{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026page=16","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026page=15","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026page=17","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026page=5174"},"meta":{"pages":{"current_page":16,"next_page":17,"prev_page":15,"total_pages":5174,"limit_value":10,"offset_value":150,"total_count":51734,"first_page?":false,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_1613_c01_c01","type":"Subseries","attributes":{"title":"1983 CDBG","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1613_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1613_c01_c01","ref_ssm":["wvmturhc_repositories_2_resources_1613_c01_c01"],"id":"wvmturhc_repositories_2_resources_1613_c01_c01","ead_ssi":"wvmturhc_repositories_2_resources_1613","_root_":"wvmturhc_repositories_2_resources_1613","_nest_parent_":"wvmturhc_repositories_2_resources_1613_c01","parent_ssi":"wvmturhc_repositories_2_resources_1613_c01","parent_ssim":["wvmturhc_repositories_2_resources_1613","wvmturhc_repositories_2_resources_1613_c01"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1613","wvmturhc_repositories_2_resources_1613_c01"],"parent_unittitles_ssm":["Morgantown Municipal Records","Addendum of 2018/06/25"],"parent_unittitles_tesim":["Morgantown Municipal Records","Addendum of 2018/06/25"],"text":["Morgantown Municipal Records","Addendum of 2018/06/25","1983 CDBG","Box 31"],"title_filing_ssi":"1983 CDBG","title_ssm":["1983 CDBG"],"title_tesim":["1983 CDBG"],"unitdate_inclusive_ssm":["1979–1988"],"normalized_date_ssm":["1979/1988"],"normalized_title_ssm":["1983 CDBG"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Morgantown Municipal Records"],"has_online_content_ssim":["false"],"child_component_count_isi":61,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":2,"parent_access_restrict_tesm":["All or part of this collection is stored offsite. Please make an appointment prior to visiting."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"containers_ssim":["Box 31"],"_nest_path_":"/components#0/components#0","timestamp":"2026-05-21T00:43:38.766Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1613","ead_ssi":"wvmturhc_repositories_2_resources_1613","_root_":"wvmturhc_repositories_2_resources_1613","_nest_parent_":"wvmturhc_repositories_2_resources_1613","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1613.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/201687","title_ssm":["Morgantown Municipal Records"],"title_tesim":["Morgantown Municipal Records"],"unitdate_ssm":["1838-2013"],"unitdate_inclusive_ssm":["1838-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3304","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1613"],"text":["A\u0026M 3304","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1613","Morgantown Municipal Records","Morgantown (W. Va.)","Elections","Politics and government.","All or part of this collection is stored offsite. Please make an appointment prior to visiting.","The addendum of 2018/06/25 was arranged and its contents list created by AmeriCorps worker(s) and volunteers prior to its donation. Some boxes are described at the folder level, some at the box level. Some boxes described at the folder level do not contain foldered materials; some boxes described at the box level contain foldered materials. Series titles were derived from the original \"box description\".","Collection includes microfilm copies and original municipal records of the city of Morgantown, West Virginia, from the office of the city clerk.","Sixty-one microfilm reels of Morgantown municipal records kept by the city clerk include city council journals of meetings (1838-2013), ordinance books (1905-2013), resolution books (1990-2013), municipal election records (1979-2013), and deed books (1916-2013). The deed books include not only deeds but also contracts, leases, and agreements. There are records of street annulments, private property sold to the city, and about infrastructure facilities such as traffic lights, buses, the airport, and the water treatment plant.","Addendum of 2018/06/25 includes paper records from the office of the city clerk, and some records which appear to be from the office of the city manager. Types of records include reports, correspondence, publications, financial records, and more. Subjects include Community Development Block Grants, Housing and Urban Development, utilities, sidewalks, the Morgantown Municipal Airport, the Beechurst Power Plant, complaints on a variety of subjects, West Virginia University, state government, transportation, City Council, and a variety of other city functions and services.","It is not clear how much overlap exists between the original accession of microfilm reels and the physical content in the addendum; record books are not present in the addendum.","Includes material regarding Police Dept., Antenna Site, Budgets, Correspondence, Computer Maintenance Cost, DMV, Police Pension Relief Fund, Litter Cleanup Minutes, Weed Removal, Airport, Annexation Study, Performance Bonds, Parking Districts, Police Dept., Police Computer System, Hartfield, Unsafe Dwellings, Zoning, Housing Authority, Beechwood Park Project, Northern WV Convention and Visitors Bureau, West Run Drainage Basin, WV Agenda, Sale Of Property On Posten Ave, Civil Service Commission, Mgtn Housing Authority, Board Of Education, Municipal Court Ordinance, Morgantown Parking Authority, Parking Study Reports, City Planner Backup City Planner, Zoning, Buffer Zone Ordinance, Street Light Replacement, Personnel And Employee Relations, Public Transportation Division","Includes material regarding Surplus Equipment For Auction, Landfills, Permits, Traffic Commission, Region 6 Planning And Development Council, Police Civil Service Commission, Radio Consol Systems, Bankruptcy Court, Jerome Park Neighborhood Association, Employee Retirement And Benefit Fund, Main Street Historic Preservation, Election Precinct Records, Apmm/ Wvcma Conference 1987, Finance Dept. Tax Records, Traffic Commission, Fire And Police Commission, City Engineer, Building Inspection And Planning, Safety Manual, Sidewalk Improvements, Public Safety Building, Parking, City Code Violations, Waterworks Sewage System, Revenue Bond, Morgantown Sanitary Board, City And Bridge Changes, Ada Compliance, Water Damage Claims, Paving Program","Code Violations, B\u0026O Taxes, Trash Debris, High Grass, Health Code Violations, Code Review, Proposed Sewage Plant, Firefighters, Police Dept. Promotions, Sidewalk, Airport, Mason Dixon Festival, Drug Raid, Abandoned Vehicles, Department Of Highways, Report Of Available Fire Flow To Airport. MUB 1989 Financial Statements, Public Library Budget 89-90, Airport Improvements, Financial Statement Of City 1988, Morgantown Beautification Commission, Budgets, Parks And Rec, Mountaineer Balloon Festival 1989, Student Administration, Taxes And Expenses Correspondence, Historic Tax Credit, City Budget, Rape And Domestic Violence Center 1980-1989, Mainstreet Morgantown, Monongalia Arts Center, General Fund Budget, Broadband Communications, Permit And Gaming On WV River Boats, Transit System, B\u0026O Tax From Power plant, Complaints, Summer Youth Program, Small Cities Block Grant, Office Of Advocacy, Urban Community Development Action Grant, Mason Dixon Festival, MHS Athletic Field Improvements, Janitorial And Window Washing Services Bid Call, Street Opening Permit Manual, Infrastructure Improvements, Public Works, Citizen Complaints, MHS Storm Drain Improvement Bid Call, Design Furnish And Install Heating System Valley Crossing Building Project Manual, Settling Confiscated Weapons, State Grants For Transit System, Police Fireman Fund, Municipal Transit System, Beechurst Power Plant, Morgantown Airport Water Tank","EPA Report White Industrial Park, Watershed Improvement, Sidewalk Construction, WV Government Ethics Act, Telephone Company, Fema, Clintons Underground Bistro/Liquor License, Parking, Consolidated Investment Finds, Business And Occupational Tax, Building Inspection Department, Code Enforcement, Local Apprenticeship For Firefighters, Fire Department Business, Friendship Manor, Public Library, Mason Dixon Festival, Mon County Schools, Municipal, Parade Permits, Parking Meters, Complaints, Training Programs, Colleges Courses For Fire Fighters, Fire Fighter Certification, Overpayment Of Benefits, Workers Comp Insurance, Sick Leave Requests, Abandoned Vehicles, Shelter Homes, Flood Concerns, Annexation Survey Summary Report, Burroughs Street Apartments, Parcel In 7Th Ward, Review Of Court System, Enforcement Of Code, Public Auction Of Property, Alcohol Control Commissioner, Police Budget, Towing Vehicles, Drug Control Grant Program, Rental Rehabilitation Program Grant, Mason Dixon Festival, Riverfront Development Taskforce, Accident Summary, Sanitation Department, Recycling Grant Program, Garbage Collection Regulation, Janitorial Services, Rock Salt Bids, Traffic Control, Road Condition Problems, Surplus Property Auctions","Johnson \u0026 Higgins Employees Retirement And Benefit Fund, Proposed Annual Budget 1986-87, City Council Agenda Memos 1985, 1986, And 1987, Proposed Zoning Ordinances, Personnel Rules, Foster Higgins Actuarial Employees Benefit Fund, Employees Assistance training Manual, Memorandum Of Recommendations For Improvements In Accounting Procedures And Internal Accounting Controls, Financial Statements 1982, Employees Assistance Program Administrative Manual And Morgantown City Police Dept., Retirement And Benefit Fund, Employee Group Benefit Health Program, 1988 Claims Filed, 1987 Claims Filed, 1986-87 Claims Filed, Time Reports","Vacation And Sick Summaries, Time Reports, Pension And Retirement Fund Papers, Grievances, Xerox, MUB, Appropriations, Computer Data System, Personnel Rules, Survey On Non-Discrimination Requirements, Employee Retirement And Benefit Fund Booklet, Sidewalk Waivers, Light Installation, Flood Plain Ordinance Appeal, Removal Of Property, Parks And Recreation, Fire Dept., Steam Plant, Complaints And Grievances, Eda Planning Grant, Bartlett House, Complaints, Fire Civil Service Commission, Overtime, Fire Code Violations, Public Safety Building And Parking Garage, Zoning Appeals, Utility Board Minutes, Traffic Hazards, B\u0026O Tax, Morgantown Planning Commission Agenda, Accident Numbers, Sale Of City Real Estate, Solid Waste Disposal Application, Directory Of Urban Public Transportation Service 1988, WV Application Packet 1989, City Of Morgantown Safety Manual, Use Of Bulk Rock Salt For Ice Melting Agent, Morning Talk show Guests, Larry Murray/Ralph Jenkins Wajr Cassette Tape,","Includes Finance Committee, Charter Revision Committee, City Solicitor, Committee Of A Whole, Building And Zoning Committee (1967-1977), Airport And Transportation Committee, First Ward Councilmen, Second Ward Councilmen, Third Ward Councilmen, Fourth Ward Councilmen, Fifth Ward Councilmen, Sixth Ward Councilmen, Seventh Ward Councilmen","Includes Comprehensive Plan For The City Of Morgantown; West Virginia And Its Urbanizing Area 1961; Proposed Revisions For Morgantown Zoning Ordinance; Maps; Morgantown Recreation Improvement Summary Sheet; Documents About Ventilation Systems; Submittal Sheets For Knepps Park Pool 1976; Contract Agreements; Contracts And Correspondence Relating To Knepps Park Pool; Drawings; Specifications For Equipment And Work At Krepps Park Pool 1974; Whalen King, Architect; Recreation Improvement Project; City Park Master Plan (1974); Highways; Specifications For General Construction Morgantown City Garage (1975); Water; City Garage; Community Development; Block Grant; Federal Department Of Housing And Urban Development (1974); Landfill; Morgantown Ice Skating Rink Report (1976); Application For Federal Assistance For Ice Skating Rink; Canvass Related To Operation Of Ice Rink; A Study Of The Need For An Artificial Indoor Ice Skating Rink For Morgantown (1970); Recreation Survey Results; Parks And Recreation Improvement Levy","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Morgantown (W. Va.)","Morgantown (W. Va.). City Clerk","English \n.    "],"unitid_tesim":["A\u0026M 3304","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1613"],"normalized_title_ssm":["Morgantown Municipal Records"],"collection_title_tesim":["Morgantown Municipal Records"],"collection_ssim":["Morgantown Municipal Records"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. Va.)"],"geogname_ssim":["Morgantown (W. Va.)"],"creator_ssm":["Morgantown (W. Va.)","Morgantown (W. Va.). City Clerk"],"creator_ssim":["Morgantown (W. Va.)","Morgantown (W. Va.). City Clerk"],"creator_corpname_ssim":["Morgantown (W. Va.)","Morgantown (W. Va.). City Clerk"],"creators_ssim":["Morgantown (W. Va.)","Morgantown (W. Va.). City Clerk"],"places_ssim":["Morgantown (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Elections","Politics and government."],"access_subjects_ssm":["Elections","Politics and government."],"has_online_content_ssim":["false"],"extent_ssm":["67.65 Linear Feet Summary: 67 ft. 7 3/4 in. (47 record cartons, 15 in. each); (61 reels of microfilm, 1.75 in. each)"],"extent_tesim":["67.65 Linear Feet Summary: 67 ft. 7 3/4 in. (47 record cartons, 15 in. each); (61 reels of microfilm, 1.75 in. each)"],"date_range_isim":[1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eAll or part of this collection is stored offsite. Please make an appointment prior to visiting.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["All or part of this collection is stored offsite. Please make an appointment prior to visiting."],"arrangement_html_tesm":["\u003cp\u003eThe addendum of 2018/06/25 was arranged and its contents list created by AmeriCorps worker(s) and volunteers prior to its donation. Some boxes are described at the folder level, some at the box level. Some boxes described at the folder level do not contain foldered materials; some boxes described at the box level contain foldered materials. Series titles were derived from the original \"box description\".\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The addendum of 2018/06/25 was arranged and its contents list created by AmeriCorps worker(s) and volunteers prior to its donation. Some boxes are described at the folder level, some at the box level. Some boxes described at the folder level do not contain foldered materials; some boxes described at the box level contain foldered materials. Series titles were derived from the original \"box description\"."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Morgantown Municipal Records, A\u0026amp;M 3304, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Morgantown Municipal Records, A\u0026M 3304, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eCollection includes microfilm copies and original municipal records of the city of Morgantown, West Virginia, from the office of the city clerk.\u003c/p\u003e\n","\u003cp\u003eSixty-one microfilm reels of Morgantown municipal records kept by the city clerk include city council journals of meetings (1838-2013), ordinance books (1905-2013), resolution books (1990-2013), municipal election records (1979-2013), and deed books (1916-2013). The deed books include not only deeds but also contracts, leases, and agreements. There are records of street annulments, private property sold to the city, and about infrastructure facilities such as traffic lights, buses, the airport, and the water treatment plant.\u003c/p\u003e\n","\u003cp\u003eAddendum of 2018/06/25 includes paper records from the office of the city clerk, and some records which appear to be from the office of the city manager. Types of records include reports, correspondence, publications, financial records, and more. Subjects include Community Development Block Grants, Housing and Urban Development, utilities, sidewalks, the Morgantown Municipal Airport, the Beechurst Power Plant, complaints on a variety of subjects, West Virginia University, state government, transportation, City Council, and a variety of other city functions and services.\u003c/p\u003e\n","\u003cp\u003eIt is not clear how much overlap exists between the original accession of microfilm reels and the physical content in the addendum; record books are not present in the addendum.\u003c/p\u003e","\u003cp\u003eIncludes material regarding Police Dept., Antenna Site, Budgets, Correspondence, Computer Maintenance Cost, DMV, Police Pension Relief Fund, Litter Cleanup Minutes, Weed Removal, Airport, Annexation Study, Performance Bonds, Parking Districts, Police Dept., Police Computer System, Hartfield, Unsafe Dwellings, Zoning, Housing Authority, Beechwood Park Project, Northern WV Convention and Visitors Bureau, West Run Drainage Basin, WV Agenda, Sale Of Property On Posten Ave, Civil Service Commission, Mgtn Housing Authority, Board Of Education, Municipal Court Ordinance, Morgantown Parking Authority, Parking Study Reports, City Planner Backup City Planner, Zoning, Buffer Zone Ordinance, Street Light Replacement, Personnel And Employee Relations, Public Transportation Division\u003c/p\u003e","\u003cp\u003eIncludes material regarding Surplus Equipment For Auction, Landfills, Permits, Traffic Commission, Region 6 Planning And Development Council, Police Civil Service Commission, Radio Consol Systems, Bankruptcy Court, Jerome Park Neighborhood Association, Employee Retirement And Benefit Fund, Main Street Historic Preservation, Election Precinct Records, Apmm/ Wvcma Conference 1987, Finance Dept. Tax Records, Traffic Commission, Fire And Police Commission, City Engineer, Building Inspection And Planning, Safety Manual, Sidewalk Improvements, Public Safety Building, Parking, City Code Violations, Waterworks Sewage System, Revenue Bond, Morgantown Sanitary Board, City And Bridge Changes, Ada Compliance, Water Damage Claims, Paving Program\u003c/p\u003e","\u003cp\u003eCode Violations, B\u0026amp;O Taxes, Trash Debris, High Grass, Health Code Violations, Code Review, Proposed Sewage Plant, Firefighters, Police Dept. Promotions, Sidewalk, Airport, Mason Dixon Festival, Drug Raid, Abandoned Vehicles, Department Of Highways, Report Of Available Fire Flow To Airport. MUB 1989 Financial Statements, Public Library Budget 89-90, Airport Improvements, Financial Statement Of City 1988, Morgantown Beautification Commission, Budgets, Parks And Rec, Mountaineer Balloon Festival 1989, Student Administration, Taxes And Expenses Correspondence, Historic Tax Credit, City Budget, Rape And Domestic Violence Center 1980-1989, Mainstreet Morgantown, Monongalia Arts Center, General Fund Budget, Broadband Communications, Permit And Gaming On WV River Boats, Transit System, B\u0026amp;O Tax From Power plant, Complaints, Summer Youth Program, Small Cities Block Grant, Office Of Advocacy, Urban Community Development Action Grant, Mason Dixon Festival, MHS Athletic Field Improvements, Janitorial And Window Washing Services Bid Call, Street Opening Permit Manual, Infrastructure Improvements, Public Works, Citizen Complaints, MHS Storm Drain Improvement Bid Call, Design Furnish And Install Heating System Valley Crossing Building Project Manual, Settling Confiscated Weapons, State Grants For Transit System, Police Fireman Fund, Municipal Transit System, Beechurst Power Plant, Morgantown Airport Water Tank\u003c/p\u003e","\u003cp\u003eEPA Report White Industrial Park, Watershed Improvement, Sidewalk Construction, WV Government Ethics Act, Telephone Company, Fema, Clintons Underground Bistro/Liquor License, Parking, Consolidated Investment Finds, Business And Occupational Tax, Building Inspection Department, Code Enforcement, Local Apprenticeship For Firefighters, Fire Department Business, Friendship Manor, Public Library, Mason Dixon Festival, Mon County Schools, Municipal, Parade Permits, Parking Meters, Complaints, Training Programs, Colleges Courses For Fire Fighters, Fire Fighter Certification, Overpayment Of Benefits, Workers Comp Insurance, Sick Leave Requests, Abandoned Vehicles, Shelter Homes, Flood Concerns, Annexation Survey Summary Report, Burroughs Street Apartments, Parcel In 7Th Ward, Review Of Court System, Enforcement Of Code, Public Auction Of Property, Alcohol Control Commissioner, Police Budget, Towing Vehicles, Drug Control Grant Program, Rental Rehabilitation Program Grant, Mason Dixon Festival, Riverfront Development Taskforce, Accident Summary, Sanitation Department, Recycling Grant Program, Garbage Collection Regulation, Janitorial Services, Rock Salt Bids, Traffic Control, Road Condition Problems, Surplus Property Auctions\u003c/p\u003e","\u003cp\u003eJohnson \u0026amp; Higgins Employees Retirement And Benefit Fund, Proposed Annual Budget 1986-87, City Council Agenda Memos 1985, 1986, And 1987, Proposed Zoning Ordinances, Personnel Rules, Foster Higgins Actuarial Employees Benefit Fund, Employees Assistance training Manual, Memorandum Of Recommendations For Improvements In Accounting Procedures And Internal Accounting Controls, Financial Statements 1982, Employees Assistance Program Administrative Manual And Morgantown City Police Dept., Retirement And Benefit Fund, Employee Group Benefit Health Program, 1988 Claims Filed, 1987 Claims Filed, 1986-87 Claims Filed, Time Reports\u003c/p\u003e","\u003cp\u003eVacation And Sick Summaries, Time Reports, Pension And Retirement Fund Papers, Grievances, Xerox, MUB, Appropriations, Computer Data System, Personnel Rules, Survey On Non-Discrimination Requirements, Employee Retirement And Benefit Fund Booklet, Sidewalk Waivers, Light Installation, Flood Plain Ordinance Appeal, Removal Of Property, Parks And Recreation, Fire Dept., Steam Plant, Complaints And Grievances, Eda Planning Grant, Bartlett House, Complaints, Fire Civil Service Commission, Overtime, Fire Code Violations, Public Safety Building And Parking Garage, Zoning Appeals, Utility Board Minutes, Traffic Hazards, B\u0026amp;O Tax, Morgantown Planning Commission Agenda, Accident Numbers, Sale Of City Real Estate, Solid Waste Disposal Application, Directory Of Urban Public Transportation Service 1988, WV Application Packet 1989, City Of Morgantown Safety Manual, Use Of Bulk Rock Salt For Ice Melting Agent, Morning Talk show Guests, Larry Murray/Ralph Jenkins Wajr Cassette Tape,\u003c/p\u003e","\u003cp\u003eIncludes Finance Committee, Charter Revision Committee, City Solicitor, Committee Of A Whole, Building And Zoning Committee (1967-1977), Airport And Transportation Committee, First Ward Councilmen, Second Ward Councilmen, Third Ward Councilmen, Fourth Ward Councilmen, Fifth Ward Councilmen, Sixth Ward Councilmen, Seventh Ward Councilmen\u003c/p\u003e","\u003cp\u003eIncludes Comprehensive Plan For The City Of Morgantown; West Virginia And Its Urbanizing Area 1961; Proposed Revisions For Morgantown Zoning Ordinance; Maps; Morgantown Recreation Improvement Summary Sheet; Documents About Ventilation Systems; Submittal Sheets For Knepps Park Pool 1976; Contract Agreements; Contracts And Correspondence Relating To Knepps Park Pool; Drawings; Specifications For Equipment And Work At Krepps Park Pool 1974; Whalen King, Architect; Recreation Improvement Project; City Park Master Plan (1974); Highways; Specifications For General Construction Morgantown City Garage (1975); Water; City Garage; Community Development; Block Grant; Federal Department Of Housing And Urban Development (1974); Landfill; Morgantown Ice Skating Rink Report (1976); Application For Federal Assistance For Ice Skating Rink; Canvass Related To Operation Of Ice Rink; A Study Of The Need For An Artificial Indoor Ice Skating Rink For Morgantown (1970); Recreation Survey Results; Parks And Recreation Improvement Levy\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Collection includes microfilm copies and original municipal records of the city of Morgantown, West Virginia, from the office of the city clerk.","Sixty-one microfilm reels of Morgantown municipal records kept by the city clerk include city council journals of meetings (1838-2013), ordinance books (1905-2013), resolution books (1990-2013), municipal election records (1979-2013), and deed books (1916-2013). The deed books include not only deeds but also contracts, leases, and agreements. There are records of street annulments, private property sold to the city, and about infrastructure facilities such as traffic lights, buses, the airport, and the water treatment plant.","Addendum of 2018/06/25 includes paper records from the office of the city clerk, and some records which appear to be from the office of the city manager. Types of records include reports, correspondence, publications, financial records, and more. Subjects include Community Development Block Grants, Housing and Urban Development, utilities, sidewalks, the Morgantown Municipal Airport, the Beechurst Power Plant, complaints on a variety of subjects, West Virginia University, state government, transportation, City Council, and a variety of other city functions and services.","It is not clear how much overlap exists between the original accession of microfilm reels and the physical content in the addendum; record books are not present in the addendum.","Includes material regarding Police Dept., Antenna Site, Budgets, Correspondence, Computer Maintenance Cost, DMV, Police Pension Relief Fund, Litter Cleanup Minutes, Weed Removal, Airport, Annexation Study, Performance Bonds, Parking Districts, Police Dept., Police Computer System, Hartfield, Unsafe Dwellings, Zoning, Housing Authority, Beechwood Park Project, Northern WV Convention and Visitors Bureau, West Run Drainage Basin, WV Agenda, Sale Of Property On Posten Ave, Civil Service Commission, Mgtn Housing Authority, Board Of Education, Municipal Court Ordinance, Morgantown Parking Authority, Parking Study Reports, City Planner Backup City Planner, Zoning, Buffer Zone Ordinance, Street Light Replacement, Personnel And Employee Relations, Public Transportation Division","Includes material regarding Surplus Equipment For Auction, Landfills, Permits, Traffic Commission, Region 6 Planning And Development Council, Police Civil Service Commission, Radio Consol Systems, Bankruptcy Court, Jerome Park Neighborhood Association, Employee Retirement And Benefit Fund, Main Street Historic Preservation, Election Precinct Records, Apmm/ Wvcma Conference 1987, Finance Dept. Tax Records, Traffic Commission, Fire And Police Commission, City Engineer, Building Inspection And Planning, Safety Manual, Sidewalk Improvements, Public Safety Building, Parking, City Code Violations, Waterworks Sewage System, Revenue Bond, Morgantown Sanitary Board, City And Bridge Changes, Ada Compliance, Water Damage Claims, Paving Program","Code Violations, B\u0026O Taxes, Trash Debris, High Grass, Health Code Violations, Code Review, Proposed Sewage Plant, Firefighters, Police Dept. Promotions, Sidewalk, Airport, Mason Dixon Festival, Drug Raid, Abandoned Vehicles, Department Of Highways, Report Of Available Fire Flow To Airport. MUB 1989 Financial Statements, Public Library Budget 89-90, Airport Improvements, Financial Statement Of City 1988, Morgantown Beautification Commission, Budgets, Parks And Rec, Mountaineer Balloon Festival 1989, Student Administration, Taxes And Expenses Correspondence, Historic Tax Credit, City Budget, Rape And Domestic Violence Center 1980-1989, Mainstreet Morgantown, Monongalia Arts Center, General Fund Budget, Broadband Communications, Permit And Gaming On WV River Boats, Transit System, B\u0026O Tax From Power plant, Complaints, Summer Youth Program, Small Cities Block Grant, Office Of Advocacy, Urban Community Development Action Grant, Mason Dixon Festival, MHS Athletic Field Improvements, Janitorial And Window Washing Services Bid Call, Street Opening Permit Manual, Infrastructure Improvements, Public Works, Citizen Complaints, MHS Storm Drain Improvement Bid Call, Design Furnish And Install Heating System Valley Crossing Building Project Manual, Settling Confiscated Weapons, State Grants For Transit System, Police Fireman Fund, Municipal Transit System, Beechurst Power Plant, Morgantown Airport Water Tank","EPA Report White Industrial Park, Watershed Improvement, Sidewalk Construction, WV Government Ethics Act, Telephone Company, Fema, Clintons Underground Bistro/Liquor License, Parking, Consolidated Investment Finds, Business And Occupational Tax, Building Inspection Department, Code Enforcement, Local Apprenticeship For Firefighters, Fire Department Business, Friendship Manor, Public Library, Mason Dixon Festival, Mon County Schools, Municipal, Parade Permits, Parking Meters, Complaints, Training Programs, Colleges Courses For Fire Fighters, Fire Fighter Certification, Overpayment Of Benefits, Workers Comp Insurance, Sick Leave Requests, Abandoned Vehicles, Shelter Homes, Flood Concerns, Annexation Survey Summary Report, Burroughs Street Apartments, Parcel In 7Th Ward, Review Of Court System, Enforcement Of Code, Public Auction Of Property, Alcohol Control Commissioner, Police Budget, Towing Vehicles, Drug Control Grant Program, Rental Rehabilitation Program Grant, Mason Dixon Festival, Riverfront Development Taskforce, Accident Summary, Sanitation Department, Recycling Grant Program, Garbage Collection Regulation, Janitorial Services, Rock Salt Bids, Traffic Control, Road Condition Problems, Surplus Property Auctions","Johnson \u0026 Higgins Employees Retirement And Benefit Fund, Proposed Annual Budget 1986-87, City Council Agenda Memos 1985, 1986, And 1987, Proposed Zoning Ordinances, Personnel Rules, Foster Higgins Actuarial Employees Benefit Fund, Employees Assistance training Manual, Memorandum Of Recommendations For Improvements In Accounting Procedures And Internal Accounting Controls, Financial Statements 1982, Employees Assistance Program Administrative Manual And Morgantown City Police Dept., Retirement And Benefit Fund, Employee Group Benefit Health Program, 1988 Claims Filed, 1987 Claims Filed, 1986-87 Claims Filed, Time Reports","Vacation And Sick Summaries, Time Reports, Pension And Retirement Fund Papers, Grievances, Xerox, MUB, Appropriations, Computer Data System, Personnel Rules, Survey On Non-Discrimination Requirements, Employee Retirement And Benefit Fund Booklet, Sidewalk Waivers, Light Installation, Flood Plain Ordinance Appeal, Removal Of Property, Parks And Recreation, Fire Dept., Steam Plant, Complaints And Grievances, Eda Planning Grant, Bartlett House, Complaints, Fire Civil Service Commission, Overtime, Fire Code Violations, Public Safety Building And Parking Garage, Zoning Appeals, Utility Board Minutes, Traffic Hazards, B\u0026O Tax, Morgantown Planning Commission Agenda, Accident Numbers, Sale Of City Real Estate, Solid Waste Disposal Application, Directory Of Urban Public Transportation Service 1988, WV Application Packet 1989, City Of Morgantown Safety Manual, Use Of Bulk Rock Salt For Ice Melting Agent, Morning Talk show Guests, Larry Murray/Ralph Jenkins Wajr Cassette Tape,","Includes Finance Committee, Charter Revision Committee, City Solicitor, Committee Of A Whole, Building And Zoning Committee (1967-1977), Airport And Transportation Committee, First Ward Councilmen, Second Ward Councilmen, Third Ward Councilmen, Fourth Ward Councilmen, Fifth Ward Councilmen, Sixth Ward Councilmen, Seventh Ward Councilmen","Includes Comprehensive Plan For The City Of Morgantown; West Virginia And Its Urbanizing Area 1961; Proposed Revisions For Morgantown Zoning Ordinance; Maps; Morgantown Recreation Improvement Summary Sheet; Documents About Ventilation Systems; Submittal Sheets For Knepps Park Pool 1976; Contract Agreements; Contracts And Correspondence Relating To Knepps Park Pool; Drawings; Specifications For Equipment And Work At Krepps Park Pool 1974; Whalen King, Architect; Recreation Improvement Project; City Park Master Plan (1974); Highways; Specifications For General Construction Morgantown City Garage (1975); Water; City Garage; Community Development; Block Grant; Federal Department Of Housing And Urban Development (1974); Landfill; Morgantown Ice Skating Rink Report (1976); Application For Federal Assistance For Ice Skating Rink; Canvass Related To Operation Of Ice Rink; A Study Of The Need For An Artificial Indoor Ice Skating Rink For Morgantown (1970); Recreation Survey Results; Parks And Recreation Improvement Levy"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_1fa0e1928c3b83f407222986ae13710f\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Morgantown (W. Va.)"],"names_ssim":["West Virginia and Regional History Center","Morgantown (W. Va.)","Morgantown (W. Va.). City Clerk"],"corpname_ssim":["West Virginia and Regional History Center","Morgantown (W. Va.)","Morgantown (W. Va.). City Clerk"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":800,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:43:38.766Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1613_c01_c01"}},{"id":"vifgm_repositories_2_resources_118_c2438","type":"File","attributes":{"title":"1983 Convention Bios/Photos","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_118_c2438#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_118_c2438","ref_ssm":["vifgm_repositories_2_resources_118_c2438"],"id":"vifgm_repositories_2_resources_118_c2438","ead_ssi":"vifgm_repositories_2_resources_118","_root_":"vifgm_repositories_2_resources_118","_nest_parent_":"vifgm_repositories_2_resources_118","parent_ssi":"vifgm_repositories_2_resources_118","parent_ssim":["vifgm_repositories_2_resources_118"],"parent_ids_ssim":["vifgm_repositories_2_resources_118"],"parent_unittitles_ssm":["American Theatre Association records"],"parent_unittitles_tesim":["American Theatre Association records"],"text":["American Theatre Association records","1983 Convention Bios/Photos","box 80","folder 1"],"title_filing_ssi":"1983 Convention Bios/Photos","title_ssm":["1983 Convention Bios/Photos"],"title_tesim":["1983 Convention Bios/Photos"],"unitdate_inclusive_ssm":["April 1979, c. 1982"],"normalized_date_ssm":["1979/1982"],"normalized_title_ssm":["1983 Convention Bios/Photos"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["American Theatre Association records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2438,"parent_access_restrict_tesm":["Certain materials in this collection are restricted, see inventory for details. Otherwise, collection is open to research."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1979,1980,1981,1982],"containers_ssim":["box 80","folder 1"],"_nest_path_":"/components#2437","timestamp":"2026-05-21T05:31:11.400Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_118","ead_ssi":"vifgm_repositories_2_resources_118","_root_":"vifgm_repositories_2_resources_118","_nest_parent_":"vifgm_repositories_2_resources_118","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_118.xml","title_filing_ssi":"American Theatre Association records","title_ssm":["American Theatre Association records"],"title_tesim":["American Theatre Association records"],"unitdate_ssm":["1972-1986"],"unitdate_inclusive_ssm":["1972-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0042","/repositories/2/resources/118"],"text":["C0042","/repositories/2/resources/118","American Theatre Association records","Theater -- United States","Theater","Performing arts","Theater and society","Correspondence","Video recordings","Photographs","Certain materials in this collection are restricted, see inventory for details. Otherwise, collection is open to research.","Restriction: Financial information restriction.","This collection is arranged by subject.","The American Theatre Association (ATA) was formed in 1936 as the American Educational Theatre Association by a group of privately owned theatres. Recruiting its members from the ranks of teachers, actors, students, and directors, among others, the Association acted as a theatre advocacy group, promoting theatre and theatre education in several ways. It published and disseminated materials for use in children's secondary schools, colleges and universities, and community theatres, pushed for federal funding of theatre education, promoted the touring of educational theatre groups, and worked with the armed forces installations to develop mutually beneficial theatre programs. The Association also sought to stimulate creative activity and scholarship in educational theatre and in allied fields of educational television, radio, film, and puppetry. ","In 1972 the American Educational Theatre Association restructured itself under a new title, the American Theatre Association, and Jed H. Davis became the Association's president. After earning BA, MA, and PhD degrees from the University of Minnesota, Davis served briefly in the U.S. Army. In 1947 he began teaching at Macalester College, followed by Michigan State and Kansas University, where he became director of children's theatre and University Theatre. Davis wrote several essays on theatre education for major journals and coauthored two books with Mary Jane Evans,  Theatre, Children and Youth  and  Children's Theatre: Play Production for the Child Audience.  Since the 1950s, Jed Davis served actively in professional associations, including the Children's Theatre Conference in 1963 and the ATA in 1972 until retiring in 1986, the year of the ATA's dissolution. Davis passed away in 2015.","This collection is unprocessed. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. ","Basic box inventory compiled by SCRC staff from 2022-2025. Finding aid updated by Amanda Menjivar in June 2025.","The Special Collections Research Center also holds the records of other theatrical organizations, such as the Arena Stage records, as well as many other collections focusing on theatre and the performing arts.","The New York Public Library, Archives and Manuscripts division and Texas State University Libraries hold American Theatre Association collections.","https://archives.nypl.org/the/18637 ","https://archivesspace.library.txstate.edu/repositories/2/resources/70","Note: This collection is not fully processed - a basic box inventory is available.","This collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials.","George Mason University. Libraries. Special Collections Research Center","American Theatre Association","National Theater Players (Washington, D.C.)","Davis, Jed H. 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An additional donation was made in 2016."],"access_subjects_ssim":["Theater -- United States","Theater","Performing arts","Theater and society","Correspondence","Video recordings","Photographs"],"access_subjects_ssm":["Theater -- United States","Theater","Performing arts","Theater and society","Correspondence","Video recordings","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["75 Linear Feet 91 boxes"],"extent_tesim":["75 Linear Feet 91 boxes"],"genreform_ssim":["Correspondence","Video recordings","Photographs"],"accessrestrict_html_tesm":["\u003cp\u003eCertain materials in this collection are restricted, see inventory for details. Otherwise, collection is open to research.\u003c/p\u003e","\u003cp\u003eRestriction: Financial information restriction.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access"],"accessrestrict_tesim":["Certain materials in this collection are restricted, see inventory for details. 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It published and disseminated materials for use in children's secondary schools, colleges and universities, and community theatres, pushed for federal funding of theatre education, promoted the touring of educational theatre groups, and worked with the armed forces installations to develop mutually beneficial theatre programs. The Association also sought to stimulate creative activity and scholarship in educational theatre and in allied fields of educational television, radio, film, and puppetry. \u003c/p\u003e\n","\u003cp\u003eIn 1972 the American Educational Theatre Association restructured itself under a new title, the American Theatre Association, and Jed H. Davis became the Association's president. After earning BA, MA, and PhD degrees from the University of Minnesota, Davis served briefly in the U.S. Army. In 1947 he began teaching at Macalester College, followed by Michigan State and Kansas University, where he became director of children's theatre and University Theatre. Davis wrote several essays on theatre education for major journals and coauthored two books with Mary Jane Evans, \u003citalic\u003eTheatre, Children and Youth\u003c/italic\u003e and \u003citalic\u003eChildren's Theatre: Play Production for the Child Audience.\u003c/italic\u003e Since the 1950s, Jed Davis served actively in professional associations, including the Children's Theatre Conference in 1963 and the ATA in 1972 until retiring in 1986, the year of the ATA's dissolution. Davis passed away in 2015.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The American Theatre Association (ATA) was formed in 1936 as the American Educational Theatre Association by a group of privately owned theatres. Recruiting its members from the ranks of teachers, actors, students, and directors, among others, the Association acted as a theatre advocacy group, promoting theatre and theatre education in several ways. It published and disseminated materials for use in children's secondary schools, colleges and universities, and community theatres, pushed for federal funding of theatre education, promoted the touring of educational theatre groups, and worked with the armed forces installations to develop mutually beneficial theatre programs. The Association also sought to stimulate creative activity and scholarship in educational theatre and in allied fields of educational television, radio, film, and puppetry. ","In 1972 the American Educational Theatre Association restructured itself under a new title, the American Theatre Association, and Jed H. Davis became the Association's president. After earning BA, MA, and PhD degrees from the University of Minnesota, Davis served briefly in the U.S. Army. In 1947 he began teaching at Macalester College, followed by Michigan State and Kansas University, where he became director of children's theatre and University Theatre. Davis wrote several essays on theatre education for major journals and coauthored two books with Mary Jane Evans,  Theatre, Children and Youth  and  Children's Theatre: Play Production for the Child Audience.  Since the 1950s, Jed Davis served actively in professional associations, including the Children's Theatre Conference in 1963 and the ATA in 1972 until retiring in 1986, the year of the ATA's dissolution. Davis passed away in 2015."],"prefercite_html_tesm":["\u003cp\u003eAmerican Theatre Association records, C0042, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["American Theatre Association records, C0042, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThis collection is unprocessed. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. \u003c/p\u003e","\u003cp\u003eBasic box inventory compiled by SCRC staff from 2022-2025. Finding aid updated by Amanda Menjivar in June 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection is unprocessed. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. ","Basic box inventory compiled by SCRC staff from 2022-2025. Finding aid updated by Amanda Menjivar in June 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the records of other theatrical organizations, such as the Arena Stage records, as well as many other collections focusing on theatre and the performing arts.\u003c/p\u003e\n","\u003cp\u003eThe New York Public Library, Archives and Manuscripts division and Texas State University Libraries hold American Theatre Association collections.\u003c/p\u003e\n","\u003cp\u003ehttps://archives.nypl.org/the/18637 \u003c/p\u003e\n","\u003cp\u003ehttps://archivesspace.library.txstate.edu/repositories/2/resources/70\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the records of other theatrical organizations, such as the Arena Stage records, as well as many other collections focusing on theatre and the performing arts.","The New York Public Library, Archives and Manuscripts division and Texas State University Libraries hold American Theatre Association collections.","https://archives.nypl.org/the/18637 ","https://archivesspace.library.txstate.edu/repositories/2/resources/70"],"scopecontent_html_tesm":["\u003cp\u003eNote: This collection is not fully processed - a basic box inventory is available.\u003c/p\u003e\n","\u003cp\u003eThis collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Note: This collection is not fully processed - a basic box inventory is available.","This collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_cbed6be54bd2c070c6f8f0c3dca7dc91\" label=\"Abstract\"\u003eThis collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials."],"names_coll_ssim":["National Theater Players (Washington, D.C.)","Davis, Jed H. (Jed Horace)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American Theatre Association","National Theater Players (Washington, D.C.)","Davis, Jed H. (Jed Horace)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Theatre Association","National Theater Players (Washington, D.C.)"],"persname_ssim":["Davis, Jed H. (Jed Horace)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2838,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:11.400Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_118_c2438"}},{"id":"vifgm_repositories_2_resources_367_c05_c01_c126","type":"File","attributes":{"title":"1984 Liberty Fund conference planning","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_367_c05_c01_c126#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_367_c05_c01_c126","ref_ssm":["vifgm_repositories_2_resources_367_c05_c01_c126"],"id":"vifgm_repositories_2_resources_367_c05_c01_c126","ead_ssi":"vifgm_repositories_2_resources_367","_root_":"vifgm_repositories_2_resources_367","_nest_parent_":"vifgm_repositories_2_resources_367_c05_c01","parent_ssi":"vifgm_repositories_2_resources_367_c05_c01","parent_ssim":["vifgm_repositories_2_resources_367","vifgm_repositories_2_resources_367_c05","vifgm_repositories_2_resources_367_c05_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_367","vifgm_repositories_2_resources_367_c05","vifgm_repositories_2_resources_367_c05_c01"],"parent_unittitles_ssm":["James M. Buchanan papers","Series 5: Professional service","Subseries 1: Conferences and events"],"parent_unittitles_tesim":["James M. Buchanan papers","Series 5: Professional service","Subseries 1: Conferences and events"],"text":["James M. Buchanan papers","Series 5: Professional service","Subseries 1: Conferences and events","1984 Liberty Fund conference planning","box 275","folder 3"],"title_filing_ssi":"1984 Liberty Fund conference planning","title_ssm":["1984 Liberty Fund conference planning"],"title_tesim":["1984 Liberty Fund conference planning"],"unitdate_inclusive_ssm":["1980-1983"],"normalized_date_ssm":["1980/1983"],"normalized_title_ssm":["1984 Liberty Fund conference planning"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["James M. Buchanan papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":4463,"parent_access_restrict_tesm":["\nCertain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.\n","Most of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.","There are no other access restrictions.","All If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1980,1981,1982,1983],"containers_ssim":["box 275","folder 3"],"_nest_path_":"/components#4/components#0/components#125","timestamp":"2026-06-05T07:18:42.949Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_367","ead_ssi":"vifgm_repositories_2_resources_367","_root_":"vifgm_repositories_2_resources_367","_nest_parent_":"vifgm_repositories_2_resources_367","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_367.xml","aspace_url_ssi":"C0246","title_ssm":["James M. Buchanan papers"],"title_tesim":["James M. Buchanan papers"],"unitdate_ssm":["circa 1800s, 1930-2014"],"unitdate_inclusive_ssm":["circa 1800s, 1930-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0246","/repositories/2/resources/367"],"text":["C0246","/repositories/2/resources/367","James M. Buchanan papers","Economics","Economists -- United States","Nobel Prize winners","Social choice","Correspondence","Manuscripts","Typescripts","Video recordings","\nCertain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.\n","Most of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.","There are no other access restrictions.","All If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies.","The collection is arranged in nine series.","Series Series 1: Biographical materials Series 2: Correspondence Series 3: Writings Series 4: Academia Series 5: Professional service Series 6: Betty Tillman papers Series 7: Jo Ann Burgess papers Series 8: Writings by others Series 9: Audiovisual and born-digital materials","James McGill Buchanan, Jr. was born on October 3, 1919 in Gum, Tennessee to Lila Scott (1889-1953) and James McGill Buchanan, Sr. (1888-1979). He had two younger sisters, Lila Scott Buchanan Graue (1922-2020) and Elizabeth Bradley. His paternal grandfather, John P. Buchanan (1847-1930), was a one-term governor of Tennessee from 1891 to 1893. James M. Buchanan attended Buchanan High School. He triple-majored in English, mathematics, and economics at Middle Tennessee State University from 1936 to 1940. He received a Master's of the Arts in economics from the University of Tennessee, Knoxville in 1941. Buchanan then attended the Naval War College and served on the operations staff of Admiral Chester W. Nimitz from 1941 to 1945. In that role, he was stationed in Pearl Harbor, Hawaii, and Guam. He met his wife, Ann Bakke (August 21, 1909-November 14, 2005) in 1943. She was born in Jamestown, North Dakota. She served with the Army Air Transport Command at Hickham Field, Oahu. In 1945 the couple married in San Francisco, California. ","From 1946 to 1948 Buchanan attended the University of Chicago, where he graduated with a Ph.D. in economics. After graduation, he taught at the University of Tennessee, Knoxville as an associate professor from 1948 to 1951, and then as a full professor at Florida State University, Tallahassee from 1951 to 1956. In 1955 he was awarded a Fulbright fellowship to study in Italy for a year. In 1956 he was hired at the University of Virginia as the chair of the economics department. It was there that he co-founded the Thomas Jefferson Center for Studies in Political Economy in 1958. That same year, he published  Public Principles of Public Debt . In 1962, Buchanan and co-author Gordon Tullock published  The Calculus of Consent . ","Buchanan worked at the University of California, Los Angeles (UCLA) for one academic year (1968-1969) as a professor of economics. In 1969 he was hired at Virginia Polytechnic Institute (VPI, now known as Virginia Tech), as a University Distinguished Professor. He became general director of the Center for Study of Public Choice, the successor institution to the Thomas Jefferson Center for Political Economy. Buchanan continued to publish books during his time at VPI, including  Cost and Choice  (1969),  Academia in Anarchy  with Nicos Devletoglou (1970),  The Limits of Liberty  (1975), and  The Power to Tax  with Geoffrey Brennan (1980). ","In 1983, Buchanan and the Center for the Study of Public Choice moved from VPI to George Mason University in Fairfax, Virginia. After the move, he split his time between Fairfax and his farm in Blacksburg, Virginia. In 1986, Buchanan was awarded the Nobel Memorial Prize in economics. While at Mason, he published  The Reason of Rules  (1985),  Better than Plowing  (1992), and  Politics by Principle, Not Interest  with Roger Congleton (1998). He formally retired from Mason in September 1999 but continued to work both at Mason and Virginia Tech until his death on January 9, 2013. ","Buchanan was known for his contribution to the field of public choice, which uses economic principles to analyze the rules and actions of government and public sector. It was this theory which led to his Nobel award. ","Born on March 19, 1927, Betty Jane Hall Tillman (also known as Betty Ross from 1977 to 1984) received an associate's degree from The Jefferson School of Commerce at Charlottesville, Virginia in 1945. She worked for Buchanan at the University of Virginia from August 14, 1961 to August 1969, at VPI from September 1, 1969 to June 1983, and at George Mason University from July 1, 1983 until her retirement in April 2007. Tillman had multiple responsibilities including handling Buchanan's correspondence, scheduling his events, coordinating Liberty Fund conferences, organizing activities at the Center for Study of Public Choice, and assisting graduate students and faculty associated with the Center. At the time of her retirement her position was administrative director of the Center for Study of Public Choice. She had three children. Tillman died on October 2, 2013.  ","Jo Ann Burgess was born on June 27, 1948. She began work at the Center for the Study of Public Choice at George Mason University in 1989. Previously, Burgess lived around the world working for the State Department and the U.S military. She had four children with her husband, Roger. Burgess had many varied responsibilities at the Center including organizing Buchanan's archival papers, and administrative duties for the Public Choice Society. She edited Buchanan's published work in the 1990s and 2000s, including editing  The Collected Works of James Buchanan  and  The Selected Works of Gordon Tullock  for the Liberty Fund. After Tillman's retirement, Burgess took on additional responsibilities related to handling Buchanan's correspondence and scheduling, and additional administrative duties at the Center. Burgess retired in the summer of 2014. She died on March 19, 2020.","Ann Gladys Bakke was born on August 21, 1909 in Jamestown, North Dakota to a Norwegian-born father, Andrew (1879-?), and a second-generation Norwegian immigrant, Hilda Kjorness (1882/3-1973). She had four siblings: Orval (also written Orville, 1908-1987), Clara Jensvold (1910-1998), Arthur (1915-1989), and Erling (1924-1945). Bakke worked as a stenographer in Jamestown until at least 1932. She was living in Fargo, N.D. in 1935 and Washington, D.C. in 1940. During World War II, Bakke served with the Army Air Transport Command at Hickham Field, Oahu. During this time, she met James Buchanan and the two were married in 1945 in San Francisco, California. She supported Buchanan financially during his graduate study at the University of Chicago. She died at their home in Blacksburg, Va., on November 14, 2005.","This collection was processed by Rebecca Thayer as part of a National Endowment for the Humanities (NEH) grant project from March 2021 to March 2023.","Initial processing of the collection was begun after James M. Buchanan's death in 2013, while the papers were at Buchanan House (also known as Roberts House), where the offices of Buchanan, Betty Tillman, Jo Ann Burgess, and the Center for Study of Public Choice were then located. Processing at this time was done by Greta Suiter, then-Processing Coordinator at the Special Collections Research Center (SCRC), and Solomon Stein, then-economics PhD student at Mason. Stein and Suiter established an initial arrangement scheme and began foldering and sorting materials accordingly. Elizabeth Beckman, then-Processing Coordinator, continued arrangement and refoldering work alongside Stein at Buchanan House from 2014 to 2016. 145 linear feet of materials were ultimately arranged during this time. The following series were created: Correspondence, Academic (Subseries: Courses taken and Courses taught), Conferences (Subseries: Conferences attended and Conferences held), Writings, Articles Read, and Administrative.","Materials were boxed up and brought to Fenwick in Spring 2017. Beckman completed EAD markup of a preliminary finding aid with the processed materials in June 2017. Processing was paused in 2017 to apply for a NEH grant to hire a dedicated processing archivist. The grant was approved to start in 2020 but was delayed for several months due to the COVID-19 pandemic.","Rebecca Thayer was hired in March 2021 to process the collection. She surveyed the arranged part of the collection (145 linear feet) and the unprocessed part (147 linear feet) to create a processing plan. This plan included adjustments to the original arrangement scheme based on material in the unprocessed section of the papers. A large number of the eventual Jo Ann Burgess papers series materials were in the unprocessed section of the collection, although the unprocessed section did contain materials from all series. ","The prior arrangement scheme did not preserve Tillman and Burgess' files as discrete series, so it is likely that some materials created by Tillman or Burgess were dispersed into the various other series. Some materials in the correspondence series especially which were obviously correspondence involving only Tillman, Burgess, or Ann Bakke Buchanan, were removed to their respective series and subseries. However, Thayer did not attempt a systematic review of materials in other series such as Professional Services and Academia in order to separate out Tillman and Burgess-created files from Buchanan-created files. This has resulted in some significant overlap between those series and the Betty Tillman papers and Jo Ann Burgess papers series. This does reflect the significant overlap in work responsibilities of Tillman, Burgess, Buchanan, and the Center as seen in the materials. ","Processors prior to the NEH grant appear to have filed out materials that were originally grouped in large miscellaneous folders. Buchanan, Tillman, and Burgess do not seem to have created many files with only one or two emails or letters, preferring larger bulk folders. However, in the collection there are now many individual folders with correspondents that seem to have been created from larger files. No additional filing out of material was done under the NEH grant.","Thayer arranged the unprocessed materials and reprocessed the previously arranged materials, combining the two. Mason Graduate Research Assistant Rachel Barton and undergraduate assistants Colin McDonald and Vilma Chicas Garcia assisted with arrangement, reboxing, and inventory creation. Amanda Menjivar, Manuscripts and Archives Librarian, assisted with finding aid data entry and publishing.","The James M. Buchanan papers largely consist of correspondence, writings, and administrative files created between the years 1930-2014. The collection contains 9 series.","Series 1: Biographical materials (circa 1800s, 1944-2012) contains information about James M. Buchanan's life and career. It is further divided into four subseries. Subseries 1.1: Ann Bakke Buchanan papers contains materials created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some addressed to both James and Ann as a couple. Subseries 1.2: Awards contains newspapers clippings, congratulatory letters, photographs, and memorabilia relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics. Subseries 1.3: Education contains study notes, essays, syllabi, and research notes from Buchanan's education, mostly from his PhD study at the University of Chicago. Subseries 1.4: Clippings contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended.","Series 2: Correspondence (1951-2014) contains letters, emails, memoranda, cards, and other forms of written communication, mostly dealing with Buchanan's professional career. Subseries 2.1: Alphabetical correspondence contains the bulk of the correspondence, filed alphabetically by correspondent, subject, or name of an organization. Subseries 2.2: Chronological correspondence is a small amount of unrelated correspondence that was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess.","Series 3: Writings (1946-2012) contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers.","Series 4: Academia (1946-2013) contains correspondence, reports, planning documents, and grant files relating to Buchanan's work at various universities, primarily University of Virginia, Virginia Polytechnic Institute (now Virginia Tech), and George Mason University. Subseries 4.1: Administration contains reports, memoranda, correspondence, photographs, calendars, and planning documents relating to department and university business. Subseries 4.2: Teaching contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Subseries 4.3: Grants contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Subseries 4.4: Thomas Jefferson Center for Studies in Political Economy contains annual reports, photographs, and correspondence from the University of Virginia's Thomas Jefferson Center, which was active from 1958 to 1968. Subseries 4.5: Center for Study of Public Choice contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating to the Center, an academic unit at Virginia Polytechnic Institute from 1968 to 1983 and at George Mason University from 1983 onwards.","Series 5: Professional Service (1958-2013) This series contains materials relating to Buchanan's professional activities outside of his university responsibilities. Subseries 5.1: Conferences and events contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. Subseries 5.2: Consulting and organizations contains annual reports and correspondence relating to Buchanan's work with various organizations outside of his work as a university professor. ","Series 6: Betty Tillman papers (1968-2008) contains files created by Betty Tillman, administrative assistant to Buchanan and administrative director of the Center for Study of Public Choice. Subseries 6.1: Correspondence contains letters, emails, memoranda, and cards sent and received by Tillman. Subseries 6.2: Office administration contains planning documents, organizational files, and other materials relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Subseries 6.3: Conferences, events and travel contains correspondence, calendars, schedules, and travel documents relating to events attended by Buchanan, coordinated by Tillman. It also contains materials created by Tillman as the conference coordinator for the Liberty Fund and Center conferences and events.","Series 7: Jo Ann Burgess papers (1972-2014) contains files created by Jo Ann Burgess, administrative assistant and editor to Buchanan and secretary for the Public Choice Society. Subseries 7.1: Correspondence contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan and the Center for Study of Public Choice. Subseries 7.2: Office administration contains correspondence, calendars, notes, program files, and edited drafts created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. Subseries 7.3: Liberty Fund editorial work contains planning documents, correspondence, and drafts created as part of Burgess' work editing  The Collected Works of James M. Buchanan  and  The Selected Works of Gordon Tullock  on behalf of the Liberty Fund. Subseries 7.4: Public Choice Society contains correspondence, conference planning documents, and administrative files created as part of Burgess' work as the secretary of the Public Choice Society, a professional organization. ","Series 8: Writings by others (1930-2014) contains articles, book drafts, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some writings are about Buchanan and his ideas. ","Series 9: Audiovisual and born-digital materials (circa 1970s-2013) contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others and Center for Study of Public Choice events.","The biographical series contains information about James M. Buchanan's personal life, education, awards, and clippings of articles about him and his career. There are also materials kept by his wife, Ann Bakke Buchanan. The series is divided into four subseries: Ann Bakke Buchanan papers, Education, Awards, and Clippings. Additional materials not in subseries include personal photographs and Buchanan family history.","This subseries contains papers created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some is addressed to both James and Ann as a couple. Recipe cards were removed from seven recipe card boxes and reboxed. Photographs of the original housing are available by request. Recipes are a mix of clippings and handwritten recipes from Ann Buchanan and her friends and relatives. Some recipes and notebooks are written in shorthand.","This subseries contains materials relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics, but there are also materials about the National Humanities Medal and other awards. Types of material include newspaper clippings, congratulatory letters, photographs, and memorabilia.","Removed from Buchanan House display.","Removed from Buchanan House display","Removed from Buchanan House display","Removed from Buchanan House display","Removed from Buchanan House display.","Contains CD","This subseries contains materials related to Buchanan's education, mostly from his PhD study at the University of Chicago. Some materials appear to be compiled by a person other than Buchanan, since they predate his study at the University of Chicago. Types of materials include study notes, essays, syllabi, and research notes. This subseries includes notes from classes taught by Frank H. Knight and Milton Friedman.","Removed from Buchanan House display.","Appears to be notes from a student other than Buchanan","Removed from Buchanan House display","Removed from Buchanan House display.","Removed from Buchanan House display","This subseries contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended. Note that the clippings related to the Nobel Memorial Prize in Economics are located in the Awards subseries. Clippings of articles written by Buchanan are located in the Writings series. Many clippings are in languages other than English.","The correspondence series contains letters, emails, memoranda, cards, and other forms of written communication sent to and received by Buchanan. The series is divided into two subseries: alphabetical correspondence and chronological correspondence. The bulk of the correspondence was filed alphabetically by correspondent or type of correspondence. A small amount of unrelated correspondence was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess. The bulk of the correspondence in both subseries deals with Buchanan's professional career from his time at the University of Virginia until his retirement, including discussion of publications, manuscripts, events, and academic business. The bulk of the correspondence starts in 1950. There are very few letters prior to 1950. There is a photocopy of a letter from 1941 in Box 56 Folder 1 J. ","Note that some correspondence is located in their original filing location in other series Additional correspondence concerning Buchanan's writings is located in Series 3: Writings, foldered with its related work. Some correspondence relating to the Center for Study of Public Choice, grant applications, and academic departmental administration is located in Series 4: Academia. Some correspondence relating to events, conferences, and travel accommodations is located in Series 5: Professional Service, Subseries 1: Conferences and events. Buchanan's email was handled by Betty Tillman and Jo Ann Burgess, and much of his email is located in Series 6: Betty Tillman papers, Subseries 3: Office administration, and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. Check the relevant series and subseries notes for additional information.","Alphabetical correspondence is correspondence filed alphabetically by subject, by the surname of the correspondent, or by the name of the organization. Filing was likely done by Betty Tillman. Some correspondence is grouped under a single letter, for example, a folder titled \"A\" contains multiple correspondents and organizations that start with the letter A. Some are grouped in a range of letters, for example, a folder title \"E-F\" contains correspondents starting with either E or F. It is unclear why some were filed out into individual folders and others were left in large files under a single letter or letter range. Note that there are some issues with the original filing, for example the surname \"da Empoli\" is sometimes filed under D and sometimes under E. Sometimes letters discussing a person are filed under that person's surname, and sometimes under the surname of the person requesting the information. Additionally, previous processors filed out some correspondence into individual folders. No additional re-filing was done under the NEH grant.","Flagged item restricted for personally identifiable information.","Folder created by Buchanan in April 2007. Contains personal and professional correspondence from 1966-1999.","Folder restricted due to FERPA.","Contains media: photographs","Restriction: FERPA and PII restriction.","Bulk of the folder is correspondents \"D.