{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026page=12\u0026view=compact","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026page=11\u0026view=compact","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026page=13\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026page=5122\u0026view=compact"},"meta":{"pages":{"current_page":12,"next_page":13,"prev_page":11,"total_pages":5122,"limit_value":10,"offset_value":110,"total_count":51214,"first_page?":false,"last_page?":false}},"data":[{"id":"vihart_repositories_4_resources_760_c01_c117","type":"File","attributes":{"title":"1981-1982 academic year","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_760_c01_c117#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_760_c01_c117","ref_ssm":["vihart_repositories_4_resources_760_c01_c117"],"id":"vihart_repositories_4_resources_760_c01_c117","ead_ssi":"vihart_repositories_4_resources_760","_root_":"vihart_repositories_4_resources_760","_nest_parent_":"vihart_repositories_4_resources_760_c01","parent_ssi":"vihart_repositories_4_resources_760_c01","parent_ssim":["vihart_repositories_4_resources_760","vihart_repositories_4_resources_760_c01"],"parent_ids_ssim":["vihart_repositories_4_resources_760","vihart_repositories_4_resources_760_c01"],"parent_unittitles_ssm":["American Association of University Professors (AAUP). James Madison University Chapter records","Administrative files"],"parent_unittitles_tesim":["American Association of University Professors (AAUP). James Madison University Chapter records","Administrative files"],"text":["American Association of University Professors (AAUP). James Madison University Chapter records","Administrative files","1981-1982 academic year","box 7","folder 20"],"title_filing_ssi":"1981-1982 academic year","title_ssm":["1981-1982 academic year"],"title_tesim":["1981-1982 academic year"],"unitdate_other_ssim":["1982"],"normalized_date_ssm":["1982"],"normalized_title_ssm":["1981-1982 academic year"],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["American Association of University Professors (AAUP). 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Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. 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James Madison University Chapter records"],"unitdate_ssm":["1944-1988"],"unitdate_inclusive_ssm":["1944-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0065","/repositories/4/resources/760"],"text":["UA 0065","/repositories/4/resources/760","American Association of University Professors (AAUP). James Madison University Chapter records","Universities and colleges -- Faculty","Teaching, Freedom of -- History","Education, Higher -- Research","College teachers","Minutes (administrative records)","Letters (correspondence)","Administrative records","Newsletters","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. 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Past chapter leaders included Ruby Ethel Cundiff, Crystal Theodore, Patricia Bruce, Bill Ingham, Philip Riley, and others.","When possible, folder titles supplied by the creating organization were retained.","The collection comprises administrative files and meeting minutes kept by the James Madison University chapter of the American Association of University Professors (AAUP). Records primarily document the JMU chapter but the work of the state conference and national association is documented as well. Records consist of meeting minutes, correspondence, newsletters and publications, committee work, constitutions and by-laws, membership materials, reports and resolutions, and other papers related to AAUP.","Series includes the administrative records of the JMU chapter of AAUP. Materials related to the state conference and national association are included. Records include treasurer's reports, constitutions and by-laws, correspondence, newsletters and other printed materials, records related to committee work, and reports. Materials also relate to AAUP topics of interest including equitable faculty salaries, fringe benefits, collective bargaining, academic freedom, and others. Yearly chapter files include records documenting activities for a specific time frame, usually an academic year.","Of interest are files related to the faculty dismissals and subsequent student protests in April 1970.","Includes AAUP's official statement (May 5, 1970) on the Kent State University shootings.","Includes Richard Nixon letter to Russell M. Weaver (Rector of Board of Visitors) regarding campus violence.","Full title of publication: Higher Education Salary Kit: A Recommended Method for Flagging Women and Minority Persons for Whom There is Apparent Salary Inequity and a Comparison of Results and Costs of Several Suggested Methods. Authored by Elizabeth L. Scott.","Series includes monthly meeting minutes, attendance sheets, meeting notices, and membership lists of the JMU chapter of AAUP.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. 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Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose."],"acqinfo_ssim":["Materials were transferred to Special Collections on November 10, 2017 by Philip Riley, former AAUP JMU chapter secretary."],"access_subjects_ssim":["Universities and colleges -- Faculty","Teaching, Freedom of -- History","Education, Higher -- Research","College teachers","Minutes (administrative records)","Letters (correspondence)","Administrative records","Newsletters"],"access_subjects_ssm":["Universities and colleges -- Faculty","Teaching, Freedom of -- History","Education, Higher -- Research","College teachers","Minutes (administrative records)","Letters (correspondence)","Administrative records","Newsletters"],"has_online_content_ssim":["false"],"extent_ssm":["3.42 cubic feet 11 boxes"],"extent_tesim":["3.42 cubic feet 11 boxes"],"genreform_ssim":["Minutes (administrative records)","Letters (correspondence)","Administrative records","Newsletters"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. 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Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"appraisal_html_tesm":["\u003cp\u003eExcessive quantities of duplicates (brochures, constitutions, blank letterhead, etc.) were discarded.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["Excessive quantities of duplicates (brochures, constitutions, blank letterhead, etc.) were discarded."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in two series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eAdministrative files, 1944-1988\u003c/item\u003e\n      \u003citem\u003eMeeting minutes, 1944-1983\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in two series:","Administrative files, 1944-1988 Meeting minutes, 1944-1983"],"bioghist_html_tesm":["\u003cp\u003eThe American Association of University Professors (AAUP) was established in 1915 with a primary objective of defending academic freedom in higher education. 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Past chapter leaders included Ruby Ethel Cundiff, Crystal Theodore, Patricia Bruce, Bill Ingham, Philip Riley, and others."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], American Association of University Professors (AAUP). James Madison University Chapter Records, 1944-1988, UA 0065, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], American Association of University Professors (AAUP). James Madison University Chapter Records, 1944-1988, UA 0065, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eWhen possible, folder titles supplied by the creating organization were retained.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["When possible, folder titles supplied by the creating organization were retained."],"scopecontent_html_tesm":["\u003cp\u003eThe collection comprises administrative files and meeting minutes kept by the James Madison University chapter of the American Association of University Professors (AAUP). Records primarily document the JMU chapter but the work of the state conference and national association is documented as well. Records consist of meeting minutes, correspondence, newsletters and publications, committee work, constitutions and by-laws, membership materials, reports and resolutions, and other papers related to AAUP.\u003c/p\u003e","\u003cp\u003eSeries includes the administrative records of the JMU chapter of AAUP. Materials related to the state conference and national association are included. Records include treasurer's reports, constitutions and by-laws, correspondence, newsletters and other printed materials, records related to committee work, and reports. Materials also relate to AAUP topics of interest including equitable faculty salaries, fringe benefits, collective bargaining, academic freedom, and others. 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Scott.\u003c/p\u003e","\u003cp\u003eSeries includes monthly meeting minutes, attendance sheets, meeting notices, and membership lists of the JMU chapter of AAUP.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection comprises administrative files and meeting minutes kept by the James Madison University chapter of the American Association of University Professors (AAUP). Records primarily document the JMU chapter but the work of the state conference and national association is documented as well. Records consist of meeting minutes, correspondence, newsletters and publications, committee work, constitutions and by-laws, membership materials, reports and resolutions, and other papers related to AAUP.","Series includes the administrative records of the JMU chapter of AAUP. Materials related to the state conference and national association are included. Records include treasurer's reports, constitutions and by-laws, correspondence, newsletters and other printed materials, records related to committee work, and reports. Materials also relate to AAUP topics of interest including equitable faculty salaries, fringe benefits, collective bargaining, academic freedom, and others. Yearly chapter files include records documenting activities for a specific time frame, usually an academic year.","Of interest are files related to the faculty dismissals and subsequent student protests in April 1970.","Includes AAUP's official statement (May 5, 1970) on the Kent State University shootings.","Includes Richard Nixon letter to Russell M. Weaver (Rector of Board of Visitors) regarding campus violence.","Full title of publication: Higher Education Salary Kit: A Recommended Method for Flagging Women and Minority Persons for Whom There is Apparent Salary Inequity and a Comparison of Results and Costs of Several Suggested Methods. Authored by Elizabeth L. Scott.","Series includes monthly meeting minutes, attendance sheets, meeting notices, and membership lists of the JMU chapter of AAUP."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e\n","\u003cp\u003eStaff have taken special care to identify and remove sensitive materials found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6f4a4f0d3a873f226537a6674acc2ebf\"\u003eThe collection comprises administrative files and meeting minutes kept by the James Madison University chapter of the American Association of University Professors (AAUP).\u003c/abstract\u003e"],"abstract_tesim":["The collection comprises administrative files and meeting minutes kept by the James Madison University chapter of the American Association of University Professors (AAUP)."],"names_coll_ssim":["American Association of University Professors -- History","James Madison University -- Faculty","James Madison University -- History","Madison College -- Faculty","Madison College -- History","Riley, Philip F., 1941-2022"],"names_ssim":["James Madison University Libraries Special Collections","American Association of University Professors","American Association of University Professors -- History","James Madison University -- Faculty","James Madison University -- History","Madison College -- Faculty","Madison College -- History","Riley, Philip F., 1941-2022","Rainey, Jay Garland, 1946-"],"corpname_ssim":["James Madison University Libraries Special Collections","American Association of University Professors","American Association of University Professors -- History","James Madison University -- Faculty","James Madison University -- History","Madison College -- Faculty","Madison College -- History"],"persname_ssim":["Riley, Philip F., 1941-2022","Rainey, Jay Garland, 1946-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":168,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:17:52.266Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_760_c01_c117"}},{"id":"vifgm_arenastage_c04_c03_c54","type":"File","attributes":{"title":"1981-1982 Part III - June 1982 - August 1982,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_arenastage_c04_c03_c54#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_arenastage_c04_c03_c54#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_arenastage_c04_c03_c54","ref_ssm":["vifgm_arenastage_c04_c03_c54"],"id":"vifgm_arenastage_c04_c03_c54","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage_c04_c03","parent_ssi":"vifgm_arenastage_c04_c03","parent_ssim":["vifgm_arenastage","vifgm_arenastage_c04","vifgm_arenastage_c04_c03"],"parent_ids_ssim":["vifgm_arenastage","vifgm_arenastage_c04","vifgm_arenastage_c04_c03"],"parent_unittitles_ssm":["Arena Stage records","Series 4: Oversize materials,","Subseries 4.3: Scrapbooks,"],"parent_unittitles_tesim":["Arena Stage records","Series 4: Oversize materials,","Subseries 4.3: Scrapbooks,"],"text":["Arena Stage records","Series 4: Oversize materials,","Subseries 4.3: Scrapbooks,","1981-1982 Part III - June 1982 - August 1982,","Box 692","Folder 2",""],"title_filing_ssi":"1981-1982 Part III - June 1982 - August 1982, \n","title_ssm":["1981-1982 Part III - June 1982 - August 1982,"],"title_tesim":["1981-1982 Part III - June 1982 - August 1982,"],"unitdate_other_ssim":["1982\n"],"normalized_date_ssm":["1982"],"normalized_title_ssm":["1981-1982 Part III - June 1982 - August 1982,"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":7954,"parent_access_restrict_tesm":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1982],"containers_ssim":["Box 692","Folder 2"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#3/components#2/components#53","timestamp":"2026-05-21T06:25:23.142Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_arenastage","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage","ead_source_url_ssi":"data/gmu/arenastage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/arenastage.html","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949-2010"],"unitdate_inclusive_ssm":["1949-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017"],"text":["C0017","Arena Stage records","Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings.","Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.","Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","","","","","","","","","","","","","","Contains a letter from Annette Bening.\n","","","","","Contains headshots and a letter from Olympia Dukakis.\n","","","","","","","","Contains a letter from Rosemary Harris.\n","","","","","Contains letters, headshots, and a CV from John Lithgow.\n","","","","","","","","","","","","","","","","\nContains letters from Sigourney Weaver.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. ","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes information about and architectural plans for Arena's various buildings over the years.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. 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subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains documents collected from throughout the runs of various productions.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","","","","","","","","","","","","","","","","","","","","","","","","","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains production photos collected in books.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","","","","","","","","","","","","","","","","","","","","","","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Model sits on top of map case\n","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event\n","Reel 2 of 3\n","Reel 3 of 3\n","Partially Unraveling\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Vinegar\n","Unraveling - Vinegar\n","","","","","","","","","Both the title (besides Reel 1) and the date have been blacked out\n","Title has been blacked out\n","","","","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","","","","","","","","","Tape 3\n","Tape 4\n","Tape 5\n","Tape 6\n","Reel #168\n","Reel #169\n","Reel #170\n","3 copies\n","2 copies\n","2 copies\n","","","","","","","","","","","","","","","","","","","There are no restrictions.","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)","English\n            "],"unitid_tesim":["C0017"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage"],"creator_ssim":["Arena Stage"],"creator_corpname_ssim":["Arena Stage"],"creators_ssim":["Arena Stage"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000-2011."],"access_subjects_ssim":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["739 boxes"],"extent_tesim":["739 boxes"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\" href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\" href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational 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subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range 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subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth 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1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\nContains letters from Sigourney 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3: Casting information contains notes on casting for productions arranged alphabetically by 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subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena 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2: Communications and Marketing includes records produced by the Communications and Marketing departments. 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3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized 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subseries contains research on various playwrights, both living and dead, whose work has been performed at 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subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. 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subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the 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subseries contains documents collected from throughout the runs of various 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subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. 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subseries contains production photos collected in 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series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at 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subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\n\u003c/p\u003e","\u003cp\u003eReel 2 of 3\n\u003c/p\u003e","\u003cp\u003eReel 3 of 3\n\u003c/p\u003e","\u003cp\u003ePartially 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- Vinegar\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\n\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eTape 3\n\u003c/p\u003e","\u003cp\u003eTape 4\n\u003c/p\u003e","\u003cp\u003eTape 5\n\u003c/p\u003e","\u003cp\u003eTape 6\n\u003c/p\u003e","\u003cp\u003eReel #168\n\u003c/p\u003e","\u003cp\u003eReel #169\n\u003c/p\u003e","\u003cp\u003eReel #170\n\u003c/p\u003e","\u003cp\u003e3 copies\n\u003c/p\u003e","\u003cp\u003e2 copies\n\u003c/p\u003e","\u003cp\u003e2 copies\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","","","","","","","","","","","","","","Contains a letter from Annette Bening.\n","","","","","Contains headshots and a letter from Olympia Dukakis.\n","","","","","","","","Contains a letter from Rosemary Harris.\n","","","","","Contains letters, headshots, and a CV from John Lithgow.\n","","","","","","","","","","","","","","","","\nContains letters from Sigourney Weaver.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. 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Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1982],"containers_ssim":["box 692","folder 2"],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#3/components#2/components#53","timestamp":"2026-05-21T05:06:20.076Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"text":["C0017","/repositories/2/resources/416","Arena Stage records","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_corpname_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e\n","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e\n","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\u003c/p\u003e","\u003cp\u003eReel 2 of 3\u003c/p\u003e","\u003cp\u003eReel 3 of 3\u003c/p\u003e","\u003cp\u003ePartially Unraveling\u003c/p\u003e","\u003cp\u003eVinegar\u003c/p\u003e","\u003cp\u003eUnraveling - Vinegar\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003eTape 3\u003c/p\u003e","\u003cp\u003eTape 4\u003c/p\u003e","\u003cp\u003eTape 5\u003c/p\u003e","\u003cp\u003eTape 6\u003c/p\u003e","\u003cp\u003eReel #168\u003c/p\u003e","\u003cp\u003eReel #169\u003c/p\u003e","\u003cp\u003eReel #170\u003c/p\u003e","\u003cp\u003e3 copies \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope 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note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:06:20.076Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c04_c03_c54"}},{"id":"vifgm_arenastage_c04_c03_c53","type":"File","attributes":{"title":"1981-1982 Part II - January 1982 - May 1982,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_arenastage_c04_c03_c53#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_arenastage_c04_c03_c53#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_arenastage_c04_c03_c53","ref_ssm":["vifgm_arenastage_c04_c03_c53"],"id":"vifgm_arenastage_c04_c03_c53","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage_c04_c03","parent_ssi":"vifgm_arenastage_c04_c03","parent_ssim":["vifgm_arenastage","vifgm_arenastage_c04","vifgm_arenastage_c04_c03"],"parent_ids_ssim":["vifgm_arenastage","vifgm_arenastage_c04","vifgm_arenastage_c04_c03"],"parent_unittitles_ssm":["Arena Stage records","Series 4: Oversize materials,","Subseries 4.3: Scrapbooks,"],"parent_unittitles_tesim":["Arena Stage records","Series 4: Oversize materials,","Subseries 4.3: Scrapbooks,"],"text":["Arena Stage records","Series 4: Oversize materials,","Subseries 4.3: Scrapbooks,","1981-1982 Part II - January 1982 - May 1982,","Box 692","Folder 1",""],"title_filing_ssi":"1981-1982 Part II - January 1982 - May 1982, \n","title_ssm":["1981-1982 Part II - January 1982 - May 1982,"],"title_tesim":["1981-1982 Part II - January 1982 - May 1982,"],"unitdate_other_ssim":["1982\n"],"normalized_date_ssm":["1982"],"normalized_title_ssm":["1981-1982 Part II - January 1982 - May 1982,"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":7953,"parent_access_restrict_tesm":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1982],"containers_ssim":["Box 692","Folder 1"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#3/components#2/components#52","timestamp":"2026-05-21T06:25:23.142Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_arenastage","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage","ead_source_url_ssi":"data/gmu/arenastage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/arenastage.html","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949-2010"],"unitdate_inclusive_ssm":["1949-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017"],"text":["C0017","Arena Stage records","Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings.","Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.","Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","","","","","","","","","","","","","","Contains a letter from Annette Bening.\n","","","","","Contains headshots and a letter from Olympia Dukakis.\n","","","","","","","","Contains a letter from Rosemary Harris.\n","","","","","Contains letters, headshots, and a CV from John Lithgow.\n","","","","","","","","","","","","","","","","\nContains letters from Sigourney Weaver.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. ","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes information about and architectural plans for Arena's various buildings over the years.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. 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subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains documents collected from throughout the runs of various productions.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","","","","","","","","","","","","","","","","","","","","","","","","","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains production photos collected in books.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","","","","","","","","","","","","","","","","","","","","","","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Model sits on top of map case\n","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event\n","Reel 2 of 3\n","Reel 3 of 3\n","Partially Unraveling\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Vinegar\n","Unraveling - Vinegar\n","","","","","","","","","Both the title (besides Reel 1) and the date have been blacked out\n","Title has been blacked out\n","","","","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","","","","","","","","","Tape 3\n","Tape 4\n","Tape 5\n","Tape 6\n","Reel #168\n","Reel #169\n","Reel #170\n","3 copies\n","2 copies\n","2 copies\n","","","","","","","","","","","","","","","","","","","There are no restrictions.","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)","English\n            "],"unitid_tesim":["C0017"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage"],"creator_ssim":["Arena Stage"],"creator_corpname_ssim":["Arena Stage"],"creators_ssim":["Arena Stage"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000-2011."],"access_subjects_ssim":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["739 boxes"],"extent_tesim":["739 boxes"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\" href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\" href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational 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subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range 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subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth 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1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\nContains letters from Sigourney 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3: Casting information contains notes on casting for productions arranged alphabetically by 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subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena 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2: Communications and Marketing includes records produced by the Communications and Marketing departments. 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3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized 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subseries contains research on various playwrights, both living and dead, whose work has been performed at 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subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. 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subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the 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subseries contains documents collected from throughout the runs of various 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subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. 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subseries contains production photos collected in 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series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at 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subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\n\u003c/p\u003e","\u003cp\u003eReel 2 of 3\n\u003c/p\u003e","\u003cp\u003eReel 3 of 3\n\u003c/p\u003e","\u003cp\u003ePartially 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- Vinegar\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\n\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eTape 3\n\u003c/p\u003e","\u003cp\u003eTape 4\n\u003c/p\u003e","\u003cp\u003eTape 5\n\u003c/p\u003e","\u003cp\u003eTape 6\n\u003c/p\u003e","\u003cp\u003eReel #168\n\u003c/p\u003e","\u003cp\u003eReel #169\n\u003c/p\u003e","\u003cp\u003eReel #170\n\u003c/p\u003e","\u003cp\u003e3 copies\n\u003c/p\u003e","\u003cp\u003e2 copies\n\u003c/p\u003e","\u003cp\u003e2 copies\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","","","","","","","","","","","","","","Contains a letter from Annette Bening.\n","","","","","Contains headshots and a letter from Olympia Dukakis.\n","","","","","","","","Contains a letter from Rosemary Harris.\n","","","","","Contains letters, headshots, and a CV from John Lithgow.\n","","","","","","","","","","","","","","","","\nContains letters from Sigourney Weaver.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. 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Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1982],"containers_ssim":["box 692","folder 1"],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#3/components#2/components#52","timestamp":"2026-05-21T05:06:20.076Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"text":["C0017","/repositories/2/resources/416","Arena Stage records","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_corpname_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e\n","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e\n","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\u003c/p\u003e","\u003cp\u003eReel 2 of 3\u003c/p\u003e","\u003cp\u003eReel 3 of 3\u003c/p\u003e","\u003cp\u003ePartially Unraveling\u003c/p\u003e","\u003cp\u003eVinegar\u003c/p\u003e","\u003cp\u003eUnraveling - Vinegar\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003eTape 3\u003c/p\u003e","\u003cp\u003eTape 4\u003c/p\u003e","\u003cp\u003eTape 5\u003c/p\u003e","\u003cp\u003eTape 6\u003c/p\u003e","\u003cp\u003eReel #168\u003c/p\u003e","\u003cp\u003eReel #169\u003c/p\u003e","\u003cp\u003eReel #170\u003c/p\u003e","\u003cp\u003e3 copies \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope 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note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:06:20.076Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c04_c03_c53"}},{"id":"vifgm_repositories_2_resources_206_c243","type":"File","attributes":{"title":"1981-1983","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_206_c243#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_206_c243","ref_ssm":["vifgm_repositories_2_resources_206_c243"],"id":"vifgm_repositories_2_resources_206_c243","ead_ssi":"vifgm_repositories_2_resources_206","_root_":"vifgm_repositories_2_resources_206","_nest_parent_":"vifgm_repositories_2_resources_206","parent_ssi":"vifgm_repositories_2_resources_206","parent_ssim":["vifgm_repositories_2_resources_206"],"parent_ids_ssim":["vifgm_repositories_2_resources_206"],"parent_unittitles_ssm":["George Mason University Facilities records"],"parent_unittitles_tesim":["George Mason University Facilities records"],"text":["George Mason University Facilities records","1981-1983","box 21","folder 13"],"title_filing_ssi":"1981-1983","title_ssm":["1981-1983"],"title_tesim":["1981-1983"],"unitdate_other_ssim":["1981-1983"],"normalized_date_ssm":["1981/1983"],"normalized_title_ssm":["1981-1983"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["George Mason University Facilities records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":243,"parent_access_restrict_tesm":["A small amount of student records that are restricted under FERPA, were found in the collection at its acquisition. It has been ascertained that these records do not belong with these materials. They have been withdrawn from the collection, and restrictions have been noted."],"parent_access_terms_tesm":["None."],"date_range_isim":[1981,1982,1983],"containers_ssim":["box 21","folder 13"],"_nest_path_":"/components#242","timestamp":"2026-05-24T23:40:54.982Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_206","ead_ssi":"vifgm_repositories_2_resources_206","_root_":"vifgm_repositories_2_resources_206","_nest_parent_":"vifgm_repositories_2_resources_206","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_206.xml","title_ssm":["George Mason University Facilities records"],"title_tesim":["George Mason University Facilities records"],"unitdate_ssm":["1952-2003"],"unitdate_inclusive_ssm":["1952-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0017","/repositories/2/resources/206"],"text":["R0017","/repositories/2/resources/206","George Mason University Facilities records","A small amount of student records that are restricted under FERPA, were found in the collection at its acquisition. It has been ascertained that these records do not belong with these materials. They have been withdrawn from the collection, and restrictions have been noted.","Selected digital versions are available through the  .","Organized at the individual file level by building/road/project or contractor and by physical format.","George Mason University began operation under the name \"University College of the University of Virginia\" in the fall of 1957 in an 8-room former elementary school in Bailey's Crossroads. The original student body consisted of 17 young men and women from local high schools. The college was renamed \"George Mason College\" in late 1959 and moved to its first permanent campus at Fairfax during the fall of 1964. George Mason College became independent from the University of Virginia on April 7, 1972 and was renamed George Mason University. In 1979 George Mason's acquisition of the International School of Law in Arlington was approved by the Virginia Legislature, creating the George Mason University School of Law (now known as the Antonin Scalia Law School) upon the Arlington Campus (know known as Mason Square Campus). Today's Science and Technology Campus near Manassas, Virginia was established in 1997, and Mason Korea, located in the Incheon Global Campus, began operations in 2014. Enrollment at all campuses combined totaled over 40,000 in 2024.","George Mason University Facilities and Campus Operations operates, maintains, repairs, replaces, renews, and secures all buildings, grounds, utilities, and other infrastructure belonging to George Mason University. This responsibility changed considerably over the years as the university grew from a four-building branch college in 1964 to a university boasting nearly 150 during the early 2000s.","Processed by Joey Romeo in August 2012. EAD markup completed by Joey Romeo and Michelle Page in September 2012. Metadata cleanup in May/June 2025 by Annie Waddell and Robert Vay.","This collection contains records created or acquired by the George Mason University Facilities division (now known as George Mason University Facilities and Campus Operations) from 1952 to 2003. The majority of the records cover the years 1967 to 1994. The materials were originally housed in the university's Facilities Management Office and used to document construction, repair, upgrades,improvements,and maintenance of the physical campuses at Fairfax, Manassas, Arlington, Virginia. The records include aerial photos, blue prints, microfilms, project manuals, change orders, and other project-related documents pertaining to management of George Mason University physical campuses.  Records in this group document construction, mantenance and expansion of student residence halls as well as campus libraries, administrative and academic buildings, athletic facilities, roads, and other university properties.","None.","This collection contains records created or collected by the George Mason University Facilities Management unit from the 1952 to 2003.  More specifically, it contains photos, blue prints, microfilms, project manuals, change orders, and other project-related documents pertaining to the management of the Fairfax, Arlington (now known as Mason Square), and Prince William (now known as the Science and Technology) Campuses.