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Williams collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.)--Photographs","Jamestown (Va.)--Photographs","Colonial Williamsburg (Williamsburg, Va.)--Maps, Pictorial","Virginia--History--20th century"],"geogname_ssim":["Williamsburg (Va.)--Photographs","Jamestown (Va.)--Photographs","Colonial Williamsburg (Williamsburg, Va.)--Maps, Pictorial","Virginia--History--20th century"],"creator_ssm":["Williams, Thomas L."],"creator_ssim":["Williams, Thomas L."],"creator_persname_ssim":["Williams, Thomas L."],"creators_ssim":["Williams, Thomas L."],"places_ssim":["Williamsburg (Va.)--Photographs","Jamestown (Va.)--Photographs","Colonial Williamsburg (Williamsburg, Va.)--Maps, Pictorial","Virginia--History--20th century"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gift of daughter Karen Laufer"],"access_subjects_ssim":["College of William and Mary--History--20th century","College of William and Mary--Maps, Pictorial","Colonial Williamsburg (Williamsburg, Va.)","Negatives","Photographs","Printed ephemera","Artifacts","Slides (photographs)","Postcards","Correspondence"],"access_subjects_ssm":["College of William and Mary--History--20th century","College of William and Mary--Maps, Pictorial","Colonial Williamsburg (Williamsburg, Va.)","Negatives","Photographs","Printed ephemera","Artifacts","Slides (photographs)","Postcards","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["45 Linear Feet 100 boxes"],"extent_tesim":["45 Linear Feet 100 boxes"],"genreform_ssim":["Negatives","Photographs","Printed ephemera","Artifacts","Slides (photographs)","Postcards","Correspondence"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eBorn in 1912 in Shire Oaks, Pennsylvania, Thomas L. Williams studied photography at the Art Institute of Pittsburgh. After graduation, Mr. Williams enlisted in the Navy shortly after the attack on  Pearl Harbor during World War II and was stationed at Camp Peary, where he started the base's photography laboratory. While at Camp Peary, he shot many photographs for Colonial Williamsburg, who hired him shortly after World War II to start their photography section. After nine years at Colonial Williamsburg, Mr. Williams became the photographer for William \u0026amp; Mary, a position he held for 35 years. While at William and Mary, Mr. Williams photographed various events at the College, including Charter Day and Commencement ceremonies, the inauguration of Davis Y. Paschall as president of William \u0026amp; Mary, and the celebrations during Homecoming Weekend.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born in 1912 in Shire Oaks, Pennsylvania, Thomas L. Williams studied photography at the Art Institute of Pittsburgh. After graduation, Mr. Williams enlisted in the Navy shortly after the attack on  Pearl Harbor during World War II and was stationed at Camp Peary, where he started the base's photography laboratory. While at Camp Peary, he shot many photographs for Colonial Williamsburg, who hired him shortly after World War II to start their photography section. After nine years at Colonial Williamsburg, Mr. Williams became the photographer for William \u0026 Mary, a position he held for 35 years. While at William and Mary, Mr. Williams photographed various events at the College, including Charter Day and Commencement ceremonies, the inauguration of Davis Y. Paschall as president of William \u0026 Mary, and the celebrations during Homecoming Weekend."],"prefercite_html_tesm":["\u003cp\u003eThomas L. Williams collection, Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e"],"prefercite_tesim":["Thomas L. Williams collection, Special Collections Research Center, William \u0026 Mary Libraries"],"relatedmaterial_html_tesm":["\u003cp\u003eThomas L. Williams Papers\u003c/p\u003e\n","\u003cp\u003eUniversity Archives Photograph Collection\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Thomas L. Williams Papers","University Archives Photograph Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes photographs, negatives, slides, film, postcards, ephemera, correspondence and artifacts belonging to Thomas L. Williams, photographer for William \u0026amp; Mary for 35 years.  He was also a photographer for Camp Peary and Colonial Williamsburg prior to working for William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eAddition includes photographs, correspondence, negatives, and newspaper articles from Thomas L. Williams. Photographs includes scenes of Colonial Williamsburg and the campus of William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eFiles include photographs of Williamsburg, Virginia, William \u0026amp; Mary, as well as personal family photographs taken by Thomas L. Williams from the 1940s-1960s. Other papers include clippings documenting events in Williamsburg and correspondence. \u003c/p\u003e\n","\u003cp\u003eIncluded in the folder of people of note visiting Williamsburg are those labeled as follows: \u003c/p\u003e\n","\u003cp\u003eMenderez, Sec. of Defense of Turkey Visited 7/13/58 \u003c/p\u003e\n","\u003cp\u003ePresident Dwight D. Eisenhower with Virginia Governor Thomas Stanley \u003c/p\u003e\n","\u003cp\u003eVera Vague of Rob Hope Show WWII \u003c/p\u003e\n","\u003cp\u003eJack Niklaus 9/67 \u003c/p\u003e\n","\u003cp\u003ePresident Lyndon B. Johnson \u003c/p\u003e\n","\u003cp\u003eKing of Belgium 5/31/59 \u003c/p\u003e\n","\u003cp\u003ePresident Richard Nixon with W\u0026amp;M President Paschal \u003c/p\u003e\n","\u003cp\u003ePresident Dwight Eisenhower \u003c/p\u003e\n","\u003cp\u003eGrand Opening Day with Queen Elizabeth 1957 \u003c/p\u003e\n","\u003cp\u003ePresident Gerald Ford \u003c/p\u003e\n","\u003cp\u003ePresident Rockefeller \u003c/p\u003e\n","\u003cp\u003eDebbie Reynolds \u003c/p\u003e\n","\u003cp\u003eKing Hussein of Jordan Visits Jamestown \u003c/p\u003e\n","\u003cp\u003eGovernor Mills Godwin \u003c/p\u003e\n","\u003cp\u003eKing of Morocco Visits \u003c/p\u003e\n","\u003cp\u003eLord Mayor of London at Colonial Williamsburg \u003c/p\u003e\n","\u003cp\u003eKing Baudouin of Belgium May 1959 \u003c/p\u003e\n","\u003cp\u003ePrince Phillip with Governor Stanley \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection includes photographs, negatives, slides, film, postcards, ephemera, correspondence and artifacts belonging to Thomas L. Williams, photographer for William \u0026 Mary for 35 years.  He was also a photographer for Camp Peary and Colonial Williamsburg prior to working for William \u0026 Mary.","Addition includes photographs, correspondence, negatives, and newspaper articles from Thomas L. Williams. Photographs includes scenes of Colonial Williamsburg and the campus of William \u0026 Mary.","Files include photographs of Williamsburg, Virginia, William \u0026 Mary, as well as personal family photographs taken by Thomas L. Williams from the 1940s-1960s. Other papers include clippings documenting events in Williamsburg and correspondence. ","Included in the folder of people of note visiting Williamsburg are those labeled as follows: ","Menderez, Sec. of Defense of Turkey Visited 7/13/58 ","President Dwight D. Eisenhower with Virginia Governor Thomas Stanley ","Vera Vague of Rob Hope Show WWII ","Jack Niklaus 9/67 ","President Lyndon B. Johnson ","King of Belgium 5/31/59 ","President Richard Nixon with W\u0026M President Paschal ","President Dwight Eisenhower ","Grand Opening Day with Queen Elizabeth 1957 ","President Gerald Ford ","President Rockefeller ","Debbie Reynolds ","King Hussein of Jordan Visits Jamestown ","Governor Mills Godwin ","King of Morocco Visits ","Lord Mayor of London at Colonial Williamsburg ","King Baudouin of Belgium May 1959 ","Prince Phillip with Governor Stanley "],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Williams, Thomas L."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Williams, Thomas L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10461,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T12:07:10.432Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8143_c01_c9794"}},{"id":"vifgm_arenastage_c02_c05_c245","type":"File","attributes":{"title":"1940s Radio Hour,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_arenastage_c02_c05_c245#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_arenastage_c02_c05_c245#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_arenastage_c02_c05_c245","ref_ssm":["vifgm_arenastage_c02_c05_c245"],"id":"vifgm_arenastage_c02_c05_c245","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage_c02_c05","parent_ssi":"vifgm_arenastage_c02_c05","parent_ssim":["vifgm_arenastage","vifgm_arenastage_c02","vifgm_arenastage_c02_c05"],"parent_ids_ssim":["vifgm_arenastage","vifgm_arenastage_c02","vifgm_arenastage_c02_c05"],"parent_unittitles_ssm":["Arena Stage records","Series 2: Production files,","Subseries 2.5: Wrap files,"],"parent_unittitles_tesim":["Arena Stage records","Series 2: Production files,","Subseries 2.5: Wrap files,"],"text":["Arena Stage records","Series 2: Production files,","Subseries 2.5: Wrap files,","1940s Radio Hour,","Box 572","Folder 7",""],"title_filing_ssi":"1940s Radio Hour, \n","title_ssm":["1940s Radio Hour,"],"title_tesim":["1940s Radio Hour,"],"unitdate_other_ssim":["1978-1979\n"],"normalized_date_ssm":["1978/1979"],"normalized_title_ssm":["1940s Radio Hour,"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":6928,"parent_access_restrict_tesm":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1978,1979],"containers_ssim":["Box 572","Folder 7"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#1/components#4/components#244","timestamp":"2026-05-21T06:25:23.142Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_arenastage","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage","ead_source_url_ssi":"data/gmu/arenastage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/arenastage.html","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949-2010"],"unitdate_inclusive_ssm":["1949-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017"],"text":["C0017","Arena Stage records","Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings.","Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.","Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth 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subseries contains production photos collected in books.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","","","","","","","","","","","","","","","","","","","","","","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Model sits on top of map case\n","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event\n","Reel 2 of 3\n","Reel 3 of 3\n","Partially Unraveling\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Vinegar\n","Unraveling - Vinegar\n","","","","","","","","","Both the title (besides Reel 1) and the date have been blacked out\n","Title has been blacked out\n","","","","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","","","","","","","","","Tape 3\n","Tape 4\n","Tape 5\n","Tape 6\n","Reel #168\n","Reel #169\n","Reel #170\n","3 copies\n","2 copies\n","2 copies\n","","","","","","","","","","","","","","","","","","","There are no restrictions.","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)","English\n            "],"unitid_tesim":["C0017"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage"],"creator_ssim":["Arena Stage"],"creator_corpname_ssim":["Arena Stage"],"creators_ssim":["Arena Stage"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000-2011."],"access_subjects_ssim":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["739 boxes"],"extent_tesim":["739 boxes"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\" href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\" href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational 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subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth 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1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\nContains letters from Sigourney 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3: Casting information contains notes on casting for productions arranged alphabetically by 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subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena 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2: Communications and Marketing includes records produced by the Communications and Marketing departments. 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3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized 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subseries contains research on various playwrights, both living and dead, whose work has been performed at 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subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. 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subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the 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subseries contains documents collected from throughout the runs of various 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subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. 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subseries contains production photos collected in 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series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at 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subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\n\u003c/p\u003e","\u003cp\u003eReel 2 of 3\n\u003c/p\u003e","\u003cp\u003eReel 3 of 3\n\u003c/p\u003e","\u003cp\u003ePartially 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- Vinegar\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\n\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eTape 3\n\u003c/p\u003e","\u003cp\u003eTape 4\n\u003c/p\u003e","\u003cp\u003eTape 5\n\u003c/p\u003e","\u003cp\u003eTape 6\n\u003c/p\u003e","\u003cp\u003eReel #168\n\u003c/p\u003e","\u003cp\u003eReel #169\n\u003c/p\u003e","\u003cp\u003eReel #170\n\u003c/p\u003e","\u003cp\u003e3 copies\n\u003c/p\u003e","\u003cp\u003e2 copies\n\u003c/p\u003e","\u003cp\u003e2 copies\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","","","","","","","","","","","","","","Contains a letter from Annette Bening.\n","","","","","Contains headshots and a letter from Olympia Dukakis.\n","","","","","","","","Contains a letter from Rosemary Harris.\n","","","","","Contains letters, headshots, and a CV from John Lithgow.\n","","","","","","","","","","","","","","","","\nContains letters from Sigourney Weaver.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. 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Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1978,1979],"containers_ssim":["box 572","folder 7"],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#1/components#4/components#244","timestamp":"2026-05-21T05:06:20.076Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"text":["C0017","/repositories/2/resources/416","Arena Stage records","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_corpname_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e\n","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e\n","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\u003c/p\u003e","\u003cp\u003eReel 2 of 3\u003c/p\u003e","\u003cp\u003eReel 3 of 3\u003c/p\u003e","\u003cp\u003ePartially Unraveling\u003c/p\u003e","\u003cp\u003eVinegar\u003c/p\u003e","\u003cp\u003eUnraveling - Vinegar\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003eTape 3\u003c/p\u003e","\u003cp\u003eTape 4\u003c/p\u003e","\u003cp\u003eTape 5\u003c/p\u003e","\u003cp\u003eTape 6\u003c/p\u003e","\u003cp\u003eReel #168\u003c/p\u003e","\u003cp\u003eReel #169\u003c/p\u003e","\u003cp\u003eReel #170\u003c/p\u003e","\u003cp\u003e3 copies \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope 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note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:06:20.076Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c02_c05_c245"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c13_c01","type":"File","attributes":{"title":"\"1946-1954: Cold Wars and the Dream Deferred\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c13_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c13_c01","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c13_c01"],"id":"viw_repositories_2_resources_9853_c01_c01_c13_c01","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c13","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c13","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c13"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c13"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1946-1954: Realistic Comics; EC; Pal, Lantz, Kelley; 1955-1974, Integration; Modern; Fritz \u0026 Friends"],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1946-1954: Realistic Comics; EC; Pal, Lantz, Kelley; 1955-1974, Integration; Modern; Fritz \u0026 Friends"],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1946-1954: Realistic Comics; EC; Pal, Lantz, Kelley; 1955-1974, Integration; Modern; Fritz \u0026 Friends","\"1946-1954: Cold Wars and the Dream Deferred\"","Box 13","folder 45"],"title_filing_ssi":"\"1946-1954: Cold Wars and the Dream Deferred\"","title_ssm":["\"1946-1954: Cold Wars and the Dream Deferred\""],"title_tesim":["\"1946-1954: Cold Wars and the Dream Deferred\""],"unitdate_inclusive_ssm":["1950-2008"],"normalized_date_ssm":["1950/2008"],"normalized_title_ssm":["\"1946-1954: Cold Wars and the Dream Deferred\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":60,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"containers_ssim":["Box 13","folder 45"],"_nest_path_":"/components#0/components#0/components#12/components#0","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c13_c01"}},{"id":"wvmturhc_repositories_2_resources_5375_c06_c240","type":"File","attributes":{"title":"1949 Introduction to The Good Earth; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5375_c06_c240#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5375_c06_c240","ref_ssm":["wvmturhc_repositories_2_resources_5375_c06_c240"],"id":"wvmturhc_repositories_2_resources_5375_c06_c240","ead_ssi":"wvmturhc_repositories_2_resources_5375","_root_":"wvmturhc_repositories_2_resources_5375","_nest_parent_":"wvmturhc_repositories_2_resources_5375_c06","parent_ssi":"wvmturhc_repositories_2_resources_5375_c06","parent_ssim":["wvmturhc_repositories_2_resources_5375","wvmturhc_repositories_2_resources_5375_c06"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5375","wvmturhc_repositories_2_resources_5375_c06"],"parent_unittitles_ssm":["Pearl S. Buck, Author, Literary Manuscripts","Series 6. Other Works"],"parent_unittitles_tesim":["Pearl S. Buck, Author, Literary Manuscripts","Series 6. Other Works"],"text":["Pearl S. Buck, Author, Literary Manuscripts","Series 6. Other Works","1949 Introduction to The Good Earth; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition","Box 63","Folder 254.1"],"title_filing_ssi":"1949 Introduction to  The Good Earth ; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition","title_ssm":["1949 Introduction to The Good Earth; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition"],"title_tesim":["1949 Introduction to The Good Earth; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition"],"unitdate_inclusive_ssm":["1949, 2014"],"normalized_date_ssm":["1949/2014"],"normalized_title_ssm":["1949 Introduction to The Good Earth; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Pearl S. Buck, Author, Literary Manuscripts"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":597,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"containers_ssim":["Box 63","Folder 254.1"],"_nest_path_":"/components#5/components#239","timestamp":"2026-05-21T01:24:29.099Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5375","ead_ssi":"wvmturhc_repositories_2_resources_5375","_root_":"wvmturhc_repositories_2_resources_5375","_nest_parent_":"wvmturhc_repositories_2_resources_5375","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5375.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198663","title_ssm":["Pearl S. Buck, Author, Literary Manuscripts"],"title_tesim":["Pearl S. Buck, Author, Literary Manuscripts"],"unitdate_ssm":["circa 1923-2014","circa 1923-1973"],"unitdate_bulk_ssim":["circa 1923-1973"],"unitdate_inclusive_ssm":["circa 1923-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4052","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5375"],"text":["A\u0026M 4052","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5375","Pearl S. Buck, Author, Literary Manuscripts","China -- Fiction","China -- Foreign Relations -- United States","China -- In literature","China","Hillsboro (W. Va.)","United States -- Foreign Relations -- China","United States -- Relations -- China","West Virginia - Writers.","Amerasians","Authors, American -- West Virginia","Children with mental disabilities","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American   -- 20th century","Women social reformers -- United States","No special access restriction applies.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Pearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice."," Pearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel, East Wind, West Wind, was published in 1930. She published the bestselling and Pulitzer Prize-winning novel The Good Earth in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include Sons (1932), A House Divided (1935), The First Wife and Other Stories (1933), All Men are Brothers (1933, translation), The Mother (1934), The Exile (1936), Fighting Angel (1936), and This Proud Heart (1938). In 1938, Pearl Buck became the first woman to receive the Nobel Prize in Literature."," By 1935, Pearl had divorced her first husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the couple adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include Dragon Seed (1942), Pavilion of Women (1946), God's Men (1951), Come, My Beloved (1953), Imperial Woman (1956), Letter from Peking (1957), and The Living Reed (1963). Due to personal and political circumstances, Pearl never returned to China after she left in 1934."," Pearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949, she founded Welcome House, the first interracial adoption agency in the United States. In 1964, she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States."," Richard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania."," After her death, ownership of Pearl Buck's literary manuscripts was disputed, and eventually awarded to the Pearl S. Buck Birthplace Foundation, which were temporarily stored in the Pfeiffer Library at West Virginia Wesleyan College in Buckhannon, WV until the partnership between these two institutions and the WVRHC was formed in 2014, which led to the transfer of the collection to WVU.","727","Literary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China."," The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck."," Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more."," Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects."," For additional material, see A\u0026M 727, Pearl S. Buck, Author, Papers.","Overview of Record Series:"," The collection includes eight series:"," Series 1. Novels; ca. 1930-1973. \n Series 2. Non-fiction; ca. 1936-1972. \n Series 3. Children's Books; ca. 1940-1967. \n Series 4. Translation; ca. 1933. \n Series 5. Collections of Short Stories; ca. 1934-1973. \n Series 6. Other Works; ca. 1923-1967, 2014. \n Series 7. Miscellaneous; ca. 1960-2014. \n Series 8. Oversized; ca. 1930-1995."," Series 1-5 include the bulk of Buck's published books in draft form. The cataloging information for these series was drawn from Mary Lee Welliver's thesis,  Pearl S. Buck's Manuscripts: The Harvest of Half a Century  (see series 7, box 71, folder 284). Some of the drafts are deemed \"original\" -- for more information on how this conclusion was reached, please see pages 17-18 of the thesis. Series 6 includes drafts of works that were not cataloged in Welliver's thesis."," Since many of Buck's drafts are undated, date ranges given in the series descriptions are based in part on dates of publication. Also, page counts have not been verified."," Manuscripts from the collection were originally housed in 273 large numbered envelopes. The original envelope numbers have been retained as folder numbers, and the original envelopes have been moved to boxes 83-86."," Regarding terminology in this finding aid:"," \"Galley\" indicates a preliminary version of a publication meant for review and copyediting, printed on oversize paper."," \"Paged galleys\" indicates galleys where pagination has been added, and the number of pages reflects that pagination."," \"Unpaged galleys\" lack page numbers, and are counted by the number of leaves referred to as \"galley pp.\"."," \"Holograph\" indicates an entirely handwritten work (as opposed to typescript)."," \"Manuscript\" is used in the general sense to include holographs, typescripts, and galleys."," \"PSB\" stands for Pearl S. Buck.","Includes holographs, typescripts, typescript carbons, mixed manuscripts, and galleys for more than thirty of Buck's published novels. Many address the topic of Chinese peasant life. Some works are represented by multiple drafts, and some include corrections and revisions by the author."," Highlights include: \n paged galleys of Buck's first novel,  East Wind, West Wind ; \n a typescript of  Sons ; \n original holograph and typescripts of  The Patriot ; \n typescripts of  The Angry Wife , her only novel set in West Virginia and one of many written under the pseudonym John Sedges; and \n multiple drafts of  Imperial Woman ."," Additional drafts, outlines, and synopses for novels and novellas can also be found in Series 6, Other Works. Galleys and galley proofs can be found in Series 8, Oversized.","Includes typescripts, typescript carbons, mixed manuscripts, and holographs for eighteen of Buck's non-fiction works. Topics include Asia, the role of women in American society, racism, children's welfare, and adoption."," Highlights include:"," multiple drafts and leather-bound presentations of Buck's manuscripts for the biographies of her parents --  The Exile  and  The Fighting Angel  -- two novels that helped earn her the 1938 Nobel Prize in Literature;"," a mixed manuscript of the book titled  Of Men and Women ;"," typescripts of  How it Happens ;"," multiple drafts of  The Joy of Children ; and"," multiple drafts of her autobiographies,  My Several Worlds  and  A Bridge for Passing ."," Additional non-fiction works can be found in Series 6, Other Works. Galleys of non-fiction works can be found in Series 8, Oversized.","Includes typescript carbons, galleys, typescripts, mixed manuscripts, and holographs for eleven children's books, including  The Big Fight ,  The Big Wave , and  Matthew, Mark, Luke and John . Galleys can be found in Series 8, Oversized.","Includes two typescript drafts of  All Men Are Brothers , Buck's translation of one of China's most famous novels,  Shui Hu Chuan  (also known as  Water Margin  or  Shui Hu Zhuan ). A brochure advertising this book can be found in Series 6, Other Works, box 70, folder 279.7.","Includes typescripts, typescript carbons, holographs, and mixed manuscripts of short stories from nine of Buck's anthologies. Some of the anthologies were published posthumously. Some entries include the periodical in which the various short stories appeared; please note that this is not indicative of a systematic search. Additional short stories can be found in Series 6, Other Works. A magazine clipping has been moved to Series 8, Oversized.","Includes holographs, typescripts, typescript carbons, clippings, and mixed manuscripts of published and unpublished short stories, articles, dramas/plays, novels, novellas, non-fiction works, reviews, speeches, introductions, forewords, letters, press releases, radio broadcasts, and interviews, among other material. The majority of this series is Buck's own work."," Subjects include China and its people; writing; women; international relations and war; America and its people; India; Japan; mentally handicapped children (the contemporary term, retarded, is used in the contents list); mixed race children; the Vineland Training School; the Welcome House; adoption; and many more. Two published short stories have been moved to Series 8, Oversized."," Highlights include:"," a January 1923 issue of the journal  The Atlantic Monthly , containing Buck's first published article, \"In China, Too\" (box 70, folder 282);"," a typescript introduction to  The Good Earth , 1949 (box 63, folder 254.1);"," a holograph introduction to a series of shortwave radio broadcasts, written by Buck in Chinese characters (with romanizations in typescript) (box 50, folder 196.1);"," a holograph of an untitled radio broadcast, written by Buck in Chinese characters (with romanizations in typescript) (box 51, folder 202); and"," typescripts and typescript carbons of the autobiographical short story \"My Chinese Nurse\" (box 33, folders 134.1-134.3).","Includes exhibit materials, typescripts, clippings, correspondence, ephemera, printed material, photographs, and other material. Subjects include the appraisal and cataloging of collection materials by Frances and Kenneth Swope, Mary Lee Welliver, and Robert Shafer; the Pearl S. Buck Birthplace Foundation and preservation of Buck's birthplace in Hillsboro, WV; celebratory centennial events in 1992; Pearl S. Buck; and her works. The majority of the contents of this series was created by people other than Buck, though it includes a few facsimiles and printed versions of Buck's work."," Highlights include:"," typescripts written about Buck by Lucille S. Zinn, bibliographer for the Pearl S. Buck Birthplace Foundation (box 72, folder 302.1-302.2), who went on to publish \"The Works of Pearl S. Buck: A Bibliography\" (box 73, folder 305.1);"," records regarding the Pearl S. Buck commemorative stamp (various folders in boxes 73-76); and"," a cassette tape of an interview with Pearl S. Buck conducted by Arnold Gingrich, October 12, 1970 (box 76, folder 365)."," Biographical material on Buck can be found in box 73, folder 320; box 74, folders 323 and 338; box 75, folder 349; and others."," Although now substantially superseded by the current cataloging record in terms of both completeness and detail, the Mary Lee Welliver collection guide, within her graduate thesis, has been retained in this collection for future reference (see box 71, folder 284). Within her guide, Welliver cataloged the drafts of published books within the collection (series 1-5). Within these series, she lists the works alphabetically, and the drafts of each work in rough chronological order. (A version of our contents list in this cataloging record, found below, arranged in the same order as the contents list in Welliver's thesis, is available in box 71, folder 284.) Regarding the chronological order in her guide, Welliver notes that, \"In a few cases, the order has been very difficult to ascertain without a more critical study of the manuscripts. This study is left to future researchers and an 'educated guess' has been made as to chronology in such cases\" (Welliver thesis, p. 21)."," Welliver also created data sheets for each work she cataloged, which are available in box 71, folders 293.1-293.4, and box 72, folders 294.1- 294.2. These data sheets include information not recorded in either the contents list found in this cataloging record, or in the Welliver thesis, such as type and size of paper and notations from original envelopes or folders."," Boxes 83-86 include the original container envelopes for most of the collection; the notations on these envelopes regarding specifics about their contents, such as page numbers, may be of interest to future researchers. Not all of this information is present in the contents list.","Includes galleys and galley proofs from Series 1, Novels; Series 2, Non-fiction; and Series 3, Children's Books. Also includes a magazine clipping from Series 5, Collections of Short Stories; published short stories from Series 6, Other Works; and various clippings regarding the Pearl S. Buck Birthplace Foundation, her home, and other topics. Noteworthy are the paged galleys of Buck's first novel,  East Wind, West Wind  (box 77b, folder 1 and 2).","Signed letter to Rare Signatures, A\u0026M 435:","  Signed letter from Pearl Buck to Otto Whittaker, with signed enclosure, dated 1967.","Book to Book Collection:","  Crouch, Archie R. Scholars' Guide to China Mission Resources in the Libraries and Archives of the United States. Princeton, NJ: Princeton University Press, 1983.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Literary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China. The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck. Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more. Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects. For additional material, see A\u0026M 727, Pearl S. Buck, Author. Papers (1930-1976, undated).","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Pearl S. Buck Birthplace Foundation","West Virginia Wesleyan College","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Walsh, Richard J. (Richard John), 1886-1960","English \n.    "],"unitid_tesim":["A\u0026M 4052","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5375"],"normalized_title_ssm":["Pearl S. Buck, Author, Literary Manuscripts"],"collection_title_tesim":["Pearl S. Buck, Author, Literary Manuscripts"],"collection_ssim":["Pearl S. Buck, Author, Literary Manuscripts"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["China -- Fiction","China -- Foreign Relations -- United States","China -- In literature","China","Hillsboro (W. Va.)","United States -- Foreign Relations -- China","United States -- Relations -- China","West Virginia - Writers."],"geogname_ssim":["China -- Fiction","China -- Foreign Relations -- United States","China -- In literature","China","Hillsboro (W. Va.)","United States -- Foreign Relations -- China","United States -- Relations -- China","West Virginia - Writers."],"places_ssim":["China -- Fiction","China -- Foreign Relations -- United States","China -- In literature","China","Hillsboro (W. Va.)","United States -- Foreign Relations -- China","United States -- Relations -- China","West Virginia - Writers."],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Amerasians","Authors, American -- West Virginia","Children with mental disabilities","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American   -- 20th century","Women social reformers -- United States"],"access_subjects_ssm":["Amerasians","Authors, American -- West Virginia","Children with mental disabilities","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American   -- 20th century","Women social reformers -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["36.7 Linear Feet 36 ft. 8 in. (74 document cases, 5 in. each; 2 document cases, 2.5 in. each; 1 flat storage box, 5 in.; 2 flat storage boxes, 1.5 in. each; 3 record cartons, 15 in. each; 7 large flat storage boxes, 1.5 in. each)"],"extent_tesim":["36.7 Linear Feet 36 ft. 8 in. (74 document cases, 5 in. each; 2 document cases, 2.5 in. each; 1 flat storage box, 5 in.; 2 flat storage boxes, 1.5 in. each; 3 record cartons, 15 in. each; 7 large flat storage boxes, 1.5 in. each)"],"date_range_isim":[1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003ePearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice.\u003c/p\u003e\n","\u003cp\u003e Pearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel, East Wind, West Wind, was published in 1930. She published the bestselling and Pulitzer Prize-winning novel The Good Earth in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include Sons (1932), A House Divided (1935), The First Wife and Other Stories (1933), All Men are Brothers (1933, translation), The Mother (1934), The Exile (1936), Fighting Angel (1936), and This Proud Heart (1938). In 1938, Pearl Buck became the first woman to receive the Nobel Prize in Literature.\u003c/p\u003e\n","\u003cp\u003e By 1935, Pearl had divorced her first husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the couple adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include Dragon Seed (1942), Pavilion of Women (1946), God's Men (1951), Come, My Beloved (1953), Imperial Woman (1956), Letter from Peking (1957), and The Living Reed (1963). Due to personal and political circumstances, Pearl never returned to China after she left in 1934.\u003c/p\u003e\n","\u003cp\u003e Pearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949, she founded Welcome House, the first interracial adoption agency in the United States. In 1964, she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States.\u003c/p\u003e\n","\u003cp\u003e Richard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania.\u003c/p\u003e\n","\u003cp\u003e After her death, ownership of Pearl Buck's literary manuscripts was disputed, and eventually awarded to the Pearl S. Buck Birthplace Foundation, which were temporarily stored in the Pfeiffer Library at West Virginia Wesleyan College in Buckhannon, WV until the partnership between these two institutions and the WVRHC was formed in 2014, which led to the transfer of the collection to WVU.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Pearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice."," Pearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel, East Wind, West Wind, was published in 1930. She published the bestselling and Pulitzer Prize-winning novel The Good Earth in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include Sons (1932), A House Divided (1935), The First Wife and Other Stories (1933), All Men are Brothers (1933, translation), The Mother (1934), The Exile (1936), Fighting Angel (1936), and This Proud Heart (1938). In 1938, Pearl Buck became the first woman to receive the Nobel Prize in Literature."," By 1935, Pearl had divorced her first husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the couple adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include Dragon Seed (1942), Pavilion of Women (1946), God's Men (1951), Come, My Beloved (1953), Imperial Woman (1956), Letter from Peking (1957), and The Living Reed (1963). Due to personal and political circumstances, Pearl never returned to China after she left in 1934."," Pearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949, she founded Welcome House, the first interracial adoption agency in the United States. In 1964, she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States."," Richard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania."," After her death, ownership of Pearl Buck's literary manuscripts was disputed, and eventually awarded to the Pearl S. Buck Birthplace Foundation, which were temporarily stored in the Pfeiffer Library at West Virginia Wesleyan College in Buckhannon, WV until the partnership between these two institutions and the WVRHC was formed in 2014, which led to the transfer of the collection to WVU."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Pearl S. Buck, Author, Literary Manuscripts, A\u0026amp;M 4052, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Pearl S. Buck, Author, Literary Manuscripts, A\u0026M 4052, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e727\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["727"],"scopecontent_html_tesm":["\u003cp\u003eLiterary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China.\u003c/p\u003e\n","\u003cp\u003e The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck.\u003c/p\u003e\n","\u003cp\u003e Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more.\u003c/p\u003e\n","\u003cp\u003e Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects.\u003c/p\u003e\n","\u003cp\u003e For additional material, see A\u0026amp;M 727, Pearl S. Buck, Author, Papers.\u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eOverview of Record Series:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e The collection includes eight series:\u003c/p\u003e\n","\u003cp\u003e Series 1. Novels; ca. 1930-1973.\u003clb\u003e\u003c/lb\u003e\n Series 2. Non-fiction; ca. 1936-1972.\u003clb\u003e\u003c/lb\u003e\n Series 3. Children's Books; ca. 1940-1967.\u003clb\u003e\u003c/lb\u003e\n Series 4. Translation; ca. 1933.\u003clb\u003e\u003c/lb\u003e\n Series 5. Collections of Short Stories; ca. 1934-1973.\u003clb\u003e\u003c/lb\u003e\n Series 6. Other Works; ca. 1923-1967, 2014.\u003clb\u003e\u003c/lb\u003e\n Series 7. Miscellaneous; ca. 1960-2014.\u003clb\u003e\u003c/lb\u003e\n Series 8. Oversized; ca. 1930-1995.\u003c/p\u003e\n","\u003cp\u003e Series 1-5 include the bulk of Buck's published books in draft form. The cataloging information for these series was drawn from Mary Lee Welliver's thesis, \u003cemph render=\"italic\"\u003ePearl S. Buck's Manuscripts: The Harvest of Half a Century\u003c/emph\u003e (see series 7, box 71, folder 284). Some of the drafts are deemed \"original\" -- for more information on how this conclusion was reached, please see pages 17-18 of the thesis. Series 6 includes drafts of works that were not cataloged in Welliver's thesis.\u003c/p\u003e\n","\u003cp\u003e Since many of Buck's drafts are undated, date ranges given in the series descriptions are based in part on dates of publication. Also, page counts have not been verified.\u003c/p\u003e\n","\u003cp\u003e Manuscripts from the collection were originally housed in 273 large numbered envelopes. The original envelope numbers have been retained as folder numbers, and the original envelopes have been moved to boxes 83-86.\u003c/p\u003e\n","\u003cp\u003e Regarding terminology in this finding aid:\u003c/p\u003e\n","\u003cp\u003e \"Galley\" indicates a preliminary version of a publication meant for review and copyediting, printed on oversize paper.\u003c/p\u003e\n","\u003cp\u003e \"Paged galleys\" indicates galleys where pagination has been added, and the number of pages reflects that pagination.\u003c/p\u003e\n","\u003cp\u003e \"Unpaged galleys\" lack page numbers, and are counted by the number of leaves referred to as \"galley pp.\".\u003c/p\u003e\n","\u003cp\u003e \"Holograph\" indicates an entirely handwritten work (as opposed to typescript).\u003c/p\u003e\n","\u003cp\u003e \"Manuscript\" is used in the general sense to include holographs, typescripts, and galleys.\u003c/p\u003e\n","\u003cp\u003e \"PSB\" stands for Pearl S. Buck.\u003c/p\u003e","\u003cp\u003eIncludes holographs, typescripts, typescript carbons, mixed manuscripts, and galleys for more than thirty of Buck's published novels. Many address the topic of Chinese peasant life. Some works are represented by multiple drafts, and some include corrections and revisions by the author.\u003c/p\u003e\n","\u003cp\u003e Highlights include:\u003clb\u003e\u003c/lb\u003e\n paged galleys of Buck's first novel, \u003cemph render=\"italic\"\u003eEast Wind, West Wind\u003c/emph\u003e;\u003clb\u003e\u003c/lb\u003e\n a typescript of \u003cemph render=\"italic\"\u003eSons\u003c/emph\u003e;\u003clb\u003e\u003c/lb\u003e\n original holograph and typescripts of \u003cemph render=\"italic\"\u003eThe Patriot\u003c/emph\u003e;\u003clb\u003e\u003c/lb\u003e\n typescripts of \u003cemph render=\"italic\"\u003eThe Angry Wife\u003c/emph\u003e, her only novel set in West Virginia and one of many written under the pseudonym John Sedges; and\u003clb\u003e\u003c/lb\u003e\n multiple drafts of \u003cemph render=\"italic\"\u003eImperial Woman\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003e Additional drafts, outlines, and synopses for novels and novellas can also be found in Series 6, Other Works. Galleys and galley proofs can be found in Series 8, Oversized.\u003c/p\u003e","\u003cp\u003eIncludes typescripts, typescript carbons, mixed manuscripts, and holographs for eighteen of Buck's non-fiction works. Topics include Asia, the role of women in American society, racism, children's welfare, and adoption.\u003c/p\u003e\n","\u003cp\u003e Highlights include:\u003c/p\u003e\n","\u003cp\u003e multiple drafts and leather-bound presentations of Buck's manuscripts for the biographies of her parents -- \u003cemph render=\"italic\"\u003eThe Exile\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eThe Fighting Angel\u003c/emph\u003e -- two novels that helped earn her the 1938 Nobel Prize in Literature;\u003c/p\u003e\n","\u003cp\u003e a mixed manuscript of the book titled \u003cemph render=\"italic\"\u003eOf Men and Women\u003c/emph\u003e;\u003c/p\u003e\n","\u003cp\u003e typescripts of \u003cemph render=\"italic\"\u003eHow it Happens\u003c/emph\u003e;\u003c/p\u003e\n","\u003cp\u003e multiple drafts of \u003cemph render=\"italic\"\u003eThe Joy of Children\u003c/emph\u003e; and\u003c/p\u003e\n","\u003cp\u003e multiple drafts of her autobiographies, \u003cemph render=\"italic\"\u003eMy Several Worlds\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eA Bridge for Passing\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003e Additional non-fiction works can be found in Series 6, Other Works. Galleys of non-fiction works can be found in Series 8, Oversized.