\" Includes some letters from J. Clayburn LaForce.","contains note: \"Removed from 'The Power of Freedom: Uniting Human Rights and Development' by processing archivist 2021-09-09'","Potential preservation concerns (fading)","Folder restricted until 2033 due to recommendation letter","Flagged item restricted until 2027 due to recommendation.","Folder restricted for letters of recommendation","Folder restricted for letters of recommednation and FERPA.","Flagged items restricted for letters of recommendation and FERPA.","Flagged item restricted for personally identifiable information.","Restricted for bank account information","Flagged item restricted for personally identifiable information.","Flagged item restricted for FERPA","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for personnel information.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged item restricted for FERPA.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged item restricted for FERPA","Contains photocopies of two 1941 letters from Buchanan to a professor","Flagged item restricted for letter of recommendation; restricted until 2032","Folder restricted for FERPA","Flagged item restricted for letter of recommendation until 2028.","includes correspondence from Warren Samuels and John McKinney","Flagged item restricted for letter of recommendation","Flagged items restricted until 2024 for letters of recommendation","Flagged item restricted until 2027 for letter of recommendation","Flagged item restricted until 2036 for letter of recommendation","Folder restricted until 2044 for letter of recommendation","Flagged items restricted until 2024-2026 for letters of recommendation.","Flagged items restricted for personally identifiable information.","Flagged item restricted for bank account information","Flagged items restricted until 2024-2026 for letters of recommendation.","Flagged items restricted until 2037 for letters of recommendation.","Oversize item","contains photographs","Oversize item","Folder restricted for FERPA.","Flagged items restricted for personally identifiable information.","Contains photographs","Flagged items restricted for FERPA","Contains photograph and CD","Flagged items restricted for FERPA. Contains photographs.","Contains photograph.","Flagged item restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged items restricted until 2025 for letters of recommendation.","Flagged item restricted until 2034 for letter of recommendation.","Flagged item restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged items restricted until 2027 for letter of recommendation.","Flagged items restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged item restricted utnil 2028 for letter of recommendation.","Contains photographs","Flagged item restricted until 2038 for personally identifiable information.","Flagged item restricted until 2038 for personally identifiable information.","Flagged items restricted until 2023 and 2026 for letter of recommendation.","Flagged item restricted until 2052 for letter of recommendation.","Folder restricted until 2044 for letter of reference.","Folder restricted until 2046 for letter of reference.","Folder restricted for FERPA.","Folder restricted until 2024-2025 for letters of reference.","Folder restricted until 2024-2028 for letters of reference.","Folder restricted until 2026-2036 for letters of reference.","Folder restricted until 2028-2030 for letters of reference.","Folder restricted until 2030-2032 for letters of reference.","Folder restricted until 2030-2033 for letters of reference","Folder restricted until 2030-2033 for letters of reference","Folder restricted until 2034 for letters of reference.Flagged items restricted due to FERPA.","Folder restricted until 2034-2036 for letters of reference.","Folder restricted until 2035-2038 for letters of reference.","Folder restricted until 2037-2039 for letters of reference.","Folder restricted until 2038 for letters of reference.","Folder restricted until 2039-2041 for letters of reference.","Folder restricted until 2039-2041 for letters of reference.","Folder restricted for FERPA","Contains photograph","Oversize \"Buchanan Expedition\" map of the United States with highlighted road trips","Removed from binder","Folder restricted for FERPA.","Folder restricted for FERPA.","Folder restricted until 2037 for letter of recommendation.","Contains correspondence with Ross Mackenzie of The Richmond News Leader, E.J. Mishan, Roland McKean, James C. Miller III, and others","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged item restricted for personally identifiable information.","Flagged items restricted for FERPA.","Chronological correspondence is unrelated correspondence from a certain date range that was filed together in a single folder. It is unclear why this correspondence was not filed out alphabetically. Chronological correspondence from 1987 onwards seems to have been kept by Jo Ann Burgess and never officially filed into designated folders. These folders include correspondence from Buchanan on topics across his work, with a focus on publications and events and travel. There are also assorted office administration materials handled by Burgess in these folders. Topics of the chronological correspondence and the correspondents seem to be similar to that of the alphabetical correspondence.","Includes Ronald Reagan form letter","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","The writings series contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers. The series is filed alphabetically by title of the work. Note that some of Buchanan's works went by multiple titles in the draft stage, and may not be filed together as a result. Some papers presented by Buchanan at conferences or given as lectures are located in Series 5: Professional services Subseries 1: Conferences and events.","Jo Ann Burgess acted as an editor for much of Buchanan's writings from the 1990s and 2000s. There are edited copies and drafts of some of Buchanan's writings, notably  Politics by Principle, Not Interest ,  The Return to Increasing Returns , and  Post-Socialist Political Economy  in Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. The bulk of the materials relating to  The Collected Works of James M. Buchanan  are located in Series 7: Jo Ann Burgess papers, Subseries 3: Liberty Fund editorial work, as Burgess kept the files for that project.","Flagged items restricted for FERPA.","Note: work also titled \"Work supply under Increasing Returns\"","various titles","Flagged items restricted for FERPA.","This series contains materials relating to Buchanan's work at various universities, notably University of Virginia, Virginia Polytechnic Institute (VPI or Virginia Tech), and George Mason University. The series is divided into five subseries: Administration, Teaching, Grants, Thomas Jefferson Center for Studies in Political Economy, and Center for Study of Public Choice.","This subseries contains reports, memoranda, correspondence, CVs, photographs, calendars, and planning documents relating to Buchanan's work at various universities, primarily Virginia Polytechnic Institute (also known as Virginia Tech or VPI) and George Mason University. Topics include economics department functioning and planning, Buchanan's academic output, schedules, and university events and policies. The subseries is arranged chronologically.","Many of the administrative aspects of Buchanan's work were handled by Betty Tillman and Jo Ann Burgess. Series 6: Betty Tillman papers, Subseries 2: Office administration and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration contain much related material.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","This subseries contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Buchanan would often present his own draft works to students for comment, so some of his draft writings are in this subseries. The subseries is arranged chronologically. Materials created by or relating to specific students are restricted due to the Family Educational Rights and Privacy Act (FERPA).","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Includes correspondence discussed in lecture notes","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","This subseries contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Specific granting agencies include the National Science Foundation, the Ford Foundation, and others. Grants were primarily written for funding research projects in economics, specifically in public choice. Grants that were undertaken to fund operations of the Center for Study of Public Choice are found in Subseries 5: Center for Study of Public Choice. Some correspondence with granting agencies is located in Series 2: Correspondence. The subseries is arranged chronologically.","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","This subseries contains annual reports, photographs, and correspondence relating to the University of Virginia's Thomas Jefferson Center for Studies in Political Economy. Buchanan was a co-founder of the Center. The Center was active from 1958 to 1968. There is also information relating to  Papers on Non-Market Decision Making , a journal founded by the Center that later became  Public Choice . The subseries is arranged chronologically.","Item originally part of Buchanan House Display","Item originally part of Buchanan House Display","Item originally part of Buchanan House Display","This subseries contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating the Center for Study of Public Choice, an academic unit founded at Virginia Polytechnic Institute in 1968. The Center was moved to George Mason University in July 1983 and continues operations there as of 2023. The subseries contains correspondence and planning documents from multiple directors of the Center, including Robert Tollison, David Levy, Mark Crain, and others. There are also materials relating to the Public Choice Society prior to Jo Ann Burgess' time as the Public Choice Society administrator, approximately 2003. The subseries is arranged chronologically.","Betty Tillman was the administrative director of the Center in the 1990s and 2000s, and many Center materials can be found in in Series 6: Betty Tillman papers, especially in Subseries 1: Correspondence and Subseries 2: Office administration. Center tasks were also sometimes a part of the duties of Jo Ann Burgess, and some Center material can be found in Series 7: Jo Ann Burgess papers, especially Subseries 1: Correspondence and Subseries 2: Office administration. ","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Donor is anonymous by request. Publication of the donor information in conjunction with the Center for Study of Public Choice is not permitted.","Flagged items restricted for personally identifiable information","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","This series contains materials relating to Buchanan's professional activities outside of his university and Center for Study of Public Choice responsibilities. The series is divided into two subseries: Conferences and events, and Consulting and organizations. The series is arranged chronologically.","This subseries contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. This subseries also contains materials related to conferences organized by Buchanan or Betty Tillman, often in partnership with the Liberty Fund. Note that the subseries is arranged chronologically by date of the materials that exist in the folder, not by date of the conference or event. Event planning could stretch to a year or two before the event took place, especially for events occurring in the first half of the calendar year. ","Tillman was responsible for scheduling and organizing much of Buchanan's travel, especially after he received the Nobel Prize in 1986. Similar files kept by Tillman on Buchanan's travel and event attendance are located in Series 6: Betty Tillman papers, Subseries 3: Conferences, events and travel.","Contains book reviews of  Cost and Choice  and  Academia in Anarchy.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","Originally part of Buchanan House display","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Contains zip disk and 3.5' floppy disk.","Flagged items restricted for FERPA.","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","This subseries contains committee meeting notes, annual reports, and correspondence relating to Buchanan's work with various outside organizations. Buchanan served on boards for some organizations, including the Mont Pelerin Society. Those records are mostly found here, although some conference organizing material for the Mont Pelerin Society and Liberty Fund is located in Subseries 1: Conferences and events. The subseries is arranged chronologically.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Betty Tillman was an administrative assistant for James M. Buchanan and the Center for Study of Public Choice from 1962 to 2007. Her work included typing Buchanan's correspondence, scheduling his travel and conference events, and liaising with publishers and outside parties on Buchanan's behalf. As a member of the Center and eventual administrative director, she made arrangements for the visiting scholars program, managed personnel, kept financial records, and coordinated events and conferences, among many other duties. As her work was integral to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers as well. In the course of processing, some of her papers were able to be identified as a discrete series. ","Tillman's papers are divided into three subseries: Correspondence; Office administration; and Conferences, events and travel.","This subseries contains letters, emails, memoranda, and cards sent and received by Betty Tillman. Work correspondence includes topics such as event organization, visiting scholars program, and other Center for Study of Public Choice business. There is also personal correspondence belonging to Tillman in the subseries. There are also notes from Buchanan to Tillman, mostly about administrative matters. Note that Tillman printed out most of email she received, and in many cases did not file it out by correspondent or subject. Correspondence is filed alphabetically by subject, by the surname of the correspondent, by the name of the organization, or by the type of correspondence.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","includes floppy disc","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Contains photograph","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","This subseries contains planning documents, scheduling documents, meeting minutes, and notes relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Note that there is correspondence belonging to Buchanan that was handled by Tillman and not filed out. Similarly, pending and working files contain correspondence, schedules, notices, invoices, and other documents that Tillman did not file out into their own completed folders. The subseries is arranged alphabetically.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","There are no restrictions on access, but reproductions of material in this folder are restricted","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to FERPA","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information and FERPA.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to FERPA","Flagged items restricted due to personally identifiable information","This subseries contains files on events attended by Buchanan. Tillman was responsible for Buchanan's schedule, especially after Buchanan received the Nobel Prize in 1986 when she became his official agent. Types of material include correspondence, calendars, schedules, and travel documents. Similar files that may have been kept by Buchanan are located in Series 5: Professional Service, Subseries 1: Conferences and events.","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Jo Ann Burgess was an administrative assistant at the Center for Study of Public Choice from 1989 to 2014. She was responsible for the library at the Center and for the management of Buchanan's papers. Additionally, she was the secretary for the Public Choice Society and edited much of Buchanan's published works in the 1990s and 2000s, notably  The Collected Works of James M. Buchanan , published by the Liberty Fund. As her work was closely tied to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers. In the course of processing, some of her papers were able to be identified as a discrete series.","There are four subseries: Correspondence; Office administration; Liberty Fund editorial work; and Public Choice Society.","This subseries contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan at the Center for Study of Public Choice. The subseries is arranged alphabetically.","Flagged items restricted due to FERPA","This subseries contains materials created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. It includes edited copies of Buchanan's writings; emails; correspondence written on behalf of Buchanan; calendars; Buchanan's class materials; notes; visiting scholars program files, and working files. Working files are groupings of papers that Burgess never filed out into separate folders. They are combinations of emails, schedules, memoranda, writings drafts, invoices, and other administrative papers. The subseries is arranged alphabetically.","Folder restricted due to personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for financial and personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder contains a CD of Betty Tillman photographs","Flagged items restricted for personally identifiable information.","Contains CD","Flagged items restricted for personally identifiable information.","Folder restricted due to FERPA.","The family name is Ma and personal name is Jun. It was originally misfiled by Burgess with the family name as Jun and the personal name as Ma.","Flagged items restricted for personally identifiable information.","Folder includes handwritten draft of \"Panglosian Politics\"","Flagged items restricted for FERPA.","Folder includes a 3.5\" floppy disk.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted due to FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","This subseries contains materials created as part of Burgess' work editing  The Collected Works of James M. Buchanan  and  The Selected Works of Gordon Tullock . It includes editorial committee notes and memoranda; lists of contents; correspondence; edited typescripts; permissions requests; planning documents; drafts; and working files. The subseries is arranged alphabetically. The large majority of the materials are related to  The Collected Works of James M. Buchanan , materials related to  The Selected Works of Gordon Tullock  are noted separately. The subseries is arranged alphabetically.","This subseries contains materials relating to the Public Choice Society, a professional organization for scholars from any academic discipline interested in public choice. Burgess was the secretary for the Public Choice Society from 1989 from 2014. Materials include correspondence, conference planning documents, and administrative files created as part of Burgess' work with the Society. The subseries is arranged chronologically.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for financial information.","This series contains articles, books, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some materials contain correspondence with the authors. Some writings are about Buchanan and his ideas. Some writings were filed by author, others were in folders containing writings from multiple different authors. No additional filing out of writings was done under the NEH grant. The series is arranged alphabetically by surname of author. Materials where Buchanan is a coauthor are found in Series 3: Writings.","Back cover has penciled notes of James Buchanan's on joint supply","contains annotations by Buchanan","Includes the Foundations for Normative Individulism by James Buchanan.","Original discarded due to mold damage.","Scope Note: heavily annotated by Buchanan","This series contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Audiovisual material topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others; television appearances; programs of related interest to Buchanan; and Center for Study of Public Choice events. Born-digital material topics include Center photographs and drafts of writings. Materials are arranged by format, and then chronologically.","Some materials have been digitized. Please contact speccoll@gmu.edu to ensure that the specific materials you are interested in viewing are able to be accessed.","Issue of  The Wall Street Journal , December 21, 1992 removed and housed in Box 543.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The James M. Buchanan papers consist of materials created primarily by economist James M. Buchanan (1919-2013) from the years 1936-2014. There are also materials created by the Center for Study of Public Choice, an academic unit associated with Virginia Tech (1969-1983) and George Mason University (1983-). The papers document Buchanan's career and academic output, primarily in the field of public choice economics and political economy.","\nR 101 - 102\n\nOS R 1, C 3, S 3-5\nMap Case 24.1","George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for Study of Public Choice","Public Choice Society","Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H.","The bulk of the materials are in English. Additional languages in the collection include German, Italian, French, Spanish, Norwegian, Dutch, Turkish, Japanese, Korean, and Chinese."],"unitid_tesim":["C0246","/repositories/2/resources/367"],"normalized_title_ssm":["James M. Buchanan papers"],"collection_title_tesim":["James M. Buchanan papers"],"collection_ssim":["James M. Buchanan papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"creator_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"creator_persname_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"creators_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Acquired by George Mason University Special Collections Research Center in September 2016. Additional materials acquired in April 2021."],"access_subjects_ssim":["Economics","Economists -- United States","Nobel Prize winners","Social choice","Correspondence","Manuscripts","Typescripts","Video recordings"],"access_subjects_ssm":["Economics","Economists -- United States","Nobel Prize winners","Social choice","Correspondence","Manuscripts","Typescripts","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["270 Linear Feet 546 boxes, one map case"],"extent_tesim":["270 Linear Feet 546 boxes, one map case"],"genreform_ssim":["Correspondence","Manuscripts","Typescripts","Video recordings"],"date_range_isim":[1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003e\nCertain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.\n\u003c/p\u003e","\u003cp\u003eMost of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.\u003c/p\u003e","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e","\u003cp\u003eAll If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["\nCertain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.\n","Most of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.","There are no other access restrictions.","All If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in nine series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Biographical materials\u003c/item\u003e\n      \u003citem\u003eSeries 2: Correspondence\u003c/item\u003e\n      \u003citem\u003eSeries 3: Writings\u003c/item\u003e\n      \u003citem\u003eSeries 4: Academia\u003c/item\u003e\n      \u003citem\u003eSeries 5: Professional service\u003c/item\u003e\n      \u003citem\u003eSeries 6: Betty Tillman papers\u003c/item\u003e\n      \u003citem\u003eSeries 7: Jo Ann Burgess papers\u003c/item\u003e\n      \u003citem\u003eSeries 8: Writings by others\u003c/item\u003e\n      \u003citem\u003eSeries 9: Audiovisual and born-digital materials\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in nine series.","Series Series 1: Biographical materials Series 2: Correspondence Series 3: Writings Series 4: Academia Series 5: Professional service Series 6: Betty Tillman papers Series 7: Jo Ann Burgess papers Series 8: Writings by others Series 9: Audiovisual and born-digital materials"],"bioghist_html_tesm":["\u003cp\u003eJames McGill Buchanan, Jr. was born on October 3, 1919 in Gum, Tennessee to Lila Scott (1889-1953) and James McGill Buchanan, Sr. (1888-1979). He had two younger sisters, Lila Scott Buchanan Graue (1922-2020) and Elizabeth Bradley. His paternal grandfather, John P. Buchanan (1847-1930), was a one-term governor of Tennessee from 1891 to 1893. James M. Buchanan attended Buchanan High School. He triple-majored in English, mathematics, and economics at Middle Tennessee State University from 1936 to 1940. He received a Master's of the Arts in economics from the University of Tennessee, Knoxville in 1941. Buchanan then attended the Naval War College and served on the operations staff of Admiral Chester W. Nimitz from 1941 to 1945. In that role, he was stationed in Pearl Harbor, Hawaii, and Guam. He met his wife, Ann Bakke (August 21, 1909-November 14, 2005) in 1943. She was born in Jamestown, North Dakota. She served with the Army Air Transport Command at Hickham Field, Oahu. In 1945 the couple married in San Francisco, California. \u003c/p\u003e\n","\u003cp\u003eFrom 1946 to 1948 Buchanan attended the University of Chicago, where he graduated with a Ph.D. in economics. After graduation, he taught at the University of Tennessee, Knoxville as an associate professor from 1948 to 1951, and then as a full professor at Florida State University, Tallahassee from 1951 to 1956. In 1955 he was awarded a Fulbright fellowship to study in Italy for a year. In 1956 he was hired at the University of Virginia as the chair of the economics department. It was there that he co-founded the Thomas Jefferson Center for Studies in Political Economy in 1958. That same year, he published \u003ctitle\u003ePublic Principles of Public Debt\u003c/title\u003e. In 1962, Buchanan and co-author Gordon Tullock published \u003ctitle\u003eThe Calculus of Consent\u003c/title\u003e. \u003c/p\u003e\n","\u003cp\u003eBuchanan worked at the University of California, Los Angeles (UCLA) for one academic year (1968-1969) as a professor of economics. In 1969 he was hired at Virginia Polytechnic Institute (VPI, now known as Virginia Tech), as a University Distinguished Professor. He became general director of the Center for Study of Public Choice, the successor institution to the Thomas Jefferson Center for Political Economy. Buchanan continued to publish books during his time at VPI, including \u003ctitle\u003eCost and Choice\u003c/title\u003e (1969), \u003ctitle\u003eAcademia in Anarchy\u003c/title\u003e with Nicos Devletoglou (1970), \u003ctitle\u003eThe Limits of Liberty\u003c/title\u003e (1975), and \u003ctitle\u003eThe Power to Tax\u003c/title\u003e with Geoffrey Brennan (1980). \u003c/p\u003e\n","\u003cp\u003eIn 1983, Buchanan and the Center for the Study of Public Choice moved from VPI to George Mason University in Fairfax, Virginia. After the move, he split his time between Fairfax and his farm in Blacksburg, Virginia. In 1986, Buchanan was awarded the Nobel Memorial Prize in economics. While at Mason, he published \u003ctitle\u003eThe Reason of Rules\u003c/title\u003e (1985), \u003ctitle\u003eBetter than Plowing\u003c/title\u003e (1992), and \u003ctitle\u003ePolitics by Principle, Not Interest\u003c/title\u003e with Roger Congleton (1998). He formally retired from Mason in September 1999 but continued to work both at Mason and Virginia Tech until his death on January 9, 2013. \u003c/p\u003e\n","\u003cp\u003eBuchanan was known for his contribution to the field of public choice, which uses economic principles to analyze the rules and actions of government and public sector. It was this theory which led to his Nobel award. \u003c/p\u003e\n","\u003cp\u003eBorn on March 19, 1927, Betty Jane Hall Tillman (also known as Betty Ross from 1977 to 1984) received an associate's degree from The Jefferson School of Commerce at Charlottesville, Virginia in 1945. She worked for Buchanan at the University of Virginia from August 14, 1961 to August 1969, at VPI from September 1, 1969 to June 1983, and at George Mason University from July 1, 1983 until her retirement in April 2007. Tillman had multiple responsibilities including handling Buchanan's correspondence, scheduling his events, coordinating Liberty Fund conferences, organizing activities at the Center for Study of Public Choice, and assisting graduate students and faculty associated with the Center. At the time of her retirement her position was administrative director of the Center for Study of Public Choice. She had three children. Tillman died on October 2, 2013.  \u003c/p\u003e\n","\u003cp\u003eJo Ann Burgess was born on June 27, 1948. She began work at the Center for the Study of Public Choice at George Mason University in 1989. Previously, Burgess lived around the world working for the State Department and the U.S military. She had four children with her husband, Roger. Burgess had many varied responsibilities at the Center including organizing Buchanan's archival papers, and administrative duties for the Public Choice Society. She edited Buchanan's published work in the 1990s and 2000s, including editing \u003ctitle\u003eThe Collected Works of James Buchanan\u003c/title\u003e and \u003ctitle\u003eThe Selected Works of Gordon Tullock\u003c/title\u003e for the Liberty Fund. After Tillman's retirement, Burgess took on additional responsibilities related to handling Buchanan's correspondence and scheduling, and additional administrative duties at the Center. Burgess retired in the summer of 2014. She died on March 19, 2020.\u003c/p\u003e","\u003cp\u003eAnn Gladys Bakke was born on August 21, 1909 in Jamestown, North Dakota to a Norwegian-born father, Andrew (1879-?), and a second-generation Norwegian immigrant, Hilda Kjorness (1882/3-1973). She had four siblings: Orval (also written Orville, 1908-1987), Clara Jensvold (1910-1998), Arthur (1915-1989), and Erling (1924-1945). Bakke worked as a stenographer in Jamestown until at least 1932. She was living in Fargo, N.D. in 1935 and Washington, D.C. in 1940. During World War II, Bakke served with the Army Air Transport Command at Hickham Field, Oahu. During this time, she met James Buchanan and the two were married in 1945 in San Francisco, California. She supported Buchanan financially during his graduate study at the University of Chicago. She died at their home in Blacksburg, Va., on November 14, 2005.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information","Biographical / Historical"],"bioghist_tesim":["James McGill Buchanan, Jr. was born on October 3, 1919 in Gum, Tennessee to Lila Scott (1889-1953) and James McGill Buchanan, Sr. (1888-1979). He had two younger sisters, Lila Scott Buchanan Graue (1922-2020) and Elizabeth Bradley. His paternal grandfather, John P. Buchanan (1847-1930), was a one-term governor of Tennessee from 1891 to 1893. James M. Buchanan attended Buchanan High School. He triple-majored in English, mathematics, and economics at Middle Tennessee State University from 1936 to 1940. He received a Master's of the Arts in economics from the University of Tennessee, Knoxville in 1941. Buchanan then attended the Naval War College and served on the operations staff of Admiral Chester W. Nimitz from 1941 to 1945. In that role, he was stationed in Pearl Harbor, Hawaii, and Guam. He met his wife, Ann Bakke (August 21, 1909-November 14, 2005) in 1943. She was born in Jamestown, North Dakota. She served with the Army Air Transport Command at Hickham Field, Oahu. In 1945 the couple married in San Francisco, California. ","From 1946 to 1948 Buchanan attended the University of Chicago, where he graduated with a Ph.D. in economics. After graduation, he taught at the University of Tennessee, Knoxville as an associate professor from 1948 to 1951, and then as a full professor at Florida State University, Tallahassee from 1951 to 1956. In 1955 he was awarded a Fulbright fellowship to study in Italy for a year. In 1956 he was hired at the University of Virginia as the chair of the economics department. It was there that he co-founded the Thomas Jefferson Center for Studies in Political Economy in 1958. That same year, he published  Public Principles of Public Debt . In 1962, Buchanan and co-author Gordon Tullock published  The Calculus of Consent . ","Buchanan worked at the University of California, Los Angeles (UCLA) for one academic year (1968-1969) as a professor of economics. In 1969 he was hired at Virginia Polytechnic Institute (VPI, now known as Virginia Tech), as a University Distinguished Professor. He became general director of the Center for Study of Public Choice, the successor institution to the Thomas Jefferson Center for Political Economy. Buchanan continued to publish books during his time at VPI, including  Cost and Choice  (1969),  Academia in Anarchy  with Nicos Devletoglou (1970),  The Limits of Liberty  (1975), and  The Power to Tax  with Geoffrey Brennan (1980). ","In 1983, Buchanan and the Center for the Study of Public Choice moved from VPI to George Mason University in Fairfax, Virginia. After the move, he split his time between Fairfax and his farm in Blacksburg, Virginia. In 1986, Buchanan was awarded the Nobel Memorial Prize in economics. While at Mason, he published  The Reason of Rules  (1985),  Better than Plowing  (1992), and  Politics by Principle, Not Interest  with Roger Congleton (1998). He formally retired from Mason in September 1999 but continued to work both at Mason and Virginia Tech until his death on January 9, 2013. ","Buchanan was known for his contribution to the field of public choice, which uses economic principles to analyze the rules and actions of government and public sector. It was this theory which led to his Nobel award. ","Born on March 19, 1927, Betty Jane Hall Tillman (also known as Betty Ross from 1977 to 1984) received an associate's degree from The Jefferson School of Commerce at Charlottesville, Virginia in 1945. She worked for Buchanan at the University of Virginia from August 14, 1961 to August 1969, at VPI from September 1, 1969 to June 1983, and at George Mason University from July 1, 1983 until her retirement in April 2007. Tillman had multiple responsibilities including handling Buchanan's correspondence, scheduling his events, coordinating Liberty Fund conferences, organizing activities at the Center for Study of Public Choice, and assisting graduate students and faculty associated with the Center. At the time of her retirement her position was administrative director of the Center for Study of Public Choice. She had three children. Tillman died on October 2, 2013.  ","Jo Ann Burgess was born on June 27, 1948. She began work at the Center for the Study of Public Choice at George Mason University in 1989. Previously, Burgess lived around the world working for the State Department and the U.S military. She had four children with her husband, Roger. Burgess had many varied responsibilities at the Center including organizing Buchanan's archival papers, and administrative duties for the Public Choice Society. She edited Buchanan's published work in the 1990s and 2000s, including editing  The Collected Works of James Buchanan  and  The Selected Works of Gordon Tullock  for the Liberty Fund. After Tillman's retirement, Burgess took on additional responsibilities related to handling Buchanan's correspondence and scheduling, and additional administrative duties at the Center. Burgess retired in the summer of 2014. She died on March 19, 2020.","Ann Gladys Bakke was born on August 21, 1909 in Jamestown, North Dakota to a Norwegian-born father, Andrew (1879-?), and a second-generation Norwegian immigrant, Hilda Kjorness (1882/3-1973). She had four siblings: Orval (also written Orville, 1908-1987), Clara Jensvold (1910-1998), Arthur (1915-1989), and Erling (1924-1945). Bakke worked as a stenographer in Jamestown until at least 1932. She was living in Fargo, N.D. in 1935 and Washington, D.C. in 1940. During World War II, Bakke served with the Army Air Transport Command at Hickham Field, Oahu. During this time, she met James Buchanan and the two were married in 1945 in San Francisco, California. She supported Buchanan financially during his graduate study at the University of Chicago. She died at their home in Blacksburg, Va., on November 14, 2005."],"prefercite_html_tesm":["\u003cp\u003eJames M. Buchanan papers, C0246, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e","\u003cp\u003eFile\u003c/p\u003e","\u003cp\u003eFile\u003c/p\u003e"],"prefercite_tesim":["James M. Buchanan papers, C0246, Special Collections Research Center, George Mason University Libraries.","File","File"],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed by Rebecca Thayer as part of a National Endowment for the Humanities (NEH) grant project from March 2021 to March 2023.\u003c/p\u003e","\u003cp\u003eInitial processing of the collection was begun after James M. Buchanan's death in 2013, while the papers were at Buchanan House (also known as Roberts House), where the offices of Buchanan, Betty Tillman, Jo Ann Burgess, and the Center for Study of Public Choice were then located. Processing at this time was done by Greta Suiter, then-Processing Coordinator at the Special Collections Research Center (SCRC), and Solomon Stein, then-economics PhD student at Mason. Stein and Suiter established an initial arrangement scheme and began foldering and sorting materials accordingly. Elizabeth Beckman, then-Processing Coordinator, continued arrangement and refoldering work alongside Stein at Buchanan House from 2014 to 2016. 145 linear feet of materials were ultimately arranged during this time. The following series were created: Correspondence, Academic (Subseries: Courses taken and Courses taught), Conferences (Subseries: Conferences attended and Conferences held), Writings, Articles Read, and Administrative.\u003c/p\u003e","\u003cp\u003eMaterials were boxed up and brought to Fenwick in Spring 2017. Beckman completed EAD markup of a preliminary finding aid with the processed materials in June 2017. Processing was paused in 2017 to apply for a NEH grant to hire a dedicated processing archivist. The grant was approved to start in 2020 but was delayed for several months due to the COVID-19 pandemic.\u003c/p\u003e","\u003cp\u003eRebecca Thayer was hired in March 2021 to process the collection. She surveyed the arranged part of the collection (145 linear feet) and the unprocessed part (147 linear feet) to create a processing plan. This plan included adjustments to the original arrangement scheme based on material in the unprocessed section of the papers. A large number of the eventual Jo Ann Burgess papers series materials were in the unprocessed section of the collection, although the unprocessed section did contain materials from all series. \u003c/p\u003e","\u003cp\u003eThe prior arrangement scheme did not preserve Tillman and Burgess' files as discrete series, so it is likely that some materials created by Tillman or Burgess were dispersed into the various other series. Some materials in the correspondence series especially which were obviously correspondence involving only Tillman, Burgess, or Ann Bakke Buchanan, were removed to their respective series and subseries. However, Thayer did not attempt a systematic review of materials in other series such as Professional Services and Academia in order to separate out Tillman and Burgess-created files from Buchanan-created files. This has resulted in some significant overlap between those series and the Betty Tillman papers and Jo Ann Burgess papers series. This does reflect the significant overlap in work responsibilities of Tillman, Burgess, Buchanan, and the Center as seen in the materials. \u003c/p\u003e","\u003cp\u003eProcessors prior to the NEH grant appear to have filed out materials that were originally grouped in large miscellaneous folders. Buchanan, Tillman, and Burgess do not seem to have created many files with only one or two emails or letters, preferring larger bulk folders. However, in the collection there are now many individual folders with correspondents that seem to have been created from larger files. No additional filing out of material was done under the NEH grant.\u003c/p\u003e","\u003cp\u003eThayer arranged the unprocessed materials and reprocessed the previously arranged materials, combining the two. Mason Graduate Research Assistant Rachel Barton and undergraduate assistants Colin McDonald and Vilma Chicas Garcia assisted with arrangement, reboxing, and inventory creation. Amanda Menjivar, Manuscripts and Archives Librarian, assisted with finding aid data entry and publishing.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed by Rebecca Thayer as part of a National Endowment for the Humanities (NEH) grant project from March 2021 to March 2023.","Initial processing of the collection was begun after James M. Buchanan's death in 2013, while the papers were at Buchanan House (also known as Roberts House), where the offices of Buchanan, Betty Tillman, Jo Ann Burgess, and the Center for Study of Public Choice were then located. Processing at this time was done by Greta Suiter, then-Processing Coordinator at the Special Collections Research Center (SCRC), and Solomon Stein, then-economics PhD student at Mason. Stein and Suiter established an initial arrangement scheme and began foldering and sorting materials accordingly. Elizabeth Beckman, then-Processing Coordinator, continued arrangement and refoldering work alongside Stein at Buchanan House from 2014 to 2016. 145 linear feet of materials were ultimately arranged during this time. The following series were created: Correspondence, Academic (Subseries: Courses taken and Courses taught), Conferences (Subseries: Conferences attended and Conferences held), Writings, Articles Read, and Administrative.","Materials were boxed up and brought to Fenwick in Spring 2017. Beckman completed EAD markup of a preliminary finding aid with the processed materials in June 2017. Processing was paused in 2017 to apply for a NEH grant to hire a dedicated processing archivist. The grant was approved to start in 2020 but was delayed for several months due to the COVID-19 pandemic.","Rebecca Thayer was hired in March 2021 to process the collection. She surveyed the arranged part of the collection (145 linear feet) and the unprocessed part (147 linear feet) to create a processing plan. This plan included adjustments to the original arrangement scheme based on material in the unprocessed section of the papers. A large number of the eventual Jo Ann Burgess papers series materials were in the unprocessed section of the collection, although the unprocessed section did contain materials from all series. ","The prior arrangement scheme did not preserve Tillman and Burgess' files as discrete series, so it is likely that some materials created by Tillman or Burgess were dispersed into the various other series. Some materials in the correspondence series especially which were obviously correspondence involving only Tillman, Burgess, or Ann Bakke Buchanan, were removed to their respective series and subseries. However, Thayer did not attempt a systematic review of materials in other series such as Professional Services and Academia in order to separate out Tillman and Burgess-created files from Buchanan-created files. This has resulted in some significant overlap between those series and the Betty Tillman papers and Jo Ann Burgess papers series. This does reflect the significant overlap in work responsibilities of Tillman, Burgess, Buchanan, and the Center as seen in the materials. ","Processors prior to the NEH grant appear to have filed out materials that were originally grouped in large miscellaneous folders. Buchanan, Tillman, and Burgess do not seem to have created many files with only one or two emails or letters, preferring larger bulk folders. However, in the collection there are now many individual folders with correspondents that seem to have been created from larger files. No additional filing out of material was done under the NEH grant.","Thayer arranged the unprocessed materials and reprocessed the previously arranged materials, combining the two. Mason Graduate Research Assistant Rachel Barton and undergraduate assistants Colin McDonald and Vilma Chicas Garcia assisted with arrangement, reboxing, and inventory creation. Amanda Menjivar, Manuscripts and Archives Librarian, assisted with finding aid data entry and publishing."],"scopecontent_html_tesm":["\u003cp\u003eThe James M. Buchanan papers largely consist of correspondence, writings, and administrative files created between the years 1930-2014. The collection contains 9 series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Biographical materials (circa 1800s, 1944-2012) contains information about James M. Buchanan's life and career. It is further divided into four subseries. Subseries 1.1: Ann Bakke Buchanan papers contains materials created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some addressed to both James and Ann as a couple. Subseries 1.2: Awards contains newspapers clippings, congratulatory letters, photographs, and memorabilia relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics. Subseries 1.3: Education contains study notes, essays, syllabi, and research notes from Buchanan's education, mostly from his PhD study at the University of Chicago. Subseries 1.4: Clippings contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Correspondence (1951-2014) contains letters, emails, memoranda, cards, and other forms of written communication, mostly dealing with Buchanan's professional career. Subseries 2.1: Alphabetical correspondence contains the bulk of the correspondence, filed alphabetically by correspondent, subject, or name of an organization. Subseries 2.2: Chronological correspondence is a small amount of unrelated correspondence that was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Writings (1946-2012) contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Academia (1946-2013) contains correspondence, reports, planning documents, and grant files relating to Buchanan's work at various universities, primarily University of Virginia, Virginia Polytechnic Institute (now Virginia Tech), and George Mason University. Subseries 4.1: Administration contains reports, memoranda, correspondence, photographs, calendars, and planning documents relating to department and university business. Subseries 4.2: Teaching contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Subseries 4.3: Grants contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Subseries 4.4: Thomas Jefferson Center for Studies in Political Economy contains annual reports, photographs, and correspondence from the University of Virginia's Thomas Jefferson Center, which was active from 1958 to 1968. Subseries 4.5: Center for Study of Public Choice contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating to the Center, an academic unit at Virginia Polytechnic Institute from 1968 to 1983 and at George Mason University from 1983 onwards.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Professional Service (1958-2013) This series contains materials relating to Buchanan's professional activities outside of his university responsibilities. Subseries 5.1: Conferences and events contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. Subseries 5.2: Consulting and organizations contains annual reports and correspondence relating to Buchanan's work with various organizations outside of his work as a university professor. \u003c/p\u003e\n","\u003cp\u003eSeries 6: Betty Tillman papers (1968-2008) contains files created by Betty Tillman, administrative assistant to Buchanan and administrative director of the Center for Study of Public Choice. Subseries 6.1: Correspondence contains letters, emails, memoranda, and cards sent and received by Tillman. Subseries 6.2: Office administration contains planning documents, organizational files, and other materials relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Subseries 6.3: Conferences, events and travel contains correspondence, calendars, schedules, and travel documents relating to events attended by Buchanan, coordinated by Tillman. It also contains materials created by Tillman as the conference coordinator for the Liberty Fund and Center conferences and events.\u003c/p\u003e\n","\u003cp\u003eSeries 7: Jo Ann Burgess papers (1972-2014) contains files created by Jo Ann Burgess, administrative assistant and editor to Buchanan and secretary for the Public Choice Society. Subseries 7.1: Correspondence contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan and the Center for Study of Public Choice. Subseries 7.2: Office administration contains correspondence, calendars, notes, program files, and edited drafts created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. Subseries 7.3: Liberty Fund editorial work contains planning documents, correspondence, and drafts created as part of Burgess' work editing \u003citalic\u003eThe Collected Works of James M. Buchanan\u003c/italic\u003e and \u003citalic\u003eThe Selected Works of Gordon Tullock\u003c/italic\u003e on behalf of the Liberty Fund. Subseries 7.4: Public Choice Society contains correspondence, conference planning documents, and administrative files created as part of Burgess' work as the secretary of the Public Choice Society, a professional organization. \u003c/p\u003e\n","\u003cp\u003eSeries 8: Writings by others (1930-2014) contains articles, book drafts, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some writings are about Buchanan and his ideas. \u003c/p\u003e\n","\u003cp\u003eSeries 9: Audiovisual and born-digital materials (circa 1970s-2013) contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others and Center for Study of Public Choice events.\u003c/p\u003e","\u003cp\u003eThe biographical series contains information about James M. Buchanan's personal life, education, awards, and clippings of articles about him and his career. There are also materials kept by his wife, Ann Bakke Buchanan. The series is divided into four subseries: Ann Bakke Buchanan papers, Education, Awards, and Clippings. Additional materials not in subseries include personal photographs and Buchanan family history.\u003c/p\u003e","\u003cp\u003eThis subseries contains papers created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some is addressed to both James and Ann as a couple. Recipe cards were removed from seven recipe card boxes and reboxed. Photographs of the original housing are available by request. Recipes are a mix of clippings and handwritten recipes from Ann Buchanan and her friends and relatives. Some recipes and notebooks are written in shorthand.\u003c/p\u003e","\u003cp\u003eThis subseries contains materials relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics, but there are also materials about the National Humanities Medal and other awards. Types of material include newspaper clippings, congratulatory letters, photographs, and memorabilia.\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display.\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display.\u003c/p\u003e","\u003cp\u003eContains CD\u003c/p\u003e","\u003cp\u003eThis subseries contains materials related to Buchanan's education, mostly from his PhD study at the University of Chicago. Some materials appear to be compiled by a person other than Buchanan, since they predate his study at the University of Chicago. Types of materials include study notes, essays, syllabi, and research notes. This subseries includes notes from classes taught by Frank H. Knight and Milton Friedman.\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display.\u003c/p\u003e","\u003cp\u003eAppears to be notes from a student other than Buchanan\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display.\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eThis subseries contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended. Note that the clippings related to the Nobel Memorial Prize in Economics are located in the Awards subseries. Clippings of articles written by Buchanan are located in the Writings series. Many clippings are in languages other than English.\u003c/p\u003e","\u003cp\u003eThe correspondence series contains letters, emails, memoranda, cards, and other forms of written communication sent to and received by Buchanan. The series is divided into two subseries: alphabetical correspondence and chronological correspondence. The bulk of the correspondence was filed alphabetically by correspondent or type of correspondence. A small amount of unrelated correspondence was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess. The bulk of the correspondence in both subseries deals with Buchanan's professional career from his time at the University of Virginia until his retirement, including discussion of publications, manuscripts, events, and academic business. The bulk of the correspondence starts in 1950. There are very few letters prior to 1950. There is a photocopy of a letter from 1941 in Box 56 Folder 1 J. \u003c/p\u003e\n","\u003cp\u003eNote that some correspondence is located in their original filing location in other series Additional correspondence concerning Buchanan's writings is located in Series 3: Writings, foldered with its related work. Some correspondence relating to the Center for Study of Public Choice, grant applications, and academic departmental administration is located in Series 4: Academia. Some correspondence relating to events, conferences, and travel accommodations is located in Series 5: Professional Service, Subseries 1: Conferences and events. Buchanan's email was handled by Betty Tillman and Jo Ann Burgess, and much of his email is located in Series 6: Betty Tillman papers, Subseries 3: Office administration, and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. Check the relevant series and subseries notes for additional information.\u003c/p\u003e","\u003cp\u003eAlphabetical correspondence is correspondence filed alphabetically by subject, by the surname of the correspondent, or by the name of the organization. Filing was likely done by Betty Tillman. Some correspondence is grouped under a single letter, for example, a folder titled \"A\" contains multiple correspondents and organizations that start with the letter A. Some are grouped in a range of letters, for example, a folder title \"E-F\" contains correspondents starting with either E or F. It is unclear why some were filed out into individual folders and others were left in large files under a single letter or letter range. Note that there are some issues with the original filing, for example the surname \"da Empoli\" is sometimes filed under D and sometimes under E. Sometimes letters discussing a person are filed under that person's surname, and sometimes under the surname of the person requesting the information. Additionally, previous processors filed out some correspondence into individual folders. No additional re-filing was done under the NEH grant.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFolder created by Buchanan in April 2007. Contains personal and professional correspondence from 1966-1999.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eContains media: photographs\u003c/p\u003e","\u003cp\u003eRestriction: FERPA and PII restriction.\u003c/p\u003e","\u003cp\u003eBulk of the folder is correspondents \"D.\" Includes some letters from J. Clayburn LaForce.\u003c/p\u003e","\u003cp\u003econtains note: \"Removed from 'The Power of Freedom: Uniting Human Rights and Development' by processing archivist 2021-09-09'\u003c/p\u003e","\u003cp\u003ePotential preservation concerns (fading)\u003c/p\u003e","\u003cp\u003eFolder restricted until 2033 due to recommendation letter\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2027 due to recommendation.\u003c/p\u003e","\u003cp\u003eFolder restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFolder restricted for letters of recommednation and FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation and FERPA.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eRestricted for bank account information\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personnel information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged item restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged item restricted for FERPA\u003c/p\u003e","\u003cp\u003eContains photocopies of two 1941 letters from Buchanan to a professor\u003c/p\u003e","\u003cp\u003eFlagged item restricted for letter of recommendation; restricted until 2032\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged item restricted for letter of recommendation until 2028.\u003c/p\u003e","\u003cp\u003eincludes correspondence from Warren Samuels and John McKinney\u003c/p\u003e","\u003cp\u003eFlagged item restricted for letter of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2024 for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2027 for letter of recommendation\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2036 for letter of recommendation\u003c/p\u003e","\u003cp\u003eFolder restricted until 2044 for letter of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2024-2026 for letters of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for bank account information\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2024-2026 for letters of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2037 for letters of recommendation.\u003c/p\u003e","\u003cp\u003eOversize item\u003c/p\u003e","\u003cp\u003econtains photographs\u003c/p\u003e","\u003cp\u003eOversize item\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eContains photographs\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eContains photograph and CD\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA. Contains photographs.\u003c/p\u003e","\u003cp\u003eContains photograph.