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Facilities","English"],"unitid_tesim":["R0017","/repositories/2/resources/206"],"normalized_title_ssm":["George Mason University Facilities records"],"collection_title_tesim":["George Mason University Facilities records"],"collection_ssim":["George Mason University Facilities records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Facilities"],"creator_ssim":["George Mason University. Facilities"],"creator_corpname_ssim":["George Mason University. Facilities"],"creators_ssim":["George Mason University. Facilities"],"access_terms_ssm":["None."],"acqinfo_ssim":["Transferred by George Mason University Facilities Management to Special Collections Research Center in 2008."],"has_online_content_ssim":["false"],"extent_ssm":["70 Linear Feet (140 boxes)"],"extent_tesim":["70 Linear Feet (140 boxes)"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eA small amount of student records that are restricted under FERPA, were found in the collection at its acquisition. It has been ascertained that these records do not belong with these materials. They have been withdrawn from the collection, and restrictions have been noted.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["A small amount of student records that are restricted under FERPA, were found in the collection at its acquisition. It has been ascertained that these records do not belong with these materials. They have been withdrawn from the collection, and restrictions have been noted."],"altformavail_html_tesm":["\u003cp\u003eSelected digital versions are available through the \u003cextptr href=\"http://mars.gmu.edu/handle/1920/2996\" title=\"George Mason University Facilities Planning Documents, 1960-2007\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternate Format Available"],"altformavail_tesim":["Selected digital versions are available through the  ."],"arrangement_html_tesm":["\u003cp\u003eOrganized at the individual file level by building/road/project or contractor and by physical format.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized at the individual file level by building/road/project or contractor and by physical format."],"bioghist_html_tesm":["\u003cp\u003eGeorge Mason University began operation under the name \"University College of the University of Virginia\" in the fall of 1957 in an 8-room former elementary school in Bailey's Crossroads. The original student body consisted of 17 young men and women from local high schools. The college was renamed \"George Mason College\" in late 1959 and moved to its first permanent campus at Fairfax during the fall of 1964. George Mason College became independent from the University of Virginia on April 7, 1972 and was renamed George Mason University. In 1979 George Mason's acquisition of the International School of Law in Arlington was approved by the Virginia Legislature, creating the George Mason University School of Law (now known as the Antonin Scalia Law School) upon the Arlington Campus (know known as Mason Square Campus). Today's Science and Technology Campus near Manassas, Virginia was established in 1997, and Mason Korea, located in the Incheon Global Campus, began operations in 2014. Enrollment at all campuses combined totaled over 40,000 in 2024.\u003c/p\u003e\n","\u003cp\u003eGeorge Mason University Facilities and Campus Operations operates, maintains, repairs, replaces, renews, and secures all buildings, grounds, utilities, and other infrastructure belonging to George Mason University. This responsibility changed considerably over the years as the university grew from a four-building branch college in 1964 to a university boasting nearly 150 during the early 2000s.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["George Mason University began operation under the name \"University College of the University of Virginia\" in the fall of 1957 in an 8-room former elementary school in Bailey's Crossroads. The original student body consisted of 17 young men and women from local high schools. The college was renamed \"George Mason College\" in late 1959 and moved to its first permanent campus at Fairfax during the fall of 1964. George Mason College became independent from the University of Virginia on April 7, 1972 and was renamed George Mason University. In 1979 George Mason's acquisition of the International School of Law in Arlington was approved by the Virginia Legislature, creating the George Mason University School of Law (now known as the Antonin Scalia Law School) upon the Arlington Campus (know known as Mason Square Campus). Today's Science and Technology Campus near Manassas, Virginia was established in 1997, and Mason Korea, located in the Incheon Global Campus, began operations in 2014. Enrollment at all campuses combined totaled over 40,000 in 2024.","George Mason University Facilities and Campus Operations operates, maintains, repairs, replaces, renews, and secures all buildings, grounds, utilities, and other infrastructure belonging to George Mason University. This responsibility changed considerably over the years as the university grew from a four-building branch college in 1964 to a university boasting nearly 150 during the early 2000s."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Facilities records, # R0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["George Mason University Facilities records, # R0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Joey Romeo in August 2012. EAD markup completed by Joey Romeo and Michelle Page in September 2012. Metadata cleanup in May/June 2025 by Annie Waddell and Robert Vay.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Joey Romeo in August 2012. EAD markup completed by Joey Romeo and Michelle Page in September 2012. Metadata cleanup in May/June 2025 by Annie Waddell and Robert Vay."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains records created or acquired by the George Mason University Facilities division (now known as George Mason University Facilities and Campus Operations) from 1952 to 2003. The majority of the records cover the years 1967 to 1994. The materials were originally housed in the university's Facilities Management Office and used to document construction, repair, upgrades,improvements,and maintenance of the physical campuses at Fairfax, Manassas, Arlington, Virginia. The records include aerial photos, blue prints, microfilms, project manuals, change orders, and other project-related documents pertaining to management of George Mason University physical campuses.  Records in this group document construction, mantenance and expansion of student residence halls as well as campus libraries, administrative and academic buildings, athletic facilities, roads, and other university properties.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains records created or acquired by the George Mason University Facilities division (now known as George Mason University Facilities and Campus Operations) from 1952 to 2003. The majority of the records cover the years 1967 to 1994. The materials were originally housed in the university's Facilities Management Office and used to document construction, repair, upgrades,improvements,and maintenance of the physical campuses at Fairfax, Manassas, Arlington, Virginia. The records include aerial photos, blue prints, microfilms, project manuals, change orders, and other project-related documents pertaining to management of George Mason University physical campuses.  Records in this group document construction, mantenance and expansion of student residence halls as well as campus libraries, administrative and academic buildings, athletic facilities, roads, and other university properties."],"userestrict_html_tesm":["\u003cp\u003eNone.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["None."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7543aee6c7852142b11e3a84c8193d1e\" label=\"Abstract\"\u003eThis collection contains records created or collected by the George Mason University Facilities Management unit from the 1952 to 2003.  More specifically, it contains photos, blue prints, microfilms, project manuals, change orders, and other project-related documents pertaining to the management of the Fairfax, Arlington (now known as Mason Square), and Prince William (now known as the Science and Technology) Campuses.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains records created or collected by the George Mason University Facilities Management unit from the 1952 to 2003.  More specifically, it contains photos, blue prints, microfilms, project manuals, change orders, and other project-related documents pertaining to the management of the Fairfax, Arlington (now known as Mason Square), and Prince William (now known as the Science and Technology) Campuses."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Facilities"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Facilities"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2284,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:40:54.982Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_206_c243"}},{"id":"vifgm_repositories_2_resources_547_c01_c39","type":"File","attributes":{"title":"1981/1985 Metrobus schedules,","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_547_c01_c39#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_547_c01_c39","ref_ssm":["vifgm_repositories_2_resources_547_c01_c39"],"id":"vifgm_repositories_2_resources_547_c01_c39","ead_ssi":"vifgm_repositories_2_resources_547","_root_":"vifgm_repositories_2_resources_547","_nest_parent_":"vifgm_repositories_2_resources_547_c01","parent_ssi":"vifgm_repositories_2_resources_547_c01","parent_ssim":["vifgm_repositories_2_resources_547","vifgm_repositories_2_resources_547_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_547","vifgm_repositories_2_resources_547_c01"],"parent_unittitles_ssm":["Charles Lietwiler transportation collection","Series 1: Washington Metropolitan Area Transportation Authority,"],"parent_unittitles_tesim":["Charles Lietwiler transportation collection","Series 1: Washington Metropolitan Area Transportation Authority,"],"text":["Charles Lietwiler transportation collection","Series 1: Washington Metropolitan Area Transportation Authority,","1981/1985 Metrobus schedules,","Box 3","Folder 14"],"title_filing_ssi":"1981/1985 Metrobus schedules,","title_ssm":["1981/1985 Metrobus schedules,"],"title_tesim":["1981/1985 Metrobus schedules,"],"unitdate_other_ssim":["1981-1985"],"normalized_date_ssm":["1981/1985"],"normalized_title_ssm":["1981/1985 Metrobus schedules,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Charles Lietwiler transportation collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":40,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1981,1982,1983,1984,1985],"containers_ssim":["Box 3","Folder 14"],"_nest_path_":"/components#0/components#38","timestamp":"2026-06-05T07:17:54.608Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_547","ead_ssi":"vifgm_repositories_2_resources_547","_root_":"vifgm_repositories_2_resources_547","_nest_parent_":"vifgm_repositories_2_resources_547","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_547.xml","title_ssm":["Charles Lietwiler transportation collection"],"title_tesim":["Charles Lietwiler transportation collection"],"unitdate_ssm":["1903 - 2005"],"unitdate_inclusive_ssm":["1903 - 2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0324","/repositories/2/resources/547"],"text":["C0324","/repositories/2/resources/547","Charles Lietwiler transportation collection","D.C.-Metro area","Photography","Transportation -- Virginia, Northern -- Planning -- History -- 20th century","Transportation -- United States","Transportation -- United States -- Planning","Transportation -- Washington Metropolitan Area -- Planning","There are no access restrictions.","This collection is arranged in into six series:","Series Series 1: Washington Metropolitan Area Transit Authority, 1960-1990s (Boxes 1-4) Series 2: United States mass transit, 1932-2000 (Boxes 5-7) Series 3: International mass transit, 1903-1992(Boxes 7-9) Series 4: Slides and photographs, 1950s-2005 (Boxes 10-39) Series 5: Audio and video reels, 1960s-1970s (Box 40) Series 6: Maps and blueprints, 1950s-1960s (Map Cases 35.3 - 35.4)","Charles J. Lietwiler was born in Gallipolis, Ohio on August 22, 1933. He earned a Bachelor of Arts degree in Business Administration from the University of Washington in 1955, and a Master of Arts degree in Business Administration in Transportation from the George Washington University in 1966. Lietwiler served as a regional transit planner throughout his professional career. Within the D.C. Metropolitan area, he held various positions with the federal government, the National Academy of Sciences, and the Metropolitan Planning Association. Lietwiler also worked with the Northern Virginia Transportation Commission where he served as the Senior Transportation Planner beginning in 1965. He took part in the Airlie conferences in 1967, where local officials and transit experts created the D.C. Metro system. Lietwiler performed research for the U.S. Army Reserve Transportation Railway Service, and was an amateur photographer and filmmaker.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio contained in Series 5. Additional time and money may be required to digitize this material for access.","Processing completed by Christopher Babbitt in March 2020. EAD markup completed by Christopher Babbitt in March 2020. Finding aid updated by Amanda Menjivar in October 2022.","Special Collections Research Center holds many other collections related to transportation and planning, such as the   and the   Click   to see all transportation and planning materials held by Special Collections Research Center.","The Charles Lietwiler transportation collection contains Lietwiler's work on the founding of Metro at the Airlie Conferences in 1967. An avid photographer, Lietwiler diligently photographed its construction and opening ceremonies. The collection also represents his work with a variety of other organizations, such as the Northern Virginia Transportation Commission, where he held a senior position. Lietwiler was a well-traveled man, collecting a variety of souvenirs on his trips. A plurality of the collection relates to his work as an amateur photographer and filmmaker.","Series 1: Washington Metropolitan Area Transportation Authority (1960-1990s): This series contains Lietwiler's work on the founding of Metro, including his work at the Airlie Conferences of 1967. Materials include: Analytical reports by various organizations such as the U.S. Department of Transportation, Metrobus and rail schedules, and published materials such as Metro Memos. It also contains Metro-related photographs taken by Lietwiler.","Series 2: United States Mass Transit (1932-2000): This series contains Lietwiler's work with other American transit organizations, including planning materials and analysis reports, as well as published materials, such as the Northern Virginia Transportation Commission Newsletter.","Series 3: International Mass Transit (1903-1992): This series contains published journals and newspapers examining international transportation systems, analytical reports on Japanese rail systems, and maps/brochures collected on Lietwiler's many trips.","Series 4: Slides and Photographs (1950s-1990s): This series contains all non-WMATA related photographs taken by Lietwiler, both personal and transit-related. Transit-related photographs usually depict transit systems embedded in cities and towns, while personal photography showcases nature or family gatherings. This series contains three subseries. Subseries 4.1: United States mass transit photographs. Subseries 4.2: International mass transit photographs. Subseries 4.3: Personal photos.","Series 5: Audio and Video reels (1960s-1970s): This series contains Lietwiler's work as an amateur filmmaker, mostly from his personal travels.","Series 6: Maps and Blueprints (1950s-1960s): This series contains 56 maps of Washington, D.C., 26 blueprints, and 41 topographical maps of Pittsburgh, Pennsylvania.","This series contains Lietwiler's work regarding the foundation and planning of the Metro, as well as photographs taken of its construction and opening.","This series contains materials relating to United States Mass Transit and Lietwiler's work on domestic transit associations, such as the Northern Virginia Transportation Commission.","This series contains documents and publications pertaining to international transit systems.","This series contains Lietwiler's many photographs. Images in this series are both transit-related and personal.","Box includes slides pertaining to the following: Metro construction and opening slides (4) and Northern Virginia transit slides (2).","Box includes slides pertaining to the following: Manhattan, New York (1) and New York City (5).","Box includes slides pertaining to the following: American Northeast Transit Slides (4), New York trip (1), and Lexington, Kentucky and Massachusetts transit(1).","Box includes slides pertaining to the following: Philadelphia (3) and Baltimore (2).","Box includes slides pertaining to the following: California (2), San Diego (3), and Santa Fe to San Diego (1).","Box includes slides pertaining to the following: San Francisco (4), Sacramento, California (1), Portland, Oregon (1).","Box includes slides pertaining to the following: Southern California and New Mexico (1), Long Beach, California (1), Los Angeles (3), Hollywood (1).","Box includes slides pertaining to the following: San Francisco (3), Seattle, Washington (1), Canadian transit slides (1), 1988 Europe trip (1)","Box includes slides pertaining to the following: Seattle, Tacoma, Portland, Sacramento mass transit; Seattle, Washington transit; San Francisco, San Jose, Los Angeles mass transit, St. Louis, Denver, San Francisco, Baltimore mass transit, and West Coast mass transit.","Box includes slides pertaining to the following: Virginia Railway Express stations (2) and Netherlands mass transit (1).","Slides and photographs of mass transit systems throughout the world, primarily Asia, the South Pacific region, and Europe.","Box includes slides pertaining to the following: 1988 Europe trip (2), Canada (2), and Unknown ceremony (2).","Box includes slides pertaining to the following: Brazil, Columbia, and Panama (2); England (1); Switzerland (1); Greece (1); Unidentifiable (1).","Box includes slides pertaining to the following: Australia and New Zealand (1), Japanese World Fair (2), India (1), and Hong Kong (2).","This series contains non-transit related photographs taken by Lietwiler as part of his passion for photography.","Box includes slides pertaining to the following: construction slides (1), personal slides (1), and other slides (1).","Box includes slides pertaining to the following: Hawaii (2), Desk shots (1), Lietwiler family gathering (1), Nature (1), and the Reinhart collection (1)","Box includes slides pertaining to the following: Botanical Museum of Harvard (1), Home garden (1), Lietwiler family gathering (1), Hawaii (1), and personal photos (2).","This series contains film and audio taken by Lietwiler for hobby-related purposes. "," The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio contained in Series 5. Additional time and money may be required to digitize this material for access.","This series contains blueprints and topographical maps of Pittsburgh, Pennsylvania and Washington, D.C.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains Washington Metropolitan Area Transportation Authority (WMATA) materials relating to the foundation and construction of the Metro, information regarding American and international mass transit systems, and photographs taken by Charles Lietwiler.","\nR 72, C 1, S 1 - R 72, C 2, S 3\n\n\nMap Cases 35.3 - 35.4\n","George Mason University. Libraries. Special Collections Research Center","Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority","Lietwiler, Charles","English"],"unitid_tesim":["C0324","/repositories/2/resources/547"],"normalized_title_ssm":["Charles Lietwiler transportation collection"],"collection_title_tesim":["Charles Lietwiler transportation collection"],"collection_ssim":["Charles Lietwiler transportation collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["D.C.-Metro area"],"geogname_ssim":["D.C.-Metro area"],"creator_ssm":["Lietwiler, Charles"],"creator_ssim":["Lietwiler, Charles"],"creator_persname_ssim":["Lietwiler, Charles"],"creators_ssim":["Lietwiler, Charles"],"places_ssim":["D.C.-Metro area"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Northern Virginia Transportation Commission on September 20, 2018."],"access_subjects_ssim":["Photography","Transportation -- Virginia, Northern -- Planning -- History -- 20th century","Transportation -- United States","Transportation -- United States -- Planning","Transportation -- Washington Metropolitan Area -- Planning"],"access_subjects_ssm":["Photography","Transportation -- Virginia, Northern -- Planning -- History -- 20th century","Transportation -- United States","Transportation -- United States -- Planning","Transportation -- Washington Metropolitan Area -- Planning"],"has_online_content_ssim":["false"],"extent_ssm":["33.0 Linear Feet 40 boxes, 2 map cases"],"extent_tesim":["33.0 Linear Feet 40 boxes, 2 map cases"],"date_range_isim":[1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in into six series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Washington Metropolitan Area Transit Authority, 1960-1990s (Boxes 1-4)\u003c/item\u003e\n      \u003citem\u003eSeries 2: United States mass transit, 1932-2000 (Boxes 5-7)\u003c/item\u003e\n      \u003citem\u003eSeries 3: International mass transit, 1903-1992(Boxes 7-9)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Slides and photographs, 1950s-2005 (Boxes 10-39)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audio and video reels, 1960s-1970s (Box 40)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Maps and blueprints, 1950s-1960s (Map Cases 35.3 - 35.4)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in into six series:","Series Series 1: Washington Metropolitan Area Transit Authority, 1960-1990s (Boxes 1-4) Series 2: United States mass transit, 1932-2000 (Boxes 5-7) Series 3: International mass transit, 1903-1992(Boxes 7-9) Series 4: Slides and photographs, 1950s-2005 (Boxes 10-39) Series 5: Audio and video reels, 1960s-1970s (Box 40) Series 6: Maps and blueprints, 1950s-1960s (Map Cases 35.3 - 35.4)"],"bioghist_html_tesm":["\u003cp\u003eCharles J. Lietwiler was born in Gallipolis, Ohio on August 22, 1933. He earned a Bachelor of Arts degree in Business Administration from the University of Washington in 1955, and a Master of Arts degree in Business Administration in Transportation from the George Washington University in 1966. Lietwiler served as a regional transit planner throughout his professional career. Within the D.C. Metropolitan area, he held various positions with the federal government, the National Academy of Sciences, and the Metropolitan Planning Association. Lietwiler also worked with the Northern Virginia Transportation Commission where he served as the Senior Transportation Planner beginning in 1965. He took part in the Airlie conferences in 1967, where local officials and transit experts created the D.C. Metro system. Lietwiler performed research for the U.S. Army Reserve Transportation Railway Service, and was an amateur photographer and filmmaker.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Charles J. Lietwiler was born in Gallipolis, Ohio on August 22, 1933. He earned a Bachelor of Arts degree in Business Administration from the University of Washington in 1955, and a Master of Arts degree in Business Administration in Transportation from the George Washington University in 1966. Lietwiler served as a regional transit planner throughout his professional career. Within the D.C. Metropolitan area, he held various positions with the federal government, the National Academy of Sciences, and the Metropolitan Planning Association. Lietwiler also worked with the Northern Virginia Transportation Commission where he served as the Senior Transportation Planner beginning in 1965. He took part in the Airlie conferences in 1967, where local officials and transit experts created the D.C. Metro system. Lietwiler performed research for the U.S. Army Reserve Transportation Railway Service, and was an amateur photographer and filmmaker."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio contained in Series 5. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio contained in Series 5. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eCharles Lietwiler transportation collection, C0324, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Charles Lietwiler transportation collection, C0324, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Christopher Babbitt in March 2020. EAD markup completed by Christopher Babbitt in March 2020. Finding aid updated by Amanda Menjivar in October 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Christopher Babbitt in March 2020. EAD markup completed by Christopher Babbitt in March 2020. Finding aid updated by Amanda Menjivar in October 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds many other collections related to transportation and planning, such as the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/mertz.html\" title=\"William L. Mertz transportation collection\" show=\"new\"\u003e\u003c/extptr\u003e and the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/apta.html\" title=\"American Public Transportation records.\" show=\"new\"\u003e\u003c/extptr\u003e Click \u003cextptr href=\"https://scrc.gmu.edu/collections-subject.php#TRANSPORTATION\" title=\"here\" show=\"new\"\u003e\u003c/extptr\u003e to see all transportation and planning materials held by Special Collections Research Center.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds many other collections related to transportation and planning, such as the   and the   Click   to see all transportation and planning materials held by Special Collections Research Center."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Lietwiler transportation collection contains Lietwiler's work on the founding of Metro at the Airlie Conferences in 1967. An avid photographer, Lietwiler diligently photographed its construction and opening ceremonies. The collection also represents his work with a variety of other organizations, such as the Northern Virginia Transportation Commission, where he held a senior position. Lietwiler was a well-traveled man, collecting a variety of souvenirs on his trips. A plurality of the collection relates to his work as an amateur photographer and filmmaker.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Washington Metropolitan Area Transportation Authority (1960-1990s): This series contains Lietwiler's work on the founding of Metro, including his work at the Airlie Conferences of 1967. Materials include: Analytical reports by various organizations such as the U.S. Department of Transportation, Metrobus and rail schedules, and published materials such as Metro Memos. It also contains Metro-related photographs taken by Lietwiler.\u003c/p\u003e\n","\u003cp\u003eSeries 2: United States Mass Transit (1932-2000): This series contains Lietwiler's work with other American transit organizations, including planning materials and analysis reports, as well as published materials, such as the Northern Virginia Transportation Commission Newsletter.\u003c/p\u003e\n","\u003cp\u003eSeries 3: International Mass Transit (1903-1992): This series contains published journals and newspapers examining international transportation systems, analytical reports on Japanese rail systems, and maps/brochures collected on Lietwiler's many trips.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Slides and Photographs (1950s-1990s): This series contains all non-WMATA related photographs taken by Lietwiler, both personal and transit-related. Transit-related photographs usually depict transit systems embedded in cities and towns, while personal photography showcases nature or family gatherings. This series contains three subseries. Subseries 4.1: United States mass transit photographs. Subseries 4.2: International mass transit photographs. Subseries 4.3: Personal photos.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audio and Video reels (1960s-1970s): This series contains Lietwiler's work as an amateur filmmaker, mostly from his personal travels.\u003c/p\u003e\n","\u003cp\u003eSeries 6: Maps and Blueprints (1950s-1960s): This series contains 56 maps of Washington, D.C., 26 blueprints, and 41 topographical maps of Pittsburgh, Pennsylvania.\u003c/p\u003e","\u003cp\u003eThis series contains Lietwiler's work regarding the foundation and planning of the Metro, as well as photographs taken of its construction and opening.\u003c/p\u003e","\u003cp\u003eThis series contains materials relating to United States Mass Transit and Lietwiler's work on domestic transit associations, such as the Northern Virginia Transportation Commission.\u003c/p\u003e","\u003cp\u003eThis series contains documents and publications pertaining to international transit systems.\u003c/p\u003e","\u003cp\u003eThis series contains Lietwiler's many photographs. Images in this series are both transit-related and personal.\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: Metro construction and opening slides (4) and Northern Virginia transit slides (2).\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: Manhattan, New York (1) and New York City (5).\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: American Northeast Transit Slides (4), New York trip (1), and Lexington, Kentucky and Massachusetts transit(1).\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: Philadelphia (3) and Baltimore (2).\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: California (2), San Diego (3), and Santa Fe to San Diego (1).\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: San Francisco (4), Sacramento, California (1), Portland, Oregon (1).\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: Southern California and New Mexico (1), Long Beach, California (1), Los Angeles (3), Hollywood (1).\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: San Francisco (3), Seattle, Washington (1), Canadian transit slides (1), 1988 Europe trip (1)\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: Seattle, Tacoma, Portland, Sacramento mass transit; Seattle, Washington transit; San Francisco, San Jose, Los Angeles mass transit, St. Louis, Denver, San Francisco, Baltimore mass transit, and West Coast mass transit.\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: Virginia Railway Express stations (2) and Netherlands mass transit (1).\u003c/p\u003e","\u003cp\u003eSlides and photographs of mass transit systems throughout the world, primarily Asia, the South Pacific region, and Europe.\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: 1988 Europe trip (2), Canada (2), and Unknown ceremony (2).\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: Brazil, Columbia, and Panama (2); England (1); Switzerland (1); Greece (1); Unidentifiable (1).\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: Australia and New Zealand (1), Japanese World Fair (2), India (1), and Hong Kong (2).\u003c/p\u003e","\u003cp\u003eThis series contains non-transit related photographs taken by Lietwiler as part of his passion for photography.\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: construction slides (1), personal slides (1), and other slides (1).\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: Hawaii (2), Desk shots (1), Lietwiler family gathering (1), Nature (1), and the Reinhart collection (1)\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: Botanical Museum of Harvard (1), Home garden (1), Lietwiler family gathering (1), Hawaii (1), and personal photos (2).\u003c/p\u003e","\u003cp\u003eThis series contains film and audio taken by Lietwiler for hobby-related purposes. \u003c/p\u003e\n","\u003cp\u003e The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio contained in Series 5. Additional time and money may be required to digitize this material for access.\u003c/p\u003e","\u003cp\u003eThis series contains blueprints and topographical maps of Pittsburgh, Pennsylvania and Washington, D.C.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Charles Lietwiler transportation collection contains Lietwiler's work on the founding of Metro at the Airlie Conferences in 1967. An avid photographer, Lietwiler diligently photographed its construction and opening ceremonies. The collection also represents his work with a variety of other organizations, such as the Northern Virginia Transportation Commission, where he held a senior position. Lietwiler was a well-traveled man, collecting a variety of souvenirs on his trips. A plurality of the collection relates to his work as an amateur photographer and filmmaker.","Series 1: Washington Metropolitan Area Transportation Authority (1960-1990s): This series contains Lietwiler's work on the founding of Metro, including his work at the Airlie Conferences of 1967. Materials include: Analytical reports by various organizations such as the U.S. Department of Transportation, Metrobus and rail schedules, and published materials such as Metro Memos. It also contains Metro-related photographs taken by Lietwiler.","Series 2: United States Mass Transit (1932-2000): This series contains Lietwiler's work with other American transit organizations, including planning materials and analysis reports, as well as published materials, such as the Northern Virginia Transportation Commission Newsletter.","Series 3: International Mass Transit (1903-1992): This series contains published journals and newspapers examining international transportation systems, analytical reports on Japanese rail systems, and maps/brochures collected on Lietwiler's many trips.","Series 4: Slides and Photographs (1950s-1990s): This series contains all non-WMATA related photographs taken by Lietwiler, both personal and transit-related. Transit-related photographs usually depict transit systems embedded in cities and towns, while personal photography showcases nature or family gatherings. This series contains three subseries. Subseries 4.1: United States mass transit photographs. Subseries 4.2: International mass transit photographs. Subseries 4.3: Personal photos.","Series 5: Audio and Video reels (1960s-1970s): This series contains Lietwiler's work as an amateur filmmaker, mostly from his personal travels.","Series 6: Maps and Blueprints (1950s-1960s): This series contains 56 maps of Washington, D.C., 26 blueprints, and 41 topographical maps of Pittsburgh, Pennsylvania.","This series contains Lietwiler's work regarding the foundation and planning of the Metro, as well as photographs taken of its construction and opening.","This series contains materials relating to United States Mass Transit and Lietwiler's work on domestic transit associations, such as the Northern Virginia Transportation Commission.","This series contains documents and publications pertaining to international transit systems.","This series contains Lietwiler's many photographs. Images in this series are both transit-related and personal.","Box includes slides pertaining to the following: Metro construction and opening slides (4) and Northern Virginia transit slides (2).","Box includes slides pertaining to the following: Manhattan, New York (1) and New York City (5).","Box includes slides pertaining to the following: American Northeast Transit Slides (4), New York trip (1), and Lexington, Kentucky and Massachusetts transit(1).","Box includes slides pertaining to the following: Philadelphia (3) and Baltimore (2).","Box includes slides pertaining to the following: California (2), San Diego (3), and Santa Fe to San Diego (1).","Box includes slides pertaining to the following: San Francisco (4), Sacramento, California (1), Portland, Oregon (1).","Box includes slides pertaining to the following: Southern California and New Mexico (1), Long Beach, California (1), Los Angeles (3), Hollywood (1).","Box includes slides pertaining to the following: San Francisco (3), Seattle, Washington (1), Canadian transit slides (1), 1988 Europe trip (1)","Box includes slides pertaining to the following: Seattle, Tacoma, Portland, Sacramento mass transit; Seattle, Washington transit; San Francisco, San Jose, Los Angeles mass transit, St. Louis, Denver, San Francisco, Baltimore mass transit, and West Coast mass transit.","Box includes slides pertaining to the following: Virginia Railway Express stations (2) and Netherlands mass transit (1).","Slides and photographs of mass transit systems throughout the world, primarily Asia, the South Pacific region, and Europe.","Box includes slides pertaining to the following: 1988 Europe trip (2), Canada (2), and Unknown ceremony (2).","Box includes slides pertaining to the following: Brazil, Columbia, and Panama (2); England (1); Switzerland (1); Greece (1); Unidentifiable (1).","Box includes slides pertaining to the following: Australia and New Zealand (1), Japanese World Fair (2), India (1), and Hong Kong (2).","This series contains non-transit related photographs taken by Lietwiler as part of his passion for photography.","Box includes slides pertaining to the following: construction slides (1), personal slides (1), and other slides (1).","Box includes slides pertaining to the following: Hawaii (2), Desk shots (1), Lietwiler family gathering (1), Nature (1), and the Reinhart collection (1)","Box includes slides pertaining to the following: Botanical Museum of Harvard (1), Home garden (1), Lietwiler family gathering (1), Hawaii (1), and personal photos (2).","This series contains film and audio taken by Lietwiler for hobby-related purposes. "," The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio contained in Series 5. Additional time and money may be required to digitize this material for access.","This series contains blueprints and topographical maps of Pittsburgh, Pennsylvania and Washington, D.C."