{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1980\u0026f%5Blevel%5D%5B%5D=Series\u0026page=365","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1980\u0026f%5Blevel%5D%5B%5D=Series\u0026page=364","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1980\u0026f%5Blevel%5D%5B%5D=Series\u0026page=366","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1980\u0026f%5Blevel%5D%5B%5D=Series\u0026page=370"},"meta":{"pages":{"current_page":365,"next_page":366,"prev_page":364,"total_pages":370,"limit_value":10,"offset_value":3640,"total_count":3696,"first_page?":false,"last_page?":false}},"data":[{"id":"vihart_repositories_4_resources_692_c01","type":"Series","attributes":{"title":"Teaching and Scholarship","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_692_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSeries 1: Teaching and Scholarship, 1955-2001, comprises teaching materials and Thomas' own scholarship that informed his teaching. 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Thomas Papers, 1954-2004, SC 0227, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe collection was minimally processed in May 2013 by Chelsea Tholen under the collection number SC 5058. A copy of the original finding aid is located in the collection control file. In October 2022, the collection was reprocessed, FERPA-protected student records were deaccessioned, and the collection was renumbered to SC 0227.\u003c/p\u003e","\u003cp\u003eContents of folders were combined when appropriate.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was minimally processed in May 2013 by Chelsea Tholen under the collection number SC 5058. A copy of the original finding aid is located in the collection control file. In October 2022, the collection was reprocessed, FERPA-protected student records were deaccessioned, and the collection was renumbered to SC 0227.","Contents of folders were combined when appropriate."],"scopecontent_html_tesm":["\u003cp\u003eThe collection comprises the papers related to Dr. William W. Thomas' teaching career at James Madison University where he was a professor from 1971 to 2003. Early papers document Thomas' own undergraduate and graduate coursework. The collection includes lecture notes, syllabi and course descriptions, correspondence, tenure and promotion materials, and materials related to Thomas' advising of student organizations.\u003c/p\u003e","\u003cp\u003eSeries 1: Teaching and Scholarship, 1955-2001, comprises teaching materials and Thomas' own scholarship that informed his teaching. 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Thomas' professional activities and service to JMU outside of teaching are documented in this series."],"separatedmaterial_html_tesm":["\u003cp\u003ePublished books were separated from the collection and cataloged as part of Special Collections rare book holdings.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Published books were separated from the collection and cataloged as part of Special Collections rare book holdings."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cdfeab99b9091e2b3c7c1654eb260b44\"\u003eThe collection comprises the papers related to Dr. William W. Thomas' teaching career at James Madison University.\u003c/abstract\u003e"],"abstract_tesim":["The collection comprises the papers related to Dr. William W. Thomas' teaching career at James Madison University."],"names_coll_ssim":["Bridgewater College","Theta Alpha Kappa","James Madison University. Department of Philosophy and Religion","James Madison University -- History","James Madison University -- Curricula","James Madison University -- Faculty","Madison College. Department of Philosophy and Religion","Madison College -- History","Madison College -- Curricula","Madison College -- Faculty"],"names_ssim":["James Madison University Libraries Special Collections","Bridgewater College","Theta Alpha Kappa","James Madison University. Department of Philosophy and Religion","James Madison University -- History","James Madison University -- Curricula","James Madison University -- Faculty","Madison College. Department of Philosophy and Religion","Madison College -- History","Madison College -- Curricula","Madison College -- Faculty","Thomas, William W. (William West), 1933-2008"],"corpname_ssim":["James Madison University Libraries Special Collections","Bridgewater College","Theta Alpha Kappa","James Madison University. 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(William West), 1933-2008"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":122,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:18:57.997Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_692_c01"}},{"id":"vihart_repositories_4_resources_627_c04","type":"Series","attributes":{"title":"Teaching Materials","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_627_c04#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSeries 4: Teaching Materials, 1971-2013, includes items related to Joanne Gabbin's teaching career at James Madison University. The majority of this series comprises syllabi from the English classes Gabbin taught, all relating to Black Literature. 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Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"scopecontent_html_tesm":["\u003cp\u003eSeries 4: Teaching Materials, 1971-2013, includes items related to Joanne Gabbin's teaching career at James Madison University. The majority of this series comprises syllabi from the English classes Gabbin taught, all relating to Black Literature. 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Gabbin Papers"],"unitdate_ssm":["1930-2017","1960-2017"],"unitdate_bulk_ssim":["1960-2017"],"unitdate_inclusive_ssm":["1930-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0296","/repositories/4/resources/627"],"text":["SC 0296","/repositories/4/resources/627","Joanne V. Gabbin Papers","English language -- Study and teaching (Higher)","Poetry -- Black authors","African Americans -- Poetry","African American poets","Poets, Black","Letters (correspondence)","Manuscripts (documents)","Research notes","Photographs","Printed Ephemera","Pamphlets","Brochures","Personal papers","Articles","Syllabi","Poetry","Faculty papers","Newsletters","Newspaper clippings","Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection","Two boxes filled with empty file folders were recycled prior to processing.","The collection is arranged in six series. Series 3 and Series 5 are arranged further into subseries. Each series is arranged chronologically except for Series 1: Manuscripts which is arranged alphabetically. Exceptions to this arrangement scheme were made in order to group like materials (e.g. photographs, newspaper clippings) together. As a result chronological arrangements are approximate. In order to maintain original intellectual order, photographs and correspondence, for example, may be found across multiple series.","Manuscripts, 1930-2015 Research, 1960-2016 Professional Activities, 1963-2017 Teaching Materials, 1971-2013 Personal Papers, 1967-2016 Printed Ephemera and Photographs, 1961-2013","A professor of English at James Madison University, Joanne Gabbin earned her B.A. from Morgan State College in Baltimore, Maryland in 1967, and received her M.A. and Ph.D. from the University of Chicago in 1970 and 1980, respectively. Gabbin taught at Roosevelt University, Chicago State University, and Lincoln University before she was hired at James Madison University in 1985 as a Commonwealth Visiting Professor. She became the director of the Honors Program (now the Honors College) in 1986, where she served for 19 years and founded many programs that define the Honors College today. ","In 1994, she organized the first Furious Flower Poetry Conference, which she held at JMU and in honor of Pulitzer Prize-winning poet Gwendolyn Brooks. The event was considered historic and likely the largest gathering of African American poets and literature scholars to that date. After a second successful conference a decade later, JMU chartered the Furious Flower Poetry Center in 2005, the nation's first academic center devoted to Black poetry. ","The author/editor of numerous books and founder of the Wintergreen Women Writers' Collective, Gabbin's contributions to the academic field of African American poetry have been acknowledged with awards and honors from such organizations as the HistoryMakers Archives, the National Museum of African American History and Culture, the College Language Association and the International Literary Hall of Fame for Writers of African Descent, among many others. Her publications include  Sterling A. Brown: Building the Black Aesthetic Tradition  (1985), which was reissued in 1994 by the University Press of Virginia and the children's book  I Bet She Called Me Sugar Plum  (2004). She also edited  The Furious Flowering of African American Poetry  (1999),  Furious Flower: African American Poetry from the Black Arts Movement to the Present  (2004),  Furious Flower: Seeding the Future of African American Poetry  (2020),  Shaping Memories: Reflections of African American Women Writers  (2009), and  Mourning Katrina: A Poetic Response to Tragedy  (2009). ","Collection was donated in clearly labeled folders housed in multiple cubic boxes. In Feburary 2017, Cardinal House experienced a flood as a result of plumbing issues. Materials in this collection were affected and may exhibit water damage. Processors used labels as direction for series arrangement, and focused on discards of duplicates and assessing water-damage materials. Afterwards, materials were moved to hollingers and additional accruals were integrated into the existing arrangement.","Duplicate newspapers, newsletters, brochures, articles, etc. were discarded. Financial records including receipts, credit card and bank statements, and travel reimbursements were not retained and were discarded. Student records containing personally identifiable information (student identification numbers, GPAs, grades, etc.)—beyond what is considered directory information—were removed and discarded.","Furious Flower Poetry Center Records, 1990-2014, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","Furious Flower Poetry Center Conference Records, 1970-2015, UA 0018, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","The Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], contain the professional, academic, and personal papers of Joanne V. Gabbin, professor of English at James Madison University and director of the Furious Flower Poetry Center. The materials chiefly relate to her professional role as an influential figure in the African American literary community and include manuscripts she wrote or edited, notes and materials from events where she spoke or was featured, and her correspondence with publishers, professional organizations, and other members of the African American literary community. Other materials include articles for research or teaching purposes, syllabi, documents and correspondence related to her role as professor and head of the JMU Honors College, personal correspondence, and documents related to her role as director of the Furious Flower Poetry Center.","Series 1: Manuscripts, 1930-2015, includes manuscripts authored by Gabbin and her colleagues. The majority of the series is made up of edits and drafts of the anthology manuscript that would be come to known as  Shaping Memories: Reflections of African American Women Writers . This manuscript would be the culmination of works by Gabbin and her colleagues after their annual Wintergreen Women's Writer's retreat. Also of note in this series is Gabbin's dissertation on Sterling Brown, written during her time at the University of Chicago as she pursued her master's degree and PhD.","Series 2: Research, 1960-2016, includes a wide variety of materials that relate to Gabbin's research during her time as a student in the master's and doctorate program at the University of Chicago and research for the manuscripts she wrote  and contributed to later in her life. The content mostly consists of articles from academic journals and books written on the subject at hand (e.g. Sonia Sanchez and Sterling Brown), with some interesting items including legal pads and spiral notebooks containing personal notes and thoughts on the topic being researched.","Series 3: Professional Activities, 1963-2017, comprises three subseries: general material, materials relating to the honors college at JMU, and material related to the Furious Flower Poetry Center. The items in this series relate to Gabbin's numerous speaking engagements and events held by the poetry center and honors college. This can include professional correspondence, promotional material, and invitations and programs to events held over the years.","Series 4: Teaching Materials, 1971-2013, includes items related to Joanne Gabbin's teaching career at James Madison University. The majority of this series comprises syllabi from the English classes Gabbin taught, all relating to Black Literature. Scattered throughout the series are also course evaluations, in which the majority of her students give her high marks for her enthusiasm for the material and accessible teaching style, and miscellaneous pedagogical materials likely used to inform instruction.","Series 5: Personal Papers, 1967-2016, is made up of two subseries: general personal materials and personal correspondence. Personal items cover a variety of material, which include: essays written by Gabbin when she was a student at Morgan State College and the University of Chicago (some marked up by her professors), drafted manuscripts, and a folder containing numerous drafts and illustrations for her children's book  I Bet She Called Me Sugar Plum . The personal correspondence is made up of letters written to Gabbin from former students she has had over the years (seen through numerous holiday cards and announcements), from collaborators on the manuscripts she has worked on over the years, or notes and letters written to her husband Alexander Gabbin as she attended the University of Chicago.","Series 6: Printed Ephemera and Photographs, 1961-2013, comprises chiefly newsletters, newspapers, and pamphlets. Most of the newspapers are national titles, such as the  Washington Post , with the  Daily News-Record  also being represented. Most of the articles center on events concerning African American issues. Of interest is a small pamphlet entitled \"Race and Psychology,\" dated 1961, in which the author details the history of psychological intelligence tests and how different racial/ethnic groups scored in comparison to each other. This series also contains several folders of photographs, documenting Gabbin's personal and professional life. Photographs of poets Rita Dove, Gwendolyn Brooks, and Nikki Giovanni are included.","Three poetry broadsides printed in 2017 at the Virginia Arts of the Book Center for the Virginia Festival of the Book - Heavenly Madrigal, Seasons Change Before We're Ready, and Zombie Blues Villanelle - were removed from the collection and cataloged individually. These broadsides are held by Special Collections.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], contain the professional, academic, and personal papers of Joanne V. Gabbin, professor of English at James Madison University and director of the Furious Flower Poetry Center.","James Madison University Libraries Special Collections","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Furious Flower Poetry Center","James Madison University. Honors College","James Madison University. Honors Program","Gabbin, Joanne V. (Joanne Veal), 1946-","English"],"unitid_tesim":["SC 0296","/repositories/4/resources/627"],"normalized_title_ssm":["Joanne V. Gabbin Papers"],"collection_title_tesim":["Joanne V. Gabbin Papers"],"collection_ssim":["Joanne V. Gabbin Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Gabbin, Joanne V. (Joanne Veal), 1946-","Gabbin, Joanne V. (Joanne Veal), 1946-"],"creator_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Gabbin, Joanne V. (Joanne Veal), 1946-"],"creator_persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Gabbin, Joanne V. (Joanne Veal), 1946-"],"creators_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Gabbin, Joanne V. (Joanne Veal), 1946-"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Materials were donated by Joanne V. Gabbin in September 2017."],"access_subjects_ssim":["English language -- Study and teaching (Higher)","Poetry -- Black authors","African Americans -- Poetry","African American poets","Poets, Black","Letters (correspondence)","Manuscripts (documents)","Research notes","Photographs","Printed Ephemera","Pamphlets","Brochures","Personal papers","Articles","Syllabi","Poetry","Faculty papers","Newsletters","Newspaper clippings"],"access_subjects_ssm":["English language -- Study and teaching (Higher)","Poetry -- Black authors","African Americans -- Poetry","African American poets","Poets, Black","Letters (correspondence)","Manuscripts (documents)","Research notes","Photographs","Printed Ephemera","Pamphlets","Brochures","Personal papers","Articles","Syllabi","Poetry","Faculty papers","Newsletters","Newspaper clippings"],"has_online_content_ssim":["false"],"extent_ssm":["12.54 cubic feet 42 boxes","134 Megabytes 216 digital files"],"extent_tesim":["12.54 cubic feet 42 boxes","134 Megabytes 216 digital files"],"genreform_ssim":["Letters (correspondence)","Manuscripts (documents)","Research notes","Photographs","Printed Ephemera","Pamphlets","Brochures","Personal papers","Articles","Syllabi","Poetry","Faculty papers","Newsletters","Newspaper clippings"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection"],"appraisal_html_tesm":["\u003cp\u003eTwo boxes filled with empty file folders were recycled prior to processing.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Information"],"appraisal_tesim":["Two boxes filled with empty file folders were recycled prior to processing."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in six series. Series 3 and Series 5 are arranged further into subseries. Each series is arranged chronologically except for Series 1: Manuscripts which is arranged alphabetically. Exceptions to this arrangement scheme were made in order to group like materials (e.g. photographs, newspaper clippings) together. As a result chronological arrangements are approximate. In order to maintain original intellectual order, photographs and correspondence, for example, may be found across multiple series.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eManuscripts, 1930-2015\u003c/item\u003e\n      \u003citem\u003eResearch, 1960-2016\u003c/item\u003e\n      \u003citem\u003eProfessional Activities, 1963-2017\u003c/item\u003e\n      \u003citem\u003eTeaching Materials, 1971-2013\u003c/item\u003e\n      \u003citem\u003ePersonal Papers, 1967-2016\u003c/item\u003e\n      \u003citem\u003ePrinted Ephemera and Photographs, 1961-2013\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in six series. Series 3 and Series 5 are arranged further into subseries. Each series is arranged chronologically except for Series 1: Manuscripts which is arranged alphabetically. Exceptions to this arrangement scheme were made in order to group like materials (e.g. photographs, newspaper clippings) together. As a result chronological arrangements are approximate. In order to maintain original intellectual order, photographs and correspondence, for example, may be found across multiple series.","Manuscripts, 1930-2015 Research, 1960-2016 Professional Activities, 1963-2017 Teaching Materials, 1971-2013 Personal Papers, 1967-2016 Printed Ephemera and Photographs, 1961-2013"],"bioghist_html_tesm":["\u003cp\u003eA professor of English at James Madison University, Joanne Gabbin earned her B.A. from Morgan State College in Baltimore, Maryland in 1967, and received her M.A. and Ph.D. from the University of Chicago in 1970 and 1980, respectively. Gabbin taught at Roosevelt University, Chicago State University, and Lincoln University before she was hired at James Madison University in 1985 as a Commonwealth Visiting Professor. She became the director of the Honors Program (now the Honors College) in 1986, where she served for 19 years and founded many programs that define the Honors College today. \u003c/p\u003e\n","\u003cp\u003eIn 1994, she organized the first Furious Flower Poetry Conference, which she held at JMU and in honor of Pulitzer Prize-winning poet Gwendolyn Brooks. The event was considered historic and likely the largest gathering of African American poets and literature scholars to that date. After a second successful conference a decade later, JMU chartered the Furious Flower Poetry Center in 2005, the nation's first academic center devoted to Black poetry. \u003c/p\u003e\n","\u003cp\u003eThe author/editor of numerous books and founder of the Wintergreen Women Writers' Collective, Gabbin's contributions to the academic field of African American poetry have been acknowledged with awards and honors from such organizations as the HistoryMakers Archives, the National Museum of African American History and Culture, the College Language Association and the International Literary Hall of Fame for Writers of African Descent, among many others. Her publications include \u003cemph render=\"italic\"\u003eSterling A. Brown: Building the Black Aesthetic Tradition\u003c/emph\u003e (1985), which was reissued in 1994 by the University Press of Virginia and the children's book \u003cemph render=\"italic\"\u003eI Bet She Called Me Sugar Plum\u003c/emph\u003e (2004). She also edited \u003cemph render=\"italic\"\u003eThe Furious Flowering of African American Poetry\u003c/emph\u003e (1999), \u003cemph render=\"italic\"\u003eFurious Flower: African American Poetry from the Black Arts Movement to the Present\u003c/emph\u003e (2004), \u003cemph render=\"italic\"\u003eFurious Flower: Seeding the Future of African American Poetry\u003c/emph\u003e (2020), \u003cemph render=\"italic\"\u003eShaping Memories: Reflections of African American Women Writers\u003c/emph\u003e (2009), and \u003cemph render=\"italic\"\u003eMourning Katrina: A Poetic Response to Tragedy\u003c/emph\u003e (2009). \u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["A professor of English at James Madison University, Joanne Gabbin earned her B.A. from Morgan State College in Baltimore, Maryland in 1967, and received her M.A. and Ph.D. from the University of Chicago in 1970 and 1980, respectively. Gabbin taught at Roosevelt University, Chicago State University, and Lincoln University before she was hired at James Madison University in 1985 as a Commonwealth Visiting Professor. She became the director of the Honors Program (now the Honors College) in 1986, where she served for 19 years and founded many programs that define the Honors College today. ","In 1994, she organized the first Furious Flower Poetry Conference, which she held at JMU and in honor of Pulitzer Prize-winning poet Gwendolyn Brooks. The event was considered historic and likely the largest gathering of African American poets and literature scholars to that date. After a second successful conference a decade later, JMU chartered the Furious Flower Poetry Center in 2005, the nation's first academic center devoted to Black poetry. ","The author/editor of numerous books and founder of the Wintergreen Women Writers' Collective, Gabbin's contributions to the academic field of African American poetry have been acknowledged with awards and honors from such organizations as the HistoryMakers Archives, the National Museum of African American History and Culture, the College Language Association and the International Literary Hall of Fame for Writers of African Descent, among many others. Her publications include  Sterling A. Brown: Building the Black Aesthetic Tradition  (1985), which was reissued in 1994 by the University Press of Virginia and the children's book  I Bet She Called Me Sugar Plum  (2004). She also edited  The Furious Flowering of African American Poetry  (1999),  Furious Flower: African American Poetry from the Black Arts Movement to the Present  (2004),  Furious Flower: Seeding the Future of African American Poetry  (2020),  Shaping Memories: Reflections of African American Women Writers  (2009), and  Mourning Katrina: A Poetic Response to Tragedy  (2009). "],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], undated, SC 0296, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], undated, SC 0296, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eCollection was donated in clearly labeled folders housed in multiple cubic boxes. In Feburary 2017, Cardinal House experienced a flood as a result of plumbing issues. Materials in this collection were affected and may exhibit water damage. Processors used labels as direction for series arrangement, and focused on discards of duplicates and assessing water-damage materials. Afterwards, materials were moved to hollingers and additional accruals were integrated into the existing arrangement.\u003c/p\u003e","\u003cp\u003eDuplicate newspapers, newsletters, brochures, articles, etc. were discarded. Financial records including receipts, credit card and bank statements, and travel reimbursements were not retained and were discarded. Student records containing personally identifiable information (student identification numbers, GPAs, grades, etc.)—beyond what is considered directory information—were removed and discarded.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was donated in clearly labeled folders housed in multiple cubic boxes. In Feburary 2017, Cardinal House experienced a flood as a result of plumbing issues. Materials in this collection were affected and may exhibit water damage. Processors used labels as direction for series arrangement, and focused on discards of duplicates and assessing water-damage materials. Afterwards, materials were moved to hollingers and additional accruals were integrated into the existing arrangement.","Duplicate newspapers, newsletters, brochures, articles, etc. were discarded. Financial records including receipts, credit card and bank statements, and travel reimbursements were not retained and were discarded. Student records containing personally identifiable information (student identification numbers, GPAs, grades, etc.)