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(Moses Jacob), 1844-1917","Glenn, John H., 1921-2016","Houston, Sam, 1793-1863","Hunter, David, 1802-1886","Jackson, Stonewall, 1824-1863","DiMaggio, Joe, 1914-1999","Bush, George H. W. (George Herbert Walker), 1924-2018","Ford, Gerald R. (Gerald Rudolph), 1913-2006","Milton, William H., Jr. (William Hammond), 1900-1984","Marshall, George C. (George Catlett), 1880-1959","Morrison, Tommy D. (Tommy David), 1969-2013","Powell, Colin L. (Colin Luther), 1937-2021","Shepherd, Lemuel C., Jr. (Lemuel Cornick), 1896-1990","Brooke, John M. (John Mercer), 1826-1906","Byrd, Richard E. (Richard Evelyn), 1888-1957","Clark, Francis B. (Francis Barnard), 1850-1896","Lee, Robert E. (Robert Edward), 1807-1870","Patton, George S. (George Smith), 1885-1945","Rockenbach, Samuel D. (Samuel Dickerson), 1869-1952","Saunders, James D., 1824-1851","Shipp, Scott, 1839-1917","Sigel, Franz, 1824-1902","Smith, Francis H. (Francis Henney), 1812-1890","Strange, John B. (John Bowie), 1823-1862","Watson, Edward Minor, 1851-1887","Wise, Henry A. (Henry Alexander), 1906-1982","McKenna, John, 1914-2007","Anderson, Joseph R., Jr. (Joseph Reid), 1851-1930","Kissinger, Henry A. (Henry Alfred), 1923-2023"],"language_ssim":["English"],"total_component_count_is":1160,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:13:02.393Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_841_c02_c05_c08"}},{"id":"viw_repositories_2_resources_8538_c11_c14_c14","type":"File","attributes":{"title":"Yorktown Victory Center","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8538_c11_c14_c14#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8538_c11_c14_c14","ref_ssm":["viw_repositories_2_resources_8538_c11_c14_c14"],"id":"viw_repositories_2_resources_8538_c11_c14_c14","ead_ssi":"viw_repositories_2_resources_8538","_root_":"viw_repositories_2_resources_8538","_nest_parent_":"viw_repositories_2_resources_8538_c11_c14","parent_ssi":"viw_repositories_2_resources_8538_c11_c14","parent_ssim":["viw_repositories_2_resources_8538","viw_repositories_2_resources_8538_c11","viw_repositories_2_resources_8538_c11_c14"],"parent_ids_ssim":["viw_repositories_2_resources_8538","viw_repositories_2_resources_8538_c11","viw_repositories_2_resources_8538_c11_c14"],"parent_unittitles_ssm":["Office of the President. Thomas A. Graves, Jr. Records","Series 11: Acc. 1985.035","Container-92601"],"parent_unittitles_tesim":["Office of the President. Thomas A. Graves, Jr. Records","Series 11: Acc. 1985.035","Container-92601"],"text":["Office of the President. Thomas A. Graves, Jr. Records","Series 11: Acc. 1985.035","Container-92601","Yorktown Victory Center","Box Series 11, Box 14","Folder 14"],"title_filing_ssi":"Yorktown Victory Center","title_ssm":["Yorktown Victory Center"],"title_tesim":["Yorktown Victory Center"],"unitdate_inclusive_ssm":["1982"],"normalized_date_ssm":["1982"],"normalized_title_ssm":["Yorktown Victory Center"],"component_level_isim":[3],"repository_ssim":["College of William and Mary"],"collection_ssim":["Office of the President. Thomas A. Graves, Jr. Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":4287,"parent_access_restrict_tesm":["Accessions may require permission from the originating office or the staff of the University Archives because they contain personnel, student, or other records covered by privacy laws and regulations including the following accessions: 1978.001, 1979.084, 1980.116, 1981.084, 1982.059, 1983.059, 1984.042, 1985.035, 1986.024, and 1987.077."," Acc. 1985.036 is closed until 2060."," Acc. 1999.011 is confidential."," Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1982],"containers_ssim":["Box Series 11, Box 14","Folder 14"],"_nest_path_":"/components#10/components#13/components#13","timestamp":"2026-05-21T12:31:49.057Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8538","ead_ssi":"viw_repositories_2_resources_8538","_root_":"viw_repositories_2_resources_8538","_nest_parent_":"viw_repositories_2_resources_8538","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8538.xml","title_filing_ssi":"President, Office of the, Graves","title_ssm":["Office of the President. Thomas A. Graves, Jr. Records"],"title_tesim":["Office of the President. Thomas A. Graves, Jr. Records"],"unitdate_ssm":["1940-1985","1971-1985"],"unitdate_bulk_ssim":["1971-1985"],"unitdate_inclusive_ssm":["1940-1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["00/02/UA 2.16","/repositories/2/resources/8538"],"text":["00/02/UA 2.16","/repositories/2/resources/8538","Office of the President. Thomas A. Graves, Jr. Records","Burgesses Day","Charter Day","Degrees--Honorary","Graduation (School)","President's House (Williamsburg, Va.)","Summer sessions","Women college students","Wren Building (Williamsburg, Va.)","Correspondence","Reports","Speeches","Accessions may require permission from the originating office or the staff of the University Archives because they contain personnel, student, or other records covered by privacy laws and regulations including the following accessions: 1978.001, 1979.084, 1980.116, 1981.084, 1982.059, 1983.059, 1984.042, 1985.035, 1986.024, and 1987.077."," Acc. 1985.036 is closed until 2060."," Acc. 1999.011 is confidential."," Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The records are arranged by accession, that is, the year in which they were transferred to the University Archives.","Thomas Ashley Graves, Jr. was the twenty-third president of the College of William and Mary. He served from September 1, 1971 until January 9, 1985. Upon his resignation George R. Healy acted as interim president until Paul R. Verkuil assumed the role of president on July 1, 1985."," Graves graduated from Yale University in 1947 with a bachelor's degree in economics, after suspending his studies after his freshman year to serve in the U.S. Navy during World War II. He then went on to Harvard University, completing a master's in business administration in 1949 and a doctorate in 1958."," From 1950 to 1960, Graves held a faculty position at the Harvard business school. In 1960, he moved to Lausanne, Switzerland to become the director of the IMEDE Management Deveopment Institute. He was named the associate dean of the Graduate School of Business of Stanford University in 1964, and also served as the director of Stanford's International Center for the Advancement of Management Education. Graves returned to Harvard from 1967 to 1971 as the associate dean of the Graduate School of Business Administration."," Graves served on advisory boards for a variety of schools and businesses, including Transylania University, Clark University, Reynolds Metals Company, and Life Insurance Company of Virginia. He is also the author of many articles on the management of education and management education."," After leaving William and Mary, Graves became the director, CEO and a member of the Board of Trustees for the Winterthur Museum and Garden in Wilmington, Delaware until 1992. From there, he served as the director of the Grand Opera House in Wilmington as well as a member of the Educational Board of MBNA America Bank. Graves retired in 2004, and moved back to Williamsburg with his wife, Zoe.","2","3","4","5","6","7","8","9","10","11","12","13","14","15","16","17","18","19","2","3","4","5","6","7","8","9","10","11","12","13","14","15","1","2","3","4","5","6","7","8","9","10","11","12","13","14","15","16","17","18","19","20","Inventories were normally received with the material when transferred to the SCRC. SCRC staff are rehousing the collection and adding inventories for all accessions to the database. This effort is currently ongoing (January 2010).","Office of the President, Davis Young Paschall Records (UA 2.015); Thomas Ashley Graves Papers (UA 2.21).","The collection includes subject files, speeches, and other material from the administration of College of William and Mary President Thomas Ashley Graves with some overlap with his predecessor Davis Y. Paschall and his successor Paul Verkuil. For the most part, headings assigned to folders in their office of origin have been maintained in the box list inventories available here."," In addition, there are two unprocessed boxes. Consult a staff member for assistance.","This series contains records from the President's Office from 1951-1976. Some of the files date from Davis Young Paschall's and Alvin Duke Chandler's presidencies.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office, mainly from 1940-1978. Some of the files date from Davis Young Paschall's presidency. Box 43 contains miscellaneous material not included in the alphabetical arrangement of the files in this series.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office, mainly from 1948-1979.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office from 1953-1982. Some of the files date from Davis Young Paschall's presidency.","Restricted","Restricted","Restricted","Restricted","Restricted","Restrict","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office from 1942-1980. Some of the files date from Davis Young Paschall's presidency.","Restrict","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office from 1942-1978. The bulk of the files date from Davis Young Paschall's presidency. See Office of the President. Davis Young Paschall (UA 2.15) for more files from 1960 to 1972.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Endowment","Endowment","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office from 1973-1980.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Complete file is being retained in Wes Wilson's office, as Chairman of the Residency Status Appeals Board.","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office. Most are from 1980-1981, but some date back to 1970.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains incoming correspondence, copies of outgoing correspondence, and reports from 1964-1974. Some of the files date from Davis Young Paschall's presidency.","Restricted","Restricted","This series includes material from the Office of the President from 1980-1982.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office from 1981-1983 with the bulk from 1982.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains correspondence and other documents relating to Graves' request for a salary increase, sent to the Board of Visitors to be discussed at the 26 October 1984 meeting.","This series contains the texts of speeches delivered by President Graves to groups both on and off campus, 1971-1983.","This series contains records from the President's Office from 1982-1983.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Clippings related to faculty salaries; the President's House; the Jefferson Hall fire and aftermath; affirmative action; integration and desegregation; federal funding; Robb Administration; Charles Robb; Holton Administration; Linwood Holton; Southeastern University Research Association (SURA); National Electron Accelerator Laboratory (NEAL); student loans; Board of Visitors; Wightman Cup; Swem Library; fire safety; merit scholarships; asbestos; gifts and bequests; graduates; other colleges and universities; Elizabeth Dole; academics; commencement; alcohol policy; tuition and fees; athletic funding; economic recession; social events; state budget; Reserve Officer Training Corps (ROTC); students; graduate employment prospects; endowment fund; college radio station; WCWM; archaeology; Alfred P. Sloan Foundation; Vernon H. Edmonds; and litigation.","Clippings realted to the Wightman Cup; John Silber; Central America; Southeastern University Reasearch Association (SURA); National Electron Accelerator Laboratory (NEAL); Muscarelle Museum of Art; Charles S. Robb; Robb Administration; admissions; President's House; National Collegiate Athletic Association (NCAA); athletics; integration and desegregation; academics; honor code; other colleges and universities; campus events; Peter Peterson; Lehman Brothers; Lewis I. Glucksman; state budget; Sam Portaro; Bruton Parish Church; alumni; Glenn Close; Burgesses Day; computer science; The New York Times Selective Guide to Colleges; Anthony A. Lucas; Richard J. Davis; Yorktown Victory Center; Thomas A. Graves; fire safety; Jefferson Hall fire; arts funding.","News clippings related to presidential search; Hunter B. Andrews; athletics; tuition and fees; other colleges and universities; art; computers; computer science; gifts and bequests; Richard O'Daniel; Secretary of Education; John Casteen; affirmative action; alumni; Anne Dobie Peebles; obituaries; Wightman Cup; academic facilities; graduate job prospects; alcohol policy; faculty salaries; higher education funding; Board of Visitors; state budget; dental plan; drama; theatre; Dean of Student Affairs; Robb Administration; Charles S. Robb; Muscarelle Museum of Art; academics; and the college budget.","Clippings related to athletics; tuition and fees; Robb Administration; Charles S. Robb; state budget; Thomas A. Graves; School of Education Dean; other colleges and universities; U.S. News \u0026 World Report rankings; Mamie Stringfellow; obituaries; Richard M. O'Daniel; Charter Day; J. Carter Brown; Marguerite Wynne-Roberts; Southeastern University Research Association (SURA); National Electron Accelerator Laboratory (NEAL); bonds; City of Williamsburg; Chester McNerney; Dortha Skelton; tree logging; George R. Healy; education reform; resignations; Tim Sullivan; and Stewart Gamage.","Clippings related to alumni; Glenn Close; Robb Administration; Charles S. Robb; General Assembly; state budget; state funding; Muscarelle Museum of Art; Thomas A. Graves; Graves Family; Long-Range Planning Commission; athletics; athletic funding; obituaries; and Steve Sacalis.","Clippings related to athletics; athletic funding; Virginia Institute of Marine Science (VIMS); state funding; state budget; Rector; Anne Dobie Peebles; Melvyn D. Schiavelli; Dean of the Faculty of Arts and Sciences; dental plan; Jefferson Hall fire; affirmative action; General Assembly; Virginia Supplemental Retirement System; Karen Elizabeth Dudley; Charles M. Holloway; alumni; Hutton Cobb; Constitution Bicentennial; John McGlennon; Honor System; William F. Swindler; parking; Holocaust remembrance; campus events; theatre; drama; faculty salaries; equal pay; Watkins Gray; other colleges and universities; greenhouse; admissions office; merit scholarships; organizational chart; Robert Bowman; Virginia Secretary of Education; John T. Casteen III; Swem Library; Presidential Search Committee; Richard G. Johnson; desegregation and integration; Lehman Brother; Lewis L. Glucksman; Peter G. Peterson; Ash Lawn restoration and renovation; Leland E. Traywick; bomb threat; tuition and fees; Scott Glenn; Diocese of Virginia; gifts and bequests; faculty reviews; students; commencement; Paul A. Volcker; Charter Day; fire safety; State Board of Education; J. Carter Brown; Erin Sheehey; Charles Marsh; Eva LeGallienne; and internal audits.","Clippings related to fire safety; students; expulsions; honor system; federal funding; Virginia Institute of Marine Science (VIMS); gifts and bequests; community events; tuition and fees; campus police; crime; athletics; computer science; Department of Mathematics and Computer Sciences; Department of Mathematics; Department of Computer Sciences; School of Education; \"Men's Club\"; Virginia economy; Institute of Early American History and Culture; Virginia Shakespeare Festival; Muscarelle Museum of Art; athletic funding; City of Williamsburg; tourism; George Cole; students; parking lawsuit; 1983 Economic Summit of Industrialized Nations; campus events; Mrs. Virginia; endowment fund; graduate job prospects; faculty salaries; Scott Glenn; choir; chorus; William Westmoreland; litigation; gifts and bequests; faculty; botany; merit scholarships; Charles S. Robb; Robb Administration; affirmative action; theatre; drama; General Assembly; Arthur Jarrell Raper; Board of Visitors; Law School; state budget; fraternities and sororites; Greek life; student housing; social life; women's rights; alcohol policy; Title IX; yearbook; Colonial Williamsburg Foundation; minority education; commencement; Paul A. Volcker; presidential search committee; Dean of the Faculty of Arts and Sciences; Melvyn D. Schiavelli; Wightman Cup; admissions; Richard J. Davis; Anne Dobie Peebles; Charter Day; J. Carter Brown; Jefferson Hall fire; purchasing rules; and textbooks.","Clippings related to the Center for Innovative Technology; faculty; George W. Crawford; class registration; athletics; students; academics; athletic funding; arts; arts grants; grants; gifts and bequests; alumni; Glenn Close; Vernon Edmonds; litigation; affirmative action; minority education; desegregation and integration; music; J. Rosser Matthews III; Ranking Scholars; Bureau of Business Research; tuition and fees; Chris Paradis; \"We Have It Made in Virginia\" campaign; Continuous Electron Beam Accelerator Laboratory; coeducation; other colleges and universities; Virginia Shakespeare Festival; John Jamison; provost; George R. Healy; tourism; Bobby James; William D. Zabel; Paul Volcker; commencement; Wayne F. Anderson; graduate job prospects; Muscarelle Museum of Art; computers; computer science; State Council of Higher Education; Charles S. Robb; Robb Administration; alcohol policy; campus events; fundraisers; women's education; Ash Lawn construction projects; John J. McGlennon; Robert Drinan; and obituaries.","Contains articles related to the Juan Sebastian de Elcano; Virginia Institute of Marine Science (VIMS); athletics; faculty; John J. McGlennon; litigation; asbestos; economy; academics; Masters program in educational supervision; local news; Virginia Shakespeare Festival; newspapers; alumni; Justin Deas; Charles S. Robb; Robb Administration; City of Williamsburg; James City County; other colleges and universities; foreign policy; national politics; international politics; computers; computer science; Continuous Electron Beam Accelerator; Anheuser-Busch; federal funding; Muscarelle Museum of Art; Lehman Brothers; Lewis Glucksman; Bryan T. Thompson; tourism; tuition and fees; obituary; athletic funding; affirmative action; minority education; integration and desgregation; Warren E. Burger; William F. Swindler; alcohol policy; campus; Marshall-Wythe School of Law; Festival Williamsburg; community events; Louis E. Catron; theatre; drama; Department of Theatre, Speech, and Dance; George R. Healy; and phone-a-thons.","Contains clippings related to the Virginia Shakespeare Festival; City of Williamsburg; tourism; alumni; Linda Lavin; Continuous Electron Beam Accelerator; Thomas A. Graves; President's annual report; students; William Wilson; economy; weather; climate; John J. McGlennon; Coliseum Mall; 1983 Economic Summit of Industrialized Nations; Rector; Anne Dobie Peebles; Virginia Institute of Marine Science (VIMS); minority recuitment; minority education; affirmative action; integration and desgregation; Marlene Jack; other colleges and universities; obituaries; Bob Sheeran; state sudit; State Auditor of Public Accounts; and Charles K. Trible.","Contains clippings related to State Auditor; Charles K. Trible; other colleges and universities; minority education; integration and desegregation; affirmative action; David Charlton; airport; law school; Virginia Institute of Marine Science (VIMS); Jim Rollings; ahtletics; athletic funding; John J. McGlennon; 1984 Presidential Race; student opinions; Muscarelle Museum of Art; WCWM; student radio station; college history; Vietnam era; faculty salaries; City of Williamsburg; Williamsburg City Council; James N. McCord; James N. McCord; alumni; faaculty; George W. Grayson; Virginia Shakespeare Festival; move-in; economy; computers; computer science; class registration; state funding; Continuous Electron Beam Accelerator; financial aid; William Zinsser; Bob Sheeran; E. John Bond; and tuition and fees.","Contains clippings related to the Continuous Electron Beam Accelerator; Parents Weekend; athletics; Scottish Festival; Leland Traywick Student Emergency Loan Fund; Sigma Xi Science Research Fellowship Program; Roy A. Williams; Assistant Director of Buildings and Grounds; Ariel Doriman; Robert Maidment; faculty meeting; other colleges and universities; tourism; Virginia General Assembly; Media General Inc.; Virginia Council of Higher Education; John Montague; Paul Muldoon; obituaries; minority recruitment; affirmative action; Lewis B. Puller, Jr.; drama; homecoming; William B. Spong, Jr.; Dean of Marshall-Wythe School of Law; Richard A. Williamson; law school; higher education; fire safety; Virginia Shakespeare Festival; the National Law Journal; economy; John J. McGlennon; state funding; campus police; Ervin D. \"Boots\" Farmer; Director of Buildings and Grounds; Jimmye Laycock; Linda Lavin; academics; extracurriculars; alumni; Virginia Institute of Marine Science (VIMS); National Association of Private Art Foundations; and desegregation and integration.","Contains clippings related to Burgesses Day; athletics; other colleges and universities; Muscarelle Museum of Art; Sinfonicron; drama; Marshall-Wythe School of Law; blood drives; Greek life; K. Shankar Bajpai; John J. McGlennon; 1984 Presidential Election; Jeffrey DeLuca; Williamsburg Reunion; Campus Center; Martha Elizabeth Barksdale Fund; William and Mary Theatre; Trinkle Hall; \"Our Future in the Cosmos\"; athletics funding; greenhouse; Fragile X Syndrome; financial aid; tuition and fees; fire safety; presidential search committee; Gladys s. Johnston; Linda Lavin; John H. \"Jack\" Garrett; alumni; alumni medallions; Prenitss Award; Spirit Contest; Rector; Anne Dobie Peebles; and the Smithosnian Institution.","Contains clippings related to Senator John Warner; athletics; Paul Taylor Dance Company; state funding; Muscarelle Museum of Art; law school; dean of the Marshall-Wythe School of Law; Tyler Hall; Aage Rosendal Nielsen; married students; Cliffs Tapes; Secretary of Education; Terrel Bell; George W. Grayson; faculty; Virginia Institute of Marine Science (VIMS); President's House; Grenada; Virginia Shakespeare Festival; financial aid; Management Consulting Group; Homecoming; Homecoming Parade; alumni; Linda Lavin; sexual violence; Greek life; other colleges and universities; Virginia Peninsula Chamber of Commerce \"Distinguished Citizen of 1984\"; Congressman G. William Whitehurst; 1984 Presidential Election; President's House; affirmative action; minority recruitment; desegregation and integration; minority education; Lisa Birnbach; John J. Mcglennon; American College Theatre Festival; Recot; Anne Dobie Peebles; John W. Dayton; student life; and Yorktown Day.","Contains clippings related to athletics; other colleges and universities; honor system; State Council of Higher Education; President's House; President's House Friends; Business School medallion; weather; faculty; Robert Maidment; faculty salaries; students; Lesbian and Gay Union; Dr. Hans von Baeyer; Virignia Institute of Marine Science (VIMS); William and Mary Choir; Lambda Alliance; LGBTQ campus community; bicycle theft; campus crime; Direct-Marketing of Williamsburg Group; Continuous Electron Beam Accelerator; Center for Executive Development; Marshall-Wythe School of Law; Dance Theatre of Harlem; Sharon Isbin; law school admissions; presidential search committee; Patricia Harris; \"Our Future in the Cosmos\"; Lee Bollinger; affirmative action; minority recruitment; minority education; desegregation and integration; suicide; theater; student government; community colleges; teosinte plant; Dr. Robert Maidment; School of Education; enrollment; obituaries; campus police; homosexual rights; Pat Robertson; landscaping; Roy A. Williams; financial aid; John J. McGlennon; Muscarelle Museum of Art; women's education; Linda Lavin; Department of Education; tuition and fees; curriculum; courses; Buffalo Bill; faculty recital; McGruff Halloween Party; and the Frenchman's Map.","Contains news clippings related to the William and Mary President; William and Mary President-designate; Paul R. Verkuil; minority education; desegregation and integration; affirmative action; minority recruitment; Virginia Institute of Marine Science (VIMS); student career prospects; fire; obituaries; Jefferson Hall; Jefferson Hall fire; Commonwealth Inn; William B. Spong, Jr.; fire safety; fire alarms; Thomas A. Graves; liberal arts; peace forums; municipal service charge; humanities; curriculum; other colleges and universities; School of Business Administration; athletics; tourism; faculty; students; Gerald Johnson; Charles S. Robb; Governor; gifts and bequests; Continuous Electron Beam Accelerator Facility; security; Thomas Ashley Graves, Jr. Award of Sustained Excellence in Teaching; Phi Beta Kappa; academic scholarships; service fellowships; Beales scholarship; Yule Log; joint degree programs; academic programs; Richard J. Davis; elections; campaigns; John Barlow; student housing; Govenor's Square; Muscarelle Museum of Art; George R. Healy; computer science; suicide; Council of Higher Education; Presidential Search Committee; acting President; and Reserve Officers Training Corps (ROTC).","Contains clippings related to the General Assembly; college draft bill; Paul R. Verkuil; Governor of Virgnia; Charles S. Robb; George R. Healy; Francis Jennings; Virginia Associated Research Campus; financial aid; tution and fees; Thomas A. Graves, Jr.; athletics; Hornsby family; retrospectives; academic programs; joint degree programs; Lieutenant Governor of Virginia; faculty; alumni; Howard Scammon; obituaries; Department of Education; Goodwin Islands; Virginia Institute of Marine Science (VIMS); economy; and Hampton Roads.","This series contains records from the President's Office from 1983-1984. These include correspondence and publications.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains two bound copies of \"An Age of Distinction: William and Mary's Fourth Century,\" a working paper presented by the Long Range Planning Commission in 1985.","Pinks have been removed to Acc. 1983.039.