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThis collection contains Washington Metropolitan Area Transportation Authority (WMATA) materials relating to the foundation and construction of the Metro, information regarding American and international mass transit systems, and photographs taken by Charles Lietwiler.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains Washington Metropolitan Area Transportation Authority (WMATA) materials relating to the foundation and construction of the Metro, information regarding American and international mass transit systems, and photographs taken by Charles Lietwiler."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ac7d219b7a43e34bd672980dfe90dff9\"\u003e\nR 72, C 1, S 1 - R 72, C 2, S 3\n\n\nMap Cases 35.3 - 35.4\n\u003c/physloc\u003e"],"physloc_tesim":["\nR 72, C 1, S 1 - R 72, C 2, S 3\n\n\nMap Cases 35.3 - 35.4\n"],"names_coll_ssim":["Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority","Lietwiler, Charles"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority"],"persname_ssim":["Lietwiler, Charles"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":425,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:17:54.608Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_547_c01_c39"}},{"id":"viu_repositories_7_resources_171_c05_c74","type":"Item","attributes":{"title":"1981-82 Department of Medicine Group Photograph","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_171_c05_c74#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_171_c05_c74","ref_ssm":["viu_repositories_7_resources_171_c05_c74"],"id":"viu_repositories_7_resources_171_c05_c74","ead_ssi":"viu_repositories_7_resources_171","_root_":"viu_repositories_7_resources_171","_nest_parent_":"viu_repositories_7_resources_171_c05","parent_ssi":"viu_repositories_7_resources_171_c05","parent_ssim":["viu_repositories_7_resources_171","viu_repositories_7_resources_171_c05"],"parent_ids_ssim":["viu_repositories_7_resources_171","viu_repositories_7_resources_171_c05"],"parent_unittitles_ssm":["Edward Watson Hook, Jr. papers","SERIES 5: Photographs and  Artifacts"],"parent_unittitles_tesim":["Edward Watson Hook, Jr. papers","SERIES 5: Photographs and  Artifacts"],"text":["Edward Watson Hook, Jr. papers","SERIES 5: Photographs and  Artifacts","1981-82 Department of Medicine Group Photograph","3 photo, 1 TD","box 041","folder 073"],"title_filing_ssi":"1981-82 Department of Medicine Group Photograph","title_ssm":["1981-82 Department of Medicine Group Photograph"],"title_tesim":["1981-82 Department of Medicine Group Photograph"],"unitdate_inclusive_ssm":["[May] 1982"],"normalized_date_ssm":["1982"],"normalized_title_ssm":["1981-82 Department of Medicine Group Photograph"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Edward Watson Hook, Jr. papers"],"physdesc_tesim":["3 photo, 1 TD"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":602,"parent_access_restrict_tesm":["Access may be partially restricted to some materials."],"parent_access_terms_tesm":["Some use restrictions may apply."],"date_range_isim":[1982],"containers_ssim":["box 041","folder 073"],"_nest_path_":"/components#4/components#73","timestamp":"2026-05-20T23:53:44.935Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_171","ead_ssi":"viu_repositories_7_resources_171","_root_":"viu_repositories_7_resources_171","_nest_parent_":"viu_repositories_7_resources_171","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_171.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/134701","title_ssm":["Edward Watson Hook, Jr. papers"],"title_tesim":["Edward Watson Hook, Jr. papers"],"unitdate_ssm":["1947-1998"],"unitdate_inclusive_ssm":["1947-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-18","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/171"],"text":["MS-18","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/171","Edward Watson Hook, Jr. papers","22 linear feet containing 43 boxes: 13 cm x 39.5 cm x 26.5 cm, and 1 artifact box: 46 cm x 39.5 cm x 8 cm. Processed materials total 12,305 items. Additional 2 linear feet containing 2 boxes: 13 cm x 39.5 cm x 26.5 cm, and 1 artifact box 40 cm x 32 cm x 27. After the completion of additions processed in 2019, the collection contains 47 boxes.","Access may be partially restricted to some materials.","\nSeries Description: This collection is organized into five principal series, as follows: 1.) Professional Organizations \u0026 Activities (9 boxes). 2.) Lectures \u0026 Presentations (1 box). 3.) History of UVa Department of Medicine, by Byrd S. Leavell (2 boxes). 4.) Office Files, alphabetically arranged (28 boxes). 5.) Photographs \u0026 Artifacts (4 boxes).\n","\nA sixth series containing mainly photographs and artifacts was added in October 2019. These two boxes are arranged by photographs and then by date. The materials accessioned in November 2019 were added to the sixth series by date. Items in this container were added to the end of Box 46 or filed in earlier boxes as appropriate. Duplicates were discarded.\n","\nEdward Watson Hook, Jr. was born in Sumter, South Carolina on August 10, 1924. He was the only child of school teacher parents. He obtained a B.S. degree from Wofford College in Spartanburg, South Carolina and then attended Yale University as a participant in the U.S. Army Specialized Training program. He received an M.D. degree from Emory School of Medicine in Atlanta, Georgia in 1949. He served his internship at University Hospital in Minneapolis, Minnesota and was an assistant resident and chief resident in medicine at Grady Memorial Hospital in Atlanta, Georgia. From 1951 to 1953 he served in the U.S. Army Medical Corps. He taught medicine at Emory University and Johns Hopkins University before becoming the Head of the Division of Infectious Disease at Cornell University Medical College in New York in July 1959. In 1966, Hook was a visiting professor at the University of Bahia School of Medicine in Salvador, Brazil. In 1969 he was appointed Henry B. Mulholland Professor of Internal Medicine at the University of Virginia and chaired the department for 21 years. In 1996 Hook was presented with the Thomas Jefferson Award, the highest award given at the University of Virginia. Hook married Jessie Dale Thurecht on June 14, 1949. They had four children, Edward W. III, Susan Dale, Margaret Jane, and Robert Randall. Hook died unexpectedly of a coronary blood clot on October 5, 1998 at the age of 74.\n","\nDr. Hook was involved in a great many organizations and endeavors outside of UVA. He took a leading role in several specialty and subspecialty societies and in organizations concerned with physician education and training. Hook was president of the Infectious Diseases Society of America during 1975-76, was chair of the Board of Scientific Counselors of the National Institute of Allergy and Infectious Diseases, was a charter member of the editorial board of Antimicrobial Agents and Chemotherapy, and was a chair of the board of directors of the Robert Wood Johnson Foundation Clinical Scholars Program from 1978 to 1988. A former president of the Association of Professors of Medicine, Dr. Hook served on the American Board of Internal Medicine from 1979 to 1987 and chaired its committee on the Evaluation of Clinical Competence.\n","\nA fellow of the American College of Physicians (ACP) since 1962 and its president in 1985, Dr. Hook also served as the College's governor in Virginia and on its board of regents. He visited the People's Republic of China in 1979 as a member of the ACP's first teaching delegation to that country. Hook authored over 130 publications. He received distinction early in his career for his research on the pathogenesis of salmonella and other intestinal infections.\n","\nAdministration duties of running Internal Medicine took up the bulk of Hook's professional time. During his years as chairman, he built up the department of internal medicine, recruited highly trained division leaders, and initiated several programs that benefited the School of Medicine. In 1969 he founded an international health exchange program with the Federal University of Ceará in Brazil. He also developed and led UVa's hospital ethics committee. He began a primary care residency program in medicine and started a faculty-teaching practice program in Orange County. During the 1970s and 80s, Hook was a national leader in internal-medicine manpower, clinical skills evaluation, and the fostering of humanitarian attributes among physicians. Hook was keenly interested in teaching medical students.\n","\nAfter retiring from the chair of the department in 1990, Hook founded the humanities in medicine program. This program offered talks, concerts, and short courses for medical students. He also helped lead the Medical Center Hour, a weekly conference covering health issues. Hook was also chair of the Arts program which used art work to beautify the hospital.\n","Processed by:  Susan Swasta and Sara Huyser, Historical Collections Staff","Duplicates found in the additional boxes donated in 2016 and 2019 were not processed into the collection.","See photos from this event in Hook Box 04, Folders 002-011.","The Edward Watson Hook papers reflect his wide-ranging professional activities related to heading the Department of Internal Medicine, participating in the larger Health System/University processes, and pursuing his own research and external activities. The documents detail Hook's direct personal participation in professional organizations and also show the wide range of details he coordinated in running the department of internal medicine. A noteworthy aspect of the collection includes an unpublished History of the Department of Medicine written by Byrd Leavell. Hook read and critiqued the manuscript, but Leavell died before completing the book. Also, Hook conducted a series of interviews with Thomas H. Hunter which complement with the Thomas H. Hunter papers, MS-4, Claude Moore Health Sciences Library.","Re: Hook Service on Panel - UVa accreditation.","Re: Examinations.","Re: Correspondence and related documents; related to Hook's UVa chairmanship.","Re: UVa related.","Re: UVa related; some documents have Hook's AN's.","Re: UVa related.","UVa Related.","Re: UVa Related.","Re: UVa related; many documents have AN's by Hook.","Re: UVa related.","Re: UVa related.","Re: UVa related.","Re: UVa related.","Re: Correspondence and related documents; related to Hook's membership of the Board of Governors. Also, meeting schedules are included.","Re: Nominations, committee appointments - related to the Board of Governors.","Re: Board of Governors related.","Re: Board of Governors related.","Re: Board of Governors related.","Re: Board of Governors related; misc., including clinical judgment pretest content.","Re: Board of Governors related.","Re: Board of Governors related.","Re: Board of Governors related; misc., including evaluation of procedural skills of residents.","Re: Board of Governors related, misc, including evaluating procedural skills of residents.","Re: Board of Governors related; committee appointments.","Re: Board of Governors related; misc., including membership nominations, PMP evaluations.","Re: Board of Governors related, misc, including certification standards, rating humanistic qualities.","Re: Board of Governors related.","Re: Board of Governors related.","Re: Board of Governors related.","Re: Board of Governors.","Re: Committees: CECC (Committee to Evaluate Clinical Competence).","Re: Committees: CECC \u0026 Subcommittee to Standardize Programs of Evaluation of Clinical Competence at the Local Level (SSPECCLL).","Re: Committees; CECC and SSPECCLL.","Re: Committees; CECC and SSPECCLL.","Re: Committees; CECC and SSPECCLL.","Re: Committees; CECC and Subcommittee to Review Special Evaluations.","Re: Committees; CECC and SSPECCLL.","Re: Committees; CECC and SSPECCLL.","Re: Committees: CECC, SSPECLL, misc, including history of CECC, 1970-1987.","Re: Committees; CECC - Advisory committee to CECC (includes Clinical competence and Hospital visit programs, history of CECC and Hook's involvement).","Re: Committees; subcommittee on hospital visit program (part of CECC), includes Hook's AN's on program.","Re: Hospital Evaluation visits, including Hook's report on Louisiana State University Medical Center visit.","Re: Hospital Evaluation Visits, including Hook's evaluation of Ochsner Medical Foundation, New Orleans.","Re: Hospital Evaluation Visits, Hook's evaluation of University of South Florida affiliated Hospitals.","Re: Hospital Evaluation Visits, Hook's evaluation of St. Elizabeth's Hospital, Elizabeth, NJ.","Re: Hospital Evaluation Visits, Hook's evaluation of University of Miami/Jackson Memorial Medical Center.","Re: Hospital Evaluation Visits, Hook's evaluation of Orlando Regional Medical Center, Florida.","Re: Hospital Evaluation Visits, Hook's evaluation of Providence Hospital, Washington D.C.","Re: Hospital Evaluation Visits, Hook's evaluation of Atlantic City Medical Center, N.J.","Re: Hospital Evaluation Visits; Hook's evaluation of Jersey City Medical Center.","Re: Hospital Evaluation Visits; Hook's evaluation of Booth Memorial Medical Centery, Flushing, N. Y.","Re:Committees; Subcommittee to Review Special Evaluations (part of Committee to Evaluate Clinical Competence).","Re: Committees; Subcommitte on Humanism (part of committee to evaluate clinical competence - CECC) - Hook served on subcommittee and includes preliminary material to forming subcom.","Re: Committees; Subcommittees on Humanism including planning formation of subcommittees, many AN's on documents.","Re: Committees; Subcommittee on Humanism.","Re: Committees; Subcommittee on Humanism (planning formation of subcommittee).","Re: Committees; Subcommittee on Humanism (subcommittee meeting).","Re: Committees: Subcommittee on Humanism (subcommittee meeting).","Re: Committees; Subcommittee on Humanism (subcommittee meeting).","Re: Committees; Subcommittee on Humanism (April meeting).","Re: Committees; Subcommittee on Humanism (October meeting).","Re: Committees; Subcommittee on Humanism.","Re: Committees; Subcommittee on Humanism.","Re: Committees; Subcommittee on Humanism (MS describes experiences of a UVa patient).","Re: Committees; Subcommittee on Humanism (1985 Guide to Humanistic Qualities in the Internist, Hook in one of the authors).","Re: Committees; Subcommittee on Humanism.","Re: Committees; Subcommittee on Humanism (Humanism Guide).","Re: Conferences (Hook presentation on geriatrics).","Re: Conferences (Hook presentation on evaluation of humanism).","Re: Conferences (Hook comments on task force report).","Re: Report on Clinical Competence, Report on Committee on Standards of Excellence.","Re: Reports: Evaluation of Clinical Competence.","Re: Policies \u0026 Procedures, Evaluation of Clinical Competence, Evaluation of Residents.","Re: Hook's presentation on evaluation of noncognitive skills and clinical performance.","Re: Hook's election, participation in specific events.","Re: ACP course \"Recent Advances in Infectious Diseases\" at UVa. Newsclipping about Hook being elected governor of Virginia for ACP.","Re: ACP chapter in Virginia (regional meeting planning \u0026 program, course \"Current Concepts of Clinical Infectious Disease\").","Re: By-laws revision regarding UVa ACP membership, statement on in-patient respiratory care, programming, Hook's election as President, financing graduate medical education, practice abroad programs, relocation of ACP headquarters, report of Task Force on College Structure and Function, long-range planning.","Re: Hook's presidency, headquarters move, conference planning, meeting planning, ACP executive vice president search, graduate medical education.","Re: Hook's presidency, conference \u0026 meeting planning, funding graduate medical education, executive vice president search, primary care physicians within ACP.","Re: Hook's presidency, meeting planning, executive vice president search, funding of graduate medical education, Hook Senate testimony, Canadian ACP membership.","Re: Hook's presidency (and later), ACP delineation of responsibilities, support for general internal medicine and its protection by ACP, executive vice president search, medical infomatics, relations with other medical associations, conference planning, graduate medical education funding, ACP scholarships, translation of MKSAP into Japanese, Supreme Court decision on ACP tax question.","RE: Misc; nominations of Veldhuis for award.","Re: Membership fellowships.","Re: Medical faculty as clinicians, family practice residencies \u0026 clerkships, radon.","Re: Meeting, young clinical investigator award.","Re: Editorial Board of journal \"Animicrobial Agents \u0026 Chemotherapy\", \"Journal of Clinical Microbiology\" controversy, memberships.","Re: Membership, journals; editorial work, content.","Re: Relations between ASIM and American College of Physicians.","Re: Miscellaneous; AAMC agreement with Association of Professors of Medicine, houses staff remuneration, faculty practice survey, women in medicine program, work group on withholding physician's services, executive development seminar.","Re: Miscellaneous, mostly support of nominations for membership.","Re: UVa faculty nominations.","Re: Legislation affecting physicians; relations with other organizations; misc. business (Hook served on APM council 1977-1980; APM president 1981-82).","Re: Legistaion, meetings, council meeting items.","Re: Legislation, meetings, issues affecting internal medicine - Hook's presidency of APM.","Re: Legislation, issues affecting internal medicine, graduate medical education meetings - Hook's presidency of APM.","Re: Legislation, issues affecting internal medicine, meetings - Hook's presidency of APM.","Re: Legislation, issues affecting internal medicine, graduate medical eduction, APM functions and budget.","Re: Legislative issues - correspondence to and from congress members.","Re: Correspondence with legislators; Hook's Senate testimony on research funding.","Re: APM Task Force on Manpower Needs (Hook was a member).","Re: UVa departmental profile - UVa questionnaire results on internal medicine training program.","Re: Misc. issues relating to residency training, certification standards, meetings, membership.","Re: Hook's participation on Board grant appraisals.","Re: Hook presidency, relations with other associations, programming, guidelines for antimicrobial therapy.","Re: Hook presidency; guidelines for antimicrobial therapy, guidelines for training in infectious diseases, accreditation of conference by AMA.","Re: Miscellaneous business - programming, awards, Journal of Infectious Disease.","Re: Miscellaneous society business - Journal of Infectious Diseases, Hook's presidential address, \"The Evolution of the clinical subspecialist in Infectious Diseases,\" definition of membership, subspecialists.","Re: Meetings, selection of presentations.","Re: programs, unification of Medical Society with AMA.","Re: Meetings - minutes of meetings in which Hook participated.","Re: nomination of officers \u0026 members, Journal of Medical Sciences as official society publication, Founder's Award to Hook in 1985.","Re: Cooperative medical programs with Brazilian Universities, visit by Hook and Knorr.","Re: Hook's participation in conference.","Re: Family practice, physician shortage.","Re: ACP/ASIM collaboration; Medicare, primary care.","Re: Formation of VCIM - manpower study.","Re: History of program, meeting documents, reports.","Re: Meetings and reports.","Re: Meetings and reports.","Re: Meetings and reports, Hook-Shimao report on leprosy panel.","Re: Meetings and reports.","Re: Meeting and reports; Hook hepatitis panel review.","Re: Meetings and reports; including Hook cholera review report.","Re: Meetings and reports; Hook tuberculosis panel report.","Re: Meetings and reports.","Re: Meetings and reports; Hook report on malnutrition panel.","Re: Hook's reviews of minority scholars' research plans for RSJ Foundation, annual meeting documents.","Re: Board meetings, committee on the future of the Clinical Scholars Program.","Re: report by Committee on the Future of the Clinical Scholar's program - committee formed by Hook in 1979; he served as exofficio member - recommends that the program continue, article on the program's history.","RE: Conference and publication regarding development of guidelines for physicians in terminally ill cases.","Re: Conference and publication regarding physician's influence on the dying process.","Re: Preparation of a publication on physicians and hopelessly ill patients.","Re: Publication of an article in New England Journal of Medicine.","Re: \"Notes on Trip to Africa and Asia\" - described medical care, research, and socio-economic conditions; visits intended to survey possibilities of affiliation between an African hospital and Cornell Medical Center; visits facilities in Nigeria, Lagos, Ibadan, Johannesburg, Nairobi, Kampala, Entebbe, Tororo, Cairo, Karachi, Lahore, Calcutta, Bangkok, Hong Kong, \u0026 Tokyo.","Re: Notes on a Trip to South America\" - describes medical care, research, and socioeconomic conditions, visit intended to survey possibilities of affiliation between a South American hospital and Cornell Medical Center, visits to facilities in Bahia, Buenos Aires, Lima, Rio de Janeiro, \u0026 Santiago.","Re: Summary report 1964-1972, annual report 1964-1965.","Re: Annual Report 1963-1966, report of activities 1967-1969.","Re: Correspondence and related documents associated with Hook's visits to Brazil prior to establishment of the Cornell-Bahia program.","Re: Correspondence and related documents associated with Hook's service as head of the program, and subsequent role as consultant.","Re: Correspondence and related documents associated with Hook's role as consultant to the program.","Re: Part of application for funding to continue project that Hook helped to establish and run.","Re: Hook's participation in site visits to projects funded by NIH - NIAID (Title/contents pages only; instructed by NIAID not to retain reports.","Re: Commercial program offering medical seminars to Japanese physicians.","Re: Medical research done by Hook while in the army in Alabama.","Paper by Hook and Wagner: \"Resistance-Promoting Activity of Endotoxins and other Microbial Products\".","Re: Streptococcal infections - influenza, pulmonary infection program meeting.","Re: Salmonella research - outbreak at New York hospital.","Re: Salmonella research, publications, grants, antibiotics use in animal feed.","Re: \"Lectures, Talks, Remarks - Book 1, Edward W. Hook\" (removed from binder).","Re: \"Lectures, Talks, Remarks - Book 1, Edward W. Hook,\" continued (removed from binder); see folder 1 for table of contents.","Re: \"Lectures, Talks, Remarks - Book 1, Edward W. Hook,\" continued (removed from binder); see folder 1 for table of contents.","Re: \"Lectures, Talks, Remarks - Book II, Edward W. Hook\" (removed from binder).","Re: \"Health Care and the Medical School: Responsibilities and Responses\"; Convocation Address, American College of Physicians, \"On My Mind,\" Alpha Omega Alpha lecture; \"Research: A Chairman's Perspective\".","Re: Pacesetters of the American Image, Typhoid Fever and Other Salmonella Infections: Internal Medicine Grand Rounds; Medicare: A Strategy for Quality Assurance.","Re: Humanities in Medicine: Treatment for a Deficiency Disorder?; Comments at AOA Dinner, Medical College of Pennsylvania; same title for The Jeremiah Metzger Lecture given October 23, 1996 at American Clinical and Climatological Association meeting","Re: Presentation of the 1996 George M. Kober to Robert G. Petersdorf; Medical Education: New Challenges - New Directions; Presidents Address: Pacesetters of the American Image.","Re: Table of Contents and Chapters I-VII of the Leavell manuscript (removed from black leather binder).","Re: Professors of Medicine 1900-19 [Chapter VI?] (removed from black leather binder).","Re: Chapter: Subspecialty Divisions.","Re: Professors of Medicine 1900-19 [Chapter IX] (revised version).","Re: Revisions, additions to the Leavell manuscript - some by Hook.","Re: Revisions of, additions to Leavell manuscript.","Re: Correspondence and notes on the history of the department.","Re: Correspondence and notes on histories of departments.","Re: Correspondence and notes on histories of departments.","Re: Correspondence and notes on histories of departments.","Re: Correspondence and notes on histories of departments.","Re: Correspondence and notes on histories of departments.","Re: Manuscript by Fitzhugh on history of otolaryngology at UVa.","Re: Crispell's career as a faculty member at UVa (press releases), manuscript on Thomas Jefferson and medicine written by Crispell.","Re: Correspondence and press releases on Crockett's UVa career.","Re: Correspondence and notes on Blackford's UVa career.","Re: Correspondence and notes on Landis.","Re: Correspondence and notes by and about UVa physicians, including notes from interview with Dr. Thomas Hunter, also information about Hart and Mulholland.","Re: Swineford's UVa career, establishment of Swineford Allergy Fund and lectures.","Re: Correspondence and notes on history of house staff.","Re: A rewrite of Leavell's earlier text.","Re: Maricia Day Finney assists Leavell in re-writting his manuscript, included is re-worked Chapters 1-5 and 5 brief bios on key medical men at UVa.","Re: Contents relate to the Leavell's career at UVa, including his curriculum vitae, newpaper \u0026 journal clipplins, his participation in conferences, and an essay written on William C. Dabney.","Re: Leavell researches Virginian history, in particular Robert E. Lee.","Re: Recruitment of black faculty.","Re: AIDS cases, policies, \u0026 procedures at UVa hospital.","Re: AIDS cases, policy, \u0026 procedures at UVa hospital.","Re: UVa AIDS grant application.","Re: AIDS cases, policy, \u0026 procedures at UVa hospital.","Re: Personnel, facilities, residency program, conference, etc.","Re: Personnel, facilities, residencies, conference, etc.","Re: Personnel, patient visit statistics and surveys, space allocation, procedures, planning, administration, proposal for outpatient department, ambulatory surgery facility.","Re: Personnel, space allocation, patient surveys, productivity, procedures, third year ambulatory care rotation, reorganization, \u0026 conferences.","Re: Personnel, productivity, patient surveys, space allocation, ambulatory care education, \u0026 information manual.","Re: Personnel, residencies, teaching, patient care, \u0026 procedures.","Re: Grant proposal for Area Health Education Center.","Re: Documents fundraising attempts to solicit department chairs, includes thank you letters to contributors - Hook is chairman of the committee.","Re: Soliciting pharmaceutical companies for money to support UVa hopsital's art program - Hook is chairman of the committee.","Re: Soliciting funding for the arts program - Hook is chairman of the committee.","Re: The development of a program in the arts at UVA hospital, including prospectus and a document reviewing the minutes of the arts committee from 1988-1995 - Hook is chairman of the committee.","Re: The involvement of the Hospital Auxiliary in rotating art exhibits.","Re: Development of art program and acquisition of works of art, including the prospectus and art forms and also correspondence with various artists.","Re: Removed from a binder titled \"Medical Art\"; kept in its original order; contains purchases, invoices, and correspondences with artists.","Re: Removed from a binder titled, \"Medical Art\"; kept in its original order, contains purchases, invoices, and correspondences with artists.","Re: The development and operations of the Health Sciences Arts Committee.","Re: Correspondence with Ann Johanson, David M. Browne, and Ellen Driscoll.","Re: Miscellaneous business of the UVa hospital arts committee of which Hook is the chairman; formation of committee and proposed agenda, selection of artists, and other matters concerning placement of portraits and requesting art space.","Re: Miscellaneous business of Arts Committee for UVa hospital which Hook is the chairman, includes discussions of placement of flags, development of patient handbook, art storage and workroom, and continued membership of committee including Hook's farewell letter to committee.","Re: Selection of an art curator for arts program at UVa hospital.","Re: Continued membership and new members to the UVa hospitals Arts Committee.","Re: Results of questionnaire asking for people's opinions of artwork chosen by Arts Committee for UVa hospital.","Re: Autopsy guidelines, statistics, permission procedures.","Re: Statistics, report on Autopsy at UVa hospital, and recommendations.","Re: Litz, Culpeper Foundation, Pratt Awards.","Re: Residencies and clerkships, grant proposal, personnel, facilities, evaluation and planning.","Re: Classes, personnel.","Re: Department name change, hypertonic therapy, conference.","Re: Internal medicine resident coverage at Blue Ridge, space for geriatrics clinic, shift of adult rehabilitation services to Blue Ridge, problems with care for acute care patients at Blue Ridge, issues concerning space for Internal Medicine at new multi-story hospital.","Re: Proposed plan to build new hospital at Blue Ridge site; opposition by Internal Medicine Faculty.","Re: Development of bone marrow transplantation program at UVa; procedures.","Re: Establishment, development of cancer center at UVa; personnel, space, funding issues.","Re: Development of a comprehensive cancer program at UVa hospital.","Re: Personnel, staffing, patient care, funding, space allocation issues; procedures, history of division.","Re: Primarily contains 1982 correspondence with George A. Beller M.D., Head, Division of Cardiology but also includes Cardiovascular Research correspondence and information about the Hypertension Unit.","Re: 1983 correspondence primarily with Head, Division of Cardiology, George A. Beller, M.D.","Re: Primarily the 1984 correspondence with George A. Beller M.D., Head, Division of Cardiology.","Re: Primarily the 1985 correspondence with George A. Beller, Head, Department of Cardiology, including funding, personnel, and space issues.","Re: 1986 correspondence primarily with George A. Beller, Head, Division of Cardiology and includes inpatient and outpatient fees, wellness center, computer systems, cardiac catheterization reports, and a discussion on the Adenosine Program project.","Re: 1987 correspondence, primarily with George A. Bellers, Head, Division of Cardiology and includes discussions on introducing new technology, LBJ Family Foundation, Cardiac Rehabilitation program, cardiac catheterization laboratory, animal research, and marketing strategy in the Cardiology Division.","Re: Personnel, staffing, patient care, funding space allocation issues; procedures.","Re: personnel, staffing, patient care, space allocation issues; cardiology services for Martha Jefferson Hospital, finances.","Re: Personnel, finance, space allocation, staffing issues, cardiology services provided to Martha Jefferson Hospital.","Re: Personnel, finance, patient services, space allocation issues; cardiology services offered by UVa to Martha Jefferson Hospital; same day catheterization; angioplasty; possible relationship with Augusta Hospital.","Re: Establishment, use, scheduling of facility.","Re: Equipment malfunctions, increase in use and need for third lab, administration, patient scheduling.","Re: Development of cardiac rehabilitation program at Boar's Head Sports Club.","Re: Standards of care; funding; community program.","Re: Development of a mobile coronary care unit (establishment of guidelines); gift of Mrs. Lyndon Johnson to coronary care unit (July 2, 1973); renovations and equipment in CCU and admission and operational policies; CCU privileges; responsibilities of CCU residents.","Re: Center's advisory board; also a draft of Biomedical Ethics at the University of Virginia which includes 4 goals: Biomedical Ethics in the Medical School Curriculum, Ethics Consultation Service, Advanced Education in Clinical Ethics, and Outreach Programs","Re: Establishment of center; development of occupational medicine program, grant applications, personnel, contract with General Electric Co., Center Advisory committee meeting minutes.","Re: Minutes of advisory committee, funding \u0026 grant applications, occupational medicine, affiliation with UVa departments \u0026 schools, residency program in preventive medicine, CPDI brochure, planning report.","Re: Establishment, occupation of various Internal Medicine Chairs (Wood, Hunter, Janssen, Madge Jones, Nettie Marie Jones (Stone), Hook, and John Guerrant).","Re: Establishment, occupation of various chairs (Jordain, Leavell, Mulholland, Peters, Richardson-Vicks, Scripps, Trolinger).","Re: Establishment, occupation of Swineford chair.","Re: 1979 trip made by Hook as part of ACP delegation; subsequent visits by Chinese to University of Virginia, includes articles by Hook in Chinese.","Re: Evaluation of student \u0026 of physicians by students, content and structure of program, guidelines \u0026 procedures.","Re: Evaluation of students and of physicians by students, content, structure of program, personnel.","Re: Funding \u0026 finances, grants, personnel, space \u0026 equipment, Poison Control Center.","Re: Establishment of center, approval of research protocols, personnel, housestaff coverage, activities, location, grant funding.","Re: Critique, evaluation, improvement of internal medicine clerkship.","Re: Problems with new medical information system.","Re: Medical Center laboratory activities.","Re: Covers Hook's involvement in the curriculum committee at UVa's school of medicine, includes Hook's handwritten notes on committee agendas.","Re: Issues addressed by committee, minutes of meetings.","Re: Issues addressed by committee, meetings, minutes.","Re: Issues addressed by committee, meetings, minutes.","Re: Development of Ethics Committee, issues addressed, minutes of meetings.","Re: Discussion of UVa's policy on house staff \"moonlighting\" at other organizations.","Re: Items taken out of Hook's binder entitled, \"Confidential: Finance Committee, Department of Medicine\" - includes a report of the AdHoc Remunerations Committee, May 1975 and a Proposal for an incentive Plan of the Clinical Faculty of the University of Virginia School of Medicine.","Re : Hook chaired a committee to oversee fundraising campaigns; established the Friends of the Department of Medicine.","Re: Physicians participation in medicine, representation of Internal Medicine Department on the committee.","Re: Requests for topics to be considered by committee, including malpractice premiums, control of expenditures, salaries, funding, radiology charges.","Re: Problems with research protocols.","Re: Report of Dean Knorr's committee to renew department of internal medicine, and department member's response to report.","Re: Number of positions per department, salaries, financing, new residencies, etc.","Re: Number of positions per department, salaries, new residencies, applications, financing, etc.","Re: Number of positions per department, salaries, new residencies, applications, etc.","Re: Number of residents per department, primary care residents, applications, salary, budget, etc.","Re: Richard Guerrant chairs internship Advisory Committee.","Re: Response to JCAH criticism of floor labs at UVa.","Re: Activities of committee to address space requirements, renovation, acute bed shortage.","Re: Nursing shortage, pay differential","Re: Minutes of comm. discussing various operational communication issues in Internal Medicine Department.","Re: Meeting quality assurance, requirements of Joint Commission Accreditation.","Re: Admissions to school, naming of UVA hospital, faculty practice plan, items for agendas of meetings.","Re: Hook's position on tenure.","Re: Establishment, structure, policies of transplantation program at UVa.","Re: Documentation of planning and development of UVa's hospital.","Re: Incident involving breach of confidentiality \u0026 confidentiality policy.","Re: Guidelines for consultations, problems with consultations.","Re: Continuing education events by Department of Medicine.","Re: Changes in curriculum, clerkships, teaching effectiveness.","Re: Establishment of critical care, subspecialty at UVA, lack of critical care beds \u0026 establishment of a triage system.","Re: Required CPR training and problems with payment/charges.","Re: Diabetes Unit at Blue Ridge Hospital.","Re: Diabetes Unit at Blue Ridge Hospital.","Re: DRG reports for Department of Internal Medicine.","Re: Do Not Resuscitate Policy","Re: Concerns emergency room care while Hook was a professor of Internal Medicine and Chairman, Department of Medicine.","Re: Hook's involvement in ER administration including discussion on salaries, hiring faculty and faculties duties, triage policy, and security protection.","RE: Hook's involvement in ER administration including ER at Blue Ridge Hospital, development of health care facility at Lake Monticello, funding for 24 hour/7 day week faculty coverage, use of fellows as triage officers, GI bleeding, and budget concerns.","Re: Discussion includes the employee health clinic serving the entire medical center and themovement of clinic to new location.","Re: Hook's involvement in the department of endrocrinology and metabolism including discussions on the tenuous relationship between endrocrinology and the department of pediatrics, budget and space concerns, the use of fellows instead of physicians to treat patients, and \"competing\" labs in endrocrinology.","Re: Hook's involvement with the Department of Endocrinolgy and Metabolism including discussions about purchasing equipment, space and budget concerns, and problems with the diabetes unit.","Re: Hook's involvement with the Department of Epidemology, especiallyJack M. Gwalthey M.D., and includes discussion of HIV testing and ethics of testing blood of patients without patient identification.","Re: Hook and William G. Thurman initially serve as co-chairmen of this division.","Re: Hook's involvement of fundraising efforts for the Department of Internal Medicine including thank you's for gifts, possible financial contributors, and fundraising campaigns.","Re: Giving scholarships to students from disadvantaged backgrounds, in particular rural areas.","Re: Hook's involvement with dedicating a courtyard garden in honor of Elizabeth Brown Mulholland Gamble.","Hook's involvement with the Division of Gastroenterology, in particular department head, Richard McCallum.","Re: Meetings that Hook was mentioned or directly involved with.","Re: Primarily Hooks correspondence with Robert A. Reid, Primary Health Care, Ambulatory Division and includes handling and billing of ambulatory patients, primary care rotations, satellite clinic in Orange, and renovation of the primary care center.","Re: Issues and concerns concerning the Department of General Medicine headed by David Fedson, including patient cases \u0026 problems (one involving a racist patient), decline of patients in GMC, finances, GMC rotations and the activities of the primary care clinic.","Re: Non-profit medical center program in Gordonsville served by the Health Service Foundation.","Re: The medical center's branch in Orange.","Re: Issues and concerns of the Deparment of Geographic Medicine headed by Richard Guerrant.","Re: Development of the Department of Geriatrics headed by Richard Lindsay; includes a 1977 proposed plan for UVa geriatric plan and testimony given before the joint subcommittee on Aging, The General Assembly, 1979.","Re: Development in the Division of Geriatrics, including proposals, reports, and house bills.","Re: Development of programs for the elderly, including a 1979 manuscript, \"A Survey of Geriatric Medical and Nursing Education in the United States and Virginia.