—beyond what is considered directory information—were removed and discarded."],"relatedmaterial_html_tesm":["\u003cp\u003eFurious Flower Poetry Center Records, 1990-2014, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e\n","\u003cp\u003eFurious Flower Poetry Center Conference Records, 1970-2015, UA 0018, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Furious Flower Poetry Center Records, 1990-2014, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","Furious Flower Poetry Center Conference Records, 1970-2015, UA 0018, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], contain the professional, academic, and personal papers of Joanne V. Gabbin, professor of English at James Madison University and director of the Furious Flower Poetry Center. The materials chiefly relate to her professional role as an influential figure in the African American literary community and include manuscripts she wrote or edited, notes and materials from events where she spoke or was featured, and her correspondence with publishers, professional organizations, and other members of the African American literary community. Other materials include articles for research or teaching purposes, syllabi, documents and correspondence related to her role as professor and head of the JMU Honors College, personal correspondence, and documents related to her role as director of the Furious Flower Poetry Center.\u003c/p\u003e","\u003cp\u003eSeries 1: Manuscripts, 1930-2015, includes manuscripts authored by Gabbin and her colleagues. The majority of the series is made up of edits and drafts of the anthology manuscript that would be come to known as \u003cemph render=\"italic\"\u003eShaping Memories: Reflections of African American Women Writers\u003c/emph\u003e. This manuscript would be the culmination of works by Gabbin and her colleagues after their annual Wintergreen Women's Writer's retreat. Also of note in this series is Gabbin's dissertation on Sterling Brown, written during her time at the University of Chicago as she pursued her master's degree and PhD.\u003c/p\u003e","\u003cp\u003eSeries 2: Research, 1960-2016, includes a wide variety of materials that relate to Gabbin's research during her time as a student in the master's and doctorate program at the University of Chicago and research for the manuscripts she wrote  and contributed to later in her life. The content mostly consists of articles from academic journals and books written on the subject at hand (e.g. Sonia Sanchez and Sterling Brown), with some interesting items including legal pads and spiral notebooks containing personal notes and thoughts on the topic being researched.\u003c/p\u003e","\u003cp\u003eSeries 3: Professional Activities, 1963-2017, comprises three subseries: general material, materials relating to the honors college at JMU, and material related to the Furious Flower Poetry Center. The items in this series relate to Gabbin's numerous speaking engagements and events held by the poetry center and honors college. This can include professional correspondence, promotional material, and invitations and programs to events held over the years.\u003c/p\u003e","\u003cp\u003eSeries 4: Teaching Materials, 1971-2013, includes items related to Joanne Gabbin's teaching career at James Madison University. The majority of this series comprises syllabi from the English classes Gabbin taught, all relating to Black Literature. Scattered throughout the series are also course evaluations, in which the majority of her students give her high marks for her enthusiasm for the material and accessible teaching style, and miscellaneous pedagogical materials likely used to inform instruction.\u003c/p\u003e","\u003cp\u003eSeries 5: Personal Papers, 1967-2016, is made up of two subseries: general personal materials and personal correspondence. Personal items cover a variety of material, which include: essays written by Gabbin when she was a student at Morgan State College and the University of Chicago (some marked up by her professors), drafted manuscripts, and a folder containing numerous drafts and illustrations for her children's book \u003cemph render=\"italic\"\u003eI Bet She Called Me Sugar Plum\u003c/emph\u003e. The personal correspondence is made up of letters written to Gabbin from former students she has had over the years (seen through numerous holiday cards and announcements), from collaborators on the manuscripts she has worked on over the years, or notes and letters written to her husband Alexander Gabbin as she attended the University of Chicago.\u003c/p\u003e","\u003cp\u003eSeries 6: Printed Ephemera and Photographs, 1961-2013, comprises chiefly newsletters, newspapers, and pamphlets. Most of the newspapers are national titles, such as the \u003cemph render=\"italic\"\u003eWashington Post\u003c/emph\u003e, with the \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e also being represented. Most of the articles center on events concerning African American issues. Of interest is a small pamphlet entitled \"Race and Psychology,\" dated 1961, in which the author details the history of psychological intelligence tests and how different racial/ethnic groups scored in comparison to each other. This series also contains several folders of photographs, documenting Gabbin's personal and professional life. Photographs of poets Rita Dove, Gwendolyn Brooks, and Nikki Giovanni are included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], contain the professional, academic, and personal papers of Joanne V. Gabbin, professor of English at James Madison University and director of the Furious Flower Poetry Center. The materials chiefly relate to her professional role as an influential figure in the African American literary community and include manuscripts she wrote or edited, notes and materials from events where she spoke or was featured, and her correspondence with publishers, professional organizations, and other members of the African American literary community. Other materials include articles for research or teaching purposes, syllabi, documents and correspondence related to her role as professor and head of the JMU Honors College, personal correspondence, and documents related to her role as director of the Furious Flower Poetry Center.","Series 1: Manuscripts, 1930-2015, includes manuscripts authored by Gabbin and her colleagues. The majority of the series is made up of edits and drafts of the anthology manuscript that would be come to known as  Shaping Memories: Reflections of African American Women Writers . This manuscript would be the culmination of works by Gabbin and her colleagues after their annual Wintergreen Women's Writer's retreat. Also of note in this series is Gabbin's dissertation on Sterling Brown, written during her time at the University of Chicago as she pursued her master's degree and PhD.","Series 2: Research, 1960-2016, includes a wide variety of materials that relate to Gabbin's research during her time as a student in the master's and doctorate program at the University of Chicago and research for the manuscripts she wrote  and contributed to later in her life. The content mostly consists of articles from academic journals and books written on the subject at hand (e.g. Sonia Sanchez and Sterling Brown), with some interesting items including legal pads and spiral notebooks containing personal notes and thoughts on the topic being researched.","Series 3: Professional Activities, 1963-2017, comprises three subseries: general material, materials relating to the honors college at JMU, and material related to the Furious Flower Poetry Center. The items in this series relate to Gabbin's numerous speaking engagements and events held by the poetry center and honors college. This can include professional correspondence, promotional material, and invitations and programs to events held over the years.","Series 4: Teaching Materials, 1971-2013, includes items related to Joanne Gabbin's teaching career at James Madison University. The majority of this series comprises syllabi from the English classes Gabbin taught, all relating to Black Literature. Scattered throughout the series are also course evaluations, in which the majority of her students give her high marks for her enthusiasm for the material and accessible teaching style, and miscellaneous pedagogical materials likely used to inform instruction.","Series 5: Personal Papers, 1967-2016, is made up of two subseries: general personal materials and personal correspondence. Personal items cover a variety of material, which include: essays written by Gabbin when she was a student at Morgan State College and the University of Chicago (some marked up by her professors), drafted manuscripts, and a folder containing numerous drafts and illustrations for her children's book  I Bet She Called Me Sugar Plum . The personal correspondence is made up of letters written to Gabbin from former students she has had over the years (seen through numerous holiday cards and announcements), from collaborators on the manuscripts she has worked on over the years, or notes and letters written to her husband Alexander Gabbin as she attended the University of Chicago.","Series 6: Printed Ephemera and Photographs, 1961-2013, comprises chiefly newsletters, newspapers, and pamphlets. Most of the newspapers are national titles, such as the  Washington Post , with the  Daily News-Record  also being represented. Most of the articles center on events concerning African American issues. Of interest is a small pamphlet entitled \"Race and Psychology,\" dated 1961, in which the author details the history of psychological intelligence tests and how different racial/ethnic groups scored in comparison to each other. This series also contains several folders of photographs, documenting Gabbin's personal and professional life. Photographs of poets Rita Dove, Gwendolyn Brooks, and Nikki Giovanni are included."],"separatedmaterial_html_tesm":["\u003cp\u003eThree poetry broadsides printed in 2017 at the Virginia Arts of the Book Center for the Virginia Festival of the Book - Heavenly Madrigal, Seasons Change Before We're Ready, and Zombie Blues Villanelle - were removed from the collection and cataloged individually. These broadsides are held by Special Collections.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Three poetry broadsides printed in 2017 at the Virginia Arts of the Book Center for the Virginia Festival of the Book - Heavenly Madrigal, Seasons Change Before We're Ready, and Zombie Blues Villanelle - were removed from the collection and cataloged individually. These broadsides are held by Special Collections."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f08c87141a4134568799bd39ab722aea\"\u003eThe Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], contain the professional, academic, and personal papers of Joanne V. Gabbin, professor of English at James Madison University and director of the Furious Flower Poetry Center.\u003c/abstract\u003e"],"abstract_tesim":["The Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], contain the professional, academic, and personal papers of Joanne V. Gabbin, professor of English at James Madison University and director of the Furious Flower Poetry Center."],"names_coll_ssim":["Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Furious Flower Poetry Center","James Madison University. Honors College","James Madison University. Honors Program","Gabbin, Joanne V. (Joanne Veal), 1946-"],"names_ssim":["James Madison University Libraries Special Collections","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Furious Flower Poetry Center","James Madison University. Honors College","James Madison University. Honors Program","Gabbin, Joanne V. (Joanne Veal), 1946-"],"corpname_ssim":["James Madison University Libraries Special Collections","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Furious Flower Poetry Center","James Madison University. Honors College","James Madison University. Honors Program"],"persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":389,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:19:58.075Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_627_c04"}},{"id":"vihart_repositories_4_resources_243_c01","type":"Series","attributes":{"title":"Theater Programs and Printed Materials","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_243_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSeries 1: Theater Programs and Printed Materials, 1953-2018, is separated into two subseries: theater programs and printed materials related to many of the shows represented in the playbills. The theater programs document the many plays and musicals that Arthur attended, with the majority playing in London and on Broadway and spanning more than 60 years. Playbills of note include programs from award-winning shows such as Hamilton, Kiss of the Spider Woman, The Lion King, My Fair Lady, and Cats, programs from productions that feature actors including Ian McKellan, Patrick Stewart, Catherine Tate, Judi Dench, Viola Davis, and Gary Oldman, and programs from many versions of classic Shakespeare plays, such as Twelfth Night and Hamlet. The theater print material subseries comprises other theater-related pamphlets and programs, most of which are either souvenir brochures or pamphlets that include calendars for a particular season.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_243_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_243_c01","ref_ssm":["vihart_repositories_4_resources_243_c01"],"id":"vihart_repositories_4_resources_243_c01","ead_ssi":"vihart_repositories_4_resources_243","_root_":"vihart_repositories_4_resources_243","_nest_parent_":"vihart_repositories_4_resources_243","parent_ssi":"vihart_repositories_4_resources_243","parent_ssim":["vihart_repositories_4_resources_243"],"parent_ids_ssim":["vihart_repositories_4_resources_243"],"parent_unittitles_ssm":["Thomas H. Arthur Papers"],"parent_unittitles_tesim":["Thomas H. Arthur Papers"],"text":["Thomas H. 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The theater print material subseries comprises other theater-related pamphlets and programs, most of which are either souvenir brochures or pamphlets that include calendars for a particular season."],"title_filing_ssi":"Theater Programs and Printed Materials","title_ssm":["Theater Programs and Printed Materials"],"title_tesim":["Theater Programs and Printed Materials"],"unitdate_inclusive_ssm":["1953-2018"],"normalized_date_ssm":["1953/2018"],"normalized_title_ssm":["Theater Programs and Printed Materials"],"component_level_isim":[1],"repository_ssim":["James Madison University"],"collection_ssim":["Thomas H. Arthur Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"scopecontent_html_tesm":["\u003cp\u003eSeries 1: Theater Programs and Printed Materials, 1953-2018, is separated into two subseries: theater programs and printed materials related to many of the shows represented in the playbills. The theater programs document the many plays and musicals that Arthur attended, with the majority playing in London and on Broadway and spanning more than 60 years. Playbills of note include programs from award-winning shows such as Hamilton, Kiss of the Spider Woman, The Lion King, My Fair Lady, and Cats, programs from productions that feature actors including Ian McKellan, Patrick Stewart, Catherine Tate, Judi Dench, Viola Davis, and Gary Oldman, and programs from many versions of classic Shakespeare plays, such as Twelfth Night and Hamlet. The theater print material subseries comprises other theater-related pamphlets and programs, most of which are either souvenir brochures or pamphlets that include calendars for a particular season.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Series 1: Theater Programs and Printed Materials, 1953-2018, is separated into two subseries: theater programs and printed materials related to many of the shows represented in the playbills. The theater programs document the many plays and musicals that Arthur attended, with the majority playing in London and on Broadway and spanning more than 60 years. Playbills of note include programs from award-winning shows such as Hamilton, Kiss of the Spider Woman, The Lion King, My Fair Lady, and Cats, programs from productions that feature actors including Ian McKellan, Patrick Stewart, Catherine Tate, Judi Dench, Viola Davis, and Gary Oldman, and programs from many versions of classic Shakespeare plays, such as Twelfth Night and Hamlet. The theater print material subseries comprises other theater-related pamphlets and programs, most of which are either souvenir brochures or pamphlets that include calendars for a particular season."],"_nest_path_":"/components#0","timestamp":"2026-05-21T00:19:11.086Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_243","ead_ssi":"vihart_repositories_4_resources_243","_root_":"vihart_repositories_4_resources_243","_nest_parent_":"vihart_repositories_4_resources_243","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_243.xml","title_ssm":["Thomas H. Arthur Papers"],"title_tesim":["Thomas H. Arthur Papers"],"unitdate_ssm":["1953-2018"],"unitdate_inclusive_ssm":["1953-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0088"],"text":["SC 0088","Thomas H. Arthur Papers","Actors -- United States -- Biography","Actors -- United States -- Correspondence","Actors -- United States -- Interviews","Theater -- United States -- Biography","Motion picture actors and actresses -- United States -- Biography","Television actors and actresses -- United States -- Biography","Theaters -- Illinois","Theaters -- Indiana","Theaters -- Wisconsin","Motion picture actors and actresses","Television actors and actresses","Theater","Playbills","Programs (documents)","Letters (correspondence)","Photographs","Printed Ephemera","Itineraries ","Interviews","Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged into two series and arranged further into subseries. Each series is arranged chronologically except Series 1.1 Playbills which is arranged alphabetically by theater production.","Theater Programs and Printed Materials, 1953-2018 Scholarship and Teaching, 1970-2014","Due to being an oversized item, the Beijing Opera at the Liyuan Theater souvenir brochure was housed in a separate four-flap container.","James Madison University. The School of Theatre and Dance. http://www.jmu.edu/theatre/pdf/backstages07.pdf. Accessed October 2019.","James Madison University. Bluestone. Harrisonburg, VA: 1988. James Madison University Special Collections.","Thomas H. Arthur joined the staff of James Madison University in 1973, teaching both theater and speech as part of the Department of Communication Arts. He was instrumental in making theater at JMU into a college department. After the Department of Theatre and Dance was formed in 1986 as part of the College of Arts and Letters, Arthur would serve as the department head from 1987-1989. As a professor, he arranged semester abroad trips to London to expose students to British culture as well as professional theater productions. He continued to teach and direct productions at JMU as part of the faculty until his retirement in 2007. ","Arthur was a personal friend of actor Melvyn Douglas and his family, and wrote his doctoral thesis about Douglas's involvement in politics. In 1971, Arthur also collaborated with Douglas, at Douglas' request, to write his autobiography,  See You at the Movies: The Autobiography of Melvyn Douglas . ","Melvyn Douglas was born Melvyn Hesselberg, on April 5, 1901 in Macon, Georgia. He began his theatrical career in 1917, and adopted the name 'Douglas' some time prior to his movie debut. During his career he was a star of the screen, stage, and television. He was the first male actor to win a Tony Award, an Emmy Award, and an Oscar. In addition to acting, Douglas served in both world wars and was active in politics. In 1940 he became the first actor to serve as a delegate to the Democratic National Convention. He married in 1931 and died in New York City on August 4, 1981. A portion of this collection includes letters and notes relating to Dr. Arthur's book,  See You at the Movies: The Autobiography of Melvyn Douglas  (Lanham, Md. University Press of America, 1986). ","In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017.  This collection was previously cataloged as SC 2023.  This collection was reprocessed in 2019 to incorporate Thomas Arthur's March 2018 donation of theater programs.","Wisconsin Historical Society, Melvyn Douglas, Melvyn Douglas Papers, 1892-1983. ","School of Theatre and Dance Records, 1930-2011 (bulk 1981-1993), UA 0045, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","The Thomas H. Arthur Papers, 1953-2018, consist of eight boxes (2.42 cubic feet). The collection is arranged into two series, with two subseries each: 1. Theater Programs and Printed Materials, 1.1 Playbills, 1.2 Theater Print Materials, 2. Scholarship and Teaching, 2.1 Melvyn Douglas Research, 2.2 Study Abroad Semester Materials. The largest part of the collection comprises the playbills and theater print materials from both domestic and international theaters. The collection also includes Arthur's research into the life of actor Melvyn Douglas, including photographs, handwritten notes, and correspondence provided by Douglas and his family to inform Arthur's research.","Series 1: Theater Programs and Printed Materials, 1953-2018, is separated into two subseries: theater programs and printed materials related to many of the shows represented in the playbills. The theater programs document the many plays and musicals that Arthur attended, with the majority playing in London and on Broadway and spanning more than 60 years. Playbills of note include programs from award-winning shows such as Hamilton, Kiss of the Spider Woman, The Lion King, My Fair Lady, and Cats, programs from productions that feature actors including Ian McKellan, Patrick Stewart, Catherine Tate, Judi Dench, Viola Davis, and Gary Oldman, and programs from many versions of classic Shakespeare plays, such as Twelfth Night and Hamlet. The theater print material subseries comprises other theater-related pamphlets and programs, most of which are either souvenir brochures or pamphlets that include calendars for a particular season.","Series 2: Scholarship and Teaching, 1979-2014, is separated into two-subseries: materials relating to Arthur's research on Melvyn Douglas and material from semesters abroad in London and Italy. The former consists of correspondence, notes and manuscripts, theater programs, and photographs related to Arthur's research for his dissertation abd biography on Melvyn Douglas. Some items of interest include a letter sent February 10, 1972 from actor Robert Redford to Melvyn Douglas, Douglas' handwritten notes for Arthur's book, theater programs that detail Melvyn Douglas's early performances in various theaters throughout the Midwest, and photographs of Melvyn Douglas (or family members of Douglas) that Thomas H. Arthur used in his biography of Douglas. The semester abroad sub-series consists of materials from Arthur's study abroad class. Much of the sub-series comprises museum guides and hotel brochures. Some items of interest include photographs taken by a student while on the trip (with some correspondence written on the back dated 1984), a photograph of Thomas Arthur and three other guests at the Mansion House in London, and an itinerary with dinner programs for the students. Three posters from the 1979 Fine Arts Week and a list of Festival of the Arts topics and guests (1974-1992) compiled by Arthur are included.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Thomas H. Arthur Papers, 1953-2018, consist of eight boxes (2.42 cubic feet) of personal correspondence, manuscripts, theater programs, photographs, and notes written by Dr. Thomas H. Arthur, JMU faculty member, and pertaining to actor Melvyn Douglas.","James Madison University Libraries Special Collections","Orpheum Theater (Madison, Wis.)","Fischer's Majestic Theatre (Madison, Wis.)","Rialto Theatre (Sioux City, Iowa)","Playmongers (Chicago, Ill.)","New Grand Theatre (Evansville, Ind.)","Arthur, Thomas H.","Douglas, Melvyn -- Contributions in politics","Douglas, Melvyn","French, Spanish, Italian, Finnish, Greek, Hungarian, Hebrew, Mandarin Chinese, Afrikaans"],"unitid_tesim":["SC 0088"],"normalized_title_ssm":["Thomas H. Arthur Papers"],"collection_title_tesim":["Thomas H. Arthur Papers"],"collection_ssim":["Thomas H. 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Arthur made an additional donation of Festival of the Arts posters in July 2021."],"access_subjects_ssim":["Actors -- United States -- Biography","Actors -- United States -- Correspondence","Actors -- United States -- Interviews","Theater -- United States -- Biography","Motion picture actors and actresses -- United States -- Biography","Television actors and actresses -- United States -- Biography","Theaters -- Illinois","Theaters -- Indiana","Theaters -- Wisconsin","Motion picture actors and actresses","Television actors and actresses","Theater","Playbills","Programs (documents)","Letters (correspondence)","Photographs","Printed Ephemera","Itineraries ","Interviews"],"access_subjects_ssm":["Actors -- United States -- Biography","Actors -- United States -- Correspondence","Actors -- United States -- Interviews","Theater -- United States -- Biography","Motion picture actors and actresses -- United States -- Biography","Television actors and actresses -- United States -- Biography","Theaters -- Illinois","Theaters -- Indiana","Theaters -- Wisconsin","Motion picture actors and actresses","Television actors and actresses","Theater","Playbills","Programs (documents)","Letters (correspondence)","Photographs","Printed Ephemera","Itineraries ","Interviews"],"has_online_content_ssim":["false"],"extent_ssm":["2.7 cubic feet 9 boxes (including 1 four-flap enclosure)"],"extent_tesim":["2.7 cubic feet 9 boxes (including 1 four-flap enclosure)"],"genreform_ssim":["Playbills","Programs (documents)","Letters (correspondence)","Photographs","Printed Ephemera","Itineraries ","Interviews"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series and arranged further into subseries. 