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2025 for letters of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2034 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2027 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted utnil 2028 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eContains photographs\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2038 for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2038 for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2023 and 2026 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2052 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2044 for letter of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2046 for letter of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2024-2025 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2024-2028 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2026-2036 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2028-2030 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2030-2032 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2030-2033 for letters of reference\u003c/p\u003e","\u003cp\u003eFolder restricted until 2030-2033 for letters of reference\u003c/p\u003e","\u003cp\u003eFolder restricted until 2034 for letters of reference.Flagged items restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2034-2036 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2035-2038 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2037-2039 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2038 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2039-2041 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2039-2041 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA\u003c/p\u003e","\u003cp\u003eContains photograph\u003c/p\u003e","\u003cp\u003eOversize \"Buchanan Expedition\" map of the United States with highlighted road trips\u003c/p\u003e","\u003cp\u003eRemoved from binder\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2037 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eContains correspondence with Ross Mackenzie of The Richmond News Leader, E.J. Mishan, Roland McKean, James C. Miller III, and others\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eChronological correspondence is unrelated correspondence from a certain date range that was filed together in a single folder. It is unclear why this correspondence was not filed out alphabetically. Chronological correspondence from 1987 onwards seems to have been kept by Jo Ann Burgess and never officially filed into designated folders. These folders include correspondence from Buchanan on topics across his work, with a focus on publications and events and travel. There are also assorted office administration materials handled by Burgess in these folders. Topics of the chronological correspondence and the correspondents seem to be similar to that of the alphabetical correspondence.\u003c/p\u003e","\u003cp\u003eIncludes Ronald Reagan form letter\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eThe writings series contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers. The series is filed alphabetically by title of the work. Note that some of Buchanan's works went by multiple titles in the draft stage, and may not be filed together as a result. Some papers presented by Buchanan at conferences or given as lectures are located in Series 5: Professional services Subseries 1: Conferences and events.\u003c/p\u003e\n","\u003cp\u003eJo Ann Burgess acted as an editor for much of Buchanan's writings from the 1990s and 2000s. There are edited copies and drafts of some of Buchanan's writings, notably \u003ctitle\u003ePolitics by Principle, Not Interest\u003c/title\u003e, \u003ctitle\u003eThe Return to Increasing Returns\u003c/title\u003e, and \u003ctitle\u003ePost-Socialist Political Economy\u003c/title\u003e in Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. The bulk of the materials relating to \u003ctitle\u003eThe Collected Works of James M. Buchanan\u003c/title\u003e are located in Series 7: Jo Ann Burgess papers, Subseries 3: Liberty Fund editorial work, as Burgess kept the files for that project.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eNote: work also titled \"Work supply under Increasing Returns\"\u003c/p\u003e","\u003cp\u003evarious titles\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eThis series contains materials relating to Buchanan's work at various universities, notably University of Virginia, Virginia Polytechnic Institute (VPI or Virginia Tech), and George Mason University. The series is divided into five subseries: Administration, Teaching, Grants, Thomas Jefferson Center for Studies in Political Economy, and Center for Study of Public Choice.\u003c/p\u003e","\u003cp\u003eThis subseries contains reports, memoranda, correspondence, CVs, photographs, calendars, and planning documents relating to Buchanan's work at various universities, primarily Virginia Polytechnic Institute (also known as Virginia Tech or VPI) and George Mason University. Topics include economics department functioning and planning, Buchanan's academic output, schedules, and university events and policies. The subseries is arranged chronologically.\u003c/p\u003e\n","\u003cp\u003eMany of the administrative aspects of Buchanan's work were handled by Betty Tillman and Jo Ann Burgess. Series 6: Betty Tillman papers, Subseries 2: Office administration and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration contain much related material.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eThis subseries contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Buchanan would often present his own draft works to students for comment, so some of his draft writings are in this subseries. The subseries is arranged chronologically. Materials created by or relating to specific students are restricted due to the Family Educational Rights and Privacy Act (FERPA).\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eIncludes correspondence discussed in lecture notes\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eThis subseries contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Specific granting agencies include the National Science Foundation, the Ford Foundation, and others. Grants were primarily written for funding research projects in economics, specifically in public choice. Grants that were undertaken to fund operations of the Center for Study of Public Choice are found in Subseries 5: Center for Study of Public Choice. Some correspondence with granting agencies is located in Series 2: Correspondence. The subseries is arranged chronologically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eThis subseries contains annual reports, photographs, and correspondence relating to the University of Virginia's Thomas Jefferson Center for Studies in Political Economy. Buchanan was a co-founder of the Center. The Center was active from 1958 to 1968. There is also information relating to \u003ctitle\u003ePapers on Non-Market Decision Making\u003c/title\u003e, a journal founded by the Center that later became \u003ctitle\u003ePublic Choice\u003c/title\u003e. The subseries is arranged chronologically.\u003c/p\u003e","\u003cp\u003eItem originally part of Buchanan House Display\u003c/p\u003e","\u003cp\u003eItem originally part of Buchanan House Display\u003c/p\u003e","\u003cp\u003eItem originally part of Buchanan House Display\u003c/p\u003e","\u003cp\u003eThis subseries contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating the Center for Study of Public Choice, an academic unit founded at Virginia Polytechnic Institute in 1968. The Center was moved to George Mason University in July 1983 and continues operations there as of 2023. The subseries contains correspondence and planning documents from multiple directors of the Center, including Robert Tollison, David Levy, Mark Crain, and others. There are also materials relating to the Public Choice Society prior to Jo Ann Burgess' time as the Public Choice Society administrator, approximately 2003. The subseries is arranged chronologically.\u003c/p\u003e\n","\u003cp\u003eBetty Tillman was the administrative director of the Center in the 1990s and 2000s, and many Center materials can be found in in Series 6: Betty Tillman papers, especially in Subseries 1: Correspondence and Subseries 2: Office administration. Center tasks were also sometimes a part of the duties of Jo Ann Burgess, and some Center material can be found in Series 7: Jo Ann Burgess papers, especially Subseries 1: Correspondence and Subseries 2: Office administration. \u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eDonor is anonymous by request. Publication of the donor information in conjunction with the Center for Study of Public Choice is not permitted.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eThis series contains materials relating to Buchanan's professional activities outside of his university and Center for Study of Public Choice responsibilities. The series is divided into two subseries: Conferences and events, and Consulting and organizations. The series is arranged chronologically.\u003c/p\u003e","\u003cp\u003eThis subseries contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. This subseries also contains materials related to conferences organized by Buchanan or Betty Tillman, often in partnership with the Liberty Fund. Note that the subseries is arranged chronologically by date of the materials that exist in the folder, not by date of the conference or event. Event planning could stretch to a year or two before the event took place, especially for events occurring in the first half of the calendar year. \u003c/p\u003e\n","\u003cp\u003eTillman was responsible for scheduling and organizing much of Buchanan's travel, especially after he received the Nobel Prize in 1986. Similar files kept by Tillman on Buchanan's travel and event attendance are located in Series 6: Betty Tillman papers, Subseries 3: Conferences, events and travel.\u003c/p\u003e","\u003cp\u003eContains book reviews of \u003ctitle\u003eCost and Choice\u003c/title\u003e and \u003ctitle\u003eAcademia in Anarchy.\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eContains zip disk and 3.5' floppy disk.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eThis subseries contains committee meeting notes, annual reports, and correspondence relating to Buchanan's work with various outside organizations. Buchanan served on boards for some organizations, including the Mont Pelerin Society. Those records are mostly found here, although some conference organizing material for the Mont Pelerin Society and Liberty Fund is located in Subseries 1: Conferences and events. The subseries is arranged chronologically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eBetty Tillman was an administrative assistant for James M. Buchanan and the Center for Study of Public Choice from 1962 to 2007. Her work included typing Buchanan's correspondence, scheduling his travel and conference events, and liaising with publishers and outside parties on Buchanan's behalf. As a member of the Center and eventual administrative director, she made arrangements for the visiting scholars program, managed personnel, kept financial records, and coordinated events and conferences, among many other duties. As her work was integral to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers as well. In the course of processing, some of her papers were able to be identified as a discrete series. \u003c/p\u003e\n","\u003cp\u003eTillman's papers are divided into three subseries: Correspondence; Office administration; and Conferences, events and travel.\u003c/p\u003e","\u003cp\u003eThis subseries contains letters, emails, memoranda, and cards sent and received by Betty Tillman. Work correspondence includes topics such as event organization, visiting scholars program, and other Center for Study of Public Choice business. There is also personal correspondence belonging to Tillman in the subseries. There are also notes from Buchanan to Tillman, mostly about administrative matters. Note that Tillman printed out most of email she received, and in many cases did not file it out by correspondent or subject. Correspondence is filed alphabetically by subject, by the surname of the correspondent, by the name of the organization, or by the type of correspondence.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eincludes floppy disc\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eContains photograph\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eThis subseries contains planning documents, scheduling documents, meeting minutes, and notes relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Note that there is correspondence belonging to Buchanan that was handled by Tillman and not filed out. Similarly, pending and working files contain correspondence, schedules, notices, invoices, and other documents that Tillman did not file out into their own completed folders. The subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access, but reproductions of material in this folder are restricted\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information and FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eThis subseries contains files on events attended by Buchanan. Tillman was responsible for Buchanan's schedule, especially after Buchanan received the Nobel Prize in 1986 when she became his official agent. Types of material include correspondence, calendars, schedules, and travel documents. Similar files that may have been kept by Buchanan are located in Series 5: Professional Service, Subseries 1: Conferences and events.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eJo Ann Burgess was an administrative assistant at the Center for Study of Public Choice from 1989 to 2014. She was responsible for the library at the Center and for the management of Buchanan's papers. Additionally, she was the secretary for the Public Choice Society and edited much of Buchanan's published works in the 1990s and 2000s, notably \u003ctitle\u003eThe Collected Works of James M. Buchanan\u003c/title\u003e, published by the Liberty Fund. As her work was closely tied to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers. In the course of processing, some of her papers were able to be identified as a discrete series.\u003c/p\u003e\n","\u003cp\u003eThere are four subseries: Correspondence; Office administration; Liberty Fund editorial work; and Public Choice Society.\u003c/p\u003e","\u003cp\u003eThis subseries contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan at the Center for Study of Public Choice. The subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to FERPA\u003c/p\u003e","\u003cp\u003eThis subseries contains materials created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. It includes edited copies of Buchanan's writings; emails; correspondence written on behalf of Buchanan; calendars; Buchanan's class materials; notes; visiting scholars program files, and working files. Working files are groupings of papers that Burgess never filed out into separate folders. They are combinations of emails, schedules, memoranda, writings drafts, invoices, and other administrative papers. The subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eFolder restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder contains a CD of Betty Tillman photographs\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eContains CD\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eThe family name is Ma and personal name is Jun. It was originally misfiled by Burgess with the family name as Jun and the personal name as Ma.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFolder includes handwritten draft of \"Panglosian Politics\"\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder includes a 3.5\" floppy disk.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eThis subseries contains materials created as part of Burgess' work editing \u003ctitle\u003eThe Collected Works of James M. Buchanan\u003c/title\u003e and \u003ctitle\u003eThe Selected Works of Gordon Tullock\u003c/title\u003e. It includes editorial committee notes and memoranda; lists of contents; correspondence; edited typescripts; permissions requests; planning documents; drafts; and working files. The subseries is arranged alphabetically. The large majority of the materials are related to \u003ctitle\u003eThe Collected Works of James M. Buchanan\u003c/title\u003e, materials related to \u003ctitle\u003eThe Selected Works of Gordon Tullock\u003c/title\u003e are noted separately. The subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThis subseries contains materials relating to the Public Choice Society, a professional organization for scholars from any academic discipline interested in public choice. Burgess was the secretary for the Public Choice Society from 1989 from 2014. Materials include correspondence, conference planning documents, and administrative files created as part of Burgess' work with the Society. The subseries is arranged chronologically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eThis series contains articles, books, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some materials contain correspondence with the authors. Some writings are about Buchanan and his ideas. Some writings were filed by author, others were in folders containing writings from multiple different authors. No additional filing out of writings was done under the NEH grant. The series is arranged alphabetically by surname of author. Materials where Buchanan is a coauthor are found in Series 3: Writings.\u003c/p\u003e","\u003cp\u003eBack cover has penciled notes of James Buchanan's on joint supply\u003c/p\u003e","\u003cp\u003econtains annotations by Buchanan\u003c/p\u003e","\u003cp\u003eIncludes the Foundations for Normative Individulism by James Buchanan.\u003c/p\u003e","\u003cp\u003eOriginal discarded due to mold damage.\u003c/p\u003e","\u003cp\u003eScope Note: heavily annotated by Buchanan\u003c/p\u003e","\u003cp\u003eThis series contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Audiovisual material topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others; television appearances; programs of related interest to Buchanan; and Center for Study of Public Choice events. Born-digital material topics include Center photographs and drafts of writings. Materials are arranged by format, and then chronologically.\u003c/p\u003e\n","\u003cp\u003eSome materials have been digitized. Please contact speccoll@gmu.edu to ensure that the specific materials you are interested in viewing are able to be accessed.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content"],"scopecontent_tesim":["The James M. Buchanan papers largely consist of correspondence, writings, and administrative files created between the years 1930-2014. The collection contains 9 series.","Series 1: Biographical materials (circa 1800s, 1944-2012) contains information about James M. Buchanan's life and career. It is further divided into four subseries. Subseries 1.1: Ann Bakke Buchanan papers contains materials created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some addressed to both James and Ann as a couple. Subseries 1.2: Awards contains newspapers clippings, congratulatory letters, photographs, and memorabilia relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics. Subseries 1.3: Education contains study notes, essays, syllabi, and research notes from Buchanan's education, mostly from his PhD study at the University of Chicago. Subseries 1.4: Clippings contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended.","Series 2: Correspondence (1951-2014) contains letters, emails, memoranda, cards, and other forms of written communication, mostly dealing with Buchanan's professional career. Subseries 2.1: Alphabetical correspondence contains the bulk of the correspondence, filed alphabetically by correspondent, subject, or name of an organization. Subseries 2.2: Chronological correspondence is a small amount of unrelated correspondence that was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess.","Series 3: Writings (1946-2012) contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers.","Series 4: Academia (1946-2013) contains correspondence, reports, planning documents, and grant files relating to Buchanan's work at various universities, primarily University of Virginia, Virginia Polytechnic Institute (now Virginia Tech), and George Mason University. Subseries 4.1: Administration contains reports, memoranda, correspondence, photographs, calendars, and planning documents relating to department and university business. Subseries 4.2: Teaching contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Subseries 4.3: Grants contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Subseries 4.4: Thomas Jefferson Center for Studies in Political Economy contains annual reports, photographs, and correspondence from the University of Virginia's Thomas Jefferson Center, which was active from 1958 to 1968. Subseries 4.5: Center for Study of Public Choice contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating to the Center, an academic unit at Virginia Polytechnic Institute from 1968 to 1983 and at George Mason University from 1983 onwards.","Series 5: Professional Service (1958-2013) This series contains materials relating to Buchanan's professional activities outside of his university responsibilities. Subseries 5.1: Conferences and events contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. Subseries 5.2: Consulting and organizations contains annual reports and correspondence relating to Buchanan's work with various organizations outside of his work as a university professor. ","Series 6: Betty Tillman papers (1968-2008) contains files created by Betty Tillman, administrative assistant to Buchanan and administrative director of the Center for Study of Public Choice. Subseries 6.1: Correspondence contains letters, emails, memoranda, and cards sent and received by Tillman. Subseries 6.2: Office administration contains planning documents, organizational files, and other materials relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Subseries 6.3: Conferences, events and travel contains correspondence, calendars, schedules, and travel documents relating to events attended by Buchanan, coordinated by Tillman. It also contains materials created by Tillman as the conference coordinator for the Liberty Fund and Center conferences and events.","Series 7: Jo Ann Burgess papers (1972-2014) contains files created by Jo Ann Burgess, administrative assistant and editor to Buchanan and secretary for the Public Choice Society. Subseries 7.1: Correspondence contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan and the Center for Study of Public Choice. Subseries 7.2: Office administration contains correspondence, calendars, notes, program files, and edited drafts created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. Subseries 7.3: Liberty Fund editorial work contains planning documents, correspondence, and drafts created as part of Burgess' work editing  The Collected Works of James M. Buchanan  and  The Selected Works of Gordon Tullock  on behalf of the Liberty Fund. Subseries 7.4: Public Choice Society contains correspondence, conference planning documents, and administrative files created as part of Burgess' work as the secretary of the Public Choice Society, a professional organization. ","Series 8: Writings by others (1930-2014) contains articles, book drafts, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some writings are about Buchanan and his ideas. ","Series 9: Audiovisual and born-digital materials (circa 1970s-2013) contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others and Center for Study of Public Choice events.","The biographical series contains information about James M. Buchanan's personal life, education, awards, and clippings of articles about him and his career. There are also materials kept by his wife, Ann Bakke Buchanan. The series is divided into four subseries: Ann Bakke Buchanan papers, Education, Awards, and Clippings. Additional materials not in subseries include personal photographs and Buchanan family history.","This subseries contains papers created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some is addressed to both James and Ann as a couple. Recipe cards were removed from seven recipe card boxes and reboxed. Photographs of the original housing are available by request. Recipes are a mix of clippings and handwritten recipes from Ann Buchanan and her friends and relatives. Some recipes and notebooks are written in shorthand.","This subseries contains materials relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics, but there are also materials about the National Humanities Medal and other awards. Types of material include newspaper clippings, congratulatory letters, photographs, and memorabilia.","Removed from Buchanan House display.","Removed from Buchanan House display","Removed from Buchanan House display","Removed from Buchanan House display","Removed from Buchanan House display.","Contains CD","This subseries contains materials related to Buchanan's education, mostly from his PhD study at the University of Chicago. Some materials appear to be compiled by a person other than Buchanan, since they predate his study at the University of Chicago. Types of materials include study notes, essays, syllabi, and research notes. This subseries includes notes from classes taught by Frank H. Knight and Milton Friedman.","Removed from Buchanan House display.","Appears to be notes from a student other than Buchanan","Removed from Buchanan House display","Removed from Buchanan House display.","Removed from Buchanan House display","This subseries contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended. Note that the clippings related to the Nobel Memorial Prize in Economics are located in the Awards subseries. Clippings of articles written by Buchanan are located in the Writings series. Many clippings are in languages other than English.","The correspondence series contains letters, emails, memoranda, cards, and other forms of written communication sent to and received by Buchanan. The series is divided into two subseries: alphabetical correspondence and chronological correspondence. The bulk of the correspondence was filed alphabetically by correspondent or type of correspondence. A small amount of unrelated correspondence was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess. The bulk of the correspondence in both subseries deals with Buchanan's professional career from his time at the University of Virginia until his retirement, including discussion of publications, manuscripts, events, and academic business. The bulk of the correspondence starts in 1950. There are very few letters prior to 1950. There is a photocopy of a letter from 1941 in Box 56 Folder 1 J. ","Note that some correspondence is located in their original filing location in other series Additional correspondence concerning Buchanan's writings is located in Series 3: Writings, foldered with its related work. Some correspondence relating to the Center for Study of Public Choice, grant applications, and academic departmental administration is located in Series 4: Academia. Some correspondence relating to events, conferences, and travel accommodations is located in Series 5: Professional Service, Subseries 1: Conferences and events. Buchanan's email was handled by Betty Tillman and Jo Ann Burgess, and much of his email is located in Series 6: Betty Tillman papers, Subseries 3: Office administration, and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. Check the relevant series and subseries notes for additional information.","Alphabetical correspondence is correspondence filed alphabetically by subject, by the surname of the correspondent, or by the name of the organization. Filing was likely done by Betty Tillman. Some correspondence is grouped under a single letter, for example, a folder titled \"A\" contains multiple correspondents and organizations that start with the letter A. Some are grouped in a range of letters, for example, a folder title \"E-F\" contains correspondents starting with either E or F. It is unclear why some were filed out into individual folders and others were left in large files under a single letter or letter range. Note that there are some issues with the original filing, for example the surname \"da Empoli\" is sometimes filed under D and sometimes under E. Sometimes letters discussing a person are filed under that person's surname, and sometimes under the surname of the person requesting the information. Additionally, previous processors filed out some correspondence into individual folders. No additional re-filing was done under the NEH grant.","Flagged item restricted for personally identifiable information.","Folder created by Buchanan in April 2007. Contains personal and professional correspondence from 1966-1999.","Folder restricted due to FERPA.","Contains media: photographs","Restriction: FERPA and PII restriction.","Bulk of the folder is correspondents \"D.\" Includes some letters from J. Clayburn LaForce.","contains note: \"Removed from 'The Power of Freedom: Uniting Human Rights and Development' by processing archivist 2021-09-09'","Potential preservation concerns (fading)","Folder restricted until 2033 due to recommendation letter","Flagged item restricted until 2027 due to recommendation.","Folder restricted for letters of recommendation","Folder restricted for letters of recommednation and FERPA.","Flagged items restricted for letters of recommendation and FERPA.","Flagged item restricted for personally identifiable information.","Restricted for bank account information","Flagged item restricted for personally identifiable information.","Flagged item restricted for FERPA","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for personnel information.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged item restricted for FERPA.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged item restricted for FERPA","Contains photocopies of two 1941 letters from Buchanan to a professor","Flagged item restricted for letter of recommendation; restricted until 2032","Folder restricted for FERPA","Flagged item restricted for letter of recommendation until 2028.","includes correspondence from Warren Samuels and John McKinney","Flagged item restricted for letter of recommendation","Flagged items restricted until 2024 for letters of recommendation","Flagged item restricted until 2027 for letter of recommendation","Flagged item restricted until 2036 for letter of recommendation","Folder restricted until 2044 for letter of recommendation","Flagged items restricted until 2024-2026 for letters of recommendation.","Flagged items restricted for personally identifiable information.","Flagged item restricted for bank account information","Flagged items restricted until 2024-2026 for letters of recommendation.","Flagged items restricted until 2037 for letters of recommendation.","Oversize item","contains photographs","Oversize item","Folder restricted for FERPA.","Flagged items restricted for personally identifiable information.","Contains photographs","Flagged items restricted for FERPA","Contains photograph and CD","Flagged items restricted for FERPA. Contains photographs.","Contains photograph.","Flagged item restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged items restricted until 2025 for letters of recommendation.","Flagged item restricted until 2034 for letter of recommendation.","Flagged item restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged items restricted until 2027 for letter of recommendation.","Flagged items restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged item restricted utnil 2028 for letter of recommendation.","Contains photographs","Flagged item restricted until 2038 for personally identifiable information.","Flagged item restricted until 2038 for personally identifiable information.","Flagged items restricted until 2023 and 2026 for letter of recommendation.","Flagged item restricted until 2052 for letter of recommendation.","Folder restricted until 2044 for letter of reference.","Folder restricted until 2046 for letter of reference.","Folder restricted for FERPA.","Folder restricted until 2024-2025 for letters of reference.","Folder restricted until 2024-2028 for letters of reference.","Folder restricted until 2026-2036 for letters of reference.","Folder restricted until 2028-2030 for letters of reference.","Folder restricted until 2030-2032 for letters of reference.","Folder restricted until 2030-2033 for letters of reference","Folder restricted until 2030-2033 for letters of reference","Folder restricted until 2034 for letters of reference.Flagged items restricted due to FERPA.","Folder restricted until 2034-2036 for letters of reference.","Folder restricted until 2035-2038 for letters of reference.","Folder restricted until 2037-2039 for letters of reference.","Folder restricted until 2038 for letters of reference.","Folder restricted until 2039-2041 for letters of reference.","Folder restricted until 2039-2041 for letters of reference.","Folder restricted for FERPA","Contains photograph","Oversize \"Buchanan Expedition\" map of the United States with highlighted road trips","Removed from binder","Folder restricted for FERPA.","Folder restricted for FERPA.","Folder restricted until 2037 for letter of recommendation.","Contains correspondence with Ross Mackenzie of The Richmond News Leader, E.J. Mishan, Roland McKean, James C. Miller III, and others","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged item restricted for personally identifiable information.","Flagged items restricted for FERPA.","Chronological correspondence is unrelated correspondence from a certain date range that was filed together in a single folder. It is unclear why this correspondence was not filed out alphabetically. Chronological correspondence from 1987 onwards seems to have been kept by Jo Ann Burgess and never officially filed into designated folders. These folders include correspondence from Buchanan on topics across his work, with a focus on publications and events and travel. There are also assorted office administration materials handled by Burgess in these folders. Topics of the chronological correspondence and the correspondents seem to be similar to that of the alphabetical correspondence.","Includes Ronald Reagan form letter","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","The writings series contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers. The series is filed alphabetically by title of the work. Note that some of Buchanan's works went by multiple titles in the draft stage, and may not be filed together as a result. Some papers presented by Buchanan at conferences or given as lectures are located in Series 5: Professional services Subseries 1: Conferences and events.","Jo Ann Burgess acted as an editor for much of Buchanan's writings from the 1990s and 2000s. There are edited copies and drafts of some of Buchanan's writings, notably  Politics by Principle, Not Interest ,  The Return to Increasing Returns , and  Post-Socialist Political Economy  in Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. The bulk of the materials relating to  The Collected Works of James M. Buchanan  are located in Series 7: Jo Ann Burgess papers, Subseries 3: Liberty Fund editorial work, as Burgess kept the files for that project.","Flagged items restricted for FERPA.","Note: work also titled \"Work supply under Increasing Returns\"","various titles","Flagged items restricted for FERPA.","This series contains materials relating to Buchanan's work at various universities, notably University of Virginia, Virginia Polytechnic Institute (VPI or Virginia Tech), and George Mason University. The series is divided into five subseries: Administration, Teaching, Grants, Thomas Jefferson Center for Studies in Political Economy, and Center for Study of Public Choice.","This subseries contains reports, memoranda, correspondence, CVs, photographs, calendars, and planning documents relating to Buchanan's work at various universities, primarily Virginia Polytechnic Institute (also known as Virginia Tech or VPI) and George Mason University. Topics include economics department functioning and planning, Buchanan's academic output, schedules, and university events and policies. The subseries is arranged chronologically.","Many of the administrative aspects of Buchanan's work were handled by Betty Tillman and Jo Ann Burgess. Series 6: Betty Tillman papers, Subseries 2: Office administration and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration contain much related material.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","This subseries contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Buchanan would often present his own draft works to students for comment, so some of his draft writings are in this subseries. The subseries is arranged chronologically. Materials created by or relating to specific students are restricted due to the Family Educational Rights and Privacy Act (FERPA).","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Includes correspondence discussed in lecture notes","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","This subseries contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Specific granting agencies include the National Science Foundation, the Ford Foundation, and others. Grants were primarily written for funding research projects in economics, specifically in public choice. Grants that were undertaken to fund operations of the Center for Study of Public Choice are found in Subseries 5: Center for Study of Public Choice. Some correspondence with granting agencies is located in Series 2: Correspondence. The subseries is arranged chronologically.","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","This subseries contains annual reports, photographs, and correspondence relating to the University of Virginia's Thomas Jefferson Center for Studies in Political Economy. Buchanan was a co-founder of the Center. The Center was active from 1958 to 1968. There is also information relating to  Papers on Non-Market Decision Making , a journal founded by the Center that later became  Public Choice . The subseries is arranged chronologically.","Item originally part of Buchanan House Display","Item originally part of Buchanan House Display","Item originally part of Buchanan House Display","This subseries contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating the Center for Study of Public Choice, an academic unit founded at Virginia Polytechnic Institute in 1968. The Center was moved to George Mason University in July 1983 and continues operations there as of 2023. The subseries contains correspondence and planning documents from multiple directors of the Center, including Robert Tollison, David Levy, Mark Crain, and others. There are also materials relating to the Public Choice Society prior to Jo Ann Burgess' time as the Public Choice Society administrator, approximately 2003. The subseries is arranged chronologically.","Betty Tillman was the administrative director of the Center in the 1990s and 2000s, and many Center materials can be found in in Series 6: Betty Tillman papers, especially in Subseries 1: Correspondence and Subseries 2: Office administration. Center tasks were also sometimes a part of the duties of Jo Ann Burgess, and some Center material can be found in Series 7: Jo Ann Burgess papers, especially Subseries 1: Correspondence and Subseries 2: Office administration. ","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Donor is anonymous by request. Publication of the donor information in conjunction with the Center for Study of Public Choice is not permitted.","Flagged items restricted for personally identifiable information","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","This series contains materials relating to Buchanan's professional activities outside of his university and Center for Study of Public Choice responsibilities. The series is divided into two subseries: Conferences and events, and Consulting and organizations. The series is arranged chronologically.","This subseries contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. This subseries also contains materials related to conferences organized by Buchanan or Betty Tillman, often in partnership with the Liberty Fund. Note that the subseries is arranged chronologically by date of the materials that exist in the folder, not by date of the conference or event. Event planning could stretch to a year or two before the event took place, especially for events occurring in the first half of the calendar year. ","Tillman was responsible for scheduling and organizing much of Buchanan's travel, especially after he received the Nobel Prize in 1986. Similar files kept by Tillman on Buchanan's travel and event attendance are located in Series 6: Betty Tillman papers, Subseries 3: Conferences, events and travel.","Contains book reviews of  Cost and Choice  and  Academia in Anarchy.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","Originally part of Buchanan House display","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Contains zip disk and 3.5' floppy disk.","Flagged items restricted for FERPA.","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","This subseries contains committee meeting notes, annual reports, and correspondence relating to Buchanan's work with various outside organizations. Buchanan served on boards for some organizations, including the Mont Pelerin Society. Those records are mostly found here, although some conference organizing material for the Mont Pelerin Society and Liberty Fund is located in Subseries 1: Conferences and events. The subseries is arranged chronologically.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Betty Tillman was an administrative assistant for James M. Buchanan and the Center for Study of Public Choice from 1962 to 2007. Her work included typing Buchanan's correspondence, scheduling his travel and conference events, and liaising with publishers and outside parties on Buchanan's behalf. As a member of the Center and eventual administrative director, she made arrangements for the visiting scholars program, managed personnel, kept financial records, and coordinated events and conferences, among many other duties. As her work was integral to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers as well. In the course of processing, some of her papers were able to be identified as a discrete series. ","Tillman's papers are divided into three subseries: Correspondence; Office administration; and Conferences, events and travel.","This subseries contains letters, emails, memoranda, and cards sent and received by Betty Tillman. Work correspondence includes topics such as event organization, visiting scholars program, and other Center for Study of Public Choice business. There is also personal correspondence belonging to Tillman in the subseries. There are also notes from Buchanan to Tillman, mostly about administrative matters. Note that Tillman printed out most of email she received, and in many cases did not file it out by correspondent or subject. Correspondence is filed alphabetically by subject, by the surname of the correspondent, by the name of the organization, or by the type of correspondence.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","includes floppy disc","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Contains photograph","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","This subseries contains planning documents, scheduling documents, meeting minutes, and notes relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Note that there is correspondence belonging to Buchanan that was handled by Tillman and not filed out. Similarly, pending and working files contain correspondence, schedules, notices, invoices, and other documents that Tillman did not file out into their own completed folders. The subseries is arranged alphabetically.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","There are no restrictions on access, but reproductions of material in this folder are restricted","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to FERPA","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information and FERPA.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to FERPA","Flagged items restricted due to personally identifiable information","This subseries contains files on events attended by Buchanan. Tillman was responsible for Buchanan's schedule, especially after Buchanan received the Nobel Prize in 1986 when she became his official agent. Types of material include correspondence, calendars, schedules, and travel documents. Similar files that may have been kept by Buchanan are located in Series 5: Professional Service, Subseries 1: Conferences and events.","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Jo Ann Burgess was an administrative assistant at the Center for Study of Public Choice from 1989 to 2014. She was responsible for the library at the Center and for the management of Buchanan's papers. Additionally, she was the secretary for the Public Choice Society and edited much of Buchanan's published works in the 1990s and 2000s, notably  The Collected Works of James M. Buchanan , published by the Liberty Fund. As her work was closely tied to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers. In the course of processing, some of her papers were able to be identified as a discrete series.","There are four subseries: Correspondence; Office administration; Liberty Fund editorial work; and Public Choice Society.","This subseries contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan at the Center for Study of Public Choice. The subseries is arranged alphabetically.","Flagged items restricted due to FERPA","This subseries contains materials created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. It includes edited copies of Buchanan's writings; emails; correspondence written on behalf of Buchanan; calendars; Buchanan's class materials; notes; visiting scholars program files, and working files. Working files are groupings of papers that Burgess never filed out into separate folders. They are combinations of emails, schedules, memoranda, writings drafts, invoices, and other administrative papers. The subseries is arranged alphabetically.","Folder restricted due to personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for financial and personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder contains a CD of Betty Tillman photographs","Flagged items restricted for personally identifiable information.","Contains CD","Flagged items restricted for personally identifiable information.","Folder restricted due to FERPA.","The family name is Ma and personal name is Jun. It was originally misfiled by Burgess with the family name as Jun and the personal name as Ma.","Flagged items restricted for personally identifiable information.","Folder includes handwritten draft of \"Panglosian Politics\"","Flagged items restricted for FERPA.","Folder includes a 3.5\" floppy disk.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted due to FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","This subseries contains materials created as part of Burgess' work editing  The Collected Works of James M. Buchanan  and  The Selected Works of Gordon Tullock . It includes editorial committee notes and memoranda; lists of contents; correspondence; edited typescripts; permissions requests; planning documents; drafts; and working files. The subseries is arranged alphabetically. The large majority of the materials are related to  The Collected Works of James M. Buchanan , materials related to  The Selected Works of Gordon Tullock  are noted separately. The subseries is arranged alphabetically.","This subseries contains materials relating to the Public Choice Society, a professional organization for scholars from any academic discipline interested in public choice. Burgess was the secretary for the Public Choice Society from 1989 from 2014. Materials include correspondence, conference planning documents, and administrative files created as part of Burgess' work with the Society. The subseries is arranged chronologically.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for financial information.","This series contains articles, books, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some materials contain correspondence with the authors. Some writings are about Buchanan and his ideas. Some writings were filed by author, others were in folders containing writings from multiple different authors. No additional filing out of writings was done under the NEH grant. The series is arranged alphabetically by surname of author. Materials where Buchanan is a coauthor are found in Series 3: Writings.","Back cover has penciled notes of James Buchanan's on joint supply","contains annotations by Buchanan","Includes the Foundations for Normative Individulism by James Buchanan.","Original discarded due to mold damage.","Scope Note: heavily annotated by Buchanan","This series contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Audiovisual material topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others; television appearances; programs of related interest to Buchanan; and Center for Study of Public Choice events. Born-digital material topics include Center photographs and drafts of writings. Materials are arranged by format, and then chronologically.","Some materials have been digitized. Please contact speccoll@gmu.edu to ensure that the specific materials you are interested in viewing are able to be accessed."],"separatedmaterial_html_tesm":["\u003cp\u003eIssue of \u003ctitle\u003eThe Wall Street Journal\u003c/title\u003e, December 21, 1992 removed and housed in Box 543.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Issue of  The Wall Street Journal , December 21, 1992 removed and housed in Box 543."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_0bc2473150c319436276a1da8ef369a9\" label=\"Abstract\"\u003eThe James M. Buchanan papers consist of materials created primarily by economist James M. Buchanan (1919-2013) from the years 1936-2014. There are also materials created by the Center for Study of Public Choice, an academic unit associated with Virginia Tech (1969-1983) and George Mason University (1983-). The papers document Buchanan's career and academic output, primarily in the field of public choice economics and political economy.\u003c/abstract\u003e"],"abstract_tesim":["The James M. Buchanan papers consist of materials created primarily by economist James M. Buchanan (1919-2013) from the years 1936-2014. There are also materials created by the Center for Study of Public Choice, an academic unit associated with Virginia Tech (1969-1983) and George Mason University (1983-). The papers document Buchanan's career and academic output, primarily in the field of public choice economics and political economy."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b0c53c39bdb12bf69a095c3db88292a9\"\u003e\nR 101 - 102\n\nOS R 1, C 3, S 3-5\nMap Case 24.1\u003c/physloc\u003e"],"physloc_tesim":["\nR 101 - 102\n\nOS R 1, C 3, S 3-5\nMap Case 24.1"],"names_coll_ssim":["George Mason University. Center for Study of Public Choice","Public Choice Society"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for Study of Public Choice","Public Choice Society","Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for Study of Public Choice","Public Choice Society"],"persname_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"language_ssim":["The bulk of the materials are in English. Additional languages in the collection include German, Italian, French, Spanish, Norwegian, Dutch, Turkish, Japanese, Korean, and Chinese."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8943,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:18:42.949Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_367_c05_c01_c126"}},{"id":"wvmturhc_repositories_2_resources_3915_c12","type":"File","attributes":{"title":"\"1984 Tenure Review Materials\"","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3915_c12#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eIncludes assorted programs and newspaper clippings from various years (1979-1993).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3915_c12#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_3915_c12","ref_ssm":["wvmturhc_repositories_2_resources_3915_c12"],"id":"wvmturhc_repositories_2_resources_3915_c12","ead_ssi":"wvmturhc_repositories_2_resources_3915","_root_":"wvmturhc_repositories_2_resources_3915","_nest_parent_":"wvmturhc_repositories_2_resources_3915","parent_ssi":"wvmturhc_repositories_2_resources_3915","parent_ssim":["wvmturhc_repositories_2_resources_3915"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_3915"],"parent_unittitles_ssm":["John Beall, Professor of Music, Papers"],"parent_unittitles_tesim":["John Beall, Professor of Music, Papers"],"text":["John Beall, Professor of Music, Papers","\"1984 Tenure Review Materials\"","Box 1","Folder 20","Includes assorted programs and newspaper clippings from various years (1979-1993)."],"title_filing_ssi":"\"1984 Tenure Review Materials\"","title_ssm":["\"1984 Tenure Review Materials\""],"title_tesim":["\"1984 Tenure Review Materials\""],"unitdate_inclusive_ssm":["1979-1993"],"normalized_date_ssm":["1979/1993"],"normalized_title_ssm":["\"1984 Tenure Review Materials\""],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["John Beall, Professor of Music, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":12,"parent_access_restrict_tesm":["Faculty evaluations are restricted for 75 years from the date of creation.  These are included in:\nBox 1, folders 12-13, 18-20, 26\nBox 2, folders 16-17, 19, 28-30\nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30\nBox 13b, item 1\nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047. Restriction will be completely lifted in 2088 or upon the permission of the donor."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"containers_ssim":["Box 1","Folder 20"],"scopecontent_html_tesm":["\u003cp\u003eIncludes assorted programs and newspaper clippings from various years (1979-1993).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes assorted programs and newspaper clippings from various years (1979-1993)."],"_nest_path_":"/components#11","timestamp":"2026-05-21T01:32:40.579Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3915","ead_ssi":"wvmturhc_repositories_2_resources_3915","_root_":"wvmturhc_repositories_2_resources_3915","_nest_parent_":"wvmturhc_repositories_2_resources_3915","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3915.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197712","title_ssm":["John Beall, Professor of Music, Papers"],"title_tesim":["John Beall, Professor of Music, Papers"],"unitdate_ssm":["circa 1957-2014"],"unitdate_inclusive_ssm":["circa 1957-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915"],"text":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915","John Beall, Professor of Music, Papers","Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music","Faculty evaluations are restricted for 75 years from the date of creation.  These are included in: \nBox 1, folders 12-13, 18-20, 26 \nBox 2, folders 16-17, 19, 28-30 \nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30 \nBox 13b, item 1 \nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.  Restriction will be completely lifted in 2088 or upon the permission of the donor.","[Information from WVU website.]","John Beall ","Professor – Composition ","Composer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.","Beall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.","In 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel  Ethan Frome  was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.","List of Works:","Large Ensembles:","Essay for Orchestra, 1964-1965 \nSongs of Autumn, 1965-1966 \nLament for Those Lost in the War, 1972 \nConcerto for Piano and Wind Orchestra, 1973 \nConcerto for Brass Quintet and Wind Orchestra, 1978 \nCelebration Music, 1985 \nSymphony No. 1, 1985 \nMountain Music, 1987 \nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994) \nCortege, Processional for Orchestra, 1991 \nConcerto for Violin and Orchestra, 1998","Choral/Vocal:","Songs of Autumn (in piano reduction), 1966 \nRilke Songs, 1974 \nHammarskjold Songs, 1967-1983 \nPsalm 51, SATB, 1977 \nMerwin Songs: Book I, 1982-1983 \nPsalm 19, SATB with organ, 1988 \nMerwin Songs: Book II, 1988 \nThe Lord Is Good, SATB with organ, 1989 \nPsalm 84, SATB with organ, 1989 \nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991 \nRide On, Ride On, SATB with organ, 1991 \nCome, Thou Holy Spirit, SATB with organ, 1991 \nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992 \nMerwin Songs: Book III,1993 Ethan Frome, Opera in Two Acts , 1994-1997","Keyboard:","Sonatina, 1966 \nPartita, 1967 \nAria and Variations, 1969-1972 \nBlack Raindrops, 1977 \nPiano Fantasy, 1980 \nCapriccio for Piano 4 Hands, 1981 \nHarpsichord Fantasy, 1982 \nSummer Pieces, 1984 \nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988 \nSonata for Piano, 1992-1994","Chamber Music:","Sonata for Alto Saxophone and Piano, 1974 \nSonata for Violin and Piano, 1976 \nSextet for Piano and Woodwind Quintet, 1976 \nString Quartet, 1982 \nTrio Fantasy for Oboe, Bassoon, and Piano, 1981 \nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982 \nSonata for Cello and Piano, 1984 \nCelebration Fanfare, 1986 \nVariations on John Henry, for Three Violins (Intermediate Level), 1987 \nTrio for Violin, Cello, and Piano, 1991 \nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone) \nWhitewater, for woodwind quintet \u0026 string quartet, 1994 \nBreakers, for Flute and Piano, 1999 \nWondrous Love: Variations for Viola and Piano, 1999 \nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999 \nThe River, for string Quartet, 2000","List of Recorded Works:","Chamber Music:","Whitewater \nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104 \nOn Chestnut Ridge \nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nSonata for Violoncello and Piano \nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nShaker Tunes: Free Variations for Woodwind Sextet \nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104 \nBarn Dance from Mountain Music \nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104 \nSextet for Piano and Woodwind Quintet \nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255","Piano Music:","Sonata for Piano \nSteven Herbert Smith, piano -- on Cambria CD1105 \nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer) \nSteven Herbert Smith, piano -- on Cambria CD1105 \nPiano Fantasy \nSteven Herbert Smith, piano -- on Cambria CD1105 \nBlack Raindrops \nSteven Herbert Smith, piano -- on Cambria CD1105 \nCapriccio for Piano 4 Hands \nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105","Records of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.","Includes correspondence from Dr. Beall's time teaching at Southwest Texas State University. Includes correspondence and memorandums relating to SWTSU, as well as correspondence with various other Texas universities (namely Baylor).","Includes correspondence with colleagues at Eastern Illinois University, with colleagues at neighboring universities, and with the WVU music department.","Includes correspondence with Bernard Fauchet [in French] and with various peers, including former colleagues at Eastern Illinois University.","Includes correspondence with M. Bernard Fauchet, correspondence with Alejandro Oyuela, and general professional and WVU correspondence.","Includes assorted programs and newspaper clippings from various years (1979-1993).","Includes correspondence regarding graduate admissions, music reviews, music rentals, the \"Electronic Music Plus Festival,\" performance of Beall's works [namely of \"The Piano Fantasy\" in Paris], and general correspondence.","Includes correspondence with various universities, various churches and religious organizations, letter to the editor of the  Daily Athenaeum , music publishers, and others.","Includes faculty evaluation forms, student evaluations of Dr. Beall, and other assorted programs and documents.","Includes correspondence between colleagues at WVU, WVU memorandums, correspondence regarding the licensing of Beall's compositions, and general correspondence with peers around the country. Documents relating to political lobbying included, as well as documents relating to entrance into an artist's colony.","Includes correspondence regarding sabbatical leave and the state of the University, regarding applications for employment at other universities, with Samuel Adler, with Lawrence Edwards, and with various universities and WVU.","Includes correspondence with prospective graduate students, various universities, and WVU colleagues and WVU memorandums.","Includes materials related to Thomas Canning and his memorial concert.","Includes submissions of compositions for symposia and festivals at various universities, correspondence between colleagues at WVU, WVU memorandums, and correspondence regarding the licensing of Beall's compositions.","Includes various clippings and programs.","Includes request for the usage of the novel rights.","Includes correspondence within WVU and other professional correspondence.","Includes materials regarding nominations for the 2007 Benedum Distinguished Scholar Award.","Includes programs and related documents.","Includes programs from performances from 1997 season.","Contains printed correspondence and various performance reviews.","Includes programs, clippings, and faculty evaluation information.","Includes information on programming and classes for Summer 2003.","Includes various thank-you cards, a program book for the National Flute Association, and a WVU research magazine.","Includes some programs and clippings, many printed emails, and evaluation information.","Includes \"Music for the Holy Eucharist: Rite II\" Treble vocal part for named piece [5 sheets] and a memo sheet advising printing alterations [1 sheet].","Includes realized figured bass (Basso Continuo) part for named piece [4 sheets].","Includes \"Black Raindrops (Study in Repeated Notes)\", 1978; \"Piano Fantasy\", 1980; \"Capriccio for Piano 4 Hands\", 1981; \"Harpsichord Fantasy\", 1982; \"Summer Pieces\", 1983; \" Ethan Frome : Sled Run from Act II, Scene 4: Arranged for Two Pianos by the Composer\", 1997.","Includes Soprano sheet music titled Music for the Holy Eucharist: Rite II (Trinity Mass); Miscellaneous. printing originals; Original manuscript draft; text drafts for Pater Noster and Phos hilaron: O Gracious Light; Miscellaneous. manuscript sketches; xeroxed copies of various movements with pencil commentary; manuscript sketch of Amen chord progressions; letter dated 1978 November 26 addressed to John from [Gary Zuivla]. on Eastern Illinois University letterhead; and xeroxed copies of various movements.","Includes printing master copies of \"Gloria, Kyrie, Sanctus\", and \"Agnus Dei\" and reduced size copies of \"Glory Be to God\".","Includes dedication and SSATTB sheet music.","Includes manuscript original and 8 xeroxed copies.","Includes manuscript original score and assorted parts.","Includes manuscript original and photocopy.","Includes three carols: \"Christo Paremis Canticam\", \"The Blessed Son of God\", and \"Jesu, Fili Virginis\".","Includes original sketch manuscript and printing master copies.","Includes Violin I, Violin II, Viola, Continuo, and Flute music for Aria of Cantata No. 8; 10 programs from performance (1995 December 10) at St. Thomas à Becket Episcopal Church in Morgantown, WV.","Includes five printed copies and an original manuscript of \"Thou\" (circa 1979-1995), four printed copies and a transparent copy of \"Thus It Was\" (1981), three printed copies of \"Body, My Playmate\" (1980), a transparent set of three, and a printed copy of \"Gethsemane\" (1995).","Includes \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1981), \"Harpsichord Fantasy\" (1982), \"Summer Pieces\" (1983), and \"Sled Run from  Ethan Frome  (2 Pianos)\" (1997).","Includes a printed Piano score, soloist sheet music, and program notes.","Includes vellum prints of the whole piece and a printed copy of \"The Song of the Lamb\"","Includes printing originals and vocal scores.","Includes four movements: \"Autumn Day,\" \"To Say Before Going to Sleep,\" \"Autumn,\" and \"Lament.