\"","Re: Hook wants Geriatric medicine at UVA Hospital to be viewed as the first server for elderly and desires an interdisciplinary approach.","RE: Hook's involvement in promoting Geriatrics in 1988; requesting funds from the state for UVa's geriatric efforts, trying to get School of Nursing and School of Medicine to work together, geriatrics \u0026 Blue Ridge (Homeward Bound House), and accreditation.","Re: Issues and concerns with the Division of Geriatrics including responsibilities of residents, plans for Nursing Home and Clinics, difficulties with the location of the Geriatric Clinics for the elderly patients, establishing the move of geriatrics Clinic to Blue Ridge, and assuming the space formerly occupied by the \"Pink Ladies Canteen.\"","Re: Details Hook's involvement in attempting to secure accreditation for a training program in geriatrics and includes their grant application. After it was withheld by ACGME in 1988 and 1989, Hook challenges their decision.","Re: Hook's involvement in discussing the possibility of a joint endeavor in the area of Alzheimer disease and long-term health care.","Re: Hook wants greater participation by the Department of Internal Medicine in the development of a home health care system.","Re: Documents include discussing the relationship between the School of Nursing and the Department of Geriatrics in establishing a Geriatrics/Rehabilitation Clinic at Blue Ridge Hospital. Includes in folder is a typed proposal and a typed manuscript, \"Teaching/Research Nursing Home,\" written by Richard Lindsay.","Re: Hook desires faculty involvement in developing a teaching nursing home at UVA.","Re: Working out the contract agreement between UVA Health Services Foundation and the Marriott for the UVA retirement community, the Colonnades.","Re: UVa Hospital is interested in a Shared Adult Home with the City of Charlottesville and JABA.","Re: Participation, speakers, and evaluations of Grand Rounds.","Re: UVa patient cases and discussion of disease and treatments in the grand rounds of the Department of Internal Medicine.","Re: Primarily Hook's correspondence with Donald J. Wright and Jules I. Levine concerning needs of the Medical Center.","Re: Hiring Robert Reynolds and securing office and bed space.","Re: Chiefly correspondence between Hook and Don E. Detmer, Vice President for Health Sciences and includes discussion about the medical center name change to Health Sciences Center and distribution of a generous gift by Madge Jones.","Re: Discussions about disability plan, department deficits, organization structures of UVa Health Services foundation \u0026 affiliated foundations \u0026 committee structure.","Re: Miscellaneous issues: Signing checks, professional fees policy, loan funding, retirement plans, billing from Health services, \u0026 classification of patients.","Re: Discussion about billing system of UVa hospital \u0026 foundation.","Re: Expenditures of Health Services funds.","Re: Munsey Wheby is a part of a committee to reevaluate the bylaws of the Health Services Foundation.","Re: Fringe benefits package for faculty such as life insurance, disability, and travel insurance. Included is a 1983 report of the Faculty Fringe Benefits Committee.","Re: Deals with a job description of Executive Director of the Foundation and Hewitt's Incentive Plan Design.","Re: Medical Malpractice.","Re: Evolution of malpractice insurance in UVa Hospital from in 1969 not all house staff covered by insurance to the premiums listed in 1990.","Re: Hook favors a helicopter system.","Re: Hook wants editors to identify staff's names and titles under photographs published in the Helix.","Re: Outline of needs establishing a Palliative Care Inpatient Program at Blue Ridge facility and concerns placing an oncology unit physically adjacent to a TB Unit.","Re: Hook's correspondence with Peter Quesenberry, Chief of Hematology/Oncology Division, includes concerns about clinical coverage, research development, finances, and space.","Re: Documents include how to fully utilize the Oncology department and includes documents relating to nurses handling anticarcinogenic medications.","Re: Documents include discussion about fellows, workshops, faculty appointments, and the importance of the bone marrow transplantation program.","Re: Discussions cover colorectal screening clinic, case information, handling pediatric marrow transplants, and funding for research.","Re: Decline in out-patient visits at Blue Ridge Hospital, summary outline of growth factor program project, and office and lab space issues.","Re: Future of oncology at Blue Ridge Hospital, new initiatives for hematology/oncology, filling faculty positions, and salary and space discussions.","Re: Peter Quesenberry, Professor and Chief Division of Hematology/Oncology addresses space needs, AIDS work at Blue Ridge, recruitment, and outpatient operation.","Re: Faculty appointments and funding issues, space issues for the Marrow Transplant Laboratory, patient surveys, patient case issues instigated by concerns raised by Hook, and financial concerns in the Division of Hematology and Oncology.","Re: Space issues including clinic overcrowding, contract between UVa Health Sciences Center and Rockingham Memorial Hospital, faculty promotion and salary raises, and \"code status\" of patients.","Re: Hook desires a hospice in the new hospital.","Re: Hook correspondence addresses fire safety in stairways, family lounges, bed availability, and the physical appearance of the building.","Re: Correspondence regarding updating bed needs of the institution and includes descriptions of bed allotments, charts, graphs, and statistics.","Re: Hook encourages the consolidation of the beds at Blue Ridge and UVA hospital; documents include a report entitled, \"Blue Ridge Hospital Report of the Tuberculosis Service Fiscal year 1982 July 1, 1981 - June 30, 1982.\"","RE: Bed utilization and clinical reports of admissions.","Re: Budget issues and concerns including graphs, charts and statistics of admissions, budgets, and actual costs.","Re: Hook submits proposals from the departments in Internal Medicine for the capital outlay budget for 1990-2000 in which department head details specific needs and wants for each department.","Re: Correspondence (mostly from the 1970s) includes discussions on overhead funds, professional fee schedules, funding for specific needs with the departments of Internal Medicine and for improvements in the facility, expense of long distance telephone calls, and fringe benefits for faculty.","Re: Includes \"Proposed 1970-1980 Capital Outlay Projections and Program\" and \"Planning Guidelines for the Ten-Year Capital Budget 1988-1998.\"","Re: Correspondence with John F. Harlan, Jr., Director, University of Virginia Hospital includes increasing residency programs, patient care and comfort, faculty appointments, and addition of beds.","Re: Correspondence mostly with John F. Harlan, Jr. Director, UVA Hospitals includes lack of storage, shortage of beds, patient care and amenities, visitor control, canceling and rescheduling patients, use of the Towers Hospital, and accreditation awards.","Re: Correspondence with John T. Ashley, Director, UVA Hospital, includes teaching funds, identification photographs, swing beds, cleaning, storage, and maintenance problems, and dissatisfaction with managerial process.","Re: Correspondence with John T. Ashley about home health care program, foundation to deliver patient care services outside the Hospitals, ambulatory internal medicine, prescription liability, subsidizing primary care practitioners, administrative duties, laboratory costs, maintaining quality services, and a grant proposal for General Electric Foundation.","Re: Hook's notes after a meeting with John T. Ashley who proposed cutting costs by 7 million dollars, loss of referral physicians, delinquent medical records, obtaining a pager, ambulatory care leadership, patient costs, and Blue Ridge Hospital.","Re: Topics include acquisition of a Gamma Unit, praise from a satisfied patient, problems with the Simon Paging System, Nephrology residents, and food and drink restriction policy.","Re: Obtaining admission lists, availability of beds, budget adjustments, enhancing revenue, removal of vending machines, difficulty of maintaining adequate amount of nurses, and the appointment of Michael J. Halseth as interim executive director.","Re: Surgical Transition Lounge, unlocked file cabinets, last pod on 8th floor, relationship between Augusta Hospital Corporation and UVA Hospital, additional residents, placement of directory signs, movement of departments, and various \"housekeeping items.\"","Re: Improving productivity and reducing costs throughout the hospital.","Re: Admissions, organizational charts, and lists of departments and managers by division, complaints by overcrowding, lack of cleanliness and inadequate patient care, discharge summaries, audit, and graphs and charts dealing with cash flow projections.","Re: Service-specific admission and patient days graphs, internal audit, revision of hospital organization, Biennial Evaluation and Planning Report 1986-1998, hospital nutrition center, surgical furlough policy, notification program, North 4 patient care unit, and space issues.","Re: 1958, \"We're Going to Have A New Hospital\"; \"New Hospital Dedicated, April 14, 1961\"; \"The Early Years of The University of Virginia Hospital: An Analysis of Patient's Records.\"","Re: Information collected through Hook's years for evaluation by Joint Commission on Accreditation of Hospitals; included is a 1981 recommendation for future compliance and 1990 Mock Survey for JCAHO.","Re: Hook comments in depth on the 1985 Hospital Long Range Plan.","Re: Correspondence regarding University of Virginia relationship between Veterans Administration Hospital, Salem, Virginia and Roanoke Memorial Hospital, Roanoke, Virginia.","Re: 1988 proposed agreement between Rockingham Memorial Hospital, Harrisonburg, Virginia and UVA Hospitals.","Re: The Towers were used as rehabilitation units in the early 1980's; by 1988 the University terminated the lease of the Towers.","Re: Development of the Extended Care Facility in the Towers which opened in the fall of 1971; concern about railroad noise, locating student health services in ECF, house staff coverage, transportation difficulties, the towers fee schedule, tower's statistics, laboratory space for Department of Pathology, and indigent care.","Re: Topics involving the Towers, such as stocking periodicals and textbooks about chronic diseases, organization of the Medical Services in CCF, house staff coverage, Family Practice Program involvement, transportation of patients, and relationship to endocrine laboratory.","Re: Documents include tower statistics for 1975 \u0026 1976. Hook also details difficulties in the operation of the Towers which include refusal of residents/staff to see patients, nursing shortage and small nursing station, dietary problems, transportation difficulties, inadequate procedural rooms, and use of patient lounges by staff.","Re: 3 hand-written documents about resident statistics and 4 manuscripts including \"Number of House Staff Trained at UVA Medical Center During the Past 20 Years\"; \"Proposed Plan for the Medical HouseStaff for 1971-72\"; \"Survey of House Staff Training at UVA\"; \"Graduates of UVA School Of Medicine\".","Re: Includes essays written by Hook and others dealing with medical issues in humanities and also evaluations of Hook's elective, \"Film, Literature, and the Visual Art: Images in Medicine\".","Re: Hook's course syllabus.","Re: Documents include the interview questions for nineteen sessions that Hook conducted with Dr. Thomas Hunter. (Tapes can be found in the Papers of Thomas Hunter, Historical Collections \u0026 Services.) Also included is excerpts from Hunter's diary.","Re: Correspondence primarily with Gerald L. Mandell, Head, Division of Infectious Diseases, included is Hook's biennial report for 1986.","Re: Correspondence with Mandell includes problems with the microbiology lab, funding issues, patient cases, recruitment of faculty, space demands, and purchasing of equipment.","Re: Aids Center, Lilly Research grant, and continued accreditation.","Re: Plans for a fellowship program.","Re: Primarily Hook's correspondence with Donald L. Kaiser, Head, Division of Information Sciences and Biostatistics. Discussions include the development of a medical information sciences department, recruitment of a biostatistician, purchasing of software programs, and budgetary support.","Re: A request for high-powered computing facilities is not seen necessary by many division heads. The department of information sciences is dissolved and renamed Division of Biostatistics under the director of Robert Abbott.","Re: Press releases about book published on Walter Reed, intestinal diseases in Brazil, Hook's honorary doctor of medical science degree, and an interview of Hook by the Medical Examiner.","Re: Proposal of plans for intensive care in the 1970s and the implementation of those plans.","Re: Status of MICU, the serious need for medical intensive care unit, census of patients in MICU, the opening of the MICU in the early 1980s, admission criteria and operational guidelines, patient cases and patient care. Hook corresponds primarily with C. Edward Rose, Jr, Director, MICU.","Re: Critical care topics include neonotal ICU, No code orders, lack of nurses, and utilizing MICU for stroke patients.","Re: Guidelines for obtaining consent to medical treatment.","Re: Fiscal reports of Internal medicine under Dr. William Parson.","Re: Fiscal report material for 1955-1956.","Re: Reports for fiscal year 1958, \u0026 1959-1960.","Re: Reports to the President from Internal medicine for the years 1961-1964.","Re: Reports of Internal Medicine for fiscal years 64-65.","Re: Annual Reports for 1966 \u0026 1967.","Re: 1968 annual report.","Re: Intern training and Director of Education in Internal Medicine at Martha Jefferson Hospital.","Re: Grant from Robert Wood Johnson Foundation for development of primary care program.","Re: Thank you from L.B.J.'s doctor for good treatment.","Re: Complaints about clinical laboratory, establishment of an advisory committee, confining budgetary and personnel constraints, 'stat' basis for laboratory work, and a 1979 \"Report in Regard to Clinical Laboratory Services at the University of Virginia Medical Center Charlottesville\".","Re: Minutes regarding laboratory fees, feasibility of maintaining \"floor\" laboratories, and renal labs.","Re: Includes a 1983 \"Report of the Outside Laboratory Utilization Task Force to the Medical Policy Committee\"; also discussions about sending specimens to outside laboratories.","Re: Hook strongly supported maintaining special laboratories within Internal Medicine; the hospital director, John Ashley, did not.","Re: Hook serves on the Albert Lasker Awards in Medical Journalism jury.","Re: Hook provides expert testimony.","Re: Hook asked to provide testimony.","Re: Hook provides expert testimony.","Re: Hook receives certificate for his contributions to MAAP (Medical Academic Advancement Program).","Re: Humanities in Medicine Course Syllabus, a course Hook taught.","Re: Course syllabus for Humanities in Medicine.","Re: Student Essays: \"What the Doctor Said, What the Doctor Did: Student Essays About Role Models for Medicine\".","Re: Course syllabus for Hook's June 1997 MAAP class.","Re: Hook established two advisory committees for the Medical Subspecialty Clinic, included are correspondence with committee members and meeting minutes.","Re: Patient care, pharmaceutical procedures, and MIS problems, deficiencies, and negotiations.","Re: Amount of beds needed, space assignments, nursing care, and utilization of MICU.","Re: Nursing coverage, patient care, and utilization of MICU beds.","Re: Includes a 1987 manuscript, \"Medical Record Completion Policy\".","Re: Correspondence is primarily about medicare.","Re: Utilization of clinics and need for ambulatory space.","Re: Correspondence with Gerald R. Donowitz about clerkships and rotation of third-year students.","Re: Nutrition space, postgraduate medical scientist training program, proposal for voluntary departmental critique service, and faculty research index.","Re: Hook delves into patient care by residents and resident positions.","Re: Includes \"Guidelines for Attending Physicians in Internal Medicine\", 1982 and a revised 1990 version, and results from a questionnaire on Inpatient Teaching.","Re: Hook chaired the 1986-1988 \"Biennial Evaluation and Planning Report Department of Medicine\".","Re: Billing problems, 1981 \"Memorandum of Understanding,\" raising of professional fees, and after hours services billing difficulties.","Re: Correspondence with division heads: scheduling of meetings and yearly divisional structure of the department of Medicine.","Re: Items relating to February 22, 1988 division head retreat.","Re: Faculty salaries, residents, \u0026 recruitment of minority faculty.","Re: Manuscript projects inpatient \u0026 outpatient services and program expansion and new program development for the UVa Hospital.","Re: Audits, increase in salaries, department contributing 15%, billing, budgets, overhead funds, and payment of facilities.","Re: Includes speech by Hook to Friends of the Department.","Re: Hook chaired meetings.","Re: Hook chaired some of the meetings.","Re: Proposals from Division Heads in Internal Medicine for new or expanded programs to be considered for funding by the Financial Planning Committee.","Re: Hook's correspondence regarding medical malpractice insurance.","Re: Department meeting about creation of major research institute.","Re: Hook solicits evaluations from department heads about the department of medicine.","Re: Correspondence with the Office of the dean with Acting Director, Dr. James T. Hamlin.","Re: 1972 Correspondence between Hook \u0026 the Dean of the Medical School.","Re: Discussion about format/structure of morning report.","Re: Discussion about combining neurological \u0026 neurosurgical service, patient cases, seeing Towers patients in the tower building, C-T program, and hiring personnel.","Re: Northridge facility.","Re: Correspondence primarily with John Jane, Chairman, Department of Neurological Surgery; discussion includes patient cases and medical student's training.","Re: Nuclear Magnetic Resonance.","Re: Teaching sessions for nursing students.","Re: Bed closure in Barringer, discussion over incorrect information in a brochure, nursing shortage and implications at UVa, and a report concerning the decentralization of the Department of Subsidiary Nursing.","Re: Describes the difficulty in obtaining nursing staff for ICU and other units.","Re: Correspondence discusses nursing concerns, charting vital signs, appointments, patient care and a manuscript about the\"Proposed University of Virginia Institute on Aging\".","Re: Hook acknowledges nursing staff during week of the nurse.","Re: Misc. minor issues.","Re: Meetings \u0026 memos regarding Hook's involvement on this task force. Included is the draft of \"The Report of the Organizational Culture Task Force\".","Re: Correspondence with Warren G. Stamp, Chairman, Dept. of Orthopedics.","Re: Commercializing your Innovations.","Re: Misc. pathology issues.","Re: 20 years of correspondence about department of pediatrics; including dialogue on care for handicapped teenagers, patients with cystic fibrosis, pediatric cardiology, and Children's Rehabilitation Center. Correspondence primarily with Robert M. Blizzard, Chair of Dept. of Pediatrics.","Re: Report: \"Development of an Adolescent Health Care Program at the University of Virginia Medical Center\".","Re: Hook is offered the position of Professor \u0026 Chairman of the Department of Internal Medicine; TD is Hook's notes on discussion about Medical Service. Includes \"Medical Alumni News Letter\" with a brief introduction","Re: Brief biographies about Hook, Hook's convocation address, and Hook's awards and certificates","Re: Included are Hook's typed personal reflections about his tenure as Chairman, Internal Medicine, a write-up for Who's Who in America, and a manuscript, \"Academic Practice and Clinical Research 1950s and 1960s\".","Re: Misc.","Re: Building issues.","Re: Appointments; closue physical therapy acute.","Re: Mis.","Re: Hippa.","Re: Hook disagrees with Dean Carey's proposal draft on a new practice plan regarding salaries.","Re: Preventive medicine residency program.","Re: Building policy of primary care, opening of the clinic, evaluation, and coordinating council meetings.","Re: Response to UVa School of Medicine to the State's need for more and better Primary Care physicians; included is the memo produced by primary care health forum.","Re: Expanding training in primary care.","Re: Faculty development project in clinical teaching.","Re: Policy Committee Meetings, financial practices.","Re: Committee meetings, included manuscript \"University of Virginia Clinic, Private Division Patient Billing System\".","Re: Name change of Private Clinic Building, manscript, \"University Hospital, Third Floor; Private Clinics\", by-laws of Private Clinic Division, and Medical Practice Plan, 1979.","Re: Financial concerns such as billing, fees, insurance and appointment of director.","Re: Statements of Revenue and Expenses, and CPD Policy Committee meeting minutes.","Re: Includes reports by Policy Committee on Promotions.","Re: Requirements for Psychology Students in '68-'69, discussion over admission of patients to Western State, sleep lab, staff additions and promotions, proposal for Division of Behavioral Medicine.","Re: Financial issues, appointment of Dudley F. Rochester as Head of Pulmonary Medicine, pulmonary rotation at Salem Veteran's Adminstration Hospital, long range planning, use of iron lung.","Re: Correspondence primarily with Dudley F. Rochester, Head Pulmonary-Allergy Division, Rochester's 1979 report \"The Infectiousness of Tuberculosis: Guideline's for Policy at Blue Ridge Hospital\", a 1986 \"Proposal for Program Activity at Blue Ridge Hospital\", recruitment of an allergist, space concerns, sleep apnea laboratory, bronchoscopy facilities.","Re: Ventilator-dependent patients, development of Critical Care Program, long range financial support, research sleep disorder laboratory, MICU admissions policy, name change to Division of Pulmonary and Critical Medicine, lung transplants.","Re: Development of a unit to care for patients requiring long-term respiratory care.","Re: Development of a sleep laboratory, includes project investigation report.","Re: Billing, hours, residents, patient cases, and grand rounds.","Re: Expansion of Rehabilitation Services at Blue Ridge Hospital to include rehab and psychiatric facility, and an expanded alcohol \u0026 drug abuse facility.","Re: Hook identifies areas for improvement in the physical areas of the department.","Re: Hook deals with a multitude of space and laboratory demands; includes a 1970 proposal for Hook's office area renovation.","RE: 1976 project needs and report to develop the East Wing of hospital.","Re: Department of Nursing and Medicine propose changes in the facility to better meet the needs of patients.","Re: Correspondence primarily with Frederic B. Westervelt, Jr., project report from '65-'66, spacing and financial concerns of renal unit, dialysis fees, and staff positions.","Re: Correspondence primarily with Frederic B. Westervelt, Division of Renal Medicine, transplant unit, patient cases, salary plans, dialysis services.","Re: Correspondence chiefly with W. Kline Bolton, Head, Division of Nephrology, department name change, vision for department, renal transplant program.","Re: Establishing transplant unit, department meetings, renal laboratory, financial concerns, pediatric ICU, Luray Cavern's gift.","Re: Renal Chemistry Lab, bed allocations, sterilizing water supply.","Re: Organ transplants, water sterilization, dialysis equipment, ambulatory dialysis facilities.","Re: Space usage in replacement Hospital, manuscript is the \"Relocation Plan\", Dedication program","Re: Manuscript \"Report of the Visiting Committee on Research in Science to the University of Virginia, March 19-21, 1981\" and \"Research Portion of Institutional Self-Study.\"","Re: Documents detail residents responsibilities.","Re: Clinical Evaluation for Internal Medicine Board Examination and correspondence related to Committee on Clinical Competence.","Re: Residents taking research electives in other divisions.","Re:Statistice \u0026 information regarding residents.","Re: Guidelines for Attending physicians, resident support system, appointments, resident workload, childcare for house staff.","Re: Electives, requirements for training, decline in student's interest (nationwide) in Internal Medicine, accreditation.","Re: Prospectus for Respiratory Care Unit, 1968, Outline for protocol, purchase of equipment, respiratory inadequacies in MICU in 1980s.","Re: Correspondence with John S. Davis, IV, head of the Division of Rheumatology, includes yearly status reports, finances, fellowships, staffing, report on the Arthritis Rehabilitation Unit.","Re: Correspondence with John S. Davis, IV, head of the Division of Rheumatology, includes patient visits, faculty, patient care, Center for Arthritis and Lower Back Pain, yearly status reports.","Re: Hook's correspondence with James W. Craig, M.D.","Re: Hook's 1973 correspondence with William R. Drucker, M.D.","Re: Hook's 1974 correspondence with William R. Drucker, M.D.","Re: Hook's 1975 correspondence with William R. Drucker, M.D.","Re: Hook's 1976 correspondence with William R. Drucker, M.D.","Re: Hook's 1977 correspondence with William R. Drucker, M.D. and his successor Norman J. Knorr, M.D.","Re: Hook's 1978 correspondence with Norman J. Knorr, M.D.","Re: Hook's detailed notes on meetings with Robert M. Carey.","Re: Hook's detailed notes on meetings with Robert M. Carey.","Re: Hook is the chairman of the committee who wrote this report, \"Staffing Plan: 1975-1980\".","Re: Divisions within the Department of Internal Medicine make future projections, included is a 1976 Report by William R. Drucker, M.D. titled, \"Academic Planning Schools of Medicine, University of Virginia\".","Re: Comprehensive evaluation of the Department of Internal Medicine, 1981","Re: Evaluation of Resources and Programs, Department of Internal Medicine.","Re: Hook's involvement in sensitivity testing for a new synthetic antibiotic, staphcillin.","Re: Hook's correspondence with the Director of Student Health, James L. Camp II, M.D. and his successor , Richard P. Keeling, M.D.","Re: Hook's correspondence about student clerkships, evaluations, and test scores.","Re: Student clerckships, evaluations, grading system, and a student study, \"Assessing Rapport in the Tertiary Care Setting.\"","Re: Hook's correspondence with UVa's president's office - name suggestions for committees and UVa President.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Stethoscope used by Dr. Edward W. Hook.","Stethoscope used by Dr. Edward W. Hook.","The Lumica Sprague Rapport Stethoscope is advertised as 5 stethoscopes in one.","Film produced by the National Audiovisual Center, Washington, D.C. 20409","Discussion of Warner's Syndrome by Dr. Hook.","Glass tube with glass stopper and a plastic valve.","Edward and Jessie Hook had a son named Robert (Randy) Hook who died in 2005","Incudes recognition from the American Society for Microbiology, the American College of Physicians, the Association of Professors of Medicine, UVA Department of Medicine, Minority Medical Education at UVA, University of Hawaii, Medical Academic Advancement Program.","Includes a Christmas poem from staff, \"The Saga of Endicott U. or Why Dean Hook Needs a Consultant or Two\" by William D. Mayer, Mushrooms by Omar Hook and \"Ode to Ed Hook\" by Buck Crockett","Includes photo of Munsey Wheby, Walker Smalley, Nicholas Gemma and Hook","The annual calendars have one space for each day. They also have a number of notes written on the back side.","Includes Remarks for the Decoration of Late Dr Hook from the Janpan Anti-Tuberculosis Association, A Genealogy in Humanistic Medicine Dedicated to Edward W. Hook, Jr., by David W. Markham, a cablegram from Ministry of Health and Welfare (Japan), and tributes to Dr. Eward W. Hook, Jr. by Robert M. Carey and also Marcia Day Childress in \"Medical AlumNews,\" Spring 1999.","Possibly for celebration honoring Hook for service as Chair of Department of Medicine due to last date on paper being 5/25 and his celebration was May 26, 1990","Memorial program, tributes, obituaries, newsclippings, and correspondence of Marcia Day Childress reltated to Hook's death and memorial service.","Includes US Japan Cooperative Medical Science Program medal and paperweight; Johns Hopkins Society of Scholars medallion; American Journal of Medicine coaster; UVA extraordinarily elaborate boxed invitation to fund-raising events; UVA Department of Internal Medicine tie tacks; UVA medallions commemorating new hospital; UVA Lawn Society paperweight; American College of Physicians medallion, pewter cup, silver cup, and medallion; Southern Society for Clinical Investigation medallion; ABIM paperweight case (no paperweight); Institute of Medicine paperweight; and a  display stand. Also included are certificates from American Osler Society, Georgia State Board of Medical Examiners, Maryland State Board of Medical Examiners, Sigma Alpha Epsilon, American Board of Internal Medicine, Grady Hospital, and Johns Hopkins Society of Scholars.","Some use restrictions may apply.","Claude Moore Health Sciences Library","English"],"unitid_tesim":["MS-18","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/171"],"normalized_title_ssm":["Edward Watson Hook, Jr. papers"],"collection_title_tesim":["Edward Watson Hook, Jr. papers"],"collection_ssim":["Edward Watson Hook, Jr. papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["Some use restrictions may apply."],"acqinfo_ssim":["The papers were acquired from the Program of Humanities in Medicine at the University of Virginia School of Medicine. Career related memorabilia, including certificates, photographs, plaques and paperweights were donated by Dr. Hook's daughters on March 10, 2016. Additional materials were transferred to Historical Collections by Marcia Childress on November 9, 1019."],"has_online_content_ssim":["false"],"physdesc_tesim":["22 linear feet containing 43 boxes: 13 cm x 39.5 cm x 26.5 cm, and 1 artifact box: 46 cm x 39.5 cm x 8 cm. Processed materials total 12,305 items. Additional 2 linear feet containing 2 boxes: 13 cm x 39.5 cm x 26.5 cm, and 1 artifact box 40 cm x 32 cm x 27. After the completion of additions processed in 2019, the collection contains 47 boxes."],"extent_ssm":["19.45 Linear Feet"],"extent_tesim":["19.45 Linear Feet"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eAccess may be partially restricted to some materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Access may be partially restricted to some materials."],"arrangement_html_tesm":["\u003cp\u003e\nSeries Description: This collection is organized into five principal series, as follows: 1.) Professional Organizations \u0026amp; Activities (9 boxes). 2.) Lectures \u0026amp; Presentations (1 box). 3.) History of UVa Department of Medicine, by Byrd S. Leavell (2 boxes). 4.) Office Files, alphabetically arranged (28 boxes). 5.) Photographs \u0026amp; Artifacts (4 boxes).\n\u003c/p\u003e","\u003cp\u003e\nA sixth series containing mainly photographs and artifacts was added in October 2019. These two boxes are arranged by photographs and then by date. The materials accessioned in November 2019 were added to the sixth series by date. Items in this container were added to the end of Box 46 or filed in earlier boxes as appropriate. Duplicates were discarded.\n\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["\nSeries Description: This collection is organized into five principal series, as follows: 1.) Professional Organizations \u0026 Activities (9 boxes). 2.) Lectures \u0026 Presentations (1 box). 3.) History of UVa Department of Medicine, by Byrd S. Leavell (2 boxes). 4.) Office Files, alphabetically arranged (28 boxes). 5.) Photographs \u0026 Artifacts (4 boxes).\n","\nA sixth series containing mainly photographs and artifacts was added in October 2019. These two boxes are arranged by photographs and then by date. The materials accessioned in November 2019 were added to the sixth series by date. Items in this container were added to the end of Box 46 or filed in earlier boxes as appropriate. Duplicates were discarded.\n"],"bioghist_html_tesm":["\u003cp\u003e\nEdward Watson Hook, Jr. was born in Sumter, South Carolina on August 10, 1924. He was the only child of school teacher parents. He obtained a B.S. degree from Wofford College in Spartanburg, South Carolina and then attended Yale University as a participant in the U.S. Army Specialized Training program. He received an M.D. degree from Emory School of Medicine in Atlanta, Georgia in 1949. He served his internship at University Hospital in Minneapolis, Minnesota and was an assistant resident and chief resident in medicine at Grady Memorial Hospital in Atlanta, Georgia. From 1951 to 1953 he served in the U.S. Army Medical Corps. He taught medicine at Emory University and Johns Hopkins University before becoming the Head of the Division of Infectious Disease at Cornell University Medical College in New York in July 1959. In 1966, Hook was a visiting professor at the University of Bahia School of Medicine in Salvador, Brazil. In 1969 he was appointed Henry B. Mulholland Professor of Internal Medicine at the University of Virginia and chaired the department for 21 years. In 1996 Hook was presented with the Thomas Jefferson Award, the highest award given at the University of Virginia. Hook married Jessie Dale Thurecht on June 14, 1949. They had four children, Edward W. III, Susan Dale, Margaret Jane, and Robert Randall. Hook died unexpectedly of a coronary blood clot on October 5, 1998 at the age of 74.