\u003c/p\u003e","\u003cp\u003eIncludes typescript carbons, galleys, typescripts, mixed manuscripts, and holographs for eleven children's books, including \u003cemph render=\"italic\"\u003eThe Big Fight\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThe Big Wave\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eMatthew, Mark, Luke and John\u003c/emph\u003e. Galleys can be found in Series 8, Oversized.\u003c/p\u003e","\u003cp\u003eIncludes two typescript drafts of \u003cemph render=\"italic\"\u003eAll Men Are Brothers\u003c/emph\u003e, Buck's translation of one of China's most famous novels, \u003cemph render=\"italic\"\u003eShui Hu Chuan\u003c/emph\u003e (also known as \u003cemph render=\"italic\"\u003eWater Margin\u003c/emph\u003e or \u003cemph render=\"italic\"\u003eShui Hu Zhuan\u003c/emph\u003e). A brochure advertising this book can be found in Series 6, Other Works, box 70, folder 279.7.\u003c/p\u003e","\u003cp\u003eIncludes typescripts, typescript carbons, holographs, and mixed manuscripts of short stories from nine of Buck's anthologies. Some of the anthologies were published posthumously. Some entries include the periodical in which the various short stories appeared; please note that this is not indicative of a systematic search. Additional short stories can be found in Series 6, Other Works. A magazine clipping has been moved to Series 8, Oversized.\u003c/p\u003e","\u003cp\u003eIncludes holographs, typescripts, typescript carbons, clippings, and mixed manuscripts of published and unpublished short stories, articles, dramas/plays, novels, novellas, non-fiction works, reviews, speeches, introductions, forewords, letters, press releases, radio broadcasts, and interviews, among other material. The majority of this series is Buck's own work.\u003c/p\u003e\n","\u003cp\u003e Subjects include China and its people; writing; women; international relations and war; America and its people; India; Japan; mentally handicapped children (the contemporary term, retarded, is used in the contents list); mixed race children; the Vineland Training School; the Welcome House; adoption; and many more. Two published short stories have been moved to Series 8, Oversized.\u003c/p\u003e\n","\u003cp\u003e Highlights include:\u003c/p\u003e\n","\u003cp\u003e a January 1923 issue of the journal \u003cemph render=\"italic\"\u003eThe Atlantic Monthly\u003c/emph\u003e, containing Buck's first published article, \"In China, Too\" (box 70, folder 282);\u003c/p\u003e\n","\u003cp\u003e a typescript introduction to \u003cemph render=\"italic\"\u003eThe Good Earth\u003c/emph\u003e, 1949 (box 63, folder 254.1);\u003c/p\u003e\n","\u003cp\u003e a holograph introduction to a series of shortwave radio broadcasts, written by Buck in Chinese characters (with romanizations in typescript) (box 50, folder 196.1);\u003c/p\u003e\n","\u003cp\u003e a holograph of an untitled radio broadcast, written by Buck in Chinese characters (with romanizations in typescript) (box 51, folder 202); and\u003c/p\u003e\n","\u003cp\u003e typescripts and typescript carbons of the autobiographical short story \"My Chinese Nurse\" (box 33, folders 134.1-134.3).\u003c/p\u003e","\u003cp\u003eIncludes exhibit materials, typescripts, clippings, correspondence, ephemera, printed material, photographs, and other material. Subjects include the appraisal and cataloging of collection materials by Frances and Kenneth Swope, Mary Lee Welliver, and Robert Shafer; the Pearl S. Buck Birthplace Foundation and preservation of Buck's birthplace in Hillsboro, WV; celebratory centennial events in 1992; Pearl S. Buck; and her works. The majority of the contents of this series was created by people other than Buck, though it includes a few facsimiles and printed versions of Buck's work.\u003c/p\u003e\n","\u003cp\u003e Highlights include:\u003c/p\u003e\n","\u003cp\u003e typescripts written about Buck by Lucille S. Zinn, bibliographer for the Pearl S. Buck Birthplace Foundation (box 72, folder 302.1-302.2), who went on to publish \"The Works of Pearl S. Buck: A Bibliography\" (box 73, folder 305.1);\u003c/p\u003e\n","\u003cp\u003e records regarding the Pearl S. Buck commemorative stamp (various folders in boxes 73-76); and\u003c/p\u003e\n","\u003cp\u003e a cassette tape of an interview with Pearl S. Buck conducted by Arnold Gingrich, October 12, 1970 (box 76, folder 365).\u003c/p\u003e\n","\u003cp\u003e Biographical material on Buck can be found in box 73, folder 320; box 74, folders 323 and 338; box 75, folder 349; and others.\u003c/p\u003e\n","\u003cp\u003e Although now substantially superseded by the current cataloging record in terms of both completeness and detail, the Mary Lee Welliver collection guide, within her graduate thesis, has been retained in this collection for future reference (see box 71, folder 284). Within her guide, Welliver cataloged the drafts of published books within the collection (series 1-5). Within these series, she lists the works alphabetically, and the drafts of each work in rough chronological order. (A version of our contents list in this cataloging record, found below, arranged in the same order as the contents list in Welliver's thesis, is available in box 71, folder 284.) Regarding the chronological order in her guide, Welliver notes that, \"In a few cases, the order has been very difficult to ascertain without a more critical study of the manuscripts. This study is left to future researchers and an 'educated guess' has been made as to chronology in such cases\" (Welliver thesis, p. 21).\u003c/p\u003e\n","\u003cp\u003e Welliver also created data sheets for each work she cataloged, which are available in box 71, folders 293.1-293.4, and box 72, folders 294.1- 294.2. These data sheets include information not recorded in either the contents list found in this cataloging record, or in the Welliver thesis, such as type and size of paper and notations from original envelopes or folders.\u003c/p\u003e\n","\u003cp\u003e Boxes 83-86 include the original container envelopes for most of the collection; the notations on these envelopes regarding specifics about their contents, such as page numbers, may be of interest to future researchers. Not all of this information is present in the contents list.\u003c/p\u003e","\u003cp\u003eIncludes galleys and galley proofs from Series 1, Novels; Series 2, Non-fiction; and Series 3, Children's Books. Also includes a magazine clipping from Series 5, Collections of Short Stories; published short stories from Series 6, Other Works; and various clippings regarding the Pearl S. Buck Birthplace Foundation, her home, and other topics. Noteworthy are the paged galleys of Buck's first novel, \u003cemph render=\"italic\"\u003eEast Wind, West Wind\u003c/emph\u003e (box 77b, folder 1 and 2).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Literary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China."," The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck."," Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more."," Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects."," For additional material, see A\u0026M 727, Pearl S. Buck, Author, Papers.","Overview of Record Series:"," The collection includes eight series:"," Series 1. Novels; ca. 1930-1973. \n Series 2. Non-fiction; ca. 1936-1972. \n Series 3. Children's Books; ca. 1940-1967. \n Series 4. Translation; ca. 1933. \n Series 5. Collections of Short Stories; ca. 1934-1973. \n Series 6. Other Works; ca. 1923-1967, 2014. \n Series 7. Miscellaneous; ca. 1960-2014. \n Series 8. Oversized; ca. 1930-1995."," Series 1-5 include the bulk of Buck's published books in draft form. The cataloging information for these series was drawn from Mary Lee Welliver's thesis,  Pearl S. Buck's Manuscripts: The Harvest of Half a Century  (see series 7, box 71, folder 284). Some of the drafts are deemed \"original\" -- for more information on how this conclusion was reached, please see pages 17-18 of the thesis. Series 6 includes drafts of works that were not cataloged in Welliver's thesis."," Since many of Buck's drafts are undated, date ranges given in the series descriptions are based in part on dates of publication. Also, page counts have not been verified."," Manuscripts from the collection were originally housed in 273 large numbered envelopes. The original envelope numbers have been retained as folder numbers, and the original envelopes have been moved to boxes 83-86."," Regarding terminology in this finding aid:"," \"Galley\" indicates a preliminary version of a publication meant for review and copyediting, printed on oversize paper."," \"Paged galleys\" indicates galleys where pagination has been added, and the number of pages reflects that pagination."," \"Unpaged galleys\" lack page numbers, and are counted by the number of leaves referred to as \"galley pp.\"."," \"Holograph\" indicates an entirely handwritten work (as opposed to typescript)."," \"Manuscript\" is used in the general sense to include holographs, typescripts, and galleys."," \"PSB\" stands for Pearl S. Buck.","Includes holographs, typescripts, typescript carbons, mixed manuscripts, and galleys for more than thirty of Buck's published novels. Many address the topic of Chinese peasant life. Some works are represented by multiple drafts, and some include corrections and revisions by the author."," Highlights include: \n paged galleys of Buck's first novel,  East Wind, West Wind ; \n a typescript of  Sons ; \n original holograph and typescripts of  The Patriot ; \n typescripts of  The Angry Wife , her only novel set in West Virginia and one of many written under the pseudonym John Sedges; and \n multiple drafts of  Imperial Woman ."," Additional drafts, outlines, and synopses for novels and novellas can also be found in Series 6, Other Works. Galleys and galley proofs can be found in Series 8, Oversized.","Includes typescripts, typescript carbons, mixed manuscripts, and holographs for eighteen of Buck's non-fiction works. Topics include Asia, the role of women in American society, racism, children's welfare, and adoption."," Highlights include:"," multiple drafts and leather-bound presentations of Buck's manuscripts for the biographies of her parents --  The Exile  and  The Fighting Angel  -- two novels that helped earn her the 1938 Nobel Prize in Literature;"," a mixed manuscript of the book titled  Of Men and Women ;"," typescripts of  How it Happens ;"," multiple drafts of  The Joy of Children ; and"," multiple drafts of her autobiographies,  My Several Worlds  and  A Bridge for Passing ."," Additional non-fiction works can be found in Series 6, Other Works. Galleys of non-fiction works can be found in Series 8, Oversized.","Includes typescript carbons, galleys, typescripts, mixed manuscripts, and holographs for eleven children's books, including  The Big Fight ,  The Big Wave , and  Matthew, Mark, Luke and John . Galleys can be found in Series 8, Oversized.","Includes two typescript drafts of  All Men Are Brothers , Buck's translation of one of China's most famous novels,  Shui Hu Chuan  (also known as  Water Margin  or  Shui Hu Zhuan ). A brochure advertising this book can be found in Series 6, Other Works, box 70, folder 279.7.","Includes typescripts, typescript carbons, holographs, and mixed manuscripts of short stories from nine of Buck's anthologies. Some of the anthologies were published posthumously. Some entries include the periodical in which the various short stories appeared; please note that this is not indicative of a systematic search. Additional short stories can be found in Series 6, Other Works. A magazine clipping has been moved to Series 8, Oversized.","Includes holographs, typescripts, typescript carbons, clippings, and mixed manuscripts of published and unpublished short stories, articles, dramas/plays, novels, novellas, non-fiction works, reviews, speeches, introductions, forewords, letters, press releases, radio broadcasts, and interviews, among other material. The majority of this series is Buck's own work."," Subjects include China and its people; writing; women; international relations and war; America and its people; India; Japan; mentally handicapped children (the contemporary term, retarded, is used in the contents list); mixed race children; the Vineland Training School; the Welcome House; adoption; and many more. Two published short stories have been moved to Series 8, Oversized."," Highlights include:"," a January 1923 issue of the journal  The Atlantic Monthly , containing Buck's first published article, \"In China, Too\" (box 70, folder 282);"," a typescript introduction to  The Good Earth , 1949 (box 63, folder 254.1);"," a holograph introduction to a series of shortwave radio broadcasts, written by Buck in Chinese characters (with romanizations in typescript) (box 50, folder 196.1);"," a holograph of an untitled radio broadcast, written by Buck in Chinese characters (with romanizations in typescript) (box 51, folder 202); and"," typescripts and typescript carbons of the autobiographical short story \"My Chinese Nurse\" (box 33, folders 134.1-134.3).","Includes exhibit materials, typescripts, clippings, correspondence, ephemera, printed material, photographs, and other material. Subjects include the appraisal and cataloging of collection materials by Frances and Kenneth Swope, Mary Lee Welliver, and Robert Shafer; the Pearl S. Buck Birthplace Foundation and preservation of Buck's birthplace in Hillsboro, WV; celebratory centennial events in 1992; Pearl S. Buck; and her works. The majority of the contents of this series was created by people other than Buck, though it includes a few facsimiles and printed versions of Buck's work."," Highlights include:"," typescripts written about Buck by Lucille S. Zinn, bibliographer for the Pearl S. Buck Birthplace Foundation (box 72, folder 302.1-302.2), who went on to publish \"The Works of Pearl S. Buck: A Bibliography\" (box 73, folder 305.1);"," records regarding the Pearl S. Buck commemorative stamp (various folders in boxes 73-76); and"," a cassette tape of an interview with Pearl S. Buck conducted by Arnold Gingrich, October 12, 1970 (box 76, folder 365)."," Biographical material on Buck can be found in box 73, folder 320; box 74, folders 323 and 338; box 75, folder 349; and others."," Although now substantially superseded by the current cataloging record in terms of both completeness and detail, the Mary Lee Welliver collection guide, within her graduate thesis, has been retained in this collection for future reference (see box 71, folder 284). Within her guide, Welliver cataloged the drafts of published books within the collection (series 1-5). Within these series, she lists the works alphabetically, and the drafts of each work in rough chronological order. (A version of our contents list in this cataloging record, found below, arranged in the same order as the contents list in Welliver's thesis, is available in box 71, folder 284.) Regarding the chronological order in her guide, Welliver notes that, \"In a few cases, the order has been very difficult to ascertain without a more critical study of the manuscripts. This study is left to future researchers and an 'educated guess' has been made as to chronology in such cases\" (Welliver thesis, p. 21)."," Welliver also created data sheets for each work she cataloged, which are available in box 71, folders 293.1-293.4, and box 72, folders 294.1- 294.2. These data sheets include information not recorded in either the contents list found in this cataloging record, or in the Welliver thesis, such as type and size of paper and notations from original envelopes or folders."," Boxes 83-86 include the original container envelopes for most of the collection; the notations on these envelopes regarding specifics about their contents, such as page numbers, may be of interest to future researchers. Not all of this information is present in the contents list.","Includes galleys and galley proofs from Series 1, Novels; Series 2, Non-fiction; and Series 3, Children's Books. Also includes a magazine clipping from Series 5, Collections of Short Stories; published short stories from Series 6, Other Works; and various clippings regarding the Pearl S. Buck Birthplace Foundation, her home, and other topics. Noteworthy are the paged galleys of Buck's first novel,  East Wind, West Wind  (box 77b, folder 1 and 2)."],"separatedmaterial_html_tesm":["\u003cp\u003eSigned letter to Rare Signatures, A\u0026amp;M 435:\u003c/p\u003e\n","\u003cp\u003e  Signed letter from Pearl Buck to Otto Whittaker, with signed enclosure, dated 1967.\u003c/p\u003e\n","\u003cp\u003eBook to Book Collection:\u003c/p\u003e\n","\u003cp\u003e  Crouch, Archie R. Scholars' Guide to China Mission Resources in the Libraries and Archives of the United States. Princeton, NJ: Princeton University Press, 1983.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Signed letter to Rare Signatures, A\u0026M 435:","  Signed letter from Pearl Buck to Otto Whittaker, with signed enclosure, dated 1967.","Book to Book Collection:","  Crouch, Archie R. Scholars' Guide to China Mission Resources in the Libraries and Archives of the United States. Princeton, NJ: Princeton University Press, 1983."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f211b751a051bc9538415405c40b491b\"\u003eLiterary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China. The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck. Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more. Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects. For additional material, see A\u0026amp;M 727, Pearl S. Buck, Author. Papers (1930-1976, undated).\u003c/abstract\u003e"],"abstract_tesim":["Literary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China. The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck. Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more. Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects. For additional material, see A\u0026M 727, Pearl S. Buck, Author. Papers (1930-1976, undated)."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_467f19ef8fc1a4b71aa23048ffda005d\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Pearl S. Buck Birthplace Foundation","West Virginia Wesleyan College","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Walsh, Richard J. (Richard John), 1886-1960"],"names_ssim":["West Virginia and Regional History Center","Pearl S. Buck Birthplace Foundation","West Virginia Wesleyan College","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Walsh, Richard J. (Richard John), 1886-1960"],"corpname_ssim":["West Virginia and Regional History Center","Pearl S. Buck Birthplace Foundation","West Virginia Wesleyan College"],"persname_ssim":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Walsh, Richard J. (Richard John), 1886-1960"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":923,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:24:29.099Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5375_c06_c240"}},{"id":"vifgm_repositories_2_resources_367_c02_c02_c01","type":"File","attributes":{"title":"1956, 1969, 1983","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_367_c02_c02_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_367_c02_c02_c01","ref_ssm":["vifgm_repositories_2_resources_367_c02_c02_c01"],"id":"vifgm_repositories_2_resources_367_c02_c02_c01","ead_ssi":"vifgm_repositories_2_resources_367","_root_":"vifgm_repositories_2_resources_367","_nest_parent_":"vifgm_repositories_2_resources_367_c02_c02","parent_ssi":"vifgm_repositories_2_resources_367_c02_c02","parent_ssim":["vifgm_repositories_2_resources_367","vifgm_repositories_2_resources_367_c02","vifgm_repositories_2_resources_367_c02_c02"],"parent_ids_ssim":["vifgm_repositories_2_resources_367","vifgm_repositories_2_resources_367_c02","vifgm_repositories_2_resources_367_c02_c02"],"parent_unittitles_ssm":["James M. Buchanan papers","Series 2: Correspondence","Subseries 2: Chronological correspondence"],"parent_unittitles_tesim":["James M. Buchanan papers","Series 2: Correspondence","Subseries 2: Chronological correspondence"],"text":["James M. Buchanan papers","Series 2: Correspondence","Subseries 2: Chronological correspondence","1956, 1969, 1983","box 110","folder 6"],"title_filing_ssi":"1956, 1969, 1983","title_ssm":["1956, 1969, 1983"],"title_tesim":["1956, 1969, 1983"],"unitdate_inclusive_ssm":["1956, 1969, 1983"],"normalized_date_ssm":["1956/1983"],"normalized_title_ssm":["1956, 1969, 1983"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["James M. Buchanan papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1556,"parent_access_restrict_tesm":["\nCertain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.\n","Most of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.","There are no other access restrictions.","All If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"containers_ssim":["box 110","folder 6"],"_nest_path_":"/components#1/components#1/components#0","timestamp":"2026-06-05T07:18:42.949Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_367","ead_ssi":"vifgm_repositories_2_resources_367","_root_":"vifgm_repositories_2_resources_367","_nest_parent_":"vifgm_repositories_2_resources_367","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_367.xml","aspace_url_ssi":"C0246","title_ssm":["James M. Buchanan papers"],"title_tesim":["James M. Buchanan papers"],"unitdate_ssm":["circa 1800s, 1930-2014"],"unitdate_inclusive_ssm":["circa 1800s, 1930-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0246","/repositories/2/resources/367"],"text":["C0246","/repositories/2/resources/367","James M. Buchanan papers","Economics","Economists -- United States","Nobel Prize winners","Social choice","Correspondence","Manuscripts","Typescripts","Video recordings","\nCertain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.\n","Most of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.","There are no other access restrictions.","All If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies.","The collection is arranged in nine series.","Series Series 1: Biographical materials Series 2: Correspondence Series 3: Writings Series 4: Academia Series 5: Professional service Series 6: Betty Tillman papers Series 7: Jo Ann Burgess papers Series 8: Writings by others Series 9: Audiovisual and born-digital materials","James McGill Buchanan, Jr. was born on October 3, 1919 in Gum, Tennessee to Lila Scott (1889-1953) and James McGill Buchanan, Sr. (1888-1979). He had two younger sisters, Lila Scott Buchanan Graue (1922-2020) and Elizabeth Bradley. His paternal grandfather, John P. Buchanan (1847-1930), was a one-term governor of Tennessee from 1891 to 1893. James M. Buchanan attended Buchanan High School. He triple-majored in English, mathematics, and economics at Middle Tennessee State University from 1936 to 1940. He received a Master's of the Arts in economics from the University of Tennessee, Knoxville in 1941. Buchanan then attended the Naval War College and served on the operations staff of Admiral Chester W. Nimitz from 1941 to 1945. In that role, he was stationed in Pearl Harbor, Hawaii, and Guam. He met his wife, Ann Bakke (August 21, 1909-November 14, 2005) in 1943. She was born in Jamestown, North Dakota. She served with the Army Air Transport Command at Hickham Field, Oahu. In 1945 the couple married in San Francisco, California. ","From 1946 to 1948 Buchanan attended the University of Chicago, where he graduated with a Ph.D. in economics. After graduation, he taught at the University of Tennessee, Knoxville as an associate professor from 1948 to 1951, and then as a full professor at Florida State University, Tallahassee from 1951 to 1956. In 1955 he was awarded a Fulbright fellowship to study in Italy for a year. In 1956 he was hired at the University of Virginia as the chair of the economics department. It was there that he co-founded the Thomas Jefferson Center for Studies in Political Economy in 1958. That same year, he published  Public Principles of Public Debt . In 1962, Buchanan and co-author Gordon Tullock published  The Calculus of Consent . ","Buchanan worked at the University of California, Los Angeles (UCLA) for one academic year (1968-1969) as a professor of economics. In 1969 he was hired at Virginia Polytechnic Institute (VPI, now known as Virginia Tech), as a University Distinguished Professor. He became general director of the Center for Study of Public Choice, the successor institution to the Thomas Jefferson Center for Political Economy. Buchanan continued to publish books during his time at VPI, including  Cost and Choice  (1969),  Academia in Anarchy  with Nicos Devletoglou (1970),  The Limits of Liberty  (1975), and  The Power to Tax  with Geoffrey Brennan (1980). ","In 1983, Buchanan and the Center for the Study of Public Choice moved from VPI to George Mason University in Fairfax, Virginia. After the move, he split his time between Fairfax and his farm in Blacksburg, Virginia. In 1986, Buchanan was awarded the Nobel Memorial Prize in economics. While at Mason, he published  The Reason of Rules  (1985),  Better than Plowing  (1992), and  Politics by Principle, Not Interest  with Roger Congleton (1998). He formally retired from Mason in September 1999 but continued to work both at Mason and Virginia Tech until his death on January 9, 2013. ","Buchanan was known for his contribution to the field of public choice, which uses economic principles to analyze the rules and actions of government and public sector. It was this theory which led to his Nobel award. ","Born on March 19, 1927, Betty Jane Hall Tillman (also known as Betty Ross from 1977 to 1984) received an associate's degree from The Jefferson School of Commerce at Charlottesville, Virginia in 1945. She worked for Buchanan at the University of Virginia from August 14, 1961 to August 1969, at VPI from September 1, 1969 to June 1983, and at George Mason University from July 1, 1983 until her retirement in April 2007. Tillman had multiple responsibilities including handling Buchanan's correspondence, scheduling his events, coordinating Liberty Fund conferences, organizing activities at the Center for Study of Public Choice, and assisting graduate students and faculty associated with the Center. At the time of her retirement her position was administrative director of the Center for Study of Public Choice. She had three children. Tillman died on October 2, 2013.  ","Jo Ann Burgess was born on June 27, 1948. She began work at the Center for the Study of Public Choice at George Mason University in 1989. Previously, Burgess lived around the world working for the State Department and the U.S military. She had four children with her husband, Roger. Burgess had many varied responsibilities at the Center including organizing Buchanan's archival papers, and administrative duties for the Public Choice Society. She edited Buchanan's published work in the 1990s and 2000s, including editing  The Collected Works of James Buchanan  and  The Selected Works of Gordon Tullock  for the Liberty Fund. After Tillman's retirement, Burgess took on additional responsibilities related to handling Buchanan's correspondence and scheduling, and additional administrative duties at the Center. Burgess retired in the summer of 2014. She died on March 19, 2020.","Ann Gladys Bakke was born on August 21, 1909 in Jamestown, North Dakota to a Norwegian-born father, Andrew (1879-?), and a second-generation Norwegian immigrant, Hilda Kjorness (1882/3-1973). She had four siblings: Orval (also written Orville, 1908-1987), Clara Jensvold (1910-1998), Arthur (1915-1989), and Erling (1924-1945). Bakke worked as a stenographer in Jamestown until at least 1932. She was living in Fargo, N.D. in 1935 and Washington, D.C. in 1940. During World War II, Bakke served with the Army Air Transport Command at Hickham Field, Oahu. During this time, she met James Buchanan and the two were married in 1945 in San Francisco, California. She supported Buchanan financially during his graduate study at the University of Chicago. She died at their home in Blacksburg, Va., on November 14, 2005.","This collection was processed by Rebecca Thayer as part of a National Endowment for the Humanities (NEH) grant project from March 2021 to March 2023.","Initial processing of the collection was begun after James M. Buchanan's death in 2013, while the papers were at Buchanan House (also known as Roberts House), where the offices of Buchanan, Betty Tillman, Jo Ann Burgess, and the Center for Study of Public Choice were then located. Processing at this time was done by Greta Suiter, then-Processing Coordinator at the Special Collections Research Center (SCRC), and Solomon Stein, then-economics PhD student at Mason. Stein and Suiter established an initial arrangement scheme and began foldering and sorting materials accordingly. Elizabeth Beckman, then-Processing Coordinator, continued arrangement and refoldering work alongside Stein at Buchanan House from 2014 to 2016. 145 linear feet of materials were ultimately arranged during this time. The following series were created: Correspondence, Academic (Subseries: Courses taken and Courses taught), Conferences (Subseries: Conferences attended and Conferences held), Writings, Articles Read, and Administrative.","Materials were boxed up and brought to Fenwick in Spring 2017. Beckman completed EAD markup of a preliminary finding aid with the processed materials in June 2017. Processing was paused in 2017 to apply for a NEH grant to hire a dedicated processing archivist. The grant was approved to start in 2020 but was delayed for several months due to the COVID-19 pandemic.","Rebecca Thayer was hired in March 2021 to process the collection. She surveyed the arranged part of the collection (145 linear feet) and the unprocessed part (147 linear feet) to create a processing plan. This plan included adjustments to the original arrangement scheme based on material in the unprocessed section of the papers. A large number of the eventual Jo Ann Burgess papers series materials were in the unprocessed section of the collection, although the unprocessed section did contain materials from all series. ","The prior arrangement scheme did not preserve Tillman and Burgess' files as discrete series, so it is likely that some materials created by Tillman or Burgess were dispersed into the various other series. Some materials in the correspondence series especially which were obviously correspondence involving only Tillman, Burgess, or Ann Bakke Buchanan, were removed to their respective series and subseries. However, Thayer did not attempt a systematic review of materials in other series such as Professional Services and Academia in order to separate out Tillman and Burgess-created files from Buchanan-created files. This has resulted in some significant overlap between those series and the Betty Tillman papers and Jo Ann Burgess papers series. This does reflect the significant overlap in work responsibilities of Tillman, Burgess, Buchanan, and the Center as seen in the materials. ","Processors prior to the NEH grant appear to have filed out materials that were originally grouped in large miscellaneous folders. Buchanan, Tillman, and Burgess do not seem to have created many files with only one or two emails or letters, preferring larger bulk folders. However, in the collection there are now many individual folders with correspondents that seem to have been created from larger files. No additional filing out of material was done under the NEH grant.","Thayer arranged the unprocessed materials and reprocessed the previously arranged materials, combining the two. Mason Graduate Research Assistant Rachel Barton and undergraduate assistants Colin McDonald and Vilma Chicas Garcia assisted with arrangement, reboxing, and inventory creation. Amanda Menjivar, Manuscripts and Archives Librarian, assisted with finding aid data entry and publishing.","The James M. Buchanan papers largely consist of correspondence, writings, and administrative files created between the years 1930-2014. The collection contains 9 series.","Series 1: Biographical materials (circa 1800s, 1944-2012) contains information about James M. Buchanan's life and career. It is further divided into four subseries. Subseries 1.1: Ann Bakke Buchanan papers contains materials created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some addressed to both James and Ann as a couple. Subseries 1.2: Awards contains newspapers clippings, congratulatory letters, photographs, and memorabilia relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics. Subseries 1.3: Education contains study notes, essays, syllabi, and research notes from Buchanan's education, mostly from his PhD study at the University of Chicago. Subseries 1.4: Clippings contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended.","Series 2: Correspondence (1951-2014) contains letters, emails, memoranda, cards, and other forms of written communication, mostly dealing with Buchanan's professional career. Subseries 2.1: Alphabetical correspondence contains the bulk of the correspondence, filed alphabetically by correspondent, subject, or name of an organization. Subseries 2.2: Chronological correspondence is a small amount of unrelated correspondence that was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess.","Series 3: Writings (1946-2012) contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers.","Series 4: Academia (1946-2013) contains correspondence, reports, planning documents, and grant files relating to Buchanan's work at various universities, primarily University of Virginia, Virginia Polytechnic Institute (now Virginia Tech), and George Mason University. Subseries 4.1: Administration contains reports, memoranda, correspondence, photographs, calendars, and planning documents relating to department and university business. Subseries 4.2: Teaching contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Subseries 4.3: Grants contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Subseries 4.4: Thomas Jefferson Center for Studies in Political Economy contains annual reports, photographs, and correspondence from the University of Virginia's Thomas Jefferson Center, which was active from 1958 to 1968. Subseries 4.5: Center for Study of Public Choice contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating to the Center, an academic unit at Virginia Polytechnic Institute from 1968 to 1983 and at George Mason University from 1983 onwards.","Series 5: Professional Service (1958-2013) This series contains materials relating to Buchanan's professional activities outside of his university responsibilities. Subseries 5.1: Conferences and events contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. Subseries 5.2: Consulting and organizations contains annual reports and correspondence relating to Buchanan's work with various organizations outside of his work as a university professor. ","Series 6: Betty Tillman papers (1968-2008) contains files created by Betty Tillman, administrative assistant to Buchanan and administrative director of the Center for Study of Public Choice. Subseries 6.1: Correspondence contains letters, emails, memoranda, and cards sent and received by Tillman. Subseries 6.2: Office administration contains planning documents, organizational files, and other materials relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Subseries 6.3: Conferences, events and travel contains correspondence, calendars, schedules, and travel documents relating to events attended by Buchanan, coordinated by Tillman. It also contains materials created by Tillman as the conference coordinator for the Liberty Fund and Center conferences and events.","Series 7: Jo Ann Burgess papers (1972-2014) contains files created by Jo Ann Burgess, administrative assistant and editor to Buchanan and secretary for the Public Choice Society. Subseries 7.1: Correspondence contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan and the Center for Study of Public Choice. Subseries 7.2: Office administration contains correspondence, calendars, notes, program files, and edited drafts created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. Subseries 7.3: Liberty Fund editorial work contains planning documents, correspondence, and drafts created as part of Burgess' work editing  The Collected Works of James M. Buchanan  and  The Selected Works of Gordon Tullock  on behalf of the Liberty Fund. Subseries 7.4: Public Choice Society contains correspondence, conference planning documents, and administrative files created as part of Burgess' work as the secretary of the Public Choice Society, a professional organization. ","Series 8: Writings by others (1930-2014) contains articles, book drafts, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some writings are about Buchanan and his ideas. ","Series 9: Audiovisual and born-digital materials (circa 1970s-2013) contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others and Center for Study of Public Choice events.","The biographical series contains information about James M. Buchanan's personal life, education, awards, and clippings of articles about him and his career. There are also materials kept by his wife, Ann Bakke Buchanan. The series is divided into four subseries: Ann Bakke Buchanan papers, Education, Awards, and Clippings. Additional materials not in subseries include personal photographs and Buchanan family history.","This subseries contains papers created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some is addressed to both James and Ann as a couple. Recipe cards were removed from seven recipe card boxes and reboxed. Photographs of the original housing are available by request. Recipes are a mix of clippings and handwritten recipes from Ann Buchanan and her friends and relatives. Some recipes and notebooks are written in shorthand.","This subseries contains materials relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics, but there are also materials about the National Humanities Medal and other awards. Types of material include newspaper clippings, congratulatory letters, photographs, and memorabilia.","Removed from Buchanan House display.","Removed from Buchanan House display","Removed from Buchanan House display","Removed from Buchanan House display","Removed from Buchanan House display.","Contains CD","This subseries contains materials related to Buchanan's education, mostly from his PhD study at the University of Chicago. Some materials appear to be compiled by a person other than Buchanan, since they predate his study at the University of Chicago. Types of materials include study notes, essays, syllabi, and research notes. This subseries includes notes from classes taught by Frank H. Knight and Milton Friedman.","Removed from Buchanan House display.","Appears to be notes from a student other than Buchanan","Removed from Buchanan House display","Removed from Buchanan House display.","Removed from Buchanan House display","This subseries contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended. Note that the clippings related to the Nobel Memorial Prize in Economics are located in the Awards subseries. Clippings of articles written by Buchanan are located in the Writings series. Many clippings are in languages other than English.","The correspondence series contains letters, emails, memoranda, cards, and other forms of written communication sent to and received by Buchanan. The series is divided into two subseries: alphabetical correspondence and chronological correspondence. The bulk of the correspondence was filed alphabetically by correspondent or type of correspondence. A small amount of unrelated correspondence was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess. The bulk of the correspondence in both subseries deals with Buchanan's professional career from his time at the University of Virginia until his retirement, including discussion of publications, manuscripts, events, and academic business. The bulk of the correspondence starts in 1950. There are very few letters prior to 1950. There is a photocopy of a letter from 1941 in Box 56 Folder 1 J. ","Note that some correspondence is located in their original filing location in other series Additional correspondence concerning Buchanan's writings is located in Series 3: Writings, foldered with its related work. Some correspondence relating to the Center for Study of Public Choice, grant applications, and academic departmental administration is located in Series 4: Academia. Some correspondence relating to events, conferences, and travel accommodations is located in Series 5: Professional Service, Subseries 1: Conferences and events. Buchanan's email was handled by Betty Tillman and Jo Ann Burgess, and much of his email is located in Series 6: Betty Tillman papers, Subseries 3: Office administration, and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. Check the relevant series and subseries notes for additional information.","Alphabetical correspondence is correspondence filed alphabetically by subject, by the surname of the correspondent, or by the name of the organization. Filing was likely done by Betty Tillman. Some correspondence is grouped under a single letter, for example, a folder titled \"A\" contains multiple correspondents and organizations that start with the letter A. Some are grouped in a range of letters, for example, a folder title \"E-F\" contains correspondents starting with either E or F. It is unclear why some were filed out into individual folders and others were left in large files under a single letter or letter range. Note that there are some issues with the original filing, for example the surname \"da Empoli\" is sometimes filed under D and sometimes under E. Sometimes letters discussing a person are filed under that person's surname, and sometimes under the surname of the person requesting the information. Additionally, previous processors filed out some correspondence into individual folders. No additional re-filing was done under the NEH grant.","Flagged item restricted for personally identifiable information.","Folder created by Buchanan in April 2007. Contains personal and professional correspondence from 1966-1999.","Folder restricted due to FERPA.","Contains media: photographs","Restriction: FERPA and PII restriction.","Bulk of the folder is correspondents \"D.\" Includes some letters from J. Clayburn LaForce.","contains note: \"Removed from 'The Power of Freedom: Uniting Human Rights and Development' by processing archivist 2021-09-09'","Potential preservation concerns (fading)","Folder restricted until 2033 due to recommendation letter","Flagged item restricted until 2027 due to recommendation.","Folder restricted for letters of recommendation","Folder restricted for letters of recommednation and FERPA.","Flagged items restricted for letters of recommendation and FERPA.","Flagged item restricted for personally identifiable information.","Restricted for bank account information","Flagged item restricted for personally identifiable information.","Flagged item restricted for FERPA","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for personnel information.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged item restricted for FERPA.