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James Madison University Special Collections."],"bioghist_html_tesm":["\u003cp\u003eThomas H. Arthur joined the staff of James Madison University in 1973, teaching both theater and speech as part of the Department of Communication Arts. He was instrumental in making theater at JMU into a college department. After the Department of Theatre and Dance was formed in 1986 as part of the College of Arts and Letters, Arthur would serve as the department head from 1987-1989. As a professor, he arranged semester abroad trips to London to expose students to British culture as well as professional theater productions. He continued to teach and direct productions at JMU as part of the faculty until his retirement in 2007. \u003c/p\u003e\n","\u003cp\u003eArthur was a personal friend of actor Melvyn Douglas and his family, and wrote his doctoral thesis about Douglas's involvement in politics. In 1971, Arthur also collaborated with Douglas, at Douglas' request, to write his autobiography, \u003cemph render=\"italic\"\u003eSee You at the Movies: The Autobiography of Melvyn Douglas\u003c/emph\u003e. \u003c/p\u003e\n","\u003cp\u003eMelvyn Douglas was born Melvyn Hesselberg, on April 5, 1901 in Macon, Georgia. He began his theatrical career in 1917, and adopted the name 'Douglas' some time prior to his movie debut. During his career he was a star of the screen, stage, and television. He was the first male actor to win a Tony Award, an Emmy Award, and an Oscar. In addition to acting, Douglas served in both world wars and was active in politics. In 1940 he became the first actor to serve as a delegate to the Democratic National Convention. He married in 1931 and died in New York City on August 4, 1981. A portion of this collection includes letters and notes relating to Dr. Arthur's book, \u003cemph render=\"italic\"\u003eSee You at the Movies: The Autobiography of Melvyn Douglas\u003c/emph\u003e (Lanham, Md. University Press of America, 1986). \u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Thomas H. Arthur joined the staff of James Madison University in 1973, teaching both theater and speech as part of the Department of Communication Arts. He was instrumental in making theater at JMU into a college department. After the Department of Theatre and Dance was formed in 1986 as part of the College of Arts and Letters, Arthur would serve as the department head from 1987-1989. As a professor, he arranged semester abroad trips to London to expose students to British culture as well as professional theater productions. He continued to teach and direct productions at JMU as part of the faculty until his retirement in 2007. ","Arthur was a personal friend of actor Melvyn Douglas and his family, and wrote his doctoral thesis about Douglas's involvement in politics. In 1971, Arthur also collaborated with Douglas, at Douglas' request, to write his autobiography,  See You at the Movies: The Autobiography of Melvyn Douglas . ","Melvyn Douglas was born Melvyn Hesselberg, on April 5, 1901 in Macon, Georgia. He began his theatrical career in 1917, and adopted the name 'Douglas' some time prior to his movie debut. During his career he was a star of the screen, stage, and television. He was the first male actor to win a Tony Award, an Emmy Award, and an Oscar. In addition to acting, Douglas served in both world wars and was active in politics. In 1940 he became the first actor to serve as a delegate to the Democratic National Convention. He married in 1931 and died in New York City on August 4, 1981. A portion of this collection includes letters and notes relating to Dr. Arthur's book,  See You at the Movies: The Autobiography of Melvyn Douglas  (Lanham, Md. University Press of America, 1986). "],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Thomas H. Arthur Papers, 1953-2018, SC 0088, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Thomas H. Arthur Papers, 1953-2018, SC 0088, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"processinfo_html_tesm":["\u003cp\u003eIn order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. \u003cemph render=\"bold\"\u003eThis collection was previously cataloged as SC 2023.\u003c/emph\u003e This collection was reprocessed in 2019 to incorporate Thomas Arthur's March 2018 donation of theater programs.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017.  This collection was previously cataloged as SC 2023.  This collection was reprocessed in 2019 to incorporate Thomas Arthur's March 2018 donation of theater programs."],"relatedmaterial_html_tesm":["\u003cp\u003eWisconsin Historical Society, Melvyn Douglas, Melvyn Douglas Papers, 1892-1983. \u003c/p\u003e\n","\u003cp\u003eSchool of Theatre and Dance Records, 1930-2011 (bulk 1981-1993), UA 0045, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Wisconsin Historical Society, Melvyn Douglas, Melvyn Douglas Papers, 1892-1983. ","School of Theatre and Dance Records, 1930-2011 (bulk 1981-1993), UA 0045, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Thomas H. Arthur Papers, 1953-2018, consist of eight boxes (2.42 cubic feet). The collection is arranged into two series, with two subseries each: 1. Theater Programs and Printed Materials, 1.1 Playbills, 1.2 Theater Print Materials, 2. Scholarship and Teaching, 2.1 Melvyn Douglas Research, 2.2 Study Abroad Semester Materials. The largest part of the collection comprises the playbills and theater print materials from both domestic and international theaters. The collection also includes Arthur's research into the life of actor Melvyn Douglas, including photographs, handwritten notes, and correspondence provided by Douglas and his family to inform Arthur's research.\u003c/p\u003e","\u003cp\u003eSeries 1: Theater Programs and Printed Materials, 1953-2018, is separated into two subseries: theater programs and printed materials related to many of the shows represented in the playbills. The theater programs document the many plays and musicals that Arthur attended, with the majority playing in London and on Broadway and spanning more than 60 years. Playbills of note include programs from award-winning shows such as Hamilton, Kiss of the Spider Woman, The Lion King, My Fair Lady, and Cats, programs from productions that feature actors including Ian McKellan, Patrick Stewart, Catherine Tate, Judi Dench, Viola Davis, and Gary Oldman, and programs from many versions of classic Shakespeare plays, such as Twelfth Night and Hamlet. The theater print material subseries comprises other theater-related pamphlets and programs, most of which are either souvenir brochures or pamphlets that include calendars for a particular season.\u003c/p\u003e","\u003cp\u003eSeries 2: Scholarship and Teaching, 1979-2014, is separated into two-subseries: materials relating to Arthur's research on Melvyn Douglas and material from semesters abroad in London and Italy. The former consists of correspondence, notes and manuscripts, theater programs, and photographs related to Arthur's research for his dissertation abd biography on Melvyn Douglas. Some items of interest include a letter sent February 10, 1972 from actor Robert Redford to Melvyn Douglas, Douglas' handwritten notes for Arthur's book, theater programs that detail Melvyn Douglas's early performances in various theaters throughout the Midwest, and photographs of Melvyn Douglas (or family members of Douglas) that Thomas H. Arthur used in his biography of Douglas. The semester abroad sub-series consists of materials from Arthur's study abroad class. Much of the sub-series comprises museum guides and hotel brochures. Some items of interest include photographs taken by a student while on the trip (with some correspondence written on the back dated 1984), a photograph of Thomas Arthur and three other guests at the Mansion House in London, and an itinerary with dinner programs for the students. Three posters from the 1979 Fine Arts Week and a list of Festival of the Arts topics and guests (1974-1992) compiled by Arthur are included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Thomas H. Arthur Papers, 1953-2018, consist of eight boxes (2.42 cubic feet). The collection is arranged into two series, with two subseries each: 1. Theater Programs and Printed Materials, 1.1 Playbills, 1.2 Theater Print Materials, 2. Scholarship and Teaching, 2.1 Melvyn Douglas Research, 2.2 Study Abroad Semester Materials. The largest part of the collection comprises the playbills and theater print materials from both domestic and international theaters. The collection also includes Arthur's research into the life of actor Melvyn Douglas, including photographs, handwritten notes, and correspondence provided by Douglas and his family to inform Arthur's research.","Series 1: Theater Programs and Printed Materials, 1953-2018, is separated into two subseries: theater programs and printed materials related to many of the shows represented in the playbills. The theater programs document the many plays and musicals that Arthur attended, with the majority playing in London and on Broadway and spanning more than 60 years. Playbills of note include programs from award-winning shows such as Hamilton, Kiss of the Spider Woman, The Lion King, My Fair Lady, and Cats, programs from productions that feature actors including Ian McKellan, Patrick Stewart, Catherine Tate, Judi Dench, Viola Davis, and Gary Oldman, and programs from many versions of classic Shakespeare plays, such as Twelfth Night and Hamlet. The theater print material subseries comprises other theater-related pamphlets and programs, most of which are either souvenir brochures or pamphlets that include calendars for a particular season.","Series 2: Scholarship and Teaching, 1979-2014, is separated into two-subseries: materials relating to Arthur's research on Melvyn Douglas and material from semesters abroad in London and Italy. The former consists of correspondence, notes and manuscripts, theater programs, and photographs related to Arthur's research for his dissertation abd biography on Melvyn Douglas. Some items of interest include a letter sent February 10, 1972 from actor Robert Redford to Melvyn Douglas, Douglas' handwritten notes for Arthur's book, theater programs that detail Melvyn Douglas's early performances in various theaters throughout the Midwest, and photographs of Melvyn Douglas (or family members of Douglas) that Thomas H. Arthur used in his biography of Douglas. The semester abroad sub-series consists of materials from Arthur's study abroad class. Much of the sub-series comprises museum guides and hotel brochures. Some items of interest include photographs taken by a student while on the trip (with some correspondence written on the back dated 1984), a photograph of Thomas Arthur and three other guests at the Mansion House in London, and an itinerary with dinner programs for the students. Three posters from the 1979 Fine Arts Week and a list of Festival of the Arts topics and guests (1974-1992) compiled by Arthur are included."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e3172f34916b0882a3a2729577f03c7a\"\u003eThe Thomas H. Arthur Papers, 1953-2018, consist of eight boxes (2.42 cubic feet) of personal correspondence, manuscripts, theater programs, photographs, and notes written by Dr. Thomas H. Arthur, JMU faculty member, and pertaining to actor Melvyn Douglas.\u003c/abstract\u003e"],"abstract_tesim":["The Thomas H. Arthur Papers, 1953-2018, consist of eight boxes (2.42 cubic feet) of personal correspondence, manuscripts, theater programs, photographs, and notes written by Dr. Thomas H. Arthur, JMU faculty member, and pertaining to actor Melvyn Douglas."],"names_coll_ssim":["Orpheum Theater (Madison, Wis.)","Fischer's Majestic Theatre (Madison, Wis.)","Rialto Theatre (Sioux City, Iowa)","Playmongers (Chicago, Ill.)","New Grand Theatre (Evansville, Ind.)","Arthur, Thomas H.","Douglas, Melvyn -- Contributions in politics","Douglas, Melvyn"],"names_ssim":["James Madison University Libraries Special Collections","Orpheum Theater (Madison, Wis.)","Fischer's Majestic Theatre (Madison, Wis.)","Rialto Theatre (Sioux City, Iowa)","Playmongers (Chicago, Ill.)","New Grand Theatre (Evansville, Ind.)","Arthur, Thomas H.","Douglas, Melvyn -- Contributions in politics","Douglas, Melvyn"],"corpname_ssim":["James Madison University Libraries Special Collections","Orpheum Theater (Madison, Wis.)","Fischer's Majestic Theatre (Madison, Wis.)","Rialto Theatre (Sioux City, Iowa)","Playmongers (Chicago, Ill.)","New Grand Theatre (Evansville, Ind.)"],"persname_ssim":["Arthur, Thomas H.","Douglas, Melvyn -- Contributions in politics","Douglas, Melvyn"],"language_ssim":["French, Spanish, Italian, Finnish, Greek, Hungarian, Hebrew, Mandarin Chinese, Afrikaans"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":489,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:19:11.086Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_243_c01"}},{"id":"vircu_repositories_5_resources_272_c04","type":"Series","attributes":{"title":"The Janice McMurray Collection of Nell Blaine materials","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_272_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_272_c04","ref_ssm":["vircu_repositories_5_resources_272_c04"],"id":"vircu_repositories_5_resources_272_c04","ead_ssi":"vircu_repositories_5_resources_272","_root_":"vircu_repositories_5_resources_272","_nest_parent_":"vircu_repositories_5_resources_272","parent_ssi":"vircu_repositories_5_resources_272","parent_ssim":["vircu_repositories_5_resources_272"],"parent_ids_ssim":["vircu_repositories_5_resources_272"],"parent_unittitles_ssm":["Nell Blaine collection"],"parent_unittitles_tesim":["Nell Blaine collection"],"text":["Nell Blaine collection","The Janice McMurray Collection of Nell Blaine materials","box 4"],"title_filing_ssi":"The Janice McMurray Collection of Nell Blaine materials","title_ssm":["The Janice McMurray Collection of Nell Blaine materials"],"title_tesim":["The Janice McMurray Collection of Nell Blaine materials"],"unitdate_inclusive_ssm":["1949-1992, undated"],"normalized_date_ssm":["1949/1992"],"normalized_title_ssm":["The Janice McMurray Collection of Nell Blaine materials"],"component_level_isim":[1],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Nell Blaine collection"],"has_online_content_ssim":["false"],"child_component_count_isi":8,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":23,"parent_access_restrict_tesm":["Collection open for research."],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"containers_ssim":["box 4"],"_nest_path_":"/components#3","timestamp":"2026-05-21T04:43:11.646Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_272","ead_ssi":"vircu_repositories_5_resources_272","_root_":"vircu_repositories_5_resources_272","_nest_parent_":"vircu_repositories_5_resources_272","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_272.xml","title_filing_ssi":"Blaine, Nell, Collection","title_ssm":["Nell Blaine collection"],"title_tesim":["Nell Blaine collection"],"unitdate_ssm":["1945-1999"],"unitdate_inclusive_ssm":["1945-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 67","/repositories/5/resources/272"],"text":["M 67","/repositories/5/resources/272","Nell Blaine collection","Painters -- Virginia -- Richmond","Painting, American -- 20th century.","Collection open for research.","The Nell Blaine Collection, 1945-1999, is divided into four series: Series I: The Maurice Bonds and Theresa Pollak Collection of Nell Blaine Materials 1961-1999, Series II: Nell Blaine Materials 1945-1978, Series III: The John Bryan Collection of Nell Blaine Materials 1948-1995, Series IV: The Janice McMurray Collection of Nell Blaine materials 1949-1992.","Nell Blaine (1922-1996) was a prominent American painter. Blaine was born in Richmond, Virginia and attended the Richmond Professional Institute from 1939-42. She studied under prominent artists such as Theresa Pollak (1899-2002) and Worden Day (1915-1986). In 1942-43, she received a grant from the Virginia Museum of Fine Arts to study under the renowned abstract expressionist, Hans Hofmann (1880-1966). Her art grew out of the Abstract Expressionist Movement of the 1940s. Her vast array of work, which spans half a century, encompasses indoor scenes, landscapes, and still lifes. Her work appears in many major American collections including the Virginia Museum of Fine Arts, the Museum of Modern Art, and the Whitney Museum of American Art, among others. Even though Blaine relocated permanently to Manhattan, New York in the 1940s, she exhibited frequently in Richmond. The Richmond Times-Dispatch extolled her success throughout her career, recalling her roots as a Richmond native. Blaine traveled extensively in Europe, the Caribbean, and South America to paint and to find inspiration. While staying in Greece in 1959, she contracted spinal bulbar polio. The disease left her paralyzed from the waist down for the rest of her life. She continued painting and exhibiting until the 1990s. Not only does Blaine's art contribute to American painting but she leaves a legacy for the Richmond art community.","The Nell Blaine Collection, 1945-1999, is significant because the collection provides foundational research materials on Nell Blaine's career and contribution to American art. The three most common materials in the collection are articles and newspaper clippings, exhibition brochures, and correspondence from Nell Blaine.","Series I, donated by Maurice Bonds and Theresa Pollak, contains five folders. Articles and newspaper clippings from 1961-1973 and exhibition catalogs spanning 1970-1999 are key primary source materials. Series I also contains an academic paper about Nell Blaine from 1971 by VCU alumni, Janice Ritter (now Janice Ritter McMurray).","Series II contains four folders that have an unconfirmed provenance. The series contains a 1972 agenda calendar that features Nell Blaine's art in the month of January. There are also black and white photographs of Nell Blaine's work that date between 1959-1975. The articles and exhibitions, ranging from 1945-1978, are grouped together based on the original order of donation.","Series III includes ten folders that were donated by John Bryan in the 1990s. Half of the collection contains correspondence from Nell Blaine to Mr. and Mrs. Hal Clark between 1971-1995. The articles and newspaper clippings were collected by the Clarks between 1948-1993. The two folders of postcards were probably sent from Nell Blaine to the Clarks-she often attached blank postcards to her letters highlighting the places she visited or artists she admired.","Series IV consists of eight folders donated in 2010 by Janice Ritter McMurray, a former student at Virginia Commonwealth University. She originally compiled materials for an art history class in 1970 but she continued to collect exhibition brochures and newspaper clippings until 1992. McMurray had travelled to Blaine's studio in New York to conduct an interview and they remained friends for many years afterward. Two important papers written by McMurray are also in the collection. First, is an undated reflective paper that summarizes McMurray's involvement with Blaine. A second important paper from McMurray is her draft from the 1970 class, which contains a note with suggestions from Blaine herself. A copy of the final paper has been attached to the draft. The original paper appears in Series I, Folder 2. The letters McMurray received from Blaine between1969-1972 are also in the collection. A set of blank stationary designed by Blaine give a glimpse into her art. Photographs from 1968 also show Blaine's work in progress.","VCU James Branch Cabell Library","Virginia Commonwealth University -- Alumni and alumnae","Blaine, Nell, 1922-1996","English"],"unitid_tesim":["M 67","/repositories/5/resources/272"],"normalized_title_ssm":["Nell Blaine collection"],"collection_title_tesim":["Nell Blaine collection"],"collection_ssim":["Nell Blaine collection"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Blaine, Nell, 1922-1996"],"creator_ssim":["Blaine, Nell, 1922-1996"],"creator_persname_ssim":["Blaine, Nell, 1922-1996"],"creators_ssim":["Blaine, Nell, 1922-1996"],"access_subjects_ssim":["Painters -- Virginia -- Richmond","Painting, American -- 20th century."],"access_subjects_ssm":["Painters -- Virginia -- Richmond","Painting, American -- 20th century."],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eCollection open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Nell Blaine Collection, 1945-1999, is divided into four series: Series I: The Maurice Bonds and Theresa Pollak Collection of Nell Blaine Materials 1961-1999, Series II: Nell Blaine Materials 1945-1978, Series III: The John Bryan Collection of Nell Blaine Materials 1948-1995, Series IV: The Janice McMurray Collection of Nell Blaine materials 1949-1992.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Nell Blaine Collection, 1945-1999, is divided into four series: Series I: The Maurice Bonds and Theresa Pollak Collection of Nell Blaine Materials 1961-1999, Series II: Nell Blaine Materials 1945-1978, Series III: The John Bryan Collection of Nell Blaine Materials 1948-1995, Series IV: The Janice McMurray Collection of Nell Blaine materials 1949-1992."],"bioghist_html_tesm":["\u003cp\u003eNell Blaine (1922-1996) was a prominent American painter. Blaine was born in Richmond, Virginia and attended the Richmond Professional Institute from 1939-42. She studied under prominent artists such as Theresa Pollak (1899-2002) and Worden Day (1915-1986). In 1942-43, she received a grant from the Virginia Museum of Fine Arts to study under the renowned abstract expressionist, Hans Hofmann (1880-1966). Her art grew out of the Abstract Expressionist Movement of the 1940s. Her vast array of work, which spans half a century, encompasses indoor scenes, landscapes, and still lifes. Her work appears in many major American collections including the Virginia Museum of Fine Arts, the Museum of Modern Art, and the Whitney Museum of American Art, among others. Even though Blaine relocated permanently to Manhattan, New York in the 1940s, she exhibited frequently in Richmond. The Richmond Times-Dispatch extolled her success throughout her career, recalling her roots as a Richmond native. Blaine traveled extensively in Europe, the Caribbean, and South America to paint and to find inspiration. While staying in Greece in 1959, she contracted spinal bulbar polio. The disease left her paralyzed from the waist down for the rest of her life. She continued painting and exhibiting until the 1990s. Not only does Blaine's art contribute to American painting but she leaves a legacy for the Richmond art community.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Nell Blaine (1922-1996) was a prominent American painter. Blaine was born in Richmond, Virginia and attended the Richmond Professional Institute from 1939-42. She studied under prominent artists such as Theresa Pollak (1899-2002) and Worden Day (1915-1986). In 1942-43, she received a grant from the Virginia Museum of Fine Arts to study under the renowned abstract expressionist, Hans Hofmann (1880-1966). Her art grew out of the Abstract Expressionist Movement of the 1940s. Her vast array of work, which spans half a century, encompasses indoor scenes, landscapes, and still lifes. Her work appears in many major American collections including the Virginia Museum of Fine Arts, the Museum of Modern Art, and the Whitney Museum of American Art, among others. Even though Blaine relocated permanently to Manhattan, New York in the 1940s, she exhibited frequently in Richmond. The Richmond Times-Dispatch extolled her success throughout her career, recalling her roots as a Richmond native. Blaine traveled extensively in Europe, the Caribbean, and South America to paint and to find inspiration. While staying in Greece in 1959, she contracted spinal bulbar polio. The disease left her paralyzed from the waist down for the rest of her life. She continued painting and exhibiting until the 1990s. Not only does Blaine's art contribute to American painting but she leaves a legacy for the Richmond art community."],"prefercite_html_tesm":["\u003cp\u003eNell Blaine Collection, Collection Number M 67, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, Va.\u003c/p\u003e"],"prefercite_tesim":["Nell Blaine Collection, Collection Number M 67, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe Nell Blaine Collection, 1945-1999, is significant because the collection provides foundational research materials on Nell Blaine's career and contribution to American art. The three most common materials in the collection are articles and newspaper clippings, exhibition brochures, and correspondence from Nell Blaine.\u003c/p\u003e\n","\u003cp\u003eSeries I, donated by Maurice Bonds and Theresa Pollak, contains five folders. Articles and newspaper clippings from 1961-1973 and exhibition catalogs spanning 1970-1999 are key primary source materials. Series I also contains an academic paper about Nell Blaine from 1971 by VCU alumni, Janice Ritter (now Janice Ritter McMurray).\u003c/p\u003e\n","\u003cp\u003eSeries II contains four folders that have an unconfirmed provenance. The series contains a 1972 agenda calendar that features Nell Blaine's art in the month of January. There are also black and white photographs of Nell Blaine's work that date between 1959-1975. The articles and exhibitions, ranging from 1945-1978, are grouped together based on the original order of donation.\u003c/p\u003e\n","\u003cp\u003eSeries III includes ten folders that were donated by John Bryan in the 1990s. Half of the collection contains correspondence from Nell Blaine to Mr. and Mrs. Hal Clark between 1971-1995. The articles and newspaper clippings were collected by the Clarks between 1948-1993. The two folders of postcards were probably sent from Nell Blaine to the Clarks-she often attached blank postcards to her letters highlighting the places she visited or artists she admired.