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Office of the President","Associated and Branch Campuses--Richard Bland College","Associated and Branch Campuses--Virginia Associated Research Campus","College of William and Mary. Board of Visitors","College of William and Mary. College of Arts and Sciences","College of William and Mary. Office of the President","College of William and Mary. Project Plus","College of William and Mary. School of Business Administration","College of William and Mary. School of Education","Development Office--Endowment Association","Joseph and Margaret Muscarelle Museum of Art","Marshall-Wythe School of Law","Omohundro Institute of Early American History and Culture","Order of the White Jacket","State Council of Higher Education for Virginia","Virginia Institute of Marine Science","Graves, Thomas Ashley, Jr., 1924-","Chandler, Alvin Duke, 1902-1987","Paschall, Davis Young, 1911-2001","Chandler, Alvin Duke","Graves, Thomas Ashley, Jr","English"],"unitid_tesim":["00/02/UA 2.16","/repositories/2/resources/8538"],"normalized_title_ssm":["Office of the President. Thomas A. Graves, Jr. Records"],"collection_title_tesim":["Office of the President. Thomas A. Graves, Jr. Records"],"collection_ssim":["Office of the President. Thomas A. Graves, Jr. Records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Graves, Thomas Ashley, Jr., 1924-","Chandler, Alvin Duke, 1902-1987","Office of the President","Paschall, Davis Young, 1911-2001"],"creator_ssim":["Graves, Thomas Ashley, Jr., 1924-","Chandler, Alvin Duke, 1902-1987","Office of the President","Paschall, Davis Young, 1911-2001"],"creator_persname_ssim":["Graves, Thomas Ashley, Jr., 1924-","Chandler, Alvin Duke, 1902-1987","Paschall, Davis Young, 1911-2001"],"creator_corpname_ssim":["Office of the President"],"creators_ssim":["Graves, Thomas Ashley, Jr., 1924-","Chandler, Alvin Duke, 1902-1987","Paschall, Davis Young, 1911-2001","Office of the President"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 1978.001 received from the Office of the President 8/1978. Acc. 1979.084 received from the Office of the President 7/19/1979. Acc. 1980.116 received from the Office of the President 7/1/1980. Acc. 1981.081 received from the Office of the President 8/12/1981. Acc. 1981.084 received from the Office of the President 8/23/1977. Acc. 1982.059 received from the Office of the President 8/13/1982. Acc. 1983.038 received from the Office of the President 9/2/1983. Acc. 1983.059 received from the Office of the President 10/24/1983. Acc. 1984.042 received from the Office of the President 8/2/1984. Acc. 1985.035 received from the Office of the President 6/10/1985. Acc. 1985.036 received from the Office of the President 6/7/1985. Acc. 1985.037 received from the Office of the President 6/10/1985 and 8/6/1987. Acc. 1986.024 received from the Office of the President 7/28/1986. Acc. 1987.077 received from the Office of the President 8/6/1987. Acc. 1999.011 received from the Office of the President 1/18/1999."],"access_subjects_ssim":["Burgesses Day","Charter Day","Degrees--Honorary","Graduation (School)","President's House (Williamsburg, Va.)","Summer sessions","Women college students","Wren Building (Williamsburg, Va.)","Correspondence","Reports","Speeches"],"access_subjects_ssm":["Burgesses Day","Charter Day","Degrees--Honorary","Graduation (School)","President's House (Williamsburg, Va.)","Summer sessions","Women college students","Wren Building (Williamsburg, Va.)","Correspondence","Reports","Speeches"],"has_online_content_ssim":["false"],"extent_ssm":["221.50 Linear Feet"],"extent_tesim":["221.50 Linear Feet"],"genreform_ssim":["Correspondence","Reports","Speeches"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"accessrestrict_html_tesm":["\u003cp\u003eAccessions may require permission from the originating office or the staff of the University Archives because they contain personnel, student, or other records covered by privacy laws and regulations including the following accessions: 1978.001, 1979.084, 1980.116, 1981.084, 1982.059, 1983.059, 1984.042, 1985.035, 1986.024, and 1987.077.\u003c/p\u003e\n","\u003cp\u003e Acc. 1985.036 is closed until 2060.\u003c/p\u003e\n","\u003cp\u003e Acc. 1999.011 is confidential.\u003c/p\u003e\n","\u003cp\u003e Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Accessions may require permission from the originating office or the staff of the University Archives because they contain personnel, student, or other records covered by privacy laws and regulations including the following accessions: 1978.001, 1979.084, 1980.116, 1981.084, 1982.059, 1983.059, 1984.042, 1985.035, 1986.024, and 1987.077."," Acc. 1985.036 is closed until 2060."," Acc. 1999.011 is confidential."," Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe records are arranged by accession, that is, the year in which they were transferred to the University Archives.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The records are arranged by accession, that is, the year in which they were transferred to the University Archives."],"bioghist_html_tesm":["\u003cp\u003eThomas Ashley Graves, Jr. was the twenty-third president of the College of William and Mary. He served from September 1, 1971 until January 9, 1985. Upon his resignation George R. Healy acted as interim president until Paul R. Verkuil assumed the role of president on July 1, 1985.\u003c/p\u003e\n","\u003cp\u003e Graves graduated from Yale University in 1947 with a bachelor's degree in economics, after suspending his studies after his freshman year to serve in the U.S. Navy during World War II. He then went on to Harvard University, completing a master's in business administration in 1949 and a doctorate in 1958.\u003c/p\u003e\n","\u003cp\u003e From 1950 to 1960, Graves held a faculty position at the Harvard business school. In 1960, he moved to Lausanne, Switzerland to become the director of the IMEDE Management Deveopment Institute. He was named the associate dean of the Graduate School of Business of Stanford University in 1964, and also served as the director of Stanford's International Center for the Advancement of Management Education. Graves returned to Harvard from 1967 to 1971 as the associate dean of the Graduate School of Business Administration.\u003c/p\u003e\n","\u003cp\u003e Graves served on advisory boards for a variety of schools and businesses, including Transylania University, Clark University, Reynolds Metals Company, and Life Insurance Company of Virginia. He is also the author of many articles on the management of education and management education.\u003c/p\u003e\n","\u003cp\u003e After leaving William and Mary, Graves became the director, CEO and a member of the Board of Trustees for the Winterthur Museum and Garden in Wilmington, Delaware until 1992. From there, he served as the director of the Grand Opera House in Wilmington as well as a member of the Educational Board of MBNA America Bank. Graves retired in 2004, and moved back to Williamsburg with his wife, Zoe.\u003c/p\u003e","\u003cp\u003e2\u003c/p\u003e","\u003cp\u003e3\u003c/p\u003e","\u003cp\u003e4\u003c/p\u003e","\u003cp\u003e5\u003c/p\u003e","\u003cp\u003e6\u003c/p\u003e","\u003cp\u003e7\u003c/p\u003e","\u003cp\u003e8\u003c/p\u003e","\u003cp\u003e9\u003c/p\u003e","\u003cp\u003e10\u003c/p\u003e","\u003cp\u003e11\u003c/p\u003e","\u003cp\u003e12\u003c/p\u003e","\u003cp\u003e13\u003c/p\u003e","\u003cp\u003e14\u003c/p\u003e","\u003cp\u003e15\u003c/p\u003e","\u003cp\u003e16\u003c/p\u003e","\u003cp\u003e17\u003c/p\u003e","\u003cp\u003e18\u003c/p\u003e","\u003cp\u003e19\u003c/p\u003e","\u003cp\u003e2\u003c/p\u003e","\u003cp\u003e3\u003c/p\u003e","\u003cp\u003e4\u003c/p\u003e","\u003cp\u003e5\u003c/p\u003e","\u003cp\u003e6\u003c/p\u003e","\u003cp\u003e7\u003c/p\u003e","\u003cp\u003e8\u003c/p\u003e","\u003cp\u003e9\u003c/p\u003e","\u003cp\u003e10\u003c/p\u003e","\u003cp\u003e11\u003c/p\u003e","\u003cp\u003e12\u003c/p\u003e","\u003cp\u003e13\u003c/p\u003e","\u003cp\u003e14\u003c/p\u003e","\u003cp\u003e15\u003c/p\u003e","\u003cp\u003e1\u003c/p\u003e","\u003cp\u003e2\u003c/p\u003e","\u003cp\u003e3\u003c/p\u003e","\u003cp\u003e4\u003c/p\u003e","\u003cp\u003e5\u003c/p\u003e","\u003cp\u003e6\u003c/p\u003e","\u003cp\u003e7\u003c/p\u003e","\u003cp\u003e8\u003c/p\u003e","\u003cp\u003e9\u003c/p\u003e","\u003cp\u003e10\u003c/p\u003e","\u003cp\u003e11\u003c/p\u003e","\u003cp\u003e12\u003c/p\u003e","\u003cp\u003e13\u003c/p\u003e","\u003cp\u003e14\u003c/p\u003e","\u003cp\u003e15\u003c/p\u003e","\u003cp\u003e16\u003c/p\u003e","\u003cp\u003e17\u003c/p\u003e","\u003cp\u003e18\u003c/p\u003e","\u003cp\u003e19\u003c/p\u003e","\u003cp\u003e20\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Thomas Ashley Graves, Jr. was the twenty-third president of the College of William and Mary. He served from September 1, 1971 until January 9, 1985. Upon his resignation George R. Healy acted as interim president until Paul R. Verkuil assumed the role of president on July 1, 1985."," Graves graduated from Yale University in 1947 with a bachelor's degree in economics, after suspending his studies after his freshman year to serve in the U.S. Navy during World War II. He then went on to Harvard University, completing a master's in business administration in 1949 and a doctorate in 1958."," From 1950 to 1960, Graves held a faculty position at the Harvard business school. In 1960, he moved to Lausanne, Switzerland to become the director of the IMEDE Management Deveopment Institute. He was named the associate dean of the Graduate School of Business of Stanford University in 1964, and also served as the director of Stanford's International Center for the Advancement of Management Education. Graves returned to Harvard from 1967 to 1971 as the associate dean of the Graduate School of Business Administration."," Graves served on advisory boards for a variety of schools and businesses, including Transylania University, Clark University, Reynolds Metals Company, and Life Insurance Company of Virginia. He is also the author of many articles on the management of education and management education."," After leaving William and Mary, Graves became the director, CEO and a member of the Board of Trustees for the Winterthur Museum and Garden in Wilmington, Delaware until 1992. From there, he served as the director of the Grand Opera House in Wilmington as well as a member of the Educational Board of MBNA America Bank. Graves retired in 2004, and moved back to Williamsburg with his wife, Zoe.","2","3","4","5","6","7","8","9","10","11","12","13","14","15","16","17","18","19","2","3","4","5","6","7","8","9","10","11","12","13","14","15","1","2","3","4","5","6","7","8","9","10","11","12","13","14","15","16","17","18","19","20"],"prefercite_html_tesm":["\u003cp\u003eOffice of the President, Thomas Ashley Graves, Jr. Records, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Office of the President, Thomas Ashley Graves, Jr. Records, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eInventories were normally received with the material when transferred to the SCRC. SCRC staff are rehousing the collection and adding inventories for all accessions to the database. This effort is currently ongoing (January 2010).\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Inventories were normally received with the material when transferred to the SCRC. SCRC staff are rehousing the collection and adding inventories for all accessions to the database. This effort is currently ongoing (January 2010)."],"relatedmaterial_html_tesm":["\u003cp\u003eOffice of the President, Davis Young Paschall Records (UA 2.015); Thomas Ashley Graves Papers (UA 2.21).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Office of the President, Davis Young Paschall Records (UA 2.015); Thomas Ashley Graves Papers (UA 2.21)."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes subject files, speeches, and other material from the administration of College of William and Mary President Thomas Ashley Graves with some overlap with his predecessor Davis Y. Paschall and his successor Paul Verkuil. For the most part, headings assigned to folders in their office of origin have been maintained in the box list inventories available here.\u003c/p\u003e\n","\u003cp\u003e In addition, there are two unprocessed boxes. Consult a staff member for assistance.\u003c/p\u003e","\u003cp\u003eThis series contains records from the President's Office from 1951-1976. Some of the files date from Davis Young Paschall's and Alvin Duke Chandler's presidencies.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eThis series contains records from the President's Office, mainly from 1940-1978. Some of the files date from Davis Young Paschall's presidency. Box 43 contains miscellaneous material not included in the alphabetical arrangement of the files in this series.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eThis series contains records from the President's Office, mainly from 1948-1979.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eThis series contains records from the President's Office from 1953-1982. Some of the files date from Davis Young Paschall's presidency.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestrict\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eThis series contains records from the President's Office from 1942-1980. Some of the files date from Davis Young Paschall's presidency.\u003c/p\u003e","\u003cp\u003eRestrict\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eThis series contains records from the President's Office from 1942-1978. The bulk of the files date from Davis Young Paschall's presidency. See Office of the President. Davis Young Paschall (UA 2.15) for more files from 1960 to 1972.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eEndowment\u003c/p\u003e","\u003cp\u003eEndowment\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eThis series contains records from the President's Office from 1973-1980.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eComplete file is being retained in Wes Wilson's office, as Chairman of the Residency Status Appeals Board.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eThis series contains records from the President's Office. Most are from 1980-1981, but some date back to 1970.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eThis series contains incoming correspondence, copies of outgoing correspondence, and reports from 1964-1974. Some of the files date from Davis Young Paschall's presidency.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eThis series includes material from the Office of the President from 1980-1982.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eThis series contains records from the President's Office from 1981-1983 with the bulk from 1982.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eThis series contains correspondence and other documents relating to Graves' request for a salary increase, sent to the Board of Visitors to be discussed at the 26 October 1984 meeting.\u003c/p\u003e","\u003cp\u003eThis series contains the texts of speeches delivered by President Graves to groups both on and off campus, 1971-1983.\u003c/p\u003e","\u003cp\u003eThis series contains records from the President's Office from 1982-1983.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eClippings related to faculty salaries; the President's House; the Jefferson Hall fire and aftermath; affirmative action; integration and desegregation; federal funding; Robb Administration; Charles Robb; Holton Administration; Linwood Holton; Southeastern University Research Association (SURA); National Electron Accelerator Laboratory (NEAL); student loans; Board of Visitors; Wightman Cup; Swem Library; fire safety; merit scholarships; asbestos; gifts and bequests; graduates; other colleges and universities; Elizabeth Dole; academics; commencement; alcohol policy; tuition and fees; athletic funding; economic recession; social events; state budget; Reserve Officer Training Corps (ROTC); students; graduate employment prospects; endowment fund; college radio station; WCWM; archaeology; Alfred P. Sloan Foundation; Vernon H. Edmonds; and litigation.\u003c/p\u003e","\u003cp\u003eClippings realted to the Wightman Cup; John Silber; Central America; Southeastern University Reasearch Association (SURA); National Electron Accelerator Laboratory (NEAL); Muscarelle Museum of Art; Charles S. Robb; Robb Administration; admissions; President's House; National Collegiate Athletic Association (NCAA); athletics; integration and desegregation; academics; honor code; other colleges and universities; campus events; Peter Peterson; Lehman Brothers; Lewis I. Glucksman; state budget; Sam Portaro; Bruton Parish Church; alumni; Glenn Close; Burgesses Day; computer science; The New York Times Selective Guide to Colleges; Anthony A. Lucas; Richard J. Davis; Yorktown Victory Center; Thomas A. Graves; fire safety; Jefferson Hall fire; arts funding.\u003c/p\u003e","\u003cp\u003eNews clippings related to presidential search; Hunter B. Andrews; athletics; tuition and fees; other colleges and universities; art; computers; computer science; gifts and bequests; Richard O'Daniel; Secretary of Education; John Casteen; affirmative action; alumni; Anne Dobie Peebles; obituaries; Wightman Cup; academic facilities; graduate job prospects; alcohol policy; faculty salaries; higher education funding; Board of Visitors; state budget; dental plan; drama; theatre; Dean of Student Affairs; Robb Administration; Charles S. Robb; Muscarelle Museum of Art; academics; and the college budget.\u003c/p\u003e","\u003cp\u003eClippings related to athletics; tuition and fees; Robb Administration; Charles S. Robb; state budget; Thomas A. Graves; School of Education Dean; other colleges and universities; U.S. News \u0026amp; World Report rankings; Mamie Stringfellow; obituaries; Richard M. O'Daniel; Charter Day; J. Carter Brown; Marguerite Wynne-Roberts; Southeastern University Research Association (SURA); National Electron Accelerator Laboratory (NEAL); bonds; City of Williamsburg; Chester McNerney; Dortha Skelton; tree logging; George R. Healy; education reform; resignations; Tim Sullivan; and Stewart Gamage.\u003c/p\u003e","\u003cp\u003eClippings related to alumni; Glenn Close; Robb Administration; Charles S. Robb; General Assembly; state budget; state funding; Muscarelle Museum of Art; Thomas A. Graves; Graves Family; Long-Range Planning Commission; athletics; athletic funding; obituaries; and Steve Sacalis.\u003c/p\u003e","\u003cp\u003eClippings related to athletics; athletic funding; Virginia Institute of Marine Science (VIMS); state funding; state budget; Rector; Anne Dobie Peebles; Melvyn D. Schiavelli; Dean of the Faculty of Arts and Sciences; dental plan; Jefferson Hall fire; affirmative action; General Assembly; Virginia Supplemental Retirement System; Karen Elizabeth Dudley; Charles M. Holloway; alumni; Hutton Cobb; Constitution Bicentennial; John McGlennon; Honor System; William F. Swindler; parking; Holocaust remembrance; campus events; theatre; drama; faculty salaries; equal pay; Watkins Gray; other colleges and universities; greenhouse; admissions office; merit scholarships; organizational chart; Robert Bowman; Virginia Secretary of Education; John T. Casteen III; Swem Library; Presidential Search Committee; Richard G. Johnson; desegregation and integration; Lehman Brother; Lewis L. Glucksman; Peter G. Peterson; Ash Lawn restoration and renovation; Leland E. Traywick; bomb threat; tuition and fees; Scott Glenn; Diocese of Virginia; gifts and bequests; faculty reviews; students; commencement; Paul A. Volcker; Charter Day; fire safety; State Board of Education; J. Carter Brown; Erin Sheehey; Charles Marsh; Eva LeGallienne; and internal audits.\u003c/p\u003e","\u003cp\u003eClippings related to fire safety; students; expulsions; honor system; federal funding; Virginia Institute of Marine Science (VIMS); gifts and bequests; community events; tuition and fees; campus police; crime; athletics; computer science; Department of Mathematics and Computer Sciences; Department of Mathematics; Department of Computer Sciences; School of Education; \"Men's Club\"; Virginia economy; Institute of Early American History and Culture; Virginia Shakespeare Festival; Muscarelle Museum of Art; athletic funding; City of Williamsburg; tourism; George Cole; students; parking lawsuit; 1983 Economic Summit of Industrialized Nations; campus events; Mrs. Virginia; endowment fund; graduate job prospects; faculty salaries; Scott Glenn; choir; chorus; William Westmoreland; litigation; gifts and bequests; faculty; botany; merit scholarships; Charles S. Robb; Robb Administration; affirmative action; theatre; drama; General Assembly; Arthur Jarrell Raper; Board of Visitors; Law School; state budget; fraternities and sororites; Greek life; student housing; social life; women's rights; alcohol policy; Title IX; yearbook; Colonial Williamsburg Foundation; minority education; commencement; Paul A. Volcker; presidential search committee; Dean of the Faculty of Arts and Sciences; Melvyn D. Schiavelli; Wightman Cup; admissions; Richard J. Davis; Anne Dobie Peebles; Charter Day; J. Carter Brown; Jefferson Hall fire; purchasing rules; and textbooks.\u003c/p\u003e","\u003cp\u003eClippings related to the Center for Innovative Technology; faculty; George W. Crawford; class registration; athletics; students; academics; athletic funding; arts; arts grants; grants; gifts and bequests; alumni; Glenn Close; Vernon Edmonds; litigation; affirmative action; minority education; desegregation and integration; music; J. Rosser Matthews III; Ranking Scholars; Bureau of Business Research; tuition and fees; Chris Paradis; \"We Have It Made in Virginia\" campaign; Continuous Electron Beam Accelerator Laboratory; coeducation; other colleges and universities; Virginia Shakespeare Festival; John Jamison; provost; George R. Healy; tourism; Bobby James; William D. Zabel; Paul Volcker; commencement; Wayne F. Anderson; graduate job prospects; Muscarelle Museum of Art; computers; computer science; State Council of Higher Education; Charles S. Robb; Robb Administration; alcohol policy; campus events; fundraisers; women's education; Ash Lawn construction projects; John J. McGlennon; Robert Drinan; and obituaries.\u003c/p\u003e","\u003cp\u003eContains articles related to the Juan Sebastian de Elcano; Virginia Institute of Marine Science (VIMS); athletics; faculty; John J. McGlennon; litigation; asbestos; economy; academics; Masters program in educational supervision; local news; Virginia Shakespeare Festival; newspapers; alumni; Justin Deas; Charles S. Robb; Robb Administration; City of Williamsburg; James City County; other colleges and universities; foreign policy; national politics; international politics; computers; computer science; Continuous Electron Beam Accelerator; Anheuser-Busch; federal funding; Muscarelle Museum of Art; Lehman Brothers; Lewis Glucksman; Bryan T. Thompson; tourism; tuition and fees; obituary; athletic funding; affirmative action; minority education; integration and desgregation; Warren E. Burger; William F. Swindler; alcohol policy; campus; Marshall-Wythe School of Law; Festival Williamsburg; community events; Louis E. Catron; theatre; drama; Department of Theatre, Speech, and Dance; George R. Healy; and phone-a-thons.\u003c/p\u003e","\u003cp\u003eContains clippings related to the Virginia Shakespeare Festival; City of Williamsburg; tourism; alumni; Linda Lavin; Continuous Electron Beam Accelerator; Thomas A. Graves; President's annual report; students; William Wilson; economy; weather; climate; John J. McGlennon; Coliseum Mall; 1983 Economic Summit of Industrialized Nations; Rector; Anne Dobie Peebles; Virginia Institute of Marine Science (VIMS); minority recuitment; minority education; affirmative action; integration and desgregation; Marlene Jack; other colleges and universities; obituaries; Bob Sheeran; state sudit; State Auditor of Public Accounts; and Charles K. Trible.\u003c/p\u003e","\u003cp\u003eContains clippings related to State Auditor; Charles K. Trible; other colleges and universities; minority education; integration and desegregation; affirmative action; David Charlton; airport; law school; Virginia Institute of Marine Science (VIMS); Jim Rollings; ahtletics; athletic funding; John J. McGlennon; 1984 Presidential Race; student opinions; Muscarelle Museum of Art; WCWM; student radio station; college history; Vietnam era; faculty salaries; City of Williamsburg; Williamsburg City Council; James N. McCord; James N. McCord; alumni; faaculty; George W. Grayson; Virginia Shakespeare Festival; move-in; economy; computers; computer science; class registration; state funding; Continuous Electron Beam Accelerator; financial aid; William Zinsser; Bob Sheeran; E. John Bond; and tuition and fees.\u003c/p\u003e","\u003cp\u003eContains clippings related to the Continuous Electron Beam Accelerator; Parents Weekend; athletics; Scottish Festival; Leland Traywick Student Emergency Loan Fund; Sigma Xi Science Research Fellowship Program; Roy A. Williams; Assistant Director of Buildings and Grounds; Ariel Doriman; Robert Maidment; faculty meeting; other colleges and universities; tourism; Virginia General Assembly; Media General Inc.; Virginia Council of Higher Education; John Montague; Paul Muldoon; obituaries; minority recruitment; affirmative action; Lewis B. Puller, Jr.; drama; homecoming; William B. Spong, Jr.; Dean of Marshall-Wythe School of Law; Richard A. Williamson; law school; higher education; fire safety; Virginia Shakespeare Festival; the National Law Journal; economy; John J. McGlennon; state funding; campus police; Ervin D. \"Boots\" Farmer; Director of Buildings and Grounds; Jimmye Laycock; Linda Lavin; academics; extracurriculars; alumni; Virginia Institute of Marine Science (VIMS); National Association of Private Art Foundations; and desegregation and integration.\u003c/p\u003e","\u003cp\u003eContains clippings related to Burgesses Day; athletics; other colleges and universities; Muscarelle Museum of Art; Sinfonicron; drama; Marshall-Wythe School of Law; blood drives; Greek life; K. Shankar Bajpai; John J. McGlennon; 1984 Presidential Election; Jeffrey DeLuca; Williamsburg Reunion; Campus Center; Martha Elizabeth Barksdale Fund; William and Mary Theatre; Trinkle Hall; \"Our Future in the Cosmos\"; athletics funding; greenhouse; Fragile X Syndrome; financial aid; tuition and fees; fire safety; presidential search committee; Gladys s. Johnston; Linda Lavin; John H. \"Jack\" Garrett; alumni; alumni medallions; Prenitss Award; Spirit Contest; Rector; Anne Dobie Peebles; and the Smithosnian Institution.\u003c/p\u003e","\u003cp\u003eContains clippings related to Senator John Warner; athletics; Paul Taylor Dance Company; state funding; Muscarelle Museum of Art; law school; dean of the Marshall-Wythe School of Law; Tyler Hall; Aage Rosendal Nielsen; married students; Cliffs Tapes; Secretary of Education; Terrel Bell; George W. Grayson; faculty; Virginia Institute of Marine Science (VIMS); President's House; Grenada; Virginia Shakespeare Festival; financial aid; Management Consulting Group; Homecoming; Homecoming Parade; alumni; Linda Lavin; sexual violence; Greek life; other colleges and universities; Virginia Peninsula Chamber of Commerce \"Distinguished Citizen of 1984\"; Congressman G. William Whitehurst; 1984 Presidential Election; President's House; affirmative action; minority recruitment; desegregation and integration; minority education; Lisa Birnbach; John J. Mcglennon; American College Theatre Festival; Recot; Anne Dobie Peebles; John W. Dayton; student life; and Yorktown Day.\u003c/p\u003e","\u003cp\u003eContains clippings related to athletics; other colleges and universities; honor system; State Council of Higher Education; President's House; President's House Friends; Business School medallion; weather; faculty; Robert Maidment; faculty salaries; students; Lesbian and Gay Union; Dr. Hans von Baeyer; Virignia Institute of Marine Science (VIMS); William and Mary Choir; Lambda Alliance; LGBTQ campus community; bicycle theft; campus crime; Direct-Marketing of Williamsburg Group; Continuous Electron Beam Accelerator; Center for Executive Development; Marshall-Wythe School of Law; Dance Theatre of Harlem; Sharon Isbin; law school admissions; presidential search committee; Patricia Harris; \"Our Future in the Cosmos\"; Lee Bollinger; affirmative action; minority recruitment; minority education; desegregation and integration; suicide; theater; student government; community colleges; teosinte plant; Dr. Robert Maidment; School of Education; enrollment; obituaries; campus police; homosexual rights; Pat Robertson; landscaping; Roy A. Williams; financial aid; John J. McGlennon; Muscarelle Museum of Art; women's education; Linda Lavin; Department of Education; tuition and fees; curriculum; courses; Buffalo Bill; faculty recital; McGruff Halloween Party; and the Frenchman's Map.