{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=316","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=315","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=317","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=318"},"meta":{"pages":{"current_page":316,"next_page":317,"prev_page":315,"total_pages":318,"limit_value":10,"offset_value":3150,"total_count":3175,"first_page?":false,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_1137","type":"collection","attributes":{"title":"Women's Christian Temperance Union of Morgantown, Records","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1137#creator","type":"document_value","attributes":{"value":"Women's Christian Temperance Union, Morgantown","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1137#abstract_or_scope","type":"document_value","attributes":{"value":"Minutes, financial records, membership and officers lists of the local chapter of the Women's Christian Temperance Union. There is a discussion of the beginnings in Morgantown of this organization as well as a copy of its constitution and by-laws. The local chapter was involved not only in the cause of temperance but also conducted classes for the education of youth in crafts and literature and the teaching of the English language to immigrant women.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1137#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_1137","ead_ssi":"wvmturhc_repositories_2_resources_1137","_root_":"wvmturhc_repositories_2_resources_1137","_nest_parent_":"wvmturhc_repositories_2_resources_1137","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1137.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195549","title_ssm":["Women's Christian Temperance Union of Morgantown, Records"],"title_tesim":["Women's Christian Temperance Union of Morgantown, Records"],"unitdate_ssm":["1897-1984"],"unitdate_inclusive_ssm":["1897-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2998","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1137"],"text":["A\u0026M 2998","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1137","Women's Christian Temperance Union of Morgantown, Records","Morgantown (W. Va.)","Women -- Societies and clubs","Temperance -- Societies, etc","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Minutes, financial records, membership and officers lists of the local chapter of the Women's Christian Temperance Union. There is a discussion of the beginnings in Morgantown of this organization as well as a copy of its constitution and by-laws. The local chapter was involved not only in the cause of temperance but also conducted classes for the education of youth in crafts and literature and the teaching of the English language to immigrant women.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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(4 reels, 1.75 in. each)"],"date_range_isim":[1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Women's Christian Temperance Union of Morgantown, Records, A\u0026amp;M 2998, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Women's Christian Temperance Union of Morgantown, Records, A\u0026M 2998, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_829082d4588342f4d4b6137ed2f205f4\"\u003eMinutes, financial records, membership and officers lists of the local chapter of the Women's Christian Temperance Union. There is a discussion of the beginnings in Morgantown of this organization as well as a copy of its constitution and by-laws. The local chapter was involved not only in the cause of temperance but also conducted classes for the education of youth in crafts and literature and the teaching of the English language to immigrant women.\u003c/abstract\u003e"],"abstract_tesim":["Minutes, financial records, membership and officers lists of the local chapter of the Women's Christian Temperance Union. There is a discussion of the beginnings in Morgantown of this organization as well as a copy of its constitution and by-laws. The local chapter was involved not only in the cause of temperance but also conducted classes for the education of youth in crafts and literature and the teaching of the English language to immigrant women."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f48148e29c8dbb94408d3395b5779945\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Women's Christian Temperance Union - West Virginia Chapters."],"names_ssim":["West Virginia and Regional History Center","Women's Christian Temperance Union, Morgantown","Women's Christian Temperance Union - West Virginia Chapters."],"corpname_ssim":["West Virginia and Regional History Center","Women's Christian Temperance Union, Morgantown","Women's Christian Temperance Union - West Virginia Chapters."],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:24:53.700Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1137","ead_ssi":"wvmturhc_repositories_2_resources_1137","_root_":"wvmturhc_repositories_2_resources_1137","_nest_parent_":"wvmturhc_repositories_2_resources_1137","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1137.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195549","title_ssm":["Women's Christian Temperance Union of Morgantown, Records"],"title_tesim":["Women's Christian Temperance Union of Morgantown, Records"],"unitdate_ssm":["1897-1984"],"unitdate_inclusive_ssm":["1897-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2998","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1137"],"text":["A\u0026M 2998","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1137","Women's Christian Temperance Union of Morgantown, Records","Morgantown (W. Va.)","Women -- Societies and clubs","Temperance -- Societies, etc","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Minutes, financial records, membership and officers lists of the local chapter of the Women's Christian Temperance Union. There is a discussion of the beginnings in Morgantown of this organization as well as a copy of its constitution and by-laws. The local chapter was involved not only in the cause of temperance but also conducted classes for the education of youth in crafts and literature and the teaching of the English language to immigrant women.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Women's Christian Temperance Union, Morgantown","Women's Christian Temperance Union - West Virginia Chapters.","English \n.    "],"unitid_tesim":["A\u0026M 2998","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1137"],"normalized_title_ssm":["Women's Christian Temperance Union of Morgantown, Records"],"collection_title_tesim":["Women's Christian Temperance Union of Morgantown, Records"],"collection_ssim":["Women's Christian Temperance Union of Morgantown, Records"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. Va.)"],"geogname_ssim":["Morgantown (W. 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(4 reels, 1.75 in. each)"],"date_range_isim":[1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Women's Christian Temperance Union of Morgantown, Records, A\u0026amp;M 2998, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Women's Christian Temperance Union of Morgantown, Records, A\u0026M 2998, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_829082d4588342f4d4b6137ed2f205f4\"\u003eMinutes, financial records, membership and officers lists of the local chapter of the Women's Christian Temperance Union. There is a discussion of the beginnings in Morgantown of this organization as well as a copy of its constitution and by-laws. 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Women's Club","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_457#abstract_or_scope","type":"document_value","attributes":{"value":"The Women's Club Records are comprised of newsletters, yearbooks, directories, papers, scrapbooks, media files and photographs that document the activities of the James Madison University's Woman's Club, from 1977-2013.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_457#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_457","ead_ssi":"vihart_repositories_4_resources_457","_root_":"vihart_repositories_4_resources_457","_nest_parent_":"vihart_repositories_4_resources_457","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_457.xml","title_ssm":["Women's Club Records"],"title_tesim":["Women's Club Records"],"unitdate_ssm":["1977-2013"],"unitdate_inclusive_ssm":["1977-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0035","/repositories/4/resources/457"],"text":["UA 0035","/repositories/4/resources/457","Women's Club Records","Harrisonburg (Va.) -- History","Women in higher education -- History","Scrapbooks","Photographs","Letters (correspondence)","Newsletters","Yearbooks","Membership lists","Constitutions","Programs (documents)","Invitations","T-shirts","Banners","Directories","Floppy disks","CD-ROMS","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Items are arranged by subject matter. The scrapbooks remain bound in a flat box.","\"Women's Club Offers $1000 Scholarship.\"  The Breeze.  February 3, 2003. Accessed February 20, 2018. http://commons.lib.jmu.edu/cgi/viewcontent.cgi?article=1158\u0026context=i20002009.","The James Madison University Women's Club, also called the James Madison University Woman's Club, was formed in 1977, as a continuation of the Faculty Wives' Sewing Circle (1947-1951), Faculty Wives' Club (1952-1967), and the Madison College Women's Club (1968-1976). Membership was open to JMU women faculty, administrators, staff and retirees, as well as wives of JMU faculty, administrators, staff and retirees. Their mission was to \"build community spirit, promote friendship, and support projects that will benefit the University.\" The club is no longer active, though directories are printed through 2005. The Honorary Life Members, a JMU Women's Club interest group for retired club members, continued to meet through 2013. The JMU Women's Club administered the Edith Carrier Scholarship, available for children of JMU faculty members, and coordinated social gatherings and interest groups.","Records were formerly given the collection number JA 96-0402, JMU Woman's Club, 1986-1993. Two unprocessed accessions were added to the collection at the time of processing.","The Women's Club Records are comprised of newsletters, yearbooks, directories, papers, scrapbooks, media files, realia and photographs that document the activities of the James Madison University Woman's Club, from 1977-2013. Yearbooks and directories contain membership rosters, club officers, interest groups, recipients of the Ellen Chappell Award of Merit and the Edith Carrier Scholarship, past presidents and officers, and the club's constitution. The collection contains meeting minutes, administrative files, promotional materials and correspondence. Three scrapbooks contain photographs, programs and papers documenting the activities of the Honorary Life Members Interest Group. The collection also includes four t-shirts, and a banner used at JMU Women's Club events.","Applications for the Edith Carrier Scholarship with personal and identifying information were removed from the collection and disposed.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","The Women's Club Records are comprised of newsletters, yearbooks, directories, papers, scrapbooks, media files and photographs that document the activities of the James Madison University's Woman's Club, from 1977-2013.","James Madison University Libraries Special Collections","James Madison University. 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Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Records were donated by Elizabeth Ihle on April 4, 1996. Scrapbooks were donated by Beverly Silver on November 28, 2016."],"access_subjects_ssim":["Women in higher education -- History","Scrapbooks","Photographs","Letters (correspondence)","Newsletters","Yearbooks","Membership lists","Constitutions","Programs (documents)","Invitations","T-shirts","Banners","Directories","Floppy disks","CD-ROMS"],"access_subjects_ssm":["Women in higher education -- History","Scrapbooks","Photographs","Letters (correspondence)","Newsletters","Yearbooks","Membership lists","Constitutions","Programs (documents)","Invitations","T-shirts","Banners","Directories","Floppy disks","CD-ROMS"],"has_online_content_ssim":["false"],"extent_ssm":["1.75 cubic feet 6 boxes"],"extent_tesim":["1.75 cubic feet 6 boxes"],"genreform_ssim":["Scrapbooks","Photographs","Letters (correspondence)","Newsletters","Yearbooks","Membership lists","Constitutions","Programs (documents)","Invitations","T-shirts","Banners","Directories","Floppy disks","CD-ROMS"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eItems are arranged by subject matter. The scrapbooks remain bound in a flat box.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Items are arranged by subject matter. The scrapbooks remain bound in a flat box."],"bibliography_html_tesm":["\u003cbibref\u003e\"Women's Club Offers $1000 Scholarship.\" \u003cemph render=\"italic\"\u003eThe Breeze.\u003c/emph\u003e February 3, 2003. Accessed February 20, 2018. http://commons.lib.jmu.edu/cgi/viewcontent.cgi?article=1158\u0026amp;context=i20002009.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Women's Club Offers $1000 Scholarship.\"  The Breeze.  February 3, 2003. Accessed February 20, 2018. http://commons.lib.jmu.edu/cgi/viewcontent.cgi?article=1158\u0026context=i20002009."],"bioghist_html_tesm":["\u003cp\u003eThe James Madison University Women's Club, also called the James Madison University Woman's Club, was formed in 1977, as a continuation of the Faculty Wives' Sewing Circle (1947-1951), Faculty Wives' Club (1952-1967), and the Madison College Women's Club (1968-1976). Membership was open to JMU women faculty, administrators, staff and retirees, as well as wives of JMU faculty, administrators, staff and retirees. Their mission was to \"build community spirit, promote friendship, and support projects that will benefit the University.\" The club is no longer active, though directories are printed through 2005. The Honorary Life Members, a JMU Women's Club interest group for retired club members, continued to meet through 2013. The JMU Women's Club administered the Edith Carrier Scholarship, available for children of JMU faculty members, and coordinated social gatherings and interest groups.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["The James Madison University Women's Club, also called the James Madison University Woman's Club, was formed in 1977, as a continuation of the Faculty Wives' Sewing Circle (1947-1951), Faculty Wives' Club (1952-1967), and the Madison College Women's Club (1968-1976). Membership was open to JMU women faculty, administrators, staff and retirees, as well as wives of JMU faculty, administrators, staff and retirees. Their mission was to \"build community spirit, promote friendship, and support projects that will benefit the University.\" The club is no longer active, though directories are printed through 2005. The Honorary Life Members, a JMU Women's Club interest group for retired club members, continued to meet through 2013. The JMU Women's Club administered the Edith Carrier Scholarship, available for children of JMU faculty members, and coordinated social gatherings and interest groups."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Women's Club Records, 1977-2013, UA 0035, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Women's Club Records, 1977-2013, UA 0035, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eRecords were formerly given the collection number JA 96-0402, JMU Woman's Club, 1986-1993. Two unprocessed accessions were added to the collection at the time of processing.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Records were formerly given the collection number JA 96-0402, JMU Woman's Club, 1986-1993. Two unprocessed accessions were added to the collection at the time of processing."],"scopecontent_html_tesm":["\u003cp\u003eThe Women's Club Records are comprised of newsletters, yearbooks, directories, papers, scrapbooks, media files, realia and photographs that document the activities of the James Madison University Woman's Club, from 1977-2013. Yearbooks and directories contain membership rosters, club officers, interest groups, recipients of the Ellen Chappell Award of Merit and the Edith Carrier Scholarship, past presidents and officers, and the club's constitution. The collection contains meeting minutes, administrative files, promotional materials and correspondence. Three scrapbooks contain photographs, programs and papers documenting the activities of the Honorary Life Members Interest Group. The collection also includes four t-shirts, and a banner used at JMU Women's Club events.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Women's Club Records are comprised of newsletters, yearbooks, directories, papers, scrapbooks, media files, realia and photographs that document the activities of the James Madison University Woman's Club, from 1977-2013. Yearbooks and directories contain membership rosters, club officers, interest groups, recipients of the Ellen Chappell Award of Merit and the Edith Carrier Scholarship, past presidents and officers, and the club's constitution. The collection contains meeting minutes, administrative files, promotional materials and correspondence. Three scrapbooks contain photographs, programs and papers documenting the activities of the Honorary Life Members Interest Group. The collection also includes four t-shirts, and a banner used at JMU Women's Club events."],"separatedmaterial_html_tesm":["\u003cp\u003eApplications for the Edith Carrier Scholarship with personal and identifying information were removed from the collection and disposed.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Applications for the Edith Carrier Scholarship with personal and identifying information were removed from the collection and disposed."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a73377fcfdbb0855fca224969bc60073\"\u003eThe Women's Club Records are comprised of newsletters, yearbooks, directories, papers, scrapbooks, media files and photographs that document the activities of the James Madison University's Woman's Club, from 1977-2013.\u003c/abstract\u003e"],"abstract_tesim":["The Women's Club Records are comprised of newsletters, yearbooks, directories, papers, scrapbooks, media files and photographs that document the activities of the James Madison University's Woman's Club, from 1977-2013."],"names_coll_ssim":["James Madison University -- History","James Madison University -- Faculty"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Women's Club","James Madison University -- History","James Madison University -- Faculty"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Women's Club","James Madison University -- History","James Madison University -- Faculty"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":35,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:24:36.195Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_457","ead_ssi":"vihart_repositories_4_resources_457","_root_":"vihart_repositories_4_resources_457","_nest_parent_":"vihart_repositories_4_resources_457","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_457.xml","title_ssm":["Women's Club Records"],"title_tesim":["Women's Club Records"],"unitdate_ssm":["1977-2013"],"unitdate_inclusive_ssm":["1977-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0035","/repositories/4/resources/457"],"text":["UA 0035","/repositories/4/resources/457","Women's Club Records","Harrisonburg (Va.) -- History","Women in higher education -- History","Scrapbooks","Photographs","Letters (correspondence)","Newsletters","Yearbooks","Membership lists","Constitutions","Programs (documents)","Invitations","T-shirts","Banners","Directories","Floppy disks","CD-ROMS","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Items are arranged by subject matter. The scrapbooks remain bound in a flat box.","\"Women's Club Offers $1000 Scholarship.\"  The Breeze.  February 3, 2003. Accessed February 20, 2018. http://commons.lib.jmu.edu/cgi/viewcontent.cgi?article=1158\u0026context=i20002009.","The James Madison University Women's Club, also called the James Madison University Woman's Club, was formed in 1977, as a continuation of the Faculty Wives' Sewing Circle (1947-1951), Faculty Wives' Club (1952-1967), and the Madison College Women's Club (1968-1976). Membership was open to JMU women faculty, administrators, staff and retirees, as well as wives of JMU faculty, administrators, staff and retirees. Their mission was to \"build community spirit, promote friendship, and support projects that will benefit the University.\" The club is no longer active, though directories are printed through 2005. The Honorary Life Members, a JMU Women's Club interest group for retired club members, continued to meet through 2013. The JMU Women's Club administered the Edith Carrier Scholarship, available for children of JMU faculty members, and coordinated social gatherings and interest groups.","Records were formerly given the collection number JA 96-0402, JMU Woman's Club, 1986-1993. Two unprocessed accessions were added to the collection at the time of processing.","The Women's Club Records are comprised of newsletters, yearbooks, directories, papers, scrapbooks, media files, realia and photographs that document the activities of the James Madison University Woman's Club, from 1977-2013. Yearbooks and directories contain membership rosters, club officers, interest groups, recipients of the Ellen Chappell Award of Merit and the Edith Carrier Scholarship, past presidents and officers, and the club's constitution. The collection contains meeting minutes, administrative files, promotional materials and correspondence. Three scrapbooks contain photographs, programs and papers documenting the activities of the Honorary Life Members Interest Group. The collection also includes four t-shirts, and a banner used at JMU Women's Club events.","Applications for the Edith Carrier Scholarship with personal and identifying information were removed from the collection and disposed.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","The Women's Club Records are comprised of newsletters, yearbooks, directories, papers, scrapbooks, media files and photographs that document the activities of the James Madison University's Woman's Club, from 1977-2013.","James Madison University Libraries Special Collections","James Madison University. Women's Club","James Madison University -- History","James Madison University -- Faculty","English"],"unitid_tesim":["UA 0035","/repositories/4/resources/457"],"normalized_title_ssm":["Women's Club Records"],"collection_title_tesim":["Women's Club Records"],"collection_ssim":["Women's Club Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History"],"geogname_ssim":["Harrisonburg (Va.) -- History"],"creator_ssm":["James Madison University. Women's Club"],"creator_ssim":["James Madison University. Women's Club"],"creator_corpname_ssim":["James Madison University. Women's Club"],"creators_ssim":["James Madison University. Women's Club"],"places_ssim":["Harrisonburg (Va.) -- History"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Records were donated by Elizabeth Ihle on April 4, 1996. Scrapbooks were donated by Beverly Silver on November 28, 2016."],"access_subjects_ssim":["Women in higher education -- History","Scrapbooks","Photographs","Letters (correspondence)","Newsletters","Yearbooks","Membership lists","Constitutions","Programs (documents)","Invitations","T-shirts","Banners","Directories","Floppy disks","CD-ROMS"],"access_subjects_ssm":["Women in higher education -- History","Scrapbooks","Photographs","Letters (correspondence)","Newsletters","Yearbooks","Membership lists","Constitutions","Programs (documents)","Invitations","T-shirts","Banners","Directories","Floppy disks","CD-ROMS"],"has_online_content_ssim":["false"],"extent_ssm":["1.75 cubic feet 6 boxes"],"extent_tesim":["1.75 cubic feet 6 boxes"],"genreform_ssim":["Scrapbooks","Photographs","Letters (correspondence)","Newsletters","Yearbooks","Membership lists","Constitutions","Programs (documents)","Invitations","T-shirts","Banners","Directories","Floppy disks","CD-ROMS"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. 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The scrapbooks remain bound in a flat box."],"bibliography_html_tesm":["\u003cbibref\u003e\"Women's Club Offers $1000 Scholarship.\" \u003cemph render=\"italic\"\u003eThe Breeze.\u003c/emph\u003e February 3, 2003. Accessed February 20, 2018. http://commons.lib.jmu.edu/cgi/viewcontent.cgi?article=1158\u0026amp;context=i20002009.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Women's Club Offers $1000 Scholarship.\"  The Breeze.  