\u003c/p\u003e\n","\u003cp\u003eSeries IV consists of eight folders donated in 2010 by Janice Ritter McMurray, a former student at Virginia Commonwealth University. She originally compiled materials for an art history class in 1970 but she continued to collect exhibition brochures and newspaper clippings until 1992. McMurray had travelled to Blaine's studio in New York to conduct an interview and they remained friends for many years afterward. Two important papers written by McMurray are also in the collection. First, is an undated reflective paper that summarizes McMurray's involvement with Blaine. A second important paper from McMurray is her draft from the 1970 class, which contains a note with suggestions from Blaine herself. A copy of the final paper has been attached to the draft. The original paper appears in Series I, Folder 2. The letters McMurray received from Blaine between1969-1972 are also in the collection. A set of blank stationary designed by Blaine give a glimpse into her art. Photographs from 1968 also show Blaine's work in progress.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Nell Blaine Collection, 1945-1999, is significant because the collection provides foundational research materials on Nell Blaine's career and contribution to American art. The three most common materials in the collection are articles and newspaper clippings, exhibition brochures, and correspondence from Nell Blaine.","Series I, donated by Maurice Bonds and Theresa Pollak, contains five folders. Articles and newspaper clippings from 1961-1973 and exhibition catalogs spanning 1970-1999 are key primary source materials. Series I also contains an academic paper about Nell Blaine from 1971 by VCU alumni, Janice Ritter (now Janice Ritter McMurray).","Series II contains four folders that have an unconfirmed provenance. The series contains a 1972 agenda calendar that features Nell Blaine's art in the month of January. There are also black and white photographs of Nell Blaine's work that date between 1959-1975. The articles and exhibitions, ranging from 1945-1978, are grouped together based on the original order of donation.","Series III includes ten folders that were donated by John Bryan in the 1990s. Half of the collection contains correspondence from Nell Blaine to Mr. and Mrs. Hal Clark between 1971-1995. The articles and newspaper clippings were collected by the Clarks between 1948-1993. The two folders of postcards were probably sent from Nell Blaine to the Clarks-she often attached blank postcards to her letters highlighting the places she visited or artists she admired.","Series IV consists of eight folders donated in 2010 by Janice Ritter McMurray, a former student at Virginia Commonwealth University. She originally compiled materials for an art history class in 1970 but she continued to collect exhibition brochures and newspaper clippings until 1992. McMurray had travelled to Blaine's studio in New York to conduct an interview and they remained friends for many years afterward. Two important papers written by McMurray are also in the collection. First, is an undated reflective paper that summarizes McMurray's involvement with Blaine. A second important paper from McMurray is her draft from the 1970 class, which contains a note with suggestions from Blaine herself. A copy of the final paper has been attached to the draft. The original paper appears in Series I, Folder 2. The letters McMurray received from Blaine between1969-1972 are also in the collection. A set of blank stationary designed by Blaine give a glimpse into her art. Photographs from 1968 also show Blaine's work in progress."],"names_coll_ssim":["Virginia Commonwealth University -- Alumni and alumnae","Blaine, Nell, 1922-1996"],"names_ssim":["VCU James Branch Cabell Library","Virginia Commonwealth University -- Alumni and alumnae","Blaine, Nell, 1922-1996"],"corpname_ssim":["VCU James Branch Cabell Library","Virginia Commonwealth University -- Alumni and alumnae"],"persname_ssim":["Blaine, Nell, 1922-1996"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:43:11.646Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_272_c04"}},{"id":"vircu_repositories_5_resources_272_c03","type":"Series","attributes":{"title":"The John Bryan Collection of Nell Blaine Materials","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_272_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_272_c03","ref_ssm":["vircu_repositories_5_resources_272_c03"],"id":"vircu_repositories_5_resources_272_c03","ead_ssi":"vircu_repositories_5_resources_272","_root_":"vircu_repositories_5_resources_272","_nest_parent_":"vircu_repositories_5_resources_272","parent_ssi":"vircu_repositories_5_resources_272","parent_ssim":["vircu_repositories_5_resources_272"],"parent_ids_ssim":["vircu_repositories_5_resources_272"],"parent_unittitles_ssm":["Nell Blaine collection"],"parent_unittitles_tesim":["Nell Blaine collection"],"text":["Nell Blaine collection","The John Bryan Collection of Nell Blaine Materials","box 3"],"title_filing_ssi":"The John Bryan Collection of Nell Blaine Materials","title_ssm":["The John Bryan Collection of Nell Blaine Materials"],"title_tesim":["The John Bryan Collection of Nell Blaine Materials"],"unitdate_inclusive_ssm":["1948-1995"],"normalized_date_ssm":["1948/1995"],"normalized_title_ssm":["The John Bryan Collection of Nell Blaine Materials"],"component_level_isim":[1],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Nell Blaine collection"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":12,"parent_access_restrict_tesm":["Collection open for research."],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"containers_ssim":["box 3"],"_nest_path_":"/components#2","timestamp":"2026-05-21T04:43:11.646Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_272","ead_ssi":"vircu_repositories_5_resources_272","_root_":"vircu_repositories_5_resources_272","_nest_parent_":"vircu_repositories_5_resources_272","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_272.xml","title_filing_ssi":"Blaine, Nell, Collection","title_ssm":["Nell Blaine collection"],"title_tesim":["Nell Blaine collection"],"unitdate_ssm":["1945-1999"],"unitdate_inclusive_ssm":["1945-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 67","/repositories/5/resources/272"],"text":["M 67","/repositories/5/resources/272","Nell Blaine collection","Painters -- Virginia -- Richmond","Painting, American -- 20th century.","Collection open for research.","The Nell Blaine Collection, 1945-1999, is divided into four series: Series I: The Maurice Bonds and Theresa Pollak Collection of Nell Blaine Materials 1961-1999, Series II: Nell Blaine Materials 1945-1978, Series III: The John Bryan Collection of Nell Blaine Materials 1948-1995, Series IV: The Janice McMurray Collection of Nell Blaine materials 1949-1992.","Nell Blaine (1922-1996) was a prominent American painter. Blaine was born in Richmond, Virginia and attended the Richmond Professional Institute from 1939-42. She studied under prominent artists such as Theresa Pollak (1899-2002) and Worden Day (1915-1986). In 1942-43, she received a grant from the Virginia Museum of Fine Arts to study under the renowned abstract expressionist, Hans Hofmann (1880-1966). Her art grew out of the Abstract Expressionist Movement of the 1940s. Her vast array of work, which spans half a century, encompasses indoor scenes, landscapes, and still lifes. Her work appears in many major American collections including the Virginia Museum of Fine Arts, the Museum of Modern Art, and the Whitney Museum of American Art, among others. Even though Blaine relocated permanently to Manhattan, New York in the 1940s, she exhibited frequently in Richmond. The Richmond Times-Dispatch extolled her success throughout her career, recalling her roots as a Richmond native. Blaine traveled extensively in Europe, the Caribbean, and South America to paint and to find inspiration. While staying in Greece in 1959, she contracted spinal bulbar polio. The disease left her paralyzed from the waist down for the rest of her life. She continued painting and exhibiting until the 1990s. Not only does Blaine's art contribute to American painting but she leaves a legacy for the Richmond art community.","The Nell Blaine Collection, 1945-1999, is significant because the collection provides foundational research materials on Nell Blaine's career and contribution to American art. The three most common materials in the collection are articles and newspaper clippings, exhibition brochures, and correspondence from Nell Blaine.","Series I, donated by Maurice Bonds and Theresa Pollak, contains five folders. Articles and newspaper clippings from 1961-1973 and exhibition catalogs spanning 1970-1999 are key primary source materials. Series I also contains an academic paper about Nell Blaine from 1971 by VCU alumni, Janice Ritter (now Janice Ritter McMurray).","Series II contains four folders that have an unconfirmed provenance. The series contains a 1972 agenda calendar that features Nell Blaine's art in the month of January. There are also black and white photographs of Nell Blaine's work that date between 1959-1975. The articles and exhibitions, ranging from 1945-1978, are grouped together based on the original order of donation.","Series III includes ten folders that were donated by John Bryan in the 1990s. Half of the collection contains correspondence from Nell Blaine to Mr. and Mrs. Hal Clark between 1971-1995. The articles and newspaper clippings were collected by the Clarks between 1948-1993. The two folders of postcards were probably sent from Nell Blaine to the Clarks-she often attached blank postcards to her letters highlighting the places she visited or artists she admired.","Series IV consists of eight folders donated in 2010 by Janice Ritter McMurray, a former student at Virginia Commonwealth University. She originally compiled materials for an art history class in 1970 but she continued to collect exhibition brochures and newspaper clippings until 1992. McMurray had travelled to Blaine's studio in New York to conduct an interview and they remained friends for many years afterward. Two important papers written by McMurray are also in the collection. First, is an undated reflective paper that summarizes McMurray's involvement with Blaine. A second important paper from McMurray is her draft from the 1970 class, which contains a note with suggestions from Blaine herself. A copy of the final paper has been attached to the draft. The original paper appears in Series I, Folder 2. The letters McMurray received from Blaine between1969-1972 are also in the collection. A set of blank stationary designed by Blaine give a glimpse into her art. Photographs from 1968 also show Blaine's work in progress.","VCU James Branch Cabell Library","Virginia Commonwealth University -- Alumni and alumnae","Blaine, Nell, 1922-1996","English"],"unitid_tesim":["M 67","/repositories/5/resources/272"],"normalized_title_ssm":["Nell Blaine collection"],"collection_title_tesim":["Nell Blaine collection"],"collection_ssim":["Nell Blaine collection"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Blaine, Nell, 1922-1996"],"creator_ssim":["Blaine, Nell, 1922-1996"],"creator_persname_ssim":["Blaine, Nell, 1922-1996"],"creators_ssim":["Blaine, Nell, 1922-1996"],"access_subjects_ssim":["Painters -- Virginia -- Richmond","Painting, American -- 20th century."],"access_subjects_ssm":["Painters -- Virginia -- Richmond","Painting, American -- 20th century."],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eCollection open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Nell Blaine Collection, 1945-1999, is divided into four series: Series I: The Maurice Bonds and Theresa Pollak Collection of Nell Blaine Materials 1961-1999, Series II: Nell Blaine Materials 1945-1978, Series III: The John Bryan Collection of Nell Blaine Materials 1948-1995, Series IV: The Janice McMurray Collection of Nell Blaine materials 1949-1992.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Nell Blaine Collection, 1945-1999, is divided into four series: Series I: The Maurice Bonds and Theresa Pollak Collection of Nell Blaine Materials 1961-1999, Series II: Nell Blaine Materials 1945-1978, Series III: The John Bryan Collection of Nell Blaine Materials 1948-1995, Series IV: The Janice McMurray Collection of Nell Blaine materials 1949-1992."],"bioghist_html_tesm":["\u003cp\u003eNell Blaine (1922-1996) was a prominent American painter. Blaine was born in Richmond, Virginia and attended the Richmond Professional Institute from 1939-42. She studied under prominent artists such as Theresa Pollak (1899-2002) and Worden Day (1915-1986). In 1942-43, she received a grant from the Virginia Museum of Fine Arts to study under the renowned abstract expressionist, Hans Hofmann (1880-1966). Her art grew out of the Abstract Expressionist Movement of the 1940s. Her vast array of work, which spans half a century, encompasses indoor scenes, landscapes, and still lifes. Her work appears in many major American collections including the Virginia Museum of Fine Arts, the Museum of Modern Art, and the Whitney Museum of American Art, among others. Even though Blaine relocated permanently to Manhattan, New York in the 1940s, she exhibited frequently in Richmond. The Richmond Times-Dispatch extolled her success throughout her career, recalling her roots as a Richmond native. Blaine traveled extensively in Europe, the Caribbean, and South America to paint and to find inspiration. While staying in Greece in 1959, she contracted spinal bulbar polio. The disease left her paralyzed from the waist down for the rest of her life. She continued painting and exhibiting until the 1990s. Not only does Blaine's art contribute to American painting but she leaves a legacy for the Richmond art community.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Nell Blaine (1922-1996) was a prominent American painter. Blaine was born in Richmond, Virginia and attended the Richmond Professional Institute from 1939-42. She studied under prominent artists such as Theresa Pollak (1899-2002) and Worden Day (1915-1986). In 1942-43, she received a grant from the Virginia Museum of Fine Arts to study under the renowned abstract expressionist, Hans Hofmann (1880-1966). Her art grew out of the Abstract Expressionist Movement of the 1940s. Her vast array of work, which spans half a century, encompasses indoor scenes, landscapes, and still lifes. Her work appears in many major American collections including the Virginia Museum of Fine Arts, the Museum of Modern Art, and the Whitney Museum of American Art, among others. Even though Blaine relocated permanently to Manhattan, New York in the 1940s, she exhibited frequently in Richmond. The Richmond Times-Dispatch extolled her success throughout her career, recalling her roots as a Richmond native. Blaine traveled extensively in Europe, the Caribbean, and South America to paint and to find inspiration. While staying in Greece in 1959, she contracted spinal bulbar polio. The disease left her paralyzed from the waist down for the rest of her life. She continued painting and exhibiting until the 1990s. Not only does Blaine's art contribute to American painting but she leaves a legacy for the Richmond art community."],"prefercite_html_tesm":["\u003cp\u003eNell Blaine Collection, Collection Number M 67, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, Va.\u003c/p\u003e"],"prefercite_tesim":["Nell Blaine Collection, Collection Number M 67, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe Nell Blaine Collection, 1945-1999, is significant because the collection provides foundational research materials on Nell Blaine's career and contribution to American art. The three most common materials in the collection are articles and newspaper clippings, exhibition brochures, and correspondence from Nell Blaine.\u003c/p\u003e\n","\u003cp\u003eSeries I, donated by Maurice Bonds and Theresa Pollak, contains five folders. Articles and newspaper clippings from 1961-1973 and exhibition catalogs spanning 1970-1999 are key primary source materials. Series I also contains an academic paper about Nell Blaine from 1971 by VCU alumni, Janice Ritter (now Janice Ritter McMurray).\u003c/p\u003e\n","\u003cp\u003eSeries II contains four folders that have an unconfirmed provenance. The series contains a 1972 agenda calendar that features Nell Blaine's art in the month of January. There are also black and white photographs of Nell Blaine's work that date between 1959-1975. The articles and exhibitions, ranging from 1945-1978, are grouped together based on the original order of donation.\u003c/p\u003e\n","\u003cp\u003eSeries III includes ten folders that were donated by John Bryan in the 1990s. Half of the collection contains correspondence from Nell Blaine to Mr. and Mrs. Hal Clark between 1971-1995. The articles and newspaper clippings were collected by the Clarks between 1948-1993. The two folders of postcards were probably sent from Nell Blaine to the Clarks-she often attached blank postcards to her letters highlighting the places she visited or artists she admired.\u003c/p\u003e\n","\u003cp\u003eSeries IV consists of eight folders donated in 2010 by Janice Ritter McMurray, a former student at Virginia Commonwealth University. She originally compiled materials for an art history class in 1970 but she continued to collect exhibition brochures and newspaper clippings until 1992. McMurray had travelled to Blaine's studio in New York to conduct an interview and they remained friends for many years afterward. Two important papers written by McMurray are also in the collection. First, is an undated reflective paper that summarizes McMurray's involvement with Blaine. A second important paper from McMurray is her draft from the 1970 class, which contains a note with suggestions from Blaine herself. A copy of the final paper has been attached to the draft. The original paper appears in Series I, Folder 2. The letters McMurray received from Blaine between1969-1972 are also in the collection. A set of blank stationary designed by Blaine give a glimpse into her art. Photographs from 1968 also show Blaine's work in progress.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Nell Blaine Collection, 1945-1999, is significant because the collection provides foundational research materials on Nell Blaine's career and contribution to American art. The three most common materials in the collection are articles and newspaper clippings, exhibition brochures, and correspondence from Nell Blaine.","Series I, donated by Maurice Bonds and Theresa Pollak, contains five folders. Articles and newspaper clippings from 1961-1973 and exhibition catalogs spanning 1970-1999 are key primary source materials. Series I also contains an academic paper about Nell Blaine from 1971 by VCU alumni, Janice Ritter (now Janice Ritter McMurray).","Series II contains four folders that have an unconfirmed provenance. The series contains a 1972 agenda calendar that features Nell Blaine's art in the month of January. There are also black and white photographs of Nell Blaine's work that date between 1959-1975. The articles and exhibitions, ranging from 1945-1978, are grouped together based on the original order of donation.","Series III includes ten folders that were donated by John Bryan in the 1990s. Half of the collection contains correspondence from Nell Blaine to Mr. and Mrs. Hal Clark between 1971-1995. The articles and newspaper clippings were collected by the Clarks between 1948-1993. The two folders of postcards were probably sent from Nell Blaine to the Clarks-she often attached blank postcards to her letters highlighting the places she visited or artists she admired.","Series IV consists of eight folders donated in 2010 by Janice Ritter McMurray, a former student at Virginia Commonwealth University. She originally compiled materials for an art history class in 1970 but she continued to collect exhibition brochures and newspaper clippings until 1992. McMurray had travelled to Blaine's studio in New York to conduct an interview and they remained friends for many years afterward. Two important papers written by McMurray are also in the collection. First, is an undated reflective paper that summarizes McMurray's involvement with Blaine. A second important paper from McMurray is her draft from the 1970 class, which contains a note with suggestions from Blaine herself. A copy of the final paper has been attached to the draft. The original paper appears in Series I, Folder 2. The letters McMurray received from Blaine between1969-1972 are also in the collection. A set of blank stationary designed by Blaine give a glimpse into her art. Photographs from 1968 also show Blaine's work in progress."],"names_coll_ssim":["Virginia Commonwealth University -- Alumni and alumnae","Blaine, Nell, 1922-1996"],"names_ssim":["VCU James Branch Cabell Library","Virginia Commonwealth University -- Alumni and alumnae","Blaine, Nell, 1922-1996"],"corpname_ssim":["VCU James Branch Cabell Library","Virginia Commonwealth University -- Alumni and alumnae"],"persname_ssim":["Blaine, Nell, 1922-1996"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:43:11.646Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_272_c03"}},{"id":"vircu_repositories_5_resources_272_c01","type":"Series","attributes":{"title":"The Maurice Bonds and Theresa Pollak Collection of Nell Blaine Materials","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_272_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_272_c01","ref_ssm":["vircu_repositories_5_resources_272_c01"],"id":"vircu_repositories_5_resources_272_c01","ead_ssi":"vircu_repositories_5_resources_272","_root_":"vircu_repositories_5_resources_272","_nest_parent_":"vircu_repositories_5_resources_272","parent_ssi":"vircu_repositories_5_resources_272","parent_ssim":["vircu_repositories_5_resources_272"],"parent_ids_ssim":["vircu_repositories_5_resources_272"],"parent_unittitles_ssm":["Nell Blaine collection"],"parent_unittitles_tesim":["Nell Blaine collection"],"text":["Nell Blaine collection","The Maurice Bonds and Theresa Pollak Collection of Nell Blaine Materials","box 1"],"title_filing_ssi":"The Maurice Bonds and Theresa Pollak Collection of Nell Blaine Materials","title_ssm":["The Maurice Bonds and Theresa Pollak Collection of Nell Blaine Materials"],"title_tesim":["The Maurice Bonds and Theresa Pollak Collection of Nell Blaine Materials"],"unitdate_inclusive_ssm":["1961-1999, undated"],"normalized_date_ssm":["1961/1999"],"normalized_title_ssm":["The Maurice Bonds and Theresa Pollak Collection of Nell Blaine Materials"],"component_level_isim":[1],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Nell Blaine collection"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["Collection open for research."],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"containers_ssim":["box 1"],"_nest_path_":"/components#0","timestamp":"2026-05-21T04:43:11.646Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_272","ead_ssi":"vircu_repositories_5_resources_272","_root_":"vircu_repositories_5_resources_272","_nest_parent_":"vircu_repositories_5_resources_272","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_272.xml","title_filing_ssi":"Blaine, Nell, Collection","title_ssm":["Nell Blaine collection"],"title_tesim":["Nell Blaine collection"],"unitdate_ssm":["1945-1999"],"unitdate_inclusive_ssm":["1945-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 67","/repositories/5/resources/272"],"text":["M 67","/repositories/5/resources/272","Nell Blaine collection","Painters -- Virginia -- Richmond","Painting, American -- 20th century.","Collection open for research.","The Nell Blaine Collection, 1945-1999, is divided into four series: Series I: The Maurice Bonds and Theresa Pollak Collection of Nell Blaine Materials 1961-1999, Series II: Nell Blaine Materials 1945-1978, Series III: The John Bryan Collection of Nell Blaine Materials 1948-1995, Series IV: The Janice McMurray Collection of Nell Blaine materials 1949-1992.","Nell Blaine (1922-1996) was a prominent American painter. Blaine was born in Richmond, Virginia and attended the Richmond Professional Institute from 1939-42. She studied under prominent artists such as Theresa Pollak (1899-2002) and Worden Day (1915-1986). In 1942-43, she received a grant from the Virginia Museum of Fine Arts to study under the renowned abstract expressionist, Hans Hofmann (1880-1966). Her art grew out of the Abstract Expressionist Movement of the 1940s. Her vast array of work, which spans half a century, encompasses indoor scenes, landscapes, and still lifes. Her work appears in many major American collections including the Virginia Museum of Fine Arts, the Museum of Modern Art, and the Whitney Museum of American Art, among others. Even though Blaine relocated permanently to Manhattan, New York in the 1940s, she exhibited frequently in Richmond. The Richmond Times-Dispatch extolled her success throughout her career, recalling her roots as a Richmond native. Blaine traveled extensively in Europe, the Caribbean, and South America to paint and to find inspiration. While staying in Greece in 1959, she contracted spinal bulbar polio. The disease left her paralyzed from the waist down for the rest of her life. She continued painting and exhibiting until the 1990s. Not only does Blaine's art contribute to American painting but she leaves a legacy for the Richmond art community.","The Nell Blaine Collection, 1945-1999, is significant because the collection provides foundational research materials on Nell Blaine's career and contribution to American art. The three most common materials in the collection are articles and newspaper clippings, exhibition brochures, and correspondence from Nell Blaine.","Series I, donated by Maurice Bonds and Theresa Pollak, contains five folders. Articles and newspaper clippings from 1961-1973 and exhibition catalogs spanning 1970-1999 are key primary source materials. Series I also contains an academic paper about Nell Blaine from 1971 by VCU alumni, Janice Ritter (now Janice Ritter McMurray).","Series II contains four folders that have an unconfirmed provenance. The series contains a 1972 agenda calendar that features Nell Blaine's art in the month of January. There are also black and white photographs of Nell Blaine's work that date between 1959-1975. The articles and exhibitions, ranging from 1945-1978, are grouped together based on the original order of donation.","Series III includes ten folders that were donated by John Bryan in the 1990s. Half of the collection contains correspondence from Nell Blaine to Mr. and Mrs. Hal Clark between 1971-1995. The articles and newspaper clippings were collected by the Clarks between 1948-1993. The two folders of postcards were probably sent from Nell Blaine to the Clarks-she often attached blank postcards to her letters highlighting the places she visited or artists she admired.","Series IV consists of eight folders donated in 2010 by Janice Ritter McMurray, a former student at Virginia Commonwealth University. She originally compiled materials for an art history class in 1970 but she continued to collect exhibition brochures and newspaper clippings until 1992. McMurray had travelled to Blaine's studio in New York to conduct an interview and they remained friends for many years afterward. Two important papers written by McMurray are also in the collection. First, is an undated reflective paper that summarizes McMurray's involvement with Blaine. A second important paper from McMurray is her draft from the 1970 class, which contains a note with suggestions from Blaine herself. A copy of the final paper has been attached to the draft. The original paper appears in Series I, Folder 2. The letters McMurray received from Blaine between1969-1972 are also in the collection. A set of blank stationary designed by Blaine give a glimpse into her art. Photographs from 1968 also show Blaine's work in progress.","VCU James Branch Cabell Library","Virginia Commonwealth University -- Alumni and alumnae","Blaine, Nell, 1922-1996","English"],"unitid_tesim":["M 67","/repositories/5/resources/272"],"normalized_title_ssm":["Nell Blaine collection"],"collection_title_tesim":["Nell Blaine collection"],"collection_ssim":["Nell Blaine collection"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Blaine, Nell, 1922-1996"],"creator_ssim":["Blaine, Nell, 1922-1996"],"creator_persname_ssim":["Blaine, Nell, 1922-1996"],"creators_ssim":["Blaine, Nell, 1922-1996"],"access_subjects_ssim":["Painters -- Virginia -- Richmond","Painting, American -- 20th century."],"access_subjects_ssm":["Painters -- Virginia -- Richmond","Painting, American -- 20th century."],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eCollection open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Nell Blaine Collection, 1945-1999, is divided into four series: Series I: The Maurice Bonds and Theresa Pollak Collection of Nell Blaine Materials 1961-1999, Series II: Nell Blaine Materials 1945-1978, Series III: The John Bryan Collection of Nell Blaine Materials 1948-1995, Series IV: The Janice McMurray Collection of Nell Blaine materials 1949-1992.