\n\u003c/p\u003e","\u003cp\u003e\nDr. Hook was involved in a great many organizations and endeavors outside of UVA. He took a leading role in several specialty and subspecialty societies and in organizations concerned with physician education and training. Hook was president of the Infectious Diseases Society of America during 1975-76, was chair of the Board of Scientific Counselors of the National Institute of Allergy and Infectious Diseases, was a charter member of the editorial board of Antimicrobial Agents and Chemotherapy, and was a chair of the board of directors of the Robert Wood Johnson Foundation Clinical Scholars Program from 1978 to 1988. A former president of the Association of Professors of Medicine, Dr. Hook served on the American Board of Internal Medicine from 1979 to 1987 and chaired its committee on the Evaluation of Clinical Competence.\n\u003c/p\u003e","\u003cp\u003e\nA fellow of the American College of Physicians (ACP) since 1962 and its president in 1985, Dr. Hook also served as the College's governor in Virginia and on its board of regents. He visited the People's Republic of China in 1979 as a member of the ACP's first teaching delegation to that country. Hook authored over 130 publications. He received distinction early in his career for his research on the pathogenesis of salmonella and other intestinal infections.\n\u003c/p\u003e","\u003cp\u003e\nAdministration duties of running Internal Medicine took up the bulk of Hook's professional time. During his years as chairman, he built up the department of internal medicine, recruited highly trained division leaders, and initiated several programs that benefited the School of Medicine. In 1969 he founded an international health exchange program with the Federal University of Ceará in Brazil. He also developed and led UVa's hospital ethics committee. He began a primary care residency program in medicine and started a faculty-teaching practice program in Orange County. During the 1970s and 80s, Hook was a national leader in internal-medicine manpower, clinical skills evaluation, and the fostering of humanitarian attributes among physicians. Hook was keenly interested in teaching medical students.\n\u003c/p\u003e","\u003cp\u003e\nAfter retiring from the chair of the department in 1990, Hook founded the humanities in medicine program. This program offered talks, concerts, and short courses for medical students. He also helped lead the Medical Center Hour, a weekly conference covering health issues. Hook was also chair of the Arts program which used art work to beautify the hospital.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\nEdward Watson Hook, Jr. was born in Sumter, South Carolina on August 10, 1924. He was the only child of school teacher parents. He obtained a B.S. degree from Wofford College in Spartanburg, South Carolina and then attended Yale University as a participant in the U.S. Army Specialized Training program. He received an M.D. degree from Emory School of Medicine in Atlanta, Georgia in 1949. He served his internship at University Hospital in Minneapolis, Minnesota and was an assistant resident and chief resident in medicine at Grady Memorial Hospital in Atlanta, Georgia. From 1951 to 1953 he served in the U.S. Army Medical Corps. He taught medicine at Emory University and Johns Hopkins University before becoming the Head of the Division of Infectious Disease at Cornell University Medical College in New York in July 1959. In 1966, Hook was a visiting professor at the University of Bahia School of Medicine in Salvador, Brazil. In 1969 he was appointed Henry B. Mulholland Professor of Internal Medicine at the University of Virginia and chaired the department for 21 years. In 1996 Hook was presented with the Thomas Jefferson Award, the highest award given at the University of Virginia. Hook married Jessie Dale Thurecht on June 14, 1949. They had four children, Edward W. III, Susan Dale, Margaret Jane, and Robert Randall. Hook died unexpectedly of a coronary blood clot on October 5, 1998 at the age of 74.\n","\nDr. Hook was involved in a great many organizations and endeavors outside of UVA. He took a leading role in several specialty and subspecialty societies and in organizations concerned with physician education and training. Hook was president of the Infectious Diseases Society of America during 1975-76, was chair of the Board of Scientific Counselors of the National Institute of Allergy and Infectious Diseases, was a charter member of the editorial board of Antimicrobial Agents and Chemotherapy, and was a chair of the board of directors of the Robert Wood Johnson Foundation Clinical Scholars Program from 1978 to 1988. A former president of the Association of Professors of Medicine, Dr. Hook served on the American Board of Internal Medicine from 1979 to 1987 and chaired its committee on the Evaluation of Clinical Competence.\n","\nA fellow of the American College of Physicians (ACP) since 1962 and its president in 1985, Dr. Hook also served as the College's governor in Virginia and on its board of regents. He visited the People's Republic of China in 1979 as a member of the ACP's first teaching delegation to that country. Hook authored over 130 publications. He received distinction early in his career for his research on the pathogenesis of salmonella and other intestinal infections.\n","\nAdministration duties of running Internal Medicine took up the bulk of Hook's professional time. During his years as chairman, he built up the department of internal medicine, recruited highly trained division leaders, and initiated several programs that benefited the School of Medicine. In 1969 he founded an international health exchange program with the Federal University of Ceará in Brazil. He also developed and led UVa's hospital ethics committee. He began a primary care residency program in medicine and started a faculty-teaching practice program in Orange County. During the 1970s and 80s, Hook was a national leader in internal-medicine manpower, clinical skills evaluation, and the fostering of humanitarian attributes among physicians. Hook was keenly interested in teaching medical students.\n","\nAfter retiring from the chair of the department in 1990, Hook founded the humanities in medicine program. This program offered talks, concerts, and short courses for medical students. He also helped lead the Medical Center Hour, a weekly conference covering health issues. Hook was also chair of the Arts program which used art work to beautify the hospital.\n"],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by: \u003c/label\u003e\n        \u003citem\u003eSusan Swasta and Sara Huyser, Historical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Processed by:  Susan Swasta and Sara Huyser, Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eThe Edward Watson Hook, Jr. Papers, 1947-1998,  #MS-18, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e"],"prefercite_tesim":["The Edward Watson Hook, Jr. Papers, 1947-1998,  #MS-18, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"processinfo_html_tesm":["\u003cp\u003eDuplicates found in the additional boxes donated in 2016 and 2019 were not processed into the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Duplicates found in the additional boxes donated in 2016 and 2019 were not processed into the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eSee photos from this event in Hook Box 04, Folders 002-011.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["See photos from this event in Hook Box 04, Folders 002-011."],"scopecontent_html_tesm":["\u003cp\u003eThe Edward Watson Hook papers reflect his wide-ranging professional activities related to heading the Department of Internal Medicine, participating in the larger Health System/University processes, and pursuing his own research and external activities. The documents detail Hook's direct personal participation in professional organizations and also show the wide range of details he coordinated in running the department of internal medicine. A noteworthy aspect of the collection includes an unpublished History of the Department of Medicine written by Byrd Leavell. Hook read and critiqued the manuscript, but Leavell died before completing the book. Also, Hook conducted a series of interviews with Thomas H. Hunter which complement with the Thomas H. Hunter papers, MS-4, Claude Moore Health Sciences Library.\u003c/p\u003e","\u003cp\u003eRe: Hook Service on Panel - UVa accreditation.\u003c/p\u003e","\u003cp\u003eRe: Examinations.\u003c/p\u003e","\u003cp\u003eRe: Correspondence and related documents; related to Hook's UVa chairmanship.\u003c/p\u003e","\u003cp\u003eRe: UVa related.\u003c/p\u003e","\u003cp\u003eRe: UVa related; some documents have Hook's AN's.\u003c/p\u003e","\u003cp\u003eRe: UVa related.\u003c/p\u003e","\u003cp\u003eUVa Related.\u003c/p\u003e","\u003cp\u003eRe: UVa Related.\u003c/p\u003e","\u003cp\u003eRe: UVa related; many documents have AN's by Hook.\u003c/p\u003e","\u003cp\u003eRe: UVa related.\u003c/p\u003e","\u003cp\u003eRe: UVa related.\u003c/p\u003e","\u003cp\u003eRe: UVa related.\u003c/p\u003e","\u003cp\u003eRe: UVa related.\u003c/p\u003e","\u003cp\u003eRe: Correspondence and related documents; related to Hook's membership of the Board of Governors. Also, meeting schedules are included.\u003c/p\u003e","\u003cp\u003eRe: Nominations, committee appointments - related to the Board of Governors.\u003c/p\u003e","\u003cp\u003eRe: Board of Governors related.\u003c/p\u003e","\u003cp\u003eRe: Board of Governors related.\u003c/p\u003e","\u003cp\u003eRe: Board of Governors related.\u003c/p\u003e","\u003cp\u003eRe: Board of Governors related; misc., including clinical judgment pretest content.\u003c/p\u003e","\u003cp\u003eRe: Board of Governors related.\u003c/p\u003e","\u003cp\u003eRe: Board of Governors related.\u003c/p\u003e","\u003cp\u003eRe: Board of Governors related; misc., including evaluation of procedural skills of residents.\u003c/p\u003e","\u003cp\u003eRe: Board of Governors related, misc, including evaluating procedural skills of residents.\u003c/p\u003e","\u003cp\u003eRe: Board of Governors related; committee appointments.\u003c/p\u003e","\u003cp\u003eRe: Board of Governors related; misc., including membership nominations, PMP evaluations.\u003c/p\u003e","\u003cp\u003eRe: Board of Governors related, misc, including certification standards, rating humanistic qualities.\u003c/p\u003e","\u003cp\u003eRe: Board of Governors related.\u003c/p\u003e","\u003cp\u003eRe: Board of Governors related.\u003c/p\u003e","\u003cp\u003eRe: Board of Governors related.\u003c/p\u003e","\u003cp\u003eRe: Board of Governors.\u003c/p\u003e","\u003cp\u003eRe: Committees: CECC (Committee to Evaluate Clinical Competence).\u003c/p\u003e","\u003cp\u003eRe: Committees: CECC \u0026amp; Subcommittee to Standardize Programs of Evaluation of Clinical Competence at the Local Level (SSPECCLL).\u003c/p\u003e","\u003cp\u003eRe: Committees; CECC and SSPECCLL.\u003c/p\u003e","\u003cp\u003eRe: Committees; CECC and SSPECCLL.\u003c/p\u003e","\u003cp\u003eRe: Committees; CECC and SSPECCLL.\u003c/p\u003e","\u003cp\u003eRe: Committees; CECC and Subcommittee to Review Special Evaluations.\u003c/p\u003e","\u003cp\u003eRe: Committees; CECC and SSPECCLL.\u003c/p\u003e","\u003cp\u003eRe: Committees; CECC and SSPECCLL.\u003c/p\u003e","\u003cp\u003eRe: Committees: CECC, SSPECLL, misc, including history of CECC, 1970-1987.\u003c/p\u003e","\u003cp\u003eRe: Committees; CECC - Advisory committee to CECC (includes Clinical competence and Hospital visit programs, history of CECC and Hook's involvement).\u003c/p\u003e","\u003cp\u003eRe: Committees; subcommittee on hospital visit program (part of CECC), includes Hook's AN's on program.\u003c/p\u003e","\u003cp\u003eRe: Hospital Evaluation visits, including Hook's report on Louisiana State University Medical Center visit.\u003c/p\u003e","\u003cp\u003eRe: Hospital Evaluation Visits, including Hook's evaluation of Ochsner Medical Foundation, New Orleans.\u003c/p\u003e","\u003cp\u003eRe: Hospital Evaluation Visits, Hook's evaluation of University of South Florida affiliated Hospitals.\u003c/p\u003e","\u003cp\u003eRe: Hospital Evaluation Visits, Hook's evaluation of St. Elizabeth's Hospital, Elizabeth, NJ.\u003c/p\u003e","\u003cp\u003eRe: Hospital Evaluation Visits, Hook's evaluation of University of Miami/Jackson Memorial Medical Center.\u003c/p\u003e","\u003cp\u003eRe: Hospital Evaluation Visits, Hook's evaluation of Orlando Regional Medical Center, Florida.\u003c/p\u003e","\u003cp\u003eRe: Hospital Evaluation Visits, Hook's evaluation of Providence Hospital, Washington D.C.\u003c/p\u003e","\u003cp\u003eRe: Hospital Evaluation Visits, Hook's evaluation of Atlantic City Medical Center, N.J.\u003c/p\u003e","\u003cp\u003eRe: Hospital Evaluation Visits; Hook's evaluation of Jersey City Medical Center.\u003c/p\u003e","\u003cp\u003eRe: Hospital Evaluation Visits; Hook's evaluation of Booth Memorial Medical Centery, Flushing, N. Y.\u003c/p\u003e","\u003cp\u003eRe:Committees; Subcommittee to Review Special Evaluations (part of Committee to Evaluate Clinical Competence).\u003c/p\u003e","\u003cp\u003eRe: Committees; Subcommitte on Humanism (part of committee to evaluate clinical competence - CECC) - Hook served on subcommittee and includes preliminary material to forming subcom.\u003c/p\u003e","\u003cp\u003eRe: Committees; Subcommittees on Humanism including planning formation of subcommittees, many AN's on documents.\u003c/p\u003e","\u003cp\u003eRe: Committees; Subcommittee on Humanism.\u003c/p\u003e","\u003cp\u003eRe: Committees; Subcommittee on Humanism (planning formation of subcommittee).\u003c/p\u003e","\u003cp\u003eRe: Committees; Subcommittee on Humanism (subcommittee meeting).\u003c/p\u003e","\u003cp\u003eRe: Committees: Subcommittee on Humanism (subcommittee meeting).\u003c/p\u003e","\u003cp\u003eRe: Committees; Subcommittee on Humanism (subcommittee meeting).\u003c/p\u003e","\u003cp\u003eRe: Committees; Subcommittee on Humanism (April meeting).\u003c/p\u003e","\u003cp\u003eRe: Committees; Subcommittee on Humanism (October meeting).\u003c/p\u003e","\u003cp\u003eRe: Committees; Subcommittee on Humanism.\u003c/p\u003e","\u003cp\u003eRe: Committees; Subcommittee on Humanism.\u003c/p\u003e","\u003cp\u003eRe: Committees; Subcommittee on Humanism (MS describes experiences of a UVa patient).\u003c/p\u003e","\u003cp\u003eRe: Committees; Subcommittee on Humanism (1985 Guide to Humanistic Qualities in the Internist, Hook in one of the authors).\u003c/p\u003e","\u003cp\u003eRe: Committees; Subcommittee on Humanism.\u003c/p\u003e","\u003cp\u003eRe: Committees; Subcommittee on Humanism (Humanism Guide).\u003c/p\u003e","\u003cp\u003eRe: Conferences (Hook presentation on geriatrics).\u003c/p\u003e","\u003cp\u003eRe: Conferences (Hook presentation on evaluation of humanism).\u003c/p\u003e","\u003cp\u003eRe: Conferences (Hook comments on task force report).\u003c/p\u003e","\u003cp\u003eRe: Report on Clinical Competence, Report on Committee on Standards of Excellence.\u003c/p\u003e","\u003cp\u003eRe: Reports: Evaluation of Clinical Competence.\u003c/p\u003e","\u003cp\u003eRe: Policies \u0026amp; Procedures, Evaluation of Clinical Competence, Evaluation of Residents.\u003c/p\u003e","\u003cp\u003eRe: Hook's presentation on evaluation of noncognitive skills and clinical performance.\u003c/p\u003e","\u003cp\u003eRe: Hook's election, participation in specific events.\u003c/p\u003e","\u003cp\u003eRe: ACP course \"Recent Advances in Infectious Diseases\" at UVa. Newsclipping about Hook being elected governor of Virginia for ACP.\u003c/p\u003e","\u003cp\u003eRe: ACP chapter in Virginia (regional meeting planning \u0026amp; program, course \"Current Concepts of Clinical Infectious Disease\").\u003c/p\u003e","\u003cp\u003eRe: By-laws revision regarding UVa ACP membership, statement on in-patient respiratory care, programming, Hook's election as President, financing graduate medical education, practice abroad programs, relocation of ACP headquarters, report of Task Force on College Structure and Function, long-range planning.\u003c/p\u003e","\u003cp\u003eRe: Hook's presidency, headquarters move, conference planning, meeting planning, ACP executive vice president search, graduate medical education.\u003c/p\u003e","\u003cp\u003eRe: Hook's presidency, conference \u0026amp; meeting planning, funding graduate medical education, executive vice president search, primary care physicians within ACP.\u003c/p\u003e","\u003cp\u003eRe: Hook's presidency, meeting planning, executive vice president search, funding of graduate medical education, Hook Senate testimony, Canadian ACP membership.\u003c/p\u003e","\u003cp\u003eRe: Hook's presidency (and later), ACP delineation of responsibilities, support for general internal medicine and its protection by ACP, executive vice president search, medical infomatics, relations with other medical associations, conference planning, graduate medical education funding, ACP scholarships, translation of MKSAP into Japanese, Supreme Court decision on ACP tax question.\u003c/p\u003e","\u003cp\u003eRE: Misc; nominations of Veldhuis for award.\u003c/p\u003e","\u003cp\u003eRe: Membership fellowships.\u003c/p\u003e","\u003cp\u003eRe: Medical faculty as clinicians, family practice residencies \u0026amp; clerkships, radon.\u003c/p\u003e","\u003cp\u003eRe: Meeting, young clinical investigator award.\u003c/p\u003e","\u003cp\u003eRe: Editorial Board of journal \"Animicrobial Agents \u0026amp; Chemotherapy\", \"Journal of Clinical Microbiology\" controversy, memberships.\u003c/p\u003e","\u003cp\u003eRe: Membership, journals; editorial work, content.\u003c/p\u003e","\u003cp\u003eRe: Relations between ASIM and American College of Physicians.\u003c/p\u003e","\u003cp\u003eRe: Miscellaneous; AAMC agreement with Association of Professors of Medicine, houses staff remuneration, faculty practice survey, women in medicine program, work group on withholding physician's services, executive development seminar.\u003c/p\u003e","\u003cp\u003eRe: Miscellaneous, mostly support of nominations for membership.\u003c/p\u003e","\u003cp\u003eRe: UVa faculty nominations.\u003c/p\u003e","\u003cp\u003eRe: Legislation affecting physicians; relations with other organizations; misc. business (Hook served on APM council 1977-1980; APM president 1981-82).\u003c/p\u003e","\u003cp\u003eRe: Legistaion, meetings, council meeting items.\u003c/p\u003e","\u003cp\u003eRe: Legislation, meetings, issues affecting internal medicine - Hook's presidency of APM.\u003c/p\u003e","\u003cp\u003eRe: Legislation, issues affecting internal medicine, graduate medical education meetings - Hook's presidency of APM.\u003c/p\u003e","\u003cp\u003eRe: Legislation, issues affecting internal medicine, meetings - Hook's presidency of APM.\u003c/p\u003e","\u003cp\u003eRe: Legislation, issues affecting internal medicine, graduate medical eduction, APM functions and budget.\u003c/p\u003e","\u003cp\u003eRe: Legislative issues - correspondence to and from congress members.\u003c/p\u003e","\u003cp\u003eRe: Correspondence with legislators; Hook's Senate testimony on research funding.\u003c/p\u003e","\u003cp\u003eRe: APM Task Force on Manpower Needs (Hook was a member).\u003c/p\u003e","\u003cp\u003eRe: UVa departmental profile - UVa questionnaire results on internal medicine training program.\u003c/p\u003e","\u003cp\u003eRe: Misc. issues relating to residency training, certification standards, meetings, membership.\u003c/p\u003e","\u003cp\u003eRe: Hook's participation on Board grant appraisals.\u003c/p\u003e","\u003cp\u003eRe: Hook presidency, relations with other associations, programming, guidelines for antimicrobial therapy.\u003c/p\u003e","\u003cp\u003eRe: Hook presidency; guidelines for antimicrobial therapy, guidelines for training in infectious diseases, accreditation of conference by AMA.\u003c/p\u003e","\u003cp\u003eRe: Miscellaneous business - programming, awards, Journal of Infectious Disease.\u003c/p\u003e","\u003cp\u003eRe: Miscellaneous society business - Journal of Infectious Diseases, Hook's presidential address, \"The Evolution of the clinical subspecialist in Infectious Diseases,\" definition of membership, subspecialists.\u003c/p\u003e","\u003cp\u003eRe: Meetings, selection of presentations.\u003c/p\u003e","\u003cp\u003eRe: programs, unification of Medical Society with AMA.\u003c/p\u003e","\u003cp\u003eRe: Meetings - minutes of meetings in which Hook participated.\u003c/p\u003e","\u003cp\u003eRe: nomination of officers \u0026amp; members, Journal of Medical Sciences as official society publication, Founder's Award to Hook in 1985.\u003c/p\u003e","\u003cp\u003eRe: Cooperative medical programs with Brazilian Universities, visit by Hook and Knorr.\u003c/p\u003e","\u003cp\u003eRe: Hook's participation in conference.\u003c/p\u003e","\u003cp\u003eRe: Family practice, physician shortage.\u003c/p\u003e","\u003cp\u003eRe: ACP/ASIM collaboration; Medicare, primary care.\u003c/p\u003e","\u003cp\u003eRe: Formation of VCIM - manpower study.\u003c/p\u003e","\u003cp\u003eRe: History of program, meeting documents, reports.\u003c/p\u003e","\u003cp\u003eRe: Meetings and reports.\u003c/p\u003e","\u003cp\u003eRe: Meetings and reports.\u003c/p\u003e","\u003cp\u003eRe: Meetings and reports, Hook-Shimao report on leprosy panel.\u003c/p\u003e","\u003cp\u003eRe: Meetings and reports.\u003c/p\u003e","\u003cp\u003eRe: Meeting and reports; Hook hepatitis panel review.\u003c/p\u003e","\u003cp\u003eRe: Meetings and reports; including Hook cholera review report.\u003c/p\u003e","\u003cp\u003eRe: Meetings and reports; Hook tuberculosis panel report.\u003c/p\u003e","\u003cp\u003eRe: Meetings and reports.\u003c/p\u003e","\u003cp\u003eRe: Meetings and reports; Hook report on malnutrition panel.\u003c/p\u003e","\u003cp\u003eRe: Hook's reviews of minority scholars' research plans for RSJ Foundation, annual meeting documents.\u003c/p\u003e","\u003cp\u003eRe: Board meetings, committee on the future of the Clinical Scholars Program.\u003c/p\u003e","\u003cp\u003eRe: report by Committee on the Future of the Clinical Scholar's program - committee formed by Hook in 1979; he served as exofficio member - recommends that the program continue, article on the program's history.\u003c/p\u003e","\u003cp\u003eRE: Conference and publication regarding development of guidelines for physicians in terminally ill cases.\u003c/p\u003e","\u003cp\u003eRe: Conference and publication regarding physician's influence on the dying process.\u003c/p\u003e","\u003cp\u003eRe: Preparation of a publication on physicians and hopelessly ill patients.\u003c/p\u003e","\u003cp\u003eRe: Publication of an article in New England Journal of Medicine.\u003c/p\u003e","\u003cp\u003eRe: \"Notes on Trip to Africa and Asia\" - described medical care, research, and socio-economic conditions; visits intended to survey possibilities of affiliation between an African hospital and Cornell Medical Center; visits facilities in Nigeria, Lagos, Ibadan, Johannesburg, Nairobi, Kampala, Entebbe, Tororo, Cairo, Karachi, Lahore, Calcutta, Bangkok, Hong Kong, \u0026amp; Tokyo.\u003c/p\u003e","\u003cp\u003eRe: Notes on a Trip to South America\" - describes medical care, research, and socioeconomic conditions, visit intended to survey possibilities of affiliation between a South American hospital and Cornell Medical Center, visits to facilities in Bahia, Buenos Aires, Lima, Rio de Janeiro, \u0026amp; Santiago.\u003c/p\u003e","\u003cp\u003eRe: Summary report 1964-1972, annual report 1964-1965.\u003c/p\u003e","\u003cp\u003eRe: Annual Report 1963-1966, report of activities 1967-1969.\u003c/p\u003e","\u003cp\u003eRe: Correspondence and related documents associated with Hook's visits to Brazil prior to establishment of the Cornell-Bahia program.\u003c/p\u003e","\u003cp\u003eRe: Correspondence and related documents associated with Hook's service as head of the program, and subsequent role as consultant.\u003c/p\u003e","\u003cp\u003eRe: Correspondence and related documents associated with Hook's role as consultant to the program.\u003c/p\u003e","\u003cp\u003eRe: Part of application for funding to continue project that Hook helped to establish and run.\u003c/p\u003e","\u003cp\u003eRe: Hook's participation in site visits to projects funded by NIH - NIAID (Title/contents pages only; instructed by NIAID not to retain reports.\u003c/p\u003e","\u003cp\u003eRe: Commercial program offering medical seminars to Japanese physicians.\u003c/p\u003e","\u003cp\u003eRe: Medical research done by Hook while in the army in Alabama.\u003c/p\u003e","\u003cp\u003ePaper by Hook and Wagner: \"Resistance-Promoting Activity of Endotoxins and other Microbial Products\".\u003c/p\u003e","\u003cp\u003eRe: Streptococcal infections - influenza, pulmonary infection program meeting.\u003c/p\u003e","\u003cp\u003eRe: Salmonella research - outbreak at New York hospital.\u003c/p\u003e","\u003cp\u003eRe: Salmonella research, publications, grants, antibiotics use in animal feed.\u003c/p\u003e","\u003cp\u003eRe: \"Lectures, Talks, Remarks - Book 1, Edward W. Hook\" (removed from binder).\u003c/p\u003e","\u003cp\u003eRe: \"Lectures, Talks, Remarks - Book 1, Edward W. Hook,\" continued (removed from binder); see folder 1 for table of contents.\u003c/p\u003e","\u003cp\u003eRe: \"Lectures, Talks, Remarks - Book 1, Edward W. Hook,\" continued (removed from binder); see folder 1 for table of contents.\u003c/p\u003e","\u003cp\u003eRe: \"Lectures, Talks, Remarks - Book II, Edward W. Hook\" (removed from binder).\u003c/p\u003e","\u003cp\u003eRe: \"Health Care and the Medical School: Responsibilities and Responses\"; Convocation Address, American College of Physicians, \"On My Mind,\" Alpha Omega Alpha lecture; \"Research: A Chairman's Perspective\".\u003c/p\u003e","\u003cp\u003eRe: Pacesetters of the American Image, Typhoid Fever and Other Salmonella Infections: Internal Medicine Grand Rounds; Medicare: A Strategy for Quality Assurance.\u003c/p\u003e","\u003cp\u003eRe: Humanities in Medicine: Treatment for a Deficiency Disorder?; Comments at AOA Dinner, Medical College of Pennsylvania; same title for The Jeremiah Metzger Lecture given October 23, 1996 at American Clinical and Climatological Association meeting\u003c/p\u003e","\u003cp\u003eRe: Presentation of the 1996 George M. Kober to Robert G. Petersdorf; Medical Education: New Challenges - New Directions; Presidents Address: Pacesetters of the American Image.\u003c/p\u003e","\u003cp\u003eRe: Table of Contents and Chapters I-VII of the Leavell manuscript (removed from black leather binder).\u003c/p\u003e","\u003cp\u003eRe: Professors of Medicine 1900-19 [Chapter VI?] (removed from black leather binder).\u003c/p\u003e","\u003cp\u003eRe: Chapter: Subspecialty Divisions.\u003c/p\u003e","\u003cp\u003eRe: Professors of Medicine 1900-19 [Chapter IX] (revised version).\u003c/p\u003e","\u003cp\u003eRe: Revisions, additions to the Leavell manuscript - some by Hook.\u003c/p\u003e","\u003cp\u003eRe: Revisions of, additions to Leavell manuscript.\u003c/p\u003e","\u003cp\u003eRe: Correspondence and notes on the history of the department.\u003c/p\u003e","\u003cp\u003eRe: Correspondence and notes on histories of departments.\u003c/p\u003e","\u003cp\u003eRe: Correspondence and notes on histories of departments.\u003c/p\u003e","\u003cp\u003eRe: Correspondence and notes on histories of departments.\u003c/p\u003e","\u003cp\u003eRe: Correspondence and notes on histories of departments.\u003c/p\u003e","\u003cp\u003eRe: Correspondence and notes on histories of departments.\u003c/p\u003e","\u003cp\u003eRe: Manuscript by Fitzhugh on history of otolaryngology at UVa.\u003c/p\u003e","\u003cp\u003eRe: Crispell's career as a faculty member at UVa (press releases), manuscript on Thomas Jefferson and medicine written by Crispell.\u003c/p\u003e","\u003cp\u003eRe: Correspondence and press releases on Crockett's UVa career.\u003c/p\u003e","\u003cp\u003eRe: Correspondence and notes on Blackford's UVa career.\u003c/p\u003e","\u003cp\u003eRe: Correspondence and notes on Landis.\u003c/p\u003e","\u003cp\u003eRe: Correspondence and notes by and about UVa physicians, including notes from interview with Dr. Thomas Hunter, also information about Hart and Mulholland.\u003c/p\u003e","\u003cp\u003eRe: Swineford's UVa career, establishment of Swineford Allergy Fund and lectures.\u003c/p\u003e","\u003cp\u003eRe: Correspondence and notes on history of house staff.\u003c/p\u003e","\u003cp\u003eRe: A rewrite of Leavell's earlier text.\u003c/p\u003e","\u003cp\u003eRe: Maricia Day Finney assists Leavell in re-writting his manuscript, included is re-worked Chapters 1-5 and 5 brief bios on key medical men at UVa.\u003c/p\u003e","\u003cp\u003eRe: Contents relate to the Leavell's career at UVa, including his curriculum vitae, newpaper \u0026amp; journal clipplins, his participation in conferences, and an essay written on William C. Dabney.\u003c/p\u003e","\u003cp\u003eRe: Leavell researches Virginian history, in particular Robert E. Lee.\u003c/p\u003e","\u003cp\u003eRe: Recruitment of black faculty.\u003c/p\u003e","\u003cp\u003eRe: AIDS cases, policies, \u0026amp; procedures at UVa hospital.\u003c/p\u003e","\u003cp\u003eRe: AIDS cases, policy, \u0026amp; procedures at UVa hospital.\u003c/p\u003e","\u003cp\u003eRe: UVa AIDS grant application.\u003c/p\u003e","\u003cp\u003eRe: AIDS cases, policy, \u0026amp; procedures at UVa hospital.\u003c/p\u003e","\u003cp\u003eRe: Personnel, facilities, residency program, conference, etc.\u003c/p\u003e","\u003cp\u003eRe: Personnel, facilities, residencies, conference, etc.\u003c/p\u003e","\u003cp\u003eRe: Personnel, patient visit statistics and surveys, space allocation, procedures, planning, administration, proposal for outpatient department, ambulatory surgery facility.\u003c/p\u003e","\u003cp\u003eRe: Personnel, space allocation, patient surveys, productivity, procedures, third year ambulatory care rotation, reorganization, \u0026amp; conferences.\u003c/p\u003e","\u003cp\u003eRe: Personnel, productivity, patient surveys, space allocation, ambulatory care education, \u0026amp; information manual.\u003c/p\u003e","\u003cp\u003eRe: Personnel, residencies, teaching, patient care, \u0026amp; procedures.\u003c/p\u003e","\u003cp\u003eRe: Grant proposal for Area Health Education Center.\u003c/p\u003e","\u003cp\u003eRe: Documents fundraising attempts to solicit department chairs, includes thank you letters to contributors - Hook is chairman of the committee.\u003c/p\u003e","\u003cp\u003eRe: Soliciting pharmaceutical companies for money to support UVa hopsital's art program - Hook is chairman of the committee.\u003c/p\u003e","\u003cp\u003eRe: Soliciting funding for the arts program - Hook is chairman of the committee.\u003c/p\u003e","\u003cp\u003eRe: The development of a program in the arts at UVA hospital, including prospectus and a document reviewing the minutes of the arts committee from 1988-1995 - Hook is chairman of the committee.\u003c/p\u003e","\u003cp\u003eRe: The involvement of the Hospital Auxiliary in rotating art exhibits.\u003c/p\u003e","\u003cp\u003eRe: Development of art program and acquisition of works of art, including the prospectus and art forms and also correspondence with various artists.\u003c/p\u003e","\u003cp\u003eRe: Removed from a binder titled \"Medical Art\"; kept in its original order; contains purchases, invoices, and correspondences with artists.\u003c/p\u003e","\u003cp\u003eRe: Removed from a binder titled, \"Medical Art\"; kept in its original order, contains purchases, invoices, and correspondences with artists.\u003c/p\u003e","\u003cp\u003eRe: The development and operations of the Health Sciences Arts Committee.\u003c/p\u003e","\u003cp\u003eRe: Correspondence with Ann Johanson, David M. Browne, and Ellen Driscoll.\u003c/p\u003e","\u003cp\u003eRe: Miscellaneous business of the UVa hospital arts committee of which Hook is the chairman; formation of committee and proposed agenda, selection of artists, and other matters concerning placement of portraits and requesting art space.\u003c/p\u003e","\u003cp\u003eRe: Miscellaneous business of Arts Committee for UVa hospital which Hook is the chairman, includes discussions of placement of flags, development of patient handbook, art storage and workroom, and continued membership of committee including Hook's farewell letter to committee.\u003c/p\u003e","\u003cp\u003eRe: Selection of an art curator for arts program at UVa hospital.\u003c/p\u003e","\u003cp\u003eRe: Continued membership and new members to the UVa hospitals Arts Committee.\u003c/p\u003e","\u003cp\u003eRe: Results of questionnaire asking for people's opinions of artwork chosen by Arts Committee for UVa hospital.\u003c/p\u003e","\u003cp\u003eRe: Autopsy guidelines, statistics, permission procedures.\u003c/p\u003e","\u003cp\u003eRe: Statistics, report on Autopsy at UVa hospital, and recommendations.\u003c/p\u003e","\u003cp\u003eRe: Litz, Culpeper Foundation, Pratt Awards.\u003c/p\u003e","\u003cp\u003eRe: Residencies and clerkships, grant proposal, personnel, facilities, evaluation and planning.\u003c/p\u003e","\u003cp\u003eRe: Classes, personnel.\u003c/p\u003e","\u003cp\u003eRe: Department name change, hypertonic therapy, conference.\u003c/p\u003e","\u003cp\u003eRe: Internal medicine resident coverage at Blue Ridge, space for geriatrics clinic, shift of adult rehabilitation services to Blue Ridge, problems with care for acute care patients at Blue Ridge, issues concerning space for Internal Medicine at new multi-story hospital.\u003c/p\u003e","\u003cp\u003eRe: Proposed plan to build new hospital at Blue Ridge site; opposition by Internal Medicine Faculty.\u003c/p\u003e","\u003cp\u003eRe: Development of bone marrow transplantation program at UVa; procedures.\u003c/p\u003e","\u003cp\u003eRe: Establishment, development of cancer center at UVa; personnel, space, funding issues.\u003c/p\u003e","\u003cp\u003eRe: Development of a comprehensive cancer program at UVa hospital.\u003c/p\u003e","\u003cp\u003eRe: Personnel, staffing, patient care, funding, space allocation issues; procedures, history of division.\u003c/p\u003e","\u003cp\u003eRe: Primarily contains 1982 correspondence with George A. Beller M.D., Head, Division of Cardiology but also includes Cardiovascular Research correspondence and information about the Hypertension Unit.\u003c/p\u003e","\u003cp\u003eRe: 1983 correspondence primarily with Head, Division of Cardiology, George A. Beller, M.D.\u003c/p\u003e","\u003cp\u003eRe: Primarily the 1984 correspondence with George A. Beller M.D., Head, Division of Cardiology.\u003c/p\u003e","\u003cp\u003eRe: Primarily the 1985 correspondence with George A. Beller, Head, Department of Cardiology, including funding, personnel, and space issues.\u003c/p\u003e","\u003cp\u003eRe: 1986 correspondence primarily with George A. Beller, Head, Division of Cardiology and includes inpatient and outpatient fees, wellness center, computer systems, cardiac catheterization reports, and a discussion on the Adenosine Program project.\u003c/p\u003e","\u003cp\u003eRe: 1987 correspondence, primarily with George A. Bellers, Head, Division of Cardiology and includes discussions on introducing new technology, LBJ Family Foundation, Cardiac Rehabilitation program, cardiac catheterization laboratory, animal research, and marketing strategy in the Cardiology Division.\u003c/p\u003e","\u003cp\u003eRe: Personnel, staffing, patient care, funding space allocation issues; procedures.\u003c/p\u003e","\u003cp\u003eRe: personnel, staffing, patient care, space allocation issues; cardiology services for Martha Jefferson Hospital, finances.\u003c/p\u003e","\u003cp\u003eRe: Personnel, finance, space allocation, staffing issues, cardiology services provided to Martha Jefferson Hospital.\u003c/p\u003e","\u003cp\u003eRe: Personnel, finance, patient services, space allocation issues; cardiology services offered by UVa to Martha Jefferson Hospital; same day catheterization; angioplasty; possible relationship with Augusta Hospital.\u003c/p\u003e","\u003cp\u003eRe: Establishment, use, scheduling of facility.\u003c/p\u003e","\u003cp\u003eRe: Equipment malfunctions, increase in use and need for third lab, administration, patient scheduling.\u003c/p\u003e","\u003cp\u003eRe: Development of cardiac rehabilitation program at Boar's Head Sports Club.\u003c/p\u003e","\u003cp\u003eRe: Standards of care; funding; community program.\u003c/p\u003e","\u003cp\u003eRe: Development of a mobile coronary care unit (establishment of guidelines); gift of Mrs. Lyndon Johnson to coronary care unit (July 2, 1973); renovations and equipment in CCU and admission and operational policies; CCU privileges; responsibilities of CCU residents.