February 3, 2003. Accessed February 20, 2018. http://commons.lib.jmu.edu/cgi/viewcontent.cgi?article=1158\u0026context=i20002009."],"bioghist_html_tesm":["\u003cp\u003eThe James Madison University Women's Club, also called the James Madison University Woman's Club, was formed in 1977, as a continuation of the Faculty Wives' Sewing Circle (1947-1951), Faculty Wives' Club (1952-1967), and the Madison College Women's Club (1968-1976). Membership was open to JMU women faculty, administrators, staff and retirees, as well as wives of JMU faculty, administrators, staff and retirees. Their mission was to \"build community spirit, promote friendship, and support projects that will benefit the University.\" The club is no longer active, though directories are printed through 2005. The Honorary Life Members, a JMU Women's Club interest group for retired club members, continued to meet through 2013. The JMU Women's Club administered the Edith Carrier Scholarship, available for children of JMU faculty members, and coordinated social gatherings and interest groups.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["The James Madison University Women's Club, also called the James Madison University Woman's Club, was formed in 1977, as a continuation of the Faculty Wives' Sewing Circle (1947-1951), Faculty Wives' Club (1952-1967), and the Madison College Women's Club (1968-1976). Membership was open to JMU women faculty, administrators, staff and retirees, as well as wives of JMU faculty, administrators, staff and retirees. Their mission was to \"build community spirit, promote friendship, and support projects that will benefit the University.\" The club is no longer active, though directories are printed through 2005. The Honorary Life Members, a JMU Women's Club interest group for retired club members, continued to meet through 2013. The JMU Women's Club administered the Edith Carrier Scholarship, available for children of JMU faculty members, and coordinated social gatherings and interest groups."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Women's Club Records, 1977-2013, UA 0035, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Women's Club Records, 1977-2013, UA 0035, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eRecords were formerly given the collection number JA 96-0402, JMU Woman's Club, 1986-1993. Two unprocessed accessions were added to the collection at the time of processing.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Records were formerly given the collection number JA 96-0402, JMU Woman's Club, 1986-1993. Two unprocessed accessions were added to the collection at the time of processing."],"scopecontent_html_tesm":["\u003cp\u003eThe Women's Club Records are comprised of newsletters, yearbooks, directories, papers, scrapbooks, media files, realia and photographs that document the activities of the James Madison University Woman's Club, from 1977-2013. Yearbooks and directories contain membership rosters, club officers, interest groups, recipients of the Ellen Chappell Award of Merit and the Edith Carrier Scholarship, past presidents and officers, and the club's constitution. The collection contains meeting minutes, administrative files, promotional materials and correspondence. Three scrapbooks contain photographs, programs and papers documenting the activities of the Honorary Life Members Interest Group. The collection also includes four t-shirts, and a banner used at JMU Women's Club events.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Women's Club Records are comprised of newsletters, yearbooks, directories, papers, scrapbooks, media files, realia and photographs that document the activities of the James Madison University Woman's Club, from 1977-2013. Yearbooks and directories contain membership rosters, club officers, interest groups, recipients of the Ellen Chappell Award of Merit and the Edith Carrier Scholarship, past presidents and officers, and the club's constitution. The collection contains meeting minutes, administrative files, promotional materials and correspondence. Three scrapbooks contain photographs, programs and papers documenting the activities of the Honorary Life Members Interest Group. The collection also includes four t-shirts, and a banner used at JMU Women's Club events."],"separatedmaterial_html_tesm":["\u003cp\u003eApplications for the Edith Carrier Scholarship with personal and identifying information were removed from the collection and disposed.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Applications for the Edith Carrier Scholarship with personal and identifying information were removed from the collection and disposed."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a73377fcfdbb0855fca224969bc60073\"\u003eThe Women's Club Records are comprised of newsletters, yearbooks, directories, papers, scrapbooks, media files and photographs that document the activities of the James Madison University's Woman's Club, from 1977-2013.\u003c/abstract\u003e"],"abstract_tesim":["The Women's Club Records are comprised of newsletters, yearbooks, directories, papers, scrapbooks, media files and photographs that document the activities of the James Madison University's Woman's Club, from 1977-2013."],"names_coll_ssim":["James Madison University -- History","James Madison University -- Faculty"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Women's Club","James Madison University -- History","James Madison University -- Faculty"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Women's Club","James Madison University -- History","James Madison University -- Faculty"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":35,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:24:36.195Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_457"}},{"id":"viblbv_repositories_2_resources_3160","type":"collection","attributes":{"title":"Women's Development Corporation Records","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3160#creator","type":"document_value","attributes":{"value":"Women's Development Corporation (R.I.)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3160#abstract_or_scope","type":"document_value","attributes":{"value":"The Women's Development Corporation (WDC) is a Rhode Island based housing developer and non-profit founded by a group of architects, designers, community planners, and historic preservation professionals. These records document select activities of the WDC from 1979-2015.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3160#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_3160","ead_ssi":"viblbv_repositories_2_resources_3160","_root_":"viblbv_repositories_2_resources_3160","_nest_parent_":"viblbv_repositories_2_resources_3160","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3160.xml","title_filing_ssi":"Women's Development Corporation Records","title_ssm":["Women's Development Corporation Records"],"title_tesim":["Women's Development Corporation Records"],"unitdate_ssm":["1979-2015"],"unitdate_inclusive_ssm":["1979-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2016.012"],"text":["Ms.2016.012","Women's Development Corporation Records","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- Rhode Island","Collection is open for research.","This collection was arranged with respect to the original order and the Shephered/Lowell Standard Series and Subseries for Architeture and Landscape Design. The collection reflects the following series and subseries:","Series I: Photographs Series II: Professional Papers Subseries A: Correspondence related to the profession Subseries B: Awards, certificates Subseries C: Research Notes and Data Collection Subseries D: Files, articles, clipping, materials Subseries E: Women's School of Planning and Architecture Series III: OFfice Records Subseries A: Administrative articles, bylaws, meetings Subseries B: Housing Planning Group Meetings, 1980 Subseries C: Public Relations Activity Subseries D: Published Materials Subseries E: Exercises and analysis Series IV: Project Records Series V: Participatory Design Workshop, 1990 Series VI: Aduiovisual and Electronic Media Series VII: Exhibits and Artifacts","The Women's Development Corporation (WDC) is a non-profit housing developer in Rhode Island. The WDC was founded in 1979 by a group of architects, designers, community planners, and historic preservation professionals. The founders included Susan Aitcheson (Program Director, Vice President from 1979-2012, and President from 2012-2016), Katrin Adam, and Joan Forrester Sprague. Alma Felix Green was the first Executive Director in 1980 and retired as President in 2014. The WDC designs, develops, constructs, and manages sustainable housing for low and moderate income families, individuals with special needs, and elderly residents. Between 1979 and 2016, the WDC had developed over 1600 housing units.","Additional sources: \nhttp://www.wdchoc.org/about-wdc\nhttp://www.wdchoc.org/FAQ","These records document select activities of the Women's Development Corporation (WDC) of Rhode Island from 1979-2015. Materials include professional correspondence from WDC staff to peers, funding agencies, politicians, and clients; commendations received by the WDC; research notes and reports; administrative records, including meeting minutes and bylaws; public relations materials; press coverage by and about the WDC; project documentation, including design sketches, presentation drawings, photographs, and planning materials; audio-visual recordings; electronic records on DVD; and furniture models used in the participatory design planning process.","Contains photographs of Susan Aitcheson's retirement, 2015.","The Professional Papers series consists of material relating WDC's great effort to gather funding and support from several organizations and institutions to fund and subsidize housing for low income women and families. This is supported by correspondence, research notes, reference files related to both the profession and the role of women in architecture. Particular attention was given to the WSPA - Women's School of Planning and Architecture, with related correspondence, publicity, awards.","Scrapbook portfolio documenting selected housing projects and properties developed by WDC between 1980-1997. Entitled \"Planning, Designing and Building Homes for Families and Communities,\" the portfolio explores the WDC's Participatory Planning Design exercises and prototype development from 1980-1982. Originally established for the WDC's fifteenth anniversary and expanded over time to document new projects.","This series comprises conceptual sketches, fabric and paint swatches, and planning activities from the WDC's original 1980 participatory design workshop with low-income women. The series also includes prototype floorplans produced by Susan Aitcheson after the workshop.","Footage shot for Dream Builders on Home \u0026 Garden Television. Betacam SP tape.","Footage shot for Dream Builders on Home \u0026 Garden Television. Betacam SP tape.","VHS tape","DVD-R, interview conducted by Andrea Merrett, Columbia University Archives","DVD-R","DVD, Running Time 8 min 40 sec","DVD+RW","DVD+RW","Balsa wood and dyed cardboard furniture pieces used for participatory design activities.","16 foamboard panels documenting the history of the Women's Development Corporation and its partner non-profit, the Housing Opportunities Corporation. The panels include newspaper clippings of opposition to WDC housing in its early years, a project breakdown by deecade, organizaitonal charts, lists of staff, and photographs of major projects and milestone events.","Separated materials consist of books relevant to the firm's ideals preceding the work, with subjects covering aspects such as participatory design, guides to low-income housing design, housing for Low-Income single women, different types of households, and cohousing.","Titles:\n       New Households, New Housing , Karen A. Franck, Sherry Ahrentzen Singular Women: Housing for Low-Income Single Women Without Dependents. Ann Forsyth Participatory Design. Theory and Techniques. Henry Sanoff.  A Practical Guide to Low-and Moderate-Income Housing. Charles Edison and Bruce Lane","Permission to publish material from Women's Development Corporation Records must be obtained from Special Collections, Virginia Tech.","The Women's Development Corporation (WDC) is a Rhode Island based housing developer and non-profit founded by a group of architects, designers, community planners, and historic preservation professionals. These records document select activities of the WDC from 1979-2015.","Special Collections and University Archives, Virginia Tech","Women's Development Corporation (R.I.)","English \n.    "],"unitid_tesim":["Ms.2016.012"],"normalized_title_ssm":["Women's Development Corporation Records"],"collection_title_tesim":["Women's Development Corporation Records"],"collection_ssim":["Women's Development Corporation Records"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Women's Development Corporation (R.I.)"],"creator_ssim":["Women's Development Corporation (R.I.)"],"creator_corpname_ssim":["Women's Development Corporation (R.I.)"],"creators_ssim":["Women's Development Corporation (R.I.)"],"access_terms_ssm":["Permission to publish material from Women's Development Corporation Records must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Women's Development Corporation Records were donated to Special Collections in 2016."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- Rhode Island"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- Rhode Island"],"has_online_content_ssim":["false"],"extent_ssm":["8.5 Cubic Feet Three records boxes, three small flat boxes, one large flat box, one roll of drawings, one large flat folder of drawings, 16 foam board presentation panels."],"extent_tesim":["8.5 Cubic Feet Three records boxes, three small flat boxes, one large flat box, one roll of drawings, one large flat folder of drawings, 16 foam board presentation panels."],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection was arranged with respect to the original order and the Shephered/Lowell Standard Series and Subseries for Architeture and Landscape Design. The collection reflects the following series and subseries:\u003c/p\u003e","\u003cp\u003e\u003clist\u003e\n        \u003citem\u003eSeries I: Photographs\u003c/item\u003e \n       \u003citem\u003eSeries II: Professional Papers\u003c/item\u003e\n      \u003citem\u003eSubseries A: Correspondence related to the profession\u003c/item\u003e\n      \u003citem\u003eSubseries B: Awards, certificates\u003c/item\u003e\n      \u003citem\u003eSubseries C: Research Notes and Data Collection\u003c/item\u003e\n      \u003citem\u003eSubseries D: Files, articles, clipping, materials\u003c/item\u003e\n      \u003citem\u003eSubseries E: Women's School of Planning and Architecture\u003c/item\u003e\n        \u003citem\u003eSeries III: OFfice Records\u003c/item\u003e\n      \u003citem\u003eSubseries A: Administrative articles, bylaws, meetings\u003c/item\u003e\n      \u003citem\u003eSubseries B: Housing Planning Group Meetings, 1980\u003c/item\u003e\n      \u003citem\u003eSubseries C: Public Relations Activity\u003c/item\u003e\n      \u003citem\u003eSubseries D: Published Materials\u003c/item\u003e\n      \u003citem\u003eSubseries E: Exercises and analysis\u003c/item\u003e \n        \u003citem\u003eSeries IV: Project Records\u003c/item\u003e\n        \u003citem\u003eSeries V: Participatory Design Workshop, 1990\u003c/item\u003e \n        \u003citem\u003eSeries VI: Aduiovisual and Electronic Media\u003c/item\u003e\n        \u003citem\u003eSeries VII: Exhibits and Artifacts\u003c/item\u003e\u003c/list\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection was arranged with respect to the original order and the Shephered/Lowell Standard Series and Subseries for Architeture and Landscape Design. The collection reflects the following series and subseries:","Series I: Photographs Series II: Professional Papers Subseries A: Correspondence related to the profession Subseries B: Awards, certificates Subseries C: Research Notes and Data Collection Subseries D: Files, articles, clipping, materials Subseries E: Women's School of Planning and Architecture Series III: OFfice Records Subseries A: Administrative articles, bylaws, meetings Subseries B: Housing Planning Group Meetings, 1980 Subseries C: Public Relations Activity Subseries D: Published Materials Subseries E: Exercises and analysis Series IV: Project Records Series V: Participatory Design Workshop, 1990 Series VI: Aduiovisual and Electronic Media Series VII: Exhibits and Artifacts"],"bioghist_html_tesm":["\u003cp\u003eThe Women's Development Corporation (WDC) is a non-profit housing developer in Rhode Island. The WDC was founded in 1979 by a group of architects, designers, community planners, and historic preservation professionals. The founders included Susan Aitcheson (Program Director, Vice President from 1979-2012, and President from 2012-2016), Katrin Adam, and Joan Forrester Sprague. Alma Felix Green was the first Executive Director in 1980 and retired as President in 2014. The WDC designs, develops, constructs, and manages sustainable housing for low and moderate income families, individuals with special needs, and elderly residents. Between 1979 and 2016, the WDC had developed over 1600 housing units.\u003c/p\u003e\n","\u003cp\u003eAdditional sources: \nhttp://www.wdchoc.org/about-wdc\nhttp://www.wdchoc.org/FAQ\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The Women's Development Corporation (WDC) is a non-profit housing developer in Rhode Island. The WDC was founded in 1979 by a group of architects, designers, community planners, and historic preservation professionals. The founders included Susan Aitcheson (Program Director, Vice President from 1979-2012, and President from 2012-2016), Katrin Adam, and Joan Forrester Sprague. Alma Felix Green was the first Executive Director in 1980 and retired as President in 2014. The WDC designs, develops, constructs, and manages sustainable housing for low and moderate income families, individuals with special needs, and elderly residents. Between 1979 and 2016, the WDC had developed over 1600 housing units.","Additional sources: \nhttp://www.wdchoc.org/about-wdc\nhttp://www.wdchoc.org/FAQ"],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Women's Development Corporation Records, Ms2016-012, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Women's Development Corporation Records, Ms2016-012, Special Collections, Virginia Tech, Blacksburg, Va."],"scopecontent_html_tesm":["\u003cp\u003eThese records document select activities of the Women's Development Corporation (WDC) of Rhode Island from 1979-2015. Materials include professional correspondence from WDC staff to peers, funding agencies, politicians, and clients; commendations received by the WDC; research notes and reports; administrative records, including meeting minutes and bylaws; public relations materials; press coverage by and about the WDC; project documentation, including design sketches, presentation drawings, photographs, and planning materials; audio-visual recordings; electronic records on DVD; and furniture models used in the participatory design planning process.\u003c/p\u003e","\u003cp\u003eContains photographs of Susan Aitcheson's retirement, 2015.\u003c/p\u003e","\u003cp\u003eThe Professional Papers series consists of material relating WDC's great effort to gather funding and support from several organizations and institutions to fund and subsidize housing for low income women and families. This is supported by correspondence, research notes, reference files related to both the profession and the role of women in architecture. Particular attention was given to the WSPA - Women's School of Planning and Architecture, with related correspondence, publicity, awards.\u003c/p\u003e","\u003cp\u003eScrapbook portfolio documenting selected housing projects and properties developed by WDC between 1980-1997. Entitled \"Planning, Designing and Building Homes for Families and Communities,\" the portfolio explores the WDC's Participatory Planning Design exercises and prototype development from 1980-1982. Originally established for the WDC's fifteenth anniversary and expanded over time to document new projects.\u003c/p\u003e","\u003cp\u003eThis series comprises conceptual sketches, fabric and paint swatches, and planning activities from the WDC's original 1980 participatory design workshop with low-income women. The series also includes prototype floorplans produced by Susan Aitcheson after the workshop.\u003c/p\u003e","\u003cp\u003eFootage shot for Dream Builders on Home \u0026amp; Garden Television. Betacam SP tape.\u003c/p\u003e","\u003cp\u003eFootage shot for Dream Builders on Home \u0026amp; Garden Television. Betacam SP tape.\u003c/p\u003e","\u003cp\u003eVHS tape\u003c/p\u003e","\u003cp\u003eDVD-R, interview conducted by Andrea Merrett, Columbia University Archives\u003c/p\u003e","\u003cp\u003eDVD-R\u003c/p\u003e","\u003cp\u003eDVD, Running Time 8 min 40 sec\u003c/p\u003e","\u003cp\u003eDVD+RW\u003c/p\u003e","\u003cp\u003eDVD+RW\u003c/p\u003e","\u003cp\u003eBalsa wood and dyed cardboard furniture pieces used for participatory design activities.\u003c/p\u003e","\u003cp\u003e16 foamboard panels documenting the history of the Women's Development Corporation and its partner non-profit, the Housing Opportunities Corporation. The panels include newspaper clippings of opposition to WDC housing in its early years, a project breakdown by deecade, organizaitonal charts, lists of staff, and photographs of major projects and milestone events.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["These records document select activities of the Women's Development Corporation (WDC) of Rhode Island from 1979-2015. Materials include professional correspondence from WDC staff to peers, funding agencies, politicians, and clients; commendations received by the WDC; research notes and reports; administrative records, including meeting minutes and bylaws; public relations materials; press coverage by and about the WDC; project documentation, including design sketches, presentation drawings, photographs, and planning materials; audio-visual recordings; electronic records on DVD; and furniture models used in the participatory design planning process.","Contains photographs of Susan Aitcheson's retirement, 2015.","The Professional Papers series consists of material relating WDC's great effort to gather funding and support from several organizations and institutions to fund and subsidize housing for low income women and families. This is supported by correspondence, research notes, reference files related to both the profession and the role of women in architecture. Particular attention was given to the WSPA - Women's School of Planning and Architecture, with related correspondence, publicity, awards.","Scrapbook portfolio documenting selected housing projects and properties developed by WDC between 1980-1997. Entitled \"Planning, Designing and Building Homes for Families and Communities,\" the portfolio explores the WDC's Participatory Planning Design exercises and prototype development from 1980-1982. Originally established for the WDC's fifteenth anniversary and expanded over time to document new projects.","This series comprises conceptual sketches, fabric and paint swatches, and planning activities from the WDC's original 1980 participatory design workshop with low-income women. The series also includes prototype floorplans produced by Susan Aitcheson after the workshop.","Footage shot for Dream Builders on Home \u0026 Garden Television. Betacam SP tape.","Footage shot for Dream Builders on Home \u0026 Garden Television. Betacam SP tape.","VHS tape","DVD-R, interview conducted by Andrea Merrett, Columbia University Archives","DVD-R","DVD, Running Time 8 min 40 sec","DVD+RW","DVD+RW","Balsa wood and dyed cardboard furniture pieces used for participatory design activities.","16 foamboard panels documenting the history of the Women's Development Corporation and its partner non-profit, the Housing Opportunities Corporation. The panels include newspaper clippings of opposition to WDC housing in its early years, a project breakdown by deecade, organizaitonal charts, lists of staff, and photographs of major projects and milestone events."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated materials consist of books relevant to the firm's ideals preceding the work, with subjects covering aspects such as participatory design, guides to low-income housing design, housing for Low-Income single women, different types of households, and cohousing.