\u003c/p\u003e","\u003cp\u003eContains news clippings related to the William and Mary President; William and Mary President-designate; Paul R. Verkuil; minority education; desegregation and integration; affirmative action; minority recruitment; Virginia Institute of Marine Science (VIMS); student career prospects; fire; obituaries; Jefferson Hall; Jefferson Hall fire; Commonwealth Inn; William B. Spong, Jr.; fire safety; fire alarms; Thomas A. Graves; liberal arts; peace forums; municipal service charge; humanities; curriculum; other colleges and universities; School of Business Administration; athletics; tourism; faculty; students; Gerald Johnson; Charles S. Robb; Governor; gifts and bequests; Continuous Electron Beam Accelerator Facility; security; Thomas Ashley Graves, Jr. Award of Sustained Excellence in Teaching; Phi Beta Kappa; academic scholarships; service fellowships; Beales scholarship; Yule Log; joint degree programs; academic programs; Richard J. Davis; elections; campaigns; John Barlow; student housing; Govenor's Square; Muscarelle Museum of Art; George R. Healy; computer science; suicide; Council of Higher Education; Presidential Search Committee; acting President; and Reserve Officers Training Corps (ROTC).\u003c/p\u003e","\u003cp\u003eContains clippings related to the General Assembly; college draft bill; Paul R. Verkuil; Governor of Virgnia; Charles S. Robb; George R. Healy; Francis Jennings; Virginia Associated Research Campus; financial aid; tution and fees; Thomas A. Graves, Jr.; athletics; Hornsby family; retrospectives; academic programs; joint degree programs; Lieutenant Governor of Virginia; faculty; alumni; Howard Scammon; obituaries; Department of Education; Goodwin Islands; Virginia Institute of Marine Science (VIMS); economy; and Hampton Roads.\u003c/p\u003e","\u003cp\u003eThis series contains records from the President's Office from 1983-1984. 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series contains two bound copies of \"An Age of Distinction: William and Mary's Fourth Century,\" a working paper presented by the Long Range Planning Commission in 1985.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection includes subject files, speeches, and other material from the administration of College of William and Mary President Thomas Ashley Graves with some overlap with his predecessor Davis Y. Paschall and his successor Paul Verkuil. For the most part, headings assigned to folders in their office of origin have been maintained in the box list inventories available here."," In addition, there are two unprocessed boxes. Consult a staff member for assistance.","This series contains records from the President's Office from 1951-1976. Some of the files date from Davis Young Paschall's and Alvin Duke Chandler's presidencies.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office, mainly from 1940-1978. Some of the files date from Davis Young Paschall's presidency. Box 43 contains miscellaneous material not included in the alphabetical arrangement of the files in this series.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office, mainly from 1948-1979.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office from 1953-1982. Some of the files date from Davis Young Paschall's presidency.","Restricted","Restricted","Restricted","Restricted","Restricted","Restrict","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office from 1942-1980. Some of the files date from Davis Young Paschall's presidency.","Restrict","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office from 1942-1978. The bulk of the files date from Davis Young Paschall's presidency. See Office of the President. Davis Young Paschall (UA 2.15) for more files from 1960 to 1972.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Endowment","Endowment","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office from 1973-1980.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Complete file is being retained in Wes Wilson's office, as Chairman of the Residency Status Appeals Board.","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office. Most are from 1980-1981, but some date back to 1970.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains incoming correspondence, copies of outgoing correspondence, and reports from 1964-1974. Some of the files date from Davis Young Paschall's presidency.","Restricted","Restricted","This series includes material from the Office of the President from 1980-1982.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office from 1981-1983 with the bulk from 1982.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains correspondence and other documents relating to Graves' request for a salary increase, sent to the Board of Visitors to be discussed at the 26 October 1984 meeting.","This series contains the texts of speeches delivered by President Graves to groups both on and off campus, 1971-1983.","This series contains records from the President's Office from 1982-1983.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Clippings related to faculty salaries; the President's House; the Jefferson Hall fire and aftermath; affirmative action; integration and desegregation; federal funding; Robb Administration; Charles Robb; Holton Administration; Linwood Holton; Southeastern University Research Association (SURA); National Electron Accelerator Laboratory (NEAL); student loans; Board of Visitors; Wightman Cup; Swem Library; fire safety; merit scholarships; asbestos; gifts and bequests; graduates; other colleges and universities; Elizabeth Dole; academics; commencement; alcohol policy; tuition and fees; athletic funding; economic recession; social events; state budget; Reserve Officer Training Corps (ROTC); students; graduate employment prospects; endowment fund; college radio station; WCWM; archaeology; Alfred P. Sloan Foundation; Vernon H. Edmonds; and litigation.","Clippings realted to the Wightman Cup; John Silber; Central America; Southeastern University Reasearch Association (SURA); National Electron Accelerator Laboratory (NEAL); Muscarelle Museum of Art; Charles S. Robb; Robb Administration; admissions; President's House; National Collegiate Athletic Association (NCAA); athletics; integration and desegregation; academics; honor code; other colleges and universities; campus events; Peter Peterson; Lehman Brothers; Lewis I. Glucksman; state budget; Sam Portaro; Bruton Parish Church; alumni; Glenn Close; Burgesses Day; computer science; The New York Times Selective Guide to Colleges; Anthony A. Lucas; Richard J. Davis; Yorktown Victory Center; Thomas A. Graves; fire safety; Jefferson Hall fire; arts funding.","News clippings related to presidential search; Hunter B. Andrews; athletics; tuition and fees; other colleges and universities; art; computers; computer science; gifts and bequests; Richard O'Daniel; Secretary of Education; John Casteen; affirmative action; alumni; Anne Dobie Peebles; obituaries; Wightman Cup; academic facilities; graduate job prospects; alcohol policy; faculty salaries; higher education funding; Board of Visitors; state budget; dental plan; drama; theatre; Dean of Student Affairs; Robb Administration; Charles S. Robb; Muscarelle Museum of Art; academics; and the college budget.","Clippings related to athletics; tuition and fees; Robb Administration; Charles S. Robb; state budget; Thomas A. Graves; School of Education Dean; other colleges and universities; U.S. News \u0026 World Report rankings; Mamie Stringfellow; obituaries; Richard M. O'Daniel; Charter Day; J. Carter Brown; Marguerite Wynne-Roberts; Southeastern University Research Association (SURA); National Electron Accelerator Laboratory (NEAL); bonds; City of Williamsburg; Chester McNerney; Dortha Skelton; tree logging; George R. Healy; education reform; resignations; Tim Sullivan; and Stewart Gamage.","Clippings related to alumni; Glenn Close; Robb Administration; Charles S. Robb; General Assembly; state budget; state funding; Muscarelle Museum of Art; Thomas A. Graves; Graves Family; Long-Range Planning Commission; athletics; athletic funding; obituaries; and Steve Sacalis.","Clippings related to athletics; athletic funding; Virginia Institute of Marine Science (VIMS); state funding; state budget; Rector; Anne Dobie Peebles; Melvyn D. Schiavelli; Dean of the Faculty of Arts and Sciences; dental plan; Jefferson Hall fire; affirmative action; General Assembly; Virginia Supplemental Retirement System; Karen Elizabeth Dudley; Charles M. Holloway; alumni; Hutton Cobb; Constitution Bicentennial; John McGlennon; Honor System; William F. Swindler; parking; Holocaust remembrance; campus events; theatre; drama; faculty salaries; equal pay; Watkins Gray; other colleges and universities; greenhouse; admissions office; merit scholarships; organizational chart; Robert Bowman; Virginia Secretary of Education; John T. Casteen III; Swem Library; Presidential Search Committee; Richard G. Johnson; desegregation and integration; Lehman Brother; Lewis L. Glucksman; Peter G. Peterson; Ash Lawn restoration and renovation; Leland E. Traywick; bomb threat; tuition and fees; Scott Glenn; Diocese of Virginia; gifts and bequests; faculty reviews; students; commencement; Paul A. Volcker; Charter Day; fire safety; State Board of Education; J. Carter Brown; Erin Sheehey; Charles Marsh; Eva LeGallienne; and internal audits.","Clippings related to fire safety; students; expulsions; honor system; federal funding; Virginia Institute of Marine Science (VIMS); gifts and bequests; community events; tuition and fees; campus police; crime; athletics; computer science; Department of Mathematics and Computer Sciences; Department of Mathematics; Department of Computer Sciences; School of Education; \"Men's Club\"; Virginia economy; Institute of Early American History and Culture; Virginia Shakespeare Festival; Muscarelle Museum of Art; athletic funding; City of Williamsburg; tourism; George Cole; students; parking lawsuit; 1983 Economic Summit of Industrialized Nations; campus events; Mrs. Virginia; endowment fund; graduate job prospects; faculty salaries; Scott Glenn; choir; chorus; William Westmoreland; litigation; gifts and bequests; faculty; botany; merit scholarships; Charles S. Robb; Robb Administration; affirmative action; theatre; drama; General Assembly; Arthur Jarrell Raper; Board of Visitors; Law School; state budget; fraternities and sororites; Greek life; student housing; social life; women's rights; alcohol policy; Title IX; yearbook; Colonial Williamsburg Foundation; minority education; commencement; Paul A. Volcker; presidential search committee; Dean of the Faculty of Arts and Sciences; Melvyn D. Schiavelli; Wightman Cup; admissions; Richard J. Davis; Anne Dobie Peebles; Charter Day; J. Carter Brown; Jefferson Hall fire; purchasing rules; and textbooks.","Clippings related to the Center for Innovative Technology; faculty; George W. Crawford; class registration; athletics; students; academics; athletic funding; arts; arts grants; grants; gifts and bequests; alumni; Glenn Close; Vernon Edmonds; litigation; affirmative action; minority education; desegregation and integration; music; J. Rosser Matthews III; Ranking Scholars; Bureau of Business Research; tuition and fees; Chris Paradis; \"We Have It Made in Virginia\" campaign; Continuous Electron Beam Accelerator Laboratory; coeducation; other colleges and universities; Virginia Shakespeare Festival; John Jamison; provost; George R. Healy; tourism; Bobby James; William D. Zabel; Paul Volcker; commencement; Wayne F. Anderson; graduate job prospects; Muscarelle Museum of Art; computers; computer science; State Council of Higher Education; Charles S. Robb; Robb Administration; alcohol policy; campus events; fundraisers; women's education; Ash Lawn construction projects; John J. McGlennon; Robert Drinan; and obituaries.","Contains articles related to the Juan Sebastian de Elcano; Virginia Institute of Marine Science (VIMS); athletics; faculty; John J. McGlennon; litigation; asbestos; economy; academics; Masters program in educational supervision; local news; Virginia Shakespeare Festival; newspapers; alumni; Justin Deas; Charles S. Robb; Robb Administration; City of Williamsburg; James City County; other colleges and universities; foreign policy; national politics; international politics; computers; computer science; Continuous Electron Beam Accelerator; Anheuser-Busch; federal funding; Muscarelle Museum of Art; Lehman Brothers; Lewis Glucksman; Bryan T. Thompson; tourism; tuition and fees; obituary; athletic funding; affirmative action; minority education; integration and desgregation; Warren E. Burger; William F. Swindler; alcohol policy; campus; Marshall-Wythe School of Law; Festival Williamsburg; community events; Louis E. Catron; theatre; drama; Department of Theatre, Speech, and Dance; George R. Healy; and phone-a-thons.","Contains clippings related to the Virginia Shakespeare Festival; City of Williamsburg; tourism; alumni; Linda Lavin; Continuous Electron Beam Accelerator; Thomas A. Graves; President's annual report; students; William Wilson; economy; weather; climate; John J. McGlennon; Coliseum Mall; 1983 Economic Summit of Industrialized Nations; Rector; Anne Dobie Peebles; Virginia Institute of Marine Science (VIMS); minority recuitment; minority education; affirmative action; integration and desgregation; Marlene Jack; other colleges and universities; obituaries; Bob Sheeran; state sudit; State Auditor of Public Accounts; and Charles K. Trible.","Contains clippings related to State Auditor; Charles K. Trible; other colleges and universities; minority education; integration and desegregation; affirmative action; David Charlton; airport; law school; Virginia Institute of Marine Science (VIMS); Jim Rollings; ahtletics; athletic funding; John J. McGlennon; 1984 Presidential Race; student opinions; Muscarelle Museum of Art; WCWM; student radio station; college history; Vietnam era; faculty salaries; City of Williamsburg; Williamsburg City Council; James N. McCord; James N. McCord; alumni; faaculty; George W. Grayson; Virginia Shakespeare Festival; move-in; economy; computers; computer science; class registration; state funding; Continuous Electron Beam Accelerator; financial aid; William Zinsser; Bob Sheeran; E. John Bond; and tuition and fees.","Contains clippings related to the Continuous Electron Beam Accelerator; Parents Weekend; athletics; Scottish Festival; Leland Traywick Student Emergency Loan Fund; Sigma Xi Science Research Fellowship Program; Roy A. Williams; Assistant Director of Buildings and Grounds; Ariel Doriman; Robert Maidment; faculty meeting; other colleges and universities; tourism; Virginia General Assembly; Media General Inc.; Virginia Council of Higher Education; John Montague; Paul Muldoon; obituaries; minority recruitment; affirmative action; Lewis B. Puller, Jr.; drama; homecoming; William B. Spong, Jr.; Dean of Marshall-Wythe School of Law; Richard A. Williamson; law school; higher education; fire safety; Virginia Shakespeare Festival; the National Law Journal; economy; John J. McGlennon; state funding; campus police; Ervin D. \"Boots\" Farmer; Director of Buildings and Grounds; Jimmye Laycock; Linda Lavin; academics; extracurriculars; alumni; Virginia Institute of Marine Science (VIMS); National Association of Private Art Foundations; and desegregation and integration.","Contains clippings related to Burgesses Day; athletics; other colleges and universities; Muscarelle Museum of Art; Sinfonicron; drama; Marshall-Wythe School of Law; blood drives; Greek life; K. Shankar Bajpai; John J. McGlennon; 1984 Presidential Election; Jeffrey DeLuca; Williamsburg Reunion; Campus Center; Martha Elizabeth Barksdale Fund; William and Mary Theatre; Trinkle Hall; \"Our Future in the Cosmos\"; athletics funding; greenhouse; Fragile X Syndrome; financial aid; tuition and fees; fire safety; presidential search committee; Gladys s. Johnston; Linda Lavin; John H. \"Jack\" Garrett; alumni; alumni medallions; Prenitss Award; Spirit Contest; Rector; Anne Dobie Peebles; and the Smithosnian Institution.","Contains clippings related to Senator John Warner; athletics; Paul Taylor Dance Company; state funding; Muscarelle Museum of Art; law school; dean of the Marshall-Wythe School of Law; Tyler Hall; Aage Rosendal Nielsen; married students; Cliffs Tapes; Secretary of Education; Terrel Bell; George W. Grayson; faculty; Virginia Institute of Marine Science (VIMS); President's House; Grenada; Virginia Shakespeare Festival; financial aid; Management Consulting Group; Homecoming; Homecoming Parade; alumni; Linda Lavin; sexual violence; Greek life; other colleges and universities; Virginia Peninsula Chamber of Commerce \"Distinguished Citizen of 1984\"; Congressman G. William Whitehurst; 1984 Presidential Election; President's House; affirmative action; minority recruitment; desegregation and integration; minority education; Lisa Birnbach; John J. Mcglennon; American College Theatre Festival; Recot; Anne Dobie Peebles; John W. Dayton; student life; and Yorktown Day.","Contains clippings related to athletics; other colleges and universities; honor system; State Council of Higher Education; President's House; President's House Friends; Business School medallion; weather; faculty; Robert Maidment; faculty salaries; students; Lesbian and Gay Union; Dr. Hans von Baeyer; Virignia Institute of Marine Science (VIMS); William and Mary Choir; Lambda Alliance; LGBTQ campus community; bicycle theft; campus crime; Direct-Marketing of Williamsburg Group; Continuous Electron Beam Accelerator; Center for Executive Development; Marshall-Wythe School of Law; Dance Theatre of Harlem; Sharon Isbin; law school admissions; presidential search committee; Patricia Harris; \"Our Future in the Cosmos\"; Lee Bollinger; affirmative action; minority recruitment; minority education; desegregation and integration; suicide; theater; student government; community colleges; teosinte plant; Dr. Robert Maidment; School of Education; enrollment; obituaries; campus police; homosexual rights; Pat Robertson; landscaping; Roy A. Williams; financial aid; John J. McGlennon; Muscarelle Museum of Art; women's education; Linda Lavin; Department of Education; tuition and fees; curriculum; courses; Buffalo Bill; faculty recital; McGruff Halloween Party; and the Frenchman's Map.","Contains news clippings related to the William and Mary President; William and Mary President-designate; Paul R. Verkuil; minority education; desegregation and integration; affirmative action; minority recruitment; Virginia Institute of Marine Science (VIMS); student career prospects; fire; obituaries; Jefferson Hall; Jefferson Hall fire; Commonwealth Inn; William B. Spong, Jr.; fire safety; fire alarms; Thomas A. Graves; liberal arts; peace forums; municipal service charge; humanities; curriculum; other colleges and universities; School of Business Administration; athletics; tourism; faculty; students; Gerald Johnson; Charles S. Robb; Governor; gifts and bequests; Continuous Electron Beam Accelerator Facility; security; Thomas Ashley Graves, Jr. Award of Sustained Excellence in Teaching; Phi Beta Kappa; academic scholarships; service fellowships; Beales scholarship; Yule Log; joint degree programs; academic programs; Richard J. Davis; elections; campaigns; John Barlow; student housing; Govenor's Square; Muscarelle Museum of Art; George R. Healy; computer science; suicide; Council of Higher Education; Presidential Search Committee; acting President; and Reserve Officers Training Corps (ROTC).","Contains clippings related to the General Assembly; college draft bill; Paul R. Verkuil; Governor of Virgnia; Charles S. Robb; George R. Healy; Francis Jennings; Virginia Associated Research Campus; financial aid; tution and fees; Thomas A. Graves, Jr.; athletics; Hornsby family; retrospectives; academic programs; joint degree programs; Lieutenant Governor of Virginia; faculty; alumni; Howard Scammon; obituaries; Department of Education; Goodwin Islands; Virginia Institute of Marine Science (VIMS); economy; and Hampton Roads.","This series contains records from the President's Office from 1983-1984. These include correspondence and publications.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains two bound copies of \"An Age of Distinction: William and Mary's Fourth Century,\" a working paper presented by the Long Range Planning Commission in 1985."],"separatedmaterial_html_tesm":["\u003cp\u003ePinks have been removed to Acc. 1983.039.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Pinks have been removed to Acc. 1983.039."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Associated and Branch Campuses--Richard Bland College","Associated and Branch Campuses--Virginia Associated Research Campus","College of William and Mary. Board of Visitors","College of William and Mary. College of Arts and Sciences","College of William and Mary. Office of the President","College of William and Mary. Project Plus","College of William and Mary. School of Business Administration","College of William and Mary. School of Education","Development Office--Endowment Association","Joseph and Margaret Muscarelle Museum of Art","Marshall-Wythe School of Law","Omohundro Institute of Early American History and Culture","Order of the White Jacket","State Council of Higher Education for Virginia","Virginia Institute of Marine Science","Chandler, Alvin Duke","Graves, Thomas Ashley, Jr","Paschall, Davis Young, 1911-2001"],"names_ssim":["Special Collections Research Center","Office of the President","Associated and Branch Campuses--Richard Bland College","Associated and Branch Campuses--Virginia Associated Research Campus","College of William and Mary. Board of Visitors","College of William and Mary. College of Arts and Sciences","College of William and Mary. Office of the President","College of William and Mary. Project Plus","College of William and Mary. School of Business Administration","College of William and Mary. School of Education","Development Office--Endowment Association","Joseph and Margaret Muscarelle Museum of Art","Marshall-Wythe School of Law","Omohundro Institute of Early American History and Culture","Order of the White Jacket","State Council of Higher Education for Virginia","Virginia Institute of Marine Science","Graves, Thomas Ashley, Jr., 1924-","Chandler, Alvin Duke, 1902-1987","Paschall, Davis Young, 1911-2001","Chandler, Alvin Duke","Graves, Thomas Ashley, Jr"],"corpname_ssim":["Special Collections Research Center","Office of the President","Associated and Branch Campuses--Richard Bland College","Associated and Branch Campuses--Virginia Associated Research Campus","College of William and Mary. Board of Visitors","College of William and Mary. College of Arts and Sciences","College of William and Mary. Office of the President","College of William and Mary. Project Plus","College of William and Mary. School of Business Administration","College of William and Mary. 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Johnson \u003c/p\u003e\n","\u003cp\u003eKing of Belgium 5/31/59 \u003c/p\u003e\n","\u003cp\u003ePresident Richard Nixon with W\u0026amp;M President Paschal \u003c/p\u003e\n","\u003cp\u003ePresident Dwight Eisenhower \u003c/p\u003e\n","\u003cp\u003eGrand Opening Day with Queen Elizabeth 1957 \u003c/p\u003e\n","\u003cp\u003ePresident Gerald Ford \u003c/p\u003e\n","\u003cp\u003ePresident Rockefeller \u003c/p\u003e\n","\u003cp\u003eDebbie Reynolds \u003c/p\u003e\n","\u003cp\u003eKing Hussein of Jordan Visits Jamestown \u003c/p\u003e\n","\u003cp\u003eGovernor Mills Godwin \u003c/p\u003e\n","\u003cp\u003eKing of Morocco Visits \u003c/p\u003e\n","\u003cp\u003eLord Mayor of London at Colonial Williamsburg \u003c/p\u003e\n","\u003cp\u003eKing Baudouin of Belgium May 1959 \u003c/p\u003e\n","\u003cp\u003ePrince Phillip with Governor Stanley \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection includes photographs, negatives, slides, film, postcards, ephemera, correspondence and artifacts belonging to Thomas L. Williams, photographer for William \u0026 Mary for 35 years.  He was also a photographer for Camp Peary and Colonial Williamsburg prior to working for William \u0026 Mary.","Addition includes photographs, correspondence, negatives, and newspaper articles from Thomas L. Williams. Photographs includes scenes of Colonial Williamsburg and the campus of William \u0026 Mary.","Files include photographs of Williamsburg, Virginia, William \u0026 Mary, as well as personal family photographs taken by Thomas L. Williams from the 1940s-1960s. Other papers include clippings documenting events in Williamsburg and correspondence. ","Included in the folder of people of note visiting Williamsburg are those labeled as follows: ","Menderez, Sec. of Defense of Turkey Visited 7/13/58 ","President Dwight D. Eisenhower with Virginia Governor Thomas Stanley ","Vera Vague of Rob Hope Show WWII ","Jack Niklaus 9/67 ","President Lyndon B. Johnson ","King of Belgium 5/31/59 ","President Richard Nixon with W\u0026M President Paschal ","President Dwight Eisenhower ","Grand Opening Day with Queen Elizabeth 1957 ","President Gerald Ford ","President Rockefeller ","Debbie Reynolds ","King Hussein of Jordan Visits Jamestown ","Governor Mills Godwin ","King of Morocco Visits ","Lord Mayor of London at Colonial Williamsburg ","King Baudouin of Belgium May 1959 ","Prince Phillip with Governor Stanley "],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Williams, Thomas L."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Williams, Thomas L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10461,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T12:07:10.432Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8143_c04_c131"}},{"id":"vifgm_repositories_2_resources_150_c01_c01_c67","type":"File","attributes":{"title":"\"You Can't Take It with You\" Reviews","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_150_c01_c01_c67#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eAlso contains advertisements, rosters, and announcements.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_150_c01_c01_c67#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_150_c01_c01_c67","ref_ssm":["vifgm_repositories_2_resources_150_c01_c01_c67"],"id":"vifgm_repositories_2_resources_150_c01_c01_c67","ead_ssi":"vifgm_repositories_2_resources_150","_root_":"vifgm_repositories_2_resources_150","_nest_parent_":"vifgm_repositories_2_resources_150_c01_c01","parent_ssi":"vifgm_repositories_2_resources_150_c01_c01","parent_ssim":["vifgm_repositories_2_resources_150","vifgm_repositories_2_resources_150_c01","vifgm_repositories_2_resources_150_c01_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_150","vifgm_repositories_2_resources_150_c01","vifgm_repositories_2_resources_150_c01_c01"],"parent_unittitles_ssm":["Robert Prosky Papers","Series 1: Professional","Subseries 1.1: Theater"],"parent_unittitles_tesim":["Robert Prosky Papers","Series 1: Professional","Subseries 1.1: Theater"],"text":["Robert Prosky Papers","Series 1: Professional","Subseries 1.1: Theater","\"You Can't Take It with You\" Reviews","box 3","folder 22","Also contains advertisements, rosters, and announcements."],"title_filing_ssi":"\"You Can't Take It with You\" Reviews","title_ssm":["\"You Can't Take It with You\" Reviews"],"title_tesim":["\"You Can't Take It with You\" Reviews"],"unitdate_other_ssim":["1979-1980, 1997-1998"],"normalized_date_ssm":["1979/1998"],"normalized_title_ssm":["\"You Can't Take It with You\" Reviews"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Robert Prosky Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":69,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"containers_ssim":["box 3","folder 22"],"scopecontent_html_tesm":["\u003cp\u003eAlso contains advertisements, rosters, and announcements.