\u003c/p\u003e","\u003cp\u003eRe: Center's advisory board; also a draft of Biomedical Ethics at the University of Virginia which includes 4 goals: Biomedical Ethics in the Medical School Curriculum, Ethics Consultation Service, Advanced Education in Clinical Ethics, and Outreach Programs\u003c/p\u003e","\u003cp\u003eRe: Establishment of center; development of occupational medicine program, grant applications, personnel, contract with General Electric Co., Center Advisory committee meeting minutes.\u003c/p\u003e","\u003cp\u003eRe: Minutes of advisory committee, funding \u0026amp; grant applications, occupational medicine, affiliation with UVa departments \u0026amp; schools, residency program in preventive medicine, CPDI brochure, planning report.\u003c/p\u003e","\u003cp\u003eRe: Establishment, occupation of various Internal Medicine Chairs (Wood, Hunter, Janssen, Madge Jones, Nettie Marie Jones (Stone), Hook, and John Guerrant).\u003c/p\u003e","\u003cp\u003eRe: Establishment, occupation of various chairs (Jordain, Leavell, Mulholland, Peters, Richardson-Vicks, Scripps, Trolinger).\u003c/p\u003e","\u003cp\u003eRe: Establishment, occupation of Swineford chair.\u003c/p\u003e","\u003cp\u003eRe: 1979 trip made by Hook as part of ACP delegation; subsequent visits by Chinese to University of Virginia, includes articles by Hook in Chinese.\u003c/p\u003e","\u003cp\u003eRe: Evaluation of student \u0026amp; of physicians by students, content and structure of program, guidelines \u0026amp; procedures.\u003c/p\u003e","\u003cp\u003eRe: Evaluation of students and of physicians by students, content, structure of program, personnel.\u003c/p\u003e","\u003cp\u003eRe: Funding \u0026amp; finances, grants, personnel, space \u0026amp; equipment, Poison Control Center.\u003c/p\u003e","\u003cp\u003eRe: Establishment of center, approval of research protocols, personnel, housestaff coverage, activities, location, grant funding.\u003c/p\u003e","\u003cp\u003eRe: Critique, evaluation, improvement of internal medicine clerkship.\u003c/p\u003e","\u003cp\u003eRe: Problems with new medical information system.\u003c/p\u003e","\u003cp\u003eRe: Medical Center laboratory activities.\u003c/p\u003e","\u003cp\u003eRe: Covers Hook's involvement in the curriculum committee at UVa's school of medicine, includes Hook's handwritten notes on committee agendas.\u003c/p\u003e","\u003cp\u003eRe: Issues addressed by committee, minutes of meetings.\u003c/p\u003e","\u003cp\u003eRe: Issues addressed by committee, meetings, minutes.\u003c/p\u003e","\u003cp\u003eRe: Issues addressed by committee, meetings, minutes.\u003c/p\u003e","\u003cp\u003eRe: Development of Ethics Committee, issues addressed, minutes of meetings.\u003c/p\u003e","\u003cp\u003eRe: Discussion of UVa's policy on house staff \"moonlighting\" at other organizations.\u003c/p\u003e","\u003cp\u003eRe: Items taken out of Hook's binder entitled, \"Confidential: Finance Committee, Department of Medicine\" - includes a report of the AdHoc Remunerations Committee, May 1975 and a Proposal for an incentive Plan of the Clinical Faculty of the University of Virginia School of Medicine.\u003c/p\u003e","\u003cp\u003eRe : Hook chaired a committee to oversee fundraising campaigns; established the Friends of the Department of Medicine.\u003c/p\u003e","\u003cp\u003eRe: Physicians participation in medicine, representation of Internal Medicine Department on the committee.\u003c/p\u003e","\u003cp\u003eRe: Requests for topics to be considered by committee, including malpractice premiums, control of expenditures, salaries, funding, radiology charges.\u003c/p\u003e","\u003cp\u003eRe: Problems with research protocols.\u003c/p\u003e","\u003cp\u003eRe: Report of Dean Knorr's committee to renew department of internal medicine, and department member's response to report.\u003c/p\u003e","\u003cp\u003eRe: Number of positions per department, salaries, financing, new residencies, etc.\u003c/p\u003e","\u003cp\u003eRe: Number of positions per department, salaries, new residencies, applications, financing, etc.\u003c/p\u003e","\u003cp\u003eRe: Number of positions per department, salaries, new residencies, applications, etc.\u003c/p\u003e","\u003cp\u003eRe: Number of residents per department, primary care residents, applications, salary, budget, etc.\u003c/p\u003e","\u003cp\u003eRe: Richard Guerrant chairs internship Advisory Committee.\u003c/p\u003e","\u003cp\u003eRe: Response to JCAH criticism of floor labs at UVa.\u003c/p\u003e","\u003cp\u003eRe: Activities of committee to address space requirements, renovation, acute bed shortage.\u003c/p\u003e","\u003cp\u003eRe: Nursing shortage, pay differential\u003c/p\u003e","\u003cp\u003eRe: Minutes of comm. discussing various operational communication issues in Internal Medicine Department.\u003c/p\u003e","\u003cp\u003eRe: Meeting quality assurance, requirements of Joint Commission Accreditation.\u003c/p\u003e","\u003cp\u003eRe: Admissions to school, naming of UVA hospital, faculty practice plan, items for agendas of meetings.\u003c/p\u003e","\u003cp\u003eRe: Hook's position on tenure.\u003c/p\u003e","\u003cp\u003eRe: Establishment, structure, policies of transplantation program at UVa.\u003c/p\u003e","\u003cp\u003eRe: Documentation of planning and development of UVa's hospital.\u003c/p\u003e","\u003cp\u003eRe: Incident involving breach of confidentiality \u0026amp; confidentiality policy.\u003c/p\u003e","\u003cp\u003eRe: Guidelines for consultations, problems with consultations.\u003c/p\u003e","\u003cp\u003eRe: Continuing education events by Department of Medicine.\u003c/p\u003e","\u003cp\u003eRe: Changes in curriculum, clerkships, teaching effectiveness.\u003c/p\u003e","\u003cp\u003eRe: Establishment of critical care, subspecialty at UVA, lack of critical care beds \u0026amp; establishment of a triage system.\u003c/p\u003e","\u003cp\u003eRe: Required CPR training and problems with payment/charges.\u003c/p\u003e","\u003cp\u003eRe: Diabetes Unit at Blue Ridge Hospital.\u003c/p\u003e","\u003cp\u003eRe: Diabetes Unit at Blue Ridge Hospital.\u003c/p\u003e","\u003cp\u003eRe: DRG reports for Department of Internal Medicine.\u003c/p\u003e","\u003cp\u003eRe: Do Not Resuscitate Policy\u003c/p\u003e","\u003cp\u003eRe: Concerns emergency room care while Hook was a professor of Internal Medicine and Chairman, Department of Medicine.\u003c/p\u003e","\u003cp\u003eRe: Hook's involvement in ER administration including discussion on salaries, hiring faculty and faculties duties, triage policy, and security protection.\u003c/p\u003e","\u003cp\u003eRE: Hook's involvement in ER administration including ER at Blue Ridge Hospital, development of health care facility at Lake Monticello, funding for 24 hour/7 day week faculty coverage, use of fellows as triage officers, GI bleeding, and budget concerns.\u003c/p\u003e","\u003cp\u003eRe: Discussion includes the employee health clinic serving the entire medical center and themovement of clinic to new location.\u003c/p\u003e","\u003cp\u003eRe: Hook's involvement in the department of endrocrinology and metabolism including discussions on the tenuous relationship between endrocrinology and the department of pediatrics, budget and space concerns, the use of fellows instead of physicians to treat patients, and \"competing\" labs in endrocrinology.\u003c/p\u003e","\u003cp\u003eRe: Hook's involvement with the Department of Endocrinolgy and Metabolism including discussions about purchasing equipment, space and budget concerns, and problems with the diabetes unit.\u003c/p\u003e","\u003cp\u003eRe: Hook's involvement with the Department of Epidemology, especiallyJack M. Gwalthey M.D., and includes discussion of HIV testing and ethics of testing blood of patients without patient identification.\u003c/p\u003e","\u003cp\u003eRe: Hook and William G. Thurman initially serve as co-chairmen of this division.\u003c/p\u003e","\u003cp\u003eRe: Hook's involvement of fundraising efforts for the Department of Internal Medicine including thank you's for gifts, possible financial contributors, and fundraising campaigns.\u003c/p\u003e","\u003cp\u003eRe: Giving scholarships to students from disadvantaged backgrounds, in particular rural areas.\u003c/p\u003e","\u003cp\u003eRe: Hook's involvement with dedicating a courtyard garden in honor of Elizabeth Brown Mulholland Gamble.\u003c/p\u003e","\u003cp\u003eHook's involvement with the Division of Gastroenterology, in particular department head, Richard McCallum.\u003c/p\u003e","\u003cp\u003eRe: Meetings that Hook was mentioned or directly involved with.\u003c/p\u003e","\u003cp\u003eRe: Primarily Hooks correspondence with Robert A. Reid, Primary Health Care, Ambulatory Division and includes handling and billing of ambulatory patients, primary care rotations, satellite clinic in Orange, and renovation of the primary care center.\u003c/p\u003e","\u003cp\u003eRe: Issues and concerns concerning the Department of General Medicine headed by David Fedson, including patient cases \u0026amp; problems (one involving a racist patient), decline of patients in GMC, finances, GMC rotations and the activities of the primary care clinic.\u003c/p\u003e","\u003cp\u003eRe: Non-profit medical center program in Gordonsville served by the Health Service Foundation.\u003c/p\u003e","\u003cp\u003eRe: The medical center's branch in Orange.\u003c/p\u003e","\u003cp\u003eRe: Issues and concerns of the Deparment of Geographic Medicine headed by Richard Guerrant.\u003c/p\u003e","\u003cp\u003eRe: Development of the Department of Geriatrics headed by Richard Lindsay; includes a 1977 proposed plan for UVa geriatric plan and testimony given before the joint subcommittee on Aging, The General Assembly, 1979.\u003c/p\u003e","\u003cp\u003eRe: Development in the Division of Geriatrics, including proposals, reports, and house bills.\u003c/p\u003e","\u003cp\u003eRe: Development of programs for the elderly, including a 1979 manuscript, \"A Survey of Geriatric Medical and Nursing Education in the United States and Virginia.\"\u003c/p\u003e","\u003cp\u003eRe: Hook wants Geriatric medicine at UVA Hospital to be viewed as the first server for elderly and desires an interdisciplinary approach.\u003c/p\u003e","\u003cp\u003eRE: Hook's involvement in promoting Geriatrics in 1988; requesting funds from the state for UVa's geriatric efforts, trying to get School of Nursing and School of Medicine to work together, geriatrics \u0026amp; Blue Ridge (Homeward Bound House), and accreditation.\u003c/p\u003e","\u003cp\u003eRe: Issues and concerns with the Division of Geriatrics including responsibilities of residents, plans for Nursing Home and Clinics, difficulties with the location of the Geriatric Clinics for the elderly patients, establishing the move of geriatrics Clinic to Blue Ridge, and assuming the space formerly occupied by the \"Pink Ladies Canteen.\"\u003c/p\u003e","\u003cp\u003eRe: Details Hook's involvement in attempting to secure accreditation for a training program in geriatrics and includes their grant application. After it was withheld by ACGME in 1988 and 1989, Hook challenges their decision.\u003c/p\u003e","\u003cp\u003eRe: Hook's involvement in discussing the possibility of a joint endeavor in the area of Alzheimer disease and long-term health care.\u003c/p\u003e","\u003cp\u003eRe: Hook wants greater participation by the Department of Internal Medicine in the development of a home health care system.\u003c/p\u003e","\u003cp\u003eRe: Documents include discussing the relationship between the School of Nursing and the Department of Geriatrics in establishing a Geriatrics/Rehabilitation Clinic at Blue Ridge Hospital. Includes in folder is a typed proposal and a typed manuscript, \"Teaching/Research Nursing Home,\" written by Richard Lindsay.\u003c/p\u003e","\u003cp\u003eRe: Hook desires faculty involvement in developing a teaching nursing home at UVA.\u003c/p\u003e","\u003cp\u003eRe: Working out the contract agreement between UVA Health Services Foundation and the Marriott for the UVA retirement community, the Colonnades.\u003c/p\u003e","\u003cp\u003eRe: UVa Hospital is interested in a Shared Adult Home with the City of Charlottesville and JABA.\u003c/p\u003e","\u003cp\u003eRe: Participation, speakers, and evaluations of Grand Rounds.\u003c/p\u003e","\u003cp\u003eRe: UVa patient cases and discussion of disease and treatments in the grand rounds of the Department of Internal Medicine.\u003c/p\u003e","\u003cp\u003eRe: Primarily Hook's correspondence with Donald J. Wright and Jules I. Levine concerning needs of the Medical Center.\u003c/p\u003e","\u003cp\u003eRe: Hiring Robert Reynolds and securing office and bed space.\u003c/p\u003e","\u003cp\u003eRe: Chiefly correspondence between Hook and Don E. Detmer, Vice President for Health Sciences and includes discussion about the medical center name change to Health Sciences Center and distribution of a generous gift by Madge Jones.\u003c/p\u003e","\u003cp\u003eRe: Discussions about disability plan, department deficits, organization structures of UVa Health Services foundation \u0026amp; affiliated foundations \u0026amp; committee structure.\u003c/p\u003e","\u003cp\u003eRe: Miscellaneous issues: Signing checks, professional fees policy, loan funding, retirement plans, billing from Health services, \u0026amp; classification of patients.\u003c/p\u003e","\u003cp\u003eRe: Discussion about billing system of UVa hospital \u0026amp; foundation.\u003c/p\u003e","\u003cp\u003eRe: Expenditures of Health Services funds.\u003c/p\u003e","\u003cp\u003eRe: Munsey Wheby is a part of a committee to reevaluate the bylaws of the Health Services Foundation.\u003c/p\u003e","\u003cp\u003eRe: Fringe benefits package for faculty such as life insurance, disability, and travel insurance. Included is a 1983 report of the Faculty Fringe Benefits Committee.\u003c/p\u003e","\u003cp\u003eRe: Deals with a job description of Executive Director of the Foundation and Hewitt's Incentive Plan Design.\u003c/p\u003e","\u003cp\u003eRe: Medical Malpractice.\u003c/p\u003e","\u003cp\u003eRe: Evolution of malpractice insurance in UVa Hospital from in 1969 not all house staff covered by insurance to the premiums listed in 1990.\u003c/p\u003e","\u003cp\u003eRe: Hook favors a helicopter system.\u003c/p\u003e","\u003cp\u003eRe: Hook wants editors to identify staff's names and titles under photographs published in the Helix.\u003c/p\u003e","\u003cp\u003eRe: Outline of needs establishing a Palliative Care Inpatient Program at Blue Ridge facility and concerns placing an oncology unit physically adjacent to a TB Unit.\u003c/p\u003e","\u003cp\u003eRe: Hook's correspondence with Peter Quesenberry, Chief of Hematology/Oncology Division, includes concerns about clinical coverage, research development, finances, and space.\u003c/p\u003e","\u003cp\u003eRe: Documents include how to fully utilize the Oncology department and includes documents relating to nurses handling anticarcinogenic medications.\u003c/p\u003e","\u003cp\u003eRe: Documents include discussion about fellows, workshops, faculty appointments, and the importance of the bone marrow transplantation program.\u003c/p\u003e","\u003cp\u003eRe: Discussions cover colorectal screening clinic, case information, handling pediatric marrow transplants, and funding for research.\u003c/p\u003e","\u003cp\u003eRe: Decline in out-patient visits at Blue Ridge Hospital, summary outline of growth factor program project, and office and lab space issues.\u003c/p\u003e","\u003cp\u003eRe: Future of oncology at Blue Ridge Hospital, new initiatives for hematology/oncology, filling faculty positions, and salary and space discussions.\u003c/p\u003e","\u003cp\u003eRe: Peter Quesenberry, Professor and Chief Division of Hematology/Oncology addresses space needs, AIDS work at Blue Ridge, recruitment, and outpatient operation.\u003c/p\u003e","\u003cp\u003eRe: Faculty appointments and funding issues, space issues for the Marrow Transplant Laboratory, patient surveys, patient case issues instigated by concerns raised by Hook, and financial concerns in the Division of Hematology and Oncology.\u003c/p\u003e","\u003cp\u003eRe: Space issues including clinic overcrowding, contract between UVa Health Sciences Center and Rockingham Memorial Hospital, faculty promotion and salary raises, and \"code status\" of patients.\u003c/p\u003e","\u003cp\u003eRe: Hook desires a hospice in the new hospital.\u003c/p\u003e","\u003cp\u003eRe: Hook correspondence addresses fire safety in stairways, family lounges, bed availability, and the physical appearance of the building.\u003c/p\u003e","\u003cp\u003eRe: Correspondence regarding updating bed needs of the institution and includes descriptions of bed allotments, charts, graphs, and statistics.\u003c/p\u003e","\u003cp\u003eRe: Hook encourages the consolidation of the beds at Blue Ridge and UVA hospital; documents include a report entitled, \"Blue Ridge Hospital Report of the Tuberculosis Service Fiscal year 1982 July 1, 1981 - June 30, 1982.\"\u003c/p\u003e","\u003cp\u003eRE: Bed utilization and clinical reports of admissions.\u003c/p\u003e","\u003cp\u003eRe: Budget issues and concerns including graphs, charts and statistics of admissions, budgets, and actual costs.\u003c/p\u003e","\u003cp\u003eRe: Hook submits proposals from the departments in Internal Medicine for the capital outlay budget for 1990-2000 in which department head details specific needs and wants for each department.\u003c/p\u003e","\u003cp\u003eRe: Correspondence (mostly from the 1970s) includes discussions on overhead funds, professional fee schedules, funding for specific needs with the departments of Internal Medicine and for improvements in the facility, expense of long distance telephone calls, and fringe benefits for faculty.\u003c/p\u003e","\u003cp\u003eRe: Includes \"Proposed 1970-1980 Capital Outlay Projections and Program\" and \"Planning Guidelines for the Ten-Year Capital Budget 1988-1998.\"\u003c/p\u003e","\u003cp\u003eRe: Correspondence with John F. Harlan, Jr., Director, University of Virginia Hospital includes increasing residency programs, patient care and comfort, faculty appointments, and addition of beds.\u003c/p\u003e","\u003cp\u003eRe: Correspondence mostly with John F. Harlan, Jr. Director, UVA Hospitals includes lack of storage, shortage of beds, patient care and amenities, visitor control, canceling and rescheduling patients, use of the Towers Hospital, and accreditation awards.\u003c/p\u003e","\u003cp\u003eRe: Correspondence with John T. Ashley, Director, UVA Hospital, includes teaching funds, identification photographs, swing beds, cleaning, storage, and maintenance problems, and dissatisfaction with managerial process.\u003c/p\u003e","\u003cp\u003eRe: Correspondence with John T. Ashley about home health care program, foundation to deliver patient care services outside the Hospitals, ambulatory internal medicine, prescription liability, subsidizing primary care practitioners, administrative duties, laboratory costs, maintaining quality services, and a grant proposal for General Electric Foundation.\u003c/p\u003e","\u003cp\u003eRe: Hook's notes after a meeting with John T. Ashley who proposed cutting costs by 7 million dollars, loss of referral physicians, delinquent medical records, obtaining a pager, ambulatory care leadership, patient costs, and Blue Ridge Hospital.\u003c/p\u003e","\u003cp\u003eRe: Topics include acquisition of a Gamma Unit, praise from a satisfied patient, problems with the Simon Paging System, Nephrology residents, and food and drink restriction policy.\u003c/p\u003e","\u003cp\u003eRe: Obtaining admission lists, availability of beds, budget adjustments, enhancing revenue, removal of vending machines, difficulty of maintaining adequate amount of nurses, and the appointment of Michael J. Halseth as interim executive director.\u003c/p\u003e","\u003cp\u003eRe: Surgical Transition Lounge, unlocked file cabinets, last pod on 8th floor, relationship between Augusta Hospital Corporation and UVA Hospital, additional residents, placement of directory signs, movement of departments, and various \"housekeeping items.\"\u003c/p\u003e","\u003cp\u003eRe: Improving productivity and reducing costs throughout the hospital.\u003c/p\u003e","\u003cp\u003eRe: Admissions, organizational charts, and lists of departments and managers by division, complaints by overcrowding, lack of cleanliness and inadequate patient care, discharge summaries, audit, and graphs and charts dealing with cash flow projections.\u003c/p\u003e","\u003cp\u003eRe: Service-specific admission and patient days graphs, internal audit, revision of hospital organization, Biennial Evaluation and Planning Report 1986-1998, hospital nutrition center, surgical furlough policy, notification program, North 4 patient care unit, and space issues.\u003c/p\u003e","\u003cp\u003eRe: 1958, \"We're Going to Have A New Hospital\"; \"New Hospital Dedicated, April 14, 1961\"; \"The Early Years of The University of Virginia Hospital: An Analysis of Patient's Records.\"\u003c/p\u003e","\u003cp\u003eRe: Information collected through Hook's years for evaluation by Joint Commission on Accreditation of Hospitals; included is a 1981 recommendation for future compliance and 1990 Mock Survey for JCAHO.\u003c/p\u003e","\u003cp\u003eRe: Hook comments in depth on the 1985 Hospital Long Range Plan.\u003c/p\u003e","\u003cp\u003eRe: Correspondence regarding University of Virginia relationship between Veterans Administration Hospital, Salem, Virginia and Roanoke Memorial Hospital, Roanoke, Virginia.\u003c/p\u003e","\u003cp\u003eRe: 1988 proposed agreement between Rockingham Memorial Hospital, Harrisonburg, Virginia and UVA Hospitals.\u003c/p\u003e","\u003cp\u003eRe: The Towers were used as rehabilitation units in the early 1980's; by 1988 the University terminated the lease of the Towers.\u003c/p\u003e","\u003cp\u003eRe: Development of the Extended Care Facility in the Towers which opened in the fall of 1971; concern about railroad noise, locating student health services in ECF, house staff coverage, transportation difficulties, the towers fee schedule, tower's statistics, laboratory space for Department of Pathology, and indigent care.\u003c/p\u003e","\u003cp\u003eRe: Topics involving the Towers, such as stocking periodicals and textbooks about chronic diseases, organization of the Medical Services in CCF, house staff coverage, Family Practice Program involvement, transportation of patients, and relationship to endocrine laboratory.\u003c/p\u003e","\u003cp\u003eRe: Documents include tower statistics for 1975 \u0026amp; 1976. Hook also details difficulties in the operation of the Towers which include refusal of residents/staff to see patients, nursing shortage and small nursing station, dietary problems, transportation difficulties, inadequate procedural rooms, and use of patient lounges by staff.\u003c/p\u003e","\u003cp\u003eRe: 3 hand-written documents about resident statistics and 4 manuscripts including \"Number of House Staff Trained at UVA Medical Center During the Past 20 Years\"; \"Proposed Plan for the Medical HouseStaff for 1971-72\"; \"Survey of House Staff Training at UVA\"; \"Graduates of UVA School Of Medicine\".\u003c/p\u003e","\u003cp\u003eRe: Includes essays written by Hook and others dealing with medical issues in humanities and also evaluations of Hook's elective, \"Film, Literature, and the Visual Art: Images in Medicine\".\u003c/p\u003e","\u003cp\u003eRe: Hook's course syllabus.\u003c/p\u003e","\u003cp\u003eRe: Documents include the interview questions for nineteen sessions that Hook conducted with Dr. Thomas Hunter. (Tapes can be found in the Papers of Thomas Hunter, Historical Collections \u0026amp; Services.) Also included is excerpts from Hunter's diary.\u003c/p\u003e","\u003cp\u003eRe: Correspondence primarily with Gerald L. Mandell, Head, Division of Infectious Diseases, included is Hook's biennial report for 1986.\u003c/p\u003e","\u003cp\u003eRe: Correspondence with Mandell includes problems with the microbiology lab, funding issues, patient cases, recruitment of faculty, space demands, and purchasing of equipment.\u003c/p\u003e","\u003cp\u003eRe: Aids Center, Lilly Research grant, and continued accreditation.\u003c/p\u003e","\u003cp\u003eRe: Plans for a fellowship program.\u003c/p\u003e","\u003cp\u003eRe: Primarily Hook's correspondence with Donald L. Kaiser, Head, Division of Information Sciences and Biostatistics. Discussions include the development of a medical information sciences department, recruitment of a biostatistician, purchasing of software programs, and budgetary support.\u003c/p\u003e","\u003cp\u003eRe: A request for high-powered computing facilities is not seen necessary by many division heads. The department of information sciences is dissolved and renamed Division of Biostatistics under the director of Robert Abbott.\u003c/p\u003e","\u003cp\u003eRe: Press releases about book published on Walter Reed, intestinal diseases in Brazil, Hook's honorary doctor of medical science degree, and an interview of Hook by the Medical Examiner.\u003c/p\u003e","\u003cp\u003eRe: Proposal of plans for intensive care in the 1970s and the implementation of those plans.\u003c/p\u003e","\u003cp\u003eRe: Status of MICU, the serious need for medical intensive care unit, census of patients in MICU, the opening of the MICU in the early 1980s, admission criteria and operational guidelines, patient cases and patient care. Hook corresponds primarily with C. Edward Rose, Jr, Director, MICU.\u003c/p\u003e","\u003cp\u003eRe: Critical care topics include neonotal ICU, No code orders, lack of nurses, and utilizing MICU for stroke patients.\u003c/p\u003e","\u003cp\u003eRe: Guidelines for obtaining consent to medical treatment.\u003c/p\u003e","\u003cp\u003eRe: Fiscal reports of Internal medicine under Dr. William Parson.\u003c/p\u003e","\u003cp\u003eRe: Fiscal report material for 1955-1956.\u003c/p\u003e","\u003cp\u003eRe: Reports for fiscal year 1958, \u0026amp; 1959-1960.\u003c/p\u003e","\u003cp\u003eRe: Reports to the President from Internal medicine for the years 1961-1964.\u003c/p\u003e","\u003cp\u003eRe: Reports of Internal Medicine for fiscal years 64-65.\u003c/p\u003e","\u003cp\u003eRe: Annual Reports for 1966 \u0026amp; 1967.\u003c/p\u003e","\u003cp\u003eRe: 1968 annual report.\u003c/p\u003e","\u003cp\u003eRe: Intern training and Director of Education in Internal Medicine at Martha Jefferson Hospital.\u003c/p\u003e","\u003cp\u003eRe: Grant from Robert Wood Johnson Foundation for development of primary care program.\u003c/p\u003e","\u003cp\u003eRe: Thank you from L.B.J.'s doctor for good treatment.\u003c/p\u003e","\u003cp\u003eRe: Complaints about clinical laboratory, establishment of an advisory committee, confining budgetary and personnel constraints, 'stat' basis for laboratory work, and a 1979 \"Report in Regard to Clinical Laboratory Services at the University of Virginia Medical Center Charlottesville\".\u003c/p\u003e","\u003cp\u003eRe: Minutes regarding laboratory fees, feasibility of maintaining \"floor\" laboratories, and renal labs.\u003c/p\u003e","\u003cp\u003eRe: Includes a 1983 \"Report of the Outside Laboratory Utilization Task Force to the Medical Policy Committee\"; also discussions about sending specimens to outside laboratories.\u003c/p\u003e","\u003cp\u003eRe: Hook strongly supported maintaining special laboratories within Internal Medicine; the hospital director, John Ashley, did not.\u003c/p\u003e","\u003cp\u003eRe: Hook serves on the Albert Lasker Awards in Medical Journalism jury.\u003c/p\u003e","\u003cp\u003eRe: Hook provides expert testimony.\u003c/p\u003e","\u003cp\u003eRe: Hook asked to provide testimony.\u003c/p\u003e","\u003cp\u003eRe: Hook provides expert testimony.\u003c/p\u003e","\u003cp\u003eRe: Hook receives certificate for his contributions to MAAP (Medical Academic Advancement Program).\u003c/p\u003e","\u003cp\u003eRe: Humanities in Medicine Course Syllabus, a course Hook taught.\u003c/p\u003e","\u003cp\u003eRe: Course syllabus for Humanities in Medicine.\u003c/p\u003e","\u003cp\u003eRe: Student Essays: \"What the Doctor Said, What the Doctor Did: Student Essays About Role Models for Medicine\".\u003c/p\u003e","\u003cp\u003eRe: Course syllabus for Hook's June 1997 MAAP class.\u003c/p\u003e","\u003cp\u003eRe: Hook established two advisory committees for the Medical Subspecialty Clinic, included are correspondence with committee members and meeting minutes.\u003c/p\u003e","\u003cp\u003eRe: Patient care, pharmaceutical procedures, and MIS problems, deficiencies, and negotiations.\u003c/p\u003e","\u003cp\u003eRe: Amount of beds needed, space assignments, nursing care, and utilization of MICU.\u003c/p\u003e","\u003cp\u003eRe: Nursing coverage, patient care, and utilization of MICU beds.\u003c/p\u003e","\u003cp\u003eRe: Includes a 1987 manuscript, \"Medical Record Completion Policy\".\u003c/p\u003e","\u003cp\u003eRe: Correspondence is primarily about medicare.\u003c/p\u003e","\u003cp\u003eRe: Utilization of clinics and need for ambulatory space.\u003c/p\u003e","\u003cp\u003eRe: Correspondence with Gerald R. Donowitz about clerkships and rotation of third-year students.\u003c/p\u003e","\u003cp\u003eRe: Nutrition space, postgraduate medical scientist training program, proposal for voluntary departmental critique service, and faculty research index.\u003c/p\u003e","\u003cp\u003eRe: Hook delves into patient care by residents and resident positions.\u003c/p\u003e","\u003cp\u003eRe: Includes \"Guidelines for Attending Physicians in Internal Medicine\", 1982 and a revised 1990 version, and results from a questionnaire on Inpatient Teaching.\u003c/p\u003e","\u003cp\u003eRe: Hook chaired the 1986-1988 \"Biennial Evaluation and Planning Report Department of Medicine\".\u003c/p\u003e","\u003cp\u003eRe: Billing problems, 1981 \"Memorandum of Understanding,\" raising of professional fees, and after hours services billing difficulties.\u003c/p\u003e","\u003cp\u003eRe: Correspondence with division heads: scheduling of meetings and yearly divisional structure of the department of Medicine.\u003c/p\u003e","\u003cp\u003eRe: Items relating to February 22, 1988 division head retreat.\u003c/p\u003e","\u003cp\u003eRe: Faculty salaries, residents, \u0026amp; recruitment of minority faculty.\u003c/p\u003e","\u003cp\u003eRe: Manuscript projects inpatient \u0026amp; outpatient services and program expansion and new program development for the UVa Hospital.\u003c/p\u003e","\u003cp\u003eRe: Audits, increase in salaries, department contributing 15%, billing, budgets, overhead funds, and payment of facilities.\u003c/p\u003e","\u003cp\u003eRe: Includes speech by Hook to Friends of the Department.\u003c/p\u003e","\u003cp\u003eRe: Hook chaired meetings.\u003c/p\u003e","\u003cp\u003eRe: Hook chaired some of the meetings.\u003c/p\u003e","\u003cp\u003eRe: Proposals from Division Heads in Internal Medicine for new or expanded programs to be considered for funding by the Financial Planning Committee.\u003c/p\u003e","\u003cp\u003eRe: Hook's correspondence regarding medical malpractice insurance.\u003c/p\u003e","\u003cp\u003eRe: Department meeting about creation of major research institute.\u003c/p\u003e","\u003cp\u003eRe: Hook solicits evaluations from department heads about the department of medicine.\u003c/p\u003e","\u003cp\u003eRe: Correspondence with the Office of the dean with Acting Director, Dr. James T. Hamlin.\u003c/p\u003e","\u003cp\u003eRe: 1972 Correspondence between Hook \u0026amp; the Dean of the Medical School.\u003c/p\u003e","\u003cp\u003eRe: Discussion about format/structure of morning report.\u003c/p\u003e","\u003cp\u003eRe: Discussion about combining neurological \u0026amp; neurosurgical service, patient cases, seeing Towers patients in the tower building, C-T program, and hiring personnel.\u003c/p\u003e","\u003cp\u003eRe: Northridge facility.\u003c/p\u003e","\u003cp\u003eRe: Correspondence primarily with John Jane, Chairman, Department of Neurological Surgery; discussion includes patient cases and medical student's training.\u003c/p\u003e","\u003cp\u003eRe: Nuclear Magnetic Resonance.\u003c/p\u003e","\u003cp\u003eRe: Teaching sessions for nursing students.\u003c/p\u003e","\u003cp\u003eRe: Bed closure in Barringer, discussion over incorrect information in a brochure, nursing shortage and implications at UVa, and a report concerning the decentralization of the Department of Subsidiary Nursing.\u003c/p\u003e","\u003cp\u003eRe: Describes the difficulty in obtaining nursing staff for ICU and other units.\u003c/p\u003e","\u003cp\u003eRe: Correspondence discusses nursing concerns, charting vital signs, appointments, patient care and a manuscript about the\"Proposed University of Virginia Institute on Aging\".\u003c/p\u003e","\u003cp\u003eRe: Hook acknowledges nursing staff during week of the nurse.\u003c/p\u003e","\u003cp\u003eRe: Misc. minor issues.\u003c/p\u003e","\u003cp\u003eRe: Meetings \u0026amp; memos regarding Hook's involvement on this task force. Included is the draft of \"The Report of the Organizational Culture Task Force\".\u003c/p\u003e","\u003cp\u003eRe: Correspondence with Warren G. Stamp, Chairman, Dept. of Orthopedics.\u003c/p\u003e","\u003cp\u003eRe: Commercializing your Innovations.\u003c/p\u003e","\u003cp\u003eRe: Misc. pathology issues.\u003c/p\u003e","\u003cp\u003eRe: 20 years of correspondence about department of pediatrics; including dialogue on care for handicapped teenagers, patients with cystic fibrosis, pediatric cardiology, and Children's Rehabilitation Center. Correspondence primarily with Robert M. Blizzard, Chair of Dept. of Pediatrics.\u003c/p\u003e","\u003cp\u003eRe: Report: \"Development of an Adolescent Health Care Program at the University of Virginia Medical Center\".\u003c/p\u003e","\u003cp\u003eRe: Hook is offered the position of Professor \u0026amp; Chairman of the Department of Internal Medicine; TD is Hook's notes on discussion about Medical Service. Includes \"Medical Alumni News Letter\" with a brief introduction\u003c/p\u003e","\u003cp\u003eRe: Brief biographies about Hook, Hook's convocation address, and Hook's awards and certificates\u003c/p\u003e","\u003cp\u003eRe: Included are Hook's typed personal reflections about his tenure as Chairman, Internal Medicine, a write-up for Who's Who in America, and a manuscript, \"Academic Practice and Clinical Research 1950s and 1960s\".\u003c/p\u003e","\u003cp\u003eRe: Misc.\u003c/p\u003e","\u003cp\u003eRe: Building issues.\u003c/p\u003e","\u003cp\u003eRe: Appointments; closue physical therapy acute.\u003c/p\u003e","\u003cp\u003eRe: Mis.\u003c/p\u003e","\u003cp\u003eRe: Hippa.\u003c/p\u003e","\u003cp\u003eRe: Hook disagrees with Dean Carey's proposal draft on a new practice plan regarding salaries.\u003c/p\u003e","\u003cp\u003eRe: Preventive medicine residency program.\u003c/p\u003e","\u003cp\u003eRe: Building policy of primary care, opening of the clinic, evaluation, and coordinating council meetings.\u003c/p\u003e","\u003cp\u003eRe: Response to UVa School of Medicine to the State's need for more and better Primary Care physicians; included is the memo produced by primary care health forum.\u003c/p\u003e","\u003cp\u003eRe: Expanding training in primary care.\u003c/p\u003e","\u003cp\u003eRe: Faculty development project in clinical teaching.\u003c/p\u003e","\u003cp\u003eRe: Policy Committee Meetings, financial practices.\u003c/p\u003e","\u003cp\u003eRe: Committee meetings, included manuscript \"University of Virginia Clinic, Private Division Patient Billing System\".\u003c/p\u003e","\u003cp\u003eRe: Name change of Private Clinic Building, manscript, \"University Hospital, Third Floor; Private Clinics\", by-laws of Private Clinic Division, and Medical Practice Plan, 1979.\u003c/p\u003e","\u003cp\u003eRe: Financial concerns such as billing, fees, insurance and appointment of director.\u003c/p\u003e","\u003cp\u003eRe: Statements of Revenue and Expenses, and CPD Policy Committee meeting minutes.\u003c/p\u003e","\u003cp\u003eRe: Includes reports by Policy Committee on Promotions.\u003c/p\u003e","\u003cp\u003eRe: Requirements for Psychology Students in '68-'69, discussion over admission of patients to Western State, sleep lab, staff additions and promotions, proposal for Division of Behavioral Medicine.\u003c/p\u003e","\u003cp\u003eRe: Financial issues, appointment of Dudley F. Rochester as Head of Pulmonary Medicine, pulmonary rotation at Salem Veteran's Adminstration Hospital, long range planning, use of iron lung.\u003c/p\u003e","\u003cp\u003eRe: Correspondence primarily with Dudley F. Rochester, Head Pulmonary-Allergy Division, Rochester's 1979 report \"The Infectiousness of Tuberculosis: Guideline's for Policy at Blue Ridge Hospital\", a 1986 \"Proposal for Program Activity at Blue Ridge Hospital\", recruitment of an allergist, space concerns, sleep apnea laboratory, bronchoscopy facilities.\u003c/p\u003e","\u003cp\u003eRe: Ventilator-dependent patients, development of Critical Care Program, long range financial support, research sleep disorder laboratory, MICU admissions policy, name change to Division of Pulmonary and Critical Medicine, lung transplants.\u003c/p\u003e","\u003cp\u003eRe: Development of a unit to care for patients requiring long-term respiratory care.\u003c/p\u003e","\u003cp\u003eRe: Development of a sleep laboratory, includes project investigation report.\u003c/p\u003e","\u003cp\u003eRe: Billing, hours, residents, patient cases, and grand rounds.