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Nell Blaine Collection, 1945-1999, is divided into four series: Series I: The Maurice Bonds and Theresa Pollak Collection of Nell Blaine Materials 1961-1999, Series II: Nell Blaine Materials 1945-1978, Series III: The John Bryan Collection of Nell Blaine Materials 1948-1995, Series IV: The Janice McMurray Collection of Nell Blaine materials 1949-1992."],"bioghist_html_tesm":["\u003cp\u003eNell Blaine (1922-1996) was a prominent American painter. Blaine was born in Richmond, Virginia and attended the Richmond Professional Institute from 1939-42. She studied under prominent artists such as Theresa Pollak (1899-2002) and Worden Day (1915-1986). In 1942-43, she received a grant from the Virginia Museum of Fine Arts to study under the renowned abstract expressionist, Hans Hofmann (1880-1966). Her art grew out of the Abstract Expressionist Movement of the 1940s. Her vast array of work, which spans half a century, encompasses indoor scenes, landscapes, and still lifes. Her work appears in many major American collections including the Virginia Museum of Fine Arts, the Museum of Modern Art, and the Whitney Museum of American Art, among others. Even though Blaine relocated permanently to Manhattan, New York in the 1940s, she exhibited frequently in Richmond. The Richmond Times-Dispatch extolled her success throughout her career, recalling her roots as a Richmond native. Blaine traveled extensively in Europe, the Caribbean, and South America to paint and to find inspiration. While staying in Greece in 1959, she contracted spinal bulbar polio. The disease left her paralyzed from the waist down for the rest of her life. She continued painting and exhibiting until the 1990s. Not only does Blaine's art contribute to American painting but she leaves a legacy for the Richmond art community.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Nell Blaine (1922-1996) was a prominent American painter. Blaine was born in Richmond, Virginia and attended the Richmond Professional Institute from 1939-42. She studied under prominent artists such as Theresa Pollak (1899-2002) and Worden Day (1915-1986). In 1942-43, she received a grant from the Virginia Museum of Fine Arts to study under the renowned abstract expressionist, Hans Hofmann (1880-1966). Her art grew out of the Abstract Expressionist Movement of the 1940s. Her vast array of work, which spans half a century, encompasses indoor scenes, landscapes, and still lifes. Her work appears in many major American collections including the Virginia Museum of Fine Arts, the Museum of Modern Art, and the Whitney Museum of American Art, among others. Even though Blaine relocated permanently to Manhattan, New York in the 1940s, she exhibited frequently in Richmond. The Richmond Times-Dispatch extolled her success throughout her career, recalling her roots as a Richmond native. Blaine traveled extensively in Europe, the Caribbean, and South America to paint and to find inspiration. While staying in Greece in 1959, she contracted spinal bulbar polio. The disease left her paralyzed from the waist down for the rest of her life. She continued painting and exhibiting until the 1990s. Not only does Blaine's art contribute to American painting but she leaves a legacy for the Richmond art community."],"prefercite_html_tesm":["\u003cp\u003eNell Blaine Collection, Collection Number M 67, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, Va.\u003c/p\u003e"],"prefercite_tesim":["Nell Blaine Collection, Collection Number M 67, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe Nell Blaine Collection, 1945-1999, is significant because the collection provides foundational research materials on Nell Blaine's career and contribution to American art. The three most common materials in the collection are articles and newspaper clippings, exhibition brochures, and correspondence from Nell Blaine.\u003c/p\u003e\n","\u003cp\u003eSeries I, donated by Maurice Bonds and Theresa Pollak, contains five folders. Articles and newspaper clippings from 1961-1973 and exhibition catalogs spanning 1970-1999 are key primary source materials. Series I also contains an academic paper about Nell Blaine from 1971 by VCU alumni, Janice Ritter (now Janice Ritter McMurray).\u003c/p\u003e\n","\u003cp\u003eSeries II contains four folders that have an unconfirmed provenance. The series contains a 1972 agenda calendar that features Nell Blaine's art in the month of January. There are also black and white photographs of Nell Blaine's work that date between 1959-1975. The articles and exhibitions, ranging from 1945-1978, are grouped together based on the original order of donation.\u003c/p\u003e\n","\u003cp\u003eSeries III includes ten folders that were donated by John Bryan in the 1990s. Half of the collection contains correspondence from Nell Blaine to Mr. and Mrs. Hal Clark between 1971-1995. The articles and newspaper clippings were collected by the Clarks between 1948-1993. The two folders of postcards were probably sent from Nell Blaine to the Clarks-she often attached blank postcards to her letters highlighting the places she visited or artists she admired.\u003c/p\u003e\n","\u003cp\u003eSeries IV consists of eight folders donated in 2010 by Janice Ritter McMurray, a former student at Virginia Commonwealth University. She originally compiled materials for an art history class in 1970 but she continued to collect exhibition brochures and newspaper clippings until 1992. McMurray had travelled to Blaine's studio in New York to conduct an interview and they remained friends for many years afterward. Two important papers written by McMurray are also in the collection. First, is an undated reflective paper that summarizes McMurray's involvement with Blaine. A second important paper from McMurray is her draft from the 1970 class, which contains a note with suggestions from Blaine herself. A copy of the final paper has been attached to the draft. The original paper appears in Series I, Folder 2. The letters McMurray received from Blaine between1969-1972 are also in the collection. A set of blank stationary designed by Blaine give a glimpse into her art. Photographs from 1968 also show Blaine's work in progress.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Nell Blaine Collection, 1945-1999, is significant because the collection provides foundational research materials on Nell Blaine's career and contribution to American art. The three most common materials in the collection are articles and newspaper clippings, exhibition brochures, and correspondence from Nell Blaine.","Series I, donated by Maurice Bonds and Theresa Pollak, contains five folders. Articles and newspaper clippings from 1961-1973 and exhibition catalogs spanning 1970-1999 are key primary source materials. Series I also contains an academic paper about Nell Blaine from 1971 by VCU alumni, Janice Ritter (now Janice Ritter McMurray).","Series II contains four folders that have an unconfirmed provenance. The series contains a 1972 agenda calendar that features Nell Blaine's art in the month of January. There are also black and white photographs of Nell Blaine's work that date between 1959-1975. The articles and exhibitions, ranging from 1945-1978, are grouped together based on the original order of donation.","Series III includes ten folders that were donated by John Bryan in the 1990s. Half of the collection contains correspondence from Nell Blaine to Mr. and Mrs. Hal Clark between 1971-1995. The articles and newspaper clippings were collected by the Clarks between 1948-1993. The two folders of postcards were probably sent from Nell Blaine to the Clarks-she often attached blank postcards to her letters highlighting the places she visited or artists she admired.","Series IV consists of eight folders donated in 2010 by Janice Ritter McMurray, a former student at Virginia Commonwealth University. She originally compiled materials for an art history class in 1970 but she continued to collect exhibition brochures and newspaper clippings until 1992. McMurray had travelled to Blaine's studio in New York to conduct an interview and they remained friends for many years afterward. Two important papers written by McMurray are also in the collection. First, is an undated reflective paper that summarizes McMurray's involvement with Blaine. A second important paper from McMurray is her draft from the 1970 class, which contains a note with suggestions from Blaine herself. A copy of the final paper has been attached to the draft. The original paper appears in Series I, Folder 2. The letters McMurray received from Blaine between1969-1972 are also in the collection. A set of blank stationary designed by Blaine give a glimpse into her art. 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Robinson papers"],"parent_unittitles_tesim":["Armstead L. Robinson papers"],"text":["Armstead L. Robinson papers","Topical Files","English"],"title_filing_ssi":"Topical Files","title_ssm":["Topical Files"],"title_tesim":["Topical Files"],"unitdate_inclusive_ssm":["1950-2009"],"normalized_date_ssm":["1950/2009"],"normalized_title_ssm":["Topical Files"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Armstead L. Robinson papers"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":12,"parent_access_restrict_tesm":["The collection is open for research use."],"parent_access_terms_tesm":["Several folders of \"Research Materials: Civil War\" in Boxes 12-14 include photocopies of materials from various research and academic institutions; researchers should note that most do not permit the reproduction of their materials held by other institutions without their express written permission."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"language_ssim":["English"],"_nest_path_":"/components#2","timestamp":"2026-05-20T23:47:27.185Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_595","ead_ssi":"viu_repositories_3_resources_595","_root_":"viu_repositories_3_resources_595","_nest_parent_":"viu_repositories_3_resources_595","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_595.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/516","title_filing_ssi":"Robinson, Armstead L., papers","title_ssm":["Armstead L. Robinson papers"],"title_tesim":["Armstead L. Robinson papers"],"unitdate_ssm":["1848-2001","1967-1992"],"unitdate_bulk_ssim":["1967-1992"],"unitdate_inclusive_ssm":["1848-2001"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 12836","Archival Resource Key","/repositories/3/resources/595"],"text":["MSS 12836","Archival Resource Key","/repositories/3/resources/595","Armstead L. Robinson papers","Slave trade-United States-History","United States -- History -- Civil War, 1861-1865 -- African Americans","Slavery--United States--History--19th Century","African Americans -- Study and teaching","African Americans -- History -- 1863-1877","Audiocassettes.","letters (correspondence)","The collection is open for research use.","Original order has been preserved as much as possible; several original boxes (Boxes 15-19 [note cards] and 26-28 [1880 census schedules]) was retained because of the size of their particular contents. Items with no ostensible order have been organized with similar materials. Folders, with some exceptions, are arranged alphabetically within each series and their contents chronologically. Throughout the collection Robinson is occasionally addressed as \"ALR,\" \"Armstead Robinson,\" \"Armstead L. Robinson,\" \"Prof. Robinson,\" \"Robbie\" or \"Robby.\" Some folders abbreviate Robinson's name as \"ALR,\" particularly in Series 5; his Bitter Fruits of Bondage folders are occasionally abbreviated as \"BFOB. The collection is arranged in six series:","Series 1: Correspondence, 1967-1995 (0.5 c.f., Box 1).  This series consists of the bulk of Robinson's general correspondence, 1967-1995, but researchers should note that other correspondence is available throughout Series 2, 3, 4 and 5. Letters of interest include a letter of Whitney Moore Young Jr. of the National Urban League, promising assistance to Robinson, August 18, 1969. Much of Robinson's 1971 correspondence, while an assistant professor of Black Studies at State University of New York at Stony Brook, consists of his research inquiries relating to Black life in Memphis, Tennessee; there are also references to an accident he suffered, December 7 and 15, 1971.  There are several interesting letters during the 1980s (however, researchers should note the absence of 1982, 1988 and 1989 letters in the general \"Correspondence\" folders), especially Robinson's letter of  resignation from the University of California at Los Angeles, May 13, 1980; many of his May 1980 letters pertain to his University of Virginia faculty appointment. Also of interest: a March 26, 1981 letter from Robinson to John Wilkinson, Alumni Affairs Development, Yale University, seeking financial assistance for the daughter of  University of Virginia faculty colleague Vivian V. Gordon; November 23, 1981, to the Rector of the Board of Visitors, Virginia Commonwealth University, expressing opposition to the proposed consolidation of its library system with the school's Visual Education Services; December 9, 1981, to the editor of The Harvard Magazine, describing Robinson's role in the establishment of a Black Studies program at Yale University; March 1984 correspondence with Molefi Kete Asante (founder of Afrocentricity and a Black Studies proponent) accusing Robinson of falsely claiming to have been founding director of the Center for Afro-American Studies at the University of California at Los Angeles.","Series 2: Academic Career, 1964-1969 (4.5 c.f., Boxes 1-5).  This series is concerned with Robinson's academic career and is divided into four subseries; there is some chronological and historical overlap among the folders.\nSubseries A: Yale University (Boxes 1-3) chiefly concerns Robinson's work with the Black Student Alliance at Yale (BSAY), its 1968 symposium \"Black Studies in the University,\" and seven audiotape reel recordings of the symposium's proceedings later transcribed, published and edited by Robinson and others as Black Studies in the University: A Symposium (New Haven: Yale University Press, 1969). Symposium participants included McGeorge Bundy; Lawrence Chisolm; Harold Cruse; Robert Dahl; Nathan Hare; Ron \"Maulana\" Karenga; Martin Kilson, Jr.; Sidney W. Mintz; Boniface I. Obichere; Donald Ogilvie; Alvin Poussaint; Edwin S. Redkey; Charles Henry Taylor, Jr.; Farris Thompson, and Gerald A. McWorter.\nSubseries B: State University of New York (Box 4) is concerned with Robinson's faculty career and early interest in Black Studies. \nSubseries C: University of California at Los Angeles and the University of Rochester, New York (Box 4)includes Robinson's UCLA class lecture notes and papers while a Rochester doctoral student. \nSubseries D: University of Virginia (Boxes 4-5)represents the longest and final phase of Robinson's academic career. Included are lecture notes, syllabi, course evaluations, and various topical and subject files including folders for colleagues Matthew W. Holden Jr., Nathan A. Scott, Jr., and Jeanne Maddox Toungara; the Carter G. Woodson Institute for Afro-American and African Studies (researchers should note that the majority of the Woodson Institute's papers, including those during Robinson's tenure, are retained there and may not yet be available for public research); the Corcoran Department of History (with correspondence and memoranda of Edward L. Ayers and Edwin E. Floyd concerning Robinson's appointment and tenure); the Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (a university committee Robinson co-chaired); the Office of Afro-American Affairs (1986 letters to University of Virginia president Robert O'Neil in defense of OAAA dean Paul L. Puryear and critical of the handling of his resignation as dean and the controversy surrounding it), and, the transcribed remarks of  F. (Frederick) Palmer Weber (labor and civil rights activist.","Series 3: Subject and Topical Files (Boxes 5-11) consists of alphabetized subject and topical folders of select individuals followed by those of organizations and groups.  Among the prominent correspondents (Boxes 5-7): Herbert Aptheker, Ira Berlin, LaWanda F. Cox, Stanley L. Engerman, Michael W. Fitzgerald, John Hope Franklin, Eugene D. Genovese, Herbert Gutman, Stephen Hahn, Vincent Harding, Darlene Clark Hine, C. Stuart McGehee, Pauline Maier, August Meier, Nell Irvin Painter, Lewis Perry, Edwin S. Redkey, William Scarborough, Robert Brent Toplin, Edmund S. Wehrle, and C. Vann Woodward. Folders of some of  Robinson's former students are also present.\n  ","Series 4: Research Materials (Boxes 11-32)is the collection's largest series and contains research materials, 1850-1995, on the American Civil War, African-American history, Robinson's dissertation and Bitter Fruits of Bondage book, and census projects. (His extensive census research is filed at the end of this series). The majority of nineteenth century material are photocopies. Folders are arranged alphabetically, and several contain materials cited in Bitter Fruits of Bondage. Folders of interest include: \"First Africans in Virginia (Jamestown)\" (Box 11); \"Memphis Social History Project/Memphis Leadership Project\" (Robinson's letter of June 17, 1977 describes this project as having been conceived by him in 1966, while a junior at Yale, as a history of the Black community in Memphis) (Box 12); \"Research Material: Reconstruction: Black Political Leaders in Memphis, Tennessee (city directory and census data)\" (Box 14).Census materials comprise the latter part of Series IV, and at twelve boxes are the largest groups of materials in the series and the collection (Boxes 20-32).","Series 5: Writings and Publications (Boxes 32-42)the collection's second largest series, contains Robinson's writings, publications and manuscripts of his Yale honors' thesis, University of Rochester dissertation \"Day of Jubilo\" [formerly \"Cotton, Contrabands, and Mr. Lincoln's War\"], Bitter Fruits of Bondage (Boxes 32-38), articles, book reviews, public and conference lectures. These folders are arranged alphabetically by title and chronologically within title headings. Some of Robinson's manuscripts were critiqued on his behalf by colleagues and fellow historians such as Ira Berlin, Edward L. Ayers, Michael F. Holt, Michael Johnson, Julie S. Jones, Theresa M. Towner, and Bell Irvin Wiley.","Series 6: Oversize (Oversize Box U-10) is the last for the collection. Items are arranged chronologically and include: a photostatic copy of a 1863 letter from James Seddon, Confederate secretary of war, to Jefferson Davis; two pencil and ink sketches of Carter G. Woodson; a 1994 certificate declaring Robinson an honorary citizen of Natchez, Mississippi; an incomplete numbered set of \"Images of Afro-Americans of the Emancipation Era\" (Hodges Publications); University of North Carolina Department of Geography census templates and demographic maps; photostatic copies of Civil War maps from National Archives (Washington, D.C.) record group numbers 77 and 94, and speaking engagement posters.","Armstead Louis Robinson was born on April 30, 1947 in New Orleans, Louisiana, the son of Reverend Dr. DeWitt Robinson (a Lutheran clergyman) and Ruth Dickinson Robinson. He attended segregated New Orleans public schools (Trinity Lutheran Elementary and Rivers Frederick Junior High), and Hamilton High School in Memphis, Tennessee, from which he graduated with honors in 1964.","Robinson enrolled at Yale University in 1964 as one of eighteen African-American men (out of 1,061 men admitted that year) and received a bachelor's degree in History and graduated with honors and distinction in 1969 for his Scholar of the House thesis, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis and Shelby County, Tennessee, 1865-1870.\" As a Yale student Robinson helped create an undergraduate Black Studies program culminating in a 1968 symposium, \"Black Studies in the University,\" and co-edited the conference anthology, Black Studies in the University; A Symposium (Yale University Press, 1969), one of the first books on Black Studies. This experience led to his lifelong interest in promoting Black Studies. While at Yale, Robinson began his teaching career with a lecture series on Black History for the New Haven, Connecticut public school system as well as elementary school day sessions and junior high school evening sessions during 1966-1968.","Robinson was a member of the dean's list (1967-1969), captain of Yale's ROTC Rifle Team (1966-1968), recipient of the 1968 Von Snidren Prize for book collecting, and a member of the Black Student Alliance at Yale (BSAY). As an alumnus he served on the Yale Development Board (1983-1988), the Association of Yale Alumni Board of Governors (1981-1986), and the Yale University Council (1977-1995), of which he served as president during 1981-1986. In 1987 he was the recipient of the Yale Medal for Distinguished Service, his alma mater's highest alumni honor. ","Robinson briefly attended Yale Divinity School (1968-1970) before withdrawing to become a visiting professor at Southern Illinois University, in Carbondale, Illinois (1970), an assistant professor of Africana Studies at the State University of New York, SUNY-Stony Brook, and assistant professor of Africana and Afro-American Studies, SUNY Brockport (1970-1973). Later, Robinson was a visiting scholar or professor of history at the National Humanities Center (Research Triangle Park, North Carolina), Southwestern at Memphis [now Rhodes College], and Smith College, Massachusetts (Box 10), and the University of Richmond (Box 11).","It is unknown exactly when and why Robinson decided to become a Civil War historian. While an assistant history professor at the University of California, Los Angeles (UCLA), 1973-1980), he began work on his dissertation at the University of Rochester, New York, where he was mentored by two of America's leading historians, Stanley L. Engerman and Eugene D. Genovese. Genovese was among the scholars who early recognized Robinson's talents as a historian. In his seminal study Roll, Jordan, Roll: The World The Slaves Made (1974), Genovese cited Robinson's thesis (pp. 700n26 and 725n4) as \"'In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870,' unpubl. undergraduate thesis, Yale University, 1969\" (Boxes 5, 6, 15-16, 40-41). ","Robinson received a Doctorate of Philosophy with Honors from the University of Rochester in 1977 for his dissertation \"Day of Jubilo: Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865.\" In 1980 he joined the University of Virginia faculty as an associate professor in the Corcoran Department of History and was also appointed the first director of the Carter G. Woodson Institute for Afro-American and African Studies; as director he was the general editor of the Carter G. Woodson Series in Black Studies published by the University Press of Virginia and retained these positions until his death. In a June 25, 1980 letter to James T. McIntosh, editor of the Papers of Jefferson Davis, Robinson noted the racial and cultural significance of his Virginia appointment: \"I am happier than I can possibly express to be able to return home to the south, particularly at UVA where I am scheduled to teach . . .  