\"","Includes printed score (subtitled \"Free Variations for Woodwind Quintet\") and printed parts.","Includes mixed photocopy of original manuscript and printed sheet music for \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1982), \"Summer Pieces\" (1983), and \"Sled Run\" from  Ethan Frome  (1997).","Includes printed sheet music for four settings of hymn text: \"From East to West,\" \"Come Ye Disconsolate,\" \"O Christ You Are Both Light and Day,\" and \"All Praise to Thee My God This Night.\"","Includes photocopied manuscript of hymn tunes (\"Glory Be to God\" [SATB and Keyboard] and \"O Sacred Head Now Wounded\" [SATB]) and an \"About the Author\" sheet circa 1973.","Includes photocopies of original manuscript for three Trumpets in C, four Horns in F, three Trombones, and Timpani; manuscript original score; photocopy of manuscript with original mixed voice harmony; original manuscript sketches of piece; and blank staff paper.","An unpublished work consisting of four different sacred-themed pieces: \"The Word,\" \"If Then We Have Been Raised with Christ,\" \"Let Us Love One Another,\" and \"If God Is on Our Side\" (arranged in both C and D major).","Includes assorted parts of various compositions, including \"Ebb,\" \"The Blessed Son of God,\" \"Psalm 103,\" \"Psalm 26,\" \"Collect for Holy Communion\" [for Mixed Chorus, Brass Quintet, and Organ, vocal score], and \"Nowell.\"","Works include: Sonata for Violin and Pianoforte (1966-1967) [2 copies, photocopied and bound score], Episodes for Viola and String Orchestra (1969-1970) [2 copies, printed score], and Sonata No. 2 for Violin and Pianoforte (1968-1970) [printed score].","Works include: \"The Blessed Son of God\" [photocopied manuscript]; \"Jesu, Fili Virginis\" [transparency]; and an untitled handwritten manuscript.","Includes two copies of III (including a handwritten manuscript score), Songs of Autumn (Movement V), and an untitled manuscript.","Includes original manuscripts for I, Dag Hammarskjöld (1961), Quintet [first and second violin, viola, and cello parts] (1964), Quartet No. 2 [cello part], and two untitled pieces.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Beall, John, 1942-","English \n.    "],"unitid_tesim":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915"],"normalized_title_ssm":["John Beall, Professor of Music, Papers"],"collection_title_tesim":["John Beall, Professor of Music, Papers"],"collection_ssim":["John Beall, Professor of Music, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Beall, John, 1942-","Beall, John, 1942-"],"creator_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"creator_persname_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"creators_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Beall, John, 2014 July 21"],"access_subjects_ssim":["Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"access_subjects_ssm":["Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"has_online_content_ssim":["false"],"extent_ssm":["14.5 Linear Feet 9 document cases, 5 in. each; 1 document case, 2.5 in.; 6 record cartons, 15 in. each; 1 flat storage box, 1.5 in.; 10 flat storage boxes, 3.5 in. each"],"extent_tesim":["14.5 Linear Feet 9 document cases, 5 in. each; 1 document case, 2.5 in.; 6 record cartons, 15 in. each; 1 flat storage box, 1.5 in.; 10 flat storage boxes, 3.5 in. each"],"genreform_ssim":["Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eFaculty evaluations are restricted for 75 years from the date of creation.  These are included in:\u003clb\u003e\u003c/lb\u003e\nBox 1, folders 12-13, 18-20, 26\u003clb\u003e\u003c/lb\u003e\nBox 2, folders 16-17, 19, 28-30\u003clb\u003e\u003c/lb\u003e\nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30\u003clb\u003e\u003c/lb\u003e\nBox 13b, item 1\u003clb\u003e\u003c/lb\u003e\nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.\u003clb\u003e\u003c/lb\u003e Restriction will be completely lifted in 2088 or upon the permission of the donor.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Faculty evaluations are restricted for 75 years from the date of creation.  These are included in: \nBox 1, folders 12-13, 18-20, 26 \nBox 2, folders 16-17, 19, 28-30 \nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30 \nBox 13b, item 1 \nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.  Restriction will be completely lifted in 2088 or upon the permission of the donor."],"bioghist_html_tesm":["\u003cp\u003e[Information from WVU website.]\u003c/p\u003e\n","\u003cp\u003eJohn Beall \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eProfessor – Composition \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eComposer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.\u003c/p\u003e\n","\u003cp\u003eBeall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.\u003c/p\u003e\n","\u003cp\u003eIn 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel \u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.\u003c/p\u003e\n","\u003cp\u003eList of Works:\u003c/p\u003e\n","\u003cp\u003eLarge Ensembles:\u003c/p\u003e\n","\u003cp\u003eEssay for Orchestra, 1964-1965\u003clb\u003e\u003c/lb\u003e\nSongs of Autumn, 1965-1966\u003clb\u003e\u003c/lb\u003e\nLament for Those Lost in the War, 1972\u003clb\u003e\u003c/lb\u003e\nConcerto for Piano and Wind Orchestra, 1973\u003clb\u003e\u003c/lb\u003e\nConcerto for Brass Quintet and Wind Orchestra, 1978\u003clb\u003e\u003c/lb\u003e\nCelebration Music, 1985\u003clb\u003e\u003c/lb\u003e\nSymphony No. 1, 1985\u003clb\u003e\u003c/lb\u003e\nMountain Music, 1987\u003clb\u003e\u003c/lb\u003e\nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994)\u003clb\u003e\u003c/lb\u003e\nCortege, Processional for Orchestra, 1991\u003clb\u003e\u003c/lb\u003e\nConcerto for Violin and Orchestra, 1998\u003c/p\u003e\n","\u003cp\u003eChoral/Vocal:\u003c/p\u003e\n","\u003cp\u003eSongs of Autumn (in piano reduction), 1966\u003clb\u003e\u003c/lb\u003e\nRilke Songs, 1974\u003clb\u003e\u003c/lb\u003e\nHammarskjold Songs, 1967-1983\u003clb\u003e\u003c/lb\u003e\nPsalm 51, SATB, 1977\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book I, 1982-1983\u003clb\u003e\u003c/lb\u003e\nPsalm 19, SATB with organ, 1988\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book II, 1988\u003clb\u003e\u003c/lb\u003e\nThe Lord Is Good, SATB with organ, 1989\u003clb\u003e\u003c/lb\u003e\nPsalm 84, SATB with organ, 1989\u003clb\u003e\u003c/lb\u003e\nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991\u003clb\u003e\u003c/lb\u003e\nRide On, Ride On, SATB with organ, 1991\u003clb\u003e\u003c/lb\u003e\nCome, Thou Holy Spirit, SATB with organ, 1991\u003clb\u003e\u003c/lb\u003e\nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book III,1993\u003clb\u003e\u003c/lb\u003e\n\u003ctitle\u003e\u003cpart\u003eEthan Frome, Opera in Two Acts\u003c/part\u003e\u003c/title\u003e, 1994-1997\u003c/p\u003e\n","\u003cp\u003eKeyboard:\u003c/p\u003e\n","\u003cp\u003eSonatina, 1966\u003clb\u003e\u003c/lb\u003e\nPartita, 1967\u003clb\u003e\u003c/lb\u003e\nAria and Variations, 1969-1972\u003clb\u003e\u003c/lb\u003e\nBlack Raindrops, 1977\u003clb\u003e\u003c/lb\u003e\nPiano Fantasy, 1980\u003clb\u003e\u003c/lb\u003e\nCapriccio for Piano 4 Hands, 1981\u003clb\u003e\u003c/lb\u003e\nHarpsichord Fantasy, 1982\u003clb\u003e\u003c/lb\u003e\nSummer Pieces, 1984\u003clb\u003e\u003c/lb\u003e\nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988\u003clb\u003e\u003c/lb\u003e\nSonata for Piano, 1992-1994\u003c/p\u003e\n","\u003cp\u003eChamber Music:\u003c/p\u003e\n","\u003cp\u003eSonata for Alto Saxophone and Piano, 1974\u003clb\u003e\u003c/lb\u003e\nSonata for Violin and Piano, 1976\u003clb\u003e\u003c/lb\u003e\nSextet for Piano and Woodwind Quintet, 1976\u003clb\u003e\u003c/lb\u003e\nString Quartet, 1982\u003clb\u003e\u003c/lb\u003e\nTrio Fantasy for Oboe, Bassoon, and Piano, 1981\u003clb\u003e\u003c/lb\u003e\nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982\u003clb\u003e\u003c/lb\u003e\nSonata for Cello and Piano, 1984\u003clb\u003e\u003c/lb\u003e\nCelebration Fanfare, 1986\u003clb\u003e\u003c/lb\u003e\nVariations on John Henry, for Three Violins (Intermediate Level), 1987\u003clb\u003e\u003c/lb\u003e\nTrio for Violin, Cello, and Piano, 1991\u003clb\u003e\u003c/lb\u003e\nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone)\u003clb\u003e\u003c/lb\u003e\nWhitewater, for woodwind quintet \u0026amp; string quartet, 1994\u003clb\u003e\u003c/lb\u003e\nBreakers, for Flute and Piano, 1999\u003clb\u003e\u003c/lb\u003e\nWondrous Love: Variations for Viola and Piano, 1999\u003clb\u003e\u003c/lb\u003e\nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999\u003clb\u003e\u003c/lb\u003e\nThe River, for string Quartet, 2000\u003c/p\u003e\n","\u003cp\u003eList of Recorded Works:\u003c/p\u003e\n","\u003cp\u003eChamber Music:\u003c/p\u003e\n","\u003cp\u003eWhitewater\u003clb\u003e\u003c/lb\u003e\nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nOn Chestnut Ridge\u003clb\u003e\u003c/lb\u003e\nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nSonata for Violoncello and Piano\u003clb\u003e\u003c/lb\u003e\nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nShaker Tunes: Free Variations for Woodwind Sextet\u003clb\u003e\u003c/lb\u003e\nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nBarn Dance from Mountain Music\u003clb\u003e\u003c/lb\u003e\nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nSextet for Piano and Woodwind Quintet\u003clb\u003e\u003c/lb\u003e\nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255\u003c/p\u003e\n","\u003cp\u003ePiano Music:\u003c/p\u003e\n","\u003cp\u003eSonata for Piano\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer)\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nPiano Fantasy\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nBlack Raindrops\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nCapriccio for Piano 4 Hands\u003clb\u003e\u003c/lb\u003e\nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["[Information from WVU website.]","John Beall ","Professor – Composition ","Composer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.","Beall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.","In 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel  Ethan Frome  was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.","List of Works:","Large Ensembles:","Essay for Orchestra, 1964-1965 \nSongs of Autumn, 1965-1966 \nLament for Those Lost in the War, 1972 \nConcerto for Piano and Wind Orchestra, 1973 \nConcerto for Brass Quintet and Wind Orchestra, 1978 \nCelebration Music, 1985 \nSymphony No. 1, 1985 \nMountain Music, 1987 \nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994) \nCortege, Processional for Orchestra, 1991 \nConcerto for Violin and Orchestra, 1998","Choral/Vocal:","Songs of Autumn (in piano reduction), 1966 \nRilke Songs, 1974 \nHammarskjold Songs, 1967-1983 \nPsalm 51, SATB, 1977 \nMerwin Songs: Book I, 1982-1983 \nPsalm 19, SATB with organ, 1988 \nMerwin Songs: Book II, 1988 \nThe Lord Is Good, SATB with organ, 1989 \nPsalm 84, SATB with organ, 1989 \nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991 \nRide On, Ride On, SATB with organ, 1991 \nCome, Thou Holy Spirit, SATB with organ, 1991 \nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992 \nMerwin Songs: Book III,1993 Ethan Frome, Opera in Two Acts , 1994-1997","Keyboard:","Sonatina, 1966 \nPartita, 1967 \nAria and Variations, 1969-1972 \nBlack Raindrops, 1977 \nPiano Fantasy, 1980 \nCapriccio for Piano 4 Hands, 1981 \nHarpsichord Fantasy, 1982 \nSummer Pieces, 1984 \nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988 \nSonata for Piano, 1992-1994","Chamber Music:","Sonata for Alto Saxophone and Piano, 1974 \nSonata for Violin and Piano, 1976 \nSextet for Piano and Woodwind Quintet, 1976 \nString Quartet, 1982 \nTrio Fantasy for Oboe, Bassoon, and Piano, 1981 \nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982 \nSonata for Cello and Piano, 1984 \nCelebration Fanfare, 1986 \nVariations on John Henry, for Three Violins (Intermediate Level), 1987 \nTrio for Violin, Cello, and Piano, 1991 \nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone) \nWhitewater, for woodwind quintet \u0026 string quartet, 1994 \nBreakers, for Flute and Piano, 1999 \nWondrous Love: Variations for Viola and Piano, 1999 \nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999 \nThe River, for string Quartet, 2000","List of Recorded Works:","Chamber Music:","Whitewater \nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104 \nOn Chestnut Ridge \nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nSonata for Violoncello and Piano \nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nShaker Tunes: Free Variations for Woodwind Sextet \nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104 \nBarn Dance from Mountain Music \nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104 \nSextet for Piano and Woodwind Quintet \nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255","Piano Music:","Sonata for Piano \nSteven Herbert Smith, piano -- on Cambria CD1105 \nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer) \nSteven Herbert Smith, piano -- on Cambria CD1105 \nPiano Fantasy \nSteven Herbert Smith, piano -- on Cambria CD1105 \nBlack Raindrops \nSteven Herbert Smith, piano -- on Cambria CD1105 \nCapriccio for Piano 4 Hands \nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], John Beall, Professor of Music, Papers, A\u0026amp;M 5185, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], John Beall, Professor of Music, Papers, A\u0026M 5185, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eRecords of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.\u003c/p\u003e","\u003cp\u003eIncludes correspondence from Dr. Beall's time teaching at Southwest Texas State University. Includes correspondence and memorandums relating to SWTSU, as well as correspondence with various other Texas universities (namely Baylor).\u003c/p\u003e","\u003cp\u003eIncludes correspondence with colleagues at Eastern Illinois University, with colleagues at neighboring universities, and with the WVU music department.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with Bernard Fauchet [in French] and with various peers, including former colleagues at Eastern Illinois University.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with M. Bernard Fauchet, correspondence with Alejandro Oyuela, and general professional and WVU correspondence.\u003c/p\u003e","\u003cp\u003eIncludes assorted programs and newspaper clippings from various years (1979-1993).\u003c/p\u003e","\u003cp\u003eIncludes correspondence regarding graduate admissions, music reviews, music rentals, the \"Electronic Music Plus Festival,\" performance of Beall's works [namely of \"The Piano Fantasy\" in Paris], and general correspondence.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with various universities, various churches and religious organizations, letter to the editor of the \u003ctitle\u003e\u003cpart\u003eDaily Athenaeum\u003c/part\u003e\u003c/title\u003e, music publishers, and others.\u003c/p\u003e","\u003cp\u003eIncludes faculty evaluation forms, student evaluations of Dr. Beall, and other assorted programs and documents.\u003c/p\u003e","\u003cp\u003eIncludes correspondence between colleagues at WVU, WVU memorandums, correspondence regarding the licensing of Beall's compositions, and general correspondence with peers around the country. Documents relating to political lobbying included, as well as documents relating to entrance into an artist's colony.\u003c/p\u003e","\u003cp\u003eIncludes correspondence regarding sabbatical leave and the state of the University, regarding applications for employment at other universities, with Samuel Adler, with Lawrence Edwards, and with various universities and WVU.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with prospective graduate students, various universities, and WVU colleagues and WVU memorandums.\u003c/p\u003e","\u003cp\u003eIncludes materials related to Thomas Canning and his memorial concert.\u003c/p\u003e","\u003cp\u003eIncludes submissions of compositions for symposia and festivals at various universities, correspondence between colleagues at WVU, WVU memorandums, and correspondence regarding the licensing of Beall's compositions.\u003c/p\u003e","\u003cp\u003eIncludes various clippings and programs.\u003c/p\u003e","\u003cp\u003eIncludes request for the usage of the novel rights.\u003c/p\u003e","\u003cp\u003eIncludes correspondence within WVU and other professional correspondence.\u003c/p\u003e","\u003cp\u003eIncludes materials regarding nominations for the 2007 Benedum Distinguished Scholar Award.\u003c/p\u003e","\u003cp\u003eIncludes programs and related documents.\u003c/p\u003e","\u003cp\u003eIncludes programs from performances from 1997 season.\u003c/p\u003e","\u003cp\u003eContains printed correspondence and various performance reviews.\u003c/p\u003e","\u003cp\u003eIncludes programs, clippings, and faculty evaluation information.\u003c/p\u003e","\u003cp\u003eIncludes information on programming and classes for Summer 2003.\u003c/p\u003e","\u003cp\u003eIncludes various thank-you cards, a program book for the National Flute Association, and a WVU research magazine.\u003c/p\u003e","\u003cp\u003eIncludes some programs and clippings, many printed emails, and evaluation information.\u003c/p\u003e","\u003cp\u003eIncludes \"Music for the Holy Eucharist: Rite II\" Treble vocal part for named piece [5 sheets] and a memo sheet advising printing alterations [1 sheet].\u003c/p\u003e","\u003cp\u003eIncludes realized figured bass (Basso Continuo) part for named piece [4 sheets].\u003c/p\u003e","\u003cp\u003eIncludes \"Black Raindrops (Study in Repeated Notes)\", 1978; \"Piano Fantasy\", 1980; \"Capriccio for Piano 4 Hands\", 1981; \"Harpsichord Fantasy\", 1982; \"Summer Pieces\", 1983; \"\u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e: Sled Run from Act II, Scene 4: Arranged for Two Pianos by the Composer\", 1997.\u003c/p\u003e","\u003cp\u003eIncludes Soprano sheet music titled Music for the Holy Eucharist: Rite II (Trinity Mass); Miscellaneous. printing originals; Original manuscript draft; text drafts for Pater Noster and Phos hilaron: O Gracious Light; Miscellaneous. manuscript sketches; xeroxed copies of various movements with pencil commentary; manuscript sketch of Amen chord progressions; letter dated 1978 November 26 addressed to John from [Gary Zuivla]. on Eastern Illinois University letterhead; and xeroxed copies of various movements.\u003c/p\u003e","\u003cp\u003eIncludes printing master copies of \"Gloria, Kyrie, Sanctus\", and \"Agnus Dei\" and reduced size copies of \"Glory Be to God\".\u003c/p\u003e","\u003cp\u003eIncludes dedication and SSATTB sheet music.\u003c/p\u003e","\u003cp\u003eIncludes manuscript original and 8 xeroxed copies.\u003c/p\u003e","\u003cp\u003eIncludes manuscript original score and assorted parts.\u003c/p\u003e","\u003cp\u003eIncludes manuscript original and photocopy.\u003c/p\u003e","\u003cp\u003eIncludes three carols: \"Christo Paremis Canticam\", \"The Blessed Son of God\", and \"Jesu, Fili Virginis\".\u003c/p\u003e","\u003cp\u003eIncludes original sketch manuscript and printing master copies.\u003c/p\u003e","\u003cp\u003eIncludes Violin I, Violin II, Viola, Continuo, and Flute music for Aria of Cantata No. 8; 10 programs from performance (1995 December 10) at St. Thomas à Becket Episcopal Church in Morgantown, WV.\u003c/p\u003e","\u003cp\u003eIncludes five printed copies and an original manuscript of \"Thou\" (circa 1979-1995), four printed copies and a transparent copy of \"Thus It Was\" (1981), three printed copies of \"Body, My Playmate\" (1980), a transparent set of three, and a printed copy of \"Gethsemane\" (1995).\u003c/p\u003e","\u003cp\u003eIncludes \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1981), \"Harpsichord Fantasy\" (1982), \"Summer Pieces\" (1983), and \"Sled Run from \u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e (2 Pianos)\" (1997).\u003c/p\u003e","\u003cp\u003eIncludes a printed Piano score, soloist sheet music, and program notes.\u003c/p\u003e","\u003cp\u003eIncludes vellum prints of the whole piece and a printed copy of \"The Song of the Lamb\"\u003c/p\u003e","\u003cp\u003eIncludes printing originals and vocal scores.\u003c/p\u003e","\u003cp\u003eIncludes four movements: \"Autumn Day,\" \"To Say Before Going to Sleep,\" \"Autumn,\" and \"Lament.\"\u003c/p\u003e","\u003cp\u003eIncludes printed score (subtitled \"Free Variations for Woodwind Quintet\") and printed parts.\u003c/p\u003e","\u003cp\u003eIncludes mixed photocopy of original manuscript and printed sheet music for \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1982), \"Summer Pieces\" (1983), and \"Sled Run\" from \u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e (1997).\u003c/p\u003e","\u003cp\u003eIncludes printed sheet music for four settings of hymn text: \"From East to West,\" \"Come Ye Disconsolate,\" \"O Christ You Are Both Light and Day,\" and \"All Praise to Thee My God This Night.\"\u003c/p\u003e","\u003cp\u003eIncludes photocopied manuscript of hymn tunes (\"Glory Be to God\" [SATB and Keyboard] and \"O Sacred Head Now Wounded\" [SATB]) and an \"About the Author\" sheet circa 1973.\u003c/p\u003e","\u003cp\u003eIncludes photocopies of original manuscript for three Trumpets in C, four Horns in F, three Trombones, and Timpani; manuscript original score; photocopy of manuscript with original mixed voice harmony; original manuscript sketches of piece; and blank staff paper.\u003c/p\u003e","\u003cp\u003eAn unpublished work consisting of four different sacred-themed pieces: \"The Word,\" \"If Then We Have Been Raised with Christ,\" \"Let Us Love One Another,\" and \"If God Is on Our Side\" (arranged in both C and D major).\u003c/p\u003e","\u003cp\u003eIncludes assorted parts of various compositions, including \"Ebb,\" \"The Blessed Son of God,\" \"Psalm 103,\" \"Psalm 26,\" \"Collect for Holy Communion\" [for Mixed Chorus, Brass Quintet, and Organ, vocal score], and \"Nowell.\"\u003c/p\u003e","\u003cp\u003eWorks include: Sonata for Violin and Pianoforte (1966-1967) [2 copies, photocopied and bound score], Episodes for Viola and String Orchestra (1969-1970) [2 copies, printed score], and Sonata No. 2 for Violin and Pianoforte (1968-1970) [printed score].\u003c/p\u003e","\u003cp\u003eWorks include: \"The Blessed Son of God\" [photocopied manuscript]; \"Jesu, Fili Virginis\" [transparency]; and an untitled handwritten manuscript.\u003c/p\u003e","\u003cp\u003eIncludes two copies of III (including a handwritten manuscript score), Songs of Autumn (Movement V), and an untitled manuscript.\u003c/p\u003e","\u003cp\u003eIncludes original manuscripts for I, Dag Hammarskjöld (1961), Quintet [first and second violin, viola, and cello parts] (1964), Quartet No. 2 [cello part], and two untitled pieces.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Records of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.","Includes correspondence from Dr. Beall's time teaching at Southwest Texas State University. Includes correspondence and memorandums relating to SWTSU, as well as correspondence with various other Texas universities (namely Baylor).","Includes correspondence with colleagues at Eastern Illinois University, with colleagues at neighboring universities, and with the WVU music department.","Includes correspondence with Bernard Fauchet [in French] and with various peers, including former colleagues at Eastern Illinois University.","Includes correspondence with M. Bernard Fauchet, correspondence with Alejandro Oyuela, and general professional and WVU correspondence.","Includes assorted programs and newspaper clippings from various years (1979-1993).","Includes correspondence regarding graduate admissions, music reviews, music rentals, the \"Electronic Music Plus Festival,\" performance of Beall's works [namely of \"The Piano Fantasy\" in Paris], and general correspondence.","Includes correspondence with various universities, various churches and religious organizations, letter to the editor of the  Daily Athenaeum , music publishers, and others.","Includes faculty evaluation forms, student evaluations of Dr. Beall, and other assorted programs and documents.","Includes correspondence between colleagues at WVU, WVU memorandums, correspondence regarding the licensing of Beall's compositions, and general correspondence with peers around the country. Documents relating to political lobbying included, as well as documents relating to entrance into an artist's colony.","Includes correspondence regarding sabbatical leave and the state of the University, regarding applications for employment at other universities, with Samuel Adler, with Lawrence Edwards, and with various universities and WVU.","Includes correspondence with prospective graduate students, various universities, and WVU colleagues and WVU memorandums.","Includes materials related to Thomas Canning and his memorial concert.","Includes submissions of compositions for symposia and festivals at various universities, correspondence between colleagues at WVU, WVU memorandums, and correspondence regarding the licensing of Beall's compositions.","Includes various clippings and programs.","Includes request for the usage of the novel rights.","Includes correspondence within WVU and other professional correspondence.","Includes materials regarding nominations for the 2007 Benedum Distinguished Scholar Award.","Includes programs and related documents.","Includes programs from performances from 1997 season.","Contains printed correspondence and various performance reviews.","Includes programs, clippings, and faculty evaluation information.","Includes information on programming and classes for Summer 2003.","Includes various thank-you cards, a program book for the National Flute Association, and a WVU research magazine.","Includes some programs and clippings, many printed emails, and evaluation information.","Includes \"Music for the Holy Eucharist: Rite II\" Treble vocal part for named piece [5 sheets] and a memo sheet advising printing alterations [1 sheet].","Includes realized figured bass (Basso Continuo) part for named piece [4 sheets].","Includes \"Black Raindrops (Study in Repeated Notes)\", 1978; \"Piano Fantasy\", 1980; \"Capriccio for Piano 4 Hands\", 1981; \"Harpsichord Fantasy\", 1982; \"Summer Pieces\", 1983; \" Ethan Frome : Sled Run from Act II, Scene 4: Arranged for Two Pianos by the Composer\", 1997.","Includes Soprano sheet music titled Music for the Holy Eucharist: Rite II (Trinity Mass); Miscellaneous. printing originals; Original manuscript draft; text drafts for Pater Noster and Phos hilaron: O Gracious Light; Miscellaneous. manuscript sketches; xeroxed copies of various movements with pencil commentary; manuscript sketch of Amen chord progressions; letter dated 1978 November 26 addressed to John from [Gary Zuivla]. on Eastern Illinois University letterhead; and xeroxed copies of various movements.","Includes printing master copies of \"Gloria, Kyrie, Sanctus\", and \"Agnus Dei\" and reduced size copies of \"Glory Be to God\".","Includes dedication and SSATTB sheet music.","Includes manuscript original and 8 xeroxed copies.","Includes manuscript original score and assorted parts.","Includes manuscript original and photocopy.","Includes three carols: \"Christo Paremis Canticam\", \"The Blessed Son of God\", and \"Jesu, Fili Virginis\".","Includes original sketch manuscript and printing master copies.","Includes Violin I, Violin II, Viola, Continuo, and Flute music for Aria of Cantata No. 8; 10 programs from performance (1995 December 10) at St. Thomas à Becket Episcopal Church in Morgantown, WV.","Includes five printed copies and an original manuscript of \"Thou\" (circa 1979-1995), four printed copies and a transparent copy of \"Thus It Was\" (1981), three printed copies of \"Body, My Playmate\" (1980), a transparent set of three, and a printed copy of \"Gethsemane\" (1995).","Includes \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1981), \"Harpsichord Fantasy\" (1982), \"Summer Pieces\" (1983), and \"Sled Run from  Ethan Frome  (2 Pianos)\" (1997).","Includes a printed Piano score, soloist sheet music, and program notes.","Includes vellum prints of the whole piece and a printed copy of \"The Song of the Lamb\"","Includes printing originals and vocal scores.","Includes four movements: \"Autumn Day,\" \"To Say Before Going to Sleep,\" \"Autumn,\" and \"Lament.\"","Includes printed score (subtitled \"Free Variations for Woodwind Quintet\") and printed parts.","Includes mixed photocopy of original manuscript and printed sheet music for \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1982), \"Summer Pieces\" (1983), and \"Sled Run\" from  Ethan Frome  (1997).","Includes printed sheet music for four settings of hymn text: \"From East to West,\" \"Come Ye Disconsolate,\" \"O Christ You Are Both Light and Day,\" and \"All Praise to Thee My God This Night.\"","Includes photocopied manuscript of hymn tunes (\"Glory Be to God\" [SATB and Keyboard] and \"O Sacred Head Now Wounded\" [SATB]) and an \"About the Author\" sheet circa 1973.","Includes photocopies of original manuscript for three Trumpets in C, four Horns in F, three Trombones, and Timpani; manuscript original score; photocopy of manuscript with original mixed voice harmony; original manuscript sketches of piece; and blank staff paper.","An unpublished work consisting of four different sacred-themed pieces: \"The Word,\" \"If Then We Have Been Raised with Christ,\" \"Let Us Love One Another,\" and \"If God Is on Our Side\" (arranged in both C and D major).","Includes assorted parts of various compositions, including \"Ebb,\" \"The Blessed Son of God,\" \"Psalm 103,\" \"Psalm 26,\" \"Collect for Holy Communion\" [for Mixed Chorus, Brass Quintet, and Organ, vocal score], and \"Nowell.\"","Works include: Sonata for Violin and Pianoforte (1966-1967) [2 copies, photocopied and bound score], Episodes for Viola and String Orchestra (1969-1970) [2 copies, printed score], and Sonata No. 2 for Violin and Pianoforte (1968-1970) [printed score].","Works include: \"The Blessed Son of God\" [photocopied manuscript]; \"Jesu, Fili Virginis\" [transparency]; and an untitled handwritten manuscript.","Includes two copies of III (including a handwritten manuscript score), Songs of Autumn (Movement V), and an untitled manuscript.","Includes original manuscripts for I, Dag Hammarskjöld (1961), Quintet [first and second violin, viola, and cello parts] (1964), Quartet No. 2 [cello part], and two untitled pieces."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ad3970589b0c68f1179d53d9715f39b0\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Beall, John, 1942-"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"persname_ssim":["Beall, John, 1942-"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":442,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:32:40.579Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3915_c12"}},{"id":"viu_repositories_3_resources_876_c01_c58","type":"Box","attributes":{"title":"1993 campaign, Albemarle County planning and development","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_876_c01_c58#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_876_c01_c58","ref_ssm":["viu_repositories_3_resources_876_c01_c58"],"id":"viu_repositories_3_resources_876_c01_c58","ead_ssi":"viu_repositories_3_resources_876","_root_":"viu_repositories_3_resources_876","_nest_parent_":"viu_repositories_3_resources_876_c01","parent_ssi":"viu_repositories_3_resources_876_c01","parent_ssim":["viu_repositories_3_resources_876","viu_repositories_3_resources_876_c01"],"parent_ids_ssim":["viu_repositories_3_resources_876","viu_repositories_3_resources_876_c01"],"parent_unittitles_ssm":["Sally H. Thomas papers","Box Inventory"],"parent_unittitles_tesim":["Sally H. Thomas papers","Box Inventory"],"text":["Sally H. Thomas papers","Box Inventory","1993 campaign, Albemarle County planning and development","box 58"],"title_filing_ssi":"1993 campaign, Albemarle County planning and development","title_ssm":["1993 campaign, Albemarle County planning and development"],"title_tesim":["1993 campaign, Albemarle County planning and development"],"unitdate_inclusive_ssm":["1977-2009"],"normalized_date_ssm":["1977/2009"],"normalized_title_ssm":["1993 campaign, Albemarle County planning and development"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Sally H. Thomas papers"],"extent_ssm":["1 Cubic Feet 1 box"],"extent_tesim":["1 Cubic Feet 1 box"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":59,"parent_access_restrict_tesm":["Collection is stored offsite.  Please allow 3 business days for delivery to the Small Library Reading Room."],"parent_access_terms_tesm":["Collection is open for research use."],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"containers_ssim":["box 58"],"_nest_path_":"/components#0/components#57","timestamp":"2026-05-20T23:53:10.692Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_876","ead_ssi":"viu_repositories_3_resources_876","_root_":"viu_repositories_3_resources_876","_nest_parent_":"viu_repositories_3_resources_876","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_876.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/776","title_filing_ssi":"Thomas, Sally H.,  papers","title_ssm":["Sally H. Thomas papers"],"title_tesim":["Sally H. Thomas papers"],"unitdate_ssm":["1968-2010"],"unitdate_inclusive_ssm":["1968-2010"],"level_ssm":["collection"],"level_ssim":["Box","Collection"],"unitid_ssm":["MSS 16184","Archival Resource Key","/repositories/3/resources/876"],"text":["MSS 16184","Archival Resource Key","/repositories/3/resources/876","Sally H. Thomas papers","Albemarle County (Va.) -- Buildings, structures, etc.","reports","Collection is stored offsite.  Please allow 3 business days for delivery to the Small Library Reading Room.","Materials removed from box 74 due to privacy concerns: 2 checkbooks, 1 account summary, 1 receipt, blank 1041 and 770 tax forms with instructions.\nBoxes 72, 73, 74 were treated for mold.","The Sally H. Thomas papers (1968-2010; 76 cubic feet) document the political career of Sally H. Thomas as a member of the Albemarle County Board of Supervisors, as well as a member of the Albemarle County School Board. The materials in this collection mainly consist of Albemarle County Board of Supervisors correspondence, reports, budgets, site plans and maps, city-planning documents and publications, and related printed materials. Some of the topics emphasized are conservation, rural preservation, community services, infrastructure, and transportation planning as key features of Sally Thomas' career. Materials mostly include Albemarle County planning with some Charlottesville city planning documents, and Albemarle County School Board budgets and plans as well. The materials document the development needs of the Albemarle/Charlottesville area as population and economic growth increased, and highlight the attempt to balance economic and residential development with environmental conservation needs and the interests of rural areas.","Collection is open for research use.","Albert and Shirley Small Special Collections Library","Materials are in English."],"unitid_tesim":["MSS 16184","Archival Resource Key","/repositories/3/resources/876"],"normalized_title_ssm":["Sally H. Thomas papers"],"collection_title_tesim":["Sally H. Thomas papers"],"collection_ssim":["Sally H. Thomas papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Albemarle County (Va.) -- Buildings, structures, etc."],"geogname_ssim":["Albemarle County (Va.) -- Buildings, structures, etc."],"places_ssim":["Albemarle County (Va.) -- Buildings, structures, etc."],"access_terms_ssm":["Collection is open for research use."],"acqinfo_ssim":["Donated by Sally H. Thomas, 29 July 2016."],"access_subjects_ssim":["reports"],"access_subjects_ssm":["reports"],"has_online_content_ssim":["false"],"extent_ssm":["76 Cubic Feet 76 cubic foot boxes"],"extent_tesim":["76 Cubic Feet 76 cubic foot boxes"],"genreform_ssim":["reports"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is stored offsite.  Please allow 3 business days for delivery to the Small Library Reading Room.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is stored offsite.  Please allow 3 business days for delivery to the Small Library Reading Room."],"prefercite_html_tesm":["\u003cp\u003eMSS 16184 Sally H. Thomas papers, [Collection Id #, Title of collection], Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16184 Sally H. Thomas papers, [Collection Id #, Title of collection], Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eMaterials removed from box 74 due to privacy concerns: 2 checkbooks, 1 account summary, 1 receipt, blank 1041 and 770 tax forms with instructions.\nBoxes 72, 73, 74 were treated for mold.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials removed from box 74 due to privacy concerns: 2 checkbooks, 1 account summary, 1 receipt, blank 1041 and 770 tax forms with instructions.\nBoxes 72, 73, 74 were treated for mold."],"scopecontent_html_tesm":["\u003cp\u003eThe Sally H. Thomas papers (1968-2010; 76 cubic feet) document the political career of Sally H. Thomas as a member of the Albemarle County Board of Supervisors, as well as a member of the Albemarle County School Board. The materials in this collection mainly consist of Albemarle County Board of Supervisors correspondence, reports, budgets, site plans and maps, city-planning documents and publications, and related printed materials. Some of the topics emphasized are conservation, rural preservation, community services, infrastructure, and transportation planning as key features of Sally Thomas' career. Materials mostly include Albemarle County planning with some Charlottesville city planning documents, and Albemarle County School Board budgets and plans as well. The materials document the development needs of the Albemarle/Charlottesville area as population and economic growth increased, and highlight the attempt to balance economic and residential development with environmental conservation needs and the interests of rural areas.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Sally H. Thomas papers (1968-2010; 76 cubic feet) document the political career of Sally H. Thomas as a member of the Albemarle County Board of Supervisors, as well as a member of the Albemarle County School Board. The materials in this collection mainly consist of Albemarle County Board of Supervisors correspondence, reports, budgets, site plans and maps, city-planning documents and publications, and related printed materials. Some of the topics emphasized are conservation, rural preservation, community services, infrastructure, and transportation planning as key features of Sally Thomas' career. Materials mostly include Albemarle County planning with some Charlottesville city planning documents, and Albemarle County School Board budgets and plans as well. The materials document the development needs of the Albemarle/Charlottesville area as population and economic growth increased, and highlight the attempt to balance economic and residential development with environmental conservation needs and the interests of rural areas."],"userestrict_html_tesm":["\u003cp\u003eCollection is open for research use.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Collection is open for research use."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["Materials are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":79,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:53:10.692Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_876_c01_c58"}},{"id":"viu_repositories_3_resources_876_c01_c66","type":"Box","attributes":{"title":"1993 campaign, Board of Supervisors correspondence","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_876_c01_c66#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_876_c01_c66","ref_ssm":["viu_repositories_3_resources_876_c01_c66"],"id":"viu_repositories_3_resources_876_c01_c66","ead_ssi":"viu_repositories_3_resources_876","_root_":"viu_repositories_3_resources_876","_nest_parent_":"viu_repositories_3_resources_876_c01","parent_ssi":"viu_repositories_3_resources_876_c01","parent_ssim":["viu_repositories_3_resources_876","viu_repositories_3_resources_876_c01"],"parent_ids_ssim":["viu_repositories_3_resources_876","viu_repositories_3_resources_876_c01"],"parent_unittitles_ssm":["Sally H. Thomas papers","Box Inventory"],"parent_unittitles_tesim":["Sally H. Thomas papers","Box Inventory"],"text":["Sally H. Thomas papers","Box Inventory","1993 campaign, Board of Supervisors correspondence","box 66"],"title_filing_ssi":"1993 campaign, Board of Supervisors correspondence","title_ssm":["1993 campaign, Board of Supervisors correspondence"],"title_tesim":["1993 campaign, Board of Supervisors correspondence"],"unitdate_inclusive_ssm":["1981-2004"],"normalized_date_ssm":["1981/2004"],"normalized_title_ssm":["1993 campaign, Board of Supervisors correspondence"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Sally H. Thomas papers"],"extent_ssm":["1 Cubic Feet 1 box"],"extent_tesim":["1 Cubic Feet 1 box"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":67,"parent_access_restrict_tesm":["Collection is stored offsite.  Please allow 3 business days for delivery to the Small Library Reading Room."],"parent_access_terms_tesm":["Collection is open for research use."],"date_range_isim":[1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"containers_ssim":["box 66"],"_nest_path_":"/components#0/components#65","timestamp":"2026-05-20T23:53:10.692Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_876","ead_ssi":"viu_repositories_3_resources_876","_root_":"viu_repositories_3_resources_876","_nest_parent_":"viu_repositories_3_resources_876","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_876.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/776","title_filing_ssi":"Thomas, Sally H.,  papers","title_ssm":["Sally H. Thomas papers"],"title_tesim":["Sally H. 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The materials in this collection mainly consist of Albemarle County Board of Supervisors correspondence, reports, budgets, site plans and maps, city-planning documents and publications, and related printed materials. Some of the topics emphasized are conservation, rural preservation, community services, infrastructure, and transportation planning as key features of Sally Thomas' career. Materials mostly include Albemarle County planning with some Charlottesville city planning documents, and Albemarle County School Board budgets and plans as well. The materials document the development needs of the Albemarle/Charlottesville area as population and economic growth increased, and highlight the attempt to balance economic and residential development with environmental conservation needs and the interests of rural areas.","Collection is open for research use.","Albert and Shirley Small Special Collections Library","Materials are in English."],"unitid_tesim":["MSS 16184","Archival Resource Key","/repositories/3/resources/876"],"normalized_title_ssm":["Sally H. Thomas papers"],"collection_title_tesim":["Sally H. Thomas papers"],"collection_ssim":["Sally H. Thomas papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Albemarle County (Va.) -- Buildings, structures, etc."],"geogname_ssim":["Albemarle County (Va.) -- Buildings, structures, etc."],"places_ssim":["Albemarle County (Va.) -- Buildings, structures, etc."],"access_terms_ssm":["Collection is open for research use."],"acqinfo_ssim":["Donated by Sally H. Thomas, 29 July 2016."],"access_subjects_ssim":["reports"],"access_subjects_ssm":["reports"],"has_online_content_ssim":["false"],"extent_ssm":["76 Cubic Feet 76 cubic foot boxes"],"extent_tesim":["76 Cubic Feet 76 cubic foot boxes"],"genreform_ssim":["reports"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is stored offsite.  Please allow 3 business days for delivery to the Small Library Reading Room.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is stored offsite.  Please allow 3 business days for delivery to the Small Library Reading Room."],"prefercite_html_tesm":["\u003cp\u003eMSS 16184 Sally H. Thomas papers, [Collection Id #, Title of collection], Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16184 Sally H. Thomas papers, [Collection Id #, Title of collection], Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eMaterials removed from box 74 due to privacy concerns: 2 checkbooks, 1 account summary, 1 receipt, blank 1041 and 770 tax forms with instructions.\nBoxes 72, 73, 74 were treated for mold.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials removed from box 74 due to privacy concerns: 2 checkbooks, 1 account summary, 1 receipt, blank 1041 and 770 tax forms with instructions.\nBoxes 72, 73, 74 were treated for mold."],"scopecontent_html_tesm":["\u003cp\u003eThe Sally H. Thomas papers (1968-2010; 76 cubic feet) document the political career of Sally H. Thomas as a member of the Albemarle County Board of Supervisors, as well as a member of the Albemarle County School Board. The materials in this collection mainly consist of Albemarle County Board of Supervisors correspondence, reports, budgets, site plans and maps, city-planning documents and publications, and related printed materials. Some of the topics emphasized are conservation, rural preservation, community services, infrastructure, and transportation planning as key features of Sally Thomas' career. Materials mostly include Albemarle County planning with some Charlottesville city planning documents, and Albemarle County School Board budgets and plans as well. The materials document the development needs of the Albemarle/Charlottesville area as population and economic growth increased, and highlight the attempt to balance economic and residential development with environmental conservation needs and the interests of rural areas.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Sally H. Thomas papers (1968-2010; 76 cubic feet) document the political career of Sally H. Thomas as a member of the Albemarle County Board of Supervisors, as well as a member of the Albemarle County School Board. The materials in this collection mainly consist of Albemarle County Board of Supervisors correspondence, reports, budgets, site plans and maps, city-planning documents and publications, and related printed materials. Some of the topics emphasized are conservation, rural preservation, community services, infrastructure, and transportation planning as key features of Sally Thomas' career. Materials mostly include Albemarle County planning with some Charlottesville city planning documents, and Albemarle County School Board budgets and plans as well. The materials document the development needs of the Albemarle/Charlottesville area as population and economic growth increased, and highlight the attempt to balance economic and residential development with environmental conservation needs and the interests of rural areas."],"userestrict_html_tesm":["\u003cp\u003eCollection is open for research use.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Collection is open for research use."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["Materials are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":79,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:53:10.692Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_876_c01_c66"}},{"id":"vihart_repositories_4_resources_488_c04_c01","type":"Subseries","attributes":{"title":"1994 Conference: A Revolution in African American Poetry","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c04_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eArranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication. Materials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c04_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_488_c04_c01","ref_ssm":["vihart_repositories_4_resources_488_c04_c01"],"id":"vihart_repositories_4_resources_488_c04_c01","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488_c04","parent_ssi":"vihart_repositories_4_resources_488_c04","parent_ssim":["vihart_repositories_4_resources_488","vihart_repositories_4_resources_488_c04"],"parent_ids_ssim":["vihart_repositories_4_resources_488","vihart_repositories_4_resources_488_c04"],"parent_unittitles_ssm":["Furious Flower Poetry Center Records","Conference Records"],"parent_unittitles_tesim":["Furious Flower Poetry Center Records","Conference Records"],"text":["Furious Flower Poetry Center Records","Conference Records","1994 Conference: A Revolution in African American Poetry","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Hodges, John L.","Gabbin, Joanne V. (Joanne Veal), 1946-","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets."],"title_filing_ssi":"1994 Conference: A Revolution in African American Poetry","title_ssm":["1994 Conference: A Revolution in African American Poetry"],"title_tesim":["1994 Conference: A Revolution in African American Poetry"],"unitdate_inclusive_ssm":["1970-2009"],"normalized_date_ssm":["1970/2009"],"normalized_title_ssm":["1994 Conference: A Revolution in African American Poetry"],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["Furious Flower Poetry Center Records"],"has_online_content_ssim":["false"],"child_component_count_isi":128,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":487,"parent_access_restrict_tesm":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"names_ssim":["Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Hodges, John L.","Gabbin, Joanne V. (Joanne Veal), 1946-","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-"],"corpname_ssim":["Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","James Madison University. Jazz Ensemble"],"persname_ssim":["Hodges, John L.","Gabbin, Joanne V. (Joanne Veal), 1946-","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Gabbin, Joanne V. (Joanne Veal), 1946-","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Gabbin, Joanne V. (Joanne Veal), 1946-","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Alexander, Elizabeth, 1962-","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. 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(1937-12-01)","Gabbin, Joanne V. (Joanne Veal), 1946-","Gayles, Gloria Jean Wade (19380701)","Gabbin, Joanne V. (Joanne Veal), 1946-","Stover, Darrell \"SCIPOET\"","Collier, Eugenia W. (1928-04-06)","Evans, Mari, 1919-2017","Redmond, Eugene (Eugene B.) (1937-12-01)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","McDowell, Deborah E., 1951-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Moore, Opal (1953)","Lane, Pinkie Gordon (1923-2008-12-03)","Sanchez, Sonia, 1934-","Ward, Val Gray (1932-08-21-2024-03-07)","Brooks, Gwendolyn, 1917-2000","Gabbin, Alexander L. (1945)","Redmond, Eugene (Eugene B.) (1937-12-01)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Taylor, Clyde (1931-07-03-2024-01-24)","Gabbin, Joanne V. 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(Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Keene, John (John R.), 1965-","Stover, Darrell \"SCIPOET\"","Gabbin, Joanne V. (Joanne Veal), 1946-","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Gabbin, Joanne V. (Joanne Veal), 1946-","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Harper, Michael S. (Michael Steven), 1938-2016","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Stover, Darrell \"SCIPOET\"","Evans, Mari, 1919-2017","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Gabbin, Joanne V. (Joanne Veal), 1946-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Brooks, Gwendolyn, 1917-2000","Madhubuti, Haki R., 1942-","Gabbin, Joanne V. (Joanne Veal), 1946-","Kendrick, Dolores, 1927-2017","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Stover, Darrell \"SCIPOET\"","Gabbin, Joanne V. (Joanne Veal), 1946-","Collier, Eugenia W. (1928-04-06)","Evans, Mari, 1919-2017","Redmond, Eugene (Eugene B.) (1937-12-01)","McDowell, Deborah E., 1951-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Moore, Opal (1953)","Lane, Pinkie Gordon (1923-2008-12-03)","Sanchez, Sonia, 1934-","Ward, Val Gray (1932-08-21-2024-03-07)","Brooks, Gwendolyn, 1917-2000","Gabbin, Alexander L. (1945)","Gabbin, Joanne V. (Joanne Veal), 1946-","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Redmond, Eugene (Eugene B.) (1937-12-01)","Aubert, Alvin (1930-03-12-2014-12-06)","Braxton, Joanne M. (1950)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Asim, Jabari, 1962-","Taylor, Clyde (1931-07-03-2024-01-24)","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Salaam, Kalamu ya, 1947-","Stover, Darrell \"SCIPOET\"","Miller, Adam David (1922-10-08-2020-11-04)","Redmond, Eugene (Eugene B.) (1937-12-01)","Brice-Finch, Jacqueline","Salaam, Kalamu ya, 1947-","Kein, Sybil (1939-09-29-2022-10-28)","Miller, Adam David (1922-10-08-2020-11-04)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Gex, Quo Vadis","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Bullock, Byron","Gabbin, Joanne V. (Joanne Veal), 1946-","Bullock, Byron","Morris, Mellasenah Young","Ward, Val Gray (1932-08-21-2024-03-07)","Reagon, Bernice Johnson, 1942-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Collier, Eugenia W. (1928-04-06)","Redmond, Eugene (Eugene B.) (1937-12-01)","Jackson, Major, 1968-","Kendrick, Dolores, 1927-2017","Asim, Jabari, 1962-","Beatty, Vera L.","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Giovanni, Nikki (1943-2024)","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Jackson, Major, 1968-","Kendrick, Dolores, 1927-2017","Lane, Pinkie Gordon (1923-2008-12-03)","Harper, Michael S. (Michael Steven), 1938-2016","Beatty, Vera L.","Nielsen, Aldon Lynn (1950-10-20)","Goven, Sandra","Evans, Mari, 1919-2017","Hoagland, Everett (1942-12-18)","Sanchez, Sonia, 1934-","Ward, Val Gray (1932-08-21-2024-03-07)","Salaam, Kalamu ya, 1947-","Thomas, Lorenzo, 1944-2005","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Aubert, Alvin (1930-03-12-2014-12-06)","Baraka, Amiri, 1934-2014","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Moore, Lenard D., 1958-","Touré, Askia M. (1938-10-13)","Williams, Sherley Anne, 1944-1999","McDowell, Deborah E., 1951-","Derricotte, Toi, 1941-","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Moore, Opal (1953)","Sanchez, Sonia, 1934-","Traylor, Eleanor W."],"scopecontent_html_tesm":["\u003cp\u003eArranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets."],"_nest_path_":"/components#3/components#0","timestamp":"2026-05-21T00:25:29.210Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_488","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_488.xml","aspace_url_ssi":"https://aspace.lib.jmu.edu/repositories/4/resources/488","title_ssm":["Furious Flower Poetry Center Records"],"title_tesim":["Furious Flower Poetry Center Records"],"unitdate_ssm":["1970-2024"],"unitdate_inclusive_ssm":["1970-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0017","/repositories/4/resources/488"],"text":["UA 0017","/repositories/4/resources/488","Furious Flower Poetry Center Records","United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century","American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)","Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting.","It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.","The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.","\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.","The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.","Additional information on the Dark Room Collective can be found  here.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.","See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.","James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L.","English"],"unitid_tesim":["UA 0017","/repositories/4/resources/488"],"normalized_title_ssm":["Furious Flower Poetry Center Records"],"collection_title_tesim":["Furious Flower Poetry Center Records"],"collection_ssim":["Furious Flower Poetry Center Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"geogname_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"creator_ssm":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_ssim":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_corpname_ssim":["James Madison University. Furious Flower Poetry Center"],"creators_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","James Madison University. Furious Flower Poetry Center"],"places_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"access_terms_ssm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Furious Flower Poetry Center transferred these materials to Special Collections on May 16 and June 29, 2016. Subsequent transfers occurred in September 2017, September 2019, April 2023, and October 2024."],"access_subjects_ssim":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"access_subjects_ssm":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"extent_tesim":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"genreform_ssim":["Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003erunning time:\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eOriginal audiovisual and media are in process and not available pending reformatting.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting."],"accruals_html_tesm":["\u003cp\u003eIt is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis."],"altformavail_html_tesm":["\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"appraisal_html_tesm":["\u003cp\u003eSmall Purchase Credit Card Statements were discarded due to lack of research value.\u003c/p\u003e\n","\u003cp\u003eDue to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.\u003c/p\u003e"],"appraisal_heading_ssm":[" Appraisal Information"],"appraisal_tesim":["Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eGrants and Financial Files, 2004-2021\u003c/item\u003e\n      \u003citem\u003ePublications and Manuscripts, 1993-2012\u003c/item\u003e\n      \u003citem\u003eEvents, Programs, and Workshops, 1990-2019\u003c/item\u003e\n      \u003citem\u003eConference Records, 1970-2015\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThe series is arranged chronologically into three sub-series:\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003citem\u003eSub-series 4.1: 1994 Conference, 1970-2009\u003c/item\u003e\u003citem\u003eSub-series 4.2: 2004 Conference, 2002-2007\u003c/item\u003e\u003citem\u003eSub-series 4.3: 2014 Conference, 2013-2015\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eEvent footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details."],"bibliography_html_tesm":["\u003cbibref\u003e\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml."],"bioghist_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:\u003c/p\u003e\n","\u003cp\u003eThe time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.\u003c/p\u003e\n","\u003cp\u003eMany who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. \u003c/p\u003e\n","\u003cp\u003eDue to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.\u003c/p\u003e\n","\u003cp\u003eIn 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.\u003c/p\u003e\n","\u003cp\u003eToday, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).\u003c/p\u003e\n","\u003cp\u003eFFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.\u003c/p\u003e","\u003cp\u003eThe 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Bio/Historical Note"],"bioghist_tesim":["The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference."],"odd_html_tesm":["\u003cp\u003eAdditional information on the Dark Room Collective can be found \u003ca href=\"https://poets.org/text/brief-guide-dark-room-collective\"\u003ehere.\u003c/a\u003e\u003c/p\u003e"],"odd_heading_ssm":["General Note"],"odd_tesim":["Additional information on the Dark Room Collective can be found  here."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;695ef954-06ba-43a6-b341-cc3edf3fc1e6\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|695ef954-06ba-43a6-b341-cc3edf3fc1e6/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;9e242b35-14e6-4742-bd85-186794dcc4ec\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|9e242b35-14e6-4742-bd85-186794dcc4ec/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;ac68aac5-b304-45cc-aeb4-0905f8a57259\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|ac68aac5-b304-45cc-aeb4-0905f8a57259/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL"],"otherfindaid_tesim":["Preservica Internal","Preservica Access","Preservica Internal","Preservica Access","Preservica Internal","Preservica Access"],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e","\u003cp\u003e[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA"],"processinfo_html_tesm":["\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"\u003c/p\u003e","\u003cp\u003eIn April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.\u003c/p\u003e","\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eVideo recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Note"],"processinfo_tesim":["The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions."],"relatedmaterial_html_tesm":["\u003cp\u003eSee \"1994 Conference Program, 1994\" in Series 1 for original conference program.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30039\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30040\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut"],"scopecontent_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.\u003c/p\u003e","\u003cp\u003eArranged chronologically. \u003c/p\u003e\n","\u003cp\u003eFFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.\u003c/p\u003e","\u003cp\u003eArranged chronologically by project date and sub-arranged alphabetically within each project.\u003c/p\u003e\n","\u003cp\u003eThis series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.\u003c/p\u003e","\u003cp\u003eArranged chronologically by event and sub-arranged alphabetically within each event.\u003c/p\u003e\n","\u003cp\u003eThis series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.\u003c/p\u003e\n","\u003cp\u003eOne file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.\u003c/p\u003e","\u003cp\u003eThis series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.\u003c/p\u003e","\u003cp\u003eArranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.\u003c/p\u003e","\u003cp\u003eThis series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.\u003c/p\u003e","\u003cp\u003eOpening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.