\u003c/p\u003e","\u003cp\u003eRe: Expansion of Rehabilitation Services at Blue Ridge Hospital to include rehab and psychiatric facility, and an expanded alcohol \u0026amp; drug abuse facility.\u003c/p\u003e","\u003cp\u003eRe: Hook identifies areas for improvement in the physical areas of the department.\u003c/p\u003e","\u003cp\u003eRe: Hook deals with a multitude of space and laboratory demands; includes a 1970 proposal for Hook's office area renovation.\u003c/p\u003e","\u003cp\u003eRE: 1976 project needs and report to develop the East Wing of hospital.\u003c/p\u003e","\u003cp\u003eRe: Department of Nursing and Medicine propose changes in the facility to better meet the needs of patients.\u003c/p\u003e","\u003cp\u003eRe: Correspondence primarily with Frederic B. Westervelt, Jr., project report from '65-'66, spacing and financial concerns of renal unit, dialysis fees, and staff positions.\u003c/p\u003e","\u003cp\u003eRe: Correspondence primarily with Frederic B. Westervelt, Division of Renal Medicine, transplant unit, patient cases, salary plans, dialysis services.\u003c/p\u003e","\u003cp\u003eRe: Correspondence chiefly with W. Kline Bolton, Head, Division of Nephrology, department name change, vision for department, renal transplant program.\u003c/p\u003e","\u003cp\u003eRe: Establishing transplant unit, department meetings, renal laboratory, financial concerns, pediatric ICU, Luray Cavern's gift.\u003c/p\u003e","\u003cp\u003eRe: Renal Chemistry Lab, bed allocations, sterilizing water supply.\u003c/p\u003e","\u003cp\u003eRe: Organ transplants, water sterilization, dialysis equipment, ambulatory dialysis facilities.\u003c/p\u003e","\u003cp\u003eRe: Space usage in replacement Hospital, manuscript is the \"Relocation Plan\", Dedication program\u003c/p\u003e","\u003cp\u003eRe: Manuscript \"Report of the Visiting Committee on Research in Science to the University of Virginia, March 19-21, 1981\" and \"Research Portion of Institutional Self-Study.\"\u003c/p\u003e","\u003cp\u003eRe: Documents detail residents responsibilities.\u003c/p\u003e","\u003cp\u003eRe: Clinical Evaluation for Internal Medicine Board Examination and correspondence related to Committee on Clinical Competence.\u003c/p\u003e","\u003cp\u003eRe: Residents taking research electives in other divisions.\u003c/p\u003e","\u003cp\u003eRe:Statistice \u0026amp; information regarding residents.\u003c/p\u003e","\u003cp\u003eRe: Guidelines for Attending physicians, resident support system, appointments, resident workload, childcare for house staff.\u003c/p\u003e","\u003cp\u003eRe: Electives, requirements for training, decline in student's interest (nationwide) in Internal Medicine, accreditation.\u003c/p\u003e","\u003cp\u003eRe: Prospectus for Respiratory Care Unit, 1968, Outline for protocol, purchase of equipment, respiratory inadequacies in MICU in 1980s.\u003c/p\u003e","\u003cp\u003eRe: Correspondence with John S. Davis, IV, head of the Division of Rheumatology, includes yearly status reports, finances, fellowships, staffing, report on the Arthritis Rehabilitation Unit.\u003c/p\u003e","\u003cp\u003eRe: Correspondence with John S. Davis, IV, head of the Division of Rheumatology, includes patient visits, faculty, patient care, Center for Arthritis and Lower Back Pain, yearly status reports.\u003c/p\u003e","\u003cp\u003eRe: Hook's correspondence with James W. Craig, M.D.\u003c/p\u003e","\u003cp\u003eRe: Hook's 1973 correspondence with William R. Drucker, M.D.\u003c/p\u003e","\u003cp\u003eRe: Hook's 1974 correspondence with William R. Drucker, M.D.\u003c/p\u003e","\u003cp\u003eRe: Hook's 1975 correspondence with William R. Drucker, M.D.\u003c/p\u003e","\u003cp\u003eRe: Hook's 1976 correspondence with William R. Drucker, M.D.\u003c/p\u003e","\u003cp\u003eRe: Hook's 1977 correspondence with William R. Drucker, M.D. and his successor Norman J. Knorr, M.D.\u003c/p\u003e","\u003cp\u003eRe: Hook's 1978 correspondence with Norman J. Knorr, M.D.\u003c/p\u003e","\u003cp\u003eRe: Hook's detailed notes on meetings with Robert M. Carey.\u003c/p\u003e","\u003cp\u003eRe: Hook's detailed notes on meetings with Robert M. Carey.\u003c/p\u003e","\u003cp\u003eRe: Hook is the chairman of the committee who wrote this report, \"Staffing Plan: 1975-1980\".\u003c/p\u003e","\u003cp\u003eRe: Divisions within the Department of Internal Medicine make future projections, included is a 1976 Report by William R. Drucker, M.D. titled, \"Academic Planning Schools of Medicine, University of Virginia\".\u003c/p\u003e","\u003cp\u003eRe: Comprehensive evaluation of the Department of Internal Medicine, 1981\u003c/p\u003e","\u003cp\u003eRe: Evaluation of Resources and Programs, Department of Internal Medicine.\u003c/p\u003e","\u003cp\u003eRe: Hook's involvement in sensitivity testing for a new synthetic antibiotic, staphcillin.\u003c/p\u003e","\u003cp\u003eRe: Hook's correspondence with the Director of Student Health, James L. Camp II, M.D. and his successor , Richard P. Keeling, M.D.\u003c/p\u003e","\u003cp\u003eRe: Hook's correspondence about student clerkships, evaluations, and test scores.\u003c/p\u003e","\u003cp\u003eRe: Student clerckships, evaluations, grading system, and a student study, \"Assessing Rapport in the Tertiary Care Setting.\"\u003c/p\u003e","\u003cp\u003eRe: Hook's correspondence with UVa's president's office - name suggestions for committees and UVa President.\u003c/p\u003e","\u003cp\u003eRe: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.\u003c/p\u003e","\u003cp\u003eRe: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.\u003c/p\u003e","\u003cp\u003eRe: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.\u003c/p\u003e","\u003cp\u003eRe: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.\u003c/p\u003e","\u003cp\u003eRe: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.\u003c/p\u003e","\u003cp\u003eRe: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.\u003c/p\u003e","\u003cp\u003eRe: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.\u003c/p\u003e","\u003cp\u003eRe: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.\u003c/p\u003e","\u003cp\u003eRe: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.\u003c/p\u003e","\u003cp\u003eRe: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.\u003c/p\u003e","\u003cp\u003eRe: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.\u003c/p\u003e","\u003cp\u003eRe: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.\u003c/p\u003e","\u003cp\u003eRe: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.\u003c/p\u003e","\u003cp\u003eRe: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.\u003c/p\u003e","\u003cp\u003eRe: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.\u003c/p\u003e","\u003cp\u003eRe: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.\u003c/p\u003e","\u003cp\u003eRe: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.\u003c/p\u003e","\u003cp\u003eRe: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.\u003c/p\u003e","\u003cp\u003eRe: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.\u003c/p\u003e","\u003cp\u003eRe: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.\u003c/p\u003e","\u003cp\u003eStethoscope used by Dr. Edward W. Hook.\u003c/p\u003e","\u003cp\u003eStethoscope used by Dr. Edward W. Hook.\u003c/p\u003e","\u003cp\u003eThe Lumica Sprague Rapport Stethoscope is advertised as 5 stethoscopes in one.\u003c/p\u003e","\u003cp\u003eFilm produced by the National Audiovisual Center, Washington, D.C. 20409\u003c/p\u003e","\u003cp\u003eDiscussion of Warner's Syndrome by Dr. Hook.\u003c/p\u003e","\u003cp\u003eGlass tube with glass stopper and a plastic valve.\u003c/p\u003e","\u003cp\u003eEdward and Jessie Hook had a son named Robert (Randy) Hook who died in 2005\u003c/p\u003e","\u003cp\u003eIncudes recognition from the American Society for Microbiology, the American College of Physicians, the Association of Professors of Medicine, UVA Department of Medicine, Minority Medical Education at UVA, University of Hawaii, Medical Academic Advancement Program.\u003c/p\u003e","\u003cp\u003eIncludes a Christmas poem from staff, \"The Saga of Endicott U. or Why Dean Hook Needs a Consultant or Two\" by William D. Mayer, Mushrooms by Omar Hook and \"Ode to Ed Hook\" by Buck Crockett\u003c/p\u003e","\u003cp\u003eIncludes photo of Munsey Wheby, Walker Smalley, Nicholas Gemma and Hook\u003c/p\u003e","\u003cp\u003eThe annual calendars have one space for each day. They also have a number of notes written on the back side.\u003c/p\u003e","\u003cp\u003eIncludes Remarks for the Decoration of Late Dr Hook from the Janpan Anti-Tuberculosis Association, A Genealogy in Humanistic Medicine Dedicated to Edward W. Hook, Jr., by David W. Markham, a cablegram from Ministry of Health and Welfare (Japan), and tributes to Dr. Eward W. Hook, Jr. by Robert M. Carey and also Marcia Day Childress in \"Medical AlumNews,\" Spring 1999.\u003c/p\u003e","\u003cp\u003ePossibly for celebration honoring Hook for service as Chair of Department of Medicine due to last date on paper being 5/25 and his celebration was May 26, 1990\u003c/p\u003e","\u003cp\u003eMemorial program, tributes, obituaries, newsclippings, and correspondence of Marcia Day Childress reltated to Hook's death and memorial service.\u003c/p\u003e","\u003cp\u003eIncludes US Japan Cooperative Medical Science Program medal and paperweight; Johns Hopkins Society of Scholars medallion; American Journal of Medicine coaster; UVA extraordinarily elaborate boxed invitation to fund-raising events; UVA Department of Internal Medicine tie tacks; UVA medallions commemorating new hospital; UVA Lawn Society paperweight; American College of Physicians medallion, pewter cup, silver cup, and medallion; Southern Society for Clinical Investigation medallion; ABIM paperweight case (no paperweight); Institute of Medicine paperweight; and a  display stand. Also included are certificates from American Osler Society, Georgia State Board of Medical Examiners, Maryland State Board of Medical Examiners, Sigma Alpha Epsilon, American Board of Internal Medicine, Grady Hospital, and Johns Hopkins Society of Scholars.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Edward Watson Hook papers reflect his wide-ranging professional activities related to heading the Department of Internal Medicine, participating in the larger Health System/University processes, and pursuing his own research and external activities. The documents detail Hook's direct personal participation in professional organizations and also show the wide range of details he coordinated in running the department of internal medicine. A noteworthy aspect of the collection includes an unpublished History of the Department of Medicine written by Byrd Leavell. Hook read and critiqued the manuscript, but Leavell died before completing the book. Also, Hook conducted a series of interviews with Thomas H. Hunter which complement with the Thomas H. Hunter papers, MS-4, Claude Moore Health Sciences Library.","Re: Hook Service on Panel - UVa accreditation.","Re: Examinations.","Re: Correspondence and related documents; related to Hook's UVa chairmanship.","Re: UVa related.","Re: UVa related; some documents have Hook's AN's.","Re: UVa related.","UVa Related.","Re: UVa Related.","Re: UVa related; many documents have AN's by Hook.","Re: UVa related.","Re: UVa related.","Re: UVa related.","Re: UVa related.","Re: Correspondence and related documents; related to Hook's membership of the Board of Governors. Also, meeting schedules are included.","Re: Nominations, committee appointments - related to the Board of Governors.","Re: Board of Governors related.","Re: Board of Governors related.","Re: Board of Governors related.","Re: Board of Governors related; misc., including clinical judgment pretest content.","Re: Board of Governors related.","Re: Board of Governors related.","Re: Board of Governors related; misc., including evaluation of procedural skills of residents.","Re: Board of Governors related, misc, including evaluating procedural skills of residents.","Re: Board of Governors related; committee appointments.","Re: Board of Governors related; misc., including membership nominations, PMP evaluations.","Re: Board of Governors related, misc, including certification standards, rating humanistic qualities.","Re: Board of Governors related.","Re: Board of Governors related.","Re: Board of Governors related.","Re: Board of Governors.","Re: Committees: CECC (Committee to Evaluate Clinical Competence).","Re: Committees: CECC \u0026 Subcommittee to Standardize Programs of Evaluation of Clinical Competence at the Local Level (SSPECCLL).","Re: Committees; CECC and SSPECCLL.","Re: Committees; CECC and SSPECCLL.","Re: Committees; CECC and SSPECCLL.","Re: Committees; CECC and Subcommittee to Review Special Evaluations.","Re: Committees; CECC and SSPECCLL.","Re: Committees; CECC and SSPECCLL.","Re: Committees: CECC, SSPECLL, misc, including history of CECC, 1970-1987.","Re: Committees; CECC - Advisory committee to CECC (includes Clinical competence and Hospital visit programs, history of CECC and Hook's involvement).","Re: Committees; subcommittee on hospital visit program (part of CECC), includes Hook's AN's on program.","Re: Hospital Evaluation visits, including Hook's report on Louisiana State University Medical Center visit.","Re: Hospital Evaluation Visits, including Hook's evaluation of Ochsner Medical Foundation, New Orleans.","Re: Hospital Evaluation Visits, Hook's evaluation of University of South Florida affiliated Hospitals.","Re: Hospital Evaluation Visits, Hook's evaluation of St. Elizabeth's Hospital, Elizabeth, NJ.","Re: Hospital Evaluation Visits, Hook's evaluation of University of Miami/Jackson Memorial Medical Center.","Re: Hospital Evaluation Visits, Hook's evaluation of Orlando Regional Medical Center, Florida.","Re: Hospital Evaluation Visits, Hook's evaluation of Providence Hospital, Washington D.C.","Re: Hospital Evaluation Visits, Hook's evaluation of Atlantic City Medical Center, N.J.","Re: Hospital Evaluation Visits; Hook's evaluation of Jersey City Medical Center.","Re: Hospital Evaluation Visits; Hook's evaluation of Booth Memorial Medical Centery, Flushing, N. Y.","Re:Committees; Subcommittee to Review Special Evaluations (part of Committee to Evaluate Clinical Competence).","Re: Committees; Subcommitte on Humanism (part of committee to evaluate clinical competence - CECC) - Hook served on subcommittee and includes preliminary material to forming subcom.","Re: Committees; Subcommittees on Humanism including planning formation of subcommittees, many AN's on documents.","Re: Committees; Subcommittee on Humanism.","Re: Committees; Subcommittee on Humanism (planning formation of subcommittee).","Re: Committees; Subcommittee on Humanism (subcommittee meeting).","Re: Committees: Subcommittee on Humanism (subcommittee meeting).","Re: Committees; Subcommittee on Humanism (subcommittee meeting).","Re: Committees; Subcommittee on Humanism (April meeting).","Re: Committees; Subcommittee on Humanism (October meeting).","Re: Committees; Subcommittee on Humanism.","Re: Committees; Subcommittee on Humanism.","Re: Committees; Subcommittee on Humanism (MS describes experiences of a UVa patient).","Re: Committees; Subcommittee on Humanism (1985 Guide to Humanistic Qualities in the Internist, Hook in one of the authors).","Re: Committees; Subcommittee on Humanism.","Re: Committees; Subcommittee on Humanism (Humanism Guide).","Re: Conferences (Hook presentation on geriatrics).","Re: Conferences (Hook presentation on evaluation of humanism).","Re: Conferences (Hook comments on task force report).","Re: Report on Clinical Competence, Report on Committee on Standards of Excellence.","Re: Reports: Evaluation of Clinical Competence.","Re: Policies \u0026 Procedures, Evaluation of Clinical Competence, Evaluation of Residents.","Re: Hook's presentation on evaluation of noncognitive skills and clinical performance.","Re: Hook's election, participation in specific events.","Re: ACP course \"Recent Advances in Infectious Diseases\" at UVa. Newsclipping about Hook being elected governor of Virginia for ACP.","Re: ACP chapter in Virginia (regional meeting planning \u0026 program, course \"Current Concepts of Clinical Infectious Disease\").","Re: By-laws revision regarding UVa ACP membership, statement on in-patient respiratory care, programming, Hook's election as President, financing graduate medical education, practice abroad programs, relocation of ACP headquarters, report of Task Force on College Structure and Function, long-range planning.","Re: Hook's presidency, headquarters move, conference planning, meeting planning, ACP executive vice president search, graduate medical education.","Re: Hook's presidency, conference \u0026 meeting planning, funding graduate medical education, executive vice president search, primary care physicians within ACP.","Re: Hook's presidency, meeting planning, executive vice president search, funding of graduate medical education, Hook Senate testimony, Canadian ACP membership.","Re: Hook's presidency (and later), ACP delineation of responsibilities, support for general internal medicine and its protection by ACP, executive vice president search, medical infomatics, relations with other medical associations, conference planning, graduate medical education funding, ACP scholarships, translation of MKSAP into Japanese, Supreme Court decision on ACP tax question.","RE: Misc; nominations of Veldhuis for award.","Re: Membership fellowships.","Re: Medical faculty as clinicians, family practice residencies \u0026 clerkships, radon.","Re: Meeting, young clinical investigator award.","Re: Editorial Board of journal \"Animicrobial Agents \u0026 Chemotherapy\", \"Journal of Clinical Microbiology\" controversy, memberships.","Re: Membership, journals; editorial work, content.","Re: Relations between ASIM and American College of Physicians.","Re: Miscellaneous; AAMC agreement with Association of Professors of Medicine, houses staff remuneration, faculty practice survey, women in medicine program, work group on withholding physician's services, executive development seminar.","Re: Miscellaneous, mostly support of nominations for membership.","Re: UVa faculty nominations.","Re: Legislation affecting physicians; relations with other organizations; misc. business (Hook served on APM council 1977-1980; APM president 1981-82).","Re: Legistaion, meetings, council meeting items.","Re: Legislation, meetings, issues affecting internal medicine - Hook's presidency of APM.","Re: Legislation, issues affecting internal medicine, graduate medical education meetings - Hook's presidency of APM.","Re: Legislation, issues affecting internal medicine, meetings - Hook's presidency of APM.","Re: Legislation, issues affecting internal medicine, graduate medical eduction, APM functions and budget.","Re: Legislative issues - correspondence to and from congress members.","Re: Correspondence with legislators; Hook's Senate testimony on research funding.","Re: APM Task Force on Manpower Needs (Hook was a member).","Re: UVa departmental profile - UVa questionnaire results on internal medicine training program.","Re: Misc. issues relating to residency training, certification standards, meetings, membership.","Re: Hook's participation on Board grant appraisals.","Re: Hook presidency, relations with other associations, programming, guidelines for antimicrobial therapy.","Re: Hook presidency; guidelines for antimicrobial therapy, guidelines for training in infectious diseases, accreditation of conference by AMA.","Re: Miscellaneous business - programming, awards, Journal of Infectious Disease.","Re: Miscellaneous society business - Journal of Infectious Diseases, Hook's presidential address, \"The Evolution of the clinical subspecialist in Infectious Diseases,\" definition of membership, subspecialists.","Re: Meetings, selection of presentations.","Re: programs, unification of Medical Society with AMA.","Re: Meetings - minutes of meetings in which Hook participated.","Re: nomination of officers \u0026 members, Journal of Medical Sciences as official society publication, Founder's Award to Hook in 1985.","Re: Cooperative medical programs with Brazilian Universities, visit by Hook and Knorr.","Re: Hook's participation in conference.","Re: Family practice, physician shortage.","Re: ACP/ASIM collaboration; Medicare, primary care.","Re: Formation of VCIM - manpower study.","Re: History of program, meeting documents, reports.","Re: Meetings and reports.","Re: Meetings and reports.","Re: Meetings and reports, Hook-Shimao report on leprosy panel.","Re: Meetings and reports.","Re: Meeting and reports; Hook hepatitis panel review.","Re: Meetings and reports; including Hook cholera review report.","Re: Meetings and reports; Hook tuberculosis panel report.","Re: Meetings and reports.","Re: Meetings and reports; Hook report on malnutrition panel.","Re: Hook's reviews of minority scholars' research plans for RSJ Foundation, annual meeting documents.","Re: Board meetings, committee on the future of the Clinical Scholars Program.","Re: report by Committee on the Future of the Clinical Scholar's program - committee formed by Hook in 1979; he served as exofficio member - recommends that the program continue, article on the program's history.","RE: Conference and publication regarding development of guidelines for physicians in terminally ill cases.","Re: Conference and publication regarding physician's influence on the dying process.","Re: Preparation of a publication on physicians and hopelessly ill patients.","Re: Publication of an article in New England Journal of Medicine.","Re: \"Notes on Trip to Africa and Asia\" - described medical care, research, and socio-economic conditions; visits intended to survey possibilities of affiliation between an African hospital and Cornell Medical Center; visits facilities in Nigeria, Lagos, Ibadan, Johannesburg, Nairobi, Kampala, Entebbe, Tororo, Cairo, Karachi, Lahore, Calcutta, Bangkok, Hong Kong, \u0026 Tokyo.","Re: Notes on a Trip to South America\" - describes medical care, research, and socioeconomic conditions, visit intended to survey possibilities of affiliation between a South American hospital and Cornell Medical Center, visits to facilities in Bahia, Buenos Aires, Lima, Rio de Janeiro, \u0026 Santiago.","Re: Summary report 1964-1972, annual report 1964-1965.","Re: Annual Report 1963-1966, report of activities 1967-1969.","Re: Correspondence and related documents associated with Hook's visits to Brazil prior to establishment of the Cornell-Bahia program.","Re: Correspondence and related documents associated with Hook's service as head of the program, and subsequent role as consultant.","Re: Correspondence and related documents associated with Hook's role as consultant to the program.","Re: Part of application for funding to continue project that Hook helped to establish and run.","Re: Hook's participation in site visits to projects funded by NIH - NIAID (Title/contents pages only; instructed by NIAID not to retain reports.","Re: Commercial program offering medical seminars to Japanese physicians.","Re: Medical research done by Hook while in the army in Alabama.","Paper by Hook and Wagner: \"Resistance-Promoting Activity of Endotoxins and other Microbial Products\".","Re: Streptococcal infections - influenza, pulmonary infection program meeting.","Re: Salmonella research - outbreak at New York hospital.","Re: Salmonella research, publications, grants, antibiotics use in animal feed.","Re: \"Lectures, Talks, Remarks - Book 1, Edward W. Hook\" (removed from binder).","Re: \"Lectures, Talks, Remarks - Book 1, Edward W. Hook,\" continued (removed from binder); see folder 1 for table of contents.","Re: \"Lectures, Talks, Remarks - Book 1, Edward W. Hook,\" continued (removed from binder); see folder 1 for table of contents.","Re: \"Lectures, Talks, Remarks - Book II, Edward W. Hook\" (removed from binder).","Re: \"Health Care and the Medical School: Responsibilities and Responses\"; Convocation Address, American College of Physicians, \"On My Mind,\" Alpha Omega Alpha lecture; \"Research: A Chairman's Perspective\".","Re: Pacesetters of the American Image, Typhoid Fever and Other Salmonella Infections: Internal Medicine Grand Rounds; Medicare: A Strategy for Quality Assurance.","Re: Humanities in Medicine: Treatment for a Deficiency Disorder?; Comments at AOA Dinner, Medical College of Pennsylvania; same title for The Jeremiah Metzger Lecture given October 23, 1996 at American Clinical and Climatological Association meeting","Re: Presentation of the 1996 George M. Kober to Robert G. Petersdorf; Medical Education: New Challenges - New Directions; Presidents Address: Pacesetters of the American Image.","Re: Table of Contents and Chapters I-VII of the Leavell manuscript (removed from black leather binder).","Re: Professors of Medicine 1900-19 [Chapter VI?] (removed from black leather binder).","Re: Chapter: Subspecialty Divisions.","Re: Professors of Medicine 1900-19 [Chapter IX] (revised version).","Re: Revisions, additions to the Leavell manuscript - some by Hook.","Re: Revisions of, additions to Leavell manuscript.","Re: Correspondence and notes on the history of the department.","Re: Correspondence and notes on histories of departments.","Re: Correspondence and notes on histories of departments.","Re: Correspondence and notes on histories of departments.","Re: Correspondence and notes on histories of departments.","Re: Correspondence and notes on histories of departments.","Re: Manuscript by Fitzhugh on history of otolaryngology at UVa.","Re: Crispell's career as a faculty member at UVa (press releases), manuscript on Thomas Jefferson and medicine written by Crispell.","Re: Correspondence and press releases on Crockett's UVa career.","Re: Correspondence and notes on Blackford's UVa career.","Re: Correspondence and notes on Landis.","Re: Correspondence and notes by and about UVa physicians, including notes from interview with Dr. Thomas Hunter, also information about Hart and Mulholland.","Re: Swineford's UVa career, establishment of Swineford Allergy Fund and lectures.","Re: Correspondence and notes on history of house staff.","Re: A rewrite of Leavell's earlier text.","Re: Maricia Day Finney assists Leavell in re-writting his manuscript, included is re-worked Chapters 1-5 and 5 brief bios on key medical men at UVa.","Re: Contents relate to the Leavell's career at UVa, including his curriculum vitae, newpaper \u0026 journal clipplins, his participation in conferences, and an essay written on William C. Dabney.","Re: Leavell researches Virginian history, in particular Robert E. Lee.","Re: Recruitment of black faculty.","Re: AIDS cases, policies, \u0026 procedures at UVa hospital.","Re: AIDS cases, policy, \u0026 procedures at UVa hospital.","Re: UVa AIDS grant application.","Re: AIDS cases, policy, \u0026 procedures at UVa hospital.","Re: Personnel, facilities, residency program, conference, etc.","Re: Personnel, facilities, residencies, conference, etc.","Re: Personnel, patient visit statistics and surveys, space allocation, procedures, planning, administration, proposal for outpatient department, ambulatory surgery facility.","Re: Personnel, space allocation, patient surveys, productivity, procedures, third year ambulatory care rotation, reorganization, \u0026 conferences.","Re: Personnel, productivity, patient surveys, space allocation, ambulatory care education, \u0026 information manual.","Re: Personnel, residencies, teaching, patient care, \u0026 procedures.","Re: Grant proposal for Area Health Education Center.","Re: Documents fundraising attempts to solicit department chairs, includes thank you letters to contributors - Hook is chairman of the committee.","Re: Soliciting pharmaceutical companies for money to support UVa hopsital's art program - Hook is chairman of the committee.","Re: Soliciting funding for the arts program - Hook is chairman of the committee.","Re: The development of a program in the arts at UVA hospital, including prospectus and a document reviewing the minutes of the arts committee from 1988-1995 - Hook is chairman of the committee.","Re: The involvement of the Hospital Auxiliary in rotating art exhibits.","Re: Development of art program and acquisition of works of art, including the prospectus and art forms and also correspondence with various artists.","Re: Removed from a binder titled \"Medical Art\"; kept in its original order; contains purchases, invoices, and correspondences with artists.","Re: Removed from a binder titled, \"Medical Art\"; kept in its original order, contains purchases, invoices, and correspondences with artists.","Re: The development and operations of the Health Sciences Arts Committee.","Re: Correspondence with Ann Johanson, David M. Browne, and Ellen Driscoll.","Re: Miscellaneous business of the UVa hospital arts committee of which Hook is the chairman; formation of committee and proposed agenda, selection of artists, and other matters concerning placement of portraits and requesting art space.","Re: Miscellaneous business of Arts Committee for UVa hospital which Hook is the chairman, includes discussions of placement of flags, development of patient handbook, art storage and workroom, and continued membership of committee including Hook's farewell letter to committee.","Re: Selection of an art curator for arts program at UVa hospital.","Re: Continued membership and new members to the UVa hospitals Arts Committee.","Re: Results of questionnaire asking for people's opinions of artwork chosen by Arts Committee for UVa hospital.","Re: Autopsy guidelines, statistics, permission procedures.","Re: Statistics, report on Autopsy at UVa hospital, and recommendations.","Re: Litz, Culpeper Foundation, Pratt Awards.","Re: Residencies and clerkships, grant proposal, personnel, facilities, evaluation and planning.","Re: Classes, personnel.","Re: Department name change, hypertonic therapy, conference.","Re: Internal medicine resident coverage at Blue Ridge, space for geriatrics clinic, shift of adult rehabilitation services to Blue Ridge, problems with care for acute care patients at Blue Ridge, issues concerning space for Internal Medicine at new multi-story hospital.","Re: Proposed plan to build new hospital at Blue Ridge site; opposition by Internal Medicine Faculty.","Re: Development of bone marrow transplantation program at UVa; procedures.","Re: Establishment, development of cancer center at UVa; personnel, space, funding issues.","Re: Development of a comprehensive cancer program at UVa hospital.","Re: Personnel, staffing, patient care, funding, space allocation issues; procedures, history of division.","Re: Primarily contains 1982 correspondence with George A. Beller M.D., Head, Division of Cardiology but also includes Cardiovascular Research correspondence and information about the Hypertension Unit.","Re: 1983 correspondence primarily with Head, Division of Cardiology, George A. Beller, M.D.","Re: Primarily the 1984 correspondence with George A. Beller M.D., Head, Division of Cardiology.","Re: Primarily the 1985 correspondence with George A. Beller, Head, Department of Cardiology, including funding, personnel, and space issues.","Re: 1986 correspondence primarily with George A. Beller, Head, Division of Cardiology and includes inpatient and outpatient fees, wellness center, computer systems, cardiac catheterization reports, and a discussion on the Adenosine Program project.","Re: 1987 correspondence, primarily with George A. Bellers, Head, Division of Cardiology and includes discussions on introducing new technology, LBJ Family Foundation, Cardiac Rehabilitation program, cardiac catheterization laboratory, animal research, and marketing strategy in the Cardiology Division.","Re: Personnel, staffing, patient care, funding space allocation issues; procedures.","Re: personnel, staffing, patient care, space allocation issues; cardiology services for Martha Jefferson Hospital, finances.","Re: Personnel, finance, space allocation, staffing issues, cardiology services provided to Martha Jefferson Hospital.","Re: Personnel, finance, patient services, space allocation issues; cardiology services offered by UVa to Martha Jefferson Hospital; same day catheterization; angioplasty; possible relationship with Augusta Hospital.","Re: Establishment, use, scheduling of facility.","Re: Equipment malfunctions, increase in use and need for third lab, administration, patient scheduling.","Re: Development of cardiac rehabilitation program at Boar's Head Sports Club.","Re: Standards of care; funding; community program.","Re: Development of a mobile coronary care unit (establishment of guidelines); gift of Mrs. Lyndon Johnson to coronary care unit (July 2, 1973); renovations and equipment in CCU and admission and operational policies; CCU privileges; responsibilities of CCU residents.","Re: Center's advisory board; also a draft of Biomedical Ethics at the University of Virginia which includes 4 goals: Biomedical Ethics in the Medical School Curriculum, Ethics Consultation Service, Advanced Education in Clinical Ethics, and Outreach Programs","Re: Establishment of center; development of occupational medicine program, grant applications, personnel, contract with General Electric Co., Center Advisory committee meeting minutes.","Re: Minutes of advisory committee, funding \u0026 grant applications, occupational medicine, affiliation with UVa departments \u0026 schools, residency program in preventive medicine, CPDI brochure, planning report.","Re: Establishment, occupation of various Internal Medicine Chairs (Wood, Hunter, Janssen, Madge Jones, Nettie Marie Jones (Stone), Hook, and John Guerrant).","Re: Establishment, occupation of various chairs (Jordain, Leavell, Mulholland, Peters, Richardson-Vicks, Scripps, Trolinger).","Re: Establishment, occupation of Swineford chair.","Re: 1979 trip made by Hook as part of ACP delegation; subsequent visits by Chinese to University of Virginia, includes articles by Hook in Chinese.","Re: Evaluation of student \u0026 of physicians by students, content and structure of program, guidelines \u0026 procedures.","Re: Evaluation of students and of physicians by students, content, structure of program, personnel.","Re: Funding \u0026 finances, grants, personnel, space \u0026 equipment, Poison Control Center.","Re: Establishment of center, approval of research protocols, personnel, housestaff coverage, activities, location, grant funding.","Re: Critique, evaluation, improvement of internal medicine clerkship.","Re: Problems with new medical information system.","Re: Medical Center laboratory activities.","Re: Covers Hook's involvement in the curriculum committee at UVa's school of medicine, includes Hook's handwritten notes on committee agendas.","Re: Issues addressed by committee, minutes of meetings.","Re: Issues addressed by committee, meetings, minutes.","Re: Issues addressed by committee, meetings, minutes.","Re: Development of Ethics Committee, issues addressed, minutes of meetings.","Re: Discussion of UVa's policy on house staff \"moonlighting\" at other organizations.","Re: Items taken out of Hook's binder entitled, \"Confidential: Finance Committee, Department of Medicine\" - includes a report of the AdHoc Remunerations Committee, May 1975 and a Proposal for an incentive Plan of the Clinical Faculty of the University of Virginia School of Medicine.","Re : Hook chaired a committee to oversee fundraising campaigns; established the Friends of the Department of Medicine.","Re: Physicians participation in medicine, representation of Internal Medicine Department on the committee.","Re: Requests for topics to be considered by committee, including malpractice premiums, control of expenditures, salaries, funding, radiology charges.","Re: Problems with research protocols.","Re: Report of Dean Knorr's committee to renew department of internal medicine, and department member's response to report.","Re: Number of positions per department, salaries, financing, new residencies, etc.","Re: Number of positions per department, salaries, new residencies, applications, financing, etc.","Re: Number of positions per department, salaries, new residencies, applications, etc.","Re: Number of residents per department, primary care residents, applications, salary, budget, etc.","Re: Richard Guerrant chairs internship Advisory Committee.","Re: Response to JCAH criticism of floor labs at UVa.","Re: Activities of committee to address space requirements, renovation, acute bed shortage.","Re: Nursing shortage, pay differential","Re: Minutes of comm. discussing various operational communication issues in Internal Medicine Department.","Re: Meeting quality assurance, requirements of Joint Commission Accreditation.","Re: Admissions to school, naming of UVA hospital, faculty practice plan, items for agendas of meetings.","Re: Hook's position on tenure.","Re: Establishment, structure, policies of transplantation program at UVa.","Re: Documentation of planning and development of UVa's hospital.","Re: Incident involving breach of confidentiality \u0026 confidentiality policy.","Re: Guidelines for consultations, problems with consultations.","Re: Continuing education events by Department of Medicine.","Re: Changes in curriculum, clerkships, teaching effectiveness.","Re: Establishment of critical care, subspecialty at UVA, lack of critical care beds \u0026 establishment of a triage system.","Re: Required CPR training and problems with payment/charges.","Re: Diabetes Unit at Blue Ridge Hospital.","Re: Diabetes Unit at Blue Ridge Hospital.","Re: DRG reports for Department of Internal Medicine.","Re: Do Not Resuscitate Policy","Re: Concerns emergency room care while Hook was a professor of Internal Medicine and Chairman, Department of Medicine.","Re: Hook's involvement in ER administration including discussion on salaries, hiring faculty and faculties duties, triage policy, and security protection.","RE: Hook's involvement in ER administration including ER at Blue Ridge Hospital, development of health care facility at Lake Monticello, funding for 24 hour/7 day week faculty coverage, use of fellows as triage officers, GI bleeding, and budget concerns.","Re: Discussion includes the employee health clinic serving the entire medical center and themovement of clinic to new location.","Re: Hook's involvement in the department of endrocrinology and metabolism including discussions on the tenuous relationship between endrocrinology and the department of pediatrics, budget and space concerns, the use of fellows instead of physicians to treat patients, and \"competing\" labs in endrocrinology.","Re: Hook's involvement with the Department of Endocrinolgy and Metabolism including discussions about purchasing equipment, space and budget concerns, and problems with the diabetes unit.","Re: Hook's involvement with the Department of Epidemology, especiallyJack M. Gwalthey M.D., and includes discussion of HIV testing and ethics of testing blood of patients without patient identification.","Re: Hook and William G. Thurman initially serve as co-chairmen of this division.","Re: Hook's involvement of fundraising efforts for the Department of Internal Medicine including thank you's for gifts, possible financial contributors, and fundraising campaigns.","Re: Giving scholarships to students from disadvantaged backgrounds, in particular rural areas.","Re: Hook's involvement with dedicating a courtyard garden in honor of Elizabeth Brown Mulholland Gamble.","Hook's involvement with the Division of Gastroenterology, in particular department head, Richard McCallum.","Re: Meetings that Hook was mentioned or directly involved with.","Re: Primarily Hooks correspondence with Robert A. Reid, Primary Health Care, Ambulatory Division and includes handling and billing of ambulatory patients, primary care rotations, satellite clinic in Orange, and renovation of the primary care center.","Re: Issues and concerns concerning the Department of General Medicine headed by David Fedson, including patient cases \u0026 problems (one involving a racist patient), decline of patients in GMC, finances, GMC rotations and the activities of the primary care clinic.","Re: Non-profit medical center program in Gordonsville served by the Health Service Foundation.","Re: The medical center's branch in Orange.","Re: Issues and concerns of the Deparment of Geographic Medicine headed by Richard Guerrant.","Re: Development of the Department of Geriatrics headed by Richard Lindsay; includes a 1977 proposed plan for UVa geriatric plan and testimony given before the joint subcommittee on Aging, The General Assembly, 1979.","Re: Development in the Division of Geriatrics, including proposals, reports, and house bills.","Re: Development of programs for the elderly, including a 1979 manuscript, \"A Survey of Geriatric Medical and Nursing Education in the United States and Virginia.