I am indeed excited about the day when a southern black can teach southern and Civil War/Reconstruction history at a major southern university\" (folder \"Papers of Jefferson Davis,\" Box 12). ","He served on numerous university committees during his career. At the University of California, Los Angeles, he was a member of: the Faculty Senate (1975-1979); the American Field Written Comprehensive Examination Committee (1976-1979; chairman, 1977-1979), and, the Fellowships Committee, Center for Afro-American Studies (1975-1980; chairman, 1977-1980). While at the University of Virginia he was a member of the Faculty Steering Committee for Major in Afro-American and African Studies (1980-1995); the Faculty Senate (1981-1984; 1987-1990); the Afro-American Faculty-Staff Forum (1982-1984); the Presidential Advisory Committee on Equal Employment Opportunity and Affirmative Action (1992-1995), and co-chairman, Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (1993-1995). Other notable committee service consisted of the Planning Committee, Booker T. Washington Commemoration, Booker T. Washington National Monument (1983-1984); the Jefferson Davis Book Award Committee (1989-1991; chairman, 1991); the Abraham Lincoln Prize National Advisory Committee (1990-1995); the Afro-American Studies Advisory Committee, Princeton University (1991-1995), and the James Monroe Papers Advisory Board at Ash Lawn-Highland (1992-1997).","Robinson received numerous awards and scholarly recognitions including the Ford Foundation Fund for Distinguished Black Scholars (1971); the UCLA Faculty Career Development Award (1979-1980); the Carter G. Woodson Award, Journal of Negro History (1981); Fellow at the National Humanities and National Research Council (1984-1985); Jefferson Davis Memorial Lecturer, Museum of the Confederacy, Richmond, Virginia (1990); William Allan Neilson Research Professor, Smith College (1991-1992); Louis P. Gottschalk Memorial Lecturer, University of Louisville (1994), and the Jessie Ball DuPont Visiting Professor, University of Richmond (1994-1995). The Virginia State Library Board of Trustees issued a 1990 resolution of thanks for his service during 1984-1989 while a member of its board of trustees, and Robinson was declared an honorary citizen of Natchez, Mississippi in 1994. He was a member of several scholarly organizations including the American Historical Association, the American Studies Association, the Association for the Study of Afro-American Life and History, the Organization of American Historians, and the Southern Historical Association.","Robinson published extensively. He co-edited Black Studies in the University: A Symposium (1969) [Boxes 1-2]; The African Religious Tradition: Historiography (Associated Publishers, 1987), and New Directions in Civil Rights Studies (University Press of Virginia, 1991). His posthumous magnum opus, Bitter Fruits of Bondage: The Demise of Slavery and the Collapse of the Confederacy, 1861-1865 (University of Virginia Press, 2005), was nationally acclaimed (Boxes 32-38). The author of several articles, essays and book reviews, Robinson's most significant articles include: \"In the Shadow of Old John Brown: Insurrection Anxiety and Confederate Mobilization, 1861-1863,\" Journal of Negro History (Fall 1980) [Box 41]; \"Beyond the Realm of Social Consensus: New Meanings of Reconstruction for American History,\" The Journal of American History (September 1981) [Box 32], and, \"Reassessing the First Reconstruction: Lost Opportunity or Tragic Era,\" Reviews in American History, (March 1978) [Box 42]. He also wrote the foreword to Calder Loth's Virginia Landmarks of Black History: Sites on the Virginia Landmarks Register and the National Register of Historic Places (University Press of Virginia, 1995) [Box 42].","Robinson married Mildred (Wigfall) Ravenell, a University of Virginia law professor, at the university's Colonnade Club in 1987. He died of complications from a brain aneurysm at the University of Virginia Medical Center, Charlottesville, on August 28, 1995, at the age of forty-eight. He was survived by his wife Mildred and their daughter Allison; his mother Ruth Robinson; his sisters DeWittress Taylor and Miriam Elmore and a brother, Llewlyn Robinson; two stepchildren, and a host of nieces, nephews and relatives. After a funeral on September 5, 1995, Robinson was interred at Cross of Cavalry Lutheran Church Cemetery in Memphis, Tennessee. A two-hour memorial \"Service of Thanksgiving,\" attended by nearly 500 colleagues, family and friends, was held on September 29, 1995 at the University of Virginia's Old Cabell Hall auditorium. The Armstead L. Robinson Fellowship Fund was established at the Carter G. Woodson Institute for Afro-American and African Studies in his memory.","The Armstead L. Robinson papers(1848-2001; 43 cubic feet) consist of audiotapes; book reviews; census material; computer printouts; conference papers; correspondence; biographical information; instructional material; lectures and speeches; manuscripts and original writings by Robinson, his colleagues and students; maps; memorabilia; microfilm; organizational and professional files; photographs; printed items, and research and topical files. Most of the nineteenth century material is in the form of photocopies.","The scope of this collection is national. Professor Robinson's papers are reflective of the life and career of a nationally active professional historian and educator. Topics of interest include: African-American history; African-American life in Memphis and Shelby County, Tennessee, 1840s-1880s; life as an African-American student at Yale University during the 1960s; the development of Black Studies during the 1960s; life as an African-American faculty member at the State University of New York (SUNY), the University of California at Los Angeles (UCLA), and the University of Virginia during the 1970s, 1980s and 1990s; slavery in the Confederacy; the nineteenth century American South, especially during the Civil War and Reconstruction; and the modern Civil Rights Movement. Several organizations of interest to Robinson include but are not limited to: Antioch College; Association for the Study of Negro Life and History (Association for the Study of Afro-American Life and History); the Black Student Alliance at Yale (BSAY); the Booker T. Washington National Monument; Corporate/Community Schools of America; the Martin Luther King, Jr. Memorial Center and Institute of the Black World; National Humanities Center (Research Triangle Park, North Carolina); Papers of Jefferson Davis; the University of California, Berkeley; the University of California at Los Angeles; the University of Rochester; the University of Virginia; the Virginia State Library Board, and Yale University.","\n    \n    Robinson corresponded with numerous fellow scholars, historians and prominent persons: Herbert Aptheker (1915-2003), historian; Molefi Kete Asante (b. 1942), founder of Afrocentricity and proponent of Black Studies; Ira Berlin (b. 1941), American historian; John B. Boles (b. 1943), historian and managing editor, Journal of Southern History; F. N. Boney, historian; Arna Wendell Bontemps (1902-1973), educator, librarian and Harlem Renaissance novelist; McGeorge Bundy (1919–1996), United States National Security Advisor and head of the Ford Foundation; Austin C. Clarke (b. 1934), Afro-Canadian novelist; John F. Cooke (president, The Disney Channel/Walt Disney Company); Emâilia Viotti da Costa, historian of Brazil; LaWanda F. Cox (1909-2005), historian; Lynda Lasswell Crist (Papers of Jefferson Davis); Merle Curti (1897-1997), American social and intellectual historian; Mary Seaton Dix (Papers of Jefferson Davis); Stanley L. Engerman (b. 1936), economic historian; Karen E. Fields, director, Frederick Douglass Institute for African and African-Americans Studies, University of Rochester; Michael W. Fitzgerald (b. 1956), historian; Harold E. Ford [Harold Eugene Ford, Sr., b.1945], U. S. congressman from Tennessee; Elizabeth Fox-Genovese (1941-2007), historian; John Hope Franklin (1915-2009), American historian; George M. Fredrickson (b. 1934), historian; Eugene D. Genovese (1930-2012), historian; Henry Louis \"Skip\" Gates Jr. (b. 1950); A. Bartlett Giamatti (1938-1989), Yale president (and later commissioner of Major League Baseball); Herbert Gutman (1928-1985), historian; Stephen Hahn (b. 1950), Faulkner scholar; Vincent Harding (b. 1931), historian; Nathan Hare (b. 1933), sociologist, psychotherapist, and a founder of the Black Studies movement; Darlene Clark Hine (b. 1947), historian; Alton Hornsby (Journal of Negro History); C. Stuart McGehee, historian; Ron \"Maulana\" Karenga (b. 1941), a leader of the Black Studies movement and founder of Kwanzaa, a cultural celebration of African-American culture and community; Lauranett Lee (later curator of African American History, Virginia Historical Society, Richmond, Virginia); James T. McIntosh (Papers of Jefferson Davis); Pauline Maier (b. 1938), professor of American History, Massachusetts Institute of Technology; August Meier (1923-2003), historian; Nell Irvin Painter (b. 1942), historian; Lewis C. Perry (b. 1938), historian and editor of The Journal of American History; Edwin S. Redkey (b. 1931), American historian; Joseph Reidy (b. 1948); Dan Roberts, University of Richmond; Leslie S. Rowland, historian; William Scarborough, historian, University of Southern Mississippi; Daryl M. Scott (later a Howard University professor of history and vice president for programs, and member of the Association for the Study of African American Life and History's executive council); Robert Brent Toplin (b. 1940), American historian; Edmund S. Wehrle, University of Connecticut; C. Vann Woodward (1908-1999), American historian; Karen L. Wysocki,  and, Whitney Moore Young Jr. (1921-1971), executive director of the National Urban League, Inc., and American civil rights leader.","As to be expected, there is correspondence with several University of Virginia colleagues: Edward L. Ayers (b. 1953), Corcoran Department of History; William A. Elwood (1932-2002), professor of English and associate dean of the Graduate School of Arts and Sciences; Edwin E. Floyd, dean of the Faculty of Arts and Sciences; Matthew Holden, Jr. (b. 1931), Henry L. and Grace M. Doherty Professor, Woodrow Wilson Department of Government and Foreign Affairs; Michael F. Holt, Corcoran Department of History; Ervin L. Jordan Jr. (b. 1954), Special Collections Department, Alderman Library; Robert O'Neil, president of the University of Virginia; Nathan Alexander Scott, Jr. (1925-2006), Commonwealth Professor of Religious Studies; Jeanne Maddox Toungara, Corcoran Department of History, and, Theresa M. Towner, Department of English.","Prominent persons mentioned in the collection include: Howard K. Beale (1897-1959), a University of North Carolina historian; Reginald Butler, Corcoran Department of History, and Robinson's successor as director of the Carter G. Woodson Institute for Afro-American and African studies; Lawrence Chisolm, historian, State University of New York at Buffalo; Robert R. Church [Robert Reed Church, Sr.] (1839-1912), business leader and the South's first African-American millionaire; Eldridge Cleaver (1935-1998), a founder of the Black Panther Party; Harold Cruse (1916-2005), historian and proponent of Black Studies; Philip D. Curtin (b. 1922), historian; Robert Dahl (b. 1915), Yale political scientist; St. Clair Drake (1911-1990), sociologist, anthropologist and educator; Alex Dupuy, historian of Haiti; Drew Gilpin Faust (b. 1947), American historian; Robert W. Fogel (b. 1926), American historian; Vivian V. Gordon (1934-1995), sociologist; Martin Kilson, Jr., political scientist, Harvard University; James Armistead Lafayette (1760-1832), African-American slave and spy; Alan Lomax (1915-2002), folklorist and musicologist; Gerald A. McWorter, political scientist, Spelman College, and a founder of the Black Studies movement; Sidney W. Mintz (b. 1922), anthropologist; Boniface I. Obichere (1933-1997), historian; Donald Ogilvie (Yale student); Dorothy B. Porter [Dorothy Porter Wesley]; Alvin Poussaint (b. 1934), psychiatrist; Paul L. Puryear (1930-2010), dean of the Office of Afro-American Affairs, University of Virginia; John T. Schlotterbeck (b. 1948), historian; Henry Taylor, Jr. (b. 1928), educator and psychoanalyst; William Shockley (1910-1989), American physicist and eugenicist; F. (Frederick) Palmer Weber (1914-1986), labor and civil rights activist; Charles Harris Wesley (1891-1987), an African-American historian; Bell Irwin Wiley (1906-1980), American Civil War historian; Carter G. Woodson (1875-1950), \"the Father of Negro History,\" and George Carlton Wright, vice provost of the University of Texas at Austin.","The collection has been organized into six series: Corespondence, Academic Career, Topical Files, Research Materials, Writings and Publications, and Oversize materails. ","Armistead L. Robinson, Scholar of the House Thesis, Yale University, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870\": Research note cards (5x8 multicolored-lined):\"Pre 1865, 1865, 1866, 1867, 1868, 1869, 1866 (again), Not yet Filed, 1870 (2)\"","Armistead L. Robinson, Scholar of the House Thesis, Yale University, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870\": Research note cards (5x8 multicolored-lined):\"1865, 1866 (2), 1867, 1869, 1865, 1866, 1867, 1868, 1869 (again), 1870 (2), Not Yet Filed, 1865, 1867, 1868, 1869, 1870, Not Yet Filed, 1865, 1866,1867, 1868,1869,1870, Not Yet Filed, 1865,1866, 1867, 1868, 1869, 1870 Not Yet Filed, 1865, 1866, General Patterns, A-W\"","Armistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"A-W and unrelated miscellaneous note cards","Armistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"Maps, Official Documents, Government Documents: Federal, Guides to Manuscript Collections, Guide to Printed Materials, Special Collections, Printed Public Documents, Miscellaneous Documents, Newspapers (4), Urban Directories and State Gazetteers, Periodicals, Personal Collections, Published Letters and Papers, Printed Correspondence, Memoirs, and Autobiographies, Diaries and Journals, Memoirs and Contemporary Accounts, Contemporary Periodicals, Contemporary Books and Pamhlets (2)\" and \"Regional and State Slavery Studies\"","Armistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"Works Dealing Chiefly With the South, Biography, Biographical Studies, Agriculture, Manufacturing, Commerce, and Transportation, The Southern Frontier, Biography, Biographies, Articles in Periodicals and Publications, General American History, State and Local History, Politics, Political and Social Change, Miltary Studies, General and Special Histories, American History: Special Topics, The Wilkinson-Burr Intrigues\"","1. The Emancipation of the Negroes, January, 1863 [January 24, 1863]\n2. Colored Troops, Under General Wild, Liberating Slaves in North Carolina [January 23, 1864] 3. A Negro Regiment In Action [March 14, 1863] 4. The Negro In The War–Various Employments of The Colored Men in The Federal Army [undated] 6. Negroes Escaping Out of Slavery [May 7, 1864] 7. Plantation Police, or Home Guard, Examining Passes on the Road Leading to the Levee of the Mississippi River [May 11, 1863] 8. Emancipated Slaves, White and Colored [January 20, 1864] 9. President Lincoln Riding Through Richmond, April 4, 1865, Immediately After The Evacuation of The City By General Lee [undated] 10. The First Vote [November 16, 1867] 11. The First Colored Senator and Representatives [undated] 12. A Remarkable Event in the History of the National Congress–The Honorable  John Willis Menard, Colored Representative From Louisiana, Receiving the Congratulations of His Friends On The Floor of the House, Dec. 7th, 1868 [undated] 13. Flower Sellers In The Market at Washington, D. C./Free Municipal Election in Richmond Since the End of The War–Registration of Colored Voters [June 4, 1870]\n14. Celebration of the Abolition of Slavery in the District of Columbia by the Colored People, in Washington, April 19, 1866/A Political discussion [May 12, 1866]\n15. Educating the Freedmen/St. Philip's Church, Richmond, Virginia–School For Colored Children [May 25, 1867]\n16. Zion School For Colored Children, Charleston, South Carolina [December 15, 1866]\n17. Cotton Team In North Carolina [May 12, 1866]\n18. Our Cotton Campaign in South Carolina–Gathering, Picking and Shipping The Cotton Crops of The Sea Islands, Port Royal By The Federal Army, Under General Sherman [February 15, 1862] 19. Rice Culture on the Ogeechee, Near Savannah [January 5, 1867]\n20. Cotton Culture In The South [n. d.]","37 maps.","The ten maps in this group were reprinted in George B. Davis, Leslie J. Perry, Joseph W. Kirkley; compiled by Calvin D. Cowles, The Official Military Atlas of the Civil War, with an Introduction by Richard Sommers (New York: The Fairfax Press, 1983) [other publishers: New York: Gramercy Books; Avenel, N. J.: distributed by Outlook Book Company, 1983]","Several folders of \"Research Materials: Civil War\" in Boxes 12-14 include photocopies of materials from various research and academic institutions; researchers should note that most do not permit the reproduction of their materials held by other institutions without their express written permission.","Albert and Shirley Small Special Collections Library","Robinson, Armstead L., 1947-1995","English"],"unitid_tesim":["MSS 12836","Archival Resource Key","/repositories/3/resources/595"],"normalized_title_ssm":["Armstead L. Robinson papers"],"collection_title_tesim":["Armstead L. Robinson papers"],"collection_ssim":["Armstead L. Robinson papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Slave trade-United States-History","United States -- History -- Civil War, 1861-1865 -- African Americans"],"geogname_ssim":["Slave trade-United States-History","United States -- History -- Civil War, 1861-1865 -- African Americans"],"creator_ssm":["Robinson, Armstead L., 1947-1995"],"creator_ssim":["Robinson, Armstead L., 1947-1995"],"creator_persname_ssim":["Robinson, Armstead L., 1947-1995"],"creators_ssim":["Robinson, Armstead L., 1947-1995"],"places_ssim":["Slave trade-United States-History","United States -- History -- Civil War, 1861-1865 -- African Americans"],"access_terms_ssm":["Several folders of \"Research Materials: Civil War\" in Boxes 12-14 include photocopies of materials from various research and academic institutions; researchers should note that most do not permit the reproduction of their materials held by other institutions without their express written permission."],"acqinfo_ssim":["Donated by Prof. Mildred W. Robinson, 12 June 2003;  \nTransfer by University of Virginia Press acquisitions editor Richard K. Holway, 9 August 2005; Tranfer by Carter G. Woodson Institute for Afro-American and African Studies, 2 October 2008."],"access_subjects_ssim":["Slavery--United States--History--19th Century","African Americans -- Study and teaching","African Americans -- History -- 1863-1877","Audiocassettes.","letters (correspondence)"],"access_subjects_ssm":["Slavery--United States--History--19th Century","African Americans -- Study and teaching","African Americans -- History -- 1863-1877","Audiocassettes.","letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":["38 Cubic Feet 34 cubic boxes, 5 card file boxes, 3 clamshell boxes, and 1 oversize box"],"extent_tesim":["38 Cubic Feet 34 cubic boxes, 5 card file boxes, 3 clamshell boxes, and 1 oversize box"],"genreform_ssim":["Audiocassettes.","letters (correspondence)"],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eOriginal order has been preserved as much as possible; several original boxes (Boxes 15-19 [note cards] and 26-28 [1880 census schedules]) was retained because of the size of their particular contents. Items with no ostensible order have been organized with similar materials. Folders, with some exceptions, are arranged alphabetically within each series and their contents chronologically. Throughout the collection Robinson is occasionally addressed as \"ALR,\" \"Armstead Robinson,\" \"Armstead L. Robinson,\" \"Prof. Robinson,\" \"Robbie\" or \"Robby.\" Some folders abbreviate Robinson's name as \"ALR,\" particularly in Series 5; his Bitter Fruits of Bondage folders are occasionally abbreviated as \"BFOB. The collection is arranged in six series:\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence, 1967-1995 (0.5 c.f., Box 1).  This series consists of the bulk of Robinson's general correspondence, 1967-1995, but researchers should note that other correspondence is available throughout Series 2, 3, 4 and 5. Letters of interest include a letter of Whitney Moore Young Jr. of the National Urban League, promising assistance to Robinson, August 18, 1969. Much of Robinson's 1971 correspondence, while an assistant professor of Black Studies at State University of New York at Stony Brook, consists of his research inquiries relating to Black life in Memphis, Tennessee; there are also references to an accident he suffered, December 7 and 15, 1971.  There are several interesting letters during the 1980s (however, researchers should note the absence of 1982, 1988 and 1989 letters in the general \"Correspondence\" folders), especially Robinson's letter of  resignation from the University of California at Los Angeles, May 13, 1980; many of his May 1980 letters pertain to his University of Virginia faculty appointment. Also of interest: a March 26, 1981 letter from Robinson to John Wilkinson, Alumni Affairs Development, Yale University, seeking financial assistance for the daughter of  University of Virginia faculty colleague Vivian V. Gordon; November 23, 1981, to the Rector of the Board of Visitors, Virginia Commonwealth University, expressing opposition to the proposed consolidation of its library system with the school's Visual Education Services; December 9, 1981, to the editor of The Harvard Magazine, describing Robinson's role in the establishment of a Black Studies program at Yale University; March 1984 correspondence with Molefi Kete Asante (founder of Afrocentricity and a Black Studies proponent) accusing Robinson of falsely claiming to have been founding director of the Center for Afro-American Studies at the University of California at Los Angeles.\u003c/p\u003e","\u003cp\u003eSeries 2: Academic Career, 1964-1969 (4.5 c.f., Boxes 1-5).  This series is concerned with Robinson's academic career and is divided into four subseries; there is some chronological and historical overlap among the folders.\nSubseries A: Yale University (Boxes 1-3) chiefly concerns Robinson's work with the Black Student Alliance at Yale (BSAY), its 1968 symposium \"Black Studies in the University,\" and seven audiotape reel recordings of the symposium's proceedings later transcribed, published and edited by Robinson and others as Black Studies in the University: A Symposium (New Haven: Yale University Press, 1969). Symposium participants included McGeorge Bundy; Lawrence Chisolm; Harold Cruse; Robert Dahl; Nathan Hare; Ron \"Maulana\" Karenga; Martin Kilson, Jr.; Sidney W. Mintz; Boniface I. Obichere; Donald Ogilvie; Alvin Poussaint; Edwin S. Redkey; Charles Henry Taylor, Jr.; Farris Thompson, and Gerald A. McWorter.\nSubseries B: State University of New York (Box 4) is concerned with Robinson's faculty career and early interest in Black Studies. \nSubseries C: University of California at Los Angeles and the University of Rochester, New York (Box 4)includes Robinson's UCLA class lecture notes and papers while a Rochester doctoral student. \nSubseries D: University of Virginia (Boxes 4-5)represents the longest and final phase of Robinson's academic career. Included are lecture notes, syllabi, course evaluations, and various topical and subject files including folders for colleagues Matthew W. Holden Jr., Nathan A. Scott, Jr., and Jeanne Maddox Toungara; the Carter G. Woodson Institute for Afro-American and African Studies (researchers should note that the majority of the Woodson Institute's papers, including those during Robinson's tenure, are retained there and may not yet be available for public research); the Corcoran Department of History (with correspondence and memoranda of Edward L. Ayers and Edwin E. Floyd concerning Robinson's appointment and tenure); the Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (a university committee Robinson co-chaired); the Office of Afro-American Affairs (1986 letters to University of Virginia president Robert O'Neil in defense of OAAA dean Paul L. Puryear and critical of the handling of his resignation as dean and the controversy surrounding it), and, the transcribed remarks of  F. (Frederick) Palmer Weber (labor and civil rights activist.\u003c/p\u003e","\u003cp\u003eSeries 3: Subject and Topical Files (Boxes 5-11) consists of alphabetized subject and topical folders of select individuals followed by those of organizations and groups.  Among the prominent correspondents (Boxes 5-7): Herbert Aptheker, Ira Berlin, LaWanda F. Cox, Stanley L. Engerman, Michael W. Fitzgerald, John Hope Franklin, Eugene D. Genovese, Herbert Gutman, Stephen Hahn, Vincent Harding, Darlene Clark Hine, C. Stuart McGehee, Pauline Maier, August Meier, Nell Irvin Painter, Lewis Perry, Edwin S. Redkey, William Scarborough, Robert Brent Toplin, Edmund S. Wehrle, and C. Vann Woodward. Folders of some of  Robinson's former students are also present.\n  \u003c/p\u003e","\u003cp\u003eSeries 4: Research Materials (Boxes 11-32)is the collection's largest series and contains research materials, 1850-1995, on the American Civil War, African-American history, Robinson's dissertation and Bitter Fruits of Bondage book, and census projects. (His extensive census research is filed at the end of this series). The majority of nineteenth century material are photocopies. Folders are arranged alphabetically, and several contain materials cited in Bitter Fruits of Bondage. Folders of interest include: \"First Africans in Virginia (Jamestown)\" (Box 11); \"Memphis Social History Project/Memphis Leadership Project\" (Robinson's letter of June 17, 1977 describes this project as having been conceived by him in 1966, while a junior at Yale, as a history of the Black community in Memphis) (Box 12); \"Research Material: Reconstruction: Black Political Leaders in Memphis, Tennessee (city directory and census data)\" (Box 14).Census materials comprise the latter part of Series IV, and at twelve boxes are the largest groups of materials in the series and the collection (Boxes 20-32).\u003c/p\u003e","\u003cp\u003eSeries 5: Writings and Publications (Boxes 32-42)the collection's second largest series, contains Robinson's writings, publications and manuscripts of his Yale honors' thesis, University of Rochester dissertation \"Day of Jubilo\" [formerly \"Cotton, Contrabands, and Mr. Lincoln's War\"], Bitter Fruits of Bondage (Boxes 32-38), articles, book reviews, public and conference lectures. These folders are arranged alphabetically by title and chronologically within title headings. Some of Robinson's manuscripts were critiqued on his behalf by colleagues and fellow historians such as Ira Berlin, Edward L. Ayers, Michael F. Holt, Michael Johnson, Julie S. Jones, Theresa M. Towner, and Bell Irvin Wiley.