\u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003eMichael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 MII videocassettes.\u003c/p\u003e","\u003cp\u003eRita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. \u003c/p\u003e\n","\u003cp\u003eTape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 6 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eFootage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eArranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eMaterials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.\u003c/p\u003e","\u003cp\u003eOpening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eFootage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eKeynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes. \u003c/p\u003e","\u003cp\u003eFootage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eLaureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 VHS videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 DVCAM videocassettes.  \u003c/p\u003e","\u003cp\u003ePoetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eThe third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 videocassettes.\u003c/p\u003e","\u003cp\u003eLifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.\u003c/p\u003e","\u003cp\u003eOpening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eKeynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026amp; Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.\u003c/p\u003e","\u003cp\u003eThe Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eA Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eFurious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eDear Yusef: Celebrating the Life \u0026amp; Work of Poet \u0026amp; Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eWalk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eLaureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eMagnitude \u0026amp; Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026amp; Culture (CBLC), and Obsidian: Literature \u0026amp; Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eGrowing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eBlack Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eBlack Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.\u003c/p\u003e","\u003cp\u003eA Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eClosing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.\u003c/p\u003e","\u003cp\u003eInterview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Contents","Contents","Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. \u003c/p\u003e\n","\u003cp\u003eThe following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.\u003c/p\u003e\n","\u003cp\u003eA broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions"],"userestrict_tesim":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45f28e16f5fdc8ade98243e65fa6eef4\"\u003eThe Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.\u003c/abstract\u003e"],"abstract_tesim":["The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center."],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. 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Includes items such as tags, calendars, posters, programs, stickers, flyers, bulletins and much more."],"_nest_path_":"/components#10/components#0","timestamp":"2026-05-21T08:38:23.205Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_2595","ead_ssi":"viw_repositories_2_resources_2595","_root_":"viw_repositories_2_resources_2595","_nest_parent_":"viw_repositories_2_resources_2595","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_2595.xml","title_filing_ssi":"Royal, S. F. (Bill), Jr. papers","title_ssm":["S. F. (Bill) Royall, Jr. papers"],"title_tesim":["S. F. (Bill) Royall, Jr. papers"],"unitdate_ssm":["1883-1979"],"unitdate_inclusive_ssm":["1883-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.351","/repositories/2/resources/2595"],"text":["UA 5.351","/repositories/2/resources/2595","S. F. (Bill) Royall, Jr. papers","Williamsburg (Va.)--History--20th century","Printers--Virginia--Williamsburg","World War, 1939-1945","Correspondence","Printed ephemera","Tax stamp","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Arranged by accession.","S.F. (Bill) Royal owned Williamsburg Press, Inc. in Williamsburg, Virginia during the 1960's and 70's. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Processed by Ellen R. Strong in 2001. Formerly identified as Mss. Acc. 1989.02.","The papers of S.F. Bill Royall, Jr. contain a variety of personal material and ephemera, much of it related to Williamsburg, Virginia. The collection includes samples of printing from Bill Royall's press relating to Williamsburg organizations and events such as tags, calendars, posters, programs, stickers, flyers, bulletins and other items.","Tax stamps for liquor and tobacco given by the United States Internal Revenue for R. A. Lively of Williamsburg, Virginia. 26 June 1883.","Matthew Whaley diploma of S. F. Royall, 4 June 1937.","Letter to Mr. and Mrs. S.F. Royall from Mrs. Zoe (Thomas) Graves of the College of William and Mary remarking on the Williamsburg Reunions. Written sometime in the 1970's.","Photographs of Jean Etheridge: one possibly as a freshman at William and Mary and the other as an older woman, possibly in her 60's.","Botetourt Bibliography Society fall program, 1979, sample of COMMON GLORY stationery, newspaper advertisement for a traveling gift show at Cameron Hall in Williamsburg and a letter to Bill Royall from Clifford Currie, Director of Swem Library, about the printing of Swem Library's stationery, 8 August 1979.","A small book \"From the Books of Clem Samford\" printed by S.F. Royall, copy of 1940 graduation program at Matthew Whaley School, Williamsburg Baptist Church Rules of Order (1969), July 3, 1936 edition of Mathew Whaley High School's newspaper, \"Summer Shines,\" May 13, 1936 mailing from Jamestown, list of cast members in \"Latini Discipuli\" (undated), list of equipment offered for sale in February and March 1979 by Murphy Advertising, typed school notes, script for \"The Map Tea Party,\" ribbon for the Modern Language Association 53rd Annual Meeting, Dec. 29-31, 1936, Powder Horn newspaper from Matthew Whaley (transferred to Williamsburg Reunion Collection) (1928 and 1938), 1938 receipt from the Williamsburg Drug Company, and \"Souvenir Guide, Jamestown, Williamsburg and Yorktown, 1607-1907\" by J. Blair Spencer.","Letter of V.M. Geddy, Jr. to Bill and Mae Royall concerning contribution to his campaign, 5 May 1976. 15 issues of of The Powder Horn, 1931-1937 (transferred to the Williamsburg Reunion Collection).","Approximately 40 letters to S.F. Royall, Williamsburg Press, thanking him for fine printing and for extra help.","Photocopies. Sixteen wartime incoming letters to Bill Royall of Williamsburg, Va. from Lt. Ellsworth Palmer Ayers, Jr. (of the 2691 Sig. AW Bn., 64th Fighter Wing) mentioning Williamsburg residents W. A. R. Goodwin Jr. and Dewey Renick and their efforts in the war. Also contains a newspaper article about Williamsburg veterans of both World Wars, Korea, and Vietnam.","Samples of printing from Bill Royall's press relating to Williamsburg organizations and events. Includes items such as tags, calendars, posters, programs, stickers, flyers, bulletins and much more.","Samples of printing from Bill Royall's press relating to Williamsburg organizations and events. Includes items such as tags, calendars, posters, programs, stickers, flyers, bulletins and much more. 500 items. 2 Boxes.","Addition includes artifacts, printed materials, artifacts and a scrapbook. Printed materials include conference brochures as well as William \u0026 Mary class directories. Artifacts include William \u0026 Mary memorabilia including a doc cap and pillow.","Transferred to Rare Books: Directory of the City of Williamsburg, James City County, and York County (Williamsburg, 1940), Cover for child's music school book, compliments of the First National Bank, Williamsburg. Wayne Fulton Gibb's copy. \"Second Year Music, Hollis Dann Music Course\" by Hollis Dann and published by the American Book Company. 1915 and \"The Heart of Old Virginia,\" by Alice Maude Ewell,New York and Washington, Neale Publishing Company, 1907. Poetry book with allusions to local area."," Matthew Whaley yearbooks and other material related to the Williamsburg Reunion were transferred to the Williamsburg Reunion Collection."," Ephemera transferred to the the Williamsburg (Va) Postcard and Ephemera Collection: Xerox of broadside advertising cabinet manufacture of William Rouse of Smithfield, Virginia. April 1859. Printed at the Day Book Mammoth Press, Norfolk, Va. Location of original unknown. One original and two copies of Williamsburg Tourist Accommodation map, 1940. Approximately 25 pieces of Williamsburg publications printed by S.F. Royall, including pamphlets for Williamsburg Players, Twentieth-Century Gallery and Temple Beth El.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","College of William and Mary. Swem Library","English"],"unitid_tesim":["UA 5.351","/repositories/2/resources/2595"],"normalized_title_ssm":["S. F. (Bill) Royall, Jr. papers"],"collection_title_tesim":["S. F. (Bill) Royall, Jr. papers"],"collection_ssim":["S. F. 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(Bill) Royal owned Williamsburg Press, Inc. in Williamsburg, Virginia during the 1960's and 70's. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/S._F._Royall_(Bill),_Jr\" title=\"S. F. Royall (Bill), Jr\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["S.F. (Bill) Royal owned Williamsburg Press, Inc. in Williamsburg, Virginia during the 1960's and 70's. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eS. F. (Bill) Royall, Jr.  Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["S. F. (Bill) Royall, Jr.  Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Ellen R. Strong in 2001. Formerly identified as Mss. Acc. 1989.02.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Ellen R. Strong in 2001. Formerly identified as Mss. Acc. 1989.02."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of S.F. Bill Royall, Jr. contain a variety of personal material and ephemera, much of it related to Williamsburg, Virginia. The collection includes samples of printing from Bill Royall's press relating to Williamsburg organizations and events such as tags, calendars, posters, programs, stickers, flyers, bulletins and other items.\u003c/p\u003e","\u003cp\u003eTax stamps for liquor and tobacco given by the United States Internal Revenue for R. A. Lively of Williamsburg, Virginia. 26 June 1883.\u003c/p\u003e","\u003cp\u003eMatthew Whaley diploma of S. F. Royall, 4 June 1937.\u003c/p\u003e","\u003cp\u003eLetter to Mr. and Mrs. S.F. Royall from Mrs. Zoe (Thomas) Graves of the College of William and Mary remarking on the Williamsburg Reunions. Written sometime in the 1970's.\u003c/p\u003e","\u003cp\u003ePhotographs of Jean Etheridge: one possibly as a freshman at William and Mary and the other as an older woman, possibly in her 60's.\u003c/p\u003e","\u003cp\u003eBotetourt Bibliography Society fall program, 1979, sample of COMMON GLORY stationery, newspaper advertisement for a traveling gift show at Cameron Hall in Williamsburg and a letter to Bill Royall from Clifford Currie, Director of Swem Library, about the printing of Swem Library's stationery, 8 August 1979.\u003c/p\u003e","\u003cp\u003eA small book \"From the Books of Clem Samford\" printed by S.F. Royall, copy of 1940 graduation program at Matthew Whaley School, Williamsburg Baptist Church Rules of Order (1969), July 3, 1936 edition of Mathew Whaley High School's newspaper, \"Summer Shines,\" May 13, 1936 mailing from Jamestown, list of cast members in \"Latini Discipuli\" (undated), list of equipment offered for sale in February and March 1979 by Murphy Advertising, typed school notes, script for \"The Map Tea Party,\" ribbon for the Modern Language Association 53rd Annual Meeting, Dec. 29-31, 1936, Powder Horn newspaper from Matthew Whaley (transferred to Williamsburg Reunion Collection) (1928 and 1938), 1938 receipt from the Williamsburg Drug Company, and \"Souvenir Guide, Jamestown, Williamsburg and Yorktown, 1607-1907\" by J. Blair Spencer.\u003c/p\u003e","\u003cp\u003eLetter of V.M. Geddy, Jr. to Bill and Mae Royall concerning contribution to his campaign, 5 May 1976. 15 issues of of The Powder Horn, 1931-1937 (transferred to the Williamsburg Reunion Collection).\u003c/p\u003e","\u003cp\u003eApproximately 40 letters to S.F. Royall, Williamsburg Press, thanking him for fine printing and for extra help.\u003c/p\u003e","\u003cp\u003ePhotocopies. Sixteen wartime incoming letters to Bill Royall of Williamsburg, Va. from Lt. Ellsworth Palmer Ayers, Jr. (of the 2691 Sig. AW Bn., 64th Fighter Wing) mentioning Williamsburg residents W. A. R. Goodwin Jr. and Dewey Renick and their efforts in the war. Also contains a newspaper article about Williamsburg veterans of both World Wars, Korea, and Vietnam.\u003c/p\u003e","\u003cp\u003eSamples of printing from Bill Royall's press relating to Williamsburg organizations and events. Includes items such as tags, calendars, posters, programs, stickers, flyers, bulletins and much more.\u003c/p\u003e","\u003cp\u003eSamples of printing from Bill Royall's press relating to Williamsburg organizations and events. Includes items such as tags, calendars, posters, programs, stickers, flyers, bulletins and much more. 500 items. 2 Boxes.\u003c/p\u003e","\u003cp\u003eAddition includes artifacts, printed materials, artifacts and a scrapbook. Printed materials include conference brochures as well as William \u0026amp; Mary class directories. Artifacts include William \u0026amp; Mary memorabilia including a doc cap and pillow.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The papers of S.F. Bill Royall, Jr. contain a variety of personal material and ephemera, much of it related to Williamsburg, Virginia. The collection includes samples of printing from Bill Royall's press relating to Williamsburg organizations and events such as tags, calendars, posters, programs, stickers, flyers, bulletins and other items.","Tax stamps for liquor and tobacco given by the United States Internal Revenue for R. A. Lively of Williamsburg, Virginia. 26 June 1883.","Matthew Whaley diploma of S. F. Royall, 4 June 1937.","Letter to Mr. and Mrs. S.F. Royall from Mrs. Zoe (Thomas) Graves of the College of William and Mary remarking on the Williamsburg Reunions. Written sometime in the 1970's.","Photographs of Jean Etheridge: one possibly as a freshman at William and Mary and the other as an older woman, possibly in her 60's.","Botetourt Bibliography Society fall program, 1979, sample of COMMON GLORY stationery, newspaper advertisement for a traveling gift show at Cameron Hall in Williamsburg and a letter to Bill Royall from Clifford Currie, Director of Swem Library, about the printing of Swem Library's stationery, 8 August 1979.","A small book \"From the Books of Clem Samford\" printed by S.F. Royall, copy of 1940 graduation program at Matthew Whaley School, Williamsburg Baptist Church Rules of Order (1969), July 3, 1936 edition of Mathew Whaley High School's newspaper, \"Summer Shines,\" May 13, 1936 mailing from Jamestown, list of cast members in \"Latini Discipuli\" (undated), list of equipment offered for sale in February and March 1979 by Murphy Advertising, typed school notes, script for \"The Map Tea Party,\" ribbon for the Modern Language Association 53rd Annual Meeting, Dec. 29-31, 1936, Powder Horn newspaper from Matthew Whaley (transferred to Williamsburg Reunion Collection) (1928 and 1938), 1938 receipt from the Williamsburg Drug Company, and \"Souvenir Guide, Jamestown, Williamsburg and Yorktown, 1607-1907\" by J. Blair Spencer.","Letter of V.M. Geddy, Jr. to Bill and Mae Royall concerning contribution to his campaign, 5 May 1976. 15 issues of of The Powder Horn, 1931-1937 (transferred to the Williamsburg Reunion Collection).","Approximately 40 letters to S.F. Royall, Williamsburg Press, thanking him for fine printing and for extra help.","Photocopies. Sixteen wartime incoming letters to Bill Royall of Williamsburg, Va. from Lt. Ellsworth Palmer Ayers, Jr. (of the 2691 Sig. AW Bn., 64th Fighter Wing) mentioning Williamsburg residents W. A. R. Goodwin Jr. and Dewey Renick and their efforts in the war. Also contains a newspaper article about Williamsburg veterans of both World Wars, Korea, and Vietnam.","Samples of printing from Bill Royall's press relating to Williamsburg organizations and events. Includes items such as tags, calendars, posters, programs, stickers, flyers, bulletins and much more.","Samples of printing from Bill Royall's press relating to Williamsburg organizations and events. Includes items such as tags, calendars, posters, programs, stickers, flyers, bulletins and much more. 500 items. 2 Boxes.","Addition includes artifacts, printed materials, artifacts and a scrapbook. Printed materials include conference brochures as well as William \u0026 Mary class directories. Artifacts include William \u0026 Mary memorabilia including a doc cap and pillow."],"separatedmaterial_html_tesm":["\u003cp\u003eTransferred to Rare Books: Directory of the City of Williamsburg, James City County, and York County (Williamsburg, 1940), Cover for child's music school book, compliments of the First National Bank, Williamsburg. Wayne Fulton Gibb's copy. \"Second Year Music, Hollis Dann Music Course\" by Hollis Dann and published by the American Book Company. 1915 and \"The Heart of Old Virginia,\" by Alice Maude Ewell,New York and Washington, Neale Publishing Company, 1907. Poetry book with allusions to local area.\u003c/p\u003e\n","\u003cp\u003e Matthew Whaley yearbooks and other material related to the Williamsburg Reunion were transferred to the Williamsburg Reunion Collection.\u003c/p\u003e\n","\u003cp\u003e Ephemera transferred to the the Williamsburg (Va) Postcard and Ephemera Collection: Xerox of broadside advertising cabinet manufacture of William Rouse of Smithfield, Virginia. April 1859. Printed at the Day Book Mammoth Press, Norfolk, Va. Location of original unknown. One original and two copies of Williamsburg Tourist Accommodation map, 1940. Approximately 25 pieces of Williamsburg publications printed by S.F. Royall, including pamphlets for Williamsburg Players, Twentieth-Century Gallery and Temple Beth El.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Transferred to Rare Books: Directory of the City of Williamsburg, James City County, and York County (Williamsburg, 1940), Cover for child's music school book, compliments of the First National Bank, Williamsburg. Wayne Fulton Gibb's copy. \"Second Year Music, Hollis Dann Music Course\" by Hollis Dann and published by the American Book Company. 1915 and \"The Heart of Old Virginia,\" by Alice Maude Ewell,New York and Washington, Neale Publishing Company, 1907. Poetry book with allusions to local area."," Matthew Whaley yearbooks and other material related to the Williamsburg Reunion were transferred to the Williamsburg Reunion Collection."," Ephemera transferred to the the Williamsburg (Va) Postcard and Ephemera Collection: Xerox of broadside advertising cabinet manufacture of William Rouse of Smithfield, Virginia. April 1859. Printed at the Day Book Mammoth Press, Norfolk, Va. Location of original unknown. One original and two copies of Williamsburg Tourist Accommodation map, 1940. Approximately 25 pieces of Williamsburg publications printed by S.F. Royall, including pamphlets for Williamsburg Players, Twentieth-Century Gallery and Temple Beth El."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary. Swem Library"],"names_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","College of William and Mary. Swem Library"],"corpname_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","College of William and Mary. Swem Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":30,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T08:38:23.205Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_2595_c11_c01"}},{"id":"viw_repositories_2_resources_2595_c11_c03","type":"File","attributes":{"title":"1996.21 Addition","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_2595_c11_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSamples of printing from Bill Royall's press relating to Williamsburg organizations and events. Includes items such as tags, calendars, posters, programs, stickers, flyers, bulletins and much more. 500 items. 2 Boxes.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_2595_c11_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_2595_c11_c03","ref_ssm":["viw_repositories_2_resources_2595_c11_c03"],"id":"viw_repositories_2_resources_2595_c11_c03","ead_ssi":"viw_repositories_2_resources_2595","_root_":"viw_repositories_2_resources_2595","_nest_parent_":"viw_repositories_2_resources_2595_c11","parent_ssi":"viw_repositories_2_resources_2595_c11","parent_ssim":["viw_repositories_2_resources_2595","viw_repositories_2_resources_2595_c11"],"parent_ids_ssim":["viw_repositories_2_resources_2595","viw_repositories_2_resources_2595_c11"],"parent_unittitles_ssm":["S. F. (Bill) Royall, Jr. papers","Accession 1996.21"],"parent_unittitles_tesim":["S. F. (Bill) Royall, Jr. papers","Accession 1996.21"],"text":["S. F. (Bill) Royall, Jr. papers","Accession 1996.21","1996.21 Addition","Box 2","Folder 1","Samples of printing from Bill Royall's press relating to Williamsburg organizations and events. Includes items such as tags, calendars, posters, programs, stickers, flyers, bulletins and much more. 500 items. 2 Boxes."],"title_filing_ssi":"1996.21 Addition","title_ssm":["1996.21 Addition"],"title_tesim":["1996.21 Addition"],"unitdate_inclusive_ssm":["1980's and 1990's"],"normalized_date_ssm":["1980/1990"],"normalized_title_ssm":["1996.21 Addition"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["S. F. (Bill) Royall, Jr. papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":14,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"containers_ssim":["Box 2","Folder 1"],"scopecontent_html_tesm":["\u003cp\u003eSamples of printing from Bill Royall's press relating to Williamsburg organizations and events. Includes items such as tags, calendars, posters, programs, stickers, flyers, bulletins and much more. 500 items. 2 Boxes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Samples of printing from Bill Royall's press relating to Williamsburg organizations and events. Includes items such as tags, calendars, posters, programs, stickers, flyers, bulletins and much more. 500 items. 2 Boxes."],"_nest_path_":"/components#10/components#2","timestamp":"2026-05-21T08:38:23.205Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_2595","ead_ssi":"viw_repositories_2_resources_2595","_root_":"viw_repositories_2_resources_2595","_nest_parent_":"viw_repositories_2_resources_2595","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_2595.xml","title_filing_ssi":"Royal, S. F. (Bill), Jr. papers","title_ssm":["S. F. (Bill) Royall, Jr. papers"],"title_tesim":["S. F. (Bill) Royall, Jr. papers"],"unitdate_ssm":["1883-1979"],"unitdate_inclusive_ssm":["1883-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.351","/repositories/2/resources/2595"],"text":["UA 5.351","/repositories/2/resources/2595","S. F. (Bill) Royall, Jr. papers","Williamsburg (Va.)--History--20th century","Printers--Virginia--Williamsburg","World War, 1939-1945","Correspondence","Printed ephemera","Tax stamp","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Arranged by accession.","S.F. (Bill) Royal owned Williamsburg Press, Inc. in Williamsburg, Virginia during the 1960's and 70's. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Processed by Ellen R. Strong in 2001. Formerly identified as Mss. Acc. 1989.02.","The papers of S.F. Bill Royall, Jr. contain a variety of personal material and ephemera, much of it related to Williamsburg, Virginia. The collection includes samples of printing from Bill Royall's press relating to Williamsburg organizations and events such as tags, calendars, posters, programs, stickers, flyers, bulletins and other items.","Tax stamps for liquor and tobacco given by the United States Internal Revenue for R. A. Lively of Williamsburg, Virginia. 26 June 1883.","Matthew Whaley diploma of S. F. Royall, 4 June 1937.","Letter to Mr. and Mrs. S.F. Royall from Mrs. Zoe (Thomas) Graves of the College of William and Mary remarking on the Williamsburg Reunions. Written sometime in the 1970's.","Photographs of Jean Etheridge: one possibly as a freshman at William and Mary and the other as an older woman, possibly in her 60's.","Botetourt Bibliography Society fall program, 1979, sample of COMMON GLORY stationery, newspaper advertisement for a traveling gift show at Cameron Hall in Williamsburg and a letter to Bill Royall from Clifford Currie, Director of Swem Library, about the printing of Swem Library's stationery, 8 August 1979.","A small book \"From the Books of Clem Samford\" printed by S.F. Royall, copy of 1940 graduation program at Matthew Whaley School, Williamsburg Baptist Church Rules of Order (1969), July 3, 1936 edition of Mathew Whaley High School's newspaper, \"Summer Shines,\" May 13, 1936 mailing from Jamestown, list of cast members in \"Latini Discipuli\" (undated), list of equipment offered for sale in February and March 1979 by Murphy Advertising, typed school notes, script for \"The Map Tea Party,\" ribbon for the Modern Language Association 53rd Annual Meeting, Dec. 29-31, 1936, Powder Horn newspaper from Matthew Whaley (transferred to Williamsburg Reunion Collection) (1928 and 1938), 1938 receipt from the Williamsburg Drug Company, and \"Souvenir Guide, Jamestown, Williamsburg and Yorktown, 1607-1907\" by J. Blair Spencer.","Letter of V.M. Geddy, Jr. to Bill and Mae Royall concerning contribution to his campaign, 5 May 1976. 15 issues of of The Powder Horn, 1931-1937 (transferred to the Williamsburg Reunion Collection).","Approximately 40 letters to S.F. Royall, Williamsburg Press, thanking him for fine printing and for extra help.","Photocopies. Sixteen wartime incoming letters to Bill Royall of Williamsburg, Va. from Lt. Ellsworth Palmer Ayers, Jr. (of the 2691 Sig. AW Bn., 64th Fighter Wing) mentioning Williamsburg residents W. A. R. Goodwin Jr. and Dewey Renick and their efforts in the war. Also contains a newspaper article about Williamsburg veterans of both World Wars, Korea, and Vietnam.","Samples of printing from Bill Royall's press relating to Williamsburg organizations and events. Includes items such as tags, calendars, posters, programs, stickers, flyers, bulletins and much more.","Samples of printing from Bill Royall's press relating to Williamsburg organizations and events. Includes items such as tags, calendars, posters, programs, stickers, flyers, bulletins and much more. 500 items. 2 Boxes.","Addition includes artifacts, printed materials, artifacts and a scrapbook. Printed materials include conference brochures as well as William \u0026 Mary class directories. Artifacts include William \u0026 Mary memorabilia including a doc cap and pillow.","Transferred to Rare Books: Directory of the City of Williamsburg, James City County, and York County (Williamsburg, 1940), Cover for child's music school book, compliments of the First National Bank, Williamsburg. Wayne Fulton Gibb's copy. \"Second Year Music, Hollis Dann Music Course\" by Hollis Dann and published by the American Book Company. 1915 and \"The Heart of Old Virginia,\" by Alice Maude Ewell,New York and Washington, Neale Publishing Company, 1907. Poetry book with allusions to local area."," Matthew Whaley yearbooks and other material related to the Williamsburg Reunion were transferred to the Williamsburg Reunion Collection."," Ephemera transferred to the the Williamsburg (Va) Postcard and Ephemera Collection: Xerox of broadside advertising cabinet manufacture of William Rouse of Smithfield, Virginia. April 1859. Printed at the Day Book Mammoth Press, Norfolk, Va. Location of original unknown. One original and two copies of Williamsburg Tourist Accommodation map, 1940. Approximately 25 pieces of Williamsburg publications printed by S.F. Royall, including pamphlets for Williamsburg Players, Twentieth-Century Gallery and Temple Beth El.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","College of William and Mary. Swem Library","English"],"unitid_tesim":["UA 5.351","/repositories/2/resources/2595"],"normalized_title_ssm":["S. F. (Bill) Royall, Jr. papers"],"collection_title_tesim":["S. F. (Bill) Royall, Jr. papers"],"collection_ssim":["S. F. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eArranged by accession.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Arranged by accession."],"bioghist_html_tesm":["\u003cp\u003eS.F. (Bill) Royal owned Williamsburg Press, Inc. in Williamsburg, Virginia during the 1960's and 70's. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/S._F._Royall_(Bill),_Jr\" title=\"S. F. Royall (Bill), Jr\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["S.F. (Bill) Royal owned Williamsburg Press, Inc. in Williamsburg, Virginia during the 1960's and 70's. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eS. F. (Bill) Royall, Jr.  Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["S. F. (Bill) Royall, Jr.  Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Ellen R. Strong in 2001. Formerly identified as Mss. Acc. 1989.02.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Ellen R. Strong in 2001. Formerly identified as Mss. Acc. 1989.02."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of S.F. Bill Royall, Jr. contain a variety of personal material and ephemera, much of it related to Williamsburg, Virginia. The collection includes samples of printing from Bill Royall's press relating to Williamsburg organizations and events such as tags, calendars, posters, programs, stickers, flyers, bulletins and other items.\u003c/p\u003e","\u003cp\u003eTax stamps for liquor and tobacco given by the United States Internal Revenue for R. A. 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Royall, copy of 1940 graduation program at Matthew Whaley School, Williamsburg Baptist Church Rules of Order (1969), July 3, 1936 edition of Mathew Whaley High School's newspaper, \"Summer Shines,\" May 13, 1936 mailing from Jamestown, list of cast members in \"Latini Discipuli\" (undated), list of equipment offered for sale in February and March 1979 by Murphy Advertising, typed school notes, script for \"The Map Tea Party,\" ribbon for the Modern Language Association 53rd Annual Meeting, Dec. 29-31, 1936, Powder Horn newspaper from Matthew Whaley (transferred to Williamsburg Reunion Collection) (1928 and 1938), 1938 receipt from the Williamsburg Drug Company, and \"Souvenir Guide, Jamestown, Williamsburg and Yorktown, 1607-1907\" by J. Blair Spencer.\u003c/p\u003e","\u003cp\u003eLetter of V.M. Geddy, Jr. to Bill and Mae Royall concerning contribution to his campaign, 5 May 1976. 15 issues of of The Powder Horn, 1931-1937 (transferred to the Williamsburg Reunion Collection).\u003c/p\u003e","\u003cp\u003eApproximately 40 letters to S.F. Royall, Williamsburg Press, thanking him for fine printing and for extra help.\u003c/p\u003e","\u003cp\u003ePhotocopies. Sixteen wartime incoming letters to Bill Royall of Williamsburg, Va. from Lt. Ellsworth Palmer Ayers, Jr. (of the 2691 Sig. AW Bn., 64th Fighter Wing) mentioning Williamsburg residents W. A. R. Goodwin Jr. and Dewey Renick and their efforts in the war. Also contains a newspaper article about Williamsburg veterans of both World Wars, Korea, and Vietnam.\u003c/p\u003e","\u003cp\u003eSamples of printing from Bill Royall's press relating to Williamsburg organizations and events. Includes items such as tags, calendars, posters, programs, stickers, flyers, bulletins and much more.\u003c/p\u003e","\u003cp\u003eSamples of printing from Bill Royall's press relating to Williamsburg organizations and events. Includes items such as tags, calendars, posters, programs, stickers, flyers, bulletins and much more. 500 items. 2 Boxes.\u003c/p\u003e","\u003cp\u003eAddition includes artifacts, printed materials, artifacts and a scrapbook. Printed materials include conference brochures as well as William \u0026amp; Mary class directories. Artifacts include William \u0026amp; Mary memorabilia including a doc cap and pillow.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The papers of S.F. Bill Royall, Jr. contain a variety of personal material and ephemera, much of it related to Williamsburg, Virginia. The collection includes samples of printing from Bill Royall's press relating to Williamsburg organizations and events such as tags, calendars, posters, programs, stickers, flyers, bulletins and other items.","Tax stamps for liquor and tobacco given by the United States Internal Revenue for R. A. Lively of Williamsburg, Virginia. 26 June 1883.","Matthew Whaley diploma of S. F. Royall, 4 June 1937.","Letter to Mr. and Mrs. S.F. Royall from Mrs. Zoe (Thomas) Graves of the College of William and Mary remarking on the Williamsburg Reunions. Written sometime in the 1970's.","Photographs of Jean Etheridge: one possibly as a freshman at William and Mary and the other as an older woman, possibly in her 60's.","Botetourt Bibliography Society fall program, 1979, sample of COMMON GLORY stationery, newspaper advertisement for a traveling gift show at Cameron Hall in Williamsburg and a letter to Bill Royall from Clifford Currie, Director of Swem Library, about the printing of Swem Library's stationery, 8 August 1979.","A small book \"From the Books of Clem Samford\" printed by S.F. Royall, copy of 1940 graduation program at Matthew Whaley School, Williamsburg Baptist Church Rules of Order (1969), July 3, 1936 edition of Mathew Whaley High School's newspaper, \"Summer Shines,\" May 13, 1936 mailing from Jamestown, list of cast members in \"Latini Discipuli\" (undated), list of equipment offered for sale in February and March 1979 by Murphy Advertising, typed school notes, script for \"The Map Tea Party,\" ribbon for the Modern Language Association 53rd Annual Meeting, Dec. 29-31, 1936, Powder Horn newspaper from Matthew Whaley (transferred to Williamsburg Reunion Collection) (1928 and 1938), 1938 receipt from the Williamsburg Drug Company, and \"Souvenir Guide, Jamestown, Williamsburg and Yorktown, 1607-1907\" by J. Blair Spencer.","Letter of V.M. Geddy, Jr. to Bill and Mae Royall concerning contribution to his campaign, 5 May 1976. 15 issues of of The Powder Horn, 1931-1937 (transferred to the Williamsburg Reunion Collection).","Approximately 40 letters to S.F. Royall, Williamsburg Press, thanking him for fine printing and for extra help.","Photocopies. Sixteen wartime incoming letters to Bill Royall of Williamsburg, Va. from Lt. Ellsworth Palmer Ayers, Jr. (of the 2691 Sig. AW Bn., 64th Fighter Wing) mentioning Williamsburg residents W. A. R. Goodwin Jr. and Dewey Renick and their efforts in the war. Also contains a newspaper article about Williamsburg veterans of both World Wars, Korea, and Vietnam.","Samples of printing from Bill Royall's press relating to Williamsburg organizations and events. Includes items such as tags, calendars, posters, programs, stickers, flyers, bulletins and much more.","Samples of printing from Bill Royall's press relating to Williamsburg organizations and events. Includes items such as tags, calendars, posters, programs, stickers, flyers, bulletins and much more. 500 items. 2 Boxes.","Addition includes artifacts, printed materials, artifacts and a scrapbook. Printed materials include conference brochures as well as William \u0026 Mary class directories. Artifacts include William \u0026 Mary memorabilia including a doc cap and pillow."],"separatedmaterial_html_tesm":["\u003cp\u003eTransferred to Rare Books: Directory of the City of Williamsburg, James City County, and York County (Williamsburg, 1940), Cover for child's music school book, compliments of the First National Bank, Williamsburg. Wayne Fulton Gibb's copy. \"Second Year Music, Hollis Dann Music Course\" by Hollis Dann and published by the American Book Company. 1915 and \"The Heart of Old Virginia,\" by Alice Maude Ewell,New York and Washington, Neale Publishing Company, 1907. Poetry book with allusions to local area.\u003c/p\u003e\n","\u003cp\u003e Matthew Whaley yearbooks and other material related to the Williamsburg Reunion were transferred to the Williamsburg Reunion Collection.\u003c/p\u003e\n","\u003cp\u003e Ephemera transferred to the the Williamsburg (Va) Postcard and Ephemera Collection: Xerox of broadside advertising cabinet manufacture of William Rouse of Smithfield, Virginia. April 1859. Printed at the Day Book Mammoth Press, Norfolk, Va. Location of original unknown. One original and two copies of Williamsburg Tourist Accommodation map, 1940. Approximately 25 pieces of Williamsburg publications printed by S.F. Royall, including pamphlets for Williamsburg Players, Twentieth-Century Gallery and Temple Beth El.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Transferred to Rare Books: Directory of the City of Williamsburg, James City County, and York County (Williamsburg, 1940), Cover for child's music school book, compliments of the First National Bank, Williamsburg. Wayne Fulton Gibb's copy. \"Second Year Music, Hollis Dann Music Course\" by Hollis Dann and published by the American Book Company. 1915 and \"The Heart of Old Virginia,\" by Alice Maude Ewell,New York and Washington, Neale Publishing Company, 1907. Poetry book with allusions to local area."," Matthew Whaley yearbooks and other material related to the Williamsburg Reunion were transferred to the Williamsburg Reunion Collection."," Ephemera transferred to the the Williamsburg (Va) Postcard and Ephemera Collection: Xerox of broadside advertising cabinet manufacture of William Rouse of Smithfield, Virginia. April 1859. Printed at the Day Book Mammoth Press, Norfolk, Va. Location of original unknown. One original and two copies of Williamsburg Tourist Accommodation map, 1940. Approximately 25 pieces of Williamsburg publications printed by S.F. Royall, including pamphlets for Williamsburg Players, Twentieth-Century Gallery and Temple Beth El."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary. Swem Library"],"names_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","College of William and Mary. Swem Library"],"corpname_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","College of William and Mary. Swem Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":30,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T08:38:23.205Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_2595_c11_c03"}},{"id":"wvmturhc_repositories_2_resources_3918_c08_c11","type":"File","attributes":{"title":"1998 Summer Alumni Magazine","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3918_c08_c11#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_3918_c08_c11","ref_ssm":["wvmturhc_repositories_2_resources_3918_c08_c11"],"id":"wvmturhc_repositories_2_resources_3918_c08_c11","ead_ssi":"wvmturhc_repositories_2_resources_3918","_root_":"wvmturhc_repositories_2_resources_3918","_nest_parent_":"wvmturhc_repositories_2_resources_3918_c08","parent_ssi":"wvmturhc_repositories_2_resources_3918_c08","parent_ssim":["wvmturhc_repositories_2_resources_3918","wvmturhc_repositories_2_resources_3918_c08"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_3918","wvmturhc_repositories_2_resources_3918_c08"],"parent_unittitles_ssm":["West Virginia University, News Service, Photographs","Series 8. Special Project Files [boxes 118-120]"],"parent_unittitles_tesim":["West Virginia University, News Service, Photographs","Series 8. Special Project Files [boxes 118-120]"],"text":["West Virginia University, News Service, Photographs","Series 8. Special Project Files [boxes 118-120]","1998 Summer Alumni Magazine","Box 119","Folder 3"],"title_filing_ssi":"1998 Summer Alumni Magazine","title_ssm":["1998 Summer Alumni Magazine"],"title_tesim":["1998 Summer Alumni Magazine"],"unitdate_inclusive_ssm":["ca. 1965-2001"],"normalized_date_ssm":["1965/2001"],"normalized_title_ssm":["1998 Summer Alumni Magazine"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["West Virginia University, News Service, Photographs"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1670,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"containers_ssim":["Box 119","Folder 3"],"_nest_path_":"/components#7/components#10","timestamp":"2026-05-21T00:56:00.432Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3918","ead_ssi":"wvmturhc_repositories_2_resources_3918","_root_":"wvmturhc_repositories_2_resources_3918","_nest_parent_":"wvmturhc_repositories_2_resources_3918","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3918.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197715","title_ssm":["West Virginia University, News Service, Photographs"],"title_tesim":["West Virginia University, News Service, Photographs"],"unitdate_ssm":["ca. 1890-2007","1950-2007"],"unitdate_bulk_ssim":["1950-2007"],"unitdate_inclusive_ssm":["ca. 1890-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 5188","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3918"],"text":["A\u0026M 5188","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3918","West Virginia University, News Service, Photographs","Morgantown (W. Va.)","West Virginia University - buildings.","West Virginia University  -- Students","No special access restriction applies.","Coliseum, Proposed Drawing; 2 negatives","5188, 5212, 5213, 5038","Photographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files.","This collection includes 15 series: \nSeries 1. Project Files; ca. 1964-2007; boxes 1-89. \nSeries 2. Index to Project Files; ca. 1964-1987; boxes 90-101b. \nSeries 3. Aerial Prints; ca. 1961-1984; box 102. \nSeries 4. \"Bicentennial Collection\"; ca. 1890-1925; boxes 103-104. \nSeries 5. Slides; ca. 1980-1992; boxes 105-111. \nSeries 6. Digital Photographs; ca. 2000-2005; boxes 112-114. \nSeries 7. Proof Sheets; ca. 1965-1999; boxes 115-117. \nSeries 8. Special Project Files; ca. 1965-2001; boxes 118-120. \nSeries 9. Slides in Boxes; ca. 1990-1998; box 121. \nSeries 10. Slides in Sleeves; 1980-1998; boxes 122-134. \nSeries 11. Subjects; ca. 1950-1992; boxes 135-138. \nSeries 12. Transparencies 8 x 10; undated; box 139. \nSeries 13. Transparencies File; ca. 1970-1985; boxes 140-143. \nSeries 14. WVU Faculty Portrait Prints; 1960-1969; box 144. \nSeries 15. Miscellaneous Material; undated; box 145.","This series includes prints, proofs with negatives, and digital files on discs. Each set of images is identified with a project number.  Projects are divided into two subseries.  Project numbers range from 2 to 10182 in the first subseries and 1-B to 24,549-B/C/DC in the second subseries. Discs start appearing in box 87, project number 21513-DC (2001/07/31). Types of photograph include candid shots, portraits of individuals, group portraits, and facilities.  Subjects include WVU athletics, campus scenes, classrooms, construction, faculty, staff, special events, and more.  See Series 2 description for additional subjects. Series 2 contains an index to the content of boxes 1 through 35 or 36 (ca. 1964-1987).  See Contents List for range of project numbers in each box; please note that not all project numbers are present in the corresponding box.","Kick-Off Banquet, Greater University Drive; Governor Smith; President Paul A. Miller; Governor Smith with sword; 31 negatives","Archery, Physical Education; 9 negatives","5 negatives; professor English (Clyde) portrait; Division of Music; English Department; 5 negatives","Terra-Alta, Biological Study; John L.; 4 negatives","Physical Education, Student Instructors; Pat Tork; 4 negatives","Thomas Manley, \"National Teacher of the Year\"; Bill Criswell; 1 negative","Keith Glancy; B. Criswell; catalogue made; 1 copy negative","Joe Hutchinson; 6 negatives","Physical Education, Laundry Room; Pat Tork; 2 negatives","Mr. Wagner; Education; Dr. Jarecke; 3 negatives","President's House, light fixtures; Jim Reed; 3 negatives","Glenlock Hall, Housing; Shaffer; 3 negatives","Physical Education, Rifle Practice; Pat Tork; 7 negatives","Nelson Smith, Portraits; 4 negatives","Kathy Omari [?], Portrait","Industrial Engineering Conference; Ray Shaffer; 14 negatives","Dan Boggs, Portrait; 2 negatives","Dan Bond, Portrait; 1 negative","Neil E. Bolyard, Portrait; 2 negatives","Gordon R. Thorn, Assistant Director of Student Education Services; Portrait; 2 negatives","Conference on Poverty; George Kirk; 33 negatives","Safety Education; Dr. Yost; 3 negatives","Student Affairs, Student Body; 8 negatives","Jim Watkins; 1 negative","Governor Hulett C. Smith; Democrat; 1965-1969; 3 negatives","Parking Lot; Criswell; 3 negatives","Criswell; Copy; 1 negative","Student Affairs, Staff Meeting; 3 negatives","Camp Dawson; 18 negatives","Athletic Publication- Football, Cheerleaders; 18 negatives","Martha Harris; 4 negatives","Physical Education, Auto Presentation; Dr. Yost; 4 negatives","Student Union, Bid Opening; Criswell; 8 negatives","Education Workshop; Groupe; 2 negatives","Drama Production of \"The Women\"; Boyd; 10 negatives","West Virginia Collection, Library; Shetler; 17 negatives","Cobalt Vault, Engineering; Mr. Boyle; 2 negatives","Mrs. Bachman, Board of Governors; Portrait; 1 negative","Frank (Francisco) Herrera, Professor of Spanish; Foreign Languages; 1 negative","Western Electric Fund Scholarship, Presented to Brian Lautramus; Neil Bolyard; 4 negatives","Conference on Poverty; Kirk; 56 negatives","Betty Boyd, Dean of Women; Potrait; 2 negatives","Computer Center; Drake; 8 negatives","Computer Center, Doctor Drake; 2 negatives","Computer Center, Doctor Drake; 4 negatives","Physical Education, Fencing; Photo by Mrs. Pearse","Athletic Department, Baseball; 4 negatives","Dr. Walter H. Jarecke, Professor of Education, Director of Guidance; 1 negative","Engineering, Slides; Dr. Wren; 23 negatives","Dr. John F. Golay, Provost Professor of History, Dean of Graduate Studies; Passport Photos; 4 negatives","Commencement; 7 negatives","Roy B. Clarkson, Botany, Plant, Biology; Criswell; 1 negative","Snow Scenes of E. Moore Hall, the President's Home, Woodburn Circle; 6 negatives","Department of Inter-Collegiate Athletics, Golf, Tennis; Dave Young; 7 negatives","University High School, Project; 7 negatives","WVU Band, Richmond Game; Music-Udell; 9 negatives","Band Brothers; Criswell; 3 negatives","Social Work, Mrs. Blackburn; 8 negatives","Frank Borkowski, Concert Orchestra Rehearsal; 17 negatives","Professor Perley Isaac Reed, Mountainlair; 12 negatives","Commencement; Don Bond; 13 negatives","Publications; Unknown; 2 negatives","Dave Jacobs, Phillipine Visitors; 4 negatives","Dr. Sarkesian; 8 negatives","WVU Library, Reading Room; 6 negatives","WVU vs. Pittsburgh Game, Football, Band; Pittsburgh- 48 WVU-63; 8 negatives","WVU Band, Homecoming Game; Virginia Tech; 7 negatives","WVU Band, G.W. Game; Music- Udell; Last Game; 3 negatives","Bob Conners; 4 negatives","Dr. James Henning, Chairman of the Department of Speech; 4 negatives","Dr. William H. Mernyk, Economics; Criswell; 1 negative","Red Brown Heart Fund Award; Barrett; 6 negatives","Scholarship, Bolyard; 27 negatives","Health Center; 10 negatives","Physical Lab Display; 2 negatives","Ed Sprague; 4 negatives","Production of \"American Dream\", Drama; Mr. Boyd; 2 negatives","Unknown Subject, Criswell; 7 negatives","Drama Production; Mr. Nels; 6 negatives","Chemistry Building, Annex Plan Drawings; 4 negatives","Biology Department, Photos of Birds; Professor Birch; 8 negatives","Mechanical and Aerospace Engineering; 12 negatives","WVU slides, Television Workshop, Department of Speech; 4 negatives","Red Brown, Athletic Director; 3 negatives","High School Drama Workshop; Sam Boyd; 4 negatives","Social Work Building; 4 negatives","Interior of Arnold Hall; Women studying; 6 negatives","Mary Jane Schuster, Assistant Dean of Women; 2 negatives","Dave Jacobs, Portrait; 1 negative","Dean Ray Duncan; 4 negatives","Drama, Unknown Play; Dr. Burrows; 8 negatives","Drawing of Waitman Barbe by Louise Hennen; English Department; Newspaper Editor; 2 negatives","The Belcastro Trio, Joyce Breach, Music Practice; 24 negatives","Unknown Subject, Dr. Diener; 1 negative","Joyce Breach; 5 negatives","Wrestling, 1965 Winners; 2 negatives","The Belcastro Trio; 4 negatives","Bill Criswell; two negatives","Polywood Charts, Engineering Department; Jim Kent; 12 negatives","Music Practice, Mrs. Lorrence [?]; 11 negatives","Nuclear Reactor, Physics Building; 9 negatives","Dr. Golay, Vice President; 5 negatives","Twin Towers, West Virginia State Seal; 1 negative","Concert Orchestra, Music Department; Borkowski; 4 negatives","Opera Production; 24 negatives","Nuclear Reactor, Physics Building; 5 negatives","Commerce Scholarship; Neil Bolyard; 4 negatives","Scouting Award, President Paul Miller; 4 negatives","Creative Arts Building Model; 3 negatives","Music Department, Woodwinds; Small Group; Frank Borkowski; 5 negatives","Miss Keener, Portrait; 4 negatives","Charles Wise, Board of Governors; 2 negatives","Department of Engineering Slides, Dr. Wen; 20 negatives","Physical Education, Wrestling, Pat Tork; 11 negatives","Music Meeting, Dean Duncan; 40 negatives","Evansdale Campus Residence Hall, Twin Towers; 2 negatives","American Arts Trio, Ruth Landes Drucker, Arno P. Drucker, Assistant Professor of Music; 8 negatives","Dr. Lambert, College of Engineering; 5 negatives","Science Writing; 18 negatives","Dean Richard Duncan, First Dean of the Creative Arts Center; 1 negative","Industrial Engineering, Subject Unknown; 2 negatives","Music Production of the \"Devil and Daniel Webster; 20 negatives","Kappa Delta, Sorority House; 5 negatives","Eisland Hall, Views from in front of music building; 8 negatives","State 4-H camp, Jackson Mills; Dave Johnson Display; Glen Snyder; 9 negatives","Library, Criswell; 3 negatives","Junior Achievement; Jim Watkins; 7 negatives","Robert B. Smawley, Provost Office; 4 negatives","Industrial Engineering; Ray Schaffer; 17 negatives","Dr. Festivus P. Summers; Criswell; 1negative","Criswell; Copies; 2 negatives","Twin Towers, Evansdale; 2 negatives","WVU Band at Camp Dawson, Udell; 11 negatives","Science Writing; 4 negatives","Military First Solo Flight,Cherokee 140; Cullen; 1 negative","Charles Weakley, Chemistry Department; Portrait; 2 negatives","Engineering, Chemical; Mr. Boyle; 9 negatives","Scholarship, Neil Bolyard; 22 negatives","Sam Boyd, Drama department; 8 negatives","Radio and TV slides; Van Camp; 2 negatives","Drama production of \"Don Juan\"; Sam Boyd; 4 negatives","Humanities Conference, Dr. Ikenberry; 9 negatives","Physical Education, Fencing; Mrs. Pearse; 13 negatives","Industrial Engineering, Mr Shaffer; 3 negatives","Foreign Offices, Criswell; 4 negatives","Student Affairs Group; Jim Watkins; St. Committee; 2 negatives","News-Info, Criswell; Copies; 2 negatives","Engineering, Weirton Steel Display; 5 negatives","Ray Shaffer; 3 negatives","Neil Bolyard, Scholarship; 2 negatives","Dr. Kennedy; Reading C; 2 negatives","Main Campus Scene; Old Picture; 2 negatives","Main Campus Air View, Old Picture; Fairchild Aerial surveys, Inc. NYC; 2 negatives","ir View Main Campus, May 6 1960; L.O. Myers; 2 negatives","Students walking around Woodburn Circle; 6 negatives","Industrial Engineering, Shaffer; 3 negatives","Mountainlair; 4 negatives","Intramural Soccer; 2 negatives","The Daily Athenaeum Newsroom; 4 negatives","Medical Center Dental Lab; 4 negatives","Recreation; 2 negatives","Biology Lab; 3 negatives","Agricultural School, Research; 2 negatives","Greek Charity Project, Downtown; 8 negatives","Engineering Building, Air View; 2 negatives","History Department Classroom; 2 negatives","Ogleby Hall; 2 negatives","Evansdale Campus, Air Views; 2 negatives","Professor Harold Cather, Chair of Mechanical Engineering; Portraits; 4 negatives","Civil Engineering Conference; Dr. Schaub; 8 negatives","Telephone Operators, Helen Criss; 3 negatives","Military Ceremony, Major Wade; 11 negatives","President Charles Wise Jr., Board of Governors; Criswell; 2 negatives","Professor Robert Slonneger, Mechanical Engineering; 2 negatives","Margaret Lorince, Professor of Music; 6 negatives","Julian Martin, Groupe; 4 negatives","Aerospace Symposium; Mr. Walters; 7 negatives","Main Campus, Aerial View; 4 negatives","Medical Center, Aerial View; 2 negatives","Forestry Building; 8 negatives","The Women; 4 negatives","Groups-The Women; 9 negatives","Chemistry slides; Tony Winston; 6 negatives","Book slides; Dr. Manning; 3 negatives","Slide copies- Pygmies; 3 negatives","Student Government, Homecoming-Girls; 63 negatives","University Choir, Music Department; 6 negatives","President Miller and Senator Randolph; Pen Presentation; 8 negatives","Engineering Building; Shaffer; 2 negatives","Dr. Hess; 6 negatives","Bill Criswell; 2 negatives","Chemical Engineering, Mr. Bogle; 6 negatives","Chemical Engineering, Mr. Bogle; Udell; 7 negatives","Pep Rally for the WVU vs. Penn State Game, WVU band; Udell; Thuse; 10 negatives","WVU Band; William and Mary Game; Udell; 5 negatives","WVU Band, Citadel Game; Bud Udell; 7 negatives","WVU Band, Pre-season; Bud Udell; 7 negatives","WVU Band, Syracuse Game; Bud Udell; 7 negatives","Welfare Department, Group photo; 17 negatives","James M. Mullendore Senior; 6 negatives","Robert Iden-Nels; University photo; 9 negatives","Evansdale Campus views; Morgantown Ordinance; 8 negatives","Engineering Department, charts and slides; M. Patterson; 13 negatives","Biology Department; slides; 4 negatives","Health Center, Moving; 7 negatives","WVU High School Speech Institution, group photo; 3 negatives","WVU Summer Art Institute, group photo; 4 negatives","American Arts Trio, Pianist Arno Drucker, Violinist Donald Portnoy, Cellist John Engbert; 15 negatives","Joe Moss; 8 negatives","Governor Hulett C. Smith; 11 negatives","Engineering Conference on Appalachia; 25 negatives","Engineering Conference on Appalachia; 14 negatives","International Night, Field House; 12 negatives","Engineering Conference; 4 negatives","Civil Engineering, Professor Fowler; 44 negatives","Civil Engineering, Carter Tork; 12 negatives","Music Concert, Mr. Borkowski; 14 negatives","WVU Band Day, Music Department; Bud Udell; 3 negatives","Operetta, Joe Goltz; 17 negatives","Student Government, Executive Committee; 4 negatives","Dr. Lambert, lab and office; Criswell; 12 negatives","Children's Theater; 12 negatives","Miss Morgantown \"1965\"; 9 negatives","D. Brewer; 9 negatives","WVU Drama Production; Thieves Cornwal; 10 negatives","Dr. Thomas Canning, Music Department; Criswell; 4 negatives","First students at Evansdale Twin Towers; 12 negatives","Musical Group-Brass, R. Sherman; 7 negatives","Glenn Snyder, Group photo; 4 negatives","Frank Carlomagno; Assistant Director of the WVU Foundation; 4 negatives","Engineering Conference, Group photo; 3 negatives","WVU Fine Arts Camp; Group Photo; 6 negatives","Lynn Duncan; 8 negatives","Iden Family photos; 10 negatives","Drama Department, Phillips; 6 negatives","Orchesis \"65\"; 27 negatives","Dr. Patterson; 3 negatives","Morgantown High School, Wrestling team, 1 negative","John Cook; 4 negatives","WV State Wrestling, 7 negatives","Drama Production, \"Lady Precious Stream\"; 10 negatives","Bill Criswell, woodworking; 12 negatives","Student Committee; Legislature; 9 negatives","Engineering, Dr. Carter; 3 negatives","WVU Library, Hess; 15 negatives","WVU Band; 10 negatives","Dr. Stewart, Math Department; 7 negatives","Dr. Yost, Physical Education; 4 negatives","Locusts; 4 negatives","Thomas Luther and Mrs. T.L. Harris, Order of Vandalia, Commencement; Honorary degree; HA Stansbury on right; 6 negatives","News and Info; 5 negatives","WVU Showcase display, \"Student Life on Campus\"; 18 negatives","Development Office, Neil Bolyard; 6 negatives","Mr. Humphry, Chemistry Department, Presidential Award; 5 negatives","AWS; 2 negatives","WVU extension, Forum teachers; 6 negatives","Old Woodburn Hall, before 1900; 3 negatives","Belcastro Trio, State Department; Criswell; 46 negatives","Dr. Kent, portraits; 6 negatives","Julian Martin; 10 negatives","Criswell, Speaker; 1 negative","Old Mechanical Hall II; 2 negatives","Peter Bonays; Criswell; 2 negatives","Forestry Sciences Building; Baker; 4 negatives","Dave Tork, GUD; 4 negatives","Gordon Craig, Speaker; Criswell; 2 negatives","Neil Bolyard, Check presentation; 5 negatives","Development Office, Frank Carlomheno; 5 negatives","Betty Boyd, Dean of Women; 2 negatives","WVU Choir; 4 negatives","WVU Drama production; Burrows; 14 negatives","Music- Summer camp; f. Borkowski; 2 negatives","Art Department, Joe Moss; 25 negatives","Dr. A. Reed; 2 negatives","Economic Education Workshop; Maron Lee; 64 negatives","Woman's Hall, Stalnaker; 15 negatives","Miss McClure, Campus Cover Girl; 6 negatives","Mrs. Roger Sherman, dancing; 8 negatives","Mrs. Roger Sherman, dancing; 24 negatives","Cheerleaders, Physical Education; Bill Criswell; 7 negatives","Cobalt Vault, Forestry building; 9 negatives","Development Office, 99th Anniversary Dinner; 34 negatives","Scholarship Winners 1966, Neil Bolyard; 37 negatives","WVU Drama Production, \"Dark of the Moon\"; Dr. Burrows; 19 negatives","United Fund; 20 negatives","Regional Wrestling Winners; 6 negatives","Portnoy, Music department; 12 negatives","Big Ten Wrestling; 6 negatives","Chamber of Commerce; 3 negatives","Morgantown High School Wrestling, Robert De Antonisser 1964-1988; 12 negatives","Coach Carlin, News Conference; 6 negatives","Oglebay Hall, exteriors; 5 negatives","Office of Physical Planning, copies of master plan; C. Wagner; 2 negatives","Dr. C.C. Patterson, Engineering; 9 negatives","Classroom; 4 negatives","Chi-Omega Sorority; Criswell; 10 negatives","Road signs and radar, Civil Engineering; 24 negatives","Chas Tomas, Physics; 12 negatives","Slides of old photos of Morgantown; Shetler; 32 negatives","Forestry Building entrance; 3 negatives","Criswell, Speaker; 2 negatives","Jerry Andrick; 4 negatives","Criswell, Speaker, Chemistry; 2 negatives","Physical Education group photo; 4 negatives","WVU golfing; 7 negatives","Gary Zinn; 1 negatives","News and Information, St. Patrick's Day; 6 negatives","Orchesis; 39 negatives","Orchesis; 11 negatives","WVU bookstore, Award winners; 3 negatives","Music Preparatory, M. Lorince; 15 negatives","Forestry classroom, Dr. Roch; 2 negatives","Pete Yost; \"All-State\"; 7 negatives","Play Day, Tork; 20 negatives","American Women Surgeons, group photo; 8 negatives","State Future Farmers of America; 85 negatives","La Traviata, WVU Opera production; 21 negatives","Physical Education, group photo; Larry Castle; 6 negatives","WVU Women's Club; 31 negatives","WVU computer music; 4 negatives","Eugene Quarrick; Behavioral Medicine and Psychiatry; 5 negatives","Armand Singer, Professor of Romance Languages; 12 negatives","Miss Sinkford; 15 negatives","Department of Physics; 22 negatives","WVU Women; 34 negatives","Jerry Parmer, Engineering Department; 12 negatives","WVU Band Day, Udell; 2 negatives","Textbook of Wood Technology, book photo; Chemical Engineering; 2 negatives","WVU Library, interior views; 8 negatives","WVU President Paul Ausborn Miller; 7 negatives","Emory Bacon; 10 negatives","Freshman Registration; 24 negatives","Drawings for the Parkersburg Branch; perspective sketch looking toward southwest; 1 negative","Cultural Center; 5 negatives","News and Information; 2 negatives","WVU Centennial Seal, 1867-1967; 1 negative","Slides- men working at the river; Criswell; 4 negatives","Dr. Neisus, in his office reading the Appalachian Review; 2 negatives","Scholarship Presentation, Neil Bolyard; 4 negatives","Athletic Department, Cross Country; 23 negatives","WVU Fine Arts Camp, group photo; 2 negatives","Board of Public Works; 3 negatives","Criswell; 1 negative","Burger Chef; 4 negatives","Charley Hockenberry; 5 negatives","Slides by Professor Linsky; 6 negatives","WVU President Miller, Reception; 8 negatives","Labor Conference, Fred Teller; 11 negatives","Labor Studies, J. MacKensie; 50 negatives","Dean R. S. Dunbar JR.; 2 negatives","Conference on Manpower in Appalachia; Fred Teller; 57 negatives","Slides by Jim Kent; 2 negatives","News and Information, speaker copies; 2 negatives","Pat Tork, passport photos; 2 negatives","Dr. Igor Sarkissian; 12 negatives","Civil Engineering slides, Dr. Schaub; 10 negatives","Jamison, AWS; 4 negatives","WVU Band Day, William and Mary game; Udell; 4 negatives","Ray Shaffer; 4 negatives","Foreign Officers Visit; 5 negatives","Driver Training class, Physical Education; 4 negatives","Dave Tork, portraits; 5 negatives","WVU Band Day, William and Mary game; 3 negatives","Engineering Scholarship; Parmer; 6 negatives","State Future Farmers of America Contest; 86 negatives","\"A Professor Emerges in West Virginia, author Kermit A. Cook; 4 negatives","Dean Campbell; 2 negatives","Greg Myers, WVU Soccer coach; 4 negatives","Foreign Student Committee; 4 negatives","A. Larson; 3 negatives","WVU Cross Country, group photos; 6 negatives","WVU vs. Citadel game; 7 negatives","State High School Cross Country; 7 negatives","WVU musical production of \"Bye Bye Birdie\", Creative Arts Center; 15 negatives","Dr. Robert F. Munn, Provost and Director of Libraries; 2 negatives","Theodora Schubert, first girl student in Forestry; 12 negatives","Engineering slides- Radiation Intensity, Jim Kent; 6 negatives","Bill Criswell; 2 negatives","E. Moore Hall, exterior shot; 1 negative","WVU Law Building, exterior shot; 1 negative","Scholarship Awards for music, Mrs. Inberg; 4 negatives","Orchesis; 14 negatives","Joe Gluck, in his office; 6 negatives","Music Programs, Arno Druker; 9 negatives","William H. McMillion, passport photo; 5 negatives","Student Organization charts, J. Watkins; 15 negatives","Centennial Film copies; 6 negatives","Copies of speakers, Bill Criswell; 2 negatives","Chester A. Arents, Dean of the School of Engineering; 2 negatives","Quint Wilson, Dean of Journalism; 2 negatives","Dr. Ernest Nesius, Dean of the College of Agriculture, Forestry, and Home Economics; 6 negatives","Jerry R. Luh, 1965 All-American Rifle Team portrait; 1 negative","Thomas C. Campbell, Dean of College of Commerce; 4 negatives","WVU Physical Plant Custodial Award presentation; Carol Hose; 7 negatives","WVU Fine Arts Camp, Don Portnoy; 159 negatives","Fine Arts Camp, music camp; 53 negatives","WVU Music Camp; 12 negatives","Captain Cullen, Military Commission; 10 negatives","Greater West Virginia Weekend; 24 negatives","WVU Choir; Dr. Barton; 4 negatives","Evansdale Towers Lounge ; 10 negatives","WVU Band Day, WVU vs. Penn State game; 8 negatives","WVU band at Kentucky game; 8 negatives","WVU President Don Bond, portraits; 3 negatives","Board of Education Grant for drama and cultural education; 132 negatives","Future Farmers of America, University High School chapter; 9 negatives","Dr. Arya; 2 negatives","WVU Link Day; 8 negatives","Mr. Jones, WVU President's assistant; 2 negatives","Julian Martin; 6 negatives","slides, Dr. Moh, 2 negatives","Raphael Bachman, Dean of Pharmacy; 2 negatives","York Junior College students; 6 negatives","copy for news service; 2 negatives","News Service, Dickerson; 2 negatives","Guy Harry Stewart, Professor of Journalism; 13 negatives","Kenneth V. Randolph, Dean of School of Dentistry; 1958-1968; 4 negatives","Snow scenes at WVU; pylons 2; 25 negatives","Ray Duncan, Dean of Physical Education; portraits; 7 negatives","Leo Horacek, Professor Emeritus of Music; 4 negatives","Officers of the A.W.S.; 16 negatives","Roy W. Bahl, Professor