\"","Re: Hook wants Geriatric medicine at UVA Hospital to be viewed as the first server for elderly and desires an interdisciplinary approach.","RE: Hook's involvement in promoting Geriatrics in 1988; requesting funds from the state for UVa's geriatric efforts, trying to get School of Nursing and School of Medicine to work together, geriatrics \u0026 Blue Ridge (Homeward Bound House), and accreditation.","Re: Issues and concerns with the Division of Geriatrics including responsibilities of residents, plans for Nursing Home and Clinics, difficulties with the location of the Geriatric Clinics for the elderly patients, establishing the move of geriatrics Clinic to Blue Ridge, and assuming the space formerly occupied by the \"Pink Ladies Canteen.\"","Re: Details Hook's involvement in attempting to secure accreditation for a training program in geriatrics and includes their grant application. After it was withheld by ACGME in 1988 and 1989, Hook challenges their decision.","Re: Hook's involvement in discussing the possibility of a joint endeavor in the area of Alzheimer disease and long-term health care.","Re: Hook wants greater participation by the Department of Internal Medicine in the development of a home health care system.","Re: Documents include discussing the relationship between the School of Nursing and the Department of Geriatrics in establishing a Geriatrics/Rehabilitation Clinic at Blue Ridge Hospital. Includes in folder is a typed proposal and a typed manuscript, \"Teaching/Research Nursing Home,\" written by Richard Lindsay.","Re: Hook desires faculty involvement in developing a teaching nursing home at UVA.","Re: Working out the contract agreement between UVA Health Services Foundation and the Marriott for the UVA retirement community, the Colonnades.","Re: UVa Hospital is interested in a Shared Adult Home with the City of Charlottesville and JABA.","Re: Participation, speakers, and evaluations of Grand Rounds.","Re: UVa patient cases and discussion of disease and treatments in the grand rounds of the Department of Internal Medicine.","Re: Primarily Hook's correspondence with Donald J. Wright and Jules I. Levine concerning needs of the Medical Center.","Re: Hiring Robert Reynolds and securing office and bed space.","Re: Chiefly correspondence between Hook and Don E. Detmer, Vice President for Health Sciences and includes discussion about the medical center name change to Health Sciences Center and distribution of a generous gift by Madge Jones.","Re: Discussions about disability plan, department deficits, organization structures of UVa Health Services foundation \u0026 affiliated foundations \u0026 committee structure.","Re: Miscellaneous issues: Signing checks, professional fees policy, loan funding, retirement plans, billing from Health services, \u0026 classification of patients.","Re: Discussion about billing system of UVa hospital \u0026 foundation.","Re: Expenditures of Health Services funds.","Re: Munsey Wheby is a part of a committee to reevaluate the bylaws of the Health Services Foundation.","Re: Fringe benefits package for faculty such as life insurance, disability, and travel insurance. Included is a 1983 report of the Faculty Fringe Benefits Committee.","Re: Deals with a job description of Executive Director of the Foundation and Hewitt's Incentive Plan Design.","Re: Medical Malpractice.","Re: Evolution of malpractice insurance in UVa Hospital from in 1969 not all house staff covered by insurance to the premiums listed in 1990.","Re: Hook favors a helicopter system.","Re: Hook wants editors to identify staff's names and titles under photographs published in the Helix.","Re: Outline of needs establishing a Palliative Care Inpatient Program at Blue Ridge facility and concerns placing an oncology unit physically adjacent to a TB Unit.","Re: Hook's correspondence with Peter Quesenberry, Chief of Hematology/Oncology Division, includes concerns about clinical coverage, research development, finances, and space.","Re: Documents include how to fully utilize the Oncology department and includes documents relating to nurses handling anticarcinogenic medications.","Re: Documents include discussion about fellows, workshops, faculty appointments, and the importance of the bone marrow transplantation program.","Re: Discussions cover colorectal screening clinic, case information, handling pediatric marrow transplants, and funding for research.","Re: Decline in out-patient visits at Blue Ridge Hospital, summary outline of growth factor program project, and office and lab space issues.","Re: Future of oncology at Blue Ridge Hospital, new initiatives for hematology/oncology, filling faculty positions, and salary and space discussions.","Re: Peter Quesenberry, Professor and Chief Division of Hematology/Oncology addresses space needs, AIDS work at Blue Ridge, recruitment, and outpatient operation.","Re: Faculty appointments and funding issues, space issues for the Marrow Transplant Laboratory, patient surveys, patient case issues instigated by concerns raised by Hook, and financial concerns in the Division of Hematology and Oncology.","Re: Space issues including clinic overcrowding, contract between UVa Health Sciences Center and Rockingham Memorial Hospital, faculty promotion and salary raises, and \"code status\" of patients.","Re: Hook desires a hospice in the new hospital.","Re: Hook correspondence addresses fire safety in stairways, family lounges, bed availability, and the physical appearance of the building.","Re: Correspondence regarding updating bed needs of the institution and includes descriptions of bed allotments, charts, graphs, and statistics.","Re: Hook encourages the consolidation of the beds at Blue Ridge and UVA hospital; documents include a report entitled, \"Blue Ridge Hospital Report of the Tuberculosis Service Fiscal year 1982 July 1, 1981 - June 30, 1982.\"","RE: Bed utilization and clinical reports of admissions.","Re: Budget issues and concerns including graphs, charts and statistics of admissions, budgets, and actual costs.","Re: Hook submits proposals from the departments in Internal Medicine for the capital outlay budget for 1990-2000 in which department head details specific needs and wants for each department.","Re: Correspondence (mostly from the 1970s) includes discussions on overhead funds, professional fee schedules, funding for specific needs with the departments of Internal Medicine and for improvements in the facility, expense of long distance telephone calls, and fringe benefits for faculty.","Re: Includes \"Proposed 1970-1980 Capital Outlay Projections and Program\" and \"Planning Guidelines for the Ten-Year Capital Budget 1988-1998.\"","Re: Correspondence with John F. Harlan, Jr., Director, University of Virginia Hospital includes increasing residency programs, patient care and comfort, faculty appointments, and addition of beds.","Re: Correspondence mostly with John F. Harlan, Jr. Director, UVA Hospitals includes lack of storage, shortage of beds, patient care and amenities, visitor control, canceling and rescheduling patients, use of the Towers Hospital, and accreditation awards.","Re: Correspondence with John T. Ashley, Director, UVA Hospital, includes teaching funds, identification photographs, swing beds, cleaning, storage, and maintenance problems, and dissatisfaction with managerial process.","Re: Correspondence with John T. Ashley about home health care program, foundation to deliver patient care services outside the Hospitals, ambulatory internal medicine, prescription liability, subsidizing primary care practitioners, administrative duties, laboratory costs, maintaining quality services, and a grant proposal for General Electric Foundation.","Re: Hook's notes after a meeting with John T. Ashley who proposed cutting costs by 7 million dollars, loss of referral physicians, delinquent medical records, obtaining a pager, ambulatory care leadership, patient costs, and Blue Ridge Hospital.","Re: Topics include acquisition of a Gamma Unit, praise from a satisfied patient, problems with the Simon Paging System, Nephrology residents, and food and drink restriction policy.","Re: Obtaining admission lists, availability of beds, budget adjustments, enhancing revenue, removal of vending machines, difficulty of maintaining adequate amount of nurses, and the appointment of Michael J. Halseth as interim executive director.","Re: Surgical Transition Lounge, unlocked file cabinets, last pod on 8th floor, relationship between Augusta Hospital Corporation and UVA Hospital, additional residents, placement of directory signs, movement of departments, and various \"housekeeping items.\"","Re: Improving productivity and reducing costs throughout the hospital.","Re: Admissions, organizational charts, and lists of departments and managers by division, complaints by overcrowding, lack of cleanliness and inadequate patient care, discharge summaries, audit, and graphs and charts dealing with cash flow projections.","Re: Service-specific admission and patient days graphs, internal audit, revision of hospital organization, Biennial Evaluation and Planning Report 1986-1998, hospital nutrition center, surgical furlough policy, notification program, North 4 patient care unit, and space issues.","Re: 1958, \"We're Going to Have A New Hospital\"; \"New Hospital Dedicated, April 14, 1961\"; \"The Early Years of The University of Virginia Hospital: An Analysis of Patient's Records.\"","Re: Information collected through Hook's years for evaluation by Joint Commission on Accreditation of Hospitals; included is a 1981 recommendation for future compliance and 1990 Mock Survey for JCAHO.","Re: Hook comments in depth on the 1985 Hospital Long Range Plan.","Re: Correspondence regarding University of Virginia relationship between Veterans Administration Hospital, Salem, Virginia and Roanoke Memorial Hospital, Roanoke, Virginia.","Re: 1988 proposed agreement between Rockingham Memorial Hospital, Harrisonburg, Virginia and UVA Hospitals.","Re: The Towers were used as rehabilitation units in the early 1980's; by 1988 the University terminated the lease of the Towers.","Re: Development of the Extended Care Facility in the Towers which opened in the fall of 1971; concern about railroad noise, locating student health services in ECF, house staff coverage, transportation difficulties, the towers fee schedule, tower's statistics, laboratory space for Department of Pathology, and indigent care.","Re: Topics involving the Towers, such as stocking periodicals and textbooks about chronic diseases, organization of the Medical Services in CCF, house staff coverage, Family Practice Program involvement, transportation of patients, and relationship to endocrine laboratory.","Re: Documents include tower statistics for 1975 \u0026 1976. Hook also details difficulties in the operation of the Towers which include refusal of residents/staff to see patients, nursing shortage and small nursing station, dietary problems, transportation difficulties, inadequate procedural rooms, and use of patient lounges by staff.","Re: 3 hand-written documents about resident statistics and 4 manuscripts including \"Number of House Staff Trained at UVA Medical Center During the Past 20 Years\"; \"Proposed Plan for the Medical HouseStaff for 1971-72\"; \"Survey of House Staff Training at UVA\"; \"Graduates of UVA School Of Medicine\".","Re: Includes essays written by Hook and others dealing with medical issues in humanities and also evaluations of Hook's elective, \"Film, Literature, and the Visual Art: Images in Medicine\".","Re: Hook's course syllabus.","Re: Documents include the interview questions for nineteen sessions that Hook conducted with Dr. Thomas Hunter. (Tapes can be found in the Papers of Thomas Hunter, Historical Collections \u0026 Services.) Also included is excerpts from Hunter's diary.","Re: Correspondence primarily with Gerald L. Mandell, Head, Division of Infectious Diseases, included is Hook's biennial report for 1986.","Re: Correspondence with Mandell includes problems with the microbiology lab, funding issues, patient cases, recruitment of faculty, space demands, and purchasing of equipment.","Re: Aids Center, Lilly Research grant, and continued accreditation.","Re: Plans for a fellowship program.","Re: Primarily Hook's correspondence with Donald L. Kaiser, Head, Division of Information Sciences and Biostatistics. Discussions include the development of a medical information sciences department, recruitment of a biostatistician, purchasing of software programs, and budgetary support.","Re: A request for high-powered computing facilities is not seen necessary by many division heads. The department of information sciences is dissolved and renamed Division of Biostatistics under the director of Robert Abbott.","Re: Press releases about book published on Walter Reed, intestinal diseases in Brazil, Hook's honorary doctor of medical science degree, and an interview of Hook by the Medical Examiner.","Re: Proposal of plans for intensive care in the 1970s and the implementation of those plans.","Re: Status of MICU, the serious need for medical intensive care unit, census of patients in MICU, the opening of the MICU in the early 1980s, admission criteria and operational guidelines, patient cases and patient care. Hook corresponds primarily with C. Edward Rose, Jr, Director, MICU.","Re: Critical care topics include neonotal ICU, No code orders, lack of nurses, and utilizing MICU for stroke patients.","Re: Guidelines for obtaining consent to medical treatment.","Re: Fiscal reports of Internal medicine under Dr. William Parson.","Re: Fiscal report material for 1955-1956.","Re: Reports for fiscal year 1958, \u0026 1959-1960.","Re: Reports to the President from Internal medicine for the years 1961-1964.","Re: Reports of Internal Medicine for fiscal years 64-65.","Re: Annual Reports for 1966 \u0026 1967.","Re: 1968 annual report.","Re: Intern training and Director of Education in Internal Medicine at Martha Jefferson Hospital.","Re: Grant from Robert Wood Johnson Foundation for development of primary care program.","Re: Thank you from L.B.J.'s doctor for good treatment.","Re: Complaints about clinical laboratory, establishment of an advisory committee, confining budgetary and personnel constraints, 'stat' basis for laboratory work, and a 1979 \"Report in Regard to Clinical Laboratory Services at the University of Virginia Medical Center Charlottesville\".","Re: Minutes regarding laboratory fees, feasibility of maintaining \"floor\" laboratories, and renal labs.","Re: Includes a 1983 \"Report of the Outside Laboratory Utilization Task Force to the Medical Policy Committee\"; also discussions about sending specimens to outside laboratories.","Re: Hook strongly supported maintaining special laboratories within Internal Medicine; the hospital director, John Ashley, did not.","Re: Hook serves on the Albert Lasker Awards in Medical Journalism jury.","Re: Hook provides expert testimony.","Re: Hook asked to provide testimony.","Re: Hook provides expert testimony.","Re: Hook receives certificate for his contributions to MAAP (Medical Academic Advancement Program).","Re: Humanities in Medicine Course Syllabus, a course Hook taught.","Re: Course syllabus for Humanities in Medicine.","Re: Student Essays: \"What the Doctor Said, What the Doctor Did: Student Essays About Role Models for Medicine\".","Re: Course syllabus for Hook's June 1997 MAAP class.","Re: Hook established two advisory committees for the Medical Subspecialty Clinic, included are correspondence with committee members and meeting minutes.","Re: Patient care, pharmaceutical procedures, and MIS problems, deficiencies, and negotiations.","Re: Amount of beds needed, space assignments, nursing care, and utilization of MICU.","Re: Nursing coverage, patient care, and utilization of MICU beds.","Re: Includes a 1987 manuscript, \"Medical Record Completion Policy\".","Re: Correspondence is primarily about medicare.","Re: Utilization of clinics and need for ambulatory space.","Re: Correspondence with Gerald R. Donowitz about clerkships and rotation of third-year students.","Re: Nutrition space, postgraduate medical scientist training program, proposal for voluntary departmental critique service, and faculty research index.","Re: Hook delves into patient care by residents and resident positions.","Re: Includes \"Guidelines for Attending Physicians in Internal Medicine\", 1982 and a revised 1990 version, and results from a questionnaire on Inpatient Teaching.","Re: Hook chaired the 1986-1988 \"Biennial Evaluation and Planning Report Department of Medicine\".","Re: Billing problems, 1981 \"Memorandum of Understanding,\" raising of professional fees, and after hours services billing difficulties.","Re: Correspondence with division heads: scheduling of meetings and yearly divisional structure of the department of Medicine.","Re: Items relating to February 22, 1988 division head retreat.","Re: Faculty salaries, residents, \u0026 recruitment of minority faculty.","Re: Manuscript projects inpatient \u0026 outpatient services and program expansion and new program development for the UVa Hospital.","Re: Audits, increase in salaries, department contributing 15%, billing, budgets, overhead funds, and payment of facilities.","Re: Includes speech by Hook to Friends of the Department.","Re: Hook chaired meetings.","Re: Hook chaired some of the meetings.","Re: Proposals from Division Heads in Internal Medicine for new or expanded programs to be considered for funding by the Financial Planning Committee.","Re: Hook's correspondence regarding medical malpractice insurance.","Re: Department meeting about creation of major research institute.","Re: Hook solicits evaluations from department heads about the department of medicine.","Re: Correspondence with the Office of the dean with Acting Director, Dr. James T. Hamlin.","Re: 1972 Correspondence between Hook \u0026 the Dean of the Medical School.","Re: Discussion about format/structure of morning report.","Re: Discussion about combining neurological \u0026 neurosurgical service, patient cases, seeing Towers patients in the tower building, C-T program, and hiring personnel.","Re: Northridge facility.","Re: Correspondence primarily with John Jane, Chairman, Department of Neurological Surgery; discussion includes patient cases and medical student's training.","Re: Nuclear Magnetic Resonance.","Re: Teaching sessions for nursing students.","Re: Bed closure in Barringer, discussion over incorrect information in a brochure, nursing shortage and implications at UVa, and a report concerning the decentralization of the Department of Subsidiary Nursing.","Re: Describes the difficulty in obtaining nursing staff for ICU and other units.","Re: Correspondence discusses nursing concerns, charting vital signs, appointments, patient care and a manuscript about the\"Proposed University of Virginia Institute on Aging\".","Re: Hook acknowledges nursing staff during week of the nurse.","Re: Misc. minor issues.","Re: Meetings \u0026 memos regarding Hook's involvement on this task force. Included is the draft of \"The Report of the Organizational Culture Task Force\".","Re: Correspondence with Warren G. Stamp, Chairman, Dept. of Orthopedics.","Re: Commercializing your Innovations.","Re: Misc. pathology issues.","Re: 20 years of correspondence about department of pediatrics; including dialogue on care for handicapped teenagers, patients with cystic fibrosis, pediatric cardiology, and Children's Rehabilitation Center. Correspondence primarily with Robert M. Blizzard, Chair of Dept. of Pediatrics.","Re: Report: \"Development of an Adolescent Health Care Program at the University of Virginia Medical Center\".","Re: Hook is offered the position of Professor \u0026 Chairman of the Department of Internal Medicine; TD is Hook's notes on discussion about Medical Service. Includes \"Medical Alumni News Letter\" with a brief introduction","Re: Brief biographies about Hook, Hook's convocation address, and Hook's awards and certificates","Re: Included are Hook's typed personal reflections about his tenure as Chairman, Internal Medicine, a write-up for Who's Who in America, and a manuscript, \"Academic Practice and Clinical Research 1950s and 1960s\".","Re: Misc.","Re: Building issues.","Re: Appointments; closue physical therapy acute.","Re: Mis.","Re: Hippa.","Re: Hook disagrees with Dean Carey's proposal draft on a new practice plan regarding salaries.","Re: Preventive medicine residency program.","Re: Building policy of primary care, opening of the clinic, evaluation, and coordinating council meetings.","Re: Response to UVa School of Medicine to the State's need for more and better Primary Care physicians; included is the memo produced by primary care health forum.","Re: Expanding training in primary care.","Re: Faculty development project in clinical teaching.","Re: Policy Committee Meetings, financial practices.","Re: Committee meetings, included manuscript \"University of Virginia Clinic, Private Division Patient Billing System\".","Re: Name change of Private Clinic Building, manscript, \"University Hospital, Third Floor; Private Clinics\", by-laws of Private Clinic Division, and Medical Practice Plan, 1979.","Re: Financial concerns such as billing, fees, insurance and appointment of director.","Re: Statements of Revenue and Expenses, and CPD Policy Committee meeting minutes.","Re: Includes reports by Policy Committee on Promotions.","Re: Requirements for Psychology Students in '68-'69, discussion over admission of patients to Western State, sleep lab, staff additions and promotions, proposal for Division of Behavioral Medicine.","Re: Financial issues, appointment of Dudley F. Rochester as Head of Pulmonary Medicine, pulmonary rotation at Salem Veteran's Adminstration Hospital, long range planning, use of iron lung.","Re: Correspondence primarily with Dudley F. Rochester, Head Pulmonary-Allergy Division, Rochester's 1979 report \"The Infectiousness of Tuberculosis: Guideline's for Policy at Blue Ridge Hospital\", a 1986 \"Proposal for Program Activity at Blue Ridge Hospital\", recruitment of an allergist, space concerns, sleep apnea laboratory, bronchoscopy facilities.","Re: Ventilator-dependent patients, development of Critical Care Program, long range financial support, research sleep disorder laboratory, MICU admissions policy, name change to Division of Pulmonary and Critical Medicine, lung transplants.","Re: Development of a unit to care for patients requiring long-term respiratory care.","Re: Development of a sleep laboratory, includes project investigation report.","Re: Billing, hours, residents, patient cases, and grand rounds.","Re: Expansion of Rehabilitation Services at Blue Ridge Hospital to include rehab and psychiatric facility, and an expanded alcohol \u0026 drug abuse facility.","Re: Hook identifies areas for improvement in the physical areas of the department.","Re: Hook deals with a multitude of space and laboratory demands; includes a 1970 proposal for Hook's office area renovation.","RE: 1976 project needs and report to develop the East Wing of hospital.","Re: Department of Nursing and Medicine propose changes in the facility to better meet the needs of patients.","Re: Correspondence primarily with Frederic B. Westervelt, Jr., project report from '65-'66, spacing and financial concerns of renal unit, dialysis fees, and staff positions.","Re: Correspondence primarily with Frederic B. Westervelt, Division of Renal Medicine, transplant unit, patient cases, salary plans, dialysis services.","Re: Correspondence chiefly with W. Kline Bolton, Head, Division of Nephrology, department name change, vision for department, renal transplant program.","Re: Establishing transplant unit, department meetings, renal laboratory, financial concerns, pediatric ICU, Luray Cavern's gift.","Re: Renal Chemistry Lab, bed allocations, sterilizing water supply.","Re: Organ transplants, water sterilization, dialysis equipment, ambulatory dialysis facilities.","Re: Space usage in replacement Hospital, manuscript is the \"Relocation Plan\", Dedication program","Re: Manuscript \"Report of the Visiting Committee on Research in Science to the University of Virginia, March 19-21, 1981\" and \"Research Portion of Institutional Self-Study.\"","Re: Documents detail residents responsibilities.","Re: Clinical Evaluation for Internal Medicine Board Examination and correspondence related to Committee on Clinical Competence.","Re: Residents taking research electives in other divisions.","Re:Statistice \u0026 information regarding residents.","Re: Guidelines for Attending physicians, resident support system, appointments, resident workload, childcare for house staff.","Re: Electives, requirements for training, decline in student's interest (nationwide) in Internal Medicine, accreditation.","Re: Prospectus for Respiratory Care Unit, 1968, Outline for protocol, purchase of equipment, respiratory inadequacies in MICU in 1980s.","Re: Correspondence with John S. Davis, IV, head of the Division of Rheumatology, includes yearly status reports, finances, fellowships, staffing, report on the Arthritis Rehabilitation Unit.","Re: Correspondence with John S. Davis, IV, head of the Division of Rheumatology, includes patient visits, faculty, patient care, Center for Arthritis and Lower Back Pain, yearly status reports.","Re: Hook's correspondence with James W. Craig, M.D.","Re: Hook's 1973 correspondence with William R. Drucker, M.D.","Re: Hook's 1974 correspondence with William R. Drucker, M.D.","Re: Hook's 1975 correspondence with William R. Drucker, M.D.","Re: Hook's 1976 correspondence with William R. Drucker, M.D.","Re: Hook's 1977 correspondence with William R. Drucker, M.D. and his successor Norman J. Knorr, M.D.","Re: Hook's 1978 correspondence with Norman J. Knorr, M.D.","Re: Hook's detailed notes on meetings with Robert M. Carey.","Re: Hook's detailed notes on meetings with Robert M. Carey.","Re: Hook is the chairman of the committee who wrote this report, \"Staffing Plan: 1975-1980\".","Re: Divisions within the Department of Internal Medicine make future projections, included is a 1976 Report by William R. Drucker, M.D. titled, \"Academic Planning Schools of Medicine, University of Virginia\".","Re: Comprehensive evaluation of the Department of Internal Medicine, 1981","Re: Evaluation of Resources and Programs, Department of Internal Medicine.","Re: Hook's involvement in sensitivity testing for a new synthetic antibiotic, staphcillin.","Re: Hook's correspondence with the Director of Student Health, James L. Camp II, M.D. and his successor , Richard P. Keeling, M.D.","Re: Hook's correspondence about student clerkships, evaluations, and test scores.","Re: Student clerckships, evaluations, grading system, and a student study, \"Assessing Rapport in the Tertiary Care Setting.\"","Re: Hook's correspondence with UVa's president's office - name suggestions for committees and UVa President.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Re: From the photograph collection of Thomas Hunter; Hook conducted a series of interviews with him.","Stethoscope used by Dr. Edward W. Hook.","Stethoscope used by Dr. Edward W. Hook.","The Lumica Sprague Rapport Stethoscope is advertised as 5 stethoscopes in one.","Film produced by the National Audiovisual Center, Washington, D.C. 20409","Discussion of Warner's Syndrome by Dr. Hook.","Glass tube with glass stopper and a plastic valve.","Edward and Jessie Hook had a son named Robert (Randy) Hook who died in 2005","Incudes recognition from the American Society for Microbiology, the American College of Physicians, the Association of Professors of Medicine, UVA Department of Medicine, Minority Medical Education at UVA, University of Hawaii, Medical Academic Advancement Program.","Includes a Christmas poem from staff, \"The Saga of Endicott U. or Why Dean Hook Needs a Consultant or Two\" by William D. Mayer, Mushrooms by Omar Hook and \"Ode to Ed Hook\" by Buck Crockett","Includes photo of Munsey Wheby, Walker Smalley, Nicholas Gemma and Hook","The annual calendars have one space for each day. They also have a number of notes written on the back side.","Includes Remarks for the Decoration of Late Dr Hook from the Janpan Anti-Tuberculosis Association, A Genealogy in Humanistic Medicine Dedicated to Edward W. Hook, Jr., by David W. Markham, a cablegram from Ministry of Health and Welfare (Japan), and tributes to Dr. Eward W. Hook, Jr. by Robert M. Carey and also Marcia Day Childress in \"Medical AlumNews,\" Spring 1999.","Possibly for celebration honoring Hook for service as Chair of Department of Medicine due to last date on paper being 5/25 and his celebration was May 26, 1990","Memorial program, tributes, obituaries, newsclippings, and correspondence of Marcia Day Childress reltated to Hook's death and memorial service.","Includes US Japan Cooperative Medical Science Program medal and paperweight; Johns Hopkins Society of Scholars medallion; American Journal of Medicine coaster; UVA extraordinarily elaborate boxed invitation to fund-raising events; UVA Department of Internal Medicine tie tacks; UVA medallions commemorating new hospital; UVA Lawn Society paperweight; American College of Physicians medallion, pewter cup, silver cup, and medallion; Southern Society for Clinical Investigation medallion; ABIM paperweight case (no paperweight); Institute of Medicine paperweight; and a  display stand. Also included are certificates from American Osler Society, Georgia State Board of Medical Examiners, Maryland State Board of Medical Examiners, Sigma Alpha Epsilon, American Board of Internal Medicine, Grady Hospital, and Johns Hopkins Society of Scholars."],"userestrict_html_tesm":["\u003cp\u003eSome use restrictions may apply.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Some use restrictions may apply."],"names_ssim":["Claude Moore Health Sciences Library"],"corpname_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"total_component_count_is":836,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:53:44.935Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_171_c05_c74"}},{"id":"virmu_repositories_2_resources_41_c01_c39","type":"File","attributes":{"title":"1981-82 Season: announcement of events; members-list, correspondence; Collectors' Choice-announcement, works exhibited; Fall Meeting-memos, Arnold Lehman (speaker) correspondence, related correspondence; potential Collector of the Year memos; Collector of the Year (Magill)-memos, correspondence, biography, works loaned","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_41_c01_c39#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_41_c01_c39","ref_ssm":["virmu_repositories_2_resources_41_c01_c39"],"id":"virmu_repositories_2_resources_41_c01_c39","ead_ssi":"virmu_repositories_2_resources_41","_root_":"virmu_repositories_2_resources_41","_nest_parent_":"virmu_repositories_2_resources_41_c01","parent_ssi":"virmu_repositories_2_resources_41_c01","parent_ssim":["virmu_repositories_2_resources_41","virmu_repositories_2_resources_41_c01"],"parent_ids_ssim":["virmu_repositories_2_resources_41","virmu_repositories_2_resources_41_c01"],"parent_unittitles_ssm":["Records of the Collectors' Circle (RG-19)","Series 1: Season Files"],"parent_unittitles_tesim":["Records of the Collectors' Circle (RG-19)","Series 1: Season Files"],"text":["Records of the Collectors' Circle (RG-19)","Series 1: Season Files","1981-82 Season: announcement of events; members-list, correspondence; Collectors' Choice-announcement, works exhibited; Fall Meeting-memos, Arnold Lehman (speaker) correspondence, related correspondence; potential Collector of the Year memos; Collector of the Year (Magill)-memos, correspondence, biography, works loaned","box RG-19 Box 2","folder 14"],"title_filing_ssi":"1981-82 Season: announcement of events; members-list, correspondence; Collectors' Choice-announcement, works exhibited; Fall Meeting-memos, Arnold Lehman (speaker) correspondence, related correspondence; potential Collector of the Year memos; Collector of the Year (Magill)-memos, correspondence, biography, works loaned","title_ssm":["1981-82 Season: announcement of events; members-list, correspondence; Collectors' Choice-announcement, works exhibited; Fall Meeting-memos, Arnold Lehman (speaker) correspondence, related correspondence; potential Collector of the Year memos; Collector of the Year (Magill)-memos, correspondence, biography, works loaned"],"title_tesim":["1981-82 Season: announcement of events; members-list, correspondence; Collectors' Choice-announcement, works exhibited; Fall Meeting-memos, Arnold Lehman (speaker) correspondence, related correspondence; potential Collector of the Year memos; Collector of the Year (Magill)-memos, correspondence, biography, works loaned"],"unitdate_other_ssim":["1981-1982"],"normalized_date_ssm":["1981/1982"],"normalized_title_ssm":["1981-82 Season: announcement of events; members-list, correspondence; Collectors' Choice-announcement, works exhibited; Fall Meeting-memos, Arnold Lehman (speaker) correspondence, related correspondence; potential Collector of the Year memos; Collector of the Year (Magill)-memos, correspondence, biography, works loaned"],"component_level_isim":[2],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Records of the Collectors' Circle (RG-19)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":40,"parent_access_restrict_tesm":["The collection is minimally processed. 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