35","Removed from A\u0026M 3300 B26/F48","Removed from A\u0026M 3300 B27/F3","Removed from A\u0026M 3300 B31/F7","Removed from A\u0026M 3300 B31/F24","Removed from A\u0026M 3300 B31/F44","Removed from A\u0026M 3300 B31/F45","Removed from A\u0026M 3300 B32/F9","Removed from A\u0026M 3300 B33/F25","Removed from A\u0026M 3300 B33/F33","Removed from A\u0026M 3300 B34/F3","Removed from A\u0026M 3300 B34/F23","Removed from A\u0026M 3300 B36/F8","Removed from A\u0026M 3300 B36/F31","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B39/F16a","Removed from A\u0026M 3300 B1/F1","Removed from A\u0026M 3300 B20","Removed from A\u0026M 3300 B20/F23","Removed from A\u0026M 3300 B20/F25","Removed from A\u0026M 3300 B20/F51","Removed from A\u0026M 3300 B20/F52","Removed from A\u0026M 3300 B20/F58","Removed from A\u0026M 3300 B22/F12b","Removed from A\u0026M 3300 B23/F25","Removed from A\u0026M 3300 B23/F28","Removed from A\u0026M 3300 B23/F29","Removed from A\u0026M 3300 B31/F19","Removed from A\u0026M 3300 B34/F30b","Removed from A\u0026M 3300 B39/F24","Removed from A\u0026M 3300 B39/F25","Removed from A\u0026M 3300 B20/F21","Removed from A\u0026M 3300 B39/F32","Removed from A\u0026M 3300 B40","Removed from A\u0026M 3300 [Add. 1998/07/22] B60","Removed from A\u0026M 3300 B11","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B19/F9","Removed from A\u0026M 3300 B19/F12","Removed from A\u0026M 3300 B19/F34","Removed from A\u0026M 3300 B17/F2l","Removed from A\u0026M 3300 B17/F4f","Removed from A\u0026M 3300 B33/F35","Removed from A\u0026M 3300 B31/F28","Removed from A\u0026M 3300 B1","Removed from A\u0026M 3300 B11/F22","Removed from A\u0026M 3300 B17/F1f","Removed from A\u0026M 3300 B17/F2i","Removed from A\u0026M 3300 B17/F2q","Removed from A\u0026M 3300 B19/F25","Removed from A\u0026M 3300 B20/F44","Removed from A\u0026M 3300 B20/F45","Removed from A\u0026M 3300 B20/F46","Removed from A\u0026M 3300 B20/F48","Removed from A\u0026M 3300 B20/F49","Removed from A\u0026M 3300 B20/F53","Removed from A\u0026M 3300 B20/F54","Removed from A\u0026M 3300 B20","Removed from A\u0026M 3300 B20/F65","Removed from A\u0026M 3300 B20/F66","Removed from A\u0026M 3300 B22/F15","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B32/F34","Removed from A\u0026M 3300 B35/F1j","Removed from A\u0026M 3300 B35/F28","Removed from A\u0026M 3300 B36/F6","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B38/F31","Removed from A\u0026M 3300 B38/F43","Removed from A\u0026M 3300 B40/F13","Removed from A\u0026M 3300 B32","Removed from A\u0026M3300 B31/F5","Material moved to A\u0026M 3300 B65/F3","Material moved to A\u0026M 3300 B64/F7","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63/F17","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63/F3","Removed from A\u0026M 3300 B63/F15","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Material moved to oversized, B50/F1","Material moved to A\u0026M 3300 B45/F1","Material moved to A\u0026M 3300 B45/F11","Material moved to A\u0026M 3300 B46/F25-26","Material moved to A\u0026M 3300 B46/F27","Material moved to A\u0026M 3300 B46/F41","Material moved to A\u0026M 3300 B47/F2-3","Material moved to A\u0026M 3300 B50/F14","Material moved to A\u0026M 3300 B47/F4, B52/F5","Material moved to A\u0026M 3300 B47/F5","Material moved to A\u0026M 3300 B47/F6-7","Material moved to A\u0026M 3300 B47/F8","Material moved to A\u0026M 3300 B53/F2, B47/F9, B54/F22","Material moved to A\u0026M 3300 B47/F18","Material moved to A\u0026M 3300 B47/F19-21","Material moved to A\u0026M 3300 B47/F23","Material moved to A\u0026M 3300 B47/F24","Material moved to A\u0026M 3300 B53/F3","Material moved to A\u0026M 3300 B47/F28","Removed from A\u0026M 3300 B11/F27","Removed from A\u0026M 3300 B18/F16","Removed from A\u0026M 3300 B21/F56","Removed from A\u0026M 3300 B22/F2","Removed from A\u0026M 3300 B35/F2-3a","Removed from A\u0026M 3300 B35/F8","Removed from A\u0026M 3300 B35/F10","Removed from A\u0026M 3300 B35/F11-12","Removed from A\u0026M 3300 B35/F13","Removed from A\u0026M 3300 B35/F16","Removed from A\u0026M 3300 B35/F26","Removed from A\u0026M 3300 B36/F3","Removed from A\u0026M 3300 B37/F59-60","Removed from A\u0026M 3300 B37/F61","Removed from A\u0026M 3300 B37/F62","Removed from A\u0026M 3300 B38","Removed from A\u0026M 3300 B38/F49","Removed from A\u0026M 3300 B38/F51","Removed from A\u0026M 3300 B39/F11","Removed from A\u0026M 3300 B39/F13","Removed from A\u0026M 3300 B40/F4","Removed from A\u0026M 3300 B7/F34","Removed from A\u0026M 3300 B8","Removed from A\u0026M 3300 B35/F6","Removed from A\u0026M 3300 B36/F30","Removed from A\u0026M 3300 B38","Removed from A\u0026M 3300 B11/F23","Removed from A\u0026M 3300 B35/F9","Removed from A\u0026M 3300 B33/F26","Removed from A\u0026M 3300 B35/F15","Removed from A\u0026M 3300 B40/F3","Removed from A\u0026M 3300 B11/F21","Removed from A\u0026M 3300 B35/F17","Removed from A\u0026M3300 B38","Removed from A\u0026M 3300 B31, B29","Removed from A\u0026M 3300 B30","Removed from A\u0026M 3300 B26","Material moved to A\u0026M 3300 B65/F2","Material moved to A\u0026M 3300 B64/F3","Material removed from A\u0026M 3300 B63/F18","Material removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_41a071f25400b148208ada4216a47db7\"\u003eMaryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt.\u003c/abstract\u003e"],"abstract_tesim":["Maryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_59b034a3f262570e93a472c5cb053744\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University. Art Museum","Lee, Maryat, 1923-1989","Lee, Robert"],"names_ssim":["West Virginia and Regional History Center","West Virginia University. Art Museum","Lee, Maryat, 1923-1989","Lee, Robert"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Art Museum"],"persname_ssim":["Lee, Maryat, 1923-1989","Lee, Robert"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1537,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-04T15:06:42.135Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1610_c02_c39"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":234},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026f%5Brepository%5D%5B%5D=Alexandria+Library\u0026view=compact"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":8172},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026view=compact"}},{"attributes":{"label":"Edgar Cayce Foundation","value":"Edgar Cayce Foundation","hits":36},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026f%5Brepository%5D%5B%5D=Edgar+Cayce+Foundation\u0026view=compact"}},{"attributes":{"label":"Fairfax County Public Library","value":"Fairfax County Public Library","hits":141},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026f%5Brepository%5D%5B%5D=Fairfax+County+Public+Library\u0026view=compact"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":11449},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=compact"}},{"attributes":{"label":"Hampden-Sydney College","value":"Hampden-Sydney College","hits":185},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026f%5Brepository%5D%5B%5D=Hampden-Sydney+College\u0026view=compact"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":2081},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026f%5Brepository%5D%5B%5D=James+Madison+University\u0026view=compact"}},{"attributes":{"label":"Library of Virginia","value":"Library of Virginia","hits":55},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026f%5Brepository%5D%5B%5D=Library+of+Virginia\u0026view=compact"}},{"attributes":{"label":"Longwood University","value":"Longwood University","hits":224},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026f%5Brepository%5D%5B%5D=Longwood+University\u0026view=compact"}},{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":3395},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026view=compact"}},{"attributes":{"label":"Randolph-Macon College","value":"Randolph-Macon College","hits":76},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026f%5Brepository%5D%5B%5D=Randolph-Macon+College\u0026view=compact"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1983\u0026view=compact"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"Arts in Virginia\" (PB-04)","value":"\"Arts in Virginia\" (PB-04)","hits":7},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Arts+in+Virginia%22+%28PB-04%29\u0026f%5Bdate_range%5D%5B%5D=1983\u0026view=compact"}},{"attributes":{"label":"\"George Washington\" Miniseries Collection","value":"\"George Washington\" Miniseries Collection","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22George+Washington%22+Miniseries+Collection\u0026f%5Bdate_range%5D%5B%5D=1983\u0026view=compact"}},{"attributes":{"label":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\"","value":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\"","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22More+Than+the+Sum+of+Our+Body+Parts%3A+An+Exhibit+by+CARY%2C+1992-1993%22\u0026f%5Bdate_range%5D%5B%5D=1983\u0026view=compact"}},{"attributes":{"label":"1x1 Japan Exhibition Materials, 1965-2024","value":"1x1 Japan Exhibition Materials, 1965-2024","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=1x1+Japan+Exhibition+Materials%2C+1965-2024\u0026f%5Bdate_range%5D%5B%5D=1983\u0026view=compact"}},{"attributes":{"label":"201st National Guard Regiment Histories","value":"201st National Guard Regiment Histories","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=201st+National+Guard+Regiment+Histories\u0026f%5Bdate_range%5D%5B%5D=1983\u0026view=compact"}},{"attributes":{"label":"8th Evacuation Hospital collection","value":"8th Evacuation Hospital collection","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=8th+Evacuation+Hospital+collection\u0026f%5Bdate_range%5D%5B%5D=1983\u0026view=compact"}},{"attributes":{"label":"A. 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