\u003c/p\u003e","\u003cp\u003eTitles:\n      \u003clist\u003e\n        \u003citem\u003eNew Households, New Housing , Karen A. Franck, Sherry Ahrentzen\u003c/item\u003e\n        \u003citem\u003eSingular Women: Housing for Low-Income Single Women Without Dependents. Ann Forsyth\u003c/item\u003e\n        \u003citem\u003eParticipatory Design. Theory and Techniques. Henry Sanoff. \u003c/item\u003e\n        \u003citem\u003eA Practical Guide to Low-and Moderate-Income Housing. Charles Edison and Bruce Lane\u003c/item\u003e\n      \u003c/list\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated materials consist of books relevant to the firm's ideals preceding the work, with subjects covering aspects such as participatory design, guides to low-income housing design, housing for Low-Income single women, different types of households, and cohousing.","Titles:\n       New Households, New Housing , Karen A. Franck, Sherry Ahrentzen Singular Women: Housing for Low-Income Single Women Without Dependents. Ann Forsyth Participatory Design. Theory and Techniques. Henry Sanoff.  A Practical Guide to Low-and Moderate-Income Housing. Charles Edison and Bruce Lane"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Women's Development Corporation Records must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Women's Development Corporation Records must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_aafc0791548f8db4013de87fd32b6b25\" label=\"Abstract\"\u003eThe Women's Development Corporation (WDC) is a Rhode Island based housing developer and non-profit founded by a group of architects, designers, community planners, and historic preservation professionals. These records document select activities of the WDC from 1979-2015.\u003c/abstract\u003e"],"abstract_tesim":["The Women's Development Corporation (WDC) is a Rhode Island based housing developer and non-profit founded by a group of architects, designers, community planners, and historic preservation professionals. These records document select activities of the WDC from 1979-2015."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Women's Development Corporation (R.I.)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Women's Development Corporation (R.I.)"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":168,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:35:38.051Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3160","ead_ssi":"viblbv_repositories_2_resources_3160","_root_":"viblbv_repositories_2_resources_3160","_nest_parent_":"viblbv_repositories_2_resources_3160","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3160.xml","title_filing_ssi":"Women's Development Corporation Records","title_ssm":["Women's Development Corporation Records"],"title_tesim":["Women's Development Corporation Records"],"unitdate_ssm":["1979-2015"],"unitdate_inclusive_ssm":["1979-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2016.012"],"text":["Ms.2016.012","Women's Development Corporation Records","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- Rhode Island","Collection is open for research.","This collection was arranged with respect to the original order and the Shephered/Lowell Standard Series and Subseries for Architeture and Landscape Design. The collection reflects the following series and subseries:","Series I: Photographs Series II: Professional Papers Subseries A: Correspondence related to the profession Subseries B: Awards, certificates Subseries C: Research Notes and Data Collection Subseries D: Files, articles, clipping, materials Subseries E: Women's School of Planning and Architecture Series III: OFfice Records Subseries A: Administrative articles, bylaws, meetings Subseries B: Housing Planning Group Meetings, 1980 Subseries C: Public Relations Activity Subseries D: Published Materials Subseries E: Exercises and analysis Series IV: Project Records Series V: Participatory Design Workshop, 1990 Series VI: Aduiovisual and Electronic Media Series VII: Exhibits and Artifacts","The Women's Development Corporation (WDC) is a non-profit housing developer in Rhode Island. The WDC was founded in 1979 by a group of architects, designers, community planners, and historic preservation professionals. The founders included Susan Aitcheson (Program Director, Vice President from 1979-2012, and President from 2012-2016), Katrin Adam, and Joan Forrester Sprague. Alma Felix Green was the first Executive Director in 1980 and retired as President in 2014. The WDC designs, develops, constructs, and manages sustainable housing for low and moderate income families, individuals with special needs, and elderly residents. Between 1979 and 2016, the WDC had developed over 1600 housing units.","Additional sources: \nhttp://www.wdchoc.org/about-wdc\nhttp://www.wdchoc.org/FAQ","These records document select activities of the Women's Development Corporation (WDC) of Rhode Island from 1979-2015. Materials include professional correspondence from WDC staff to peers, funding agencies, politicians, and clients; commendations received by the WDC; research notes and reports; administrative records, including meeting minutes and bylaws; public relations materials; press coverage by and about the WDC; project documentation, including design sketches, presentation drawings, photographs, and planning materials; audio-visual recordings; electronic records on DVD; and furniture models used in the participatory design planning process.","Contains photographs of Susan Aitcheson's retirement, 2015.","The Professional Papers series consists of material relating WDC's great effort to gather funding and support from several organizations and institutions to fund and subsidize housing for low income women and families. This is supported by correspondence, research notes, reference files related to both the profession and the role of women in architecture. Particular attention was given to the WSPA - Women's School of Planning and Architecture, with related correspondence, publicity, awards.","Scrapbook portfolio documenting selected housing projects and properties developed by WDC between 1980-1997. Entitled \"Planning, Designing and Building Homes for Families and Communities,\" the portfolio explores the WDC's Participatory Planning Design exercises and prototype development from 1980-1982. Originally established for the WDC's fifteenth anniversary and expanded over time to document new projects.","This series comprises conceptual sketches, fabric and paint swatches, and planning activities from the WDC's original 1980 participatory design workshop with low-income women. The series also includes prototype floorplans produced by Susan Aitcheson after the workshop.","Footage shot for Dream Builders on Home \u0026 Garden Television. Betacam SP tape.","Footage shot for Dream Builders on Home \u0026 Garden Television. Betacam SP tape.","VHS tape","DVD-R, interview conducted by Andrea Merrett, Columbia University Archives","DVD-R","DVD, Running Time 8 min 40 sec","DVD+RW","DVD+RW","Balsa wood and dyed cardboard furniture pieces used for participatory design activities.","16 foamboard panels documenting the history of the Women's Development Corporation and its partner non-profit, the Housing Opportunities Corporation. The panels include newspaper clippings of opposition to WDC housing in its early years, a project breakdown by deecade, organizaitonal charts, lists of staff, and photographs of major projects and milestone events.","Separated materials consist of books relevant to the firm's ideals preceding the work, with subjects covering aspects such as participatory design, guides to low-income housing design, housing for Low-Income single women, different types of households, and cohousing.","Titles:\n       New Households, New Housing , Karen A. Franck, Sherry Ahrentzen Singular Women: Housing for Low-Income Single Women Without Dependents. Ann Forsyth Participatory Design. Theory and Techniques. Henry Sanoff.  A Practical Guide to Low-and Moderate-Income Housing. Charles Edison and Bruce Lane","Permission to publish material from Women's Development Corporation Records must be obtained from Special Collections, Virginia Tech.","The Women's Development Corporation (WDC) is a Rhode Island based housing developer and non-profit founded by a group of architects, designers, community planners, and historic preservation professionals. These records document select activities of the WDC from 1979-2015.","Special Collections and University Archives, Virginia Tech","Women's Development Corporation (R.I.)","English \n.    "],"unitid_tesim":["Ms.2016.012"],"normalized_title_ssm":["Women's Development Corporation Records"],"collection_title_tesim":["Women's Development Corporation Records"],"collection_ssim":["Women's Development Corporation Records"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Women's Development Corporation (R.I.)"],"creator_ssim":["Women's Development Corporation (R.I.)"],"creator_corpname_ssim":["Women's Development Corporation (R.I.)"],"creators_ssim":["Women's Development Corporation (R.I.)"],"access_terms_ssm":["Permission to publish material from Women's Development Corporation Records must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Women's Development Corporation Records were donated to Special Collections in 2016."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- Rhode Island"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- Rhode Island"],"has_online_content_ssim":["false"],"extent_ssm":["8.5 Cubic Feet Three records boxes, three small flat boxes, one large flat box, one roll of drawings, one large flat folder of drawings, 16 foam board presentation panels."],"extent_tesim":["8.5 Cubic Feet Three records boxes, three small flat boxes, one large flat box, one roll of drawings, one large flat folder of drawings, 16 foam board presentation panels."],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection was arranged with respect to the original order and the Shephered/Lowell Standard Series and Subseries for Architeture and Landscape Design. The collection reflects the following series and subseries:\u003c/p\u003e","\u003cp\u003e\u003clist\u003e\n        \u003citem\u003eSeries I: Photographs\u003c/item\u003e \n       \u003citem\u003eSeries II: Professional Papers\u003c/item\u003e\n      \u003citem\u003eSubseries A: Correspondence related to the profession\u003c/item\u003e\n      \u003citem\u003eSubseries B: Awards, certificates\u003c/item\u003e\n      \u003citem\u003eSubseries C: Research Notes and Data Collection\u003c/item\u003e\n      \u003citem\u003eSubseries D: Files, articles, clipping, materials\u003c/item\u003e\n      \u003citem\u003eSubseries E: Women's School of Planning and Architecture\u003c/item\u003e\n        \u003citem\u003eSeries III: OFfice Records\u003c/item\u003e\n      \u003citem\u003eSubseries A: Administrative articles, bylaws, meetings\u003c/item\u003e\n      \u003citem\u003eSubseries B: Housing Planning Group Meetings, 1980\u003c/item\u003e\n      \u003citem\u003eSubseries C: Public Relations Activity\u003c/item\u003e\n      \u003citem\u003eSubseries D: Published Materials\u003c/item\u003e\n      \u003citem\u003eSubseries E: Exercises and analysis\u003c/item\u003e \n        \u003citem\u003eSeries IV: Project Records\u003c/item\u003e\n        \u003citem\u003eSeries V: Participatory Design Workshop, 1990\u003c/item\u003e \n        \u003citem\u003eSeries VI: Aduiovisual and Electronic Media\u003c/item\u003e\n        \u003citem\u003eSeries VII: Exhibits and Artifacts\u003c/item\u003e\u003c/list\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection was arranged with respect to the original order and the Shephered/Lowell Standard Series and Subseries for Architeture and Landscape Design. The collection reflects the following series and subseries:","Series I: Photographs Series II: Professional Papers Subseries A: Correspondence related to the profession Subseries B: Awards, certificates Subseries C: Research Notes and Data Collection Subseries D: Files, articles, clipping, materials Subseries E: Women's School of Planning and Architecture Series III: OFfice Records Subseries A: Administrative articles, bylaws, meetings Subseries B: Housing Planning Group Meetings, 1980 Subseries C: Public Relations Activity Subseries D: Published Materials Subseries E: Exercises and analysis Series IV: Project Records Series V: Participatory Design Workshop, 1990 Series VI: Aduiovisual and Electronic Media Series VII: Exhibits and Artifacts"],"bioghist_html_tesm":["\u003cp\u003eThe Women's Development Corporation (WDC) is a non-profit housing developer in Rhode Island. The WDC was founded in 1979 by a group of architects, designers, community planners, and historic preservation professionals. The founders included Susan Aitcheson (Program Director, Vice President from 1979-2012, and President from 2012-2016), Katrin Adam, and Joan Forrester Sprague. Alma Felix Green was the first Executive Director in 1980 and retired as President in 2014. The WDC designs, develops, constructs, and manages sustainable housing for low and moderate income families, individuals with special needs, and elderly residents. Between 1979 and 2016, the WDC had developed over 1600 housing units.\u003c/p\u003e\n","\u003cp\u003eAdditional sources: \nhttp://www.wdchoc.org/about-wdc\nhttp://www.wdchoc.org/FAQ\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The Women's Development Corporation (WDC) is a non-profit housing developer in Rhode Island. The WDC was founded in 1979 by a group of architects, designers, community planners, and historic preservation professionals. The founders included Susan Aitcheson (Program Director, Vice President from 1979-2012, and President from 2012-2016), Katrin Adam, and Joan Forrester Sprague. Alma Felix Green was the first Executive Director in 1980 and retired as President in 2014. The WDC designs, develops, constructs, and manages sustainable housing for low and moderate income families, individuals with special needs, and elderly residents. Between 1979 and 2016, the WDC had developed over 1600 housing units.","Additional sources: \nhttp://www.wdchoc.org/about-wdc\nhttp://www.wdchoc.org/FAQ"],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Women's Development Corporation Records, Ms2016-012, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Women's Development Corporation Records, Ms2016-012, Special Collections, Virginia Tech, Blacksburg, Va."],"scopecontent_html_tesm":["\u003cp\u003eThese records document select activities of the Women's Development Corporation (WDC) of Rhode Island from 1979-2015. Materials include professional correspondence from WDC staff to peers, funding agencies, politicians, and clients; commendations received by the WDC; research notes and reports; administrative records, including meeting minutes and bylaws; public relations materials; press coverage by and about the WDC; project documentation, including design sketches, presentation drawings, photographs, and planning materials; audio-visual recordings; electronic records on DVD; and furniture models used in the participatory design planning process.\u003c/p\u003e","\u003cp\u003eContains photographs of Susan Aitcheson's retirement, 2015.\u003c/p\u003e","\u003cp\u003eThe Professional Papers series consists of material relating WDC's great effort to gather funding and support from several organizations and institutions to fund and subsidize housing for low income women and families. This is supported by correspondence, research notes, reference files related to both the profession and the role of women in architecture. Particular attention was given to the WSPA - Women's School of Planning and Architecture, with related correspondence, publicity, awards.\u003c/p\u003e","\u003cp\u003eScrapbook portfolio documenting selected housing projects and properties developed by WDC between 1980-1997. Entitled \"Planning, Designing and Building Homes for Families and Communities,\" the portfolio explores the WDC's Participatory Planning Design exercises and prototype development from 1980-1982. Originally established for the WDC's fifteenth anniversary and expanded over time to document new projects.\u003c/p\u003e","\u003cp\u003eThis series comprises conceptual sketches, fabric and paint swatches, and planning activities from the WDC's original 1980 participatory design workshop with low-income women. The series also includes prototype floorplans produced by Susan Aitcheson after the workshop.\u003c/p\u003e","\u003cp\u003eFootage shot for Dream Builders on Home \u0026amp; Garden Television. Betacam SP tape.\u003c/p\u003e","\u003cp\u003eFootage shot for Dream Builders on Home \u0026amp; Garden Television. Betacam SP tape.\u003c/p\u003e","\u003cp\u003eVHS tape\u003c/p\u003e","\u003cp\u003eDVD-R, interview conducted by Andrea Merrett, Columbia University Archives\u003c/p\u003e","\u003cp\u003eDVD-R\u003c/p\u003e","\u003cp\u003eDVD, Running Time 8 min 40 sec\u003c/p\u003e","\u003cp\u003eDVD+RW\u003c/p\u003e","\u003cp\u003eDVD+RW\u003c/p\u003e","\u003cp\u003eBalsa wood and dyed cardboard furniture pieces used for participatory design activities.\u003c/p\u003e","\u003cp\u003e16 foamboard panels documenting the history of the Women's Development Corporation and its partner non-profit, the Housing Opportunities Corporation. The panels include newspaper clippings of opposition to WDC housing in its early years, a project breakdown by deecade, organizaitonal charts, lists of staff, and photographs of major projects and milestone events.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["These records document select activities of the Women's Development Corporation (WDC) of Rhode Island from 1979-2015. Materials include professional correspondence from WDC staff to peers, funding agencies, politicians, and clients; commendations received by the WDC; research notes and reports; administrative records, including meeting minutes and bylaws; public relations materials; press coverage by and about the WDC; project documentation, including design sketches, presentation drawings, photographs, and planning materials; audio-visual recordings; electronic records on DVD; and furniture models used in the participatory design planning process.","Contains photographs of Susan Aitcheson's retirement, 2015.","The Professional Papers series consists of material relating WDC's great effort to gather funding and support from several organizations and institutions to fund and subsidize housing for low income women and families. This is supported by correspondence, research notes, reference files related to both the profession and the role of women in architecture. Particular attention was given to the WSPA - Women's School of Planning and Architecture, with related correspondence, publicity, awards.","Scrapbook portfolio documenting selected housing projects and properties developed by WDC between 1980-1997. Entitled \"Planning, Designing and Building Homes for Families and Communities,\" the portfolio explores the WDC's Participatory Planning Design exercises and prototype development from 1980-1982. Originally established for the WDC's fifteenth anniversary and expanded over time to document new projects.","This series comprises conceptual sketches, fabric and paint swatches, and planning activities from the WDC's original 1980 participatory design workshop with low-income women. The series also includes prototype floorplans produced by Susan Aitcheson after the workshop.","Footage shot for Dream Builders on Home \u0026 Garden Television. Betacam SP tape.","Footage shot for Dream Builders on Home \u0026 Garden Television. Betacam SP tape.","VHS tape","DVD-R, interview conducted by Andrea Merrett, Columbia University Archives","DVD-R","DVD, Running Time 8 min 40 sec","DVD+RW","DVD+RW","Balsa wood and dyed cardboard furniture pieces used for participatory design activities.","16 foamboard panels documenting the history of the Women's Development Corporation and its partner non-profit, the Housing Opportunities Corporation. The panels include newspaper clippings of opposition to WDC housing in its early years, a project breakdown by deecade, organizaitonal charts, lists of staff, and photographs of major projects and milestone events."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated materials consist of books relevant to the firm's ideals preceding the work, with subjects covering aspects such as participatory design, guides to low-income housing design, housing for Low-Income single women, different types of households, and cohousing.\u003c/p\u003e","\u003cp\u003eTitles:\n      \u003clist\u003e\n        \u003citem\u003eNew Households, New Housing , Karen A. Franck, Sherry Ahrentzen\u003c/item\u003e\n        \u003citem\u003eSingular Women: Housing for Low-Income Single Women Without Dependents. Ann Forsyth\u003c/item\u003e\n        \u003citem\u003eParticipatory Design. Theory and Techniques. Henry Sanoff. \u003c/item\u003e\n        \u003citem\u003eA Practical Guide to Low-and Moderate-Income Housing. Charles Edison and Bruce Lane\u003c/item\u003e\n      \u003c/list\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated materials consist of books relevant to the firm's ideals preceding the work, with subjects covering aspects such as participatory design, guides to low-income housing design, housing for Low-Income single women, different types of households, and cohousing.","Titles:\n       New Households, New Housing , Karen A. Franck, Sherry Ahrentzen Singular Women: Housing for Low-Income Single Women Without Dependents. Ann Forsyth Participatory Design. Theory and Techniques. Henry Sanoff.  A Practical Guide to Low-and Moderate-Income Housing. Charles Edison and Bruce Lane"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Women's Development Corporation Records must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Women's Development Corporation Records must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_aafc0791548f8db4013de87fd32b6b25\" label=\"Abstract\"\u003eThe Women's Development Corporation (WDC) is a Rhode Island based housing developer and non-profit founded by a group of architects, designers, community planners, and historic preservation professionals. These records document select activities of the WDC from 1979-2015.\u003c/abstract\u003e"],"abstract_tesim":["The Women's Development Corporation (WDC) is a Rhode Island based housing developer and non-profit founded by a group of architects, designers, community planners, and historic preservation professionals. These records document select activities of the WDC from 1979-2015."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Women's Development Corporation (R.I.)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Women's Development Corporation (R.I.)"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":168,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:35:38.051Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3160"}},{"id":"viw_repositories_2_resources_5554","type":"collection","attributes":{"title":"Women's Forum Collection","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_5554#creator","type":"document_value","attributes":{"value":"College of William and Mary. Women's Forum","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_5554#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains fliers and newsletters from the Women's Forum at the College of William and Mary. The Women's Forum met to discuss issues such as women's rights and equality. Included in the collection are fliers for meetings of the Women's Forum, and copies of the Women's Equality Newsletter from 1973 to 1978.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_5554#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_5554","ead_ssi":"viw_repositories_2_resources_5554","_root_":"viw_repositories_2_resources_5554","_nest_parent_":"viw_repositories_2_resources_5554","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_5554.xml","title_filing_ssi":"Women's Forum Collection","title_ssm":["Women's Forum Collection"],"title_tesim":["Women's Forum Collection"],"unitdate_ssm":["1970-1988"],"unitdate_inclusive_ssm":["1970-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 324","/repositories/2/resources/5554"],"text":["UA 324","/repositories/2/resources/5554","Women's Forum Collection","Women college students","Women's rights--Virginia","Fliers (printed matter)","Newsletters","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection was previously part of the University Archives Publications Collection.","This collection contains fliers and newsletters from the Women's Forum at the College of William and Mary.  The Women's Forum met to discuss issues such as women's rights and equality.  Included in the collection are fliers for meetings of the Women's Forum, and copies of the Women's Equality Newsletter from 1973 to 1978.