\u003c/p\u003e","\u003cp\u003eSeries 6: Oversize (Oversize Box U-10) is the last for the collection. Items are arranged chronologically and include: a photostatic copy of a 1863 letter from James Seddon, Confederate secretary of war, to Jefferson Davis; two pencil and ink sketches of Carter G. Woodson; a 1994 certificate declaring Robinson an honorary citizen of Natchez, Mississippi; an incomplete numbered set of \"Images of Afro-Americans of the Emancipation Era\" (Hodges Publications); University of North Carolina Department of Geography census templates and demographic maps; photostatic copies of Civil War maps from National Archives (Washington, D.C.) record group numbers 77 and 94, and speaking engagement posters.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Original order has been preserved as much as possible; several original boxes (Boxes 15-19 [note cards] and 26-28 [1880 census schedules]) was retained because of the size of their particular contents. Items with no ostensible order have been organized with similar materials. Folders, with some exceptions, are arranged alphabetically within each series and their contents chronologically. Throughout the collection Robinson is occasionally addressed as \"ALR,\" \"Armstead Robinson,\" \"Armstead L. Robinson,\" \"Prof. Robinson,\" \"Robbie\" or \"Robby.\" Some folders abbreviate Robinson's name as \"ALR,\" particularly in Series 5; his Bitter Fruits of Bondage folders are occasionally abbreviated as \"BFOB. The collection is arranged in six series:","Series 1: Correspondence, 1967-1995 (0.5 c.f., Box 1).  This series consists of the bulk of Robinson's general correspondence, 1967-1995, but researchers should note that other correspondence is available throughout Series 2, 3, 4 and 5. Letters of interest include a letter of Whitney Moore Young Jr. of the National Urban League, promising assistance to Robinson, August 18, 1969. Much of Robinson's 1971 correspondence, while an assistant professor of Black Studies at State University of New York at Stony Brook, consists of his research inquiries relating to Black life in Memphis, Tennessee; there are also references to an accident he suffered, December 7 and 15, 1971.  There are several interesting letters during the 1980s (however, researchers should note the absence of 1982, 1988 and 1989 letters in the general \"Correspondence\" folders), especially Robinson's letter of  resignation from the University of California at Los Angeles, May 13, 1980; many of his May 1980 letters pertain to his University of Virginia faculty appointment. Also of interest: a March 26, 1981 letter from Robinson to John Wilkinson, Alumni Affairs Development, Yale University, seeking financial assistance for the daughter of  University of Virginia faculty colleague Vivian V. Gordon; November 23, 1981, to the Rector of the Board of Visitors, Virginia Commonwealth University, expressing opposition to the proposed consolidation of its library system with the school's Visual Education Services; December 9, 1981, to the editor of The Harvard Magazine, describing Robinson's role in the establishment of a Black Studies program at Yale University; March 1984 correspondence with Molefi Kete Asante (founder of Afrocentricity and a Black Studies proponent) accusing Robinson of falsely claiming to have been founding director of the Center for Afro-American Studies at the University of California at Los Angeles.","Series 2: Academic Career, 1964-1969 (4.5 c.f., Boxes 1-5).  This series is concerned with Robinson's academic career and is divided into four subseries; there is some chronological and historical overlap among the folders.\nSubseries A: Yale University (Boxes 1-3) chiefly concerns Robinson's work with the Black Student Alliance at Yale (BSAY), its 1968 symposium \"Black Studies in the University,\" and seven audiotape reel recordings of the symposium's proceedings later transcribed, published and edited by Robinson and others as Black Studies in the University: A Symposium (New Haven: Yale University Press, 1969). Symposium participants included McGeorge Bundy; Lawrence Chisolm; Harold Cruse; Robert Dahl; Nathan Hare; Ron \"Maulana\" Karenga; Martin Kilson, Jr.; Sidney W. Mintz; Boniface I. Obichere; Donald Ogilvie; Alvin Poussaint; Edwin S. Redkey; Charles Henry Taylor, Jr.; Farris Thompson, and Gerald A. McWorter.\nSubseries B: State University of New York (Box 4) is concerned with Robinson's faculty career and early interest in Black Studies. \nSubseries C: University of California at Los Angeles and the University of Rochester, New York (Box 4)includes Robinson's UCLA class lecture notes and papers while a Rochester doctoral student. \nSubseries D: University of Virginia (Boxes 4-5)represents the longest and final phase of Robinson's academic career. Included are lecture notes, syllabi, course evaluations, and various topical and subject files including folders for colleagues Matthew W. Holden Jr., Nathan A. Scott, Jr., and Jeanne Maddox Toungara; the Carter G. Woodson Institute for Afro-American and African Studies (researchers should note that the majority of the Woodson Institute's papers, including those during Robinson's tenure, are retained there and may not yet be available for public research); the Corcoran Department of History (with correspondence and memoranda of Edward L. Ayers and Edwin E. Floyd concerning Robinson's appointment and tenure); the Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (a university committee Robinson co-chaired); the Office of Afro-American Affairs (1986 letters to University of Virginia president Robert O'Neil in defense of OAAA dean Paul L. Puryear and critical of the handling of his resignation as dean and the controversy surrounding it), and, the transcribed remarks of  F. (Frederick) Palmer Weber (labor and civil rights activist.","Series 3: Subject and Topical Files (Boxes 5-11) consists of alphabetized subject and topical folders of select individuals followed by those of organizations and groups.  Among the prominent correspondents (Boxes 5-7): Herbert Aptheker, Ira Berlin, LaWanda F. Cox, Stanley L. Engerman, Michael W. Fitzgerald, John Hope Franklin, Eugene D. Genovese, Herbert Gutman, Stephen Hahn, Vincent Harding, Darlene Clark Hine, C. Stuart McGehee, Pauline Maier, August Meier, Nell Irvin Painter, Lewis Perry, Edwin S. Redkey, William Scarborough, Robert Brent Toplin, Edmund S. Wehrle, and C. Vann Woodward. Folders of some of  Robinson's former students are also present.\n  ","Series 4: Research Materials (Boxes 11-32)is the collection's largest series and contains research materials, 1850-1995, on the American Civil War, African-American history, Robinson's dissertation and Bitter Fruits of Bondage book, and census projects. (His extensive census research is filed at the end of this series). The majority of nineteenth century material are photocopies. Folders are arranged alphabetically, and several contain materials cited in Bitter Fruits of Bondage. Folders of interest include: \"First Africans in Virginia (Jamestown)\" (Box 11); \"Memphis Social History Project/Memphis Leadership Project\" (Robinson's letter of June 17, 1977 describes this project as having been conceived by him in 1966, while a junior at Yale, as a history of the Black community in Memphis) (Box 12); \"Research Material: Reconstruction: Black Political Leaders in Memphis, Tennessee (city directory and census data)\" (Box 14).Census materials comprise the latter part of Series IV, and at twelve boxes are the largest groups of materials in the series and the collection (Boxes 20-32).","Series 5: Writings and Publications (Boxes 32-42)the collection's second largest series, contains Robinson's writings, publications and manuscripts of his Yale honors' thesis, University of Rochester dissertation \"Day of Jubilo\" [formerly \"Cotton, Contrabands, and Mr. Lincoln's War\"], Bitter Fruits of Bondage (Boxes 32-38), articles, book reviews, public and conference lectures. These folders are arranged alphabetically by title and chronologically within title headings. Some of Robinson's manuscripts were critiqued on his behalf by colleagues and fellow historians such as Ira Berlin, Edward L. Ayers, Michael F. Holt, Michael Johnson, Julie S. Jones, Theresa M. Towner, and Bell Irvin Wiley.","Series 6: Oversize (Oversize Box U-10) is the last for the collection. Items are arranged chronologically and include: a photostatic copy of a 1863 letter from James Seddon, Confederate secretary of war, to Jefferson Davis; two pencil and ink sketches of Carter G. Woodson; a 1994 certificate declaring Robinson an honorary citizen of Natchez, Mississippi; an incomplete numbered set of \"Images of Afro-Americans of the Emancipation Era\" (Hodges Publications); University of North Carolina Department of Geography census templates and demographic maps; photostatic copies of Civil War maps from National Archives (Washington, D.C.) record group numbers 77 and 94, and speaking engagement posters."],"bioghist_html_tesm":["\u003cp\u003eArmstead Louis Robinson was born on April 30, 1947 in New Orleans, Louisiana, the son of Reverend Dr. DeWitt Robinson (a Lutheran clergyman) and Ruth Dickinson Robinson. He attended segregated New Orleans public schools (Trinity Lutheran Elementary and Rivers Frederick Junior High), and Hamilton High School in Memphis, Tennessee, from which he graduated with honors in 1964.\u003c/p\u003e","\u003cp\u003eRobinson enrolled at Yale University in 1964 as one of eighteen African-American men (out of 1,061 men admitted that year) and received a bachelor's degree in History and graduated with honors and distinction in 1969 for his Scholar of the House thesis, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis and Shelby County, Tennessee, 1865-1870.\" As a Yale student Robinson helped create an undergraduate Black Studies program culminating in a 1968 symposium, \"Black Studies in the University,\" and co-edited the conference anthology, Black Studies in the University; A Symposium (Yale University Press, 1969), one of the first books on Black Studies. This experience led to his lifelong interest in promoting Black Studies. While at Yale, Robinson began his teaching career with a lecture series on Black History for the New Haven, Connecticut public school system as well as elementary school day sessions and junior high school evening sessions during 1966-1968.\u003c/p\u003e","\u003cp\u003eRobinson was a member of the dean's list (1967-1969), captain of Yale's ROTC Rifle Team (1966-1968), recipient of the 1968 Von Snidren Prize for book collecting, and a member of the Black Student Alliance at Yale (BSAY). As an alumnus he served on the Yale Development Board (1983-1988), the Association of Yale Alumni Board of Governors (1981-1986), and the Yale University Council (1977-1995), of which he served as president during 1981-1986. In 1987 he was the recipient of the Yale Medal for Distinguished Service, his alma mater's highest alumni honor. \u003c/p\u003e","\u003cp\u003eRobinson briefly attended Yale Divinity School (1968-1970) before withdrawing to become a visiting professor at Southern Illinois University, in Carbondale, Illinois (1970), an assistant professor of Africana Studies at the State University of New York, SUNY-Stony Brook, and assistant professor of Africana and Afro-American Studies, SUNY Brockport (1970-1973). Later, Robinson was a visiting scholar or professor of history at the National Humanities Center (Research Triangle Park, North Carolina), Southwestern at Memphis [now Rhodes College], and Smith College, Massachusetts (Box 10), and the University of Richmond (Box 11).\u003c/p\u003e","\u003cp\u003eIt is unknown exactly when and why Robinson decided to become a Civil War historian. While an assistant history professor at the University of California, Los Angeles (UCLA), 1973-1980), he began work on his dissertation at the University of Rochester, New York, where he was mentored by two of America's leading historians, Stanley L. Engerman and Eugene D. Genovese. Genovese was among the scholars who early recognized Robinson's talents as a historian. In his seminal study Roll, Jordan, Roll: The World The Slaves Made (1974), Genovese cited Robinson's thesis (pp. 700n26 and 725n4) as \"'In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870,' unpubl. undergraduate thesis, Yale University, 1969\" (Boxes 5, 6, 15-16, 40-41). \u003c/p\u003e","\u003cp\u003eRobinson received a Doctorate of Philosophy with Honors from the University of Rochester in 1977 for his dissertation \"Day of Jubilo: Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865.\" In 1980 he joined the University of Virginia faculty as an associate professor in the Corcoran Department of History and was also appointed the first director of the Carter G. Woodson Institute for Afro-American and African Studies; as director he was the general editor of the Carter G. Woodson Series in Black Studies published by the University Press of Virginia and retained these positions until his death. In a June 25, 1980 letter to James T. McIntosh, editor of the Papers of Jefferson Davis, Robinson noted the racial and cultural significance of his Virginia appointment: \"I am happier than I can possibly express to be able to return home to the south, particularly at UVA where I am scheduled to teach . . .  I am indeed excited about the day when a southern black can teach southern and Civil War/Reconstruction history at a major southern university\" (folder \"Papers of Jefferson Davis,\" Box 12). \u003c/p\u003e","\u003cp\u003eHe served on numerous university committees during his career. At the University of California, Los Angeles, he was a member of: the Faculty Senate (1975-1979); the American Field Written Comprehensive Examination Committee (1976-1979; chairman, 1977-1979), and, the Fellowships Committee, Center for Afro-American Studies (1975-1980; chairman, 1977-1980). While at the University of Virginia he was a member of the Faculty Steering Committee for Major in Afro-American and African Studies (1980-1995); the Faculty Senate (1981-1984; 1987-1990); the Afro-American Faculty-Staff Forum (1982-1984); the Presidential Advisory Committee on Equal Employment Opportunity and Affirmative Action (1992-1995), and co-chairman, Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (1993-1995). Other notable committee service consisted of the Planning Committee, Booker T. Washington Commemoration, Booker T. Washington National Monument (1983-1984); the Jefferson Davis Book Award Committee (1989-1991; chairman, 1991); the Abraham Lincoln Prize National Advisory Committee (1990-1995); the Afro-American Studies Advisory Committee, Princeton University (1991-1995), and the James Monroe Papers Advisory Board at Ash Lawn-Highland (1992-1997).\u003c/p\u003e","\u003cp\u003eRobinson received numerous awards and scholarly recognitions including the Ford Foundation Fund for Distinguished Black Scholars (1971); the UCLA Faculty Career Development Award (1979-1980); the Carter G. Woodson Award, Journal of Negro History (1981); Fellow at the National Humanities and National Research Council (1984-1985); Jefferson Davis Memorial Lecturer, Museum of the Confederacy, Richmond, Virginia (1990); William Allan Neilson Research Professor, Smith College (1991-1992); Louis P. Gottschalk Memorial Lecturer, University of Louisville (1994), and the Jessie Ball DuPont Visiting Professor, University of Richmond (1994-1995). The Virginia State Library Board of Trustees issued a 1990 resolution of thanks for his service during 1984-1989 while a member of its board of trustees, and Robinson was declared an honorary citizen of Natchez, Mississippi in 1994. He was a member of several scholarly organizations including the American Historical Association, the American Studies Association, the Association for the Study of Afro-American Life and History, the Organization of American Historians, and the Southern Historical Association.\u003c/p\u003e","\u003cp\u003eRobinson published extensively. He co-edited Black Studies in the University: A Symposium (1969) [Boxes 1-2]; The African Religious Tradition: Historiography (Associated Publishers, 1987), and New Directions in Civil Rights Studies (University Press of Virginia, 1991). His posthumous magnum opus, Bitter Fruits of Bondage: The Demise of Slavery and the Collapse of the Confederacy, 1861-1865 (University of Virginia Press, 2005), was nationally acclaimed (Boxes 32-38). The author of several articles, essays and book reviews, Robinson's most significant articles include: \"In the Shadow of Old John Brown: Insurrection Anxiety and Confederate Mobilization, 1861-1863,\" Journal of Negro History (Fall 1980) [Box 41]; \"Beyond the Realm of Social Consensus: New Meanings of Reconstruction for American History,\" The Journal of American History (September 1981) [Box 32], and, \"Reassessing the First Reconstruction: Lost Opportunity or Tragic Era,\" Reviews in American History, (March 1978) [Box 42]. He also wrote the foreword to Calder Loth's Virginia Landmarks of Black History: Sites on the Virginia Landmarks Register and the National Register of Historic Places (University Press of Virginia, 1995) [Box 42].\u003c/p\u003e","\u003cp\u003eRobinson married Mildred (Wigfall) Ravenell, a University of Virginia law professor, at the university's Colonnade Club in 1987. He died of complications from a brain aneurysm at the University of Virginia Medical Center, Charlottesville, on August 28, 1995, at the age of forty-eight. He was survived by his wife Mildred and their daughter Allison; his mother Ruth Robinson; his sisters DeWittress Taylor and Miriam Elmore and a brother, Llewlyn Robinson; two stepchildren, and a host of nieces, nephews and relatives. After a funeral on September 5, 1995, Robinson was interred at Cross of Cavalry Lutheran Church Cemetery in Memphis, Tennessee. A two-hour memorial \"Service of Thanksgiving,\" attended by nearly 500 colleagues, family and friends, was held on September 29, 1995 at the University of Virginia's Old Cabell Hall auditorium. The Armstead L. Robinson Fellowship Fund was established at the Carter G. Woodson Institute for Afro-American and African Studies in his memory.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Armstead Louis Robinson was born on April 30, 1947 in New Orleans, Louisiana, the son of Reverend Dr. DeWitt Robinson (a Lutheran clergyman) and Ruth Dickinson Robinson. He attended segregated New Orleans public schools (Trinity Lutheran Elementary and Rivers Frederick Junior High), and Hamilton High School in Memphis, Tennessee, from which he graduated with honors in 1964.","Robinson enrolled at Yale University in 1964 as one of eighteen African-American men (out of 1,061 men admitted that year) and received a bachelor's degree in History and graduated with honors and distinction in 1969 for his Scholar of the House thesis, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis and Shelby County, Tennessee, 1865-1870.\" As a Yale student Robinson helped create an undergraduate Black Studies program culminating in a 1968 symposium, \"Black Studies in the University,\" and co-edited the conference anthology, Black Studies in the University; A Symposium (Yale University Press, 1969), one of the first books on Black Studies. This experience led to his lifelong interest in promoting Black Studies. While at Yale, Robinson began his teaching career with a lecture series on Black History for the New Haven, Connecticut public school system as well as elementary school day sessions and junior high school evening sessions during 1966-1968.","Robinson was a member of the dean's list (1967-1969), captain of Yale's ROTC Rifle Team (1966-1968), recipient of the 1968 Von Snidren Prize for book collecting, and a member of the Black Student Alliance at Yale (BSAY). As an alumnus he served on the Yale Development Board (1983-1988), the Association of Yale Alumni Board of Governors (1981-1986), and the Yale University Council (1977-1995), of which he served as president during 1981-1986. In 1987 he was the recipient of the Yale Medal for Distinguished Service, his alma mater's highest alumni honor. ","Robinson briefly attended Yale Divinity School (1968-1970) before withdrawing to become a visiting professor at Southern Illinois University, in Carbondale, Illinois (1970), an assistant professor of Africana Studies at the State University of New York, SUNY-Stony Brook, and assistant professor of Africana and Afro-American Studies, SUNY Brockport (1970-1973). Later, Robinson was a visiting scholar or professor of history at the National Humanities Center (Research Triangle Park, North Carolina), Southwestern at Memphis [now Rhodes College], and Smith College, Massachusetts (Box 10), and the University of Richmond (Box 11).","It is unknown exactly when and why Robinson decided to become a Civil War historian. While an assistant history professor at the University of California, Los Angeles (UCLA), 1973-1980), he began work on his dissertation at the University of Rochester, New York, where he was mentored by two of America's leading historians, Stanley L. Engerman and Eugene D. Genovese. Genovese was among the scholars who early recognized Robinson's talents as a historian. In his seminal study Roll, Jordan, Roll: The World The Slaves Made (1974), Genovese cited Robinson's thesis (pp. 700n26 and 725n4) as \"'In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870,' unpubl. undergraduate thesis, Yale University, 1969\" (Boxes 5, 6, 15-16, 40-41). ","Robinson received a Doctorate of Philosophy with Honors from the University of Rochester in 1977 for his dissertation \"Day of Jubilo: Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865.\" In 1980 he joined the University of Virginia faculty as an associate professor in the Corcoran Department of History and was also appointed the first director of the Carter G. Woodson Institute for Afro-American and African Studies; as director he was the general editor of the Carter G. Woodson Series in Black Studies published by the University Press of Virginia and retained these positions until his death. In a June 25, 1980 letter to James T. McIntosh, editor of the Papers of Jefferson Davis, Robinson noted the racial and cultural significance of his Virginia appointment: \"I am happier than I can possibly express to be able to return home to the south, particularly at UVA where I am scheduled to teach . . .  I am indeed excited about the day when a southern black can teach southern and Civil War/Reconstruction history at a major southern university\" (folder \"Papers of Jefferson Davis,\" Box 12). ","He served on numerous university committees during his career. At the University of California, Los Angeles, he was a member of: the Faculty Senate (1975-1979); the American Field Written Comprehensive Examination Committee (1976-1979; chairman, 1977-1979), and, the Fellowships Committee, Center for Afro-American Studies (1975-1980; chairman, 1977-1980). While at the University of Virginia he was a member of the Faculty Steering Committee for Major in Afro-American and African Studies (1980-1995); the Faculty Senate (1981-1984; 1987-1990); the Afro-American Faculty-Staff Forum (1982-1984); the Presidential Advisory Committee on Equal Employment Opportunity and Affirmative Action (1992-1995), and co-chairman, Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (1993-1995). Other notable committee service consisted of the Planning Committee, Booker T. Washington Commemoration, Booker T. Washington National Monument (1983-1984); the Jefferson Davis Book Award Committee (1989-1991; chairman, 1991); the Abraham Lincoln Prize National Advisory Committee (1990-1995); the Afro-American Studies Advisory Committee, Princeton University (1991-1995), and the James Monroe Papers Advisory Board at Ash Lawn-Highland (1992-1997).","Robinson received numerous awards and scholarly recognitions including the Ford Foundation Fund for Distinguished Black Scholars (1971); the UCLA Faculty Career Development Award (1979-1980); the Carter G. Woodson Award, Journal of Negro History (1981); Fellow at the National Humanities and National Research Council (1984-1985); Jefferson Davis Memorial Lecturer, Museum of the Confederacy, Richmond, Virginia (1990); William Allan Neilson Research Professor, Smith College (1991-1992); Louis P. Gottschalk Memorial Lecturer, University of Louisville (1994), and the Jessie Ball DuPont Visiting Professor, University of Richmond (1994-1995). The Virginia State Library Board of Trustees issued a 1990 resolution of thanks for his service during 1984-1989 while a member of its board of trustees, and Robinson was declared an honorary citizen of Natchez, Mississippi in 1994. He was a member of several scholarly organizations including the American Historical Association, the American Studies Association, the Association for the Study of Afro-American Life and History, the Organization of American Historians, and the Southern Historical Association.","Robinson published extensively. He co-edited Black Studies in the University: A Symposium (1969) [Boxes 1-2]; The African Religious Tradition: Historiography (Associated Publishers, 1987), and New Directions in Civil Rights Studies (University Press of Virginia, 1991). His posthumous magnum opus, Bitter Fruits of Bondage: The Demise of Slavery and the Collapse of the Confederacy, 1861-1865 (University of Virginia Press, 2005), was nationally acclaimed (Boxes 32-38). The author of several articles, essays and book reviews, Robinson's most significant articles include: \"In the Shadow of Old John Brown: Insurrection Anxiety and Confederate Mobilization, 1861-1863,\" Journal of Negro History (Fall 1980) [Box 41]; \"Beyond the Realm of Social Consensus: New Meanings of Reconstruction for American History,\" The Journal of American History (September 1981) [Box 32], and, \"Reassessing the First Reconstruction: Lost Opportunity or Tragic Era,\" Reviews in American History, (March 1978) [Box 42]. He also wrote the foreword to Calder Loth's Virginia Landmarks of Black History: Sites on the Virginia Landmarks Register and the National Register of Historic Places (University Press of Virginia, 1995) [Box 42].","Robinson married Mildred (Wigfall) Ravenell, a University of Virginia law professor, at the university's Colonnade Club in 1987. He died of complications from a brain aneurysm at the University of Virginia Medical Center, Charlottesville, on August 28, 1995, at the age of forty-eight. He was survived by his wife Mildred and their daughter Allison; his mother Ruth Robinson; his sisters DeWittress Taylor and Miriam Elmore and a brother, Llewlyn Robinson; two stepchildren, and a host of nieces, nephews and relatives. After a funeral on September 5, 1995, Robinson was interred at Cross of Cavalry Lutheran Church Cemetery in Memphis, Tennessee. A two-hour memorial \"Service of Thanksgiving,\" attended by nearly 500 colleagues, family and friends, was held on September 29, 1995 at the University of Virginia's Old Cabell Hall auditorium. The Armstead L. Robinson Fellowship Fund was established at the Carter G. Woodson Institute for Afro-American and African Studies in his memory."],"prefercite_html_tesm":["\u003cp\u003eMSS 12836, Armstead Robinson Papers, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 12836, Armstead Robinson Papers, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Armstead L. Robinson papers(1848-2001; 43 cubic feet) consist of audiotapes; book reviews; census material; computer printouts; conference papers; correspondence; biographical information; instructional material; lectures and speeches; manuscripts and original writings by Robinson, his colleagues and students; maps; memorabilia; microfilm; organizational and professional files; photographs; printed items, and research and topical files. Most of the nineteenth century material is in the form of photocopies.