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Also contains advertisements, rosters, and announcements."],"_nest_path_":"/components#0/components#0/components#66","timestamp":"2026-05-21T05:32:14.503Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_150","ead_ssi":"vifgm_repositories_2_resources_150","_root_":"vifgm_repositories_2_resources_150","_nest_parent_":"vifgm_repositories_2_resources_150","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_150.xml","title_filing_ssi":"Robert Prosky papers","title_ssm":["Robert Prosky Papers"],"title_tesim":["Robert Prosky Papers"],"unitdate_ssm":["1909-2007"],"unitdate_inclusive_ssm":["1909-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0022","/repositories/2/resources/150"],"text":["C0022","/repositories/2/resources/150","Robert Prosky Papers","Actors -- United States","Theater -- Washington (D.C.)","Theater -- United States","Television","Motion pictures -- United States","Performing arts","Theater","Acting","Photographs","Video recordings","There are no access restrictions.","Audiovisual materials in Series 4 have been digitized are available for access. Please contact SCRC for more information.","Arranged into six series:","Series Series 1: Professional, 1954-2007 (Boxes 1-5) Series 2: Personal, 1909-2007 (Boxes 5-8) Series 3: Photographs, 1930s-2005 (Boxes 9-11) Series 4: Audiovisual, 1960-2007 (Boxes 12-13) Series 5: Oversize, 1950s-2006 (Boxes 14-15) Series 6: Realia, 1998-2004 (Box 16)","Born in Philadelphia, Robert Prosky (1930-2008) spent much of his career as an actor in more than 200 plays at the Arena Stage in Washington, D.C., on Broadway in New York City, and in regional theatre. Prosky's association with the Arena Stage included more than 130 productions over the course of 20 years. His Broadway appearances included \"Glengarry Glenross,\" \"A Walk in the Woods,\" and \"A View from the Bridge.\" Highlights from regional theater include \"Death of a Salesman,\" \"Twelfth Night,\" and \"You Can't Take It With You.\" He also performed on stage in the Moscow Art Theatre in the then-Soviet Union, the Gate Theater in Dublin, Ireland, as well as in a Chinese theater in Hong Kong.","Beginning in the 1980s, he regularly appeared in film and television. His films include \"Christine,\" \"Mrs. Doubtfire,\" \"The Natural,\" \"The Scarlet Letter,\" and \"Dead Man Walking.\" Television credits include three years on \"Hill Street Blues,\" many television films and guest shots.","He received or was nominated for two Tony awards, two Helen Hayes awards, an Emmy, the Drama Desk award, and the American Express Tribute To An American Actor. He continued to perform on stage and present lectures on his long career at universities, film festivals, for theater benefits, business groups and on cruises. He died on December 8, 2008, in Washington, D.C. ","Processed in 2008 by Sarah Patton, Jennifer Munson, and Jordan Patty. EAD markup completed in 2008 by Jordan Patty and Jennifer Munson. Finding aid updated by Amanda Menjivar in May 2025.","The Special Collections Research Center also holds the   and the papers of other Washington, D.C. theatre artists.","An oral history was performed with Robert Prosky for the   and is available for access.","Consists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials. ","The collection consists of six series. The first series contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically. Subseries 1.1 includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes. Subseries 1.2 contains mostly clippings and reviews about Prosky's film career, but there are a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\" Subseries 1.3 contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\" Note that there are additional professional documents, such as posters, in the oversize series. ","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically. Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Subseries 2.2 contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. Of particular interest are transcripts from an autobiography by Prosky. Note that there are additional biographical articles in the oversize series both loose and in scrapbooks. ","The third series contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically. Note that there are additional photographs in the oversize series both loose and in scrapbooks. ","The fourth series consists of copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public service announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations. ","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life. ","The sixth series consists of objects from Prosky's professional career and personal life, such as opening night gifts and production souvenirs. ","Contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically.","Includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage.","Quarterdeck Theatre.","Gonzaga College. Prosky not in cast.","Arena Stage.","Lucille Lortel Theatre.","Berkshire Theatre Festival. Review by Herbert Wolff.","Arena Stage.","Old Academy.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Brooks Atkinson Theatre.","Arena Stage.","Arena Stage. Review by Mel Gussow.","Ford's Theatre.","Also contains television reviews and biographical information.","Goodman Theatre.","John Golden Theatre.","Manhattan Ensemble Theater. Also contains postcards with advertisements.","Fred Miller Theatre.","Arena Stage.","Arena Stage.","Ford's Theatre.","Lee Strasberg Theatre Center.","Delaware Theatre Company (1993) and Arena Stage (1995).","Douglass College.","Arena Stage.","Arena Stage.","Fred Miller Theatre.","Morosco Theatre. Prosky not in cast.","Arena Stage.","Gate Theatre.","Cape May Stage.","Arena Stage. Also contains a pre-production announcement.","Quarterdeck Theatre.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Colonial Theatre.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Coronet Theatre. Prosky not in cast.","Ambassador Theatre.","Royal Poinciana Playhouse. Prosky not in cast.","Booth Theatre.","One copy entirely in Russian and one with only the title translated.","Booth Theatre. Also contains some correspondence.","Contains stories on Zelda Fichandler and Robert Prosky.","Fred Miller Theatre.","Hong Kong Arts Festival.","Guthrie Theatre.","Arena Stage.","Also contains advertisements, rosters, and announcements.","Contains mostly clippings and reviews about Prosky's film career, but there are also a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\"","Also contains correspondence.","Contains production facts, one color production still photograph, and one black and white photograph of the director Gayle Knutson.","Also includes information on \"Glengarry Glenn Ross\" and television work.","Contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\"","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically.","Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Arranged alphabetically by name type of correspondence, then chronologically.","RESTRICTED","Also includes correspondence about Prosky's Tony Award nomination.","Contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. This subseries also contains transcripts from a self-recorded autobiography by Prosky. Arranged alphabetically by article title and type of document, then chronologically.","Post Eagle newspaper.","Columbia Flier newspaper.","America 275 Illustrated Story no. 11-79.","Prosky nominated for \"Glengarry Glenross\".\"","Prosky nominated for \"A Walk in the Woods\".","Prosky won best actor in a short film for \"Grandfather's Birthday\".","Folder 1.","Folder 2.","Cynthia Snyder Public Relations.","Article by Zelda Fichandler.","Presented to both Prosky and his wife Ida.","Philadelphia magazine.","Prosky served as the master of ceremonies.","Prosky nominated for his role in \"Our Town\".","Prosky honored with the American Express Tribute.","Washington Post newspaper.","Roxborough Times newspaper.","Home News newspaper.","New York Times Newspaper.","Equity News newsletter.","New York Times newspaper.","Arena Stage.","Folder 1.","Folder 2.","Presented to Prosky for his role as Mr. Buchanan in \"Jabberwocky\".","Sun Weekly newspaper.","People Weekly magazine.","Relax magazine. In Polish.","New Jersey Lifestyle magazine.","Pen World magazine.","Washington Post Magazine.","Daily News newspaper.","Dossier magazine.","Washington Times newspaper. Article mentions Prosky's Hayes award for \"The Price\".","Also includes correspondence.","Contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically.","Contains copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public serve announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.","VHS, 18 minutes, color","Audio reel.\nAvailable on digital format.","Reel, 60 seconds, color.\nAvailable on digital format.","Reel, 60 seconds, color, U.S. Dept. of Agriculture Food Safety and Quality Service.\nAvailable on digital format.","Audio reel.\nAvailable on digital format.","VHS, #466216, Final Viewing Cassette","VHS, #466217, Final Viewing Cassette","VHS, #466218, Final Viewing Cassette","VHS, #466219, Final Viewing Cassette","VHS, #466220, Final Viewing Cassette","VHS, #466221, Final Viewing Cassette","Audio, 6 Demo spots, 7.5 IPS.\nAvailable on digital format.","VHS, 30 minutes","CD, Arena Stage press photos","DVD, DEMO","DVD, Tape 1, Harris Theatre GMU","DVD, Tape 2, Harris Theatre GMU","DVD, Clips for Lecture","Audio cassette tape, WABC Talk Radio 77am","DVD","Video reel, 60 seconds.\nAvailable on digital format.","Audio cassette tape, Tape 1","Audio cassette tape, Tape 2","Audio Cassette Tape, WTOP Radio","DVD","Audio reel.\nAvailable on digital format.","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life.","Black binder with \"Thief\" label","Black binder with Robert Prosky","Photograph","Photograph - Appearances","Photograph - Theatre","Nomination for Best Supporting Actor in a Television Movie \"Into Thin Air\"","Six different shots","Interview page 37","Three matted portraits","Autographed film poster","Production poster","Photographs, newspaper clippings, playbills","Blue album with flowers on cover, photographs, newspaper clippings, playbills","Autographed copy by Kathryn Crosby","Consists of objects from Prosky's professional career and personal life.","Paperweight","Miniature briefcase","Robert Prosky's name monogrammed on one side.","Ford's Theatre, Dog tags","Plaque","Souvenir bag","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Consists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials.","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Prosky, Robert, 1930-2008","English \n.    "],"unitid_tesim":["C0022","/repositories/2/resources/150"],"normalized_title_ssm":["Robert Prosky Papers"],"collection_title_tesim":["Robert Prosky Papers"],"collection_ssim":["Robert Prosky Papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Prosky, Robert, 1930-2008"],"creator_ssim":["Prosky, Robert, 1930-2008"],"creator_persname_ssim":["Prosky, Robert, 1930-2008"],"creators_ssim":["Prosky, Robert, 1930-2008"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Robert Prosky in 2007-2008."],"access_subjects_ssim":["Actors -- United States","Theater -- Washington (D.C.)","Theater -- United States","Television","Motion pictures -- United States","Performing arts","Theater","Acting","Photographs","Video recordings"],"access_subjects_ssm":["Actors -- United States","Theater -- Washington (D.C.)","Theater -- United States","Television","Motion pictures -- United States","Performing arts","Theater","Acting","Photographs","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet 16 boxes"],"extent_tesim":["9 Linear Feet 16 boxes"],"genreform_ssim":["Photographs","Video recordings"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eAudiovisual materials in Series 4 have been digitized are available for access. Please contact SCRC for more information.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Audiovisual materials in Series 4 have been digitized are available for access. Please contact SCRC for more information."],"arrangement_html_tesm":["\u003cp\u003eArranged into six series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Professional, 1954-2007 (Boxes 1-5)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Personal, 1909-2007 (Boxes 5-8)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1930s-2005 (Boxes 9-11)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Audiovisual, 1960-2007 (Boxes 12-13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Oversize, 1950s-2006 (Boxes 14-15)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Realia, 1998-2004 (Box 16)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into six series:","Series Series 1: Professional, 1954-2007 (Boxes 1-5) Series 2: Personal, 1909-2007 (Boxes 5-8) Series 3: Photographs, 1930s-2005 (Boxes 9-11) Series 4: Audiovisual, 1960-2007 (Boxes 12-13) Series 5: Oversize, 1950s-2006 (Boxes 14-15) Series 6: Realia, 1998-2004 (Box 16)"],"bioghist_html_tesm":["\u003cp\u003eBorn in Philadelphia, Robert Prosky (1930-2008) spent much of his career as an actor in more than 200 plays at the Arena Stage in Washington, D.C., on Broadway in New York City, and in regional theatre. Prosky's association with the Arena Stage included more than 130 productions over the course of 20 years. His Broadway appearances included \"Glengarry Glenross,\" \"A Walk in the Woods,\" and \"A View from the Bridge.\" Highlights from regional theater include \"Death of a Salesman,\" \"Twelfth Night,\" and \"You Can't Take It With You.\" He also performed on stage in the Moscow Art Theatre in the then-Soviet Union, the Gate Theater in Dublin, Ireland, as well as in a Chinese theater in Hong Kong.\u003c/p\u003e\n","\u003cp\u003eBeginning in the 1980s, he regularly appeared in film and television. His films include \"Christine,\" \"Mrs. Doubtfire,\" \"The Natural,\" \"The Scarlet Letter,\" and \"Dead Man Walking.\" Television credits include three years on \"Hill Street Blues,\" many television films and guest shots.\u003c/p\u003e\n","\u003cp\u003eHe received or was nominated for two Tony awards, two Helen Hayes awards, an Emmy, the Drama Desk award, and the American Express Tribute To An American Actor. He continued to perform on stage and present lectures on his long career at universities, film festivals, for theater benefits, business groups and on cruises. He died on December 8, 2008, in Washington, D.C. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born in Philadelphia, Robert Prosky (1930-2008) spent much of his career as an actor in more than 200 plays at the Arena Stage in Washington, D.C., on Broadway in New York City, and in regional theatre. Prosky's association with the Arena Stage included more than 130 productions over the course of 20 years. His Broadway appearances included \"Glengarry Glenross,\" \"A Walk in the Woods,\" and \"A View from the Bridge.\" Highlights from regional theater include \"Death of a Salesman,\" \"Twelfth Night,\" and \"You Can't Take It With You.\" He also performed on stage in the Moscow Art Theatre in the then-Soviet Union, the Gate Theater in Dublin, Ireland, as well as in a Chinese theater in Hong Kong.","Beginning in the 1980s, he regularly appeared in film and television. His films include \"Christine,\" \"Mrs. Doubtfire,\" \"The Natural,\" \"The Scarlet Letter,\" and \"Dead Man Walking.\" Television credits include three years on \"Hill Street Blues,\" many television films and guest shots.","He received or was nominated for two Tony awards, two Helen Hayes awards, an Emmy, the Drama Desk award, and the American Express Tribute To An American Actor. He continued to perform on stage and present lectures on his long career at universities, film festivals, for theater benefits, business groups and on cruises. He died on December 8, 2008, in Washington, D.C. "],"prefercite_html_tesm":["\u003cp\u003eRobert Prosky papers, C0022, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Robert Prosky papers, C0022, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in 2008 by Sarah Patton, Jennifer Munson, and Jordan Patty. EAD markup completed in 2008 by Jordan Patty and Jennifer Munson. Finding aid updated by Amanda Menjivar in May 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in 2008 by Sarah Patton, Jennifer Munson, and Jordan Patty. EAD markup completed in 2008 by Jordan Patty and Jennifer Munson. Finding aid updated by Amanda Menjivar in May 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Arena Stage records\" href=\"https://aspace.gmu.edu/resources/c0017\"\u003e\u003c/extptr\u003e and the papers of other Washington, D.C. theatre artists.\u003c/p\u003e\n","\u003cp\u003eAn oral history was performed with Robert Prosky for the \u003cextptr show=\"new\" title=\"George Mason University Oral History Program collection\" href=\"https://aspace.gmu.edu/resources/r0121\"\u003e\u003c/extptr\u003e and is available for access.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and the papers of other Washington, D.C. theatre artists.","An oral history was performed with Robert Prosky for the   and is available for access."],"scopecontent_html_tesm":["\u003cp\u003eConsists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials. \u003c/p\u003e\n","\u003cp\u003eThe collection consists of six series. The first series contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically. Subseries 1.1 includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes. Subseries 1.2 contains mostly clippings and reviews about Prosky's film career, but there are a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\" Subseries 1.3 contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\" Note that there are additional professional documents, such as posters, in the oversize series. \u003c/p\u003e\n","\u003cp\u003eThe second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically. Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Subseries 2.2 contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. Of particular interest are transcripts from an autobiography by Prosky. Note that there are additional biographical articles in the oversize series both loose and in scrapbooks. \u003c/p\u003e\n","\u003cp\u003eThe third series contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically. Note that there are additional photographs in the oversize series both loose and in scrapbooks. \u003c/p\u003e\n","\u003cp\u003eThe fourth series consists of copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public service announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations. \u003c/p\u003e\n","\u003cp\u003eThe fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life. \u003c/p\u003e\n","\u003cp\u003eThe sixth series consists of objects from Prosky's professional career and personal life, such as opening night gifts and production souvenirs. \u003c/p\u003e","\u003cp\u003eContains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically.\u003c/p\u003e","\u003cp\u003eIncludes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes.\u003c/p\u003e","\u003cp\u003eArena Stage. Contains press releases, reviews, and Arena Stage publications.\u003c/p\u003e","\u003cp\u003eArena Stage. Contains press releases, reviews, and Arena Stage publications.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eQuarterdeck Theatre.\u003c/p\u003e","\u003cp\u003eGonzaga College. Prosky not in cast.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eLucille Lortel Theatre.\u003c/p\u003e","\u003cp\u003eBerkshire Theatre Festival. Review by Herbert Wolff.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eOld Academy.\u003c/p\u003e","\u003cp\u003eQuarterdeck Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eBrooks Atkinson Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eArena Stage. Review by Mel Gussow.\u003c/p\u003e","\u003cp\u003eFord's Theatre.\u003c/p\u003e","\u003cp\u003eAlso contains television reviews and biographical information.\u003c/p\u003e","\u003cp\u003eGoodman Theatre.\u003c/p\u003e","\u003cp\u003eJohn Golden Theatre.\u003c/p\u003e","\u003cp\u003eManhattan Ensemble Theater. Also contains postcards with advertisements.\u003c/p\u003e","\u003cp\u003eFred Miller Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eFord's Theatre.\u003c/p\u003e","\u003cp\u003eLee Strasberg Theatre Center.\u003c/p\u003e","\u003cp\u003eDelaware Theatre Company (1993) and Arena Stage (1995).\u003c/p\u003e","\u003cp\u003eDouglass College.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eFred Miller Theatre.\u003c/p\u003e","\u003cp\u003eMorosco Theatre. Prosky not in cast.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eGate Theatre.\u003c/p\u003e","\u003cp\u003eCape May Stage.\u003c/p\u003e","\u003cp\u003eArena Stage. Also contains a pre-production announcement.\u003c/p\u003e","\u003cp\u003eQuarterdeck Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage. Contains press releases, reviews, and Arena Stage publications.\u003c/p\u003e","\u003cp\u003eColonial Theatre.\u003c/p\u003e","\u003cp\u003eQuarterdeck Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eCoronet Theatre. Prosky not in cast.\u003c/p\u003e","\u003cp\u003eAmbassador Theatre.\u003c/p\u003e","\u003cp\u003eRoyal Poinciana Playhouse. Prosky not in cast.\u003c/p\u003e","\u003cp\u003eBooth Theatre.\u003c/p\u003e","\u003cp\u003eOne copy entirely in Russian and one with only the title translated.\u003c/p\u003e","\u003cp\u003eBooth Theatre. Also contains some correspondence.\u003c/p\u003e","\u003cp\u003eContains stories on Zelda Fichandler and Robert Prosky.\u003c/p\u003e","\u003cp\u003eFred Miller Theatre.\u003c/p\u003e","\u003cp\u003eHong Kong Arts Festival.\u003c/p\u003e","\u003cp\u003eGuthrie Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eAlso contains advertisements, rosters, and announcements.\u003c/p\u003e","\u003cp\u003eContains mostly clippings and reviews about Prosky's film career, but there are also a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\"\u003c/p\u003e","\u003cp\u003eAlso contains correspondence.\u003c/p\u003e","\u003cp\u003eContains production facts, one color production still photograph, and one black and white photograph of the director Gayle Knutson.\u003c/p\u003e","\u003cp\u003eAlso includes information on \"Glengarry Glenn Ross\" and television work.\u003c/p\u003e","\u003cp\u003eContains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\"\u003c/p\u003e","\u003cp\u003eThe second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically.\u003c/p\u003e","\u003cp\u003eSubseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Arranged alphabetically by name type of correspondence, then chronologically.\u003c/p\u003e","\u003cp\u003eRESTRICTED\u003c/p\u003e","\u003cp\u003eAlso includes correspondence about Prosky's Tony Award nomination.\u003c/p\u003e","\u003cp\u003eContains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. This subseries also contains transcripts from a self-recorded autobiography by Prosky. Arranged alphabetically by article title and type of document, then chronologically.\u003c/p\u003e","\u003cp\u003ePost Eagle newspaper.\u003c/p\u003e","\u003cp\u003eColumbia Flier newspaper.\u003c/p\u003e","\u003cp\u003eAmerica 275 Illustrated Story no. 11-79.\u003c/p\u003e","\u003cp\u003eProsky nominated for \"Glengarry Glenross\".\"\u003c/p\u003e","\u003cp\u003eProsky nominated for \"A Walk in the Woods\".\u003c/p\u003e","\u003cp\u003eProsky won best actor in a short film for \"Grandfather's Birthday\".\u003c/p\u003e","\u003cp\u003eFolder 1.\u003c/p\u003e","\u003cp\u003eFolder 2.\u003c/p\u003e","\u003cp\u003eCynthia Snyder Public Relations.\u003c/p\u003e","\u003cp\u003eArticle by Zelda Fichandler.\u003c/p\u003e","\u003cp\u003ePresented to both Prosky and his wife Ida.\u003c/p\u003e","\u003cp\u003ePhiladelphia magazine.\u003c/p\u003e","\u003cp\u003eProsky served as the master of ceremonies.\u003c/p\u003e","\u003cp\u003eProsky nominated for his role in \"Our Town\".\u003c/p\u003e","\u003cp\u003eProsky honored with the American Express Tribute.\u003c/p\u003e","\u003cp\u003eWashington Post newspaper.\u003c/p\u003e","\u003cp\u003eRoxborough Times newspaper.\u003c/p\u003e","\u003cp\u003eHome News newspaper.\u003c/p\u003e","\u003cp\u003eNew York Times Newspaper.\u003c/p\u003e","\u003cp\u003eEquity News newsletter.\u003c/p\u003e","\u003cp\u003eNew York Times newspaper.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eFolder 1.\u003c/p\u003e","\u003cp\u003eFolder 2.\u003c/p\u003e","\u003cp\u003ePresented to Prosky for his role as Mr. Buchanan in \"Jabberwocky\".\u003c/p\u003e","\u003cp\u003eSun Weekly newspaper.\u003c/p\u003e","\u003cp\u003ePeople Weekly magazine.\u003c/p\u003e","\u003cp\u003eRelax magazine. In Polish.\u003c/p\u003e","\u003cp\u003eNew Jersey Lifestyle magazine.\u003c/p\u003e","\u003cp\u003ePen World magazine.\u003c/p\u003e","\u003cp\u003eWashington Post Magazine.\u003c/p\u003e","\u003cp\u003eDaily News newspaper.\u003c/p\u003e","\u003cp\u003eDossier magazine.\u003c/p\u003e","\u003cp\u003eWashington Times newspaper. Article mentions Prosky's Hayes award for \"The Price\".\u003c/p\u003e","\u003cp\u003eAlso includes correspondence.\u003c/p\u003e","\u003cp\u003eContains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically.\u003c/p\u003e","\u003cp\u003eContains copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public serve announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.\u003c/p\u003e","\u003cp\u003eVHS, 18 minutes, color\u003c/p\u003e","\u003cp\u003eAudio reel.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eReel, 60 seconds, color.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eReel, 60 seconds, color, U.S. Dept. of Agriculture Food Safety and Quality Service.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eAudio reel.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eVHS, #466216, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eVHS, #466217, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eVHS, #466218, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eVHS, #466219, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eVHS, #466220, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eVHS, #466221, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eAudio, 6 Demo spots, 7.5 IPS.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eVHS, 30 minutes\u003c/p\u003e","\u003cp\u003eCD, Arena Stage press photos\u003c/p\u003e","\u003cp\u003eDVD, DEMO\u003c/p\u003e","\u003cp\u003eDVD, Tape 1, Harris Theatre GMU\u003c/p\u003e","\u003cp\u003eDVD, Tape 2, Harris Theatre GMU\u003c/p\u003e","\u003cp\u003eDVD, Clips for Lecture\u003c/p\u003e","\u003cp\u003eAudio cassette tape, WABC Talk Radio 77am\u003c/p\u003e","\u003cp\u003eDVD\u003c/p\u003e","\u003cp\u003eVideo reel, 60 seconds.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eAudio cassette tape, Tape 1\u003c/p\u003e","\u003cp\u003eAudio cassette tape, Tape 2\u003c/p\u003e","\u003cp\u003eAudio Cassette Tape, WTOP Radio\u003c/p\u003e","\u003cp\u003eDVD\u003c/p\u003e","\u003cp\u003eAudio reel.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eThe fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life.