of Economics; 4 negatives","WVU Choir; 5 negatives","Richard E. Duncan, Dean of the Creative Arts Center; 6 negatives","Dr. Jay Barton, Chairman of the Biology Department; 6 negatives","George Kirk, Vice President of Finance; 4 negatives","Charles E. Hockenberry, WVU coach; head football coach at WVU Institute of Technology 1947-1948; head baseball coach at WVU 1947; inducted into the WVU Sports Hall of Fame 2005; 1 negative","Joseph Goltz, Director of the WVU Opera Group; First director; 4 negatives","Ben Linsky, Professor of Sanitary Engineering; Department of Civil Engineering; air pollution studies; 5 negatives","Ada Lease, portraits; 5 negatives","Carolyn Reyer, Native American advocate; helped to develop the Native American History and Culture studies program 1991; singer- mezzo-soprano; established the Monongalia Riding for the Handicapped 1986; 8 negatives","Dr. Harry Heflin and Neil Bolyard, presentation of Texaco Scholarship; 5 negatives","Dr. James G. Harlow (right) and Mr. Norton (left) in ROTC office; 3 negatives","Social work group photo; 8 negatives","Dr. Howard Perry Simons; Chemical Engineering; 26 negatives","James A. Kent, Nuclear Engineering; Polywood; 45 negatives","Stanley O. Ikenberry, dean of the College of Human Resources and Education; 9 negatives","Labor Institute at Mont Chateau; 6 negatives","Evansdale Twin Towers, exterior views; 5 negatives","Evansdale Towers, interior view- lobby; 2 negatives","Evansdale Towers, Bennett Tower and Lyon Tower, exterior views; 4 negatives","Evansdale Towers, Dining hall, dorm room; 10 negatives","Evansdale Towers, interior views of the lounge; 8 negatives","Evansdale Towers, exterior shots; 2 negatives","WVU Swimming, Coach Kevin Gilson; publicity shots; 35 negatives","WVU Choir, Joe Golz; 6 negatives","Vice President Hubert Humphrey, visit to WVU; 12 negatives","WVU Physical Education group photo; Quentin Barnette- professor in the WVU School of Physical Education; 4 negatives","WV Collection Story; photo 1- Fairmont ordinance, ad, and invoice; photo 2- Flood April 1, 1913; 4 negatives","WV Collection- Military Story; photo 1- Woodburn Circle; photo 2- cannons between Woodburn Circle and Mountainlair; 4 negatives","Protestors at the WVU Commencement; 12 negatives","WVU Baseball, publicity shots; 57 negatives","WVU Tennis and Golf; 23 negatives","WVa Collection Story, librarians at work; 7 negatives","Mr. Preston Harper; 4 negatives","Ralph Bean in a meeting; 1 negative","Mr. Bray, Board of Governors; 1 negative","Wrestling- Southern Conference Tournament; 2 negatives","Track and Field photos, Stan Romanoski- WVU coach of the men's track and field and cross country teams; 30 negatives","WVU College of Law, exterior shots; 7 negatives","Chemical Engineering Award Presentation; news service; 8 negatives","Civil Engineering, road and billboard signs; 21 negatives","Physical Education- Driver's Education cars; Dr. yost; 11 negatives","Nuclear Facility, Forestry Building; Boyles; 12 negatives","Thomas Gary Kenamondo, news and Information; 2 negatives","Radio and Television productions; 16 negatives","Mr. Graber, WVU Drama Department; portraits; 4 negatives","Engineering slides; joint mechanism of ultrasonic welding; 5 negatives","nature slides, News Service; 6 negatives","Mr. Bates, News-Service; 2 negatives","Super Wood; WVU engineering; experiment; 4 negatives","Engineering and Bio-physics; TAM; 6 negatives","Leo Fishman, Professor of Economics and Finance; 3 negatives","Driver's Education Class; WVU Physical Education; 3 negatives","Union Carbide presentation, Engineering Department; 4 negatives","New York Bond Company; 6 negatives","College of Commerce, Bankers Scholarship presentation; 7 negatives","Bud Udell, WVU Director of Bands at University High School; 7th band director 1963-1969; 7 negatives","Construction of the Creative Arts Center slides; 2 negatives","Ruel Foster, WVU English Department Chair; Benedum Distinguished Professor of American Literature; author of Appalachian literature; tennis coach; Order of Vandalia; 9 negatives","slides of the Annals New York Academy of Sciences; 9 negatives","WVU Engineering slides; 25 negatives","Dr. Dozo and Dr. Olson, visiting vets; 5 negatives","Wes Coppock; News-Service; 1 negative","Margaret Lorince, WVU Director of Preparatory Music; assiatant Chair of Music; Assistant Dean of the CAC; Professor Emerita; 20 negatives","Joe Moss, Kinetic Sculpture; West Virginia Moon; National Endowment for the Arts; 12 negatives","School of Speech Communications, Leonard Davis; 21 negatives","Weirton Story, News-Information; 6 negatives","WVU Nursery School on Campus Drive; children playing; 6 negatives","Engineering slides, Blackshaw; 15 negatives","Mr. Brown, Commerce; 2 negatives","Alumni Giving Incentive Award, Dave Tork; 3 negatives","photos of books by Earl L. Core, cover picture; 2 negatives","WVU Computer Center; 12 negatives","USS West Virginia Mast Plaque; 10 negatives","John Luchak; 2 negatives","WVU Commencement; 27 negatives","WVU Nursery School; 20 negatives","Ernie Jones in his office; 7 negatives","Herman Godes, Pianist; 4 negatives","Dr. Clyde English, Head of Organ Department 1945-1980; 4 negatives","Presbysterian Church Cross; 3 negatives","Mountainlair construction; 10 negatives","Dr. Harry Heflin, Vice President of Finance and Administration; 6 negatives","Parmer, Aero-Space; 5 negatives","WVU Athletic Department picnic; 20 negatives","James Thompson in his lab; 4 negatives","WVU Medical Center, night view; 3 negatives","WVU Medical Center, front closeup; pylons; 2 negatives","WVU Medical Center view from Evansdale Towers; 2 negatives","WVU Varsity Wrestlers; 11 negatives","WVU Varsity Wrestling Team; group photo; 3 negatives","Physical Education Conference, Pete Yost; group photo; 4 negatives","5th Annual WV AFL-CIO Summer Institute at Mont Chateau; group photo; 4 negatives","Julian Martin at WVU graduation; 23 negatives","Percival Hall- Forestry Center, night views; 5 negatives","Mr. Sledge, Student Affairs; 5 negatives","WVU production of \"Carousel\"; Rodgers and Hammerstein; Boyd; 12 negatives","portraits of Honoraries at 1966 WVU Commencement; 6 negatives","WVU Band publicity shots; 12 negatives","Reverend Paine, Episcopalian; Clergy, Church; 7 negatives","Twin Towers complex, drawing; 3 negatives","Colonel Jansen Retirement; 10 negatives","Festival of Ideas, Humphrey, Etc.; 103 negatives","Registration at Field House; 9 negatives","Fine Arts Group; 3 negatives","Frank Carlehemeno; 4 negatives","Sherlocker, Physical Education; 5 negatives","Canning, Music Group; 4 negatives","Milan; 32 negatives","Social Work, Portraits","Drama, \"Kiss Me Kate\"; 11 negatives","Angel Street; 14 negatives","Representative of Ghana; 5 negatives, prints","Danville, Portrait; 4 negatives","Dean Frasure, College of Arts and Sciences, Portrait; 6 negatives","Dr. Thomas Canning with Carolyn Reyer; 2 negatives","Computer Center; 4 negatives","HUD Meeting at Mt. Chateau; Transportation; 12 negatives","Thomas Canning, Portrait; 4 negatives","Dr. William Miernyk, Economics Research, Portrait; 5 negatives","Drama, Merchant of Venice; 9 negatives","Donald Portnoy, Music, at Piano with Violin; 12 negatives","Tennis Action Shots; 8 negatives","Professor Jones, Chair, Electrical Engineering; 12 negatives","Chemistry Award; 2 negatives","Drama; 12 negatives","Creative Arts; 12 negatives","Lorensen, Law School, Portrait; 4 negatives","Dr. Kelly, Vice President, Portrait; 6 negatives","Dr. Halter, Portrait; 5 negatives","Vergil Clark, Head of Physical Plant, Portrait; 6 negatives","President's Home; 12 negatives","Biology, Dr. Chen, Culture Room; 8 negatives","Chemistry, Tony Winston, Labs; 55 negatives","Electrical Engineering; 10 negatives","General Biology, Trees; 7 negatives","Coopers Rock, Gorge Overlook; 17 negatives","Hunter with Dog; Ag-Forestry Bulletin, Roy Thomas, Magazine; 12 negatives","Orchesis, Dance Group; 24 negatives","\"Esso Story\"; President Harlow with Two Other Men; 6 negatives","Canning and Brown, \"Composers\"; 2 negatives","Safety Education Story; 11 negatives","Engineering Project; 12 negatives","Agronotty Awards; 6 negatives","Chemical Engineering, Coal Research; 9 negatives","Men's Swim Team; 23 negatives","Comedy, Lysistrata; 9 negatives","National Merit Scholarship, President Harlow Speaking; 35 negatives","Recreation Department, Senior Citizens; 8 negatives","New Band Uniforms; 3 negatives","Fine Arts Camp; 48 negatives","Opera, The Marriage of Figaro; 23 negatives","Opera, Susannah by Carlisle Floyd; 27 negatives","State Bankers Scholarship; 5 negatives","Airplanes, Cessna Foundation; 24 negatives","Gulf Oil Presentation; 3 negatives","Bruce D. McComas, Portrait; 2 negatives","Dick Bell, Portrait; 4 negatives","Rifle Team; 6 negatives","Music, Phil Faini, Portrait; 2 negatives","00624; Dr. Harlow, Du Pont Presentation; 10 negatives","Soccer Action; 9 negatives","George Weaver, Portrait; 4 negatives","Biology, Cancer Research; 4 negatives","Ernie Jones, Portrait, Earnest L. Jones, Director of Computing Center; 4 negatives","Peggy Staggers, Portrait; 8 negatives","Army, ROTC; 50 negatives","Coach Harrick, Portrait, Baseball, 300 Victory, 11 negatives","Library View; Building, 2 negatives","Colonel Reynolds, Student Affairs, Portrait; 4 negatives","John Luckoks and Majorettes; 9 negatives","Sports, Basketball Group, Athletic Publication; 6 negatives","Clark Wagner, Portrait; 4 negatives","Steering Committee, Homecoming; 4 negatives","Sports, Soccer Squad, Mountaineer Field; 1 negative","Blithe Spirit, Drama, Play; 11 negatives","Dolls House, Drama, Play, Creative Arts Center; 12 negatives","Caesar and Cleopatra, Drama, Play, Bob Silberstein; 20 negatives","The Boys from Syracuse, Drama, Play, Creative Arts Center, Becky Stewart; 10 negatives","YWCA Officers, Cabinet, Becky Stewart; 7 negatives","Board of Governors, Portraits; 12 negatives","Dr. Harry Heflin, V.P. of Finance and Administration, Portrait, served as 18th President in 1981; 8 negatives","Jim Watkins, Assistant Dean of Student Educational Services, Portrait; 4 negatives","Alumni Day at Law School; 8 negatives","Dr. Chas Norman, Lab, Biology; 12 negatives","Jim Watkins in Office; 12 negatives","Sara Ruth Meek, Portrait; 6 negatives","Freshman Orientation; 19 negatives","Freshman Orientation; 20 negatives","Freshman Orientation; 10 negatives","Freshman Orientation; 24 negatives","High School Speech Institute; 22 negatives","Helicopter in Mont Chateau; 14 negatives","Board of Governors; 3 negatives","Forestry Display, Laskin; 14 negatives","Student Affairs; 10 negatives","African Statues from Twin Towers, Betty Bogel; 16 negatives","Science Camp; 12 negatives","Leonard Davis, Slides from Old Pictures of Weston Hospital for Insane; 13 negatives","AWS Officers, Portraits; 21 negatives","Oak Tree; 4 negatives","Carol Watson; 7 negatives","Small Maple Tree; 4 negatives","Slides for Mechanical Engineering, Entropy; 25 negatives","Fine Arts Camp. Group; 1 negative","High School Journalism; 32 negatives","Safety Education Class; 3 negatives","Transportaion; 22 negatives","Medical Center, Heating Plant; 6 negatives","Freshman Guides; 17 negatives","John Brisbow, Assistant Director of Admissions; 12 negatives","Civil Engineering Conference; 26 negatives","Dr. Emory L. Kemp, Chair of Civil Engineering, Portrait, Emeritus Director of the Institute for the History of Technology \u0026 Industrial Archaelogy in the WVU Eberly College of Arts and Sciences, Recognized for both Researching and preserving historical industrial sites around the county and overseas; 4 negatives","Cross Country, Coach and Captain in Action, Sports; 12 negative","Girl with Rifle; 2 negatives","Merchant of Venice, Drama, Publicity; 7 negatives","Urban Mass Transit, Vestibule; 18 negatives","Satellite Copies; 2 negatives","WVU Parkersburg Branch, Drawing; 1 negative","Credit Union, Group; 3 negatives","Housing and Urban Development; 7 negativs","John R. Mackenzi, Director of Education, Portrait; 4 negatives","James H. Schaub, Professor of Civil Engineering, Portrait;4 negatives","Harold J. Shamberger, Assistant to President, Portrait; 6 negatives","00688; Judy Shoup, Miss WVU, Portrait, 1969 Miss WV as Kappa Kappa Gamma, Wheeling Symphony Member; 2 negatives","Wrestling Athletes and Dan Killen, Director of Social Service Med.Center, Brown, Jim Stevens ; 17 negatives","Cross Country Team, Group; 2 negatives","Agricultural Farm Grass, grass shots for Jung; 17 negatives","Grass, grass shots; 12 negatives","Agricultural Farm Grass, grass shots for Dr. Jung; 12 negatives","Grass, grass shots for Dr. Jung, 5 negatives","Agricultural Farm Grass, grass shots for Dr. Jung; 7 negatives","Bug Shots for C. K. Dorsey, Insects; 8 negatives","New Engineering Building; 4 negatives","Conference; 12 negatives","Robert L. Iden, Manager of Printing Services, Portrait; 3 negatives","Red Brown, Steve Harrick, Presentation; 7 negatives","Mullenax, Interview, New Zealand; 9 negatives","John Goodwin, Commerce, Portrait; 5 negatives","Gymnastics; 22 negatives","Gymnastics; 16 negatives","Clifford W. Brown, Portrait, 1912-1988, Portrait, Marching Band Director in 1942, Retired in 1974 as Assistant Dean of Creative Arts Center, His daughter, Susan, is the wife of former WVU President, David Hardesty; 6 negatives","John Clarkson, Art; 9 negatives","Seigle Wayne Cox, Vocational Agriculture, Hundred High School, Portrait; 4 negatives","Dick Detombe, Assistant Track Coach, Portrait; 4 negatives","Dr. Stacy Barton, ETV; 12 negatives","Jerome Fanucci, Chairman of Department of Aerospace Engineering, Portrait; 4 negatives","Dr. Hefflin, 18th President; 20 negatives","Dr. James G. Harlow, Portrait; 10 negatives","Paul W. Hamelman, Professor of Management, College of Commerce, Portrait; 10 negatives","Information Booth, Structure; 6 negatives","University Singers, Group; 3 negatives","Strings Band Practice, Music Department; 22 negatives","Music Scholarship Award; 4 negatives","Scenes from John Gay's \"The Begger's Opera\", Creative Arts Center, Division of Music, 25 negatives","Lecture by Harold B. Bachman, Director of Bands, Emeritus, University of Florida; 6 negatives","Morgantown Woman's Music Club Scholarship, Group; 5 negatives","James Mullendore, Student Body President, 1968-1969, Portrait; 4 negatives","William H. Miernyk, Director of Regional Research Institute, Order of Vandalia, Claude Worthington Benedum Professor of Economics, Professor Emeritus, Director Emeritus of the RRI, Author; 21 negatives","William H. Miernyk; 12 negatives","George Nocito, Professor of Art, Chair of Art Department, Portrait; 6 negatives","News and Info; 2 negatives","News and Info, Group; 2 negatives","News and Info; 6 negatives","News and Info, Richard Bernard, Arthur Hofstetler with Glasses, Portrait; 3 negatives","Paul Selby, Dean of College of Law; 6 negatives","Dr. Roman J. Verhaalen, Dean of Kanawha Valley Graduate Center, Portrait","Rabbi Herbert J. Wilner, Hillel Foundation, Portrait; 6 negatives","Rabbi Herbert J. Wilner, Hillel Foundation;","Budd Udell with Band; 11 negatives","Dale Evans, Athletic Publicity, Quarterback Signing, Football; 10 negatives","Band Photos, French Horn; 12 negatives","Marching Band Formations; 25 negatives","Band Day; 5 negatives","Scott Stringham Conducting; 12 negatives","Percussion Ensemble, School of Music; 1 negative","Homcoming Queen, Sally Sotak of Beckley, Shelley Pointexter of Nitro, Jeannie Erwin of Dunbar, Mary Kay Staggers of Keyser; 2 negatives","Homecoming Queen Candidates with Centennial Seal, Sally Sotak, Shelley Pointexter of Nitro, Mary Kay Staggers of Keyser, Jeanne Erwin of Dunbar; 4 negatives","Homecoming Queen Candidate at the Health Sciences Center Pylons; 3 negatives","Homecoming Queen Candidate in front of Elizabeth Moore Hall; 3 negatives","00748; Homecoming Queen Candidate with Oglebay Hall in the background Hall; 2 negatives","Homecoming Princess, Headshots; 8 negatives","Gold Diggers, Weekend Candidates, Portrait; 23 negatives","Bill Bonsall, Gymnastics Coach, led WVU to 3 southern conference championships, ranked at 5th place in 1963, represented U.S. in 1948 Olympics in London, the gymnastics team was elevated to varsity team in 1952 under him; 4 negatives","Kevin Gilson, Men's and Women's Swimming Coach, Anatomy and Physiology, Portrait; 4 negatives","Coach SFC Joe Gravens, Jr.; 4 negatives","Pat Hamilton, Board of Governors; 6 negatives","D. Hercules, Headshot; 1 negative","Dr. William Morris, Portrait","George Nedeff, Wresting Coach, 1996 WVU Presidential Safety Award, National Wresting Hall of Fame, Father G.N. of SOLT with \"Outstanding American\" Award, Class of 2008; 3 negatives","George Smyth, Planning Architect, Portrait; 4 negatives","John Stewart, Soccer Coach, Portrait; 4 negatives","Greg Van Camp, Director, General Manager of WWVU-TV, Professor or Radio and TV, Portrait; 4 negatives","Radio-TV Control Room; 5 negatives","Historical Buidings, Woodburn Female Seminary established in1815, Monongalia Academy established in November 1814; 2 negatives","News and Info, Sewage Treatment; 11 negatives","News and Info, Child Plays-Story for John Reach at Med Center; 8 negatives","Office of Publications; 6 negatives","Office of Publications, John Luchor; 16 negatives","Mountainlair Information Desk and Lounge; 7 negatives","Radio Drama by Dylan Thomas \"Under Milk Wood\" by  at Med Center Auditorium; 8 negatives","Kappa Kappa Psi, Music Honorary, Group; 2 negatives","Freshman Football Team in front of Martin Hall, Group, Historical Building; 4 negatives","Thermomister Temperature Measuring Device; 2 negatives","Seintillation Device; 7 negatives","Drama \"The Entertainers\"; 19 negatives","Mountainlair Interior; 23 negatives","Mountainlair Interior; 4 negatives","Bell from USS West Virginia; 7 negatives","President's Summer Home; 2 negatives","Drama \"The Merchant of Venice\"; 12 negatives","Light Art; 9 negatives","Snow Around Campus, Historic Buildings; 34 negatives","New Buildings around Campus; 14 negatives","Theater; 1 negative","Theater Interior, Creative Arts; 1 negative","R.O.T.C.; 39 negatives","Homecoming Queen, Sally Sotak, Portrait","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Band Day; 24 negatives","Heart Valve Story, Engineering; 15 negatives","Heart Story, Med Center; 6 negatives","Colonel Charles G. Ives, Chairman of Military Science, Portrait; 5 negatives","Engineering Scholarship, Union Carbide; 4 negatives","Bird Story; 1 negative","Woodburn Circle, Traffic Pattern; 8 negatives","Freshmen Basket Ball Team, Sports, Group; 4 negatives","Art Department; 6 negatives","Orchesis, Student Dance Group; 9 negatives","University Choir, Group; 7 negatives","Civil Engineering Students; 40 negatives","Creative Arts Center, Building; 1 negative","Creative Arts Center, Building; 8 negatives","Amrerican Arts Trio, Music, Group; 12 negatives","Baroque Ensemble, Music, Group; 2 negatives","Fine and Lively Arts Committee, Group; 7 negatives","Dr. Harry Bruce Heflin in Formal Group, Group, 18th President; 4 negatives","Baker and Coombs Windows; 13 negatives","Dr. Maurice Brokks, Biology and Forestry Professor, Wildlife Management, Natural History, Ornithologist, West Virginian of the Year, Conservationist; 18 negatives","Theater Interiors, Creative Arts Story; 11 negatives","WVU Library; 14 negatives","WVU Library; 5 negatives","View of Med Center from Pierpont Hall; 2 negatives","Armstrong Hall, Building; 4 negatives","Med Center, Pylons; 19 negatives","Student Union Building, Mountainlair; 4 negatives","Mountainlair Construction; 4 negatives","Mountainlair Construction; 4 negatives","Mountainlair Construction; 3 negatives","Oglebay Hall, Historic Building; 7 negatives","Summit Hall, Building; 4 negatives","IBM Computer Installation, Publication Office; 2 negatives","IBM Typesetting in Printing Composing Room;","Transatlantic Debators; 7 negatives","Professor Moody E. Prior, Portrait, born 1901 in Fatsa Turkey, died Oct. 25 1996, Prof. Emeritus of English at Northwestern U., authority on Shakespeare, awarded Northweatern University Alumni Medal - highest honor given to Northwestern graduates; 1 negative","Mr. Harry Ernst, Director of University Relations, Portrait; 2 negatives","WVU TV Tower Site; 6 negatives","Joe Leonard, Director of Coal Research Bureau at WVU, Portrait; 4 negatives","Engineering - Super Wood; 9 negatives","Highschool Wrestling Tournament; 10 negatives","Variety Show at Towers; 22 negatives","Variety Show at Towers; 17 negatives","Physical Education, Archery Class; 9 negatives","Engineering - Space Craft Diagrams; 6 negatives","Commencement Honoraries, Portrait; 12 negatives","State Science Fair; 12 negatives","International Night; 5 negatives","Ash Brick Pilot Plant; 4 negatives","Norm Parsons, Intramural Director; 4 negatives","WVU Choir Album Cover \"Songs of West Virginia\"; 2 negatives","16 mm Movie Camera used on copy work, Radio and TV; 9 negatives","Drama Publicity Photos; 3 negatives","Tom Gulli Ford, Swimming, Portrait; 4 negatives","Bill Martin, Dance; 5 negatives","Engineering Slides for Dr. Moore; 14 negatives","Civil Engineering Asphalt Research; 25 negatives","Widebusch Family, Group; 7 negatives","Orchesis, Student Dance Group;  12 negatives","Don Knotts, Group; 1 negative","National Science Foundation Grants; 11 negatives","W. Va. Collection, Library, Homecoming; 32 negatives","Budd Udell Conducting, WVU Marching Band Director, 7th Director 1965-69, d.o.d. Feb. 4 2006, Group; 12 negatives","Orchesis, WVU Student Dance Group; 35 negatives","Bob Iden, Managerof Printing Services; 12 negatives","Oglebay Hall with Mast, Historic Building; 5 negatives","Elizabeth Moore Hall, Historic Building; 8 negatives","Jeff Warren; Portrait; 4 negatives","Charles Peter Yost; Dean of Physical Education, Portrait; 3 negatives","Computer Center; 27 negatives","Aerial Photos of Med Center and Mountainlair; 8 negatives","Aerial Photos of Towers, Pierpont Hall and Mountainlair; 5 negatives","Med Center; 3 negatives","Creative Arts Center; 6 negatives","Stewart Hall, Historic Building; 2 negatives","Agricultural Science Buiding; 4 negatives","Coliseum; 2 negatives","Evansdale Campus, Towers, Med Center; 7 negatives","Mont Chateau Lodge, opened June 7 1958, WVU Geological and Economic Survey; 4 negatives","Mountainlair Night View; 3 negatives","Library Walk; 4 negatives","Library Exterior View; 8 negatives","View of Woodburn Circle from Oblebay Plaza; 3 negatives","Woodburn Circle; 2 negatives","Jazz Band; 4 negatives","WVU Band, Group; 16 negatives","Dave Shamberger, Portrait; 8 negatives","Agriculture, Dr. O.J. Burger (standing), Martin Piriber (speaker); 9 negatives","Hubert H. Humphrey Speaking at WVU Centennial Celebration, Vice President, 100th Anniversary Event; 3 negatives","Jeff Davis, Portrait; 6 negatives","Commencement; 2 negatives","Commencement, Senator Jennings Randolph, Senator Robert C. Byrd, Acting WVU President Harry B. Heflin, Irvin Stewart, the Order of Vandalia; 37 negatives","Scenes from \"West Side Story\", Theater Production; 23 negatives","Scenes from \"West Side Story\", Theater Production; 16 negatives","\"The Maids and Deathwatch\", Theater Production; 9 negatives","Med Center, News and Info;","Engineering Department, Professor Jones, Group; 2 negatives","Mountaineer Spirit, Female Portrait; 6 negatives","Ash Brick Pilot Plant; 4 negatives","Future Farmers of America; 93 negatives","Louise Keener, Portrait","Fine Arts Camp, Music; 4 negatives","Chemical Engineering Slides, Dr. Jones; 6 negatives","International Program, Group; 8 negatives","Legislative Committee, Interim, Group; 11 negatives","Views from Oglebay Plaza, Traffic Study, Main Campus; 11 negatives","Woodburn Hall Clock Tower in Snow, Historic Building; 3 negatives","Coal Research, Insulation Samples, C. McFadden; 16 negatives","Coal Research, Insulation Samples, C. McFadden; 4 negatives","Jack Porter, Portrait, Development Office; 2 negatives","Frank Carlonheno, Portrait; 4 negatives","Bill Haden, Higher Education Administration, Portrait, Educational Fundraising, founding member of WV Promise Schoarship Programs Board of Control, he held positions in Development/Alumni Relations and Public Affairs, 17th President of WV Wesleyan College in 1995; 2 negatives","Senator Robert C. Byrd Visit - Flyash Based Brick, Harry Heflin; 18 negatives","Theater Production, \"Who's Afraid of Virginia Woolf\"; 22 negatives","Drama to Forensic Festival; 15 negatives","Southern Conference Awards, Athletic Publicity, Group; 4 negatives","Centennial Celebration Seal; 2 negatives","Mad Women, Portrait; 20 negatives","Harold Neely, Portrat; 6 negatives","First Brick Story; 10 negatives","\"The Mad Woman of Chaillot\", Theater Production; 10 negatives","Harry Ernst, Director of University Relations, Portrait; 5 negatives","Dan Bond, WVU 100th Anniversary, Group; 4 negatives","Coliseum Architectural Model; 6 negatives","Dr. Harlow, Portrait; 4 negatives","Paul W. DeVore,Professor of Industrial Arts, Portrait, Influential in the establishment of nation's first Department of Technology","Richard Gardner, Controllers Office, Portrait; 4 negatives","Mountainlair Art Gallery; 4 negatives","Students playing at Mountainlair Game Center; 12 negatives","Athletic publicity, Carlen's family; Jim Carlen - head coach, 1966-1969, record 25-13-3 (.658). Governor Joe Manchin was a quarter back on his first team. Son: James Carlen, Jr., stepdaughters: Caty, Carol","WVU Athletic Council Award; Senior Athletic of the Year 1967-1968","Formerly state park lodge","Phy. Ed.; 1994 Inducted into the Professional Hall of Fame in the School of Physical Education","Wardensville field day; Hardy Co.; Reymann Memorial Farms","Dean Arents' Office; Dean Chester A. Arents, School of Engineering; group of 3 on left; large group - Arents sitting on right","Stan Romanoski, coach","Engineering; climatologists","First trumpet - with WVU Orchestra; Trumpet professor and assistant chairman of the school of music at WVU; authored The Trumpeter's Handbook; attended the preparatory department of the Eastman School of Music and graduated with honors.","Dept. of Psychology; Charles D. Corman; Oglebay Hall","Shanbeyer, Luchack, Rhodayal, etc.","Daniel O'Sullivan; plus campus views","Dr. Porter; Charley","Engineering Department; Asten","Mary Filler Wiley","Electrical Engineering?","Theoretical and applied mechanics; mechanics engineering","Jim Hawkins with girl","Morgantown Farm","Pharmacy Meeting at Towers","Mrs. Adalene \"Bobbie\" Rae Harlow; elementary teacher; 1912-2004; James G. Harlow (1912-1978)","Engineering school; Dean Arents - left","Edmundo Elmore; Pan America Health Union","Gamma Sigma Delta","Lazor; Engineering Department","Dean Arents 2nd from right; PHS, Cincinnati Solid Waste Program","For Nick","American radio reporter, best known for his dramatic report of the Hindenburg Disaster","Livestock Farm","W.Va. Department of Mental Health; Pub. at Towers","Dave Tork","Athletic Department; Richard Poland","Engineering - Smith; Dean Chester A. Arents - center","Proofs straight to Poland","L - Darrell V. McGraw, Jr.; M - Walter Beach - Assistant Director of the American Plitical Science Assn. in Washington; R. Dr. David G. Temple - WVU Assistant Professor of Political Science and Project Assistant","Taught folklore; dulcimer player; collected ballads; Monticola advisor","Collegium Musicum","Oliveria visit; Engineering Department","Warren G. Tennant - Groundskeeper; Chinquapin (yellow) oak","History Symposium: Jesse H. Stuart (aug. 8, 1907 - Feb. 17, 1984) - flat top hair, author, writer, Appalachia; unknown - bald guy; Dr. Lewis Hanke (born 1905), Columbia U., historian colonial, Latin America studies","Comedy Manners; Left: Bod Merriam \"Lord Peter Teazle\"; Right: Evy Andrews \"Lady Teazle\"","Roll 6","Preston Co, WV; Garrett Co, MD; few remaining Boreal Bogs","With Lloyd M. Jones; refund of sales tax from State Tax Commissioner for refund of sales tax inadvertently paid to state of WV on room/meals for athletes in dorms paid from athletic fund","Benedum Professor of Education, 68-86","Steel Students Classroom","Professor, Dr., Chair, Animal Veterinary Science; AI-VS; B - April 3, 1917, D - August 23, 2001; retired in 1979","Bob Crawford","Poster for Executive Conference","Boyle","Back row - far right; Stan Romanoski, Carl Hatfield","Sports Info Director","Red Brown","Professor of Agriculture","Agronomist, agriculture, professor of plant soil science","Chair, doctor, professor, horticulture, marigolds, roses","Plant, physiology, science","Doctor, plant, science, physiology, agriculture","Doctor, chair, agriculture","Physiology, reproductive, professor, doctor, animal, nutritional, science, Davis College","Doctor, plant, agriculture, science","Doctor, plant, science, agriculture","Doctor, professor, animal, carcass, beef, agriculture","Agriculture, soil, chemistry","Professor, extension, plant, pathologist, entomologist, golden delicious apple","Woodburn, freshmen, football, field, bleachers, athletics, team","Professor, patent examiner, law","Health Science lab","Display set up in Mountainlair","Group and individual","J. Fannucci","Faculty Dean, Business and Economics; Died Feb. 16, 1998","With Donald C. Portnoy, conductor","Drama, theater, comedy, commedia, masked","Duncan","Diving, swimming, coaching; Coached for 30 years, record 290-159-2","Chitwood Hall, Stewart Hall, Martin Hall","Benjamin Linsky - Professor of Sanitary Engineering (air pollution) and Director of Graduate Air Pollution Control Engineering Training Program.","Contemporary, classical, musical, choir, choral, singer, chamber, instrumental, soloist","Professor, art, chair","Collection, free-form, poem, fictional, town, spoon, river","Davis College; Professor, reproductive, physiology, agriculture, faculty","Musicians, trombone, trombonists, musical, drum, chamber","P. County; L-R Larry Kelly, Harold Taylor, Rex Taylor, Richard Glass, voc. teacher, Allen Colebant","Henry Clay Furnace; Iron Furnace - Cooper's Rock State Forest. Built between 1834 and 1836","College of Commerce","Not Bob Brown?","Music, chamber, musicians; Philip Faini - faculty, Dean-Emeritus, College of Creative Arts","Dick Smith","TV tower; motion picture staging","U.S. Representative from Indiana, Nov. 21, 1894 - Dec. 5, 1984, women's rights","Developmental psychologist, professor, chair, author, editor","Founded World Music Center, worked in radio, television and with symphony orchestras; dean, educator, administrator, jazz, theory, African, music, percussion, ensemble","For engineering brochure","Eng. Elect.; Nelson Smith","Dave Zirz","News and Info; Ernst","Left, sitting; Doctor, professor, chair, mathematics","Music; Washington Trip","Chemistry building architecture; Clark Hall, Annex","Bookstore, WVU plate","Coach - Stan Romanoski","Doctor, music professor","Mike Sherwood, football, QB 1968-1970; Robert N. \"Red\" Brown, athletic director","Dick Smith, Dr. Moore","Professor of history; Order of Vandalia - June 1, 1964; Chitwood Hall (Science Hall) renamed 1972 in honor of Dr. Chitwood","Chemical engineering, fossil energy research, coal technology, professor; Inductted 4-25-1986 into the Academy of Chemical Engineers","Ruth E. Robinson - bookstore manager, Dr. Harry Heflin - V.P. of Finance, President","Intimate relationships, human sexuality, social work","With crutch - Jerry Stewart, other male?; catalog made","Basketball coach","1925-1981; Writer, professor, novelist, magazine founder, poet, editor, critic, teacher","Professor of Industrial Engineering","Professor of biology, chairman","FAlconer, bird, red tailed hawk, prey, dog, bull terrier","Author, children's books","Dean, professor of education, college of human resources and education, chair of secondary education","Chair, sociology","Foreign student coordinator, professor of military science","Fashion design lecturer","Born 1913, Died 4-27-2008; soprano, opera, voice professor","1928- Chemical Engineering, fossil energy research, coal technology, professor; inducted 4-25-1986 into the academy of chemical engineers","Doctor, director of admissions, record; B. Feb. 17, 1916, D. Jan. 2, 2001","Professor, agriculture, biochemistry, nutrition","1867-1875 first president, Methodist minister, educator, pastor, professor, greek; Designed WVU's seal; B. Jan. 24, 1822, D. Dec. 16, 1895","Professor, forestry, wildlife management","Dr. Franklin Parker, Betty J. - Forum Festival","Louis F. Tanner Distinguished Professor of Public Accounting; professor, director, accounting, CPA","Doctor, director, student, health, service, physician","Doctor, professor, emeritus, music, horn, theory, viola","Author, social work","Faculty, English","Health Science, physiology, meat animal, USDA","Faculty, professor, English","Appalachian Center Area Program Chairman, Parkersburg","Doctor, researcher, chairman, biology; Oct. 8, 1932-March 18, 2010","Faculty, professor, doctor, plant physiology, ecology, conservationist","Monticola advisor, professor, journalism","B. Mar. 12, 1922, D. Oct. 29, 1989; Professor Emeritus, animal and veterinary sciences, College of Agriculture and Forestry, consumer sciences","Victorian Age specialist, English Department","Doctor, psychology, professor, chair, author","This series contains an index to the first part of Series 1, boxes 1 to 35 or 36. The index is arranged in alphabetical order by subject and spans from ca. 1964-1987. This listing reproduces the tabs in the index in full; subheadings are represented by a sampling within parentheses.","This series includes aerial photographs and accompanying transparencies and negatives of West Virginia University Hospital, Monongalia General Hospital, Morgantown and WVU (Downtown and Evansdale Campuses, the Coliseum, Mountaineer Field), and more. Subjects also include Agriculture Science Building, Allen Hall, Appalachian Center, Bureau of Mines, Coliseum, Construction \u0026 Excavation of New Law Center, Creative Arts Center, Downtown Campus, Downtown Morgantown with River, Evansdale Campus, Field House, Forestry Building, I-79 Uffington Interchange, Interstate including Westover Exchange, Law School, Livestock Farm, Medical Center, Mountaineer Field, Mountainlair, Mt. Chateau, New Dairy Facility, Physical Plant, Prospective Stadium Site, PRT, Stadium, Towers, and more.","This series of proofs from glass plate negatives were created for an unspecified Bicentennial Celebration project (possibly celebrating the National Bicentennial in 1976). There is an original numbered list of the historic prints (see box 103, folder 1). Subjects include people in safety gear, Mechanical Hall, Students in lab, Commencement Hall, Library Reading Room, Library Administration, Greenhouse construction, Horticulture grounds \u0026 building, Woodburn Circle, WVU Campus shots, Agricultural Station, Martin Hall, Oglebay Hall, Science Hall, Stewart Hall, Entomology Room, Dr. J. A. Myers, Students (Elmer Leach, Edith Ice, etc.), Episcopal Hall, Reynolds Hall, Football, E. Moore Hall, Chemistry lab, Presidents House, Falling Run, Armory, Faculty Club House, Astronomy class, Views of Campus from varying vantage points, Drama, Clubs, President John Rhey Thompson, President Thomas E. Hodges, President Frank Butter Trotter, President J. L. Goodknight, Andrew D. Hopkins, A. J. Dadisman, Various faculty (James Stewart, R. A. Armtstong, George T. Brooks, Sam Brown, P. B. Reynolds, Thomas Hodges, etc.), WVU Military Unit, Monongahela River \u0026 Seneca Station, and South Park.","This series documents WVU campus life and activities. The slides were originally bound in large three ring binders; all slides have the copyright symbol and the word Mellott printed on them. Subjects in this series include agriculture, basketball, Clark Hall, classrooms, convocation, Creative Arts Center, Football, Graduation, Law School, Library, and Woodburn Hall, among other topics.","This series includes digital photographs copied to a server from discs (these discs are currently in boxes 113-114); prints of a limited number of the digital photos are available in box 112. Subjects in this series include campus scenes, football, sports, nature, miscellaneous, and duplicate prints.","This series consists of proof sheets of images taken between ca. 1965-1999 by the News Service that depict daily life and scenes from both the Downtown WVU Campus and the Evansdale Campus. Subjects include athletics, candid shots, classrooms, construction, group portraits, Morgantown, scenes and views, and WVU. See Contents List for range of project numbers. These project numbers also correspond to the project numbers in Series 1 and 2.","This series consists of prints, negatives, slides, transparencies, and correspondence from special projects; many of the images were used in the Alumni Magazine. Subjects found in this series include Baroque Ensemble, Bicentennial House, CAC, Campus Prints, Hillary Clinton, Jay Rockefeller, Shell Building, Transparencies, WVU Extension Services, and more.","This series consists of a collection of slides and negatives in 62 small plastic boxes, many of which are unidentified. Subjects include students on campus, special events like races, campus buildings, the Mountaineer mascot, students in science labs, and more.","This series consists of slides in sleeves. Many sleeves include project information such as invoice number and photographer. Subjects in this series include athletics, campus life, candid and group shots, construction, Morgantown, and more. See Contents List for a more detailed list of subjects.","This series includes prints and negatives on subjects related to WVU history. Subjects in this series include agriculture, boats, Buck Harless, historic Morgantown, historic WVU, Institutional Advancement Flood Relief, Kearneysville Farm, Reymann Farm, Stewart Hall, and more.","This series includes 8 x 10 transparencies and prints pertaining to WVU. Subjects include White Hall, WVU Rifle Team, Medical Center pylons, Learned Ladies Play, New River white water rafting, football, WVU campus, and more.","This series consists of transparencies arranged alphabetically by subject. Subjects in this series include agriculture, campus buildings, athletics, portraits, and more.","This series consists of prints and negatives of WVU faculty portraits and other material.","This series consists of miscellaneous negatives and prints and a key to an old filing cabinet.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Photographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files. See Scope and Content note for more information.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University","West Virginia University--Faculty.","English"],"unitid_tesim":["A\u0026M 5188","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3918"],"normalized_title_ssm":["West Virginia University, News Service, Photographs"],"collection_title_tesim":["West Virginia University, News Service, Photographs"],"collection_ssim":["West Virginia University, News Service, Photographs"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. Va.)"],"geogname_ssim":["Morgantown (W. Va.)"],"places_ssim":["Morgantown (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["West Virginia University - buildings.","West Virginia University  -- Students"],"access_subjects_ssm":["West Virginia University - buildings.","West Virginia University  -- Students"],"has_online_content_ssim":["false"],"extent_ssm":["152.7 Linear Feet Summary: 152 ft. 8 in. (111 record cartons, 15 in. each); (16 note card boxes, 3 in. each); (1 note card boxes, 4 in.); (4 document cases, 2 1/2 in. each); (21 document cases, 5 in. each)"],"extent_tesim":["152.7 Linear Feet Summary: 152 ft. 8 in. (111 record cartons, 15 in. each); (16 note card boxes, 3 in. each); (1 note card boxes, 4 in.); (4 document cases, 2 1/2 in. each); (21 document cases, 5 in. each)"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eColiseum, Proposed Drawing; 2 negatives\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Coliseum, Proposed Drawing; 2 negatives"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], West Virginia University, News Service, Photographs, A\u0026amp;M 5188, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], West Virginia University, News Service, Photographs, A\u0026M 5188, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e5188, 5212, 5213, 5038\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["5188, 5212, 5213, 5038"],"scopecontent_html_tesm":["\u003cp\u003ePhotographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files.\u003c/p\u003e\n","\u003cp\u003eThis collection includes 15 series:\u003clb\u003e\u003c/lb\u003e\nSeries 1. Project Files; ca. 1964-2007; boxes 1-89.\u003clb\u003e\u003c/lb\u003e\nSeries 2. Index to Project Files; ca. 1964-1987; boxes 90-101b.\u003clb\u003e\u003c/lb\u003e\nSeries 3. Aerial Prints; ca. 1961-1984; box 102.\u003clb\u003e\u003c/lb\u003e\nSeries 4. \"Bicentennial Collection\"; ca. 1890-1925; boxes 103-104.\u003clb\u003e\u003c/lb\u003e\nSeries 5. Slides; ca. 1980-1992; boxes 105-111.\u003clb\u003e\u003c/lb\u003e\nSeries 6. Digital Photographs; ca. 2000-2005; boxes 112-114.\u003clb\u003e\u003c/lb\u003e\nSeries 7. Proof Sheets; ca. 1965-1999; boxes 115-117.\u003clb\u003e\u003c/lb\u003e\nSeries 8. Special Project Files; ca. 1965-2001; boxes 118-120.\u003clb\u003e\u003c/lb\u003e\nSeries 9. Slides in Boxes; ca. 1990-1998; box 121.\u003clb\u003e\u003c/lb\u003e\nSeries 10. Slides in Sleeves; 1980-1998; boxes 122-134.\u003clb\u003e\u003c/lb\u003e\nSeries 11. Subjects; ca. 1950-1992; boxes 135-138.\u003clb\u003e\u003c/lb\u003e\nSeries 12. Transparencies 8 x 10; undated; box 139.\u003clb\u003e\u003c/lb\u003e\nSeries 13. Transparencies File; ca. 1970-1985; boxes 140-143.\u003clb\u003e\u003c/lb\u003e\nSeries 14. WVU Faculty Portrait Prints; 1960-1969; box 144.\u003clb\u003e\u003c/lb\u003e\nSeries 15. Miscellaneous Material; undated; box 145.\u003c/p\u003e","\u003cp\u003eThis series includes prints, proofs with negatives, and digital files on discs. Each set of images is identified with a project number.  Projects are divided into two subseries.  Project numbers range from 2 to 10182 in the first subseries and 1-B to 24,549-B/C/DC in the second subseries. Discs start appearing in box 87, project number 21513-DC (2001/07/31). Types of photograph include candid shots, portraits of individuals, group portraits, and facilities.  Subjects include WVU athletics, campus scenes, classrooms, construction, faculty, staff, special events, and more.  See Series 2 description for additional subjects. Series 2 contains an index to the content of boxes 1 through 35 or 36 (ca. 1964-1987).  See Contents List for range of project numbers in each box; please note that not all project numbers are present in the corresponding box.\u003c/p\u003e","\u003cp\u003eKick-Off Banquet, Greater University Drive; Governor Smith; President Paul A. Miller; Governor Smith with sword; 31 negatives\u003c/p\u003e","\u003cp\u003eArchery, Physical Education; 9 negatives\u003c/p\u003e","\u003cp\u003e5 negatives; professor English (Clyde) portrait; Division of Music; English Department; 5 negatives\u003c/p\u003e","\u003cp\u003eTerra-Alta, Biological Study; John L.; 4 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Student Instructors; Pat Tork; 4 negatives\u003c/p\u003e","\u003cp\u003eThomas Manley, \"National Teacher of the Year\"; Bill Criswell; 1 negative\u003c/p\u003e","\u003cp\u003eKeith Glancy; B. Criswell; catalogue made; 1 copy negative\u003c/p\u003e","\u003cp\u003eJoe Hutchinson; 6 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Laundry Room; Pat Tork; 2 negatives\u003c/p\u003e","\u003cp\u003eMr. Wagner; Education; Dr. Jarecke; 3 negatives\u003c/p\u003e","\u003cp\u003ePresident's House, light fixtures; Jim Reed; 3 negatives\u003c/p\u003e","\u003cp\u003eGlenlock Hall, Housing; Shaffer; 3 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Rifle Practice; Pat Tork; 7 negatives\u003c/p\u003e","\u003cp\u003eNelson Smith, Portraits; 4 negatives\u003c/p\u003e","\u003cp\u003eKathy Omari [?], Portrait\u003c/p\u003e","\u003cp\u003eIndustrial Engineering Conference; Ray Shaffer; 14 negatives\u003c/p\u003e","\u003cp\u003eDan Boggs, Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eDan Bond, Portrait; 1 negative\u003c/p\u003e","\u003cp\u003eNeil E. Bolyard, Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eGordon R. Thorn, Assistant Director of Student Education Services; Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eConference on Poverty; George Kirk; 33 negatives\u003c/p\u003e","\u003cp\u003eSafety Education; Dr. Yost; 3 negatives\u003c/p\u003e","\u003cp\u003eStudent Affairs, Student Body; 8 negatives\u003c/p\u003e","\u003cp\u003eJim Watkins; 1 negative\u003c/p\u003e","\u003cp\u003eGovernor Hulett C. Smith; Democrat; 1965-1969; 3 negatives\u003c/p\u003e","\u003cp\u003eParking Lot; Criswell; 3 negatives\u003c/p\u003e","\u003cp\u003eCriswell; Copy; 1 negative\u003c/p\u003e","\u003cp\u003eStudent Affairs, Staff Meeting; 3 negatives\u003c/p\u003e","\u003cp\u003eCamp Dawson; 18 negatives\u003c/p\u003e","\u003cp\u003eAthletic Publication- Football, Cheerleaders; 18 negatives\u003c/p\u003e","\u003cp\u003eMartha Harris; 4 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Auto Presentation; Dr. Yost; 4 negatives\u003c/p\u003e","\u003cp\u003eStudent Union, Bid Opening; Criswell; 8 negatives\u003c/p\u003e","\u003cp\u003eEducation Workshop; Groupe; 2 negatives\u003c/p\u003e","\u003cp\u003eDrama Production of \"The Women\"; Boyd; 10 negatives\u003c/p\u003e","\u003cp\u003eWest Virginia Collection, Library; Shetler; 17 negatives\u003c/p\u003e","\u003cp\u003eCobalt Vault, Engineering; Mr. Boyle; 2 negatives\u003c/p\u003e","\u003cp\u003eMrs. Bachman, Board of Governors; Portrait; 1 negative\u003c/p\u003e","\u003cp\u003eFrank (Francisco) Herrera, Professor of Spanish; Foreign Languages; 1 negative\u003c/p\u003e","\u003cp\u003eWestern Electric Fund Scholarship, Presented to Brian Lautramus; Neil Bolyard; 4 negatives\u003c/p\u003e","\u003cp\u003eConference on Poverty; Kirk; 56 negatives\u003c/p\u003e","\u003cp\u003eBetty Boyd, Dean of Women; Potrait; 2 negatives\u003c/p\u003e","\u003cp\u003eComputer Center; Drake; 8 negatives\u003c/p\u003e","\u003cp\u003eComputer Center, Doctor Drake; 2 negatives\u003c/p\u003e","\u003cp\u003eComputer Center, Doctor Drake; 4 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Fencing; Photo by Mrs. Pearse\u003c/p\u003e","\u003cp\u003eAthletic Department, Baseball; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Walter H. Jarecke, Professor of Education, Director of Guidance; 1 negative\u003c/p\u003e","\u003cp\u003eEngineering, Slides; Dr. Wren; 23 negatives\u003c/p\u003e","\u003cp\u003eDr. John F. Golay, Provost Professor of History, Dean of Graduate Studies; Passport Photos; 4 negatives\u003c/p\u003e","\u003cp\u003eCommencement; 7 negatives\u003c/p\u003e","\u003cp\u003eRoy B. Clarkson, Botany, Plant, Biology; Criswell; 1 negative\u003c/p\u003e","\u003cp\u003eSnow Scenes of E. Moore Hall, the President's Home, Woodburn Circle; 6 negatives\u003c/p\u003e","\u003cp\u003eDepartment of Inter-Collegiate Athletics, Golf, Tennis; Dave Young; 7 negatives\u003c/p\u003e","\u003cp\u003eUniversity High School, Project; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Richmond Game; Music-Udell; 9 negatives\u003c/p\u003e","\u003cp\u003eBand Brothers; Criswell; 3 negatives\u003c/p\u003e","\u003cp\u003eSocial Work, Mrs. Blackburn; 8 negatives\u003c/p\u003e","\u003cp\u003eFrank Borkowski, Concert Orchestra Rehearsal; 17 negatives\u003c/p\u003e","\u003cp\u003eProfessor Perley Isaac Reed, Mountainlair; 12 negatives\u003c/p\u003e","\u003cp\u003eCommencement; Don Bond; 13 negatives\u003c/p\u003e","\u003cp\u003ePublications; Unknown; 2 negatives\u003c/p\u003e","\u003cp\u003eDave Jacobs, Phillipine Visitors; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Sarkesian; 8 negatives\u003c/p\u003e","\u003cp\u003eWVU Library, Reading Room; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU vs. Pittsburgh Game, Football, Band; Pittsburgh- 48 WVU-63; 8 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Homecoming Game; Virginia Tech; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, G.W. Game; Music- Udell; Last Game; 3 negatives\u003c/p\u003e","\u003cp\u003eBob Conners; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. James Henning, Chairman of the Department of Speech; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. William H. Mernyk, Economics; Criswell; 1 negative\u003c/p\u003e","\u003cp\u003eRed Brown Heart Fund Award; Barrett; 6 negatives\u003c/p\u003e","\u003cp\u003eScholarship, Bolyard; 27 negatives\u003c/p\u003e","\u003cp\u003eHealth Center; 10 negatives\u003c/p\u003e","\u003cp\u003ePhysical Lab Display; 2 negatives\u003c/p\u003e","\u003cp\u003eEd Sprague; 4 negatives\u003c/p\u003e","\u003cp\u003eProduction of \"American Dream\", Drama; Mr. Boyd; 2 negatives\u003c/p\u003e","\u003cp\u003eUnknown Subject, Criswell; 7 negatives\u003c/p\u003e","\u003cp\u003eDrama Production; Mr. Nels; 6 negatives\u003c/p\u003e","\u003cp\u003eChemistry Building, Annex Plan Drawings; 4 negatives\u003c/p\u003e","\u003cp\u003eBiology Department, Photos of Birds; Professor Birch; 8 negatives\u003c/p\u003e","\u003cp\u003eMechanical and Aerospace Engineering; 12 negatives\u003c/p\u003e","\u003cp\u003eWVU slides, Television Workshop, Department of Speech; 4 negatives\u003c/p\u003e","\u003cp\u003eRed Brown, Athletic Director; 3 negatives\u003c/p\u003e","\u003cp\u003eHigh School Drama Workshop; Sam Boyd; 4 negatives\u003c/p\u003e","\u003cp\u003eSocial Work Building; 4 negatives\u003c/p\u003e","\u003cp\u003eInterior of Arnold Hall; Women studying; 6 negatives\u003c/p\u003e","\u003cp\u003eMary Jane Schuster, Assistant Dean of Women; 2 negatives\u003c/p\u003e","\u003cp\u003eDave Jacobs, Portrait; 1 negative\u003c/p\u003e","\u003cp\u003eDean Ray Duncan; 4 negatives\u003c/p\u003e","\u003cp\u003eDrama, Unknown Play; Dr. Burrows; 8 negatives\u003c/p\u003e","\u003cp\u003eDrawing of Waitman Barbe by Louise Hennen; English Department; Newspaper Editor; 2 negatives\u003c/p\u003e","\u003cp\u003eThe Belcastro Trio, Joyce Breach, Music Practice; 24 negatives\u003c/p\u003e","\u003cp\u003eUnknown Subject, Dr. Diener; 1 negative\u003c/p\u003e","\u003cp\u003eJoyce Breach; 5 negatives\u003c/p\u003e","\u003cp\u003eWrestling, 1965 Winners; 2 negatives\u003c/p\u003e","\u003cp\u003eThe Belcastro Trio; 4 negatives\u003c/p\u003e","\u003cp\u003eBill Criswell; two negatives\u003c/p\u003e","\u003cp\u003ePolywood Charts, Engineering Department; Jim Kent; 12 negatives\u003c/p\u003e","\u003cp\u003eMusic Practice, Mrs. Lorrence [?]; 11 negatives\u003c/p\u003e","\u003cp\u003eNuclear Reactor, Physics Building; 9 negatives\u003c/p\u003e","\u003cp\u003eDr. Golay, Vice President; 5 negatives\u003c/p\u003e","\u003cp\u003eTwin Towers, West Virginia State Seal; 1 negative\u003c/p\u003e","\u003cp\u003eConcert Orchestra, Music Department; Borkowski; 4 negatives\u003c/p\u003e","\u003cp\u003eOpera Production; 24 negatives\u003c/p\u003e","\u003cp\u003eNuclear Reactor, Physics Building; 5 negatives\u003c/p\u003e","\u003cp\u003eCommerce Scholarship; Neil Bolyard; 4 negatives\u003c/p\u003e","\u003cp\u003eScouting Award, President Paul Miller; 4 negatives\u003c/p\u003e","\u003cp\u003eCreative Arts Building Model; 3 negatives\u003c/p\u003e","\u003cp\u003eMusic Department, Woodwinds; Small Group; Frank Borkowski; 5 negatives\u003c/p\u003e","\u003cp\u003eMiss Keener, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eCharles Wise, Board of Governors; 2 negatives\u003c/p\u003e","\u003cp\u003eDepartment of Engineering Slides, Dr. Wen; 20 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Wrestling, Pat Tork; 11 negatives\u003c/p\u003e","\u003cp\u003eMusic Meeting, Dean Duncan; 40 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Campus Residence Hall, Twin Towers; 2 negatives\u003c/p\u003e","\u003cp\u003eAmerican Arts Trio, Ruth Landes Drucker, Arno P. Drucker, Assistant Professor of Music; 8 negatives\u003c/p\u003e","\u003cp\u003eDr. Lambert, College of Engineering; 5 negatives\u003c/p\u003e","\u003cp\u003eScience Writing; 18 negatives\u003c/p\u003e","\u003cp\u003eDean Richard Duncan, First Dean of the Creative Arts Center; 1 negative\u003c/p\u003e","\u003cp\u003eIndustrial Engineering, Subject Unknown; 2 negatives\u003c/p\u003e","\u003cp\u003eMusic Production of the \"Devil and Daniel Webster; 20 negatives\u003c/p\u003e","\u003cp\u003eKappa Delta, Sorority House; 5 negatives\u003c/p\u003e","\u003cp\u003eEisland Hall, Views from in front of music building; 8 negatives\u003c/p\u003e","\u003cp\u003eState 4-H camp, Jackson Mills; Dave Johnson Display; Glen Snyder; 9 negatives\u003c/p\u003e","\u003cp\u003eLibrary, Criswell; 3 negatives\u003c/p\u003e","\u003cp\u003eJunior Achievement; Jim Watkins; 7 negatives\u003c/p\u003e","\u003cp\u003eRobert B. Smawley, Provost Office; 4 negatives\u003c/p\u003e","\u003cp\u003eIndustrial Engineering; Ray Schaffer; 17 negatives\u003c/p\u003e","\u003cp\u003eDr. Festivus P. Summers; Criswell; 1negative\u003c/p\u003e","\u003cp\u003eCriswell; Copies; 2 negatives\u003c/p\u003e","\u003cp\u003eTwin Towers, Evansdale; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Band at Camp Dawson, Udell; 11 negatives\u003c/p\u003e","\u003cp\u003eScience Writing; 4 negatives\u003c/p\u003e","\u003cp\u003eMilitary First Solo Flight,Cherokee 140; Cullen; 1 negative\u003c/p\u003e","\u003cp\u003eCharles Weakley, Chemistry Department; Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eEngineering, Chemical; Mr. Boyle; 9 negatives\u003c/p\u003e","\u003cp\u003eScholarship, Neil Bolyard; 22 negatives\u003c/p\u003e","\u003cp\u003eSam Boyd, Drama department; 8 negatives\u003c/p\u003e","\u003cp\u003eRadio and TV slides; Van Camp; 2 negatives\u003c/p\u003e","\u003cp\u003eDrama production of \"Don Juan\"; Sam Boyd; 4 negatives\u003c/p\u003e","\u003cp\u003eHumanities Conference, Dr. Ikenberry; 9 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Fencing; Mrs. Pearse; 13 negatives\u003c/p\u003e","\u003cp\u003eIndustrial Engineering, Mr Shaffer; 3 negatives\u003c/p\u003e","\u003cp\u003eForeign Offices, Criswell; 4 negatives\u003c/p\u003e","\u003cp\u003eStudent Affairs Group; Jim Watkins; St. Committee; 2 negatives\u003c/p\u003e","\u003cp\u003eNews-Info, Criswell; Copies; 2 negatives\u003c/p\u003e","\u003cp\u003eEngineering, Weirton Steel Display; 5 negatives\u003c/p\u003e","\u003cp\u003eRay Shaffer; 3 negatives\u003c/p\u003e","\u003cp\u003eNeil Bolyard, Scholarship; 2 negatives\u003c/p\u003e","\u003cp\u003eDr. Kennedy; Reading C; 2 negatives\u003c/p\u003e","\u003cp\u003eMain Campus Scene; Old Picture; 2 negatives\u003c/p\u003e","\u003cp\u003eMain Campus Air View, Old Picture; Fairchild Aerial surveys, Inc. NYC; 2 negatives\u003c/p\u003e","\u003cp\u003eir View Main Campus, May 6 1960; L.O. Myers; 2 negatives\u003c/p\u003e","\u003cp\u003eStudents walking around Woodburn Circle; 6 negatives\u003c/p\u003e","\u003cp\u003eIndustrial Engineering, Shaffer; 3 negatives\u003c/p\u003e","\u003cp\u003eMountainlair; 4 negatives\u003c/p\u003e","\u003cp\u003eIntramural Soccer; 2 negatives\u003c/p\u003e","\u003cp\u003eThe Daily Athenaeum Newsroom; 4 negatives\u003c/p\u003e","\u003cp\u003eMedical Center Dental Lab; 4 negatives\u003c/p\u003e","\u003cp\u003eRecreation; 2 negatives\u003c/p\u003e","\u003cp\u003eBiology Lab; 3 negatives\u003c/p\u003e","\u003cp\u003eAgricultural School, Research; 2 negatives\u003c/p\u003e","\u003cp\u003eGreek Charity Project, Downtown; 8 negatives\u003c/p\u003e","\u003cp\u003eEngineering Building, Air View; 2 negatives\u003c/p\u003e","\u003cp\u003eHistory Department Classroom; 2 negatives\u003c/p\u003e","\u003cp\u003eOgleby Hall; 2 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Campus, Air Views; 2 negatives\u003c/p\u003e","\u003cp\u003eProfessor Harold Cather, Chair of Mechanical Engineering; Portraits; 4 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering Conference; Dr. Schaub; 8 negatives\u003c/p\u003e","\u003cp\u003eTelephone Operators, Helen Criss; 3 negatives\u003c/p\u003e","\u003cp\u003eMilitary Ceremony, Major Wade; 11 negatives\u003c/p\u003e","\u003cp\u003ePresident Charles Wise Jr., Board of Governors; Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eProfessor Robert Slonneger, Mechanical Engineering; 2 negatives\u003c/p\u003e","\u003cp\u003eMargaret Lorince, Professor of Music; 6 negatives\u003c/p\u003e","\u003cp\u003eJulian Martin, Groupe; 4 negatives\u003c/p\u003e","\u003cp\u003eAerospace Symposium; Mr. Walters; 7 negatives\u003c/p\u003e","\u003cp\u003eMain Campus, Aerial View; 4 negatives\u003c/p\u003e","\u003cp\u003eMedical Center, Aerial View; 2 negatives\u003c/p\u003e","\u003cp\u003eForestry Building; 8 negatives\u003c/p\u003e","\u003cp\u003eThe Women; 4 negatives\u003c/p\u003e","\u003cp\u003eGroups-The Women; 9 negatives\u003c/p\u003e","\u003cp\u003eChemistry slides; Tony Winston; 6 negatives\u003c/p\u003e","\u003cp\u003eBook slides; Dr. Manning; 3 negatives\u003c/p\u003e","\u003cp\u003eSlide copies- Pygmies; 3 negatives\u003c/p\u003e","\u003cp\u003eStudent Government, Homecoming-Girls; 63 negatives\u003c/p\u003e","\u003cp\u003eUniversity Choir, Music Department; 6 negatives\u003c/p\u003e","\u003cp\u003ePresident Miller and Senator Randolph; Pen Presentation; 8 negatives\u003c/p\u003e","\u003cp\u003eEngineering Building; Shaffer; 2 negatives\u003c/p\u003e","\u003cp\u003eDr. Hess; 6 negatives\u003c/p\u003e","\u003cp\u003eBill Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eChemical Engineering, Mr. Bogle; 6 negatives\u003c/p\u003e","\u003cp\u003eChemical Engineering, Mr. Bogle; Udell; 7 negatives\u003c/p\u003e","\u003cp\u003ePep Rally for the WVU vs. Penn State Game, WVU band; Udell; Thuse; 10 negatives\u003c/p\u003e","\u003cp\u003eWVU Band; William and Mary Game; Udell; 5 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Citadel Game; Bud Udell; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Pre-season; Bud Udell; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Syracuse Game; Bud Udell; 7 negatives\u003c/p\u003e","\u003cp\u003eWelfare Department, Group photo; 17 negatives\u003c/p\u003e","\u003cp\u003eJames M. Mullendore Senior; 6 negatives\u003c/p\u003e","\u003cp\u003eRobert Iden-Nels; University photo; 9 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Campus views; Morgantown Ordinance; 8 negatives\u003c/p\u003e","\u003cp\u003eEngineering Department, charts and slides; M. Patterson; 13 negatives\u003c/p\u003e","\u003cp\u003eBiology Department; slides; 4 negatives\u003c/p\u003e","\u003cp\u003eHealth Center, Moving; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU High School Speech Institution, group photo; 3 negatives\u003c/p\u003e","\u003cp\u003eWVU Summer Art Institute, group photo; 4 negatives\u003c/p\u003e","\u003cp\u003eAmerican Arts Trio, Pianist Arno Drucker, Violinist Donald Portnoy, Cellist John Engbert; 15 negatives\u003c/p\u003e","\u003cp\u003eJoe Moss; 8 negatives\u003c/p\u003e","\u003cp\u003eGovernor Hulett C. Smith; 11 negatives\u003c/p\u003e","\u003cp\u003eEngineering Conference on Appalachia; 25 negatives\u003c/p\u003e","\u003cp\u003eEngineering Conference on Appalachia; 14 negatives\u003c/p\u003e","\u003cp\u003eInternational Night, Field House; 12 negatives\u003c/p\u003e","\u003cp\u003eEngineering Conference; 4 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering, Professor Fowler; 44 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering, Carter Tork; 12 negatives\u003c/p\u003e","\u003cp\u003eMusic Concert, Mr. Borkowski; 14 negatives\u003c/p\u003e","\u003cp\u003eWVU Band Day, Music Department; Bud Udell; 3 negatives\u003c/p\u003e","\u003cp\u003eOperetta, Joe Goltz; 17 negatives\u003c/p\u003e","\u003cp\u003eStudent Government, Executive Committee; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Lambert, lab and office; Criswell; 12 negatives\u003c/p\u003e","\u003cp\u003eChildren's Theater; 12 negatives\u003c/p\u003e","\u003cp\u003eMiss Morgantown \"1965\"; 9 negatives\u003c/p\u003e","\u003cp\u003eD. Brewer; 9 negatives\u003c/p\u003e","\u003cp\u003eWVU Drama Production; Thieves Cornwal; 10 negatives\u003c/p\u003e","\u003cp\u003eDr. Thomas Canning, Music Department; Criswell; 4 negatives\u003c/p\u003e","\u003cp\u003eFirst students at Evansdale Twin Towers; 12 negatives\u003c/p\u003e","\u003cp\u003eMusical Group-Brass, R. Sherman; 7 negatives\u003c/p\u003e","\u003cp\u003eGlenn Snyder, Group photo; 4 negatives\u003c/p\u003e","\u003cp\u003eFrank Carlomagno; Assistant Director of the WVU Foundation; 4 negatives\u003c/p\u003e","\u003cp\u003eEngineering Conference, Group photo; 3 negatives\u003c/p\u003e","\u003cp\u003eWVU Fine Arts Camp; Group Photo; 6 negatives\u003c/p\u003e","\u003cp\u003eLynn Duncan; 8 negatives\u003c/p\u003e","\u003cp\u003eIden Family photos; 10 negatives\u003c/p\u003e","\u003cp\u003eDrama Department, Phillips; 6 negatives\u003c/p\u003e","\u003cp\u003eOrchesis \"65\"; 27 negatives\u003c/p\u003e","\u003cp\u003eDr. Patterson; 3 negatives\u003c/p\u003e","\u003cp\u003eMorgantown High School, Wrestling team, 1 negative\u003c/p\u003e","\u003cp\u003eJohn Cook; 4 negatives\u003c/p\u003e","\u003cp\u003eWV State Wrestling, 7 negatives\u003c/p\u003e","\u003cp\u003eDrama Production, \"Lady Precious Stream\"; 10 negatives\u003c/p\u003e","\u003cp\u003eBill Criswell, woodworking; 12 negatives\u003c/p\u003e","\u003cp\u003eStudent Committee; Legislature; 9 negatives\u003c/p\u003e","\u003cp\u003eEngineering, Dr. Carter; 3 negatives\u003c/p\u003e","\u003cp\u003eWVU Library, Hess; 15 negatives\u003c/p\u003e","\u003cp\u003eWVU Band; 10 negatives\u003c/p\u003e","\u003cp\u003eDr. Stewart, Math Department; 7 negatives\u003c/p\u003e","\u003cp\u003eDr. Yost, Physical Education; 4 negatives\u003c/p\u003e","\u003cp\u003eLocusts; 4 negatives\u003c/p\u003e","\u003cp\u003eThomas Luther and Mrs. T.L. Harris, Order of Vandalia, Commencement; Honorary degree; HA Stansbury on right; 6 negatives\u003c/p\u003e","\u003cp\u003eNews and Info; 5 negatives\u003c/p\u003e","\u003cp\u003eWVU Showcase display, \"Student Life on Campus\"; 18 negatives\u003c/p\u003e","\u003cp\u003eDevelopment Office, Neil Bolyard; 6 negatives\u003c/p\u003e","\u003cp\u003eMr. Humphry, Chemistry Department, Presidential Award; 5 negatives\u003c/p\u003e","\u003cp\u003eAWS; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU extension, Forum teachers; 6 negatives\u003c/p\u003e","\u003cp\u003eOld Woodburn Hall, before 1900; 3 negatives\u003c/p\u003e","\u003cp\u003eBelcastro Trio, State Department; Criswell; 46 negatives\u003c/p\u003e","\u003cp\u003eDr. Kent, portraits; 6 negatives\u003c/p\u003e","\u003cp\u003eJulian Martin; 10 negatives\u003c/p\u003e","\u003cp\u003eCriswell, Speaker; 1 negative\u003c/p\u003e","\u003cp\u003eOld Mechanical Hall II; 2 negatives\u003c/p\u003e","\u003cp\u003ePeter Bonays; Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eForestry Sciences Building; Baker; 4 negatives\u003c/p\u003e","\u003cp\u003eDave Tork, GUD; 4 negatives\u003c/p\u003e","\u003cp\u003eGordon Craig, Speaker; Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eNeil Bolyard, Check presentation; 5 negatives\u003c/p\u003e","\u003cp\u003eDevelopment Office, Frank Carlomheno; 5 negatives\u003c/p\u003e","\u003cp\u003eBetty Boyd, Dean of Women; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Choir; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Drama production; Burrows; 14 negatives\u003c/p\u003e","\u003cp\u003eMusic- Summer camp; f. Borkowski; 2 negatives\u003c/p\u003e","\u003cp\u003eArt Department, Joe Moss; 25 negatives\u003c/p\u003e","\u003cp\u003eDr. A. Reed; 2 negatives\u003c/p\u003e","\u003cp\u003eEconomic Education Workshop; Maron Lee; 64 