\u003c/p\u003e","\u003cp\u003eThe scope of this collection is national. Professor Robinson's papers are reflective of the life and career of a nationally active professional historian and educator. Topics of interest include: African-American history; African-American life in Memphis and Shelby County, Tennessee, 1840s-1880s; life as an African-American student at Yale University during the 1960s; the development of Black Studies during the 1960s; life as an African-American faculty member at the State University of New York (SUNY), the University of California at Los Angeles (UCLA), and the University of Virginia during the 1970s, 1980s and 1990s; slavery in the Confederacy; the nineteenth century American South, especially during the Civil War and Reconstruction; and the modern Civil Rights Movement. Several organizations of interest to Robinson include but are not limited to: Antioch College; Association for the Study of Negro Life and History (Association for the Study of Afro-American Life and History); the Black Student Alliance at Yale (BSAY); the Booker T. Washington National Monument; Corporate/Community Schools of America; the Martin Luther King, Jr. Memorial Center and Institute of the Black World; National Humanities Center (Research Triangle Park, North Carolina); Papers of Jefferson Davis; the University of California, Berkeley; the University of California at Los Angeles; the University of Rochester; the University of Virginia; the Virginia State Library Board, and Yale University.\u003c/p\u003e","\u003cp\u003e\n    \n    Robinson corresponded with numerous fellow scholars, historians and prominent persons: Herbert Aptheker (1915-2003), historian; Molefi Kete Asante (b. 1942), founder of Afrocentricity and proponent of Black Studies; Ira Berlin (b. 1941), American historian; John B. Boles (b. 1943), historian and managing editor, Journal of Southern History; F. N. Boney, historian; Arna Wendell Bontemps (1902-1973), educator, librarian and Harlem Renaissance novelist; McGeorge Bundy (1919–1996), United States National Security Advisor and head of the Ford Foundation; Austin C. Clarke (b. 1934), Afro-Canadian novelist; John F. Cooke (president, The Disney Channel/Walt Disney Company); Emâilia Viotti da Costa, historian of Brazil; LaWanda F. Cox (1909-2005), historian; Lynda Lasswell Crist (Papers of Jefferson Davis); Merle Curti (1897-1997), American social and intellectual historian; Mary Seaton Dix (Papers of Jefferson Davis); Stanley L. Engerman (b. 1936), economic historian; Karen E. Fields, director, Frederick Douglass Institute for African and African-Americans Studies, University of Rochester; Michael W. Fitzgerald (b. 1956), historian; Harold E. Ford [Harold Eugene Ford, Sr., b.1945], U. S. congressman from Tennessee; Elizabeth Fox-Genovese (1941-2007), historian; John Hope Franklin (1915-2009), American historian; George M. Fredrickson (b. 1934), historian; Eugene D. Genovese (1930-2012), historian; Henry Louis \"Skip\" Gates Jr. (b. 1950); A. Bartlett Giamatti (1938-1989), Yale president (and later commissioner of Major League Baseball); Herbert Gutman (1928-1985), historian; Stephen Hahn (b. 1950), Faulkner scholar; Vincent Harding (b. 1931), historian; Nathan Hare (b. 1933), sociologist, psychotherapist, and a founder of the Black Studies movement; Darlene Clark Hine (b. 1947), historian; Alton Hornsby (Journal of Negro History); C. Stuart McGehee, historian; Ron \"Maulana\" Karenga (b. 1941), a leader of the Black Studies movement and founder of Kwanzaa, a cultural celebration of African-American culture and community; Lauranett Lee (later curator of African American History, Virginia Historical Society, Richmond, Virginia); James T. McIntosh (Papers of Jefferson Davis); Pauline Maier (b. 1938), professor of American History, Massachusetts Institute of Technology; August Meier (1923-2003), historian; Nell Irvin Painter (b. 1942), historian; Lewis C. Perry (b. 1938), historian and editor of The Journal of American History; Edwin S. Redkey (b. 1931), American historian; Joseph Reidy (b. 1948); Dan Roberts, University of Richmond; Leslie S. Rowland, historian; William Scarborough, historian, University of Southern Mississippi; Daryl M. Scott (later a Howard University professor of history and vice president for programs, and member of the Association for the Study of African American Life and History's executive council); Robert Brent Toplin (b. 1940), American historian; Edmund S. Wehrle, University of Connecticut; C. Vann Woodward (1908-1999), American historian; Karen L. Wysocki,  and, Whitney Moore Young Jr. (1921-1971), executive director of the National Urban League, Inc., and American civil rights leader.\u003c/p\u003e","\u003cp\u003eAs to be expected, there is correspondence with several University of Virginia colleagues: Edward L. Ayers (b. 1953), Corcoran Department of History; William A. Elwood (1932-2002), professor of English and associate dean of the Graduate School of Arts and Sciences; Edwin E. Floyd, dean of the Faculty of Arts and Sciences; Matthew Holden, Jr. (b. 1931), Henry L. and Grace M. Doherty Professor, Woodrow Wilson Department of Government and Foreign Affairs; Michael F. Holt, Corcoran Department of History; Ervin L. Jordan Jr. (b. 1954), Special Collections Department, Alderman Library; Robert O'Neil, president of the University of Virginia; Nathan Alexander Scott, Jr. (1925-2006), Commonwealth Professor of Religious Studies; Jeanne Maddox Toungara, Corcoran Department of History, and, Theresa M. Towner, Department of English.\u003c/p\u003e","\u003cp\u003eProminent persons mentioned in the collection include: Howard K. Beale (1897-1959), a University of North Carolina historian; Reginald Butler, Corcoran Department of History, and Robinson's successor as director of the Carter G. Woodson Institute for Afro-American and African studies; Lawrence Chisolm, historian, State University of New York at Buffalo; Robert R. Church [Robert Reed Church, Sr.] (1839-1912), business leader and the South's first African-American millionaire; Eldridge Cleaver (1935-1998), a founder of the Black Panther Party; Harold Cruse (1916-2005), historian and proponent of Black Studies; Philip D. Curtin (b. 1922), historian; Robert Dahl (b. 1915), Yale political scientist; St. Clair Drake (1911-1990), sociologist, anthropologist and educator; Alex Dupuy, historian of Haiti; Drew Gilpin Faust (b. 1947), American historian; Robert W. Fogel (b. 1926), American historian; Vivian V. Gordon (1934-1995), sociologist; Martin Kilson, Jr., political scientist, Harvard University; James Armistead Lafayette (1760-1832), African-American slave and spy; Alan Lomax (1915-2002), folklorist and musicologist; Gerald A. McWorter, political scientist, Spelman College, and a founder of the Black Studies movement; Sidney W. Mintz (b. 1922), anthropologist; Boniface I. Obichere (1933-1997), historian; Donald Ogilvie (Yale student); Dorothy B. Porter [Dorothy Porter Wesley]; Alvin Poussaint (b. 1934), psychiatrist; Paul L. Puryear (1930-2010), dean of the Office of Afro-American Affairs, University of Virginia; John T. Schlotterbeck (b. 1948), historian; Henry Taylor, Jr. (b. 1928), educator and psychoanalyst; William Shockley (1910-1989), American physicist and eugenicist; F. (Frederick) Palmer Weber (1914-1986), labor and civil rights activist; Charles Harris Wesley (1891-1987), an African-American historian; Bell Irwin Wiley (1906-1980), American Civil War historian; Carter G. Woodson (1875-1950), \"the Father of Negro History,\" and George Carlton Wright, vice provost of the University of Texas at Austin.\u003c/p\u003e","\u003cp\u003eThe collection has been organized into six series: Corespondence, Academic Career, Topical Files, Research Materials, Writings and Publications, and Oversize materails. \u003c/p\u003e","\u003cp\u003eArmistead L. Robinson, Scholar of the House Thesis, Yale University, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870\": Research note cards (5x8 multicolored-lined):\"Pre 1865, 1865, 1866, 1867, 1868, 1869, 1866 (again), Not yet Filed, 1870 (2)\"\u003c/p\u003e","\u003cp\u003eArmistead L. Robinson, Scholar of the House Thesis, Yale University, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870\": Research note cards (5x8 multicolored-lined):\"1865, 1866 (2), 1867, 1869, 1865, 1866, 1867, 1868, 1869 (again), 1870 (2), Not Yet Filed, 1865, 1867, 1868, 1869, 1870, Not Yet Filed, 1865, 1866,1867, 1868,1869,1870, Not Yet Filed, 1865,1866, 1867, 1868, 1869, 1870 Not Yet Filed, 1865, 1866, General Patterns, A-W\"\u003c/p\u003e","\u003cp\u003eArmistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"A-W and unrelated miscellaneous note cards\u003c/p\u003e","\u003cp\u003eArmistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"Maps, Official Documents, Government Documents: Federal, Guides to Manuscript Collections, Guide to Printed Materials, Special Collections, Printed Public Documents, Miscellaneous Documents, Newspapers (4), Urban Directories and State Gazetteers, Periodicals, Personal Collections, Published Letters and Papers, Printed Correspondence, Memoirs, and Autobiographies, Diaries and Journals, Memoirs and Contemporary Accounts, Contemporary Periodicals, Contemporary Books and Pamhlets (2)\" and \"Regional and State Slavery Studies\"\u003c/p\u003e","\u003cp\u003eArmistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"Works Dealing Chiefly With the South, Biography, Biographical Studies, Agriculture, Manufacturing, Commerce, and Transportation, The Southern Frontier, Biography, Biographies, Articles in Periodicals and Publications, General American History, State and Local History, Politics, Political and Social Change, Miltary Studies, General and Special Histories, American History: Special Topics, The Wilkinson-Burr Intrigues\"\u003c/p\u003e","\u003cp\u003e1. The Emancipation of the Negroes, January, 1863 [January 24, 1863]\n2. Colored Troops, Under General Wild, Liberating Slaves in North Carolina [January 23, 1864] 3. A Negro Regiment In Action [March 14, 1863] 4. The Negro In The War–Various Employments of The Colored Men in The Federal Army [undated] 6. Negroes Escaping Out of Slavery [May 7, 1864] 7. Plantation Police, or Home Guard, Examining Passes on the Road Leading to the Levee of the Mississippi River [May 11, 1863] 8. Emancipated Slaves, White and Colored [January 20, 1864] 9. President Lincoln Riding Through Richmond, April 4, 1865, Immediately After The Evacuation of The City By General Lee [undated] 10. The First Vote [November 16, 1867] 11. The First Colored Senator and Representatives [undated] 12. A Remarkable Event in the History of the National Congress–The Honorable  John Willis Menard, Colored Representative From Louisiana, Receiving the Congratulations of His Friends On The Floor of the House, Dec. 7th, 1868 [undated] 13. Flower Sellers In The Market at Washington, D. C./Free Municipal Election in Richmond Since the End of The War–Registration of Colored Voters [June 4, 1870]\n14. Celebration of the Abolition of Slavery in the District of Columbia by the Colored People, in Washington, April 19, 1866/A Political discussion [May 12, 1866]\n15. Educating the Freedmen/St. Philip's Church, Richmond, Virginia–School For Colored Children [May 25, 1867]\n16. Zion School For Colored Children, Charleston, South Carolina [December 15, 1866]\n17. Cotton Team In North Carolina [May 12, 1866]\n18. Our Cotton Campaign in South Carolina–Gathering, Picking and Shipping The Cotton Crops of The Sea Islands, Port Royal By The Federal Army, Under General Sherman [February 15, 1862] 19. Rice Culture on the Ogeechee, Near Savannah [January 5, 1867]\n20. Cotton Culture In The South [n. d.]\u003c/p\u003e","\u003cp\u003e37 maps.\u003c/p\u003e","\u003cp\u003eThe ten maps in this group were reprinted in George B. Davis, Leslie J. Perry, Joseph W. Kirkley; compiled by Calvin D. Cowles, The Official Military Atlas of the Civil War, with an Introduction by Richard Sommers (New York: The Fairfax Press, 1983) [other publishers: New York: Gramercy Books; Avenel, N. J.: distributed by Outlook Book Company, 1983]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Armstead L. Robinson papers(1848-2001; 43 cubic feet) consist of audiotapes; book reviews; census material; computer printouts; conference papers; correspondence; biographical information; instructional material; lectures and speeches; manuscripts and original writings by Robinson, his colleagues and students; maps; memorabilia; microfilm; organizational and professional files; photographs; printed items, and research and topical files. Most of the nineteenth century material is in the form of photocopies.","The scope of this collection is national. Professor Robinson's papers are reflective of the life and career of a nationally active professional historian and educator. Topics of interest include: African-American history; African-American life in Memphis and Shelby County, Tennessee, 1840s-1880s; life as an African-American student at Yale University during the 1960s; the development of Black Studies during the 1960s; life as an African-American faculty member at the State University of New York (SUNY), the University of California at Los Angeles (UCLA), and the University of Virginia during the 1970s, 1980s and 1990s; slavery in the Confederacy; the nineteenth century American South, especially during the Civil War and Reconstruction; and the modern Civil Rights Movement. Several organizations of interest to Robinson include but are not limited to: Antioch College; Association for the Study of Negro Life and History (Association for the Study of Afro-American Life and History); the Black Student Alliance at Yale (BSAY); the Booker T. Washington National Monument; Corporate/Community Schools of America; the Martin Luther King, Jr. Memorial Center and Institute of the Black World; National Humanities Center (Research Triangle Park, North Carolina); Papers of Jefferson Davis; the University of California, Berkeley; the University of California at Los Angeles; the University of Rochester; the University of Virginia; the Virginia State Library Board, and Yale University.","\n    \n    Robinson corresponded with numerous fellow scholars, historians and prominent persons: Herbert Aptheker (1915-2003), historian; Molefi Kete Asante (b. 1942), founder of Afrocentricity and proponent of Black Studies; Ira Berlin (b. 1941), American historian; John B. Boles (b. 1943), historian and managing editor, Journal of Southern History; F. N. Boney, historian; Arna Wendell Bontemps (1902-1973), educator, librarian and Harlem Renaissance novelist; McGeorge Bundy (1919–1996), United States National Security Advisor and head of the Ford Foundation; Austin C. Clarke (b. 1934), Afro-Canadian novelist; John F. Cooke (president, The Disney Channel/Walt Disney Company); Emâilia Viotti da Costa, historian of Brazil; LaWanda F. Cox (1909-2005), historian; Lynda Lasswell Crist (Papers of Jefferson Davis); Merle Curti (1897-1997), American social and intellectual historian; Mary Seaton Dix (Papers of Jefferson Davis); Stanley L. Engerman (b. 1936), economic historian; Karen E. Fields, director, Frederick Douglass Institute for African and African-Americans Studies, University of Rochester; Michael W. Fitzgerald (b. 1956), historian; Harold E. Ford [Harold Eugene Ford, Sr., b.1945], U. S. congressman from Tennessee; Elizabeth Fox-Genovese (1941-2007), historian; John Hope Franklin (1915-2009), American historian; George M. Fredrickson (b. 1934), historian; Eugene D. Genovese (1930-2012), historian; Henry Louis \"Skip\" Gates Jr. (b. 1950); A. Bartlett Giamatti (1938-1989), Yale president (and later commissioner of Major League Baseball); Herbert Gutman (1928-1985), historian; Stephen Hahn (b. 1950), Faulkner scholar; Vincent Harding (b. 1931), historian; Nathan Hare (b. 1933), sociologist, psychotherapist, and a founder of the Black Studies movement; Darlene Clark Hine (b. 1947), historian; Alton Hornsby (Journal of Negro History); C. Stuart McGehee, historian; Ron \"Maulana\" Karenga (b. 1941), a leader of the Black Studies movement and founder of Kwanzaa, a cultural celebration of African-American culture and community; Lauranett Lee (later curator of African American History, Virginia Historical Society, Richmond, Virginia); James T. McIntosh (Papers of Jefferson Davis); Pauline Maier (b. 1938), professor of American History, Massachusetts Institute of Technology; August Meier (1923-2003), historian; Nell Irvin Painter (b. 1942), historian; Lewis C. Perry (b. 1938), historian and editor of The Journal of American History; Edwin S. Redkey (b. 1931), American historian; Joseph Reidy (b. 1948); Dan Roberts, University of Richmond; Leslie S. Rowland, historian; William Scarborough, historian, University of Southern Mississippi; Daryl M. Scott (later a Howard University professor of history and vice president for programs, and member of the Association for the Study of African American Life and History's executive council); Robert Brent Toplin (b. 1940), American historian; Edmund S. Wehrle, University of Connecticut; C. Vann Woodward (1908-1999), American historian; Karen L. Wysocki,  and, Whitney Moore Young Jr. (1921-1971), executive director of the National Urban League, Inc., and American civil rights leader.","As to be expected, there is correspondence with several University of Virginia colleagues: Edward L. Ayers (b. 1953), Corcoran Department of History; William A. Elwood (1932-2002), professor of English and associate dean of the Graduate School of Arts and Sciences; Edwin E. Floyd, dean of the Faculty of Arts and Sciences; Matthew Holden, Jr. (b. 1931), Henry L. and Grace M. Doherty Professor, Woodrow Wilson Department of Government and Foreign Affairs; Michael F. Holt, Corcoran Department of History; Ervin L. Jordan Jr. (b. 1954), Special Collections Department, Alderman Library; Robert O'Neil, president of the University of Virginia; Nathan Alexander Scott, Jr. (1925-2006), Commonwealth Professor of Religious Studies; Jeanne Maddox Toungara, Corcoran Department of History, and, Theresa M. Towner, Department of English.","Prominent persons mentioned in the collection include: Howard K. Beale (1897-1959), a University of North Carolina historian; Reginald Butler, Corcoran Department of History, and Robinson's successor as director of the Carter G. Woodson Institute for Afro-American and African studies; Lawrence Chisolm, historian, State University of New York at Buffalo; Robert R. Church [Robert Reed Church, Sr.] (1839-1912), business leader and the South's first African-American millionaire; Eldridge Cleaver (1935-1998), a founder of the Black Panther Party; Harold Cruse (1916-2005), historian and proponent of Black Studies; Philip D. Curtin (b. 1922), historian; Robert Dahl (b. 1915), Yale political scientist; St. Clair Drake (1911-1990), sociologist, anthropologist and educator; Alex Dupuy, historian of Haiti; Drew Gilpin Faust (b. 1947), American historian; Robert W. Fogel (b. 1926), American historian; Vivian V. Gordon (1934-1995), sociologist; Martin Kilson, Jr., political scientist, Harvard University; James Armistead Lafayette (1760-1832), African-American slave and spy; Alan Lomax (1915-2002), folklorist and musicologist; Gerald A. McWorter, political scientist, Spelman College, and a founder of the Black Studies movement; Sidney W. Mintz (b. 1922), anthropologist; Boniface I. Obichere (1933-1997), historian; Donald Ogilvie (Yale student); Dorothy B. Porter [Dorothy Porter Wesley]; Alvin Poussaint (b. 1934), psychiatrist; Paul L. Puryear (1930-2010), dean of the Office of Afro-American Affairs, University of Virginia; John T. Schlotterbeck (b. 1948), historian; Henry Taylor, Jr. (b. 1928), educator and psychoanalyst; William Shockley (1910-1989), American physicist and eugenicist; F. (Frederick) Palmer Weber (1914-1986), labor and civil rights activist; Charles Harris Wesley (1891-1987), an African-American historian; Bell Irwin Wiley (1906-1980), American Civil War historian; Carter G. Woodson (1875-1950), \"the Father of Negro History,\" and George Carlton Wright, vice provost of the University of Texas at Austin.","The collection has been organized into six series: Corespondence, Academic Career, Topical Files, Research Materials, Writings and Publications, and Oversize materails. ","Armistead L. Robinson, Scholar of the House Thesis, Yale University, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870\": Research note cards (5x8 multicolored-lined):\"Pre 1865, 1865, 1866, 1867, 1868, 1869, 1866 (again), Not yet Filed, 1870 (2)\"","Armistead L. Robinson, Scholar of the House Thesis, Yale University, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870\": Research note cards (5x8 multicolored-lined):\"1865, 1866 (2), 1867, 1869, 1865, 1866, 1867, 1868, 1869 (again), 1870 (2), Not Yet Filed, 1865, 1867, 1868, 1869, 1870, Not Yet Filed, 1865, 1866,1867, 1868,1869,1870, Not Yet Filed, 1865,1866, 1867, 1868, 1869, 1870 Not Yet Filed, 1865, 1866, General Patterns, A-W\"","Armistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"A-W and unrelated miscellaneous note cards","Armistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"Maps, Official Documents, Government Documents: Federal, Guides to Manuscript Collections, Guide to Printed Materials, Special Collections, Printed Public Documents, Miscellaneous Documents, Newspapers (4), Urban Directories and State Gazetteers, Periodicals, Personal Collections, Published Letters and Papers, Printed Correspondence, Memoirs, and Autobiographies, Diaries and Journals, Memoirs and Contemporary Accounts, Contemporary Periodicals, Contemporary Books and Pamhlets (2)\" and \"Regional and State Slavery Studies\"","Armistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"Works Dealing Chiefly With the South, Biography, Biographical Studies, Agriculture, Manufacturing, Commerce, and Transportation, The Southern Frontier, Biography, Biographies, Articles in Periodicals and Publications, General American History, State and Local History, Politics, Political and Social Change, Miltary Studies, General and Special Histories, American History: Special Topics, The Wilkinson-Burr Intrigues\"","1. The Emancipation of the Negroes, January, 1863 [January 24, 1863]\n2. Colored Troops, Under General Wild, Liberating Slaves in North Carolina [January 23, 1864] 3. A Negro Regiment In Action [March 14, 1863] 4. The Negro In The War–Various Employments of The Colored Men in The Federal Army [undated] 6. Negroes Escaping Out of Slavery [May 7, 1864] 7. Plantation Police, or Home Guard, Examining Passes on the Road Leading to the Levee of the Mississippi River [May 11, 1863] 8. Emancipated Slaves, White and Colored [January 20, 1864] 9. President Lincoln Riding Through Richmond, April 4, 1865, Immediately After The Evacuation of The City By General Lee [undated] 10. The First Vote [November 16, 1867] 11. The First Colored Senator and Representatives [undated] 12. A Remarkable Event in the History of the National Congress–The Honorable  John Willis Menard, Colored Representative From Louisiana, Receiving the Congratulations of His Friends On The Floor of the House, Dec. 7th, 1868 [undated] 13. Flower Sellers In The Market at Washington, D. C./Free Municipal Election in Richmond Since the End of The War–Registration of Colored Voters [June 4, 1870]\n14. Celebration of the Abolition of Slavery in the District of Columbia by the Colored People, in Washington, April 19, 1866/A Political discussion [May 12, 1866]\n15. Educating the Freedmen/St. Philip's Church, Richmond, Virginia–School For Colored Children [May 25, 1867]\n16. Zion School For Colored Children, Charleston, South Carolina [December 15, 1866]\n17. Cotton Team In North Carolina [May 12, 1866]\n18. Our Cotton Campaign in South Carolina–Gathering, Picking and Shipping The Cotton Crops of The Sea Islands, Port Royal By The Federal Army, Under General Sherman [February 15, 1862] 19. Rice Culture on the Ogeechee, Near Savannah [January 5, 1867]\n20. Cotton Culture In The South [n. d.]","37 maps.","The ten maps in this group were reprinted in George B. Davis, Leslie J. Perry, Joseph W. Kirkley; compiled by Calvin D. Cowles, The Official Military Atlas of the Civil War, with an Introduction by Richard Sommers (New York: The Fairfax Press, 1983) [other publishers: New York: Gramercy Books; Avenel, N. 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