\u003c/p\u003e","\u003cp\u003eBlack binder with \"Thief\" label\u003c/p\u003e","\u003cp\u003eBlack binder with Robert Prosky\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph - Appearances\u003c/p\u003e","\u003cp\u003ePhotograph - Theatre\u003c/p\u003e","\u003cp\u003eNomination for Best Supporting Actor in a Television Movie \"Into Thin Air\"\u003c/p\u003e","\u003cp\u003eSix different shots\u003c/p\u003e","\u003cp\u003eInterview page 37\u003c/p\u003e","\u003cp\u003eThree matted portraits\u003c/p\u003e","\u003cp\u003eAutographed film poster\u003c/p\u003e","\u003cp\u003eProduction poster\u003c/p\u003e","\u003cp\u003ePhotographs, newspaper clippings, playbills\u003c/p\u003e","\u003cp\u003eBlue album with flowers on cover, photographs, newspaper clippings, playbills\u003c/p\u003e","\u003cp\u003eAutographed copy by Kathryn Crosby\u003c/p\u003e","\u003cp\u003eConsists of objects from Prosky's professional career and personal life.\u003c/p\u003e","\u003cp\u003ePaperweight\u003c/p\u003e","\u003cp\u003eMiniature briefcase\u003c/p\u003e","\u003cp\u003eRobert Prosky's name monogrammed on one side.\u003c/p\u003e","\u003cp\u003eFord's Theatre, Dog tags\u003c/p\u003e","\u003cp\u003ePlaque\u003c/p\u003e","\u003cp\u003eSouvenir bag\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Consists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials. ","The collection consists of six series. The first series contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically. Subseries 1.1 includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes. Subseries 1.2 contains mostly clippings and reviews about Prosky's film career, but there are a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\" Subseries 1.3 contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\" Note that there are additional professional documents, such as posters, in the oversize series. ","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically. Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Subseries 2.2 contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. Of particular interest are transcripts from an autobiography by Prosky. Note that there are additional biographical articles in the oversize series both loose and in scrapbooks. ","The third series contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically. Note that there are additional photographs in the oversize series both loose and in scrapbooks. ","The fourth series consists of copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public service announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations. ","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life. ","The sixth series consists of objects from Prosky's professional career and personal life, such as opening night gifts and production souvenirs. ","Contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically.","Includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage.","Quarterdeck Theatre.","Gonzaga College. Prosky not in cast.","Arena Stage.","Lucille Lortel Theatre.","Berkshire Theatre Festival. Review by Herbert Wolff.","Arena Stage.","Old Academy.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Brooks Atkinson Theatre.","Arena Stage.","Arena Stage. Review by Mel Gussow.","Ford's Theatre.","Also contains television reviews and biographical information.","Goodman Theatre.","John Golden Theatre.","Manhattan Ensemble Theater. Also contains postcards with advertisements.","Fred Miller Theatre.","Arena Stage.","Arena Stage.","Ford's Theatre.","Lee Strasberg Theatre Center.","Delaware Theatre Company (1993) and Arena Stage (1995).","Douglass College.","Arena Stage.","Arena Stage.","Fred Miller Theatre.","Morosco Theatre. Prosky not in cast.","Arena Stage.","Gate Theatre.","Cape May Stage.","Arena Stage. Also contains a pre-production announcement.","Quarterdeck Theatre.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Colonial Theatre.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Coronet Theatre. Prosky not in cast.","Ambassador Theatre.","Royal Poinciana Playhouse. Prosky not in cast.","Booth Theatre.","One copy entirely in Russian and one with only the title translated.","Booth Theatre. Also contains some correspondence.","Contains stories on Zelda Fichandler and Robert Prosky.","Fred Miller Theatre.","Hong Kong Arts Festival.","Guthrie Theatre.","Arena Stage.","Also contains advertisements, rosters, and announcements.","Contains mostly clippings and reviews about Prosky's film career, but there are also a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\"","Also contains correspondence.","Contains production facts, one color production still photograph, and one black and white photograph of the director Gayle Knutson.","Also includes information on \"Glengarry Glenn Ross\" and television work.","Contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\"","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically.","Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Arranged alphabetically by name type of correspondence, then chronologically.","RESTRICTED","Also includes correspondence about Prosky's Tony Award nomination.","Contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. This subseries also contains transcripts from a self-recorded autobiography by Prosky. Arranged alphabetically by article title and type of document, then chronologically.","Post Eagle newspaper.","Columbia Flier newspaper.","America 275 Illustrated Story no. 11-79.","Prosky nominated for \"Glengarry Glenross\".\"","Prosky nominated for \"A Walk in the Woods\".","Prosky won best actor in a short film for \"Grandfather's Birthday\".","Folder 1.","Folder 2.","Cynthia Snyder Public Relations.","Article by Zelda Fichandler.","Presented to both Prosky and his wife Ida.","Philadelphia magazine.","Prosky served as the master of ceremonies.","Prosky nominated for his role in \"Our Town\".","Prosky honored with the American Express Tribute.","Washington Post newspaper.","Roxborough Times newspaper.","Home News newspaper.","New York Times Newspaper.","Equity News newsletter.","New York Times newspaper.","Arena Stage.","Folder 1.","Folder 2.","Presented to Prosky for his role as Mr. Buchanan in \"Jabberwocky\".","Sun Weekly newspaper.","People Weekly magazine.","Relax magazine. In Polish.","New Jersey Lifestyle magazine.","Pen World magazine.","Washington Post Magazine.","Daily News newspaper.","Dossier magazine.","Washington Times newspaper. Article mentions Prosky's Hayes award for \"The Price\".","Also includes correspondence.","Contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically.","Contains copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public serve announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.","VHS, 18 minutes, color","Audio reel.\nAvailable on digital format.","Reel, 60 seconds, color.\nAvailable on digital format.","Reel, 60 seconds, color, U.S. Dept. of Agriculture Food Safety and Quality Service.\nAvailable on digital format.","Audio reel.\nAvailable on digital format.","VHS, #466216, Final Viewing Cassette","VHS, #466217, Final Viewing Cassette","VHS, #466218, Final Viewing Cassette","VHS, #466219, Final Viewing Cassette","VHS, #466220, Final Viewing Cassette","VHS, #466221, Final Viewing Cassette","Audio, 6 Demo spots, 7.5 IPS.\nAvailable on digital format.","VHS, 30 minutes","CD, Arena Stage press photos","DVD, DEMO","DVD, Tape 1, Harris Theatre GMU","DVD, Tape 2, Harris Theatre GMU","DVD, Clips for Lecture","Audio cassette tape, WABC Talk Radio 77am","DVD","Video reel, 60 seconds.\nAvailable on digital format.","Audio cassette tape, Tape 1","Audio cassette tape, Tape 2","Audio Cassette Tape, WTOP Radio","DVD","Audio reel.\nAvailable on digital format.","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life.","Black binder with \"Thief\" label","Black binder with Robert Prosky","Photograph","Photograph - Appearances","Photograph - Theatre","Nomination for Best Supporting Actor in a Television Movie \"Into Thin Air\"","Six different shots","Interview page 37","Three matted portraits","Autographed film poster","Production poster","Photographs, newspaper clippings, playbills","Blue album with flowers on cover, photographs, newspaper clippings, playbills","Autographed copy by Kathryn Crosby","Consists of objects from Prosky's professional career and personal life.","Paperweight","Miniature briefcase","Robert Prosky's name monogrammed on one side.","Ford's Theatre, Dog tags","Plaque","Souvenir bag"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_cb72825d540615d1fef3eb400e234f81\" label=\"Abstract\"\u003eConsists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials.\u003c/abstract\u003e"],"abstract_tesim":["Consists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials."],"names_coll_ssim":["Arena Stage (Organization : Washington, D.C.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Prosky, Robert, 1930-2008"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Prosky, Robert, 1930-2008"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:32:14.503Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_150_c01_c01_c67"}},{"id":"vifgm_LivingStage_c01_c04_c123","type":"File","attributes":{"title":"Young Audience - Newsclippings,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_LivingStage_c01_c04_c123#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_LivingStage_c01_c04_c123#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_LivingStage_c01_c04_c123","ref_ssm":["vifgm_LivingStage_c01_c04_c123"],"id":"vifgm_LivingStage_c01_c04_c123","ead_ssi":"vifgm_LivingStage","_root_":"vifgm_LivingStage","_nest_parent_":"vifgm_LivingStage_c01_c04","parent_ssi":"vifgm_LivingStage_c01_c04","parent_ssim":["vifgm_LivingStage","vifgm_LivingStage_c01","vifgm_LivingStage_c01_c04"],"parent_ids_ssim":["vifgm_LivingStage","vifgm_LivingStage_c01","vifgm_LivingStage_c01_c04"],"parent_unittitles_ssm":["Living Stage records","Series 1: Administrative and financial files","Public relations and printed pieces"],"parent_unittitles_tesim":["Living Stage records","Series 1: Administrative and financial files","Public relations and printed pieces"],"text":["Living Stage records","Series 1: Administrative and financial files","Public relations and printed pieces","Young Audience - Newsclippings,","Box 56","Folder 29",""],"title_filing_ssi":"Young Audience - Newsclippings, \n","title_ssm":["Young Audience - Newsclippings,"],"title_tesim":["Young Audience - Newsclippings,"],"unitdate_other_ssim":["December 1982\n"],"normalized_date_ssm":["1982"],"normalized_title_ssm":["Young Audience - Newsclippings,"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Living Stage records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":823,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the Living Stage Records must be obtained from Special Collections and Archives, George Mason University Libraries."],"date_range_isim":[1982],"containers_ssim":["Box 56","Folder 29"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#0/components#3/components#122","timestamp":"2026-05-21T06:15:48.083Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_LivingStage","ead_ssi":"vifgm_LivingStage","_root_":"vifgm_LivingStage","_nest_parent_":"vifgm_LivingStage","ead_source_url_ssi":"data/gmu/LivingStage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/livingstage.html","title_ssm":["Living Stage records"],"title_tesim":["Living Stage records"],"unitdate_ssm":["1965-2001"],"unitdate_inclusive_ssm":["1965-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0277"],"text":["C0277","Living Stage records","Acting.","People with mental disabilities--Services for--United States.","Performance art--Photographs.","Public schools--Virginia.","Radicalism--United States--History--20th century.","Students--Photographs.","Theater--United States--History--20th century.","Theater--Washington (D.C.)","Playscripts.","Theatre programs.","There are no access restrictions.","The collection is divided into three series, each of which is divided into subseries.","Series 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56) Series 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85) Series 3: Audiovisual Materials, 1967-1998 (Boxes 86-106)","The Living Stage Theatre Company began in 1966 as a venture of the Arena Stage and Robert Alexander. Known from 1966-1968 as the Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the DC area after becoming disenchanted with traditional theater's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington DC on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. ","The Living Stage performance style consisted of \"The Jam\", \"The Performance\" and \"The Workshop\"; a three part study that was used at most of their venues. The first part, or \"Jam\", consisted of actors working with their audience to \"rap\", make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. Then the actors moved into the \"performance\" itself. During the performance, the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. ","The projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic\". "," The organization began its twilight years in the first half of the 1990s as many of its founding and senior members began to take their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002.","The Special Collections Research Center does not have the equipment necessary to watch Betacam, U-matic, reel-to-reel film and audio tapes contained in Series 3. Additional time and money may be required to digitize this material for access.","Processing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016.","The Special Collections and Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company collection Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Arena Stage collection and many other theater collections."," The Living Stage records consist of materials spanning the length of that organization's history from about 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files including financial papers, grant requests and applications, printed pieces, and correspondence and more creative materials including workshop reports and scripts, audiovisual files on reel-to-reel tapes, and photographic materials. ","Series 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage."," Series 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams\". Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. ","Series 3: Audiovisual Materials (1967-1998) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Reel to Reel Materials includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Cassete and VHS tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.","Series 1. Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","Folder 1 of 3\n","Folder 2 of 3\n","Folder 3 of 3\n","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","Folder 1 of 3\n","Folder 2 of 3\n","Folder 3 of 3\n","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","","","","","","","","","","","","","","","","","","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","Folder 1 of 3\n","Folder 2 of 3\n","Folder 3 of 3\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 3\n","Folder 2 of 3\n","Folder 3 of 3\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Series 2. Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams\". Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","Folder 1 of 2\n","Folder 2 of 2\n","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","Folder 1 of 2\n","Folder 2 of 2\n","Folder 1 of 2\n","Folder 2 of 2\n","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Copyright 1978\n","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","Folder 1 of 4\n","Folder 2 of 4\n","Folder 3 of 4\n","Folder 4 of 4\n","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","Series 3. Audiovisual Materials (1967-1998) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times as well as production stills. Unfortunately, the majority of these documents are undated or have little in the way of description. Subseries 3.2 Reel to Reel Materials includes tapings of various workshops and productions mostly from the 1970s and 1980s.  Subseries 3.3 Cassete and VHS tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Large Box\n","","","VO 1 of 2\n","VO 2 of 2\n","","","","","","","Completely Unraveled - Large Box\n","","","","","","","","","","","","","","","","","","","","","","","","","","","Large Box\n","","Franklin Sherman?\n","","","Large Box\n","Large Box\n","","","Continued from October 19, 1977 Tape\n","","","","","","","","","","Loose\n","Color?\n","","","","","","","","","Large Box\n","","","","","","Large Box\n","Large Box\n","","Large Box\n","","Smells like Vinegar\n","Semi-Unraveling\n","","","","","Semi-Unraveling\n","","","","","","Large Box\n","Large Box\n","","","","Large Box\n","","","","","Large Box\n","","","Large Box\n","Large Box\n","","","","","","","","","","","","Large Box\n","","","","","","","","XL Roll\n","","","","","Semi-Unraveling\n","","","","","Large Box\n","","","Semi-Unraveling\n","","Large Box\n","","","","","","","Large Box\n","","","","Semi-Unraveling\n","Tape 3 of 3\n","Tape 1 of 3\n","Tape 2 of 3\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Betamax\n","VHS\n","","Beta Tape 1 of 2\n","Beta Tape 2 of 2\n","VHS\n","U-matic\n","Betamax\n","VHS\n","VHS\n","VHS\n","VHS\n","Betamax\n","Betamax\n","Betamax\n","VHS\n","VHS\n","Betamax\n","VHS\n","VHS\n","Betamax\n","VHS\n","Betamax\n","Betamax\n","VHS\n","VHS\n","Betamax\n","VHS\n","VHS\n","VHS\n","VHS\n","Betamax\n","VHS\n","VHS\n","Betamax\n","Betamax\n","VHS\n","VHS\n","VHS\n","VHS\n","VHS\n","VHS\n","Betamax\n","VHS\n","VHS\n","","VHS\n","VHS\n","VHS\n","Beta Tape 1 of 2\n","Beta Tape 2 of 2\n","Betamax\n","VHS\n","Betamax\n","There are no restrictions on personal use. Permission to publish material from the Living Stage Records must be obtained from Special Collections and Archives, George Mason University Libraries.","The Living Stage records include pieces related to the traveling theater company, which was founded by Robert Alexander, between 1965 and 2001.","George Mason University. Libraries. Special Collections Research Center.","English\n\t\t"],"unitid_tesim":["C0277"],"normalized_title_ssm":["Living Stage records"],"collection_title_tesim":["Living Stage records"],"collection_ssim":["Living Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Living Stage Records must be obtained from Special Collections and Archives, George Mason University Libraries."],"acqinfo_ssim":["Donated by Arena Stage in 2000."],"access_subjects_ssim":["Acting.","People with mental disabilities--Services for--United States.","Performance art--Photographs.","Public schools--Virginia.","Radicalism--United States--History--20th century.","Students--Photographs.","Theater--United States--History--20th century.","Theater--Washington (D.C.)","Playscripts.","Theatre programs."],"access_subjects_ssm":["Acting.","People with mental disabilities--Services for--United States.","Performance art--Photographs.","Public schools--Virginia.","Radicalism--United States--History--20th century.","Students--Photographs.","Theater--United States--History--20th century.","Theater--Washington (D.C.)","Playscripts.","Theatre programs."],"has_online_content_ssim":["false"],"extent_ssm":["48.0 linear feet (106 boxes)"],"extent_tesim":["48.0 linear feet (106 boxes)"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into three series, each of which is divided into subseries.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Audiovisual Materials, 1967-1998 (Boxes 86-106)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into three series, each of which is divided into subseries.","Series 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56) Series 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85) Series 3: Audiovisual Materials, 1967-1998 (Boxes 86-106)"],"bioghist_html_tesm":["\u003cp\u003eThe Living Stage Theatre Company began in 1966 as a venture of the Arena Stage and Robert Alexander. Known from 1966-1968 as the Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the DC area after becoming disenchanted with traditional theater's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington DC on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. \u003c/p\u003e","\u003cp\u003eThe Living Stage performance style consisted of \"The Jam\", \"The Performance\" and \"The Workshop\"; a three part study that was used at most of their venues. The first part, or \"Jam\", consisted of actors working with their audience to \"rap\", make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. Then the actors moved into the \"performance\" itself. During the performance, the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. \u003c/p\u003e","\u003cp\u003eThe projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic\". \u003c/p\u003e","\u003cp\u003e The organization began its twilight years in the first half of the 1990s as many of its founding and senior members began to take their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Living Stage Theatre Company began in 1966 as a venture of the Arena Stage and Robert Alexander. Known from 1966-1968 as the Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the DC area after becoming disenchanted with traditional theater's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington DC on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. ","The Living Stage performance style consisted of \"The Jam\", \"The Performance\" and \"The Workshop\"; a three part study that was used at most of their venues. The first part, or \"Jam\", consisted of actors working with their audience to \"rap\", make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. Then the actors moved into the \"performance\" itself. During the performance, the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. ","The projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic\". "," The organization began its twilight years in the first half of the 1990s as many of its founding and senior members began to take their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch Betacam, U-matic, reel-to-reel film and audio tapes contained in Series 3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch Betacam, U-matic, reel-to-reel film and audio tapes contained in Series 3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eLiving Stage Records, C0277, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Living Stage Records, C0277, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections and Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company collection Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Arena Stage collection and many other theater collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections and Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company collection Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Arena Stage collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003e The Living Stage records consist of materials spanning the length of that organization's history from about 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files including financial papers, grant requests and applications, printed pieces, and correspondence and more creative materials including workshop reports and scripts, audiovisual files on reel-to-reel tapes, and photographic materials. \u003c/p\u003e","\u003cp\u003eSeries 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.\u003c/p\u003e","\u003cp\u003e Series 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams\". Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. \u003c/p\u003e","\u003cp\u003eSeries 3: Audiovisual Materials (1967-1998) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Reel to Reel Materials includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Cassete and VHS tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.\u003c/p\u003e","\u003cp\u003eSeries 1. Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. 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2. Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams\". Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play 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Included in the records are administrative files including financial papers, grant requests and applications, printed pieces, and correspondence and more creative materials including workshop reports and scripts, audiovisual files on reel-to-reel tapes, and photographic materials. ","Series 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage."," Series 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams\". Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. ","Series 3: Audiovisual Materials (1967-1998) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Reel to Reel Materials includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Cassete and VHS tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.","Series 1. Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","Folder 1 of 3\n","Folder 2 of 3\n","Folder 3 of 3\n","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","Folder 1 of 3\n","Folder 2 of 3\n","Folder 3 of 3\n","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","","","","","","","","","","","","","","","","","","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","Folder 1 of 3\n","Folder 2 of 3\n","Folder 3 of 3\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 3\n","Folder 2 of 3\n","Folder 3 of 3\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Series 2. Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams\". Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. 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Audiovisual Materials (1967-1998) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times as well as production stills. Unfortunately, the majority of these documents are undated or have little in the way of description. Subseries 3.2 Reel to Reel Materials includes tapings of various workshops and productions mostly from the 1970s and 1980s.  Subseries 3.3 Cassete and VHS tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Large Box\n","","","VO 1 of 2\n","VO 2 of 2\n","","","","","","","Completely Unraveled - Large Box\n","","","","","","","","","","","","","","","","","","","","","","","","","","","Large Box\n","","Franklin Sherman?\n","","","Large Box\n","Large Box\n","","","Continued from October 19, 1977 Tape\n","","","","","","","","","","Loose\n","Color?\n","","","","","","","","","Large Box\n","","","","","","Large Box\n","Large Box\n","","Large Box\n","","Smells like Vinegar\n","Semi-Unraveling\n","","","","","Semi-Unraveling\n","","","","","","Large Box\n","Large Box\n","","","","Large Box\n","","","","","Large Box\n","","","Large Box\n","Large Box\n","","","","","","","","","","","","Large Box\n","","","","","","","","XL Roll\n","","","","","Semi-Unraveling\n","","","","","Large Box\n","","","Semi-Unraveling\n","","Large Box\n","","","","","","","Large Box\n","","","","Semi-Unraveling\n","Tape 3 of 3\n","Tape 1 of 3\n","Tape 2 of 3\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Betamax\n","VHS\n","","Beta Tape 1 of 2\n","Beta Tape 2 of 2\n","VHS\n","U-matic\n","Betamax\n","VHS\n","VHS\n","VHS\n","VHS\n","Betamax\n","Betamax\n","Betamax\n","VHS\n","VHS\n","Betamax\n","VHS\n","VHS\n","Betamax\n","VHS\n","Betamax\n","Betamax\n","VHS\n","VHS\n","Betamax\n","VHS\n","VHS\n","VHS\n","VHS\n","Betamax\n","VHS\n","VHS\n","Betamax\n","Betamax\n","VHS\n","VHS\n","VHS\n","VHS\n","VHS\n","VHS\n","Betamax\n","VHS\n","VHS\n","","VHS\n","VHS\n","VHS\n","Beta Tape 1 of 2\n","Beta Tape 2 of 2\n","Betamax\n","VHS\n","Betamax\n"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Living Stage Records must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Living Stage Records must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref348\" label=\"Abstract\"\u003eThe Living Stage records include pieces related to the traveling theater company, which was founded by Robert Alexander, between 1965 and 2001.