negatives\u003c/p\u003e","\u003cp\u003eWoman's Hall, Stalnaker; 15 negatives\u003c/p\u003e","\u003cp\u003eMiss McClure, Campus Cover Girl; 6 negatives\u003c/p\u003e","\u003cp\u003eMrs. Roger Sherman, dancing; 8 negatives\u003c/p\u003e","\u003cp\u003eMrs. Roger Sherman, dancing; 24 negatives\u003c/p\u003e","\u003cp\u003eCheerleaders, Physical Education; Bill Criswell; 7 negatives\u003c/p\u003e","\u003cp\u003eCobalt Vault, Forestry building; 9 negatives\u003c/p\u003e","\u003cp\u003eDevelopment Office, 99th Anniversary Dinner; 34 negatives\u003c/p\u003e","\u003cp\u003eScholarship Winners 1966, Neil Bolyard; 37 negatives\u003c/p\u003e","\u003cp\u003eWVU Drama Production, \"Dark of the Moon\"; Dr. Burrows; 19 negatives\u003c/p\u003e","\u003cp\u003eUnited Fund; 20 negatives\u003c/p\u003e","\u003cp\u003eRegional Wrestling Winners; 6 negatives\u003c/p\u003e","\u003cp\u003ePortnoy, Music department; 12 negatives\u003c/p\u003e","\u003cp\u003eBig Ten Wrestling; 6 negatives\u003c/p\u003e","\u003cp\u003eChamber of Commerce; 3 negatives\u003c/p\u003e","\u003cp\u003eMorgantown High School Wrestling, Robert De Antonisser 1964-1988; 12 negatives\u003c/p\u003e","\u003cp\u003eCoach Carlin, News Conference; 6 negatives\u003c/p\u003e","\u003cp\u003eOglebay Hall, exteriors; 5 negatives\u003c/p\u003e","\u003cp\u003eOffice of Physical Planning, copies of master plan; C. Wagner; 2 negatives\u003c/p\u003e","\u003cp\u003eDr. C.C. Patterson, Engineering; 9 negatives\u003c/p\u003e","\u003cp\u003eClassroom; 4 negatives\u003c/p\u003e","\u003cp\u003eChi-Omega Sorority; Criswell; 10 negatives\u003c/p\u003e","\u003cp\u003eRoad signs and radar, Civil Engineering; 24 negatives\u003c/p\u003e","\u003cp\u003eChas Tomas, Physics; 12 negatives\u003c/p\u003e","\u003cp\u003eSlides of old photos of Morgantown; Shetler; 32 negatives\u003c/p\u003e","\u003cp\u003eForestry Building entrance; 3 negatives\u003c/p\u003e","\u003cp\u003eCriswell, Speaker; 2 negatives\u003c/p\u003e","\u003cp\u003eJerry Andrick; 4 negatives\u003c/p\u003e","\u003cp\u003eCriswell, Speaker, Chemistry; 2 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education group photo; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU golfing; 7 negatives\u003c/p\u003e","\u003cp\u003eGary Zinn; 1 negatives\u003c/p\u003e","\u003cp\u003eNews and Information, St. Patrick's Day; 6 negatives\u003c/p\u003e","\u003cp\u003eOrchesis; 39 negatives\u003c/p\u003e","\u003cp\u003eOrchesis; 11 negatives\u003c/p\u003e","\u003cp\u003eWVU bookstore, Award winners; 3 negatives\u003c/p\u003e","\u003cp\u003eMusic Preparatory, M. Lorince; 15 negatives\u003c/p\u003e","\u003cp\u003eForestry classroom, Dr. Roch; 2 negatives\u003c/p\u003e","\u003cp\u003ePete Yost; \"All-State\"; 7 negatives\u003c/p\u003e","\u003cp\u003ePlay Day, Tork; 20 negatives\u003c/p\u003e","\u003cp\u003eAmerican Women Surgeons, group photo; 8 negatives\u003c/p\u003e","\u003cp\u003eState Future Farmers of America; 85 negatives\u003c/p\u003e","\u003cp\u003eLa Traviata, WVU Opera production; 21 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, group photo; Larry Castle; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU Women's Club; 31 negatives\u003c/p\u003e","\u003cp\u003eWVU computer music; 4 negatives\u003c/p\u003e","\u003cp\u003eEugene Quarrick; Behavioral Medicine and Psychiatry; 5 negatives\u003c/p\u003e","\u003cp\u003eArmand Singer, Professor of Romance Languages; 12 negatives\u003c/p\u003e","\u003cp\u003eMiss Sinkford; 15 negatives\u003c/p\u003e","\u003cp\u003eDepartment of Physics; 22 negatives\u003c/p\u003e","\u003cp\u003eWVU Women; 34 negatives\u003c/p\u003e","\u003cp\u003eJerry Parmer, Engineering Department; 12 negatives\u003c/p\u003e","\u003cp\u003eWVU Band Day, Udell; 2 negatives\u003c/p\u003e","\u003cp\u003eTextbook of Wood Technology, book photo; Chemical Engineering; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Library, interior views; 8 negatives\u003c/p\u003e","\u003cp\u003eWVU President Paul Ausborn Miller; 7 negatives\u003c/p\u003e","\u003cp\u003eEmory Bacon; 10 negatives\u003c/p\u003e","\u003cp\u003eFreshman Registration; 24 negatives\u003c/p\u003e","\u003cp\u003eDrawings for the Parkersburg Branch; perspective sketch looking toward southwest; 1 negative\u003c/p\u003e","\u003cp\u003eCultural Center; 5 negatives\u003c/p\u003e","\u003cp\u003eNews and Information; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Centennial Seal, 1867-1967; 1 negative\u003c/p\u003e","\u003cp\u003eSlides- men working at the river; Criswell; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Neisus, in his office reading the Appalachian Review; 2 negatives\u003c/p\u003e","\u003cp\u003eScholarship Presentation, Neil Bolyard; 4 negatives\u003c/p\u003e","\u003cp\u003eAthletic Department, Cross Country; 23 negatives\u003c/p\u003e","\u003cp\u003eWVU Fine Arts Camp, group photo; 2 negatives\u003c/p\u003e","\u003cp\u003eBoard of Public Works; 3 negatives\u003c/p\u003e","\u003cp\u003eCriswell; 1 negative\u003c/p\u003e","\u003cp\u003eBurger Chef; 4 negatives\u003c/p\u003e","\u003cp\u003eCharley Hockenberry; 5 negatives\u003c/p\u003e","\u003cp\u003eSlides by Professor Linsky; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU President Miller, Reception; 8 negatives\u003c/p\u003e","\u003cp\u003eLabor Conference, Fred Teller; 11 negatives\u003c/p\u003e","\u003cp\u003eLabor Studies, J. MacKensie; 50 negatives\u003c/p\u003e","\u003cp\u003eDean R. S. Dunbar JR.; 2 negatives\u003c/p\u003e","\u003cp\u003eConference on Manpower in Appalachia; Fred Teller; 57 negatives\u003c/p\u003e","\u003cp\u003eSlides by Jim Kent; 2 negatives\u003c/p\u003e","\u003cp\u003eNews and Information, speaker copies; 2 negatives\u003c/p\u003e","\u003cp\u003ePat Tork, passport photos; 2 negatives\u003c/p\u003e","\u003cp\u003eDr. Igor Sarkissian; 12 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering slides, Dr. Schaub; 10 negatives\u003c/p\u003e","\u003cp\u003eJamison, AWS; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Band Day, William and Mary game; Udell; 4 negatives\u003c/p\u003e","\u003cp\u003eRay Shaffer; 4 negatives\u003c/p\u003e","\u003cp\u003eForeign Officers Visit; 5 negatives\u003c/p\u003e","\u003cp\u003eDriver Training class, Physical Education; 4 negatives\u003c/p\u003e","\u003cp\u003eDave Tork, portraits; 5 negatives\u003c/p\u003e","\u003cp\u003eWVU Band Day, William and Mary game; 3 negatives\u003c/p\u003e","\u003cp\u003eEngineering Scholarship; Parmer; 6 negatives\u003c/p\u003e","\u003cp\u003eState Future Farmers of America Contest; 86 negatives\u003c/p\u003e","\u003cp\u003e\"A Professor Emerges in West Virginia, author Kermit A. Cook; 4 negatives\u003c/p\u003e","\u003cp\u003eDean Campbell; 2 negatives\u003c/p\u003e","\u003cp\u003eGreg Myers, WVU Soccer coach; 4 negatives\u003c/p\u003e","\u003cp\u003eForeign Student Committee; 4 negatives\u003c/p\u003e","\u003cp\u003eA. Larson; 3 negatives\u003c/p\u003e","\u003cp\u003eWVU Cross Country, group photos; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU vs. Citadel game; 7 negatives\u003c/p\u003e","\u003cp\u003eState High School Cross Country; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU musical production of \"Bye Bye Birdie\", Creative Arts Center; 15 negatives\u003c/p\u003e","\u003cp\u003eDr. Robert F. Munn, Provost and Director of Libraries; 2 negatives\u003c/p\u003e","\u003cp\u003eTheodora Schubert, first girl student in Forestry; 12 negatives\u003c/p\u003e","\u003cp\u003eEngineering slides- Radiation Intensity, Jim Kent; 6 negatives\u003c/p\u003e","\u003cp\u003eBill Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eE. Moore Hall, exterior shot; 1 negative\u003c/p\u003e","\u003cp\u003eWVU Law Building, exterior shot; 1 negative\u003c/p\u003e","\u003cp\u003eScholarship Awards for music, Mrs. Inberg; 4 negatives\u003c/p\u003e","\u003cp\u003eOrchesis; 14 negatives\u003c/p\u003e","\u003cp\u003eJoe Gluck, in his office; 6 negatives\u003c/p\u003e","\u003cp\u003eMusic Programs, Arno Druker; 9 negatives\u003c/p\u003e","\u003cp\u003eWilliam H. McMillion, passport photo; 5 negatives\u003c/p\u003e","\u003cp\u003eStudent Organization charts, J. Watkins; 15 negatives\u003c/p\u003e","\u003cp\u003eCentennial Film copies; 6 negatives\u003c/p\u003e","\u003cp\u003eCopies of speakers, Bill Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eChester A. Arents, Dean of the School of Engineering; 2 negatives\u003c/p\u003e","\u003cp\u003eQuint Wilson, Dean of Journalism; 2 negatives\u003c/p\u003e","\u003cp\u003eDr. Ernest Nesius, Dean of the College of Agriculture, Forestry, and Home Economics; 6 negatives\u003c/p\u003e","\u003cp\u003eJerry R. Luh, 1965 All-American Rifle Team portrait; 1 negative\u003c/p\u003e","\u003cp\u003eThomas C. Campbell, Dean of College of Commerce; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Physical Plant Custodial Award presentation; Carol Hose; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU Fine Arts Camp, Don Portnoy; 159 negatives\u003c/p\u003e","\u003cp\u003eFine Arts Camp, music camp; 53 negatives\u003c/p\u003e","\u003cp\u003eWVU Music Camp; 12 negatives\u003c/p\u003e","\u003cp\u003eCaptain Cullen, Military Commission; 10 negatives\u003c/p\u003e","\u003cp\u003eGreater West Virginia Weekend; 24 negatives\u003c/p\u003e","\u003cp\u003eWVU Choir; Dr. Barton; 4 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers Lounge ; 10 negatives\u003c/p\u003e","\u003cp\u003eWVU Band Day, WVU vs. Penn State game; 8 negatives\u003c/p\u003e","\u003cp\u003eWVU band at Kentucky game; 8 negatives\u003c/p\u003e","\u003cp\u003eWVU President Don Bond, portraits; 3 negatives\u003c/p\u003e","\u003cp\u003eBoard of Education Grant for drama and cultural education; 132 negatives\u003c/p\u003e","\u003cp\u003eFuture Farmers of America, University High School chapter; 9 negatives\u003c/p\u003e","\u003cp\u003eDr. Arya; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Link Day; 8 negatives\u003c/p\u003e","\u003cp\u003eMr. Jones, WVU President's assistant; 2 negatives\u003c/p\u003e","\u003cp\u003eJulian Martin; 6 negatives\u003c/p\u003e","\u003cp\u003eslides, Dr. Moh, 2 negatives\u003c/p\u003e","\u003cp\u003eRaphael Bachman, Dean of Pharmacy; 2 negatives\u003c/p\u003e","\u003cp\u003eYork Junior College students; 6 negatives\u003c/p\u003e","\u003cp\u003ecopy for news service; 2 negatives\u003c/p\u003e","\u003cp\u003eNews Service, Dickerson; 2 negatives\u003c/p\u003e","\u003cp\u003eGuy Harry Stewart, Professor of Journalism; 13 negatives\u003c/p\u003e","\u003cp\u003eKenneth V. Randolph, Dean of School of Dentistry; 1958-1968; 4 negatives\u003c/p\u003e","\u003cp\u003eSnow scenes at WVU; pylons 2; 25 negatives\u003c/p\u003e","\u003cp\u003eRay Duncan, Dean of Physical Education; portraits; 7 negatives\u003c/p\u003e","\u003cp\u003eLeo Horacek, Professor Emeritus of Music; 4 negatives\u003c/p\u003e","\u003cp\u003eOfficers of the A.W.S.; 16 negatives\u003c/p\u003e","\u003cp\u003eRoy W. Bahl, Professor of Economics; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Choir; 5 negatives\u003c/p\u003e","\u003cp\u003eRichard E. Duncan, Dean of the Creative Arts Center; 6 negatives\u003c/p\u003e","\u003cp\u003eDr. Jay Barton, Chairman of the Biology Department; 6 negatives\u003c/p\u003e","\u003cp\u003eGeorge Kirk, Vice President of Finance; 4 negatives\u003c/p\u003e","\u003cp\u003eCharles E. Hockenberry, WVU coach; head football coach at WVU Institute of Technology 1947-1948; head baseball coach at WVU 1947; inducted into the WVU Sports Hall of Fame 2005; 1 negative\u003c/p\u003e","\u003cp\u003eJoseph Goltz, Director of the WVU Opera Group; First director; 4 negatives\u003c/p\u003e","\u003cp\u003eBen Linsky, Professor of Sanitary Engineering; Department of Civil Engineering; air pollution studies; 5 negatives\u003c/p\u003e","\u003cp\u003eAda Lease, portraits; 5 negatives\u003c/p\u003e","\u003cp\u003eCarolyn Reyer, Native American advocate; helped to develop the Native American History and Culture studies program 1991; singer- mezzo-soprano; established the Monongalia Riding for the Handicapped 1986; 8 negatives\u003c/p\u003e","\u003cp\u003eDr. Harry Heflin and Neil Bolyard, presentation of Texaco Scholarship; 5 negatives\u003c/p\u003e","\u003cp\u003eDr. James G. Harlow (right) and Mr. Norton (left) in ROTC office; 3 negatives\u003c/p\u003e","\u003cp\u003eSocial work group photo; 8 negatives\u003c/p\u003e","\u003cp\u003eDr. Howard Perry Simons; Chemical Engineering; 26 negatives\u003c/p\u003e","\u003cp\u003eJames A. Kent, Nuclear Engineering; Polywood; 45 negatives\u003c/p\u003e","\u003cp\u003eStanley O. Ikenberry, dean of the College of Human Resources and Education; 9 negatives\u003c/p\u003e","\u003cp\u003eLabor Institute at Mont Chateau; 6 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Twin Towers, exterior views; 5 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers, interior view- lobby; 2 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers, Bennett Tower and Lyon Tower, exterior views; 4 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers, Dining hall, dorm room; 10 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers, interior views of the lounge; 8 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers, exterior shots; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Swimming, Coach Kevin Gilson; publicity shots; 35 negatives\u003c/p\u003e","\u003cp\u003eWVU Choir, Joe Golz; 6 negatives\u003c/p\u003e","\u003cp\u003eVice President Hubert Humphrey, visit to WVU; 12 negatives\u003c/p\u003e","\u003cp\u003eWVU Physical Education group photo; Quentin Barnette- professor in the WVU School of Physical Education; 4 negatives\u003c/p\u003e","\u003cp\u003eWV Collection Story; photo 1- Fairmont ordinance, ad, and invoice; photo 2- Flood April 1, 1913; 4 negatives\u003c/p\u003e","\u003cp\u003eWV Collection- Military Story; photo 1- Woodburn Circle; photo 2- cannons between Woodburn Circle and Mountainlair; 4 negatives\u003c/p\u003e","\u003cp\u003eProtestors at the WVU Commencement; 12 negatives\u003c/p\u003e","\u003cp\u003eWVU Baseball, publicity shots; 57 negatives\u003c/p\u003e","\u003cp\u003eWVU Tennis and Golf; 23 negatives\u003c/p\u003e","\u003cp\u003eWVa Collection Story, librarians at work; 7 negatives\u003c/p\u003e","\u003cp\u003eMr. Preston Harper; 4 negatives\u003c/p\u003e","\u003cp\u003eRalph Bean in a meeting; 1 negative\u003c/p\u003e","\u003cp\u003eMr. Bray, Board of Governors; 1 negative\u003c/p\u003e","\u003cp\u003eWrestling- Southern Conference Tournament; 2 negatives\u003c/p\u003e","\u003cp\u003eTrack and Field photos, Stan Romanoski- WVU coach of the men's track and field and cross country teams; 30 negatives\u003c/p\u003e","\u003cp\u003eWVU College of Law, exterior shots; 7 negatives\u003c/p\u003e","\u003cp\u003eChemical Engineering Award Presentation; news service; 8 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering, road and billboard signs; 21 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education- Driver's Education cars; Dr. yost; 11 negatives\u003c/p\u003e","\u003cp\u003eNuclear Facility, Forestry Building; Boyles; 12 negatives\u003c/p\u003e","\u003cp\u003eThomas Gary Kenamondo, news and Information; 2 negatives\u003c/p\u003e","\u003cp\u003eRadio and Television productions; 16 negatives\u003c/p\u003e","\u003cp\u003eMr. Graber, WVU Drama Department; portraits; 4 negatives\u003c/p\u003e","\u003cp\u003eEngineering slides; joint mechanism of ultrasonic welding; 5 negatives\u003c/p\u003e","\u003cp\u003enature slides, News Service; 6 negatives\u003c/p\u003e","\u003cp\u003eMr. Bates, News-Service; 2 negatives\u003c/p\u003e","\u003cp\u003eSuper Wood; WVU engineering; experiment; 4 negatives\u003c/p\u003e","\u003cp\u003eEngineering and Bio-physics; TAM; 6 negatives\u003c/p\u003e","\u003cp\u003eLeo Fishman, Professor of Economics and Finance; 3 negatives\u003c/p\u003e","\u003cp\u003eDriver's Education Class; WVU Physical Education; 3 negatives\u003c/p\u003e","\u003cp\u003eUnion Carbide presentation, Engineering Department; 4 negatives\u003c/p\u003e","\u003cp\u003eNew York Bond Company; 6 negatives\u003c/p\u003e","\u003cp\u003eCollege of Commerce, Bankers Scholarship presentation; 7 negatives\u003c/p\u003e","\u003cp\u003eBud Udell, WVU Director of Bands at University High School; 7th band director 1963-1969; 7 negatives\u003c/p\u003e","\u003cp\u003eConstruction of the Creative Arts Center slides; 2 negatives\u003c/p\u003e","\u003cp\u003eRuel Foster, WVU English Department Chair; Benedum Distinguished Professor of American Literature; author of Appalachian literature; tennis coach; Order of Vandalia; 9 negatives\u003c/p\u003e","\u003cp\u003eslides of the Annals New York Academy of Sciences; 9 negatives\u003c/p\u003e","\u003cp\u003eWVU Engineering slides; 25 negatives\u003c/p\u003e","\u003cp\u003eDr. Dozo and Dr. Olson, visiting vets; 5 negatives\u003c/p\u003e","\u003cp\u003eWes Coppock; News-Service; 1 negative\u003c/p\u003e","\u003cp\u003eMargaret Lorince, WVU Director of Preparatory Music; assiatant Chair of Music; Assistant Dean of the CAC; Professor Emerita; 20 negatives\u003c/p\u003e","\u003cp\u003eJoe Moss, Kinetic Sculpture; West Virginia Moon; National Endowment for the Arts; 12 negatives\u003c/p\u003e","\u003cp\u003eSchool of Speech Communications, Leonard Davis; 21 negatives\u003c/p\u003e","\u003cp\u003eWeirton Story, News-Information; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU Nursery School on Campus Drive; children playing; 6 negatives\u003c/p\u003e","\u003cp\u003eEngineering slides, Blackshaw; 15 negatives\u003c/p\u003e","\u003cp\u003eMr. Brown, Commerce; 2 negatives\u003c/p\u003e","\u003cp\u003eAlumni Giving Incentive Award, Dave Tork; 3 negatives\u003c/p\u003e","\u003cp\u003ephotos of books by Earl L. Core, cover picture; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Computer Center; 12 negatives\u003c/p\u003e","\u003cp\u003eUSS West Virginia Mast Plaque; 10 negatives\u003c/p\u003e","\u003cp\u003eJohn Luchak; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Commencement; 27 negatives\u003c/p\u003e","\u003cp\u003eWVU Nursery School; 20 negatives\u003c/p\u003e","\u003cp\u003eErnie Jones in his office; 7 negatives\u003c/p\u003e","\u003cp\u003eHerman Godes, Pianist; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Clyde English, Head of Organ Department 1945-1980; 4 negatives\u003c/p\u003e","\u003cp\u003ePresbysterian Church Cross; 3 negatives\u003c/p\u003e","\u003cp\u003eMountainlair construction; 10 negatives\u003c/p\u003e","\u003cp\u003eDr. Harry Heflin, Vice President of Finance and Administration; 6 negatives\u003c/p\u003e","\u003cp\u003eParmer, Aero-Space; 5 negatives\u003c/p\u003e","\u003cp\u003eWVU Athletic Department picnic; 20 negatives\u003c/p\u003e","\u003cp\u003eJames Thompson in his lab; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Medical Center, night view; 3 negatives\u003c/p\u003e","\u003cp\u003eWVU Medical Center, front closeup; pylons; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Medical Center view from Evansdale Towers; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Varsity Wrestlers; 11 negatives\u003c/p\u003e","\u003cp\u003eWVU Varsity Wrestling Team; group photo; 3 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education Conference, Pete Yost; group photo; 4 negatives\u003c/p\u003e","\u003cp\u003e5th Annual WV AFL-CIO Summer Institute at Mont Chateau; group photo; 4 negatives\u003c/p\u003e","\u003cp\u003eJulian Martin at WVU graduation; 23 negatives\u003c/p\u003e","\u003cp\u003ePercival Hall- Forestry Center, night views; 5 negatives\u003c/p\u003e","\u003cp\u003eMr. Sledge, Student Affairs; 5 negatives\u003c/p\u003e","\u003cp\u003eWVU production of \"Carousel\"; Rodgers and Hammerstein; Boyd; 12 negatives\u003c/p\u003e","\u003cp\u003eportraits of Honoraries at 1966 WVU Commencement; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU Band publicity shots; 12 negatives\u003c/p\u003e","\u003cp\u003eReverend Paine, Episcopalian; Clergy, Church; 7 negatives\u003c/p\u003e","\u003cp\u003eTwin Towers complex, drawing; 3 negatives\u003c/p\u003e","\u003cp\u003eColonel Jansen Retirement; 10 negatives\u003c/p\u003e","\u003cp\u003eFestival of Ideas, Humphrey, Etc.; 103 negatives\u003c/p\u003e","\u003cp\u003eRegistration at Field House; 9 negatives\u003c/p\u003e","\u003cp\u003eFine Arts Group; 3 negatives\u003c/p\u003e","\u003cp\u003eFrank Carlehemeno; 4 negatives\u003c/p\u003e","\u003cp\u003eSherlocker, Physical Education; 5 negatives\u003c/p\u003e","\u003cp\u003eCanning, Music Group; 4 negatives\u003c/p\u003e","\u003cp\u003eMilan; 32 negatives\u003c/p\u003e","\u003cp\u003eSocial Work, Portraits\u003c/p\u003e","\u003cp\u003eDrama, \"Kiss Me Kate\"; 11 negatives\u003c/p\u003e","\u003cp\u003eAngel Street; 14 negatives\u003c/p\u003e","\u003cp\u003eRepresentative of Ghana; 5 negatives, prints\u003c/p\u003e","\u003cp\u003eDanville, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDean Frasure, College of Arts and Sciences, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eDr. Thomas Canning with Carolyn Reyer; 2 negatives\u003c/p\u003e","\u003cp\u003eComputer Center; 4 negatives\u003c/p\u003e","\u003cp\u003eHUD Meeting at Mt. Chateau; Transportation; 12 negatives\u003c/p\u003e","\u003cp\u003eThomas Canning, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. William Miernyk, Economics Research, Portrait; 5 negatives\u003c/p\u003e","\u003cp\u003eDrama, Merchant of Venice; 9 negatives\u003c/p\u003e","\u003cp\u003eDonald Portnoy, Music, at Piano with Violin; 12 negatives\u003c/p\u003e","\u003cp\u003eTennis Action Shots; 8 negatives\u003c/p\u003e","\u003cp\u003eProfessor Jones, Chair, Electrical Engineering; 12 negatives\u003c/p\u003e","\u003cp\u003eChemistry Award; 2 negatives\u003c/p\u003e","\u003cp\u003eDrama; 12 negatives\u003c/p\u003e","\u003cp\u003eCreative Arts; 12 negatives\u003c/p\u003e","\u003cp\u003eLorensen, Law School, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Kelly, Vice President, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eDr. Halter, Portrait; 5 negatives\u003c/p\u003e","\u003cp\u003eVergil Clark, Head of Physical Plant, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003ePresident's Home; 12 negatives\u003c/p\u003e","\u003cp\u003eBiology, Dr. Chen, Culture Room; 8 negatives\u003c/p\u003e","\u003cp\u003eChemistry, Tony Winston, Labs; 55 negatives\u003c/p\u003e","\u003cp\u003eElectrical Engineering; 10 negatives\u003c/p\u003e","\u003cp\u003eGeneral Biology, Trees; 7 negatives\u003c/p\u003e","\u003cp\u003eCoopers Rock, Gorge Overlook; 17 negatives\u003c/p\u003e","\u003cp\u003eHunter with Dog; Ag-Forestry Bulletin, Roy Thomas, Magazine; 12 negatives\u003c/p\u003e","\u003cp\u003eOrchesis, Dance Group; 24 negatives\u003c/p\u003e","\u003cp\u003e\"Esso Story\"; President Harlow with Two Other Men; 6 negatives\u003c/p\u003e","\u003cp\u003eCanning and Brown, \"Composers\"; 2 negatives\u003c/p\u003e","\u003cp\u003eSafety Education Story; 11 negatives\u003c/p\u003e","\u003cp\u003eEngineering Project; 12 negatives\u003c/p\u003e","\u003cp\u003eAgronotty Awards; 6 negatives\u003c/p\u003e","\u003cp\u003eChemical Engineering, Coal Research; 9 negatives\u003c/p\u003e","\u003cp\u003eMen's Swim Team; 23 negatives\u003c/p\u003e","\u003cp\u003eComedy, Lysistrata; 9 negatives\u003c/p\u003e","\u003cp\u003eNational Merit Scholarship, President Harlow Speaking; 35 negatives\u003c/p\u003e","\u003cp\u003eRecreation Department, Senior Citizens; 8 negatives\u003c/p\u003e","\u003cp\u003eNew Band Uniforms; 3 negatives\u003c/p\u003e","\u003cp\u003eFine Arts Camp; 48 negatives\u003c/p\u003e","\u003cp\u003eOpera, The Marriage of Figaro; 23 negatives\u003c/p\u003e","\u003cp\u003eOpera, Susannah by Carlisle Floyd; 27 negatives\u003c/p\u003e","\u003cp\u003eState Bankers Scholarship; 5 negatives\u003c/p\u003e","\u003cp\u003eAirplanes, Cessna Foundation; 24 negatives\u003c/p\u003e","\u003cp\u003eGulf Oil Presentation; 3 negatives\u003c/p\u003e","\u003cp\u003eBruce D. McComas, Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eDick Bell, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eRifle Team; 6 negatives\u003c/p\u003e","\u003cp\u003eMusic, Phil Faini, Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003e00624; Dr. Harlow, Du Pont Presentation; 10 negatives\u003c/p\u003e","\u003cp\u003eSoccer Action; 9 negatives\u003c/p\u003e","\u003cp\u003eGeorge Weaver, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eBiology, Cancer Research; 4 negatives\u003c/p\u003e","\u003cp\u003eErnie Jones, Portrait, Earnest L. Jones, Director of Computing Center; 4 negatives\u003c/p\u003e","\u003cp\u003ePeggy Staggers, Portrait; 8 negatives\u003c/p\u003e","\u003cp\u003eArmy, ROTC; 50 negatives\u003c/p\u003e","\u003cp\u003eCoach Harrick, Portrait, Baseball, 300 Victory, 11 negatives\u003c/p\u003e","\u003cp\u003eLibrary View; Building, 2 negatives\u003c/p\u003e","\u003cp\u003eColonel Reynolds, Student Affairs, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eJohn Luckoks and Majorettes; 9 negatives\u003c/p\u003e","\u003cp\u003eSports, Basketball Group, Athletic Publication; 6 negatives\u003c/p\u003e","\u003cp\u003eClark Wagner, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eSteering Committee, Homecoming; 4 negatives\u003c/p\u003e","\u003cp\u003eSports, Soccer Squad, Mountaineer Field; 1 negative\u003c/p\u003e","\u003cp\u003eBlithe Spirit, Drama, Play; 11 negatives\u003c/p\u003e","\u003cp\u003eDolls House, Drama, Play, Creative Arts Center; 12 negatives\u003c/p\u003e","\u003cp\u003eCaesar and Cleopatra, Drama, Play, Bob Silberstein; 20 negatives\u003c/p\u003e","\u003cp\u003eThe Boys from Syracuse, Drama, Play, Creative Arts Center, Becky Stewart; 10 negatives\u003c/p\u003e","\u003cp\u003eYWCA Officers, Cabinet, Becky Stewart; 7 negatives\u003c/p\u003e","\u003cp\u003eBoard of Governors, Portraits; 12 negatives\u003c/p\u003e","\u003cp\u003eDr. Harry Heflin, V.P. of Finance and Administration, Portrait, served as 18th President in 1981; 8 negatives\u003c/p\u003e","\u003cp\u003eJim Watkins, Assistant Dean of Student Educational Services, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eAlumni Day at Law School; 8 negatives\u003c/p\u003e","\u003cp\u003eDr. Chas Norman, Lab, Biology; 12 negatives\u003c/p\u003e","\u003cp\u003eJim Watkins in Office; 12 negatives\u003c/p\u003e","\u003cp\u003eSara Ruth Meek, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eFreshman Orientation; 19 negatives\u003c/p\u003e","\u003cp\u003eFreshman Orientation; 20 negatives\u003c/p\u003e","\u003cp\u003eFreshman Orientation; 10 negatives\u003c/p\u003e","\u003cp\u003eFreshman Orientation; 24 negatives\u003c/p\u003e","\u003cp\u003eHigh School Speech Institute; 22 negatives\u003c/p\u003e","\u003cp\u003eHelicopter in Mont Chateau; 14 negatives\u003c/p\u003e","\u003cp\u003eBoard of Governors; 3 negatives\u003c/p\u003e","\u003cp\u003eForestry Display, Laskin; 14 negatives\u003c/p\u003e","\u003cp\u003eStudent Affairs; 10 negatives\u003c/p\u003e","\u003cp\u003eAfrican Statues from Twin Towers, Betty Bogel; 16 negatives\u003c/p\u003e","\u003cp\u003eScience Camp; 12 negatives\u003c/p\u003e","\u003cp\u003eLeonard Davis, Slides from Old Pictures of Weston Hospital for Insane; 13 negatives\u003c/p\u003e","\u003cp\u003eAWS Officers, Portraits; 21 negatives\u003c/p\u003e","\u003cp\u003eOak Tree; 4 negatives\u003c/p\u003e","\u003cp\u003eCarol Watson; 7 negatives\u003c/p\u003e","\u003cp\u003eSmall Maple Tree; 4 negatives\u003c/p\u003e","\u003cp\u003eSlides for Mechanical Engineering, Entropy; 25 negatives\u003c/p\u003e","\u003cp\u003eFine Arts Camp. Group; 1 negative\u003c/p\u003e","\u003cp\u003eHigh School Journalism; 32 negatives\u003c/p\u003e","\u003cp\u003eSafety Education Class; 3 negatives\u003c/p\u003e","\u003cp\u003eTransportaion; 22 negatives\u003c/p\u003e","\u003cp\u003eMedical Center, Heating Plant; 6 negatives\u003c/p\u003e","\u003cp\u003eFreshman Guides; 17 negatives\u003c/p\u003e","\u003cp\u003eJohn Brisbow, Assistant Director of Admissions; 12 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering Conference; 26 negatives\u003c/p\u003e","\u003cp\u003eDr. Emory L. Kemp, Chair of Civil Engineering, Portrait, Emeritus Director of the Institute for the History of Technology \u0026amp; Industrial Archaelogy in the WVU Eberly College of Arts and Sciences, Recognized for both Researching and preserving historical industrial sites around the county and overseas; 4 negatives\u003c/p\u003e","\u003cp\u003eCross Country, Coach and Captain in Action, Sports; 12 negative\u003c/p\u003e","\u003cp\u003eGirl with Rifle; 2 negatives\u003c/p\u003e","\u003cp\u003eMerchant of Venice, Drama, Publicity; 7 negatives\u003c/p\u003e","\u003cp\u003eUrban Mass Transit, Vestibule; 18 negatives\u003c/p\u003e","\u003cp\u003eSatellite Copies; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Parkersburg Branch, Drawing; 1 negative\u003c/p\u003e","\u003cp\u003eCredit Union, Group; 3 negatives\u003c/p\u003e","\u003cp\u003eHousing and Urban Development; 7 negativs\u003c/p\u003e","\u003cp\u003eJohn R. Mackenzi, Director of Education, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eJames H. Schaub, Professor of Civil Engineering, Portrait;4 negatives\u003c/p\u003e","\u003cp\u003eHarold J. Shamberger, Assistant to President, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003e00688; Judy Shoup, Miss WVU, Portrait, 1969 Miss WV as Kappa Kappa Gamma, Wheeling Symphony Member; 2 negatives\u003c/p\u003e","\u003cp\u003eWrestling Athletes and Dan Killen, Director of Social Service Med.Center, Brown, Jim Stevens ; 17 negatives\u003c/p\u003e","\u003cp\u003eCross Country Team, Group; 2 negatives\u003c/p\u003e","\u003cp\u003eAgricultural Farm Grass, grass shots for Jung; 17 negatives\u003c/p\u003e","\u003cp\u003eGrass, grass shots; 12 negatives\u003c/p\u003e","\u003cp\u003eAgricultural Farm Grass, grass shots for Dr. Jung; 12 negatives\u003c/p\u003e","\u003cp\u003eGrass, grass shots for Dr. Jung, 5 negatives\u003c/p\u003e","\u003cp\u003eAgricultural Farm Grass, grass shots for Dr. Jung; 7 negatives\u003c/p\u003e","\u003cp\u003eBug Shots for C. K. Dorsey, Insects; 8 negatives\u003c/p\u003e","\u003cp\u003eNew Engineering Building; 4 negatives\u003c/p\u003e","\u003cp\u003eConference; 12 negatives\u003c/p\u003e","\u003cp\u003eRobert L. Iden, Manager of Printing Services, Portrait; 3 negatives\u003c/p\u003e","\u003cp\u003eRed Brown, Steve Harrick, Presentation; 7 negatives\u003c/p\u003e","\u003cp\u003eMullenax, Interview, New Zealand; 9 negatives\u003c/p\u003e","\u003cp\u003eJohn Goodwin, Commerce, Portrait; 5 negatives\u003c/p\u003e","\u003cp\u003eGymnastics; 22 negatives\u003c/p\u003e","\u003cp\u003eGymnastics; 16 negatives\u003c/p\u003e","\u003cp\u003eClifford W. Brown, Portrait, 1912-1988, Portrait, Marching Band Director in 1942, Retired in 1974 as Assistant Dean of Creative Arts Center, His daughter, Susan, is the wife of former WVU President, David Hardesty; 6 negatives\u003c/p\u003e","\u003cp\u003eJohn Clarkson, Art; 9 negatives\u003c/p\u003e","\u003cp\u003eSeigle Wayne Cox, Vocational Agriculture, Hundred High School, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDick Detombe, Assistant Track Coach, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Stacy Barton, ETV; 12 negatives\u003c/p\u003e","\u003cp\u003eJerome Fanucci, Chairman of Department of Aerospace Engineering, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Hefflin, 18th President; 20 negatives\u003c/p\u003e","\u003cp\u003eDr. James G. Harlow, Portrait; 10 negatives\u003c/p\u003e","\u003cp\u003ePaul W. Hamelman, Professor of Management, College of Commerce, Portrait; 10 negatives\u003c/p\u003e","\u003cp\u003eInformation Booth, Structure; 6 negatives\u003c/p\u003e","\u003cp\u003eUniversity Singers, Group; 3 negatives\u003c/p\u003e","\u003cp\u003eStrings Band Practice, Music Department; 22 negatives\u003c/p\u003e","\u003cp\u003eMusic Scholarship Award; 4 negatives\u003c/p\u003e","\u003cp\u003eScenes from John Gay's \"The Begger's Opera\", Creative Arts Center, Division of Music, 25 negatives\u003c/p\u003e","\u003cp\u003eLecture by Harold B. Bachman, Director of Bands, Emeritus, University of Florida; 6 negatives\u003c/p\u003e","\u003cp\u003eMorgantown Woman's Music Club Scholarship, Group; 5 negatives\u003c/p\u003e","\u003cp\u003eJames Mullendore, Student Body President, 1968-1969, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eWilliam H. Miernyk, Director of Regional Research Institute, Order of Vandalia, Claude Worthington Benedum Professor of Economics, Professor Emeritus, Director Emeritus of the RRI, Author; 21 negatives\u003c/p\u003e","\u003cp\u003eWilliam H. Miernyk; 12 negatives\u003c/p\u003e","\u003cp\u003eGeorge Nocito, Professor of Art, Chair of Art Department, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eNews and Info; 2 negatives\u003c/p\u003e","\u003cp\u003eNews and Info, Group; 2 negatives\u003c/p\u003e","\u003cp\u003eNews and Info; 6 negatives\u003c/p\u003e","\u003cp\u003eNews and Info, Richard Bernard, Arthur Hofstetler with Glasses, Portrait; 3 negatives\u003c/p\u003e","\u003cp\u003ePaul Selby, Dean of College of Law; 6 negatives\u003c/p\u003e","\u003cp\u003eDr. Roman J. Verhaalen, Dean of Kanawha Valley Graduate Center, Portrait\u003c/p\u003e","\u003cp\u003eRabbi Herbert J. Wilner, Hillel Foundation, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eRabbi Herbert J. Wilner, Hillel Foundation;\u003c/p\u003e","\u003cp\u003eBudd Udell with Band; 11 negatives\u003c/p\u003e","\u003cp\u003eDale Evans, Athletic Publicity, Quarterback Signing, Football; 10 negatives\u003c/p\u003e","\u003cp\u003eBand Photos, French Horn; 12 negatives\u003c/p\u003e","\u003cp\u003eMarching Band Formations; 25 negatives\u003c/p\u003e","\u003cp\u003eBand Day; 5 negatives\u003c/p\u003e","\u003cp\u003eScott Stringham Conducting; 12 negatives\u003c/p\u003e","\u003cp\u003ePercussion Ensemble, School of Music; 1 negative\u003c/p\u003e","\u003cp\u003eHomcoming Queen, Sally Sotak of Beckley, Shelley Pointexter of Nitro, Jeannie Erwin of Dunbar, Mary Kay Staggers of Keyser; 2 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidates with Centennial Seal, Sally Sotak, Shelley Pointexter of Nitro, Mary Kay Staggers of Keyser, Jeanne Erwin of Dunbar; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate at the Health Sciences Center Pylons; 3 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate in front of Elizabeth Moore Hall; 3 negatives\u003c/p\u003e","\u003cp\u003e00748; Homecoming Queen Candidate with Oglebay Hall in the background Hall; 2 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Princess, Headshots; 8 negatives\u003c/p\u003e","\u003cp\u003eGold Diggers, Weekend Candidates, Portrait; 23 negatives\u003c/p\u003e","\u003cp\u003eBill Bonsall, Gymnastics Coach, led WVU to 3 southern conference championships, ranked at 5th place in 1963, represented U.S. in 1948 Olympics in London, the gymnastics team was elevated to varsity team in 1952 under him; 4 negatives\u003c/p\u003e","\u003cp\u003eKevin Gilson, Men's and Women's Swimming Coach, Anatomy and Physiology, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eCoach SFC Joe Gravens, Jr.; 4 negatives\u003c/p\u003e","\u003cp\u003ePat Hamilton, Board of Governors; 6 negatives\u003c/p\u003e","\u003cp\u003eD. Hercules, Headshot; 1 negative\u003c/p\u003e","\u003cp\u003eDr. William Morris, Portrait\u003c/p\u003e","\u003cp\u003eGeorge Nedeff, Wresting Coach, 1996 WVU Presidential Safety Award, National Wresting Hall of Fame, Father G.N. of SOLT with \"Outstanding American\" Award, Class of 2008; 3 negatives\u003c/p\u003e","\u003cp\u003eGeorge Smyth, Planning Architect, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eJohn Stewart, Soccer Coach, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eGreg Van Camp, Director, General Manager of WWVU-TV, Professor or Radio and TV, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eRadio-TV Control Room; 5 negatives\u003c/p\u003e","\u003cp\u003eHistorical Buidings, Woodburn Female Seminary established in1815, Monongalia Academy established in November 1814; 2 negatives\u003c/p\u003e","\u003cp\u003eNews and Info, Sewage Treatment; 11 negatives\u003c/p\u003e","\u003cp\u003eNews and Info, Child Plays-Story for John Reach at Med Center; 8 negatives\u003c/p\u003e","\u003cp\u003eOffice of Publications; 6 negatives\u003c/p\u003e","\u003cp\u003eOffice of Publications, John Luchor; 16 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Information Desk and Lounge; 7 negatives\u003c/p\u003e","\u003cp\u003eRadio Drama by Dylan Thomas \"Under Milk Wood\" by  at Med Center Auditorium; 8 negatives\u003c/p\u003e","\u003cp\u003eKappa Kappa Psi, Music Honorary, Group; 2 negatives\u003c/p\u003e","\u003cp\u003eFreshman Football Team in front of Martin Hall, Group, Historical Building; 4 negatives\u003c/p\u003e","\u003cp\u003eThermomister Temperature Measuring Device; 2 negatives\u003c/p\u003e","\u003cp\u003eSeintillation Device; 7 negatives\u003c/p\u003e","\u003cp\u003eDrama \"The Entertainers\"; 19 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Interior; 23 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Interior; 4 negatives\u003c/p\u003e","\u003cp\u003eBell from USS West Virginia; 7 negatives\u003c/p\u003e","\u003cp\u003ePresident's Summer Home; 2 negatives\u003c/p\u003e","\u003cp\u003eDrama \"The Merchant of Venice\"; 12 negatives\u003c/p\u003e","\u003cp\u003eLight Art; 9 negatives\u003c/p\u003e","\u003cp\u003eSnow Around Campus, Historic Buildings; 34 negatives\u003c/p\u003e","\u003cp\u003eNew Buildings around Campus; 14 negatives\u003c/p\u003e","\u003cp\u003eTheater; 1 negative\u003c/p\u003e","\u003cp\u003eTheater Interior, Creative Arts; 1 negative\u003c/p\u003e","\u003cp\u003eR.O.T.C.; 39 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen, Sally Sotak, Portrait\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 6 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 6 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 6 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eBand Day; 24 negatives\u003c/p\u003e","\u003cp\u003eHeart Valve Story, Engineering; 15 negatives\u003c/p\u003e","\u003cp\u003eHeart Story, Med Center; 6 negatives\u003c/p\u003e","\u003cp\u003eColonel Charles G. Ives, Chairman of Military Science, Portrait; 5 negatives\u003c/p\u003e","\u003cp\u003eEngineering Scholarship, Union Carbide; 4 negatives\u003c/p\u003e","\u003cp\u003eBird Story; 1 negative\u003c/p\u003e","\u003cp\u003eWoodburn Circle, Traffic Pattern; 8 negatives\u003c/p\u003e","\u003cp\u003eFreshmen Basket Ball Team, Sports, Group; 4 negatives\u003c/p\u003e","\u003cp\u003eArt Department; 6 negatives\u003c/p\u003e","\u003cp\u003eOrchesis, Student Dance Group; 9 negatives\u003c/p\u003e","\u003cp\u003eUniversity Choir, Group; 7 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering Students; 40 negatives\u003c/p\u003e","\u003cp\u003eCreative Arts Center, Building; 1 negative\u003c/p\u003e","\u003cp\u003eCreative Arts Center, Building; 8 negatives\u003c/p\u003e","\u003cp\u003eAmrerican Arts Trio, Music, Group; 12 negatives\u003c/p\u003e","\u003cp\u003eBaroque Ensemble, Music, Group; 2 negatives\u003c/p\u003e","\u003cp\u003eFine and Lively Arts Committee, Group; 7 negatives\u003c/p\u003e","\u003cp\u003eDr. Harry Bruce Heflin in Formal Group, Group, 18th President; 4 negatives\u003c/p\u003e","\u003cp\u003eBaker and Coombs Windows; 13 negatives\u003c/p\u003e","\u003cp\u003eDr. Maurice Brokks, Biology and Forestry Professor, Wildlife Management, Natural History, Ornithologist, West Virginian of the Year, Conservationist; 18 negatives\u003c/p\u003e","\u003cp\u003eTheater Interiors, Creative Arts Story; 11 negatives\u003c/p\u003e","\u003cp\u003eWVU Library; 14 negatives\u003c/p\u003e","\u003cp\u003eWVU Library; 5 negatives\u003c/p\u003e","\u003cp\u003eView of Med Center from Pierpont Hall; 2 negatives\u003c/p\u003e","\u003cp\u003eArmstrong Hall, Building; 4 negatives\u003c/p\u003e","\u003cp\u003eMed Center, Pylons; 19 negatives\u003c/p\u003e","\u003cp\u003eStudent Union Building, Mountainlair; 4 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Construction; 4 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Construction; 4 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Construction; 3 negatives\u003c/p\u003e","\u003cp\u003eOglebay Hall, Historic Building; 7 negatives\u003c/p\u003e","\u003cp\u003eSummit Hall, Building; 4 negatives\u003c/p\u003e","\u003cp\u003eIBM Computer Installation, Publication Office; 2 negatives\u003c/p\u003e","\u003cp\u003eIBM Typesetting in Printing Composing Room;\u003c/p\u003e","\u003cp\u003eTransatlantic Debators; 7 negatives\u003c/p\u003e","\u003cp\u003eProfessor Moody E. Prior, Portrait, born 1901 in Fatsa Turkey, died Oct. 25 1996, Prof. Emeritus of English at Northwestern U., authority on Shakespeare, awarded Northweatern University Alumni Medal - highest honor given to Northwestern graduates; 1 negative\u003c/p\u003e","\u003cp\u003eMr. Harry Ernst, Director of University Relations, Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU TV Tower Site; 6 negatives\u003c/p\u003e","\u003cp\u003eJoe Leonard, Director of Coal Research Bureau at WVU, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eEngineering - Super Wood; 9 negatives\u003c/p\u003e","\u003cp\u003eHighschool Wrestling Tournament; 10 negatives\u003c/p\u003e","\u003cp\u003eVariety Show at Towers; 22 negatives\u003c/p\u003e","\u003cp\u003eVariety Show at Towers; 17 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Archery Class; 9 negatives\u003c/p\u003e","\u003cp\u003eEngineering - Space Craft Diagrams; 6 negatives\u003c/p\u003e","\u003cp\u003eCommencement Honoraries, Portrait; 12 negatives\u003c/p\u003e","\u003cp\u003eState Science Fair; 12 negatives\u003c/p\u003e","\u003cp\u003eInternational Night; 5 negatives\u003c/p\u003e","\u003cp\u003eAsh Brick Pilot Plant; 4 negatives\u003c/p\u003e","\u003cp\u003eNorm Parsons, Intramural Director; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Choir Album Cover \"Songs of West Virginia\"; 2 negatives\u003c/p\u003e","\u003cp\u003e16 mm Movie Camera used on copy work, Radio and TV; 9 negatives\u003c/p\u003e","\u003cp\u003eDrama Publicity Photos; 3 negatives\u003c/p\u003e","\u003cp\u003eTom Gulli Ford, Swimming, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eBill Martin, Dance; 5 negatives\u003c/p\u003e","\u003cp\u003eEngineering Slides for Dr. Moore; 14 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering Asphalt Research; 25 negatives\u003c/p\u003e","\u003cp\u003eWidebusch Family, Group; 7 negatives\u003c/p\u003e","\u003cp\u003eOrchesis, Student Dance Group;  12 negatives\u003c/p\u003e","\u003cp\u003eDon Knotts, Group; 1 negative\u003c/p\u003e","\u003cp\u003eNational Science Foundation Grants; 11 negatives\u003c/p\u003e","\u003cp\u003eW. Va. Collection, Library, Homecoming; 32 negatives\u003c/p\u003e","\u003cp\u003eBudd Udell Conducting, WVU Marching Band Director, 7th Director 1965-69, d.o.d. Feb. 4 2006, Group; 12 negatives\u003c/p\u003e","\u003cp\u003eOrchesis, WVU Student Dance Group; 35 negatives\u003c/p\u003e","\u003cp\u003eBob Iden, Managerof Printing Services; 12 negatives\u003c/p\u003e","\u003cp\u003eOglebay Hall with Mast, Historic Building; 5 negatives\u003c/p\u003e","\u003cp\u003eElizabeth Moore Hall, Historic Building; 8 negatives\u003c/p\u003e","\u003cp\u003eJeff Warren; Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eCharles Peter Yost; Dean of Physical Education, Portrait; 3 negatives\u003c/p\u003e","\u003cp\u003eComputer Center; 27 negatives\u003c/p\u003e","\u003cp\u003eAerial Photos of Med Center and Mountainlair; 8 negatives\u003c/p\u003e","\u003cp\u003eAerial Photos of Towers, Pierpont Hall and Mountainlair; 5 negatives\u003c/p\u003e","\u003cp\u003eMed Center; 3 negatives\u003c/p\u003e","\u003cp\u003eCreative Arts Center; 6 negatives\u003c/p\u003e","\u003cp\u003eStewart Hall, Historic Building; 2 negatives\u003c/p\u003e","\u003cp\u003eAgricultural Science Buiding; 4 negatives\u003c/p\u003e","\u003cp\u003eColiseum; 2 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Campus, Towers, Med Center; 7 negatives\u003c/p\u003e","\u003cp\u003eMont Chateau Lodge, opened June 7 1958, WVU Geological and Economic Survey; 4 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Night View; 3 negatives\u003c/p\u003e","\u003cp\u003eLibrary Walk; 4 negatives\u003c/p\u003e","\u003cp\u003eLibrary Exterior View; 8 negatives\u003c/p\u003e","\u003cp\u003eView of Woodburn Circle from Oblebay Plaza; 3 negatives\u003c/p\u003e","\u003cp\u003eWoodburn Circle; 2 negatives\u003c/p\u003e","\u003cp\u003eJazz Band; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Group; 16 negatives\u003c/p\u003e","\u003cp\u003eDave Shamberger, Portrait; 8 negatives\u003c/p\u003e","\u003cp\u003eAgriculture, Dr. O.J. Burger (standing), Martin Piriber (speaker); 9 negatives\u003c/p\u003e","\u003cp\u003eHubert H. Humphrey Speaking at WVU Centennial Celebration, Vice President, 100th Anniversary Event; 3 negatives\u003c/p\u003e","\u003cp\u003eJeff Davis, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eCommencement; 2 negatives\u003c/p\u003e","\u003cp\u003eCommencement, Senator Jennings Randolph, Senator Robert C. Byrd, Acting WVU President Harry B. Heflin, Irvin Stewart, the Order of Vandalia; 37 negatives\u003c/p\u003e","\u003cp\u003eScenes from \"West Side Story\", Theater Production; 23 negatives\u003c/p\u003e","\u003cp\u003eScenes from \"West Side Story\", Theater Production; 16 negatives\u003c/p\u003e","\u003cp\u003e\"The Maids and Deathwatch\", Theater Production; 9 negatives\u003c/p\u003e","\u003cp\u003eMed Center, News and Info;\u003c/p\u003e","\u003cp\u003eEngineering Department, Professor Jones, Group; 2 negatives\u003c/p\u003e","\u003cp\u003eMountaineer Spirit, Female Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eAsh Brick Pilot Plant; 4 negatives\u003c/p\u003e","\u003cp\u003eFuture Farmers of America; 93 negatives\u003c/p\u003e","\u003cp\u003eLouise Keener, Portrait\u003c/p\u003e","\u003cp\u003eFine Arts Camp, Music; 4 negatives\u003c/p\u003e","\u003cp\u003eChemical Engineering Slides, Dr. Jones; 6 negatives\u003c/p\u003e","\u003cp\u003eInternational Program, Group; 8 negatives\u003c/p\u003e","\u003cp\u003eLegislative Committee, Interim, Group; 11 negatives\u003c/p\u003e","\u003cp\u003eViews from Oglebay Plaza, Traffic Study, Main Campus; 11 negatives\u003c/p\u003e","\u003cp\u003eWoodburn Hall Clock Tower in Snow, Historic Building; 3 negatives\u003c/p\u003e","\u003cp\u003eCoal Research, Insulation Samples, C. McFadden; 16 negatives\u003c/p\u003e","\u003cp\u003eCoal Research, Insulation Samples, C. McFadden; 4 negatives\u003c/p\u003e","\u003cp\u003eJack Porter, Portrait, Development Office; 2 negatives\u003c/p\u003e","\u003cp\u003eFrank Carlonheno, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eBill Haden, Higher Education Administration, Portrait, Educational Fundraising, founding member of WV Promise Schoarship Programs Board of Control, he held positions in Development/Alumni Relations and Public Affairs, 17th President of WV Wesleyan College in 1995; 2 negatives\u003c/p\u003e","\u003cp\u003eSenator Robert C. Byrd Visit - Flyash Based Brick, Harry Heflin; 18 negatives\u003c/p\u003e","\u003cp\u003eTheater Production, \"Who's Afraid of Virginia Woolf\"; 22 negatives\u003c/p\u003e","\u003cp\u003eDrama to Forensic Festival; 15 negatives\u003c/p\u003e","\u003cp\u003eSouthern Conference Awards, Athletic Publicity, Group; 4 negatives\u003c/p\u003e","\u003cp\u003eCentennial Celebration Seal; 2 negatives\u003c/p\u003e","\u003cp\u003eMad Women, Portrait; 20 negatives\u003c/p\u003e","\u003cp\u003eHarold Neely, Portrat; 6 negatives\u003c/p\u003e","\u003cp\u003eFirst Brick Story; 10 negatives\u003c/p\u003e","\u003cp\u003e\"The Mad Woman of Chaillot\", Theater Production; 10 negatives\u003c/p\u003e","\u003cp\u003eHarry Ernst, Director of University Relations, Portrait; 5 negatives\u003c/p\u003e","\u003cp\u003eDan Bond, WVU 100th Anniversary, Group; 4 negatives\u003c/p\u003e","\u003cp\u003eColiseum Architectural Model; 6 negatives\u003c/p\u003e","\u003cp\u003eDr. Harlow, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003ePaul W. DeVore,Professor of Industrial Arts, Portrait, Influential in the establishment of nation's first Department of Technology\u003c/p\u003e","\u003cp\u003eRichard Gardner, Controllers Office, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Art Gallery; 4 negatives\u003c/p\u003e","\u003cp\u003eStudents playing at Mountainlair Game Center; 12 negatives\u003c/p\u003e","\u003cp\u003eAthletic publicity, Carlen's family; Jim Carlen - head coach, 1966-1969, record 25-13-3 (.658). Governor Joe Manchin was a quarter back on his first team. Son: James Carlen, Jr., stepdaughters: Caty, Carol\u003c/p\u003e","\u003cp\u003eWVU Athletic Council Award; Senior Athletic of the Year 1967-1968\u003c/p\u003e","\u003cp\u003eFormerly state park lodge\u003c/p\u003e","\u003cp\u003ePhy. Ed.; 1994 Inducted into the Professional Hall of Fame in the School of Physical Education\u003c/p\u003e","\u003cp\u003eWardensville field day; Hardy Co.; Reymann Memorial Farms\u003c/p\u003e","\u003cp\u003eDean Arents' Office; Dean Chester A. Arents, School of Engineering; group of 3 on left; large group - Arents sitting on right\u003c/p\u003e","\u003cp\u003eStan Romanoski, coach\u003c/p\u003e","\u003cp\u003eEngineering; climatologists\u003c/p\u003e","\u003cp\u003eFirst trumpet - with WVU Orchestra; Trumpet professor and assistant chairman of the school of music at WVU; authored The Trumpeter's Handbook; attended the preparatory department of the Eastman School of Music and graduated with honors.\u003c/p\u003e","\u003cp\u003eDept. of Psychology; Charles D. Corman; Oglebay Hall\u003c/p\u003e","\u003cp\u003eShanbeyer, Luchack, Rhodayal, etc.\u003c/p\u003e","\u003cp\u003eDaniel O'Sullivan; plus campus views\u003c/p\u003e","\u003cp\u003eDr. Porter; Charley\u003c/p\u003e","\u003cp\u003eEngineering Department; Asten\u003c/p\u003e","\u003cp\u003eMary Filler Wiley\u003c/p\u003e","\u003cp\u003eElectrical Engineering?\u003c/p\u003e","\u003cp\u003eTheoretical and applied mechanics; mechanics engineering\u003c/p\u003e","\u003cp\u003eJim Hawkins with girl\u003c/p\u003e","\u003cp\u003eMorgantown Farm\u003c/p\u003e","\u003cp\u003ePharmacy Meeting at Towers\u003c/p\u003e","\u003cp\u003eMrs. Adalene \"Bobbie\" Rae Harlow; elementary teacher; 1912-2004; James G. Harlow (1912-1978)\u003c/p\u003e","\u003cp\u003eEngineering school; Dean Arents - left\u003c/p\u003e","\u003cp\u003eEdmundo Elmore; Pan America Health Union\u003c/p\u003e","\u003cp\u003eGamma Sigma Delta\u003c/p\u003e","\u003cp\u003eLazor; Engineering Department\u003c/p\u003e","\u003cp\u003eDean Arents 2nd from right; PHS, Cincinnati Solid Waste Program\u003c/p\u003e","\u003cp\u003eFor Nick\u003c/p\u003e","\u003cp\u003eAmerican radio reporter, best known for his dramatic report of the Hindenburg Disaster\u003c/p\u003e","\u003cp\u003eLivestock Farm\u003c/p\u003e","\u003cp\u003eW.Va. Department of Mental Health; Pub. at Towers\u003c/p\u003e","\u003cp\u003eDave Tork\u003c/p\u003e","\u003cp\u003eAthletic Department; Richard Poland\u003c/p\u003e","\u003cp\u003eEngineering - Smith; Dean Chester A. Arents - center\u003c/p\u003e","\u003cp\u003eProofs straight to Poland\u003c/p\u003e","\u003cp\u003eL - Darrell V. McGraw, Jr.; M - Walter Beach - Assistant Director of the American Plitical Science Assn. in Washington; R. Dr. David G. Temple - WVU Assistant Professor of Political Science and Project Assistant\u003c/p\u003e","\u003cp\u003eTaught folklore; dulcimer player; collected ballads; Monticola advisor\u003c/p\u003e","\u003cp\u003eCollegium Musicum\u003c/p\u003e","\u003cp\u003eOliveria visit; Engineering Department\u003c/p\u003e","\u003cp\u003eWarren G. Tennant - Groundskeeper; Chinquapin (yellow) oak\u003c/p\u003e","\u003cp\u003eHistory Symposium: Jesse H. Stuart (aug. 8, 1907 - Feb. 17, 1984) - flat top hair, author, writer, Appalachia; unknown - bald guy; Dr. Lewis Hanke (born 1905), Columbia U., historian colonial, Latin America studies\u003c/p\u003e","\u003cp\u003eComedy Manners; Left: Bod Merriam \"Lord Peter Teazle\"; Right: Evy Andrews \"Lady Teazle\"\u003c/p\u003e","\u003cp\u003eRoll 6\u003c/p\u003e","\u003cp\u003ePreston Co, WV; Garrett Co, MD; few remaining Boreal Bogs\u003c/p\u003e","\u003cp\u003eWith Lloyd M. Jones; refund of sales tax from State Tax Commissioner for refund of sales tax inadvertently paid to state of WV on room/meals for athletes in dorms paid from athletic fund\u003c/p\u003e","\u003cp\u003eBenedum Professor of Education, 68-86\u003c/p\u003e","\u003cp\u003eSteel Students Classroom\u003c/p\u003e","\u003cp\u003eProfessor, Dr., Chair, Animal Veterinary Science; AI-VS; B - April 3, 1917, D - August 23, 2001; retired in 1979\u003c/p\u003e","\u003cp\u003eBob Crawford\u003c/p\u003e","\u003cp\u003ePoster for Executive Conference\u003c/p\u003e","\u003cp\u003eBoyle\u003c/p\u003e","\u003cp\u003eBack row - far right; Stan Romanoski, Carl Hatfield\u003c/p\u003e","\u003cp\u003eSports Info Director\u003c/p\u003e","\u003cp\u003eRed Brown\u003c/p\u003e","\u003cp\u003eProfessor of Agriculture\u003c/p\u003e","\u003cp\u003eAgronomist, agriculture, professor of plant soil science\u003c/p\u003e","\u003cp\u003eChair, doctor, professor, horticulture, marigolds, roses\u003c/p\u003e","\u003cp\u003ePlant, physiology, science\u003c/p\u003e","\u003cp\u003eDoctor, plant, science, physiology, agriculture\u003c/p\u003e","\u003cp\u003eDoctor, chair, agriculture\u003c/p\u003e","\u003cp\u003ePhysiology, reproductive, professor, doctor, animal, nutritional, science, Davis College\u003c/p\u003e","\u003cp\u003eDoctor, plant, agriculture, science\u003c/p\u003e","\u003cp\u003eDoctor, plant, science, agriculture\u003c/p\u003e","\u003cp\u003eDoctor, professor, animal, carcass, beef, agriculture\u003c/p\u003e","\u003cp\u003eAgriculture, soil, chemistry\u003c/p\u003e","\u003cp\u003eProfessor, extension, plant, pathologist, entomologist, golden delicious apple\u003c/p\u003e","\u003cp\u003eWoodburn, freshmen, football, field, bleachers, athletics, team\u003c/p\u003e","\u003cp\u003eProfessor, patent examiner, law\u003c/p\u003e","\u003cp\u003eHealth Science lab\u003c/p\u003e","\u003cp\u003eDisplay set up in Mountainlair\u003c/p\u003e","\u003cp\u003eGroup and individual\u003c/p\u003e","\u003cp\u003eJ. Fannucci\u003c/p\u003e","\u003cp\u003eFaculty Dean, Business and Economics; Died Feb. 16, 1998\u003c/p\u003e","\u003cp\u003eWith Donald C. Portnoy, conductor\u003c/p\u003e","\u003cp\u003eDrama, theater, comedy, commedia, masked\u003c/p\u003e","\u003cp\u003eDuncan\u003c/p\u003e","\u003cp\u003eDiving, swimming, coaching; Coached for 30 years, record 290-159-2\u003c/p\u003e","\u003cp\u003eChitwood Hall, Stewart Hall, Martin Hall\u003c/p\u003e","\u003cp\u003eBenjamin Linsky - Professor of Sanitary Engineering (air pollution) and Director of Graduate Air Pollution Control Engineering Training Program.\u003c/p\u003e","\u003cp\u003eContemporary, classical, musical, choir, choral, singer, chamber, instrumental, soloist\u003c/p\u003e","\u003cp\u003eProfessor, art, chair\u003c/p\u003e","\u003cp\u003eCollection, free-form, poem, fictional, town, spoon, river\u003c/p\u003e","\u003cp\u003eDavis College; Professor, reproductive, physiology, agriculture, faculty\u003c/p\u003e","\u003cp\u003eMusicians, trombone, trombonists, musical, drum, chamber\u003c/p\u003e","\u003cp\u003eP. County; L-R Larry Kelly, Harold Taylor, Rex Taylor, Richard Glass, voc. teacher, Allen Colebant\u003c/p\u003e","\u003cp\u003eHenry Clay Furnace; Iron Furnace - Cooper's Rock State Forest. Built between 1834 and 1836\u003c/p\u003e","\u003cp\u003eCollege of Commerce\u003c/p\u003e","\u003cp\u003eNot Bob Brown?\u003c/p\u003e","\u003cp\u003eMusic, chamber, musicians; Philip Faini - faculty, Dean-Emeritus, College of Creative Arts\u003c/p\u003e","\u003cp\u003eDick Smith\u003c/p\u003e","\u003cp\u003eTV tower; motion picture staging\u003c/p\u003e","\u003cp\u003eU.S. Representative from Indiana, Nov. 21, 1894 - Dec. 5, 1984, women's rights\u003c/p\u003e","\u003cp\u003eDevelopmental psychologist, professor, chair, author, editor\u003c/p\u003e","\u003cp\u003eFounded World Music Center, worked in radio, television and with symphony orchestras; dean, educator, administrator, jazz, theory, African, music, percussion, ensemble\u003c/p\u003e","\u003cp\u003eFor engineering brochure\u003c/p\u003e","\u003cp\u003eEng. Elect.; Nelson Smith\u003c/p\u003e","\u003cp\u003eDave Zirz\u003c/p\u003e","\u003cp\u003eNews and Info; Ernst\u003c/p\u003e","\u003cp\u003eLeft, sitting; Doctor, professor, chair, mathematics\u003c/p\u003e","\u003cp\u003eMusic; Washington Trip\u003c/p\u003e","\u003cp\u003eChemistry building architecture; Clark Hall, Annex\u003c/p\u003e","\u003cp\u003eBookstore, WVU plate\u003c/p\u003e","\u003cp\u003eCoach - Stan Romanoski\u003c/p\u003e","\u003cp\u003eDoctor, music professor\u003c/p\u003e","\u003cp\u003eMike Sherwood, football, QB 1968-1970; Robert N. \"Red\" Brown, athletic director\u003c/p\u003e","\u003cp\u003eDick Smith, Dr. Moore\u003c/p\u003e","\u003cp\u003eProfessor of history; Order of Vandalia - June 1, 1964; Chitwood Hall (Science Hall) renamed 1972 in honor of Dr. Chitwood\u003c/p\u003e","\u003cp\u003eChemical engineering, fossil energy research, coal technology, professor; Inductted 4-25-1986 into the Academy of Chemical Engineers\u003c/p\u003e","\u003cp\u003eRuth E. Robinson - bookstore manager, Dr. Harry Heflin - V.P. of Finance, President\u003c/p\u003e","\u003cp\u003eIntimate relationships, human sexuality, social work\u003c/p\u003e","\u003cp\u003eWith crutch - Jerry Stewart, other male?; catalog made\u003c/p\u003e","\u003cp\u003eBasketball coach\u003c/p\u003e","\u003cp\u003e1925-1981; Writer, professor, novelist, magazine founder, poet, editor, critic, teacher\u003c/p\u003e","\u003cp\u003eProfessor of Industrial Engineering\u003c/p\u003e","\u003cp\u003eProfessor of biology, chairman\u003c/p\u003e","\u003cp\u003eFAlconer, bird, red tailed hawk, prey, dog, bull terrier\u003c/p\u003e","\u003cp\u003eAuthor, children's books\u003c/p\u003e","\u003cp\u003eDean, professor of education, college of human resources and education, chair of secondary education\u003c/p\u003e","\u003cp\u003eChair, sociology\u003c/p\u003e","\u003cp\u003eForeign student coordinator, professor of military science\u003c/p\u003e","\u003cp\u003eFashion design lecturer\u003c/p\u003e","\u003cp\u003eBorn 1913, Died 4-27-2008; soprano, opera, voice professor\u003c/p\u003e","\u003cp\u003e1928- Chemical Engineering, fossil energy research, coal technology, professor; inducted 4-25-1986 into the academy of chemical engineers\u003c/p\u003e","\u003cp\u003eDoctor, director of admissions, record; B. Feb. 17, 1916, D. Jan. 2, 2001\u003c/p\u003e","\u003cp\u003eProfessor, agriculture, biochemistry, nutrition\u003c/p\u003e","\u003cp\u003e1867-1875 first president, Methodist minister, educator, pastor, professor, greek; Designed WVU's seal; B. Jan. 24, 1822, D. Dec. 16, 1895\u003c/p\u003e","\u003cp\u003eProfessor, forestry, wildlife management\u003c/p\u003e","\u003cp\u003eDr. Franklin Parker, Betty J. - Forum Festival\u003c/p\u003e","\u003cp\u003eLouis F. Tanner Distinguished Professor of Public Accounting; professor, director, accounting, CPA\u003c/p\u003e","\u003cp\u003eDoctor, director, student, health, service, physician\u003c/p\u003e","\u003cp\u003eDoctor, professor, emeritus, music, horn, theory, viola\u003c/p\u003e","\u003cp\u003eAuthor, social work\u003c/p\u003e","\u003cp\u003eFaculty, English\u003c/p\u003e","\u003cp\u003eHealth Science, physiology, meat animal, USDA\u003c/p\u003e","\u003cp\u003eFaculty, professor, English\u003c/p\u003e","\u003cp\u003eAppalachian Center Area Program Chairman, Parkersburg\u003c/p\u003e","\u003cp\u003eDoctor, researcher, chairman, biology; Oct. 8, 1932-March 18, 2010\u003c/p\u003e","\u003cp\u003eFaculty, professor, doctor, plant physiology, ecology, conservationist\u003c/p\u003e","\u003cp\u003eMonticola advisor, professor, journalism\u003c/p\u003e","\u003cp\u003eB. Mar. 12, 1922, D. Oct. 29, 1989; Professor Emeritus, animal and veterinary sciences, College of Agriculture and Forestry, consumer sciences\u003c/p\u003e","\u003cp\u003eVictorian Age specialist, English Department\u003c/p\u003e","\u003cp\u003eDoctor, psychology, professor, chair, author\u003c/p\u003e","\u003cp\u003eThis series contains an index to the first part of Series 1, boxes 1 to 35 or 36. The index is arranged in alphabetical order by subject and spans from ca. 1964-1987. This listing reproduces the tabs in the index in full; subheadings are represented by a sampling within parentheses.\u003c/p\u003e","\u003cp\u003eThis series includes aerial photographs and accompanying transparencies and negatives of West Virginia University Hospital, Monongalia General Hospital, Morgantown and WVU (Downtown and Evansdale Campuses, the Coliseum, Mountaineer Field), and more. Subjects also include Agriculture Science Building, Allen Hall, Appalachian Center, Bureau of Mines, Coliseum, Construction \u0026amp; Excavation of New Law Center, Creative Arts Center, Downtown Campus, Downtown Morgantown with River, Evansdale Campus, Field House, Forestry Building, I-79 Uffington Interchange, Interstate including Westover Exchange, Law School, Livestock Farm, Medical Center, Mountaineer Field, Mountainlair, Mt. Chateau, New Dairy Facility, Physical Plant, Prospective Stadium Site, PRT, Stadium, Towers, and more.\u003c/p\u003e","\u003cp\u003eThis series of proofs from glass plate negatives were created for an unspecified Bicentennial Celebration project (possibly celebrating the National Bicentennial in 1976). There is an original numbered list of the historic prints (see box 103, folder 1). Subjects include people in safety gear, Mechanical Hall, Students in lab, Commencement Hall, Library Reading Room, Library Administration, Greenhouse construction, Horticulture grounds \u0026amp; building, Woodburn Circle, WVU Campus shots, Agricultural Station, Martin Hall, Oglebay Hall, Science Hall, Stewart Hall, Entomology Room, Dr. J. A. Myers, Students (Elmer Leach, Edith Ice, etc.), Episcopal Hall, Reynolds Hall, Football, E. Moore Hall, Chemistry lab, Presidents House, Falling Run, Armory, Faculty Club House, Astronomy class, Views of Campus from varying vantage points, Drama, Clubs, President John Rhey Thompson, President Thomas E. Hodges, President Frank Butter Trotter, President J. L. Goodknight, Andrew D. Hopkins, A. J. Dadisman, Various faculty (James Stewart, R. A. Armtstong, George T. Brooks, Sam Brown, P. B. Reynolds, Thomas Hodges, etc.), WVU Military Unit, Monongahela River \u0026amp; Seneca Station, and South Park.\u003c/p\u003e","\u003cp\u003eThis series documents WVU campus life and activities. The slides were originally bound in large three ring binders; all slides have the copyright symbol and the word Mellott printed on them. Subjects in this series include agriculture, basketball, Clark Hall, classrooms, convocation, Creative Arts Center, Football, Graduation, Law School, Library, and Woodburn Hall, among other topics.\u003c/p\u003e","\u003cp\u003eThis series includes digital photographs copied to a server from discs (these discs are currently in boxes 113-114); prints of a limited number of the digital photos are available in box 112. Subjects in this series include campus scenes, football, sports, nature, miscellaneous, and duplicate prints.\u003c/p\u003e","\u003cp\u003eThis series consists of proof sheets of images taken between ca. 1965-1999 by the News Service that depict daily life and scenes from both the Downtown WVU Campus and the Evansdale Campus. Subjects include athletics, candid shots, classrooms, construction, group portraits, Morgantown, scenes and views, and WVU. See Contents List for range of project numbers. These project numbers also correspond to the project numbers in Series 1 and 2.