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Women's Forum","English"],"unitid_tesim":["UA 324","/repositories/2/resources/5554"],"normalized_title_ssm":["Women's Forum Collection"],"collection_title_tesim":["Women's Forum Collection"],"collection_ssim":["Women's Forum Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["College of William and Mary. Women's Forum"],"creator_ssim":["College of William and Mary. Women's Forum"],"creator_corpname_ssim":["College of William and Mary. Women's Forum"],"creators_ssim":["College of William and Mary. Women's Forum"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Women college students","Women's rights--Virginia","Fliers (printed matter)","Newsletters"],"access_subjects_ssm":["Women college students","Women's rights--Virginia","Fliers (printed matter)","Newsletters"],"has_online_content_ssim":["false"],"extent_ssm":["0.03 Linear Feet"],"extent_tesim":["0.03 Linear Feet"],"genreform_ssim":["Fliers (printed matter)","Newsletters"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"custodhist_html_tesm":["\u003cp\u003eThis collection was previously part of the University Archives Publications Collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["This collection was previously part of the University Archives Publications Collection."],"prefercite_html_tesm":["\u003cp\u003eWomen's Forum Collection, Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e"],"prefercite_tesim":["Women's Forum Collection, Special Collections Research Center, William \u0026 Mary Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains fliers and newsletters from the Women's Forum at the College of William and Mary.  The Women's Forum met to discuss issues such as women's rights and equality.  Included in the collection are fliers for meetings of the Women's Forum, and copies of the Women's Equality Newsletter from 1973 to 1978.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains fliers and newsletters from the Women's Forum at the College of William and Mary.  The Women's Forum met to discuss issues such as women's rights and equality.  Included in the collection are fliers for meetings of the Women's Forum, and copies of the Women's Equality Newsletter from 1973 to 1978."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","College of William and Mary. Women's Forum"],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Women's Forum"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:18:49.790Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_5554","ead_ssi":"viw_repositories_2_resources_5554","_root_":"viw_repositories_2_resources_5554","_nest_parent_":"viw_repositories_2_resources_5554","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_5554.xml","title_filing_ssi":"Women's Forum Collection","title_ssm":["Women's Forum Collection"],"title_tesim":["Women's Forum Collection"],"unitdate_ssm":["1970-1988"],"unitdate_inclusive_ssm":["1970-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 324","/repositories/2/resources/5554"],"text":["UA 324","/repositories/2/resources/5554","Women's Forum Collection","Women college students","Women's rights--Virginia","Fliers (printed matter)","Newsletters","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection was previously part of the University Archives Publications Collection.","This collection contains fliers and newsletters from the Women's Forum at the College of William and Mary.  The Women's Forum met to discuss issues such as women's rights and equality.  Included in the collection are fliers for meetings of the Women's Forum, and copies of the Women's Equality Newsletter from 1973 to 1978.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Women's Forum","English"],"unitid_tesim":["UA 324","/repositories/2/resources/5554"],"normalized_title_ssm":["Women's Forum Collection"],"collection_title_tesim":["Women's Forum Collection"],"collection_ssim":["Women's Forum Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["College of William and Mary. Women's Forum"],"creator_ssim":["College of William and Mary. Women's Forum"],"creator_corpname_ssim":["College of William and Mary. Women's Forum"],"creators_ssim":["College of William and Mary. Women's Forum"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Women college students","Women's rights--Virginia","Fliers (printed matter)","Newsletters"],"access_subjects_ssm":["Women college students","Women's rights--Virginia","Fliers (printed matter)","Newsletters"],"has_online_content_ssim":["false"],"extent_ssm":["0.03 Linear Feet"],"extent_tesim":["0.03 Linear Feet"],"genreform_ssim":["Fliers (printed matter)","Newsletters"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"custodhist_html_tesm":["\u003cp\u003eThis collection was previously part of the University Archives Publications Collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["This collection was previously part of the University Archives Publications Collection."],"prefercite_html_tesm":["\u003cp\u003eWomen's Forum Collection, Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e"],"prefercite_tesim":["Women's Forum Collection, Special Collections Research Center, William \u0026 Mary Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains fliers and newsletters from the Women's Forum at the College of William and Mary.  The Women's Forum met to discuss issues such as women's rights and equality.  Included in the collection are fliers for meetings of the Women's Forum, and copies of the Women's Equality Newsletter from 1973 to 1978.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains fliers and newsletters from the Women's Forum at the College of William and Mary.  The Women's Forum met to discuss issues such as women's rights and equality.  Included in the collection are fliers for meetings of the Women's Forum, and copies of the Women's Equality Newsletter from 1973 to 1978."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","College of William and Mary. Women's Forum"],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Women's Forum"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:18:49.790Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_5554"}},{"id":"wvmturhc_repositories_2_resources_2029","type":"collection","attributes":{"title":"Women's Information Center Records","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2029#creator","type":"document_value","attributes":{"value":"Women's Information Center, Morgantown, W. Va.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2029#abstract_or_scope","type":"document_value","attributes":{"value":"Records of the Women's Information Center of Morgantown, West Virginia. Includes correspondence, minutes, reports, newsletters, clippings, and other material.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2029#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_2029","ead_ssi":"wvmturhc_repositories_2_resources_2029","_root_":"wvmturhc_repositories_2_resources_2029","_nest_parent_":"wvmturhc_repositories_2_resources_2029","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2029.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196157","title_ssm":["Women's Information Center Records"],"title_tesim":["Women's Information Center Records"],"unitdate_ssm":["1973-1993 and undated"],"unitdate_inclusive_ssm":["1973-1993 and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3635","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2029"],"text":["A\u0026M 3635","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2029","Women's Information Center Records","Women's health services","Reproductive rights","West Virginia Feminist Activist and Women's History Collection","Women's rights","Abortions","Nonprofit organizations","Materials in box 2, folders 7-9 are restricted for 75 years after the latest date of creation due to the presence of student works.  Materials may begin to be accessed in 2035.","The Women's Information Service (WIC) was born out of a group of West Virginia University (WVU) campus and community women who organized an abortion referral agency called the \"Abortion Referral and Women's Information Center\" in 1970. By 1971, the group was brought under the sponsorship of the Bennett House, WVU's ecumenical campus ministry center located in the Walters House at 221 Wiley Street, and shortened its name to the \"Women's Information Center.\" Under the advisory of United Methodist campus minister Reba Thurmond, and with a loose affiliation with the University Christian Council (UCC), who loaned them space in the Walters House, the WIC focused on pregnancy counseling, pregnancy testing, sex education, and the implementation of programs related to women's concerns and women's movements. ","One of the earliest projects of the group was the creation of the Rape Information Service (now the Rape and Domestic Violence Information Center) in collaboration with other women's groups in the area. In 1976, tensions arose between the UCC and the Trinity Episcopal Church of Morgantown, which owned the Walters House, leading to a non-renewal of the lease to the UCC in 1980. The Bennett House, including the WIC, relocated to the P.E.E.C.H. Building at 305 Willey Street. In 1977, the WIC was officially incorporated as a non-profit. The UCC, Bennett, House, and WIC relocated once again, this time to the Rogers House at 193 Willey Street in 1984. The organization was active until at least 1993 and voluntarily dissolved in 2002.","This collection contains the records of the Women's Information Center (WIC), which was in operation from 1970 to 2002. It mostly contains operational records beginning from their time as an incorporated organization in 1977 and extends to 1993. There are also reference materials used by the WIC. Prominent topics include abortion, displaced homemakers, and reproductive rights. Materials include agendas, correspondence, flyers, minutes, newspaper clippings, newsletters, and notes.","Oversized materials moved to A\u0026M 3635, box 3, folder 1","Oversized materials moved to A\u0026M 3635, box 3, folder 3","Oversized materials moved to A\u0026M 3635, box 3, folder 4","Oversized materials moved to A\u0026M 3635, box 3, folder 5","Oversized materials moved to A\u0026M 3635, box 3, folder 6","Removed from A\u0026M 3635, Box 1, Folder 2","Removed from A\u0026M 3635, box 1, folder 7","Removed from A\u0026M 3635, box 1, folder 8","Removed from A\u0026M 3635, box 1, folder 10a-10b","Removed from A\u0026M 3635, box 1, folder 11","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Records of the Women's Information Center of Morgantown, West Virginia. Includes correspondence, minutes, reports, newsletters, clippings, and other material.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Women's Information Center, Morgantown, W. Va.","Thurmond, Reba","English \n.    "],"unitid_tesim":["A\u0026M 3635","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2029"],"normalized_title_ssm":["Women's Information Center Records"],"collection_title_tesim":["Women's Information Center Records"],"collection_ssim":["Women's Information Center Records"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Women's Information Center, Morgantown, W. Va.","Thurmond, Reba","Thurmond, Reba"],"creator_ssim":["Women's Information Center, Morgantown, W. Va.","Thurmond, Reba","Thurmond, Reba"],"creator_persname_ssim":["Thurmond, Reba","Thurmond, Reba"],"creator_corpname_ssim":["Women's Information Center, Morgantown, W. Va."],"creators_ssim":["Thurmond, Reba","Thurmond, Reba","Women's Information Center, Morgantown, W. Va."],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift of Thurmond, Reba, 2008 August 01"],"access_subjects_ssim":["Women's health services","Reproductive rights","West Virginia Feminist Activist and Women's History Collection","Women's rights","Abortions","Nonprofit organizations"],"access_subjects_ssm":["Women's health services","Reproductive rights","West Virginia Feminist Activist and Women's History Collection","Women's rights","Abortions","Nonprofit organizations"],"has_online_content_ssim":["false"],"extent_ssm":["0.51 Linear Feet 1 document case, 5 in.; 2 document cases, 2.5 in. each; 1 oversized folder, 0.1 in."],"extent_tesim":["0.51 Linear Feet 1 document case, 5 in.; 2 document cases, 2.5 in. each; 1 oversized folder, 0.1 in."],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eMaterials in box 2, folders 7-9 are restricted for 75 years after the latest date of creation due to the presence of student works.  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For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d7c0258e0cd0fbc0291001663438fce5\"\u003eRecords of the Women's Information Center of Morgantown, West Virginia. Includes correspondence, minutes, reports, newsletters, clippings, and other material.\u003c/abstract\u003e"],"abstract_tesim":["Records of the Women's Information Center of Morgantown, West Virginia. 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Materials may begin to be accessed in 2035.","The Women's Information Service (WIC) was born out of a group of West Virginia University (WVU) campus and community women who organized an abortion referral agency called the \"Abortion Referral and Women's Information Center\" in 1970. By 1971, the group was brought under the sponsorship of the Bennett House, WVU's ecumenical campus ministry center located in the Walters House at 221 Wiley Street, and shortened its name to the \"Women's Information Center.\" Under the advisory of United Methodist campus minister Reba Thurmond, and with a loose affiliation with the University Christian Council (UCC), who loaned them space in the Walters House, the WIC focused on pregnancy counseling, pregnancy testing, sex education, and the implementation of programs related to women's concerns and women's movements. ","One of the earliest projects of the group was the creation of the Rape Information Service (now the Rape and Domestic Violence Information Center) in collaboration with other women's groups in the area. In 1976, tensions arose between the UCC and the Trinity Episcopal Church of Morgantown, which owned the Walters House, leading to a non-renewal of the lease to the UCC in 1980. The Bennett House, including the WIC, relocated to the P.E.E.C.H. Building at 305 Willey Street. In 1977, the WIC was officially incorporated as a non-profit. The UCC, Bennett, House, and WIC relocated once again, this time to the Rogers House at 193 Willey Street in 1984. The organization was active until at least 1993 and voluntarily dissolved in 2002.","This collection contains the records of the Women's Information Center (WIC), which was in operation from 1970 to 2002. It mostly contains operational records beginning from their time as an incorporated organization in 1977 and extends to 1993. 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For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Records of the Women's Information Center of Morgantown, West Virginia. Includes correspondence, minutes, reports, newsletters, clippings, and other material.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Women's Information Center, Morgantown, W. Va.","Thurmond, Reba","English \n.    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Materials may begin to be accessed in 2035.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Materials in box 2, folders 7-9 are restricted for 75 years after the latest date of creation due to the presence of student works.  Materials may begin to be accessed in 2035."],"bioghist_html_tesm":["\u003cp\u003eThe Women's Information Service (WIC) was born out of a group of West Virginia University (WVU) campus and community women who organized an abortion referral agency called the \"Abortion Referral and Women's Information Center\" in 1970. By 1971, the group was brought under the sponsorship of the Bennett House, WVU's ecumenical campus ministry center located in the Walters House at 221 Wiley Street, and shortened its name to the \"Women's Information Center.\" Under the advisory of United Methodist campus minister Reba Thurmond, and with a loose affiliation with the University Christian Council (UCC), who loaned them space in the Walters House, the WIC focused on pregnancy counseling, pregnancy testing, sex education, and the implementation of programs related to women's concerns and women's movements. \u003c/p\u003e\n","\u003cp\u003eOne of the earliest projects of the group was the creation of the Rape Information Service (now the Rape and Domestic Violence Information Center) in collaboration with other women's groups in the area. In 1976, tensions arose between the UCC and the Trinity Episcopal Church of Morgantown, which owned the Walters House, leading to a non-renewal of the lease to the UCC in 1980. The Bennett House, including the WIC, relocated to the P.E.E.C.H. Building at 305 Willey Street. In 1977, the WIC was officially incorporated as a non-profit. The UCC, Bennett, House, and WIC relocated once again, this time to the Rogers House at 193 Willey Street in 1984. The organization was active until at least 1993 and voluntarily dissolved in 2002.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Women's Information Service (WIC) was born out of a group of West Virginia University (WVU) campus and community women who organized an abortion referral agency called the \"Abortion Referral and Women's Information Center\" in 1970. 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"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":29,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-04T15:06:42.135Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2029"}},{"id":"viw_repositories_2_resources_9701","type":"collection","attributes":{"title":"Women's Volleyball records","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9701#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Women's volleyball records contain photographs, slides, print and audio-visual materials documenting the players, coaches and events from William \u0026amp; Mary's Women's Volleyball team. Items include one poster from the 2016 William \u0026amp; Mary Women's Volleyball Team featuring photographs of athletes and numerous signatures from the players. The poster also includes details of upcoming games. Photographs and slides illustrate volleyball players participating in practices and games.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9701#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9701","ead_ssi":"viw_repositories_2_resources_9701","_root_":"viw_repositories_2_resources_9701","_nest_parent_":"viw_repositories_2_resources_9701","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9701.xml","title_filing_ssi":"Women's Volleyball records","title_ssm":["Women's Volleyball records"],"title_tesim":["Women's Volleyball records"],"unitdate_ssm":["1976-2008"],"unitdate_inclusive_ssm":["1976-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 181.19","/repositories/2/resources/9701"],"text":["UA 181.19","/repositories/2/resources/9701","Women's Volleyball records","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Collection is arranged by accession.","The Women's volleyball records contain photographs, slides, print and audio-visual materials documenting the players, coaches and events from William \u0026 Mary's Women's Volleyball team. Items include one poster from the 2016 William \u0026 Mary Women's Volleyball Team featuring photographs of  athletes and numerous signatures from the players. The poster also includes details of upcoming games. Photographs and slides illustrate volleyball players participating in practices and games.","This sub-series includes correspondence, ephemeras, holiday cards, and newspaper and magazine clips associated with the women's volleyball team.","Includes stickers and felt pin","This sub-series includes photographs and negatives documenting William \u0026 Mary Women's Volleyball team.","This sub-series include photo slides of the women's volleyball team.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["UA 181.19","/repositories/2/resources/9701"],"normalized_title_ssm":["Women's Volleyball records"],"collection_title_tesim":["Women's Volleyball records"],"collection_ssim":["Women's Volleyball records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"has_online_content_ssim":["false"],"extent_ssm":["10.1 Linear Feet This collection contains nine boxes."],"extent_tesim":["10.1 Linear Feet This collection contains nine boxes."],"date_range_isim":[1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged by accession.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged by accession."],"prefercite_html_tesm":["\u003cp\u003eWomen's Volleyball records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Women's Volleyball records, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe Women's volleyball records contain photographs, slides, print and audio-visual materials documenting the players, coaches and events from William \u0026amp; Mary's Women's Volleyball team. Items include one poster from the 2016 William \u0026amp; Mary Women's Volleyball Team featuring photographs of  athletes and numerous signatures from the players. The poster also includes details of upcoming games. Photographs and slides illustrate volleyball players participating in practices and games.\u003c/p\u003e","\u003cp\u003eThis sub-series includes correspondence, ephemeras, holiday cards, and newspaper and magazine clips associated with the women's volleyball team.\u003c/p\u003e","\u003cp\u003eIncludes stickers and felt pin\u003c/p\u003e","\u003cp\u003eThis sub-series includes photographs and negatives documenting William \u0026amp; Mary Women's Volleyball team.\u003c/p\u003e","\u003cp\u003eThis sub-series include photo slides of the women's volleyball team.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Women's volleyball records contain photographs, slides, print and audio-visual materials documenting the players, coaches and events from William \u0026 Mary's Women's Volleyball team. Items include one poster from the 2016 William \u0026 Mary Women's Volleyball Team featuring photographs of  athletes and numerous signatures from the players. The poster also includes details of upcoming games. Photographs and slides illustrate volleyball players participating in practices and games.","This sub-series includes correspondence, ephemeras, holiday cards, and newspaper and magazine clips associated with the women's volleyball team.","Includes stickers and felt pin","This sub-series includes photographs and negatives documenting William \u0026 Mary Women's Volleyball team.","This sub-series include photo slides of the women's volleyball team."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":53,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:22:53.189Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9701","ead_ssi":"viw_repositories_2_resources_9701","_root_":"viw_repositories_2_resources_9701","_nest_parent_":"viw_repositories_2_resources_9701","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9701.xml","title_filing_ssi":"Women's Volleyball records","title_ssm":["Women's Volleyball records"],"title_tesim":["Women's Volleyball records"],"unitdate_ssm":["1976-2008"],"unitdate_inclusive_ssm":["1976-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 181.19","/repositories/2/resources/9701"],"text":["UA 181.19","/repositories/2/resources/9701","Women's Volleyball records","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Collection is arranged by accession.","The Women's volleyball records contain photographs, slides, print and audio-visual materials documenting the players, coaches and events from William \u0026 Mary's Women's Volleyball team. Items include one poster from the 2016 William \u0026 Mary Women's Volleyball Team featuring photographs of  athletes and numerous signatures from the players. The poster also includes details of upcoming games. Photographs and slides illustrate volleyball players participating in practices and games.","This sub-series includes correspondence, ephemeras, holiday cards, and newspaper and magazine clips associated with the women's volleyball team.","Includes stickers and felt pin","This sub-series includes photographs and negatives documenting William \u0026 Mary Women's Volleyball team.","This sub-series include photo slides of the women's volleyball team.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["UA 181.19","/repositories/2/resources/9701"],"normalized_title_ssm":["Women's Volleyball records"],"collection_title_tesim":["Women's Volleyball records"],"collection_ssim":["Women's Volleyball records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"has_online_content_ssim":["false"],"extent_ssm":["10.1 Linear Feet This collection contains nine boxes."],"extent_tesim":["10.1 Linear Feet This collection contains nine boxes."],"date_range_isim":[1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged by accession.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged by accession."],"prefercite_html_tesm":["\u003cp\u003eWomen's Volleyball records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Women's Volleyball records, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe Women's volleyball records contain photographs, slides, print and audio-visual materials documenting the players, coaches and events from William \u0026amp; Mary's Women's Volleyball team. 