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged item restricted for FERPA","Contains photocopies of two 1941 letters from Buchanan to a professor","Flagged item restricted for letter of recommendation; restricted until 2032","Folder restricted for FERPA","Flagged item restricted for letter of recommendation until 2028.","includes correspondence from Warren Samuels and John McKinney","Flagged item restricted for letter of recommendation","Flagged items restricted until 2024 for letters of recommendation","Flagged item restricted until 2027 for letter of recommendation","Flagged item restricted until 2036 for letter of recommendation","Folder restricted until 2044 for letter of recommendation","Flagged items restricted until 2024-2026 for letters of recommendation.","Flagged items restricted for personally identifiable information.","Flagged item restricted for bank account information","Flagged items restricted until 2024-2026 for letters of recommendation.","Flagged items restricted until 2037 for letters of recommendation.","Oversize item","contains photographs","Oversize item","Folder restricted for FERPA.","Flagged items restricted for personally identifiable information.","Contains photographs","Flagged items restricted for FERPA","Contains photograph and CD","Flagged items restricted for FERPA. Contains photographs.","Contains photograph.","Flagged item restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged items restricted until 2025 for letters of recommendation.","Flagged item restricted until 2034 for letter of recommendation.","Flagged item restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged items restricted until 2027 for letter of recommendation.","Flagged items restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged item restricted utnil 2028 for letter of recommendation.","Contains photographs","Flagged item restricted until 2038 for personally identifiable information.","Flagged item restricted until 2038 for personally identifiable information.","Flagged items restricted until 2023 and 2026 for letter of recommendation.","Flagged item restricted until 2052 for letter of recommendation.","Folder restricted until 2044 for letter of reference.","Folder restricted until 2046 for letter of reference.","Folder restricted for FERPA.","Folder restricted until 2024-2025 for letters of reference.","Folder restricted until 2024-2028 for letters of reference.","Folder restricted until 2026-2036 for letters of reference.","Folder restricted until 2028-2030 for letters of reference.","Folder restricted until 2030-2032 for letters of reference.","Folder restricted until 2030-2033 for letters of reference","Folder restricted until 2030-2033 for letters of reference","Folder restricted until 2034 for letters of reference.Flagged items restricted due to FERPA.","Folder restricted until 2034-2036 for letters of reference.","Folder restricted until 2035-2038 for letters of reference.","Folder restricted until 2037-2039 for letters of reference.","Folder restricted until 2038 for letters of reference.","Folder restricted until 2039-2041 for letters of reference.","Folder restricted until 2039-2041 for letters of reference.","Folder restricted for FERPA","Contains photograph","Oversize \"Buchanan Expedition\" map of the United States with highlighted road trips","Removed from binder","Folder restricted for FERPA.","Folder restricted for FERPA.","Folder restricted until 2037 for letter of recommendation.","Contains correspondence with Ross Mackenzie of The Richmond News Leader, E.J. Mishan, Roland McKean, James C. Miller III, and others","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged item restricted for personally identifiable information.","Flagged items restricted for FERPA.","Chronological correspondence is unrelated correspondence from a certain date range that was filed together in a single folder. It is unclear why this correspondence was not filed out alphabetically. Chronological correspondence from 1987 onwards seems to have been kept by Jo Ann Burgess and never officially filed into designated folders. These folders include correspondence from Buchanan on topics across his work, with a focus on publications and events and travel. There are also assorted office administration materials handled by Burgess in these folders. Topics of the chronological correspondence and the correspondents seem to be similar to that of the alphabetical correspondence.","Includes Ronald Reagan form letter","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","The writings series contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers. The series is filed alphabetically by title of the work. Note that some of Buchanan's works went by multiple titles in the draft stage, and may not be filed together as a result. Some papers presented by Buchanan at conferences or given as lectures are located in Series 5: Professional services Subseries 1: Conferences and events.","Jo Ann Burgess acted as an editor for much of Buchanan's writings from the 1990s and 2000s. There are edited copies and drafts of some of Buchanan's writings, notably  Politics by Principle, Not Interest ,  The Return to Increasing Returns , and  Post-Socialist Political Economy  in Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. The bulk of the materials relating to  The Collected Works of James M. Buchanan  are located in Series 7: Jo Ann Burgess papers, Subseries 3: Liberty Fund editorial work, as Burgess kept the files for that project.","Flagged items restricted for FERPA.","Note: work also titled \"Work supply under Increasing Returns\"","various titles","Flagged items restricted for FERPA.","This series contains materials relating to Buchanan's work at various universities, notably University of Virginia, Virginia Polytechnic Institute (VPI or Virginia Tech), and George Mason University. The series is divided into five subseries: Administration, Teaching, Grants, Thomas Jefferson Center for Studies in Political Economy, and Center for Study of Public Choice.","This subseries contains reports, memoranda, correspondence, CVs, photographs, calendars, and planning documents relating to Buchanan's work at various universities, primarily Virginia Polytechnic Institute (also known as Virginia Tech or VPI) and George Mason University. Topics include economics department functioning and planning, Buchanan's academic output, schedules, and university events and policies. The subseries is arranged chronologically.","Many of the administrative aspects of Buchanan's work were handled by Betty Tillman and Jo Ann Burgess. Series 6: Betty Tillman papers, Subseries 2: Office administration and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration contain much related material.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","This subseries contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Buchanan would often present his own draft works to students for comment, so some of his draft writings are in this subseries. The subseries is arranged chronologically. Materials created by or relating to specific students are restricted due to the Family Educational Rights and Privacy Act (FERPA).","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Includes correspondence discussed in lecture notes","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","This subseries contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Specific granting agencies include the National Science Foundation, the Ford Foundation, and others. Grants were primarily written for funding research projects in economics, specifically in public choice. Grants that were undertaken to fund operations of the Center for Study of Public Choice are found in Subseries 5: Center for Study of Public Choice. Some correspondence with granting agencies is located in Series 2: Correspondence. The subseries is arranged chronologically.","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","This subseries contains annual reports, photographs, and correspondence relating to the University of Virginia's Thomas Jefferson Center for Studies in Political Economy. Buchanan was a co-founder of the Center. The Center was active from 1958 to 1968. There is also information relating to  Papers on Non-Market Decision Making , a journal founded by the Center that later became  Public Choice . The subseries is arranged chronologically.","Item originally part of Buchanan House Display","Item originally part of Buchanan House Display","Item originally part of Buchanan House Display","This subseries contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating the Center for Study of Public Choice, an academic unit founded at Virginia Polytechnic Institute in 1968. The Center was moved to George Mason University in July 1983 and continues operations there as of 2023. The subseries contains correspondence and planning documents from multiple directors of the Center, including Robert Tollison, David Levy, Mark Crain, and others. There are also materials relating to the Public Choice Society prior to Jo Ann Burgess' time as the Public Choice Society administrator, approximately 2003. The subseries is arranged chronologically.","Betty Tillman was the administrative director of the Center in the 1990s and 2000s, and many Center materials can be found in in Series 6: Betty Tillman papers, especially in Subseries 1: Correspondence and Subseries 2: Office administration. Center tasks were also sometimes a part of the duties of Jo Ann Burgess, and some Center material can be found in Series 7: Jo Ann Burgess papers, especially Subseries 1: Correspondence and Subseries 2: Office administration. ","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Donor is anonymous by request. Publication of the donor information in conjunction with the Center for Study of Public Choice is not permitted.","Flagged items restricted for personally identifiable information","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","This series contains materials relating to Buchanan's professional activities outside of his university and Center for Study of Public Choice responsibilities. The series is divided into two subseries: Conferences and events, and Consulting and organizations. The series is arranged chronologically.","This subseries contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. This subseries also contains materials related to conferences organized by Buchanan or Betty Tillman, often in partnership with the Liberty Fund. Note that the subseries is arranged chronologically by date of the materials that exist in the folder, not by date of the conference or event. Event planning could stretch to a year or two before the event took place, especially for events occurring in the first half of the calendar year. ","Tillman was responsible for scheduling and organizing much of Buchanan's travel, especially after he received the Nobel Prize in 1986. Similar files kept by Tillman on Buchanan's travel and event attendance are located in Series 6: Betty Tillman papers, Subseries 3: Conferences, events and travel.","Contains book reviews of  Cost and Choice  and  Academia in Anarchy.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","Originally part of Buchanan House display","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Contains zip disk and 3.5' floppy disk.","Flagged items restricted for FERPA.","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","This subseries contains committee meeting notes, annual reports, and correspondence relating to Buchanan's work with various outside organizations. Buchanan served on boards for some organizations, including the Mont Pelerin Society. Those records are mostly found here, although some conference organizing material for the Mont Pelerin Society and Liberty Fund is located in Subseries 1: Conferences and events. The subseries is arranged chronologically.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Betty Tillman was an administrative assistant for James M. Buchanan and the Center for Study of Public Choice from 1962 to 2007. Her work included typing Buchanan's correspondence, scheduling his travel and conference events, and liaising with publishers and outside parties on Buchanan's behalf. As a member of the Center and eventual administrative director, she made arrangements for the visiting scholars program, managed personnel, kept financial records, and coordinated events and conferences, among many other duties. As her work was integral to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers as well. In the course of processing, some of her papers were able to be identified as a discrete series. ","Tillman's papers are divided into three subseries: Correspondence; Office administration; and Conferences, events and travel.","This subseries contains letters, emails, memoranda, and cards sent and received by Betty Tillman. Work correspondence includes topics such as event organization, visiting scholars program, and other Center for Study of Public Choice business. There is also personal correspondence belonging to Tillman in the subseries. There are also notes from Buchanan to Tillman, mostly about administrative matters. Note that Tillman printed out most of email she received, and in many cases did not file it out by correspondent or subject. Correspondence is filed alphabetically by subject, by the surname of the correspondent, by the name of the organization, or by the type of correspondence.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","includes floppy disc","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Contains photograph","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","This subseries contains planning documents, scheduling documents, meeting minutes, and notes relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Note that there is correspondence belonging to Buchanan that was handled by Tillman and not filed out. Similarly, pending and working files contain correspondence, schedules, notices, invoices, and other documents that Tillman did not file out into their own completed folders. The subseries is arranged alphabetically.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","There are no restrictions on access, but reproductions of material in this folder are restricted","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to FERPA","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information and FERPA.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to FERPA","Flagged items restricted due to personally identifiable information","This subseries contains files on events attended by Buchanan. Tillman was responsible for Buchanan's schedule, especially after Buchanan received the Nobel Prize in 1986 when she became his official agent. Types of material include correspondence, calendars, schedules, and travel documents. Similar files that may have been kept by Buchanan are located in Series 5: Professional Service, Subseries 1: Conferences and events.","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Jo Ann Burgess was an administrative assistant at the Center for Study of Public Choice from 1989 to 2014. She was responsible for the library at the Center and for the management of Buchanan's papers. Additionally, she was the secretary for the Public Choice Society and edited much of Buchanan's published works in the 1990s and 2000s, notably  The Collected Works of James M. Buchanan , published by the Liberty Fund. As her work was closely tied to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers. In the course of processing, some of her papers were able to be identified as a discrete series.","There are four subseries: Correspondence; Office administration; Liberty Fund editorial work; and Public Choice Society.","This subseries contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan at the Center for Study of Public Choice. The subseries is arranged alphabetically.","Flagged items restricted due to FERPA","This subseries contains materials created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. It includes edited copies of Buchanan's writings; emails; correspondence written on behalf of Buchanan; calendars; Buchanan's class materials; notes; visiting scholars program files, and working files. Working files are groupings of papers that Burgess never filed out into separate folders. They are combinations of emails, schedules, memoranda, writings drafts, invoices, and other administrative papers. The subseries is arranged alphabetically.","Folder restricted due to personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for financial and personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder contains a CD of Betty Tillman photographs","Flagged items restricted for personally identifiable information.","Contains CD","Flagged items restricted for personally identifiable information.","Folder restricted due to FERPA.","The family name is Ma and personal name is Jun. It was originally misfiled by Burgess with the family name as Jun and the personal name as Ma.","Flagged items restricted for personally identifiable information.","Folder includes handwritten draft of \"Panglosian Politics\"","Flagged items restricted for FERPA.","Folder includes a 3.5\" floppy disk.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted due to FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","This subseries contains materials created as part of Burgess' work editing  The Collected Works of James M. Buchanan  and  The Selected Works of Gordon Tullock . It includes editorial committee notes and memoranda; lists of contents; correspondence; edited typescripts; permissions requests; planning documents; drafts; and working files. The subseries is arranged alphabetically. The large majority of the materials are related to  The Collected Works of James M. Buchanan , materials related to  The Selected Works of Gordon Tullock  are noted separately. The subseries is arranged alphabetically.","This subseries contains materials relating to the Public Choice Society, a professional organization for scholars from any academic discipline interested in public choice. Burgess was the secretary for the Public Choice Society from 1989 from 2014. Materials include correspondence, conference planning documents, and administrative files created as part of Burgess' work with the Society. The subseries is arranged chronologically.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for financial information.","This series contains articles, books, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some materials contain correspondence with the authors. Some writings are about Buchanan and his ideas. Some writings were filed by author, others were in folders containing writings from multiple different authors. No additional filing out of writings was done under the NEH grant. The series is arranged alphabetically by surname of author. Materials where Buchanan is a coauthor are found in Series 3: Writings.","Back cover has penciled notes of James Buchanan's on joint supply","contains annotations by Buchanan","Includes the Foundations for Normative Individulism by James Buchanan.","Original discarded due to mold damage.","Scope Note: heavily annotated by Buchanan","This series contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Audiovisual material topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others; television appearances; programs of related interest to Buchanan; and Center for Study of Public Choice events. Born-digital material topics include Center photographs and drafts of writings. Materials are arranged by format, and then chronologically.","Some materials have been digitized. Please contact speccoll@gmu.edu to ensure that the specific materials you are interested in viewing are able to be accessed.","Issue of  The Wall Street Journal , December 21, 1992 removed and housed in Box 543.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The James M. Buchanan papers consist of materials created primarily by economist James M. Buchanan (1919-2013) from the years 1936-2014. There are also materials created by the Center for Study of Public Choice, an academic unit associated with Virginia Tech (1969-1983) and George Mason University (1983-). The papers document Buchanan's career and academic output, primarily in the field of public choice economics and political economy.","\nR 101 - 102\n\nOS R 1, C 3, S 3-5\nMap Case 24.1","George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for Study of Public Choice","Public Choice Society","Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H.","The bulk of the materials are in English. Additional languages in the collection include German, Italian, French, Spanish, Norwegian, Dutch, Turkish, Japanese, Korean, and Chinese."],"unitid_tesim":["C0246","/repositories/2/resources/367"],"normalized_title_ssm":["James M. Buchanan papers"],"collection_title_tesim":["James M. Buchanan papers"],"collection_ssim":["James M. Buchanan papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"creator_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"creator_persname_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"creators_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Acquired by George Mason University Special Collections Research Center in September 2016. Additional materials acquired in April 2021."],"access_subjects_ssim":["Economics","Economists -- United States","Nobel Prize winners","Social choice","Correspondence","Manuscripts","Typescripts","Video recordings"],"access_subjects_ssm":["Economics","Economists -- United States","Nobel Prize winners","Social choice","Correspondence","Manuscripts","Typescripts","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["270 Linear Feet 546 boxes, one map case"],"extent_tesim":["270 Linear Feet 546 boxes, one map case"],"genreform_ssim":["Correspondence","Manuscripts","Typescripts","Video recordings"],"date_range_isim":[1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003e\nCertain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.\n\u003c/p\u003e","\u003cp\u003eMost of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.\u003c/p\u003e","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e","\u003cp\u003eAll If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["\nCertain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.\n","Most of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.","There are no other access restrictions.","All If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in nine series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Biographical materials\u003c/item\u003e\n      \u003citem\u003eSeries 2: Correspondence\u003c/item\u003e\n      \u003citem\u003eSeries 3: Writings\u003c/item\u003e\n      \u003citem\u003eSeries 4: Academia\u003c/item\u003e\n      \u003citem\u003eSeries 5: Professional service\u003c/item\u003e\n      \u003citem\u003eSeries 6: Betty Tillman papers\u003c/item\u003e\n      \u003citem\u003eSeries 7: Jo Ann Burgess papers\u003c/item\u003e\n      \u003citem\u003eSeries 8: Writings by others\u003c/item\u003e\n      \u003citem\u003eSeries 9: Audiovisual and born-digital materials\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in nine series.","Series Series 1: Biographical materials Series 2: Correspondence Series 3: Writings Series 4: Academia Series 5: Professional service Series 6: Betty Tillman papers Series 7: Jo Ann Burgess papers Series 8: Writings by others Series 9: Audiovisual and born-digital materials"],"bioghist_html_tesm":["\u003cp\u003eJames McGill Buchanan, Jr. was born on October 3, 1919 in Gum, Tennessee to Lila Scott (1889-1953) and James McGill Buchanan, Sr. (1888-1979). He had two younger sisters, Lila Scott Buchanan Graue (1922-2020) and Elizabeth Bradley. His paternal grandfather, John P. Buchanan (1847-1930), was a one-term governor of Tennessee from 1891 to 1893. James M. Buchanan attended Buchanan High School. He triple-majored in English, mathematics, and economics at Middle Tennessee State University from 1936 to 1940. He received a Master's of the Arts in economics from the University of Tennessee, Knoxville in 1941. Buchanan then attended the Naval War College and served on the operations staff of Admiral Chester W. Nimitz from 1941 to 1945. In that role, he was stationed in Pearl Harbor, Hawaii, and Guam. He met his wife, Ann Bakke (August 21, 1909-November 14, 2005) in 1943. She was born in Jamestown, North Dakota. She served with the Army Air Transport Command at Hickham Field, Oahu. In 1945 the couple married in San Francisco, California. \u003c/p\u003e\n","\u003cp\u003eFrom 1946 to 1948 Buchanan attended the University of Chicago, where he graduated with a Ph.D. in economics. After graduation, he taught at the University of Tennessee, Knoxville as an associate professor from 1948 to 1951, and then as a full professor at Florida State University, Tallahassee from 1951 to 1956. In 1955 he was awarded a Fulbright fellowship to study in Italy for a year. In 1956 he was hired at the University of Virginia as the chair of the economics department. It was there that he co-founded the Thomas Jefferson Center for Studies in Political Economy in 1958. That same year, he published \u003ctitle\u003ePublic Principles of Public Debt\u003c/title\u003e. In 1962, Buchanan and co-author Gordon Tullock published \u003ctitle\u003eThe Calculus of Consent\u003c/title\u003e. \u003c/p\u003e\n","\u003cp\u003eBuchanan worked at the University of California, Los Angeles (UCLA) for one academic year (1968-1969) as a professor of economics. In 1969 he was hired at Virginia Polytechnic Institute (VPI, now known as Virginia Tech), as a University Distinguished Professor. He became general director of the Center for Study of Public Choice, the successor institution to the Thomas Jefferson Center for Political Economy. Buchanan continued to publish books during his time at VPI, including \u003ctitle\u003eCost and Choice\u003c/title\u003e (1969), \u003ctitle\u003eAcademia in Anarchy\u003c/title\u003e with Nicos Devletoglou (1970), \u003ctitle\u003eThe Limits of Liberty\u003c/title\u003e (1975), and \u003ctitle\u003eThe Power to Tax\u003c/title\u003e with Geoffrey Brennan (1980). \u003c/p\u003e\n","\u003cp\u003eIn 1983, Buchanan and the Center for the Study of Public Choice moved from VPI to George Mason University in Fairfax, Virginia. After the move, he split his time between Fairfax and his farm in Blacksburg, Virginia. In 1986, Buchanan was awarded the Nobel Memorial Prize in economics. While at Mason, he published \u003ctitle\u003eThe Reason of Rules\u003c/title\u003e (1985), \u003ctitle\u003eBetter than Plowing\u003c/title\u003e (1992), and \u003ctitle\u003ePolitics by Principle, Not Interest\u003c/title\u003e with Roger Congleton (1998). He formally retired from Mason in September 1999 but continued to work both at Mason and Virginia Tech until his death on January 9, 2013. \u003c/p\u003e\n","\u003cp\u003eBuchanan was known for his contribution to the field of public choice, which uses economic principles to analyze the rules and actions of government and public sector. It was this theory which led to his Nobel award. \u003c/p\u003e\n","\u003cp\u003eBorn on March 19, 1927, Betty Jane Hall Tillman (also known as Betty Ross from 1977 to 1984) received an associate's degree from The Jefferson School of Commerce at Charlottesville, Virginia in 1945. She worked for Buchanan at the University of Virginia from August 14, 1961 to August 1969, at VPI from September 1, 1969 to June 1983, and at George Mason University from July 1, 1983 until her retirement in April 2007. Tillman had multiple responsibilities including handling Buchanan's correspondence, scheduling his events, coordinating Liberty Fund conferences, organizing activities at the Center for Study of Public Choice, and assisting graduate students and faculty associated with the Center. At the time of her retirement her position was administrative director of the Center for Study of Public Choice. She had three children. Tillman died on October 2, 2013.  \u003c/p\u003e\n","\u003cp\u003eJo Ann Burgess was born on June 27, 1948. She began work at the Center for the Study of Public Choice at George Mason University in 1989. Previously, Burgess lived around the world working for the State Department and the U.S military. She had four children with her husband, Roger. Burgess had many varied responsibilities at the Center including organizing Buchanan's archival papers, and administrative duties for the Public Choice Society. She edited Buchanan's published work in the 1990s and 2000s, including editing \u003ctitle\u003eThe Collected Works of James Buchanan\u003c/title\u003e and \u003ctitle\u003eThe Selected Works of Gordon Tullock\u003c/title\u003e for the Liberty Fund. After Tillman's retirement, Burgess took on additional responsibilities related to handling Buchanan's correspondence and scheduling, and additional administrative duties at the Center. Burgess retired in the summer of 2014. She died on March 19, 2020.\u003c/p\u003e","\u003cp\u003eAnn Gladys Bakke was born on August 21, 1909 in Jamestown, North Dakota to a Norwegian-born father, Andrew (1879-?), and a second-generation Norwegian immigrant, Hilda Kjorness (1882/3-1973). She had four siblings: Orval (also written Orville, 1908-1987), Clara Jensvold (1910-1998), Arthur (1915-1989), and Erling (1924-1945). Bakke worked as a stenographer in Jamestown until at least 1932. She was living in Fargo, N.D. in 1935 and Washington, D.C. in 1940. During World War II, Bakke served with the Army Air Transport Command at Hickham Field, Oahu. During this time, she met James Buchanan and the two were married in 1945 in San Francisco, California. She supported Buchanan financially during his graduate study at the University of Chicago. She died at their home in Blacksburg, Va., on November 14, 2005.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information","Biographical / Historical"],"bioghist_tesim":["James McGill Buchanan, Jr. was born on October 3, 1919 in Gum, Tennessee to Lila Scott (1889-1953) and James McGill Buchanan, Sr. (1888-1979). He had two younger sisters, Lila Scott Buchanan Graue (1922-2020) and Elizabeth Bradley. His paternal grandfather, John P. Buchanan (1847-1930), was a one-term governor of Tennessee from 1891 to 1893. James M. Buchanan attended Buchanan High School. He triple-majored in English, mathematics, and economics at Middle Tennessee State University from 1936 to 1940. He received a Master's of the Arts in economics from the University of Tennessee, Knoxville in 1941. Buchanan then attended the Naval War College and served on the operations staff of Admiral Chester W. Nimitz from 1941 to 1945. In that role, he was stationed in Pearl Harbor, Hawaii, and Guam. He met his wife, Ann Bakke (August 21, 1909-November 14, 2005) in 1943. She was born in Jamestown, North Dakota. She served with the Army Air Transport Command at Hickham Field, Oahu. In 1945 the couple married in San Francisco, California. ","From 1946 to 1948 Buchanan attended the University of Chicago, where he graduated with a Ph.D. in economics. After graduation, he taught at the University of Tennessee, Knoxville as an associate professor from 1948 to 1951, and then as a full professor at Florida State University, Tallahassee from 1951 to 1956. In 1955 he was awarded a Fulbright fellowship to study in Italy for a year. In 1956 he was hired at the University of Virginia as the chair of the economics department. It was there that he co-founded the Thomas Jefferson Center for Studies in Political Economy in 1958. That same year, he published  Public Principles of Public Debt . In 1962, Buchanan and co-author Gordon Tullock published  The Calculus of Consent . ","Buchanan worked at the University of California, Los Angeles (UCLA) for one academic year (1968-1969) as a professor of economics. In 1969 he was hired at Virginia Polytechnic Institute (VPI, now known as Virginia Tech), as a University Distinguished Professor. He became general director of the Center for Study of Public Choice, the successor institution to the Thomas Jefferson Center for Political Economy. Buchanan continued to publish books during his time at VPI, including  Cost and Choice  (1969),  Academia in Anarchy  with Nicos Devletoglou (1970),  The Limits of Liberty  (1975), and  The Power to Tax  with Geoffrey Brennan (1980). ","In 1983, Buchanan and the Center for the Study of Public Choice moved from VPI to George Mason University in Fairfax, Virginia. After the move, he split his time between Fairfax and his farm in Blacksburg, Virginia. In 1986, Buchanan was awarded the Nobel Memorial Prize in economics. While at Mason, he published  The Reason of Rules  (1985),  Better than Plowing  (1992), and  Politics by Principle, Not Interest  with Roger Congleton (1998). He formally retired from Mason in September 1999 but continued to work both at Mason and Virginia Tech until his death on January 9, 2013. ","Buchanan was known for his contribution to the field of public choice, which uses economic principles to analyze the rules and actions of government and public sector. It was this theory which led to his Nobel award. ","Born on March 19, 1927, Betty Jane Hall Tillman (also known as Betty Ross from 1977 to 1984) received an associate's degree from The Jefferson School of Commerce at Charlottesville, Virginia in 1945. She worked for Buchanan at the University of Virginia from August 14, 1961 to August 1969, at VPI from September 1, 1969 to June 1983, and at George Mason University from July 1, 1983 until her retirement in April 2007. Tillman had multiple responsibilities including handling Buchanan's correspondence, scheduling his events, coordinating Liberty Fund conferences, organizing activities at the Center for Study of Public Choice, and assisting graduate students and faculty associated with the Center. At the time of her retirement her position was administrative director of the Center for Study of Public Choice. She had three children. Tillman died on October 2, 2013.  ","Jo Ann Burgess was born on June 27, 1948. She began work at the Center for the Study of Public Choice at George Mason University in 1989. Previously, Burgess lived around the world working for the State Department and the U.S military. She had four children with her husband, Roger. Burgess had many varied responsibilities at the Center including organizing Buchanan's archival papers, and administrative duties for the Public Choice Society. She edited Buchanan's published work in the 1990s and 2000s, including editing  The Collected Works of James Buchanan  and  The Selected Works of Gordon Tullock  for the Liberty Fund. After Tillman's retirement, Burgess took on additional responsibilities related to handling Buchanan's correspondence and scheduling, and additional administrative duties at the Center. Burgess retired in the summer of 2014. She died on March 19, 2020.","Ann Gladys Bakke was born on August 21, 1909 in Jamestown, North Dakota to a Norwegian-born father, Andrew (1879-?), and a second-generation Norwegian immigrant, Hilda Kjorness (1882/3-1973). She had four siblings: Orval (also written Orville, 1908-1987), Clara Jensvold (1910-1998), Arthur (1915-1989), and Erling (1924-1945). Bakke worked as a stenographer in Jamestown until at least 1932. She was living in Fargo, N.D. in 1935 and Washington, D.C. in 1940. During World War II, Bakke served with the Army Air Transport Command at Hickham Field, Oahu. During this time, she met James Buchanan and the two were married in 1945 in San Francisco, California. She supported Buchanan financially during his graduate study at the University of Chicago. She died at their home in Blacksburg, Va., on November 14, 2005."],"prefercite_html_tesm":["\u003cp\u003eJames M. Buchanan papers, C0246, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e","\u003cp\u003eFile\u003c/p\u003e","\u003cp\u003eFile\u003c/p\u003e"],"prefercite_tesim":["James M. Buchanan papers, C0246, Special Collections Research Center, George Mason University Libraries.","File","File"],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed by Rebecca Thayer as part of a National Endowment for the Humanities (NEH) grant project from March 2021 to March 2023.\u003c/p\u003e","\u003cp\u003eInitial processing of the collection was begun after James M. Buchanan's death in 2013, while the papers were at Buchanan House (also known as Roberts House), where the offices of Buchanan, Betty Tillman, Jo Ann Burgess, and the Center for Study of Public Choice were then located. Processing at this time was done by Greta Suiter, then-Processing Coordinator at the Special Collections Research Center (SCRC), and Solomon Stein, then-economics PhD student at Mason. Stein and Suiter established an initial arrangement scheme and began foldering and sorting materials accordingly. Elizabeth Beckman, then-Processing Coordinator, continued arrangement and refoldering work alongside Stein at Buchanan House from 2014 to 2016. 145 linear feet of materials were ultimately arranged during this time. The following series were created: Correspondence, Academic (Subseries: Courses taken and Courses taught), Conferences (Subseries: Conferences attended and Conferences held), Writings, Articles Read, and Administrative.\u003c/p\u003e","\u003cp\u003eMaterials were boxed up and brought to Fenwick in Spring 2017. Beckman completed EAD markup of a preliminary finding aid with the processed materials in June 2017. Processing was paused in 2017 to apply for a NEH grant to hire a dedicated processing archivist. The grant was approved to start in 2020 but was delayed for several months due to the COVID-19 pandemic.\u003c/p\u003e","\u003cp\u003eRebecca Thayer was hired in March 2021 to process the collection. She surveyed the arranged part of the collection (145 linear feet) and the unprocessed part (147 linear feet) to create a processing plan. This plan included adjustments to the original arrangement scheme based on material in the unprocessed section of the papers. A large number of the eventual Jo Ann Burgess papers series materials were in the unprocessed section of the collection, although the unprocessed section did contain materials from all series. \u003c/p\u003e","\u003cp\u003eThe prior arrangement scheme did not preserve Tillman and Burgess' files as discrete series, so it is likely that some materials created by Tillman or Burgess were dispersed into the various other series. Some materials in the correspondence series especially which were obviously correspondence involving only Tillman, Burgess, or Ann Bakke Buchanan, were removed to their respective series and subseries. However, Thayer did not attempt a systematic review of materials in other series such as Professional Services and Academia in order to separate out Tillman and Burgess-created files from Buchanan-created files. This has resulted in some significant overlap between those series and the Betty Tillman papers and Jo Ann Burgess papers series. This does reflect the significant overlap in work responsibilities of Tillman, Burgess, Buchanan, and the Center as seen in the materials. \u003c/p\u003e","\u003cp\u003eProcessors prior to the NEH grant appear to have filed out materials that were originally grouped in large miscellaneous folders. Buchanan, Tillman, and Burgess do not seem to have created many files with only one or two emails or letters, preferring larger bulk folders. However, in the collection there are now many individual folders with correspondents that seem to have been created from larger files. No additional filing out of material was done under the NEH grant.\u003c/p\u003e","\u003cp\u003eThayer arranged the unprocessed materials and reprocessed the previously arranged materials, combining the two. Mason Graduate Research Assistant Rachel Barton and undergraduate assistants Colin McDonald and Vilma Chicas Garcia assisted with arrangement, reboxing, and inventory creation. Amanda Menjivar, Manuscripts and Archives Librarian, assisted with finding aid data entry and publishing.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed by Rebecca Thayer as part of a National Endowment for the Humanities (NEH) grant project from March 2021 to March 2023.","Initial processing of the collection was begun after James M. Buchanan's death in 2013, while the papers were at Buchanan House (also known as Roberts House), where the offices of Buchanan, Betty Tillman, Jo Ann Burgess, and the Center for Study of Public Choice were then located. Processing at this time was done by Greta Suiter, then-Processing Coordinator at the Special Collections Research Center (SCRC), and Solomon Stein, then-economics PhD student at Mason. Stein and Suiter established an initial arrangement scheme and began foldering and sorting materials accordingly. Elizabeth Beckman, then-Processing Coordinator, continued arrangement and refoldering work alongside Stein at Buchanan House from 2014 to 2016. 145 linear feet of materials were ultimately arranged during this time. The following series were created: Correspondence, Academic (Subseries: Courses taken and Courses taught), Conferences (Subseries: Conferences attended and Conferences held), Writings, Articles Read, and Administrative.","Materials were boxed up and brought to Fenwick in Spring 2017. Beckman completed EAD markup of a preliminary finding aid with the processed materials in June 2017. Processing was paused in 2017 to apply for a NEH grant to hire a dedicated processing archivist. The grant was approved to start in 2020 but was delayed for several months due to the COVID-19 pandemic.","Rebecca Thayer was hired in March 2021 to process the collection. She surveyed the arranged part of the collection (145 linear feet) and the unprocessed part (147 linear feet) to create a processing plan. This plan included adjustments to the original arrangement scheme based on material in the unprocessed section of the papers. A large number of the eventual Jo Ann Burgess papers series materials were in the unprocessed section of the collection, although the unprocessed section did contain materials from all series. ","The prior arrangement scheme did not preserve Tillman and Burgess' files as discrete series, so it is likely that some materials created by Tillman or Burgess were dispersed into the various other series. Some materials in the correspondence series especially which were obviously correspondence involving only Tillman, Burgess, or Ann Bakke Buchanan, were removed to their respective series and subseries. However, Thayer did not attempt a systematic review of materials in other series such as Professional Services and Academia in order to separate out Tillman and Burgess-created files from Buchanan-created files. This has resulted in some significant overlap between those series and the Betty Tillman papers and Jo Ann Burgess papers series. This does reflect the significant overlap in work responsibilities of Tillman, Burgess, Buchanan, and the Center as seen in the materials. ","Processors prior to the NEH grant appear to have filed out materials that were originally grouped in large miscellaneous folders. Buchanan, Tillman, and Burgess do not seem to have created many files with only one or two emails or letters, preferring larger bulk folders. However, in the collection there are now many individual folders with correspondents that seem to have been created from larger files. No additional filing out of material was done under the NEH grant.","Thayer arranged the unprocessed materials and reprocessed the previously arranged materials, combining the two. Mason Graduate Research Assistant Rachel Barton and undergraduate assistants Colin McDonald and Vilma Chicas Garcia assisted with arrangement, reboxing, and inventory creation. Amanda Menjivar, Manuscripts and Archives Librarian, assisted with finding aid data entry and publishing."],"scopecontent_html_tesm":["\u003cp\u003eThe James M. Buchanan papers largely consist of correspondence, writings, and administrative files created between the years 1930-2014. The collection contains 9 series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Biographical materials (circa 1800s, 1944-2012) contains information about James M. Buchanan's life and career. It is further divided into four subseries. Subseries 1.1: Ann Bakke Buchanan papers contains materials created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some addressed to both James and Ann as a couple. Subseries 1.2: Awards contains newspapers clippings, congratulatory letters, photographs, and memorabilia relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics. Subseries 1.3: Education contains study notes, essays, syllabi, and research notes from Buchanan's education, mostly from his PhD study at the University of Chicago. Subseries 1.4: Clippings contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Correspondence (1951-2014) contains letters, emails, memoranda, cards, and other forms of written communication, mostly dealing with Buchanan's professional career. Subseries 2.1: Alphabetical correspondence contains the bulk of the correspondence, filed alphabetically by correspondent, subject, or name of an organization. Subseries 2.2: Chronological correspondence is a small amount of unrelated correspondence that was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Writings (1946-2012) contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Academia (1946-2013) contains correspondence, reports, planning documents, and grant files relating to Buchanan's work at various universities, primarily University of Virginia, Virginia Polytechnic Institute (now Virginia Tech), and George Mason University. Subseries 4.1: Administration contains reports, memoranda, correspondence, photographs, calendars, and planning documents relating to department and university business. Subseries 4.2: Teaching contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Subseries 4.3: Grants contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Subseries 4.4: Thomas Jefferson Center for Studies in Political Economy contains annual reports, photographs, and correspondence from the University of Virginia's Thomas Jefferson Center, which was active from 1958 to 1968. Subseries 4.5: Center for Study of Public Choice contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating to the Center, an academic unit at Virginia Polytechnic Institute from 1968 to 1983 and at George Mason University from 1983 onwards.