\u003c/p\u003e","\u003cp\u003eThis series consists of prints, negatives, slides, transparencies, and correspondence from special projects; many of the images were used in the Alumni Magazine. Subjects found in this series include Baroque Ensemble, Bicentennial House, CAC, Campus Prints, Hillary Clinton, Jay Rockefeller, Shell Building, Transparencies, WVU Extension Services, and more.\u003c/p\u003e","\u003cp\u003eThis series consists of a collection of slides and negatives in 62 small plastic boxes, many of which are unidentified. Subjects include students on campus, special events like races, campus buildings, the Mountaineer mascot, students in science labs, and more.\u003c/p\u003e","\u003cp\u003eThis series consists of slides in sleeves. Many sleeves include project information such as invoice number and photographer. Subjects in this series include athletics, campus life, candid and group shots, construction, Morgantown, and more. See Contents List for a more detailed list of subjects.\u003c/p\u003e","\u003cp\u003eThis series includes prints and negatives on subjects related to WVU history. Subjects in this series include agriculture, boats, Buck Harless, historic Morgantown, historic WVU, Institutional Advancement Flood Relief, Kearneysville Farm, Reymann Farm, Stewart Hall, and more.\u003c/p\u003e","\u003cp\u003eThis series includes 8 x 10 transparencies and prints pertaining to WVU. Subjects include White Hall, WVU Rifle Team, Medical Center pylons, Learned Ladies Play, New River white water rafting, football, WVU campus, and more.\u003c/p\u003e","\u003cp\u003eThis series consists of transparencies arranged alphabetically by subject. Subjects in this series include agriculture, campus buildings, athletics, portraits, and more.\u003c/p\u003e","\u003cp\u003eThis series consists of prints and negatives of WVU faculty portraits and other material.\u003c/p\u003e","\u003cp\u003eThis series consists of miscellaneous negatives and prints and a key to an old filing cabinet.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope 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Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files.","This collection includes 15 series: \nSeries 1. Project Files; ca. 1964-2007; boxes 1-89. \nSeries 2. Index to Project Files; ca. 1964-1987; boxes 90-101b. \nSeries 3. Aerial Prints; ca. 1961-1984; box 102. \nSeries 4. \"Bicentennial Collection\"; ca. 1890-1925; boxes 103-104. \nSeries 5. Slides; ca. 1980-1992; boxes 105-111. \nSeries 6. Digital Photographs; ca. 2000-2005; boxes 112-114. \nSeries 7. Proof Sheets; ca. 1965-1999; boxes 115-117. \nSeries 8. Special Project Files; ca. 1965-2001; boxes 118-120. \nSeries 9. Slides in Boxes; ca. 1990-1998; box 121. \nSeries 10. Slides in Sleeves; 1980-1998; boxes 122-134. \nSeries 11. Subjects; ca. 1950-1992; boxes 135-138. \nSeries 12. Transparencies 8 x 10; undated; box 139. \nSeries 13. Transparencies File; ca. 1970-1985; boxes 140-143. \nSeries 14. WVU Faculty Portrait Prints; 1960-1969; box 144. \nSeries 15. Miscellaneous Material; undated; box 145.","This series includes prints, proofs with negatives, and digital files on discs. Each set of images is identified with a project number.  Projects are divided into two subseries.  Project numbers range from 2 to 10182 in the first subseries and 1-B to 24,549-B/C/DC in the second subseries. Discs start appearing in box 87, project number 21513-DC (2001/07/31). Types of photograph include candid shots, portraits of individuals, group portraits, and facilities.  Subjects include WVU athletics, campus scenes, classrooms, construction, faculty, staff, special events, and more.  See Series 2 description for additional subjects. Series 2 contains an index to the content of boxes 1 through 35 or 36 (ca. 1964-1987).  See Contents List for range of project numbers in each box; please note that not all project numbers are present in the corresponding box.","Kick-Off Banquet, Greater University Drive; Governor Smith; President Paul A. Miller; Governor Smith with sword; 31 negatives","Archery, Physical Education; 9 negatives","5 negatives; professor English (Clyde) portrait; Division of Music; English Department; 5 negatives","Terra-Alta, Biological Study; John L.; 4 negatives","Physical Education, Student Instructors; Pat Tork; 4 negatives","Thomas Manley, \"National Teacher of the Year\"; Bill Criswell; 1 negative","Keith Glancy; B. Criswell; catalogue made; 1 copy negative","Joe Hutchinson; 6 negatives","Physical Education, Laundry Room; Pat Tork; 2 negatives","Mr. Wagner; Education; Dr. Jarecke; 3 negatives","President's House, light fixtures; Jim Reed; 3 negatives","Glenlock Hall, Housing; Shaffer; 3 negatives","Physical Education, Rifle Practice; Pat Tork; 7 negatives","Nelson Smith, Portraits; 4 negatives","Kathy Omari [?], Portrait","Industrial Engineering Conference; Ray Shaffer; 14 negatives","Dan Boggs, Portrait; 2 negatives","Dan Bond, Portrait; 1 negative","Neil E. Bolyard, Portrait; 2 negatives","Gordon R. Thorn, Assistant Director of Student Education Services; Portrait; 2 negatives","Conference on Poverty; George Kirk; 33 negatives","Safety Education; Dr. Yost; 3 negatives","Student Affairs, Student Body; 8 negatives","Jim Watkins; 1 negative","Governor Hulett C. Smith; Democrat; 1965-1969; 3 negatives","Parking Lot; Criswell; 3 negatives","Criswell; Copy; 1 negative","Student Affairs, Staff Meeting; 3 negatives","Camp Dawson; 18 negatives","Athletic Publication- Football, Cheerleaders; 18 negatives","Martha Harris; 4 negatives","Physical Education, Auto Presentation; Dr. Yost; 4 negatives","Student Union, Bid Opening; Criswell; 8 negatives","Education Workshop; Groupe; 2 negatives","Drama Production of \"The Women\"; Boyd; 10 negatives","West Virginia Collection, Library; Shetler; 17 negatives","Cobalt Vault, Engineering; Mr. Boyle; 2 negatives","Mrs. Bachman, Board of Governors; Portrait; 1 negative","Frank (Francisco) Herrera, Professor of Spanish; Foreign Languages; 1 negative","Western Electric Fund Scholarship, Presented to Brian Lautramus; Neil Bolyard; 4 negatives","Conference on Poverty; Kirk; 56 negatives","Betty Boyd, Dean of Women; Potrait; 2 negatives","Computer Center; Drake; 8 negatives","Computer Center, Doctor Drake; 2 negatives","Computer Center, Doctor Drake; 4 negatives","Physical Education, Fencing; Photo by Mrs. Pearse","Athletic Department, Baseball; 4 negatives","Dr. Walter H. Jarecke, Professor of Education, Director of Guidance; 1 negative","Engineering, Slides; Dr. Wren; 23 negatives","Dr. John F. Golay, Provost Professor of History, Dean of Graduate Studies; Passport Photos; 4 negatives","Commencement; 7 negatives","Roy B. Clarkson, Botany, Plant, Biology; Criswell; 1 negative","Snow Scenes of E. Moore Hall, the President's Home, Woodburn Circle; 6 negatives","Department of Inter-Collegiate Athletics, Golf, Tennis; Dave Young; 7 negatives","University High School, Project; 7 negatives","WVU Band, Richmond Game; Music-Udell; 9 negatives","Band Brothers; Criswell; 3 negatives","Social Work, Mrs. Blackburn; 8 negatives","Frank Borkowski, Concert Orchestra Rehearsal; 17 negatives","Professor Perley Isaac Reed, Mountainlair; 12 negatives","Commencement; Don Bond; 13 negatives","Publications; Unknown; 2 negatives","Dave Jacobs, Phillipine Visitors; 4 negatives","Dr. Sarkesian; 8 negatives","WVU Library, Reading Room; 6 negatives","WVU vs. Pittsburgh Game, Football, Band; Pittsburgh- 48 WVU-63; 8 negatives","WVU Band, Homecoming Game; Virginia Tech; 7 negatives","WVU Band, G.W. Game; Music- Udell; Last Game; 3 negatives","Bob Conners; 4 negatives","Dr. James Henning, Chairman of the Department of Speech; 4 negatives","Dr. William H. Mernyk, Economics; Criswell; 1 negative","Red Brown Heart Fund Award; Barrett; 6 negatives","Scholarship, Bolyard; 27 negatives","Health Center; 10 negatives","Physical Lab Display; 2 negatives","Ed Sprague; 4 negatives","Production of \"American Dream\", Drama; Mr. Boyd; 2 negatives","Unknown Subject, Criswell; 7 negatives","Drama Production; Mr. Nels; 6 negatives","Chemistry Building, Annex Plan Drawings; 4 negatives","Biology Department, Photos of Birds; Professor Birch; 8 negatives","Mechanical and Aerospace Engineering; 12 negatives","WVU slides, Television Workshop, Department of Speech; 4 negatives","Red Brown, Athletic Director; 3 negatives","High School Drama Workshop; Sam Boyd; 4 negatives","Social Work Building; 4 negatives","Interior of Arnold Hall; Women studying; 6 negatives","Mary Jane Schuster, Assistant Dean of Women; 2 negatives","Dave Jacobs, Portrait; 1 negative","Dean Ray Duncan; 4 negatives","Drama, Unknown Play; Dr. Burrows; 8 negatives","Drawing of Waitman Barbe by Louise Hennen; English Department; Newspaper Editor; 2 negatives","The Belcastro Trio, Joyce Breach, Music Practice; 24 negatives","Unknown Subject, Dr. Diener; 1 negative","Joyce Breach; 5 negatives","Wrestling, 1965 Winners; 2 negatives","The Belcastro Trio; 4 negatives","Bill Criswell; two negatives","Polywood Charts, Engineering Department; Jim Kent; 12 negatives","Music Practice, Mrs. Lorrence [?]; 11 negatives","Nuclear Reactor, Physics Building; 9 negatives","Dr. Golay, Vice President; 5 negatives","Twin Towers, West Virginia State Seal; 1 negative","Concert Orchestra, Music Department; Borkowski; 4 negatives","Opera Production; 24 negatives","Nuclear Reactor, Physics Building; 5 negatives","Commerce Scholarship; Neil Bolyard; 4 negatives","Scouting Award, President Paul Miller; 4 negatives","Creative Arts Building Model; 3 negatives","Music Department, Woodwinds; Small Group; Frank Borkowski; 5 negatives","Miss Keener, Portrait; 4 negatives","Charles Wise, Board of Governors; 2 negatives","Department of Engineering Slides, Dr. Wen; 20 negatives","Physical Education, Wrestling, Pat Tork; 11 negatives","Music Meeting, Dean Duncan; 40 negatives","Evansdale Campus Residence Hall, Twin Towers; 2 negatives","American Arts Trio, Ruth Landes Drucker, Arno P. Drucker, Assistant Professor of Music; 8 negatives","Dr. Lambert, College of Engineering; 5 negatives","Science Writing; 18 negatives","Dean Richard Duncan, First Dean of the Creative Arts Center; 1 negative","Industrial Engineering, Subject Unknown; 2 negatives","Music Production of the \"Devil and Daniel Webster; 20 negatives","Kappa Delta, Sorority House; 5 negatives","Eisland Hall, Views from in front of music building; 8 negatives","State 4-H camp, Jackson Mills; Dave Johnson Display; Glen Snyder; 9 negatives","Library, Criswell; 3 negatives","Junior Achievement; Jim Watkins; 7 negatives","Robert B. Smawley, Provost Office; 4 negatives","Industrial Engineering; Ray Schaffer; 17 negatives","Dr. Festivus P. Summers; Criswell; 1negative","Criswell; Copies; 2 negatives","Twin Towers, Evansdale; 2 negatives","WVU Band at Camp Dawson, Udell; 11 negatives","Science Writing; 4 negatives","Military First Solo Flight,Cherokee 140; Cullen; 1 negative","Charles Weakley, Chemistry Department; Portrait; 2 negatives","Engineering, Chemical; Mr. Boyle; 9 negatives","Scholarship, Neil Bolyard; 22 negatives","Sam Boyd, Drama department; 8 negatives","Radio and TV slides; Van Camp; 2 negatives","Drama production of \"Don Juan\"; Sam Boyd; 4 negatives","Humanities Conference, Dr. Ikenberry; 9 negatives","Physical Education, Fencing; Mrs. Pearse; 13 negatives","Industrial Engineering, Mr Shaffer; 3 negatives","Foreign Offices, Criswell; 4 negatives","Student Affairs Group; Jim Watkins; St. Committee; 2 negatives","News-Info, Criswell; Copies; 2 negatives","Engineering, Weirton Steel Display; 5 negatives","Ray Shaffer; 3 negatives","Neil Bolyard, Scholarship; 2 negatives","Dr. Kennedy; Reading C; 2 negatives","Main Campus Scene; Old Picture; 2 negatives","Main Campus Air View, Old Picture; Fairchild Aerial surveys, Inc. NYC; 2 negatives","ir View Main Campus, May 6 1960; L.O. Myers; 2 negatives","Students walking around Woodburn Circle; 6 negatives","Industrial Engineering, Shaffer; 3 negatives","Mountainlair; 4 negatives","Intramural Soccer; 2 negatives","The Daily Athenaeum Newsroom; 4 negatives","Medical Center Dental Lab; 4 negatives","Recreation; 2 negatives","Biology Lab; 3 negatives","Agricultural School, Research; 2 negatives","Greek Charity Project, Downtown; 8 negatives","Engineering Building, Air View; 2 negatives","History Department Classroom; 2 negatives","Ogleby Hall; 2 negatives","Evansdale Campus, Air Views; 2 negatives","Professor Harold Cather, Chair of Mechanical Engineering; Portraits; 4 negatives","Civil Engineering Conference; Dr. Schaub; 8 negatives","Telephone Operators, Helen Criss; 3 negatives","Military Ceremony, Major Wade; 11 negatives","President Charles Wise Jr., Board of Governors; Criswell; 2 negatives","Professor Robert Slonneger, Mechanical Engineering; 2 negatives","Margaret Lorince, Professor of Music; 6 negatives","Julian Martin, Groupe; 4 negatives","Aerospace Symposium; Mr. Walters; 7 negatives","Main Campus, Aerial View; 4 negatives","Medical Center, Aerial View; 2 negatives","Forestry Building; 8 negatives","The Women; 4 negatives","Groups-The Women; 9 negatives","Chemistry slides; Tony Winston; 6 negatives","Book slides; Dr. Manning; 3 negatives","Slide copies- Pygmies; 3 negatives","Student Government, Homecoming-Girls; 63 negatives","University Choir, Music Department; 6 negatives","President Miller and Senator Randolph; Pen Presentation; 8 negatives","Engineering Building; Shaffer; 2 negatives","Dr. Hess; 6 negatives","Bill Criswell; 2 negatives","Chemical Engineering, Mr. Bogle; 6 negatives","Chemical Engineering, Mr. Bogle; Udell; 7 negatives","Pep Rally for the WVU vs. Penn State Game, WVU band; Udell; Thuse; 10 negatives","WVU Band; William and Mary Game; Udell; 5 negatives","WVU Band, Citadel Game; Bud Udell; 7 negatives","WVU Band, Pre-season; Bud Udell; 7 negatives","WVU Band, Syracuse Game; Bud Udell; 7 negatives","Welfare Department, Group photo; 17 negatives","James M. Mullendore Senior; 6 negatives","Robert Iden-Nels; University photo; 9 negatives","Evansdale Campus views; Morgantown Ordinance; 8 negatives","Engineering Department, charts and slides; M. Patterson; 13 negatives","Biology Department; slides; 4 negatives","Health Center, Moving; 7 negatives","WVU High School Speech Institution, group photo; 3 negatives","WVU Summer Art Institute, group photo; 4 negatives","American Arts Trio, Pianist Arno Drucker, Violinist Donald Portnoy, Cellist John Engbert; 15 negatives","Joe Moss; 8 negatives","Governor Hulett C. Smith; 11 negatives","Engineering Conference on Appalachia; 25 negatives","Engineering Conference on Appalachia; 14 negatives","International Night, Field House; 12 negatives","Engineering Conference; 4 negatives","Civil Engineering, Professor Fowler; 44 negatives","Civil Engineering, Carter Tork; 12 negatives","Music Concert, Mr. Borkowski; 14 negatives","WVU Band Day, Music Department; Bud Udell; 3 negatives","Operetta, Joe Goltz; 17 negatives","Student Government, Executive Committee; 4 negatives","Dr. Lambert, lab and office; Criswell; 12 negatives","Children's Theater; 12 negatives","Miss Morgantown \"1965\"; 9 negatives","D. Brewer; 9 negatives","WVU Drama Production; Thieves Cornwal; 10 negatives","Dr. Thomas Canning, Music Department; Criswell; 4 negatives","First students at Evansdale Twin Towers; 12 negatives","Musical Group-Brass, R. Sherman; 7 negatives","Glenn Snyder, Group photo; 4 negatives","Frank Carlomagno; Assistant Director of the WVU Foundation; 4 negatives","Engineering Conference, Group photo; 3 negatives","WVU Fine Arts Camp; Group Photo; 6 negatives","Lynn Duncan; 8 negatives","Iden Family photos; 10 negatives","Drama Department, Phillips; 6 negatives","Orchesis \"65\"; 27 negatives","Dr. Patterson; 3 negatives","Morgantown High School, Wrestling team, 1 negative","John Cook; 4 negatives","WV State Wrestling, 7 negatives","Drama Production, \"Lady Precious Stream\"; 10 negatives","Bill Criswell, woodworking; 12 negatives","Student Committee; Legislature; 9 negatives","Engineering, Dr. Carter; 3 negatives","WVU Library, Hess; 15 negatives","WVU Band; 10 negatives","Dr. Stewart, Math Department; 7 negatives","Dr. Yost, Physical Education; 4 negatives","Locusts; 4 negatives","Thomas Luther and Mrs. T.L. Harris, Order of Vandalia, Commencement; Honorary degree; HA Stansbury on right; 6 negatives","News and Info; 5 negatives","WVU Showcase display, \"Student Life on Campus\"; 18 negatives","Development Office, Neil Bolyard; 6 negatives","Mr. Humphry, Chemistry Department, Presidential Award; 5 negatives","AWS; 2 negatives","WVU extension, Forum teachers; 6 negatives","Old Woodburn Hall, before 1900; 3 negatives","Belcastro Trio, State Department; Criswell; 46 negatives","Dr. Kent, portraits; 6 negatives","Julian Martin; 10 negatives","Criswell, Speaker; 1 negative","Old Mechanical Hall II; 2 negatives","Peter Bonays; Criswell; 2 negatives","Forestry Sciences Building; Baker; 4 negatives","Dave Tork, GUD; 4 negatives","Gordon Craig, Speaker; Criswell; 2 negatives","Neil Bolyard, Check presentation; 5 negatives","Development Office, Frank Carlomheno; 5 negatives","Betty Boyd, Dean of Women; 2 negatives","WVU Choir; 4 negatives","WVU Drama production; Burrows; 14 negatives","Music- Summer camp; f. Borkowski; 2 negatives","Art Department, Joe Moss; 25 negatives","Dr. A. Reed; 2 negatives","Economic Education Workshop; Maron Lee; 64 negatives","Woman's Hall, Stalnaker; 15 negatives","Miss McClure, Campus Cover Girl; 6 negatives","Mrs. Roger Sherman, dancing; 8 negatives","Mrs. Roger Sherman, dancing; 24 negatives","Cheerleaders, Physical Education; Bill Criswell; 7 negatives","Cobalt Vault, Forestry building; 9 negatives","Development Office, 99th Anniversary Dinner; 34 negatives","Scholarship Winners 1966, Neil Bolyard; 37 negatives","WVU Drama Production, \"Dark of the Moon\"; Dr. Burrows; 19 negatives","United Fund; 20 negatives","Regional Wrestling Winners; 6 negatives","Portnoy, Music department; 12 negatives","Big Ten Wrestling; 6 negatives","Chamber of Commerce; 3 negatives","Morgantown High School Wrestling, Robert De Antonisser 1964-1988; 12 negatives","Coach Carlin, News Conference; 6 negatives","Oglebay Hall, exteriors; 5 negatives","Office of Physical Planning, copies of master plan; C. Wagner; 2 negatives","Dr. C.C. Patterson, Engineering; 9 negatives","Classroom; 4 negatives","Chi-Omega Sorority; Criswell; 10 negatives","Road signs and radar, Civil Engineering; 24 negatives","Chas Tomas, Physics; 12 negatives","Slides of old photos of Morgantown; Shetler; 32 negatives","Forestry Building entrance; 3 negatives","Criswell, Speaker; 2 negatives","Jerry Andrick; 4 negatives","Criswell, Speaker, Chemistry; 2 negatives","Physical Education group photo; 4 negatives","WVU golfing; 7 negatives","Gary Zinn; 1 negatives","News and Information, St. Patrick's Day; 6 negatives","Orchesis; 39 negatives","Orchesis; 11 negatives","WVU bookstore, Award winners; 3 negatives","Music Preparatory, M. Lorince; 15 negatives","Forestry classroom, Dr. Roch; 2 negatives","Pete Yost; \"All-State\"; 7 negatives","Play Day, Tork; 20 negatives","American Women Surgeons, group photo; 8 negatives","State Future Farmers of America; 85 negatives","La Traviata, WVU Opera production; 21 negatives","Physical Education, group photo; Larry Castle; 6 negatives","WVU Women's Club; 31 negatives","WVU computer music; 4 negatives","Eugene Quarrick; Behavioral Medicine and Psychiatry; 5 negatives","Armand Singer, Professor of Romance Languages; 12 negatives","Miss Sinkford; 15 negatives","Department of Physics; 22 negatives","WVU Women; 34 negatives","Jerry Parmer, Engineering Department; 12 negatives","WVU Band Day, Udell; 2 negatives","Textbook of Wood Technology, book photo; Chemical Engineering; 2 negatives","WVU Library, interior views; 8 negatives","WVU President Paul Ausborn Miller; 7 negatives","Emory Bacon; 10 negatives","Freshman Registration; 24 negatives","Drawings for the Parkersburg Branch; perspective sketch looking toward southwest; 1 negative","Cultural Center; 5 negatives","News and Information; 2 negatives","WVU Centennial Seal, 1867-1967; 1 negative","Slides- men working at the river; Criswell; 4 negatives","Dr. Neisus, in his office reading the Appalachian Review; 2 negatives","Scholarship Presentation, Neil Bolyard; 4 negatives","Athletic Department, Cross Country; 23 negatives","WVU Fine Arts Camp, group photo; 2 negatives","Board of Public Works; 3 negatives","Criswell; 1 negative","Burger Chef; 4 negatives","Charley Hockenberry; 5 negatives","Slides by Professor Linsky; 6 negatives","WVU President Miller, Reception; 8 negatives","Labor Conference, Fred Teller; 11 negatives","Labor Studies, J. MacKensie; 50 negatives","Dean R. S. Dunbar JR.; 2 negatives","Conference on Manpower in Appalachia; Fred Teller; 57 negatives","Slides by Jim Kent; 2 negatives","News and Information, speaker copies; 2 negatives","Pat Tork, passport photos; 2 negatives","Dr. Igor Sarkissian; 12 negatives","Civil Engineering slides, Dr. Schaub; 10 negatives","Jamison, AWS; 4 negatives","WVU Band Day, William and Mary game; Udell; 4 negatives","Ray Shaffer; 4 negatives","Foreign Officers Visit; 5 negatives","Driver Training class, Physical Education; 4 negatives","Dave Tork, portraits; 5 negatives","WVU Band Day, William and Mary game; 3 negatives","Engineering Scholarship; Parmer; 6 negatives","State Future Farmers of America Contest; 86 negatives","\"A Professor Emerges in West Virginia, author Kermit A. Cook; 4 negatives","Dean Campbell; 2 negatives","Greg Myers, WVU Soccer coach; 4 negatives","Foreign Student Committee; 4 negatives","A. Larson; 3 negatives","WVU Cross Country, group photos; 6 negatives","WVU vs. Citadel game; 7 negatives","State High School Cross Country; 7 negatives","WVU musical production of \"Bye Bye Birdie\", Creative Arts Center; 15 negatives","Dr. Robert F. Munn, Provost and Director of Libraries; 2 negatives","Theodora Schubert, first girl student in Forestry; 12 negatives","Engineering slides- Radiation Intensity, Jim Kent; 6 negatives","Bill Criswell; 2 negatives","E. Moore Hall, exterior shot; 1 negative","WVU Law Building, exterior shot; 1 negative","Scholarship Awards for music, Mrs. Inberg; 4 negatives","Orchesis; 14 negatives","Joe Gluck, in his office; 6 negatives","Music Programs, Arno Druker; 9 negatives","William H. McMillion, passport photo; 5 negatives","Student Organization charts, J. Watkins; 15 negatives","Centennial Film copies; 6 negatives","Copies of speakers, Bill Criswell; 2 negatives","Chester A. Arents, Dean of the School of Engineering; 2 negatives","Quint Wilson, Dean of Journalism; 2 negatives","Dr. Ernest Nesius, Dean of the College of Agriculture, Forestry, and Home Economics; 6 negatives","Jerry R. Luh, 1965 All-American Rifle Team portrait; 1 negative","Thomas C. Campbell, Dean of College of Commerce; 4 negatives","WVU Physical Plant Custodial Award presentation; Carol Hose; 7 negatives","WVU Fine Arts Camp, Don Portnoy; 159 negatives","Fine Arts Camp, music camp; 53 negatives","WVU Music Camp; 12 negatives","Captain Cullen, Military Commission; 10 negatives","Greater West Virginia Weekend; 24 negatives","WVU Choir; Dr. Barton; 4 negatives","Evansdale Towers Lounge ; 10 negatives","WVU Band Day, WVU vs. Penn State game; 8 negatives","WVU band at Kentucky game; 8 negatives","WVU President Don Bond, portraits; 3 negatives","Board of Education Grant for drama and cultural education; 132 negatives","Future Farmers of America, University High School chapter; 9 negatives","Dr. Arya; 2 negatives","WVU Link Day; 8 negatives","Mr. Jones, WVU President's assistant; 2 negatives","Julian Martin; 6 negatives","slides, Dr. Moh, 2 negatives","Raphael Bachman, Dean of Pharmacy; 2 negatives","York Junior College students; 6 negatives","copy for news service; 2 negatives","News Service, Dickerson; 2 negatives","Guy Harry Stewart, Professor of Journalism; 13 negatives","Kenneth V. Randolph, Dean of School of Dentistry; 1958-1968; 4 negatives","Snow scenes at WVU; pylons 2; 25 negatives","Ray Duncan, Dean of Physical Education; portraits; 7 negatives","Leo Horacek, Professor Emeritus of Music; 4 negatives","Officers of the A.W.S.; 16 negatives","Roy W. Bahl, Professor of Economics; 4 negatives","WVU Choir; 5 negatives","Richard E. Duncan, Dean of the Creative Arts Center; 6 negatives","Dr. Jay Barton, Chairman of the Biology Department; 6 negatives","George Kirk, Vice President of Finance; 4 negatives","Charles E. Hockenberry, WVU coach; head football coach at WVU Institute of Technology 1947-1948; head baseball coach at WVU 1947; inducted into the WVU Sports Hall of Fame 2005; 1 negative","Joseph Goltz, Director of the WVU Opera Group; First director; 4 negatives","Ben Linsky, Professor of Sanitary Engineering; Department of Civil Engineering; air pollution studies; 5 negatives","Ada Lease, portraits; 5 negatives","Carolyn Reyer, Native American advocate; helped to develop the Native American History and Culture studies program 1991; singer- mezzo-soprano; established the Monongalia Riding for the Handicapped 1986; 8 negatives","Dr. Harry Heflin and Neil Bolyard, presentation of Texaco Scholarship; 5 negatives","Dr. James G. Harlow (right) and Mr. Norton (left) in ROTC office; 3 negatives","Social work group photo; 8 negatives","Dr. Howard Perry Simons; Chemical Engineering; 26 negatives","James A. Kent, Nuclear Engineering; Polywood; 45 negatives","Stanley O. Ikenberry, dean of the College of Human Resources and Education; 9 negatives","Labor Institute at Mont Chateau; 6 negatives","Evansdale Twin Towers, exterior views; 5 negatives","Evansdale Towers, interior view- lobby; 2 negatives","Evansdale Towers, Bennett Tower and Lyon Tower, exterior views; 4 negatives","Evansdale Towers, Dining hall, dorm room; 10 negatives","Evansdale Towers, interior views of the lounge; 8 negatives","Evansdale Towers, exterior shots; 2 negatives","WVU Swimming, Coach Kevin Gilson; publicity shots; 35 negatives","WVU Choir, Joe Golz; 6 negatives","Vice President Hubert Humphrey, visit to WVU; 12 negatives","WVU Physical Education group photo; Quentin Barnette- professor in the WVU School of Physical Education; 4 negatives","WV Collection Story; photo 1- Fairmont ordinance, ad, and invoice; photo 2- Flood April 1, 1913; 4 negatives","WV Collection- Military Story; photo 1- Woodburn Circle; photo 2- cannons between Woodburn Circle and Mountainlair; 4 negatives","Protestors at the WVU Commencement; 12 negatives","WVU Baseball, publicity shots; 57 negatives","WVU Tennis and Golf; 23 negatives","WVa Collection Story, librarians at work; 7 negatives","Mr. Preston Harper; 4 negatives","Ralph Bean in a meeting; 1 negative","Mr. Bray, Board of Governors; 1 negative","Wrestling- Southern Conference Tournament; 2 negatives","Track and Field photos, Stan Romanoski- WVU coach of the men's track and field and cross country teams; 30 negatives","WVU College of Law, exterior shots; 7 negatives","Chemical Engineering Award Presentation; news service; 8 negatives","Civil Engineering, road and billboard signs; 21 negatives","Physical Education- Driver's Education cars; Dr. yost; 11 negatives","Nuclear Facility, Forestry Building; Boyles; 12 negatives","Thomas Gary Kenamondo, news and Information; 2 negatives","Radio and Television productions; 16 negatives","Mr. Graber, WVU Drama Department; portraits; 4 negatives","Engineering slides; joint mechanism of ultrasonic welding; 5 negatives","nature slides, News Service; 6 negatives","Mr. Bates, News-Service; 2 negatives","Super Wood; WVU engineering; experiment; 4 negatives","Engineering and Bio-physics; TAM; 6 negatives","Leo Fishman, Professor of Economics and Finance; 3 negatives","Driver's Education Class; WVU Physical Education; 3 negatives","Union Carbide presentation, Engineering Department; 4 negatives","New York Bond Company; 6 negatives","College of Commerce, Bankers Scholarship presentation; 7 negatives","Bud Udell, WVU Director of Bands at University High School; 7th band director 1963-1969; 7 negatives","Construction of the Creative Arts Center slides; 2 negatives","Ruel Foster, WVU English Department Chair; Benedum Distinguished Professor of American Literature; author of Appalachian literature; tennis coach; Order of Vandalia; 9 negatives","slides of the Annals New York Academy of Sciences; 9 negatives","WVU Engineering slides; 25 negatives","Dr. Dozo and Dr. Olson, visiting vets; 5 negatives","Wes Coppock; News-Service; 1 negative","Margaret Lorince, WVU Director of Preparatory Music; assiatant Chair of Music; Assistant Dean of the CAC; Professor Emerita; 20 negatives","Joe Moss, Kinetic Sculpture; West Virginia Moon; National Endowment for the Arts; 12 negatives","School of Speech Communications, Leonard Davis; 21 negatives","Weirton Story, News-Information; 6 negatives","WVU Nursery School on Campus Drive; children playing; 6 negatives","Engineering slides, Blackshaw; 15 negatives","Mr. Brown, Commerce; 2 negatives","Alumni Giving Incentive Award, Dave Tork; 3 negatives","photos of books by Earl L. Core, cover picture; 2 negatives","WVU Computer Center; 12 negatives","USS West Virginia Mast Plaque; 10 negatives","John Luchak; 2 negatives","WVU Commencement; 27 negatives","WVU Nursery School; 20 negatives","Ernie Jones in his office; 7 negatives","Herman Godes, Pianist; 4 negatives","Dr. Clyde English, Head of Organ Department 1945-1980; 4 negatives","Presbysterian Church Cross; 3 negatives","Mountainlair construction; 10 negatives","Dr. Harry Heflin, Vice President of Finance and Administration; 6 negatives","Parmer, Aero-Space; 5 negatives","WVU Athletic Department picnic; 20 negatives","James Thompson in his lab; 4 negatives","WVU Medical Center, night view; 3 negatives","WVU Medical Center, front closeup; pylons; 2 negatives","WVU Medical Center view from Evansdale Towers; 2 negatives","WVU Varsity Wrestlers; 11 negatives","WVU Varsity Wrestling Team; group photo; 3 negatives","Physical Education Conference, Pete Yost; group photo; 4 negatives","5th Annual WV AFL-CIO Summer Institute at Mont Chateau; group photo; 4 negatives","Julian Martin at WVU graduation; 23 negatives","Percival Hall- Forestry Center, night views; 5 negatives","Mr. Sledge, Student Affairs; 5 negatives","WVU production of \"Carousel\"; Rodgers and Hammerstein; Boyd; 12 negatives","portraits of Honoraries at 1966 WVU Commencement; 6 negatives","WVU Band publicity shots; 12 negatives","Reverend Paine, Episcopalian; Clergy, Church; 7 negatives","Twin Towers complex, drawing; 3 negatives","Colonel Jansen Retirement; 10 negatives","Festival of Ideas, Humphrey, Etc.; 103 negatives","Registration at Field House; 9 negatives","Fine Arts Group; 3 negatives","Frank Carlehemeno; 4 negatives","Sherlocker, Physical Education; 5 negatives","Canning, Music Group; 4 negatives","Milan; 32 negatives","Social Work, Portraits","Drama, \"Kiss Me Kate\"; 11 negatives","Angel Street; 14 negatives","Representative of Ghana; 5 negatives, prints","Danville, Portrait; 4 negatives","Dean Frasure, College of Arts and Sciences, Portrait; 6 negatives","Dr. Thomas Canning with Carolyn Reyer; 2 negatives","Computer Center; 4 negatives","HUD Meeting at Mt. Chateau; Transportation; 12 negatives","Thomas Canning, Portrait; 4 negatives","Dr. William Miernyk, Economics Research, Portrait; 5 negatives","Drama, Merchant of Venice; 9 negatives","Donald Portnoy, Music, at Piano with Violin; 12 negatives","Tennis Action Shots; 8 negatives","Professor Jones, Chair, Electrical Engineering; 12 negatives","Chemistry Award; 2 negatives","Drama; 12 negatives","Creative Arts; 12 negatives","Lorensen, Law School, Portrait; 4 negatives","Dr. Kelly, Vice President, Portrait; 6 negatives","Dr. Halter, Portrait; 5 negatives","Vergil Clark, Head of Physical Plant, Portrait; 6 negatives","President's Home; 12 negatives","Biology, Dr. Chen, Culture Room; 8 negatives","Chemistry, Tony Winston, Labs; 55 negatives","Electrical Engineering; 10 negatives","General Biology, Trees; 7 negatives","Coopers Rock, Gorge Overlook; 17 negatives","Hunter with Dog; Ag-Forestry Bulletin, Roy Thomas, Magazine; 12 negatives","Orchesis, Dance Group; 24 negatives","\"Esso Story\"; President Harlow with Two Other Men; 6 negatives","Canning and Brown, \"Composers\"; 2 negatives","Safety Education Story; 11 negatives","Engineering Project; 12 negatives","Agronotty Awards; 6 negatives","Chemical Engineering, Coal Research; 9 negatives","Men's Swim Team; 23 negatives","Comedy, Lysistrata; 9 negatives","National Merit Scholarship, President Harlow Speaking; 35 negatives","Recreation Department, Senior Citizens; 8 negatives","New Band Uniforms; 3 negatives","Fine Arts Camp; 48 negatives","Opera, The Marriage of Figaro; 23 negatives","Opera, Susannah by Carlisle Floyd; 27 negatives","State Bankers Scholarship; 5 negatives","Airplanes, Cessna Foundation; 24 negatives","Gulf Oil Presentation; 3 negatives","Bruce D. McComas, Portrait; 2 negatives","Dick Bell, Portrait; 4 negatives","Rifle Team; 6 negatives","Music, Phil Faini, Portrait; 2 negatives","00624; Dr. Harlow, Du Pont Presentation; 10 negatives","Soccer Action; 9 negatives","George Weaver, Portrait; 4 negatives","Biology, Cancer Research; 4 negatives","Ernie Jones, Portrait, Earnest L. Jones, Director of Computing Center; 4 negatives","Peggy Staggers, Portrait; 8 negatives","Army, ROTC; 50 negatives","Coach Harrick, Portrait, Baseball, 300 Victory, 11 negatives","Library View; Building, 2 negatives","Colonel Reynolds, Student Affairs, Portrait; 4 negatives","John Luckoks and Majorettes; 9 negatives","Sports, Basketball Group, Athletic Publication; 6 negatives","Clark Wagner, Portrait; 4 negatives","Steering Committee, Homecoming; 4 negatives","Sports, Soccer Squad, Mountaineer Field; 1 negative","Blithe Spirit, Drama, Play; 11 negatives","Dolls House, Drama, Play, Creative Arts Center; 12 negatives","Caesar and Cleopatra, Drama, Play, Bob Silberstein; 20 negatives","The Boys from Syracuse, Drama, Play, Creative Arts Center, Becky Stewart; 10 negatives","YWCA Officers, Cabinet, Becky Stewart; 7 negatives","Board of Governors, Portraits; 12 negatives","Dr. Harry Heflin, V.P. of Finance and Administration, Portrait, served as 18th President in 1981; 8 negatives","Jim Watkins, Assistant Dean of Student Educational Services, Portrait; 4 negatives","Alumni Day at Law School; 8 negatives","Dr. Chas Norman, Lab, Biology; 12 negatives","Jim Watkins in Office; 12 negatives","Sara Ruth Meek, Portrait; 6 negatives","Freshman Orientation; 19 negatives","Freshman Orientation; 20 negatives","Freshman Orientation; 10 negatives","Freshman Orientation; 24 negatives","High School Speech Institute; 22 negatives","Helicopter in Mont Chateau; 14 negatives","Board of Governors; 3 negatives","Forestry Display, Laskin; 14 negatives","Student Affairs; 10 negatives","African Statues from Twin Towers, Betty Bogel; 16 negatives","Science Camp; 12 negatives","Leonard Davis, Slides from Old Pictures of Weston Hospital for Insane; 13 negatives","AWS Officers, Portraits; 21 negatives","Oak Tree; 4 negatives","Carol Watson; 7 negatives","Small Maple Tree; 4 negatives","Slides for Mechanical Engineering, Entropy; 25 negatives","Fine Arts Camp. Group; 1 negative","High School Journalism; 32 negatives","Safety Education Class; 3 negatives","Transportaion; 22 negatives","Medical Center, Heating Plant; 6 negatives","Freshman Guides; 17 negatives","John Brisbow, Assistant Director of Admissions; 12 negatives","Civil Engineering Conference; 26 negatives","Dr. Emory L. Kemp, Chair of Civil Engineering, Portrait, Emeritus Director of the Institute for the History of Technology \u0026 Industrial Archaelogy in the WVU Eberly College of Arts and Sciences, Recognized for both Researching and preserving historical industrial sites around the county and overseas; 4 negatives","Cross Country, Coach and Captain in Action, Sports; 12 negative","Girl with Rifle; 2 negatives","Merchant of Venice, Drama, Publicity; 7 negatives","Urban Mass Transit, Vestibule; 18 negatives","Satellite Copies; 2 negatives","WVU Parkersburg Branch, Drawing; 1 negative","Credit Union, Group; 3 negatives","Housing and Urban Development; 7 negativs","John R. Mackenzi, Director of Education, Portrait; 4 negatives","James H. Schaub, Professor of Civil Engineering, Portrait;4 negatives","Harold J. Shamberger, Assistant to President, Portrait; 6 negatives","00688; Judy Shoup, Miss WVU, Portrait, 1969 Miss WV as Kappa Kappa Gamma, Wheeling Symphony Member; 2 negatives","Wrestling Athletes and Dan Killen, Director of Social Service Med.Center, Brown, Jim Stevens ; 17 negatives","Cross Country Team, Group; 2 negatives","Agricultural Farm Grass, grass shots for Jung; 17 negatives","Grass, grass shots; 12 negatives","Agricultural Farm Grass, grass shots for Dr. Jung; 12 negatives","Grass, grass shots for Dr. Jung, 5 negatives","Agricultural Farm Grass, grass shots for Dr. Jung; 7 negatives","Bug Shots for C. K. Dorsey, Insects; 8 negatives","New Engineering Building; 4 negatives","Conference; 12 negatives","Robert L. Iden, Manager of Printing Services, Portrait; 3 negatives","Red Brown, Steve Harrick, Presentation; 7 negatives","Mullenax, Interview, New Zealand; 9 negatives","John Goodwin, Commerce, Portrait; 5 negatives","Gymnastics; 22 negatives","Gymnastics; 16 negatives","Clifford W. Brown, Portrait, 1912-1988, Portrait, Marching Band Director in 1942, Retired in 1974 as Assistant Dean of Creative Arts Center, His daughter, Susan, is the wife of former WVU President, David Hardesty; 6 negatives","John Clarkson, Art; 9 negatives","Seigle Wayne Cox, Vocational Agriculture, Hundred High School, Portrait; 4 negatives","Dick Detombe, Assistant Track Coach, Portrait; 4 negatives","Dr. Stacy Barton, ETV; 12 negatives","Jerome Fanucci, Chairman of Department of Aerospace Engineering, Portrait; 4 negatives","Dr. Hefflin, 18th President; 20 negatives","Dr. James G. Harlow, Portrait; 10 negatives","Paul W. Hamelman, Professor of Management, College of Commerce, Portrait; 10 negatives","Information Booth, Structure; 6 negatives","University Singers, Group; 3 negatives","Strings Band Practice, Music Department; 22 negatives","Music Scholarship Award; 4 negatives","Scenes from John Gay's \"The Begger's Opera\", Creative Arts Center, Division of Music, 25 negatives","Lecture by Harold B. Bachman, Director of Bands, Emeritus, University of Florida; 6 negatives","Morgantown Woman's Music Club Scholarship, Group; 5 negatives","James Mullendore, Student Body President, 1968-1969, Portrait; 4 negatives","William H. Miernyk, Director of Regional Research Institute, Order of Vandalia, Claude Worthington Benedum Professor of Economics, Professor Emeritus, Director Emeritus of the RRI, Author; 21 negatives","William H. Miernyk; 12 negatives","George Nocito, Professor of Art, Chair of Art Department, Portrait; 6 negatives","News and Info; 2 negatives","News and Info, Group; 2 negatives","News and Info; 6 negatives","News and Info, Richard Bernard, Arthur Hofstetler with Glasses, Portrait; 3 negatives","Paul Selby, Dean of College of Law; 6 negatives","Dr. Roman J. Verhaalen, Dean of Kanawha Valley Graduate Center, Portrait","Rabbi Herbert J. Wilner, Hillel Foundation, Portrait; 6 negatives","Rabbi Herbert J. Wilner, Hillel Foundation;","Budd Udell with Band; 11 negatives","Dale Evans, Athletic Publicity, Quarterback Signing, Football; 10 negatives","Band Photos, French Horn; 12 negatives","Marching Band Formations; 25 negatives","Band Day; 5 negatives","Scott Stringham Conducting; 12 negatives","Percussion Ensemble, School of Music; 1 negative","Homcoming Queen, Sally Sotak of Beckley, Shelley Pointexter of Nitro, Jeannie Erwin of Dunbar, Mary Kay Staggers of Keyser; 2 negatives","Homecoming Queen Candidates with Centennial Seal, Sally Sotak, Shelley Pointexter of Nitro, Mary Kay Staggers of Keyser, Jeanne Erwin of Dunbar; 4 negatives","Homecoming Queen Candidate at the Health Sciences Center Pylons; 3 negatives","Homecoming Queen Candidate in front of Elizabeth Moore Hall; 3 negatives","00748; Homecoming Queen Candidate with Oglebay Hall in the background Hall; 2 negatives","Homecoming Princess, Headshots; 8 negatives","Gold Diggers, Weekend Candidates, Portrait; 23 negatives","Bill Bonsall, Gymnastics Coach, led WVU to 3 southern conference championships, ranked at 5th place in 1963, represented U.S. in 1948 Olympics in London, the gymnastics team was elevated to varsity team in 1952 under him; 4 negatives","Kevin Gilson, Men's and Women's Swimming Coach, Anatomy and Physiology, Portrait; 4 negatives","Coach SFC Joe Gravens, Jr.; 4 negatives","Pat Hamilton, Board of Governors; 6 negatives","D. Hercules, Headshot; 1 negative","Dr. William Morris, Portrait","George Nedeff, Wresting Coach, 1996 WVU Presidential Safety Award, National Wresting Hall of Fame, Father G.N. of SOLT with \"Outstanding American\" Award, Class of 2008; 3 negatives","George Smyth, Planning Architect, Portrait; 4 negatives","John Stewart, Soccer Coach, Portrait; 4 negatives","Greg Van Camp, Director, General Manager of WWVU-TV, Professor or Radio and TV, Portrait; 4 negatives","Radio-TV Control Room; 5 negatives","Historical Buidings, Woodburn Female Seminary established in1815, Monongalia Academy established in November 1814; 2 negatives","News and Info, Sewage Treatment; 11 negatives","News and Info, Child Plays-Story for John Reach at Med Center; 8 negatives","Office of Publications; 6 negatives","Office of Publications, John Luchor; 16 negatives","Mountainlair Information Desk and Lounge; 7 negatives","Radio Drama by Dylan Thomas \"Under Milk Wood\" by  at Med Center Auditorium; 8 negatives","Kappa Kappa Psi, Music Honorary, Group; 2 negatives","Freshman Football Team in front of Martin Hall, Group, Historical Building; 4 negatives","Thermomister Temperature Measuring Device; 2 negatives","Seintillation Device; 7 negatives","Drama \"The Entertainers\"; 19 negatives","Mountainlair Interior; 23 negatives","Mountainlair Interior; 4 negatives","Bell from USS West Virginia; 7 negatives","President's Summer Home; 2 negatives","Drama \"The Merchant of Venice\"; 12 negatives","Light Art; 9 negatives","Snow Around Campus, Historic Buildings; 34 negatives","New Buildings around Campus; 14 negatives","Theater; 1 negative","Theater Interior, Creative Arts; 1 negative","R.O.T.C.; 39 negatives","Homecoming Queen, Sally Sotak, Portrait","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Band Day; 24 negatives","Heart Valve Story, Engineering; 15 negatives","Heart Story, Med Center; 6 negatives","Colonel Charles G. Ives, Chairman of Military Science, Portrait; 5 negatives","Engineering Scholarship, Union Carbide; 4 negatives","Bird Story; 1 negative","Woodburn Circle, Traffic Pattern; 8 negatives","Freshmen Basket Ball Team, Sports, Group; 4 negatives","Art Department; 6 negatives","Orchesis, Student Dance Group; 9 negatives","University Choir, Group; 7 negatives","Civil Engineering Students; 40 negatives","Creative Arts Center, Building; 1 negative","Creative Arts Center, Building; 8 negatives","Amrerican Arts Trio, Music, Group; 12 negatives","Baroque Ensemble, Music, Group; 2 negatives","Fine and Lively Arts Committee, Group; 7 negatives","Dr. Harry Bruce Heflin in Formal Group, Group, 18th President; 4 negatives","Baker and Coombs Windows; 13 negatives","Dr. Maurice Brokks, Biology and Forestry Professor, Wildlife Management, Natural History, Ornithologist, West Virginian of the Year, Conservationist; 18 negatives","Theater Interiors, Creative Arts Story; 11 negatives","WVU Library; 14 negatives","WVU Library; 5 negatives","View of Med Center from Pierpont Hall; 2 negatives","Armstrong Hall, Building; 4 negatives","Med Center, Pylons; 19 negatives","Student Union Building, Mountainlair; 4 negatives","Mountainlair Construction; 4 negatives","Mountainlair Construction; 4 negatives","Mountainlair Construction; 3 negatives","Oglebay Hall, Historic Building; 7 negatives","Summit Hall, Building; 4 negatives","IBM Computer Installation, Publication Office; 2 negatives","IBM Typesetting in Printing Composing Room;","Transatlantic Debators; 7 negatives","Professor Moody E. Prior, Portrait, born 1901 in Fatsa Turkey, died Oct. 25 1996, Prof. Emeritus of English at Northwestern U., authority on Shakespeare, awarded Northweatern University Alumni Medal - highest honor given to Northwestern graduates; 1 negative","Mr. Harry Ernst, Director of University Relations, Portrait; 2 negatives","WVU TV Tower Site; 6 negatives","Joe Leonard, Director of Coal Research Bureau at WVU, Portrait; 4 negatives","Engineering - Super Wood; 9 negatives","Highschool Wrestling Tournament; 10 negatives","Variety Show at Towers; 22 negatives","Variety Show at Towers; 17 negatives","Physical Education, Archery Class; 9 negatives","Engineering - Space Craft Diagrams; 6 negatives","Commencement Honoraries, Portrait; 12 negatives","State Science Fair; 12 negatives","International Night; 5 negatives","Ash Brick Pilot Plant; 4 negatives","Norm Parsons, Intramural Director; 4 negatives","WVU Choir Album Cover \"Songs of West Virginia\"; 2 negatives","16 mm Movie Camera used on copy work, Radio and TV; 9 negatives","Drama Publicity Photos; 3 negatives","Tom Gulli Ford, Swimming, Portrait; 4 negatives","Bill Martin, Dance; 5 negatives","Engineering Slides for Dr. Moore; 14 negatives","Civil Engineering Asphalt Research; 25 negatives","Widebusch Family, Group; 7 negatives","Orchesis, Student Dance Group;  12 negatives","Don Knotts, Group; 1 negative","National Science Foundation Grants; 11 negatives","W. Va. Collection, Library, Homecoming; 32 negatives","Budd Udell Conducting, WVU Marching Band Director, 7th Director 1965-69, d.o.d. Feb. 4 2006, Group; 12 negatives","Orchesis, WVU Student Dance Group; 35 negatives","Bob Iden, Managerof Printing Services; 12 negatives","Oglebay Hall with Mast, Historic Building; 5 negatives","Elizabeth Moore Hall, Historic Building; 8 negatives","Jeff Warren; Portrait; 4 negatives","Charles Peter Yost; Dean of Physical Education, Portrait; 3 negatives","Computer Center; 27 negatives","Aerial Photos of Med Center and Mountainlair; 8 negatives","Aerial Photos of Towers, Pierpont Hall and Mountainlair; 5 negatives","Med Center; 3 negatives","Creative Arts Center; 6 negatives","Stewart Hall, Historic Building; 2 negatives","Agricultural Science Buiding; 4 negatives","Coliseum; 2 negatives","Evansdale Campus, Towers, Med Center; 7 negatives","Mont Chateau Lodge, opened June 7 1958, WVU Geological and Economic Survey; 4 negatives","Mountainlair Night View; 3 negatives","Library Walk; 4 negatives","Library Exterior View; 8 negatives","View of Woodburn Circle from Oblebay Plaza; 3 negatives","Woodburn Circle; 2 negatives","Jazz Band; 4 negatives","WVU Band, Group; 16 negatives","Dave Shamberger, Portrait; 8 negatives","Agriculture, Dr. O.J. Burger (standing), Martin Piriber (speaker); 9 negatives","Hubert H. Humphrey Speaking at WVU Centennial Celebration, Vice President, 100th Anniversary Event; 3 negatives","Jeff Davis, Portrait; 6 negatives","Commencement; 2 negatives","Commencement, Senator Jennings Randolph, Senator Robert C. Byrd, Acting WVU President Harry B. Heflin, Irvin Stewart, the Order of Vandalia; 37 negatives","Scenes from \"West Side Story\", Theater Production; 23 negatives","Scenes from \"West Side Story\", Theater Production; 16 negatives","\"The Maids and Deathwatch\", Theater Production; 9 negatives","Med Center, News and Info;","Engineering Department, Professor Jones, Group; 2 negatives","Mountaineer Spirit, Female Portrait; 6 negatives","Ash Brick Pilot Plant; 4 negatives","Future Farmers of America; 93 negatives","Louise Keener, Portrait","Fine Arts Camp, Music; 4 negatives","Chemical Engineering Slides, Dr. Jones; 6 negatives","International Program, Group; 8 negatives","Legislative Committee, Interim, Group; 11 negatives","Views from Oglebay Plaza, Traffic Study, Main Campus; 11 negatives","Woodburn Hall Clock Tower in Snow, Historic Building; 3 negatives","Coal Research, Insulation Samples, C. McFadden; 16 negatives","Coal Research, Insulation Samples, C. McFadden; 4 negatives","Jack Porter, Portrait, Development Office; 2 negatives","Frank Carlonheno, Portrait; 4 negatives","Bill Haden, Higher Education Administration, Portrait, Educational Fundraising, founding member of WV Promise Schoarship Programs Board of Control, he held positions in Development/Alumni Relations and Public Affairs, 17th President of WV Wesleyan College in 1995; 2 negatives","Senator Robert C. Byrd Visit - Flyash Based Brick, Harry Heflin; 18 negatives","Theater Production, \"Who's Afraid of Virginia Woolf\"; 22 negatives","Drama to Forensic Festival; 15 negatives","Southern Conference Awards, Athletic Publicity, Group; 4 negatives","Centennial Celebration Seal; 2 negatives","Mad Women, Portrait; 20 negatives","Harold Neely, Portrat; 6 negatives","First Brick Story; 10 negatives","\"The Mad Woman of Chaillot\", Theater Production; 10 negatives","Harry Ernst, Director of University Relations, Portrait; 5 negatives","Dan Bond, WVU 100th Anniversary, Group; 4 negatives","Coliseum Architectural Model; 6 negatives","Dr. Harlow, Portrait; 4 negatives","Paul W. DeVore,Professor of Industrial Arts, Portrait, Influential in the establishment of nation's first Department of Technology","Richard Gardner, Controllers Office, Portrait; 4 negatives","Mountainlair Art Gallery; 4 negatives","Students playing at Mountainlair Game Center; 12 negatives","Athletic publicity, Carlen's family; Jim Carlen - head coach, 1966-1969, record 25-13-3 (.658). Governor Joe Manchin was a quarter back on his first team. Son: James Carlen, Jr., stepdaughters: Caty, Carol","WVU Athletic Council Award; Senior Athletic of the Year 1967-1968","Formerly state park lodge","Phy. Ed.; 1994 Inducted into the Professional Hall of Fame in the School of Physical Education","Wardensville field day; Hardy Co.; Reymann Memorial Farms","Dean Arents' Office; Dean Chester A. Arents, School of Engineering; group of 3 on left; large group - Arents sitting on right","Stan Romanoski, coach","Engineering; climatologists","First trumpet - with WVU Orchestra; Trumpet professor and assistant chairman of the school of music at WVU; authored The Trumpeter's Handbook; attended the preparatory department of the Eastman School of Music and graduated with honors.","Dept. of Psychology; Charles D. Corman; Oglebay Hall","Shanbeyer, Luchack, Rhodayal, etc.","Daniel O'Sullivan; plus campus views","Dr. Porter; Charley","Engineering Department; Asten","Mary Filler Wiley","Electrical Engineering?","Theoretical and applied mechanics; mechanics engineering","Jim Hawkins with girl","Morgantown Farm","Pharmacy Meeting at Towers","Mrs. Adalene \"Bobbie\" Rae Harlow; elementary teacher; 1912-2004; James G. Harlow (1912-1978)","Engineering school; Dean Arents - left","Edmundo Elmore; Pan America Health Union","Gamma Sigma Delta","Lazor; Engineering Department","Dean Arents 2nd from right; PHS, Cincinnati Solid Waste Program","For Nick","American radio reporter, best known for his dramatic report of the Hindenburg Disaster","Livestock Farm","W.Va. Department of Mental Health; Pub. at Towers","Dave Tork","Athletic Department; Richard Poland","Engineering - Smith; Dean Chester A. Arents - center","Proofs straight to Poland","L - Darrell V. McGraw, Jr.; M - Walter Beach - Assistant Director of the American Plitical Science Assn. in Washington; R. Dr. David G. Temple - WVU Assistant Professor of Political Science and Project Assistant","Taught folklore; dulcimer player; collected ballads; Monticola advisor","Collegium Musicum","Oliveria visit; Engineering Department","Warren G. Tennant - Groundskeeper; Chinquapin (yellow) oak","History Symposium: Jesse H. Stuart (aug. 8, 1907 - Feb. 17, 1984) - flat top hair, author, writer, Appalachia; unknown - bald guy; Dr. Lewis Hanke (born 1905), Columbia U., historian colonial, Latin America studies","Comedy Manners; Left: Bod Merriam \"Lord Peter Teazle\"; Right: Evy Andrews \"Lady Teazle\"","Roll 6","Preston Co, WV; Garrett Co, MD; few remaining Boreal Bogs","With Lloyd M. Jones; refund of sales tax from State Tax Commissioner for refund of sales tax inadvertently paid to state of WV on room/meals for athletes in dorms paid from athletic fund","Benedum Professor of Education, 68-86","Steel Students Classroom","Professor, Dr., Chair, Animal Veterinary Science; AI-VS; B - April 3, 1917, D - August 23, 2001; retired in 1979","Bob Crawford","Poster for Executive Conference","Boyle","Back row - far right; Stan Romanoski, Carl Hatfield","Sports Info Director","Red Brown","Professor of Agriculture","Agronomist, agriculture, professor of plant soil science","Chair, doctor, professor, horticulture, marigolds, roses","Plant, physiology, science","Doctor, plant, science, physiology, agriculture","Doctor, chair, agriculture","Physiology, reproductive, professor, doctor, animal, nutritional, science, Davis College","Doctor, plant, agriculture, science","Doctor, plant, science, agriculture","Doctor, professor, animal, carcass, beef, agriculture","Agriculture, soil, chemistry","Professor, extension, plant, pathologist, entomologist, golden delicious apple","Woodburn, freshmen, football, field, bleachers, athletics, team","Professor, patent examiner, law","Health Science lab","Display set up in Mountainlair","Group and individual","J. Fannucci","Faculty Dean, Business and Economics; Died Feb. 16, 1998","With Donald C. Portnoy, conductor","Drama, theater, comedy, commedia, masked","Duncan","Diving, swimming, coaching; Coached for 30 years, record 290-159-2","Chitwood Hall, Stewart Hall, Martin Hall","Benjamin Linsky - Professor of Sanitary Engineering (air pollution) and Director of Graduate Air Pollution Control Engineering Training Program.","Contemporary, classical, musical, choir, choral, singer, chamber, instrumental, soloist","Professor, art, chair","Collection, free-form, poem, fictional, town, spoon, river","Davis College; Professor, reproductive, physiology, agriculture, faculty","Musicians, trombone, trombonists, musical, drum, chamber","P. County; L-R Larry Kelly, Harold Taylor, Rex Taylor, Richard Glass, voc. teacher, Allen Colebant","Henry Clay Furnace; Iron Furnace - Cooper's Rock State Forest. Built between 1834 and 1836","College of Commerce","Not Bob Brown?","Music, chamber, musicians; Philip Faini - faculty, Dean-Emeritus, College of Creative Arts","Dick Smith","TV tower; motion picture staging","U.S. Representative from Indiana, Nov. 21, 1894 - Dec. 5, 1984, women's rights","Developmental psychologist, professor, chair, author, editor","Founded World Music Center, worked in radio, television and with symphony orchestras; dean, educator, administrator, jazz, theory, African, music, percussion, ensemble","For engineering brochure","Eng. Elect.; Nelson Smith","Dave Zirz","News and Info; Ernst","Left, sitting; Doctor, professor, chair, mathematics","Music; Washington Trip","Chemistry building architecture; Clark Hall, Annex","Bookstore, WVU plate","Coach - Stan Romanoski","Doctor, music professor","Mike Sherwood, football, QB 1968-1970; Robert N. \"Red\" Brown, athletic director","Dick Smith, Dr. Moore","Professor of history; Order of Vandalia - June 1, 1964; Chitwood Hall (Science Hall) renamed 1972 in honor of Dr. Chitwood","Chemical engineering, fossil energy research, coal technology, professor; Inductted 4-25-1986 into the Academy of Chemical Engineers","Ruth E. Robinson - bookstore manager, Dr. Harry Heflin - V.P. of Finance, President","Intimate relationships, human sexuality, social work","With crutch - Jerry Stewart, other male?; catalog made","Basketball coach","1925-1981; Writer, professor, novelist, magazine founder, poet, editor, critic, teacher","Professor of Industrial Engineering","Professor of biology, chairman","FAlconer, bird, red tailed hawk, prey, dog, bull terrier","Author, children's books","Dean, professor of education, college of human resources and education, chair of secondary education","Chair, sociology","Foreign student coordinator, professor of military science","Fashion design lecturer","Born 1913, Died 4-27-2008; soprano, opera, voice professor","1928- Chemical Engineering, fossil energy research, coal technology, professor; inducted 4-25-1986 into the academy of chemical engineers","Doctor, director of admissions, record; B. Feb. 17, 1916, D. Jan. 2, 2001","Professor, agriculture, biochemistry, nutrition","1867-1875 first president, Methodist minister, educator, pastor, professor, greek; Designed WVU's seal; B. Jan. 24, 1822, D. Dec. 16, 1895","Professor, forestry, wildlife management","Dr. Franklin Parker, Betty J. - Forum Festival","Louis F. Tanner Distinguished Professor of Public Accounting; professor, director, accounting, CPA","Doctor, director, student, health, service, physician","Doctor, professor, emeritus, music, horn, theory, viola","Author, social work","Faculty, English","Health Science, physiology, meat animal, USDA","Faculty, professor, English","Appalachian Center Area Program Chairman, Parkersburg","Doctor, researcher, chairman, biology; Oct. 8, 1932-March 18, 2010","Faculty, professor, doctor, plant physiology, ecology, conservationist","Monticola advisor, professor, journalism","B. Mar. 12, 1922, D. Oct. 29, 1989; Professor Emeritus, animal and veterinary sciences, College of Agriculture and Forestry, consumer sciences","Victorian Age specialist, English Department","Doctor, psychology, professor, chair, author","This series contains an index to the first part of Series 1, boxes 1 to 35 or 36. The index is arranged in alphabetical order by subject and spans from ca. 1964-1987. This listing reproduces the tabs in the index in full; subheadings are represented by a sampling within parentheses.","This series includes aerial photographs and accompanying transparencies and negatives of West Virginia University Hospital, Monongalia General Hospital, Morgantown and WVU (Downtown and Evansdale Campuses, the Coliseum, Mountaineer Field), and more. Subjects also include Agriculture Science Building, Allen Hall, Appalachian Center, Bureau of Mines, Coliseum, Construction \u0026 Excavation of New Law Center, Creative Arts Center, Downtown Campus, Downtown Morgantown with River, Evansdale Campus, Field House, Forestry Building, I-79 Uffington Interchange, Interstate including Westover Exchange, Law School, Livestock Farm, Medical Center, Mountaineer Field, Mountainlair, Mt. Chateau, New Dairy Facility, Physical Plant, Prospective Stadium Site, PRT, Stadium, Towers, and more.","This series of proofs from glass plate negatives were created for an unspecified Bicentennial Celebration project (possibly celebrating the National Bicentennial in 1976). There is an original numbered list of the historic prints (see box 103, folder 1). Subjects include people in safety gear, Mechanical Hall, Students in lab, Commencement Hall, Library Reading Room, Library Administration, Greenhouse construction, Horticulture grounds \u0026 building, Woodburn Circle, WVU Campus shots, Agricultural Station, Martin Hall, Oglebay Hall, Science Hall, Stewart Hall, Entomology Room, Dr. J. A. Myers, Students (Elmer Leach, Edith Ice, etc.), Episcopal Hall, Reynolds Hall, Football, E. Moore Hall, Chemistry lab, Presidents House, Falling Run, Armory, Faculty Club House, Astronomy class, Views of Campus from varying vantage points, Drama, Clubs, President John Rhey Thompson, President Thomas E. Hodges, President Frank Butter Trotter, President J. L. Goodknight, Andrew D. Hopkins, A. J. Dadisman, Various faculty (James Stewart, R. A. Armtstong, George T. Brooks, Sam Brown, P. B. Reynolds, Thomas Hodges, etc.), WVU Military Unit, Monongahela River \u0026 Seneca Station, and South Park.","This series documents WVU campus life and activities. The slides were originally bound in large three ring binders; all slides have the copyright symbol and the word Mellott printed on them. Subjects in this series include agriculture, basketball, Clark Hall, classrooms, convocation, Creative Arts Center, Football, Graduation, Law School, Library, and Woodburn Hall, among other topics.","This series includes digital photographs copied to a server from discs (these discs are currently in boxes 113-114); prints of a limited number of the digital photos are available in box 112. Subjects in this series include campus scenes, football, sports, nature, miscellaneous, and duplicate prints.","This series consists of proof sheets of images taken between ca. 1965-1999 by the News Service that depict daily life and scenes from both the Downtown WVU Campus and the Evansdale Campus. Subjects include athletics, candid shots, classrooms, construction, group portraits, Morgantown, scenes and views, and WVU. See Contents List for range of project numbers. These project numbers also correspond to the project numbers in Series 1 and 2.","This series consists of prints, negatives, slides, transparencies, and correspondence from special projects; many of the images were used in the Alumni Magazine. Subjects found in this series include Baroque Ensemble, Bicentennial House, CAC, Campus Prints, Hillary Clinton, Jay Rockefeller, Shell Building, Transparencies, WVU Extension Services, and more.","This series consists of a collection of slides and negatives in 62 small plastic boxes, many of which are unidentified. Subjects include students on campus, special events like races, campus buildings, the Mountaineer mascot, students in science labs, and more.","This series consists of slides in sleeves. Many sleeves include project information such as invoice number and photographer. Subjects in this series include athletics, campus life, candid and group shots, construction, Morgantown, and more. See Contents List for a more detailed list of subjects.","This series includes prints and negatives on subjects related to WVU history. Subjects in this series include agriculture, boats, Buck Harless, historic Morgantown, historic WVU, Institutional Advancement Flood Relief, Kearneysville Farm, Reymann Farm, Stewart Hall, and more.","This series includes 8 x 10 transparencies and prints pertaining to WVU. Subjects include White Hall, WVU Rifle Team, Medical Center pylons, Learned Ladies Play, New River white water rafting, football, WVU campus, and more.","This series consists of transparencies arranged alphabetically by subject. Subjects in this series include agriculture, campus buildings, athletics, portraits, and more.","This series consists of prints and negatives of WVU faculty portraits and other material.","This series consists of miscellaneous negatives and prints and a key to an old filing cabinet."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4c205e75f30f8dced54f886847d78102\"\u003ePhotographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files. See Scope and Content note for more information.\u003c/abstract\u003e"],"abstract_tesim":["Photographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files. See Scope and Content note for more information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_30f75846d7e5acc21eafe687d4c0ed84\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University","West Virginia University--Faculty."],"names_ssim":["West Virginia and Regional History Center","West Virginia University","West Virginia University--Faculty."],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University","West Virginia University--Faculty."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1776,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:56:00.432Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3918_c08_c11"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria 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