\u003c/abstract\u003e"],"abstract_tesim":["The Living Stage records include pieces related to the traveling theater company, which was founded by Robert Alexander, between 1965 and 2001."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center."],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1502,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:15:48.083Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_LivingStage_c01_c04_c123"}},{"id":"vifgm_repositories_2_resources_602_c01_c04_c123","type":"File","attributes":{"title":"Young Audience - Newsclippings","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_602_c01_c04_c123#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_602_c01_c04_c123","ref_ssm":["vifgm_repositories_2_resources_602_c01_c04_c123"],"id":"vifgm_repositories_2_resources_602_c01_c04_c123","ead_ssi":"vifgm_repositories_2_resources_602","_root_":"vifgm_repositories_2_resources_602","_nest_parent_":"vifgm_repositories_2_resources_602_c01_c04","parent_ssi":"vifgm_repositories_2_resources_602_c01_c04","parent_ssim":["vifgm_repositories_2_resources_602","vifgm_repositories_2_resources_602_c01","vifgm_repositories_2_resources_602_c01_c04"],"parent_ids_ssim":["vifgm_repositories_2_resources_602","vifgm_repositories_2_resources_602_c01","vifgm_repositories_2_resources_602_c01_c04"],"parent_unittitles_ssm":["Living Stage records","Series 1: Administrative and financial files","Public relations and printed pieces"],"parent_unittitles_tesim":["Living Stage records","Series 1: Administrative and financial files","Public relations and printed pieces"],"text":["Living Stage records","Series 1: Administrative and financial files","Public relations and printed pieces","Young Audience - Newsclippings","Box 56","Folder 29"],"title_filing_ssi":"Young Audience - Newsclippings","title_ssm":["Young Audience - Newsclippings"],"title_tesim":["Young Audience - Newsclippings"],"unitdate_other_ssim":["December 1982"],"normalized_date_ssm":["1982"],"normalized_title_ssm":["Young Audience - Newsclippings"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Living Stage records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":823,"parent_access_restrict_tesm":["There are no access restrictions on Series 1 and 2. Please see the Physical Characteristics and Technical Requirements note for access information on Series 3."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1982],"containers_ssim":["Box 56","Folder 29"],"_nest_path_":"/components#0/components#3/components#122","timestamp":"2026-05-21T05:25:00.697Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_602","ead_ssi":"vifgm_repositories_2_resources_602","_root_":"vifgm_repositories_2_resources_602","_nest_parent_":"vifgm_repositories_2_resources_602","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_602.xml","title_filing_ssi":"Living Stage records","title_ssm":["Living Stage records"],"title_tesim":["Living Stage records"],"unitdate_ssm":["1965-2001"],"unitdate_inclusive_ssm":["1965-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0277","/repositories/2/resources/602"],"text":["C0277","/repositories/2/resources/602","Living Stage records","Washington (D.C.)","Acting","People with mental disabilities -- Services for -- United States","Performance art -- Photographs","Public schools -- Virginia","Radicalism -- United States -- History -- 20th century","Students -- Photographs","Theater -- United States -- History -- 20th century","Theater -- Washington (D.C.)","Theater programs","Playscript","There are no access restrictions on Series 1 and 2. Please see the Physical Characteristics and Technical Requirements note for access information on Series 3.","The collection is divided into three series, each of which is divided into subseries.","Series Series 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56) Series 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85) Series 3: Audiovisual and Photographic Materials, 1967-1999 (Boxes 86-106)","The Living Stage Theatre Company began in 1966 as a venture of Arena Stage and Robert Alexander. Known from 1966-1968 as The Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the D.C. area after becoming disenchanted with traditional theatre's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington, D.C. on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. ","The Living Stage performance style consisted of \"The Jam,\" \"The Performance,\" and \"The Workshop,\" a three part study that was used at most of their venues. The first part, or \"Jam,\" consisted of actors working with their audience to \"rap,\" make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. The actors then moved into the \"performance\" itself. During the performance the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. ","The projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic.\"","The organization began to sunset in the first half of the 1990s as many of its founding and senior members took their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002.","The Special Collections Research Center does not have the equipment necessary to watch or listen to all audiovisual material in Series 3. Additional time and money may be required to digitize this material for access.","Processing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016. Finding aid updated by Amanda Menjivar in March 2025.","The Special Collections Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, and the Ken Kitch papers. It also holds the Arena Stage records.","The Living Stage records consists of material spanning the length of the organization's history from 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files, financial papers, grant requests and applications, correspondence, workshop reports and scripts, as well as audiovisual and photographic materials.","Series 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.","Series 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams.\" Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. ","Series 3: Audiovisual and Photographic Materials (1967-1999) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times, as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Audio and film reels includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Audio and video tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.","Series 1. Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.","Folder 1 of 2","Folder 2 of 2","Folder 1 of 3","Folder 2 of 3","Folder 3 of 3","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 3","Folder 2 of 3","Folder 3 of 3","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 3","Folder 2 of 3","Folder 3 of 3","Folder 1 of 3","Folder 2 of 3","Folder 3 of 3","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Series 2. Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams\". Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files.","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Copyright 1978","Folder 1 of 2","Folder 2 of 2","Folder 1 of 4","Folder 2 of 4","Folder 3 of 4","Folder 4 of 4","Folder 1 of 2","Folder 2 of 2","Series 3. Audiovisual Materials (1967-1998) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times as well as production stills. Unfortunately, the majority of these documents are undated or have little in the way of description. Subseries 3.2 Reel to Reel Materials includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Cassete and VHS tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.","Folder 1 of 2","Folder 2 of 2","Large Box","VO 1 of 2","VO 2 of 2","Completely Unraveled - Large Box","Large Box","Franklin Sherman?","Large Box","Large Box","Continued from October 19, 1977 Tape","Loose","Color?","Large Box","Large Box","Large Box","Large Box","Smells like Vinegar","Semi-Unraveling","Semi-Unraveling","Large Box","Large Box","Large Box","Large Box","Large Box","Large Box","Large Box","XL Roll","Semi-Unraveling","Large Box","Semi-Unraveling","Large Box","Large Box","Semi-Unraveling","Tape 3 of 3","Tape 1 of 3","Tape 2 of 3","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Betamax","VHS","Beta Tape 1 of 2","Beta Tape 2 of 2","VHS","U-matic","Betamax","VHS","VHS","VHS","VHS","Betamax","Betamax","Betamax","VHS","VHS","Betamax","VHS","VHS","Betamax","VHS","Betamax","Betamax","VHS","VHS","Betamax","VHS","VHS","VHS","VHS","Betamax","VHS","VHS","Betamax","Betamax","VHS","VHS","VHS","VHS","VHS","VHS","Betamax","VHS","VHS","VHS","VHS","VHS","Beta Tape 1 of 2","Beta Tape 2 of 2","Betamax","VHS","Betamax","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Living Stage records documents the Living Stage Theatre Company, founded by Robert Alexander as an offshoot of Arena Stage in Washington, D.C. The records were created from 1965-2001.","R 52, C 6, S 3 - R 53, C 2, S 6\n\nMap Case 8.2","George Mason University. Libraries. Special Collections Research Center","English"],"unitid_tesim":["C0277","/repositories/2/resources/602"],"normalized_title_ssm":["Living Stage records"],"collection_title_tesim":["Living Stage records"],"collection_ssim":["Living Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Washington (D.C.)"],"geogname_ssim":["Washington (D.C.)"],"places_ssim":["Washington (D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000."],"access_subjects_ssim":["Acting","People with mental disabilities -- Services for -- United States","Performance art -- Photographs","Public schools -- Virginia","Radicalism -- United States -- History -- 20th century","Students -- Photographs","Theater -- United States -- History -- 20th century","Theater -- Washington (D.C.)","Theater programs","Playscript"],"access_subjects_ssm":["Acting","People with mental disabilities -- Services for -- United States","Performance art -- Photographs","Public schools -- Virginia","Radicalism -- United States -- History -- 20th century","Students -- Photographs","Theater -- United States -- History -- 20th century","Theater -- Washington (D.C.)","Theater programs","Playscript"],"has_online_content_ssim":["false"],"extent_ssm":["48.0 Linear Feet 106 boxes"],"extent_tesim":["48.0 Linear Feet 106 boxes"],"genreform_ssim":["Playscript"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions on Series 1 and 2. Please see the Physical Characteristics and Technical Requirements note for access information on Series 3.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions on Series 1 and 2. Please see the Physical Characteristics and Technical Requirements note for access information on Series 3."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into three series, each of which is divided into subseries.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Audiovisual and Photographic Materials, 1967-1999 (Boxes 86-106)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into three series, each of which is divided into subseries.","Series Series 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56) Series 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85) Series 3: Audiovisual and Photographic Materials, 1967-1999 (Boxes 86-106)"],"bioghist_html_tesm":["\u003cp\u003eThe Living Stage Theatre Company began in 1966 as a venture of Arena Stage and Robert Alexander. Known from 1966-1968 as The Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the D.C. area after becoming disenchanted with traditional theatre's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington, D.C. on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. \u003c/p\u003e\n","\u003cp\u003eThe Living Stage performance style consisted of \"The Jam,\" \"The Performance,\" and \"The Workshop,\" a three part study that was used at most of their venues. The first part, or \"Jam,\" consisted of actors working with their audience to \"rap,\" make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. The actors then moved into the \"performance\" itself. During the performance the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. \u003c/p\u003e\n","\u003cp\u003eThe projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic.\"\u003c/p\u003e\n","\u003cp\u003eThe organization began to sunset in the first half of the 1990s as many of its founding and senior members took their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Living Stage Theatre Company began in 1966 as a venture of Arena Stage and Robert Alexander. Known from 1966-1968 as The Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the D.C. area after becoming disenchanted with traditional theatre's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington, D.C. on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. ","The Living Stage performance style consisted of \"The Jam,\" \"The Performance,\" and \"The Workshop,\" a three part study that was used at most of their venues. The first part, or \"Jam,\" consisted of actors working with their audience to \"rap,\" make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. The actors then moved into the \"performance\" itself. During the performance the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. ","The projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic.\"","The organization began to sunset in the first half of the 1990s as many of its founding and senior members took their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch or listen to all audiovisual material in Series 3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch or listen to all audiovisual material in Series 3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eLiving Stage records, C0277, Special Collections Reserch Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Living Stage records, C0277, Special Collections Reserch Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016. Finding aid updated by Amanda Menjivar in March 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016. Finding aid updated by Amanda Menjivar in March 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, and the Ken Kitch papers. It also holds the Arena Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, and the Ken Kitch papers. It also holds the Arena Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Living Stage records consists of material spanning the length of the organization's history from 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files, financial papers, grant requests and applications, correspondence, workshop reports and scripts, as well as audiovisual and photographic materials.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams.\" Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Audiovisual and Photographic Materials (1967-1999) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times, as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Audio and film reels includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Audio and video tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.\u003c/p\u003e","\u003cp\u003eSeries 1. Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 3\u003c/p\u003e","\u003cp\u003eFolder 2 of 3\u003c/p\u003e","\u003cp\u003eFolder 3 of 3\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 3\u003c/p\u003e","\u003cp\u003eFolder 2 of 3\u003c/p\u003e","\u003cp\u003eFolder 3 of 3\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 3\u003c/p\u003e","\u003cp\u003eFolder 2 of 3\u003c/p\u003e","\u003cp\u003eFolder 3 of 3\u003c/p\u003e","\u003cp\u003eFolder 1 of 3\u003c/p\u003e","\u003cp\u003eFolder 2 of 3\u003c/p\u003e","\u003cp\u003eFolder 3 of 3\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eSeries 2. Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams\". Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eCopyright 1978\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 4\u003c/p\u003e","\u003cp\u003eFolder 2 of 4\u003c/p\u003e","\u003cp\u003eFolder 3 of 4\u003c/p\u003e","\u003cp\u003eFolder 4 of 4\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eSeries 3. 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Subseries 3.3 Cassete and VHS tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eLarge Box\u003c/p\u003e","\u003cp\u003eVO 1 of 2\u003c/p\u003e","\u003cp\u003eVO 2 of 2\u003c/p\u003e","\u003cp\u003eCompletely Unraveled - Large Box\u003c/p\u003e","\u003cp\u003eLarge Box\u003c/p\u003e","\u003cp\u003eFranklin Sherman?\u003c/p\u003e","\u003cp\u003eLarge Box\u003c/p\u003e","\u003cp\u003eLarge Box\u003c/p\u003e","\u003cp\u003eContinued from October 19, 1977 Tape\u003c/p\u003e","\u003cp\u003eLoose\u003c/p\u003e","\u003cp\u003eColor?\u003c/p\u003e","\u003cp\u003eLarge Box\u003c/p\u003e","\u003cp\u003eLarge Box\u003c/p\u003e","\u003cp\u003eLarge Box\u003c/p\u003e","\u003cp\u003eLarge Box\u003c/p\u003e","\u003cp\u003eSmells like 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Included in the records are administrative files, financial papers, grant requests and applications, correspondence, workshop reports and scripts, as well as audiovisual and photographic materials.","Series 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.","Series 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams.\" Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. ","Series 3: Audiovisual and Photographic Materials (1967-1999) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times, as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Audio and film reels includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Audio and video tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.","Series 1. Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.","Folder 1 of 2","Folder 2 of 2","Folder 1 of 3","Folder 2 of 3","Folder 3 of 3","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 3","Folder 2 of 3","Folder 3 of 3","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 3","Folder 2 of 3","Folder 3 of 3","Folder 1 of 3","Folder 2 of 3","Folder 3 of 3","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Series 2. Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams\". Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files.","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Copyright 1978","Folder 1 of 2","Folder 2 of 2","Folder 1 of 4","Folder 2 of 4","Folder 3 of 4","Folder 4 of 4","Folder 1 of 2","Folder 2 of 2","Series 3. Audiovisual Materials (1967-1998) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times as well as production stills. Unfortunately, the majority of these documents are undated or have little in the way of description. Subseries 3.2 Reel to Reel Materials includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Cassete and VHS tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.","Folder 1 of 2","Folder 2 of 2","Large Box","VO 1 of 2","VO 2 of 2","Completely Unraveled - Large Box","Large Box","Franklin Sherman?","Large Box","Large Box","Continued from October 19, 1977 Tape","Loose","Color?","Large Box","Large Box","Large Box","Large Box","Smells like Vinegar","Semi-Unraveling","Semi-Unraveling","Large Box","Large Box","Large Box","Large Box","Large Box","Large Box","Large Box","XL Roll","Semi-Unraveling","Large Box","Semi-Unraveling","Large Box","Large Box","Semi-Unraveling","Tape 3 of 3","Tape 1 of 3","Tape 2 of 3","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Betamax","VHS","Beta Tape 1 of 2","Beta Tape 2 of 2","VHS","U-matic","Betamax","VHS","VHS","VHS","VHS","Betamax","Betamax","Betamax","VHS","VHS","Betamax","VHS","VHS","Betamax","VHS","Betamax","Betamax","VHS","VHS","Betamax","VHS","VHS","VHS","VHS","Betamax","VHS","VHS","Betamax","Betamax","VHS","VHS","VHS","VHS","VHS","VHS","Betamax","VHS","VHS","VHS","VHS","VHS","Beta Tape 1 of 2","Beta Tape 2 of 2","Betamax","VHS","Betamax"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe Living Stage records documents the Living Stage Theatre Company, founded by Robert Alexander as an offshoot of Arena Stage in Washington, D.C. The records were created from 1965-2001.\u003c/abstract\u003e"],"abstract_tesim":["The Living Stage records documents the Living Stage Theatre Company, founded by Robert Alexander as an offshoot of Arena Stage in Washington, D.C. The records were created from 1965-2001."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e176c0c8972614dd614b2ea45cfacaaf\"\u003eR 52, C 6, S 3 - R 53, C 2, S 6\n\nMap Case 8.2\u003c/physloc\u003e"],"physloc_tesim":["R 52, C 6, S 3 - R 53, C 2, S 6\n\nMap Case 8.2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1502,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:25:00.697Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_602_c01_c04_c123"}},{"id":"wvmturhc_repositories_2_resources_1610_c02_c39","type":"File","attributes":{"title":"Young, Billie Jean","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1610_c02_c39#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1610_c02_c39","ref_ssm":["wvmturhc_repositories_2_resources_1610_c02_c39"],"id":"wvmturhc_repositories_2_resources_1610_c02_c39","ead_ssi":"wvmturhc_repositories_2_resources_1610","_root_":"wvmturhc_repositories_2_resources_1610","_nest_parent_":"wvmturhc_repositories_2_resources_1610_c02","parent_ssi":"wvmturhc_repositories_2_resources_1610_c02","parent_ssim":["wvmturhc_repositories_2_resources_1610","wvmturhc_repositories_2_resources_1610_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1610","wvmturhc_repositories_2_resources_1610_c02"],"parent_unittitles_ssm":["Maryat Lee, Playwright, Papers","Series 2. Subjects"],"parent_unittitles_tesim":["Maryat Lee, Playwright, Papers","Series 2. Subjects"],"text":["Maryat Lee, Playwright, Papers","Series 2. Subjects","Young, Billie Jean","Box 2","Folder 33"],"title_filing_ssi":"Young, Billie Jean","title_ssm":["Young, Billie Jean"],"title_tesim":["Young, Billie Jean"],"unitdate_inclusive_ssm":["1979-1984 and undated"],"normalized_date_ssm":["1979/1984"],"normalized_title_ssm":["Young, Billie Jean"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Maryat Lee, Playwright, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":85,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1979,1980,1981,1982,1983,1984],"containers_ssim":["Box 2","Folder 33"],"_nest_path_":"/components#1/components#38","timestamp":"2026-06-04T15:06:42.135Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1610","ead_ssi":"wvmturhc_repositories_2_resources_1610","_root_":"wvmturhc_repositories_2_resources_1610","_nest_parent_":"wvmturhc_repositories_2_resources_1610","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1610.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195886","title_ssm":["Maryat Lee, Playwright, Papers"],"title_tesim":["Maryat Lee, Playwright, Papers"],"unitdate_ssm":["1902-1997","1951-1989"],"unitdate_bulk_ssim":["1951-1989"],"unitdate_inclusive_ssm":["1902-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3300","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1610"],"text":["A\u0026M 3300","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1610","Maryat Lee, Playwright, Papers","Hinton (W. Va.)","New York (N.Y.)","West Virginia Feminist Activist and Women's History Collection","Community theater","Community arts projects","Women authors, American   -- 20th century","Women in community organization","No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. ","Maryat Lee was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project.  ","Maryat Lee was born as Mary Attaway Lee in Covington, Kentucky on May 26, 1923, to Grace Barbee Dyer Lee and Dewitt Collins Lee. Maryat, as she came to be known, grew up with her musician mother, lawyer and businessman father, and two older brothers, John and Robert. ","She graduated from Wellesley College in Wellesley, Massachusetts with a Bachelor of Arts degree in Bible History in 1945.","In the following years, Lee was employed in various jobs in New York City, including editing religious films, transcribing oral history tapes for Columbia University, and serving as an assistant to Margaret Mead at the Society for Applied Anthropology.  ","Inspired by a conversation with East Harlem storefront church ministers about declining local interest in religion and surging drug usage, Lee sought to become acquainted with the population of Harlem, a largely African American neighborhood in New York City. This led to the writing of her first play,  DOPE!  which began showings in storefront churches, on sidewalks, and in alleys in 1951, using the local people Lee had met in Harlem as actors. Interest in this street theater, as it would come to be known, faded quickly, but it set the foundation for much of Lee's later work. ","In 1957, she met and began a friendship with author Flannery O'Connor that would last until the latter's death in 1964. That same year, in 1957, she married Australian furniture designer David Foulkes Taylor in Japan. The couple parted ways soon after, and Taylor died in a car accident in Australia in 1965.   ","In 1966, Lee began a long business and romantic relationship with photographer Fran Belin, with whom she would go on to co-found the Women's Farm and EcoTheater.","She founded the East Harlem Soul and Latin Theater (SALT) in New York City in 1970, building upon her work with Harlem residents seventeen years prior. SALT used non-actors and encouraged audience reactions in opposition to what Lee viewed as the more stifling contemporary theater. ","Soon after, Lee parted ways with SALT after troupe members became discontented with the way she was handling copyright of the works produced, and the troupe dissolved two years later.  ","In 1971, Lee moved to Powley's Creek, West Virginia with Belin and founded the Women's Farm, as part of a wider Back-to-the-land movement that occurred in America in the 1960s and 1970s. The Women's Farm sought to provide a work retreat for artists and musicians and serve as the foundation for a new type of local theater.  ","During this time, Lee focused on learning about her local community in Hinton, West Virginia, and wrote plays inspired by what she heard, including  John Henry  and  Ole Miz Dacey . Both plays would be shown on Lee's farm and performed by youth from the Governor's Summer Youth Program, marking the beginning of EcoTheater in 1975.  ","EcoTheater, described by Lee as \"indigenous Appalachian theater\" produced plays based on oral histories collected from the local community, and as with  DOPE!  and SALT, used non-actors in its performances.  ","In 1984, Lee moved to Lewisburg, West Virginia, where she worked on her EcoTheater Workbook. From 1987 to 1989, Lee focused her energies on producing several theater workshops in West Virginia and Kentucky. ","Maryat Lee passed away at her home in Lewisburg, West Virginia on September 18, 1989, while working on her EcoTheater Workbook.  ","This collection mostly contains materials created and collected by Maryat Lee between 1951 and 1989 during her work on a wide variety of art and theatre projects, including Street and Latin Theater (SALT), the Women's Farm, and EcoTheater. Also present in the collection are materials created by Maryat Lee's parents, Grace Barbee Dyer Lee and Dewitt Collins Lee between 1910 and 1945. Materials present beyond Maryat Lee's death in 1989 consist of various EcoTheater and the Women's Farm administrative and promotional writings. ","Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt. ","The collection is divided into seven series based upon Maryat Lee's original folder labeling and the prevalence of certain subject matter. Due to the fact that Lee did not package the materials for donation herself, some boxes and folders within the series are physically out of order in relation to their intellectual arrangement. Addendum are also split between series. ","Series 1. Writings: This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts. ","Series 2. Subjects: This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing. ","Series 3. Audiovisual Material: This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Series 4. Theater Programs and Workshops: This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. ","Series 5. Personal: This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. ","Series 6. Publications: This series contains published plays collected, but not written, by Maryat Lee.","Series 7. Paintings and Busts: This series contains nine paintings by Maryat Lee and a plaster bust of Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29. ","This collection was reprocessed on 2024/11/07. A crosswalk between the original organization and the new organization is available upon request. ","Select audiovisual materials have been digitized. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts.","This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing.","This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","DVD","This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","Includes cassette tape labeled (\"Dr. Pfieffer\", October 28 1983)","This series contains published plays collected, but not written, by Maryat Lee.","This series contains nine paintings by Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29.","Material moved to A\u0026M 3300 B54/F21","Material moved to B48/I1","Material moved to A\u0026M 3300 B54/F2","Material moved to A\u0026M 3300 B54/F3","Material moved to A\u0026M 3300 B51/F2","Material moved to A\u0026M 3300 B45/F5, B54/F4","Material moved to A\u0026M 3300 B45/F6","Material moved to A\u0026M 3300 B45/F7","Material moved to A\u0026M 3300 B54/F5","Material moved to A\u0026M 3300 B52/F2","Material moved to A\u0026M 3300 B54/F6","Material moved to A\u0026M 3300 B52/F3","Material moved to A\u0026M 3300 B45/F8","Material moved to A\u0026M 3300 B45/F9","Material moved to A\u0026M 3300 B45/F12","Material moved to A\u0026M 3300 B45/F13","Material moved to A\u0026M 3300 B45/F15","Material moved to A\u0026M 3300 B51/F6","Material moved to A\u0026M 3300 B45/F16","Material moved to A\u0026M 3300 B45/F17, B51/F7","Material moved to A\u0026M 3300 B45/F18","Material moved to A\u0026M 3300 B45/F19","Material moved to A\u0026M 3300 B45/F20","Material moved to A\u0026M 3300 B54/F7, B45/F21-24, B51/F8","Material moved to A\u0026M 3300 B45/F25-27","Material moved to A\u0026M 3300 B45/F28-31, B46/F1-2, B50/F3-4, 19","Material moved to A\u0026M 3300 B54/F13","Material moved to A\u0026M 3300 B46/F3","Material moved to A\u0026M 3300 B54/F8","Material moved to A\u0026M 3300 B54/F9","Material moved to A\u0026M 3300 B54/F10","Material moved to A\u0026M 3300 B54/F11","Material moved to A\u0026M 3300 B54/F12","Material moved to A\u0026M 3300 B50/F5","Material moved to A\u0026M 3300 B50/F6","Material moved to A\u0026M 3300 B54/F14","Material moved to A\u0026M 3300 B50/F7","Material moved to A\u0026M 3300 B46/F4","Material moved to A\u0026M 3300 B20/F63","Material moved to A\u0026M 3300 B54/F16","Material moved to A\u0026M 3300 B54/F17","Material moved to A\u0026M 3300 B46/F6","Material moved to A\u0026M 3300 B46/F7","Material moved to A\u0026M 3300 B46/F8","Material moved to A\u0026M 3300 B46/F9","Material moved to A\u0026M 3300 B46/F10","Material moved to A\u0026M 3300 B46/F11","Material moved to A\u0026M 3300 B46/F13-19","Material moved to A\u0026M 3300 B46/F20","Material moved to A\u0026M 3300 B46/F21-24","Material moved to A\u0026M 3300 B46/F28","Material moved to A\u0026M 3300 B46/F29, B50/F8","Material moved to A\u0026M 3300 B54/F18","Material moved to A\u0026M 3300 B46/F30","Material moved to A\u0026M 3300 B50/F9-11, B46/F33","Material moved to A\u0026M 3300 B46/F34","Material moved to A\u0026M 3300 B46/F35","Material moved to A\u0026M 3300 B46/F36","Material moved to A\u0026M3300 B26/F12","Material moved to A\u0026M 3300 B46/F38","Material moved to A\u0026M 3300 B46/F39","Material moved to A\u0026M 3300 B46/F40","Material moved to A\u0026M3300 B55/F3","Material moved to A\u0026M 3300 B50/F12","Material moved to A\u0026M 3300 B46/F42","Material moved to A\u0026M 3300 B53/F4","Material moved to A\u0026M 3300 B46/F43","Material moved to A\u0026M 3300 F46/F44","Material moved to A\u0026M 3300 B46/F45","Material moved to A\u0026M 3300 B54/F20","Material moved to A\u0026M 3300 B46/F46","Material moved to A\u0026M 3300 B53/F1","Material moved to A\u0026M 3300 B46/F47","Material moved to A\u0026M 3300 B52/F4","Material moved to A\u0026M 3300 B46/F48","Material moved to A\u0026M 3300 B50/F13","Material moved to A\u0026M 3300 B54/F21","Material moved to A\u0026M 3300 B47/F10","Material moved to A\u0026M 3300 B54/F23","Material moved to A\u0026M 3300 B47/F11","Material moved to A\u0026M 3300 B54/F24","Material moved to A\u0026M 3300 B47/F12","Material moved to A\u0026M 3300 B50/F15","Material moved to A\u0026M 3300 B47/F13","Material moved to A\u0026M 3300 B54/F26","Material moved to A\u0026M 3300 B54/F27","Material moved to A\u0026M 3300 B47/F26","Material moved to A\u0026M 3300 B47/F27","Material moved to A\u0026M 3300 B50/F17","Material moved to A\u0026M 3300 B50/F18","Material moved to A\u0026M 3300 B50/F20","Removed from A\u0026M 3300 B11","Removed from A\u0026M 3300 B12","Removed from A\u0026M 3300 B15","Removed from A\u0026M 3300 B17/F1f","Removed from A\u0026M 3300 B17/F1g","Removed from A\u0026M 3300 B17/F1h","Removed from A\u0026M 3300 B17/F4h","Removed from A\u0026M 3300 B18/F15","Removed from A\u0026M 3300 B18","Removed from A\u0026M 3300 B18/F17","Removed from A\u0026M 3300 B18/F21","Removed from A\u0026M 3300 B18","Removed from A\u0026M 3300 B19/F6","Removed from A\u0026M 3300 B19/F10a","Removed from A\u0026M 3300 B19/F12","Removed from A\u0026M 3300 B19/F13a","Removed from A\u0026M 3300 B19/F16","Removed from A\u0026M 3300 B19/F22","Removed from A\u0026M 3300 B19/F26","Removed from A\u0026M 3300 B19/F29","Removed from A\u0026M 3300 B19/F31","Removed from A\u0026M 3300 B19/F34","Removed from A\u0026M 3300 B20/F12","Removed from A\u0026M 3300 B20/F14","Removed from A\u0026M 3300 B20/F16","Removed from A\u0026M 3300 B20/F20","Removed from A\u0026M 3300 B20/F21","Removed from A\u0026M 3300 B20/F22","Removed from A\u0026M 3300 B20/F24","Removed from A\u0026M 3300 B20/F25","Removed from A\u0026M 3300 B20/F26","Removed from A\u0026M 3300 B20/F37","Removed from A\u0026M 3300 B20/F59","Removed from A\u0026M 3300 B20/F63","Removed from A\u0026M 3300 B21/F1","Removed from A\u0026M 3300 B21/F2","Removed from A\u0026M 3300 B21/F3","Removed from A\u0026M 3300 B21/F5","Removed from A\u0026M 3300 B21/F11","Removed from A\u0026M 3300 B21/F36","Removed from A\u0026M 3300 B22/F12a","Removed from A\u0026M 3300 B23/F15","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B23/F31","Removed from A\u0026M 3300 B26/F1","Removed from A\u0026M 3300 B26/F4","Removed from A\u0026M 3300 B26/F6","Removed from A\u0026M 3300 B26/F12","Removed from A\u0026M 3300 B26/F35","Removed from A\u0026M 3300 B26/F48","Removed from A\u0026M 3300 B27/F3","Removed from A\u0026M 3300 B31/F7","Removed from A\u0026M 3300 B31/F24","Removed from A\u0026M 3300 B31/F44","Removed from A\u0026M 3300 B31/F45","Removed from A\u0026M 3300 B32/F9","Removed from A\u0026M 3300 B33/F25","Removed from A\u0026M 3300 B33/F33","Removed from A\u0026M 3300 B34/F3","Removed from A\u0026M 3300 B34/F23","Removed from A\u0026M 3300 B36/F8","Removed from A\u0026M 3300 B36/F31","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B39/F16a","Removed from A\u0026M 3300 B1/F1","Removed from A\u0026M 3300 B20","Removed from A\u0026M 3300 B20/F23","Removed from A\u0026M 3300 B20/F25","Removed from A\u0026M 3300 B20/F51","Removed from A\u0026M 3300 B20/F52","Removed from A\u0026M 3300 B20/F58","Removed from A\u0026M 3300 B22/F12b","Removed from A\u0026M 3300 B23/F25","Removed from A\u0026M 3300 B23/F28","Removed from A\u0026M 3300 B23/F29","Removed from A\u0026M 3300 B31/F19","Removed from A\u0026M 3300 B34/F30b","Removed from A\u0026M 3300 B39/F24","Removed from A\u0026M 3300 B39/F25","Removed from A\u0026M 3300 B20/F21","Removed from A\u0026M 3300 B39/F32","Removed from A\u0026M 3300 B40","Removed from A\u0026M 3300 [Add. 1998/07/22] B60","Removed from A\u0026M 3300 B11","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B19/F9","Removed from A\u0026M 3300 B19/F12","Removed from A\u0026M 3300 B19/F34","Removed from A\u0026M 3300 B17/F2l","Removed from A\u0026M 3300 B17/F4f","Removed from A\u0026M 3300 B33/F35","Removed from A\u0026M 3300 B31/F28","Removed from A\u0026M 3300 B1","Removed from A\u0026M 3300 B11/F22","Removed from A\u0026M 3300 B17/F1f","Removed from A\u0026M 3300 B17/F2i","Removed from A\u0026M 3300 B17/F2q","Removed from A\u0026M 3300 B19/F25","Removed from A\u0026M 3300 B20/F44","Removed from A\u0026M 3300 B20/F45","Removed from A\u0026M 3300 B20/F46","Removed from A\u0026M 3300 B20/F48","Removed from A\u0026M 3300 B20/F49","Removed from A\u0026M 3300 B20/F53","Removed from A\u0026M 3300 B20/F54","Removed from A\u0026M 3300 B20","Removed from A\u0026M 3300 B20/F65","Removed from A\u0026M 3300 B20/F66","Removed from A\u0026M 3300 B22/F15","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B32/F34","Removed from A\u0026M 3300 B35/F1j","Removed from A\u0026M 3300 B35/F28","Removed from A\u0026M 3300 B36/F6","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B38/F31","Removed from A\u0026M 3300 B38/F43","Removed from A\u0026M 3300 B40/F13","Removed from A\u0026M 3300 B32","Removed from A\u0026M3300 B31/F5","Material moved to A\u0026M 3300 B65/F3","Material moved to A\u0026M 3300 B64/F7","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63/F17","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63/F3","Removed from A\u0026M 3300 B63/F15","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Material moved to oversized, B50/F1","Material moved to A\u0026M 3300 B45/F1","Material moved to A\u0026M 3300 B45/F11","Material moved to A\u0026M 3300 B46/F25-26","Material moved to A\u0026M 3300 B46/F27","Material moved to A\u0026M 3300 B46/F41","Material moved to A\u0026M 3300 B47/F2-3","Material moved to A\u0026M 3300 B50/F14","Material moved to A\u0026M 3300 B47/F4, B52/F5","Material moved to A\u0026M 3300 B47/F5","Material moved to A\u0026M 3300 B47/F6-7","Material moved to A\u0026M 3300 B47/F8","Material moved to A\u0026M 3300 B53/F2, B47/F9, B54/F22","Material moved to A\u0026M 3300 B47/F18","Material moved to A\u0026M 3300 B47/F19-21","Material moved to A\u0026M 3300 B47/F23","Material moved to A\u0026M 3300 B47/F24","Material moved to A\u0026M 3300 B53/F3","Material moved to A\u0026M 3300 B47/F28","Removed from A\u0026M 3300 B11/F27","Removed from A\u0026M 3300 B18/F16","Removed from A\u0026M 3300 B21/F56","Removed from A\u0026M 3300 B22/F2","Removed from A\u0026M 3300 B35/F2-3a","Removed from A\u0026M 3300 B35/F8","Removed from A\u0026M 3300 B35/F10","Removed from A\u0026M 3300 B35/F11-12","Removed from A\u0026M 3300 B35/F13","Removed from A\u0026M 3300 B35/F16","Removed from A\u0026M 3300 B35/F26","Removed from A\u0026M 3300 B36/F3","Removed from A\u0026M 3300 B37/F59-60","Removed from A\u0026M 3300 B37/F61","Removed from A\u0026M 3300 B37/F62","Removed from A\u0026M 3300 B38","Removed from A\u0026M 3300 B38/F49","Removed from A\u0026M 3300 B38/F51","Removed from A\u0026M 3300 B39/F11","Removed from A\u0026M 3300 B39/F13","Removed from A\u0026M 3300 B40/F4","Removed from A\u0026M 3300 B7/F34","Removed from A\u0026M 3300 B8","Removed from A\u0026M 3300 B35/F6","Removed from A\u0026M 3300 B36/F30","Removed from A\u0026M 3300 B38","Removed from A\u0026M 3300 B11/F23","Removed from A\u0026M 3300 B35/F9","Removed from A\u0026M 3300 B33/F26","Removed from A\u0026M 3300 B35/F15","Removed from A\u0026M 3300 B40/F3","Removed from A\u0026M 3300 B11/F21","Removed from A\u0026M 3300 B35/F17","Removed from A\u0026M3300 B38","Removed from A\u0026M 3300 B31, B29","Removed from A\u0026M 3300 B30","Removed from A\u0026M 3300 B26","Material moved to A\u0026M 3300 B65/F2","Material moved to A\u0026M 3300 B64/F3","Material removed from A\u0026M 3300 B63/F18","Material removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Maryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University. Art Museum","Lee, Maryat, 1923-1989","Lee, Robert","English \n.    "],"unitid_tesim":["A\u0026M 3300","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1610"],"normalized_title_ssm":["Maryat Lee, Playwright, Papers"],"collection_title_tesim":["Maryat Lee, Playwright, Papers"],"collection_ssim":["Maryat Lee, Playwright, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Hinton (W. Va.)","New York (N.Y.)"],"geogname_ssim":["Hinton (W. Va.)","New York (N.Y.)"],"creator_ssm":["Lee, Maryat, 1923-1989","Lee, Robert","West Virginia University. Art Museum"],"creator_ssim":["Lee, Maryat, 1923-1989","Lee, Robert","West Virginia University. Art Museum"],"creator_persname_ssim":["Lee, Maryat, 1923-1989","Lee, Robert"],"creator_corpname_ssim":["West Virginia University. Art Museum"],"creators_ssim":["Lee, Maryat, 1923-1989","Lee, Robert","West Virginia University. Art Museum"],"places_ssim":["Hinton (W. Va.)","New York (N.Y.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Lee, Robert, 1998 June 5. ","Gift from Lee, Robert, 1998 July 11.","Transfer from West Virginia University Art Museum, 2022 April 29."],"access_subjects_ssim":["West Virginia Feminist Activist and Women's History Collection","Community theater","Community arts projects","Women authors, American   -- 20th century","Women in community organization"],"access_subjects_ssm":["West Virginia Feminist Activist and Women's History Collection","Community theater","Community arts projects","Women authors, American   -- 20th century","Women in community organization"],"has_online_content_ssim":["false"],"extent_ssm":["63.54 Linear Feet 63 ft. 6.5 in. (42 records cartons, 15 in. each); (9 document cases, 5 in. each); (3 document cases, 2.5 in.); (1 large flat storage box, 3.5 in.); (7 medium flat storage boxes, 3 in. each); (1 small flat storage box, 1.5 in.); (5 large item boxes, 5 in. each); (1 small item box, 3 in.); (1 large clamshell box, 5 in.); (9 paintings, 1.5 in. each); (1 framed item, 0.5 in.); (1 plaster bust, 7 in.)"],"extent_tesim":["63.54 Linear Feet 63 ft. 6.5 in. (42 records cartons, 15 in. each); (9 document cases, 5 in. each); (3 document cases, 2.5 in.); (1 large flat storage box, 3.5 in.); (7 medium flat storage boxes, 3 in. each); (1 small flat storage box, 1.5 in.); (5 large item boxes, 5 in. each); (1 small item box, 3 in.); (1 large clamshell box, 5 in.); (9 paintings, 1.5 in. each); (1 framed item, 0.5 in.); (1 plaster bust, 7 in.)"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"bioghist_html_tesm":["\u003cp\u003eMaryat Lee was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project.  \u003c/p\u003e\n","\u003cp\u003eMaryat Lee was born as Mary Attaway Lee in Covington, Kentucky on May 26, 1923, to Grace Barbee Dyer Lee and Dewitt Collins Lee. Maryat, as she came to be known, grew up with her musician mother, lawyer and businessman father, and two older brothers, John and Robert. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Wellesley College in Wellesley, Massachusetts with a Bachelor of Arts degree in Bible History in 1945.\u003c/p\u003e\n","\u003cp\u003eIn the following years, Lee was employed in various jobs in New York City, including editing religious films, transcribing oral history tapes for Columbia University, and serving as an assistant to Margaret Mead at the Society for Applied Anthropology.  \u003c/p\u003e\n","\u003cp\u003eInspired by a conversation with East Harlem storefront church ministers about declining local interest in religion and surging drug usage, Lee sought to become acquainted with the population of Harlem, a largely African American neighborhood in New York City. This led to the writing of her first play, \u003ctitle\u003eDOPE!\u003c/title\u003e which began showings in storefront churches, on sidewalks, and in alleys in 1951, using the local people Lee had met in Harlem as actors. Interest in this street theater, as it would come to be known, faded quickly, but it set the foundation for much of Lee's later work. \u003c/p\u003e\n","\u003cp\u003eIn 1957, she met and began a friendship with author Flannery O'Connor that would last until the latter's death in 1964. That same year, in 1957, she married Australian furniture designer David Foulkes Taylor in Japan. The couple parted ways soon after, and Taylor died in a car accident in Australia in 1965.   \u003c/p\u003e\n","\u003cp\u003eIn 1966, Lee began a long business and romantic relationship with photographer Fran Belin, with whom she would go on to co-found the Women's Farm and EcoTheater.\u003c/p\u003e\n","\u003cp\u003eShe founded the East Harlem Soul and Latin Theater (SALT) in New York City in 1970, building upon her work with Harlem residents seventeen years prior. SALT used non-actors and encouraged audience reactions in opposition to what Lee viewed as the more stifling contemporary theater. \u003c/p\u003e\n","\u003cp\u003eSoon after, Lee parted ways with SALT after troupe members became discontented with the way she was handling copyright of the works produced, and the troupe dissolved two years later.  \u003c/p\u003e\n","\u003cp\u003eIn 1971, Lee moved to Powley's Creek, West Virginia with Belin and founded the Women's Farm, as part of a wider Back-to-the-land movement that occurred in America in the 1960s and 1970s. The Women's Farm sought to provide a work retreat for artists and musicians and serve as the foundation for a new type of local theater.  \u003c/p\u003e\n","\u003cp\u003eDuring this time, Lee focused on learning about her local community in Hinton, West Virginia, and wrote plays inspired by what she heard, including \u003ctitle\u003eJohn Henry\u003c/title\u003e and \u003ctitle\u003eOle Miz Dacey\u003c/title\u003e. Both plays would be shown on Lee's farm and performed by youth from the Governor's Summer Youth Program, marking the beginning of EcoTheater in 1975.  \u003c/p\u003e\n","\u003cp\u003eEcoTheater, described by Lee as \"indigenous Appalachian theater\" produced plays based on oral histories collected from the local community, and as with \u003ctitle\u003eDOPE!\u003c/title\u003e and SALT, used non-actors in its performances.  \u003c/p\u003e\n","\u003cp\u003eIn 1984, Lee moved to Lewisburg, West Virginia, where she worked on her EcoTheater Workbook. From 1987 to 1989, Lee focused her energies on producing several theater workshops in West Virginia and Kentucky. \u003c/p\u003e\n","\u003cp\u003eMaryat Lee passed away at her home in Lewisburg, West Virginia on September 18, 1989, while working on her EcoTheater Workbook.  \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Maryat Lee was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project.  ","Maryat Lee was born as Mary Attaway Lee in Covington, Kentucky on May 26, 1923, to Grace Barbee Dyer Lee and Dewitt Collins Lee. Maryat, as she came to be known, grew up with her musician mother, lawyer and businessman father, and two older brothers, John and Robert. ","She graduated from Wellesley College in Wellesley, Massachusetts with a Bachelor of Arts degree in Bible History in 1945.","In the following years, Lee was employed in various jobs in New York City, including editing religious films, transcribing oral history tapes for Columbia University, and serving as an assistant to Margaret Mead at the Society for Applied Anthropology.  ","Inspired by a conversation with East Harlem storefront church ministers about declining local interest in religion and surging drug usage, Lee sought to become acquainted with the population of Harlem, a largely African American neighborhood in New York City. This led to the writing of her first play,  DOPE!  which began showings in storefront churches, on sidewalks, and in alleys in 1951, using the local people Lee had met in Harlem as actors. Interest in this street theater, as it would come to be known, faded quickly, but it set the foundation for much of Lee's later work. ","In 1957, she met and began a friendship with author Flannery O'Connor that would last until the latter's death in 1964. That same year, in 1957, she married Australian furniture designer David Foulkes Taylor in Japan. The couple parted ways soon after, and Taylor died in a car accident in Australia in 1965.   ","In 1966, Lee began a long business and romantic relationship with photographer Fran Belin, with whom she would go on to co-found the Women's Farm and EcoTheater.","She founded the East Harlem Soul and Latin Theater (SALT) in New York City in 1970, building upon her work with Harlem residents seventeen years prior. SALT used non-actors and encouraged audience reactions in opposition to what Lee viewed as the more stifling contemporary theater. ","Soon after, Lee parted ways with SALT after troupe members became discontented with the way she was handling copyright of the works produced, and the troupe dissolved two years later.  ","In 1971, Lee moved to Powley's Creek, West Virginia with Belin and founded the Women's Farm, as part of a wider Back-to-the-land movement that occurred in America in the 1960s and 1970s. The Women's Farm sought to provide a work retreat for artists and musicians and serve as the foundation for a new type of local theater.  ","During this time, Lee focused on learning about her local community in Hinton, West Virginia, and wrote plays inspired by what she heard, including  John Henry  and  Ole Miz Dacey . Both plays would be shown on Lee's farm and performed by youth from the Governor's Summer Youth Program, marking the beginning of EcoTheater in 1975.  ","EcoTheater, described by Lee as \"indigenous Appalachian theater\" produced plays based on oral histories collected from the local community, and as with  DOPE!  and SALT, used non-actors in its performances.  ","In 1984, Lee moved to Lewisburg, West Virginia, where she worked on her EcoTheater Workbook. From 1987 to 1989, Lee focused her energies on producing several theater workshops in West Virginia and Kentucky. ","Maryat Lee passed away at her home in Lewisburg, West Virginia on September 18, 1989, while working on her EcoTheater Workbook.  "],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Maryat Lee, Playwright, Papers, A\u0026amp;M 3300, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Maryat Lee, Playwright, Papers, A\u0026M 3300, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection mostly contains materials created and collected by Maryat Lee between 1951 and 1989 during her work on a wide variety of art and theatre projects, including Street and Latin Theater (SALT), the Women's Farm, and EcoTheater. Also present in the collection are materials created by Maryat Lee's parents, Grace Barbee Dyer Lee and Dewitt Collins Lee between 1910 and 1945. Materials present beyond Maryat Lee's death in 1989 consist of various EcoTheater and the Women's Farm administrative and promotional writings. \u003c/p\u003e\n","\u003cp\u003eMaterials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt. \u003c/p\u003e\n","\u003cp\u003eThe collection is divided into seven series based upon Maryat Lee's original folder labeling and the prevalence of certain subject matter. Due to the fact that Lee did not package the materials for donation herself, some boxes and folders within the series are physically out of order in relation to their intellectual arrangement. Addendum are also split between series. \u003c/p\u003e\n","\u003cp\u003eSeries 1. Writings: This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts. \u003c/p\u003e\n","\u003cp\u003eSeries 2. Subjects: This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing. \u003c/p\u003e\n","\u003cp\u003eSeries 3. Audiovisual Material: This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.\u003c/p\u003e\n","\u003cp\u003eSeries 4. Theater Programs and Workshops: This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. \u003c/p\u003e\n","\u003cp\u003eSeries 5. Personal: This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. \u003c/p\u003e\n","\u003cp\u003eSeries 6. Publications: This series contains published plays collected, but not written, by Maryat Lee.\u003c/p\u003e\n","\u003cp\u003eSeries 7. Paintings and Busts: This series contains nine paintings by Maryat Lee and a plaster bust of Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29. \u003c/p\u003e\n","\u003cp\u003eThis collection was reprocessed on 2024/11/07. A crosswalk between the original organization and the new organization is available upon request. \u003c/p\u003e\n","\u003cp\u003eSelect audiovisual materials have been digitized. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eThis series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts.\u003c/p\u003e","\u003cp\u003eThis series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing.\u003c/p\u003e","\u003cp\u003eThis series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. 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Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.\u003c/p\u003e","\u003cp\u003eThis series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.\u003c/p\u003e","\u003cp\u003eIncludes cassette tape labeled (\"Dr. Pfieffer\", October 28 1983)\u003c/p\u003e","\u003cp\u003eThis series contains published plays collected, but not written, by Maryat Lee.\u003c/p\u003e","\u003cp\u003eThis series contains nine paintings by Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection mostly contains materials created and collected by Maryat Lee between 1951 and 1989 during her work on a wide variety of art and theatre projects, including Street and Latin Theater (SALT), the Women's Farm, and EcoTheater. Also present in the collection are materials created by Maryat Lee's parents, Grace Barbee Dyer Lee and Dewitt Collins Lee between 1910 and 1945. Materials present beyond Maryat Lee's death in 1989 consist of various EcoTheater and the Women's Farm administrative and promotional writings. ","Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt. ","The collection is divided into seven series based upon Maryat Lee's original folder labeling and the prevalence of certain subject matter. Due to the fact that Lee did not package the materials for donation herself, some boxes and folders within the series are physically out of order in relation to their intellectual arrangement. Addendum are also split between series. ","Series 1. Writings: This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts. ","Series 2. Subjects: This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing. ","Series 3. Audiovisual Material: This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Series 4. Theater Programs and Workshops: This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. ","Series 5. Personal: This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. ","Series 6. Publications: This series contains published plays collected, but not written, by Maryat Lee.","Series 7. Paintings and Busts: This series contains nine paintings by Maryat Lee and a plaster bust of Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29. ","This collection was reprocessed on 2024/11/07. A crosswalk between the original organization and the new organization is available upon request. ","Select audiovisual materials have been digitized. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts.","This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing.","This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","DVD","This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","Includes cassette tape labeled (\"Dr. Pfieffer\", October 28 1983)","This series contains published plays collected, but not written, by Maryat Lee.","This series contains nine paintings by Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29."],"separatedmaterial_html_tesm":["\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F21\u003c/p\u003e","\u003cp\u003eMaterial moved to B48/I1\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F2\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F3\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B51/F2\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B45/F5, B54/F4\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B45/F6\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B45/F7\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F5\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B52/F2\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F6\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B52/F3\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 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A\u0026amp;M 3300 B35/F8\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F10\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F11-12\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F13\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F16\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F26\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B36/F3\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B37/F59-60\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B37/F61\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B37/F62\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B38\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B38/F49\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B38/F51\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B39/F11\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B39/F13\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B40/F4\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B7/F34\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B8\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F6\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B36/F30\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B38\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B11/F23\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F9\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B33/F26\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F15\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B40/F3\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B11/F21\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F17\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M3300 B38\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B31, B29\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B30\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B26\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B65/F2\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B64/F3\u003c/p\u003e","\u003cp\u003eMaterial removed from A\u0026amp;M 3300 B63/F18\u003c/p\u003e","\u003cp\u003eMaterial removed from A\u0026amp;M 3300 B63\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B63\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated 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Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Material moved to A\u0026M 3300 B54/F21","Material moved to B48/I1","Material moved to A\u0026M 3300 B54/F2","Material moved to A\u0026M 3300 B54/F3","Material moved to A\u0026M 3300 B51/F2","Material moved to A\u0026M 3300 B45/F5, B54/F4","Material moved to A\u0026M 3300 B45/F6","Material moved to A\u0026M 3300 B45/F7","Material moved to A\u0026M 3300 B54/F5","Material moved to A\u0026M 3300 B52/F2","Material moved to A\u0026M 3300 B54/F6","Material moved to A\u0026M 3300 B52/F3","Material moved to A\u0026M 3300 B45/F8","Material moved to A\u0026M 3300 B45/F9","Material moved to A\u0026M 3300 B45/F12","Material moved to A\u0026M 3300 B45/F13","Material moved to A\u0026M 3300 B45/F15","Material moved to A\u0026M 3300 B51/F6","Material moved to A\u0026M 3300 B45/F16","Material moved to A\u0026M 3300 B45/F17, B51/F7","Material moved to A\u0026M 3300 B45/F18","Material moved to A\u0026M 3300 B45/F19","Material moved to A\u0026M 3300 B45/F20","Material moved to A\u0026M 3300 B54/F7, B45/F21-24, B51/F8","Material moved to A\u0026M 3300 B45/F25-27","Material moved to A\u0026M 3300 B45/F28-31, B46/F1-2, B50/F3-4, 19","Material moved to A\u0026M 3300 B54/F13","Material moved to A\u0026M 3300 B46/F3","Material moved to A\u0026M 3300 B54/F8","Material moved to A\u0026M 3300 B54/F9","Material moved to A\u0026M 3300 B54/F10","Material moved to A\u0026M 3300 B54/F11","Material moved to A\u0026M 3300 B54/F12","Material moved to A\u0026M 3300 B50/F5","Material moved to A\u0026M 3300 B50/F6","Material moved to A\u0026M 3300 B54/F14","Material moved to A\u0026M 3300 B50/F7","Material moved to A\u0026M 3300 B46/F4","Material moved to A\u0026M 3300 B20/F63","Material moved to A\u0026M 3300 B54/F16","Material moved to A\u0026M 3300 B54/F17","Material moved to A\u0026M 3300 B46/F6","Material moved to A\u0026M 3300 B46/F7","Material moved to A\u0026M 3300 B46/F8","Material moved to A\u0026M 3300 B46/F9","Material moved to A\u0026M 3300 B46/F10","Material moved to A\u0026M 3300 B46/F11","Material moved to A\u0026M 3300 B46/F13-19","Material moved to A\u0026M 3300 B46/F20","Material moved to A\u0026M 3300 B46/F21-24","Material moved to A\u0026M 3300 B46/F28","Material moved to A\u0026M 3300 B46/F29, B50/F8","Material moved to A\u0026M 3300 B54/F18","Material moved to A\u0026M 3300 B46/F30","Material moved to A\u0026M 3300 B50/F9-11, B46/F33","Material moved to A\u0026M 3300 B46/F34","Material moved to A\u0026M 3300 B46/F35","Material moved to A\u0026M 3300 B46/F36","Material moved to A\u0026M3300 B26/F12","Material moved to A\u0026M 3300 B46/F38","Material moved to A\u0026M 3300 B46/F39","Material moved to A\u0026M 3300 B46/F40","Material moved to A\u0026M3300 B55/F3","Material moved to A\u0026M 3300 B50/F12","Material moved to A\u0026M 3300 B46/F42","Material moved to A\u0026M 3300 B53/F4","Material moved to A\u0026M 3300 B46/F43","Material moved to A\u0026M 3300 F46/F44","Material moved to A\u0026M 3300 B46/F45","Material moved to A\u0026M 3300 B54/F20","Material moved to A\u0026M 3300 B46/F46","Material moved to A\u0026M 3300 B53/F1","Material moved to A\u0026M 3300 B46/F47","Material moved to A\u0026M 3300 B52/F4","Material moved to A\u0026M 3300 B46/F48","Material moved to A\u0026M 3300 B50/F13","Material moved to A\u0026M 3300 B54/F21","Material moved to A\u0026M 3300 B47/F10","Material moved to A\u0026M 3300 B54/F23","Material moved to A\u0026M 3300 B47/F11","Material moved to A\u0026M 3300 B54/F24","Material moved to A\u0026M 3300 B47/F12","Material moved to A\u0026M 3300 B50/F15","Material moved to A\u0026M 3300 B47/F13","Material moved to A\u0026M 3300 B54/F26","Material moved to A\u0026M 3300 B54/F27","Material moved to A\u0026M 3300 B47/F26","Material moved to A\u0026M 3300 B47/F27","Material moved to A\u0026M 3300 B50/F17","Material moved to A\u0026M 3300 B50/F18","Material moved to A\u0026M 3300 B50/F20","Removed from A\u0026M 3300 B11","Removed from A\u0026M 3300 B12","Removed from A\u0026M 3300 B15","Removed from A\u0026M 3300 B17/F1f","Removed from A\u0026M 3300 B17/F1g","Removed from A\u0026M 3300 B17/F1h","Removed from A\u0026M 3300 B17/F4h","Removed from A\u0026M 3300 B18/F15","Removed from A\u0026M 3300 B18","Removed from A\u0026M 3300 B18/F17","Removed from A\u0026M 3300 B18/F21","Removed from A\u0026M 3300 B18","Removed from A\u0026M 3300 B19/F6","Removed from A\u0026M 3300 B19/F10a","Removed from A\u0026M 3300 B19/F12","Removed from A\u0026M 3300 B19/F13a","Removed from A\u0026M 3300 B19/F16","Removed from A\u0026M 3300 B19/F22","Removed from A\u0026M 3300 B19/F26","Removed from A\u0026M 3300 B19/F29","Removed from A\u0026M 3300 B19/F31","Removed from A\u0026M 3300 B19/F34","Removed from A\u0026M 3300 B20/F12","Removed from A\u0026M 3300 B20/F14","Removed from A\u0026M 3300 B20/F16","Removed from A\u0026M 3300 B20/F20","Removed from A\u0026M 3300 B20/F21","Removed from A\u0026M 3300 B20/F22","Removed from A\u0026M 3300 B20/F24","Removed from A\u0026M 3300 B20/F25","Removed from A\u0026M 3300 B20/F26","Removed from A\u0026M 3300 B20/F37","Removed from A\u0026M 3300 B20/F59","Removed from A\u0026M 3300 B20/F63","Removed from A\u0026M 3300 B21/F1","Removed from A\u0026M 3300 B21/F2","Removed from A\u0026M 3300 B21/F3","Removed from A\u0026M 3300 B21/F5","Removed from A\u0026M 3300 B21/F11","Removed from A\u0026M 3300 B21/F36","Removed from A\u0026M 3300 B22/F12a","Removed from A\u0026M 3300 B23/F15","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B23/F31","Removed from A\u0026M 3300 B26/F1","Removed from A\u0026M 3300 B26/F4","Removed from A\u0026M 3300 B26/F6","Removed from A\u0026M 3300 B26/F12","Removed from A\u0026M 3300 B26/F35","Removed from A\u0026M 3300 B26/F48","Removed from A\u0026M 3300 B27/F3","Removed from A\u0026M 3300 B31/F7","Removed from A\u0026M 3300 B31/F24","Removed from A\u0026M 3300 B31/F44","Removed from A\u0026M 3300 B31/F45","Removed from A\u0026M 3300 B32/F9","Removed from A\u0026M 3300 B33/F25","Removed from A\u0026M 3300 B33/F33","Removed from A\u0026M 3300 B34/F3","Removed from A\u0026M 3300 B34/F23","Removed from A\u0026M 3300 B36/F8","Removed from A\u0026M 3300 B36/F31","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B39/F16a","Removed from A\u0026M 3300 B1/F1","Removed from A\u0026M 3300 B20","Removed from A\u0026M 3300 B20/F23","Removed from A\u0026M 3300 B20/F25","Removed from A\u0026M 3300 B20/F51","Removed from A\u0026M 3300 B20/F52","Removed from A\u0026M 3300 B20/F58","Removed from A\u0026M 3300 B22/F12b","Removed from A\u0026M 3300 B23/F25","Removed from A\u0026M 3300 B23/F28","Removed from A\u0026M 3300 B23/F29","Removed from A\u0026M 3300 B31/F19","Removed from A\u0026M 3300 B34/F30b","Removed from A\u0026M 3300 B39/F24","Removed from A\u0026M 3300 B39/F25","Removed from A\u0026M 3300 B20/F21","Removed from A\u0026M 3300 B39/F32","Removed from A\u0026M 3300 B40","Removed from A\u0026M 3300 [Add. 1998/07/22] B60","Removed from A\u0026M 3300 B11","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B19/F9","Removed from A\u0026M 3300 B19/F12","Removed from A\u0026M 3300 B19/F34","Removed from A\u0026M 3300 B17/F2l","Removed from A\u0026M 3300 B17/F4f","Removed from A\u0026M 3300 B33/F35","Removed from A\u0026M 3300 B31/F28","Removed from A\u0026M 3300 B1","Removed from A\u0026M 3300 B11/F22","Removed from A\u0026M 3300 B17/F1f","Removed from A\u0026M 3300 B17/F2i","Removed from A\u0026M 3300 B17/F2q","Removed from A\u0026M 3300 B19/F25","Removed from A\u0026M 3300 B20/F44","Removed from A\u0026M 3300 B20/F45","Removed from A\u0026M 3300 B20/F46","Removed from A\u0026M 3300 B20/F48","Removed from A\u0026M 3300 B20/F49","Removed from A\u0026M 3300 B20/F53","Removed from A\u0026M 3300 B20/F54","Removed from A\u0026M 3300 B20","Removed from A\u0026M 3300 B20/F65","Removed from A\u0026M 3300 B20/F66","Removed from A\u0026M 3300 B22/F15","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B32/F34","Removed from A\u0026M 3300 B35/F1j","Removed from A\u0026M 3300 B35/F28","Removed from A\u0026M 3300 B36/F6","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B38/F31","Removed from A\u0026M 3300 B38/F43","Removed from A\u0026M 3300 B40/F13","Removed from A\u0026M 3300 B32","Removed from A\u0026M3300 B31/F5","Material moved to A\u0026M 3300 B65/F3","Material moved to A\u0026M 3300 B64/F7","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63/F17","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63/F3","Removed from A\u0026M 3300 B63/F15","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Material moved to oversized, B50/F1","Material moved to A\u0026M 3300 B45/F1","Material moved to A\u0026M 3300 B45/F11","Material moved to A\u0026M 3300 B46/F25-26","Material moved to A\u0026M 3300 B46/F27","Material moved to A\u0026M 3300 B46/F41","Material moved to A\u0026M 3300 B47/F2-3","Material moved to A\u0026M 3300 B50/F14","Material moved to A\u0026M 3300 B47/F4, B52/F5","Material moved to A\u0026M 3300 B47/F5","Material moved to A\u0026M 3300 B47/F6-7","Material moved to A\u0026M 3300 B47/F8","Material moved to A\u0026M 3300 B53/F2, B47/F9, B54/F22","Material moved to A\u0026M 3300 B47/F18","Material moved to A\u0026M 3300 B47/F19-21","Material moved to A\u0026M 3300 B47/F23","Material moved to A\u0026M 3300 B47/F24","Material moved to A\u0026M 3300 B53/F3","Material moved to A\u0026M 3300 B47/F28","Removed from A\u0026M 3300 B11/F27","Removed from A\u0026M 3300 B18/F16","Removed from A\u0026M 3300 B21/F56","Removed from A\u0026M 3300 B22/F2","Removed from A\u0026M 3300 B35/F2-3a","Removed from A\u0026M 3300 B35/F8","Removed from A\u0026M 3300 B35/F10","Removed from A\u0026M 3300 B35/F11-12","Removed from A\u0026M 3300 B35/F13","Removed from A\u0026M 3300 B35/F16","Removed from A\u0026M 3300 B35/F26","Removed from A\u0026M 3300 B36/F3","Removed from A\u0026M 3300 B37/F59-60","Removed from A\u0026M 3300 B37/F61","Removed from A\u0026M 3300 B37/F62","Removed from A\u0026M 3300 B38","Removed from A\u0026M 3300 B38/F49","Removed from A\u0026M 3300 B38/F51","Removed from A\u0026M 3300 B39/F11","Removed from A\u0026M 3300 B39/F13","Removed from A\u0026M 3300 B40/F4","Removed from A\u0026M 3300 B7/F34","Removed from A\u0026M 3300 B8","Removed from A\u0026M 3300 B35/F6","Removed from A\u0026M 3300 B36/F30","Removed from A\u0026M 3300 B38","Removed from A\u0026M 3300 B11/F23","Removed from A\u0026M 3300 B35/F9","Removed from A\u0026M 3300 B33/F26","Removed from A\u0026M 3300 B35/F15","Removed from A\u0026M 3300 B40/F3","Removed from A\u0026M 3300 B11/F21","Removed from A\u0026M 3300 B35/F17","Removed from A\u0026M3300 B38","Removed from A\u0026M 3300 B31, B29","Removed from A\u0026M 3300 B30","Removed from A\u0026M 3300 B26","Material moved to A\u0026M 3300 B65/F2","Material moved to A\u0026M 3300 B64/F3","Material removed from A\u0026M 3300 B63/F18","Material removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_41a071f25400b148208ada4216a47db7\"\u003eMaryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt.\u003c/abstract\u003e"],"abstract_tesim":["Maryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_59b034a3f262570e93a472c5cb053744\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University. Art Museum","Lee, Maryat, 1923-1989","Lee, Robert"],"names_ssim":["West Virginia and Regional History Center","West Virginia University. Art Museum","Lee, Maryat, 1923-1989","Lee, Robert"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Art Museum"],"persname_ssim":["Lee, Maryat, 1923-1989","Lee, Robert"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1537,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-04T15:06:42.135Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1610_c02_c39"}},{"id":"viblbv_repositories_2_resources_1798_c08_c128","type":"File","attributes":{"title":"Younger, Margaret Chase","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1798_c08_c128#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1798_c08_c128","ref_ssm":["viblbv_repositories_2_resources_1798_c08_c128"],"id":"viblbv_repositories_2_resources_1798_c08_c128","ead_ssi":"viblbv_repositories_2_resources_1798","_root_":"viblbv_repositories_2_resources_1798","_nest_parent_":"viblbv_repositories_2_resources_1798_c08","parent_ssi":"viblbv_repositories_2_resources_1798_c08","parent_ssim":["viblbv_repositories_2_resources_1798","viblbv_repositories_2_resources_1798_c08"],"parent_ids_ssim":["viblbv_repositories_2_resources_1798","viblbv_repositories_2_resources_1798_c08"],"parent_unittitles_ssm":["Inge Horton Architectural Collection","Files of Early Women Architects and A Few Male Architects Who Supported Them"],"parent_unittitles_tesim":["Inge Horton Architectural Collection","Files of Early Women Architects and A Few Male Architects Who Supported Them"],"text":["Inge Horton Architectural Collection","Files of Early Women Architects and A Few Male Architects Who Supported Them","Younger, Margaret Chase","English .","box 5","folder 52"],"title_filing_ssi":"Younger, Margaret Chase ","title_ssm":["Younger, Margaret Chase"],"title_tesim":["Younger, Margaret Chase"],"unitdate_inclusive_ssm":["1902-1994"],"normalized_date_ssm":["1902/1994"],"normalized_title_ssm":["Younger, Margaret Chase"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Inge Horton Architectural Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":136,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"language_ssim":["English ."],"containers_ssim":["box 5","folder 52"],"_nest_path_":"/components#7/components#127","timestamp":"2026-05-21T02:12:54.402Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1798","ead_ssi":"viblbv_repositories_2_resources_1798","_root_":"viblbv_repositories_2_resources_1798","_nest_parent_":"viblbv_repositories_2_resources_1798","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1798.xml","title_filing_ssi":"Horton, Inge, Architectural Collection","title_ssm":["Inge Horton Architectural Collection"],"title_tesim":["Inge Horton Architectural Collection"],"unitdate_ssm":["1964-1999"],"unitdate_inclusive_ssm":["1964-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.065"],"text":["Ms.1990.065","Inge Horton Architectural Collection","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History","The collection is open for research.","The collection is arranged by material type.","Born in Germany, Inge S. Horton was educated in architecture and city planning. She graduated with a Diplom-Ingenieur from the Technological University of Berlin, Germany, 1965, and with a Master of City and Regional Planning from University of California, Berkeley, 1979. She has work experience in private, institutional and municipal planning departments. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998.","She has held leadership positions in both the Organization of Women Architects and Design Professionals (OWA) and the International Archive of Women in Architecture (IAWA).","Her publications include several articles and two books in collaboration with Monica Hennig-Schefold on \"Early Modern Architecture in Berlin\" (1967) and \"Structure and Decoration: Art Nouveau Architecture in Paris and Brussels\" (1971). Horton also published a book on \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010).","The guide to the Inge Horton Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement and description of the Inge Horton Architectural Collection commenced and was completed in September 2010. Additional files were processed in March 2016.","The Inge Horton Architectural Collection consists of architectural studies written by Horton while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects (UIFA); a Historic Structure Report for Julia Morgan building; copies of her books; a curriculum vitae; and files on early women architects in the San Francisco Bay Area for her book \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010).","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Inge Horton was born in Germany. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998; member of the Board of Advisors for the International Archive of Women in Architecture. Her papers consist of architectural studies written while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects; a curriculum vitae; and research files on early women architects in the San Francisco Bay Area.","Special Collections and University Archives, Virginia Tech","Horton, Inge S.","The materials in the collection are in English and German."],"unitid_tesim":["Ms.1990.065"],"normalized_title_ssm":["Inge Horton Architectural Collection"],"collection_title_tesim":["Inge Horton Architectural Collection"],"collection_ssim":["Inge Horton Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Horton, Inge S."],"creator_ssim":["Horton, Inge S."],"creator_persname_ssim":["Horton, Inge S."],"creators_ssim":["Horton, Inge S."],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Inge Horton Architectural Collection was donated to Special Collections in 1990."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["9.3 Cubic Feet 8 boxes"],"extent_tesim":["9.3 Cubic Feet 8 boxes"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by material type.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by material type."],"bioghist_html_tesm":["\u003cp\u003eBorn in Germany, Inge S. Horton was educated in architecture and city planning. She graduated with a Diplom-Ingenieur from the Technological University of Berlin, Germany, 1965, and with a Master of City and Regional Planning from University of California, Berkeley, 1979. She has work experience in private, institutional and municipal planning departments. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998.\u003c/p\u003e\n","\u003cp\u003eShe has held leadership positions in both the Organization of Women Architects and Design Professionals (OWA) and the International Archive of Women in Architecture (IAWA).\u003c/p\u003e\n","\u003cp\u003eHer publications include several articles and two books in collaboration with Monica Hennig-Schefold on \"Early Modern Architecture in Berlin\" (1967) and \"Structure and Decoration: Art Nouveau Architecture in Paris and Brussels\" (1971). Horton also published a book on \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born in Germany, Inge S. Horton was educated in architecture and city planning. She graduated with a Diplom-Ingenieur from the Technological University of Berlin, Germany, 1965, and with a Master of City and Regional Planning from University of California, Berkeley, 1979. She has work experience in private, institutional and municipal planning departments. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998.","She has held leadership positions in both the Organization of Women Architects and Design Professionals (OWA) and the International Archive of Women in Architecture (IAWA).","Her publications include several articles and two books in collaboration with Monica Hennig-Schefold on \"Early Modern Architecture in Berlin\" (1967) and \"Structure and Decoration: Art Nouveau Architecture in Paris and Brussels\" (1971). Horton also published a book on \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010)."],"odd_html_tesm":["\u003cp\u003eThe guide to the Inge Horton Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description "],"odd_tesim":["The guide to the Inge Horton Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Inge Horton Architectural Collection, 1964-1999, Ms1990-065, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Inge Horton Architectural Collection, 1964-1999, Ms1990-065, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Inge Horton Architectural Collection commenced and was completed in September 2010. Additional files were processed in March 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Inge Horton Architectural Collection commenced and was completed in September 2010. Additional files were processed in March 2016."],"scopecontent_html_tesm":["\u003cp\u003eThe Inge Horton Architectural Collection consists of architectural studies written by Horton while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects (UIFA); a Historic Structure Report for Julia Morgan building; copies of her books; a curriculum vitae; and files on early women architects in the San Francisco Bay Area for her book \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Inge Horton Architectural Collection consists of architectural studies written by Horton while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects (UIFA); a Historic Structure Report for Julia Morgan building; copies of her books; a curriculum vitae; and files on early women architects in the San Francisco Bay Area for her book \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010)."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_efeedd0489853594ec017840c3f0497f\" label=\"Abstract\"\u003eInge Horton was born in Germany. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998; member of the Board of Advisors for the International Archive of Women in Architecture. Her papers consist of architectural studies written while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects; a curriculum vitae; and research files on early women architects in the San Francisco Bay Area.\u003c/abstract\u003e"],"abstract_tesim":["Inge Horton was born in Germany. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998; member of the Board of Advisors for the International Archive of Women in Architecture. Her papers consist of architectural studies written while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects; a curriculum vitae; and research files on early women architects in the San Francisco Bay Area."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Horton, Inge S."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Horton, Inge S."],"language_ssim":["The materials in the collection are in English and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":320,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:12:54.402Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1798_c08_c128"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":230},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026f%5Brepository%5D%5B%5D=Alexandria+Library\u0026view=list"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":7828},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026view=list"}},{"attributes":{"label":"Edgar Cayce Foundation","value":"Edgar Cayce Foundation","hits":44},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026f%5Brepository%5D%5B%5D=Edgar+Cayce+Foundation\u0026view=list"}},{"attributes":{"label":"Fairfax County Public Library","value":"Fairfax County Public Library","hits":59},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026f%5Brepository%5D%5B%5D=Fairfax+County+Public+Library\u0026view=list"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":11278},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=list"}},{"attributes":{"label":"Hampden-Sydney College","value":"Hampden-Sydney College","hits":186},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026f%5Brepository%5D%5B%5D=Hampden-Sydney+College\u0026view=list"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":2101},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026f%5Brepository%5D%5B%5D=James+Madison+University\u0026view=list"}},{"attributes":{"label":"Library of Virginia","value":"Library of Virginia","hits":51},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026f%5Brepository%5D%5B%5D=Library+of+Virginia\u0026view=list"}},{"attributes":{"label":"Longwood University","value":"Longwood University","hits":233},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026f%5Brepository%5D%5B%5D=Longwood+University\u0026view=list"}},{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":3374},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026view=list"}},{"attributes":{"label":"Randolph-Macon 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