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Professional Service (1958-2013) This series contains materials relating to Buchanan's professional activities outside of his university responsibilities. Subseries 5.1: Conferences and events contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. Subseries 5.2: Consulting and organizations contains annual reports and correspondence relating to Buchanan's work with various organizations outside of his work as a university professor. \u003c/p\u003e\n","\u003cp\u003eSeries 6: Betty Tillman papers (1968-2008) contains files created by Betty Tillman, administrative assistant to Buchanan and administrative director of the Center for Study of Public Choice. Subseries 6.1: Correspondence contains letters, emails, memoranda, and cards sent and received by Tillman. Subseries 6.2: Office administration contains planning documents, organizational files, and other materials relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Subseries 6.3: Conferences, events and travel contains correspondence, calendars, schedules, and travel documents relating to events attended by Buchanan, coordinated by Tillman. It also contains materials created by Tillman as the conference coordinator for the Liberty Fund and Center conferences and events.\u003c/p\u003e\n","\u003cp\u003eSeries 7: Jo Ann Burgess papers (1972-2014) contains files created by Jo Ann Burgess, administrative assistant and editor to Buchanan and secretary for the Public Choice Society. Subseries 7.1: Correspondence contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan and the Center for Study of Public Choice. Subseries 7.2: Office administration contains correspondence, calendars, notes, program files, and edited drafts created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. Subseries 7.3: Liberty Fund editorial work contains planning documents, correspondence, and drafts created as part of Burgess' work editing \u003citalic\u003eThe Collected Works of James M. Buchanan\u003c/italic\u003e and \u003citalic\u003eThe Selected Works of Gordon Tullock\u003c/italic\u003e on behalf of the Liberty Fund. Subseries 7.4: Public Choice Society contains correspondence, conference planning documents, and administrative files created as part of Burgess' work as the secretary of the Public Choice Society, a professional organization. \u003c/p\u003e\n","\u003cp\u003eSeries 8: Writings by others (1930-2014) contains articles, book drafts, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some writings are about Buchanan and his ideas. \u003c/p\u003e\n","\u003cp\u003eSeries 9: Audiovisual and born-digital materials (circa 1970s-2013) contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others and Center for Study of Public Choice events.\u003c/p\u003e","\u003cp\u003eThe biographical series contains information about James M. Buchanan's personal life, education, awards, and clippings of articles about him and his career. There are also materials kept by his wife, Ann Bakke Buchanan. The series is divided into four subseries: Ann Bakke Buchanan papers, Education, Awards, and Clippings. Additional materials not in subseries include personal photographs and Buchanan family history.\u003c/p\u003e","\u003cp\u003eThis subseries contains papers created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some is addressed to both James and Ann as a couple. Recipe cards were removed from seven recipe card boxes and reboxed. Photographs of the original housing are available by request. Recipes are a mix of clippings and handwritten recipes from Ann Buchanan and her friends and relatives. Some recipes and notebooks are written in shorthand.\u003c/p\u003e","\u003cp\u003eThis subseries contains materials relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics, but there are also materials about the National Humanities Medal and other awards. Types of material include newspaper clippings, congratulatory letters, photographs, and memorabilia.\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display.\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display.\u003c/p\u003e","\u003cp\u003eContains CD\u003c/p\u003e","\u003cp\u003eThis subseries contains materials related to Buchanan's education, mostly from his PhD study at the University of Chicago. Some materials appear to be compiled by a person other than Buchanan, since they predate his study at the University of Chicago. Types of materials include study notes, essays, syllabi, and research notes. This subseries includes notes from classes taught by Frank H. Knight and Milton Friedman.\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display.\u003c/p\u003e","\u003cp\u003eAppears to be notes from a student other than Buchanan\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display.\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eThis subseries contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended. Note that the clippings related to the Nobel Memorial Prize in Economics are located in the Awards subseries. Clippings of articles written by Buchanan are located in the Writings series. Many clippings are in languages other than English.\u003c/p\u003e","\u003cp\u003eThe correspondence series contains letters, emails, memoranda, cards, and other forms of written communication sent to and received by Buchanan. The series is divided into two subseries: alphabetical correspondence and chronological correspondence. The bulk of the correspondence was filed alphabetically by correspondent or type of correspondence. A small amount of unrelated correspondence was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess. The bulk of the correspondence in both subseries deals with Buchanan's professional career from his time at the University of Virginia until his retirement, including discussion of publications, manuscripts, events, and academic business. The bulk of the correspondence starts in 1950. There are very few letters prior to 1950. There is a photocopy of a letter from 1941 in Box 56 Folder 1 J. \u003c/p\u003e\n","\u003cp\u003eNote that some correspondence is located in their original filing location in other series Additional correspondence concerning Buchanan's writings is located in Series 3: Writings, foldered with its related work. Some correspondence relating to the Center for Study of Public Choice, grant applications, and academic departmental administration is located in Series 4: Academia. Some correspondence relating to events, conferences, and travel accommodations is located in Series 5: Professional Service, Subseries 1: Conferences and events. Buchanan's email was handled by Betty Tillman and Jo Ann Burgess, and much of his email is located in Series 6: Betty Tillman papers, Subseries 3: Office administration, and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. Check the relevant series and subseries notes for additional information.\u003c/p\u003e","\u003cp\u003eAlphabetical correspondence is correspondence filed alphabetically by subject, by the surname of the correspondent, or by the name of the organization. Filing was likely done by Betty Tillman. Some correspondence is grouped under a single letter, for example, a folder titled \"A\" contains multiple correspondents and organizations that start with the letter A. Some are grouped in a range of letters, for example, a folder title \"E-F\" contains correspondents starting with either E or F. It is unclear why some were filed out into individual folders and others were left in large files under a single letter or letter range. Note that there are some issues with the original filing, for example the surname \"da Empoli\" is sometimes filed under D and sometimes under E. Sometimes letters discussing a person are filed under that person's surname, and sometimes under the surname of the person requesting the information. Additionally, previous processors filed out some correspondence into individual folders. No additional re-filing was done under the NEH grant.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFolder created by Buchanan in April 2007. Contains personal and professional correspondence from 1966-1999.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eContains media: photographs\u003c/p\u003e","\u003cp\u003eRestriction: FERPA and PII restriction.\u003c/p\u003e","\u003cp\u003eBulk of the folder is correspondents \"D.\" Includes some letters from J. Clayburn LaForce.\u003c/p\u003e","\u003cp\u003econtains note: \"Removed from 'The Power of Freedom: Uniting Human Rights and Development' by processing archivist 2021-09-09'\u003c/p\u003e","\u003cp\u003ePotential preservation concerns (fading)\u003c/p\u003e","\u003cp\u003eFolder restricted until 2033 due to recommendation letter\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2027 due to recommendation.\u003c/p\u003e","\u003cp\u003eFolder restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFolder restricted for letters of recommednation and FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation and FERPA.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eRestricted for bank account information\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personnel information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged item restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged item restricted for FERPA\u003c/p\u003e","\u003cp\u003eContains photocopies of two 1941 letters from Buchanan to a professor\u003c/p\u003e","\u003cp\u003eFlagged item restricted for letter of recommendation; restricted until 2032\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged item restricted for letter of recommendation until 2028.\u003c/p\u003e","\u003cp\u003eincludes correspondence from Warren Samuels and John McKinney\u003c/p\u003e","\u003cp\u003eFlagged item restricted for letter of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2024 for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2027 for letter of recommendation\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2036 for letter of recommendation\u003c/p\u003e","\u003cp\u003eFolder restricted until 2044 for letter of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2024-2026 for letters of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for bank account information\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2024-2026 for letters of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2037 for letters of recommendation.\u003c/p\u003e","\u003cp\u003eOversize item\u003c/p\u003e","\u003cp\u003econtains photographs\u003c/p\u003e","\u003cp\u003eOversize item\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eContains photographs\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eContains photograph and CD\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA. Contains photographs.\u003c/p\u003e","\u003cp\u003eContains photograph.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2025 for letters of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2034 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2027 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted utnil 2028 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eContains photographs\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2038 for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2038 for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2023 and 2026 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2052 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2044 for letter of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2046 for letter of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2024-2025 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2024-2028 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2026-2036 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2028-2030 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2030-2032 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2030-2033 for letters of reference\u003c/p\u003e","\u003cp\u003eFolder restricted until 2030-2033 for letters of reference\u003c/p\u003e","\u003cp\u003eFolder restricted until 2034 for letters of reference.Flagged items restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2034-2036 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2035-2038 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2037-2039 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2038 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2039-2041 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2039-2041 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA\u003c/p\u003e","\u003cp\u003eContains photograph\u003c/p\u003e","\u003cp\u003eOversize \"Buchanan Expedition\" map of the United States with highlighted road trips\u003c/p\u003e","\u003cp\u003eRemoved from binder\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2037 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eContains correspondence with Ross Mackenzie of The Richmond News Leader, E.J. Mishan, Roland McKean, James C. Miller III, and others\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eChronological correspondence is unrelated correspondence from a certain date range that was filed together in a single folder. It is unclear why this correspondence was not filed out alphabetically. Chronological correspondence from 1987 onwards seems to have been kept by Jo Ann Burgess and never officially filed into designated folders. These folders include correspondence from Buchanan on topics across his work, with a focus on publications and events and travel. There are also assorted office administration materials handled by Burgess in these folders. Topics of the chronological correspondence and the correspondents seem to be similar to that of the alphabetical correspondence.\u003c/p\u003e","\u003cp\u003eIncludes Ronald Reagan form letter\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eThe writings series contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers. The series is filed alphabetically by title of the work. Note that some of Buchanan's works went by multiple titles in the draft stage, and may not be filed together as a result. Some papers presented by Buchanan at conferences or given as lectures are located in Series 5: Professional services Subseries 1: Conferences and events.\u003c/p\u003e\n","\u003cp\u003eJo Ann Burgess acted as an editor for much of Buchanan's writings from the 1990s and 2000s. There are edited copies and drafts of some of Buchanan's writings, notably \u003ctitle\u003ePolitics by Principle, Not Interest\u003c/title\u003e, \u003ctitle\u003eThe Return to Increasing Returns\u003c/title\u003e, and \u003ctitle\u003ePost-Socialist Political Economy\u003c/title\u003e in Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. The bulk of the materials relating to \u003ctitle\u003eThe Collected Works of James M. Buchanan\u003c/title\u003e are located in Series 7: Jo Ann Burgess papers, Subseries 3: Liberty Fund editorial work, as Burgess kept the files for that project.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eNote: work also titled \"Work supply under Increasing Returns\"\u003c/p\u003e","\u003cp\u003evarious titles\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eThis series contains materials relating to Buchanan's work at various universities, notably University of Virginia, Virginia Polytechnic Institute (VPI or Virginia Tech), and George Mason University. The series is divided into five subseries: Administration, Teaching, Grants, Thomas Jefferson Center for Studies in Political Economy, and Center for Study of Public Choice.\u003c/p\u003e","\u003cp\u003eThis subseries contains reports, memoranda, correspondence, CVs, photographs, calendars, and planning documents relating to Buchanan's work at various universities, primarily Virginia Polytechnic Institute (also known as Virginia Tech or VPI) and George Mason University. Topics include economics department functioning and planning, Buchanan's academic output, schedules, and university events and policies. The subseries is arranged chronologically.\u003c/p\u003e\n","\u003cp\u003eMany of the administrative aspects of Buchanan's work were handled by Betty Tillman and Jo Ann Burgess. Series 6: Betty Tillman papers, Subseries 2: Office administration and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration contain much related material.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eThis subseries contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Buchanan would often present his own draft works to students for comment, so some of his draft writings are in this subseries. The subseries is arranged chronologically. Materials created by or relating to specific students are restricted due to the Family Educational Rights and Privacy Act (FERPA).\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eIncludes correspondence discussed in lecture notes\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eThis subseries contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Specific granting agencies include the National Science Foundation, the Ford Foundation, and others. Grants were primarily written for funding research projects in economics, specifically in public choice. Grants that were undertaken to fund operations of the Center for Study of Public Choice are found in Subseries 5: Center for Study of Public Choice. Some correspondence with granting agencies is located in Series 2: Correspondence. The subseries is arranged chronologically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eThis subseries contains annual reports, photographs, and correspondence relating to the University of Virginia's Thomas Jefferson Center for Studies in Political Economy. Buchanan was a co-founder of the Center. The Center was active from 1958 to 1968. There is also information relating to \u003ctitle\u003ePapers on Non-Market Decision Making\u003c/title\u003e, a journal founded by the Center that later became \u003ctitle\u003ePublic Choice\u003c/title\u003e. The subseries is arranged chronologically.\u003c/p\u003e","\u003cp\u003eItem originally part of Buchanan House Display\u003c/p\u003e","\u003cp\u003eItem originally part of Buchanan House Display\u003c/p\u003e","\u003cp\u003eItem originally part of Buchanan House Display\u003c/p\u003e","\u003cp\u003eThis subseries contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating the Center for Study of Public Choice, an academic unit founded at Virginia Polytechnic Institute in 1968. The Center was moved to George Mason University in July 1983 and continues operations there as of 2023. The subseries contains correspondence and planning documents from multiple directors of the Center, including Robert Tollison, David Levy, Mark Crain, and others. There are also materials relating to the Public Choice Society prior to Jo Ann Burgess' time as the Public Choice Society administrator, approximately 2003. The subseries is arranged chronologically.\u003c/p\u003e\n","\u003cp\u003eBetty Tillman was the administrative director of the Center in the 1990s and 2000s, and many Center materials can be found in in Series 6: Betty Tillman papers, especially in Subseries 1: Correspondence and Subseries 2: Office administration. Center tasks were also sometimes a part of the duties of Jo Ann Burgess, and some Center material can be found in Series 7: Jo Ann Burgess papers, especially Subseries 1: Correspondence and Subseries 2: Office administration. \u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eDonor is anonymous by request. Publication of the donor information in conjunction with the Center for Study of Public Choice is not permitted.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eThis series contains materials relating to Buchanan's professional activities outside of his university and Center for Study of Public Choice responsibilities. The series is divided into two subseries: Conferences and events, and Consulting and organizations. The series is arranged chronologically.\u003c/p\u003e","\u003cp\u003eThis subseries contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. This subseries also contains materials related to conferences organized by Buchanan or Betty Tillman, often in partnership with the Liberty Fund. Note that the subseries is arranged chronologically by date of the materials that exist in the folder, not by date of the conference or event. Event planning could stretch to a year or two before the event took place, especially for events occurring in the first half of the calendar year. \u003c/p\u003e\n","\u003cp\u003eTillman was responsible for scheduling and organizing much of Buchanan's travel, especially after he received the Nobel Prize in 1986. Similar files kept by Tillman on Buchanan's travel and event attendance are located in Series 6: Betty Tillman papers, Subseries 3: Conferences, events and travel.\u003c/p\u003e","\u003cp\u003eContains book reviews of \u003ctitle\u003eCost and Choice\u003c/title\u003e and \u003ctitle\u003eAcademia in Anarchy.\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eContains zip disk and 3.5' floppy disk.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eThis subseries contains committee meeting notes, annual reports, and correspondence relating to Buchanan's work with various outside organizations. Buchanan served on boards for some organizations, including the Mont Pelerin Society. Those records are mostly found here, although some conference organizing material for the Mont Pelerin Society and Liberty Fund is located in Subseries 1: Conferences and events. The subseries is arranged chronologically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eBetty Tillman was an administrative assistant for James M. Buchanan and the Center for Study of Public Choice from 1962 to 2007. Her work included typing Buchanan's correspondence, scheduling his travel and conference events, and liaising with publishers and outside parties on Buchanan's behalf. As a member of the Center and eventual administrative director, she made arrangements for the visiting scholars program, managed personnel, kept financial records, and coordinated events and conferences, among many other duties. As her work was integral to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers as well. In the course of processing, some of her papers were able to be identified as a discrete series. \u003c/p\u003e\n","\u003cp\u003eTillman's papers are divided into three subseries: Correspondence; Office administration; and Conferences, events and travel.\u003c/p\u003e","\u003cp\u003eThis subseries contains letters, emails, memoranda, and cards sent and received by Betty Tillman. Work correspondence includes topics such as event organization, visiting scholars program, and other Center for Study of Public Choice business. There is also personal correspondence belonging to Tillman in the subseries. There are also notes from Buchanan to Tillman, mostly about administrative matters. Note that Tillman printed out most of email she received, and in many cases did not file it out by correspondent or subject. Correspondence is filed alphabetically by subject, by the surname of the correspondent, by the name of the organization, or by the type of correspondence.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eincludes floppy disc\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eContains photograph\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eThis subseries contains planning documents, scheduling documents, meeting minutes, and notes relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Note that there is correspondence belonging to Buchanan that was handled by Tillman and not filed out. Similarly, pending and working files contain correspondence, schedules, notices, invoices, and other documents that Tillman did not file out into their own completed folders. The subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access, but reproductions of material in this folder are restricted\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information and FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eThis subseries contains files on events attended by Buchanan. Tillman was responsible for Buchanan's schedule, especially after Buchanan received the Nobel Prize in 1986 when she became his official agent. Types of material include correspondence, calendars, schedules, and travel documents. Similar files that may have been kept by Buchanan are located in Series 5: Professional Service, Subseries 1: Conferences and events.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eJo Ann Burgess was an administrative assistant at the Center for Study of Public Choice from 1989 to 2014. She was responsible for the library at the Center and for the management of Buchanan's papers. Additionally, she was the secretary for the Public Choice Society and edited much of Buchanan's published works in the 1990s and 2000s, notably \u003ctitle\u003eThe Collected Works of James M. Buchanan\u003c/title\u003e, published by the Liberty Fund. As her work was closely tied to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers. In the course of processing, some of her papers were able to be identified as a discrete series.\u003c/p\u003e\n","\u003cp\u003eThere are four subseries: Correspondence; Office administration; Liberty Fund editorial work; and Public Choice Society.\u003c/p\u003e","\u003cp\u003eThis subseries contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan at the Center for Study of Public Choice. The subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to FERPA\u003c/p\u003e","\u003cp\u003eThis subseries contains materials created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. It includes edited copies of Buchanan's writings; emails; correspondence written on behalf of Buchanan; calendars; Buchanan's class materials; notes; visiting scholars program files, and working files. Working files are groupings of papers that Burgess never filed out into separate folders. They are combinations of emails, schedules, memoranda, writings drafts, invoices, and other administrative papers. The subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eFolder restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder contains a CD of Betty Tillman photographs\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eContains CD\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eThe family name is Ma and personal name is Jun. It was originally misfiled by Burgess with the family name as Jun and the personal name as Ma.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFolder includes handwritten draft of \"Panglosian Politics\"\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder includes a 3.5\" floppy disk.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eThis subseries contains materials created as part of Burgess' work editing \u003ctitle\u003eThe Collected Works of James M. Buchanan\u003c/title\u003e and \u003ctitle\u003eThe Selected Works of Gordon Tullock\u003c/title\u003e. It includes editorial committee notes and memoranda; lists of contents; correspondence; edited typescripts; permissions requests; planning documents; drafts; and working files. The subseries is arranged alphabetically. The large majority of the materials are related to \u003ctitle\u003eThe Collected Works of James M. Buchanan\u003c/title\u003e, materials related to \u003ctitle\u003eThe Selected Works of Gordon Tullock\u003c/title\u003e are noted separately. The subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThis subseries contains materials relating to the Public Choice Society, a professional organization for scholars from any academic discipline interested in public choice. Burgess was the secretary for the Public Choice Society from 1989 from 2014. Materials include correspondence, conference planning documents, and administrative files created as part of Burgess' work with the Society. The subseries is arranged chronologically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eThis series contains articles, books, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some materials contain correspondence with the authors. Some writings are about Buchanan and his ideas. Some writings were filed by author, others were in folders containing writings from multiple different authors. No additional filing out of writings was done under the NEH grant. The series is arranged alphabetically by surname of author. Materials where Buchanan is a coauthor are found in Series 3: Writings.\u003c/p\u003e","\u003cp\u003eBack cover has penciled notes of James Buchanan's on joint supply\u003c/p\u003e","\u003cp\u003econtains annotations by Buchanan\u003c/p\u003e","\u003cp\u003eIncludes the Foundations for Normative Individulism by James Buchanan.\u003c/p\u003e","\u003cp\u003eOriginal discarded due to mold damage.\u003c/p\u003e","\u003cp\u003eScope Note: heavily annotated by Buchanan\u003c/p\u003e","\u003cp\u003eThis series contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Audiovisual material topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others; television appearances; programs of related interest to Buchanan; and Center for Study of Public Choice events. Born-digital material topics include Center photographs and drafts of writings. Materials are arranged by format, and then chronologically.\u003c/p\u003e\n","\u003cp\u003eSome materials have been digitized. Please contact speccoll@gmu.edu to ensure that the specific materials you are interested in viewing are able to be accessed.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content"],"scopecontent_tesim":["The James M. Buchanan papers largely consist of correspondence, writings, and administrative files created between the years 1930-2014. The collection contains 9 series.","Series 1: Biographical materials (circa 1800s, 1944-2012) contains information about James M. Buchanan's life and career. It is further divided into four subseries. Subseries 1.1: Ann Bakke Buchanan papers contains materials created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some addressed to both James and Ann as a couple. Subseries 1.2: Awards contains newspapers clippings, congratulatory letters, photographs, and memorabilia relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics. Subseries 1.3: Education contains study notes, essays, syllabi, and research notes from Buchanan's education, mostly from his PhD study at the University of Chicago. Subseries 1.4: Clippings contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended.","Series 2: Correspondence (1951-2014) contains letters, emails, memoranda, cards, and other forms of written communication, mostly dealing with Buchanan's professional career. Subseries 2.1: Alphabetical correspondence contains the bulk of the correspondence, filed alphabetically by correspondent, subject, or name of an organization. Subseries 2.2: Chronological correspondence is a small amount of unrelated correspondence that was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess.","Series 3: Writings (1946-2012) contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers.","Series 4: Academia (1946-2013) contains correspondence, reports, planning documents, and grant files relating to Buchanan's work at various universities, primarily University of Virginia, Virginia Polytechnic Institute (now Virginia Tech), and George Mason University. Subseries 4.1: Administration contains reports, memoranda, correspondence, photographs, calendars, and planning documents relating to department and university business. Subseries 4.2: Teaching contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Subseries 4.3: Grants contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Subseries 4.4: Thomas Jefferson Center for Studies in Political Economy contains annual reports, photographs, and correspondence from the University of Virginia's Thomas Jefferson Center, which was active from 1958 to 1968. Subseries 4.5: Center for Study of Public Choice contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating to the Center, an academic unit at Virginia Polytechnic Institute from 1968 to 1983 and at George Mason University from 1983 onwards.","Series 5: Professional Service (1958-2013) This series contains materials relating to Buchanan's professional activities outside of his university responsibilities. Subseries 5.1: Conferences and events contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. Subseries 5.2: Consulting and organizations contains annual reports and correspondence relating to Buchanan's work with various organizations outside of his work as a university professor. ","Series 6: Betty Tillman papers (1968-2008) contains files created by Betty Tillman, administrative assistant to Buchanan and administrative director of the Center for Study of Public Choice. Subseries 6.1: Correspondence contains letters, emails, memoranda, and cards sent and received by Tillman. Subseries 6.2: Office administration contains planning documents, organizational files, and other materials relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Subseries 6.3: Conferences, events and travel contains correspondence, calendars, schedules, and travel documents relating to events attended by Buchanan, coordinated by Tillman. It also contains materials created by Tillman as the conference coordinator for the Liberty Fund and Center conferences and events.","Series 7: Jo Ann Burgess papers (1972-2014) contains files created by Jo Ann Burgess, administrative assistant and editor to Buchanan and secretary for the Public Choice Society. Subseries 7.1: Correspondence contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan and the Center for Study of Public Choice. Subseries 7.2: Office administration contains correspondence, calendars, notes, program files, and edited drafts created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. Subseries 7.3: Liberty Fund editorial work contains planning documents, correspondence, and drafts created as part of Burgess' work editing  The Collected Works of James M. Buchanan  and  The Selected Works of Gordon Tullock  on behalf of the Liberty Fund. Subseries 7.4: Public Choice Society contains correspondence, conference planning documents, and administrative files created as part of Burgess' work as the secretary of the Public Choice Society, a professional organization. ","Series 8: Writings by others (1930-2014) contains articles, book drafts, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some writings are about Buchanan and his ideas. ","Series 9: Audiovisual and born-digital materials (circa 1970s-2013) contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others and Center for Study of Public Choice events.","The biographical series contains information about James M. Buchanan's personal life, education, awards, and clippings of articles about him and his career. There are also materials kept by his wife, Ann Bakke Buchanan. The series is divided into four subseries: Ann Bakke Buchanan papers, Education, Awards, and Clippings. Additional materials not in subseries include personal photographs and Buchanan family history.","This subseries contains papers created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some is addressed to both James and Ann as a couple. Recipe cards were removed from seven recipe card boxes and reboxed. Photographs of the original housing are available by request. Recipes are a mix of clippings and handwritten recipes from Ann Buchanan and her friends and relatives. Some recipes and notebooks are written in shorthand.","This subseries contains materials relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics, but there are also materials about the National Humanities Medal and other awards. Types of material include newspaper clippings, congratulatory letters, photographs, and memorabilia.","Removed from Buchanan House display.","Removed from Buchanan House display","Removed from Buchanan House display","Removed from Buchanan House display","Removed from Buchanan House display.","Contains CD","This subseries contains materials related to Buchanan's education, mostly from his PhD study at the University of Chicago. Some materials appear to be compiled by a person other than Buchanan, since they predate his study at the University of Chicago. Types of materials include study notes, essays, syllabi, and research notes. This subseries includes notes from classes taught by Frank H. Knight and Milton Friedman.","Removed from Buchanan House display.","Appears to be notes from a student other than Buchanan","Removed from Buchanan House display","Removed from Buchanan House display.","Removed from Buchanan House display","This subseries contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended. Note that the clippings related to the Nobel Memorial Prize in Economics are located in the Awards subseries. Clippings of articles written by Buchanan are located in the Writings series. Many clippings are in languages other than English.","The correspondence series contains letters, emails, memoranda, cards, and other forms of written communication sent to and received by Buchanan. The series is divided into two subseries: alphabetical correspondence and chronological correspondence. The bulk of the correspondence was filed alphabetically by correspondent or type of correspondence. A small amount of unrelated correspondence was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess. The bulk of the correspondence in both subseries deals with Buchanan's professional career from his time at the University of Virginia until his retirement, including discussion of publications, manuscripts, events, and academic business. The bulk of the correspondence starts in 1950. There are very few letters prior to 1950. There is a photocopy of a letter from 1941 in Box 56 Folder 1 J. ","Note that some correspondence is located in their original filing location in other series Additional correspondence concerning Buchanan's writings is located in Series 3: Writings, foldered with its related work. Some correspondence relating to the Center for Study of Public Choice, grant applications, and academic departmental administration is located in Series 4: Academia. Some correspondence relating to events, conferences, and travel accommodations is located in Series 5: Professional Service, Subseries 1: Conferences and events. Buchanan's email was handled by Betty Tillman and Jo Ann Burgess, and much of his email is located in Series 6: Betty Tillman papers, Subseries 3: Office administration, and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. Check the relevant series and subseries notes for additional information.","Alphabetical correspondence is correspondence filed alphabetically by subject, by the surname of the correspondent, or by the name of the organization. Filing was likely done by Betty Tillman. Some correspondence is grouped under a single letter, for example, a folder titled \"A\" contains multiple correspondents and organizations that start with the letter A. Some are grouped in a range of letters, for example, a folder title \"E-F\" contains correspondents starting with either E or F. It is unclear why some were filed out into individual folders and others were left in large files under a single letter or letter range. Note that there are some issues with the original filing, for example the surname \"da Empoli\" is sometimes filed under D and sometimes under E. Sometimes letters discussing a person are filed under that person's surname, and sometimes under the surname of the person requesting the information. Additionally, previous processors filed out some correspondence into individual folders. No additional re-filing was done under the NEH grant.","Flagged item restricted for personally identifiable information.","Folder created by Buchanan in April 2007. Contains personal and professional correspondence from 1966-1999.","Folder restricted due to FERPA.","Contains media: photographs","Restriction: FERPA and PII restriction.","Bulk of the folder is correspondents \"D.\" Includes some letters from J. Clayburn LaForce.","contains note: \"Removed from 'The Power of Freedom: Uniting Human Rights and Development' by processing archivist 2021-09-09'","Potential preservation concerns (fading)","Folder restricted until 2033 due to recommendation letter","Flagged item restricted until 2027 due to recommendation.","Folder restricted for letters of recommendation","Folder restricted for letters of recommednation and FERPA.","Flagged items restricted for letters of recommendation and FERPA.","Flagged item restricted for personally identifiable information.","Restricted for bank account information","Flagged item restricted for personally identifiable information.","Flagged item restricted for FERPA","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for personnel information.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged item restricted for FERPA.