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Items include one poster from the 2016 William \u0026 Mary Women's Volleyball Team featuring photographs of  athletes and numerous signatures from the players. The poster also includes details of upcoming games. Photographs and slides illustrate volleyball players participating in practices and games.","This sub-series includes correspondence, ephemeras, holiday cards, and newspaper and magazine clips associated with the women's volleyball team.","Includes stickers and felt pin","This sub-series includes photographs and negatives documenting William \u0026 Mary Women's Volleyball team.","This sub-series include photo slides of the women's volleyball team."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":53,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:22:53.189Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9701"}},{"id":"vihart_repositories_4_resources_505","type":"collection","attributes":{"title":"Woodbine Cemetery Records","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_505#creator","type":"document_value","attributes":{"value":"Woodbine Cemetery","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_505#abstract_or_scope","type":"document_value","attributes":{"value":"The Woodbine Cemetery Records, circa 1830-2006, consist of materials relating to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business over approximately the past 150 years.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_505#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_505","ead_ssi":"vihart_repositories_4_resources_505","_root_":"vihart_repositories_4_resources_505","_nest_parent_":"vihart_repositories_4_resources_505","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_505.xml","title_ssm":["Woodbine Cemetery Records"],"title_tesim":["Woodbine Cemetery Records"],"unitdate_ssm":["circa 1830-2006","1940-2006"],"unitdate_bulk_ssim":["1940-2006"],"unitdate_inclusive_ssm":["circa 1830-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0236","/repositories/4/resources/505"],"text":["SC 0236","/repositories/4/resources/505","Woodbine Cemetery Records","Harrisonburg (Va.) -- History","Harrisonburg (Va.) -- Genealogy","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy","Cemeteries -- Virginia -- Rockingham County","Cemeteries -- Virginia -- Harrisonburg","Financial Records","Receipts (financial records)","Minutes (administrative records)","Maps (documents)","Plats (maps)","Checks (bank checks)","Directories","Ledgers (account books)","Administrative reports","Letters (correspondence)","Deeds","Parts of the collection are restricted, due to the presence of personally identifying information. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","The collection is arranged in six series. Broadly speaking, each series is arranged first by the type of material, and then chronologically within these broader categories. Exceptions to this arrangement were made in order to pay respects to the original order, as well as when precise dates could not be readily determined.","Financial Files, circa 1840-2006 (bulk 1890-2006) Administrative Files, 1853-2002 Business Records, 1898-2006 Mausoleum Records, 1924-2006 Ephemera, 1985-2000 Maps, 1913-1966","Liskey, Nelson J. \"History of Woodbine Cemetery,\" Harrisonburg, VA. 1998.","\"About Woodbine.\" Woodbine Cemetery. http://woodbinecemetery.org/about-woodbine/ (Accessed September 19, 2018).","Moore, Robert H. \"The Woodbine Cemetery.\" Historical Marker Database, February 26, 2009. https://www.hmdb.org/marker.asp?marker=16486 (Accessed September 19, 2018).","Woodbine Cemetery Company was founded on March 19, 1850 by the Virginia General Assembly, as a non-denominational burial ground in Harrisonburg, Virginia. The first land for the cemetery was purchased seven months later, on October 11, 1850, from Harrisonburg's first mayor, Isaac Hardesty, who sold 2½ acres to the cemetery company. It has continued to expand in size over the years, and the current grounds cover about 18 acres. Woodbine Cemetery contains roughly 11,550 burial plots with approximately 9,000 interred.","Soon after the Civil War, the cemetery created an area dedicated to Confederate soldiers and veterans. This section was originally maintained by the Ladies Memorial Association, founded in 1868 with the charge of caring for the graves of Confederate soldiers buried in Rockingham County. The Ladies Memorial Association erected a soldiers monument in 1876, and in 1899 with the aid of the Turner Ashby Chapter of the United Daughters of the Confederacy, replaced all wooden head boards with white marble stones. The section was expanded in 1886, when Samuel Shacklett donated a 5 acre-plot, containing land likely already in use as a Confederate cemetery. There are now over 200 Confederate soldier or veterans buried there, representing states of Virginia, North Carolina, Maryland, Louisiana, Alabama, South Carolina, Georgia, Missouri, and Tennessee. The cemetery also contains area known as \"Little Arlington,\" dedicated to those who served in World War I and World War II. ","The Community Mausoleum was erected in 1926, though there are no records of incorporation until 1936, when it was incorporated as the \"Communal Mausoleum Crypt Owners, Inc.\" In February 2006, the mausoleum merged with Woodbine Cemetery Company.","According to a Woodbine Board of Trustees report dated April 2, 1853, the original cemetery contained plots designated for African Americans, stating, \"…in the rear plats have already been appropriated to single interments, and likewise for the use of colored persons.\" According to Nelson J. Liskey's, \"History of Woodbine Cemetery,\" in 1969, the board adopted a policy that \"no restrictions as to race would be applicable to lot purchasers.\" Certificates of Ownership of Communal Mausoleum Crypts at Woodbine Cemetery state that \"the crypts are for the entombment of the human dead of the Caucasian race only.\"","Superintendents of Woodbine Cemetery include, but are not limited to, the following individuals: John Foster (1851), J.P. Hyde (1863), J.E. Good (1880), Bowman Gilmer (1918-1958), Sherman Gilmer (1958-1981), David Schrock (1981-1992), Lisa Batchelder (1992-present).","Due to the lengthy time period covered by this collection, the materials were created, collected and organized by a variety of individuals, and completeness of the records varies. Where possible, the original order and naming conventions were retained. The collection also originally contained various stamps, keys, and other 3-dimensional objects, which were not retained.","The Woodbine Cemetery Records, circa 1830-2006, are comprised of materials related to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business, between the 1850s and 2006. This includes records relating to the management of the Woodbine Mausoleum, which existed as a separate entity until 2006, when it was acquired by Woodbine Cemetery. ","Due to the lengthy time period covered, the materials were collected and organized by a variety of individuals, and completeness of the records varies. When possible, the original order and naming conventions were retained. The material relates almost exclusively to Woodbine Cemetery in Harrisonburg VA, though some of the ephemera relates to other cemeteries as well.","Financial Files, ca. 1840-2006, is comprised of financial documents of various types. These include receipts for materials purchased by the cemetery for operations, including hardware, materials, landscaping services, and other expenses relating to the day-to-day care of the cemetery grounds and buildings. Cemetery account books, receipt books, and ledgers track the income and expenditures of the Cemetery, including payments made to the cemetery for the one-time purchase of plots and ongoing income from perpetual care plots. Additional information includes cemetery tax documents are returns, employee payment and salary information, banking documents (including deposit slips and account statements), donor pledges, and other related documents directly impacting the financial affairs of Woodbine cemetery. Certain folder within this series are restricted, due to the presence of personally identifying information.","Administrative Files, ca. 1830-2002, is comprised of documents which record the information used to manage the cemetery. As such, it contains reports and minutes compiled by the cemetery's various treasurers and presidents over the years, information relating to board meetings, insurance policy papers, and other similar documents created in the course of running the business.","This series contains material relating to the business side of Woodbine Cemetery from the years 1898-2006. The materials within this series relate to the cemetery's interactions with their customers and patrons. As such, it includes lists of lot owners, deeds, and contact information for customers. Among these materials are documents relating to disputes, and questions arising about specific plots or persons in the cemetery. Also included are newsletters, fund letters, mailing lists, and correspondence generating through interactions with the Harrisonburg community at large.","This series contains the information related to the management and fundraising efforts of the Woodbine Community Mausoleum from its founding in 1989 until it was acquired by Woodbine Cemetery in 2006. This includes financial documents, board minutes, owner information, and all other material relating specifically to the Mausoleum. The voided certificates of ownership of communal mausoleum crypts at Woodbine Cemetery, dated 1927-1970, state that \"the crypts are for the entombment of the human dead of the Caucasian race only...\".","This series is comprised of general records that were maintained by the cemetery for posterity, including photographs of the cemetery, sesquicentennial celebration information, and various publications and information related to cemeteries.","This series is composed of maps and charts of Woodbine Cemetery and the Mausoleum, which show how the cemetery expanded during the 20 th  century.","A copy of the book, \"Beautiful Thornrose,\" edited by Arista Hoge (Staunton, VA: Press of the McClure Co., 1914), was separated from the collection, and is housed in Special Collections Monographs, F234.S8 B4 1914.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Woodbine Cemetery Records, circa 1830-2006, consist of materials relating to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business over approximately the past 150 years.","James Madison University Libraries Special Collections","Woodbine Cemetery","English"],"unitid_tesim":["SC 0236","/repositories/4/resources/505"],"normalized_title_ssm":["Woodbine Cemetery Records"],"collection_title_tesim":["Woodbine Cemetery Records"],"collection_ssim":["Woodbine Cemetery Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History","Harrisonburg (Va.) -- Genealogy","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy"],"geogname_ssim":["Harrisonburg (Va.) -- History","Harrisonburg (Va.) -- Genealogy","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy"],"creator_ssm":["Woodbine Cemetery","Woodbine Cemetery"],"creator_ssim":["Woodbine Cemetery","Woodbine Cemetery"],"creator_corpname_ssim":["Woodbine Cemetery","Woodbine Cemetery"],"creators_ssim":["Woodbine Cemetery","Woodbine Cemetery"],"places_ssim":["Harrisonburg (Va.) -- History","Harrisonburg (Va.) -- Genealogy","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated by Charlie Chenault, Woodbine Cemetery Board of Trustees, Secretary/Treasurer, on August 27, 2015. Additions were made by Lisa Batchelder, superintendent of Woodbine Cemetery, in September and October 2021."],"access_subjects_ssim":["Cemeteries -- Virginia -- Rockingham County","Cemeteries -- Virginia -- Harrisonburg","Financial Records","Receipts (financial records)","Minutes (administrative records)","Maps (documents)","Plats (maps)","Checks (bank checks)","Directories","Ledgers (account books)","Administrative reports","Letters (correspondence)","Deeds"],"access_subjects_ssm":["Cemeteries -- Virginia -- Rockingham County","Cemeteries -- Virginia -- Harrisonburg","Financial Records","Receipts (financial records)","Minutes (administrative records)","Maps (documents)","Plats (maps)","Checks (bank checks)","Directories","Ledgers (account books)","Administrative reports","Letters (correspondence)","Deeds"],"has_online_content_ssim":["false"],"extent_ssm":["26.17 cubic feet 74 boxes, 6 flat files"],"extent_tesim":["26.17 cubic feet 74 boxes, 6 flat files"],"genreform_ssim":["Financial Records","Receipts (financial records)","Minutes (administrative records)","Maps (documents)","Plats (maps)","Checks (bank checks)","Directories","Ledgers (account books)","Administrative reports","Letters (correspondence)","Deeds"],"date_range_isim":[1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eParts of the collection are restricted, due to the presence of personally identifying information. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Parts of the collection are restricted, due to the presence of personally identifying information. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted"],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in six series. Broadly speaking, each series is arranged first by the type of material, and then chronologically within these broader categories. Exceptions to this arrangement were made in order to pay respects to the original order, as well as when precise dates could not be readily determined.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eFinancial Files, circa 1840-2006 (bulk 1890-2006)\u003c/item\u003e\n      \u003citem\u003eAdministrative Files, 1853-2002\u003c/item\u003e\n      \u003citem\u003eBusiness Records, 1898-2006\u003c/item\u003e\n      \u003citem\u003eMausoleum Records, 1924-2006\u003c/item\u003e\n      \u003citem\u003eEphemera, 1985-2000\u003c/item\u003e\n      \u003citem\u003eMaps, 1913-1966\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in six series. Broadly speaking, each series is arranged first by the type of material, and then chronologically within these broader categories. Exceptions to this arrangement were made in order to pay respects to the original order, as well as when precise dates could not be readily determined.","Financial Files, circa 1840-2006 (bulk 1890-2006) Administrative Files, 1853-2002 Business Records, 1898-2006 Mausoleum Records, 1924-2006 Ephemera, 1985-2000 Maps, 1913-1966"],"bibliography_html_tesm":["\u003cbibref\u003eLiskey, Nelson J. \"History of Woodbine Cemetery,\" Harrisonburg, VA. 1998.\u003c/bibref\u003e","\u003cbibref\u003e\"About Woodbine.\" Woodbine Cemetery. http://woodbinecemetery.org/about-woodbine/ (Accessed September 19, 2018).\u003c/bibref\u003e","\u003cbibref\u003eMoore, Robert H. \"The Woodbine Cemetery.\" Historical Marker Database, February 26, 2009. https://www.hmdb.org/marker.asp?marker=16486 (Accessed September 19, 2018).\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Liskey, Nelson J. \"History of Woodbine Cemetery,\" Harrisonburg, VA. 1998.","\"About Woodbine.\" Woodbine Cemetery. http://woodbinecemetery.org/about-woodbine/ (Accessed September 19, 2018).","Moore, Robert H. \"The Woodbine Cemetery.\" Historical Marker Database, February 26, 2009. https://www.hmdb.org/marker.asp?marker=16486 (Accessed September 19, 2018)."],"bioghist_html_tesm":["\u003cp\u003eWoodbine Cemetery Company was founded on March 19, 1850 by the Virginia General Assembly, as a non-denominational burial ground in Harrisonburg, Virginia. The first land for the cemetery was purchased seven months later, on October 11, 1850, from Harrisonburg's first mayor, Isaac Hardesty, who sold 2½ acres to the cemetery company. It has continued to expand in size over the years, and the current grounds cover about 18 acres. Woodbine Cemetery contains roughly 11,550 burial plots with approximately 9,000 interred.\u003c/p\u003e\n","\u003cp\u003eSoon after the Civil War, the cemetery created an area dedicated to Confederate soldiers and veterans. This section was originally maintained by the Ladies Memorial Association, founded in 1868 with the charge of caring for the graves of Confederate soldiers buried in Rockingham County. The Ladies Memorial Association erected a soldiers monument in 1876, and in 1899 with the aid of the Turner Ashby Chapter of the United Daughters of the Confederacy, replaced all wooden head boards with white marble stones. The section was expanded in 1886, when Samuel Shacklett donated a 5 acre-plot, containing land likely already in use as a Confederate cemetery. There are now over 200 Confederate soldier or veterans buried there, representing states of Virginia, North Carolina, Maryland, Louisiana, Alabama, South Carolina, Georgia, Missouri, and Tennessee. The cemetery also contains area known as \"Little Arlington,\" dedicated to those who served in World War I and World War II. \u003c/p\u003e\n","\u003cp\u003eThe Community Mausoleum was erected in 1926, though there are no records of incorporation until 1936, when it was incorporated as the \"Communal Mausoleum Crypt Owners, Inc.\" In February 2006, the mausoleum merged with Woodbine Cemetery Company.\u003c/p\u003e\n","\u003cp\u003eAccording to a Woodbine Board of Trustees report dated April 2, 1853, the original cemetery contained plots designated for African Americans, stating, \"…in the rear plats have already been appropriated to single interments, and likewise for the use of colored persons.\" According to Nelson J. Liskey's, \"History of Woodbine Cemetery,\" in 1969, the board adopted a policy that \"no restrictions as to race would be applicable to lot purchasers.\" Certificates of Ownership of Communal Mausoleum Crypts at Woodbine Cemetery state that \"the crypts are for the entombment of the human dead of the Caucasian race only.\"\u003c/p\u003e\n","\u003cp\u003eSuperintendents of Woodbine Cemetery include, but are not limited to, the following individuals: John Foster (1851), J.P. Hyde (1863), J.E. Good (1880), Bowman Gilmer (1918-1958), Sherman Gilmer (1958-1981), David Schrock (1981-1992), Lisa Batchelder (1992-present).\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Woodbine Cemetery Company was founded on March 19, 1850 by the Virginia General Assembly, as a non-denominational burial ground in Harrisonburg, Virginia. The first land for the cemetery was purchased seven months later, on October 11, 1850, from Harrisonburg's first mayor, Isaac Hardesty, who sold 2½ acres to the cemetery company. It has continued to expand in size over the years, and the current grounds cover about 18 acres. Woodbine Cemetery contains roughly 11,550 burial plots with approximately 9,000 interred.","Soon after the Civil War, the cemetery created an area dedicated to Confederate soldiers and veterans. This section was originally maintained by the Ladies Memorial Association, founded in 1868 with the charge of caring for the graves of Confederate soldiers buried in Rockingham County. The Ladies Memorial Association erected a soldiers monument in 1876, and in 1899 with the aid of the Turner Ashby Chapter of the United Daughters of the Confederacy, replaced all wooden head boards with white marble stones. The section was expanded in 1886, when Samuel Shacklett donated a 5 acre-plot, containing land likely already in use as a Confederate cemetery. There are now over 200 Confederate soldier or veterans buried there, representing states of Virginia, North Carolina, Maryland, Louisiana, Alabama, South Carolina, Georgia, Missouri, and Tennessee. The cemetery also contains area known as \"Little Arlington,\" dedicated to those who served in World War I and World War II. ","The Community Mausoleum was erected in 1926, though there are no records of incorporation until 1936, when it was incorporated as the \"Communal Mausoleum Crypt Owners, Inc.\" In February 2006, the mausoleum merged with Woodbine Cemetery Company.","According to a Woodbine Board of Trustees report dated April 2, 1853, the original cemetery contained plots designated for African Americans, stating, \"…in the rear plats have already been appropriated to single interments, and likewise for the use of colored persons.\" According to Nelson J. Liskey's, \"History of Woodbine Cemetery,\" in 1969, the board adopted a policy that \"no restrictions as to race would be applicable to lot purchasers.\" Certificates of Ownership of Communal Mausoleum Crypts at Woodbine Cemetery state that \"the crypts are for the entombment of the human dead of the Caucasian race only.\"","Superintendents of Woodbine Cemetery include, but are not limited to, the following individuals: John Foster (1851), J.P. Hyde (1863), J.E. Good (1880), Bowman Gilmer (1918-1958), Sherman Gilmer (1958-1981), David Schrock (1981-1992), Lisa Batchelder (1992-present)."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Woodbine Cemetery Records, circa 1830-2006 (bulk 1940-2006), SC 0236, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Woodbine Cemetery Records, circa 1830-2006 (bulk 1940-2006), SC 0236, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eDue to the lengthy time period covered by this collection, the materials were created, collected and organized by a variety of individuals, and completeness of the records varies. Where possible, the original order and naming conventions were retained. The collection also originally contained various stamps, keys, and other 3-dimensional objects, which were not retained.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Due to the lengthy time period covered by this collection, the materials were created, collected and organized by a variety of individuals, and completeness of the records varies. Where possible, the original order and naming conventions were retained. The collection also originally contained various stamps, keys, and other 3-dimensional objects, which were not retained."],"scopecontent_html_tesm":["\u003cp\u003eThe Woodbine Cemetery Records, circa 1830-2006, are comprised of materials related to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business, between the 1850s and 2006. This includes records relating to the management of the Woodbine Mausoleum, which existed as a separate entity until 2006, when it was acquired by Woodbine Cemetery. \u003c/p\u003e\n","\u003cp\u003eDue to the lengthy time period covered, the materials were collected and organized by a variety of individuals, and completeness of the records varies. When possible, the original order and naming conventions were retained. The material relates almost exclusively to Woodbine Cemetery in Harrisonburg VA, though some of the ephemera relates to other cemeteries as well.\u003c/p\u003e","\u003cp\u003eFinancial Files, ca. 1840-2006, is comprised of financial documents of various types. These include receipts for materials purchased by the cemetery for operations, including hardware, materials, landscaping services, and other expenses relating to the day-to-day care of the cemetery grounds and buildings. Cemetery account books, receipt books, and ledgers track the income and expenditures of the Cemetery, including payments made to the cemetery for the one-time purchase of plots and ongoing income from perpetual care plots. Additional information includes cemetery tax documents are returns, employee payment and salary information, banking documents (including deposit slips and account statements), donor pledges, and other related documents directly impacting the financial affairs of Woodbine cemetery. Certain folder within this series are restricted, due to the presence of personally identifying information.\u003c/p\u003e","\u003cp\u003eAdministrative Files, ca. 1830-2002, is comprised of documents which record the information used to manage the cemetery. As such, it contains reports and minutes compiled by the cemetery's various treasurers and presidents over the years, information relating to board meetings, insurance policy papers, and other similar documents created in the course of running the business.\u003c/p\u003e","\u003cp\u003eThis series contains material relating to the business side of Woodbine Cemetery from the years 1898-2006. The materials within this series relate to the cemetery's interactions with their customers and patrons. As such, it includes lists of lot owners, deeds, and contact information for customers. Among these materials are documents relating to disputes, and questions arising about specific plots or persons in the cemetery. Also included are newsletters, fund letters, mailing lists, and correspondence generating through interactions with the Harrisonburg community at large.\u003c/p\u003e","\u003cp\u003eThis series contains the information related to the management and fundraising efforts of the Woodbine Community Mausoleum from its founding in 1989 until it was acquired by Woodbine Cemetery in 2006. This includes financial documents, board minutes, owner information, and all other material relating specifically to the Mausoleum. The voided certificates of ownership of communal mausoleum crypts at Woodbine Cemetery, dated 1927-1970, state that \"the crypts are for the entombment of the human dead of the Caucasian race only...\".\u003c/p\u003e","\u003cp\u003eThis series is comprised of general records that were maintained by the cemetery for posterity, including photographs of the cemetery, sesquicentennial celebration information, and various publications and information related to cemeteries.\u003c/p\u003e","\u003cp\u003eThis series is composed of maps and charts of Woodbine Cemetery and the Mausoleum, which show how the cemetery expanded during the 20\u003cemph render=\"super\"\u003eth\u003c/emph\u003e century.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Woodbine Cemetery Records, circa 1830-2006, are comprised of materials related to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business, between the 1850s and 2006. This includes records relating to the management of the Woodbine Mausoleum, which existed as a separate entity until 2006, when it was acquired by Woodbine Cemetery. ","Due to the lengthy time period covered, the materials were collected and organized by a variety of individuals, and completeness of the records varies. When possible, the original order and naming conventions were retained. The material relates almost exclusively to Woodbine Cemetery in Harrisonburg VA, though some of the ephemera relates to other cemeteries as well.","Financial Files, ca. 1840-2006, is comprised of financial documents of various types. These include receipts for materials purchased by the cemetery for operations, including hardware, materials, landscaping services, and other expenses relating to the day-to-day care of the cemetery grounds and buildings. Cemetery account books, receipt books, and ledgers track the income and expenditures of the Cemetery, including payments made to the cemetery for the one-time purchase of plots and ongoing income from perpetual care plots. Additional information includes cemetery tax documents are returns, employee payment and salary information, banking documents (including deposit slips and account statements), donor pledges, and other related documents directly impacting the financial affairs of Woodbine cemetery. Certain folder within this series are restricted, due to the presence of personally identifying information.","Administrative Files, ca. 1830-2002, is comprised of documents which record the information used to manage the cemetery. As such, it contains reports and minutes compiled by the cemetery's various treasurers and presidents over the years, information relating to board meetings, insurance policy papers, and other similar documents created in the course of running the business.","This series contains material relating to the business side of Woodbine Cemetery from the years 1898-2006. The materials within this series relate to the cemetery's interactions with their customers and patrons. As such, it includes lists of lot owners, deeds, and contact information for customers. Among these materials are documents relating to disputes, and questions arising about specific plots or persons in the cemetery. Also included are newsletters, fund letters, mailing lists, and correspondence generating through interactions with the Harrisonburg community at large.","This series contains the information related to the management and fundraising efforts of the Woodbine Community Mausoleum from its founding in 1989 until it was acquired by Woodbine Cemetery in 2006. This includes financial documents, board minutes, owner information, and all other material relating specifically to the Mausoleum. The voided certificates of ownership of communal mausoleum crypts at Woodbine Cemetery, dated 1927-1970, state that \"the crypts are for the entombment of the human dead of the Caucasian race only...\".","This series is comprised of general records that were maintained by the cemetery for posterity, including photographs of the cemetery, sesquicentennial celebration information, and various publications and information related to cemeteries.","This series is composed of maps and charts of Woodbine Cemetery and the Mausoleum, which show how the cemetery expanded during the 20 th  century."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of the book, \"Beautiful Thornrose,\" edited by Arista Hoge (Staunton, VA: Press of the McClure Co., 1914), was separated from the collection, and is housed in Special Collections Monographs, F234.S8 B4 1914.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of the book, \"Beautiful Thornrose,\" edited by Arista Hoge (Staunton, VA: Press of the McClure Co., 1914), was separated from the collection, and is housed in Special Collections Monographs, F234.S8 B4 1914."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0421d1cf9d4c8ba636671e114731d266\"\u003eThe Woodbine Cemetery Records, circa 1830-2006, consist of materials relating to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business over approximately the past 150 years.\u003c/abstract\u003e"],"abstract_tesim":["The Woodbine Cemetery Records, circa 1830-2006, consist of materials relating to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business over approximately the past 150 years."],"names_coll_ssim":["Woodbine Cemetery"],"names_ssim":["James Madison University Libraries Special Collections","Woodbine Cemetery"],"corpname_ssim":["James Madison University Libraries Special Collections","Woodbine Cemetery"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":557,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:48.473Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_505","ead_ssi":"vihart_repositories_4_resources_505","_root_":"vihart_repositories_4_resources_505","_nest_parent_":"vihart_repositories_4_resources_505","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_505.xml","title_ssm":["Woodbine Cemetery Records"],"title_tesim":["Woodbine Cemetery Records"],"unitdate_ssm":["circa 1830-2006","1940-2006"],"unitdate_bulk_ssim":["1940-2006"],"unitdate_inclusive_ssm":["circa 1830-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0236","/repositories/4/resources/505"],"text":["SC 0236","/repositories/4/resources/505","Woodbine Cemetery Records","Harrisonburg (Va.) -- History","Harrisonburg (Va.) -- Genealogy","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy","Cemeteries -- Virginia -- Rockingham County","Cemeteries -- Virginia -- Harrisonburg","Financial Records","Receipts (financial records)","Minutes (administrative records)","Maps (documents)","Plats (maps)","Checks (bank checks)","Directories","Ledgers (account books)","Administrative reports","Letters (correspondence)","Deeds","Parts of the collection are restricted, due to the presence of personally identifying information. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","The collection is arranged in six series. Broadly speaking, each series is arranged first by the type of material, and then chronologically within these broader categories. Exceptions to this arrangement were made in order to pay respects to the original order, as well as when precise dates could not be readily determined.","Financial Files, circa 1840-2006 (bulk 1890-2006) Administrative Files, 1853-2002 Business Records, 1898-2006 Mausoleum Records, 1924-2006 Ephemera, 1985-2000 Maps, 1913-1966","Liskey, Nelson J. \"History of Woodbine Cemetery,\" Harrisonburg, VA. 1998.","\"About Woodbine.\" Woodbine Cemetery. http://woodbinecemetery.org/about-woodbine/ (Accessed September 19, 2018).","Moore, Robert H. \"The Woodbine Cemetery.\" Historical Marker Database, February 26, 2009. https://www.hmdb.org/marker.asp?marker=16486 (Accessed September 19, 2018).","Woodbine Cemetery Company was founded on March 19, 1850 by the Virginia General Assembly, as a non-denominational burial ground in Harrisonburg, Virginia. The first land for the cemetery was purchased seven months later, on October 11, 1850, from Harrisonburg's first mayor, Isaac Hardesty, who sold 2½ acres to the cemetery company. It has continued to expand in size over the years, and the current grounds cover about 18 acres. Woodbine Cemetery contains roughly 11,550 burial plots with approximately 9,000 interred.","Soon after the Civil War, the cemetery created an area dedicated to Confederate soldiers and veterans. This section was originally maintained by the Ladies Memorial Association, founded in 1868 with the charge of caring for the graves of Confederate soldiers buried in Rockingham County. The Ladies Memorial Association erected a soldiers monument in 1876, and in 1899 with the aid of the Turner Ashby Chapter of the United Daughters of the Confederacy, replaced all wooden head boards with white marble stones. The section was expanded in 1886, when Samuel Shacklett donated a 5 acre-plot, containing land likely already in use as a Confederate cemetery. There are now over 200 Confederate soldier or veterans buried there, representing states of Virginia, North Carolina, Maryland, Louisiana, Alabama, South Carolina, Georgia, Missouri, and Tennessee. The cemetery also contains area known as \"Little Arlington,\" dedicated to those who served in World War I and World War II. ","The Community Mausoleum was erected in 1926, though there are no records of incorporation until 1936, when it was incorporated as the \"Communal Mausoleum Crypt Owners, Inc.\" In February 2006, the mausoleum merged with Woodbine Cemetery Company.","According to a Woodbine Board of Trustees report dated April 2, 1853, the original cemetery contained plots designated for African Americans, stating, \"…in the rear plats have already been appropriated to single interments, and likewise for the use of colored persons.\" According to Nelson J. Liskey's, \"History of Woodbine Cemetery,\" in 1969, the board adopted a policy that \"no restrictions as to race would be applicable to lot purchasers.\" Certificates of Ownership of Communal Mausoleum Crypts at Woodbine Cemetery state that \"the crypts are for the entombment of the human dead of the Caucasian race only.\"","Superintendents of Woodbine Cemetery include, but are not limited to, the following individuals: John Foster (1851), J.P. Hyde (1863), J.E. Good (1880), Bowman Gilmer (1918-1958), Sherman Gilmer (1958-1981), David Schrock (1981-1992), Lisa Batchelder (1992-present).","Due to the lengthy time period covered by this collection, the materials were created, collected and organized by a variety of individuals, and completeness of the records varies. Where possible, the original order and naming conventions were retained. The collection also originally contained various stamps, keys, and other 3-dimensional objects, which were not retained.","The Woodbine Cemetery Records, circa 1830-2006, are comprised of materials related to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business, between the 1850s and 2006. This includes records relating to the management of the Woodbine Mausoleum, which existed as a separate entity until 2006, when it was acquired by Woodbine Cemetery. ","Due to the lengthy time period covered, the materials were collected and organized by a variety of individuals, and completeness of the records varies. When possible, the original order and naming conventions were retained. The material relates almost exclusively to Woodbine Cemetery in Harrisonburg VA, though some of the ephemera relates to other cemeteries as well.","Financial Files, ca. 1840-2006, is comprised of financial documents of various types. These include receipts for materials purchased by the cemetery for operations, including hardware, materials, landscaping services, and other expenses relating to the day-to-day care of the cemetery grounds and buildings. Cemetery account books, receipt books, and ledgers track the income and expenditures of the Cemetery, including payments made to the cemetery for the one-time purchase of plots and ongoing income from perpetual care plots. Additional information includes cemetery tax documents are returns, employee payment and salary information, banking documents (including deposit slips and account statements), donor pledges, and other related documents directly impacting the financial affairs of Woodbine cemetery. Certain folder within this series are restricted, due to the presence of personally identifying information.","Administrative Files, ca. 1830-2002, is comprised of documents which record the information used to manage the cemetery. As such, it contains reports and minutes compiled by the cemetery's various treasurers and presidents over the years, information relating to board meetings, insurance policy papers, and other similar documents created in the course of running the business.","This series contains material relating to the business side of Woodbine Cemetery from the years 1898-2006. The materials within this series relate to the cemetery's interactions with their customers and patrons. As such, it includes lists of lot owners, deeds, and contact information for customers. Among these materials are documents relating to disputes, and questions arising about specific plots or persons in the cemetery. Also included are newsletters, fund letters, mailing lists, and correspondence generating through interactions with the Harrisonburg community at large.","This series contains the information related to the management and fundraising efforts of the Woodbine Community Mausoleum from its founding in 1989 until it was acquired by Woodbine Cemetery in 2006. This includes financial documents, board minutes, owner information, and all other material relating specifically to the Mausoleum. The voided certificates of ownership of communal mausoleum crypts at Woodbine Cemetery, dated 1927-1970, state that \"the crypts are for the entombment of the human dead of the Caucasian race only...\".","This series is comprised of general records that were maintained by the cemetery for posterity, including photographs of the cemetery, sesquicentennial celebration information, and various publications and information related to cemeteries.","This series is composed of maps and charts of Woodbine Cemetery and the Mausoleum, which show how the cemetery expanded during the 20 th  century.","A copy of the book, \"Beautiful Thornrose,\" edited by Arista Hoge (Staunton, VA: Press of the McClure Co., 1914), was separated from the collection, and is housed in Special Collections Monographs, F234.S8 B4 1914.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Woodbine Cemetery Records, circa 1830-2006, consist of materials relating to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business over approximately the past 150 years.","James Madison University Libraries Special Collections","Woodbine Cemetery","English"],"unitid_tesim":["SC 0236","/repositories/4/resources/505"],"normalized_title_ssm":["Woodbine Cemetery Records"],"collection_title_tesim":["Woodbine Cemetery Records"],"collection_ssim":["Woodbine Cemetery Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History","Harrisonburg (Va.) -- Genealogy","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy"],"geogname_ssim":["Harrisonburg (Va.) -- History","Harrisonburg (Va.) -- Genealogy","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy"],"creator_ssm":["Woodbine Cemetery","Woodbine Cemetery"],"creator_ssim":["Woodbine Cemetery","Woodbine Cemetery"],"creator_corpname_ssim":["Woodbine Cemetery","Woodbine Cemetery"],"creators_ssim":["Woodbine Cemetery","Woodbine Cemetery"],"places_ssim":["Harrisonburg (Va.) -- History","Harrisonburg (Va.) -- Genealogy","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated by Charlie Chenault, Woodbine Cemetery Board of Trustees, Secretary/Treasurer, on August 27, 2015. Additions were made by Lisa Batchelder, superintendent of Woodbine Cemetery, in September and October 2021."],"access_subjects_ssim":["Cemeteries -- Virginia -- Rockingham County","Cemeteries -- Virginia -- Harrisonburg","Financial Records","Receipts (financial records)","Minutes (administrative records)","Maps (documents)","Plats (maps)","Checks (bank checks)","Directories","Ledgers (account books)","Administrative reports","Letters (correspondence)","Deeds"],"access_subjects_ssm":["Cemeteries -- Virginia -- Rockingham County","Cemeteries -- Virginia -- Harrisonburg","Financial Records","Receipts (financial records)","Minutes (administrative records)","Maps (documents)","Plats (maps)","Checks (bank checks)","Directories","Ledgers (account books)","Administrative reports","Letters (correspondence)","Deeds"],"has_online_content_ssim":["false"],"extent_ssm":["26.17 cubic feet 74 boxes, 6 flat files"],"extent_tesim":["26.17 cubic feet 74 boxes, 6 flat files"],"genreform_ssim":["Financial Records","Receipts (financial records)","Minutes (administrative records)","Maps (documents)","Plats (maps)","Checks (bank checks)","Directories","Ledgers (account books)","Administrative reports","Letters (correspondence)","Deeds"],"date_range_isim":[1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eParts of the collection are restricted, due to the presence of personally identifying information. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Parts of the collection are restricted, due to the presence of personally identifying information. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted"],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in six series. Broadly speaking, each series is arranged first by the type of material, and then chronologically within these broader categories. Exceptions to this arrangement were made in order to pay respects to the original order, as well as when precise dates could not be readily determined.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eFinancial Files, circa 1840-2006 (bulk 1890-2006)\u003c/item\u003e\n      \u003citem\u003eAdministrative Files, 1853-2002\u003c/item\u003e\n      \u003citem\u003eBusiness Records, 1898-2006\u003c/item\u003e\n      \u003citem\u003eMausoleum Records, 1924-2006\u003c/item\u003e\n      \u003citem\u003eEphemera, 1985-2000\u003c/item\u003e\n      \u003citem\u003eMaps, 1913-1966\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in six series. Broadly speaking, each series is arranged first by the type of material, and then chronologically within these broader categories. Exceptions to this arrangement were made in order to pay respects to the original order, as well as when precise dates could not be readily determined.","Financial Files, circa 1840-2006 (bulk 1890-2006) Administrative Files, 1853-2002 Business Records, 1898-2006 Mausoleum Records, 1924-2006 Ephemera, 1985-2000 Maps, 1913-1966"],"bibliography_html_tesm":["\u003cbibref\u003eLiskey, Nelson J. \"History of Woodbine Cemetery,\" Harrisonburg, VA. 1998.\u003c/bibref\u003e","\u003cbibref\u003e\"About Woodbine.\" Woodbine Cemetery. http://woodbinecemetery.org/about-woodbine/ (Accessed September 19, 2018).\u003c/bibref\u003e","\u003cbibref\u003eMoore, Robert H. \"The Woodbine Cemetery.\" Historical Marker Database, February 26, 2009. https://www.hmdb.org/marker.asp?marker=16486 (Accessed September 19, 2018).\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Liskey, Nelson J. \"History of Woodbine Cemetery,\" Harrisonburg, VA. 1998.","\"About Woodbine.\" Woodbine Cemetery. http://woodbinecemetery.org/about-woodbine/ (Accessed September 19, 2018).","Moore, Robert H. \"The Woodbine Cemetery.\" Historical Marker Database, February 26, 2009. https://www.hmdb.org/marker.asp?marker=16486 (Accessed September 19, 2018)."],"bioghist_html_tesm":["\u003cp\u003eWoodbine Cemetery Company was founded on March 19, 1850 by the Virginia General Assembly, as a non-denominational burial ground in Harrisonburg, Virginia. The first land for the cemetery was purchased seven months later, on October 11, 1850, from Harrisonburg's first mayor, Isaac Hardesty, who sold 2½ acres to the cemetery company. It has continued to expand in size over the years, and the current grounds cover about 18 acres. Woodbine Cemetery contains roughly 11,550 burial plots with approximately 9,000 interred.\u003c/p\u003e\n","\u003cp\u003eSoon after the Civil War, the cemetery created an area dedicated to Confederate soldiers and veterans. This section was originally maintained by the Ladies Memorial Association, founded in 1868 with the charge of caring for the graves of Confederate soldiers buried in Rockingham County. The Ladies Memorial Association erected a soldiers monument in 1876, and in 1899 with the aid of the Turner Ashby Chapter of the United Daughters of the Confederacy, replaced all wooden head boards with white marble stones. The section was expanded in 1886, when Samuel Shacklett donated a 5 acre-plot, containing land likely already in use as a Confederate cemetery. There are now over 200 Confederate soldier or veterans buried there, representing states of Virginia, North Carolina, Maryland, Louisiana, Alabama, South Carolina, Georgia, Missouri, and Tennessee. The cemetery also contains area known as \"Little Arlington,\" dedicated to those who served in World War I and World War II. \u003c/p\u003e\n","\u003cp\u003eThe Community Mausoleum was erected in 1926, though there are no records of incorporation until 1936, when it was incorporated as the \"Communal Mausoleum Crypt Owners, Inc.\" In February 2006, the mausoleum merged with Woodbine Cemetery Company.\u003c/p\u003e\n","\u003cp\u003eAccording to a Woodbine Board of Trustees report dated April 2, 1853, the original cemetery contained plots designated for African Americans, stating, \"…in the rear plats have already been appropriated to single interments, and likewise for the use of colored persons.\" According to Nelson J. Liskey's, \"History of Woodbine Cemetery,\" in 1969, the board adopted a policy that \"no restrictions as to race would be applicable to lot purchasers.\" Certificates of Ownership of Communal Mausoleum Crypts at Woodbine Cemetery state that \"the crypts are for the entombment of the human dead of the Caucasian race only.\"\u003c/p\u003e\n","\u003cp\u003eSuperintendents of Woodbine Cemetery include, but are not limited to, the following individuals: John Foster (1851), J.P. Hyde (1863), J.E. Good (1880), Bowman Gilmer (1918-1958), Sherman Gilmer (1958-1981), David Schrock (1981-1992), Lisa Batchelder (1992-present).\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Woodbine Cemetery Company was founded on March 19, 1850 by the Virginia General Assembly, as a non-denominational burial ground in Harrisonburg, Virginia. The first land for the cemetery was purchased seven months later, on October 11, 1850, from Harrisonburg's first mayor, Isaac Hardesty, who sold 2½ acres to the cemetery company. It has continued to expand in size over the years, and the current grounds cover about 18 acres. Woodbine Cemetery contains roughly 11,550 burial plots with approximately 9,000 interred.","Soon after the Civil War, the cemetery created an area dedicated to Confederate soldiers and veterans. This section was originally maintained by the Ladies Memorial Association, founded in 1868 with the charge of caring for the graves of Confederate soldiers buried in Rockingham County. The Ladies Memorial Association erected a soldiers monument in 1876, and in 1899 with the aid of the Turner Ashby Chapter of the United Daughters of the Confederacy, replaced all wooden head boards with white marble stones. The section was expanded in 1886, when Samuel Shacklett donated a 5 acre-plot, containing land likely already in use as a Confederate cemetery. There are now over 200 Confederate soldier or veterans buried there, representing states of Virginia, North Carolina, Maryland, Louisiana, Alabama, South Carolina, Georgia, Missouri, and Tennessee. The cemetery also contains area known as \"Little Arlington,\" dedicated to those who served in World War I and World War II. ","The Community Mausoleum was erected in 1926, though there are no records of incorporation until 1936, when it was incorporated as the \"Communal Mausoleum Crypt Owners, Inc.\" In February 2006, the mausoleum merged with Woodbine Cemetery Company.","According to a Woodbine Board of Trustees report dated April 2, 1853, the original cemetery contained plots designated for African Americans, stating, \"…in the rear plats have already been appropriated to single interments, and likewise for the use of colored persons.\" According to Nelson J. Liskey's, \"History of Woodbine Cemetery,\" in 1969, the board adopted a policy that \"no restrictions as to race would be applicable to lot purchasers.\" Certificates of Ownership of Communal Mausoleum Crypts at Woodbine Cemetery state that \"the crypts are for the entombment of the human dead of the Caucasian race only.