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged item restricted for FERPA","Contains photocopies of two 1941 letters from Buchanan to a professor","Flagged item restricted for letter of recommendation; restricted until 2032","Folder restricted for FERPA","Flagged item restricted for letter of recommendation until 2028.","includes correspondence from Warren Samuels and John McKinney","Flagged item restricted for letter of recommendation","Flagged items restricted until 2024 for letters of recommendation","Flagged item restricted until 2027 for letter of recommendation","Flagged item restricted until 2036 for letter of recommendation","Folder restricted until 2044 for letter of recommendation","Flagged items restricted until 2024-2026 for letters of recommendation.","Flagged items restricted for personally identifiable information.","Flagged item restricted for bank account information","Flagged items restricted until 2024-2026 for letters of recommendation.","Flagged items restricted until 2037 for letters of recommendation.","Oversize item","contains photographs","Oversize item","Folder restricted for FERPA.","Flagged items restricted for personally identifiable information.","Contains photographs","Flagged items restricted for FERPA","Contains photograph and CD","Flagged items restricted for FERPA. Contains photographs.","Contains photograph.","Flagged item restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged items restricted until 2025 for letters of recommendation.","Flagged item restricted until 2034 for letter of recommendation.","Flagged item restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged items restricted until 2027 for letter of recommendation.","Flagged items restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged item restricted utnil 2028 for letter of recommendation.","Contains photographs","Flagged item restricted until 2038 for personally identifiable information.","Flagged item restricted until 2038 for personally identifiable information.","Flagged items restricted until 2023 and 2026 for letter of recommendation.","Flagged item restricted until 2052 for letter of recommendation.","Folder restricted until 2044 for letter of reference.","Folder restricted until 2046 for letter of reference.","Folder restricted for FERPA.","Folder restricted until 2024-2025 for letters of reference.","Folder restricted until 2024-2028 for letters of reference.","Folder restricted until 2026-2036 for letters of reference.","Folder restricted until 2028-2030 for letters of reference.","Folder restricted until 2030-2032 for letters of reference.","Folder restricted until 2030-2033 for letters of reference","Folder restricted until 2030-2033 for letters of reference","Folder restricted until 2034 for letters of reference.Flagged items restricted due to FERPA.","Folder restricted until 2034-2036 for letters of reference.","Folder restricted until 2035-2038 for letters of reference.","Folder restricted until 2037-2039 for letters of reference.","Folder restricted until 2038 for letters of reference.","Folder restricted until 2039-2041 for letters of reference.","Folder restricted until 2039-2041 for letters of reference.","Folder restricted for FERPA","Contains photograph","Oversize \"Buchanan Expedition\" map of the United States with highlighted road trips","Removed from binder","Folder restricted for FERPA.","Folder restricted for FERPA.","Folder restricted until 2037 for letter of recommendation.","Contains correspondence with Ross Mackenzie of The Richmond News Leader, E.J. Mishan, Roland McKean, James C. Miller III, and others","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged item restricted for personally identifiable information.","Flagged items restricted for FERPA.","Chronological correspondence is unrelated correspondence from a certain date range that was filed together in a single folder. It is unclear why this correspondence was not filed out alphabetically. Chronological correspondence from 1987 onwards seems to have been kept by Jo Ann Burgess and never officially filed into designated folders. These folders include correspondence from Buchanan on topics across his work, with a focus on publications and events and travel. There are also assorted office administration materials handled by Burgess in these folders. Topics of the chronological correspondence and the correspondents seem to be similar to that of the alphabetical correspondence.","Includes Ronald Reagan form letter","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","The writings series contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers. The series is filed alphabetically by title of the work. Note that some of Buchanan's works went by multiple titles in the draft stage, and may not be filed together as a result. Some papers presented by Buchanan at conferences or given as lectures are located in Series 5: Professional services Subseries 1: Conferences and events.","Jo Ann Burgess acted as an editor for much of Buchanan's writings from the 1990s and 2000s. There are edited copies and drafts of some of Buchanan's writings, notably  Politics by Principle, Not Interest ,  The Return to Increasing Returns , and  Post-Socialist Political Economy  in Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. The bulk of the materials relating to  The Collected Works of James M. Buchanan  are located in Series 7: Jo Ann Burgess papers, Subseries 3: Liberty Fund editorial work, as Burgess kept the files for that project.","Flagged items restricted for FERPA.","Note: work also titled \"Work supply under Increasing Returns\"","various titles","Flagged items restricted for FERPA.","This series contains materials relating to Buchanan's work at various universities, notably University of Virginia, Virginia Polytechnic Institute (VPI or Virginia Tech), and George Mason University. The series is divided into five subseries: Administration, Teaching, Grants, Thomas Jefferson Center for Studies in Political Economy, and Center for Study of Public Choice.","This subseries contains reports, memoranda, correspondence, CVs, photographs, calendars, and planning documents relating to Buchanan's work at various universities, primarily Virginia Polytechnic Institute (also known as Virginia Tech or VPI) and George Mason University. Topics include economics department functioning and planning, Buchanan's academic output, schedules, and university events and policies. The subseries is arranged chronologically.","Many of the administrative aspects of Buchanan's work were handled by Betty Tillman and Jo Ann Burgess. Series 6: Betty Tillman papers, Subseries 2: Office administration and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration contain much related material.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","This subseries contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Buchanan would often present his own draft works to students for comment, so some of his draft writings are in this subseries. The subseries is arranged chronologically. Materials created by or relating to specific students are restricted due to the Family Educational Rights and Privacy Act (FERPA).","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Includes correspondence discussed in lecture notes","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","This subseries contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Specific granting agencies include the National Science Foundation, the Ford Foundation, and others. Grants were primarily written for funding research projects in economics, specifically in public choice. Grants that were undertaken to fund operations of the Center for Study of Public Choice are found in Subseries 5: Center for Study of Public Choice. Some correspondence with granting agencies is located in Series 2: Correspondence. The subseries is arranged chronologically.","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","This subseries contains annual reports, photographs, and correspondence relating to the University of Virginia's Thomas Jefferson Center for Studies in Political Economy. Buchanan was a co-founder of the Center. The Center was active from 1958 to 1968. There is also information relating to  Papers on Non-Market Decision Making , a journal founded by the Center that later became  Public Choice . The subseries is arranged chronologically.","Item originally part of Buchanan House Display","Item originally part of Buchanan House Display","Item originally part of Buchanan House Display","This subseries contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating the Center for Study of Public Choice, an academic unit founded at Virginia Polytechnic Institute in 1968. The Center was moved to George Mason University in July 1983 and continues operations there as of 2023. The subseries contains correspondence and planning documents from multiple directors of the Center, including Robert Tollison, David Levy, Mark Crain, and others. There are also materials relating to the Public Choice Society prior to Jo Ann Burgess' time as the Public Choice Society administrator, approximately 2003. The subseries is arranged chronologically.","Betty Tillman was the administrative director of the Center in the 1990s and 2000s, and many Center materials can be found in in Series 6: Betty Tillman papers, especially in Subseries 1: Correspondence and Subseries 2: Office administration. Center tasks were also sometimes a part of the duties of Jo Ann Burgess, and some Center material can be found in Series 7: Jo Ann Burgess papers, especially Subseries 1: Correspondence and Subseries 2: Office administration. ","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Donor is anonymous by request. Publication of the donor information in conjunction with the Center for Study of Public Choice is not permitted.","Flagged items restricted for personally identifiable information","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","This series contains materials relating to Buchanan's professional activities outside of his university and Center for Study of Public Choice responsibilities. The series is divided into two subseries: Conferences and events, and Consulting and organizations. The series is arranged chronologically.","This subseries contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. This subseries also contains materials related to conferences organized by Buchanan or Betty Tillman, often in partnership with the Liberty Fund. Note that the subseries is arranged chronologically by date of the materials that exist in the folder, not by date of the conference or event. Event planning could stretch to a year or two before the event took place, especially for events occurring in the first half of the calendar year. ","Tillman was responsible for scheduling and organizing much of Buchanan's travel, especially after he received the Nobel Prize in 1986. Similar files kept by Tillman on Buchanan's travel and event attendance are located in Series 6: Betty Tillman papers, Subseries 3: Conferences, events and travel.","Contains book reviews of  Cost and Choice  and  Academia in Anarchy.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","Originally part of Buchanan House display","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Contains zip disk and 3.5' floppy disk.","Flagged items restricted for FERPA.","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","This subseries contains committee meeting notes, annual reports, and correspondence relating to Buchanan's work with various outside organizations. Buchanan served on boards for some organizations, including the Mont Pelerin Society. Those records are mostly found here, although some conference organizing material for the Mont Pelerin Society and Liberty Fund is located in Subseries 1: Conferences and events. The subseries is arranged chronologically.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Betty Tillman was an administrative assistant for James M. Buchanan and the Center for Study of Public Choice from 1962 to 2007. Her work included typing Buchanan's correspondence, scheduling his travel and conference events, and liaising with publishers and outside parties on Buchanan's behalf. As a member of the Center and eventual administrative director, she made arrangements for the visiting scholars program, managed personnel, kept financial records, and coordinated events and conferences, among many other duties. As her work was integral to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers as well. In the course of processing, some of her papers were able to be identified as a discrete series. ","Tillman's papers are divided into three subseries: Correspondence; Office administration; and Conferences, events and travel.","This subseries contains letters, emails, memoranda, and cards sent and received by Betty Tillman. Work correspondence includes topics such as event organization, visiting scholars program, and other Center for Study of Public Choice business. There is also personal correspondence belonging to Tillman in the subseries. There are also notes from Buchanan to Tillman, mostly about administrative matters. Note that Tillman printed out most of email she received, and in many cases did not file it out by correspondent or subject. Correspondence is filed alphabetically by subject, by the surname of the correspondent, by the name of the organization, or by the type of correspondence.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","includes floppy disc","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Contains photograph","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","This subseries contains planning documents, scheduling documents, meeting minutes, and notes relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Note that there is correspondence belonging to Buchanan that was handled by Tillman and not filed out. Similarly, pending and working files contain correspondence, schedules, notices, invoices, and other documents that Tillman did not file out into their own completed folders. The subseries is arranged alphabetically.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","There are no restrictions on access, but reproductions of material in this folder are restricted","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to FERPA","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information and FERPA.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to FERPA","Flagged items restricted due to personally identifiable information","This subseries contains files on events attended by Buchanan. Tillman was responsible for Buchanan's schedule, especially after Buchanan received the Nobel Prize in 1986 when she became his official agent. Types of material include correspondence, calendars, schedules, and travel documents. Similar files that may have been kept by Buchanan are located in Series 5: Professional Service, Subseries 1: Conferences and events.","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Jo Ann Burgess was an administrative assistant at the Center for Study of Public Choice from 1989 to 2014. She was responsible for the library at the Center and for the management of Buchanan's papers. Additionally, she was the secretary for the Public Choice Society and edited much of Buchanan's published works in the 1990s and 2000s, notably  The Collected Works of James M. Buchanan , published by the Liberty Fund. As her work was closely tied to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers. In the course of processing, some of her papers were able to be identified as a discrete series.","There are four subseries: Correspondence; Office administration; Liberty Fund editorial work; and Public Choice Society.","This subseries contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan at the Center for Study of Public Choice. The subseries is arranged alphabetically.","Flagged items restricted due to FERPA","This subseries contains materials created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. It includes edited copies of Buchanan's writings; emails; correspondence written on behalf of Buchanan; calendars; Buchanan's class materials; notes; visiting scholars program files, and working files. Working files are groupings of papers that Burgess never filed out into separate folders. They are combinations of emails, schedules, memoranda, writings drafts, invoices, and other administrative papers. The subseries is arranged alphabetically.","Folder restricted due to personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for financial and personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder contains a CD of Betty Tillman photographs","Flagged items restricted for personally identifiable information.","Contains CD","Flagged items restricted for personally identifiable information.","Folder restricted due to FERPA.","The family name is Ma and personal name is Jun. It was originally misfiled by Burgess with the family name as Jun and the personal name as Ma.","Flagged items restricted for personally identifiable information.","Folder includes handwritten draft of \"Panglosian Politics\"","Flagged items restricted for FERPA.","Folder includes a 3.5\" floppy disk.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted due to FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","This subseries contains materials created as part of Burgess' work editing  The Collected Works of James M. Buchanan  and  The Selected Works of Gordon Tullock . It includes editorial committee notes and memoranda; lists of contents; correspondence; edited typescripts; permissions requests; planning documents; drafts; and working files. The subseries is arranged alphabetically. The large majority of the materials are related to  The Collected Works of James M. Buchanan , materials related to  The Selected Works of Gordon Tullock  are noted separately. The subseries is arranged alphabetically.","This subseries contains materials relating to the Public Choice Society, a professional organization for scholars from any academic discipline interested in public choice. Burgess was the secretary for the Public Choice Society from 1989 from 2014. Materials include correspondence, conference planning documents, and administrative files created as part of Burgess' work with the Society. The subseries is arranged chronologically.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for financial information.","This series contains articles, books, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some materials contain correspondence with the authors. Some writings are about Buchanan and his ideas. Some writings were filed by author, others were in folders containing writings from multiple different authors. No additional filing out of writings was done under the NEH grant. The series is arranged alphabetically by surname of author. Materials where Buchanan is a coauthor are found in Series 3: Writings.","Back cover has penciled notes of James Buchanan's on joint supply","contains annotations by Buchanan","Includes the Foundations for Normative Individulism by James Buchanan.","Original discarded due to mold damage.","Scope Note: heavily annotated by Buchanan","This series contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Audiovisual material topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others; television appearances; programs of related interest to Buchanan; and Center for Study of Public Choice events. Born-digital material topics include Center photographs and drafts of writings. Materials are arranged by format, and then chronologically.","Some materials have been digitized. Please contact speccoll@gmu.edu to ensure that the specific materials you are interested in viewing are able to be accessed."],"separatedmaterial_html_tesm":["\u003cp\u003eIssue of \u003ctitle\u003eThe Wall Street Journal\u003c/title\u003e, December 21, 1992 removed and housed in Box 543.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Issue of  The Wall Street Journal , December 21, 1992 removed and housed in Box 543."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_0bc2473150c319436276a1da8ef369a9\" label=\"Abstract\"\u003eThe James M. Buchanan papers consist of materials created primarily by economist James M. Buchanan (1919-2013) from the years 1936-2014. There are also materials created by the Center for Study of Public Choice, an academic unit associated with Virginia Tech (1969-1983) and George Mason University (1983-). The papers document Buchanan's career and academic output, primarily in the field of public choice economics and political economy.\u003c/abstract\u003e"],"abstract_tesim":["The James M. Buchanan papers consist of materials created primarily by economist James M. Buchanan (1919-2013) from the years 1936-2014. There are also materials created by the Center for Study of Public Choice, an academic unit associated with Virginia Tech (1969-1983) and George Mason University (1983-). The papers document Buchanan's career and academic output, primarily in the field of public choice economics and political economy."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b0c53c39bdb12bf69a095c3db88292a9\"\u003e\nR 101 - 102\n\nOS R 1, C 3, S 3-5\nMap Case 24.1\u003c/physloc\u003e"],"physloc_tesim":["\nR 101 - 102\n\nOS R 1, C 3, S 3-5\nMap Case 24.1"],"names_coll_ssim":["George Mason University. Center for Study of Public Choice","Public Choice Society"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for Study of Public Choice","Public Choice Society","Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for Study of Public Choice","Public Choice Society"],"persname_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"language_ssim":["The bulk of the materials are in English. Additional languages in the collection include German, Italian, French, Spanish, Norwegian, Dutch, Turkish, Japanese, Korean, and Chinese."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8943,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:18:42.949Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_367_c02_c02_c01"}},{"id":"viblbv_repositories_2_resources_3018_c05_c05_c03","type":"Subseries","attributes":{"title":"1960s-1970s playbills","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3018_c05_c05_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3018_c05_c05_c03","ref_ssm":["viblbv_repositories_2_resources_3018_c05_c05_c03"],"id":"viblbv_repositories_2_resources_3018_c05_c05_c03","ead_ssi":"viblbv_repositories_2_resources_3018","_root_":"viblbv_repositories_2_resources_3018","_nest_parent_":"viblbv_repositories_2_resources_3018_c05_c05","parent_ssi":"viblbv_repositories_2_resources_3018_c05_c05","parent_ssim":["viblbv_repositories_2_resources_3018","viblbv_repositories_2_resources_3018_c05","viblbv_repositories_2_resources_3018_c05_c05"],"parent_ids_ssim":["viblbv_repositories_2_resources_3018","viblbv_repositories_2_resources_3018_c05","viblbv_repositories_2_resources_3018_c05_c05"],"parent_unittitles_ssm":["John Barnes Performing Arts Collection","Series V: Theatre","Broadway playbills"],"parent_unittitles_tesim":["John Barnes Performing Arts Collection","Series V: Theatre","Broadway playbills"],"text":["John Barnes Performing Arts Collection","Series V: Theatre","Broadway playbills","1960s-1970s playbills"],"title_filing_ssi":"1960s-1970s playbills","title_ssm":["1960s-1970s playbills"],"title_tesim":["1960s-1970s playbills"],"unitdate_inclusive_ssm":["1960-1981"],"normalized_date_ssm":["1960/1981"],"normalized_title_ssm":["1960s-1970s playbills"],"component_level_isim":[3],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["John Barnes Performing Arts Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":11,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":90,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech."],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"_nest_path_":"/components#4/components#4/components#2","timestamp":"2026-05-21T02:27:21.236Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3018","ead_ssi":"viblbv_repositories_2_resources_3018","_root_":"viblbv_repositories_2_resources_3018","_nest_parent_":"viblbv_repositories_2_resources_3018","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3018.xml","title_filing_ssi":"Barnes, John Performing Arts Collection,  1890s-1980s","title_ssm":["John Barnes Performing Arts Collection"],"title_tesim":["John Barnes Performing Arts Collection"],"unitdate_ssm":["1890-1983","1940-1969"],"unitdate_bulk_ssim":["1940-1969"],"unitdate_inclusive_ssm":["1890-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2016.005"],"text":["Ms.2016.005","John Barnes Performing Arts Collection","Charlottesville (Va.)","Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs","Collection is open for research.","The collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.","Series I: Scrapbooks  includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.","Series II: Clippings  consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include:  Popular Electricity ,  Munsey's Magazine ,  Atlantic Monthly ,  The Library Magazine ,  Harper's New Monthly Magazine ,  The Nineteenth Century , and more.","Series III: National Theatre (Washington, DC)  includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. ","Series IV: John F. Kennedy Center for the Performing Arts  includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.","Series V: Theatre  includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.","Series VI: Opera  includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.","Series VII: Ballet and Dance  includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.","Series VIII: Music  includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.","Series IX: Motion Pictures and Television  includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.","Series X: Other Genres  includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French.","John Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in  Brown v. Board of Education of Topeka . When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979.","The processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016.","The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection.","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection: Anna Bolena Italian-English Libretto, 1973 The Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921? Player's Magazine, November 1924-May and June 1931, February-May 1959 Philharmonic, July 1901 Saint Joan feature book, 1957 Tiefland Libretto, 1908 A Witch of Salem Libretto, 1926","Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech.","The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s.","Special Collections and University Archives, Virginia Tech","Barnes, John H. (John Hancock), 1905-1979","Materials in this collection are in English, French, German, Hebrew, Hungarian, Italian, Polish,  and Russian."],"unitid_tesim":["Ms.2016.005"],"normalized_title_ssm":["John Barnes Performing Arts Collection"],"collection_title_tesim":["John Barnes Performing Arts Collection"],"collection_ssim":["John Barnes Performing Arts Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Charlottesville (Va.)"],"geogname_ssim":["Charlottesville (Va.)"],"creator_ssm":["Barnes, John H. (John Hancock), 1905-1979"],"creator_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"creator_persname_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"creators_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"places_ssim":["Charlottesville (Va.)"],"access_terms_ssm":["Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The John Barnes Performing Arts Collection was given to Special Collections prior to 2009."],"access_subjects_ssim":["Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs"],"access_subjects_ssm":["Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs"],"has_online_content_ssim":["false"],"extent_ssm":["11.9 Cubic Feet 9 boxes, 1 oversize folder"],"extent_tesim":["11.9 Cubic Feet 9 boxes, 1 oversize folder"],"genreform_ssim":["Theater programs","Concert programs"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries I: Scrapbooks\u003c/b\u003e includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries II: Clippings\u003c/b\u003e consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include: \u003ci\u003ePopular Electricity\u003c/i\u003e, \u003ci\u003eMunsey's Magazine\u003c/i\u003e, \u003ci\u003eAtlantic Monthly\u003c/i\u003e, \u003ci\u003eThe Library Magazine\u003c/i\u003e, \u003ci\u003eHarper's New Monthly Magazine\u003c/i\u003e, \u003ci\u003eThe Nineteenth Century\u003c/i\u003e, and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries III: National Theatre (Washington, DC)\u003c/b\u003e includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. \u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IV: John F. Kennedy Center for the Performing Arts\u003c/b\u003e includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries V: Theatre\u003c/b\u003e includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VI: Opera\u003c/b\u003e includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VII: Ballet and Dance\u003c/b\u003e includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VIII: Music\u003c/b\u003e includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IX: Motion Pictures and Television\u003c/b\u003e includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries X: Other Genres\u003c/b\u003e includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.","Series I: Scrapbooks  includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.","Series II: Clippings  consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include:  Popular Electricity ,  Munsey's Magazine ,  Atlantic Monthly ,  The Library Magazine ,  Harper's New Monthly Magazine ,  The Nineteenth Century , and more.","Series III: National Theatre (Washington, DC)  includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. ","Series IV: John F. Kennedy Center for the Performing Arts  includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.","Series V: Theatre  includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.","Series VI: Opera  includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.","Series VII: Ballet and Dance  includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.","Series VIII: Music  includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.","Series IX: Motion Pictures and Television  includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.","Series X: Other Genres  includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French."],"bioghist_html_tesm":["\u003cp\u003eJohn Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in \u003ci\u003eBrown v. Board of Education of Topeka\u003c/i\u003e. When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["John Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in  Brown v. Board of Education of Topeka . When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: John Barnes Performing Arts Collection, Ms2016-005, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: John Barnes Performing Arts Collection, Ms2016-005, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eThe following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:\u003c/head\u003e\n      \u003citem\u003eAnna Bolena Italian-English Libretto, 1973\u003c/item\u003e\n      \u003citem\u003eThe Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921?\u003c/item\u003e\n      \u003citem\u003ePlayer's Magazine, November 1924-May and June 1931, February-May 1959\u003c/item\u003e\n      \u003citem\u003ePhilharmonic, July 1901\u003c/item\u003e\n      \u003citem\u003eSaint Joan feature book, 1957\u003c/item\u003e\n      \u003citem\u003eTiefland Libretto, 1908\u003c/item\u003e\n      \u003citem\u003eA Witch of Salem Libretto, 1926\u003c/item\u003e\n    \u003c/list\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection: Anna Bolena Italian-English Libretto, 1973 The Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921? Player's Magazine, November 1924-May and June 1931, February-May 1959 Philharmonic, July 1901 Saint Joan feature book, 1957 Tiefland Libretto, 1908 A Witch of Salem Libretto, 1926"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_68b34aec577b16124acbb1215f539ab7\"\u003eThe collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Barnes, John H. (John Hancock), 1905-1979"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"language_ssim":["Materials in this collection are in English, French, German, Hebrew, Hungarian, Italian, Polish,  and Russian."],"total_component_count_is":314,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:27:21.236Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3018_c05_c05_c03"}},{"id":"viblbv_repositories_2_resources_3018_c03_c03","type":"Subseries","attributes":{"title":"1960s-1970s theatre playbills","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3018_c03_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3018_c03_c03","ref_ssm":["viblbv_repositories_2_resources_3018_c03_c03"],"id":"viblbv_repositories_2_resources_3018_c03_c03","ead_ssi":"viblbv_repositories_2_resources_3018","_root_":"viblbv_repositories_2_resources_3018","_nest_parent_":"viblbv_repositories_2_resources_3018_c03","parent_ssi":"viblbv_repositories_2_resources_3018_c03","parent_ssim":["viblbv_repositories_2_resources_3018","viblbv_repositories_2_resources_3018_c03"],"parent_ids_ssim":["viblbv_repositories_2_resources_3018","viblbv_repositories_2_resources_3018_c03"],"parent_unittitles_ssm":["John Barnes Performing Arts Collection","Series III: National Theatre (Washington, DC)"],"parent_unittitles_tesim":["John Barnes Performing Arts Collection","Series III: National Theatre (Washington, DC)"],"text":["John Barnes Performing Arts Collection","Series III: National Theatre (Washington, DC)","1960s-1970s theatre playbills"],"title_filing_ssi":"1960s-1970s theatre playbills","title_ssm":["1960s-1970s theatre playbills"],"title_tesim":["1960s-1970s theatre playbills"],"unitdate_inclusive_ssm":["1962-1983"],"normalized_date_ssm":["1962/1983"],"normalized_title_ssm":["1960s-1970s theatre playbills"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["John Barnes Performing Arts Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":38,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech."],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"_nest_path_":"/components#2/components#2","timestamp":"2026-05-21T02:27:21.236Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3018","ead_ssi":"viblbv_repositories_2_resources_3018","_root_":"viblbv_repositories_2_resources_3018","_nest_parent_":"viblbv_repositories_2_resources_3018","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3018.xml","title_filing_ssi":"Barnes, John Performing Arts Collection,  1890s-1980s","title_ssm":["John Barnes Performing Arts Collection"],"title_tesim":["John Barnes Performing Arts Collection"],"unitdate_ssm":["1890-1983","1940-1969"],"unitdate_bulk_ssim":["1940-1969"],"unitdate_inclusive_ssm":["1890-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2016.005"],"text":["Ms.2016.005","John Barnes Performing Arts Collection","Charlottesville (Va.)","Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs","Collection is open for research.","The collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.","Series I: Scrapbooks  includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.","Series II: Clippings  consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include:  Popular Electricity ,  Munsey's Magazine ,  Atlantic Monthly ,  The Library Magazine ,  Harper's New Monthly Magazine ,  The Nineteenth Century , and more.","Series III: National Theatre (Washington, DC)  includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. ","Series IV: John F. Kennedy Center for the Performing Arts  includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.","Series V: Theatre  includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.","Series VI: Opera  includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.","Series VII: Ballet and Dance  includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.","Series VIII: Music  includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.","Series IX: Motion Pictures and Television  includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.","Series X: Other Genres  includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French.","John Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in  Brown v. Board of Education of Topeka . When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979.","The processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016.","The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection.","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection: Anna Bolena Italian-English Libretto, 1973 The Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921? Player's Magazine, November 1924-May and June 1931, February-May 1959 Philharmonic, July 1901 Saint Joan feature book, 1957 Tiefland Libretto, 1908 A Witch of Salem Libretto, 1926","Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech.","The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s.","Special Collections and University Archives, Virginia Tech","Barnes, John H. (John Hancock), 1905-1979","Materials in this collection are in English, French, German, Hebrew, Hungarian, Italian, Polish,  and Russian."],"unitid_tesim":["Ms.2016.005"],"normalized_title_ssm":["John Barnes Performing Arts Collection"],"collection_title_tesim":["John Barnes Performing Arts Collection"],"collection_ssim":["John Barnes Performing Arts Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Charlottesville (Va.)"],"geogname_ssim":["Charlottesville (Va.)"],"creator_ssm":["Barnes, John H. (John Hancock), 1905-1979"],"creator_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"creator_persname_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"creators_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"places_ssim":["Charlottesville (Va.)"],"access_terms_ssm":["Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The John Barnes Performing Arts Collection was given to Special Collections prior to 2009."],"access_subjects_ssim":["Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs"],"access_subjects_ssm":["Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs"],"has_online_content_ssim":["false"],"extent_ssm":["11.9 Cubic Feet 9 boxes, 1 oversize folder"],"extent_tesim":["11.9 Cubic Feet 9 boxes, 1 oversize folder"],"genreform_ssim":["Theater programs","Concert programs"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries I: Scrapbooks\u003c/b\u003e includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries II: Clippings\u003c/b\u003e consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include: \u003ci\u003ePopular Electricity\u003c/i\u003e, \u003ci\u003eMunsey's Magazine\u003c/i\u003e, \u003ci\u003eAtlantic Monthly\u003c/i\u003e, \u003ci\u003eThe Library Magazine\u003c/i\u003e, \u003ci\u003eHarper's New Monthly Magazine\u003c/i\u003e, \u003ci\u003eThe Nineteenth Century\u003c/i\u003e, and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries III: National Theatre (Washington, DC)\u003c/b\u003e includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. \u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IV: John F. Kennedy Center for the Performing Arts\u003c/b\u003e includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries V: Theatre\u003c/b\u003e includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VI: Opera\u003c/b\u003e includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VII: Ballet and Dance\u003c/b\u003e includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VIII: Music\u003c/b\u003e includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IX: Motion Pictures and Television\u003c/b\u003e includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries X: Other Genres\u003c/b\u003e includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.","Series I: Scrapbooks  includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.","Series II: Clippings  consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include:  Popular Electricity ,  Munsey's Magazine ,  Atlantic Monthly ,  The Library Magazine ,  Harper's New Monthly Magazine ,  The Nineteenth Century , and more.","Series III: National Theatre (Washington, DC)  includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. ","Series IV: John F. Kennedy Center for the Performing Arts  includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.","Series V: Theatre  includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.","Series VI: Opera  includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.","Series VII: Ballet and Dance  includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.","Series VIII: Music  includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.","Series IX: Motion Pictures and Television  includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.","Series X: Other Genres  includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French."],"bioghist_html_tesm":["\u003cp\u003eJohn Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in \u003ci\u003eBrown v. Board of Education of Topeka\u003c/i\u003e. When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["John Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in  Brown v. Board of Education of Topeka . When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: John Barnes Performing Arts Collection, Ms2016-005, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: John Barnes Performing Arts Collection, Ms2016-005, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eThe following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:\u003c/head\u003e\n      \u003citem\u003eAnna Bolena Italian-English Libretto, 1973\u003c/item\u003e\n      \u003citem\u003eThe Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921?\u003c/item\u003e\n      \u003citem\u003ePlayer's Magazine, November 1924-May and June 1931, February-May 1959\u003c/item\u003e\n      \u003citem\u003ePhilharmonic, July 1901\u003c/item\u003e\n      \u003citem\u003eSaint Joan feature book, 1957\u003c/item\u003e\n      \u003citem\u003eTiefland Libretto, 1908\u003c/item\u003e\n      \u003citem\u003eA Witch of Salem Libretto, 1926\u003c/item\u003e\n    \u003c/list\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection: Anna Bolena Italian-English Libretto, 1973 The Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921? Player's Magazine, November 1924-May and June 1931, February-May 1959 Philharmonic, July 1901 Saint Joan feature book, 1957 Tiefland Libretto, 1908 A Witch of Salem Libretto, 1926"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_68b34aec577b16124acbb1215f539ab7\"\u003eThe collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Barnes, John H. (John Hancock), 1905-1979"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"language_ssim":["Materials in this collection are in English, French, German, Hebrew, Hungarian, Italian, Polish,  and Russian."],"total_component_count_is":314,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:27:21.236Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3018_c03_c03"}},{"id":"vifgm_repositories_2_resources_367_c02_c02_c02","type":"File","attributes":{"title":"1961-1982","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_367_c02_c02_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_367_c02_c02_c02","ref_ssm":["vifgm_repositories_2_resources_367_c02_c02_c02"],"id":"vifgm_repositories_2_resources_367_c02_c02_c02","ead_ssi":"vifgm_repositories_2_resources_367","_root_":"vifgm_repositories_2_resources_367","_nest_parent_":"vifgm_repositories_2_resources_367_c02_c02","parent_ssi":"vifgm_repositories_2_resources_367_c02_c02","parent_ssim":["vifgm_repositories_2_resources_367","vifgm_repositories_2_resources_367_c02","vifgm_repositories_2_resources_367_c02_c02"],"parent_ids_ssim":["vifgm_repositories_2_resources_367","vifgm_repositories_2_resources_367_c02","vifgm_repositories_2_resources_367_c02_c02"],"parent_unittitles_ssm":["James M. Buchanan papers","Series 2: Correspondence","Subseries 2: Chronological correspondence"],"parent_unittitles_tesim":["James M. Buchanan papers","Series 2: Correspondence","Subseries 2: Chronological correspondence"],"text":["James M. Buchanan papers","Series 2: Correspondence","Subseries 2: Chronological correspondence","1961-1982","box 110","folder 7"],"title_filing_ssi":"1961-1982","title_ssm":["1961-1982"],"title_tesim":["1961-1982"],"unitdate_inclusive_ssm":["1961-1982"],"normalized_date_ssm":["1961/1982"],"normalized_title_ssm":["1961-1982"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["James M. Buchanan papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1557,"parent_access_restrict_tesm":["\nCertain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.\n","Most of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.","There are no other access restrictions.","All If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"containers_ssim":["box 110","folder 7"],"_nest_path_":"/components#1/components#1/components#1","timestamp":"2026-06-05T07:18:42.949Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_367","ead_ssi":"vifgm_repositories_2_resources_367","_root_":"vifgm_repositories_2_resources_367","_nest_parent_":"vifgm_repositories_2_resources_367","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_367.xml","aspace_url_ssi":"C0246","title_ssm":["James M. Buchanan papers"],"title_tesim":["James M. Buchanan papers"],"unitdate_ssm":["circa 1800s, 1930-2014"],"unitdate_inclusive_ssm":["circa 1800s, 1930-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0246","/repositories/2/resources/367"],"text":["C0246","/repositories/2/resources/367","James M. Buchanan papers","Economics","Economists -- United States","Nobel Prize winners","Social choice","Correspondence","Manuscripts","Typescripts","Video recordings","\nCertain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.\n","Most of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.","There are no other access restrictions.","All If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies.","The collection is arranged in nine series.","Series Series 1: Biographical materials Series 2: Correspondence Series 3: Writings Series 4: Academia Series 5: Professional service Series 6: Betty Tillman papers Series 7: Jo Ann Burgess papers Series 8: Writings by others Series 9: Audiovisual and born-digital materials","James McGill Buchanan, Jr. was born on October 3, 1919 in Gum, Tennessee to Lila Scott (1889-1953) and James McGill Buchanan, Sr. (1888-1979). He had two younger sisters, Lila Scott Buchanan Graue (1922-2020) and Elizabeth Bradley. His paternal grandfather, John P. Buchanan (1847-1930), was a one-term governor of Tennessee from 1891 to 1893. James M. Buchanan attended Buchanan High School. He triple-majored in English, mathematics, and economics at Middle Tennessee State University from 1936 to 1940. He received a Master's of the Arts in economics from the University of Tennessee, Knoxville in 1941. Buchanan then attended the Naval War College and served on the operations staff of Admiral Chester W. Nimitz from 1941 to 1945. In that role, he was stationed in Pearl Harbor, Hawaii, and Guam. He met his wife, Ann Bakke (August 21, 1909-November 14, 2005) in 1943. She was born in Jamestown, North Dakota. She served with the Army Air Transport Command at Hickham Field, Oahu. In 1945 the couple married in San Francisco, California. ","From 1946 to 1948 Buchanan attended the University of Chicago, where he graduated with a Ph.D. in economics. After graduation, he taught at the University of Tennessee, Knoxville as an associate professor from 1948 to 1951, and then as a full professor at Florida State University, Tallahassee from 1951 to 1956. In 1955 he was awarded a Fulbright fellowship to study in Italy for a year. In 1956 he was hired at the University of Virginia as the chair of the economics department. It was there that he co-founded the Thomas Jefferson Center for Studies in Political Economy in 1958. That same year, he published  Public Principles of Public Debt . In 1962, Buchanan and co-author Gordon Tullock published  The Calculus of Consent . ","Buchanan worked at the University of California, Los Angeles (UCLA) for one academic year (1968-1969) as a professor of economics. In 1969 he was hired at Virginia Polytechnic Institute (VPI, now known as Virginia Tech), as a University Distinguished Professor. He became general director of the Center for Study of Public Choice, the successor institution to the Thomas Jefferson Center for Political Economy. Buchanan continued to publish books during his time at VPI, including  Cost and Choice  (1969),  Academia in Anarchy  with Nicos Devletoglou (1970),  The Limits of Liberty  (1975), and  The Power to Tax  with Geoffrey Brennan (1980). ","In 1983, Buchanan and the Center for the Study of Public Choice moved from VPI to George Mason University in Fairfax, Virginia. After the move, he split his time between Fairfax and his farm in Blacksburg, Virginia. In 1986, Buchanan was awarded the Nobel Memorial Prize in economics. While at Mason, he published  The Reason of Rules  (1985),  Better than Plowing  (1992), and  Politics by Principle, Not Interest  with Roger Congleton (1998). He formally retired from Mason in September 1999 but continued to work both at Mason and Virginia Tech until his death on January 9, 2013. ","Buchanan was known for his contribution to the field of public choice, which uses economic principles to analyze the rules and actions of government and public sector. It was this theory which led to his Nobel award. ","Born on March 19, 1927, Betty Jane Hall Tillman (also known as Betty Ross from 1977 to 1984) received an associate's degree from The Jefferson School of Commerce at Charlottesville, Virginia in 1945. She worked for Buchanan at the University of Virginia from August 14, 1961 to August 1969, at VPI from September 1, 1969 to June 1983, and at George Mason University from July 1, 1983 until her retirement in April 2007. Tillman had multiple responsibilities including handling Buchanan's correspondence, scheduling his events, coordinating Liberty Fund conferences, organizing activities at the Center for Study of Public Choice, and assisting graduate students and faculty associated with the Center. At the time of her retirement her position was administrative director of the Center for Study of Public Choice. She had three children. Tillman died on October 2, 2013.  ","Jo Ann Burgess was born on June 27, 1948. She began work at the Center for the Study of Public Choice at George Mason University in 1989. Previously, Burgess lived around the world working for the State Department and the U.S military. She had four children with her husband, Roger. Burgess had many varied responsibilities at the Center including organizing Buchanan's archival papers, and administrative duties for the Public Choice Society. She edited Buchanan's published work in the 1990s and 2000s, including editing  The Collected Works of James Buchanan  and  The Selected Works of Gordon Tullock  for the Liberty Fund. After Tillman's retirement, Burgess took on additional responsibilities related to handling Buchanan's correspondence and scheduling, and additional administrative duties at the Center. Burgess retired in the summer of 2014. She died on March 19, 2020.","Ann Gladys Bakke was born on August 21, 1909 in Jamestown, North Dakota to a Norwegian-born father, Andrew (1879-?), and a second-generation Norwegian immigrant, Hilda Kjorness (1882/3-1973). She had four siblings: Orval (also written Orville, 1908-1987), Clara Jensvold (1910-1998), Arthur (1915-1989), and Erling (1924-1945). Bakke worked as a stenographer in Jamestown until at least 1932. She was living in Fargo, N.D. in 1935 and Washington, D.C. in 1940. During World War II, Bakke served with the Army Air Transport Command at Hickham Field, Oahu. During this time, she met James Buchanan and the two were married in 1945 in San Francisco, California. She supported Buchanan financially during his graduate study at the University of Chicago. She died at their home in Blacksburg, Va., on November 14, 2005.","This collection was processed by Rebecca Thayer as part of a National Endowment for the Humanities (NEH) grant project from March 2021 to March 2023.","Initial processing of the collection was begun after James M. Buchanan's death in 2013, while the papers were at Buchanan House (also known as Roberts House), where the offices of Buchanan, Betty Tillman, Jo Ann Burgess, and the Center for Study of Public Choice were then located. Processing at this time was done by Greta Suiter, then-Processing Coordinator at the Special Collections Research Center (SCRC), and Solomon Stein, then-economics PhD student at Mason. Stein and Suiter established an initial arrangement scheme and began foldering and sorting materials accordingly. Elizabeth Beckman, then-Processing Coordinator, continued arrangement and refoldering work alongside Stein at Buchanan House from 2014 to 2016. 145 linear feet of materials were ultimately arranged during this time. The following series were created: Correspondence, Academic (Subseries: Courses taken and Courses taught), Conferences (Subseries: Conferences attended and Conferences held), Writings, Articles Read, and Administrative.","Materials were boxed up and brought to Fenwick in Spring 2017. Beckman completed EAD markup of a preliminary finding aid with the processed materials in June 2017. Processing was paused in 2017 to apply for a NEH grant to hire a dedicated processing archivist. The grant was approved to start in 2020 but was delayed for several months due to the COVID-19 pandemic.","Rebecca Thayer was hired in March 2021 to process the collection. She surveyed the arranged part of the collection (145 linear feet) and the unprocessed part (147 linear feet) to create a processing plan. This plan included adjustments to the original arrangement scheme based on material in the unprocessed section of the papers. A large number of the eventual Jo Ann Burgess papers series materials were in the unprocessed section of the collection, although the unprocessed section did contain materials from all series. ","The prior arrangement scheme did not preserve Tillman and Burgess' files as discrete series, so it is likely that some materials created by Tillman or Burgess were dispersed into the various other series. Some materials in the correspondence series especially which were obviously correspondence involving only Tillman, Burgess, or Ann Bakke Buchanan, were removed to their respective series and subseries. However, Thayer did not attempt a systematic review of materials in other series such as Professional Services and Academia in order to separate out Tillman and Burgess-created files from Buchanan-created files. This has resulted in some significant overlap between those series and the Betty Tillman papers and Jo Ann Burgess papers series. This does reflect the significant overlap in work responsibilities of Tillman, Burgess, Buchanan, and the Center as seen in the materials. ","Processors prior to the NEH grant appear to have filed out materials that were originally grouped in large miscellaneous folders. Buchanan, Tillman, and Burgess do not seem to have created many files with only one or two emails or letters, preferring larger bulk folders. However, in the collection there are now many individual folders with correspondents that seem to have been created from larger files. No additional filing out of material was done under the NEH grant.","Thayer arranged the unprocessed materials and reprocessed the previously arranged materials, combining the two. Mason Graduate Research Assistant Rachel Barton and undergraduate assistants Colin McDonald and Vilma Chicas Garcia assisted with arrangement, reboxing, and inventory creation. Amanda Menjivar, Manuscripts and Archives Librarian, assisted with finding aid data entry and publishing.","The James M. Buchanan papers largely consist of correspondence, writings, and administrative files created between the years 1930-2014. The collection contains 9 series.","Series 1: Biographical materials (circa 1800s, 1944-2012) contains information about James M. Buchanan's life and career. It is further divided into four subseries. Subseries 1.1: Ann Bakke Buchanan papers contains materials created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some addressed to both James and Ann as a couple. Subseries 1.2: Awards contains newspapers clippings, congratulatory letters, photographs, and memorabilia relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics. Subseries 1.3: Education contains study notes, essays, syllabi, and research notes from Buchanan's education, mostly from his PhD study at the University of Chicago. Subseries 1.4: Clippings contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended.","Series 2: Correspondence (1951-2014) contains letters, emails, memoranda, cards, and other forms of written communication, mostly dealing with Buchanan's professional career. Subseries 2.1: Alphabetical correspondence contains the bulk of the correspondence, filed alphabetically by correspondent, subject, or name of an organization. Subseries 2.2: Chronological correspondence is a small amount of unrelated correspondence that was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess.","Series 3: Writings (1946-2012) contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers.","Series 4: Academia (1946-2013) contains correspondence, reports, planning documents, and grant files relating to Buchanan's work at various universities, primarily University of Virginia, Virginia Polytechnic Institute (now Virginia Tech), and George Mason University. Subseries 4.1: Administration contains reports, memoranda, correspondence, photographs, calendars, and planning documents relating to department and university business. Subseries 4.2: Teaching contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Subseries 4.3: Grants contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Subseries 4.4: Thomas Jefferson Center for Studies in Political Economy contains annual reports, photographs, and correspondence from the University of Virginia's Thomas Jefferson Center, which was active from 1958 to 1968. Subseries 4.5: Center for Study of Public Choice contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating to the Center, an academic unit at Virginia Polytechnic Institute from 1968 to 1983 and at George Mason University from 1983 onwards.","Series 5: Professional Service (1958-2013) This series contains materials relating to Buchanan's professional activities outside of his university responsibilities. Subseries 5.1: Conferences and events contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. Subseries 5.2: Consulting and organizations contains annual reports and correspondence relating to Buchanan's work with various organizations outside of his work as a university professor. ","Series 6: Betty Tillman papers (1968-2008) contains files created by Betty Tillman, administrative assistant to Buchanan and administrative director of the Center for Study of Public Choice. Subseries 6.1: Correspondence contains letters, emails, memoranda, and cards sent and received by Tillman. Subseries 6.2: Office administration contains planning documents, organizational files, and other materials relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Subseries 6.3: Conferences, events and travel contains correspondence, calendars, schedules, and travel documents relating to events attended by Buchanan, coordinated by Tillman. It also contains materials created by Tillman as the conference coordinator for the Liberty Fund and Center conferences and events.","Series 7: Jo Ann Burgess papers (1972-2014) contains files created by Jo Ann Burgess, administrative assistant and editor to Buchanan and secretary for the Public Choice Society. Subseries 7.1: Correspondence contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan and the Center for Study of Public Choice. Subseries 7.2: Office administration contains correspondence, calendars, notes, program files, and edited drafts created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. Subseries 7.3: Liberty Fund editorial work contains planning documents, correspondence, and drafts created as part of Burgess' work editing  The Collected Works of James M. Buchanan  and  The Selected Works of Gordon Tullock  on behalf of the Liberty Fund. Subseries 7.4: Public Choice Society contains correspondence, conference planning documents, and administrative files created as part of Burgess' work as the secretary of the Public Choice Society, a professional organization. ","Series 8: Writings by others (1930-2014) contains articles, book drafts, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some writings are about Buchanan and his ideas. ","Series 9: Audiovisual and born-digital materials (circa 1970s-2013) contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others and Center for Study of Public Choice events.","The biographical series contains information about James M. Buchanan's personal life, education, awards, and clippings of articles about him and his career. There are also materials kept by his wife, Ann Bakke Buchanan. The series is divided into four subseries: Ann Bakke Buchanan papers, Education, Awards, and Clippings. Additional materials not in subseries include personal photographs and Buchanan family history.","This subseries contains papers created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some is addressed to both James and Ann as a couple. Recipe cards were removed from seven recipe card boxes and reboxed. Photographs of the original housing are available by request. Recipes are a mix of clippings and handwritten recipes from Ann Buchanan and her friends and relatives. Some recipes and notebooks are written in shorthand.","This subseries contains materials relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics, but there are also materials about the National Humanities Medal and other awards. Types of material include newspaper clippings, congratulatory letters, photographs, and memorabilia.","Removed from Buchanan House display.","Removed from Buchanan House display","Removed from Buchanan House display","Removed from Buchanan House display","Removed from Buchanan House display.","Contains CD","This subseries contains materials related to Buchanan's education, mostly from his PhD study at the University of Chicago. Some materials appear to be compiled by a person other than Buchanan, since they predate his study at the University of Chicago. Types of materials include study notes, essays, syllabi, and research notes. This subseries includes notes from classes taught by Frank H. Knight and Milton Friedman.","Removed from Buchanan House display.","Appears to be notes from a student other than Buchanan","Removed from Buchanan House display","Removed from Buchanan House display.","Removed from Buchanan House display","This subseries contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended. Note that the clippings related to the Nobel Memorial Prize in Economics are located in the Awards subseries. Clippings of articles written by Buchanan are located in the Writings series. Many clippings are in languages other than English.","The correspondence series contains letters, emails, memoranda, cards, and other forms of written communication sent to and received by Buchanan. The series is divided into two subseries: alphabetical correspondence and chronological correspondence. The bulk of the correspondence was filed alphabetically by correspondent or type of correspondence. A small amount of unrelated correspondence was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess. The bulk of the correspondence in both subseries deals with Buchanan's professional career from his time at the University of Virginia until his retirement, including discussion of publications, manuscripts, events, and academic business. The bulk of the correspondence starts in 1950. There are very few letters prior to 1950. There is a photocopy of a letter from 1941 in Box 56 Folder 1 J. ","Note that some correspondence is located in their original filing location in other series Additional correspondence concerning Buchanan's writings is located in Series 3: Writings, foldered with its related work. Some correspondence relating to the Center for Study of Public Choice, grant applications, and academic departmental administration is located in Series 4: Academia. Some correspondence relating to events, conferences, and travel accommodations is located in Series 5: Professional Service, Subseries 1: Conferences and events. Buchanan's email was handled by Betty Tillman and Jo Ann Burgess, and much of his email is located in Series 6: Betty Tillman papers, Subseries 3: Office administration, and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. Check the relevant series and subseries notes for additional information.","Alphabetical correspondence is correspondence filed alphabetically by subject, by the surname of the correspondent, or by the name of the organization. Filing was likely done by Betty Tillman. Some correspondence is grouped under a single letter, for example, a folder titled \"A\" contains multiple correspondents and organizations that start with the letter A. Some are grouped in a range of letters, for example, a folder title \"E-F\" contains correspondents starting with either E or F. It is unclear why some were filed out into individual folders and others were left in large files under a single letter or letter range. Note that there are some issues with the original filing, for example the surname \"da Empoli\" is sometimes filed under D and sometimes under E. Sometimes letters discussing a person are filed under that person's surname, and sometimes under the surname of the person requesting the information. Additionally, previous processors filed out some correspondence into individual folders. No additional re-filing was done under the NEH grant.","Flagged item restricted for personally identifiable information.","Folder created by Buchanan in April 2007. Contains personal and professional correspondence from 1966-1999.","Folder restricted due to FERPA.","Contains media: photographs","Restriction: FERPA and PII restriction.","Bulk of the folder is correspondents \"D.\" Includes some letters from J. Clayburn LaForce.","contains note: \"Removed from 'The Power of Freedom: Uniting Human Rights and Development' by processing archivist 2021-09-09'","Potential preservation concerns (fading)","Folder restricted until 2033 due to recommendation letter","Flagged item restricted until 2027 due to recommendation.","Folder restricted for letters of recommendation","Folder restricted for letters of recommednation and FERPA.","Flagged items restricted for letters of recommendation and FERPA.","Flagged item restricted for personally identifiable information.","Restricted for bank account information","Flagged item restricted for personally identifiable information.","Flagged item restricted for FERPA","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for personnel information.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged item restricted for FERPA.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged item restricted for FERPA","Contains photocopies of two 1941 letters from Buchanan to a professor","Flagged item restricted for letter of recommendation; restricted until 2032","Folder restricted for FERPA","Flagged item restricted for letter of recommendation until 2028.","includes correspondence from Warren Samuels and John McKinney","Flagged item restricted for letter of recommendation","Flagged items restricted until 2024 for letters of recommendation","Flagged item restricted until 2027 for letter of recommendation","Flagged item restricted until 2036 for letter of recommendation","Folder restricted until 2044 for letter of recommendation","Flagged items restricted until 2024-2026 for letters of recommendation.","Flagged items restricted for personally identifiable information.","Flagged item restricted for bank account information","Flagged items restricted until 2024-2026 for letters of recommendation.","Flagged items restricted until 2037 for letters of recommendation.","Oversize item","contains photographs","Oversize item","Folder restricted for FERPA.","Flagged items restricted for personally identifiable information.","Contains photographs","Flagged items restricted for FERPA","Contains photograph and CD","Flagged items restricted for FERPA. Contains photographs.","Contains photograph.","Flagged item restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged items restricted until 2025 for letters of recommendation.","Flagged item restricted until 2034 for letter of recommendation.","Flagged item restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged items restricted until 2027 for letter of recommendation.","Flagged items restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged item restricted utnil 2028 for letter of recommendation.","Contains photographs","Flagged item restricted until 2038 for personally identifiable information.","Flagged item restricted until 2038 for personally identifiable information.","Flagged items restricted until 2023 and 2026 for letter of recommendation.","Flagged item restricted until 2052 for letter of recommendation.","Folder restricted until 2044 for letter of reference.","Folder restricted until 2046 for letter of reference.","Folder restricted for FERPA.","Folder restricted until 2024-2025 for letters of reference.","Folder restricted until 2024-2028 for letters of reference.","Folder restricted until 2026-2036 for letters of reference.","Folder restricted until 2028-2030 for letters of reference.","Folder restricted until 2030-2032 for letters of reference.","Folder restricted until 2030-2033 for letters of reference","Folder restricted until 2030-2033 for letters of reference","Folder restricted until 2034 for letters of reference.Flagged items restricted due to FERPA.","Folder restricted until 2034-2036 for letters of reference.","Folder restricted until 2035-2038 for letters of reference.","Folder restricted until 2037-2039 for letters of reference.","Folder restricted until 2038 for letters of reference.","Folder restricted until 2039-2041 for letters of reference.","Folder restricted until 2039-2041 for letters of reference.","Folder restricted for FERPA","Contains photograph","Oversize \"Buchanan Expedition\" map of the United States with highlighted road trips","Removed from binder","Folder restricted for FERPA.","Folder restricted for FERPA.","Folder restricted until 2037 for letter of recommendation.","Contains correspondence with Ross Mackenzie of The Richmond News Leader, E.J. Mishan, Roland McKean, James C. Miller III, and others","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged item restricted for personally identifiable information.","Flagged items restricted for FERPA.","Chronological correspondence is unrelated correspondence from a certain date range that was filed together in a single folder. It is unclear why this correspondence was not filed out alphabetically. Chronological correspondence from 1987 onwards seems to have been kept by Jo Ann Burgess and never officially filed into designated folders. These folders include correspondence from Buchanan on topics across his work, with a focus on publications and events and travel. There are also assorted office administration materials handled by Burgess in these folders. Topics of the chronological correspondence and the correspondents seem to be similar to that of the alphabetical correspondence.","Includes Ronald Reagan form letter","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","The writings series contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers. The series is filed alphabetically by title of the work. Note that some of Buchanan's works went by multiple titles in the draft stage, and may not be filed together as a result. Some papers presented by Buchanan at conferences or given as lectures are located in Series 5: Professional services Subseries 1: Conferences and events.","Jo Ann Burgess acted as an editor for much of Buchanan's writings from the 1990s and 2000s. There are edited copies and drafts of some of Buchanan's writings, notably  Politics by Principle, Not Interest ,  The Return to Increasing Returns , and  Post-Socialist Political Economy  in Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. The bulk of the materials relating to  The Collected Works of James M. Buchanan  are located in Series 7: Jo Ann Burgess papers, Subseries 3: Liberty Fund editorial work, as Burgess kept the files for that project.","Flagged items restricted for FERPA.","Note: work also titled \"Work supply under Increasing Returns\"","various titles","Flagged items restricted for FERPA.","This series contains materials relating to Buchanan's work at various universities, notably University of Virginia, Virginia Polytechnic Institute (VPI or Virginia Tech), and George Mason University. The series is divided into five subseries: Administration, Teaching, Grants, Thomas Jefferson Center for Studies in Political Economy, and Center for Study of Public Choice.","This subseries contains reports, memoranda, correspondence, CVs, photographs, calendars, and planning documents relating to Buchanan's work at various universities, primarily Virginia Polytechnic Institute (also known as Virginia Tech or VPI) and George Mason University. Topics include economics department functioning and planning, Buchanan's academic output, schedules, and university events and policies. The subseries is arranged chronologically.","Many of the administrative aspects of Buchanan's work were handled by Betty Tillman and Jo Ann Burgess. Series 6: Betty Tillman papers, Subseries 2: Office administration and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration contain much related material.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","This subseries contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Buchanan would often present his own draft works to students for comment, so some of his draft writings are in this subseries. The subseries is arranged chronologically. Materials created by or relating to specific students are restricted due to the Family Educational Rights and Privacy Act (FERPA).","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Includes correspondence discussed in lecture notes","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","This subseries contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Specific granting agencies include the National Science Foundation, the Ford Foundation, and others. Grants were primarily written for funding research projects in economics, specifically in public choice. Grants that were undertaken to fund operations of the Center for Study of Public Choice are found in Subseries 5: Center for Study of Public Choice. Some correspondence with granting agencies is located in Series 2: Correspondence. The subseries is arranged chronologically.","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","This subseries contains annual reports, photographs, and correspondence relating to the University of Virginia's Thomas Jefferson Center for Studies in Political Economy. Buchanan was a co-founder of the Center. The Center was active from 1958 to 1968. There is also information relating to  Papers on Non-Market Decision Making , a journal founded by the Center that later became  Public Choice . The subseries is arranged chronologically.","Item originally part of Buchanan House Display","Item originally part of Buchanan House Display","Item originally part of Buchanan House Display","This subseries contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating the Center for Study of Public Choice, an academic unit founded at Virginia Polytechnic Institute in 1968. The Center was moved to George Mason University in July 1983 and continues operations there as of 2023. The subseries contains correspondence and planning documents from multiple directors of the Center, including Robert Tollison, David Levy, Mark Crain, and others. There are also materials relating to the Public Choice Society prior to Jo Ann Burgess' time as the Public Choice Society administrator, approximately 2003. The subseries is arranged chronologically.","Betty Tillman was the administrative director of the Center in the 1990s and 2000s, and many Center materials can be found in in Series 6: Betty Tillman papers, especially in Subseries 1: Correspondence and Subseries 2: Office administration. Center tasks were also sometimes a part of the duties of Jo Ann Burgess, and some Center material can be found in Series 7: Jo Ann Burgess papers, especially Subseries 1: Correspondence and Subseries 2: Office administration. ","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Donor is anonymous by request. Publication of the donor information in conjunction with the Center for Study of Public Choice is not permitted.","Flagged items restricted for personally identifiable information","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","This series contains materials relating to Buchanan's professional activities outside of his university and Center for Study of Public Choice responsibilities. The series is divided into two subseries: Conferences and events, and Consulting and organizations. The series is arranged chronologically.","This subseries contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. This subseries also contains materials related to conferences organized by Buchanan or Betty Tillman, often in partnership with the Liberty Fund. Note that the subseries is arranged chronologically by date of the materials that exist in the folder, not by date of the conference or event. Event planning could stretch to a year or two before the event took place, especially for events occurring in the first half of the calendar year. ","Tillman was responsible for scheduling and organizing much of Buchanan's travel, especially after he received the Nobel Prize in 1986. Similar files kept by Tillman on Buchanan's travel and event attendance are located in Series 6: Betty Tillman papers, Subseries 3: Conferences, events and travel.","Contains book reviews of  Cost and Choice  and  Academia in Anarchy.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","Originally part of Buchanan House display","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Contains zip disk and 3.5' floppy disk.","Flagged items restricted for FERPA.","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","This subseries contains committee meeting notes, annual reports, and correspondence relating to Buchanan's work with various outside organizations. Buchanan served on boards for some organizations, including the Mont Pelerin Society. Those records are mostly found here, although some conference organizing material for the Mont Pelerin Society and Liberty Fund is located in Subseries 1: Conferences and events. The subseries is arranged chronologically.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Betty Tillman was an administrative assistant for James M. Buchanan and the Center for Study of Public Choice from 1962 to 2007. Her work included typing Buchanan's correspondence, scheduling his travel and conference events, and liaising with publishers and outside parties on Buchanan's behalf. As a member of the Center and eventual administrative director, she made arrangements for the visiting scholars program, managed personnel, kept financial records, and coordinated events and conferences, among many other duties. As her work was integral to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers as well. In the course of processing, some of her papers were able to be identified as a discrete series. ","Tillman's papers are divided into three subseries: Correspondence; Office administration; and Conferences, events and travel.","This subseries contains letters, emails, memoranda, and cards sent and received by Betty Tillman. Work correspondence includes topics such as event organization, visiting scholars program, and other Center for Study of Public Choice business. There is also personal correspondence belonging to Tillman in the subseries. There are also notes from Buchanan to Tillman, mostly about administrative matters. Note that Tillman printed out most of email she received, and in many cases did not file it out by correspondent or subject. Correspondence is filed alphabetically by subject, by the surname of the correspondent, by the name of the organization, or by the type of correspondence.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","includes floppy disc","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Contains photograph","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","This subseries contains planning documents, scheduling documents, meeting minutes, and notes relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Note that there is correspondence belonging to Buchanan that was handled by Tillman and not filed out. Similarly, pending and working files contain correspondence, schedules, notices, invoices, and other documents that Tillman did not file out into their own completed folders. The subseries is arranged alphabetically.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","There are no restrictions on access, but reproductions of material in this folder are restricted","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to FERPA","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information and FERPA.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to FERPA","Flagged items restricted due to personally identifiable information","This subseries contains files on events attended by Buchanan. Tillman was responsible for Buchanan's schedule, especially after Buchanan received the Nobel Prize in 1986 when she became his official agent. Types of material include correspondence, calendars, schedules, and travel documents. Similar files that may have been kept by Buchanan are located in Series 5: Professional Service, Subseries 1: Conferences and events.","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Jo Ann Burgess was an administrative assistant at the Center for Study of Public Choice from 1989 to 2014. She was responsible for the library at the Center and for the management of Buchanan's papers. Additionally, she was the secretary for the Public Choice Society and edited much of Buchanan's published works in the 1990s and 2000s, notably  The Collected Works of James M. Buchanan , published by the Liberty Fund. As her work was closely tied to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers. In the course of processing, some of her papers were able to be identified as a discrete series.","There are four subseries: Correspondence; Office administration; Liberty Fund editorial work; and Public Choice Society.","This subseries contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan at the Center for Study of Public Choice. The subseries is arranged alphabetically.","Flagged items restricted due to FERPA","This subseries contains materials created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. It includes edited copies of Buchanan's writings; emails; correspondence written on behalf of Buchanan; calendars; Buchanan's class materials; notes; visiting scholars program files, and working files. Working files are groupings of papers that Burgess never filed out into separate folders. They are combinations of emails, schedules, memoranda, writings drafts, invoices, and other administrative papers. The subseries is arranged alphabetically.","Folder restricted due to personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for financial and personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder contains a CD of Betty Tillman photographs","Flagged items restricted for personally identifiable information.","Contains CD","Flagged items restricted for personally identifiable information.","Folder restricted due to FERPA.","The family name is Ma and personal name is Jun. It was originally misfiled by Burgess with the family name as Jun and the personal name as Ma.","Flagged items restricted for personally identifiable information.","Folder includes handwritten draft of \"Panglosian Politics\"","Flagged items restricted for FERPA.","Folder includes a 3.5\" floppy disk.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted due to FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","This subseries contains materials created as part of Burgess' work editing  The Collected Works of James M. Buchanan  and  The Selected Works of Gordon Tullock . It includes editorial committee notes and memoranda; lists of contents; correspondence; edited typescripts; permissions requests; planning documents; drafts; and working files. The subseries is arranged alphabetically. The large majority of the materials are related to  The Collected Works of James M. Buchanan , materials related to  The Selected Works of Gordon Tullock  are noted separately. The subseries is arranged alphabetically.","This subseries contains materials relating to the Public Choice Society, a professional organization for scholars from any academic discipline interested in public choice. Burgess was the secretary for the Public Choice Society from 1989 from 2014. Materials include correspondence, conference planning documents, and administrative files created as part of Burgess' work with the Society. The subseries is arranged chronologically.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for financial information.","This series contains articles, books, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some materials contain correspondence with the authors. Some writings are about Buchanan and his ideas. Some writings were filed by author, others were in folders containing writings from multiple different authors. No additional filing out of writings was done under the NEH grant. The series is arranged alphabetically by surname of author. Materials where Buchanan is a coauthor are found in Series 3: Writings.","Back cover has penciled notes of James Buchanan's on joint supply","contains annotations by Buchanan","Includes the Foundations for Normative Individulism by James Buchanan.","Original discarded due to mold damage.","Scope Note: heavily annotated by Buchanan","This series contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Audiovisual material topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others; television appearances; programs of related interest to Buchanan; and Center for Study of Public Choice events. Born-digital material topics include Center photographs and drafts of writings. Materials are arranged by format, and then chronologically.","Some materials have been digitized. Please contact speccoll@gmu.edu to ensure that the specific materials you are interested in viewing are able to be accessed.","Issue of  The Wall Street Journal , December 21, 1992 removed and housed in Box 543.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The James M. Buchanan papers consist of materials created primarily by economist James M. Buchanan (1919-2013) from the years 1936-2014. There are also materials created by the Center for Study of Public Choice, an academic unit associated with Virginia Tech (1969-1983) and George Mason University (1983-). The papers document Buchanan's career and academic output, primarily in the field of public choice economics and political economy.","\nR 101 - 102\n\nOS R 1, C 3, S 3-5\nMap Case 24.1","George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for Study of Public Choice","Public Choice Society","Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H.","The bulk of the materials are in English. Additional languages in the collection include German, Italian, French, Spanish, Norwegian, Dutch, Turkish, Japanese, Korean, and Chinese."],"unitid_tesim":["C0246","/repositories/2/resources/367"],"normalized_title_ssm":["James M. Buchanan papers"],"collection_title_tesim":["James M. Buchanan papers"],"collection_ssim":["James M. Buchanan papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"creator_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"creator_persname_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"creators_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Acquired by George Mason University Special Collections Research Center in September 2016. Additional materials acquired in April 2021."],"access_subjects_ssim":["Economics","Economists -- United States","Nobel Prize winners","Social choice","Correspondence","Manuscripts","Typescripts","Video recordings"],"access_subjects_ssm":["Economics","Economists -- United States","Nobel Prize winners","Social choice","Correspondence","Manuscripts","Typescripts","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["270 Linear Feet 546 boxes, one map case"],"extent_tesim":["270 Linear Feet 546 boxes, one map case"],"genreform_ssim":["Correspondence","Manuscripts","Typescripts","Video recordings"],"date_range_isim":[1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003e\nCertain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.\n\u003c/p\u003e","\u003cp\u003eMost of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.\u003c/p\u003e","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e","\u003cp\u003eAll If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["\nCertain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.\n","Most of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.","There are no other access restrictions.","All If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in nine series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Biographical materials\u003c/item\u003e\n      \u003citem\u003eSeries 2: Correspondence\u003c/item\u003e\n      \u003citem\u003eSeries 3: Writings\u003c/item\u003e\n      \u003citem\u003eSeries 4: Academia\u003c/item\u003e\n      \u003citem\u003eSeries 5: Professional service\u003c/item\u003e\n      \u003citem\u003eSeries 6: Betty Tillman papers\u003c/item\u003e\n      \u003citem\u003eSeries 7: Jo Ann Burgess papers\u003c/item\u003e\n      \u003citem\u003eSeries 8: Writings by others\u003c/item\u003e\n      \u003citem\u003eSeries 9: Audiovisual and born-digital materials\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in nine series.","Series Series 1: Biographical materials Series 2: Correspondence Series 3: Writings Series 4: Academia Series 5: Professional service Series 6: Betty Tillman papers Series 7: Jo Ann Burgess papers Series 8: Writings by others Series 9: Audiovisual and born-digital materials"],"bioghist_html_tesm":["\u003cp\u003eJames McGill Buchanan, Jr. was born on October 3, 1919 in Gum, Tennessee to Lila Scott (1889-1953) and James McGill Buchanan, Sr. (1888-1979). He had two younger sisters, Lila Scott Buchanan Graue (1922-2020) and Elizabeth Bradley. His paternal grandfather, John P. Buchanan (1847-1930), was a one-term governor of Tennessee from 1891 to 1893. James M. Buchanan attended Buchanan High School. He triple-majored in English, mathematics, and economics at Middle Tennessee State University from 1936 to 1940. He received a Master's of the Arts in economics from the University of Tennessee, Knoxville in 1941. Buchanan then attended the Naval War College and served on the operations staff of Admiral Chester W. Nimitz from 1941 to 1945. In that role, he was stationed in Pearl Harbor, Hawaii, and Guam. He met his wife, Ann Bakke (August 21, 1909-November 14, 2005) in 1943. She was born in Jamestown, North Dakota. She served with the Army Air Transport Command at Hickham Field, Oahu. In 1945 the couple married in San Francisco, California. \u003c/p\u003e\n","\u003cp\u003eFrom 1946 to 1948 Buchanan attended the University of Chicago, where he graduated with a Ph.D. in economics. After graduation, he taught at the University of Tennessee, Knoxville as an associate professor from 1948 to 1951, and then as a full professor at Florida State University, Tallahassee from 1951 to 1956. In 1955 he was awarded a Fulbright fellowship to study in Italy for a year. In 1956 he was hired at the University of Virginia as the chair of the economics department. It was there that he co-founded the Thomas Jefferson Center for Studies in Political Economy in 1958. That same year, he published \u003ctitle\u003ePublic Principles of Public Debt\u003c/title\u003e. In 1962, Buchanan and co-author Gordon Tullock published \u003ctitle\u003eThe Calculus of Consent\u003c/title\u003e. \u003c/p\u003e\n","\u003cp\u003eBuchanan worked at the University of California, Los Angeles (UCLA) for one academic year (1968-1969) as a professor of economics. In 1969 he was hired at Virginia Polytechnic Institute (VPI, now known as Virginia Tech), as a University Distinguished Professor. He became general director of the Center for Study of Public Choice, the successor institution to the Thomas Jefferson Center for Political Economy. Buchanan continued to publish books during his time at VPI, including \u003ctitle\u003eCost and Choice\u003c/title\u003e (1969), \u003ctitle\u003eAcademia in Anarchy\u003c/title\u003e with Nicos Devletoglou (1970), \u003ctitle\u003eThe Limits of Liberty\u003c/title\u003e (1975), and \u003ctitle\u003eThe Power to Tax\u003c/title\u003e with Geoffrey Brennan (1980). \u003c/p\u003e\n","\u003cp\u003eIn 1983, Buchanan and the Center for the Study of Public Choice moved from VPI to George Mason University in Fairfax, Virginia. After the move, he split his time between Fairfax and his farm in Blacksburg, Virginia. In 1986, Buchanan was awarded the Nobel Memorial Prize in economics. While at Mason, he published \u003ctitle\u003eThe Reason of Rules\u003c/title\u003e (1985), \u003ctitle\u003eBetter than Plowing\u003c/title\u003e (1992), and \u003ctitle\u003ePolitics by Principle, Not Interest\u003c/title\u003e with Roger Congleton (1998). He formally retired from Mason in September 1999 but continued to work both at Mason and Virginia Tech until his death on January 9, 2013. \u003c/p\u003e\n","\u003cp\u003eBuchanan was known for his contribution to the field of public choice, which uses economic principles to analyze the rules and actions of government and public sector. It was this theory which led to his Nobel award. \u003c/p\u003e\n","\u003cp\u003eBorn on March 19, 1927, Betty Jane Hall Tillman (also known as Betty Ross from 1977 to 1984) received an associate's degree from The Jefferson School of Commerce at Charlottesville, Virginia in 1945. She worked for Buchanan at the University of Virginia from August 14, 1961 to August 1969, at VPI from September 1, 1969 to June 1983, and at George Mason University from July 1, 1983 until her retirement in April 2007. Tillman had multiple responsibilities including handling Buchanan's correspondence, scheduling his events, coordinating Liberty Fund conferences, organizing activities at the Center for Study of Public Choice, and assisting graduate students and faculty associated with the Center. At the time of her retirement her position was administrative director of the Center for Study of Public Choice. She had three children. Tillman died on October 2, 2013.  \u003c/p\u003e\n","\u003cp\u003eJo Ann Burgess was born on June 27, 1948. She began work at the Center for the Study of Public Choice at George Mason University in 1989. Previously, Burgess lived around the world working for the State Department and the U.S military. She had four children with her husband, Roger. Burgess had many varied responsibilities at the Center including organizing Buchanan's archival papers, and administrative duties for the Public Choice Society. She edited Buchanan's published work in the 1990s and 2000s, including editing \u003ctitle\u003eThe Collected Works of James Buchanan\u003c/title\u003e and \u003ctitle\u003eThe Selected Works of Gordon Tullock\u003c/title\u003e for the Liberty Fund. After Tillman's retirement, Burgess took on additional responsibilities related to handling Buchanan's correspondence and scheduling, and additional administrative duties at the Center. Burgess retired in the summer of 2014. She died on March 19, 2020.\u003c/p\u003e","\u003cp\u003eAnn Gladys Bakke was born on August 21, 1909 in Jamestown, North Dakota to a Norwegian-born father, Andrew (1879-?), and a second-generation Norwegian immigrant, Hilda Kjorness (1882/3-1973). She had four siblings: Orval (also written Orville, 1908-1987), Clara Jensvold (1910-1998), Arthur (1915-1989), and Erling (1924-1945). Bakke worked as a stenographer in Jamestown until at least 1932. She was living in Fargo, N.D. in 1935 and Washington, D.C. in 1940. During World War II, Bakke served with the Army Air Transport Command at Hickham Field, Oahu. During this time, she met James Buchanan and the two were married in 1945 in San Francisco, California. She supported Buchanan financially during his graduate study at the University of Chicago. She died at their home in Blacksburg, Va., on November 14, 2005.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information","Biographical / Historical"],"bioghist_tesim":["James McGill Buchanan, Jr. was born on October 3, 1919 in Gum, Tennessee to Lila Scott (1889-1953) and James McGill Buchanan, Sr. (1888-1979). He had two younger sisters, Lila Scott Buchanan Graue (1922-2020) and Elizabeth Bradley. His paternal grandfather, John P. Buchanan (1847-1930), was a one-term governor of Tennessee from 1891 to 1893. James M. Buchanan attended Buchanan High School. He triple-majored in English, mathematics, and economics at Middle Tennessee State University from 1936 to 1940. He received a Master's of the Arts in economics from the University of Tennessee, Knoxville in 1941. Buchanan then attended the Naval War College and served on the operations staff of Admiral Chester W. Nimitz from 1941 to 1945. In that role, he was stationed in Pearl Harbor, Hawaii, and Guam. He met his wife, Ann Bakke (August 21, 1909-November 14, 2005) in 1943. She was born in Jamestown, North Dakota. She served with the Army Air Transport Command at Hickham Field, Oahu. In 1945 the couple married in San Francisco, California. ","From 1946 to 1948 Buchanan attended the University of Chicago, where he graduated with a Ph.D. in economics. After graduation, he taught at the University of Tennessee, Knoxville as an associate professor from 1948 to 1951, and then as a full professor at Florida State University, Tallahassee from 1951 to 1956. In 1955 he was awarded a Fulbright fellowship to study in Italy for a year. In 1956 he was hired at the University of Virginia as the chair of the economics department. It was there that he co-founded the Thomas Jefferson Center for Studies in Political Economy in 1958. That same year, he published  Public Principles of Public Debt . In 1962, Buchanan and co-author Gordon Tullock published  The Calculus of Consent . ","Buchanan worked at the University of California, Los Angeles (UCLA) for one academic year (1968-1969) as a professor of economics. In 1969 he was hired at Virginia Polytechnic Institute (VPI, now known as Virginia Tech), as a University Distinguished Professor. He became general director of the Center for Study of Public Choice, the successor institution to the Thomas Jefferson Center for Political Economy. Buchanan continued to publish books during his time at VPI, including  Cost and Choice  (1969),  Academia in Anarchy  with Nicos Devletoglou (1970),  The Limits of Liberty  (1975), and  The Power to Tax  with Geoffrey Brennan (1980). ","In 1983, Buchanan and the Center for the Study of Public Choice moved from VPI to George Mason University in Fairfax, Virginia. After the move, he split his time between Fairfax and his farm in Blacksburg, Virginia. In 1986, Buchanan was awarded the Nobel Memorial Prize in economics. While at Mason, he published  The Reason of Rules  (1985),  Better than Plowing  (1992), and  Politics by Principle, Not Interest  with Roger Congleton (1998). He formally retired from Mason in September 1999 but continued to work both at Mason and Virginia Tech until his death on January 9, 2013. ","Buchanan was known for his contribution to the field of public choice, which uses economic principles to analyze the rules and actions of government and public sector. It was this theory which led to his Nobel award. ","Born on March 19, 1927, Betty Jane Hall Tillman (also known as Betty Ross from 1977 to 1984) received an associate's degree from The Jefferson School of Commerce at Charlottesville, Virginia in 1945. She worked for Buchanan at the University of Virginia from August 14, 1961 to August 1969, at VPI from September 1, 1969 to June 1983, and at George Mason University from July 1, 1983 until her retirement in April 2007. Tillman had multiple responsibilities including handling Buchanan's correspondence, scheduling his events, coordinating Liberty Fund conferences, organizing activities at the Center for Study of Public Choice, and assisting graduate students and faculty associated with the Center. At the time of her retirement her position was administrative director of the Center for Study of Public Choice. She had three children. Tillman died on October 2, 2013.  ","Jo Ann Burgess was born on June 27, 1948. She began work at the Center for the Study of Public Choice at George Mason University in 1989. Previously, Burgess lived around the world working for the State Department and the U.S military. She had four children with her husband, Roger. Burgess had many varied responsibilities at the Center including organizing Buchanan's archival papers, and administrative duties for the Public Choice Society. She edited Buchanan's published work in the 1990s and 2000s, including editing  The Collected Works of James Buchanan  and  The Selected Works of Gordon Tullock  for the Liberty Fund. After Tillman's retirement, Burgess took on additional responsibilities related to handling Buchanan's correspondence and scheduling, and additional administrative duties at the Center. Burgess retired in the summer of 2014. She died on March 19, 2020.","Ann Gladys Bakke was born on August 21, 1909 in Jamestown, North Dakota to a Norwegian-born father, Andrew (1879-?), and a second-generation Norwegian immigrant, Hilda Kjorness (1882/3-1973). She had four siblings: Orval (also written Orville, 1908-1987), Clara Jensvold (1910-1998), Arthur (1915-1989), and Erling (1924-1945). Bakke worked as a stenographer in Jamestown until at least 1932. She was living in Fargo, N.D. in 1935 and Washington, D.C. in 1940. During World War II, Bakke served with the Army Air Transport Command at Hickham Field, Oahu. During this time, she met James Buchanan and the two were married in 1945 in San Francisco, California. She supported Buchanan financially during his graduate study at the University of Chicago. She died at their home in Blacksburg, Va., on November 14, 2005."],"prefercite_html_tesm":["\u003cp\u003eJames M. Buchanan papers, C0246, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e","\u003cp\u003eFile\u003c/p\u003e","\u003cp\u003eFile\u003c/p\u003e"],"prefercite_tesim":["James M. Buchanan papers, C0246, Special Collections Research Center, George Mason University Libraries.","File","File"],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed by Rebecca Thayer as part of a National Endowment for the Humanities (NEH) grant project from March 2021 to March 2023.\u003c/p\u003e","\u003cp\u003eInitial processing of the collection was begun after James M. Buchanan's death in 2013, while the papers were at Buchanan House (also known as Roberts House), where the offices of Buchanan, Betty Tillman, Jo Ann Burgess, and the Center for Study of Public Choice were then located. Processing at this time was done by Greta Suiter, then-Processing Coordinator at the Special Collections Research Center (SCRC), and Solomon Stein, then-economics PhD student at Mason. Stein and Suiter established an initial arrangement scheme and began foldering and sorting materials accordingly. Elizabeth Beckman, then-Processing Coordinator, continued arrangement and refoldering work alongside Stein at Buchanan House from 2014 to 2016. 145 linear feet of materials were ultimately arranged during this time. The following series were created: Correspondence, Academic (Subseries: Courses taken and Courses taught), Conferences (Subseries: Conferences attended and Conferences held), Writings, Articles Read, and Administrative.\u003c/p\u003e","\u003cp\u003eMaterials were boxed up and brought to Fenwick in Spring 2017. Beckman completed EAD markup of a preliminary finding aid with the processed materials in June 2017. Processing was paused in 2017 to apply for a NEH grant to hire a dedicated processing archivist. The grant was approved to start in 2020 but was delayed for several months due to the COVID-19 pandemic.\u003c/p\u003e","\u003cp\u003eRebecca Thayer was hired in March 2021 to process the collection. She surveyed the arranged part of the collection (145 linear feet) and the unprocessed part (147 linear feet) to create a processing plan. This plan included adjustments to the original arrangement scheme based on material in the unprocessed section of the papers. A large number of the eventual Jo Ann Burgess papers series materials were in the unprocessed section of the collection, although the unprocessed section did contain materials from all series. \u003c/p\u003e","\u003cp\u003eThe prior arrangement scheme did not preserve Tillman and Burgess' files as discrete series, so it is likely that some materials created by Tillman or Burgess were dispersed into the various other series. Some materials in the correspondence series especially which were obviously correspondence involving only Tillman, Burgess, or Ann Bakke Buchanan, were removed to their respective series and subseries. However, Thayer did not attempt a systematic review of materials in other series such as Professional Services and Academia in order to separate out Tillman and Burgess-created files from Buchanan-created files. This has resulted in some significant overlap between those series and the Betty Tillman papers and Jo Ann Burgess papers series. This does reflect the significant overlap in work responsibilities of Tillman, Burgess, Buchanan, and the Center as seen in the materials. \u003c/p\u003e","\u003cp\u003eProcessors prior to the NEH grant appear to have filed out materials that were originally grouped in large miscellaneous folders. Buchanan, Tillman, and Burgess do not seem to have created many files with only one or two emails or letters, preferring larger bulk folders. However, in the collection there are now many individual folders with correspondents that seem to have been created from larger files. No additional filing out of material was done under the NEH grant.\u003c/p\u003e","\u003cp\u003eThayer arranged the unprocessed materials and reprocessed the previously arranged materials, combining the two. Mason Graduate Research Assistant Rachel Barton and undergraduate assistants Colin McDonald and Vilma Chicas Garcia assisted with arrangement, reboxing, and inventory creation. Amanda Menjivar, Manuscripts and Archives Librarian, assisted with finding aid data entry and publishing.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed by Rebecca Thayer as part of a National Endowment for the Humanities (NEH) grant project from March 2021 to March 2023.","Initial processing of the collection was begun after James M. Buchanan's death in 2013, while the papers were at Buchanan House (also known as Roberts House), where the offices of Buchanan, Betty Tillman, Jo Ann Burgess, and the Center for Study of Public Choice were then located. Processing at this time was done by Greta Suiter, then-Processing Coordinator at the Special Collections Research Center (SCRC), and Solomon Stein, then-economics PhD student at Mason. Stein and Suiter established an initial arrangement scheme and began foldering and sorting materials accordingly. Elizabeth Beckman, then-Processing Coordinator, continued arrangement and refoldering work alongside Stein at Buchanan House from 2014 to 2016. 145 linear feet of materials were ultimately arranged during this time. The following series were created: Correspondence, Academic (Subseries: Courses taken and Courses taught), Conferences (Subseries: Conferences attended and Conferences held), Writings, Articles Read, and Administrative.","Materials were boxed up and brought to Fenwick in Spring 2017. Beckman completed EAD markup of a preliminary finding aid with the processed materials in June 2017. Processing was paused in 2017 to apply for a NEH grant to hire a dedicated processing archivist. The grant was approved to start in 2020 but was delayed for several months due to the COVID-19 pandemic.","Rebecca Thayer was hired in March 2021 to process the collection. She surveyed the arranged part of the collection (145 linear feet) and the unprocessed part (147 linear feet) to create a processing plan. This plan included adjustments to the original arrangement scheme based on material in the unprocessed section of the papers. A large number of the eventual Jo Ann Burgess papers series materials were in the unprocessed section of the collection, although the unprocessed section did contain materials from all series. ","The prior arrangement scheme did not preserve Tillman and Burgess' files as discrete series, so it is likely that some materials created by Tillman or Burgess were dispersed into the various other series. Some materials in the correspondence series especially which were obviously correspondence involving only Tillman, Burgess, or Ann Bakke Buchanan, were removed to their respective series and subseries. However, Thayer did not attempt a systematic review of materials in other series such as Professional Services and Academia in order to separate out Tillman and Burgess-created files from Buchanan-created files. This has resulted in some significant overlap between those series and the Betty Tillman papers and Jo Ann Burgess papers series. This does reflect the significant overlap in work responsibilities of Tillman, Burgess, Buchanan, and the Center as seen in the materials. ","Processors prior to the NEH grant appear to have filed out materials that were originally grouped in large miscellaneous folders. Buchanan, Tillman, and Burgess do not seem to have created many files with only one or two emails or letters, preferring larger bulk folders. However, in the collection there are now many individual folders with correspondents that seem to have been created from larger files. No additional filing out of material was done under the NEH grant.","Thayer arranged the unprocessed materials and reprocessed the previously arranged materials, combining the two. Mason Graduate Research Assistant Rachel Barton and undergraduate assistants Colin McDonald and Vilma Chicas Garcia assisted with arrangement, reboxing, and inventory creation. Amanda Menjivar, Manuscripts and Archives Librarian, assisted with finding aid data entry and publishing."],"scopecontent_html_tesm":["\u003cp\u003eThe James M. Buchanan papers largely consist of correspondence, writings, and administrative files created between the years 1930-2014. The collection contains 9 series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Biographical materials (circa 1800s, 1944-2012) contains information about James M. Buchanan's life and career. It is further divided into four subseries. Subseries 1.1: Ann Bakke Buchanan papers contains materials created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some addressed to both James and Ann as a couple. Subseries 1.2: Awards contains newspapers clippings, congratulatory letters, photographs, and memorabilia relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics. Subseries 1.3: Education contains study notes, essays, syllabi, and research notes from Buchanan's education, mostly from his PhD study at the University of Chicago. Subseries 1.4: Clippings contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Correspondence (1951-2014) contains letters, emails, memoranda, cards, and other forms of written communication, mostly dealing with Buchanan's professional career. Subseries 2.1: Alphabetical correspondence contains the bulk of the correspondence, filed alphabetically by correspondent, subject, or name of an organization. Subseries 2.2: Chronological correspondence is a small amount of unrelated correspondence that was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Writings (1946-2012) contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Academia (1946-2013) contains correspondence, reports, planning documents, and grant files relating to Buchanan's work at various universities, primarily University of Virginia, Virginia Polytechnic Institute (now Virginia Tech), and George Mason University. Subseries 4.1: Administration contains reports, memoranda, correspondence, photographs, calendars, and planning documents relating to department and university business. Subseries 4.2: Teaching contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Subseries 4.3: Grants contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Subseries 4.4: Thomas Jefferson Center for Studies in Political Economy contains annual reports, photographs, and correspondence from the University of Virginia's Thomas Jefferson Center, which was active from 1958 to 1968. Subseries 4.5: Center for Study of Public Choice contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating to the Center, an academic unit at Virginia Polytechnic Institute from 1968 to 1983 and at George Mason University from 1983 onwards.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Professional Service (1958-2013) This series contains materials relating to Buchanan's professional activities outside of his university responsibilities. Subseries 5.1: Conferences and events contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. Subseries 5.2: Consulting and organizations contains annual reports and correspondence relating to Buchanan's work with various organizations outside of his work as a university professor. \u003c/p\u003e\n","\u003cp\u003eSeries 6: Betty Tillman papers (1968-2008) contains files created by Betty Tillman, administrative assistant to Buchanan and administrative director of the Center for Study of Public Choice. Subseries 6.1: Correspondence contains letters, emails, memoranda, and cards sent and received by Tillman. Subseries 6.2: Office administration contains planning documents, organizational files, and other materials relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Subseries 6.3: Conferences, events and travel contains correspondence, calendars, schedules, and travel documents relating to events attended by Buchanan, coordinated by Tillman. It also contains materials created by Tillman as the conference coordinator for the Liberty Fund and Center conferences and events.\u003c/p\u003e\n","\u003cp\u003eSeries 7: Jo Ann Burgess papers (1972-2014) contains files created by Jo Ann Burgess, administrative assistant and editor to Buchanan and secretary for the Public Choice Society. Subseries 7.1: Correspondence contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan and the Center for Study of Public Choice. Subseries 7.2: Office administration contains correspondence, calendars, notes, program files, and edited drafts created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. Subseries 7.3: Liberty Fund editorial work contains planning documents, correspondence, and drafts created as part of Burgess' work editing \u003citalic\u003eThe Collected Works of James M. Buchanan\u003c/italic\u003e and \u003citalic\u003eThe Selected Works of Gordon Tullock\u003c/italic\u003e on behalf of the Liberty Fund. Subseries 7.4: Public Choice Society contains correspondence, conference planning documents, and administrative files created as part of Burgess' work as the secretary of the Public Choice Society, a professional organization. \u003c/p\u003e\n","\u003cp\u003eSeries 8: Writings by others (1930-2014) contains articles, book drafts, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some writings are about Buchanan and his ideas. \u003c/p\u003e\n","\u003cp\u003eSeries 9: Audiovisual and born-digital materials (circa 1970s-2013) contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others and Center for Study of Public Choice events.\u003c/p\u003e","\u003cp\u003eThe biographical series contains information about James M. Buchanan's personal life, education, awards, and clippings of articles about him and his career. There are also materials kept by his wife, Ann Bakke Buchanan. The series is divided into four subseries: Ann Bakke Buchanan papers, Education, Awards, and Clippings. Additional materials not in subseries include personal photographs and Buchanan family history.\u003c/p\u003e","\u003cp\u003eThis subseries contains papers created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some is addressed to both James and Ann as a couple. Recipe cards were removed from seven recipe card boxes and reboxed. Photographs of the original housing are available by request. Recipes are a mix of clippings and handwritten recipes from Ann Buchanan and her friends and relatives. Some recipes and notebooks are written in shorthand.\u003c/p\u003e","\u003cp\u003eThis subseries contains materials relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics, but there are also materials about the National Humanities Medal and other awards. Types of material include newspaper clippings, congratulatory letters, photographs, and memorabilia.\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display.\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display.\u003c/p\u003e","\u003cp\u003eContains CD\u003c/p\u003e","\u003cp\u003eThis subseries contains materials related to Buchanan's education, mostly from his PhD study at the University of Chicago. Some materials appear to be compiled by a person other than Buchanan, since they predate his study at the University of Chicago. Types of materials include study notes, essays, syllabi, and research notes. This subseries includes notes from classes taught by Frank H. Knight and Milton Friedman.\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display.\u003c/p\u003e","\u003cp\u003eAppears to be notes from a student other than Buchanan\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display.\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eThis subseries contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended. Note that the clippings related to the Nobel Memorial Prize in Economics are located in the Awards subseries. Clippings of articles written by Buchanan are located in the Writings series. Many clippings are in languages other than English.\u003c/p\u003e","\u003cp\u003eThe correspondence series contains letters, emails, memoranda, cards, and other forms of written communication sent to and received by Buchanan. The series is divided into two subseries: alphabetical correspondence and chronological correspondence. The bulk of the correspondence was filed alphabetically by correspondent or type of correspondence. A small amount of unrelated correspondence was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess. The bulk of the correspondence in both subseries deals with Buchanan's professional career from his time at the University of Virginia until his retirement, including discussion of publications, manuscripts, events, and academic business. The bulk of the correspondence starts in 1950. There are very few letters prior to 1950. There is a photocopy of a letter from 1941 in Box 56 Folder 1 J. \u003c/p\u003e\n","\u003cp\u003eNote that some correspondence is located in their original filing location in other series Additional correspondence concerning Buchanan's writings is located in Series 3: Writings, foldered with its related work. Some correspondence relating to the Center for Study of Public Choice, grant applications, and academic departmental administration is located in Series 4: Academia. Some correspondence relating to events, conferences, and travel accommodations is located in Series 5: Professional Service, Subseries 1: Conferences and events. Buchanan's email was handled by Betty Tillman and Jo Ann Burgess, and much of his email is located in Series 6: Betty Tillman papers, Subseries 3: Office administration, and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. Check the relevant series and subseries notes for additional information.\u003c/p\u003e","\u003cp\u003eAlphabetical correspondence is correspondence filed alphabetically by subject, by the surname of the correspondent, or by the name of the organization. Filing was likely done by Betty Tillman. Some correspondence is grouped under a single letter, for example, a folder titled \"A\" contains multiple correspondents and organizations that start with the letter A. Some are grouped in a range of letters, for example, a folder title \"E-F\" contains correspondents starting with either E or F. It is unclear why some were filed out into individual folders and others were left in large files under a single letter or letter range. Note that there are some issues with the original filing, for example the surname \"da Empoli\" is sometimes filed under D and sometimes under E. Sometimes letters discussing a person are filed under that person's surname, and sometimes under the surname of the person requesting the information. Additionally, previous processors filed out some correspondence into individual folders. No additional re-filing was done under the NEH grant.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFolder created by Buchanan in April 2007. Contains personal and professional correspondence from 1966-1999.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eContains media: photographs\u003c/p\u003e","\u003cp\u003eRestriction: FERPA and PII restriction.\u003c/p\u003e","\u003cp\u003eBulk of the folder is correspondents \"D.\" Includes some letters from J. Clayburn LaForce.\u003c/p\u003e","\u003cp\u003econtains note: \"Removed from 'The Power of Freedom: Uniting Human Rights and Development' by processing archivist 2021-09-09'\u003c/p\u003e","\u003cp\u003ePotential preservation concerns (fading)\u003c/p\u003e","\u003cp\u003eFolder restricted until 2033 due to recommendation letter\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2027 due to recommendation.\u003c/p\u003e","\u003cp\u003eFolder restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFolder restricted for letters of recommednation and FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation and FERPA.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eRestricted for bank account information\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personnel information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged item restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged item restricted for FERPA\u003c/p\u003e","\u003cp\u003eContains photocopies of two 1941 letters from Buchanan to a professor\u003c/p\u003e","\u003cp\u003eFlagged item restricted for letter of recommendation; restricted until 2032\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged item restricted for letter of recommendation until 2028.\u003c/p\u003e","\u003cp\u003eincludes correspondence from Warren Samuels and John McKinney\u003c/p\u003e","\u003cp\u003eFlagged item restricted for letter of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2024 for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2027 for letter of recommendation\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2036 for letter of recommendation\u003c/p\u003e","\u003cp\u003eFolder restricted until 2044 for letter of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2024-2026 for letters of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for bank account information\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2024-2026 for letters of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2037 for letters of recommendation.\u003c/p\u003e","\u003cp\u003eOversize item\u003c/p\u003e","\u003cp\u003econtains photographs\u003c/p\u003e","\u003cp\u003eOversize item\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eContains photographs\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eContains photograph and CD\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA. Contains photographs.\u003c/p\u003e","\u003cp\u003eContains photograph.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2025 for letters of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2034 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2027 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted utnil 2028 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eContains photographs\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2038 for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2038 for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2023 and 2026 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2052 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2044 for letter of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2046 for letter of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2024-2025 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2024-2028 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2026-2036 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2028-2030 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2030-2032 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2030-2033 for letters of reference\u003c/p\u003e","\u003cp\u003eFolder restricted until 2030-2033 for letters of reference\u003c/p\u003e","\u003cp\u003eFolder restricted until 2034 for letters of reference.Flagged items restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2034-2036 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2035-2038 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2037-2039 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2038 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2039-2041 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2039-2041 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA\u003c/p\u003e","\u003cp\u003eContains photograph\u003c/p\u003e","\u003cp\u003eOversize \"Buchanan Expedition\" map of the United States with highlighted road trips\u003c/p\u003e","\u003cp\u003eRemoved from binder\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2037 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eContains correspondence with Ross Mackenzie of The Richmond News Leader, E.J. Mishan, Roland McKean, James C. Miller III, and others\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eChronological correspondence is unrelated correspondence from a certain date range that was filed together in a single folder. It is unclear why this correspondence was not filed out alphabetically. Chronological correspondence from 1987 onwards seems to have been kept by Jo Ann Burgess and never officially filed into designated folders. These folders include correspondence from Buchanan on topics across his work, with a focus on publications and events and travel. There are also assorted office administration materials handled by Burgess in these folders. Topics of the chronological correspondence and the correspondents seem to be similar to that of the alphabetical correspondence.\u003c/p\u003e","\u003cp\u003eIncludes Ronald Reagan form letter\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eThe writings series contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers. The series is filed alphabetically by title of the work. Note that some of Buchanan's works went by multiple titles in the draft stage, and may not be filed together as a result. Some papers presented by Buchanan at conferences or given as lectures are located in Series 5: Professional services Subseries 1: Conferences and events.\u003c/p\u003e\n","\u003cp\u003eJo Ann Burgess acted as an editor for much of Buchanan's writings from the 1990s and 2000s. There are edited copies and drafts of some of Buchanan's writings, notably \u003ctitle\u003ePolitics by Principle, Not Interest\u003c/title\u003e, \u003ctitle\u003eThe Return to Increasing Returns\u003c/title\u003e, and \u003ctitle\u003ePost-Socialist Political Economy\u003c/title\u003e in Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. The bulk of the materials relating to \u003ctitle\u003eThe Collected Works of James M. Buchanan\u003c/title\u003e are located in Series 7: Jo Ann Burgess papers, Subseries 3: Liberty Fund editorial work, as Burgess kept the files for that project.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eNote: work also titled \"Work supply under Increasing Returns\"\u003c/p\u003e","\u003cp\u003evarious titles\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eThis series contains materials relating to Buchanan's work at various universities, notably University of Virginia, Virginia Polytechnic Institute (VPI or Virginia Tech), and George Mason University. The series is divided into five subseries: Administration, Teaching, Grants, Thomas Jefferson Center for Studies in Political Economy, and Center for Study of Public Choice.\u003c/p\u003e","\u003cp\u003eThis subseries contains reports, memoranda, correspondence, CVs, photographs, calendars, and planning documents relating to Buchanan's work at various universities, primarily Virginia Polytechnic Institute (also known as Virginia Tech or VPI) and George Mason University. Topics include economics department functioning and planning, Buchanan's academic output, schedules, and university events and policies. The subseries is arranged chronologically.\u003c/p\u003e\n","\u003cp\u003eMany of the administrative aspects of Buchanan's work were handled by Betty Tillman and Jo Ann Burgess. Series 6: Betty Tillman papers, Subseries 2: Office administration and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration contain much related material.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eThis subseries contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Buchanan would often present his own draft works to students for comment, so some of his draft writings are in this subseries. The subseries is arranged chronologically. Materials created by or relating to specific students are restricted due to the Family Educational Rights and Privacy Act (FERPA).\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eIncludes correspondence discussed in lecture notes\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eThis subseries contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Specific granting agencies include the National Science Foundation, the Ford Foundation, and others. Grants were primarily written for funding research projects in economics, specifically in public choice. Grants that were undertaken to fund operations of the Center for Study of Public Choice are found in Subseries 5: Center for Study of Public Choice. Some correspondence with granting agencies is located in Series 2: Correspondence. The subseries is arranged chronologically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eThis subseries contains annual reports, photographs, and correspondence relating to the University of Virginia's Thomas Jefferson Center for Studies in Political Economy. Buchanan was a co-founder of the Center. The Center was active from 1958 to 1968. There is also information relating to \u003ctitle\u003ePapers on Non-Market Decision Making\u003c/title\u003e, a journal founded by the Center that later became \u003ctitle\u003ePublic Choice\u003c/title\u003e. The subseries is arranged chronologically.\u003c/p\u003e","\u003cp\u003eItem originally part of Buchanan House Display\u003c/p\u003e","\u003cp\u003eItem originally part of Buchanan House Display\u003c/p\u003e","\u003cp\u003eItem originally part of Buchanan House Display\u003c/p\u003e","\u003cp\u003eThis subseries contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating the Center for Study of Public Choice, an academic unit founded at Virginia Polytechnic Institute in 1968. The Center was moved to George Mason University in July 1983 and continues operations there as of 2023. The subseries contains correspondence and planning documents from multiple directors of the Center, including Robert Tollison, David Levy, Mark Crain, and others. There are also materials relating to the Public Choice Society prior to Jo Ann Burgess' time as the Public Choice Society administrator, approximately 2003. The subseries is arranged chronologically.\u003c/p\u003e\n","\u003cp\u003eBetty Tillman was the administrative director of the Center in the 1990s and 2000s, and many Center materials can be found in in Series 6: Betty Tillman papers, especially in Subseries 1: Correspondence and Subseries 2: Office administration. Center tasks were also sometimes a part of the duties of Jo Ann Burgess, and some Center material can be found in Series 7: Jo Ann Burgess papers, especially Subseries 1: Correspondence and Subseries 2: Office administration. \u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eDonor is anonymous by request. Publication of the donor information in conjunction with the Center for Study of Public Choice is not permitted.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eThis series contains materials relating to Buchanan's professional activities outside of his university and Center for Study of Public Choice responsibilities. The series is divided into two subseries: Conferences and events, and Consulting and organizations. The series is arranged chronologically.\u003c/p\u003e","\u003cp\u003eThis subseries contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. This subseries also contains materials related to conferences organized by Buchanan or Betty Tillman, often in partnership with the Liberty Fund. Note that the subseries is arranged chronologically by date of the materials that exist in the folder, not by date of the conference or event. Event planning could stretch to a year or two before the event took place, especially for events occurring in the first half of the calendar year. \u003c/p\u003e\n","\u003cp\u003eTillman was responsible for scheduling and organizing much of Buchanan's travel, especially after he received the Nobel Prize in 1986. Similar files kept by Tillman on Buchanan's travel and event attendance are located in Series 6: Betty Tillman papers, Subseries 3: Conferences, events and travel.\u003c/p\u003e","\u003cp\u003eContains book reviews of \u003ctitle\u003eCost and Choice\u003c/title\u003e and \u003ctitle\u003eAcademia in Anarchy.\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eContains zip disk and 3.5' floppy disk.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eThis subseries contains committee meeting notes, annual reports, and correspondence relating to Buchanan's work with various outside organizations. Buchanan served on boards for some organizations, including the Mont Pelerin Society. Those records are mostly found here, although some conference organizing material for the Mont Pelerin Society and Liberty Fund is located in Subseries 1: Conferences and events. The subseries is arranged chronologically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eBetty Tillman was an administrative assistant for James M. Buchanan and the Center for Study of Public Choice from 1962 to 2007. Her work included typing Buchanan's correspondence, scheduling his travel and conference events, and liaising with publishers and outside parties on Buchanan's behalf. As a member of the Center and eventual administrative director, she made arrangements for the visiting scholars program, managed personnel, kept financial records, and coordinated events and conferences, among many other duties. As her work was integral to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers as well. In the course of processing, some of her papers were able to be identified as a discrete series. \u003c/p\u003e\n","\u003cp\u003eTillman's papers are divided into three subseries: Correspondence; Office administration; and Conferences, events and travel.\u003c/p\u003e","\u003cp\u003eThis subseries contains letters, emails, memoranda, and cards sent and received by Betty Tillman. Work correspondence includes topics such as event organization, visiting scholars program, and other Center for Study of Public Choice business. There is also personal correspondence belonging to Tillman in the subseries. There are also notes from Buchanan to Tillman, mostly about administrative matters. Note that Tillman printed out most of email she received, and in many cases did not file it out by correspondent or subject. Correspondence is filed alphabetically by subject, by the surname of the correspondent, by the name of the organization, or by the type of correspondence.