\"","Superintendents of Woodbine Cemetery include, but are not limited to, the following individuals: John Foster (1851), J.P. Hyde (1863), J.E. Good (1880), Bowman Gilmer (1918-1958), Sherman Gilmer (1958-1981), David Schrock (1981-1992), Lisa Batchelder (1992-present)."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Woodbine Cemetery Records, circa 1830-2006 (bulk 1940-2006), SC 0236, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Woodbine Cemetery Records, circa 1830-2006 (bulk 1940-2006), SC 0236, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eDue to the lengthy time period covered by this collection, the materials were created, collected and organized by a variety of individuals, and completeness of the records varies. Where possible, the original order and naming conventions were retained. The collection also originally contained various stamps, keys, and other 3-dimensional objects, which were not retained.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Due to the lengthy time period covered by this collection, the materials were created, collected and organized by a variety of individuals, and completeness of the records varies. Where possible, the original order and naming conventions were retained. The collection also originally contained various stamps, keys, and other 3-dimensional objects, which were not retained."],"scopecontent_html_tesm":["\u003cp\u003eThe Woodbine Cemetery Records, circa 1830-2006, are comprised of materials related to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business, between the 1850s and 2006. This includes records relating to the management of the Woodbine Mausoleum, which existed as a separate entity until 2006, when it was acquired by Woodbine Cemetery. \u003c/p\u003e\n","\u003cp\u003eDue to the lengthy time period covered, the materials were collected and organized by a variety of individuals, and completeness of the records varies. When possible, the original order and naming conventions were retained. The material relates almost exclusively to Woodbine Cemetery in Harrisonburg VA, though some of the ephemera relates to other cemeteries as well.\u003c/p\u003e","\u003cp\u003eFinancial Files, ca. 1840-2006, is comprised of financial documents of various types. These include receipts for materials purchased by the cemetery for operations, including hardware, materials, landscaping services, and other expenses relating to the day-to-day care of the cemetery grounds and buildings. Cemetery account books, receipt books, and ledgers track the income and expenditures of the Cemetery, including payments made to the cemetery for the one-time purchase of plots and ongoing income from perpetual care plots. Additional information includes cemetery tax documents are returns, employee payment and salary information, banking documents (including deposit slips and account statements), donor pledges, and other related documents directly impacting the financial affairs of Woodbine cemetery. Certain folder within this series are restricted, due to the presence of personally identifying information.\u003c/p\u003e","\u003cp\u003eAdministrative Files, ca. 1830-2002, is comprised of documents which record the information used to manage the cemetery. As such, it contains reports and minutes compiled by the cemetery's various treasurers and presidents over the years, information relating to board meetings, insurance policy papers, and other similar documents created in the course of running the business.\u003c/p\u003e","\u003cp\u003eThis series contains material relating to the business side of Woodbine Cemetery from the years 1898-2006. The materials within this series relate to the cemetery's interactions with their customers and patrons. As such, it includes lists of lot owners, deeds, and contact information for customers. Among these materials are documents relating to disputes, and questions arising about specific plots or persons in the cemetery. Also included are newsletters, fund letters, mailing lists, and correspondence generating through interactions with the Harrisonburg community at large.\u003c/p\u003e","\u003cp\u003eThis series contains the information related to the management and fundraising efforts of the Woodbine Community Mausoleum from its founding in 1989 until it was acquired by Woodbine Cemetery in 2006. This includes financial documents, board minutes, owner information, and all other material relating specifically to the Mausoleum. The voided certificates of ownership of communal mausoleum crypts at Woodbine Cemetery, dated 1927-1970, state that \"the crypts are for the entombment of the human dead of the Caucasian race only...\".\u003c/p\u003e","\u003cp\u003eThis series is comprised of general records that were maintained by the cemetery for posterity, including photographs of the cemetery, sesquicentennial celebration information, and various publications and information related to cemeteries.\u003c/p\u003e","\u003cp\u003eThis series is composed of maps and charts of Woodbine Cemetery and the Mausoleum, which show how the cemetery expanded during the 20\u003cemph render=\"super\"\u003eth\u003c/emph\u003e century.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Woodbine Cemetery Records, circa 1830-2006, are comprised of materials related to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business, between the 1850s and 2006. This includes records relating to the management of the Woodbine Mausoleum, which existed as a separate entity until 2006, when it was acquired by Woodbine Cemetery. ","Due to the lengthy time period covered, the materials were collected and organized by a variety of individuals, and completeness of the records varies. When possible, the original order and naming conventions were retained. The material relates almost exclusively to Woodbine Cemetery in Harrisonburg VA, though some of the ephemera relates to other cemeteries as well.","Financial Files, ca. 1840-2006, is comprised of financial documents of various types. These include receipts for materials purchased by the cemetery for operations, including hardware, materials, landscaping services, and other expenses relating to the day-to-day care of the cemetery grounds and buildings. Cemetery account books, receipt books, and ledgers track the income and expenditures of the Cemetery, including payments made to the cemetery for the one-time purchase of plots and ongoing income from perpetual care plots. Additional information includes cemetery tax documents are returns, employee payment and salary information, banking documents (including deposit slips and account statements), donor pledges, and other related documents directly impacting the financial affairs of Woodbine cemetery. Certain folder within this series are restricted, due to the presence of personally identifying information.","Administrative Files, ca. 1830-2002, is comprised of documents which record the information used to manage the cemetery. As such, it contains reports and minutes compiled by the cemetery's various treasurers and presidents over the years, information relating to board meetings, insurance policy papers, and other similar documents created in the course of running the business.","This series contains material relating to the business side of Woodbine Cemetery from the years 1898-2006. The materials within this series relate to the cemetery's interactions with their customers and patrons. As such, it includes lists of lot owners, deeds, and contact information for customers. Among these materials are documents relating to disputes, and questions arising about specific plots or persons in the cemetery. Also included are newsletters, fund letters, mailing lists, and correspondence generating through interactions with the Harrisonburg community at large.","This series contains the information related to the management and fundraising efforts of the Woodbine Community Mausoleum from its founding in 1989 until it was acquired by Woodbine Cemetery in 2006. This includes financial documents, board minutes, owner information, and all other material relating specifically to the Mausoleum. The voided certificates of ownership of communal mausoleum crypts at Woodbine Cemetery, dated 1927-1970, state that \"the crypts are for the entombment of the human dead of the Caucasian race only...\".","This series is comprised of general records that were maintained by the cemetery for posterity, including photographs of the cemetery, sesquicentennial celebration information, and various publications and information related to cemeteries.","This series is composed of maps and charts of Woodbine Cemetery and the Mausoleum, which show how the cemetery expanded during the 20 th  century."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of the book, \"Beautiful Thornrose,\" edited by Arista Hoge (Staunton, VA: Press of the McClure Co., 1914), was separated from the collection, and is housed in Special Collections Monographs, F234.S8 B4 1914.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of the book, \"Beautiful Thornrose,\" edited by Arista Hoge (Staunton, VA: Press of the McClure Co., 1914), was separated from the collection, and is housed in Special Collections Monographs, F234.S8 B4 1914."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0421d1cf9d4c8ba636671e114731d266\"\u003eThe Woodbine Cemetery Records, circa 1830-2006, consist of materials relating to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business over approximately the past 150 years.\u003c/abstract\u003e"],"abstract_tesim":["The Woodbine Cemetery Records, circa 1830-2006, consist of materials relating to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business over approximately the past 150 years."],"names_coll_ssim":["Woodbine Cemetery"],"names_ssim":["James Madison University Libraries Special Collections","Woodbine Cemetery"],"corpname_ssim":["James Madison University Libraries Special Collections","Woodbine Cemetery"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":557,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:48.473Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_505"}},{"id":"vifgm_woodbinehomedemonstration","type":"collection","attributes":{"title":"Woodbine Home Demonstration Club records","creator":{"id":"https://arvasarchive.org/catalog/vifgm_woodbinehomedemonstration#creator","type":"document_value","attributes":{"value":"Woodbine Home Demonstration Club.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_woodbinehomedemonstration#abstract_or_scope","type":"document_value","attributes":{"value":"Minutes, photographs, scrapbooks, and realia from the Woodbine Home Demonstration Club, a homemakers' organization.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_woodbinehomedemonstration#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_woodbinehomedemonstration","ead_ssi":"vifgm_woodbinehomedemonstration","_root_":"vifgm_woodbinehomedemonstration","_nest_parent_":"vifgm_woodbinehomedemonstration","ead_source_url_ssi":"data/gmu/woodbinehomedemonstration.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/woodbinehomedemonstration.html","title_ssm":["Woodbine Home Demonstration Club records"],"title_tesim":["Woodbine Home Demonstration Club records"],"unitdate_ssm":["1961-2008"],"unitdate_other_ssim":["1961-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0303"],"text":["C0303","Woodbine Home Demonstration Club records","Domestic life.","Home economics extension work.","Home economics.","Women--Societies and clubs.","Color photographs","Scrapbooks.","There are no access restrictions.","The collection is largely arranged by format.","","The Woodbine Home Demonstration Club of Prince William County, VA was born of a wider movement across the United States - Elizabeth Griffin Hill notes that \"Home Demonstration Clubs were an integral part of the U.S. Department of Agriculture Cooperative Extension Service, which was established during the early 20th century as an experiment in adult education, providing agricultural demonstration work for men and home demonstration work for women\" ('Home Demonstration Clubs'). 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EAD markup completed by Elizabeth Beckman in February 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections donated by RELIC at the Prince William County Library, including the \u003cextptr type=\"simple\" title=\"Future Farmers of America, Nokesville records\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/ffa.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Prince William Cultural Arts Foundation records\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/princewilliamCAF.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Henry H. 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Permission to publish material from the Woodbine Home Demonstration Club records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Woodbine Home Demonstration Club records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eMinutes, photographs, scrapbooks, and realia from the Woodbine Home Demonstration Club, a homemakers' organization.\u003c/abstract\u003e"],"abstract_tesim":["Minutes, photographs, scrapbooks, and realia from the Woodbine Home Demonstration Club, a homemakers' organization."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","Woodbine Home Demonstration Club."],"corpname_ssim":["George Mason University. Libraries. 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Acc. 2002.09","/repositories/2/resources/9115","Woodbridge Family Papers","Williamsburg (Va.)--History--20th century","Books","Certificates","Correspondence","Pamphlets","Photographs","Scrapbooks","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Dudley Warner Woodbridge was professor and dean of the law school at the College of William and Mary from 1927 to 1966. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ","Arrangement and description of this collection by Anne Johnson, SCRC staff, in August with further processing by Alex Dodd, SCRC staff, in October 2009.","Dudley Woodbridge Papers (Mss. 89 W85); Julia W. Oxrieder Papers (Mss. Acc. 1990.46)","Papers relating to the Woodbridge and Mendenhall Families including materials of Julia Woodbridge Oxrieder, folklorist and author; her brother, Hensley Woodbridge, a bibliographer of Latin American literature; and their parents, Dean of the College of William and Mary Law School,  Dudley Woodbridge and his wife. Some material relates to Williamsburg, Virginia. The collection includes diaries, scrapbooks, photographs and other materials.","Euclid Club pin (pennant) transferred to Manuscripts Artifact Collection.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary--Alumni and alumnae","Mendenhall family","Woodbridge family","Woodbridge, Dudley Warner, 1896-1969","Oxrieder, Julia W.","English"],"unitid_tesim":["Mss. 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Institute on the Federal Theatre Project and New Deal Culture","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190#abstract_or_scope","type":"document_value","attributes":{"value":"Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_190","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_190.xml","title_filing_ssi":"Works Progress Administration oral histories","title_ssm":["Works Progress Administration oral histories collection"],"title_tesim":["Works Progress Administration oral histories collection"],"unitdate_ssm":["1961-1984"],"unitdate_inclusive_ssm":["1961-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0153","/repositories/2/resources/190"],"text":["C0153","/repositories/2/resources/190","Works Progress Administration oral histories collection","Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories","There are no access restrictions.","Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  .","This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)","The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.","The Special Collections Research Center also holds the  .","This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration","English"],"unitid_tesim":["C0153","/repositories/2/resources/190"],"normalized_title_ssm":["Works Progress Administration oral histories collection"],"collection_title_tesim":["Works Progress Administration oral histories collection"],"collection_ssim":["Works Progress Administration oral histories collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_corpname_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creators_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Institute on the Federal Theatre Project and New Deal Culture."],"access_subjects_ssim":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"access_subjects_ssm":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet 43 boxes"],"extent_tesim":["16 Linear Feet 43 boxes"],"genreform_ssim":["Sound recordings","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the oral histories from this collection were digitized through a Council on Library \u0026amp; Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit \u003cextptr show=\"new\" title=\"https://vwpa.gmu.edu/audiocollection/\" href=\"https://vwpa.gmu.edu/audiocollection/\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.\u003c/p\u003e\n","\u003cp\u003eOrganized into two series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Transcripts, 1961-1984 (Boxes 1-11)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Audio Recordings, 1938-1984 (Boxes 12-41)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)"],"bioghist_html_tesm":["\u003cp\u003eThe interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture."],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Works Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Federal Theatre Project collection\" href=\"https://aspace.gmu.edu/resources/c0002\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSeries 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e","\u003cp\u003eWidow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eCostume designer with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress who auditioned for Negro Unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and director, San Francisco Federal Music Project.\u003c/p\u003e","\u003cp\u003eTechnician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.\u003c/p\u003e","\u003cp\u003eDancer with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Federal Dance Project, New York City.\u003c/p\u003e","\u003cp\u003eWorked with the Radio Division of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eStage manager with the Manhattan City Projects, New York City.\u003c/p\u003e","\u003cp\u003eDancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSet designer for various New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eSon-in-law of Hallie Flanagan; writer and critic of modern drama.\u003c/p\u003e","\u003cp\u003eStep-daughter of Hallie Flanagan.\u003c/p\u003e","\u003cp\u003eArtist, muralist. Unidentified interviewer may have residual rights to interview.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter who worked with the National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eNovelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.\u003c/p\u003e","\u003cp\u003eCostume designer with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eComposer, musician; wrote Swing It for New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, muralist with New York City Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePhilip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.\u003c/p\u003e","\u003cp\u003eCorrespondence and notes from untaped interview.\u003c/p\u003e","\u003cp\u003eCostume designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eRobert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of marionette unit of Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Children's unit of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist, muralist with Federal Art Project.\u003c/p\u003e","\u003cp\u003e[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePersonnel administrator with New York City and Florida Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.\u003c/p\u003e","\u003cp\u003eArtist, New York. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eActor, stage manager with Portland, Oregon Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with Federal Dance Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and theater critic.\u003c/p\u003e","\u003cp\u003eDirector of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWith Children's Theatre unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster, Illinois Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDistrict supervisor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSupervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project. Permission to quote required.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePlaywright whose work, Swamp Mud, was produced in Birmingham, Alabama.\u003c/p\u003e","\u003cp\u003eWorks Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.\u003c/p\u003e","\u003cp\u003eSculptor with the Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress with Roslyn, New York unit of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and director with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York Federal Theatre Project unit.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eFinance administrator, Works Progress Administration arts projects, Washington, D.C.\u003c/p\u003e","\u003cp\u003eActor with Popular Price Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusic director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay adapter and choreographer with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant to Hallie Flanagan at Smith College; playwright.\u003c/p\u003e","\u003cp\u003ePlaywright with Chicago Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked in Herbert Hoover's and Harry Hopkins's press offices.\u003c/p\u003e","\u003cp\u003eStudent of Hallie Flanagan; expert in children's theater.\u003c/p\u003e","\u003cp\u003eDirector of Vaudeville unit, Los Angeles, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Roslyn, New York unit of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit and Children's unit, Chicago, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Southwest Experimental unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Hallie Flanagan, national office, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.\u003c/p\u003e","\u003cp\u003eLighting designer with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Miami unit, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, Illinois Writers' Project.\u003c/p\u003e","\u003cp\u003eProducer and Theatrical Director, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and technical assistant with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and founder of Chicago Repertory Group, 1933.\u003c/p\u003e","\u003cp\u003eAdministrator, Bureau of research and Publications of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eState director of the Illinois Federal Music Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, some of whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArt director with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff composer and arranger with Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and researcher with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWriter, critic, producer, designer with the New York theaters in the 1930s.\u003c/p\u003e","\u003cp\u003eProducer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eParticipated in the Resettlement Administration.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSon of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eLighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eTheatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist and promotion officer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of information with the New York City  Federal Music Project.\u003c/p\u003e","\u003cp\u003eActor with the San Francisco  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSongwriter and composer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.\u003c/p\u003e","\u003cp\u003eActress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStagehand with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, Chicago and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.\u003c/p\u003e","\u003cp\u003eStage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Service Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.\u003c/p\u003e","\u003cp\u003eActress with the Negro unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.