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eincludes floppy disc\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eContains photograph\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eThis subseries contains planning documents, scheduling documents, meeting minutes, and notes relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Note that there is correspondence belonging to Buchanan that was handled by Tillman and not filed out. Similarly, pending and working files contain correspondence, schedules, notices, invoices, and other documents that Tillman did not file out into their own completed folders. The subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access, but reproductions of material in this folder are restricted\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information and FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eThis subseries contains files on events attended by Buchanan. Tillman was responsible for Buchanan's schedule, especially after Buchanan received the Nobel Prize in 1986 when she became his official agent. Types of material include correspondence, calendars, schedules, and travel documents. Similar files that may have been kept by Buchanan are located in Series 5: Professional Service, Subseries 1: Conferences and events.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eJo Ann Burgess was an administrative assistant at the Center for Study of Public Choice from 1989 to 2014. She was responsible for the library at the Center and for the management of Buchanan's papers. Additionally, she was the secretary for the Public Choice Society and edited much of Buchanan's published works in the 1990s and 2000s, notably \u003ctitle\u003eThe Collected Works of James M. Buchanan\u003c/title\u003e, published by the Liberty Fund. As her work was closely tied to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers. In the course of processing, some of her papers were able to be identified as a discrete series.\u003c/p\u003e\n","\u003cp\u003eThere are four subseries: Correspondence; Office administration; Liberty Fund editorial work; and Public Choice Society.\u003c/p\u003e","\u003cp\u003eThis subseries contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan at the Center for Study of Public Choice. The subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to FERPA\u003c/p\u003e","\u003cp\u003eThis subseries contains materials created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. It includes edited copies of Buchanan's writings; emails; correspondence written on behalf of Buchanan; calendars; Buchanan's class materials; notes; visiting scholars program files, and working files. Working files are groupings of papers that Burgess never filed out into separate folders. They are combinations of emails, schedules, memoranda, writings drafts, invoices, and other administrative papers. The subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eFolder restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder contains a CD of Betty Tillman photographs\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eContains CD\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eThe family name is Ma and personal name is Jun. It was originally misfiled by Burgess with the family name as Jun and the personal name as Ma.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFolder includes handwritten draft of \"Panglosian Politics\"\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder includes a 3.5\" floppy disk.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eThis subseries contains materials created as part of Burgess' work editing \u003ctitle\u003eThe Collected Works of James M. Buchanan\u003c/title\u003e and \u003ctitle\u003eThe Selected Works of Gordon Tullock\u003c/title\u003e. It includes editorial committee notes and memoranda; lists of contents; correspondence; edited typescripts; permissions requests; planning documents; drafts; and working files. The subseries is arranged alphabetically. The large majority of the materials are related to \u003ctitle\u003eThe Collected Works of James M. Buchanan\u003c/title\u003e, materials related to \u003ctitle\u003eThe Selected Works of Gordon Tullock\u003c/title\u003e are noted separately. The subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThis subseries contains materials relating to the Public Choice Society, a professional organization for scholars from any academic discipline interested in public choice. Burgess was the secretary for the Public Choice Society from 1989 from 2014. Materials include correspondence, conference planning documents, and administrative files created as part of Burgess' work with the Society. The subseries is arranged chronologically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eThis series contains articles, books, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some materials contain correspondence with the authors. Some writings are about Buchanan and his ideas. Some writings were filed by author, others were in folders containing writings from multiple different authors. No additional filing out of writings was done under the NEH grant. The series is arranged alphabetically by surname of author. Materials where Buchanan is a coauthor are found in Series 3: Writings.\u003c/p\u003e","\u003cp\u003eBack cover has penciled notes of James Buchanan's on joint supply\u003c/p\u003e","\u003cp\u003econtains annotations by Buchanan\u003c/p\u003e","\u003cp\u003eIncludes the Foundations for Normative Individulism by James Buchanan.\u003c/p\u003e","\u003cp\u003eOriginal discarded due to mold damage.\u003c/p\u003e","\u003cp\u003eScope Note: heavily annotated by Buchanan\u003c/p\u003e","\u003cp\u003eThis series contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Audiovisual material topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others; television appearances; programs of related interest to Buchanan; and Center for Study of Public Choice events. Born-digital material topics include Center photographs and drafts of writings. Materials are arranged by format, and then chronologically.\u003c/p\u003e\n","\u003cp\u003eSome materials have been digitized. Please contact speccoll@gmu.edu to ensure that the specific materials you are interested in viewing are able to be accessed.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content"],"scopecontent_tesim":["The James M. Buchanan papers largely consist of correspondence, writings, and administrative files created between the years 1930-2014. The collection contains 9 series.","Series 1: Biographical materials (circa 1800s, 1944-2012) contains information about James M. Buchanan's life and career. It is further divided into four subseries. Subseries 1.1: Ann Bakke Buchanan papers contains materials created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some addressed to both James and Ann as a couple. Subseries 1.2: Awards contains newspapers clippings, congratulatory letters, photographs, and memorabilia relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics. Subseries 1.3: Education contains study notes, essays, syllabi, and research notes from Buchanan's education, mostly from his PhD study at the University of Chicago. Subseries 1.4: Clippings contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended.","Series 2: Correspondence (1951-2014) contains letters, emails, memoranda, cards, and other forms of written communication, mostly dealing with Buchanan's professional career. Subseries 2.1: Alphabetical correspondence contains the bulk of the correspondence, filed alphabetically by correspondent, subject, or name of an organization. Subseries 2.2: Chronological correspondence is a small amount of unrelated correspondence that was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess.","Series 3: Writings (1946-2012) contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers.","Series 4: Academia (1946-2013) contains correspondence, reports, planning documents, and grant files relating to Buchanan's work at various universities, primarily University of Virginia, Virginia Polytechnic Institute (now Virginia Tech), and George Mason University. Subseries 4.1: Administration contains reports, memoranda, correspondence, photographs, calendars, and planning documents relating to department and university business. Subseries 4.2: Teaching contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Subseries 4.3: Grants contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Subseries 4.4: Thomas Jefferson Center for Studies in Political Economy contains annual reports, photographs, and correspondence from the University of Virginia's Thomas Jefferson Center, which was active from 1958 to 1968. Subseries 4.5: Center for Study of Public Choice contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating to the Center, an academic unit at Virginia Polytechnic Institute from 1968 to 1983 and at George Mason University from 1983 onwards.","Series 5: Professional Service (1958-2013) This series contains materials relating to Buchanan's professional activities outside of his university responsibilities. Subseries 5.1: Conferences and events contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. Subseries 5.2: Consulting and organizations contains annual reports and correspondence relating to Buchanan's work with various organizations outside of his work as a university professor. ","Series 6: Betty Tillman papers (1968-2008) contains files created by Betty Tillman, administrative assistant to Buchanan and administrative director of the Center for Study of Public Choice. Subseries 6.1: Correspondence contains letters, emails, memoranda, and cards sent and received by Tillman. Subseries 6.2: Office administration contains planning documents, organizational files, and other materials relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Subseries 6.3: Conferences, events and travel contains correspondence, calendars, schedules, and travel documents relating to events attended by Buchanan, coordinated by Tillman. It also contains materials created by Tillman as the conference coordinator for the Liberty Fund and Center conferences and events.","Series 7: Jo Ann Burgess papers (1972-2014) contains files created by Jo Ann Burgess, administrative assistant and editor to Buchanan and secretary for the Public Choice Society. Subseries 7.1: Correspondence contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan and the Center for Study of Public Choice. Subseries 7.2: Office administration contains correspondence, calendars, notes, program files, and edited drafts created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. Subseries 7.3: Liberty Fund editorial work contains planning documents, correspondence, and drafts created as part of Burgess' work editing  The Collected Works of James M. Buchanan  and  The Selected Works of Gordon Tullock  on behalf of the Liberty Fund. Subseries 7.4: Public Choice Society contains correspondence, conference planning documents, and administrative files created as part of Burgess' work as the secretary of the Public Choice Society, a professional organization. ","Series 8: Writings by others (1930-2014) contains articles, book drafts, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some writings are about Buchanan and his ideas. ","Series 9: Audiovisual and born-digital materials (circa 1970s-2013) contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others and Center for Study of Public Choice events.","The biographical series contains information about James M. Buchanan's personal life, education, awards, and clippings of articles about him and his career. There are also materials kept by his wife, Ann Bakke Buchanan. The series is divided into four subseries: Ann Bakke Buchanan papers, Education, Awards, and Clippings. Additional materials not in subseries include personal photographs and Buchanan family history.","This subseries contains papers created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some is addressed to both James and Ann as a couple. Recipe cards were removed from seven recipe card boxes and reboxed. Photographs of the original housing are available by request. Recipes are a mix of clippings and handwritten recipes from Ann Buchanan and her friends and relatives. Some recipes and notebooks are written in shorthand.","This subseries contains materials relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics, but there are also materials about the National Humanities Medal and other awards. Types of material include newspaper clippings, congratulatory letters, photographs, and memorabilia.","Removed from Buchanan House display.","Removed from Buchanan House display","Removed from Buchanan House display","Removed from Buchanan House display","Removed from Buchanan House display.","Contains CD","This subseries contains materials related to Buchanan's education, mostly from his PhD study at the University of Chicago. Some materials appear to be compiled by a person other than Buchanan, since they predate his study at the University of Chicago. Types of materials include study notes, essays, syllabi, and research notes. This subseries includes notes from classes taught by Frank H. Knight and Milton Friedman.","Removed from Buchanan House display.","Appears to be notes from a student other than Buchanan","Removed from Buchanan House display","Removed from Buchanan House display.","Removed from Buchanan House display","This subseries contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended. Note that the clippings related to the Nobel Memorial Prize in Economics are located in the Awards subseries. Clippings of articles written by Buchanan are located in the Writings series. Many clippings are in languages other than English.","The correspondence series contains letters, emails, memoranda, cards, and other forms of written communication sent to and received by Buchanan. The series is divided into two subseries: alphabetical correspondence and chronological correspondence. The bulk of the correspondence was filed alphabetically by correspondent or type of correspondence. A small amount of unrelated correspondence was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess. The bulk of the correspondence in both subseries deals with Buchanan's professional career from his time at the University of Virginia until his retirement, including discussion of publications, manuscripts, events, and academic business. The bulk of the correspondence starts in 1950. There are very few letters prior to 1950. There is a photocopy of a letter from 1941 in Box 56 Folder 1 J. ","Note that some correspondence is located in their original filing location in other series Additional correspondence concerning Buchanan's writings is located in Series 3: Writings, foldered with its related work. Some correspondence relating to the Center for Study of Public Choice, grant applications, and academic departmental administration is located in Series 4: Academia. Some correspondence relating to events, conferences, and travel accommodations is located in Series 5: Professional Service, Subseries 1: Conferences and events. Buchanan's email was handled by Betty Tillman and Jo Ann Burgess, and much of his email is located in Series 6: Betty Tillman papers, Subseries 3: Office administration, and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. Check the relevant series and subseries notes for additional information.","Alphabetical correspondence is correspondence filed alphabetically by subject, by the surname of the correspondent, or by the name of the organization. Filing was likely done by Betty Tillman. Some correspondence is grouped under a single letter, for example, a folder titled \"A\" contains multiple correspondents and organizations that start with the letter A. Some are grouped in a range of letters, for example, a folder title \"E-F\" contains correspondents starting with either E or F. It is unclear why some were filed out into individual folders and others were left in large files under a single letter or letter range. Note that there are some issues with the original filing, for example the surname \"da Empoli\" is sometimes filed under D and sometimes under E. Sometimes letters discussing a person are filed under that person's surname, and sometimes under the surname of the person requesting the information. Additionally, previous processors filed out some correspondence into individual folders. No additional re-filing was done under the NEH grant.","Flagged item restricted for personally identifiable information.","Folder created by Buchanan in April 2007. Contains personal and professional correspondence from 1966-1999.","Folder restricted due to FERPA.","Contains media: photographs","Restriction: FERPA and PII restriction.","Bulk of the folder is correspondents \"D.\" Includes some letters from J. Clayburn LaForce.","contains note: \"Removed from 'The Power of Freedom: Uniting Human Rights and Development' by processing archivist 2021-09-09'","Potential preservation concerns (fading)","Folder restricted until 2033 due to recommendation letter","Flagged item restricted until 2027 due to recommendation.","Folder restricted for letters of recommendation","Folder restricted for letters of recommednation and FERPA.","Flagged items restricted for letters of recommendation and FERPA.","Flagged item restricted for personally identifiable information.","Restricted for bank account information","Flagged item restricted for personally identifiable information.","Flagged item restricted for FERPA","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for personnel information.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged item restricted for FERPA.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged item restricted for FERPA","Contains photocopies of two 1941 letters from Buchanan to a professor","Flagged item restricted for letter of recommendation; restricted until 2032","Folder restricted for FERPA","Flagged item restricted for letter of recommendation until 2028.","includes correspondence from Warren Samuels and John McKinney","Flagged item restricted for letter of recommendation","Flagged items restricted until 2024 for letters of recommendation","Flagged item restricted until 2027 for letter of recommendation","Flagged item restricted until 2036 for letter of recommendation","Folder restricted until 2044 for letter of recommendation","Flagged items restricted until 2024-2026 for letters of recommendation.","Flagged items restricted for personally identifiable information.","Flagged item restricted for bank account information","Flagged items restricted until 2024-2026 for letters of recommendation.","Flagged items restricted until 2037 for letters of recommendation.","Oversize item","contains photographs","Oversize item","Folder restricted for FERPA.","Flagged items restricted for personally identifiable information.","Contains photographs","Flagged items restricted for FERPA","Contains photograph and CD","Flagged items restricted for FERPA. Contains photographs.","Contains photograph.","Flagged item restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged items restricted until 2025 for letters of recommendation.","Flagged item restricted until 2034 for letter of recommendation.","Flagged item restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged items restricted until 2027 for letter of recommendation.","Flagged items restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged item restricted utnil 2028 for letter of recommendation.","Contains photographs","Flagged item restricted until 2038 for personally identifiable information.","Flagged item restricted until 2038 for personally identifiable information.","Flagged items restricted until 2023 and 2026 for letter of recommendation.","Flagged item restricted until 2052 for letter of recommendation.","Folder restricted until 2044 for letter of reference.","Folder restricted until 2046 for letter of reference.","Folder restricted for FERPA.","Folder restricted until 2024-2025 for letters of reference.","Folder restricted until 2024-2028 for letters of reference.","Folder restricted until 2026-2036 for letters of reference.","Folder restricted until 2028-2030 for letters of reference.","Folder restricted until 2030-2032 for letters of reference.","Folder restricted until 2030-2033 for letters of reference","Folder restricted until 2030-2033 for letters of reference","Folder restricted until 2034 for letters of reference.Flagged items restricted due to FERPA.","Folder restricted until 2034-2036 for letters of reference.","Folder restricted until 2035-2038 for letters of reference.","Folder restricted until 2037-2039 for letters of reference.","Folder restricted until 2038 for letters of reference.","Folder restricted until 2039-2041 for letters of reference.","Folder restricted until 2039-2041 for letters of reference.","Folder restricted for FERPA","Contains photograph","Oversize \"Buchanan Expedition\" map of the United States with highlighted road trips","Removed from binder","Folder restricted for FERPA.","Folder restricted for FERPA.","Folder restricted until 2037 for letter of recommendation.","Contains correspondence with Ross Mackenzie of The Richmond News Leader, E.J. Mishan, Roland McKean, James C. Miller III, and others","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged item restricted for personally identifiable information.","Flagged items restricted for FERPA.","Chronological correspondence is unrelated correspondence from a certain date range that was filed together in a single folder. It is unclear why this correspondence was not filed out alphabetically. Chronological correspondence from 1987 onwards seems to have been kept by Jo Ann Burgess and never officially filed into designated folders. These folders include correspondence from Buchanan on topics across his work, with a focus on publications and events and travel. There are also assorted office administration materials handled by Burgess in these folders. Topics of the chronological correspondence and the correspondents seem to be similar to that of the alphabetical correspondence.","Includes Ronald Reagan form letter","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","The writings series contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers. The series is filed alphabetically by title of the work. Note that some of Buchanan's works went by multiple titles in the draft stage, and may not be filed together as a result. Some papers presented by Buchanan at conferences or given as lectures are located in Series 5: Professional services Subseries 1: Conferences and events.","Jo Ann Burgess acted as an editor for much of Buchanan's writings from the 1990s and 2000s. There are edited copies and drafts of some of Buchanan's writings, notably  Politics by Principle, Not Interest ,  The Return to Increasing Returns , and  Post-Socialist Political Economy  in Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. The bulk of the materials relating to  The Collected Works of James M. Buchanan  are located in Series 7: Jo Ann Burgess papers, Subseries 3: Liberty Fund editorial work, as Burgess kept the files for that project.","Flagged items restricted for FERPA.","Note: work also titled \"Work supply under Increasing Returns\"","various titles","Flagged items restricted for FERPA.","This series contains materials relating to Buchanan's work at various universities, notably University of Virginia, Virginia Polytechnic Institute (VPI or Virginia Tech), and George Mason University. The series is divided into five subseries: Administration, Teaching, Grants, Thomas Jefferson Center for Studies in Political Economy, and Center for Study of Public Choice.","This subseries contains reports, memoranda, correspondence, CVs, photographs, calendars, and planning documents relating to Buchanan's work at various universities, primarily Virginia Polytechnic Institute (also known as Virginia Tech or VPI) and George Mason University. Topics include economics department functioning and planning, Buchanan's academic output, schedules, and university events and policies. The subseries is arranged chronologically.","Many of the administrative aspects of Buchanan's work were handled by Betty Tillman and Jo Ann Burgess. Series 6: Betty Tillman papers, Subseries 2: Office administration and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration contain much related material.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","This subseries contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Buchanan would often present his own draft works to students for comment, so some of his draft writings are in this subseries. The subseries is arranged chronologically. Materials created by or relating to specific students are restricted due to the Family Educational Rights and Privacy Act (FERPA).","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Includes correspondence discussed in lecture notes","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","This subseries contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Specific granting agencies include the National Science Foundation, the Ford Foundation, and others. Grants were primarily written for funding research projects in economics, specifically in public choice. Grants that were undertaken to fund operations of the Center for Study of Public Choice are found in Subseries 5: Center for Study of Public Choice. Some correspondence with granting agencies is located in Series 2: Correspondence. The subseries is arranged chronologically.","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","This subseries contains annual reports, photographs, and correspondence relating to the University of Virginia's Thomas Jefferson Center for Studies in Political Economy. Buchanan was a co-founder of the Center. The Center was active from 1958 to 1968. There is also information relating to  Papers on Non-Market Decision Making , a journal founded by the Center that later became  Public Choice . The subseries is arranged chronologically.","Item originally part of Buchanan House Display","Item originally part of Buchanan House Display","Item originally part of Buchanan House Display","This subseries contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating the Center for Study of Public Choice, an academic unit founded at Virginia Polytechnic Institute in 1968. The Center was moved to George Mason University in July 1983 and continues operations there as of 2023. The subseries contains correspondence and planning documents from multiple directors of the Center, including Robert Tollison, David Levy, Mark Crain, and others. There are also materials relating to the Public Choice Society prior to Jo Ann Burgess' time as the Public Choice Society administrator, approximately 2003. The subseries is arranged chronologically.","Betty Tillman was the administrative director of the Center in the 1990s and 2000s, and many Center materials can be found in in Series 6: Betty Tillman papers, especially in Subseries 1: Correspondence and Subseries 2: Office administration. Center tasks were also sometimes a part of the duties of Jo Ann Burgess, and some Center material can be found in Series 7: Jo Ann Burgess papers, especially Subseries 1: Correspondence and Subseries 2: Office administration. ","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Donor is anonymous by request. Publication of the donor information in conjunction with the Center for Study of Public Choice is not permitted.","Flagged items restricted for personally identifiable information","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","This series contains materials relating to Buchanan's professional activities outside of his university and Center for Study of Public Choice responsibilities. The series is divided into two subseries: Conferences and events, and Consulting and organizations. The series is arranged chronologically.","This subseries contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. This subseries also contains materials related to conferences organized by Buchanan or Betty Tillman, often in partnership with the Liberty Fund. Note that the subseries is arranged chronologically by date of the materials that exist in the folder, not by date of the conference or event. Event planning could stretch to a year or two before the event took place, especially for events occurring in the first half of the calendar year. ","Tillman was responsible for scheduling and organizing much of Buchanan's travel, especially after he received the Nobel Prize in 1986. Similar files kept by Tillman on Buchanan's travel and event attendance are located in Series 6: Betty Tillman papers, Subseries 3: Conferences, events and travel.","Contains book reviews of  Cost and Choice  and  Academia in Anarchy.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","Originally part of Buchanan House display","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Contains zip disk and 3.5' floppy disk.","Flagged items restricted for FERPA.","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","This subseries contains committee meeting notes, annual reports, and correspondence relating to Buchanan's work with various outside organizations. Buchanan served on boards for some organizations, including the Mont Pelerin Society. Those records are mostly found here, although some conference organizing material for the Mont Pelerin Society and Liberty Fund is located in Subseries 1: Conferences and events. The subseries is arranged chronologically.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Betty Tillman was an administrative assistant for James M. Buchanan and the Center for Study of Public Choice from 1962 to 2007. Her work included typing Buchanan's correspondence, scheduling his travel and conference events, and liaising with publishers and outside parties on Buchanan's behalf. As a member of the Center and eventual administrative director, she made arrangements for the visiting scholars program, managed personnel, kept financial records, and coordinated events and conferences, among many other duties. As her work was integral to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers as well. In the course of processing, some of her papers were able to be identified as a discrete series. ","Tillman's papers are divided into three subseries: Correspondence; Office administration; and Conferences, events and travel.","This subseries contains letters, emails, memoranda, and cards sent and received by Betty Tillman. Work correspondence includes topics such as event organization, visiting scholars program, and other Center for Study of Public Choice business. There is also personal correspondence belonging to Tillman in the subseries. There are also notes from Buchanan to Tillman, mostly about administrative matters. Note that Tillman printed out most of email she received, and in many cases did not file it out by correspondent or subject. Correspondence is filed alphabetically by subject, by the surname of the correspondent, by the name of the organization, or by the type of correspondence.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","includes floppy disc","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Contains photograph","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","This subseries contains planning documents, scheduling documents, meeting minutes, and notes relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Note that there is correspondence belonging to Buchanan that was handled by Tillman and not filed out. Similarly, pending and working files contain correspondence, schedules, notices, invoices, and other documents that Tillman did not file out into their own completed folders. The subseries is arranged alphabetically.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","There are no restrictions on access, but reproductions of material in this folder are restricted","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to FERPA","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information and FERPA.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to FERPA","Flagged items restricted due to personally identifiable information","This subseries contains files on events attended by Buchanan. Tillman was responsible for Buchanan's schedule, especially after Buchanan received the Nobel Prize in 1986 when she became his official agent. Types of material include correspondence, calendars, schedules, and travel documents. Similar files that may have been kept by Buchanan are located in Series 5: Professional Service, Subseries 1: Conferences and events.","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Jo Ann Burgess was an administrative assistant at the Center for Study of Public Choice from 1989 to 2014. She was responsible for the library at the Center and for the management of Buchanan's papers. Additionally, she was the secretary for the Public Choice Society and edited much of Buchanan's published works in the 1990s and 2000s, notably  The Collected Works of James M. Buchanan , published by the Liberty Fund. As her work was closely tied to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers. In the course of processing, some of her papers were able to be identified as a discrete series.","There are four subseries: Correspondence; Office administration; Liberty Fund editorial work; and Public Choice Society.","This subseries contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan at the Center for Study of Public Choice. The subseries is arranged alphabetically.","Flagged items restricted due to FERPA","This subseries contains materials created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. It includes edited copies of Buchanan's writings; emails; correspondence written on behalf of Buchanan; calendars; Buchanan's class materials; notes; visiting scholars program files, and working files. Working files are groupings of papers that Burgess never filed out into separate folders. They are combinations of emails, schedules, memoranda, writings drafts, invoices, and other administrative papers. The subseries is arranged alphabetically.","Folder restricted due to personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for financial and personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder contains a CD of Betty Tillman photographs","Flagged items restricted for personally identifiable information.","Contains CD","Flagged items restricted for personally identifiable information.","Folder restricted due to FERPA.","The family name is Ma and personal name is Jun. It was originally misfiled by Burgess with the family name as Jun and the personal name as Ma.","Flagged items restricted for personally identifiable information.","Folder includes handwritten draft of \"Panglosian Politics\"","Flagged items restricted for FERPA.","Folder includes a 3.5\" floppy disk.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted due to FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","This subseries contains materials created as part of Burgess' work editing  The Collected Works of James M. Buchanan  and  The Selected Works of Gordon Tullock . It includes editorial committee notes and memoranda; lists of contents; correspondence; edited typescripts; permissions requests; planning documents; drafts; and working files. The subseries is arranged alphabetically. The large majority of the materials are related to  The Collected Works of James M. Buchanan , materials related to  The Selected Works of Gordon Tullock  are noted separately. The subseries is arranged alphabetically.","This subseries contains materials relating to the Public Choice Society, a professional organization for scholars from any academic discipline interested in public choice. Burgess was the secretary for the Public Choice Society from 1989 from 2014. Materials include correspondence, conference planning documents, and administrative files created as part of Burgess' work with the Society. The subseries is arranged chronologically.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for financial information.","This series contains articles, books, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some materials contain correspondence with the authors. Some writings are about Buchanan and his ideas. Some writings were filed by author, others were in folders containing writings from multiple different authors. No additional filing out of writings was done under the NEH grant. The series is arranged alphabetically by surname of author. Materials where Buchanan is a coauthor are found in Series 3: Writings.","Back cover has penciled notes of James Buchanan's on joint supply","contains annotations by Buchanan","Includes the Foundations for Normative Individulism by James Buchanan.","Original discarded due to mold damage.","Scope Note: heavily annotated by Buchanan","This series contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Audiovisual material topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others; television appearances; programs of related interest to Buchanan; and Center for Study of Public Choice events. Born-digital material topics include Center photographs and drafts of writings. Materials are arranged by format, and then chronologically.","Some materials have been digitized. Please contact speccoll@gmu.edu to ensure that the specific materials you are interested in viewing are able to be accessed."],"separatedmaterial_html_tesm":["\u003cp\u003eIssue of \u003ctitle\u003eThe Wall Street Journal\u003c/title\u003e, December 21, 1992 removed and housed in Box 543.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Issue of  The Wall Street Journal , December 21, 1992 removed and housed in Box 543."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_0bc2473150c319436276a1da8ef369a9\" label=\"Abstract\"\u003eThe James M. Buchanan papers consist of materials created primarily by economist James M. Buchanan (1919-2013) from the years 1936-2014. There are also materials created by the Center for Study of Public Choice, an academic unit associated with Virginia Tech (1969-1983) and George Mason University (1983-). The papers document Buchanan's career and academic output, primarily in the field of public choice economics and political economy.\u003c/abstract\u003e"],"abstract_tesim":["The James M. Buchanan papers consist of materials created primarily by economist James M. Buchanan (1919-2013) from the years 1936-2014. There are also materials created by the Center for Study of Public Choice, an academic unit associated with Virginia Tech (1969-1983) and George Mason University (1983-). The papers document Buchanan's career and academic output, primarily in the field of public choice economics and political economy."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b0c53c39bdb12bf69a095c3db88292a9\"\u003e\nR 101 - 102\n\nOS R 1, C 3, S 3-5\nMap Case 24.1\u003c/physloc\u003e"],"physloc_tesim":["\nR 101 - 102\n\nOS R 1, C 3, S 3-5\nMap Case 24.1"],"names_coll_ssim":["George Mason University. Center for Study of Public Choice","Public Choice Society"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for Study of Public Choice","Public Choice Society","Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for Study of Public Choice","Public Choice Society"],"persname_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"language_ssim":["The bulk of the materials are in English. Additional languages in the collection include German, Italian, French, Spanish, Norwegian, Dutch, Turkish, Japanese, Korean, and Chinese."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8943,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:18:42.949Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_367_c02_c02_c02"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":232},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026f%5Brepository%5D%5B%5D=Alexandria+Library\u0026view=list"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":8753},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026view=list"}},{"attributes":{"label":"Edgar Cayce Foundation","value":"Edgar Cayce Foundation","hits":54},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026f%5Brepository%5D%5B%5D=Edgar+Cayce+Foundation\u0026view=list"}},{"attributes":{"label":"Fairfax County Public Library","value":"Fairfax County Public Library","hits":98},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026f%5Brepository%5D%5B%5D=Fairfax+County+Public+Library\u0026view=list"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":10991},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=list"}},{"attributes":{"label":"Hampden-Sydney 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Dominion University","hits":4515},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026view=list"}},{"attributes":{"label":"Randolph-Macon College","value":"Randolph-Macon College","hits":75},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026f%5Brepository%5D%5B%5D=Randolph-Macon+College\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1978\u0026view=list"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"Are You a Mountaineer Fan?\" Poster","value":"\"Are You a Mountaineer Fan?\" Poster","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Are+You+a+Mountaineer+Fan%3F%22+Poster\u0026f%5Bdate_range%5D%5B%5D=1978\u0026view=list"}},{"attributes":{"label":"\"Arts in Virginia\" 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Histories","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=201st+National+Guard+Regiment+Histories\u0026f%5Bdate_range%5D%5B%5D=1978\u0026view=list"}},{"attributes":{"label":"4-H Project, West Virginia Flowers and Trees and Other Records","value":"4-H Project, West Virginia Flowers and Trees and Other Records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=4-H+Project%2C+West+Virginia+Flowers+and+Trees+and+Other+Records\u0026f%5Bdate_range%5D%5B%5D=1978\u0026view=list"}},{"attributes":{"label":"8th Evacuation Hospital collection","value":"8th Evacuation Hospital collection","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=8th+Evacuation+Hospital+collection\u0026f%5Bdate_range%5D%5B%5D=1978\u0026view=list"}},{"attributes":{"label":"A. Christian Compton Papers","value":"A. Christian Compton Papers","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=A.+Christian+Compton+Papers\u0026f%5Bdate_range%5D%5B%5D=1978\u0026view=list"}},{"attributes":{"label":"A. E. Dick Howard papers","value":"A. E. Dick Howard papers","hits":14},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=A.+E.+Dick+Howard+papers\u0026f%5Bdate_range%5D%5B%5D=1978\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/collection_ssim.json?f%5Bdate_range%5D%5B%5D=1978\u0026view=list"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"0","value":"0","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026f%5Bdate_range%5D%5B%5D=0\u0026view=list"}},{"attributes":{"label":"994","value":"994","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026f%5Bdate_range%5D%5B%5D=994\u0026view=list"}},{"attributes":{"label":"995","value":"995","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026f%5Bdate_range%5D%5B%5D=995\u0026view=list"}},{"attributes":{"label":"996","value":"996","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026f%5Bdate_range%5D%5B%5D=996\u0026view=list"}},{"attributes":{"label":"997","value":"997","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026f%5Bdate_range%5D%5B%5D=997\u0026view=list"}},{"attributes":{"label":"998","value":"998","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026f%5Bdate_range%5D%5B%5D=998\u0026view=list"}},{"attributes":{"label":"999","value":"999","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026f%5Bdate_range%5D%5B%5D=999\u0026view=list"}},{"attributes":{"label":"1000","value":"1000","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026f%5Bdate_range%5D%5B%5D=1000\u0026view=list"}},{"attributes":{"label":"1001","value":"1001","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026f%5Bdate_range%5D%5B%5D=1001\u0026view=list"}},{"attributes":{"label":"1002","value":"1002","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026f%5Bdate_range%5D%5B%5D=1002\u0026view=list"}},{"attributes":{"label":"1003","value":"1003","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026f%5Bdate_range%5D%5B%5D=1003\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/date_range_isim.json?f%5Bdate_range%5D%5B%5D=1978\u0026view=list"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"201st National Guard Regiment","value":"201st National Guard Regiment","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=201st+National+Guard+Regiment\u0026f%5Bdate_range%5D%5B%5D=1978\u0026view=list"}},{"attributes":{"label":"4-H","value":"4-H","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=4-H\u0026f%5Bdate_range%5D%5B%5D=1978\u0026view=list"}},{"attributes":{"label":"4-H All Stars. 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