\u003c/p\u003e","\u003cp\u003eActor with the several units of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003eAdministrator with the New Orleans and Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose Model Tenements was produced by the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTeacher and conductor with New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eInterviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.\u003c/p\u003e","\u003cp\u003eDancer with the Children's unit and Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppet artist with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor with the Vermont Federal Music Project.\u003c/p\u003e","\u003cp\u003eFather of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the Florida Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Jacksonville and Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMarionette artist with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and researcher with the National Play Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]\u003c/p\u003e","\u003cp\u003eCostume designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff member with the Educational Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMember of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.\u003c/p\u003e","\u003cp\u003eSet designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Negro unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Indiana Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and student of Hallie Flanagan at Vassar College. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of casting with the Talent Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of the Vaudeville productions, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.\u003c/p\u003e","\u003cp\u003eConductor with the Michigan Works Progress Administration Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eWith the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.\u003c/p\u003e","\u003cp\u003eActor with the Children's unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eResearcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer with the Yiddish unit,New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eRadio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActress and director with the marionette unit of the Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in New York and San Francisco; write with the Federal Writers Project.\u003c/p\u003e","\u003cp\u003eAdministrator and legal counsel for the National Service Bureau, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eHallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.\u003c/p\u003e","\u003cp\u003eActor with the Cleveland, Ohio Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer for various productions, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and director with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.\u003c/p\u003e","\u003cp\u003eMuralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor with the Negro unit, Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePlaywright and director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Experimental unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Philip Barber, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAudience member, New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eComposer, New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.\u003c/p\u003e","\u003cp\u003eActor with the Children's and Negro units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster with the Federal Music Project Illinois Symphony.\u003c/p\u003e","\u003cp\u003eComposer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.\u003c/p\u003e","\u003cp\u003ePublicist with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.\u003c/p\u003e","\u003cp\u003eDirector, Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with Composers's Forum and Copying Project of the Federal Music Project.\u003c/p\u003e","\u003cp\u003eChoreographer, New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, New York City Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eSongwriter whose works were performed by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the New Hampshire Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in Chicago whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage Manager with the Mercury Theatre, New York.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the National Youth Administration and the Works Progress Administration in Iowa.\u003c/p\u003e","\u003cp\u003eAdministrator, National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the Resettlement Administration.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eDirector with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.\u003c/p\u003e","\u003cp\u003eLighting director and technician with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the Marionette unit of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Children's theater, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and New York Federal Art Project.\u003c/p\u003e","\u003cp\u003eWorked with the GSA; recovered many Federal Art Project works and murals.\u003c/p\u003e","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSubseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes; Hatch-Billops collection\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003eFour 5\" reel-to-reel audio tape recordings\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes.\nAccess copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes with Jack Wilson\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes, 3 with Max Pollock and Frances Ward\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes; with \"Clebanoff\"\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape; \"not an interview\"\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; see also Leuning, Otto\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Alan Kayes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Virgil Thompson\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; Harry Lessin\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eWhite tape with no label. Unidentified interview with male interviewee and female interviewer.\u003c/p\u003e","\u003cp\u003eWhite tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e12 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eSubseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003e2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City\u003c/p\u003e","\u003cp\u003eOne 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School\u003c/p\u003e","\u003cp\u003e1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003eTwo 7\" reel to reels\u003c/p\u003e","\u003cp\u003e1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eBible story script produced by Mike Lodick; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e","\u003cp\u003e1 cassette tape; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and 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Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_b566e0d872c9f59cfe34a69bcda2f059\" label=\"Abstract\"\u003eCollection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\u003c/abstract\u003e"],"abstract_tesim":["Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project."],"names_coll_ssim":["Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":673,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:11.400Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_190","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_190.xml","title_filing_ssi":"Works Progress Administration oral histories","title_ssm":["Works Progress Administration oral histories collection"],"title_tesim":["Works Progress Administration oral histories collection"],"unitdate_ssm":["1961-1984"],"unitdate_inclusive_ssm":["1961-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0153","/repositories/2/resources/190"],"text":["C0153","/repositories/2/resources/190","Works Progress Administration oral histories collection","Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories","There are no access restrictions.","Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  .","This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)","The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.","The Special Collections Research Center also holds the  .","This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration","English"],"unitid_tesim":["C0153","/repositories/2/resources/190"],"normalized_title_ssm":["Works Progress Administration oral histories collection"],"collection_title_tesim":["Works Progress Administration oral histories collection"],"collection_ssim":["Works Progress Administration oral histories collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_corpname_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creators_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Institute on the Federal Theatre Project and New Deal Culture."],"access_subjects_ssim":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"access_subjects_ssm":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet 43 boxes"],"extent_tesim":["16 Linear Feet 43 boxes"],"genreform_ssim":["Sound recordings","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the oral histories from this collection were digitized through a Council on Library \u0026amp; Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit \u003cextptr show=\"new\" title=\"https://vwpa.gmu.edu/audiocollection/\" href=\"https://vwpa.gmu.edu/audiocollection/\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.\u003c/p\u003e\n","\u003cp\u003eOrganized into two series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Transcripts, 1961-1984 (Boxes 1-11)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Audio Recordings, 1938-1984 (Boxes 12-41)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)"],"bioghist_html_tesm":["\u003cp\u003eThe interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture."],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Works Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Federal Theatre Project collection\" href=\"https://aspace.gmu.edu/resources/c0002\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSeries 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e","\u003cp\u003eWidow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eCostume designer with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress who auditioned for Negro Unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and director, San Francisco Federal Music Project.\u003c/p\u003e","\u003cp\u003eTechnician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.\u003c/p\u003e","\u003cp\u003eDancer with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Federal Dance Project, New York City.\u003c/p\u003e","\u003cp\u003eWorked with the Radio Division of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eStage manager with the Manhattan City Projects, New York City.\u003c/p\u003e","\u003cp\u003eDancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSet designer for various New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eSon-in-law of Hallie Flanagan; writer and critic of modern drama.\u003c/p\u003e","\u003cp\u003eStep-daughter of Hallie Flanagan.\u003c/p\u003e","\u003cp\u003eArtist, muralist. Unidentified interviewer may have residual rights to interview.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter who worked with the National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eNovelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.\u003c/p\u003e","\u003cp\u003eCostume designer with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eComposer, musician; wrote Swing It for New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, muralist with New York City Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePhilip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.\u003c/p\u003e","\u003cp\u003eCorrespondence and notes from untaped interview.\u003c/p\u003e","\u003cp\u003eCostume designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eRobert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of marionette unit of Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Children's unit of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist, muralist with Federal Art Project.\u003c/p\u003e","\u003cp\u003e[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePersonnel administrator with New York City and Florida Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.\u003c/p\u003e","\u003cp\u003eArtist, New York. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eActor, stage manager with Portland, Oregon Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with Federal Dance Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and theater critic.\u003c/p\u003e","\u003cp\u003eDirector of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWith Children's Theatre unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster, Illinois Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDistrict supervisor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSupervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project. Permission to quote required.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePlaywright whose work, Swamp Mud, was produced in Birmingham, Alabama.\u003c/p\u003e","\u003cp\u003eWorks Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.\u003c/p\u003e","\u003cp\u003eSculptor with the Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress with Roslyn, New York unit of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and director with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York Federal Theatre Project unit.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eFinance administrator, Works Progress Administration arts projects, Washington, D.C.\u003c/p\u003e","\u003cp\u003eActor with Popular Price Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusic director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay adapter and choreographer with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant to Hallie Flanagan at Smith College; playwright.\u003c/p\u003e","\u003cp\u003ePlaywright with Chicago Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked in Herbert Hoover's and Harry Hopkins's press offices.\u003c/p\u003e","\u003cp\u003eStudent of Hallie Flanagan; expert in children's theater.\u003c/p\u003e","\u003cp\u003eDirector of Vaudeville unit, Los Angeles, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Roslyn, New York unit of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit and Children's unit, Chicago, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Southwest Experimental unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Hallie Flanagan, national office, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.\u003c/p\u003e","\u003cp\u003eLighting designer with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Miami unit, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, Illinois Writers' Project.\u003c/p\u003e","\u003cp\u003eProducer and Theatrical Director, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and technical assistant with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and founder of Chicago Repertory Group, 1933.\u003c/p\u003e","\u003cp\u003eAdministrator, Bureau of research and Publications of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eState director of the Illinois Federal Music Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, some of whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArt director with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff composer and arranger with Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and researcher with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWriter, critic, producer, designer with the New York theaters in the 1930s.\u003c/p\u003e","\u003cp\u003eProducer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eParticipated in the Resettlement Administration.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSon of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eLighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eTheatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist and promotion officer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of information with the New York City  Federal Music Project.\u003c/p\u003e","\u003cp\u003eActor with the San Francisco  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSongwriter and composer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.\u003c/p\u003e","\u003cp\u003eActress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStagehand with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, Chicago and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.\u003c/p\u003e","\u003cp\u003eStage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Service Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.\u003c/p\u003e","\u003cp\u003eActress with the Negro unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.\u003c/p\u003e","\u003cp\u003eActor with the several units of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003eAdministrator with the New Orleans and Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose Model Tenements was produced by the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTeacher and conductor with New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eInterviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.\u003c/p\u003e","\u003cp\u003eDancer with the Children's unit and Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppet artist with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor with the Vermont Federal Music Project.\u003c/p\u003e","\u003cp\u003eFather of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the Florida Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Jacksonville and Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMarionette artist with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and researcher with the National Play Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]\u003c/p\u003e","\u003cp\u003eCostume designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff member with the Educational Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMember of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.\u003c/p\u003e","\u003cp\u003eSet designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Negro unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Indiana Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and student of Hallie Flanagan at Vassar College. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of casting with the Talent Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of the Vaudeville productions, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.\u003c/p\u003e","\u003cp\u003eConductor with the Michigan Works Progress Administration Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eWith the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.\u003c/p\u003e","\u003cp\u003eActor with the Children's unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eResearcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer with the Yiddish unit,New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eRadio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActress and director with the marionette unit of the Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in New York and San Francisco; write with the Federal Writers Project.\u003c/p\u003e","\u003cp\u003eAdministrator and legal counsel for the National Service Bureau, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eHallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.\u003c/p\u003e","\u003cp\u003eActor with the Cleveland, Ohio Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer for various productions, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and director with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.\u003c/p\u003e","\u003cp\u003eMuralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor with the Negro unit, Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePlaywright and director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Experimental unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Philip Barber, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAudience member, New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eComposer, New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.\u003c/p\u003e","\u003cp\u003eActor with the Children's and Negro units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster with the Federal Music Project Illinois Symphony.\u003c/p\u003e","\u003cp\u003eComposer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.\u003c/p\u003e","\u003cp\u003ePublicist with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.\u003c/p\u003e","\u003cp\u003eDirector, Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with Composers's Forum and Copying Project of the Federal Music Project.\u003c/p\u003e","\u003cp\u003eChoreographer, New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, New York City Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eSongwriter whose works were performed by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the New Hampshire Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in Chicago whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage Manager with the Mercury Theatre, New York.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the National Youth Administration and the Works Progress Administration in Iowa.\u003c/p\u003e","\u003cp\u003eAdministrator, National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the Resettlement Administration.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eDirector with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.\u003c/p\u003e","\u003cp\u003eLighting director and technician with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the Marionette unit of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Children's theater, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and New York Federal Art Project.\u003c/p\u003e","\u003cp\u003eWorked with the GSA; recovered many Federal Art Project works and murals.\u003c/p\u003e","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSubseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes; Hatch-Billops collection\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003eFour 5\" reel-to-reel audio tape recordings\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes.\nAccess copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes with Jack Wilson\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes, 3 with Max Pollock and Frances Ward\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes; with \"Clebanoff\"\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape; \"not an interview\"\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; see also Leuning, Otto\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Alan Kayes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Virgil Thompson\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; Harry Lessin\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eWhite tape with no label. Unidentified interview with male interviewee and female interviewer.\u003c/p\u003e","\u003cp\u003eWhite tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e12 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eSubseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003e2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City\u003c/p\u003e","\u003cp\u003eOne 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School\u003c/p\u003e","\u003cp\u003e1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003eTwo 7\" reel to reels\u003c/p\u003e","\u003cp\u003e1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eBible story script produced by Mike Lodick; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e","\u003cp\u003e1 cassette tape; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_b566e0d872c9f59cfe34a69bcda2f059\" label=\"Abstract\"\u003eCollection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\u003c/abstract\u003e"],"abstract_tesim":["Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project."],"names_coll_ssim":["Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":673,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:11.400Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":38},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=Alexandria+Library"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":552},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"Edgar Cayce Foundation","value":"Edgar Cayce Foundation","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=Edgar+Cayce+Foundation"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":304},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Hampden-Sydney College","value":"Hampden-Sydney 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